
Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org
Wednesday, March 8, 2023
PARIS WILLIAMS + The KC PUNK SHINDIG + IVORY BLUE
- “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

- Everything But The Girl – “Nothing Left To Lose”
from: Fuse / Buzzin’ Fly – Virgin / April 21, 2023
[Everything But The Girl have revealed their new track “Caution To The Wind” and its accompanying lyric video. The track is taken from the band’s upcoming album Fuse out April 21st. The song is the follow up to current single “Nothing Left To Lose” which has seen fantastic support across radio and press, with BrooklynVegan calling it “one of the year’s most welcome surprises,” radio and editorial playlists. The track has topped one million streams on Spotify, and the video has been viewed over 1 million times on YouTube. // Written and produced by Ben Watt and Tracey Thorn over the spring-summer of 2021, Everything But The Girl’s new album Fuse is a modern take on the lustrous electronic soul the band first pioneered in the mid-90s. Thorn’s affecting and richly-textured voice is once again up front in Watt’s glimmering landscape of sub-bass, sharp beats, half-lit synths and empty space, and as before, the result is the sound of a band comfortable with being both sonically contemporary, yet agelessly themselves. // The pair recorded in secret at home and in a small riverside studio outside Bath with friend and engineer Bruno Ellingham. For the first two months, the artist name on the album files was simply TREN (Tracey and Ben), and early takes focused on ambient sound montages and improvised spectral piano loops recorded by Ben on his iPhone at home during his enforced pandemic isolation – ideas which later blossomed into atmospheric tracks such as “When You Mess Up” and “Interior Space.” // Everything But The Girl broke through on the UK indie scene in 1982 with a stark jazz-folk cover of Cole Porter’s “Night and Day.” They then released a string of UK gold albums throughout the 80s, experimenting with jazz, guitar pop, orchestral wall-of-sound and drum-machine soul. After Watt’s near-death experience from a rare auto-immune condition in 1992, the pair returned unbowed with the million-selling ardent folktronica of Amplified Heart in 1994. It includes their biggest hit, “Missing,” after New York DJ-producer Todd Terry’s remix unexpectedly made the leap from heavy club play to global radio success (Number 2 US Hot 100; Number 3 UK Top 40). The sparkling Walking Wounded – emotional songs brimming with ideas from the mid 90s electronic scene – followed in 1996 (Number 4 UK Album Chart). Spawning four UK Top 40 hits, the record became the band’s first platinum selling album. After their final show at the Montreux Jazz Festival in 2000, the pair chose to quit Everything But The Girl on a high. // Everything but the Girl is an English musical duo formed in Kingston upon Hull in 1982, consisting of lead singer and occasional guitarist Tracey Thorn and guitarist, keyboardist, producer and singer Ben Watt. The group’s early works have been categorized as sophisti-pop with jazz influences before undergoing an electronic turn following the worldwide success of the 1994 hit single “Missing”. // The duo have accomplished four top ten and twelve top 40 singles in the UK and have received eight gold and two platinum album BPI certifications in the UK as well as one gold album RIAA certification in the US. Their cover of “I Don’t Want to Talk About It” reached number three on the UK Singles Chart in 1988, a feat which would later be matched by “Missing”, which charted high in several countries and reached number two on the U.S. Billboard Hot 100 in 1995 and spent over seven months on the UK Singles Chart thanks to an extremely popular remix by Todd Terry which later led to a Brit Award nomination for Best British Single. // Their ninth album Walking Wounded (1996) set a new career best by entering the UK albums chart at number four; it spawned the top ten singles “Walking Wounded” and “Wrong”. The band went inactive in 2000, with Thorn declaring that she would no longer perform live. Thorn and Watt, who did not publicise their romantic relationship with each other while active, married in 2009, both released solo albums and said it was unlikely that Everything But the Girl would be active again. // However, in November 2022, Thorn announced that a new album had been recorded for release in spring 2023. Fuse, the band’s first new material in 24 years, will be released on 21 April 2023. // When Thorn and Watt met, they were both attending the University of Hull and both had contracted with the independent record company Cherry Red Records, as solo artists. Thorn was also a member of the trio Marine Girls. The pair each had solo album releases through Cherry Red: Thorn’s 1982 LP was A Distant Shore, an eight-track mini-album. Watt’s 1983 debut LP – the follow-up to his 1982 5-track EP Summer Into Winter featuring Robert Wyatt – was entitled North Marine Drive. // 1985 view of Turners, with the slogan Everything but the Girl. They formed a duo and adopted the name “Everything but the Girl” from the slogan used by the Hull shop Turner’s Furniture on Beverley Road. // EBTG’s debut single, a cover version of Cole Porter’s “Night and Day”, was released in June 1982. After steady sales and exposure from a compilation album entitled Pillows & Prayers, the single was re-issued in August 1983. // Their debut album, Eden, was released in the UK in 1984. It reached number 14 on the UK Albums Chart, spending twenty weeks on the chart. It featured the single “Each and Every One”, which reached number 28 on the UK top 40. Thorn wrote in 2016 that her lyric was misunderstood: “Our first single, ‘Each and Every One’, was intended as an angry lyric about being a female musician, patronised and overlooked by male music critics. My band the Marine Girls had attracted several reviews along the lines of ‘not bad for a girl’ and so the opening lines addressed this: ‘If you ever feel the time/To drop me a loving line/Maybe you should just think twice/I don’t wait around on your advice’. It was the instructions of music critics I wasn’t waiting around for, but I wrote it too subtly, and so it was heard as a lovelorn lament, a lonely girl waiting for a letter from a boy.” // In spite of their early history as established independent artists, to newcomers Everything but the Girl was considered part of the jazz/popular music style known as “sophisti-pop”, alongside other British acts like Carmel, Swing Out Sister, Sade, Matt Bianco and The Style Council. Both Watt and Thorn were guest musicians on the Style Council’s Café Bleu album, while EBTG worked with producer Robin Millar and engineers Ben Rogan and Mike Pela—who also collaborated with Sade—on their early albums. Although Eden was released in the UK, a different recording, Everything but the Girl, was released in the United States on the Sire label. The US release contains six tracks from Eden, two UK singles and four alternate tracks. // The 1985 album Love Not Money was their second studio album release, and signalled a move away from jazz and Latin influences to a more traditional electric guitar, bass and drums arrangements. The US edition included two additional songs that were not on the original UK release: a cover version of the Pretenders’ song “Kid” and “Heaven Help Me”. // The next year they released Baby, the Stars Shine Bright, recorded with an orchestra at Abbey Road Studios.[1] They revealed the album’s inspiration by their choices of B-sides for its single releases: songs from Bacharach and Jimmy Webb on the 12″ versions (as well as a cover version of Patsy Cline’s “I Fall to Pieces”). The first single from the album was “Come on Home”, followed by “Don’t Leave Me Behind”. // In 1988, EBTG released Idlewild. Blending acoustic instrumentation with sequenced drums and synthesisers, it reached number 13 on the UK Albums Chart, spending fifteen weeks on the chart.[8] A cover version of Danny Whitten’s “I Don’t Want to Talk About It”, previously a success for Rod Stewart, was released as a single shortly afterwards. It reached number 3 on the UK Singles Chart and was added to the latter issues of the album. Around this time, Lloyd Cole and the Commotions asked Thorn to contribute vocals to the song “Big Snake” on their final studio album Mainstream. // Tommy Lipuma produced the band’s 1990 album The Language of Life, which featured the single “Driving”. “Driving” received heavy rotation on American adult alternative radio. The album featured a host of leading west coast session musicians including Omar Hakim, Joe Sample and Michael Brecker. Stan Getz contributed a tenor sax solo on the song “The Road”. // In 1991, they released the self-produced album Worldwide. It charted at number 29 on the UK Albums Chart. // 1992 saw the release of the acoustic Covers EP. It reached number 13 on the UK top 40. The lead track was “Love Is Strange”. It also included cover versions of Bruce Springsteen’s “Tougher Than the Rest”; Cyndi Lauper’s “Time after Time” and Elvis Costello’s “Alison”. These four tracks were included on the US only album, Acoustic. // In the summer of 1992, the duo was forced to curtail recording and touring for several months when Watt developed Churg–Strauss syndrome, a rare autoimmune disease. Hospitalised for 10 weeks, and enduring several life-saving operations, he subsequently wrote a memoir, Patient, about his near-death ordeal. // In 1993, EBTG released two EPs in the UK. One featured a cover version of Paul Simon’s “The Only Living Boy in New York”. The other spawned a subsequent top ten UK hit, “I Didn’t Know I Was Looking for Love”, for Karen Ramirez. // 1994 saw EBTG release their seventh album, Amplified Heart, a hybrid of folk rock and electronica featuring contributions from guitarist Richard Thompson, double bassist Danny Thompson, drummer Dave Mattacks, and producer/programmer John Coxon. Producer Todd Terry remixed the track “Missing”, and when released as a single, it became an international success. It reached the top ten around the world, including the US, where it peaked at No. 2 in the Billboard Hot 100. // While recording Amplified Heart Thorn and Watt wrote lyrics and music for two tracks – “Protection” and “Better Things” on Massive Attack’s second album Protection. Thorn sang lead vocals on both. The single “Protection” reached number 14 on the UK top 40. The album reached number 4 on the UK Albums Chart. // Buoyed by the recent successes and out of contract at WEA, EBTG released the self-produced Walking Wounded in 1996 exclusively licensed to Atlantic Records for the United States and Canada and Virgin Records for the Rest of the World. Featuring collaborations with Spring Heel Jack and Howie B it ushered in a new electronic sound for their own work. It charted at number 4 on the UK Albums Chart and spawned two top ten UK singles – “Walking Wounded” and “Wrong”. Two further singles – “Single” and “Before Today” – reached number 20 and number 25 respectively. // In 1999, the duo followed it up with their ninth and final studio album, Temperamental. It charted at number 16 on the UK Albums Chart. // “Self-awareness is a dangerous thing: by about the third or fourth record, people were throwing comparisons at us and you have to be very tough to withstand it. And by the end of the ’90s, we were playing to 5,000 people a night. I’d stand on stage, looking out, thinking, “I don’t want to be this big.” —Ben Watt in 2012, recalled a lacklustre feeling from the late 1990s, during the latter years of EBTG. // Between 2000 and 2022, there were no new recordings from Everything but the Girl. In 2002, 2004 and 2005, the duo curated compilations of their material. The 2004 compilation, Like the Deserts Miss the Rain, was a DVD release that included footage of a 1999 performance at the Forum venue in London, UK, for which John McKenzie and long-time collaborator Martin Ditcham performed alongside the pair as session musicians. // From 1999, Watt concentrated on DJ and production/remix work, finding success as one half of Lazy Dog, with partner Jay Hannan, and collaborating with Beth Orton on her 1999 album Central Reservation and her 2002 album Daybreaker. Watt then proceeded with a new angle on his solo career that included launching the Buzzin’ Fly record label in 2003, and becoming the part-owner-founder of the Neighbourhood and Cherry Jam nightclubs from 2002–2005. Watt released a string of club-oriented productions including the Bright Star EP, with producer Stimming and British singer Julia Biel, on Buzzin’ Fly in 2010. // In 2005, Thorn co-wrote and recorded vocals for the song “Damage”, a collaboration with German band Tiefschwarz that appeared on their Eat Books album. Thorn’s second solo album, Out of the Woods, was then released in 2007, followed by her third solo album, Love and Its Opposite, in 2010. In October 2011, Thorn released a cover version of The xx’s “Night Time”, on which Watt played guitar and sang backing vocals. This was their first recording together in over a decade, although it was not an Everything but the Girl release. // In an April 2011 interview, Thorn was asked whether she would ever work again with Watt as Everything but the Girl. Thorn responded, “Yes, we do keep saying we are nearly ready to maybe do some work together again. There are certain obstacles, some practical, some psychological, that we would need to overcome. But it may well happen.” A collection of Christmas songs, Tinsel and Lights, for which Thorn recorded cover versions of Christmas songs with two new original songs, was released in October 2012 on Buzzin’ Fly’s sister record label Strange Feeling. Watt and the couple’s children provided backing vocals on the original song “Joy”. // In 2012, the band’s first four albums were reissued by Edsel Records as “deluxe” double CDs, with demo recordings and other additional material. At the time, Watt explained that Warner Music Group still maintained control over their back catalogue: “our big fear was that one day we’d wake up and they’d have reissued them, without telling us.”; when the representative from Edsel, a company that specialises in reissued material, made contact, the couple decided that the time was appropriate. Additionally, Thorn stated that the thought of reforming the band and playing live filled her “with cold dread”—upon re-listening to the early EBTG records, Thorn experienced a sense of “Gosh, well, I’m not really that person any more.” // A second tranche of Demon/Edsel reissues, covering the four albums released between 1990 and 1994, was announced in September 2013. According to the EBTG website, “Once again, Ben and Tracey have helped at every stage of the process, sourcing demos, rarities and memorabilia for the releases.” // The band’s final two albums, Walking Wounded and Temperamental were given the deluxe treatment and were reissued by Demon/Edsel on September 4, 2015. // Watt hit the pause button on his record labels and DJ activities to return to his folk-jazz singer-songwriter roots in 2014. His first solo album since 1983, Hendra was released on April 14, 2014. It featured collaborations with Bernard Butler, formerly of the band Suede, Berlin-based producer Ewan Pearson and David Gilmour of Pink Floyd. The album won the ‘Best ‘Difficult’ Second Album’ category at the AIM Independent Music Awards 2014. It was included at No 27 in Uncut’s Top 75 Albums of 2014. He followed it up in 2016 with Fever Dream. It continued his relationship with Bernard Butler, and added guest cameos from MC Taylor of North Carolina folk-rock band, Hiss Golden Messenger, and Boston singer-songwriter Marissa Nadler. It received a 9/10 review in Uncut magazine. In a four-star review, The Guardian said: ‘In his early 50s, he is making some of the best music of his career.’ // In addition to solo music projects, both Thorn and Watt have written books. Thorn’s 2013 memoir, Bedsit Disco Queen, covers a significant portion of the history of EBTG as a band. // In July 2017, Everything but the Girl reclaimed the rights to eight of their albums, plus the American rights to Temperamental and Walking Wounded from Warner Music Group; this catalogue will now be distributed through Chrysalis Records under licence from Watt’s Strange Feeling label. // On November 2, 2022, Thorn announced on Twitter that a new Everything but the Girl album had been recorded and would be released in spring 2023. // The first single from their forthcoming album Fuse, “Nothing Left to Lose” premiered on BBC Radio 6 Music on January 10, 2023. Fuse will be released April 21, 2023 and will feature “Nothing Left to Lose” and nine more original songs both electronic and acoustic.]

The Queen Ida Mcbeth
One of Kansas City’s Queens of Jazz and Music was the great Ida McBeth. I first saw her live when I was in college in 1984 in Omaha, Nebraska. That same year, she was named by the Kansas City-based International Jazz Hall of Fame as both “Best Female Jazz Vocalist” and “Entertainer of the Year.” In 1990 Kansas City Mayor Richard Berkeley awarded her a special proclamation designating April 27, 1990 as “Ida McBeth’s 20th Anniversary Day.” And also in 1990, Ida was named as one of Kansas City’s “People of the Year” by Ingram’s Magazine. Most recently, Ida’s outstanding achievements have included performing the national anthem for the presidential nomination of Al Gore at the 2000 Democratic National Convention in Los Angeles, Kansas City’s birthday bash at Arrowhead Stadium with Kenny Rogers and Walter Cronkite, as well as performing at the Smithsonian Institute in 2001. Ida was Crowned Queen of the Kansas City, Kansas Blues Street Festival for 2005 and given the key to the city. And she was voted “Best of R&B / Soul” in the Pitch Readers Poll for for both 2004 and 2005.
Critics have described her as “a jazz singer,” “a blues singer,” “a pop singer” and “a cabaret singer.” Still others have referred to her as “a story teller,” “a professor emeritus of body language,” “a consummate actress” and “the complete entertainer.” A song stylist is the title Ida prefers.
The New York Times applauded her “technique, taste and sass… her precise intuition, guts and raw confidence.”
The Kansas City Star wrote: “McBeth can rear back and howl with the best of them, but she comes through most profoundly on her quieter ballads, where you can hear every ripple, catch and inflection in her voice.”

Mrs. Ida Mae McBeth, passed away on March 1, 2023, at 3:00 AM, at her home, after an extended illness. She was 70 years young.
Ida McBeth Celebration of Life & Jam session will be held on Saturday, March 11, 2023 from 1:00 pm – 4:00 pm at the historic Gem Theatre located at 1615 E 19th Street KCMO in the historic 18th & Vine district.
Ida McBeth Funeral services will be held on Monday, March 13, 2023, 11:00 am at Metropolitan Missionary Baptist Church 2310 East Linwood Blvd. KCMO. Interment: Highland Park Cemetery, KCK. Visitation will be from 10:00 am – 11:00 am at the church. Service conducted by Lawrence A. Jones & Sons Funeral Chapel.
All monetary donations can be sent to Ida McBeth Family c/o Wyandotte West P.O. Box 9094, 1310 N. 78th Terrace KC KS 66112- 9498. National Kidney Foundation, 9218 Metcalf Avenue #424, Overland Park, Kansas 66212.
10:09

- Ida McBeth – “Who is She (And What is She to You)?”
from: Special Request / Ida McBeth / 1998
[She is a Kansas City legend! Produced by Ida McBeth. Co-produced by Bill Crain, Wayne Hawkins. Recorded, mixed and mastered at BCR Audio Productions, Kansas City, Engineered by Bill Crain. The musicians: Paul Evans on guitar, Wayne Hawkins on keyboards, Forest Stewart on Electric bass on all tracks except “The Song is You”, Gerald Spait on acoustic bass on “The Song Is You”, John Cushion on drums, Thomas Walker on drums, Kirk Whalum on tenor saxophone, Bill Crain on alto saxophone, Scotty McBee, Stephanie Moore, Lisa Collins and Daphne Mozee on backing vocals. This full length album came out between Ida’s 1992 release, A GIFT OF SONG and her 2006 release, LIVE ON THE VINE, her forth album release. Born in Kansas City, Kansas, by the age of five, Ida knew she wanted to be a singer. Ida McBeth has been a fixture on the Kansas City music scene for more than forty years, getting her first professional job before she even was out of high school. Ida was provided early exposure to a variety of talented vocalists by her mother. These singers included such greats as Nancy Wilson, Arthur Prysock, Nat King Cole, Bill Withers, Gladys Knight and Sarah Vaughan. “Who Is He (And What Is He to You)?” is a track from Bill Withers’ 1972 album, Still Bill. The music was written by Withers along with Stan McKenny, who wrote the lyrics. In 1996, Meshell Ndegeocello recorded the song for her Peace Beyond Passion CD on Madonna’s label Maverick Records. Meshell’s version was her only number one on the US dance charts as a solo artist. Her version also peaked at #34 on the soul chart.]

10:14 – Oleta Adams Plays The Folly Theatre March 11, 2023
Born the same year as Ida McBeth, in 1953, Oleta Adams got her musical start in the church in Yakima, Washington, which is sometimes shown as her place of birth. Before gaining her opportunity to perform, Adams faced a great deal of rejection. Like Ida McBeth, on the 1970s, she moved to Los Angeles, California, where Oleta recorded a demo tape. However, many music executives were exclusively interested in disco music rather than Adams’ preferred style. With the advice of her singing coach, Lee Farrell, Adams moved to Kansas City, Missouri, where she did a variety of local gigs. She started her career in the early 1980s with two self-financed albums, which had limited success. In 1985, Adams was discovered by Roland Orzabal and Curt Smith, founders of the English band Tears for Fears, while she was performing in the Peppercorn Duck Club at the Hyatt Hotel in Kansas City, while they were on a US tour. 1987, Orzabal and Smith invited her to join their band as a singer and pianist on their next album, The Seeds of Love. In 1989, the album was released and the single “Woman in Chains”, sung as a duet by Adams and Orzabal became her first hit song. Adams embarked on a world tour with Tears For Fears in 1990, performing by herself as the supporting artist at the start of each show, and remaining onstage throughout the Tears For Fears set where she would provide piano and vocals. // Following her work with Tears For Fears, Adams was offered a recording contract by their label, Fontana Records, and restarted her solo career in 1990. After meeting a number of producers, she worked with Orzabal, who co-produced her new album, Circle of One. The album received acclaim, and eventually peaked at No. 1 in the UK Albums Chart in 1991, after she scored her biggest hit to date with a Grammy nominated cover of Brenda Russell‘s “Get Here”. The song reached the UK and US top 5 and became popular during the 1991 Gulf War conflict, as families of deployed troops in the region embraced the tune as a theme song. In 1994, Adams married drummer John Cushon at a United Methodist church in Kansas City, where they both taught Sunday School. They met in 1980 while working on a demo tape for Adams. Adams stated that she never had a passion to get married but on January 17, 1994 she and Cushon were involved in the Los Angeles earthquake. Adams referred to this as a sign from God that she was ready to get married. Oleta Adams husband John Cushon played drims in Ida McBeth’s album SPECIAL REQUEST.
Oleta Adams plays The Folly Theatre, 300 West 12th Street, KCMO, Saturday, March 11, at 8:00 PM. More info at: http://www.follytheater.org
10:15

- Oleta Adams – “Rhythm of Life”
from: Circle of One / Island Def Jam / January 1, 1990
[Oleta Adams (born May 4, 1953) is an American singer and pianist. She found limited success during the early 1980s, before gaining fame via her contributions to Tears for Fears’s international chart-topping album The Seeds of Love (1989). Her albums Circle of One (1991) and Evolution (1993) were top 10 hits in the UK; the former yielded a Grammy-nominated cover of Brenda Russell’s “Get Here”, which was a top 5 hit in both the UK and the US. Adams has been nominated for four Grammy Awards, as well as two Soul Train Music Awards. // Circle of One is the third album by American vocalist, pianist, and songwriter Oleta Adams and was released in 1990. Circle of One was Adams’ first album to receive wide distribution; her two earlier albums (an untitled album in 1982 and Going on Record in 1983) were self-financed and received only local distribution. // After a successful collaboration with Tears for Fears on their 1989 album The Seeds of Love, Adams was offered a record deal of her own with Tears for Fears then-label Fontana Records. Produced by Tears for Fears’ Roland Orzabal with Dave Bascombe, the album was initially unsuccessful as were the first two singles “Rhythm of Life” and “Circle of One”. However, Adams had a hit in early 1991 with the third single from the album, her cover of Brenda Russell’s “Get Here,” which peaked at #4 in the UK Singles Chart and #5 on the US Billboard Hot 100. The album, which had received considerable critical acclaim, was re-released with two additional tracks and peaked at #1 in the UK Albums Chart and made the Top 20 of the US Billboard 200. It was certified Gold in both the UK and the US and received two Grammy nominations. // Adams was born the daughter of a preacher and was raised listening to gospel music. In her youth, her family moved to Yakima, Washington, which is sometimes shown as her place of birth. She got her musical start in the church. // Before gaining her opportunity to perform, Adams faced a great deal of rejection. In the 1970s, she moved to Los Angeles, California, where she recorded a demo tape. However, many music executives were exclusively interested in disco music rather than Adams’ preferred style.// With the advice of her singing coach, Lee Farrell, Adams moved to Kansas City, Missouri, where she did a variety of local gigs. She started her career in the early 1980s with two self-financed albums, which had limited success. // Oleta Adams sang the National Anthem prior to Game Two of the 1984 American League Championship Series. // In 1985, Adams was discovered by Roland Orzabal and Curt Smith, founders of the English band Tears for Fears, while she was performing in the Peppercorn Duck Club at the Hyatt Hotel in Kansas City, while they were on a US tour. Soon after, Adams stopped performing in hotels and had started to look for alternative employment. In 1987, Orzabal and Smith contacted her to invite her to join their band as a singer and pianist on their next album, The Seeds of Love. A year later she participated in two sessions while she toured the Nordic countries. // In 1989, the album was released and the single “Woman in Chains”, sung as a duet by Adams and Orzabal and with Phil Collins on drums, became her first hit. Adams embarked on a world tour with Tears For Fears in 1990, performing by herself as the supporting artist at the start of each show, and remaining onstage throughout the Tears For Fears set where she would provide piano and vocals. // Following her work with Tears For Fears, Adams was offered a recording contract by their label, Fontana Records, and restarted her solo career in 1990. After meeting a number of producers, she worked with Orzabal, who co-produced her new album, Circle of One. The album received acclaim, and eventually peaked at No. 1 in the UK Albums Chart in 1991, after she scored her biggest hit to date with a Grammy nominated cover of Brenda Russell’s “Get Here”. The song reached the UK and US top 5 and became popular during the 1991 Gulf War conflict, as families of deployed troops in the region embraced the tune as a theme song. 1991 also saw Adams sign to independent music publisher Fairwood Music, and contribute to the Elton John/Bernie Taupin tribute album Two Rooms, on which appeared her version of John’s 1974 hit “Don’t Let the Sun Go Down On Me”. Adams’ version became another top 40 hit in the UK. // Her next album, Evolution (1993), was also a commercial success, making the UK top 10. It also featured her self-penned adult contemporary single “Window of Hope”. Her 1995 release, Moving On, saw Adams move more in the direction of R&B, and she also reunited with Roland Orzabal for the duet “Me and My Big Ideas”, on the Tears For Fears album, Raoul and the Kings of Spain, the same year. Two years later, she released the Christian themed album Come Walk with Me, where she received a nomination for a Grammy Award for “Holy Is the Lamb” in 1997. // In 1998, she toured as a guest vocalist on Phil Collins’s Big Band Jazz Tour. // In 2001, Adams released her sixth album, All the Love, a return to an R&B/Adult contemporary sound. The album was re-released in 2004 in Germany with a different title I Can’t Live a Day without You. //In 2004, Adams reunited with Tears for Fears once again as she made a surprise guest appearance onstage at their Kansas City concert, performing “Woman in Chains”. // On October 3, 2006, Adams released her first Christmas album, entitled Christmas Time with Oleta. // On April 21, 2009, Adams released her eighth album entitled Let’s Stay Here. // On February 10, 2017, Adams released her ninth album, her first album in eight years, entitled Third Set. // In 1994, Adams married drummer John Cushon at a United Methodist church in Kansas City, where they both taught Sunday School. They met in 1980 while working on a demo tape for Adams. Adams stated that she never had a passion to get married but on January 17, 1994 she and Cushon were involved in the Los Angeles earthquake. Adams referred to this as a sign from God that she was ready to get married.]
[Oleta Adams plays The Folly Theatre, 300 West 12th Street, KCMO, Saturday, March 11, at 8:00 PM. More info at: http://www.follytheater.org]
10:22

- Catty Cline – “Leading You”
from: Leading You – Single / Manor Records / February 28, 2023
[Catty Cline is singer/songwriter Anna Redmond, who was originally based out of Springfield, MO, and is now based in Kansas City. She has previously performed in Upkeep, her earliest project (with Spencer Pearson), and Buckle Up Baby (with Addie McKenzie and others). She has also self-released a few singles on bandcamp under her name. Influenced by a mix of slower bedroom-pop, alt-pop, neo-folk, and 90’s girl punk, she hopes that her music reflects her true character. Catty Cline released the 6-track EP SCRATCH on September 24, 2021 through Manor Records. More information at: http://www.manorrecords.com]

- The Salvation Choir – “Tafakarini (Radio Edit)”
from: Tafakarini / The Salvation Choir / February 8, 2023
[This single release contains 3 versions of Tafakarini: Tafararini (Live in Kansas City, full version) 09:36 / Tafakarini (Radio edit) 05:04 / and Utukuzwe (Bonus track, lo-fi phone demo) 03:31 video . The Salvation Choir is a Congolese Rumba band from Congo and Tanzania based in Kansas City, Missouri. The are over 20 members in the choir and the choir masters are Jeune Premier Silambien and Pastor John Wilondja. “Tafakarini” was recorded live in our front yard in Kansas City, Missouri in April 2022. It was recorded and mixed by Danny Bowersox and Tyler Bachert. “Utukuzwe” is a lo-fi demo of our song that was featured on Dust To Digital. Recorded on a cassette tape and cell phone by Pastor John Wilondja in 2021. // The Salvation Choir are planning to record in the studio in 2023. More info at: www:thesalvationchoir.com
[The Salvation Choir will play at Boulevardia Saturday, June 17, 2023 at Crown Center.]
10:31 – Underwriting

- Paris Williams – “Wake Up! (Radio Edit)”
from: REBEL HEART / Bitter Sweet Sound / January 31, 2023
[Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
10:36 – Interview with Paris Williams

Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi.
Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.
Paris Williams, Thanks for being with us on Wednesday MidDay Medley
Congratulations on the new EP, REBEL HEART released January 31, 2023.
The EP is a beautiful demonstration of what Paris writes about in his bio, his “DIY aesthetic – producing his own work to maintain full creative flexibility.”
Releasing music through his own bedroom pop label Bitter Sweet Sound.
Paris Williams is from Muskegon, Michigan he moved to Kansas City to find more of a community of musical artists. He is also good friends with members of the Blackstarkids.
“LONDON, TOKYO” features the vocals of Sam Wells.
10:45

- Paris Williams – “LONDON, TOKYO (feat. Sam Wells)” (Radio Edit)”
from: REBEL HEART / Bitter Sweet Sound / January 31, 2023
[Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
10:48 – More Interview with Paris Williams

We are talking with Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet.” Williams Premiered in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris just recently release his new EP REBEL HEART
Paris Williams, Thanks for being with us on Wednesday MidDay Medley
Congratulations on the new EP, REBEL HEART released January 31, 2023.
About “Sunsets & Solariums (feat. Bloom Allen)” Shuttlecock Music Magazine wrote: “Co-produced by Williams, Bloom Allen, and Internet Brad, the track features a sublime mixture of bright, inviting rhymes and the type of nocturnal rhythms you can do schoolwork to, or whatever that YouTube stream is. The single is backed by another track called “As Of Late,” which Williams accurately described at a recent show as (paraphrasing) ‘two minutes of straight bars.’
Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi.
Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music.
This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018.
Paris Williams was searching for other musical artists who came from Muskegon, Michigan, that was when he learned more, and then also wrote a song called “Iggy Pop.”
Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.
Paris Williams, Thanks for being with us on Wednesday MidDay Medley
Paris just recently release his new EP REBEL HEART on January 31, 2023
More info at: allmylinks.com/popstarparis
10:57

- Paris Williams – “Sunsets & Solariums (Radio Edit)”
from: REBEL HEART / Bitter Sweet Sounds / January 31, 2023
[Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis
11:00 – Station ID

- Get Smart! – “Just For The Moment”
from: Action Reaction / Fever Records – Enigma / 1984
[Debut album by American Post-punk band Get Smart!, released on Enigma Records’ “Fever” imprint in 1984. / It was originally announced, in Nebraska’s “Capitol Punishment”, that the album would be released on the “Fresh Sounds” label, which had previously released the band’s debut single and the “Fresh Sounds” cassette, but the band eventually signed with the Philadelphia based “Fever Records” / The album was originally recorded by Michael McGee and produced by Taylor Ross at Media Sound in Oklahoma City. Ross then recruited Iain Burgess to remix the album for release at Chicago Recording Company in Chicago. // An earlier version of “Ankle Deep In Mud” had appeared on their debut single, “Numbers and Colours”, and an earlier version of “Black Mirror” has appeared on the “Sub Pop #7” compilation cassette. // All songs were written by the band, except for “Ankle Deep In Mud” which was written by Vance Lyons, and “Black Mirror” where the lyrics were written by Vance Lyons and the music was written by Get Smart!. (Vance Lyons had played with Marc Koch in a previous band called the Battling Tops.) // Side 1 and Side 2 were originally supposed to be reversed, as the album was supposed to start with “On And On” and then end with “You’ve Got To Stop” (i.e. it would start with “On” and end with “Stop”), but for some unknown reason this was reversed in the final product. // Get Smart! formed in Lawrence, KS in 1980. The group helped to solidify Lawrence as an alternative music hotbed and toured extensively, performing 300 shows in six years. They released a flexi-disc and Words Move, a 4-track EP in 1981. In 1983 they relocated to Chicago. Their first LP, “Action Reaction” was released in 1984. The band’s second LP, “Swimming With Sharks” was released in 1986. During seven years of relentless touring, Get Smart! earned a national reputation for intense live shows and edged their way onto college radio playlists with their first two LPs, Action Reaction (1984) and Swimming With Sharks (1986). In January, 1987, the band began work on their third album with seminal recording engineer, Iain Burgess. In 1990 Get Smart! Disbanded. These recordings were archived for 33 years until Get Smart! reformed in 2020 and released the album OH YEAH NO on November 17, 2020 with the aim of matching their live sound, the band commissioned Steve Albini to craft the final mixes with them. These six songs prove that the tension and inspiration shown on their first LPs was no idle promise. Get Smart! played a special Reunion Show, Saturday, November 6, 2021 at The Bottleneck, 737 New Hampshire St. Lawrence, KS with Pedaljets, Other Geese, Boy Soprano, and DJ Ray Velasquez. More info at: http://www.getsmartmusic.com]
[Get Smart play the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023, at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO with Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated]

- The Bad Ideas – “Im Stuck”
from: Red Kate & The Bad Ideas – Split 7″ / Mills Record Company / May 31, 2013
[The Bad Ideas are: Britt Adair on guitar, Breaka Dawn on vocals, Matt Roberts on bass, and Way Jillis on drums. The Bad Ideas is an American punk band from Kansas City, Missouri formed in August 2011. They’ve written all original songs and are influenced by post-hardcore, punk, and early 80’s punk. Their EP, Worse Thoughts, was recorded on January 22, 2012 and released March, 2012. TheEP was one of WMM’s Best Recordings of 2012 Their first self-produced full length album, Lesson #1 was released March 8, 2013. The Bad Ideas also released a 7″ split with Red Kate on March 31, 2014 on vinyl. The band released a full length cassette, “Leave Me Alone” on June 6, 2015. The Bad Ideas released their album Happiness on March 30, 2019. Britt Adair was our guest on WMM on March 6, 2019.]
[The Bad Ideas play the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023, at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO with Get Smart!, Orange Doe-Nuts (OD’s);; and Irradiated]
11:03 – Interview with Patrick Sumner, Aaron Rhodes, Kurt Witt, and Frank Loose Jr.


Aaron Rhodes is a Kansas City music journalist and the editor-in-chief of Shuttlecock Music Magazine. He’s also had bylines in Rolling Stone, The Pitch, and 90.9 The Bridge’s blog and has had his photos featured in Maximum Rocknroll and No Echo. Rhodes also is currently in charge of booking and promotions at Stadium Drive’s Farewell Cafe and Howdy art space.
Aaron Rhodes welcome back to WMM.

Patrick W. Sumner is a social and political activist in Metropolitan Kansas City.
While a youth in Kansas City, Missouri, Sumner was involved in the punk rock music scene. He attended Penn Valley Community College, as well as the University of Kansas where he earned a degree in American Studies with an emphasis on Great Plains culture in 1997. He and his brother, Brandon, produced several award winning documentaries including an exploration of alleyways in Rear Entry, and Civil War on Wheels, which explores the world of demolition derby. Sumner taught social studies and African American history at Central High School in the early 2000s. Sumner has been an advocate and leader in a wide variety of reform issues in areas such as education, prisons and community building. He was a member of the Kansas City chapter of the NAACP and a representative for the Volker Neighborhood Association, among other various organizations and movements.
Patrick W. Sumner welcome back to WMM.

Frank Loose Jr. is one of the founding members of Get Smart! is a three-piece post-punk band formed in 1980 with Marcus Koch, Lisa Wertman Crowe and Frank Loose while at University of Kansas in 1980 and, along with bands like the Embarrassment, and the Mortal Micronotz, they were prominent in the alternative music scene in Lawrence. They released their first record in 1981, which was a flexi disc released with “Talk Talk” magazine. This was followed by a self-released 4-track EP called Words Move. In 1982 they relocated to Chicago, Illinois and were signed to Fever Records label (an independent label in Philadelphia, Pennsylvania) and released their first album, Action Reaction in 1984. Their second album, Swimming with Sharks, was released in 1986 on Enigma Records’ “Restless Records” imprint. The band re-united in 2020 and released the EP, OH YEAH NO on November 17, 2020 with the aim of matching their live sound, the band commissioned Steve Albini to craft the final mixes with them. These six songs prove that the tension and inspiration shown on their first LPs was no idle promise. Get Smart! played a special Reunion Show, Saturday, November 6, 2021 at The Bottleneck.
Frank Loose Jr. Thank you for being with us on WMM.

Kurt Witt os a Kansas City Punk Rock Pioneer. Kurt was an original member of the band Orange Doe-Nuts (O.D.) who were formed out of the band Open Defiance (O.D.) in December of 1983. They were a Punk band from Kansas City. The band’s members were Larry Kenski, Kurt Witt, Donny Byrom, Mark Biemuller & Mike Sims. Kurt Witt, along with Donny Byrom and Paul were also in the band Choke.
Kurt Witt, Thank you for being with us on WMM.

Patrick Sumner, Aaron Rhodes, Kirt Witt, and Frank Loose Jr. join us to share details about the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023. Doors at 7:00 PM, Show starts at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO. with Get Smart!, Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated.
Patrick Sumner, Aaron Rhodes, Kurt Witt, and Frank Loose Jr. Thank you for being with us on WMM
The KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023. Doors at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO. with Get Smart!, Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated.
This night of vintage and contemporary perspectives on a musical DIY art form that took rock back from the big labels and arenas and put it back into garages, basements, empty storefronts and old industrial spaces that revolutionized Rock & Roll and inspired a multi-generational subculture that has informed fashion and popular culture around the globe.
Bent Edge KC Punk, Farewell KCMO, and Shuttlecock Music Magazine present a KC PUNK SHINDIG—a night of vintage and contemporary perspectives on a musical DIY art form that took rock back from the big labels and arenas and put it back into garages, basements, empty storefronts and old industrial spaces that revolutionized Rock & Roll and inspired a multi-generational subculture that has informed fashion and popular culture around the globe.
Featuring Get Smart!, one of Lawrence and KC’s earliest punk groups; the band that saved KC punk, Orange Doe-Nuts (OD’s); KC’s raw and talented The Bad Ideas; and new and younger Kansas City based punk band Irradiated.
Orange Doe-Nuts (O.D.) were formed out of the band Open Defiance (O.D.) in December of 1983. They were a Punk band from Kansas City. The band’s members were Larry Kenski (vocals), Kurt Witt (guitar), Donny Byrom (guitar), Mark Biemuller (bass) & Mike Sims (drums).
Donny Byrom, Kurt Witt, and Paul had all been in the band Choke.
The O.D.’s would eventually add Mike on drums who played in the Columbia, Missouri band Causes of Tragedy..
The O.D.’s Cover art by Doug Easterwood & inner sleeve designed by ‘Mott-ly’ of the Kansas City punk band ‘Mudhead’.
Patrick Sumner, Aaron Rhodes, Kurt Witt and Frank Loose Jr. stay with us.
Here is a rare recording of Orange Doe-Nuts doing their “O.D. Theme.”
Kurt Witt, “That’s a nice instrumental.”
11:13

- Orange Doe-Nuts – “O.D. Theme”
from: Back at the Ranch / Fresh Sounds / 1984
[Kansas City hardcore punk band formed out of the band Open Defiance (O.D.) with members being; Larry Kenski (vocals), Kurt Witt (guitar), Donny Byrom (guitar), Mark Biemuller (bass) & Mike Sims (drums). Don, Kurt & Paul later formed the band Choke. Cover art by Doug Easterwood & inner sleeve designed by ‘Mott-ly’ of the Kansas City punk band Mudhead.]
[Orange Doe-Nuts play the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023, at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO with Get Smart; The Bad Ideas; and Irradiated]

- Get Smart! – “Every Road You Go Down”
rom: Swimming With Sharks / Restless Records – Enigma / 1986
[Marc Koch on vocals & guitar; Lisa Wertman Crowe on vocals & bass; and Frank Loose on vocals & drums. Swimming With Sharks is the second album by Get Smart!, released on Enigma Records’ “Restless” imprint in 1986. Live versions of “Back Into The Future” and “World Without End”, recorded at CBGB, had previously been released as a single. “Gold To Rust” was released in Spain as a split single, coupled with “Home” by Gone Fishin’ (from their Can’t Get Lost When You’re Goin’ Nowhere album) by Enigma Europe. The album was produced by Iain Burgess at Chicago Recording Company in Chicago in 1985. All songs were written collectively by the band. // “Swimming With Sharks” finds Get Smart! progressing along nicely. The trio speedily works its multifarious way through ten songs in various idioms, offering sketchy poetic lyrics along the way. They’re still rough around the edges — drummer Frank Loose gets stuck in patterns that limit songs’ appeal — and neither bassist Lisa Wertman nor guitarist Marc Koch is that great a singer, but workable ideas and cool sounds bubble up regularly enough to make Swimming With Sharks a safe and rewarding experience.” (Ira Robbins, Trouser Press, 1986) // Get Smart! formed in Lawrence, KS in 1980. The group helped to solidify Lawrence as an alternative music hotbed and toured extensively, performing 300 shows in six years. They released a flexi-disc and Words Move, a 4-track EP in 1981. In 1983 they relocated to Chicago. Their first LP, “Action Reaction” was released in 1984. The band’s second LP, “Swimming With Sharks” was released in 1986. During seven years of relentless touring, Get Smart! earned a national reputation for intense live shows and edged their way onto college radio playlists with their first two LPs, Action Reaction (1984) and Swimming With Sharks (1986). In January, 1987, the band began work on their third album with seminal recording engineer, Iain Burgess. In 1990 Get Smart! Disbanded. These recordings were archived for 33 years until Get Smart! reformed in 2020 and released the album OH YEAH NO on November 17, 2020 with the aim of matching their live sound, the band commissioned Steve Albini to craft the final mixes with them. These six songs prove that the tension and inspiration shown on their first LPs was no idle promise. Get Smart! played a special Reunion Show, Saturday, November 6, 2021 at The Bottleneck, 737 New Hampshire St. Lawrence, KS with Pedaljets, Other Geese, Boy Soprano, and DJ Ray Velasquez. More info at: http://www.getsmartmusic.com]
[Get Smart play the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023, at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO with Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated]
11:18 – More Interview with Patrick Sumner, Aaron Rhodes, Kurt Witt & Frank Loose Jr.

We are talking with Patrick Sumner, Aaron Rhodes, Kurtt Witt, and Frank Loose Jr. about The KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023. Doors at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO. with Get Smart!, Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated.
“Every Road You Go Down,” from the Get Smart!’s 2nd LP, Swimming With Sharks, with Frank Loose Jr. singing lead.
Patrick Sumner, Aaron Rhodes, Kurt Witt, & Frank Loose Jr. Thank you for being with us on WMM
Bent Edge KC Punk, Farewell KCMO, and Shuttlecock Music Magazine present a KC PUNK SHINDIG—a night of vintage and contemporary perspectives on a musical DIY art form that took rock back from the big labels and arenas and put it back into garages, basements, empty storefronts and old industrial spaces that revolutionized Rock & Roll and inspired a multi-generational subculture that has informed fashion and popular culture around the globe.
Get Smart! is a three-piece post-punk band formed in Lawrence, Kansas, in 1980 consisting of Marcus Koch, Lisa Wertman Crowe and Frank Loose. The band released 2 studio albums along with some singles and EPs over a 10-year career. The band re-united in 2020. //
The band formed while at University of Kansas in 1980 and, along with bands like the Embarrassment, and the Mortal Micronotz, they were prominent in the alternative music scene in Lawrence. They released their first record in 1981, which was a flexi disc released with “Talk Talk” magazine. This was followed by a self-released 4-track EP called Words Move. They had 5 songs on the four band split cassette, released by Fresh Sounds Records, called Fresh Sounds From Middle America (vol 1) (the four bands being Get Smart!, the Embarrassment, the Yard Apes and the Mortal Micronotz).
In 1982 they relocated to Chicago, Illinois. The group were signed by Colin Camerer to his Fever Records label (an independent label in Philadelphia, Pennsylvania) and released their first album, Action Reaction in 1984. Their second album, Swimming with Sharks, was released in 1986 on Enigma Records’ “Restless Records” imprint.
The band received considerable coverage in Nebraska’s Capitol Punishment fanzine.
In 1987 Bob Lara, from the band Reaction, was added as a second guitarist. Shortly afterwards, Frank Loose left the band. He was originally replaced in 1988 by Ric Menck. Menck only stayed with the band for a short time. He was replaced by Jay Sebastian (aka “Redd Klaats”). Sebastian left the band after about a year, at which they continued as an acoustic trio until they disbanded in 1990.
After Get Smart! Lisa Wertman continued performing with Bob Lara as “The Lisa and Bob Show” for about a year. Then she joined the band Dolly Varden as a founding member. Later she would perform with the Nora O’Connor Band, the Honeybees and Jeanie B and the Jelly Beans, and now plays in Damaged Gods, a Gang of Four tribute. Marcus Koch moved back to Lawrence and currently plays in the country band “Cryin’ Out Loud”. Bob Lara has played in many local Chicago bands and has participated in several re-unions of his old band “Reaction”. Ric Menck went on to form Velvet Crush. Jay Sebastian went on to form the “Twang Bang” duo.

The band reunited with the original line-up, for a 40th anniversary show, on November 6, 2021.
Band members:
Marcus Koch – guitar, lead vocals (1980–1990, 2020)
Lisa Wertman Crowe – bass, lead vocals (1980–1990, 2020)
Frank Loose – drums, lead vocals (1980–1987, 2020)
Past members
Ric Menck – drums (1988)
Jay Sebastian (aka “Redd Klaats”) – drums (1988–1989)
Bob Lara – guitar, vocals (1988–1990)
Discography
Frank Loose, Lisa Wertman Crowe and Marcus Koch circa 1980, Lawrence, KS
Singles and EPs
“Numbers and Colours” / “Ankle Deep In Mud” (1981 flexi, Fresh Sounds) (with “Talk Talk” magazine, 1981-05-13)
Words Move (4 song EP, Syntax, 1981-12-08)
Fresh Sounds from Middle America (vol 1) (split/cassette, Fresh Sounds, 1981-12-12)
“Back Into The Future” / “World Without End” (1985 live, Fever/Enigma)
“Gold To Rust” (1987 45, Enigma Europe)
“Oh Yeah No” (6 song EP, Capitol Punishment, 2020-11-17)
Albums
Get Smart! (1981, 11 song demo tape)
Action Reaction (1984, 12 song LP, Fever/Enigma)
Swimming with Sharks (1986, 10 song LP, Restless/Enigma)
Compilation appearances[edit]
Inspiration Series No. 1 (German cassette) – included “On And On” (different version)
Sub Pop No. 5 – included “Eat, Sleep A Go-Go” (from the “Words Move” EP)
Sub Pop No. 7 – included “Black Mirror” (different version)
Enigma Variations – included “Just For The Moment” (from Action Reaction)
Restless Variations – included “Back Into The Future” (from Swimming with Sharks)
Heat From The Wind Chill Factory — included “What It Is We Fear” (acoustic version)
Frank Loose
Get Smart!
Contact: Frank Loose, frankloosejr@gmail.com
321-262-2049
Website: GetSmartMusic.com
Music: getsmart.bandcamp.com
Facebook/Instagram/Twitter: @GetSmartBand
Aaron Rhodes
Owner/Editor-in-chief
http://www.shuttlecockmusic.com
Websites/socials: http://www.shuttlecockmusic.com, @ShuttlecockMag (IG, Twitter), @FarewellCafe (Twitter), @FarewellKCMO (IG), @HowdyKCMO (IG, Twitter), @IntroFreeMind – personal page (IG, Twitter).
Patrick Sumner, Aaron Rhodes, Kurt Witt and Frank Loose Jr. Thank you for being with us on WMM
The KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023. Doors at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO. with Get Smart!, Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated.
11:28

- The Bad Ideas – “Apocalypse Detroit”
from: Red Kate & The Bad Ideas – Split 7″ / Mills Record Company / May 31, 2013
[The Bad Ideas are: Britt Adair on guitar, Breaka Dawn on vocals, Matt Roberts on bass, and Way Jillis on drums. The Bad Ideas is an American punk band from Kansas City, Missouri formed in August 2011. They’ve written all original songs and are influenced by post-hardcore, punk, and early 80’s punk. Their EP, Worse Thoughts, was recorded on January 22, 2012 and released March, 2012. TheEP was one of WMM’s Best Recordings of 2012 Their first self-produced full length album, Lesson #1 was released March 8, 2013. The Bad Ideas also released a 7″ split with Red Kate on March 31, 2014 on vinyl. The band released a full length cassette, “Leave Me Alone” on June 6, 2015. The Bad Ideas released their album Happiness on March 30, 2019. Britt Adair was our guest on WMM on March 6, 2019.]
[The Bad Ideas play the KC PUNK SHINDIG – From VFW to Farewell, 1983 – 2023 presented by Bent Edge and Shuttlecock, on Saturday, March 11, 2023, at 8:00 PM, at FAREWELL, 6515 Stadium Drive, KCMO with Get Smart!, Orange Doe-Nuts (OD’s); The Bad Ideas; and Irradiated]
11:30 – Underwriting

- Ivory Blue – “Starlit Love Child”
from: “Starlit Live Child’ – Single / Sound Ballistics Music & Publishing / October 28, 2022
[Ivory Blue released their full length debut album COMPOUND LOVE on February 25, 2022. For COMPOUND LOVE Ivory served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library., and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017. Ivory Blue released the video of “Family Table” directed by Mikal Shapiro, on August 21, 2021 and the audio track was released on September 7, 2021. Ivory Blue released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. More info at: https://linktr.ee/ivorybluemusic%5D
[IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.]
11:35 – Interview with Ivory Blue

IVORY BLUE join us to share details about their upcoming show when IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS. IVORY BLUE most recently released the new single & video, “Starlit Love Child” on October 28, 2022, from their forthcoming 2023 album. IVORY BLUE started writing music at a very young age, creating their unique alt-rock sound, using a tape recorder to superimpose sounds that added to a song production. After starting performances in coffee shops and small venues, they began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, IVORY BLUE settled in KC. On July 29th, 2022, and after studying the craft of recording and self- producing, this amazing singer-songwriter with a passionate love for everyone struggling through life, released their first full length album, COMPOUND LOVE. This was followed by their single, “Red Light” and now “Starlit Love Child.” More info at: https://linktr.ee/ivorybluemusic
Ivory Blue thanks for being with us on WMM.
IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.

IVORY BLUE‘s single “Starlit Love Child came after the release of Ivory’s debut full-length album, COMPOUND LOVE released on February 25, 2022. For COMPOUND LOVE Ivory served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering.More info at: http://www.ivorybluemusic.com
COMPOUND LOVE, released February 25. 2022 was in the TOP TEN of WMM’s 120 Best Recordings of 2022.
IVORY BLUE lived a nomadic existence until settling in Kansas City MO and becoming part of the local musical community. After winning a nationwide talent contest in 2017 Ivory Blue started having success with some national and international radio play which continues today.
Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15.
Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.
As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics.
By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017.
Ivory entered NeXt2Rock, a nationwide talent search with over 1800 artists/bands who applied to find fresh and promising rock artists.
The top 5 national bands battled it off for the win in Los Angeles CA at the legendary Viper Room, with judges Scott Borchetta (BMLG), John Varvatos (fashion designer), Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox”), Desmond Child (Musician, producer), Chris Lord-Alge (producer), Ivory Blue won over the judges and became the grand prize winner! Ivory
Ivory won the contest and a one-year record deal with BMLG who re-released the song Ready Get Set from the 2015 EP. Ivory’s 2018 re-release of ‘Ready Get Set’ undauntedly received National and International airplay within weeks.
NeXt2Rock Judges Comments about Ivory Blue:
“You got star quality and a lot of potential” by Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox” on KLOS (95.5) Los Angeles, CA, USA)
“Giving us the diamond in the rough we can only dream of, the foundation that’s built underneath it, that’s what music is made from. by Chris Lord-Alge (Engineer/Mixer).
“I love everything about you, you sing what you live, you’re fantastic” by Desmond Child (Musician \ Songwriter and Producer).
“We’ve been waiting for the WOW, and you are the WOW”, “You’re a true artist” by John Varvatos (Fashion Designer and Record Label Head)
“You exude artistry from the minute you step on that stage” by Scott Borchetta – Big Machine Label Group president and CEO.
“There’s something special about you”, “You’re a true artist” by Gavin Rossdale (British musician, singer, lead singer and rhythm guitarist of the rock band BUSH).
Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kansas City Public Library, and Kauffman Stadium.
11:42

- Ivory Blue – “Red Light”
from: “Red Light” – Single / Sound Ballistics Music & Publishing / October 28, 2022
[Ivory Blue released their full length debut album COMPOUND LOVE on February 25, 2022. For COMPOUND LOVE Ivory served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library., and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017. Ivory Blue released the video of “Family Table” directed by Mikal Shapiro, on August 21, 2021 and the audio track was released on September 7, 2021. Ivory Blue released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. More info at: https://linktr.ee/ivorybluemusic%5D
[IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.]
11:45 – More Interview with Ivory Blue

IVORY BLUE started writing music at a very young age, creating their unique alt-rock sound, using a tape recorder to superimpose sounds that added to a song production. After starting performances in coffee shops and small venues, they began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, IVORY BLUE settled in Kansas City, MO and quickly began attracting a following for their strong vocals and deeply personal lyrics. On July 29th, 2022, and after studying the craft of recording and self- producing, this amazing singer-songwriter with a passionate love for everyone struggling through life, released their first full length album, COMPOUND LOVE. This was followed by their single, “Red Light” and “Starlit Love Child.”
IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.
Ivory Blue thanks for being with us on Wednesday MidDay Medley
Ivory Blue has been busy in the studio putting together new music for upcoming releases after the spring 2022 release of their debut full length album COMPOUND LOVE. In 2020 Ivory released the singles “Elite Dreamland,” (Feb. 17, 2021), “Half a Life” (Sept. 20, 2021), and “Family Tables” on September 7, 2021.
In February 2020 and after studying the craft of recording and self-producing, this amazing singer-songwriter with soaring vocals, passionate love for everyone struggling through life, released ‘Elite Dreamland’. There are no words to describe the incredible artistry behind this song. a single that hits your heart about understanding how it feels to be misunderstood in a world of people that seem to know what they are doing.
IVORY BLUE produces all the tracks with the exception of Drums and Bass. Ivory is currently working with Lester Estelle (Drummer for Kelly Clarkson), Craig Kew (Bass) KC, Kurt Festge (Mastering | Citizen Kane & Violent Femmes) NC. and Nick Poortman (LA based Los Angeles based Producer, Engineer, Mixer, and Songwriter) Nick has worked alongside producers including Justin Gray, Gil Norton, Big Tank, and Greg Haver on sessions throughout the USA, UK, Europe, and New Zealand.
Ivory Blue released the video of ‘FAMILY TABLES’ on August 21, 2021 and the track was released on September 7, 2021. Ivory Blue is currently finishing the first full length CD/Album ‘Compound Love’ to be released in 2021 as well as the Red Light EP for 2022.
“Family Tables” hit #1 on Banks Radio in Australia the first week of the release. 23 countries have listed on Ivory’s Spotify reports and that after just 1 week released.
https://www.ivorybluemusic.com/post/article-links-on-family-tables
https://www.ionindiemagazine.com
Ivory Blue has been on the WMM 15 times since 2015.
Ivory Blue thanks for being with us on WMM.
IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.
More info at: http://www.ivorybluemusic.co
11:54

- Ivory Blue – “Family Table”
from: “Compound Love / Sound Ballistics Music & Publishing / February 25, 2022
[Ivory Blue released their full length debut album COMPOUND LOVE on February 25, 2022. For COMPOUND LOVE Ivory served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library., and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017. Ivory Blue released the video of “Family Table” directed by Mikal Shapiro, on August 21, 2021 and the audio track was released on September 7, 2021. Ivory Blue released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. More info at: https://linktr.ee/ivorybluemusic%5D
[IVORY BLUE plays a ULAH Live Session, Thursday, March 16, 2023 at 7:30 PM ay ULAH, 4707 Rainbow Blvd, Westwood, KS.]
- Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Big THANK YOU to all of our wonderful listeners and friends who generously and thoughtfully donated to support KKFI 90.1 FM – Kansas City Community Radio during our Wednesday MidDay Medley broadcast today! Through the airwaves, and through social media, a total of 55 people donated a total of $3149.00 to allow us to continue our mission. THANK YOU to my incredible co-hosts: Betse Ellis & Marion Merritt, and special guest J Kelly Dougherty, and very special guest Hermon Mehari for sharing your brilliance with our listeners. Thank you to Scott Bunte, Lincoln Dreher and Darryl Oliver for taking our donations over the phones.

Next week on March 15, WMM plays more New & MidCoastal Releases PLUS we talk with Gayle Price about her band Pure Sweetness. We welcome Malek Azreal and his band Malek and The Vibez!, and we talk with songwriters and performers Paul Jesse and Deegan Poores
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org
Show #984
