
Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning
Wednesday, February 2, 2022
Mark Spins 20 New & MidCoastal Releases + a few classics
- “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

- Jo Blaq – “New Day (feat. Irv Da Phenom & & Kim Keys)”
from: Blaq Joy / DISTRICK / January 1, 2021
[Jo Blaq is also known as: Joseph Macklin, a native of Kansas City, Kansas. Jo is the youngest of three “preacher’s kids.” Although his musical interest and talents existed then, as a kid, Jo excelled on the basketball court, as well. Jo was ranked as one of the top basketball players in the state of Kansas, hailing from the dominant Washington High School. He went on to play Division 1 College Basketball at the University of Texas-San Antonio, and would later continue his collegiate career at Colorado State. He played professional basketball in Australia before returning home. Blaq invests time, money, and energy into local initiatives in the Kansas City area, including the first-ever Christmas tree lighting and Christmas of Diversity concert in the historic 18th & Vine Jazz District and the rehabilitation of the Quindaro Museum, which houses houses historical artifacts from the African-American community. Jo has served as the event music producer for the American Jazz Museum and has taught music theory and coding classes through the Full Employment Council and University of Central Missouri for free. The classes offer metro-area teens paid internships and access to Jo as a mentor, songwriter, vocalist,instrumentalist, and producer. Jo has worked with many of the mainstream artists. In 2015, he was nominated for a “Best Pop Vocal Album” Grammy for his vocal production work on Ariana Grande’s MY EVERYTHING. Jo was again nominated for two Grammy’s in 2016 for the vocal production on Tim Bowman’s LISTEN album and Jill Scott’s WOMAN album. Over his genre-spanning career, Jo has worked with artists such as: Stevie Wonder, Diana Ross, Anita Baker, Justin Bieber, Cruz Beckum, Mario, Big Sean, B5, Chris Brown, 98 Degrees, Jasmine V, Next, Kendrick Lamar, B. Smyth, Evan Ross, Jordin Sparks, Shaunice, Kim Keyz, Evan Ross, Effie, & others. BLAQ GOLD was Produced By JETpack – Joseph “Jo Blaq” Macklin, Stephanie “Effie” Altoro, and Tim Ogutu. Jo Blaq also released the 7-track EP, WHAT THEY DO, in January 1, 2022 also produced By JETpack – Joseph “Jo Blaq” Macklin, Stephanie “Effie” Altoro, and Tim Ogutu. More info at: https://www.instagram.com/joblaqofficial/%5D

- Dia Jane – “Father’s Daughter”
from: “Father’s Daughter” – Single / Dia Jane / December 21, 2021
[Written by dia jane. Produced by Jo MacKenzie and Brandon Yangmi. Mixed by Jo MacKenzie. Performed by Dia Jane featuring Addie Sartino of The Greeting Committee. 19 year old Dia Jane (singer/songwriter), was also part of Baby and the Brain with 18 year old Jo Mackenzie (producer and songwriter). They released their EP BrainBaby on September 3, 2021 that was 366 on WMM 120 Best Recordings of 2021. Dia Jane and Jo MacKenzie met at an open mic in Kansas City, Missouri, when Jo was in 8th grade and Dia was in 10th grade. Three years later, the two reconnected to started a musical project together that eventually turned into Baby and the Brain, a self-produced indie-pop band.]

- Anaïs Mitchell – “Bright Star”
from: AnaÏs Mitchell / Anaïs Mitchell – BMG / January 28, 2022
[Anaïs Mitchell is the eighth studio album by American singer-songwriter Anaïs Mitchell, released on January 28, 2022, through BMG Rights Management, her first release on the label. It is her first studio album of new material since Young Man in America (2012), as well as her first studio album following her Tony Award-winning musical Hadestown. The album features musical contributions from Michael Lewis, JT Bates, Thomas Bartlett, Aaron Dessner and Nico Muhly. // “Bright Star” was released as the album’s first single on October 28, 2021. It is an indie folk song “about looking back on years of restless pursuit and making peace with the source of that longing: the Muse, the Great Unknown, the One That Got Away – those things that motivate us that we never can touch.” It impacted adult alternative radio on January 10, 2022. // Album opener “Brooklyn Bridge” was released as the second single from the album on December 2, 2021. Of the song, Mitchell said “Having left New York, I was able to write a love letter to it in a way I never could when I was living there. It was like, fuck it. This is how I feel. There is nothing more beautiful than riding over one of the New York bridges at night next to someone who inspires you.” // “On Your Way (Felix Song)” was released as the third single on January 12, 2022. Dedicated to the late Felix McTeigue, Mitchell said of him “We briefly had the same manager in our early ‘hustling days’ of trying to get a songwriter career going. I can picture us playing at the old Living Room on the lower east side, and me being one of five people in Felix’s audience, and vice versa. Felix was really fearless and present, he always had a guitar on his back, he was always writing something, he loved the act of just rushing headlong into writing, recording, not overthinking it. It’s a lesson I’ll return to for the rest of my life.” // Mitchell will tour the album across the United States and Europe in 2022, with her band Bonny Light Horseman joining her for some American dates. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020 . // Mitchell’s father is a novelist and college professor and named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College. Having begun writing her first songs at the age of 17, around 1998, Mitchell won the New Folk award in 2003, when she was 22, at the Kerrville Folk Festival. Her album Hymns for the Exiled was released on Chicago’s Waterbug Records label in 2004. This recording attracted the attention of singer-songwriter Ani DiFranco, who signed her to the Righteous Babe Records label. // In 2006 Mitchell debuted a draft of her “folk opera” Hadestown, which she wrote in collaboration with arranger Michael Chorney and director Ben T. Matchstick. A revised version of Hadestown was staged in 2007. Her third album, The Brightness, was released that same year on Righteous Babe Records. // Her album Hadestown, produced by Todd Sickafoose, was released in spring 2010 to favorable reviews. Described as “the story of Orpheus and Eurydice set in post-apocalyptic Depression-era America, the album includes guest appearances by Ani DiFranco, Greg Brown, Justin Vernon of Bon Iver, Ben Knox Miller of The Low Anthem, and The Haden Triplets (Petra, Rachel, and Tanya Haden). // Mitchell continued quietly working on a stage version of Hadestown while also writing and recording new material. In early 2012, she released Young Man in America on Wilderland Records. Mitchell opened the North American leg of Bon Iver’s autumn 2012 tour, which included two sold-out shows at Radio City Music Hall. The album was largely praised by critics as “genre-defying” and her “second consecutive masterpiece.” // In late 2012, Mitchell completed recording seven songs from the collection of Child Ballads, compiled by Francis James Child, with fellow musician Jefferson Hamer. The album, produced by Gary Paczosa, was released in February 2013, winning a BBC Radio 2 Folk Award for Best Traditional Song. This was followed in 2014 by xoa, for which Mitchell re-recorded a number of her older songs using only guitar and vocals. This stripped back album included some songs from Hadestown which were recorded for the first time in Mitchell’s own voice, as well as three brand new songs.// In summer 2016, the newly expanded theatrical version of Hadestown opened at New York Theatre Workshop with Vogue magazine predicting that “Hadestown will be your next musical theatre obsession”. The following year, it received its Canadian premiere at The Citadel Theatre, Edmonton, and in April 2018, London’s National Theatre announced that it would present a three-month run during the winter ahead of the show’s Broadway transfer. Hadestown opened on Broadway at the Walter Kerr Theatre on April 17, 2019. // In 2019, Mitchell was appearing as part of a three-piece “supergroup” called Bonny Light Horseman, consisting of herself, Eric D. Johnson of Fruit Bats and guitarist Josh Kaufman. The group’s self-titled debut album was released on January 24, 2020. // In June 2021, America supergroup Big Red Machine announced their second studio album, How Long Do You Think It’s Gonna Last? which features Mitchell’s guest vocals in three of its tracks: “Latter Days”, “Phoenix”, and “New Auburn”. // Mitchell married Noah Hahn in 2006. They have two daughters, Ramona and Rosetta.]

- Cole Brood– “Tough Get Going”
from: “Tough Get Going” – Single / Cole Brood / to be released as a single soon
[Cole Brood released the single ,”Tough Get Going” to radio stations on Jan 18, 2020. The single will be officially released in a few weeks, and eventually as part of an EP. Cole Brood is the name of Debbie Cole’s solo work after her tenure with “Black Folk”.]

- Black Pumas – “Touch The Sky”
from: Black Pumas (Deluxe) / ATO / August 28, 2020
[From Rolling Stone: Black Pumas have released a new double album deluxe edition of the band’s debut album, out August 28, 2020 via ATO Records. This deluxe edition features live-in-studio version of their song “Confines” where Black Pumas are tapering back the quick soul skip of the original into a groove that still moves at a steady pace, but now boasts additional space for a cadre of background singers and a string quartet. This new arrangement suits Black Pumas, as both Eric Burton’s raw vocals and Adrian Quesada’s spitfire guitar still sound right at home amid the swelling strings. This version of “Confines” is one of three live-in-studio cuts on the deluxe edition, along with renditions of “Colors” and “Oct 33.” The record also features three previously unreleased originals, “I’m Ready,” “Red Rover” and “Black Cat,” plus a live version of “Know You Better,” recorded at the Austin club, C-Boys Heart and Soul. The deluxe edition, Black Pumas also feature four cover songs: their take on Tracy Chapman’s “Fast Car,” plus renditions of the Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes” and Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City.” // Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019 which was part of WMM’s 119 Best Recordings of 2019. Black Pumas performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

- Belle & The Vertigo Waves – “Stand Down”
from: “Stand Down” – Single / Drop Out Records / January 21, 2021
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. Belle & The Vertigo Waves released their debut album, ALIGNED on Drop Out Records on October 6, 2017. “Aligned” is available on iTunes and all streaming services. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.” The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves released their single, “Fear or Faith” on June 7, 2019 on Drop Out Records. Belle & The Vertigo Waves released their single, “Pulse” on April 17, 2020 on Drop Out Records. Belle & The Vertigo Waves released their single, “Beat Me To The Punch” on Drop Out Records on October 29, 2021. Belle & The Vertigo Waves joined us on WMM on February 5, 2020 and on June 26, 2019. More info at: http://www.thevertigowaves.com]
10:28 – Underwriting

- FKA Twigs – “Careless (feat. daniel caesar)”
from: CAPRISONGS / Young Recordings / January 14, 2021
[Caprisongs is a mixtape by English singer-songwriter FKA Twigs. The mixtape features guest appearances from Pa Salieu, the Weeknd, Shygirl, Dystopia, Rema, Daniel Caesar, Jorja Smith, and Unknown T.[1][2][3] The production is handled by El Guincho, who co-executive produced the mixtape alongside Twigs, as well as Arca, Cirkut, and Mike Dean, among others.[3] The mixtape was supported by one single, “Tears in the Club”, which features the Weeknd, and one promotional single, “Jealousy”, which features Rema. Follow up to FKA Twigs Novenber 8, 2019 album MAGDALENE, which was #29 on WMM’s 119 Best Recordings of 2019. Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack, while Slate described her work as distinctive in a way that rises above her influences. The Wall Street Journal described her as “an heir to futuristic R&B muses like Aaliyah, Missy Elliott and others under the progressive sway of producer Timbaland.” Describing her artistry, she said: “I am not restricted by any musical genre. I like to experiment with sounds, generating emotions while putting my voice on certain atmospheres […] I found my own way of playing punk. I like industrial sounds and incorporating everyday life’s sounds like a car alarm.” FKA Twigs has been associated with the alternative R&B tag, though she herself has rejected the R&B label as related to her race: “It’s just because I’m mixed race. When I first released music and no one knew what I looked like, I would read comments like: ‘I’ve never heard anything like this before, it’s not in a genre.’ And then my picture came out six months later, now she’s an R&B singer. I share certain sonic threads with classical music; my song ‘Preface’ is like a hymn. So let’s talk about that. If I was white and blonde and said I went to church all the time, you’d be talking about the ‘choral aspect’. But you’re not talking about that because I’m a mixed-race girl from south London.” The first singers who influenced FKA Twigs were Billie Holiday, Ella Fitzgerald, and Marvin Gaye. When she started composing songs, she wanted to reproduce music she liked: “every bit of music that I made sounded like a pastiche of Siouxsie and the Banshees or Adam Ant. But through that I discovered myself”. In an interview after being shortlisted for the 2014 Mercury Prize, Twigs cited Germfree Adolescents by X-Ray Spex as her favourite album of all time.]

- Static Phantoms – “Bathed in Blue Light”
from: “Bathed In Blue Light” – Single / The Record Machine / to be released: February 22, 2022
[Static Phantoms are: Dedric Moore on Synths, Drum Programming, Backing Vocals, & Production; and Krysztof Nemeth on Baritone Guitar, Bass, Synths, Lead Vocals. The Pandemic convinced Dedric Moore and Krysztof Nemeth that a studio project would be a perfect opportunity to pass the time and get creative by exploring the music and themes of a different age of anxiety-driven pop: the New Wave music of the 1980s. If you know the two musicians and their respective projects (Monta at Odds, The Republic Tigers, Emmaline Twist), you know they are well-versed in ‘80s synths and guitars. As Static Phantoms, the duo takes their cues in production from beloved acts from the ’80s like The Glove, Tones on Tail, Tears For Fears, and Soft Cell.]

10. Asterales – “Right Here, This Moment(feat. Royce Diamond & Maria Cuevas)”
from: “Right Here, This Moment (feat. Royce Diamond & Maria Cuevas)” -Single / Asterales / 12/31/2021
[Produced, mixed & mastered by Asterales. Lyrics & vocals by Royce Diamond. Background vocals by Maria Cuevas (of Maria The Mexican). KC based leftfield, experimental, electronica music maker, also known as Nate Holt. Asterales eleased the 5-track EP, WORK HOURS on Sept. 6, 2016 in collaboration with Aikido Bray, Leo Minor, Katlyn Conroy, and Tanner Walle, with synthesizers, production, recording, engineering & mastering by Etan Tioh for Datura Records. This was followed by the 3-track EP, FRAGMENTS, released Feb. 3, 2017. Asterales released the single A.M. on Feb. 4, 2017. Asterales released the 10-track album, OUTSIDE THE BOX on Oct. 31, 2017. Asterales released the singles: “Brkfst 4 Btlvrs” on Oct. 31, 2017; and “Soft Spheres” on April 21, 2018. Asterales released the 10-track album ORBITAL DEBRIS: VOL. 1 on Aug. 14, 2020 on Mr. Furious Records. Asterales released the single “ASTR_40” on Aug. 26, 2020. Asterales released the 4-song EP EXTRA JUNK on Dec. 4, 2020 through Mr. Furious Records. Asterales released the singles: “Solstice Song” on Dec. 21, 2020, and “Desire (Tanner Walle) – Asterales Remix” on Jan. 29, 2021. Asterales released the single “Offline” on Feb. 26, 2021. Asterales released the single, “Beauty In The Distance feat. Heidi Gluck)” on March 31, 2021. Produced & mixed by Asterales, vocals by Heidi Gluck. lyrics by Approach, mastered by Royce Diamond. Asterales released the single, “So Easy (feat. Royce Diamond)” on April 30, 2021. Asterales released the single, “Let Go” on May 31, 2021. Produced, mixed & mastered by Asterales, lyrics by Royce Diamond, vocals by Asterales. Asterales released the single, “Paraglider” on June 30, 2021. Produced, mixed & mastered by Asterales. Asterales released the single, “Kinugemi” on July 31, 2021. Produced, mixed and mastered by Asterales. Asterales released the single, “Variable Stars Pt. 1″ on August 30, 2021. Produced, mixed & mastered by Asterales. Asterales released the remix single, “She Left (Asterales Remix)” on Sept. 2, 2021, produced by Asterales. Remix artwork by Gordon Leadfoot & Asterales. Asterales released the single, “P@!omAr-1” on September 28, 2021. Produced, mixed and mastered by Asterales. More info at: http://www.asterales.bandcamp.com Asterales released the remix single, “Cory Phillips & the Band of Light – Give & the Take (Asterales Remix)” on October 1, 2021. “Give & the Take” was written by Cory Phillips coryphillipsmusic.com “Give & the Take – Asterales Remix” Produced by Asterales. Asterales released the single, “Calling Me (feat. Ghostmind)” on October 31, 2021. Produced, mixed & mastered by Asterales. Vocals and guitar performed and recorded by Ghostmind. Lyrics by Ghostmind. Artwork by Asterales. Asterales released the single “Your World or Mine (Feat. Approach)” on November 30, 2021. Produced, mixed and mastered by Asterales. Lyrics and vocals by Approach.One of 14 singles Asterales released in 2021. More information at http://www.asterales.bandcamp.com]
- Molchat Doma – “Судно (Борис Рижий) (Vessel)”
from: Этажи (Etazhi) ( Floor) / Sacred Bones / 2020 [Originally Released September 7, 2018]
[We last played Molchat Doma on October 28, 2020. Molchat Doma (Russian: Молчат Дома IPA: [mɐlˈt͡ɕat dɐˈma]; English: “Houses Are Silent”) is a Belarusian rock band from Minsk, formed in 2017. Their current lineup consists of Egor Shkutko (vocals), Roman Komogortsev (guitar, synthesizer, drum machine), and Pavel Kozlov (bass guitar, synthesizer). Their sound was influenced by 1980s Russian rock music and has been described as post-punk, new wave, synth-pop, and cold wave. // They self-released their first album, С крыш наших домов (S krysh nashikh domov, 2017), and later released their second album, Этажи (Etazhi, 2018), through German independent label Detriti Records. After gaining popularity worldwide, they signed to American independent label Sacred Bones Records in 2020, who reissued their albums, marking their first releases in North America. Their third studio album, Monument, it was released on November 13, 2020.]
{Molchat Doma play recordBar, 1020 Grand Avenue, on Wednesday, May 18 at 8:00 PM.]

- Cate Le Bon – “Moderation”
from: Pompeii / Mexican Summer / February 14, 2022
[Le Bon’s 6th album and her first album since her 2019 release REWARD (released May 23, 2019) which received a Mercury prize nomination and was #12 onWMM’s 119 Best Recordings of 2019. “Pompeii was written and recorded in a quagmire of unease. Solo. In a time warp. In a house I had a life in 15 years ago. I grappled with existence, resignation and faith. I felt culpable for the mess but it smacked hard of the collective grit imposed by religion and original sin,” said Le Bon in a press release. // Throughout the entire album, Le Bon plays every instrument, aside from drums and saxophone. She also recorded the album herself along with long-term collaborator Samur Khouja. // Le Bon elaborates more on the meaning behind the album by stating, “The subtitle is: You will be forever connected to everything. Which, depending on the time of day, is as comforting as it is terrifying. The sense of finality has always been here. It seems strangely hopeful. Someone is playing with the focus lens. The world is on fire but the bins must go out on a Tuesday night. Political dissonance meets beauty regimes. I put a groove behind it for something to hold on to. The grief is in the saxophone.” // Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer.]

- Trevor Turla – “And We Continue”
from: “And We Continue” – Single / Trevor James Turla / January 27, 2022
[We first played Trevor Turla on WMM on July 29, 2020. His track “Busted” was released on a compilation titled KANSAS CITY SYZYGY that featured over 25 Kansas City-based musicians who came together to create a compilation of music created during the shutdown of the world in the Spring of 2020. // Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays and sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, and LA Jones. He is the founder, lead singer and trombonist for the band Sulu Moon. More info at http://www.trevorturla.com
[Trevor Turla plays Boulevardia Saturday, June 18, 2022, with Kadesh Flow.]

- Glass Bandit – “Vacancy”
from: Vacancy EP / Glass Bandit / January 21, 2022
[Based out of KC, Glass Bandit icalls themselves the “first family of fusion funk.” “We’ve grown into a small traveling circus of writers, arrangers, and musicians capable of putting on a show that defies expectations and is sure to get you dancing. This 8 piece band can turn a bad night into a good night, and a good night into a banger.” – They write. More info at http://www.glassbanditmusic.com.]
[Glass Bandit play The Rino 314 Armour Rd. North Kansas City, MO, on Fri, Feb 4, Doors at 7:00 PM, Show at 8:00 PM with Miki P & The Swallowtails, and Supermoto. More info at: http://www.therinokc.com]
[Glass Bandit plays Boulevardia Saturday, June 18, 2022.]
10:59 – Station ID
- Various Artists – “Wkrp In Cincinnati”
from: All-Time Top 100 TV Themes / TVT Records / August 23, 2005
Our condolences go out to the family and fans of Actor Howard Hesseman, best known as the hard-rocking disc jockey Dr. Johnny Fever on the sitcom “WKRP in Cincinnati.” Hesseman died Saturday afternoon. Hesseman was 81.

- Joel Kraft – “Even In The Darkness”
from: The Lighting Project / Joel Kraft / December 25, 2021
[Joel Kraft on guitars, percussion, slide whistles, vocals, keyboards and Nick Baker on drums. Recorded, engineered & produced by Joel Kraft. Mixed & mastered by Adam Selzer. Cover art and design by Shane Ogren. Prior to this Joel Kraft released the album BIG IDEAS on Blinking Light Records on April 11, 2006. Joel Kraft released his debut album, GOLD IN THE BARGAIN BIN, on July 24, 2003 More info at: http://www.joelkraft.bandcamp.com ]

- Ivory Blue – “It Must’ve Been Me”
from: “It Must’ve Been Me” – Single / Sound Ballistics Music & Publishing / December 14, 2021
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2022. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library., and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017. // Ivory entered NeXt2Rock, a nationwide talent search with over 1800 artists/bands who applied to find fresh and promising rock artists. The top 5 national bands battled it off for the win in Los Angeles CA at the legendary Viper Room, with judges Scott Borchetta (BMLG), John Varvatos (fashion designer), Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox”), Desmond Child (Musician, producer), Chris Lord-Alge (producer), Ivory Blue won over the judges and became the grand prize winner! Ivory Ivory won the contest and a one-year record deal with BMLG who re-released the song Ready Get Set from the 2015 EP. Ivory’s 2018 re-release of ‘Ready Get Set’ undauntedly received National and International airplay within weeks. For their upcoming album, IVORY BLUE is producing all the tracks with the exception of Drums and Bass. Ivory is currently working with Lester Estelle (Drummer for Kelly Clarkson), Craig Kew (Bass) KC, Kurt Festge (Mastering | Citizen Kane & Vilent Femmes) NC. and Nick Poortman (LA based Los Angeles based Producer, Engineer, Mixer, and Songwriter) Nick has worked alongside producers including Justin Gray, Gil Norton, Big Tank, and Greg Haver on sessions throughout the USA, UK, Europe, and New Zealand. // On August 18th 2021 Ivory Blue signed a publishing deal with Sound Ballistics Music & Publishing out of Atlanta GA. // Ivory released the singles: “Elite Dreamland,” on Feb. 17, 2021, “Half a Life” on Sept. 20, 2021. Ivory Blue released the video of “Family Table” directed by Mikal Shapiro, on August 21, 2021 and the audio track was released on September 7, 2021. Ivory Blue released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. Ivory Blue joined us on WMM on November 10, September 15, and July 28, in 2021. More info at: https://linktr.ee/ivorybluemusic%5D
[Ivory Blue plays Boulevardia Saturday, June 18, 2022.]

- Lonnie Fisher – “Famous Girl”
from: Famous Girl / Lonnie Fisher / January 19, 2022
[Lonnie Fisher’s 8-song, solo album was engineered by Ed Rose and Duane Trower with contributions from: Chris Nunez. Tim Jenkins, Tim Manning, and Julia Reynolds. More information at: http://www.lonniefisher.bandcamp.com. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED with Lonnie Fisher on lead vocals, 5 String Guitar & Keyboards; Tim Jenkins on guitars; Chris Nunez on drums, Tim Manning on bass, & Julia Reynolds on vocals & keyboards Lonnie Fisher and The Funeral Album Release and Abby’s Fund Benefit, October 22, 2021, at Lemonade Park, 1628 Wyoming, WEST BOTTOMS, KCMO with Fritz Hutchison and Big Dopes. Lonnie Fisher writes: “Midwest Music Foundation helped me through some really tough days after my strokes and it’s a miracle I’m singing and playing again. This show is for helping others.”]
Special Note: Our playlist was actually created before the recent controversy over Spotify paying Joe Rogan, (former host of NBC television’s, stunt/dare game show, “Fear Factor”) $100,000,000.00 for exclusive rights to be a platform for his podcast.
from wikipedia:
In January 2022, 270 scientists, physicians, professors, doctors, and healthcare workers wrote an open letter to Spotify expressing concern over “false and societally harmful assertions” on the The Joe Rogan Experience and asked Spotify to “establish a clear and public policy to moderate misinformation on its platform.” The 270 signatories took issue with Rogan “broadcasting misinformation, particularly regarding the COVID-19 pandemic” and more specifically “a highly controversial episode featuring guest Dr. Robert Malone (#1757). The episode has been criticized for promoting baseless conspiracy theories, including “an unfounded theory that societal leaders have ‘hypnotized’ the public.” The signatories further assert that “Dr. Malone is one of two recent JRE guests who has compared pandemic policies to the Holocaust. These actions are not only objectionable and offensive, but also medically and culturally dangerous.” The signatories also note that Malone was suspended from Twitter “for spreading misinformation about COVID-19”.
On January 24, 2022, musician Neil Young posted an open letter threatening to remove his music from Spotify if they did not remove the podcast The Joe Rogan Experience from their service. The podcast, one of Spotify’s most popular, has been criticized for spreading COVID-19 misinformation. Young wrote that “Spotify has a responsibility to mitigate the spread of misinformation on its platform”. On January 26, Spotify removed Young’s music; a spokesperson said Spotify wanted “all the world’s music and audio content to be available to Spotify users” and that it had a “great responsibility in balancing both safety for listeners and freedom for creators”. According to Newsweek, Young had 6,057,481 monthly listeners on Spotify, while The Joe Rogan Experience has an estimated 11 million listeners per episode. On January 29, Joni Mitchell removed her catalogue from Spotify in support of long-time friend and fellow polio survivor “Neil Young and the global scientific and medical communities on this issue”. In response to the controversy, Rogan said that he would try harder to maintain a neutral point of view in his podcasts, and said that he agreed with Spotify adding a disclaimer to the beginning of his videos.
MM: “We originally just wanted to share from two of our favorite Canadian musicians and from their own new archive releases, but we do so now, additionally, in support of the moral compass inside Joni and Neil, and their protest of Spotify, and in ‘calling out’ the spread disinformation about COVID-19.”

- Joni Mitchell – “Intro To Urge For Going (Live at Carnegie Hall, NYC, 2/1/1969)”
from: Joni Mitchell Archives, Vol. 2: The Reprise Years (1968-1971) / Rhino / Oct. 29, 2021
[Joni Mitchell Archives – Vol. 2: The Reprise Years (1968–1971) is a five-disc box set by Canadian singer-songwriter Joni Mitchell, released on November 12, 2021, by Rhino Records. The box set is the seventh overall release and second offering of unreleased material from the Joni Mitchell Archives, a planned series of releases containing remastered material from the singer’s archives. Formatted in chronological order, the second volume of the series includes archived material that was recorded in the years between the release of Mitchell’s debut studio album, Song to a Seagull (1968) and her fourth studio album, Blue (1971). // Upon release, Joni Mitchell Archives – Vol. 2: The Reprise Years (1968–1971) received critical acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 92 based on 7 reviews, indicating “universal acclaim”. // Roberta Joan “Joni” Mitchell CC (née Anderson; born November 7, 1943) is a Canadian singer-songwriter and painter. Drawing from folk, pop, rock, classical, and jazz, Mitchell’s songs often reflect on social and philosophical ideals as well as her feelings about romance, womanhood, disillusionment and joy. She has received many accolades, including nine Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her “one of the greatest songwriters ever and AllMusic has stated, “When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century”. // Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs (“Urge for Going”, “Chelsea Morning”, “Both Sides, Now”, “The Circle Game”) were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like “Big Yellow Taxi” and “Woodstock”. Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone’s 2003 list of the “500 Greatest Albums of All Time”, rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented “turning points and pinnacles in 20th-century popular music”. In 2017, NPR ranked Blue number 1 on a list of Greatest Albums Made By Women. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris” and became her best-selling album. // Mitchell’s vocal range began to shift from mezzo-soprano to more full sounding. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-Western beats. In the late 1970s, she began working with noted jazz musicians including Jaco Pastorius, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards in 20021 and became a Kennedy Center Honoree in 2021. // Mitchell is the sole producer credited on most of her albums, including all her work in the 1970s. A critic of the music industry, she quit touring and released her 17th, and reportedly last, album of original songs in 2007. Mitchell has designed most of her own album covers, describing herself as a “painter derailed by circumstance”]
- Joni Mitchell – “Urge For Going (Live at Carnegie Hall, NYC, 2/1/1969)”
from: Joni Mitchell Archives, Vol. 2: The Reprise Years (1968-1971) / Rhino / Oct. 29, 2021

- Neil Young – “Expecting To Fly (Live)”
from: Carnegie Hall 1970 (Live) / Shakey Pictures Records – Reprise / October 1, 2021
On December 4th 1970, Neil Young played two legendary solo acoustic shows at New York’s Carnegie Hall. The 23 songs in this set (2 LP & 2 CD) have been mixed from the original ¼ inch tapes by Young and Niko Bolas. This is the early show which has never been bootlegged or circulated, and is the first release in Neil’s new “Official Bootleg Series”. // “Expecting to Fly” is a song written by Neil Young and performed by Buffalo Springfield. The song reached #98 on the Billboard Hot 100 in 1968. The song appeared on their 1967 album, Buffalo Springfield Again. Producer Jack Nitzsche provided the orchestral arrangement featuring a string section plus an oboe. Live versions from Young’s early solo performances appear on the albums Live at the Riverboat 1969, Sugar Mountain – Live at Canterbury House 1968, and Live at the Cellar Door. // In the 2018 music documentary film, Echo in the Canyon, it is suggested “Expecting to Fly” marks and exemplifies a shift in a late sixties’ movement from group-oriented folk rock compositions toward more individualized performances and single-artist recordings. (From All Music.com): “Neil Young had just released his third solo album After the Gold Rush a few months before he played Carnegie Hall in December of 1970, where he offered up a new set of introspective songs that were relatively toned down when compared to the stomping full-band jamming of 1969’s Everybody Knows This Is Nowhere. This would just be the beginning of a run of classic albums that continued throughout the ’70s, and both sides of Young’s musical personality — the hushed and patient songwriter side, and the side that tended toward rugged rock — were integral to how that peerless run played out. Young appeared alone on-stage at Carnegie Hall, playing stripped-down versions of his songs on acoustic guitar and piano to an audience so rapt they remained completely silent even as he took his time tuning the guitar and bantering between songs. He played two nights at Carnegie Hall, and while audience recordings of the second show found their way onto various bootlegs over the years, no bootlegs were ever made of the first night. Carnegie Hall 1970 offers the first public release of multi-track recordings from that first night, finding Young in rare form and delivering a diverse set list that included material from his records up to that point, as well as tunes that hadn’t been released yet. Songs that were raging and blusterous on record, like “Cinnamon Girl,” “Southern Man,” and “Cowgirl in the Sand,” are mysterious and tender in their solo renditions, peeling away the distortion and guitar heroics to expose the lingering melancholy and aching beauty that so often lie at the core of Young’s songwriting. Already, folksy acoustic songs like “Tell Me Why,” and the piano-based “Birds” take on an even more marked intimacy on Carnegie Hall 1970. Young’s legend-arily quaky voice conveys the loneliness, hope, loss, and appreciation of his lyrics with a profound impact when he stands alone with a single instrument. Die-hard fans will want to listen closely to versions of “See the Sky About to Rain,” “Old Man,” and “Bad Fog of Loneliness,” all of which had yet to be recorded and commercially released at the time of these performances. It speaks to the creative streak Young was in the thick of at that time (and would continue in various forms for the majority of his career) that he was already tired of playing his groundbreaking songs that were only a few years old and was eager to get the next ones out. Any Young completist will need Carnegie Hall 1970, but it’s a special performance that can be appreciated by more casual listeners as well. Alone at the microphone, the purity, simplicity, and one-of-a-kind magic of some of Neil Young’s best songs come into view in a way that’s undeniable. // Neil Percival Young OC OM (born November 12, 1945) is a Canadian-American singer, musician and songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since the beginning of his solo career with his backing band Crazy Horse, Young has released many critically acclaimed and important albums, such as Everybody Knows This Is Nowhere, After the Gold Rush, Harvest, On The Beach and Rust Never Sleeps. He was a part-time member of Crosby, Stills & Nash. // Young has received several Grammy & Juno Awards. The Rock & Roll Hall of Fame inducted him twice: in 1995 as a solo artist and in 1997 as a member of Buffalo Springfield. In 2000, Rolling Stone named Young No. 34 on their list of the 100 greatest musical artists. According to Acclaimed Music, he is the 7th most celebrated artist in popular music history. His guitar work, deeply personal lyrics and signature high tenor singing voice define his long career. He also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical genres. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname “Godfather of Grunge” and led to his 1995 album Mirror Ball with Pearl Jam. More recently he has been backed by Promise of the Real. 21 of his albums and singles have been certified Gold and Platinum in U.S by RIAA certification. // Young directed (or co-directed) films using the pseudonym “Bernard Shakey”, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), Greendale (2003), and CSNY/Déjà Vu (2008). He also contributed to the soundtracks of the films Philadelphia (1993) and Dead Man (1995). // Young has lived in California since the 1960s but retains Canadian citizenship. He was awarded the Order of Manitoba in 2006 and was made an Officer of the Order of Canada in 2009. He became a US citizen, taking dual citizenship, in 2020.]

- Heidi Lynne Gluck – “Walk On”
from: Cinnamon Girl – Women Artists Cover Neil Young for Charity / American Laundromat Records / February 12, 2008 [Reissued for the 1st time on limited edition vinyl Dec. 17, 2021]
[Double LP on colored vinyl. Gatefold jacket. Limited to 1,000 copies worldwide. Cover art by Casey Burns Mastered by Sean Glonek Lacquers cut by Levi Seitz. Pressed in the USA at Furnace Record Pressing. All proceeds from this benefit record are lovingly donated to Casting For Recovery, whose mission is to enhance the quality of life of women with breast cancer through a unique retreat program that combines breast cancer education and peer support with the therapeutic sport of fly fishing. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer & multi-instrumentalist originally from the middle of Canada. After transplanting herself from the plains of Manitoba to the midwestern USA, Heidi quickly became an in-demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. Heidi Lynne Gluck played 90.1 FM’s Crossroads Music Fest, Sept. 10. Heidi Lynne Gluck released, THE ONLY GIRL IN THE ROOM on April 28, 2015, and PONY SHOW on Aug. 26, 2016 both on Lotuspool Records. PONY SHOW was #5 inWMM’s 116 Best Recordings of 2016. Too Much Rock released the Heidi Lynne Gluck Single “Party Line” on Aug. 3, 2018. Heidi is also a huge part of the Lawrence band The Roseline and recently has contributed vocals to released from Approach and Astrales. Heidi Lynne Gluck joined us live on WMM on June 8, and Aug. 24, 2016, and July 25, 2018.]
11:28 – Underwriting

- Cale Parks – “Boards”
from: Boards / Whirling Wolf Records / January 14, 2020
[Cale Parks is best known for decades of drumming in the bands: Aloha, and Yeasayer, and in high profile side hustles such as: Passion Pit, Chet Faker, and Joan of Arc. Cale released the albums, ILLUMINATED MANUSCRIPT on Sept. 26, 2009, and SPARKFACE on November 3, 2008, and the EP TO SWIFT MARS on Augusgust 3, 2004. But On May 18, 2015, Cale released his 4-track solo EP, LAGOON FOOL giving his fans the first sign of becoming a more of a “mood-altering” electronic producer with his multi-faceted record featuring interlocking melodies and everything from acid techno asides to piano-laced synth progressions. Cale followed LAGOON FOOL with his most recent solo EP, BOARDS, released on January 24, 2020 on Whirling Wolf Records. Boards ventures even further into the ether, piling on the sort of polychromatic chords, artful hooks, and mood-altering melodies one might find on an old Air or Durutti Column album. A lot of this has to do with how it was made: in Parks’ home studio rather than a cramped apartment room, which gave him space to think and toy with a wide range of instruments. Listeners can thank a long overdue lifestyle change: a move from Brooklyn to Kansas City that made Parks look at music differently. “I didn’t own a car in New York,” he explains, “so all of my listening was done as I walked around the city. There’s something about the energy of New York that requires that electricity. Moving to Kansas changed the style of music I wanted to hear; I wanted room to let records breathe.”]

- Love, Mae C – “Go”
from: “Go” – Single / Love, Mae C / January 19, 2022
[Written By: Love, Mae C. Produced By: Anthony Harvey. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Love, Mae C has recorded severl tracks and songs witn NUBLKCITY. More info at; http://www.lovemaec.com]
[NUBLVCKCITY plays Boulevardia Friday, June 17, 2022.]

- Deegan Poores – “Vanishing”
from: “Vanishing” – Single / Deegan Poores / December 19, 2018
[Writen & produced by Deegan Poores, vocal production by Guanghao Yu. Deegan Poores will release his album “Vanishing” on February 11, 2022. Deegan Pooresis a singer, songwriter, and producer from Kansas City, Kansas. “Vanishing” was co-produced by Remy Styrk. To see the “Vanishing” video, directed and produced by Remy Styrk visit: http://www.youtube.com/channel/UCie5UaItSkEugr7MJ6ubzvg%5D

- The Talking Trees – “Talking Trees”
from: “Talking Trees” – Single / East of Troost Music, BMI / January 7, 2022
[The Talking Trees released their new single, “Talking Trees” to streaming services on January 7, 2022. The track was recorded and produced by Joel Nanos at Element Recording Studios, it is the first single from their upcoming EP. The Kansas City based trio made up of: Dirk Liebert on bass, guitar, & vocals; Tommy Capps on keyboards, guitar, & vocals; and Graham Stone on drums & percussion. More info at: http://www.thetalkingtrees.bandcamp.com ]
In Memory of: Veronica Yvette Greenfield born: August 10, 1943 died: January 12, 2022, known professionally as Ronnie Spector. She was an American singer and referred to as the original “bad girl of rock and roll”, she was the lead singer of the girl group the Ronettes.

- The Ronettes – “Be My Baby”
from: Presenting the Fabulous Ronettes Featuring Veronica / Phil Spector Records / 1964
[The Ronettes were an American girl group from Washington Heights, Manhattan, New York City. The group consisted of lead singer Veronica Bennett (later known as Ronnie Spector), her older sister Estelle Bennett, and their cousin Nedra Talley. They had sung together since they were teenagers, then known as “The Darling Sisters”. Signed first by Colpix Records in 1961, they moved to Phil Spector’s Philles Records in March 1963 and changed their name to “The Ronettes” (an acronym for “Ronnie, Nedra and Estelle”). // The Ronettes placed nine songs on the Billboard Hot 100, five of which became Top 40 hits. Among their hit songs are “Be My Baby”, which peaked at No. 2, their only Top 10 hit (until “Sleigh Ride” peaked at number 10, on January 1, 2022), “Baby, I Love You”, “(The Best Part of) Breakin’ Up” and “Walking in the Rain”. In 1964, the group released their only studio album, Presenting the Fabulous Ronettes Featuring Veronica. That year, the Rolling Stones were their opening act when they toured the UK. The Ronettes opened for the Beatles on their 1966 US tour, becoming the only girl group to tour with them, before splitting up in 1967. In the 1970s, the group was briefly revived as Ronnie Spector and the Ronettes. // Their song “Be My Baby” was inducted into the Grammy Hall of Fame in 1999. Rolling Stone ranked their album Presenting the Fabulous Ronettes Featuring Veronica No. 422 on its list of The 500 Greatest Albums of All Time. The Ronettes were inducted into the Vocal Group Hall of Fame in 2004, and into the Rock and Roll Hall of Fame in 2007. // Veronica Yvette Greenfield (née Bennett; August 10, 1943 – January 12, 2022), known professionally as Ronnie Spector, was an American singer. Referred to as the original “bad girl of rock and roll”, she was the lead singer of the girl group the Ronettes. // Ronnie formed a singing group, “Ronnie and the Relatives, with her elder sister, Estelle Bennett, and their cousin, Nedra Talley in the late 1950s. Their look was fashioned by Estelle, who had a job at Macy’s on the cosmetics counter. They sang at school events, and had a residency at the Peppermint Lounge, a nightspot in Manhattan, the birthplace of the Twist and go-go dancing. Their early singles flopped, but they became successful after auditioning for Phil Spector as the Ronettes. They were signed to Phil Spector’s Philles label and he produced the majority of their recording output. The Ronettes had a string of hits in the 1960s, including “Be My Baby” (1963), “Baby, I Love You” (1963), “(The Best Part of) Breakin’ Up” (1964) and “Walking in the Rain” (1964). // After Ronnie married Phil in 1968, she was no longer able to perform, as he kept her imprisoned in the house, surrounding it with barbed wire and confiscating her shoes. Following their separation in 1972, she reformed the Ronettes and began performing again. In 1980, she released her debut solo album Siren. Her career revived when she was featured on Eddie Money’s song “Take Me Home Tonight” in 1986. She went on to release the albums Unfinished Business (1987), Something’s Gonna Happen (2003), Last of the Rock Stars (2006) and English Heart (2016). She also recorded one extended play, She Talks to Rainbows (1999). // In 1990, Ronnie Spector published a memoir, Be My Baby: How I Survived Mascara, Miniskirts, and Madness, Or, My Life as a Fabulous Ronette. She was inducted into the Rock and Roll Hall of Fame as a member of the Ronettes in 2007.]
- Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week on Wednesday, February 9 we will play songs demonstrating our deep L.O.V.E. and affection for our beautiful listeners of Wednesday MidDay Medley. We’ll be spinning songs about love, in anticipation of Valentine’s Day, playing tracks from: The Wild Women of Kansas City, Frogpond, Marva Whitney, Krystle Warren & The Faculty, Effie, Betse & Clarke, Amythyst Kiah, Nina Simone, David Bowie, Aretha Franklin, The Brian Jonestown Massacre, Lou Reed, Aimee Mann, The Magnetic Fields, Roberta Flack, Digital Leather, Pansy Division, Cynthia Erivo, Michael Callen, Holly Near, John Prine, and Ray Charles.
Also next week, Marion Merritt, and Betse Ellis will join us again as our special Co-Hosts for WMM’s Winter Fund Drive Show for 90.1 FM KKFI. Please don’t let our love songs be unrequieted. We need to hear for you all!
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org
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Show #927
