WMM is Spinning Records With Marion Merritt + Ada Brumback & Bandwaggn

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback & Bandwaggn

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: The Bevis Frond, Baxter Dury, Delilah Holliday & Etienne de Crécy, Big Wild, Kristin Hersh, Antena, Boogarins, Sharon Van Etten, Hand Habits, Cass McCombs, M. Ward, The Glands, Lucy Dacus, boygenius, Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers, Throbbing Gristle, The Daktaris, Mulatu Astatke, and more!

At 11:30 Mark and Marion talk with Ada Brumback about Valentine’s Day Formal: A Benefit for Bandwaggn, Friday, February 15, at 7:00 PM, at Stray Cat Film Center, 1662 Broadway Blvd, KCMO. This is the first official fundraiser for Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #773

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WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM presents Betse Ellis, Marion Merritt, Keaton Conrad & Todd Albright

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

Mark plays The MidCoast Sound from: The Philistines, Calvin Arsenia, Bob & Una Walkenhorst, The Buhs, Akkilles, Kat King, Hembree, Stacy Busch, Betse Ellis, Keaton Conrad, Digital Leather, Todd Albright, and Motherfolk.

Betse Ellis

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke returns to Wednesday MidDay Medley for the entire show as our special guest co-host.

Marion Merritt

Marion Merritt, longtime contributor to Wednesday MidDay Medley, and founder of Records With Merritt, also joins us as special co-host with Betse to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

Keaton Conrad

At 10:35, Mark talks with Kansas City recording artist, Keaton Conrad who has been regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Friday, February 1.

Todd Albright

At 11:15 we talk with Third Man Records recording artist, Todd Albright a Detroit, Michigan based, twelve-string finger-style guitarist who specializes in country blues. Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly. Todd’s history playing the blues reaches over 25 years. Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. Todd Albright plays Records with Merritt, 1614 Westport Rd, KCMO, on Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #772

WMM Playlist from Jan. 30, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit
+ Drew Black & Killer City

Kim Stanton, Betse Ellis, Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Ex Hex – “Cosmic Cave”
from: It’s Real / Merge Records / Expected March 22, 2019
[Second album from three piece band formed in Washington DC in 2013. The band consists of Mary Timony lead vocals & guitar & songwriting, Betsy Wright on bass & songwriting, and Laura Harris on drums. Ex Hex released its first album, Rips, on October 7, 2014 on Merge Records. The band opened for Speedy Ortiz in Montreal in 2014. Ex Hex performed at Coachella 2016. The band takes its name from one of Timony’s solo albums. Mary Timony has been an important member of the bands: Helium, Wild Flag, Autoclave, and Mary Timony Band. She writes most of Ex Hex’s songs.]

3. Radar State – “Strays”
from: Strays / Wiretap Records / January 11, 2019
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals.]

[Radar State play a Record Release Show at recordBar, 1520 Grand, KCMO, Friday, February 1, doors at 7:30 with The Whiffs, and Hip Shot Killer.]

4. Jeff Tweedy – “I Know What It’s Like”
from: WARM / dBpm Records / November 30, 2018
[Solo debut of Wilco frontman and producer of recent Mavis Staples albums. This new record was released just weeks after Jeff Tweedy’s memoir, “Let’s Go (So We Can Get Back)” was released.]

5. Sharon Van Etten – “Seventeen”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

6. Keaton Conrad – “I Think I Fell in Love with You”
from: I Think I Fell in Love with You – Single / Keaton Conrad / Jan. 11, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[Keaton Conrad plays an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.]

7. Miki P – “Home”
from: Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P plays Voltaire, 1617 Genessee, Tonight, Wed, Jan 30, at 10 w/ Jackson Grimm, & Dylan Moses]

10:29 – Underwriting

8. Killer City – “Summer Drug”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

9. Killer City – “Invisible Ship”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

10. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

[Mikal Shapiro & Musical Band play Californos, Sat, Feb 2, 9PM w/ Under The Big Oak Tree, Gullywasher.]

11:42 – Interview with Drew Black

Drew Black

We just heard new music from Kansas City based musician Drew Black who joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Drew Black, thanks for being with us on Wednesday MidDay Medley

Killer City formed in late 2017 as Drew Black and Dirty Electric dissolved.

Drew just felt it was time to move on from that band and force himself to write new songs. It was either going to be artistic suicide or a rebirth. Luckily, it was a rebirth.

Band members include:

Zach Hodson who played guitar in Drew Black and Dirty Electric now plays drums in Killer City.

Byron Humann, who also plays in Knife Crime and the Cure tribute band Magnificent, plays bass.

Alex Yoffie from Martian Martian Martian and Appropriate Grammar plays lead guitar.

Drew Black describes Killer City as goth stoner rock with a dance beat. He says “We sound rootsy and furious… and we’re loud.”

Drew Black, thanks for being with us on WMM.

Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

10:55

11. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson (Leonard Cohen: I’m Your Man) and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.]

11:00 – Station ID

12. Krystle Warren – “Station ID”

11:00 – Interview with Krystle Warren, Brad Cox and Jennifer Owen

Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being with us on WMM

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Krystle released, Three The Hard Way last year, co-producing by Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

11:14

13. Barclay Martin, Krystle Warren, Lauren Krum – “An Old Letter”
from: unreleased recordings of songs from the show / written by Brad Cox

We are talking with Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” at the MTH Theater at Crown Center, Feb 1-3.

“What Keeps Mankind Alive?” is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama The Threepenny Opera (Die Dreigroschenoper) which premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The title refers to the central line from the finale of act 2, “Denn wovon lebt der Mensch?”. In the opera, the two stanzas of the strophic piece are sung by Macheath and Mrs Peachum and the final line is sung in fortissimo by the chorus. It is an agitprop socialist anthem expressing that the comfortable lifestyle enjoyed by the rich is paid for by the suffering of the masses. The lyrics begin: “You gentlemen who think you have a mission / To purge us from the seven deadly sins / Should first sort out the basic food position / Then start your preaching, that’s where it begins.” The song ends with the conclusion, “For once you must not try to shirk the facts / Mankind is kept alive by bestial acts.”

The song has been covered by Tom Waits (on the 1985 album Lost in the Stars: The Music of Kurt Weill, and again on the 2006 album Orphans: Brawlers, Bawlers & Bastards), the Pet Shop Boys (as a B-side on the single “Can You Forgive Her?” and on the 1995 compilation album Alternative), William S. Burroughs (in the 1994 documentary September Songs – The Music of Kurt Weill), and others. The opening chapter in The League of Extraordinary Gentlemen, Volume III: Century is named “What Keeps Mankind Alive?”.

Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from Kurt Weill and Bertolt Brecht is brought to life with dance, music and vocalists: Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances at the MTH Theater at Crown Center, 2450 Grand Blvd., KCMO. Friday, Feb 1 and Saturday, Feb 2 at 8:00pm, and Sunday, Feb 3 at 2:00pm. For info: http://www.owencoxdance.org

11:29 – Underwriting

11:31 – Interview with Betse Ellis and Kim Stanton

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 they released a special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

KIm Stanton

Kim Stanton is Executive Director of Rural Grit who with Mark Smeltzer, Principle Musician of Rural Grit is the mom of Noah. Kim is also a teacher in Kansas City with over 25 years of experience in classrooms. Kim received her Bachelor in Science from Northwest Missouri State University in 1987. Kim is also an angel, who volunteers herself for many non-profit community organizations, and who helps so many of her friends, is a huge supporter of the area music community.

Kim Stanton, thanks for being with us on Wednesday MidDay Medley

Kim Stanton & Betse Ellis are with us to share details on The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Trouble in Mind, formed in Maryville, MO in 1990 created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting Feb 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since.

Rural Grit is dedicated to the promotion, performance, and preservation of roots music.

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:39

16. Betse Ellis – “Question to Lay Your Burden Down”
from: High Moon Order / Free Dirt Records / June 14, 2013
[2nd solo release from renowned fiddler, Betse Ellis, known by many as a founding member of The Wilders. This recording was number 3 on WMM’s list of The 113 Best Recordings of 2013.]

[Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

11:42 – More Interview with Betse Ellis and Kim Stanton

Betse Ellis and Kim Stanton have a busy week

The Bridge 90.9 Tim Finn Thursdays – Thursday, January 31 from 4-5pm

Winter Potluck Gathering – Saturday, February 2 from 6-9pm @ First Lutheran Church (basement) 6400 Stateline Road, Mission, Kansas – Potluck. BYOB. Space for instruments. Stage for inpromptu performances. It’s a lowkey, winter Tick Fest.

Westport Saloon- Saturday, February 2 from 12-2am – Rural Grit All-Stars

Rural Grit Happy Hour 20th Anniversary Opry Show – Monday, February 4 from 6-9:30pm @ the Brick – Leo & Roger Eilts will host this Opry style evening. Wear your fancy duds, finery or superduper stage clothes. 20 slots available if you’d like to participate. Kim will finalize the playlist on Sunday, February 3. No guarantees for drop-ins. If you want to participate, let me know via email: kimruralgrit@gmail.com.

List of interested participants

Jason Beers // Betse & Clarke // Brett & Susan // David Regnier // Dually Jukes // Paul & Nancy // Val & Tim // Kasey Rausch // Mikal Shapiro // Sean Ewbank // Kelly Hunt // Howard Iceberg // John Greiner // Barry Lee // Scott Stanton // Bob & Diana // High & Dry // Grassfed

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:50

14. Howard Iceberg & The Titanics – “Flowers in May”
from: Kansas City Songs / Independent / September 25, 2016
[26 new songs written by Howard Iceberg and Recorded by Phil Wade at Alluvial Fan Studio; and Pat Tomek at Largely Studios. Mixed by Pat Tomek at Largely Studios. Howard Iceberg on vocals, harmony vocals, guitar & harmonica; Chad Rex on guitar & vocals; Betse Ellis on violin, viola, cello, vocal, mandolin & tenor guitar; Clarke Wyatt on banjo, piano & organ; Chad Brothers on guitar & vocals; Brett Hodges on bass, vocals & mandolin; Phil Wade on dobro, guitar, mandolin, & lap steel, Johnny Hamil on bass; Mike Ireland on vocal & bass, Dan Mesh on guitar; Kasey Rausch on guitar & vocal; Mikal Shapiro on guitar & vocal; Josh Mobley on keyboards; Grisha Sandomirsky on violin; Erin Corriveau on vocals; Mary Pickert on vocals; Brendon Moreland on keyboards. Howard Iceberg writes in the liner notes to this collection: “You can hear a lot of these cats play most Monday nights at The Brick.”All songs written, performed, and recorded in Kansas City.]

We are talking with Betse Ellis and Kim Stanton about The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Betse Ellis and Kim Stanton thanks for being with us again on WMM

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:55

15. Freight Train Rabbit Killer -“The Tree of the Knowledge of Good + Evil”
from: Old Man of the Mountain – 7″ Single / Haymaker Records / 2018
[Side A of Volume 2 of a 4-part 7″ vinyl release called, Wake Snake Death Dance. Written by Eve Sheldon. Arranged by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Feb 6 Betse Ellis will be back with us for the entire show with our other special co-host Marion Merritt of our Winter Fund Drive Show with guests Keaton Conrad, and Todd Albright.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #771

History of Rural Grit Happy Hour

Rural Grit Happy Hour History- Rural Grit Happy Hour–What it started as…what it is today. – On August 23, 1998, the band Trouble In Mind was scheduled to play a Sunday night gig at the Grand Emporium. Three weeks before the gig, the other two scheduled bands cancelled and we were asked if we wanted to try and fill the night. What an exciting prospect…one whole night, designed by us, we couldn’t resist the lure. For a number of years, we had been putting on the legendary 15 hour Tick Festival out in the middle of nowhere, so we knew we could round up musicians and put on a show. In addition, we had also recorded the Tick Fest that summer and wanted to release the music. So, we moved into high gear, rounding up the musicians who had played at the Tick Fest, mastered a 90 minute cassette for release and advertised.

R.G. Records presented the 49th Annual Santa Rosa Tick Fest Tape Release Party, with Trouble In Mind, The Wilders, The Kemps, Sandoval, Rex Hobart & the Misery Boys, The Santa Rosa Stringband. It turned into a 5 1/2 hour show with main acts- acoustic & electric, in-between acts, to acts standing on chairs in the audience to battery powered amp wielding musicians mingling with the crowd.

Roger Naber, owner of the GE, asked us for a monthly show. After discussion, we decided that we could do it every 4 months. The next show was scheduled for Sunday, January 1, 1999. It was crazy to take on the odds of having a successful show on the day after New Year’s Eve but we decided to try. We even ended up competing with a snowstorm, but the musicians and audience still showed up to participate.

Not long after the success of the January 1st show, Roger, who had just returned from Austin where he had attended a variety of Happy Hour shows at clubs, like the Continental Club, contacted Kc, who had lived in Austin and was familiar with how the Happy Hour shows ran. They discussed Rural Grit putting on a weekly Happy Hour Show. We decided to do it—we’d have a weekly event at the GE, a reputable club; we would have a regular venue for our artists to perform; we could meet more musicians. After some discussion and sweet persuasion, Ike Sheldon (The Wilders and Trouble In Mind) agreed to host the weekly Happy Hour. ..Brother Ike’s Rural Grit Happy Hour at the Grand Emporium.. began on the first Monday of February in 1999.

..Brother Ike’s Rural Grit Happy Hour (RGHH) every Monday 6:00-8:00.. –In the beginning, we featured local bands–artists that were part of Rural Grit or networked with Rural Grit artists. Attendance was sparse during the first several months–what in the hell did we think we’re doing? We realized that what we were offering was too much like every other show offered in Kansas City. We decided to make the Happy Hour more like our big shows–constant music of a wide variety with some element of the unorthodox each night. We wanted to create a situation where musicians and music lovers were the regulars.

Our mission statement (Rural Grit is dedicated to the promotion, performance, and preservation of roots music and strives to provide opportunities for like-minded individuals to further their artistic causes.) provided the road map for the RGHH. We decided to keep the RGHH acoustic in nature and the focus on what we called Roots Music. The stage plot designed was a single mic set up, a large single diaphragm microphone. This eliminated the need for the full-time sound engineer (Randy, Little John, Jenna, Conrad, Mark) to take music time away using multiple mic set ups. We noticed that with the single mic, artists were placed in a situation where they had to listen to each other with out monitors and they were able to quickly get on and off the stage. There was usually a bass mic and an extra 57 as a spot for quiet instruments, however, these were seldom used.

To create a music, party-like atmosphere and check out booking prospects, the “Inbetweens” were created to allow artists who were not featured that evening to participate. “Duets & Trios” night (every 3rd Monday) was an opportunity for beginners to interface with skilled amateurs to professional road-dogs and for all artists to test new material/instruments. “Theme Nights” (to name a few popular ones were: Murder Ballads; Singer/Songwriter, Food; Death, Disaster and Destruction; Trainwrecks and Catastrophes; Outlaws and the Women Who Loved Them, Guilty Pleasures) and “VS” nights (as in Hank Williams Sr. VS Robert Johnson or Johnny Cash VS Muddy Waters) were created to add variety and encourage learning new material. “Electric Freakout” (every 5th Monday) was a night for our musicians who also played electrically to rock out. Occasionally we had touring bands featured, which opened the need for opening acts, in response the “Rural Grit All-Stars” were created. This is a changing group of artists who frequent the RGHH and can be tailored to compliment the touring band. We also put on two 6 hour shows a year–The Winter Tick Fest and The Anniversary Show.

By the end of 2002, the consistent touring of The Wilders kept Ike and company at the Happy Hour less, but by that time, we had met another wave of crazy, musician types who sure did like getting together and exploring musical roots firsthand. All the time The Wilders were beginning to trek across the country, spreading Rural Grit recordings far and wide. At this time we changed the name officially to the Rural Grit Happy Hour.

At the beginning of 2003, the Rural Grit Happy Hour was still in full swing, providing musicians with a unique networking opportunity and the audience with variety each week. Roger extended our hours and the RGHH was the only gig of our format offered on Monday nights. The RGHH had become a place where musicians connected and created new bands, where young bands came to spread their wings, and old timers came back to reconnect with the young. In addition, there was a core loyal following among musicians, patrons and staff. Amazing Grace was there each Mondays feedin’ us soul food; it went well with the soul of the music. It was real, honest, it was music from the heart for the heart. We felt like we had actually done something good, something to be proud of and something that was continuing to grow.

In May of 2004 a series of unforeseen events took place: Roger had cut a deal to sell the Grand Emporium. The new owners planned to rip out everything, down to the studs–nothing would remain the same except the stage. We did not want the RGHH to end but where to go after 5 years and 3 months. Memorial Day- a day we usually take off-would be the last day the GE’s doors would open and the RGHH would be the final event at the GE. We decided to put on a Big Show–Memoriam at The Grand Emporium–everyone was coming together for the last show, flyers were posted, radio and print interviews. Everything was high energy, people were exited. Musicians and fans alike had begged, pleaded, demanded that the RGHH go on somewhere else. We thought , “o.k. but where?” Where indeed. Venues from across the city were courting us. We didn’t want to make a decision in such a short period of time, so it was decided that we would “take a summer vacation” at Mike’s Tavern playing theme shows and scout out a permanent venue.

The Saturday night before the last show at the GE was when the second of a series of unforeseen events took place. A F4 tornado cut a deadly path through Daviess County MO, home of the Santa Rosa Tick Festival and the magical Tick Ranch studio. Dale, Mary and cousin Jeff made it out alive, but some folks just down the road did not. As for the studio, (really an old farm house) the main record room was amazingly just fine but the roof above the engineer’s room was ripped off and 7 inches of rain was dumped inside. It would rain 5 more inches that week and another funnel cloud would threaten two weeks later. However, 40 yards away an earth contact home was destroyed. Now not only were we looking for a new venue, but we had less than 2 months to repair the studio and clean up the debris to get ready for Tick Fest. Ever cleaned up after a F4 tornado–it’s one hell of a job! The final RGHH at the GE was a huge success–over 150 patrons and 50 musicians closed the GE in Rural Grit style.

At the end of our summer vacation at Mike’s Tavern, we decided to move to The Brick. So the RGHH continues on Monday nights from 6-9 p.m. at The Brick. We keep to the same format that we used in the past. There are featured bands/artists with “Inbetweens”. Every third Monday of the month is Duets & Trios night. Every fifth Monday is the Electric Freakout. We still have theme nights or vs nights. We still use a single mic. We still encourage the networking between musicians.

The Rural Grit All-Stars are regular participants of the Rural Grit Happy Hour. Their consistent attendance and participation at the Rural Grit Happy Hour has honed their ability to easily connect musically with each other. At the RGHH we use a single mic and no monitors—artists need to listen to each other to connect. Quite often I witness a combination of artists that hit a musical “zone”. Magical-beautiful-inspiring. These moments create a bond that musicians crave to create again and again. It draws them together. It draws their music together. It strengthens their sense of a musical community, parlaying into an extended family that provides support in a multitude of ways for each artist’s existence.

As time has gone on our core group of participants has decreased then altered due to touring, raising families, moving and various other life crop ups. However, we still have a small group of folks that show up every week to create a bit of magic. Old-timers drop in occasionally and newbies give it a whirl. Over the last few years there have been numerous happy hour shows started throughout the city. It’s quite a different story now then when we began this adventure. It has been exciting to see artists who started at the RGHH, networked with the musicians there and went on to create their own band/scene. Most of them are still playing out today. The goal of the RGHH is to continue to network like-minded musicians together and provide opportunities for a little musical magic to occur.

WMM presents: Krystle Warren & Owen/Cox Dance Group + 20 Years of Rural Grit + Killer City

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TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Drew Black & Killer City
+ Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit

Mark plays New & MidCoastal Releases from: Radar State, Killer City, Krystle Warren, Mikal Shapiro, Freight Train Rabbit Killer, Miki P, Keaton Conrad, Ex Hex, Sharon Van Etten, Jeff Tweedy, and more.

Drew Black

At 10:30 Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Krystle Warren

At 11:00 Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group‘s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

KIm Stanton

Betse Ellis

At 11:30 Kim Stanton & Betse Ellis share details on Rural Grit’s 20th Anniversary. We’ll play music from Freight Train Rabbit Killer, and Trouble in Mind, formed in Maryville, MO in 1990 the band that created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting February 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since. Rural Grit is dedicated to the promotion, performance, and preservation of roots music. The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #771

WMM Playlist from Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Thin Lips – “Gaslight Anthem (The Song Not The Band)”
from: Chosen Family / Lame-O Records / July 27, 2018
[Philadelphia, Pennsylvania based indie rock and roll band who place a whole lot of value on humility, kindness, and erudite riffage. Their EP, Divorce Year, from 2015, was followed by the release of their first full-length record, Riff Hard on May 2016. In early 2017 they released a split single with Modern Baseball and The Superweaks. In early 2018 they released the single “So Stoned” from their second full length album Chosen Family. Chrissy Tashjian steers Thin Lips down the middle lane of pop sensibility, while simultaneously testing the boundaries of some pretty wild licks, backed by Chrissy’s younger brother Michael Tashjian on drums and Kyle Pulley on bass, and the band’s audio engineer, along with auxiliary guitar player, Christopher M. Diehm rounding out the band for live shows.]

3. Madisen Ward and the Mama Bear – “Family Treason”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover reinterpreted in their own unique style with two voices and two guitars in harmony. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

4. Appropriate Grammar – “King Of Silent Sounds”
from: King Of Silent Sounds – Single / Never Records / January 7, 2019
[Music and lyrics by Nick McKenna. Arranged by Appropriate Grammar. Engineered, mixed and mastered by Ted Riederer of Never Records – Kansas City, MO. Photo by Anna Selle. Cover design by Claire Adams and Steve Gardels. Appropriate Grammar is a Kansas City based band formed in July 2010 with Nick McKenna on guitar & vocals, Alex Dunsford on lead guitar, Claire Adams on bass & vocals, and Steve Gardels on drums. This recording was a collaboration between Appropriate Grammar, Never Records and Open Spaces KC. Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot. New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. http://www.neverrecords.net Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. Find out more about Never Records: neverrecords.samexhibit.com/pages/about ]

[Appropriate Grammar play the 2019 Winter Classic w/ Emmaline Twist and special guests Tim Braun and Julia Haile, on Sat. Jan. 26, 9:00 PM, at Union Library, 1317 Union Ave, 2nd Floor, West Bottoms]

5. Katy Guillen and The Girls – “Back To Normal”
from: Four Walls / KG & The Girls / December 23, 2018
[This new EP is a collection of 4 tracks from the band and serves as their final release. Katy Guillen on guitar, & vocals, Claire Adams on bass & vocals, and Stephanie Williams on drums. Produced by Katy Guillen & The Girls. Recording Engineer: Claire Adams, Mixing & Mastering Engineer: Duane Trower. Album Artwork: Mary Pat Losey. This new EP follows the critically acclaimed 2017-2018 album, Remember What You Knew Before, where the band collaborated with producer Lennon Bone to rework songs from their 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City..]

6. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.]

7. Bauhaus – “Stigmata Martyr”
from: Bauhaus (1979 -1983), Vol. 1 / Beggars Banquet / November 1, 1985
[Originally released on In the Flat Field, the debut studio album by English post-punk band Bauhaus. It was recorded between December 1979 and July 1980, and was released on 3 November 3, 1980 by 4AD, the first full-length release on that label. The album is considered one of the first gothic rock records. Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy on vocals, occasional instruments, Daniel Ash on guitar & saxophone, Kevin Haskins on drums, and David J on bass. The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk. Bauhaus broke up in 1983. Peter Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus eventually reunited for a 1998 tour and again from 2005 to 2008.]

[Peter Murphy performs 40 Years of Bauhaus – a Ruby Celebration featuring David J performing “In the Flat Field” in its entirety plus an extended encore of Bauhaus classics Monday, January 28, Doors at 7:00 PM at The Truman, 601 E. Truman Road, KCMO.]

10:29 – Underwriting

8. Verbose – “Irony”
from: Irony – Single / Verbose / January 25, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

9. Headlight Rivals – “Comeback”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11:38 – Interview with Eric Kleiner, and Logan Glasgow

We just heard new music from Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

The MidCoast Takeover is an annual event produced by Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities.

Headlight Rivals

With us on the phone is Eric Kleiner guitarist & lead singer for the Manhattan based three piece band Headlight Rivals who are getting ready to release their new EP Rickshaw.

Eric Kleiner, thanks for being with us on Wednesday MidDay Medley

Verbose

And on the other line, we have Logan Glasgow lead vocalist & drummer for the Joplin, Missouri / Pittsburg, Kansas based band Verbose who are getting ready to release their new single “Irony”.

Logan Glasgow thanks for being with us on Wednesday MidDay Medley

MidCoast Takeover Fundraiser #1 – January 25, recordBar

8:00 Doors / 9:00 Verbose / 10:00 The UK’s / 11:00 Headlight Rivals

The Midwest Music Foundation is proud to present the 10th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a KC – focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in Kansas City and throughout the Midwest.

These fundraiser shows help Midwest Music Foundation raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

MidCoast Takeover sponsors! include: Boulevard Brewing Company, 90.9 The Bridge, Seen Merch , Tito’s Handmade Vodka, Sound Machine KC, KZUM, EasternAfternoon, recordBar, The Brick, Shangri La, City Rent A Truck, XO Blackwater, Rad’s FX LLC,CM2 Audio, and Do816

MIdCoast Takeover is March 15, 16, 17, Austin Texas at Shangri La

Headlight Rivals are a Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.

Verbose is a four piece alternative blues rock band from Joplin, Missouri and Pittsburg, Kansas. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar

Headlight Rivals have a new EP called Rickshaw to be released, January 24, 2019

Headlight Rivals Recorded and mastered their last EP Juliette at Element Recording Studios by Joel Nanos in Kansas City, MO. Produced by Joel Nanos and Headlight Rivals. All songs written and performed by Eric Kleiner, Seven Arizona Black, and Kris Kleiner. Additional piano by Joel Nanos. Artwork by Carlos Salazar. Where did you record Rickshaw?

Verbose has the new single “Irony” to be released January 25. Their new album will be out this year.

Tim Cote who plays bass & sings in Verbose was a member of the band Me Like Bees.

Both bands will be playing Austin during SXSW, for the MidCoast Takeover.

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Logan Glasgow, and Eric Kleiner, thanks for being with us on WMM.

Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

For more info: http://midwestmusicfoundation.org/midcoasttakeover/

10:54

10. Headlight Rivals – “Bloodshot”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017. ]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11. Verbose – “Underwater”
from: Underwater – Single / Verbose / May 9, 2016
[Verbose is a four piece alternative blues rock band from joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

11:00 – Station ID

12. Chloe Jacobson – “National News”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018
[It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.” Chloe’s debut album, “Frozen Fruit” was just released in a show at Mills Record Company.]

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

Shaun Crowley and Chloe Jacobson on the Jan. 23, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:05 – Interview with Chloe Jacobson & Shaun Crowley

Chloe Jacobson is a Kansas City based singer songwriter. Chloe Jacobson’s voice has been described as “soulful, bluesy and colored with the pop cadence of aughts-era emo.” Her debut album, “Frozen Fruit” was just released. Chloe played a January 19 release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. Chloe joins us to play live in our 90.1 FM Studios.

Chloe Jacobson thanks for being with us on WMM.

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. Shaun is also organizing the live music at Voltaire, 1617 Genessee, in the West Bottoms.

Shaun Crowley thanks for being with us on WMM.

“National News” Chloe’s first single released in January of 2017.

Manor Records is helping to present Chloe’s new album.

More info at: http://www.chloejacobson.online

11:13

Chloe Jacobson playing live on Wednesday MidDay Medley on KKFI 90.1 FM.

13. Chloe Jacobson – “Spain” (LIVE) also available on: Frozen Fruit / Chloe Jacobson / November 14, 2018

Chloe Jacobson is playing a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.

Chloe Jacobson moved to Kansas City with her family from San Jose, California 10 years ago. She started playing guitar in Middle School. She began writing poetry first and then transitioned into using some of those poems to become songs.

Chloe Jacobson

Chloe started off playing in open mic nights, and eventually met Steven Ervay who introduced her to Do816, PlaylistPlay, SoFar Sounds, and The Rino

Shaun Crowley of Manor Records met Chloe through Steven Ervay.

Chloe Jacobson Frozen Fruit

The Frozen Fruit cover art work was created by Chloe’s friend Natalie Clinton who also created the mural that is outside of Oddly Correct.

Shaun is currently organizing several events including: Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.

11:25

14. Chloe Jacobson – “Midas”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

11:28 – Underwriting

16. Kadesh Flow – “Picking Up (Radio Edit) (feat. Atlas)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

11:34 – Interview with Kadesh Flow

Kadesh Flow on the January 23, 2019 edition of Wednesday MidDay Medley

Kadesh Flow joins us to share music from his new EP, Otaku Moods to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO, with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is 29 year old Ryan Jamaal Davis. He is a rapper, trombonist, and producer. At age 11 he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found playing solo hip hop sets, playing trombone with The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee”.

Kadesh Flow thanks for being with us again on WMM

2018 Was a big year for Kadesh Flow. He was part of three separate albums that were in the top 50 of Wednesday MidDay Medley’s 118 Best Recordings of 2018 with his work with Marcus Lewis Big Band “Brass and Boujee,” The Phantastics “Life of the Party” EP, and his solo EP release “Room Service.”

16. Kadesh Flow – “Pavement (Radio Edit) (feat. Anna Challacombe)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

11:45 – More Interview with Kadesh Flow

Kadesh Flow

His music has been featured on network television in multiple countries and territories across Southeast Asia.

Kadesh Flow is originally from Alabama. He moved to Kansas City to work with Cerner

17. Kadesh Flow – “Party Thoughts (Radio Edit) (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on January 30, Drew Black joins us to share new music from his band Killer City. Brad Cox and Jennifer Owen along with Krystle Warren join us to talk about the new production from Owen Cox Dance Group, “What Keeps Mankind Alive,” with music by Kurt Weill and Bertold Brecht, February 1-3 at MTH Theatre in Crown Center. Also next week Kim Stanton and Betse Ellis join us to share music and details about The Rural Grit Happy Hour’s 20th Anniversary Celebrations February 4 at The Brick.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #770

WMM presents: Chloe Jacobson + Kadesh Flow + Headlight Rivals + Verbose

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

Wednesday MidDay Medley plays New & MdCoastal Releases from: Katy Guillen & The Girls, Appropriate Grammar, Madisen Ward and the Mama Bear, Chloe Jacobson, Jessica Paige, Headlight Rivals, Kadesh Flow, Verbose, and Thin Lips. We will also play a classic from Bauhaus.

Headlight Rivals

Verbose

At 10:30 Logan Glasgow of the Joplin, Missouri based band – Verbose, and Eric Kleiner of the Manhattan, Kansas based band – Headlight Rivals join us to talk about their new musical releases, playing Austin during SXSW, and their involvement playing in The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar,1520 Grand Avenue, KCMO. More information at http://www.weareverbose.com http://www.headlightrivals.com http://www.midwestmusicfoundation.org

Chloe Jacobson

At 11:00 Kansas City based singer songwriter Chloe Jacobson joins us to play live in our 90.1 FM Studios. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her debut album, “Frozen Fruit” was just released on Manor Records, January 19 in a release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. More info at: http://www.chloejacobson.online

Kadesh Flow

At 11:30 Kadesh Flow joins us to share music from his new EP Otaku Moods, to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is Ryan Jamaal Davis, a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee. Kadesh Flow released his last EP The Room Service on March 30, 2018.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #770

WMM Playlist from Jan. 16, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 16, 2019

“Remembering MLK”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:10

Thanks for tuning into Wednesday MidDay Medley, today we celebrate the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. [B-day – Mon 15] [MLK Day – Mon. Jan. 15.]

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of and inspired by the civil rights movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, Pops Staples, Mavis Staples, The Staple Singers, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion. We started w/: Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

And at 11:15, Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm – 9:00 pm at recordBar 1520 Grand.

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and chees at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001 [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit…

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011 [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

10:41

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

10:48 – Freedom…

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002 \[Recorded Sept. 16, 1994, Live in Boulder][Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

21. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Kelly Hunt / 2019

11:23 – Interview with Kelly Hunt & Una Walkenhorst

Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

The series continues with Scott Hrabko on March 6, Mikal Shapiro on April 11, and Sara Morgan on May 22.

The performances will also feature Kelly’s longtime co-conspirator multi-instrumentalist Stas’ Heaney and an occasional rotating band of local musicians.

The format may vary some but will include an opening set by each evening’s guest artist songwriter ending with a multi-song collaboration with Kelly followed by a long set of Hunt’s own music freely explored and configured as she sees fit. The residency is intended as an exercise in principles Hunt says guide her creative approach.

“When the opportunity for a residency at The recordBar came up, I knew I wanted to do something different with it. Lately, I’ve been gravitating towards new instruments, new styles of writing, arranging and performing. I’ve been craving a public stage that facilitates experimentation, collaboration and community. A place to air out brand new—even unfinished—songs within the context of live performance: a laboratory of sorts. This series is designed to encourage that kind of creative space for both performer and listener—to give the songwriter a unique sounding board for new ideas, and to invite the listener to participate in that creative process. Every show in this series will be unique. I’m excited to be joined by some of my favorite local songwriters and musicians onstage, and to finally give voice to songs and ideas that have been waiting in the wings for a long time,” said Hunt.

Information at: http://www.therecordbar.com.

Hunt’s stellar debut album, “Even The Sparrow,” is already getting rave advance reaction prior to it’s international release projected for the end of Q1 2019.

“Hunt applies her haunting voice and evocative banjo playing to songs that build on the work of contemporary masters like Gillian Welch.”
– THE KANSAS CITY STAR.

“…the combination of Hunt’s exceptional voice and exquisitely spare instrumentation is stunning.”
– Bill Brownlee THERE STANDS THE GLASS.

Una Walkenhorst shows:

Songwriters Showcase at Records with Merritt
Friday, January 25, at 7:00 PM – Records with Merritt, 1614 Westport Rd, KCMO
Una Walkenhorst, Teri Quinn, Joel Stratton, Nina Lee Cherry

Survivors Stories (A MOCSA Benefit)
FEBRUARY 28, 2019, with support from Fine Dining Productions and the Johnson County Mental Health Center, The Rino will be hosting a very special event benefiting MOCSA. the Metropolitan Organization to Counteract Sexual Assualt. The evening will consist of a curated lineup of performers offering songs, poetry, and other performance art pieces that touch on their experience with sexual assault. The goals for this event are to provide a safe space where survivors can heal, connect, and be given access to the services they may need, and to raise funds and awareness for the important work MOCSA is doing in our community. The event will also provide a chance for those who have not dealt with sexual assault, violence, or harassment to further understand what it means to be a survivor. SEEKING SUBMISSIONS – DEADLINE JANUARY 31, 2019

Bob & Una Walkenhorst Live At The Westsider
Friday, February 1, at 7:00 PM – Mike Kelly’s Westsider. KCMO

Bob & Una Walkenhorst with Brewer & Shipley
Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Kelly Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand. More infomation at: http://www.therecordbar.com.

11:39

22. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from KC. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:40 – Underwriting

11:45 – Gospel & Folk Music Carried the Message…

23. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

24. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

25. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.] [In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, January 23 we talk with Logan Glasgow of the band Verbose and Eric Kleiner of the band Headlight Rivals who both play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, ALSO Chloe Jacobson joins us live in our 90.1 FM Studios, PLUS, Ryan Jamaal Davis AKA Kadesh Flow joins us to share new music.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #769

Wednesday MidDay Medley Remembers MLK

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 16, 2019

“Remembering MLK”

Wednesday MidDay Medley celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

Mark plays music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

At 11:15 KC based musicians Kelly Hunt and Una Walkenhorst share details about Hunt’s new SongCraft Sessions series, starting January 16, at 7:00, at recordBar, 1520 Grand, with Una Walkenhorst, followed by Scott Hrabko on March 6, Mikal Shapiro on April 11, and Sara Morgan on May 22. The performances will also feature Kelly’s longtime co-conspirator multi-instrumentalist Stas’ Heaney and an occasional rotating band of local musicians. In describing this new series Kelly Hunt said, “When the opportunity for a residency at The recordBar came up, I knew I wanted to do something different with it. Lately, I’ve been gravitating towards new instruments, new styles of writing, arranging and performing. I’ve been craving a public stage that facilitates experimentation, collaboration and community. A place to air out brand new—even unfinished—songs within the context of live performance: a laboratory of sorts. This series is designed to encourage that kind of creative space for both performer and listener—to give the songwriter a unique sounding board for new ideas, and to invite the listener to participate in that creative process. Adv. tickets are $10 and available online at: http://www.therecordbar.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #769

WMM Playlist from January 9, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. James Murphy – “Golden Years”
from: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.][“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

3. Col. Chris Hadfield – “Space Oddity”
from: Space Sessions: Songs From a Tin Can / Chris Hadfield / October 9, 2015
[The video has had over 27,000,000 views on YouTube. The performance was the subject of a piece by Glenn Fleishman in The Economist on 22 May 2013 analyzing the legal implications of publicly performing a copyrighted work of music while in earth orbit. The song is the only one of Bowie’s for which Bowie did not own the copyright. Bowie’s publisher granted Hadfield a license to the song for only one year. Due to the expiry of the one year license, the official video was taken offline on May 13, 2014, despite Bowie’s explicit wishes that the publisher grant Hadfield a license at no charge to record the song and produce the video. Following a period of negotiations, the video was restored to YouTube on November 2, 2014 with a two-year license agreement in place.]

In May of 2013, Canadian astronaut Chris Hadfield, commander of Expedition 35 to the International Space Station, recorded a video of “Space Oddity” while on board the space station. This was the first music video ever shot in space. The lyrics were slightly changed to reflect Hadfield’s imminent return from his final mission. Hadfield announced the video on Twitter, writing, “With deference to the genius of David Bowie, here’s Space Oddity, recorded on board the Station. A last glimpse of the World.” Bowie responded to the video, tweeting back to Hadfield, “Hallo Spaceboy”.

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a way through, was influenced by Bowie.

Bowie’s death, three years ago, in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, for those of us who felt left out.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. I’m Mark Manning. Today we Celebrate David Bowie with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth. We started with James Murphy and Chris Hadfield

And into this mix of original songs and covers, we’ll feature short stories about David Bowie, from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

Our first story comes from band leader, musician, and director, Cody Wyoming, lead guitarist, singer, and founder of the Kansas City band, The Philistines, who released their debut full length album, “The Backbone of Night” on May 27, 2016 and was #1 on WMM’s 116 Best Recordings of 2016.

4. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

5. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

6. Jesse Bartmess’ Bowie Story – “Changes in my 4-year old ears”
recorded by Mark Manning, Saturday, February 27, 2016

7. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

8. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

9. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.

10:30 – Underwriting

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1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specially for the band to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel, in London, in front of the band’s lead singer, Ian Hunter.

During the year that saw the recording, and release, of two of rock music’s most important albums, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immedately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of glam rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play the rare, previously unreleased track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie and Mick Ronson, from the incredible year of 1972.

10. Lou Reed – “Take A Walk on The Wild Side”
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Marion Merritt grew up in Los Angeles and St. Louis and used to sing the lyrics to David Bowie’s “We Are The Dead,” at her family reunions, when she was just a kid. Marion is creator of Records With Merritt, a small, independent, minority owned business. Marion is keeping the tradition of, female-owned, independent record stores, on Westport Rd., alive. Here is Marion’s story…

11. Marion Merritt’s Bowie Story – “Strange Scary Bowie”
recorded by Mark Manning, Monday, February 22, 2016

12. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

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For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next story, about Bowie, comes from one of Bowie’s biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds. Ben will also be performing with The Band That Fell To Earth, Saturday, January19 as a special guest.

13. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

14. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

1977 was another big year for the 30 year old David Bowie. He released the first two albums of his “Berlin Trilogy” Low and Heroes, recording with longtime friend and producer Tony Visconti, and collaborating with musician Brian Eno.

Low came from the creative energy of Bowie’s previous album Station to Station, and music he had intended for the soundtrack to he film The Man Who Fell to Earth. When Bowie presented his material to Nicolas Roeg, the director decided that it wasn’t suitable. Elements from these pieces were incorporated into Low instead. The album’s cover, like Station to Station, is a photographic still from “The Man Who Fell To Earth.”

As a recovering cocaine addict, Bowie’s songwriting on Low dealt with difficult issues. Visconti contended that the title was partly a reference to Bowie’s “low” moods during the album’s writing and recording. Bowie said, “There’s oodles of pain in the Low album. That was my first attempt to kick cocaine, so that was an awful lot of pain.” Bowie and Iggy Pop went to Berlin together to try to kick their drug habit. Bowie said “And I moved to Berlin to do it. I moved out of the coke center of the world, Los Angeles, where Station to Station was recorded, into the smack center of the world, Berlin”.

Heroes was Bowie’s 12th studio album also released in 1977. The second installment of his Berlin Trilogy with Brian Eno .”Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the Berlin Trilogy, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.”

11:00 – Station ID

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM KKFI – Kansas City Community Radio,

15. Ian Johnson’s Bowie Story – “My Dad Tim”
recorded by Mark Manning Sunday, February 13, 2016

16. David Bowie – “Heroes” (Single Version)
from: Heroes / RCA / October 14, 1977
[Twelfth studio album by David Bowie, released in 1977. The second installment of his Berlin Trilogy with Brian Eno – the other releases being Low and Lodger – “Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the three albums, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known, and the song has received lasting critical acclaim and is continually mentioned as one of the greatest songs of all time. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolised by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.” Earlier in 1977, Kraftwerk had name-checked Bowie on the title track of Trans-Europe Express, and he again paid tribute to his Krautrock influences: the title is a nod to the track “Hero” on the album Neu! ’75 by the German band Neu! – whose guitarist Michael Rother had originally been approached to play on the album – while “V-2 Schneider” is inspired by and named after Kraftwerk’s Florian Schneider.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

19. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

19. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

11:15 – Interview with Michelle Bacon

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums, bass, and sings harmony vocals. Over the last several years she performed and recorded music with, Other Americans, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum. Their annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests.

Guest vocalists for Friday, Jan. 18:

Julia Haile who performs solo and with neo-soul/funk group Hi-Lux.

Rachel Mallin songwriter, multi-instrumentalist, leader of Rachel Mallin & The Wild Type.

Michael Tipton who fronts the Talking Heads tribute band, Found A Job!

Wick Thomas activist and educator who leads the glam punk band Wick & The Tricks.

Guest vocalists for Saturday, Jan. 19

Ben Grimes – musician, writer, filmmaker, leader of Soft Reeds and The Golden Republic. He works in TV production on It’s Always Sunny in Philadelphia and Baskets.

Madisen Ward of Madisen Ward and the Mama Bear, “The Radio Winners” received accolades from NPR, the AP and was in the Top 5 of WMM’s 118 Best Recordings of 2018

Slim Hanson singer/songwriter, founding member of the Hellcat Trio and Grand Marquis. He now leads the honky tonk country band Slim Hanson and the Poor Choices.

Miki P is a songwriter and multi-instrumentalist, she was in American Slim, and recently released her debut solo album, “Dome of Swallows.”

Jeff Harshbarger is a bassist, composer, teacher, radio show host on KKFU, and has performed with jazz, rock, tango and avant-garde collectives including Bach Aria Soloists, Krystle Warren, and The People’s Liberation Big Band of Greater Kansas City.

A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater KC area.

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

11:32 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

To study Bowies albums to to learn about the many guitarists and producers who worked with Bowie including on of the most influential guitarist of modern music…Nile Rodgers.

19. Nile Rodgers talks about making “Lets Dance”

20. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

21. Krystle Warren’s Bowie Story – “Always be genuine in your expression”

22. David Bowie – “Without You” (Single Version)
from: Let’s Dance / EMI / April 14, 1983

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. He was a working artist. He was always working, always creating, always studying, always interested in how it could be put together.. Bowie inspired multiple generations of people with his beautiful catalog of song.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Jesse Bartmess, Nico Gray, Marion Merritt, Ben Grimes, Ian Johnson, Michelle Bacon, Krystle Warren, and Barry Lee, who we will hear from in just a few moments.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, on January 8, 2016, Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

23. Barry Lee’s Bowie Story –”i wasn’t always a fan”

24. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, Jan 16, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #768