Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 22, 2021

The 120 Best Recordings of 2021
(Part 3 of 4)

Wednesday MidDay Medley presents part 3 of our 4-week special: The 120 Best Recordings of 2021. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length albums and EP recordings of 2021. We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2021 we’ve broadcast nearly 900 different tracks over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 500 of these tracks were from New & MidCoastal Releases. We played tracks from 216 National Releases, and 373 MidCoastal Releases. 90 of the representative tracks in our “Best of” list are from MidCoastal Releases. We conducted over 138 interviews with 160 special guests. 59 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley.

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
   [WMM’s adopted theme song.]

2. (#60.) St. Vincent – “Pay Your Way In Pain”
   from: Daddy’s Home / Loma Vista / May 14, 2021
   [6th studio album by St. Vincent. Like its predecessor, Masseduction (2017), Annie Clark produced the album alongside Jack Antonoff. The album was promoted by the lead single, “Pay Your Way in Pain”, released on March 5, 2021. Daddy’s Home was inspired by Clark’s father’s release from prison at the end of 2019, as well as the musical palette of New York City in the first half of the 1970s. Annie Erin Clark was born September 28, 1982. She is known professionally as St. Vincent, is an American musician, singer, songwriter and producer. She began her music career as a member of the Polyphonic Spree. She was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. Her debut album is Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017) . // Her fourth solo album, St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant, as well as second best album of the year by Time. The album won her a Grammy for Best Alternative Album, her first Grammy Award. She was the first solo female performer in 20 years to win a Grammy in that category. In 2018, St. Vincent was included twice in NPR’s “200 Greatest songs by 21st Century Women”: at number 181 with “Digital Witness” and at number 38 with “Cruel”. Strange Mercy was among Pitchfork’s 200 Best Albums of the 2010s, ranking at number 55. St. Vincent ranked number 65 on Rolling Stone’s 100 Best Albums of the 2010s.// Masseduction, Clark’s fifth studio album, released in 2017, earned her Best Rock Song and Best Recordings Package at the Grammys, where she also performed alongside Dua Lipa for a mashup performance of their respective Grammy-nominated songs ‘Masseduction’ and ‘One Kiss.’ // Clark was born on September 28, 1982, in Tulsa, Oklahoma. Her mother is a social worker and administrator for a non-profit organization, while her stepfather works in corporate tax administration. Her parents divorced when she was three, and when she was seven she moved with her mother and two older sisters to Dallas, Texas. Clark is of Irish, and a small amount of Jewish, ancestry. She was raised Catholic and Unitarian Universalist. // From her parents’ blended families, she has four brothers and four sisters. // Clark was fond of the movie La Bamba and Ritchie Valens himself at a very early age, and received a plastic red guitar at age five that her mother got her at a Target store for Christmas. She began playing her first real guitar at age 12 and worked some of her teenage years as a roadie for her aunt and uncle, the guitar-vocal jazz duo Tuck & Patti. In 2001, she graduated from Lake Highlands High School, where she participated in theater and the school’s jazz band, and was a classmate of actor Mark Salling. // Clark attended the Berklee College of Music in Boston, Massachusetts for three years before dropping out, studying with Professor Lauren Passarelli. She felt that art institutions such as Berklee can be more directed towards the athleticism of art rather than the product. In retrospect, Clark said, “I think that with music school and art school, or school in any form, there has to be some system of grading and measurement. The things they can teach you are quantifiable. While all that is good and has its place, at some point you have to learn all you can and then forget everything that you learned in order to actually start making music.” // In 2020, St. Vincent was credited as a guitarist on “Texas Man” and a co-writer on “Young Man” with the Chicks, Antonoff, and Justin Tranter for the Chicks’ eighth studio album Gaslighter. In August 2020, St. Vincent collaborated with Japanese musician Yoshiki to release a classical arrangement of “New York”. In October 2020, St. Vincent’s online instruction class on Creativity and Songwriting was added to the MasterClass series. In late 2020, St. Vincent featured on the track “Chalk Tablet Towers” from the first season of the Song Machine project by Gorillaz.]

3. (#59.) Robert Finley – “Sharecropper’s Son”
   from: Sharecropper’s Son / Easy Eye Sound / May 21, 2021
   [Robert Finley was born February 13, 1954. He is an American blues and soul singer-songwriter and guitarist. After decades of performing semi-professionally followed by time away from music, Finley made a comeback in 2016. He released his debut studio album, Age Don’t Mean a Thing, later in the year, which was met positively by critics. // Finley was born and raised in Bernice, Louisiana, United States. At 11 years old he began practicing the guitar he had purchased from a thrift store. Gospel music played a crucial role in his early development: “I always went to gospel quartet groups and I always took the front row seat, and I just watched their fingers”, recollected Finley in an interview. In 1970, he joined the army, originally to serve as a helicopter technician in Germany. Upon his arrival, however, Finley accommodated the army band’s need for a guitarist and bandleader by traveling with the group throughout Europe until he was discharged. // After returning to Louisiana, Finley worked as a part-time street performer, leader of the gospel group Brother Finley and the Gospel Sisters, and as a carpenter. He was deemed legally blind and forced to retire from carpentry. In 2015, Music Maker Relief Foundation, a non-profit organization that supports aging blues musicians, discovered Finley busking before a gig in Arkansas. With their help, Finley made a musical comeback, featuring him in packaged tours with acts like Robert Lee Coleman and Alabama Slim. // Finley released his debut studio album, Age Don’t Mean a Thing, on September 30, 2016, on Big Legal Mess Records. Although for the most part Finley was a bluesman, his record producer Bruce Watson keyed in on more of his soulful compositions. With production credits from Watson and Jimbo Mathus, Finley traveled to Memphis to record the album with members of the Bo-Keys. He penned all but two of the tracks, highlighted by an autobiographical title song, on Age Don’t Mean a Thing, evoking influences from Booker T. and the MGs, James Brown, and B. B. King. Music journalists were highly receptive to Finley’s comeback and album, particularly his revitalizing take on Southern soul.// After Age Don’t Mean a Thing, Finley got connected with Dan Auerbach of the Black Keys. Auerbach and Finley then released an original soundtrack for the graphic novel, Murder Ballads, published by z2 Comics. Shortly after the release of the Murder Ballads soundtrack, Billboard announced that Finley would be releasing a full-length album produced and co-written by Auerbach. // The album, Goin’ Platinum! was released on Easy Eye Sound (Nonesuch Records) on December 8, 2017. The following year Finley joined Auerbach’s Easy Eye Sound Revue tour. Finley followed up the Easy Eye Sound Revue tour with a series of headline shows around the world. // In 2019, it was announced via social media that Finley was a contestant for the fourteenth season of America’s Got Talent. AGT released a sneak peek where Finley sang an original song, called “Get It While You Can”. He managed to reach the live shows but was eventually eliminated in the semi-finals. // In 2021, Finley announced the album Sharecropper’s Son, to be released May 21, 2021 on Easy Eye Sound. The album is autobiographical in nature, and centers around Finley’s upbringing on a crop share in Louisiana. The album is produced by Dan Auerbach.]

4. (#58.) Lily B Moonflower – “Wild and Free”
   from: Moonflower / Lost Cowgirl Records / February 12, 2021
   [This was the second single, from her debut album, Moonflower. 23 year old Lawrence, Kansas / Kansas City, Missouri based singer songwriter Lily B Moonflower was originally from Desoto Kansas. MOONFLOWER was produced by Martin Farrell Jr. and features: Jake Keegan on dobro, Colby Allen Walter on mandolin, Michael Turnbo & Shannon O’Shea on fiddle, Miki P on drums, Jenna Rae on saxophone & back up vocals, and Martin Farrell Jr. on back up vocals, pedal steel, piano, telecaster guitar, tambourine, & bells. Songwriters & musicians that have heavily influenced Lily’s songwriting are Sturgill Simpson, Brent Cobb, The Wood Brothers, Chris & Morgane Stapleton, Grateful Dead, Samantha Fish, Willie Nelson, Led Zeppelin, The Band, Allman Brothers, Waylon, Nicki Bluhm & many many many more. Her entire life is dedicated to music. // Lily B is a ray of sunshine on and off the stage and her passion for roots music is apparent at her live shows and through her music. This debut album gives you a peek into the mind of a young songwriter who longs to be connected to people and nature, loves searching for crystals and arrowheads, has experienced love and heartbreak, and brings the party to every show. She has shared the stage with Lukas Nelson and Promise of the Real, Jim Lauderdale, The Hillbenders, and many more. Lily is on a lifelong journey of creating music and this debut release will be one of many more to come. // Lily B Moonflower’s album was reviewed by Max Paley of Americana Music Academy (http://www.americanamusicacademy.com/press): “Lily has some advantages over your average country singer. First, her musical heritage is not hurting anything. But, more importantly, she has surrounded herself with the right people, particularly her life partner Jake Keegan (of the nationally touring bluegrass act Grassfed) and the good people at Lost Cowgirl Records. The new album sounds straight out of Nashville in terms of quality. // This is due mostly to the musical mind of Martin Farrell, Jr. Farrell retains his heavyweight Kansas country producer belt that he acquired with 2018’s Cosmic Western Duos, defended with 2020’s Coffee & Laundry and more than holds on to with Moonflower. Farrell demands authenticity from his artists, performing very little post-production work on the album and absolutely no auto-tuning. This means that Lily is actually as good as she sounds on these recordings. // Moonflower makes for such an exciting listen because it solidifies both Lily B. Moonflower as a true Country singer-songwriter and and the Eastern Kansas Country scene as a legitimate one worth paying attention to. It is so refreshing to hear a woman telling her stories in such a digestible way and accompanied by an amazing slate of backing musicians. Plans are already in motion for a new duo album with Lily and Keegan and even a second solo album and we cannot wait!” More info at: http://www.lilybmoonflower.com and https://www.thelostcowgirl.com Lily B. Moonflower joined is LIVE on WMM on January 27, 2021.]

5. (#57.) Efterklang – “Dragonfly”
   from: Windflowers / City Slang Records / October 8, 2021
   [Efterklang (Danish pronunciation: [ˈeftɐˌkʰlɑŋˀ]) is a Danish indie rock group from Copenhagen, formed in December 2000. The band has recorded six studio albums and are currently signed to the 4AD label, as well as their own record label Rumraket. Core group members include: Casper Clausen on vocals, Mads Brauer on electronics, and Rasmus Stolberg on bass// In 2012, they released their fourth album Piramida to good reviews. // The name Efterklang comes from the Danish word for “remembrance” or “reverberation.” Formed in Copenhagen, its three core members are Casper Clausen, Mads Brauer and Rasmus Stolberg. The original lineup also included Rune Mølgaard, but he has taken a more secluded role since 2007. Drummer Thomas Husmer left the band 2011. When performing live, the core three-piece band is complemented with the addition of live band members. // Efterklang released their first album Tripper to warm critical acclaim in autumn 2004. Their second album Parades saw the band working with British producer Darren Allison (Spiritualized), and was released in October 2007, receiving widespread critical acclaim by the likes of Mojo, Uncut, Drowned in Sound and Stylus magazine. Parades was named the 38th best album released between April 2005 to April 2009 by Clash in April 2009. In September 2008, Efterklang and The Danish National Chamber Orchestra performed Parades in its entirety at the Copenhagen Concert Hall; the performance was documented on a limited edition LP/DVD set entitled Performing Parades, which was released in October 2009. // In September 2009, Efterklang signed a new record deal with the British independent label 4AD. Their third full-length album Magic Chairs was Efterklang’s first on their new label, released in February 2010. Magic Chairs won IMPALA’s European Independent Album of the Year on February 28. The record was well received by Pitchforkmedia. // In August 2010, French filmmaker Vincent Moon and Efterklang’s 8-piece live band met up on an island off the Danish coast. The objective was to shoot a film with the same length as an album, and a film full of performances, experiments and collaborations. The result was called An Island. // In 2011, drummer and trumpet player Thomas Husmer left the band and the other members announced that they would carry on as a trio. // In 2012, the band went on tour to present their fourth album Piramida with an orchestra and drummer Budgie of Siouxsie and the Banshees as special guest for the live shows. The premiere at the Sydney’s “Opera House” in June was praised by Time Out and Mojo. The latter wrote : “Piramida is the sound of Efterklang’s grasp meeting their reach, of their ambition evading the pretentious, the blankly grandiose, and rewarding them with a masterpiece.”. A European leg coincided with the release of Piramida. The band performed with an orchestra and Budgie in Ireland, Scandinavia, UK, the Netherlands and Belgium. // At its release in September, their fourth album Piramida received good reviews. Mojo rated it four stars and said: “Despite the elegant grey-sky thinking, deep beneath the emotional permafrost, Piramida isn’t as cold as it seems”. BBC Music said : “This see-saw, between exquisite gloom and bruised hope, is part of what makes Piramida so powerful” before concluding by these words, “rarely have the Serious Young Man Blues been articulated with such grace, so affectingly”. British Fact magazine wrote: “Piramida is an abandoned mining town located deep within the Arctic Circle. It’s the setting for Efterklang’s fourth and finest album, an acutely musicianly affair employing lorry loads of classical instruments, brass, synths and what appears to be a choir of thousands broadcasting from the deep end of a fjord”. Q magazine commented: “here’s a band on top of the world, and on top of their game… Piramida is a revelation.” // From December Efterklang went on tour with their new 6-piece band. In 2013, the Piramida tour took the band around North America and Europe. // In 2015, The Leaf Label released a number of re-issues as part of its 20th anniversary celebrations. A poll enabled fans to vote for which albums from the label’s back catalogue they wished to see re-issued, and Efterklang’s Parades was selected. The album, released on double vinyl LP, was initially available to fans through the PledgeMusic service and was introduced to shops in early 2016. A double vinyl re-issue of Tripper is also available from The Leaf Label after a successful BeatDelete campaign. // In 2016, the members of Efterklang, along with drummer Tatu Rönkkö, formed the band Liima. They released their debut album, ii, on March 18, 2016. The album received positive reviews, earning a score of 70 on Metacritic, based on 8 reviews. // Liima’s second album, 1982, was released on 3 November 2017.]

6. (#56.) Sons Of Kemet – “To Never Forget The Source”
   from: Black To The Future / Impulse Records / May 14, 2021
   [Sons of Kemet are a British jazz group formed by Shabaka Hutchings, Oren Marshall, Seb Rochford, and Tom Skinner. The group uses saxophone and clarinet (Hutchings), tuba (Cross), and two drummers (Skinner, Hick) to make their music and plays a mixture of jazz, rock, Caribbean folk, and African music. Cross replaced Oren Marshall on tuba. // On September 9, 2013, Sons of Kemet released their debut album Burn, which received the Arts Desk Album of the Year 2013 and a nomination for Gilles Peterson’s Album of the Year. Their next album Lest We Forget What We Came Here to Do received the same nomination for the year 2015. The group won Best Jazz Act at the 2013 MOBO Awards. // On March 30, 2018, Impulse! released the band’s third album, Your Queen Is a Reptile. It was nominated for the 2018 Mercury Prize. // Discography: Burn (Naim, 2013) // Lest We Forget What We Came Here to Do (Naim, 2015) // Your Queen Is a Reptile (Impulse!, 2018) // Black to the Future (Impulse!, 2021).]

7. (#55.) Nan & the One Nite Stands – “Space”
   from: High – Caliber / Nan Turner / February 19. 2021
   [All songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. // “Yeah” is track 1, on this 5-song EP // The One Nite Stands who played on these songs! Lizz Weiler on bass on 1, 3, and 4; Pat Tomek on drums on 1, 3, and 4; Mark Ospovat on bass on 2 and 5; Don Dawn + Tracy Flowers on backing vocals on 2, 4, and 5; Chase Horseman on keyboards, guitar, and co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. Xtra BigThanks to: Chase Horseman for sonic textures + production magic. Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration. // Follow up to the single “Desert Nights” released May 22, 2020, written by Nan Turner, and recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. On July 12, 2019, Nan Turner released her solo EP, Champs and Losers, Version 2. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is also one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. Her music has been described as “Tone Loc meets the Velvet Underground.” More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]

8. (#54.) Kat King – “Don’t Wanna Lose”
   from: Say What You Mean EP / Kat King / June 9, 2021
   [1st single from 5-track EP recorded with her band. Kat King on guitar, keyboards, & vocals; Derek Melies on guitar & back ground vocals; John McCain on bass; Daniel Cole on drums. Co-produced & mixed/mastered by Joel Martin. Lawrence Kansas based singer songwriter Kat King released her last single Song of Spain in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. More info at: http://www.katbking.com] [Kat King played Lemonade Park, 1628 Wyoming on June 26, with Katy Guillen & The Drive].

10:27 – Underwriting

9. (#53.) Deerhoof – “Scarcity Is Manufactured”
   from: Actually, You Can / Joyful Noise Recrdings / October 22, 2021
   [Deerhoof are an American independent music group formed in San Francisco in 1994. They currently consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine “noise, sugary melodies, and an experimental spirit into utterly distinctive music” (AllMusic). // They have released eighteen studio albums since 1997. Their most recent album, Actually, You Can, was released on October 22, 2021. // Deerhoof were formed in San Francisco in 1994 as Rob Fisk’s improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later. They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival. Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof’s singer only a week later, opening for Caroliner. Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape. // Deerhoof’s style has been described as indie rock, noise pop, punk rock, and “experimental pop mired in a pure punk sense of adventure”. AllMusic characterizes them as “highly revered indie rockers … who play fractured, whimsical noise pop with an avant-garde edge”, while MaineToday describes them as “the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll”. // According to Noisey, Deerhoof formed as a “minimal noise improv” act before shifting to “pop-infused noise-punk”. According to AllMusic, their early releases “had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts … [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s.” Impose writes that since “their beginnings as a noise punk band … [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could’ve never imagined … [and] ultimately [proving] that punk can fit into an artistic world.” According to the Los Angeles Philharmonic, they made “some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock’s most renowned and influential groups … too ‘pop’ for ‘noise,’ and too ‘noise’ for ‘pop.'” For The Guardian, their breakthrough after many albums of “elliptical art-pop” came with Friend Opportunity, which showcased “a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. … [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world. Deerhoof also experiment with contemporary classical music. // The band has been appreciated by and/or influential to other artists, notably David Bowie, Radiohead, Questlove, St. Vincent, Foo Fighters, Dirty Projectors, Tune-Yards, Stereolab, Henry Rollins, Sleigh Bells, and of Montreal. Deerhoof’s songs are covered often by other artists (notably Phil Lesh, Los Campesinos!, Marco Benevento, David Bazan, and classical composer Marcos Balter).]

10. (#52.) Pure xtc – “Old Wounds”
    from: Nobody’s Home / Taylor Hughes / November 12, 2021
    [Pure xtc is the musical project of Kansas City based Taylor Hughes. Taylor is also the drummer for the band EXNATIONS who are on hiatus. The idea of pure xtc was formed during an extremely isolating time for multi-instrumentalist, Hughes. Living truly on her own for the first time, she moved to the NYC metro in 2019. Time was spent crying on subways, climbing new rooftops, meeting new people, avoiding new people, feeling extremely fulfilled to feeling like a hollow empty shell. “Ghost” was produced & mixed by Walter Kazmier of Silk City Grooves Studio and mastered by Mike Piacentini of Sony Entertainment’s Battery studios. http://www.purextcmusic.com] [Pure XTC aka Taylor Hughes was our guest on WMM July 14, 2021.]

11. (#51.) Khrystal. – “Eat First”
    from: Life Be Life’ing / Khrystal. / September 22, 2021
    [Surprise 8-track album release. On December 31, 2020 Khrystal. Released the single “Never” which followed Khrystal.’s. single “Magic” released on August 8, 2020 on limited edition cassette singles with her most recent single “You Again” as a B-Side by Manor Records. On September 1, 2017 Khrystal. released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. ]

12. (#50.) Julia Othmer – “Fortunate Son”
    from: SEEDS, Volume 2 (LIVE) / Frickin’ Awesome Records / March 20, 2021
    [This is Julia’s 4th full length and contains 10 live songs selected from her 30-day Songs of September Project, where Julia performed live covers of her favorite songs of protest and hope, broadcast through streaming social platforms to inspire people to vote on November 3. Julia’s fans democratically selected their favorite tracks to be included on SEEDS. Julia Othmer released “Sound,” on April 12, 2019, her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” In 2018 to 2019 Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom. When Julia Othmer is in Kansas City she plays with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. More info at http://www.juliaothmer.com. Julia Othmer was our guest on WMM on September 1, 2021]

13. (#49.) Jon Batiste – “I Need You”
    from: We Are / Verve Records/ March 19, 2021 [The eighth studio album by American musician. In November 2021, the album was nominated for the Album of the Year category at the 64th Annual Grammy Awards.The album earned Batiste eight nominations in total. In November 2021, the album was nominated for the Album of the otal. Batiste began working on the album in late 2019, making it in his dressing room over six days in September and finishing it by mid-2020. While largely written and recorded prior to the events of 2020, the album’s lyrical and thematic content reflects such events as the onset of the COVID-19 pandemic and his involvement in 2020, leading Black Lives Matter protests in New York after the killings of George Floyd and Breonna Taylor. On June 12, 2020, he released the single “We Are”, featuring the band from his New Orleans alma mater, the St. Augustine High School Marching 100. The album also features Mavis Staples, Zadie Smith, PJ Morton, and Trombone Shorty. Speaking to Atwood Magazine, Batiste described We Are as “a representation of genre-less music that’s just about the story” and “a culmination of my life to this point.”Batiste released a deluxe edition of the album on October 15, 2021. // Jonathan Michael Batiste (born November 11, 1986) is an American musician, bandleader, and television personality. He has recorded and performed with artists in various genres of music (Stevie Wonder, Prince, Willie Nelson, Lenny Kravitz, Ed Sheeran, Roy Hargrove, and Mavis Staples), released his own recordings, and performed in more than 40 countries. Batiste regularly tours with his band Stay Human, and appears with them nightly as bandleader and musical director on The Late Show with Stephen Colbert since 2015. // Batiste also serves as the Music Director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem. In 2020, he co-composed the score for the Pixar animated film Soul, for which he received an Academy Award, a Golden Globe Award, and a BAFTA Film Award (all shared with Trent Reznor and Atticus Ross). As of 2021, Batiste has garnered 14 Grammy Award nominations. // Jon Batiste was born in Metairie, Louisiana in a Catholic family. He grew up in Kenner, Louisiana. Batiste is a member of a New Orleans musical dynasty, the Batiste family, that includes Lionel Batiste of the Treme Brass Band, Milton Batiste of the Olympia Brass Band, and Russell Batiste Jr. At the age of 8, he played percussion and drums with his family’s band, the Batiste Brothers Band. At the age of 11, he switched to piano at his mother’s suggestion. Batiste developed his piano skills by taking classical music lessons and transcribing songs from video games such as Street Fighter Alpha, Final Fantasy VII and Sonic the Hedgehog. // At 17, Batiste released his debut album Times in New Orleans. He attended St. Augustine High School and New Orleans Center for Creative Arts with Trombone Shorty in New Orleans and graduated in 2004. He then went on to attend the Juilliard School, receiving a Bachelor of Music in 2011 and a Master of Music in 2013. While at Juilliard, he released his 2nd album, Live in New York: At the Rubin Museum of Art. By the end of 2006, Batiste had been a featured performer in South Africa, London, Lisbon, Spain, Paris and the US.]

14. (#48.) Chalis O’Neal – “La Tienda de Regalos (feat. Jessica Ayala)”
    from: Flirting / Chalis O’Neal / November 15, 2021
    [“La Tienda de Regalos” features the vocals and poetry of Arquesta Del SolSoul co-member Jessica Ayala. Musician and performer Chalis O’Neal debut album, FLIRTING features contributions from Desmond Mason, Tim Ogutu, Brad Williams, Harold O’Neal, Jessica Ayala, les iz More, Amber Flutienastiness Underwood, and Joel Nanos. Chalis picked up the trumpet at the age of eleven and began studying music at Paseo Academy of Fine and Performing Arts. Chalis majored in Jazz Studies with a minor in Classical Trumpet under the direction of Jazz legend Bobby Watson at the University of Missouri Kansas City. O’Neal’s eclectic style ranges from jazz venues to theatre work with the New Theatre Restaurant performing and acting in the The Buddy Holly Story. O’Neal also has burlesque experience with Quixotic Cirque Nouveau. Chalis is also the lead trumpeter for the Afro futuristic band, Arquesta Del SolSoul. O’Neal has performed with Bobby Watson, Harold O’Neal, Tivon Pennicott, Marcus Strickland, Lisa Henry, and David Basse. // Chalis O’Neal is the youngest brother of Harold Mujahid O’Neal who was born March 27, 1981, and is an American pianist, composer, record producer, public speaker, dancer, and storyteller. He has recorded and performed with artists in a variety of musical genres (U2, Lupe Fiasco, Busta Rhymes, Damien Rice, Aloe Blacc, and Jay Z). O’Neal has been profiled and featured in numerous publications and programs including Forbes, NPR’s All Things Considered, Fortune, Studio 360, and the 92Y, with The New York Times comparing him to Duke Ellington, Kenny Kirkland, and Maurice Ravel. He is considered to be of this generation’s greatest pianists and composers. O’Neal has been awarded fellowship to the Royal Society of the Arts, with the Patron being Her Majesty Queen Elizabeth II, and recently played a role as a creative expert for the Academy Award winning Pixar film, Soul. // Harold O’Neal was born in Arusha, Tanzania, and raised in Kansas City, Missouri. His great-grandfather, Ollie Harold Pennington, was a jazz pianist and composer for silent film in Kansas City, where his grandmother walked to school with Charlie Parker. O’Neal began playing the piano by ear at age four on his father’s miniature keyboard. He found his earliest inspirations in the music of Tom and Jerry, Looney Tunes, and Disney. While growing up, he spent a considerable amount of time with his grandmother exploring various creative outlets, before eventually becoming a pianist. Having spent much of his youth living in the projects (Public Housing) and surviving near-death experiences, he credits music with saving his life. O’Neal attended the Paseo Academy Of Fine And Performing Arts, with classmates Logan Richardson, Lil’ Ronnie, and Brian Kennedy, where he began his jazz piano studies while being mentored by Ahmad Alaadeen. He studied classical piano and composition with Margie Cameron-Jarrett, whose musical lineage can be traced back to Franz Liszt. // O’Neal began working with musical luminaries from a young age – touring with Bobby Watson when he was 19 after studying composition at the Berklee College of Music. He then went on to the Manhattan School of Music, to study with Kenny Barron. It was there where he met the great American jazz pianist and composer, Andrew Hill, with whom he soon became the apprentice of. Mr. Hill was an apprentice of prolific composer Paul Hindemith. Following Andrew Hill’s advice, O’Neal left the Manhattan School of Music to replace pianist Jason Moran in the influential band, the Greg Osby 4, making his major-label debut recording for Blue Note Records at the age of 21. In 2004, O’Neal premiered a jazz quartet featuring Greg Osby, Jeff “Tain” Watts, and Matt Brewer. // In the following years, O’Neal released a number of critically acclaimed albums including — “Charlie’s Suite” (2006), which was a compilation of his family’s legacy, “Whirling Mantis” (2010) with a jazz quartet, and a solo piano album “Marvelous Fantasy” (2011) on Smalls Records. He then partnered with Ski Beats and Damon Dash, after being signed to Universal Music Group as a songwriter and producer, to release the albums 24 Hour Karate School 2 (2011), Twilight (2012), and Cam’Ron And Vado’s Blu Tops (2012). In 2012, O’Neal formed a partnership with producers Lil Ronnie and Jerry Wonda working with many Pop and R&B artists (Miguel, Akon, Melissa Ethridge, Raphael Saadiq, French Montana). In 2013, he released the album “Man on the Street” featuring a jazz quartet as well as solo piano for BluRoc, an at the time incarnation of Rocafella Records distributed by Def Jam Records. // O’Neal worked as a composer for a featurette and the documentaries of the 2015 Disney film Tomorrowland produced by Academy Award winning filmmaker Anthony Giacchino, which starred George Clooney and Britt Robertson. The film was directed by Brad Bird with the film-score being composed by Michael Giacchino. His solo piano album “Piano Cinema” was released in May 2018, with “Sam and Sam” serving as the lead single. Following the album release, O’Neal completed a spring tour across the U.S. with The Blk Shp with Pixar as a partner. Recently, at the suggestion of Ed Catmull, O’Neal played a role with the filmmakers (Pete Docter, Dana Murray, Kemp Powers) as a creative expert in the development of Pixar’s Soul. // As a keynote speaker and storyteller, O’Neal has been featured at Google, The World Economic Forum, TEDX, Hatch Experience, C2 Montréal, Blk Shp Power Shift, and many other leading platforms.// In 2019, O’Neal was among the 100 international individuals selected to be a Gates Foundation Goalkeeper. Goalkeepers (Gates Foundation) is an initiative of the Bill and Melinda Gates Foundation. Its aim is to bring together leaders from around the world to accelerate progress toward achieving the United Nation’s Sustainable Development Goals (SDG). Invitations are issued to global leaders and aspiring personalities who have been personally selected by the board. Previous attendees include Barack Obama, Emmanuel Macron, Amina J. Mohammed, Erna Solberg, Malala Yousafzai, and Trevor Noah.// In 2019, O’Neal was awarded fellowship to the Aspen Institute’s Aspen Ideas Festival, a week-long event held in Aspen, Colorado in the United States. The Aspen Ideas Festival program of events includes discussions, seminars, panels, and tutorials from journalists, designers, innovators, politicians, diplomats, presidents, judges, musicians, artists, and writers. Topics covered during the festival include global politics and economics, U.S. Policy, the environment, technology, science, health, education, the arts, and economic issues. // In 2019, O’Neal was awarded fellowship to the Royal Society of the Arts. Founded in 1754 by William Shipley, it was granted a Royal Charter in 1847, and the right to use the term “Royal” in its name by King Edward VII in 1908. Notable past fellows include Charles Dickens, Benjamin Franklin, Stephen Hawking, Karl Marx, Adam Smith, Nelson Mandela, David Attenborough, William Hogarth, John Diefenbaker, and Tim Berners-Lee. Today, the RSA has fellows elected from 80 countries worldwide.// NPR All Things Considered: The Yule Log (TV program), Pianist Harold O’Neal and Bill Cosby’s Christmas story On 25 December 2011, O’Neal was featured along with Bill Cosby for the Christmas Day edition of NPR’s All Things Considered, with O’Neal being hosted and interviewed by Guy Raz. // Electric Burma On June 18, 2012, O’Neal performed with U2, Lupe Fiasco, Bob Geldof, Damien Rice, Angelique Kidjo and many other major artists for the presentation of Amnesty International’s prestigious ‘Ambassador of Conscience’ Award to Aung San Suu Kyi. The award was originally announced from the stage when U2 played Croke Park in July 2009 – while the Burmese Nobel Peace Prize recipient was still under house arrest in Burma. // Global Citizen: World on Stage On 22 September 2016, O’Neal performed with Aloe Blacc and Maya Jupiter for The Global Citizen Festival’s The World on Stage, a night curated by Tom Morello and Jon Batiste. The evening was dedicated to several prominent speakers who addressed various causes—such as education, the refugee crisis, gender equality, poverty, hunger, and much more—and the presentation of the inaugural George Harrison Global Citizen award, presented by Paul Simon to Olivia and Dhani Harrison (George’s widow and son). // On December 4, 2018, Herbie Hancock received the prestigious Benjamin Franklin Medal (Royal Society of Arts) from the Royal Society for the Arts at the Annenberg Center for the Performing Arts in Philadelphia, Pennsylvania—being recognized for his long lifetime of creative achievements and humanitarian efforts. The 264-year-old Royal Society for the Arts, based in London, includes Franklin as a founding fellow and initiated the Benjamin Franklin medal in 1956 to honor people who transcend their vocation to generally benefit mankind. The ceremony featured bassist Christian McBride and pianist O’Neal as guest star performers, each musically representing the electric and acoustic side of Hancock’s legacy. // In 2009, O’Neal appeared as an actor in Jay Z’s music video for the hit record Young Forever, from his multi-platinum album The Blueprint 3. In 2010, he was cast in the HBO television series Boardwalk Empire, portraying James P. Johnson. He was also featured in MTV’s Sucker Free. // Chalis O’Neal is the nephew of Felix Lindsey “Pete” O’Neal, Jr. (born 1940), was the chairman of the Kansas City chapter of the Black Panther Party in the late 1960s. He led implementation of many free programs, such as providing free breakfast to children around the city. // O’Neal had trouble with authority figures in high school and dropped out. Soon afterwards, he joined the military, following the steps of his father. Once done with service, he moved to Stockton, California, where in 1959 he was sentenced to 9 months in jail for theft. He escaped from jail after 3 months, traveling back to Kansas City, MO. In 1961, law enforcement caught him and he was sent back to California to serve his remaining sentence. // After completing his sentence, the felony should have been cleared as indicated by Californian law, but it was not. This significantly hindered his chances for employment. // On October 30, 1969, he was arrested again for the transporting of a gun across state lines (under a law that went into effect just two weeks prior to his arrest). A year later a court convicted him and in October 1970, he was sentenced to four years in prison. O’Neal jumped his bail and fled to Algeria, where a number of other Black Panther Party members had also absconded to in the face of imprisonment in the United States. This group became known as the “International Section” of the Black Panther Party, and was centered around Eldridge and Kathleen Cleaver. A year later O’Neal moved on to Tanzania, motivated to immigrate there as the then President of Tanzania, Julius Nyerere, was both a Pan-Africanist and Socialist. O’Neal has remained in Tanzania ever since. // Together with his wife, Charlotte Hill O’Neal, he is the co-founder of the United African Alliance Community Center (UAACC) in the village of Imbaseni, near the northern city of Arusha, Tanzania. The UAACC is a center focusing on healing the community by providing a diverse array of free art, music, film and other classes to members of the community. The UAACC also serves as a hostel for people travelling through the area—offering several “huts” with bunk beds. The center has been frequented by several celebrities, American politicians, study abroad programs, students, documentary film makers, and artists. Pete and Charlotte provide numerous jobs to locals of the community and the center is entirely run by local Tanzanians. // O’Neal’s family still resides in the Kansas City area. He is a third cousin to US Representative Emmanuel Cleaver. Since 1991, Cleaver and others have unsuccessfully attempted to obtain a pardon for O’Neal, and took the issue to both President Bill Clinton and President Barack Obama. Both declined to pardon O’Neal. // His life and exile in Tanzania is the subject of the PBS documentary ‘A Panther in Africa’, by Aaron Matthews, and a book ‘Black Panther in Exile: The Pete O’Neal Story’ by Pete’s attorney, Paul J. Magnarella. Chalis O’Neal joined us LIVE on WMM on October 20, 2021.]

15. (#47) Dan Jones and The Squids – “Shook Loose”
    from: Serve Without Delay / Dan Jones / February 5, 2021
    [Recorded Friday, Nov. 13, 2020 in a LIVE STREAMING SHOW at recordBAR, with Paul Malinowski: live sound & recording engineer. Mixed & edited by Paul Malinowski at Massive Sound, Shawnee KS. Mastered by Tom Nunes at Atomic Disc. Dan Jones on guitar & vocals, Matt Ronan on drums & vocals; Steve Tulipana on bass & vocals. All songs by Daniel Sherman Jones (BMI), except “I Wanna Be You” by Ed Cole SERVE WITHOUT DELAY, is the new Dan Jones and The Squids live album of NEW songs, 14 live tracks and 7 home recordings. Their 2019/2020 release, We Live In A World That Is Out Of This World, is included. // In 2020 the band didn’t get to play out much, so they hunkered down and worked up a double album’s worth of new tunes. It was a weekly woodshed-workshop that culminated with a live-streamed live-album show on November 13, 2020 at recordBAR. //Jones is among the hardworking lifers with taste and talent, keeping the dream alive that music matters. This is the 7th LP over two decades from Dan Jones, starting in Eugene, OR before returning to his native, non-coastal home. He has supported Mike Watt (who plays Squids on his radio show), Dinosaur Jr., Steve Wynn, John Doe, Tav Falco, Pedaljets, Peter Case, and Minus 5c. // Dan Jones and The Squids released We Live In A World That Is Out Of This World, on December 6, 2019. It was Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.” Dan Jones joined us LIVE on WMM on March 10, 2021. More info at: http://www.danjones1.bandcamp.com)]

16. (#46.) Hipshot Killer – “I Am Not Alone”
    from: Guns and Gas / Hipshot Killer / July 23, 2021
    [KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velghe and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals; and Adam Phillips on drums. The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016. Hipshot Killer released the album , ALL THIS TIME IS OURS on March 20, 2019. #21 of WMM’s 119 Best Recordings of 2019. Mike Alexander joined us on WMM on August 11, 2021]

10:59 – Station ID

17. (#45.) Alien Hellbop – “After The Quake”
    from: After The Quake / Alien Hellbop / October 25, 2021
    [Two piece rock with a twist. Performed by Spencer Goertz-Giffen and Braden Young of Hello Biplane.Recorded in 2019 at PULP Arts Recording Studios in Gainesville, FL. Spencer Goertz-Giffen on guitar & vocals; Braden Young on drums, vocals & bass; Winston Goertz-Giffen on synthesizers, and Nate Mahan on synth thing. Recorded and mixed by Winston Goertz-Giffen. Mastered by Mike Nolte at Eureka Mastering. All songs written by Spencer and Braden. // Alien Hellbop is a maximalist rock duo from Lawrence, KS combining guitar, drums, sample pad bass and vocal harmonies to create a sonic duo larger than the sum of its parts. Attendees of shows past have been hypnotized and dumbfounded by how the sound is pulled off. Originally formed in Chico, CA members Spencer Goertz-Giffen and Braden Young set out to create a full band sound with only two members. After a flurry of positive feedback from shows played in northern California, Alien Hellbop managed to drive cross country with their two small children to Gainesville, FL and record a five song EP at PULP studios with the help of engineer and producer Winston Goertz-Giffen. Alien Hellbop is now based out of Lawrence, KS. Spencer and Braden have been involved in many other bands over the years including: Hospital Ships, The Kinetiks, The Willnots, Accursed Wound, The Magentlemen, Saything, and Old and Gray. The duo also fronts another group called Hello Biplane, a six-piece dream-folk-pop band with focus on songwriting and male/female harmonies.More info at: http://www.alienhellbop.bandcamp.com][Alien Hellbop played a Triple Album Release Show Friday, November 19 at 6:00 PM Matinee Show at Replay Lounge , 946 Massachusetts St. Lawrence, Kansas with Shebangs, and Lonnie Fisher and The Funeral.]

18. (#44.) Mensa Deathsquad – “Nothing Is Ever Enough”
    from: Cyclist / Gran Cavalera / February 23, 2021
    [First single from the second album from Mensa Deathsquad. Brandon Phillips laid in a Kansas City hospital through the winter of 2019-2020 as his own album release (the unintentionally but appropriately named Patient Zero by his alt-synthwave band Mensa Deathsquad) passed by in the outside world. The first tracks from his debut album Patient Zero were premiering and, chained to a Luciferian merry-go-round of post-operative infections, Brandon strained through the pharmaceutical blur to do promotion for his record, emailing editors and scraping together the necessary pieces they needed. Since his surgery a month prior had gone sideways, and the time, energy, and planning for things like photos, videos and shows had been blown to smithereens, all he had left to look forward to beyond the IVs and the machines that go “ping” was this premiere and the street date. And then came COVID-19, like a rogue wave, to finish off the aimless Mensa Deathsquad sailboat. // But Brandon didn’t die and the boat didn’t sink. As the squall receded and the wanton eye of cruel gods passed over him, Brandon clung to the boat and swore revenge… // As the aphorism goes, “revenge is sweet” and thus Brandon and his Mensa Deathsquad will have the triumphant last laugh. Holed up in the spare bedroom of his apartment in Kansas City with an open wound in his abdomen, two surgical drains, and a severely compromised immune system, Brandon slipped back into his Mensa Deathsquad persona and began working on what would become his newest full length album, Cyclist. // The music that emerged from Brandon’s isolation and illness is a raw, nearly garage-rock take on darkwave and a perfect continuation of what he had begun on Patient Zero. Launching with the one-two punch of electro-punk noir in “Nothing Is Ever Enough” and “Therapist” before the pounding synth-rock of “The Disappointment Of The Christ,” Brandon fixes his furious eyes upon the provocative hypocrisy and violence that results from American Christianity. // A heady package of nudge nudges and intellectual ruminations (a trademark of Brandon’s past as a smartpunk upstart in such seminal bands as The Gadjits and Architects), Cyclist carries both a powerful music punch, a cultural rummaging through pop culture, and a run through his ever-evolving intellect. A knowing wink to fans of the seminal vampire flick The Lost Boy, “Join Us, Michael” is at once a seething appraisal of a world scorched and defiled by an older generation and a musical love letter to that pivotal ‘80s vampire movie soundtrack. “Leap Year (Chaos Reigns)” which began as a Siouxsie & the Banshees-inspired jam serves as Cyclist’s true north – the story of a drug-fueled wrinkle in time that brought the entire cyclical nature of existence into visibility one fateful night. “End Of The World” is dance-floor nihilist electro-rock blending angular post-punk guitar with the nostalgia of neon synths and electroclash drums, while “Takes One To Know One” slowly approaches the thunderstorm of toxic relationships, soulful vocals, tech house kick drums, and grimey-as-hell bass. // As a fitting conclusion to the tour de force through his psyche, Cyclist closes with yet another two-track charge, the swaggering post-electro sneer at celebrity social media, “Famous” followed by the throbbing Giorgio Moroder-via-Tech House cover of Iggy Pop’s classic “The Passenger.” “It was important to me that I cover ‘The Passenger’ as a letter of intent.” Says Brandon. “The electronic music that I daydream about, always has that Stooges layer of dirt and shop grease on it. That’s what I wanted for Cyclist.” The result is a triumph over the storm, as Mensa Deathsquad sails, unvanquished, into victory. More info at: https://mensadeathsquad.bandcamp.com or https://facebook.com/MensaDeathsquad.%5D

19. (#43.) Silicone Prairie – “Silicone Prairie”
    from: My Life on the Silicone Prairie / Feel It Records / February 5, 2021
    [Direct from Kansas City and encased in a layer of four-track analog glory comes the debut album from Silicone Prairie. You may have enjoyed Ian Teeple in action with Warm Bodies or The Natural Man Band, though Silicone Prairie is where Teeple has been focusing his solo creative energies over the past couple years, culminating in these 13 tracks. A trebly & jittery, landlocked Midwestern punk sound comes into effect straight out of the gate, much in the lineage of Gulcher’s ‘Red Snerts’ comp or the Dow Jones side of ‘Hoosier Hysteria’ – with a dash of hardcore DEVO or even D.L.I.M.C. thrown in for contemporary spuds. But there’s far more to Silicone Prairie – with quantitatively great songwriting and instrumentation bursting any preconceived sub-subgenre bubbles and occupying a kindred creative plain that made just about any Mould, Kirkwood, or Sage composition of the mid-80’s oh so delightful & memorable. Heck, there’s even a synth-heavy instrumental dedicated to electronic pioneer Patrick Cowley. ‘My Life on the Silicone Prairie’ dances across the sonic spectrum, from bedroom jangle to basement devolution, carrying big guitars, sharp synthesizers, and a hopeful grin into 2021 and beyond. A carefully crafted debut alive with the kind of creative rock’n’roll energy that simply cannot be quarantined, now or ever. ‘My Life on the Silicone Prairie’ comes shrinkwrapped in a reverse board sleeve with risograph insert printed at Oddities Prints and download code. Australian vinyl pressing available from Computer Human Records. ]

20. (#42) Mdou Moctar – “Taliat”
    from: Afrique Victime / Matador / May 21, 2021
    [From http://www.mdoumoctar.bandcamp.com: With “Afrique Victime” the prodigious Tuareg guitarist and songwriter rips a new hole in the sky – boldly reforging contemporary Saharan music and “rock music” by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women’s rights, inequality, and Western Africa’s exploitation at the hands of colonial powers. // If “Ilana” was a late ’60s early ’70s ZZ Top and Black Sabbath record – “Afrique Victime” is mid-’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band’s hypnotic rhythm section are on awe-inspiring display “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser-known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars, which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Ya Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”. // “Afrique Victime” sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.]

21. (#41.) Alyssa Murray – “two peaches”
    from: Half and Half / LYSSA / May 14, 2021
    [2nd single from Alyssa Murray’s new EP, HALF & HALF, an indie, electronic album with equal parts vocal tunes & half beats. “Combining a keen songwriting sense with a playful display of sonic influences in a juxtaposition of synth and song.” Written, performed, & produced by Alyssa Murray. Recorded between July 2020 through January 2021 using Korg Minilogue XD and Sequential Prophet Rev2 with Adam Schlozman on bass (track 3) and John Kizilarmut on drums (track 3). Mixed & Mastered by Duane Trower at Weights & Measures Soundlab KC. Info at: http://www.wmsoundlab.com or http://www.alyssamurraymusic.com Alyssa Murray joined us LIVE on WMM on May 19, 2021.]

22. (#40.) Slim Hanson and the Poor Choices – “Together Again”
    from: Bustin’ Broncs and Honky Tonks / New Madrid Records / December 19, 2020
    [Slim Hanson and the Poor Choices is: Slim Hanson on vocals & guitar – Originally from the Sandhills of Nebraska, Slim Hanson traded his spurs and saddle for a guitar and microphone at the age of 14. Slim has been performing nationally as a guitarist and singer/songwriter for over 25 years founding and leading such acclaimed projects as The Hellcat Trio and The Grand Marquis. Deeply rooted in country-western and delta blues he has shared the stage with the likes of Doyle “Butch” Primm, the late great Magic Slim and Joe Ely. Beau Bledsoe on electric guitar & vocals – Beau Bledsoe performs and records classical music, jazz and folkloric music from around the world as he seeks to integrate different musical cultures with diverse audiences. Through his many varied projects and ensembles, Beau has toured extensively throughout Europe, Russia, South America and North America in addition to producing fifteen recordings under his recording label Tzigane. Beau is currently artistic director and founder of Ensemble Ibérica which explores the music of Spain, Portugal and the colonial Americas. His Southern roots have led him to pick up the telecaster and learn the songs he knew as a boy growing up in Little Rock, Arkansas. Marco Pascolini on pedal steel guitar – Marco Pascolini is the stuff of guitar legends. For more than twenty years he has forged his path as one of the most well-respected musicians in Kansas City. Recognized as one of the region’s most influential musicians, his talent across a multitude of instruments has been acknowledged in numerous music media including The Kansas City Star and The Pitch, among others. Be it an electric guitar or a pedal steel in his hands, you’ll find him touring with Kasey Rausch’s Country Duo or on stage in his home town with Mr. Marco’s V7, The Naughty Pines, or songwriter extraordinaire Scott Hrabko. John Currey on drums – Originally from Tyler, Texas, John Currey is a freelance percussionist with more than 20 years experience as an in-school presenter and clinician. John specializes in Modern dance accompaniment and has toured extensively throughout the US, Mexico, and Western Europe. Teaching credits include at the UMKC Conservatory of Music and Dance, Graceland College, and Pittsburg State University. John currently directs the Mexican marimba quartet, Sol de Chiapas. Michael McClintock on electric bass – Michael McClintock graduated from the University of Missouri Kansas City Music Conservatory with a Bachelor of Music in guitar performance in 2006 after relocating to Kansas City from Neosho, MO. At the conservatory, Michael studied under the classical guitar master Douglas Niedt. Since graduation Michael has taken his place squarely in the Kansas City music scene. His first professional musical project was with the Manos Rojas School of Flamenco and Dance in Kansas City where he played with, among others, Beau Bledsoe. Michael currently directs the Cuban ensemble Cubanisms and performs regularly with Ensemble Iberia. More info at: http://realhonkytonk.com%5D

23. (#39.) Christena Graves – “Give Me A Minute”
    from: Finding My Footing / Christena Graves / February 11, 2021
    [Christena Graves writes songs in order to make sense of her world. Her lyrics are a mixture of a heartfelt acknowledgment of the pain and suffering in life, balanced by the steadying force of committed relationships. Growing up in a coastal area of western Michigan, Christena draws from her deep connection with the natural world to help frame the difficulty of the human emotional landscape. “Nature brings focus for me. I rely on it to color my lyrics.” She found her musical beginning learning to sing harmonies with her older brothers and sisters. Music was an important part of her family and they would often sing hymns together. She fondly remembers the day her oldest brother sat her on the kitchen counter and taught her to sing harmony to Jingle Bells. It was a moment that gave fuel to her love of singing. // After leaving Michigan to attend college in Missouri, she met her husband Brandon and joined the band Waterdeep as the keyboard player. After touring for several years, she stepped away from the band to raise their children. Songwriting became a release to help process the struggles of life. Eventually, she was writing songs for her church community and helping lead music on Sunday mornings. Once the kids were old enough, Christena and Brandon decided to form a new project and return to making music in a bigger way. // 2019 marked the beginning of the Christena Graves Band and the ground work being laid for her return to the music industry. In mid 2020 Greg Lafollette, a long time musical friend, moved back to KC from Nashville where he had built a successful career as an artist and producer. Greg offered his help to record a collections of songs that have become her new record. The album is titled, Finding My Footing. A nod to the difficulty of reengaging in a music business that has changed dramatically over the last 20 years but also a humble acceptance that life can be hard at times but it is important to keep moving forward. // The release of Finding My Footing marks her first full length solo album since 1996 and her first project ever as a band leader. The songs are stories of loss, fear, struggle, and joy. “This project ended up being much more than just making a good record. I spent a lot of time in self reflection—maybe I should call it a mid-life moment. I questioned my ability and worth as an artist, as a woman, and a human. It has been difficult to go through but I am learning so much about myself. I am happy with where I am and I am proud of what I’ve said with this album.” More info at: http://www.christenagravesmusic.com] [Christena Graves was guest on WMM on February 10, and on July 7, 2021.]

24. (#38.) Amythyst Kiah – “Black Myself”
    from: Wary + Strange / Rounder Records / June 18, 2021
    [With an unforgettable voice that’s both unfettered and exquisitely controlled, the Tennessee-bred singer/ songwriter expands on the uncompromising artistry she most recently revealed as part of Our Native Daughters, an all-women-of-color supergroup whose Kiah-penned standout “Black Myself” earned a Grammy Award nomination for Best American Roots Song and won Song of the Year at the 2019 Folk Alliance International Awards. When met with the transcendent quality of her newly elevated sound, what emerges is an extraordinary vessel for Kiah’s songwriting: a raw yet nuanced examination of grief, alienation, and the hard-won triumph of total self-acceptance. // This new studio version of “Black Myself” is a glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion, and the roots/old-time-music scene. Produced by Tony Berg (Phoebe Bridgers, Amos Lee, Andrew Bird) the track was recorded at the legendary Sound City Studios in Los Angeles. More info at: http://www.amythystkiah.com]

11:28 – Underwriting

25. (#37.) Redder Moon – “Land of the Blind”
    from: Land of the Blind EP / Redder Moon / June 13, 2021
    [Jeremiah James Gonzales on guitar, bass, analog drums, producing, arranging and composing with new collaborators; Brody Lowe (from Portland, Oregon) on synths and Jill McKeever (For Strange Women) on vocals & lyrics. Music: Jeremiah James Gonzales and Brody Lowe. Vocals, lyrics: Jill McKeever (except Favors for Flavors: Vocals and lyrics by Jeremiah James Gonzales and Jill McKeever) GLM Records. Mixed/Mastered by David Gaumé © 2021. The band uses layered synths & production with live bass, drums, guitars, and vocals. Redder Moon tends to skirt the line between traditional electronic act and indie avant garde. With washed out guitars, thick bass grooves, and distant reverb soaked vocals, the songs beam with the almost tactile feel of a sound track to a lost movie but with enough dance-ability to pull you out of your seat. In the last few months of 2020, the band has written and recorded an album’s with of songs, over 20 actually, without playing together, and with each member individually recording their parts at home. This was a welcome channel of creation in a time of restraint. The result is a collection that explores everything from synth pop shoegaze, to dark wave indie sounds. On November 5, 2021 Redder Moon released the 8-track album, HELL IS OTHER PEOPLE on vinyl. More info at http://www.reddermoon.bandcamp.com. Members of Redder Moon were our guests on WMM on January 27, 2021 and July 14, 2021.]

26. (#36.) Stik Figa – “Felt Like It”
    from: Stik Figa EP / Stik Figa / April 2, 2021
    [From Stik Figa’s bandcamp page: “Stik Figa returns with quicstrike release for Bandcamp Friday! 3 unreleased tracks for my real supporters that you won’t find anywhere else! Thank you all for continuing following me on this music journey.” All songs written and performed by Stik Figa. Track 1. “Stik Figa: was produced and mixed by Calvin Valentine and recorded by Joshua Browning @ Lucky Seven Studios; Lawrence, KS. Track 2. “Felt Like It” was produced by Mike Hurst and recorded and mixed by Sean Patrick @ Twlvs Studio; Fort Worth, TX. Track 3. “JYLND Freestyle” was produced by Mike Hurst and recorded and mixed by Sean Patrick @ Twlvs Studios; Fort Worth, TX. photography and layout by Well Cultured. // Stik Figa is rapper from Topeka, KS who cut his teeth on the Kansas City rap scene for close to a decade. Making a name for himself as a charismatic performer and premier lyricist in the region, releasing 9 solo albums and multiple collaborations // Later partnering with notable independent hip-hop label Mello Music Group releasing collaboration with L’Orange, “The City Under the City” and straight forward hip-hop album Central Standard Time. Stik Figa also released the 7-track album, EAST OF MacVICAR AVE on September 17, 2021, and the singles: “Gold Laces” with DJ Sean P, on Sept. 10, 2021, “Thank You, Lord” on Sept. 3, 2021, and “Knowhere Pt. 3” on Aug. 17. Stik Figa & Conductor Williams released the 10-track release, JOYLAND on November 12, 2021. More info at: http://www.stikfiga785.bandcamp.com]

27. (#35.) Jass – “Grow”
    from: At the Close of a Decade / JASS / November 26, 2022,
    [Jass is Jasmine “Jass” Crouch. She wrote, “After years of writing and recording in voice memos .. I decided to grab my iPad and began recording something that I am very proud of. I named it, At the Close of A Decade, and released it in November 2019. With my iPhone/iPad, some apple headphones, I created this project. The amazing people around me told me it was worth it, even when I didn’t believe it myself. I convinced myself I would be the only one that liked my songs. If you decide to listen you’ll hear sound clips of shows and movies that made a difference in the way I saw the world, the way I saw myself, and the way I overcame my experiences .. I remember asking my grandma and my son if I should release what I’ve been writing and they both said very simply to do it, so I’ve done it. I want to thank all of my wonderful friends who have been my soundboards during this process, all of the people that have asked me when it’s coming, the people that have kept me accountable, and believed that this time it was for real. My story is so very triumphant and beautiful because I have overcome experiences and shunned the fear I had to do what I love. It’s crazy how you can talk your way out of some amazing things and also how you can talk yourself into making some amazing things happen. If you partake, I hope you enjoy.” More info at: http://www.jassrcouch.com] [Jass plays Apocalypse Meow 14, on Saturday, November 6, at 7:00 PM – A Virtual Livestream Concert & Online Auction Broadcast from recordBar, with Katy Guillen & The Drive, Sons of Great Dane, Nathan Corsi and The Perfect Strangers, and Julia Othmer. More info: midwestmusicfoundation.org]

28. (#34.) Miki P – “Don’t Lose Your Hope”
    from: Don’t Lose Your Hope – EP / Miki P / June 25, 2021
    [Singer, songwriter, dreamer. Miki P makes music sometimes by herself and she leads the band Miki P and the Swallowtails.We first heard a different version of this song on the July 17, 2000 release of Kansas City Syzygy a special compilation of over 25 Kansas City-based musicians who created music during the shutdown of the world in the Spring of 2020. Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home. // Miki P contributed an earlier version of this track, but had created even more songs. The result is her new EP release, DON”T LOSE HOPE, 6 songs created in covid isolation, in Miki P’s home office space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien and Jake Hilger. Mastered by Joel Nanos.// Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. Miki P and The Swallowtails –released, Right Where We Are /on August 21, 2020 with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest. More info at: http://www.mikipmusic.com.]

29. (#33.) Rob Rice – “Swipe Right (feat. Clint Ashlock & Eva Louise Hall)”
    from: and the Devil’s Threesome / Mongrel Manor Records / March 21, 2021
    [Another song from the debut EP of Rob Rice titled, and the Devil’s Threesome to be released March 21, 2021. Singer/songwriter Rob Rice is a Kansas City native with a spark of millennial magic, his dusty acoustic music transitions from barn-burning ballads to soothing serenades, all of which contain notes of love, loss, and lust whilst learning to live with oneself through it all. On his debut EP and the Devil’s Threesome, Rob humbly assumes the role of choirmaster to a caravan of iconic Kansas City artists and musicians (12 in total) to create unique trios for each song, meditating and musing on the woes and wins of yesteryear. With instrumentation ranging from harp (Calvin Arsenia) and cello (Ezgi Karakus) to piano (Mark Lowrey) and layered vocals (Miki P), the collection remains cohesive with Rob’s compelling vocal melodies, introspective lyrics, and folky guitar. // and the Devil’s Threesome is a collection of six original songs Rob has composed and recorded that features a female and additional male accompaniment to showcase (hence the Devil’s Threesome. We first played Rob Rice last year when his track “Serial Lover” was part of the KC Syzygy Compilation released July 17, 2020. Info at: http://www.robricemakesmusic.com Rob Rice was on WMM on April 14, 2021]

30. (#32.) Sam Wells – “For The Deflated”
    from: For The Deflated / French Exit Records / December 31, 2020
    [Debut EP from Kansas City, based singer songwriter Sam Wells who has shared stages with Betsy Phillips, Kelly Hunt, Andrew Ryan, The Zack Pietrini Band, and The Phantastics. She was featured as a composer and performer in the Kansas City Repertory Theater production of “Ghost Light” performed on the lawn of The Nelson Atkin Museum of Art in October, 2020. Sam has also performed in Troostival (2020), Kansas City Porchfest (2019) and Jamdemic. In 2019, Wells released her debut single “Lesson Learned.” In early 2020 Wells released her second single “Sugar” producer and engineered by Riley Corbin at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells has lived in Lawrence, but now calls KC home. Info at: http://www.whoissamwells.com. Sam Wells was on WMM on January 20, 2021.]

31. (#31.) Other Americans – “Kink Wave”
    from: Paranoid Fiction / Gran Calavera Records / February 9, 2021
    [8-song EP follow up to the band’s Oct. 19, 2019 release OA2. O.A. released their debut EP, Other Americans on June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in KC. All remixes by Mensa Deathsquad. Hailing from KCMO and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips & The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”Other Americans played Lemonade Park on Saturday, May 22, 2021, with Approach.]

32. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, On December 29, we will bring you part 4 of our 4-week special: The 120 Best Recordings of 2021. We will count down #30 through #1 with tracks from: Blackstarkids, Quiet Takes, Bob Walkenhorst. Ana Kennedy, Cuee, Sisterbot, True Lions, Namelessnumberheadman, Effie, Company No Company, Approach, Liam Kazar, Making Movies, Wyndsrfr, The Greeting Committee, The Roseline, Samantha Fish, Claire Adams, Frogpond, Knife Crime, Monta At Odds, Kadesh Flow, Flare Tha Rebel, Art d’Ecco, Low, Tune-Yards, Dry Cleaning, Vince Staples, José González, and Arlo Parks.

IN TWO WEEKS, On January 5, 2022 we ring in the new year with our annual Birthday Tribute shows to Rock Icon David Bowie and singer songwriter Iris DeMent.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #921