Wednesday MidDay Medley presents Michelle Bacon’s Favorite Releases of 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 22, 2017

Michelle Bacon’s Favorite Releases of 2017 +
Wednesday MidDay Medley’s Favorite Singles of 2017

Michelle Bacon with Wednesday MidDay Medley Executive Producer Jim “The Blind Guy” Hoschek.

We’ll play MidCoastal Releases from: Hi-Lux, Katy Guillen & The Girls, Rachel Mallin & The Wild Type, Arc Flash, Emmaline Twist, Abandoned Bells, Hembree, Radar State, The Life and Times, Chris Meck & The Guilty Birds, Approach, Red Kate, Momma’s Boy, The Atlantic, Mess, Victor & Penny, Schwervon!, David George & Friends, Freight Train Rabbit Killer, Smokey James & The Avalanche, The 238s, Witch Jail, Joon Moon, and Amy Marcus.

In our first hour we’ll play tracks from 14 of Wednesday MidDay Medley’s Favorite Singles of 2017. We’ve played from over 50 MidCoastal single releases in 2017. These songs represent the diverse talent present in our MidCoastal Music Community.

In our second hour, we welcome musician and writer, Michelle Bacon, Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle joins us to play from her Top Ten Favorite Musical Recordings of 2017. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. In 2017 she has also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. The Band That Fell To Earth is: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone…and special guests to be announced. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in Kansas City.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #709

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WMM Playlist from November 15, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 15, 2017

Victor & Penny + The Country Duo
+ Truck Stop Love + Chase the Horseman

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Lucas Oswald – “Dark On Us”
from: Whet / Cosmic Dreamer Music / September 1, 2017
[Lucas Oswald is a singer, songwriter, producer, multi-instrumentalist, recording engineer, homebody road-warrior, and lover of dogs, and international touring musician. He is currently on tour in the United Kingdom supporting Jesca Hoop, and also playing in her band. He is also a member of a member of Shearwater, and past member of the bands The Appleseed Cast, Old Canes, Hospital Ships, and Minus Story. More info at: http://www.lucasoswald.com]

3. Flying Lotus – “Massage Situation”
from: Reset – EP / WArp records / October 1, 2007
[Steven Ellison, born October 7, 1983, is an experimental multi-genre music producer, electronic musician, DJ, filmmaker, and rapper from LA, California. Flying Lotus has released 5 studio albums: 1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012) and You’re Dead! (2014) He has produced much of the bumper music on Cartoon Network’s Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. He is the grand-nephew of the late jazz pianist Alice Coltrane, and her husband saxophonist John Coltrane. He is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross’s “Love Hangover” and Freda Payne’s “I Get High (On Your Memory)”, and is Alice Coltrane’s sister. McLeod has been called by one writer “the biggest influence on Ellison’s music”. Ellison attended LA’s Film School and Academy of Art University.]

[Flying Lotus in 3D with Seven Davis Jr and PBDY play the Arvest Bank Theatre at The Midland, 1228 Main Street, KCMO, TOMORROW NIGHT, Thursday, November 16, at 8:00 PM]

4. Angel Olson – “Only With You”
from: Phases / Jagjaguwar/ November 10, 2017
[Phases is a compilation or rare tracks, studio outtakes, studio tracks showing the range of Angel Olsen’s young career and evolution. Singer songwriter and musician Angel Olsen was born January 22, 1987 and grew up in St. Louis, Missouri. She currently lives in Asheville, North Carolina.She has recorded and toured as a backing singer with Bonnie “Prince” Billy and the Cairo Gang, before embarking on her own career. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago. After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on 17 February 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016.]

5. Victor & Penny – “Wake Up Early”
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new release, with a full band show, Wed, Nov. 15, at 7:00pm, at recordBar, 1520 Grand. Info at: http://www.victorandpenny.com and http://www.therecordbar.com]

10:17 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny. The duo were honored to represent Kansas City at a New York City press event as part the America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.” Victor & Penny have also performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s 2016 EDC Awards Luncheon, KC Union Station’s Centennial Celebration, and KC Mayor, Sly James’ 2015 State of the City Address.V&P are a four-time Official Showcase Artist for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last five years. In 2016 V&P released their 4th album, ‘Electricity.’ and after recently getting married, and traveling to Europe and Spain, Victor & Penny are back and are releasing their first ever vinyl 7-inch vinyl single though EAT.HEAR.RECORDS.

Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new 7″ vinyl release, with a full band show, TONIGHT (Wed, Nov. 15), at 7:00pm, at recordBar, 1520 Grand

Jeff Freling and Erin McGrane recently returned from Europe and Spain from their honeymoon. Two of the hardest working people in show business, they are performing at recordBar in celebration of your new single.

Celebrating the simultaneous launch of EAT. HEAR. RECORDS and the first release on the new label, Victor & Penny and their Loose Change Orchestra will play a full band show at the Record Bar, home of the new label.

The 7”/ 45rpm vinyl record by Victor & Penny offers a new sonic landscape from the band as they have expanded to include drums with local jazz drummer, Brian Steever. Mr. Steever will join the band for a portion of the special concert.

The Loose Change Orchestra with James Isaac on clarinet, soprano saxophone and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist.

EAT.HEAR.RECORDS. was created by Steve Tulipana and the team at recordBar.

Copies of the record will be available for purchase at the show. The songs will also be available digitally. Each quality vinyl record is highly collectible as only 500 copies will be pressed and no re-pressing will be offered. The limited run will be numbered and signed. EAT. HEAR. RECORDS plans to release a different artist each quarter on limited edition collectible vinyl.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Ms. McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter. The duo was married in May 2017 and recently returned from an extended overseas honeymoon in Spain and Portugal (Oct. 2017).

Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new 7″ vinyl release, with a full band show, TONIGHT (Wed, Nov. 15), at 7:00pm, at recordBar, 1520 Grand

10:30

6. Victor & Penny – “She Say She Knows”
from: She Say She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new release, with a full band show, Wed, Nov. 15, at 7:00pm, at recordBar, 1520 Grand. Info at: http://www.victorandpenny.com and http://www.therecordbar.com]

10:34 – Underwriting

Marco Pascolini, Jeff Freling, Erin McGrane, and Kasey Rausch on the November 15, 2017 edition of Wednesday MidDay Medley.

7. The Country Duo – “The Crumbling Of My Heart”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

10:40 – Interview with Kasey Rausch and Marco Pasolini

Kasey Rausch is one of the first musicians to play live on Wednesday MidDay Medley. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas , and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM.

Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleave designs including the new Victor & Penny 7″ Single. On electric guitar and pedal steel he plays and tours with Kasey Rausch as The Country Duo.

The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

Bluegrass Goes Country w/ The Country Duo Benefit for Harvesters, Sunday, November 26 at 3 PM, at the Stockyards Brewing Co. 1600 Genessee St Ste 100, KCMO

After just a year of working together as a duo, 2016 found the two playing in Nashville at the Station Inn, recording at the legendary Sun Studio in Memphis, TN as well as being invited by Sun Studio to film the PBS Sun Studio Sessions. Airing on PBS stationsy.

The Country Duo

Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO

A passion for good ol’ country music, you’ll hear them play Rausch’s original tunes as well as the classics from Patsy to Merle, Gram to Emmylou

The Country Duo recently played Apocalypse Meow 10, November 3, at 7:00 PM, at Mills Record Company, w/ The Country Duo, Bohemian Cult Revival, and Headlight Rivals

The Country Duo is KC’s Kasey Rausch and Marco Pascolini. Armed with acoustic and electric guitars, a pedal steel, and a passion for good ol’ country music, you’ll hear them play Rausch’s original tunes as well as the classics from Patsy to Merle, Gram to Emmylou.

Kasey Rausch is co-producer of River Trade Radio

Marco Pascolini is a guitar legend be it an electric guitar or a pedal steel in his hands.

The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

10:56

8. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

11:00 – Station ID

9. Truck Stop Love – “Tommy”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, (Jim Crego on vocals & guitar.) Twenty-five years ago Truck Stop Love made their first recordings. These previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly and vinyl-only liner notes from Edward Skoog.]

[Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

11:04 – Interview with members of Truck Stop Love

Band Members:
Rich Yarges – vocals, guitar
Jim Crego – vocals, guitar
Matt Mozier – vocals, guitar
Brad Huhmann – vocals, bass
Eric Melin – on drums

Twenty-five years ago Truck Stop Love released their first recording – a cassette recorded by the band in the back room of Vital Vinyl, a local record store in Manhattan, Kansas. This weekend, the band will release three of those songs, plus 8 more previously unreleased demo tracks and never-before-heard recordings, on vinyl LP through Kansas City coop record label Black Site. Can’t Hear It: 1991-1994 captures the band’s Midwest rock twang at its most formative, and made Truck Stop Love the first-ever Manhattan-based band to sign to a major label , get featured on MTV, in Seventeen magazine, and tour nationally. Guitarist & vocalist Rich Yarges and drummer Eric Melin formed the band in 1990. Guitarist & vocalist Matt Mozier and bassist & vocalist Brad Huhmann joined Truck Stop Love in 1991. Jim Crego came on board a few years later. Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.

Joining us on in the studio are band members: Matt Mozier & Brad Huhmann
Joining us on the phone are: Rich Yarges & Jim Crego

From press materials from Black Site Records:

One of the key bands in the early 90s Midwest underground rock scene, Truck Stop Love made Midwestern country-fuzz pop/rock and played it loud

1991 to 1994 was the key formative period for Truck Stop Love. Those years were likely even more successful for bar owners and liquor stores across the United States. When the band wasn’t out playing their music from town to town, they were writing and recording it — or “drinking,” as other people might call it.

In the beginning, the band would record anywhere someone would allow them to set up their 4-track reel-to-reel machine.

Later, they would favor Red House Recording in Lawrence, Kansas and its engineer Ed Rose. During the time leading up to their 1995 release, How I Spent My Summer Vacation, they would write and record some 50 songs, most under the mind-freeing influence of Old Crow and Schaefer’s beer. From the stoney drone of “Townie” to the frenetic blast of “How I Spent My Summer Vacation” to the head-slamming psych-pop of “You Keep Searchin’,” Can’t Hear It: 1991-1994 is Truck Stop Love at its wildest, sweatiest, beer-soaked best.

To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly, Can’t Hear It:1991-1994 not only sounds good, it looks good too!

The album will be available Nov. 18 at area record stores. More info at http://www.black-site.org

To celebrate the release of the record, Truck Stop Love will play three reunion shows – their first in 13 years – November 16-18, 2017 in Manhattan, Kansas City, and Lawrence.

Thurs. Nov. 16 – Auntie Mae’s Parlor, Manhattan, KS – w/Red Kate and Chris Tolle

Fri. Nov. 17 – recordBar, Kansas City, MO – w/The Pedaljets, Red Kate, and Chris Tolle

Sat. Nov. 18 – The Bottleneck, Lawrence, KS – w/Red Kate and The Headlight Rivals

TRUCK STOP LOVE IS THREE F@#%ING WORDS

The early ’90s were a huge time for underground rock and roll. Everybody knows about “grunge” and the Seattle music explosion, but another movement was bubbling up around the same time in the Midwest, and it has proven to be just as influential on today’s music scene, if far less hyped.

Call it “No Depression”, Americana, Alt/Country, or whatever, but bands like Minneapolis’ The Jayhawks, St. Louis’ Uncle Tupelo, and other, smaller bands paved the way for artists like Ryan Adams and (insert hot-shit new country rock band here) to incorporate a little local twang into their punk rock ethos.

Long before it was cool to wear a trucker hat, a little band from Manhattan, Kan. called Truck Stop Love stopped drinking long enough (well, not really stopped) to record a 1993 self-titled EP and a 1995 full-length that, courtesy Los Angeles’ Scotti Bros/Backyard Records, slowly crept its way across the plains and into the stereos of America. And then those albums were played loud.

Guitarist/vocalist Rich Yarges and drummer Eric Melin formed the band in 1990, but it wasn’t until guitarist/vocalist Matt Mozier and bassist/vocalist Brad Huhmann joined Truck Stop Love in 1991, that the band solidified their aggressive, fuzzed-out rock sound. In the back room of a record store in Manhattan, TSL recorded a demo tape (yes, people used cassettes back then) that won them a spot in MTV’s national band competition, “Dodge’s Rockin’ Campus Bash.” A smashed guitar, a flat tire, and a many big hangovers followed.

Another well-received demo, recorded at Red House in Lawrence, garnered the attention of the College Music Journal, which gave it a glowing spotlight review that sent labels scurrying to the unlikely locale of Manhattan.

Ignoring the advice of their lawyer, Truck Stop Love signed with Scotti Brothers Records, a label best known for “Weird Al” Yankovic and Survivor. “We thought it would be a good idea because we heard they were run by the mob,” Melin explains. Truck Stop Love’s self-titled debut EP contains some of their best-loved tunes, including “Stagnation,” “River Mountain Love,” and “Townie.” The band hit the road hard after that in Hi-Tone, their 1954 Chevy school bus. The gas mileage was horrible, but it looked cool and it was big, allowing the members to be apart from each other whenever fights would break out.

The group covered “Listen To Her Heart” for You Got Lucky – A Tribute To Tom Petty and participated in the sold-out “Lucky” tribute concert at the House Of Blues in Los Angeles in January of 1995. The show was later seen by more than 3 million music fans when it aired on ABC’s late-night music show “In Concert.”

How I Spent My Summer Vacation is the album that defines Truck Stop Love for many in the Midwestern music scene. Produced at Memphis’ legendary Ardent Studios by Big Star drummer Jody Stephens and Jeff Powell (Afghan Whigs, Primal Scream), the album is a dizzying mix of TSL’s wide influences. Drenched with loud guitars and a twist of country, the album features a dozen songs that range from the subtle country yearnings of “Whiskey Waltz,” to the catchy hooks of “Other Stars,” and the in-your-face fury of “You Owe.” The raw emotions of small-town boredom and angst are evident on hard-rocking tracks like “Bitter Boy,” “Benny” and the title cut “How I Spent My Summer Vacation.” Rounding out the record are the bittersweet “Carolina’s Eyes,” and a hidden, thirteenth track – an acoustic duet between Stephens and guitarist/vocalist Mozier.

A great sounding record and an expensive video weren’t enough for the label to push four unpolished Kansas scrubs into the national spotlight, and, despite college radio airplay and the support of commercial Lawrence giant, KLZR (R.I.P.), the album didn’t catch on with the pre-TRL crowd. After a typical drunken fight (“Beatles or Stones?”) between band members escalated into a wrestling match on a concrete back porch, Mozier left the band, and the remaining members soldiered on.

Mozier’s replacement was Jim Crego, formerly of the Minneapolis powerhouse God’s Favorite Band. Truck Stop Love’s new focus was on a tighter, more focused pop sensibility. Crego brought his melodic chops into play immediately as the band recorded a split 7-inch with Lawrence rockers Action Man, and three tracks for various compilation CDs. More touring, more drinking, and a new demo with Ed Rose at Red House came next. The new material was some of the best stuff TSL had recorded, but Scotti Brothers’ experiment in the post-Nirvana alternative explosion had ended, and so had the band.

Aside from a string of three notoriously rowdy reunion gigs in 2004, it would seem the band had finally called it quits. But early in 2017, possibly after a few too many (no one will admit, or can remember), the band felt it was finally time to get the their material online for the next generation to hear (and before their generation’s CD players all stopped working). Not interested in angering their former mafia bosses, they decided to focus on the 50+ songs they had recorded themselves. Resurrecting those tunes from hibernation, however, would require special skills and high technology. Fortunately, longtime friend of the band, Kliph Scurlock, had both the skills AND the technology needed to remaster the songs back to life.

When Huhmann’s former band mates in Red Kate, founders of the Black Site record label cooperative, got wind of what Truck Stop Love was up to, they knew they had to put out a record. They were struck by the urgency and intensity of the recordings, especially in this age of over-produced, digitally perfect “rock.” After a couple beers and repeated assurances that Black Site was not in any way “connected,” Truck Stop Love’s second full-length LP, Can’t Hear It: 1991-1994, was born. From the stoney drone of “Townie” to the frenetic blast of “How I Spent My Summer Vacation” to the headslamming psych-pop of “You Keep Searchin’,” this is Truck Stop Love at its wildest, sweatiest, beer-soaked best.

Rich Yarges, Matt Mozier, Brad Huhmann and Jim Credo thanks for being on WMM

To celebrate the release of the record, Can’t Hear It: 1991-1994, on Black Site Records, Truck Stop Love will play three reunion shows – their first in 13 years – November 16-18, 2017 in Manhattan, Kansas City, and Lawrence.

Thurs. Nov. 16 – Auntie Mae’s Parlor, Manhattan, KS – w/Red Kate and Chris Tolle
Fri. Nov. 17 – recordBar, Kansas City, MO – w/The Pedaljets, Red Kate, and Chris Tolle
Sat. Nov. 18 – The Bottleneck, Lawrence, KS – w/Red Kate and The Headlight Rivals

11:22

10. Truck Stop Love – “Townie”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, (Jim Crego on vocals & guitar). Twenty-five years ago Truck Stop Love made their first recordings. These previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly and vinyl-only liner notes from Edward Skoog.]

[Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

11. JohnnySuperColossal – “She Culture”
from: Doors in the Wall / HearYou Music / October 27, 2017
[JohnnySuperColossal is the musical project of KC based Shawn Stewart who is originally from Chicago.]

11:32 – Underwriting

12. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

11:36 – Interview with Chase the Horseman

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

The song “RIPchord” is the first single released by Chase the Horseman from a new recording project he has been working on for this year.

Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox.

Chase the Horseman just returned from Mexico City where he attended the premiere of a new film project where he composed music for the score of the film series.

Chase the Horseman lists his influences as: Brian Eno, St. Vincent, A Tribe Called Quest, Grizzly Bear, Feist, and James Blake.

In February Chase released a digital album of 16 songs called Covers & Others, with for ACLU.

Last time Chase was on the radio show, he brought KD Kuro aka Kwame Boateng who he helped to produce his solo album. Earlier Chase was on the show with Teri Ann Quinn who he helped in her debut EP recording of Moons and Meltdowns, as producer, engineer, performer.

Chase also perform at Middle of The Map Fest a few years ago with Heidi Lynne Gluck at our Wednesday Midday Medley Day Party. A lot of Chase’s work is in collaboration with other artists.

More info: chasethehorseman.bandcamp.com

Bandography:
The Cherry Tree Parade – writer, performer 2007-2008 – Self Titled E.P. 2009
*The Low End – performer, producer, mixer, engineer 2009-2010 – House Fire E.P. 2009
Lower 48 Single 2010
*The Heat Index – producer, engineer, mixer 2010 – Horsehead E.P. 2010
*The Vowels – mixer/performer 2011 – Alligator Pear L.P. 2011
*Fake Natives – producer, performer, mixer, engineer 2011 – Self Titled L.P. 2011
*Towers – writer, performer, engineer, mixer, producer 2010-Present – For Whatever We Were & What Will Never Be L.P. 2012
*Clairaudients – guitar, keyboards, aux-percussion, vocals, writer 2013-
*Teri Quinn – Producer, engineer, performer – Moons and Meltdowns E.P. 2016
*Narkalark – Producer/Engineer – Narkalark Ep II released November 18, 2016
*Molly McGlaughlin – Producer/Engineer – A Beautiful Dying 2017

11:49

13. Chase The Horseman– “Theme”
from:Theme / Chase the Horseman / unreleased
[Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

14. Cris Williamson – “I Never Meant To Hurt You”
from: Motherland / Wold Moon Records / November 14, 2017
[30 release from Cris Williamson. Written by Laura Nyro. Cris Williamson is an American feminist singer-songwriter, who achieved fame as a recording artist, and who was a pioneer as a visible lesbian political activist, during a time when few who were not connected to the Lesbian community were aware of Gay and Lesbian issues. Williamson’s music and insight has served as a catalyst for change in the creation of women-owned record companies in the 1970s. Using her musical talents, networking with other lesbian artists of musical quality, and her willingness to represent those who did not yet feel safe in speaking for themselves, Williamson is remembered by many in the LGBT community for her contributions, both artistically, and politically, and continues to be a role model for a younger generation hoping to address concerns and obtain recognition for achievements specific to people who have historically been ignored. Williamson was born in 1947 in Deadwood, South Dakota, although her family moved to Colorado and Wyoming when she was still young. Her musical idol at the time was Judy Collins, and Williamson developed a musical style and sound that was similar to that of Collins. She released her first album, The Artistry of Cris Williamson in 1964, when she was sixteen. She became a local musical sensation in Sheridan, Wyoming, releasing two following LPs afterward. Williamson graduated from the University of Denver. She supported herself initially as a schoolteacher, while at the same time collaborating with other women who were also singer-songwriters and performing artists, and began to network with Holly Near, Meg Christian, and Margie Adam, all musicians who became women artists of stature, forming an entirely new genre of music, primarily about and for women. During a radio interview in Washington, D.C. in 1973, Williamson suggested that a record label aimed at gay women would be a good idea. The independent label Olivia Records was founded the next day. Olivia Records released Williamson’s The Changer and the Changed (1975), which became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies, which would make it a gold album, although it has not been certified as such by the RIAA. (That does not disprove the sales estimate, however. Albums are not certified automatically; a record company must request certification and pay for an audit.)” Williamson went on to record more than a dozen more albums with Olivia Records, then after its demise formed her own label, Wolf Moon Records. This helped to set the pace for other recording artists who found it difficult to work with the major record labels.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 22, we play our Top Ten Favorite Singles of 2017. In our second hour Michelle Bacon joins us with het Top Ten Favorite releases of 2017.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #708

Wednesday MidDay Medley presents: Victor & Penny + The Country Duo + Truck Stop Love + Chase The Horseman

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 15, 2017

Victor & Penny + The Country Duo
+ Truck Stop Love + Chase the Horsema
n

Mark plays New & MidCoastal Releases from Truck Stop Love, The Country Duo, Victor & Penny, Chase The Horseman, Flying Lotus, Lucas Oswald, JohnnySuperColossal, The Old Son, Angel Olson, and Cris Williamson.

Victor & Penny

At 10:15 Victor & Penny, aka Jeff Freling & Erin McGrane, join us to share music from their first vinyl release on the new EAT.HEAR.RECORDS. The vinyl-only label was started by Steve Tulipana and the team at recordBar. The release features two new songs recorded by Duane Trower at Weights & Measures Soundlab. Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their inaugural release, with a full band show, Wednesday, November 15, at 7:00pm, at recordBar, 1520 Grand. More info at: http://www.victorandpenny.com and http://www.therecordbar.com

The Country Duo

At 10:35, The Country Duo joins us LIVE in our 90.1 FM Studios to share songs from their debut EP, Live At Sun Studio, released September 1, 2017. The Country duo is: Kasey Rausch on vocals & acoustic guitar and Marco Pascolini on on pedal steel & baritone guitars. They recorded their EP at Sun Studio, in Memphis, Tennessee for the PBS television program, Sun Studio Sessions. The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

At 11:00 Mark welcomes members of Truck Stop Love who 25 years ago released their first recording – a cassette recorded by the band in the back room of a record store in Manhattan, Kansas. The week the band is releasing three of those songs, plus 8 more previously unreleased demo tracks and never-before-heard recordings on vinyl LP through the KC coop record label, Black Site. Guitarist & vocalist Rich Yarges and drummer Eric Melin formed the band in 1990. Guitarist & vocalist Matt Mozier and bassist & vocalist Brad Huhmann joined Truck Stop Love in 1991. Jim Crego came on board a few years later. Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle. More information at: http://www.black-site.org.

Chase The Horseman

At 11:30 Kansas City based Chase The Horseman joins us to share his latest single release, “RIPchord,” produced by Joel Nanos & Chase The Horseman at Element Recording with Fritz Hutchinson and Heidi Lynne Gluck. Chase The Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician and/or producer has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more. More info at http://www.chasethehorseman.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #708

WMM Playlist from November 8, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 8, 2017

Spinning Records With Marion Merritt
+ Katy Guillen and the Girls

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Sharon Jones & The Dap-Kings – “Matter of Time”
from: Soul of a Woman / Daptone Records / 2017

4. Zara McFarlane – “Fussin’ and Fightin'”
from: Arise / Brownswood / 2017

5. Lizz Wright – “Seems I’m Never Tired Lovin’ You”
from: Grace / Concord Records / 2017

6. Miguel De Deus – “Black Soul Brothers”
from: Black Soul Brothers / Groovie Records / 2017

7. Pucho And The Latin Soul Brothers – ” Got Myself a Good Man”
from: Jungle Fire! / Beat Goes Public / 2009 – Jungle Fire 2017

10:30 – Underwriting

8. ODESZA – “A Moment Apart”
from: A Moment Apart / Counter Records / 2017

9. ODESZA – “Just a Memory (feat. Regina Spektor)”
from: A Moment Apart / Counter Records / 2017

10. Don Drummond – “The Shock”
from: Don Cosmic / Studio One / 2017

11. Mista Savona-“El Cuarto De Tula (feat. Maikel Ante, El Medico & Turbulence)”
from: Havana Meets Kingston / VP Records / 2017

12. Mavis Staples-“Wish I Had Answered (feat. North Mississippi Allstars)”
from: Take Me To the River (Music From the Motion Picture) / Fantasy Records 2014 / Egba 2017

13. Terrence Howard & Hi Rhythm Section – “Walk Away”
from: Take Me To the River (Music From the Motion Picture) / Fantasy Records 2014 / Egba 2017

11:02 – Station ID

14. Moses Sumney – “Don’t Bother Calling”
from: Aromanticism / Jagjaguwar / 2017

15. Curtis Harding – “Wednesday Morning Atonement”
from: Face Your Fear / Anti / 2017

16. Weather Station – “Thirty (Edited)”
from: Weather Station / Paradise Bachelors / 2017

17. Phoebe Bridgers – “Smoke Signals”
from: Stranger in the Alps / Dead Oceans / 2017

18. Kelly Lee Owens – “Arthur”
from: Kelly Lee Owens / Smalltown Supersound / 2017

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

11:29 – Underwriting

19. Katy Guillen and The Girls – “Waiting Till the Day”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

[Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night.]

11:35 – Interview with Katy Guillen and Claire Adams

Claire Adams & Katy Guillen on the November 8, 2017 edition of Wednesday MidDay Medley.

Katy Guillen and Claire Adams of Katy Guillen and the Girls joined us to share music from their new full length release, “Remember What You Knew Before.” Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.

Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

Katy Guillen and Claire Adams thank you for being with us on Wednesday MidDay Medley.

“Remember What You Knew Before” was Produced by Lennon Bone

Songs were recorded in their home with multiple instruments including guitars loaned to Katy from her former teacher, Beau Bledsoe.

The new album contains reinterpretation and new versions of 3 songs previously released on last year’s “Heavy Days” album, 4 songs from Katy Guillen & The Girls debut album, from 2014, and 3 songs from 2012’s full length album, Katy & Go-Go.

“If You were Gone” was recorded by Joel Nanos at Element Recording.

A few weeks ago we played the song “Boom” from the 5-song EP, Waiting for The Winds to Change, released, October 22, from Claire Adams, featuring new recordings of original songs by Claire Adams, with Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com

11:44

20. Katy Guillen and The Girls – “BiWi”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

Katy Guillen, Claire Adams, Stephanie Williams play nearly 100 shows a year. In October 2016 they bought a van to tour with and have already put over 50,000 miles on the van.

Stephanie Williams has been a crucial part of The Band That Fell To Earth and the annual Tribute to David Bowie, organized by Michelle Bacon, coming back in January at recordBar for the third year.

Katy Guillen, Claire Adams, thank you for being with us on Wednesday MidDay Medley.

11:57

21. Katy Guillen and The Girls – “Humbucker”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

[Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 15, The Country DuoKasey Rausch & Marco Pascolini join us LIVE in our 90.1 FM Studios. Plus we’ll talk with members of Truck Stop Love who join us to talk about their new LP, Can’t Hear It: 1991-1994, a collection of three songs from their debut cassette release of 25 years ago plus 8 more previously unreleased demo tracks released on vinyl through Black Site Records. Truck Stop Love play a KC Reunion / and Album Release show, Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle. Also next week we’ll talk with Chase the Horseman who has a new songle out. And, Victor & Penny – Jeff Freling & Erin McGrane join us to share music and information about their new 7-inch release with RecordBar’s new label EAT.HEAR. RECORDS and the Label Launch and Release Party for Victor & Penny, November 15 at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #707

Wednesday MidDay Medley Spins Records With Merritt + Katy Guillen & The Girls

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 8, 2017

Spinning Records With Marion Merritt
+ Katy Guillen and the Girls

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Sharon Jones & The Dap-Kings, Zara McFarlane, Lizz Wright, Miguel De Deus, Pucho And The Latin Soul Brothers, ODESZA, Regina Spektor, Don Drummond\, Mista Savona, Mavis Staples, Terrence Howard & Hi Rhythm Section, Moses Sumney, Curtis Harding, Weather Station, Phoebe Bridgers, Kelly Lee Owens, Mulatu Astatke & The Heliocentrics, and The Souljazz Orchestra. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Katy Guillen and the Girls

At 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, “Remember What You Knew Before.” Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums. Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #707

WMM Playlist from November 1, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.]

3. Julia Othmer -“Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / June 30, 2016
[One several new singles released this year from Julia Othmer, as part of her 10-week new song release, leading up to the January 2018 release of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

4. Rachel Mallin & The Wild Type – “Teenage Bodies”
from: Teenage Bodies – Single / Independent / September 13, 2017
[Indie synthpop from Kansas City based, 5-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards. “Teenage Bodies,” the latest single from Rachel Mallin & the Wild Type, shows a band solidifying its identity. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play Sound Machine KC w/ Yes You Are, and Y god Y, Friday, November 24, at 10:00 PM, at recordBar, 1520 Grand Blvd, KCMO.]

5. Calvin Arsenia – “Ashes”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. Apocalypse Meow is a three-day-event starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch at noon, and at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:16 – Underwriting

6. Molly Hammer – “TV is the Thing This Year”
from: Out Of This World / Molly Hammer / September 13, 2017
[ For “Out Of This World,” Molly is backed by a terrific ensemble: arranger/producer Joe Cartwright on piano, Todd Strait on drums, Steve Rigazzi on bass, Brad Gregory on saxophone, and Jessalyn Kincaid and Molly Denninghoff on backing vocals.Molly Hammer has been performing in the Kansas City area since 2005. With an eclectic vocal background, she has found her home in the world of jazz and blues, drawing inspiration from the likes of Peggy Lee, Dinah Washington, Sarah Vaughn, and others. She has had the privilege of performing with some of the finest jazz musicians in the Kansas City area. She performs regularly at The Green Lady Lounge. Molly is a graduate of the Artist INC program and has also had the honor of singing the National Anthem for both The Royals and The Chiefs.Molly Hammer studied Theatre at Chadron State College in Chadron, Nebraska. She is originally from Excelsior Springs, Missouri. She is married to Jeremy Kruse.]

[Molly Hammer Quartet plays The Chesterfield, 1400 Main St on Fri, Nov 3, at 9:00pm – Midnight.]

7. Joesph Warren and the Wanderlust Revival – “Love The Wander”
from: The Greenwood Demos / Joseph Warren / November 4, 2017
[Based out of Kansas City, Missouri, Joseph Warren & the Wanderlust Revival is a unique caravan of midwestern roamers. Joseph Warren Wheeler on vocals, tenor guitar, guitar, & banjo; Bill Wald on bass, Jake Gronbeck on drums & percussion, Eva Louise Hall on vocals. More info at: http://www.thewanderlustrevival.com]

[Joseph Warren and the Wanderlust Revival play a Demo Release Show, Saturday, November 4 at 8:00 PM at Californos 4124 Pennsylvania Ave, KCMO with Nuthatch-47, and Instant Karma.]

8. Expassionates – “Big Blue Town”
from: Landscapes / Independent / November 22, 2008
[Scott Easterday on guitar, vocals, Marco Pascolini on guitar, Richard Burgess on bass, and Sam Platt on drums. Expassionates began as a recording project in 1998. Scott Easterday had a collection of songs to record. He hired Chad Meise as recording engineer and they set up shop in the historic El Torreon Ballroom for its unique acoustics. The large ballroom is the only surviving jazz hall of its kind from Kansas City’s jazz era. El Torreon was a concert venue, the Cowtown Ballroom, and then a skating rink. After being a recording site for Expassioantes and other bands it became an antiques market and ultimately a church. Chad Meise set up recording equipment and a control room in the historic ballroom. Easterday sang and played guitar and keyboards and hired Kansas City musicians from diverse backgrounds in rock, country and jazz. Bryan Hicks, bass; Ryan Bennett, drums; Marco Pascolini, guitar; Richard Alwyn, harmonica; Mark Southerland, saxophone; Nate Hofer, pedal steel and Jazzbo (Bill Hargrave), trumpet. The resulting album, “Verse, Chorus, Bridge,” was released in December 1998. There was a live release show December 26th at Harlings Upstairs in Kansas City. For the next several years Scott Easterday played solo shows and duo shows with Marco Pascolini, who had played guitar on Verse, Chorus, Bridge, until they decided to find a permanent rhythm section to complete a four-piece band. Bass player Richard Burgess joined Easterday and Pascolini, followed shortly by Sam Platt on drums, who is also a recording engineer. Their first gig as a four-piece was Halloween 2006. The group played hundreds of show dates in and around Kansas City plus Austin, TX for Midcoast Takeover. In addition to the live shows the band teamed up again with recording engineer Chad Meise and drummer/engineer Sam Platt for a new CD album called Landscapes, released in 2008. Rather than growing stale, the four-piece live version of Expassionates decided to call it mostly quits in September 2011, although they continue to play selected shows since then. In 2015 Scott Easterday set about to reintroduce the first album “Verse, Chorus, Bridge” after 17 years. Scott brought together a new band of Kansas City musicians from rock, country and jazz styles to rival the one that recorded the record. Bryan Hicks, bass, and Nate Hofer, pedal steel, return from the original group but this time they are joined by Matt Richey, drums, Troy van Horn, guitar, and Patrick Alonzo Conway on sax and percussion.]

[Expassionates play Apocalypse Meow 10 weekend at recordBar, Sunday, Nov. 5 at 4:00 PM after the Meow Hangover Brunch at noon. Apocalypse Meow is a three-day-event that starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow 10, continues Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, Calvin arsenia, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

9. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Kansas City based super group, formed in September of 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices recently played The Ship, with The Ants on September 23]

10:33 – Interview with Rebecca Liberty & Guglielmo Pieragostini

Guglielmo Pieragostini and Rebecca Liberty on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Rebecca Liberty & Guglielmo Pieragostini joined us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. In just a few days Guglielmo will be flying back home to Fermo, Italy, but before he we want to hear about his experience in Kansas City.

Rebecca Liberty has been a family friend of Guglielmo Pieragostini for over 30 years and has visited Italy quite often.

This summer she proposed a music project for Guglielmo to come and experience Kansas City music and, hopefully, infuse him into the community that supports the variety of music and venue and the abundance of performance opportunities. While he has a band, the chance to play in public is scarce and collaboration hard to come by.

While he would not be able to earn any money during this project, the wealth of information and experience gained as well as exposure to a thriving community that works to support each other would far outweigh a lack of monetary payment.

Guglielmo Pieragostini wrote to us about his life:

I grew up in the small town of Fermo, Italy, near the coast of the Adriatic Sea.

I’ve been lucky enough to grow up in a family with a great passion for music, so I’ve been exposed to different types of music since I was born from classical to reggae to rock & folk.

I asked my parents if i could get an electric guitar, and i finally got it after a year at the age of 12. I created my first rock band,The Troubles, a year and a half later. I’ve continuously been in a band since then, composing mostly rock music and writing lyrics.

My current band is called Mojave. It’s a Stoner/Doom band that I formed two years ago with my friends Guido Andrenacci on vocals, guitar, & bass; and Lorenzo Mandolesi on drums. Our setlist is divided in two different tunings: Standard (E) and C. When we’re playing in Standard tuning I sing and play guitar and Guido Andrenacci plays the bass, while when we’re playing in C tuning i play the bass and he plays guitar and sings.

We’ve just finished recording a three songs demo before I left Italy to come to KC, and it will soon be available on our social media.

As Fermo is a very small town and has a poor music scene I haven’t been able to perform live a lot of times, also because of the nature of the music i play.

Rebecca Liberty has been a friend of my family over thirty years, and she’s been visiting us off and on over all this time.

Five years ago she visited and we had the chance to speak about music, my band and how hard it was for me to be a musician in my hometown. In that occasion she told me that Kansas City as a great music scene and that the music community is very supportive of each other.

This summer she returned to visit again and she invited me to come experience KC’s music community in real life. She proposed this to me as a music project.

She posted (without my permission) a video of me just jamming on my guitar on her Facebook, and within one or two hours the response was amazing. I rwas really surprised about it, because I didn’t expect it to be so strong and in such little time.

With a second post, she requested a loaner of an electric guitar, because i really didn’t trust to bring mine on the plane. Once again, in just half a day I not only had an electric guitar, but it was almost like the one I play. This made me feel more comfortable, and confirmed that this experience could really work.

Rebecca Liberty Responds

His English writing skills are so great because of MUSIC!!!!

Ha ha ha (without my permission) he writes because he is very shy! Something he has overcome a bit here in KC!!

Marco Pascolini loaned him the electric guitar Fender Jazzmaster

Kaye Johnston loaned him an acoustic whilst he was here.

Chad Bryan from The Ants loaned him electric guitar for rehearsal for the two shows he did with The Ants at Californo’s and Holy Cow.

Rebecca Liberty writes to us about herself:

Who am I? A lover of music and arts and supporter of the community. I am not a musician but do love to sing in the shower!

Thanks to our dear Anne Winter introducing me to many musicians here in town, my connection to the music community was enhanced. Anne also made a point to connect me to Howard Iceberg, leading to an amazing opportunity to sing a few times in public due to his kindness and encouragement. I was also fortunate enough to be recorded on one song, “It’s Not Over Yet”, from Smooth Sailing by Howard Iceberg & the Titanics.

I met with Abigail Henderson and organized a well-woman clinic for female musicians.

Overall, I invest in local music as often as possible rather than national concert tours. I invest time in supporting local musicians in as many ways as possible. Music has saved me on so many occasions. It has given me joy and celebration and solace in times of despair.

I am just trying to give back and this music project with Guglielmo was devised to expose him to the possibilities of life as a working musician as well as the realities of working a “day job” to support the passion of music.

Guglielmo Pieragostini arrived in KC in mid-September and leaves after 6 weeks of infusion into KC’s music community at over 15 venues, hearing over 55 bands and playing in live performances with 2 different bands, in 4 shows, and jamming with local musicians.

This music project provided him with a wealth of information and experiences as well as exposure to a thriving community that works to support each other often across genres.

Guglielmo Pieragostini’s performance diary:

SEPTEMBER

FRIDAY 15th
– Westport Saloon with Country Duo + Met Marco Pascolini and Kasey Rausch

– The Ship with Soul Preservers: The Dropout Boogie

SATURDAY/SUNDAY 16/17
-Fall encampment hearing Native American drumming

MONDAY 18th
-The Brick with Rural Grit +Met David Regnier who invited me to play a couple of songs with his band, The Dead Voices at the Ship on Saturday, the 23rd

TUESDAY 19th
-Waldo Bar with Country Duo

WEDNESDAY 20th
-It’s A Beautiful Day shop + Got Marco’s guitar from Kasey Rausch

THURSDAY 21st
-The Majestic with Mark Lowrey trio + Met Mark Lowrey

-The Ship with Snuff Jazzy time w? Mark Southerland on Sax, Micah Herman on bass, Arny Young on drums

FRIDAY 22nd
-The Plaza Art Fair

-Ink! Live Stage with Smokey James and the Avalanche

-90.1 KKFI Community Stage with The Matchsellers and Ernest James Zydeco Duo

SATURDAY 23rd
-The Riot Room with The Bon Ton Soul Accordion Band

-The Plaza Art Fair

-Ink! Live Stage with Barclay Martin Ensemble

-90.1 KKFI Community Stage with EEMS

-The Ship with The Ants with Dead Voices +Played with Dead Voices: David Regnier, Jason Beers, Matt Richey, Marco Pascolini, Mike Stover; +Met Chad Bryan from The Ants who invited me to sit in with his band

SUNDAY 24th
+Went to Kate Johnston’s house, jammed with her, borrowed her acoustic guitar

MONDAY 25th
-The Brick – Rural Grit +Met Brian Frame and Andrew Luker from The Blessed Broke

WEDNESDAY 27th
-Davey’s Uptown Rambler’s Club with The Irieplaceables + Djama

-The Riot Room with Castle

THURSDAY 28th
-The Blue Room with KC Latin Jazz All-Stars +Met Pablo Sanhueza

-The Ship with Pope of Dope

FRIDAY 29th
-Knuckleheads Saloon with Country Duo, Broken Arrows, Hadacol

-The Brick with Mike Dillon Band

-Green Lady Lounge with Boogaloo 7 + Met Matt Hopper, Pat Conway and Nick Howell

SATURDAY 30th
-Recordbar Outer Reaches Festival Sego, The Hearers , Dead Rider, El Ten Eleven + Met Amy Farrand; +Met Chad Bryan, agreed for band practice with The Ants on the 1st of October

-Green Lady Lounge with Matt Villinger Organ Trio

OCTOBER

SUNDAY 1st
-Chad Bryan’s house The Ants band practice +Met the Ants:, Chad Bryan, Sean McEniry, David Randall. Brad Nicols

-Recordbar with The People’s Liberation Band

MONDAY 2nd
-Pablo Sanhueza’s house with KC Latin All Star Jazz Band Practice +Met KC Latin All Star Jazz Band: Pablo Sanhueza, Evan Hoffman , Antonio Reyes, Trevor Smith, Michael Harris II, Trevor Turla, Teddy Krulewich

TUESDAY 3rd
-The Riot Room with Tokimonsta

WEDNESDAY 4th
-Chad Bryan’s house with The Ants band practice

FRIDAY 6th
-Crossroads – First Friday

-The Ship, Soul Preservers:First Friday ft. Elliot Oliver

SATURDAY 7th
-The Davidson’s Backyard Bash, Johnny Green and My Six Gun Hearts

-Californos, GAV7D with The Ants +Played with The Ants +Met Johnny Hamil and Chris Fugitt

SUNDAY 8th
-Holy Cow with The Ants part 1 with Special Guest Mike Stover +Played with The Ants and Mike Stover

TUESDAY 10th
-The Ship with Honky Tonk Tuesday with The Naughty Pines

-Mini Bar \\Prog Night, The Great Vehicle , Cortegè

WEDNESDAY 11th
-The Ship, The Creighton Organization

THURSDAY 12th
+Jam with Marco Pascolini

FRIDAY 13th
-recordBar with The Philistines, The Brannock Device

-Green Lady Lounge – Boogaloo 7 +Hang out with Amy Farrand, met Troy Van Leeuwen from Queens of the Stone Age!

SATURDAY 14th
-Mid Town KCMO \\Porchfest 2017, KC Latin All Star Jazz Band, Lauren Krum and Fritz Hutchinson

-Recordbar with The Grisly Hand, +Hang out with the band at their place after the show;, +Met Lauren Krum

SUNDAY 15th
-MO Brew \\Soulful Sundays with Dj Jocmax, Ataxic

TUESDAY 17th
-The Riot Room, \\Jonwayne “Rap Album Two”, with Scotty WuWu Wooton, Emv , Danny Watts, Jonwayne

WEDNESDAY 18th
-The Ship , The Blessed Broke

-The Riot Room, Elder

THURSDAY 19th
-The Ship, The Young Lions

FRIDAY 20th
-Recordbar, Smokey James and The Avalanche, Tree Machines

SATURDAY 21th
-The Ship, Mr Marco’s V7 (original lineup) with Hadacol

SUNDAY 22nd
-1412 W 12th Street, Apple Cider Jam Brunch Hosted by Camry Ivory and Justin Skinner +Met Kris Bruders and Havilah Bruders

TUESDAY 24th
-The Phoenix, Jazz Jam Session, +Played with Mark Lowrey and Zach Morrow

THURSDAY 25th
+Jam with David Regnier

-The Ship, Pope of Dope

MONDAY 30th
-The Brick, with Hex Robot: Halloween in Space,Dead Voices Trio & Dually Jukes +Played with Dead Voices

10:46

Guglielmo Pieragostini playing live on the November 1, 2017 edition of Wednesday Midday Medley on KKFI 90.1 FM.

10. Guglielmo Pieragostini – “No One Knows” (Live)
A cover of a song from Screaming Trees, played with an acoustic guitar from Kaye Johnston.

Guglielmo Pieragostini’s Reflections on Kansas City:

It’s not easy for me to express in words all the feelings I went through during this music project. I really had no idea what I was going to experience.

The Kansas City music scene is way different than Italy’s especially Fermo’s. Mostly that’s because Fermo is a very small town compared to Kansas City. The main difference is that back in my hometown, we only have music shows on the weekend, and it’s mostly dj sets. It’s quite rare to stumble in a good live show. Sometimes to hear an interesting band we have to go in different towns.

In the first three or four weeks of my staying here, when I was walking around (or being driven around), I still kind of couldn’t believe that I really was here, being able to experience all this live music in this great city. It really felt like a dream to me.

Here in KC I had so many choices for many different shows every night. It was almost unsettling because I was so undecided about where to go. The quality of the music is incredibly high. Maybe I was just lucky, but in the month and a half that I spent here, I never heard bad music.

The most amazing thing is the kindness of KC’S music scene. All these people helped me without asking anything in exchange, and that’s the most precious and invaluable thing about it. I don’t know how else to express this.

First of all, Marco Pascolini is one of the most talented and creative guitarists I had the honor to hear and play with. He really took care of me, loaned me all the gear I needed to play and he was just so happy to do so. He really is one of a kind. He’s the man!! I think I would let someone borrow my guitar but six weeks would be a lot of time and I would need to know the person who has my guitar. Marco showed me a lot of trust to get things started but he wasn’t the only one.

He also co-founded Mr. Marco’s V7, which happens to be one of my favorite KC bands. I got the chance to jam with part of the band! That really was different to be playing with Johnny Hamil on his upright bass along with Chris Fugitt on the drums and, of course, Marco on one of his many guitars! It was so fun to share the passion for music that we all have and it was an honor for me to play with such way more experienced people.

I went to the Brick for Rural Grit and I had never seen anything like that in my life. These people created a tradition to gather to play American Roots music and at the same time there is also space for experimental music with unusual instruments and styles of playing instruments. Kim Stanton and Mark Smeltzer obviously are relentless in the effort to keep it alive and going.

My first Monday in Kansas City and at Rural Grit, I met David Regnier and he almost immediately invited me to play with his band, Dead Voices, at the Ship five days later. It was a unique and very unexpected experience. This never happened to me in Italy and it happened so quickly I was shocked but quite happy.

At The Ship, I played two songs with no rehearsal at all so I was nervous but Marco and David made me feel more comfortable and at ease. They both were willing to take a big risk on me, a stranger… a guitar player from Italy that they barely knew. Being at The Ship for my first time playing in a show was a good start because Dead Voices had a great crowd and the vibe of The Ship is unique.

That same night, The Ants played and I loved them because they were just great. I loved their music. I met Chad Bryan, guitarist & singer of The Ants, who invited me to sit in with his band for an upcoming gig. The guys in the band, Chad, Sean, Brad, & David, really made me feel like a part of a family, practicing with them twice and playing 2 live shows!

Their music blending with lyrics is just so witty and clever and fun to hear and quite enjoyable. Playing with them was awesome because they taught me the basic foundation of their songs but they also told me to bring what I have to add to the songs. They let me loose and that made me feel free to play lead but I also did not take too much space.

I met Mark Lowrey at the Majestic the second week I was here, and I heard him playing with his outstanding jazz trio. He’s such a talented musician! He invited me to his jazz jam session that take place every Tuesday evening at the Phoenix, and finally last week I was able to go. I was very nervous about it because I never played jazz in public before, but Zach Morrow and Mark made me feel welcomed. We played a couple of funky jazz tunes including Chameleon Man by Herbie Hancock.

I was also lucky enough to meet Amy Farrand whom I had heard of and watched some of her videos back home in Italy. She made great music that was powerful and not only could she play electric guitar but she sang well, too. I really wanted to meet her when I got to Kansas City. I am actually quite shy but I introduced myself to her when I went solo to Outer Reaches music festival at The Record Bar. Even though we didn’t get the chance to jam, we hung out together a couple of times and had a great time.

In particular, Amy and I once met up at the Green Lady Lounge, another one of my favorite venues in KC, and we listened to Chris Hazelton’s Boogaloo 7, another one of my favorite bands. On that occasion, we met some of Queens of the Stone Age band members, that were just hanging out after their show in town! She was so kind to introduce me as a big fan to Troy, one of the guitarists, we got a picture together! She was very kind to me.

My experience at home is musicians normally have shows only on the weekend in Fermo but in Kansas City I saw that musicians play in a lot of different bands and genres and nearly every night there is some kind of show. Marco Pascolini was an example of this playing in so many shows. I also got to play with Mike Stover in two different shows and I saw him four different times impressively playing guitar, pedal steel, and the bass. There seem to be many musicians in KC do all this while at the same time having a day job.

When I arrived I wasn’t sure I could make it. I didn’t know if I was good enough to play here. It turned out that I could play here and along the way I learned more about myself and music. I became more encouraged to be less shy and more connected. I saw Mark Smeltzer from Freight Train Rabbit Killer play at Rural Grit three times. I told him I liked his experimental instruments and music. Our conversation turned to his philosophy of music which is to not be afraid to express yourself and put your heart out there with the music evolving. I really think this is how all musicians should make music.

I have been inspired to finally write some lyrics on a old riff of mine because of The Ants. It was great to work with David Regnier on song that we ended up playing at The Brick. I have absorbed a lot of new styles and new sounds that I can take back to my band in Italy and I can expand beyond my stoner band with this new experience.

I was very lucky to meet a lot of beautiful, talented, kind, and generous people who helped me out and made me feel welcome. It’s so satisfying to see how people of Kansas City welcomed someone, ME, that lives so far away and comes from a different culture. It was amazing that people can get together so easily and have such a great time playing music. This city really has a great music scene, and I really think that everybody should be proud of it and support it in the best way possible.

When I get back to Italy, I will try to do my best to improve the relationship between musicians in my hometown, and maybe, who knows, someday we will have a great music scene like the one in KC!

– Written by Guglielmo Pieragostini

Guglielmo Pieragostini will fly back to Fermo, Italy on Thursday, November 2, 2017.

10:56

11. The Ants – “Calling In”
from: Golden Submarine / Beyond Records / October 13, 2017
[This is The Ants 10th release and their 8th full length album. Band member Chad Bryan says that “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. More info at WWW.killtheants.com]

[The Ants play a Kansas City record Release show at Holy Cow, Sunday Nov 12, from 3:00 – 5:00 PM]

11:00 – Station ID

12. Andrew Foshee – “Thunderstorm”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com]

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:04 – Interview with Andrew Foshee

Andrew Foshee

Strange Relations

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.”

“Previous to a few months ago, for the last six years I had been working as a sales rep and living a relatively comfortable but complacently unengaged lifestyle, making plenty of money but pissing it away on things like cars, going out to eat, and drinking heavily. Maybe a few things I won’t mention either. I would record demos from time to time when I felt inspired, but for some reason I always seemed to lead myself astray from my music right before something good would happen.

During this time I was also in an extremely toxic relationship where I became a jealous, insecure, piece of shit version of myself that eventually ended up going on hiatus from most of my close friends and family, usually drinking myself to sleep at night and becoming overwhelmingly depressed and anxious by the week.

This continued for quite some time until a rather surreal experience I had made me realize I was wasting my life and I needed to make some changes before it was too late. I felt like I had a lot left to experience in life and I had been sitting on a handful of songs I really wanted to share.

The whole Trump thing was also a real wake up call that this little spaceship we’re on could go down at any moment, so I guess I felt a sudden urge to produce.

I don’t want blab on, but the end result was me quitting my job, taking all of my money to Nashville last January, and making a record I always wanted to make.

Through the help of a friend I was able to connect with Andrija Tokic [who has produced records for The Alabama Shakes, Hurray For The Riff Raff, Benjamin Booker, The Deslondes, etc ] and we cut the tunes directly to tape at his sometimes creepy, always cozy, analogue home-studio, i.e. The Bomb Shelter.

Andrija ended up putting together this amazing crew of musicians, including Jack Lawrence, Jeremy Fetzer and Jon Esters, and it was a very surreal experience when everything came together in the end.

After things wrapped, I basically headed back home to Kansas City, left my sales job and started renting a room in this big, old house with four other musicians so I could save up some money and get back on my feet.

Honestly, I have never been so tired in my entire life but I have also never felt so alive.”

11:12

13. Andrew Foshee – “Honor Among Thieves”
from: Strange Relations / Andrew Foshee / October 31, 2017

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:17 – Interview with Andrew Foshee (continued)

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Here is an excerpt from an interview Andrew Foshee did with PlaylistPlay.com:

“Ever since I was a kid I’ve struggled with reciprocation. I’ve always had this underlying tendency to try and gravitate towards things I feel connected with on somewhat of a deeper level, and when I finally find them I get really manic. I remember when I was like six or something, sitting in my parent’s bedroom in our old house and Bob Seger’s “Night Moves” came on. My eyes got really big, and my heart rate instantly doubled. I got this weird feeling I hadn’t felt before. I think I started shaking. I was like, ‘Holy shit man. This guy gets me.’ I don’t think I even paid attention to the lyrics, it was just that chord progression coupled with his voice and maybe the way the drums sounded in that bedroom. It just all made perfect sense in a very surreal way, like some sort of alien was speaking to me in this new language I’d never heard, yet I understood every word he was saying.

I think if you try hard enough you can find a common ground with most people, but really connecting is a different story. Music has always been one way for me to feel connected, even if with only myself, and I think that was the day I figured it out.

We live in a very strange world in which we constantly derive meaning and values from a completely nonsensical ethos based in fear and ego. Music helps me challenge these boundaries and make sense of the experiences I’ve had within them, with the hopes that others can relate.”

11:25

14. Andrew Foshee – “A Little Mess (Of Our Own)”
from: from the recording sessions of Strange Relations

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

Andrew Foshee, Nathan Corsi, and Sondra Freeman on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:29 – Underwriting

15. Nathan Corsi – “falls apart again”
from: 3-Song Demo / Nathan Corsi / October 31, 2017

[Nathan Corsi plays Apocalypse Meow 10 at recordBar, November 4n.]

11:35 – Interview with Sondra Freeman & Nathan Corsi

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

We fell in love with Nathan Corsi as lead singer and songwriter for the critically acclaimed and award winning Kansas City band Not A Planet. Formed in 2010 the bnd has constantly toured and released “The NapSack” EP in 2011, “The Few, The Proud, The Strange” full length on May 10, 2013, and last year’s EP release, “Smoke Bombs & Cigarettes: The History Of Now.” An Akron, Ohio native, Corsi’s musical tastes and influences grew in the same fertile soil that reaped rock and roll innovators like the James Gang, Devo, the Pretenders and the Black Keys. Nathan Corsi moved to Kansas City, by way of New York, after a featured role in a year-long documentary about life as a busker in New York. Nathan Corsi has recently recorded a 3-song, solo EP of new material and plays Apocalypse Meow this Saturday night at recordBar.

Sondra Freeman and Nathan Corsi join us to share all the details about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

11:42

16. Brandon Phillips and The Condition – “Clean and Sober”
from: Apocalypse Meow 10 / Midwest Music Foundation / November 2, 2017
[Brandon Phillips on vocals, Adam Phillips on drums, Zach Phillips on bass,and Julie Berndsen (formerly of the Latenight Callers) on backup vocals.This new 34 track compilation of Kansas City Area bands and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow – the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization. Midwest Music Foundation unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

11:46 – interview with Sondra Freeman & Nathan Corsi

Sondra Freeman & Nathand Corsi, Thanks for being with us on Wednesday MidDay Medley to share all the details about Apocalypse Meow 10, the annual event to benefit Midwest Music Foundation’s – Abby’s Fund.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 10th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday and Sunday to offer health and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow ups.

Special surprise presentation by Mile Deep Films & Television LLC, The Feral Few, Killer Kite Productions on Saturday and Sunday.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow
*************************************************************************
Friday, November 3, 2017 – Mills Record Company – All ages – 7:00 pm

The Country Duo // Bohemian Cult Revival // Headlight Rivals
Emcee: Michael Byars of KCUR 89.3

Libations provided by our generous partners at Boulevard Brewing Company
We will have MMF free swag, merch for sale, and raffles!

*************************************************************************
Saturday, November 4, 2017 – recordBar – 6:00 pm // Tickets at http://www.therecordbar.com

Too Much Rock Main Stage: Brandon Phillips & The Condition // Chris Meck & The Guilty Birds // Sandoval (reunion) // Split Lip Rayfield
Emcee: Jason Nivens of 98.9 The Rock!

Acoustic Stage: IVØRY BLACK // Nathan Corsi // Calvin Arsenia
Emcee: Mark Manning of KKFI 90.1 FM

The main event on Saturday will also feature A silent auction and raffle will feature an assortment of fantastic items donated by many local businesses.
**************************************************************************

Sunday, November 5, 2017 – recordBar – Meow Hangover Brunch starts at noon

Expassionates at 4 pm

For more information you can visit http://www.midwestmusicfoundion.org.

11:56

17. Chris Meck & The Guilty Birds – “Destination Revolution”
from: Destination Revolution – Single / Independent / January 20, 2017
[A new Music Video from the band featuring this Song premiered January 20, 2017. Recorded by Chris Meck, down the rabbit hole at Whisker Gables, Kansas City, MO. Mastered by Chad Meise at Massive Sound Studios, Shawnee, KS. KC based trio with Chris Meck on lead guitar & vocals, Michelle Bacon on drums, and Calandra Ysquierdo on bass guitar & vocals. Chris Meck and The Guity Birds released their debut full-length, It’s 4 A.M. Somewhere, on April 8, 2016]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 8, Marion Merritt joins us as Guest Producer and at 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, Remember What You Knew Before.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #706

Wednesday MidDay Medley with Apocalypse Meow + Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Mark spins New & MidCoastal Releases from: Andrew Foshee, Rachel Mallin and The Wild Type, Joseph Warren & the Wanderlust Revival, The Ants, Nathan Corsi, Molly Hammer, Calvin Arsenia, Julia Othmer, Brandon Phillips and The Condition, Chris Meck and The Guilty Birds, Expassionates, and Dead Voices.

Guglielmo Pieragostini

At 10:30 Rebecca Liberty & Guglielmo Pieragostini join us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. Guglielmo didn’t bring his guitar on the plane so Marco Pascolini loaned him his electric Fender, Kaye Johnston loaned him an acoustic guitar, and Chad Bryan, from The Ants, loaned him an electric guitar for rehearsal and for two shows with The Ants, at Californo’s and Holy Cow.

At 11:00 Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.” Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen. More info at http://www.andrewfoshee.com

At 11:30, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #706

WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705

WMM Playlist from October 18, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 18, 2017

More New & MidCoastal Releases
+ Tyson Schroeder + Teri Quinn w/ Molly McLaughlin & Joe Donley
+ Julia Haile, Peregrine Honig & Ross Redmon

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. St. Vincent – “Masseduction”
from: MASSEDUCTION / Loma Vista Recordings – Concord Music Group / October 13, 2017
[5th studio album from St. Vincent is Anne Erin “Annie” Clark was born September 28, 1982. Masseduction has been described as the “culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe.” Clark has stated that the album focuses on themes of power, sex, drugs, sadness, imperiled relationships and death. In a press release, she stated: “every record I make has an archetype. Strange Mercy was Housewives on Pills. St. Vincent was Near-Future Cult Leader. Masseduction is different, it’s pretty first person. You can’t fact-check it, but if you want to know about my life, listen to this record. Annie Clark was born in Tulsa, Oklahoma. Her mother is a social worker turned administrator for a non-profit organization and her stepfather works in the tax business. Clark’s parents divorced when she was three years old, and she moved to Dallas, Texas when she was seven years old with her mother and two older sisters. Her father lives in Tulsa. Clark was raised Roman Catholic and Unitarian Universalist. From her parents’ blended families, Clark has eight siblings: four brothers and four sisters. She began playing the guitar at the age of 12 and, as a teenager, worked as a roadie for her uncle and aunt, Tuck Andress and Patti Cathcart, of the guitar-vocal jazz duo Tuck & Patti. After studying at Berklee College of Music for three years, she began her music career as a member of the Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009) and Strange Mercy (2011). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, self-titled St. Vincent, was released on February 25, 2014 and was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

[St. Vincent plays The Uptown Theatre, Sunday, November 19, at 8:00 PM.]

3. Claire Adams – “Boom”
from: Boom – Single / Claire Adams / June 2, 2017
[1st single from upcoming 5-song EP, Waiting for The Winds to Change, to be released, October 22, featuring new recordings of original songs by Claire Adams, with Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Katy Guillen & the Girls play the Crossroads Beer Fest, Saturday, October 21, at CrossroadsKC with Gekko, Flannigan`s Right Hook and Dolewite.]

4. Beck – “Dear Life”
from: Colors / Fonograf – Capitol / October 13, 2017
[13th studio album from Beck Hansen, born July 8, 1970. Colors was recorded at co-executive producer Greg Kurstin’s LA studio, with Beck & Kurstin playing nearly every instrument themselves. Beck rose to fame in the early 1990s with his sonically experimental and lo-fi style, and became known for creating musical collages of wide genre styles. Today, he musically encompasses folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 13 studio albums (3 of which were independently released), as well as several non-album singles and a book of sheet music.]

[At the height of his “Loser” fame, on April 13, 1994, Beck played Kansas City’s Rhumba Box 1012 McGee. The Rhumba Box lasted from the summer of 1993 to the spring of 1994. Prior to The Rhumba Box, 1012 Megee was home to Human Observation Lab. In 1987 a group of UMKC students called Stimulus and Response took over the defunct gay bath house, Club Bath, at 1012 McGee and opened The Human Observation Lab. At night, this downtown neighborhood was basically deserted except for the old bus station, a few dive bars, and street prostitution. The Lab’s proprietors rehabbed the building into a two story live/work space that evolved into a legendary live performance venue. Gorilla Theatre, Eyes Wide Open, Mongol Beach Party, The Cocktails, and DJ Ray Velasquez are just a few of the off-the-wall performers that evolved out of this underground venue.]

10:14 – Underwriting

10:16 – Interview with Tyson Schroeder

Tyson Schroeder

Kansas City based Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illusgtrations and covers, periodicals, and Zim’s Sauces. He has had works included in group and solo shows in Kansas City, Boston, Salem, Portland, Houston and Nashville. His work has been included in two museum shows about band posters, and he has created posters for some of his favorite bands, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson He is also a musician, who plays in the bands Abandoned Bells, and Medicine Theory. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson Schroeder joins us to talk about his new play, “Bastard” currently running through October 29 at the Living Room Theatre, 1818 McGee. BASTARD explores the challenges, sacrifices, and inevitable consequences of the choices made by an artist and his family. Struggles both external and existential define this impactful and fascinating semi-autobiographical new work by Tyson Schroeder. Directed by Shawnna Journagan, with: Matt Leonard, Vanessa Davis, Daria LeGrand, and Rusty Sneary. More info at http://www.thelivingroomkc.com

Tyson Schroeder, thanks for being with us on Wednesday MidDay Medley

As an illustrator and fine artist working Tyson works in a wide range of media. From pen and ink to watercolor; hand cut prints to oils and sometimes even a bit of digital collage and editing.

Tyson focuses on painting and existential, surreal renderings of the human condition. He also applies this approach to music, writing, puppets, sculpture, and improv performance.

His editorial illustrations have appeared in The Pitch, and The Boston Globe.

There are numerous books that contain Tyson’s illustrations.

Bastard, was 7 years in the making. On Monday, February 20, 2017, Writer’s Den series at The Living Room Theatre held a special staged reading of Bastard. Earlier versions of the play were presented at Staged readings at The Fishtank.

Directed by Shawnna Journagan, with: Matt Leonard, Vanessa Davis, Daria LeGrand, and Rusty Sneary.

Tyson Schroeder’s new play, “Bastard” is currently running through October 29 at the Living Room Theatre, 1818 McGee. More info at http://www.thelivingroomkc.com

10:30

5. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower. Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

10:34 – Interview with Teri Ann Quinn, with Molly McLaughlin & Joe Donley

Tyson Schroeder, Teri Quinn, Molly McLaughlin, and Joe Donley on the Oct. 18, 2017 edition of WMM.

Kansas City based singer/songwriter and multi-instrumentalist Teri Quinn is originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, and last year Teri Quinn released her debut EP, Moons and Meltdowns, and is a member of the Kanssa City band, Abandoned Bells with Krysztof Nemeth and Tyson Schroeder. Teri Ann Quinn is getting ready to go out on the road, and she plays The Rino, 314 Armour Rd, North Kansas City, Thursday, October 19 at 7:30 PM with Duncan Hill, and Aaron James. More information at http://www.teriquinn.com

Teri Quinn, thank you for being with us on Wednesday MidDay Medley.

Teri brought along musician friends:

Molly McLaughlin, a flute player, teacher, composer, and multi instrumentalist. She studied music at CAL Arts, and at the University of Hartford – Hartt School. She is originally from Holden, Massachusetts. Earlier this year she released her first album, A Beautiful Dying, that “explores the exquisite and inseverable dance of death and life,” is available at her website: http://www.mollymclaughlin.com

Joe Donley is a professional bassist. He currently is studing at the UMKC Conservatory of Music, and before that he was in college at Vanderbilt University, in Nashville, Tennessee. Joe is originally from Olathe, Kansas, and he has played bass with many area musicians including Calvin Arsenia. More info at: http://www.joedonleybassist.com

Teri Ann Quinn is getting ready to go out on the road, and she plays The Rino, 314 Armour Rd, North Kansas City, Thursday, Oct 19 at 7:30 PM with Duncan Hill, and Aaron James.

10:39

6. Teri Quinn – “Another Drink” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on harmony vocals & bodhran, Joe Donley on stand up bass. Written by Teri Quinn.

Teri Ann Quinn is getting ready to go out on the road, she will be traveling to Montgomery, Athens, Atlanta, Ashville, Fort Wayne, Chicago, Minneapolis, and more.

10:50

7. Teri Quinn – “Reflecting” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on flute, Joe Donley on stand up bass. Written by Teri Quinn.

10:56

8. Teri Quinn – “Hold Your Cards Close” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on harmony vocals & bodhran, Joe Donley on stand up bass. Written by Teri Quinn.

Teri Quinn, Molly McLaughlin, Joe Donley, thank you for being with us on WMM.

Teri Ann Quinn plays The Rino, 314 Armour Rd, North Kansas City, Thursday, October 19 at 7:30 PM with Duncan Hill, and Aaron James. More info at: http://www.teriquinn.com

11:00 – Station ID

9. Hi-Lux – “Take Me Where You Are”
from: Take Me Where You Are – Single / Hi-Lux / August 15, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. This is their 3rd single release of this year. More information at: http://www.hi-lux.bandcamp.com]

11:04 – Interview with Julia Haile, Peregrine Honig, & Ross Redmon

Ross Redmon, Peregrine Honig, and Julia Haile on the October 18, 2017 edition of Wednesday MidDay Medley.

Kansas City based vocalist Julia Haile is a member of the band Hi-Lux. She has also performed and released music with bands The Buhs, and The Good Foot. This summer Julia Haile collaborated with Barclay Martin at KKFI Collaborations Live!, at The Folly Theatre. With her bands she has played in almost every venue in Kansas City, and she joins us to talk about her Live Solo Show, Julia Haile at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, 6:30 to 8:30 pm with musicians: Ryan J. Lee, Ben Leifer & Peter Schlamb.

Also joining us is artist, Peregrine Honig who was born in San Francisco, and moved to Kansas City, at 17 to attend the Kansas City Art Institute. At age 22, Honig was the youngest living artist to have work acquired by the Whitney Museum of Art’s permanent collection. Peregrine appeared on season one of Bravo’s artist reality television show, Work of Art: The Next Great Artist, which aired in the summer of 2010. She owns a lingerie and swimwear boutique, Birdies, which opened in 2003, in the Crossroads, just down the sidewalk from YJ’s. Since March, Peregrine has been managing the Greenwood Social Hall, where she also lives. Originally the Greenwood Baptist Church. Peregrine earlier this year presented Calvin Arsenia in a live solo show, as well as concerts from Tango Lorca, plays from The Fishtank and Heidi Van, and other events.

Also joining us is Ross Redmon, a Kansas City based artist, originally from Greer, South Carolina after completing his studies on a full scholarship from the Kansas City Art Institute in 2015, he received a bachelors of Fine Arts with a double major in Ceramics and Art History. He has attended residencies, and worked as an artist in Denmark and Hungary. Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” opens Thursday, October 19 through November 30, at Greenwood Social Hall.

Julia Haile, Peregrine Honig, and Ross Redmon, thanks for being with us on WMM.

Julia has worked as a musician and vocalist in some of Kansas City’s favorite bands including The Good Foot, and The Buhs. She is also a member of Hi-Lux and this year Hi-Lux has released three original singles, compostions demonstrating the range of the band elements of soul, reggae and funk. Julia talked about the transition of moving from singing cover songs, from other bands and artists, and making them your own, and the new original music from Hi-Lux and the process of releasing these new tracks.

Greenwood Social Hall, 1750 Belleview, KCMO, is a gently renovated building in the Westside neighborhood, established in 1927. It is a private space dedicated to small public projects. It’s also Peregrine’s home.

More info about Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” is available at: http://rossredmon.squarespace.com/resume/

This is the first recorded solo concert for Julia Haile. Ticket includes album download.

Tickets available at http://www.eventbrite.com
https://www.eventbrite.com/e/julia-haile-tickets-38203553858?aff=eac2

Julia Haile at Greenwood Social Hall, is this Friday, October 20, 6:30 to 8:30 pm with musicians: Ryan J. Lee, Ben Leifer & Peter Schlamb, at 1750 Belleview, KCMO.

Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” opens Thursday, October 19 through November 30, at Greenwood Social Hall.

More info at: http://www.facebook.com/thegreenwoodsocialhall

11:27

10. Hi-Lux – “Don’t Blame Me”
from: Don’t Blame Me- Single / Hi-Lux / June 16, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

11:30 – Underwriting

11. Sound of Ceres – “Humaniora”
from: The Twin / Joyful Noise Recordings – Sound of Ceres / October 6, 2017
[Brooklyn based band made up of members of Candy Claws, Apples in Stereo, and the Drums, with: Karen Hover, Ryan Hover, Jacob Graham, Ben Phelan, and Derrick Bozich. Their live shows are an An audio / visual experience with sounds ranging from 1960’s exotica to majestic, synthesizer adorned, future horizons. Visual depictions of the greater cosmos utilizing lasers, fiber optics and other hand made mechanisms.]

[Sound of Ceres play recordBar, Monday, October 23, at 8:00 PM with Plume Varia.]

12. Making Movies – “One and the Same”
from: I Am Another You / Making Movies / May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Thia album was produced by multiple Grammy Winner Steve Berlin of Los Lobos, and features guest appearances from Asdru Sierra of Ozomatli, Alaina Moore of Tennis and Alynda Segarra of Hurray for the Riff Raff. The self-released album peaked at #3 on the Latin Billboard charts and #8 on the World Music Charts.]

[Making Movies plays CrossroadsKC, Sunday, October 22, at 7:00 PM with Los Angeles Azules.]

13. Krystle Warren – “Thanks and Praise”
from: Three the Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

14. Olympic Size – “Sunshine”
from: Sunshine – Single track / Olympic Size / (Unreleased) 2017
[A track from the band’s soon to be released Soon to be released EP. Recorded by David Moore at Merriam Shores Studio. Mixed By David Gaumè. Band Members include William Smith, Wade Williamson, Kirsten Paludan, Christopher Tolle, and Mike Walker.]

[Olympic Size play recordBar, 1520 Grand, on Saturday, October 21, at 9:00 pm, with Roman Numerals, Olympic Size, Mazinaw, and DJ Just.]

15. The B-52’s – “Hero Worship”
from: The B-52’s / Warner Bros. / July 6, 1979
[The B-52s were formed in Athens, Georgia, in 1976. The original line-up consisted of Fred Schneider (vocals), Kate Pierson (vocals, keyboards), Cindy Wilson (vocals, percussion), Ricky Wilson (lead guitar), and Keith Strickland (drums, rhythm guitar, keyboards). After Ricky Wilson’s death from AIDS in 1985, Strickland switched from drums to lead guitar. The band also added touring members for albums and live performances. The band is best known for their 1978 debut single “Rock Lobster”, and their pair of 1989 hits; “Love Shack” and “Roam”. Rooted in new wave and 1960s rock and roll, the group later straddled many genres, ranging from post-punk to pop rock. The “guy vs. gals” vocals of Schneider, Pierson, and Wilson, sometimes used in call and response style, and their unique guitar and keyboard driven instrumentation compose their trademark sound. The B-52’s were formed when vocalist Cindy Wilson, her older brother and guitarist Ricky, keyboardist and vocalist Kate Pierson, original drummer and percussionist Keith Strickland and cowbell player, poet and lead vocalist Fred Schneider held an impromptu jam session after sharing a tropical Flaming volcano drink at a Chinese restaurant in Athens, Georgia. Other ideas they had to name their band were the “Tina-Trons” and “Fellini’s Children.” When they first jammed, Strickland played guitar and Ricky Wilson played congas. They later played their first concert (with Wilson playing guitar) in 1977 at a Valentine’s Day party for their friends.]

[The B-52s play The Uptown Theatre, Sunday, October 22.]

11:56

16. Schwervon! – “Blood Eagle”
from: “Blood Eagle” b/w “Wrath” – Single / Broker’s Tip / September 23, 2017
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian.]

[Schwervon! play a 7″ Release Show, Friday, Oct 20, 10 PM, The Brick, 1727 McGee with Emmaline Twist.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 25, we’ll play New Music and Scary Songs, plus we’ll welcome Michael McQuary and his Classic Monsters of Film Land. At 11:00 we talk with Freight Train Rabbit Killer, a duo made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch series called “Wake Snake Death Dance,” It will also include riddles, codes, clues, and maps that will lead someone to a trove of artifacts. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. Also joining us next week is our friend Calvin Arsenia, who has just returned back to KC from a 3-month US and European tour.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #704