WMM Playlist from October 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2017

Betse Ellis + Marion Merritt
+ Jennifer Owen of Owen Cox Dance Group
+ Jake Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Cuee – “Honey feat. Micha Anne [radio edit]”
from: “Honey”- Single / Cuee / November 27, 2017
[Cuee is a Chicago rap artist currently in Lawrence. Fally Afani writes in I Heart Local Music: Your 2017 local queer anthem is here, and we are screaming. Cuee’s “Honey” features local trans songstress Micha Anne, and it’s blasting confidence all over our speakers. LISTEN TO US. This is the track you put on when you’re gussying up for a night of raging on the Replay dance floor. In the song, Micha encourages us to “work it out,” “get sexy now,” and just “slay.” Then, Cuee (always the charmer) pops in, proudly proclaims “I’m brown skinned, I like action” and that she could “pull your girl without askin’.” We’re already a hot mess. 2017 has been such a shit year and we need this unapologetic happiness right now. Together, Cuee and Micha Anne are looking good and slaying. They are our guiding lights in dark times, and we are going to sissy that walk when we follow them into the new frontier. If this is the future of music, sign us up. We are here for it.]

[Cuee plays Replay Lounge, 946 Mass. St, LFK, on Saturday, October 20 with Khrystal., Mae C, and DJ Kate Furst.]

3. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

10:08 – Pledge Break #1

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. Last year their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Ollie’s Local, 3044 Gillham Rd., KCMO, tomorrow night, 7:00 to 10:00 PM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re nonprofit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and call 888-931-0901 and donate to keep us alive!

YOU are the reason we are able to stay alive.

90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, in the last year, Wednesday MidDay Medley has interviewed 200 guests:

Radkey, Ted Riederer, Shy Boys, Emmaline Twist, Howard Iceberg, Cody Critcheloe, Bach Aria Soloists, Calvin Arsenia, Tim Finn, Stephonne Singletone, Prisca Jebet Kendagor, Nathan Bowman, Holly Near, Of Tree, Michelle Bacon, Krystle Warren, Cris Williamson, Ivory Blue, Jesse Kates, Sterling Witt, Kristy Stremel, Summer Osborne, Sarah McCracken, Una Walkenhorst, Thee Devotion, Abandoned Bells, Amy Farrand, Barry Lee, Lisa McKenzie, Chase The Horseman, Keaton Conrad, Sid Sowder, Heidi Lynne Gluck, CJ Janovy, Aaron Rhodes, Fally Afani, Liz Jeans, Pranav Nanda, Cat Dail, Savannah Rodgers, Stuart Hinds, Lea Hopkins, Austin Williams, Jamie Rich, Philip Hooser, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Marquis, Nico Gray, Cheryl Kimmi, Chris Haghirian, Nathan Ruesch, Megan Slankard, Justin Van Pelt, Elizabeth Suh Lane, Beau Bledsoe, Jeff Harshbarger, Jen Harris, Laurel Parks, Ben Parks, Spencer Brown, CS Luxem, Red Kate, Olivia Fox, Doby Watson, Kadesh Flow, David Wayne Reed, Shaun Crowley, Nick Carswell, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Steve Tulipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Ryan Lee Toms, Paul S. Nyakatura, Joesph Warren Wheeler, Summerland, Blake Berglund, Belle Plaine, Joe Stanziola, Chris McCoy, Wick Thomas, Josh Morgan, Simon Huntley, Mike Dillon, Ethan Eckert, Cody Calhoun, Cole Bales, AM Merker, Stephen Berry, Sarah Dolt, L. Ron Drunkard, Natalie Patrick-Knox, Theresa Scott, Johnny Hamil, Chris Tady, John Keck, Chris Teasley, Davin Watne, Ten Thousand One, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Betse Ellis, Clarke Wyatt, Ron Megee, Joelle St.Pierre, Nan Turner, Matthew Roth, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Jen Appell, Steve Gardels, Cynthia Hardeman, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Scott Hrabko, Jonathan Brokaw, David Weeda, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Maria Cuevas, Garrett Nordstrom, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl, Stephanie Bankston, Brook Worlledge, Heather Andrews, Chad Meise, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Alan Winkler, Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Jamie Searle, Patrick Alexander, and more.

10:15 – DNA Harmonies

4. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play the Forever Fest, Friday, October 19, at 5:00 PM, at The Yard in North Lawrence, 512 Locust Street, with CS Luxem, and Mourning Ritual.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play Vinyl Renaissance, at 7932 Sante Fe Drive, Overland Park, KS., Thursday, October 18, over the lunch hour at from 12:00 Noon to 1:00 PM.]

6. Madisen Ward and the Mama Bear – “Walk in The Park”
from: The Radio Winners – EP / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear are currently out on the road with The Record Company with shows tomorrow in NYC, Friday in Boston, Saturday in Phiadelphia, Monday in Portland Maine, and continuing to Charlotte, Atlanta, Birmingham, Austin, Dallas, Albuquerque, Phoenix, Tucson, San Diego, Los Angeles, Las Vegas, and Denver through November 13.]

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro and the band that made The Musical II plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Emmaline Twist, and Teri Quinn.]

10:25 – Pledge Break #2

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard from Mikal Shapiro, Madisen Ward and The Mama Bear, Bob & Una Walkenhorst, and Shy Boys. We not only play their latest music but we let you know where you can see and hear these artists live in Kansas City and around the country. We also offer information about when the music was released, who contributed to the recordings and information about these artists. Our detailed playlists are posted on our Wednesday MidDay Medley Facebook page, on our Twitter page, and our playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org. Wednesday MidDay Medley was the very first radio show to play Shy Boys and Madisen Ward and The Mama Bear, Mikal Shapiro, and the new Bob & Una Walkenhorst record. Long before they were played on other stations, we were the very first to let people know about their music, right here on this little ole radio show.

WMM Plays New & MidCoastal Releases. Timothy Finn former music writer for the Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

10:32 – Underwriting

Betse Ellis and Jennifer Owen on the October 17, 2018 edition of Wednesday MidDay Medley.

10:34 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

“Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre

Jennifer Owen joins us to share details about, “Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with performance on Saturday, October 20, at 8:00 PM, and Sunday, October 21, at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., Overland Park, Kansas.

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs.

Owen/Cox Dance Group’s mission is to bring exciting new music and dance collaborations to Kansas City, partners with soprano Victoria Bo-ero on Morena, a world premiere music and dance work. Featuring the secular music traditionally sung by Jewish, Muslim, and Christian women. These songs from the Sephardic, Arabic, and Armenian cultures have a rich history of being passed from one woman to another since the medieval era. Curated by Victoria Botero and choreographed by Jennifer Owen, this program connects across time and faith, exploring themes of love, family, and loss.

“I am thrilled to present this collaborative performance with Victoria Botero,” said Jennifer Owen, Owen/Cox Dance Group Artistic Director. “It’s a re-markable gift for a choreographer to be able to create new dance works to music with such a rich tradition. Don’t miss this powerful event paring live music and dance!”

Musicians:
Victoria Botero, Soprano, Kristee Haney, Mezzo-Soprano, Trilla Ray Carter, Cello

And featuring the Sharq Ensemble: Karim Nagi, Percussion and Aboud Agha, Oud

Dancers:
Yazzmeen Ladler (Ailey II), Christopher Page-Sanders (Cleo Parker Robinson Dance)
Demetrius McClendon (Deeply Rooted), Terra Liu (State Street Ballet)
Marlayna Locklear (Ailey II), Megan Buckley (Verb Ballets), and Martell Ruffin (Ailey II)

There are only two performance on Sat., Oct. 20 at 8:00 PM, and Sun, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., OPKS. For info: http://www.owencoxdance.org

Owen/Cox Dance Group 2018 – 2019 Season

New Dance Partners – 4 world premieres commissioned by JCCC – Sept. 21-22, at Yardley Hall, JCCC

Morena with soprano Victoria Botero – October 20-21, 2018 at Polsky Theatre, JCCC

For the Love of Dance – Annual Fundraiser – November 18, 2018

What Keeps Mankind Alive – music by Kurt Weill and Bertolt Brecht
February 1-3, 2019 – MTH Theatre, Crown Center

Strung Through Time w/ violinist Elizabeth Suh Lane – June 8-9, 2019, at White Recital Hall, UMKC

10:44

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group presents, “Morena” a collaboration with soprano Victoria Botero and ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Sat, Oct. 20 at 8:00 PM, and Sun,, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts ,at Johnson County Community College, 12345 College Blvd. Overland Park, Kansas

10:45

8. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton plays Pianos, 158 Ludlow Street, in NYC, on Sunday, October 28, at 7:00 PM with Tales of Joy, New Alone, Ava Sophia and Paola Bennet.]

9. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

10:52 – Pledge Break #3

We just heard Krystle Warren. Mark Manning was the very first to play Krystle’s music on the radio and on KKFI. He first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark wanted recorded music of Krystle’s that could be played on the radio. Solomon Dorsey, Krystle’s Paseo Academy classmate and longtime friend and collaborator, invited Mark to a party where Krystle and her band were playing with Solomon on bass, in a very smoke filled apartment packed with area college students, at a huge party during a winter snow storm, in a building near Community Christian Church where Solomon lived. There had been a power outage because of the snowstorm, except Solomon’s apartment still had power. Mark waited over 2 hours, to be given a 2 song demo CD that contained Krystle’s first recorded music. The CD including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but maintains contact with her hometown of Kansas City. In the last year Krystle released her critically acclaimed album, “Three The Hard Way” which was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, long before it was released. Krystle even came on the show months before the release, to share music that was the inspiration for the recording.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. Call 888-931-0901. You can also visit us at http://www.kkfi.org

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI – Commercials. We are non-commercial! We do not clutter the airwaves with commercials trying to sell you something. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio, but No Commercials!

KKFI has no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. We are the opposite of this. There is a human being on the other end of the phone line anytime you call.

We are The Voice of The Community

90.1 offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Time, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

Call: 888-931-0901 or visit: http://www.kkfi.org — Become a sustaining member!

10:59 – Station ID

10. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Mikal Shapiro and the band that made The Musical II and Teri Quinn.]

11. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

[Amy Farrand & The Like play the Brick Saturday, October 20, at 8:00 pm, with Molly Gene]

[Amy Farrand & The Like play Replay in Lawrence on Sunday, Oct. 21, at 5:00 pm, with the Vedettes]

[Amy Farrand & The Like play a Fundraiser for Sharice Davids for US Congress, Thursday, Oct. 25, at 8:00 pm, at recordBar, with Emmaline Twist, Mikal Shapiro and band, and Teri Quinn.]

[Sister Mary Rotten Crotch plays recordBar Wed, Oct 31, 9:00 pm with Bob Log III, Molly Gene.]

11:05 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

What does 90.1 FM KKFI Kansas City Community Radio means to YOU?

Where can you find out about what is happening in your community? Where can you find weekly locally focused specific information and news about the following collective communities or issues: LGBTQIA, Urban Affairs, Worker’s Rights, The Environment, The Kansas City Visual and Literary Arts, The Performing Arts, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk? The answer is KKFI 90.1 FM Kansas City Community Radio. The Voice of The Community

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

12. Jake Wells – “Water, Pt. 2”
from: Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT.]

Jake Wells photo by Alec Matlock. Jake Wells plays recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT

11:15 – Interview with Jake Wells

Last week the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. This year Jake released his debut EP Orange and Blue. Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Last Tuesday night, October 9, we saw Jake sing on NBC’s The Voice, in the blind audition for celebrity musicians: Adam Levine, Jennifer Hudson, Blake Shelton and Kelly Clarkson. We watched Jake’s family backstage waiting with anticipation for one of the “coaches” to turn around. At the last moment of his song, Adam Levine turned his chair, making Jake a member of his team, and moving him to the next stage of the competition – The battle rounds.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style. Jake is one of five childen, He has two sisters and two brothers and he is the middle child.

He studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. Jake has release other singles and this year Jake released his debut EP, Orange and Blue.

Jake Wells with Dorothy Hawkins on the October 17, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake’s band includes: Tyler Beyer, Jordan Thompson, and Elliott Holt

11:26

Jake Wells, thanks for being with us on Wednesday MidDay Medley.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT. More information at http://www.jakewellsmusic.com

11:27

12. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar, Mon. Oct 22, at 7:00 PM, w/ Jake Wells and Duncan Burnett x RIOT.]

[Calvin Arsenia plays Making Movies: Once In A Lifetime at The Truman, on Mon, Dec 31, 9:00 PM.]

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

[Duncan Burnett X RIOT plays recordBar, Mon. Oct. 22, at 7:00 PM, w/ Jake Wells, Calvin Arsenia.]

11:32 – Underwriting

11:34 – Pledge Break #5

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

90.1 FM KKFI – Kansas City Community Radio offers loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation, The MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, InterUrban ArtHouse, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, American Jazz Museum, Never Records, KC Fringe Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

15. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

11:49 – Pledge Break #6

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Call 888-931-0901 // Visit: http://www.kkfi.org // Become a Sustaining Member!

Donations of $5.00 per month or moe enable you to attend the 2018 Sustainer Concert (for New & Existing Sustainers) with Cubanisms & The Sextet, Thursday, November 29, 5:00 to 9:00 PM, at recordBar, 1520 Grand, KCMO

11:56

17. FACEFACE – “We Awesome (radio edit)”
from: MMmm / FACEFACE / Digital release Feb. 15, 2018 / Physical release June 15, 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

[FACEFACE play a Spooktacular house warming, 2103 Central Avenue, Kansas City, KS, on Saturday, October 27, at 9:00 pm, with It’s Me Ross, Dead Vinyl, and Momma’s Boy.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 24, it will be a full moon and we will be welcoming Brenton Cook, Dedric Moore and Steve Tulipana who join us to share details about The Outer Reaches Festival, Friday, October 26 and Saturday, October 27, at recordBar with: Freight Train Rabbit Killer; Heaven’s Gateway Drugs (Fort Wayne, IN); Mysterious Clouds; Abandoned Bells; The Guillotine Choir; JC & the Nuns (Lawrence, KS); Lesser Pleasures (Lawrence, KS); New Obsessions; Lava Dreams, Cave (Chicago, IL); Sound of Ceres (Brooklyn, NY); J Fernandez (Chicago, IL); Death Bells (Sydney, Australia); Lace (Houston, TX); Black Givre (Montréal, Québec); and Kee Avil (Montréal, Québec).

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #756

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Wednesday MidDay Medley presents Jennifer Owen + Jake Wells + Betse Ellis + Marion Merritt

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2017

Betse Ellis + Marion Merritt
+ Jennifer Owen of Owen Cox Dance Group
+ Jake Wells

Mark plays The MidCoast Sound from: Amy Farrand & The Like, Jake Wells, Calvin Arsenia, Duncan Burnett, Emmaline Twist, Cuee, Bob & Una Walkenhorst, Shy Boys, Madisen Ward and The Mama Bear, Jametatone, Krystle Warren, Mikal Shapiro, Remy Styrk, Serene Fiend, Stephonne Singleton, and FaceFace.

Marion Merritt

Betse Ellis

We also welcome: Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke who joins us for the entire show as our special guest co-host with Marion Merritt, longtime contributor to Wednesday MidDay Medley, and proprietor of Records With Merritt, who also joins us as co-host to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Fall Fund Drive Show.

“Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre

At 10:30, Jennifer Owen of Owen/Cox Dance Group joins us to share details about their latest production, “Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., Overland Park, Kansas. For more info you can contact: http://www.owencoxdance.org

Jake Wells photo by Alec Matlock. Jake Wells plays recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT

At 11:15, KC based singer songwriter – Jake Wells joins us to share information about his show at recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT. Jake Wells is currently appearing on NBC Television’s The Voice. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. The debut of Jake Wells saw immediate success with the release of the self-produced single, “Roll Like Thunder”. This year Jake released the EP Orange and Blue. More information at http://www.jakewellsmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #756

WMM Playlist from Oct. 10, 2018

Holly Near photo by Irene Young

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 10, 2018

Spinning Records With Marion Merritt
+ Holly Near

10:00

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Tunde Mabadu – “Amupara Ko Ma Dara”
from: Viva Disco / Mr. Bongo / July 27, 2018 [Reissue]
[Viva Disco one was of two albums that Mabadu recorded as Tunde Mabadu & His Sunrise during the 1970s, the second of which was called Bisu. By this time, Mabadu was “already a fanciful and continental saxophonist of any language,” shares Femi Ewetade in Viva Disco‘s liner notes. Originally released on Afrodisia – and fetching upwards of £500+ – Viva Disco’s euphorically funky, horn-filled six tracks have been remastered for this new reissue.]

4. Femi Kuti – “One People One World”
from: One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

5. Still Corners – “In the Middle of the Night”
from: Slow Air / Wrecking Light / August 17, 2018
[Still Corners are a London-based dream pop/synthpop musical project consisting of songwriter/producer Greg Hughes and vocalist Tessa Murray. Still Corners self-released their debut EP, Remember Pepper?, on 13 June 2008, followed by a 7″ single, “Don’t Fall in Love”, released by UK label The Great Pop Supplement on 30 August 2010. The duo signed with record label Sub Pop in 2011 and issued their first full-length debut, Creatures of an Hour, to favourable reviews. In October 2012, the band released a new single, “Fireflies”, which was named “Best New Track” by Pitchfork. In February 2013, Still Corners announced that their second album, Strange Pleasures, would be released on Sub Pop in May 2013. The second single, “Berlin Lovers”, received widespread coverage.[6]On 29 June 2016, the band announced the 16 September release of their third album, Dead Blue, on their own Wrecking Light Records label; Still Corners also shared the video for the album’s first single, “Lost Boys.]

6. Cowboy Junkies – “All That Reckoning, Pt. 1”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

7. Cowboy Junkies – “All That Reckoning, Pt. 2”
from: All That Reckoning / Latent Records / July 13, 2018

10:32 – Underwriting

8. Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list]

9. Bosley – “I Just Can’t Stand It”
from: Unreal Fire / Bosley Music / June 15, 2018
[Bosley Brown is the soulful alter-ego of American singer, songwriter and producer Thomas Mayer. Bosley has performed alongside Sharon Jones and the Dapkings, Galactic, Dr. Dog, and many other contemporary rock/soul acts. His music has been featured in series on HBO, Comedy Central and in several feature films. With the release of his debut album Honey Pig in 2011, Bosley was born. Honey Pig showcased a talent for pop songwriting and a stylistic range from early James Brown to Waits-ian jazz ballads, all channeled through Mayer’s dynamic and powerful voice. Adopting a 70’s Soul Review format, Bosley began touring and performing with an immaculately dressed 9-10 piece band complete with a horn section and choreographed back up singers. The music and band were gaining popularity, but as the party raged on, behind the scene things for Mayer were on a personal decline. In 2012, Thomas came clean about a decade long struggle with Alcohol and drug addiction. After taking time off to seek treatment, he reassembled a new band and began writing and performing again. Seeing a second chance for a life beyond the grip of addiction, Mayer embraced sobriety and dedicated himself back to his music career. The result of these struggles was 2015’s deeply personal and hysterically fun follow up album, The Dirty Dogs Radio Show. TDDRS serves as a personal testament to loving the party and knowing it can’t last. Bosley’s 3rd album, Unreal Fire dances between the old and the new taking the vintage sounds of Stax and Motown and combining it with contemporary Pop appeal. UF is at once an tribute to the bygone days of analog recording and a retrospection of the music of that era. Recorded meticulously live in analog, Bosley delivers the best synthesis to date of his unique knack for danceable, melodic pop and heartfelt human experience. \]

10. Ural Thomas & the Pain – “Slow Down”
from: The Right Time / Tender Loving / September 26, 2018
[If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR. It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.” In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records. In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall). One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.” A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.” Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?]

11. Spiritualized – “The Morning After”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018
[Spiritualized are an English space rock band formed in 1990 in Rugby, Warwickshire by Jason Pierce (often known as J. Spaceman), formerly of Spacemen 3. The membership of Spiritualized has changed from album to album, with Pierce—who writes, composes and sings all of the band’s material—being the only constant member. Spiritualized have released eight studio albums. The best known and most critically acclaimed of these is 1997’s Ladies and Gentlemen We Are Floating in Space, which NME magazine named as their Album of the Year, beating other critically acclaimed albums such as Radiohead’s OK Computer and The Verve’s Urban Hymns.]

12. Spiritualized – “The Prize”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018

11:01- Station ID

13. Cat Power – “Stay”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

14. Adrianne Lenker – “symbol”
from: abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

15. The Holydrug Couple – “I’ll Only Say This”
from: Hyper Super Mega / Sacred Bones / September 14, 2018
[The Holydrug Couple is a psychedelic rock duo from Santiago, Chile. The Holydrug Couple began in 2008. They released their first album in 2011 titled Awe via BYM Records. Shortly after the release, the band caught the attention of Sacred Bones Records, who signed the band to their label. Later that year, the band released an EP titled Ancient Land. In 2013, the band released their second full-length album and major label debut, Noctuary via Sacred Bones. In 2014, the band released a 7″, with Everyone Knows All on the A side and Quetzal on the B side. In 2015, The Holydrug Couple released their third full-length album (second on their label) titled Moonlust on May 12. In 2016, the band released their fourth full-length album (second on their chilean label BYM Records) titled Soundtrack for Pantanal. Band members include: Ives Sepúlveda (Vocals, Guitar, Bass, Keys) and Manuel Parra (Drums) In the studio: Ives Sepúlveda (Vocals, Guitar, Bass, Keys, Drums, Production, Engineering) Manuel Parra (Drums). Studio albums include: Awe (2011, BYM); Noctuary (2013, Sacred Bones); Noctuary Demos (2013, BYM); Moonlust (2015, Sacred Bones); Moonlust Demos (2016, BYM); Soundtrack for Pantanal (2016, BYM); and Hyper Super Mega (2018, Sacred Bones).]

16. Anemone – “Why Do I Worry”
from: Silver Star / Music On Vinyl / August 31, 2018
[Debut album. Raw and psychedelic soundscapes, Madchester grooves and nineties Pop songs, Anemone started combining these elements in the spring of 2017. The band from Rotterdam played dozens of shows in their first year and recorded their debut album ‘Silver Star’ in August with Patrick Delabie, who also recorded the first The Afterveins LP of frontman Xander van Dijck. Beside the Afterveins, band members also played in The Medics and Moon Tapes. In the record collections of the band members, you’ll find some nice albums of The Brian Jones Town Massacre/Oasis and during live shows you can hear people whisper about the Smiths.]

17. Waxahatchee – “Singer’s No Star”
from: Great Thunder – EP / Merge / September 7, 2018
[Waxahatchee is an American indie music project, formed in 2010 by American singer-songwriter Katie Crutchfield, previously a member of P.S. Eliot. The band is named after Waxahatchee Creek, in Alabama. Originally an acoustic solo project, her recordings tend to now involve a backing band and the music has increasingly more often been performed in this way. Crutchfield, as Waxahatchee, has released 4 albums to date; American Weekend (2012), Cerulean Salt (2013), Ivy Tripp (2015), and Out in the Storm (2017).]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:29 – Underwriting

18. Holly Near – “Are You Kidding Me”
from: 2018 / Calico Tracks Music / June 29, 2018

Holly Near photo by Irene Young

11:34 – Interview with Holly Near

Earlier this month a new documentary film about Holly Near‘s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival. On June 29th, legendary singer songwriter, actress, teacher and activist – Holly Near released her 31st album, titled “2018.” Born in Ukiah, CA in 1949, Holly started performing at the age of 8, then acting and soing in school plays and musicals and studiing theatre at UCLA. She built her performing career with acting parts on 1970s television shows like Mod Squad, Room 222, All in The Family, and The Partridge Family as well as work in motion pictures. In 1970 she was a cast member of the Broadway musical Hair. Following the Kent State shootings in May of that year, the entire cast staged a silent vigil in protest.

In 1971, Holly Near joined the Free The Army tour, an anti-Vietnam War road show organized by antiwar activist Fred Gardner, Jane Fonda and Donald Sutherland. In 1972, Holly was one of the first women to create an independent record company Redwood Records. Often cited as one of the founders of the Women’s Music movement, Holly led the way for outspoken women in the music world, and worked for peace and multicultural consciousness. Throughout her long career Holly has continued working in film, stage, and music where she has collaborated with: Pete Seeger, Ronnie Gilbert, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reason, Bonnie Raitt, Jackson Browne, Joan Baez, Phil Ochs, Harry Belafonte, Cris Williamson, and many others. This Sunday, October 14, 7:00 PM, Willow Productions presents Holly Near w/ Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO.

Holly Near Thanks for being with us on WMM

Holly Near’s new record “2018” is a direct response to the times we are currently living through: including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. Her career as a musician has been intrinsically woven into the fabric of our times, the Vietnam War, Kent State, Women’s Equality, Safe Energy, the rights of LGBTQ people.

On Sunday night at All Souls Unitarian Universalist Church She will be performing with Jan Martinelli on electric and acoustic bass and Tammy Hall on keyboards. Both of these musicians play with her on “2018,” and have collaborated with her on past projects.

Holly Near’s professional career began in 1969 with a part on the television show The Mod Squad, followed by appearances in other shows, such as Room 222, All in the Family, and The Partridge Family. She also appeared in films such as Kurt Vonnegut’s Slaughterhouse-Five, Minnie and Moskowitz, and had a prominent role in the 1991 film Dogfight.

In 1970, Near was a cast member of the Broadway musical Hair. On May 4, Ohio National Guard opened fire on unarmed Kent State students protesting the bombing of Cambodia by the United States Military forces. The 28 guardsmen fired over 67 rounds, killing four and injuring nine. Following the Kent State shootings, the entire cast of Hair staged a silent vigil in protest. Holly wrote the song, “It Could Have Been Me” (released on A Live Album, in 1974), was her heartfelt response to the shootings.

In 1971, Holly Near joined the FTA (Free The Army) Tour, an anti-Vietnam War road show of music, comedy, and plays that performed for soldiers, many of whom were resisting war and racism from within the military. The tour was organized by antiwar activist Fred Gardner and actors Jane Fonda and Donald Sutherland. Near was only 21 and the youngest member of the troupe.

In 1972, Near founded an independent record label called Redwood Records to produce and promote music by “politically conscious artists from around the world”. She was one of the first women to found an independent record company. Near’s record company went out of business in the mid-1990s due to financial difficulties.

In 1978 Holly Near wrote, “Singing For Our Lives” in the immediate wake of the assignation of openly gay San Francisco Board of Supervisors Member Harvey Milk, and Mayor George Moscone on November 27, 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). The hymn was also performed by Quaker Friends in an episode of the TV series Six Feet Under.

Elizabeth Anderson wrote: It urges us to follow Harvey’s imploring words: “Gay brothers and sisters, you must come out.” Kansas City’s Heartland Men’s Chorus sang this song two years ago.

Lee Hartman wrote: “Singing for Our Lives, written by Holly Near as she attended Harvey Milk’s memorial, was the most moving moment of the evening and even more so in retrospect. Audience members, at least those from my vantage point in the balcony, stood and joined in the singing of this unofficial anthem of the LGBTQ movement. Many held their loved ones closer and most were teary eyed. Rightfully, HMC reportedly repeated this piece at the (Pulse Orlando shootings) vigil following its Sunday performance.”

During her long career in folk and protest music, Holly Near has worked with a wide array of musicians, including Ronnie Gilbert, Pete Seeger, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reagon, Bonnie Raitt, Jackson Browne, Meg (Shambhavi) Christian, Cris Williamson, Linda Tillery, Joan Baez, Phil Ochs, Harry Belafonte, and many others, as well as the Chilean exile group Inti-Illimani.

Near has been recognized for her work for social change, including honors from the ACLU, the National Lawyers Guild, the National Organization for Women, NARAS, Ms. Magazine (Woman of the Year), and the Legends of Women’s Music Award. In 1989 Holly Near received a Dr of Humane Letters at World College West in California.

Holly Near (born June 6, 1949 in Ukiah, California) is an American singer-songwriter, actress, teacher, and activist. Holly Near was raised on a ranch in Potter Valley, California. She was eight years old when she first performed publicly, and she auditioned for Columbia Records when she was ten. She sang in all the high school musicals, talent shows and often was invited by local service groups to sing at their gatherings. Groups like the Soroptimist Club, Lions Club, and Garden Club. Her senior year she played Eliza Doolittle in Ukiah High School production of My Fair Lady. In the summer Holly attended performing arts camps such as Perry-Mansfield in Colorado and Ramblerny Performing Arts where she studied with jazz musicians Phil and Chan Woods and modern dancer/choreographer Joyce Trisler.

After starting high school in 1963, Holly Near began singing with three boys who called themselves the Freedom Singers, a folk group modeled after the Kingston Trio. When Holly joined, they began to sound more like The Weavers, three male voices and one female. Near learned later of the original Freedom Singers who sang as part of the Civil Rights Movement. Unbeknownst to her, Holly would soon meet one of the founding members of that group, Dr. Bernice Johnson Reagon, an artist who would be a great influence for the next 40 + years. She would also meet and work with the female singer in The Weavers, Ronnie Gilbert.

After high school, Near enrolled in the Theatre Arts program at UCLA; her freshman year she got the lead in the UCLA production of Guys and Dolls playing soprano Sarah Brown. Because Near was trained in a lower range she got nodules on her vocal chords and had to leave the show. She entered in to a long period of silence until her voice healed. After one year, she left UCLA and began to work in film and television as well as with anti war groups such as Another Mother for Peace.

She was briefly a member of the musical comedy troupe, “First National Nothing”, and appeared on the troupe’s only album, If You Sit Real Still and Hold My Hand, You Will Hear Absolutely Nothing (Columbia Records – LP C 30006).

Near wrote an autobiography in the early nineties called Fire in the Rain, Singer in the Storm. Later, with her sister Timothy, Near co-wrote a one-woman show based on the stories in the book. The show was presented at The San Jose Rep and in Los Angeles at The Mark Taper Forum, as well as productions in San Francisco and off Broadway in NYC. In April 2004, Holly performed at the March for Women’s Lives in Washington, DC where she sang “We Are Gentle Angry People” and “Fired Up” a capella.

The following year, Near was named among the “1000 Women for the Nobel Peace Prize”. Near continues an active tour schedule and as of 2012 had a discography of 29 albums. She is still active as a performer and composer, and she has begun issuing CDs available through her website that include tracks from her out-of-print albums.

Holly Near was named an Honoree for National Women’s History Month for 2015. She continues performing concerts, music festivals & rallies. Near hosted many of the tributes to both Pete Seeger & Ronnie Gilbert, members of the seminal folk group The Weavers.

Holly has been an honored guest at several of the GALA Gatherings, a conference of GLBTQ choirs and choruses. In her work with the choruses she focuses on diction, drama, and understanding the intention of the lyric. She also appears as a soloist with several of the choruses and many of her songs have been arranged for choral singing.

In 2018, Holly released a new recording called, 2018 reflecting some of the issues of the day including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. In October of 2018, a documentary film about Near’s life and work made by award winning director Jim Brown premiered at the Mill Valley Film Festival and received standing ovations and high acclaim.

As a result of her travels in the Pacific with the FTA show, Near became a feminist, linking international feminism and anti-war activism. In 1976, Near came out as a lesbian and began a 3-year relationship with musician Meg Christian. Near was probably the first out lesbian to be interviewed in People Magazine. She added LGBT issues to her international peace work as she continued to present social change music around the world and at home. Although Holly was one of the most visible artists in the lesbian community, she was also becoming aware that “monogamous” defined her sexuality more than any other title.

Near is dedicated to the rights of LGBTQ+ communities and works to create a cultural forum for diversity. Near writes, “For many, sexual identity and/or gender identity is the primary door through which they walk. It is what politicized them. It is what feeds their emotional and spiritual perspectives. I totally honor this. Even though sexual preference is maybe 5th or 10th on my personal list of priorities now, I will always work for all of us to have self determination over our bodies, our identities, our relationship choices.”

Near spent a year traveling across the US camping out of her car and staying with friends. She went to Argentina and Chile to study & write. She currently rents a 1 bedroom apartment in Sonoma County, Ca. and she spends time in NYC. She drives a 2003 VW. “auntie” & “grandma” to several young people even though Near never had children.

Holly Near Discography

Hang in There, Redwood Records (1973) (support of the people of Vietnam)
A Live Album, Redwood Records (1975)
You Can Know All I AM, Redwood Records (1976)
Imagine My Surprise, Redwood Records (1978) (with Meg Christian)
Fire in the Rain, Redwood Records (1981) produced by June Millington
Speed of Light, Redwood Records (1982)
Journeys, Redwood Records (1983)
Lifeline, Redwood Records (1983) (with Ronnie Gilbert)
Watch Out!, Redwood Records (1984) (with John McCutcheon and Trapezoid)
Sing to Me the Dream, Redwood Records (1984) (with Inti Illimani)
HARP, Redwood Records (1985) (w/ Pete Seeger, Ronnie Gilbert & Arlo Guthrie)
Singing With You, Redwood Records (1987) (with Ronnie Gilbert)
Don’t Hold Back, Redwood Records (1987)
Sky Dances, Redwood Records (1989)
Singer in the Storm, Chameleon Music Group (1990) (with Ronnie Gilbert)
Musical Highlights, Redwood Records/Calico tracks (1993) (Fire in the Rain written by Holly Near & Timothy Near)
This Train Still Runs, Abbe Alice Music (1996) (with Ronnie Gilbert)
With a Song in My Heart, Calico Tracks Music (1997) (songs of 30s & 40s)
Edge, Calico Tracks Music (2000)
Cris & Holly, HC Recordings (2003) (w/Cris Williamson, pianist John Bucchino)
Show Up, Calico Tracks Music (2006)
Sing to Me the Dream, Calico Tracks Music (2008) (historic live recording of 1984 Peace in the Americas Tour w/ Inti Illimani)
We Came to Sing, Calico Tracks Music (2009) (with emma’s revolution)
Peace Becomes You, Calico Tracks Music (2012)
2018, Calico Tracks Music (2018)

Holly Near Filmography

Angel, Angel, Down We Go (1969), Tara Nicole Steele
The Magic Garden of Stanley Sweetheart (1970), Fran
The Todd Killings (1971), Norma
Minnie and Moskowitz (1971), Irish
F.T.A. (1972), Herself
Slaughterhouse-Five (1972), Barbara Pilgrim
The Weavers: Wasn’t That a Time! (1982), Herself (documentary interview)
Women of Summer (1985), Herself (documentary; performance at reunion)
Dogfight (1991), Rose Sr.
Heartwood (1998), Lucille Burris
Holly Near Singing For Our Lives (2018) Herself (documentary by Jim Brown)
Television movies[edit]
Mr. and Mrs. Cop (1974), Mrs. Salmon

Holly Near TV appearances

The Bold Ones: The Senator, Sylvia – in the episode “Power Play” (1970)
Room 222, Esther – in the episode “The Lincoln Story” (1970)
All in the Family, Mona – in the episode “Gloria Has a Belly Full” (1971)
The Partridge Family, Phyllis – in the episode “The Selling of the Partridges” (1973)
L.A. Law, Lucille Skerritt – in the episode “Spleen It to Me, Lucy” (1991)

Earlier this month a new documentary film about Holly Near’s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival.

Holly Near, Thanks for being with us on WMM

Holly Near with Jan Martinelli & Tammy Hall / photo by Irene Young

Willow Productions presents Holly Near with Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, on Sunday, October 14, at 7:00 PM. Tickets at http://www.brownpapertickets.com

19. Holly Near – “Singing For Our Lives”
from And Still We Sing: The Outspoken Collection / Calico Tracks Music / Sept 17, 2002
[Written in the immediate wake of Harvey Milk’s assassination in 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). It was also performed by Quaker Friends in an episode of the TV series Six Feet Under.]

20. Leela James – “A Change Is Gonna Come”
from: A Change Is Gonna Come / Warner Brothers – WEA / 2005
[Ms. James first burst onto the scene with her 2006 debut album A Change is Gonna Come, introducing audiences to her considerable vocal chops and garnering nominations for Outstanding New Artist at the NAACP Image Awards and Best R&B/Soul or Rap New Artist of 2008 at the Soul Train Music Awards. James has gone on to record three subsequent albums including My Soul, which reached #7 on the Billboard Hot R&B/Hip Hop Albums Chart and #37 on the Billboard 200 chart, and earned acclaim from critics for her songwriting skills. Fall For You has similarly climbed the charts, its single by the same name reaching the top 15 on the Urban AC charts in 2014/15.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 17, Jennifer Owen of Owen Cox Dance Ensemble joins us to share information about their latest production, “Morena” with soprano Victoria Botero October 20 – 21 at Polsky Theatre at Johnson County Community College. Also Jake Wells joins us to share information about his show at recordBar, Monday October 22 with Calvin Arsenia & Duncan Burnett. Plus Marion Merritt and Betse Ellis join me as Guest Co-Hosts for our Fall Fund Drive to encourage you our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #755

Wednesday MidDay Medley is Spinning Records With Marion Merritt + Holly Near

Holly Near photo by Irene Young

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 10, 2018

Spinning Records With Marion Merritt
+ Holly Near

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Femi Kuti, Blood Orange, Cowboy Junkies, Cat Power, Spiritualized, Waxahatchee, Still Corners, Tash Sultana, Leela James, The Holydrug Couple, ODESZA, Mulatu Astatke, Tunde Mabadu, Ural Thomas & the Pain, Bosley and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Holly Near photo by Irene Young

At 11:30 Mark talks with legendary singer songwriter Holly Near who released her 31st album, 2018, on June 29. Born in Ukiah, CA in 1949, Holly built her performing career with acting parts on 1970s television shows like Mod Squad, Room 222, and The Partridge Family as well as work in motion pictures. In 1970 she was a cast member of the Broadway musical Hair. In 1971, she joined the Free The Army tour, an anti-Vietnam War road show organized by antiwar activist Fred Gardner, Jane Fonda and Donald Sutherland. In 1972, Holly was one of the first women to create an independent record company. Often cited as one of the founders of the Women’s Music movement, Holly led the way for outspoken women in the music world, and worked for peace and multicultural consciousness. Throughout her long career Holly has worked with: Pete Seeger, Ronnie Gilbert, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reason, Bonnie Raitt, Jackson Browne, Joan Baez, Phil Ochs, Harry Belafonte, and many others. More information at: http://www.hollynear.com

Holly Near with Jan Martinelli & Tammy Hall photo by Irene Young

Willow Productions presents Holly Near with Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, on Sunday, October 14, at 7:00 PM. Tickets at http://www.brownpapertickets.com/event/3586257

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #755

WMM Playlist from October 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 3, 2018

Of Tree + Sterling Witt + Aaron Rhodes

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. The National – “Fake Empire (Live in Brussels)”
from: Boxer (Live in Brussels) / 4AD / July 13, 2018
[Recorded in Brussels on November 9, 2017, the recording of the band’s show – which saw them perform their 2007 album The Boxer in its entirety.‘Boxer (Live In Brussels)’ came out as an exclusive vinyl LP as part of Record Store Day 2018. The National were formed in Cincinnati, Ohio, in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time.]

[The National play Starlight Theatre, Sunday, October 7, at 6:00 PM, with Alvvays.]

3. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releasing debut albums. Special guest Storm Circus will open the evening.]

4. Janelle Monáe — “Americans”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

[Janelle Monáe plays Starlight Theatre, Saturday, October 13 as part of Open Spaces KC, with Sankofa Danzafro at 4:30. The McFadden Brothers at 6:00 pm, the Marcus Lewis Big Band with Kemet The Phantom and Kadesh Flow at 7:30, and Janelle Monae at 9:15 pm.]

5. Cat Power – “Woman feat. Lana Del Rey (Single Version)”
from: Woman – Single / Domino Recording Co / August 16, 2018
[From Wanderer the tenth studio album by Cat Power, released on October 5, 2018, through Domino. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

6. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play Mercy Seat, 210 East 16th, Friday, October 5 at 8:00 pm, with Electric Lungs, and Strawbilly for First Friday, in the alleyway at Mercy Seat Tattoo..]

[Emmaline Twist play a Benefit for Sharice Davids, Oct. 25, at recordBar w/ Amy Farrand & The Like.]

7. Jon Batiste – “Don’t Stop”
from: Hollywood Africans / Naht Jona – Verve / September 28, 2018
[First single from the debut solo album pof Jon Batiste who has released most of his albus as part of his band Stay Human. Jon Batiste (born November 11, 1986) is an American musician, bandleader and TV personality. He has recorded and performed with artists in various genres of music (Stevie Wonder, Prince, Willie Nelson, Lenny Kravitz, Ed Sheeran, and Mavis Staples), released recordings consistently since 2005 and performed in more than 40 countries. Batiste regularly tours with his band Stay Human,[3] and appears with them nightly as Bandleader and Musical Director on The Late Show with Stephen Colbert.[4] Batiste also serves as the Music Director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem. Jon Batiste was born in Kenner, Louisiana, into a long line of musicians, including Lionel Batiste and Harold Battiste. At the age of 8, he played percussion and drums with his family’s band, the Batiste Brothers Band. At his mother’s suggestion, he switched to piano at the age of 11. Jon developed his piano skills by taking classical music lessons and transcribing songs from video games such as Street Fighter Alpha, Final Fantasy VII and Sonic the Hedgehog. At 17, Batiste released Times in New Orleans. He attended the New Orleans Center for Creative Arts with Trombone Shorty and graduated in 2004 before going on to receive a bachelor’s and master’s degree from the Juilliard School. While at Juilliard, he released his second album Live in New York: At the Rubin Museum of Art, and by the end of 2006, had been a featured performer in South Africa, London, Lisbon, Spain, Paris and the United States. In 2007, Batiste made his debut at the Concertgebouw in Amsterdam at the age of 20, both producing and performing his own show. He conducted music clinics, classes and workshops throughout Netherlands in inner city schools and underprivileged neighborhoods. He was invited back to Carnegie Hall to produce and perform in his own show including six young musicians from the Netherlands. The performance concluded with a finale he composed for choir, jazz combo and orchestral instruments. In the year following, Batiste released a number of music projects including Social Music (2013) which spent over a month at the top of the Billboard and iTunes jazz charts, “The Late Show EP” (2016) with Stay Human and a holiday album “Christmas with Jon Batiste” (2016). In 2017, he released the singles “Ohio” with Leon Bridges and Gary Clark Jr. as well as “Battle Hymn of the Republic” for The Atlantic. Leading up to the Hollywood Africans release, Batiste completed a Summer Festival tour across the U.S. with The Dap-Kings.Batiste’s notable career performances include a tribute to Chuck Berry and Fats Domino during the 60th annual Grammy Awards (performing alongside Gary Clark Jr.), the Kennedy Center Honors in tribute to Carmen De Lavallade, the Concert for Peace and Justice in Montgomery, Alabama as well as the National Anthem at the 2017 NBA All Star Game and Opening Night of the 2017 US Open. He has curated the Global Citizen Advocacy Concert with Tom Morello and the Louis Armstrong Wonderful World Festival in Queens, N.Y.]

10:30 – Underwriting

8. Of Tree – “How Does It Feel”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual AlbumRelease Show. Storm Circus will open the evening.]

Laurel and Benjamin Parks of the KC based band Of Tree on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI

10:36 – Interview with Benjamin and Laurel Parks.

Of Tree is a KC based alt-folk band created by husband and wife duo, Benjamin and Laurel Parks. Benjamin as a widely celebrated painter; Laurel as a classically trained violinist turned fiddler – they fuse together musically as Of Tree. Their music draws from each of their individual life experiences having to do with themes of loss, wandering, and spirituality. Following their 2017 EP “Sorry, We’re Chosen,” Of Tree is releasing their first full length album, “How Does It Feel?” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Benjamin and Laurel Parks, thanks for being with us today on WMM.

Your EP, Sorry We’re Chosen, was one of WMM’s 117 Best Recordings of 2017, and while we were in love with those songs and your sound from that EP, those songs are like a bud that has broken open and blossomed into a giant flower that is the new album, How Does it Feel.

On the new record Ben is sharing the vocals with Laurel is singing lead on several tracks

“How Does It Feel” was recorded at the new Shadow Scape Records in Kansas City.

Of Tree — a minimalist electronic folk group from Kansas City, Missouri made up of Benjamin Parks on guitar & vocals; Laurel Morgan Parks on violin, fiddle, & vocals; and John Bersuch on percussion; and Scott Freeman on bass.

The band writes that the music we write is dynamic –we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.

Of Tree has been actively writing music for this project since the summer of 2016. Both Ben and Laurel write the songs together. As a married couple its been quite a road for them to be able work through music together without taking things too personally, but the magic happened when music started pouring out of us and we were able just allow it to happen.

Both Benjamin and Laurel come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. They also deal with themes of finding new footing in life, moving beyond the past and letting go. They write that this album is all about healing on a very personal level.

The songs Ben writes express life experience beyond the limits of vocabulary to open the lid to feelings of loss, redemption and deranged hope. The timbre of his voice is low, soft and uniquely intimate. His lyrics are haunting and searching.

Laurel writes: Musically, I (Laurel), am very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros.

John Bersuch, our drummer, has been playing with us since November of 2016. He adds tasteful beats to our music and also enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Lately he’s been our dedicated one handed drummer as he recently broke his wrist. We couldn’t be happier being able to play with such a good friend of ours!

We would like for the recording of our first full album to take place at Shadowscape Records here in Kansas City. We are excited to work with the sound engineers and producers there who have a beautiful studio with the latest technology and recording equipment (and a nice piano!) Both the producers there have their thumbs on the pulse of the music industry as it is now which is very important to us for the launching and marketing of our music once the album is completed. Also, the strings sound really great in their studio. (Sold!)

10:44

9. Of Tree – “What You’ve Got”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual Album Release Show. Storm Circus will open the evening.]

10:48 – Interview with Benjamin and Laurel Parks.

Of Tree

We are talking with Benjamin and Laurel Parks about their band Of Tree and their first full length album, “How Does It Feel” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Benjamin and Laurel Parks, thanks for being with us today on WMM.

Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo.

Laurel Parks also plays in The Wires, and In The Pines

John Bersuch is in Bacon Shoe, RLT, and many others.

For their upcoming recordbar show they will be projecting images from film maker Lisa Marie Evans.

Benjamin and Laurel Parks, thanks for being with us today on WMM.

More info at: http://www.oftreemusic.com

10:56

10. Of Tree – “Oakheart”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual AlbumRelease Show. Storm Circus will open the evening.]

Sterling Witt with Laurel & Ben Parks of the band Of Tree on the October 3, 2018 edition of Wednesday MidDay Medley on @KKFI 90.1 FM.

11:00 – Station ID

11:00 – Interview with Sterling Witt

Kansas City based artist and musician – Sterling Witt who’ll play live in our 90.1 FM studios. For nearly 10 years Sterling has hosted Art Farm Festivals at his studios and home galleries in Freeman, Missouri. Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri. Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Sterling Witt, thanks for being with us today on WMM.

Sterling Witt is an artist and musician. He lives in Missouri. He splits his time between the East Crossroads of KC and the Art Farm near Freeman, MO (about 45 min south of KC).

More information at: http://www.sterlingwitt.com http://www.sterlingwittmuseum.com

The Art Farm is an isolated oasis in the country designed for making art and music. We do not have Internet or TV.

Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. SqueezeBox Theatre – Fouded January 1, 2018. 1519 Oak St., KCMO

Call (816) 872-2948. A new mixed-use theatre designed with producers and performers in mind. We feature raw cedar walls, wooden bar serving the best of regional spirits, mosaic installations in the bathrooms, raised stage, green room, new audio and sound equipment.

Sterling has recently written a scary stories book for children, titled: Something’s Awry Ting Tong and Other Terrifying Tales.

The book is not published yet, Sterling is still working out the details of how it will be released. However he came prepared to play two songs live that are adapted from stories in the book.

11:07

11. Sterling Witt – “Werewolf” (LIVE)
from: Something’s Awry Ting Tong and Other Terrifying Tales / Sterling Witt

Sterling Witt playing live on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:15

12. Sterling Witt – “Yara-Ma-Yha-Who” (LIVE)
from: Something’s Awry Ting Tong and Other Terrifying Tales / Sterling Witt

11:18 – Interview with Sterling Witt

Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Sterling Witt on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois

Witt’s last album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri

Rebel Rebelling is the new song Sterling and his bandmates recorded with Never Records directly to vinyl on September 26, part of Open Spaces KC.

The musicians who play on Rebel Rebelling are: Christopher Oppenhuis on Drums & Kitten Adventure Boggs on Bass.

NYC artist & musician Ted Riederer of Never Records was on our September 19 show.

Never Records is a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Sterling Witt Thanks for being with us on WMM

11:25

11. Sterling Witt – “Rebel Rebelling”
from: Redel Rebelling – Single / Never Records / September 26, 2018
[Since 2004 Sterling Witt has released 5 full length albums and on 8-song EP. Witt’s latest album, Satyagraha as produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first Museum show at the Albrecht-Kemper Museum, in Saint Joseph Missouri.]

Sterling Witt

[Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, Saturday, October 6, at 7:30 PM. More information at http://www.sterlingwitt.com]

11:28 – Underwriting

11:30 – Interview with Aaron Rhodes

Aaron Rhodes on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

21 year old Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch. Aaron Rhodes joins us to share music from Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Aaron also shares tracks from KC’s Warm Bodies and Omaha’s Bib. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock Music Magazine was launched in 2015 and is dedicated to featuring in-depth coverage of new and exciting music emerging from Kansas City and the surrounding areas. In their three years online, they’ve conducted several artists’ first interviews, hosted multiple shows, and posted concert reviews, photo galleries, videos, and new music write-ups. They’ve also co-hosted a Middle Of The Map Fest showcase, and printed two year-in-review photo zines. The blog is where punk rock, hip-hop, and everything in-between lives in Kansas City.

Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Best known for his ’90s mixtapes, “Runnin-N-Gunnin” and “Ashes 2 Ashes, Dust 2 Dust” the One Man Gang is back in action on his new “Back from the Dead Tour.” Tommy Wright III has collaborated with 2Chainz, Lil Jon & Gansta Boo, and Three 6 Mafia.

11:35

12. Tommy Wright III – “Meet Yo Maker”
from: Ashes 2 Ashes, Dust 2 Dust / Street Smart Records / 1994
[Memphis based indie gnsta rapper.]

[Tommy Wright III plays recordBar, 1520 Grand, Ave. Oct. 28, 7:00 PM with Warm Bodies and others]

11:41 – Interview with Aaron Rhodes

We are talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Warm Bodies will be opening for Tommy Wright III

11:45

13. Warm Bodies – “Something Weird is Eating Me”
from: Warm Bodies / Lumpy Records / February 27, 2018

Pitchfork’s April 8, 2018 7.7 review:

Olivia Gibb’s messy, experimental garage rock sounds unhinged and strangely human on Warm Bodies’ debut. Come for the unnerving body horror, stay for the fiery guitar solos.

While some wonder who’s going to make rock’n’roll wild again, Warm Bodies’ Olivia Gibb is barking like a dog out here. The Kansas City, Missouri artist is effortlessly wild. When she sings, she jumps in and out of cartoonish shrieks. Her bug-eyed and immensely expressive live performances would make John Waters proud. If you visit her website, you can buy some ceramic clown nightmares. Punk’s underground has always been flush with fringe characters—Warm Bodies share a label with noxious weirdos Lumpy and the Dumpers, for example—but Gibb stands out from the heap. On Warm Bodies’ messy and muscular debut album, you can find her screaming about her eyes which have fallen out of their sockets.

“My Face Fell Off” is a minute-long blast of surrealist speed punk, so while Gibb screams for help in locating her face, her bandmates come in frenzied. Drummer Gabe Coppage crashes forward at a turbulent clip while Ian Teeple keeps pace, rattling out power chords and guitar solos. This exact sort of noisy punk maelstrom has been the band’s calling card for a couple years now. The song originally appeared on Warm Bodies’ 2016 demo, and while the two versions are similar, you can hear just how much they’ve leveled up. On Warm Bodies, they’re faster, the recording quality is less scuzzy, and most pressingly, Gibb sounds far more unhinged than she did on her relatively more reserved early recordings.

Take “Something Weird Is Eating Me,” a song that addresses the more uncomfortable truths of the human body. After alluding broadly to a “mess” under her clothes, she gets extremely specific: “A burning lump full of yellow gunk/And I’m itchy itchy itchy itchy,” her voice oozing the discomfort that the song’s lyrics so directly imply. Later, when Gibb shouts about her sexual encounter with real-life plane hijacker D.B. Cooper, Teeple sets the stage with a clattering, rapid-fire hook. This is the band’s secret formula: Gibb whips up fever dreams with her singular voice and Teeple grounds everything with earworms and sick guitar solos.

Across its 20 minutes, Warm Bodies isn’t strictly a wall-to-wall shredfest. It’s an album bookended by electronics, opening with the tense swell of warped synths and finishing with the pulse of crackling, ethereal noise. Then there’s “Stinky dUMBOMix,” a song that’s all synthesizers, drum machines, whistles, and handclaps. It’s only a minute long, but it’s a crucial moment that places the music beyond garage punk and into the context of low-key experimentation.

With that handful of left-field sonic tics, Warm Bodies lean fully into the psychedelia that powers Gibb’s lyrics: melted faces, gnarly rashes, dog cosplay, and fucking a never-been-caught skydiving thief. Chaos is an intrinsic part of their DNA, which means more relatable, day-to-day subjects adopt a funhouse-mirror approach. “Psychic Connection” is a love song that’s both surreal and knowable—Gibb breaks down the unspoken “mind control” shorthand you have with the person you love. Then there’s “I Need a Doctor,” where Teeple’s woozy guitar and the call-and-response of “I need a doctor! (She needs a doctor!)” invoke sick-day queasiness. On an album of hysterical vocals and high-speed guitar work, Warm Bodies is riveting because of how human it is—its joy, rage, infatuations, and yes, literal boils..]

[Warm Bodies open for Tommy Wright III at recordBar, 1520 Grand,, Ave. Oct. 28, 7:00 PM and Bib]

11:47 – Interview with Aaron Rhodes

We are talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM.

Aaron Rhodes thanks for being with us on WMM.

One of Aaron’s current favorite punk bands is Bib from Omaha, Nebraska. Bib has played several shows in Kansas City over the last year. Bib was just signed to play in the Tommy Wright II show at recordBar.

Aaron Rhodes thanks for being with us on WMM

11:50

14. Bib – “Pressure II”
from: Moshpit – EP / Pop Wig Records / December 1, 2017
[Four-piece hardcore group from Omaha, Nebraska, and their sludgy but rapid style has me hooked. The band recently released an excellent EP, called MOSHPIT, on Maryland punk label Pop Wig. Physical copies available @ http://www.popwigrecords.com Engineered and mixed by Matt Castore at A Harder Commune Studio in Saint Paul, Minnesota – July 2017. Mastered by Will Killingsworth at Dead Air Studios in Western Mass – July 2017.]

[Bib opens for Tommy Wright III at recordBar, 1520 Grand,, Ave. Oct. 28, 7:00 PM with Warm Bodies]

15. Joe Strummer and The Mescaleros – “Johnny Appleseed”
from: Joe Strummer 001 / Casbah Productions – Ignition Records / September 28, 2018
[Originally released on Joe Strummer and The Mescaleros 2nd album, Global A Go-Go / Hellcat Records / July 24, 2001, displaying trademark genre-melding folk-rock and Strummer’s unique lyrical style.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October 10, Marion Merritt returns as our Special Guest Producer playing selections from: Adrianne Lenker, Cat Power, Femi Kuti, Blood Orange, Mark Lanegan and Duke Garwood, Bosley, Tash Sultana, Spiritualize, Still Corners and more. Plus Mark talks with legendary singer songwriter Holly Near who plays All Souls Unitarian Universalist Church, Sunday, October 14, at 7:00 PM with Jan Martinelli and Tammy Hall.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #754

Wednesday MidDay Medley presents: Of Tree + Sterling Witt + Aaron Rhodes

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 3, 2018

Of Tree + Sterling Witt + Aaron Rhodes

Mark plays more New & MidCoastal Releases from: Of Tree, Bob & Una Walkenhorst, Janelle Monáe, Emmaline Twist, Warm Bodies, Bib, Jon Batiste, Cat Power, Joe Strummer & The Mescaleros, and Tommy Wright III.

Benjamin and Laurel Parks

At 10:30 we talk with Of Tree a KC based alt-folk band created by husband and wife duo, Benjamin and Laurel Parks. Always drawn to creative pursuits in their own rites – Benjamin as a widely celebrated painter; Laurel as a classically trained violinist turned fiddler – they’ve found the most potent magic arises when they fuse together musically as Of Tree. Their music draws from each of their individual life experiences having to do with themes of loss, wandering, and spirituality. Following the 2017 EP “Sorry, We’re Chosen,” Of Tree is releasing their first full length album, “How Does It Feel?” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Sterling Witt

At 11:00 AM Mark talks with Kansas City based artist and musician – Sterling Witt who’ll play live in our 90.1 FM studios. For nearly 10 years Sterling has hosted Art Farm Festivals at his studios and home galleries in Freeman, Missouri. Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri. Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Aaron Rhodes

At 11:30 Aaron Rhodes joins us to share music from Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Best known for his ’90s mixtapes, “Runnin-N-Gunnin” and “Ashes 2 Ashes, Dust 2 Dust” the One Man Gang is back in action on his new “Back from the Dead Tour.” Tommy Wright III has collaborated with 2Chainz, Lil Jon & Gansta Boo, and Three 6 Mafia. Aaron also shares tracks from KC’s Warm Bodies and Omaha’s Bib. Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #754

WMM Playlist from September 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 26, 2018

New & MidCoastal Releases
+ Prisca Jebet Kendagor, Nathan Bowman & Kansas City Public Theatre

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Chuck Prophet – “I Bow Down and Pray to Every Woman I See”
from: No Other Love / New West Records / June 18, 2002
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 14 solo albums. Prophet co-wrote all the songs on Alejandro Escovedo’s Real Animal, to which he also contributed guitar and vocals. The LP was recorded in Lexington, Kentucky and produced by noted producer Tony Visconti.]

Krystle Warren at Mutual Musicians Foundation Saturday, September 15, 2018

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which is a different version of this song that was also part of Nezbeat’s collaborative release, “From The Huge Silence,” from 2005, and “Born in The Fall” of which a different acoustic version can be found as a bonus track on the Japanese CD release of 2017’s “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

4. Ida McBeth – “Who is She (And What is She to You)?”
from: Special Request / Ida McBeth / 1998
[This full length album came out between Ida’s 1992 release, “A Gift of Song” and her 2006 release, “Live on The Vine” her forth release. Born in Kansas City Kansasm by the age of five she knew wanted to be a singer. She is a Kansas City legend! Ida McBeth has been a fixture on the Kansas City music scene for more than forty years, getting her first professional job before she even was out of high school.Ida was provided early exposure to a variety of talented vocalists by her mother. These singers included such greats as Nancy Wilson, Arthur Prysock, Nat King Cole, Bill Withers, Gladys Knight and Sarah Vaughan. “Who Is He (And What Is He to You)?” is a track from Bill Withers’ 1972 album, Still Bill. The music was written by Withers along with Stan McKenny, who wrote the lyrics. In 1996, Meshell Ndegeocello recorded the song for her Peace Beyond Passion CD on Madonna’s label Maverick Records. Meshell’s version was her only number one on the US dance charts as a solo artist. Her version also peaked at #34 on the soul chart.]

[American Jazz Museum presents Ida McBeth at Blue Room Jazz Club, 1600 E 18th St. Kansas City, MO, Saturday, September 29, from 8:30 to 12:00]

5. Meshell Ndegeocello – “Sometimes It Snows in April”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Sometimes It Snows in April” was originally recorded by Prince. It was included on his eighth studio album Parade (1986), and within the accompanying film Under the Cherry Moon (1986). Prince wrote and produced the song, along with Wendy & Lisa who provided additional lyrics for the composition. The song’s narrator recounts memories of Christopher Tracy, Prince’s character from Under the Cherry Moon, and how Tracy’s passing affected the narrator; it also expresses their desire to hopefully rejoin Tracy in heaven. “Sometimes It Snows in April” received significant attention after Prince’s death on April 21, 2016, exactly 31 years after its recording date,]

6. Prince – “Mary Don’t You Weep (Piano & A Microphone 1983 Version)”
from: Piano & A Microphone 1983 / NPG Records – Warner Bros. / September 21, 2018
[Piano and a Microphone 1983 is a posthumous studio album by Prince. It is the first album released by the Prince estate with material from his archive, the Vault. The album was discovered in Prince’s Vault at Paisley Park as a single cassette tape. The music was recorded in one take with no backing band, just Prince at the piano, at his Kiowa Trail home studio in Chanhassen, Minnesota.It includes alternate versions of previously released and yet-to-be released songs, cover versions, and sketches of songs. The New York Times called it “a glimpse of a notoriously private artist doing his mysterious work.” “Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again becomes popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy” In 2018, a recording of the song done by Prince in 1983 was released as the first track from Piano and a Microphone 1983 and was used in the Spike Lee movie BlacKkKlansman. Prince’s albums discography consists of thirty-nine studio albums (including five soundtrack albums), three live albums, seven compilation albums, seventeen video albums, and twelve extended plays.]

10:29 – Underwriting

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Nathan Bowman & Prisca Jebet Kendagor

theatre artist, musician, and Park University Instructor – Nathan Bowman who with his wife, Elizabeth Bettendorf Bowman, are co-founders of Kansas City Public Theatre a not-for-profit company providing access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. Their first show of this season is a FREE script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

Nathan Bowman, thanks for being with us today on Wednesday MidDay Medley.

Prisca Jebet Kendagor began writing plays when she was 12 years old. It was for a sixth grade writing project. After close to two decades she hasn’t looked back. Kendagor’s work has been featured at the Lawrence Arts Center, Fishtank Theatre, and the Buffalo Room. She achieved recent success with “Seven and Ten” when she self-produced it as a staged reading in Kansas City and St. Louis and she made a triumphant return to the Kansas City Fringe Festival in 2018 with her play “Adulting: A Parody” which won Best of Venue, and placed third out of ten on the Best of Fringe list. Kendagor has also had the delight and pleasure of serving as a mentor/teacher with The Coterie Theatre in their “Reach The Write Minds” playwriting workshops.

Prisca Jebet Kendagor, thanks for being with us today on Wednesday MidDay Medley.

Co-founded November 30, 2017 by Elizabeth Bettendorf Bowman and Nathan Bowman, Kansas City Public Theatre, a not-for-profit company, provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops.

Kansas City Public Theatre’s script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s Stained on Monday, October 1st at the Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri. This Theatre Lab is for mature audiences.

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Prisca Jebet Kendagor (PRIS-kuh KEN-duh-gor) is an Actress/Teacher at Coterie Theatre; an Actress at Trike Theatre; a Teacher at Kansas City Black Rep Theatre.

She lives in Kansas City, Missouri and is from Lawrence, Kansas

About Stained: Tamera is a playwright. A successful one at that. An extremely disorganized, scatterbrained, successful playwright…who is mending a broken heart.. What’s the best way to mend a broken heart? Hire a struggling actor to prostitute himself to you that’s how. Hey, women have sexual needs too. With a performance dead line staring her down, an unfinished script, Kenzie her manager and producer keeping her on task, and an un dealt with love life from which she gains inspiration from, Tamera must take the time to get real and honest if her come back play is going to be as big of a success as everyone believes it is….plus there’s her F#@k Boy.

The Cast!

Kyle is grateful to be involved in another of Prisca’s new plays. He joined AEA in Dec of last year and he was most recently seen in ‘And Then There Were None’ for KCAT in the fall of 2017. You can see him next in ‘Of Mice And Men’ on the Copaken Stage at the KC Rep Theater starting October 18th.

Chioma Anyanwu is excited to make her 2nd appearance with KC Public Theatre in her 2nd reading of Stained! A Columbia, MO native, she has called KC home for 10 years and just completed her MFA in Acting this Spring at UMKC. You can find her again at the Unicorn Theatre this December in The Wolves.

Emmy Panzica is pleased to once again bring the fierce words of Kenzie to life in Prisca Jebet Kendagor’s “Stained”. You can see Panzica as Corella and Lola in the Metropolitan Ensemble Theatre’s production of Horton Foote’s Orphan’s Home Cycle running October 25th – November 18th. Previous credits include: The Crucible (Equity Actors Readers Theatre), “Kiss & Tail” (The Living Room Theatre with the KC Zoo), Along the Line (Fishtank Theatre),The Ironing Man (KC Melting Pot Theatre), and William Inge Festival Play Labs 2017 & 2018 (Kokopelli Theatre Company). In her spare time Emmy likes to go on walks with her husband and dogs, read books on the couch with the cat, and watch documentaries.

KC Public Theatre – Theatre Lab at the Uptown Arts Bar! – Every first Monday of the month, Kansas City Public Theatre presents staged readings of local playwrights and small-scale performance art which reflects the unique history and concerns of the Kansas City community. Experience the development of new work and support area artists as they put new ideas to the stage! All events are FREE and open to the public.

TO SUBMIT: Send your project idea/play and headshot to kcpublictheatre@gmail.com with the subject “Theatre Lab.” All performances should be 60-90min in length.

Nathan Bowman is Producing Artistic Director for Kansas City Public Theatre
(November 30, 2017 to present)
Nathan Bowman is a Graduate Teaching Assistant at The University of Kansas
(August 2013 to present) Lawrence, Kansas
Nathan Bowman is a Stage Carpenter at Kansas City Repertory Theatre
(2011 to present) Kansas City, Missouri
Nathan Bowman is an Instructor at Park University, Parkville, Missouri
Nathan Bowman is a Singer/Guitarist at Attic Light, Kansas City, Missouri
http://www.atticlightmusic.com / http://www.facebook.com/atticlightkc / http://www.twitter.com/atticlightmusic

EDUCATION
University of Kansas Studied Ph.D. in Drama & Theatre · Ph.D. Theatre · Lawrence, KS
University of Kansas – Jul 2013 to May 2015 · Religious Studies MA · Lawrence, KS
Northwest Missouri State University Class of 2011 · Theatre & Philosophy · Maryville, MO
Excelsior Springs High, Class of 2007 · Excelsior Springs, Missouri

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Bowman, Prisca Jebet Kendagor, thanks for being with us today on WMM.

Their first show of this Kansas City Public Theatre’s new season is a script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

10:45 – Four Artists Playing the 1st Annual NKC Music Fest

1st Annual NKC Music Fest
Saturday, September 29
29 Bands / 8 Venues
Info: http://www.NKCFest.com

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays the FM Music Vintage Sounds Stage at 206 East 18th Avenue in North Kansas City at 3:00 pm for The NKC Music Fest, Saturday, September 29th.]

8. The Big Iron – “I Disagree”
from: The Big Iron / The Big Iron / May 30, 2014
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

[The Big Iron plays Velo Garage & Tap House, 1403 Swift Street in North Kansas City at 9:30 pm, for The NKC Music Fest, Saturday, September 29th.]

9. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[New music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia; bass/vocals: Tracy Flowers; drums: Pat Tomek. All songs written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. Recorded in November 2016]

[Deco Auto plays Davey’s Uptown TONIGHT, Wednesday, September 26, at 10:00 pm with Vela, Bird Girls, and North By North.]

[Deco Auto plays The Rino, 314 Armour Rd. in North Kansas City at 7:00 pm, for The NKC Music Fest, Saturday, September 29th.]

10. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Kadesh Flow plays Chicken N Pickle, 1761 Burlington Street, North Kansas City at 6:00 pm, for The NKC Music Fest, Saturday, September 29th.]

11:00 – Station ID

11. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes.]

[Car Seat Headrest plays Crossroads KC, 417 East 18th, KCMO, Friday, September 28, at 7:00 PM.]

12. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

[Kississippi plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Foxing, & Ratboys.]

13. Foxing – “Nearer My God”
from: Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

[Foxing plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Ratboys & Kississippi.]

14. Island – “The Day I Die”
from: Feels Like Air / French Kiss Records / April 6, 2018
[Debut album from London based band made up of: Rollo Doherty, Jack Raeder, James Wolfe, and Toby Richards. The band is currently on a North American tour.]

[Island plays recordBar, 1520 Grand Ave, KCMO, Friday, September 28, at 8:00 pm]

15. Tyto Alba – “Shadow Monster”
from: Shadow Monster – Single / Tyto Alba / September 19, 2018
[Denver, Colorado based indie-rock/dream-pop band consisting of four friends making music together. Tyto Alba is fronted by singer/songwriter Melanie Steinway, on vocals and guitar, a tattooist and illustrator by day. Her folk background melds with indie, shoegaze and dream-pop influences for a distinctly lush and dreamy sound. Matt Rossi on guitar, Danny Dimarchi on bass & hype man, and Andrew Beir on drums. Tyto Alba has self-released two EPs and a handful of singles and is currently working on their debut full-length with Mighty Fine Productions.]

[Tyto Alba plays miniBar, TONIGHT, Wed, Sept 26, 9:00 PM w/ North By North, Toughies, & Akkilles]

[Tyto Alba plays Replay on Lawrence Thursday, Sept. 27, at 10:00 PM with La Guerre and Maybe Not]

16. Pale Tongue – “King in Yellow”
from: King In Yellow – Single / Manor Records / September 21, 2018
[The band’s upcoming self titled EP will be released on October 5. Lawrence based 3-piece band formed by Carlos Calderon and Nick Fredrickson of The Appleseed Cast and bassist James Thomblinson of Arc Flash, and Psychic Heat. The trio has molded their ripping ‘dungeon rock’ sound into a fierce torrent of fuzz and fury, bending and merging gritty acidic psych-punk with hypnogogic dreamscapes, crafting a realm of experience dripping in cosmic horror and heady awe. Engineered by Mitch Hewlett. Mix and Mastered by Joel Coon.]

[Pale Tongue play an EP Release Show, Friday, October 5, at 9:00 pm, at miniBar, 3810 Broadway, KCMO with HMPH, and Drugs & Attics.]

[Pale Tongue play an EP Release Show, Saturday, October 6, at 9:00 pm, at Haunted Kitchen with Y god Y, and FACEFACE.]

17. Death Cab for Cutie – “Gold Rush”
from: Thank you for Today / Atlantic Recording Corporation / August 17, 2018
[The ninth studio album from indie rock band Death Cab for Cutie. The album was produced by Rich Costey, who returns after collaborating with the band on their eighth album, Kintsugi. It is the first Death Cab for Cutie release to not feature Chris Walla since the band’s first album, You Can Play These Songs with Chords. The album also marks the first time guitarist/keyboardists Dave Depper and Zac Rae have appeared on a Death Cab for Cutie album, after making their debut recording with the band on the 2016 single “Million Dollar Loan”. The album was announced on June 13, 2018, along with the release of its first single, “Gold Rush”. The band also announced a tour to support the album’s release, beginning in fall 2018. Two further singles were released from the album prior to its release: “I Dreamt We Spoke Again” and “Autumn Love”. “Gold Rush” originated as a demo that the band planned to discard, but was revisited at the suggestion of producer Rich Costey and combined with another demo.[1] The song was written by lead vocalist and guitarist Ben Gibbard as “a requiem for a skyline”, inspired by the rapid changes to Seattle’s Capitol Hill neighborhood, where Gibbard had lived for 20 years and some areas were “almost unrecognizable” due to the influx of workers for companies like Amazon. The song uses a sample from “Mind Train”, a song from Yoko Ono’s 1971 album Fly. The song is in the key of F major and has a BPM of 80. The music video for “Gold Rush”, directed by Alex Southam, features Gibbard walking down a city street, observing passersby as their outfits change to a modern style. The video ends with Gibbard stopped by a swarm of people distracted by their smartphones. Death Cab for Cutie performed the song on the June 21, 2018, episode of The Late Show with Stephen Colbert.]

[Death Cab For Cutie play The Midland Theatre, 1228 Main Street, on Tuesday, October 2, at 7:00 PM, with Charly Bliss.]

18. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

Calvin Arsenia plays The Gem Theatre Saturday, September 15, 2018.

19. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar on October 22 with Jake Wells]

11:40 – Underwriting

20. David George – “Lesson Of Love (feat. Shanna Jones)”
from: Lesson Of Love – EP / David George / February 23, 2018
[The third of three EP’s to be release over one year! This album features David George and his full band included a 3-pc horn section. All songs written by David George. Except “And She Knows” David George & Eason Pritchard. Horns on track Lesson of Love & And She Knows arranged by Bob Malone. Horns on all other tracks arranged by Ryan Heinlein. David George – Vocals, Acoustic & Electric Guitars. Ben Byard – Bass & Vocals. Pat Tomek – Drums. Giuliano Mingucci – Drums. Mike Stover – Pedal Steel Guitar, John Johnson – Lead Guitar. Bob Malone – Organ. Nate Nall – Trumpet. Ian Corbett – Baritone Sax. Kyle Hall – Trombone. Anthony Ritchie – Trombone. Stuart Ashley – Sax. David Luther – Vocals. Erik Voeks – Vocals. Camry Ivory – Vocals. Shanna Jones – Vocals. Produced by David George, Engineered and Mixed by Pat Tomek – Largely Studios, Mastered by Duane Trower – Weights & Measures Soundlabs/KCMO. With Erik Voeks, David George also released the EP Volker Brothers in June 2018.]

[David George Band plays The Riot Room, Saturday, September 29, at 4:00 pm with Edison Lights.]

21. Lyn Sherr – “She Lived” by Lucille Clifton
from: Poetic License 100 Poems-100 Performers / GPR Records / March 5, 2013
[Lucille Clifton was born Thelma Lucille Sayles, in Depew, New York on June 27, 1936 in Depew, New York she died on February 13, 2010 in Baltimore, Maryland. Lucille Clifton (born) grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo. She was an American poet, writer, and educator from Buffalo, New York. From 1979 to 1985 she was Poet Laureate of Maryland. Clifton was a finalist twice for the Pulitzer Prize for poetry. In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University of Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children together, which included four daughters (Sidney, Fredrica, Gillian, and Alexia) and two sons (Channing and Graham). Lucille worked as a claims clerk in the New York State Division of Employment, Buffalo (1958–60), and as literature assistant in the Office of Education in Washington, D.C. (1960–71). Writer Ishmael Reed introduced Lucille to Clifton while he was organizing the Buffalo Community Drama Workshop. Fred and Lucille Clifton starred in the group’s version of The Glass Menagerie, which was called “poetic and sensitive” by the Buffalo Evening News. In 1966, Reed took some of Clifton’s poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year’s ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University. In 1984, her husband died of cancer. From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary’s College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.]

22. Lucy Wainwright Roche – “Heroin”
from: Heroin – Single / Lucy Wainwright Roche – Tone Tree Music / June 1, 2018
[one of three new singles released from Lucy this year in anticipation of her new album Little Beast. Lucy Wainwright Roche was born December 16, 1981. She is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, make up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy didn’t see her father much during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose late mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of Sloan Wainwright. Roche was born and raised in Greenwich Village, New York City. She attended PS 41 in Manhattan and high school at Saint Ann’s School in Brooklyn, New York, graduating in 1999. She then attended Oberlin College in Ohio, graduating in 2003 with a degree in creative writing. In 2006 Roche received her master’s degree in general education from Bank Street College of Education in Manhattan. She currently resides in Brooklyn. Roche initially chose to bypass the family career choice of music in order to teach elementary school in Durham, NC and New York City for several years. In 2007, she made the decision to pursue a career in music full-time.]

[Lucy Wainwright Roche plays KC Crossroads, Sun, Sept. 30, 8:00 PM, opening for the Indigo Girls.]

23. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play recordBar, Saturday, September 29, at 8:00 PM with CHaCO! and Tracer Heights.]

24. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleeve designs including the new Victor & Penny 7″ Single.]

[The Country Duo play Stockyard Sundays, Sunday, September 30, at 3:00 pm. at Stockyards Brewing Co. at 1600 Genessee Street, Suite 100, KCMO.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October , we play more New & Local Releases and welcome special guests: Of Tree, Sterling Witt, and Aaron Rhodes.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #753

Wednesday MidDay Medley plays more New & MidCoastal Releases + Nathan Bowman & KC Public Theatre

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 26, 2018

New & MidCoastal Releases
+ Nathan Bowman & Kansas City Public Theatre

Mark plays more New & MidCoastal Releases from: Remy Styrk, Mikal Shapiro, The Big Iron, Marcus Lewis Big Band & Kadesh Flow, Pale Tongue, Amy Farrand and The Like, Ida McBeth, Calvin Arsenia, Krystle Warren & The Faculty, Deco Auto, David George with Shanna Jones, The Country Duo, Kississippi, Foxing, Prince, Car Seat Headrest, Island, Death Cab For Cutie, Tyto Alba, Meshell Ndegeocello, Lucy Wainwright Roche, and Chuck Prophet. Mark features music from four bands playing the North Kansas City Music Fest.

Nate Bowman

At 10:30 we talk with theatre artist, musician, and Park University Instructor – Nathan Bowman who with his wife, Elizabeth Bettendorf Bowman, are co-founders of Kansas City Public Theatre a not-for-profit company providing access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. Their first show of this season is a FREE script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #753

WMM Playlist from Sept. 19, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 19, 2018

Stephonne Singleton
+ Ted Riederer of Never Records

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marc Ribot & Fay Victor – “John Brown”
from: Songs of Resistance 1942 – 2018 / Noise Inc. – Anti Record / September 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

3. Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

10:14 – Underwriting

4. Seasaw – “God(zilla)”
from: Big Dogs / Seasaw / September 7, 2018
[4th full-length album from Indie rock band duo from Madison, Wisconsin consisting of: Eve Wilczewski and Meg Golz who met while working in an Italian restaurant in Freeport, Illinois. They realized they had similar taste in music, and began playing together, at first as “BoboMosie,” a CocoRosie cover band and eventually composing originals as Seasaw. Seasaw’s album “Too Much Of A Good Thing” was selected as one of the top five underground albums of the month by The Nerdist in July 2016. The same month, they were named Top Emerging Artist at Wisconsin Summerfest. Their song “Into the White” was one of Daytrotter’s Best Songs of 2016.Seasaw has performed with Lucius, Thao and the Get Down Stay Down, SOAK, Lissie, Mason Jennings, Har Mar Superstar and Shakey Graves.Golz holds a degree in audio engineering from the Madison Media Institute and Wilczewski was a painting major at University of Illinois.]

[Seasaw plays The Rino at 314 Armour Rd, North Kansas City, on Saturday, September 22 at 7:00 pm, with Other Americans And Pink Royal]

5. Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of KCMO, and Lawrence, KS, and comprised of members of The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” The duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered their video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018 Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Joel Nanos,” Brandon Phillips reported. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.”. The band’s video for their song, “Make Me Afraid,” was directed by Todd Norris & Mitch Brian./. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes. ]

[Other Americans play Plaze Art FAir, Friday, Sept. 21, at 8:00 on Ink! Live Stage]

[Other Americans play The Rino, 314 Armour Rd, NKC, Sat, Sept 22, 7:pm, w/ Seasaw & Pink Royal]

6. Danny McGaw – “You an Me”
from: “You an Me” – Single / Miki P/ September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar music, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 – “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio. Danny is back in KC this week for multiple gigs and to be part of the 87th Annual Plaza Art Fair, Sept. 21-23.]

[Danny McGaw & Friends play Mike Kelly’s Westsider, TONIGHT, Wednesday, Sept. 19]

[Danny McGaw plays recordBar, 1520 Grand Thursday, Sept. 20, at 7:00 pm with 40 Watt Dreams, Supermassive Black Holes, Shapiro Brothers, and The MGDs.]

Danny McGaw & Chad Brothers play The Spikes 10408 Wenonga Ln, Leawood. Sat. Sept. 22, 6:pm]

[Danny McGaw plays Plaza Art Fair, Sunday, Sept. 23, at 3:00 PM.]

Ted Riederer of Never Records

10:30 – Interview with Ted Reiderer

New York artist & musician Ted Riederer joins us to talk about Never Records a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Ted Reiderer, thanks for being with us today on Wednesday MidDay Medley.

A “one-time refugee from punk and sometime band member,” Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he’s ambled artistically from the Americas to the Antipodes. His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh. His “Never Records” project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.

Ted Riederer is the Founding Artistic Director of Howl! Happening: An Arturo Vega Project, non-profit gallery/performance space in the East Village. The New York Times has described Howl! Happening as, “Instrumental to the history of the area.” Howl! Happening’s thriving publishing imprint A/P/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.

Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot.

New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library).
Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., Kansas City, MO 64108.

The exhibition will be open from Wednesday – Sunday from 10am-6pm. There will be a series of workshops and special events. A calendar of events will be posted on the Never Records website http://www.neverrecords.net.

from: http://www.neverrecords.sameexhibit.com

Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010.

Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled.

Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade.

The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues.

“I walk them through the cutting process and show them their sound waves on a microscope. I consider this interaction the real performance of Never Records. The alchemy of cutting never fails to put a smile on participants’ faces. The machine is a new one made by these crazy but wonderful dudes in southern Germany. It is called a Vinyl Recorder and while it may not be able to compete with a $50,000 Neumann cabinet lathe, I can get pure, beautiful, hiss free recordings.”

Beyond the technical aspect of recording, his main job is to maintain the right conditions inside the shop for insecurity-free performances. The right conditions go beyond the gear and the Persian rugs covering the floors. The right conditions exist separately from the poster-covered walls or the fact that the distribution chain from studio to factory to anti-commercial outlet runs about twelve feet. The right conditions include Riederer’s ability to quickly ascertain a band’s influences and capabilities and the vast cross-genre knowledge that allows him to alter his recording methods for each artist. The right conditions have everything to do with musicians in eyesight of each other, no one isolated in a booth. Everyone experimenting without worry because the meter isn’t running on dead air, eating up the credit limit.

Never Records has a slogan. It is YOU ARE NOT LISTENING. Riederer explains, “A lot of people say that certain movements just need a voice. But it doesn’t matter if you have a voice if no one is fucking listening! You can have the most articulate voice, but if no one’s listening, it’s like the voice doesn’t matter. You gotta listen. Someone has to listen, and this process I take very seriously.”

In a world where bands are judged on 30 second samples and MP3s are collected and traded like baseball cards with no thought to the hard work and personalities behind their creation, Never Records creates a physical reminder of what a virtual platform can never truly duplicate.

– Ryan Sparks, New Orleans 2013

Ted writes:

“Practically every week during my adolescence, with the regularity of a parishioner, I visited Yesterday and Today Records in Rockville, Maryland. It was there where I communed with the spirit of Punk, Ska, Mod, and Rock and Roll. It was there where I learned about politics, sex, existentialism, style, and fashion. Yesterday and Today was more like a social library, a meeting place for musicians and artists, than a retail space. Never Records is my love letter to the record store. In the ruins of the one of the great retail giants of the end of the last century, a casualty of modernity and the Great Recession, we will reclaim the spirit of music and commune amongst the wreckage.

Never Records is an ever evolving project. As it continues, I will endeavor to make al of the archive available with links contacts to all the performers and participants. A huge heartfelt thanks to my family and friends and to everyone who has made Never Records such a thriving community.”

10:40 – Samples of recent Never Records recordings here in Kansas City

7. Kelly Hunt – “Dear Sara”
Recorded by Never Records September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter:. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run.]

8. Kerexu – “Kerexu”

9. Shapiro Brothers – “Hot Cool”

10. SJ Downes (SJ played live in our 90.1 FM Studios)

SJ Downes and Ted Riederer on the September 19, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ted Riederer, thanks for being with us today on Wednesday MidDay Medley.

Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wednesday thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

10:50

11. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 26 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 26. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl plays Davey’s Uptown Rambler’s Club Friday, Sept. 21, at 9:00 pm with Jupiter and the Moons, and sMallWaves.]

12. Anna Calvi – “Don’t Beat the Girl Out of My Boy”
from: Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanizing in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterize any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian

11:00 – Station ID

13. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:05 – Interview with Stephonne Singleton

We have the pleasure of welcoming back to the show singer, songwriter and actor, Stephonne Singleton, who shares music from his album, “Caged Bird Sings Songs About Red Beard” released July 27, 2018 by Glory Blue Music. Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new. Stephonne’s press materials report, “It is the voyage of a red state born gay black man that turned the bitter cold and pain of love lost, love mistaken and love unreturned into a body of work that demands to be heard and never forgotten.” Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne released an EP of Caged Bird Sings Songs About Red Beard on April 22, 2016

Calling himself the lovechild of Prince and Billie Holiday, 31 year old singer-songwriter Stephonne Singleton received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University. He works as a musician and actor in Kansas City.

Glory Blue Music is the LLC Stephonne created to support his music, named after a band he was in.

11:15

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

14. Stephonne Singleton – “Fine Feelin Blue”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

11:19 – Interview with Stephonne Singleton

Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new.

For more information visit: http://www.stephonne.com

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

11:29

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

15. Stephonne Singleton – “How I Feel”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:33 – Underwriting

16. Ivory Blue – “Midas Touch
from: Ready Get Set [EP] / Ivory Blue / June 23, 2015
[Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.]

[Ivory Blue plays Behind The Gate With Ivory Blue, Friday, September 21, at 7:00 at 11100 E Winner Rd. Independence MO. 64052 a kick off for the “Behind the Gate” patio concert series to benefit “WestiNd Connection.” private, invite / limited seating. More info at: http://www.ivorybluemusic.com]

17. Amanda Fish – “Free”
from: Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

[Lakeside Live Series presents: Amanda Fish Band, Friday, September 29, at 6:00 PM at Arcadian Moon in Higginsville, Missouri]

18. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: The Radio Winners / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Madrid, Monday, September 25, at 8:30 pm, opening for The Record Company]

19. Iron & Wine – “What Hurts Worse”
from: Weed Garden – EP / Sub Pop Records / August 31, 2018
[This EP collects extra Iron & Wine tracks written for 2017’s Beast Epic release. Samuel “Sam” Ervin Beam was born July 26, 1974. He is better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Durham, North Carolina.[ The name Iron & Wine is taken from a dietary supplement named “Beef, Iron & Wine” that he found in a general store while shooting a film.]

[Iron & Wine play The Midland Theatre on Friday, September 21, at 7:00 PM.]

20. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times. Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl.]

[Shiner plays recordbar on Saturday, September 22, at 7:00 pm with The Whiffs and Bummer]

21. Todd Rundgren – “A Dream Goes On Forever”
from: Todd / Bearsville Records / February 1974
[The 5th album and 2nd double album was an expansion of Rundgren’s experimentation on his previous album, A Wizard, a True Star. It showed his growing interest in the synthesizer, and its ability to expand the textures of rock music. Much of the album is intensely experimental. However, it is not without its share of pop songs. Todd also tinkers with the synth-heavy progressive sound he would take further with his later band Utopia. First issues of this LP included a large wall poster; all the lyrics appeared on one side, while the other was Todd’s cover portrait in shades of fine print, consisting of the names of 10,000 fans who had sent in the postcard included with A Wizard, a True Star. Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is characterized for his sophisticated and often-unorthodox music, flamboyant stage outfits, and his later experiments with interactive entertainment. He also produced innovative music videos, pioneered forms of multimedia, and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with “We Gotta Get You a Woman” (1970). His best-known songs include “Hello It’s Me” and “I Saw the Light” from Something/Anything? (1972), which have heavy rotation on classic rock radio stations, and the 1983 single “Bang the Drum All Day”, which is featured in many sports arenas, commercials and movie trailers. Although lesser known, “Couldn’t I Just Tell You” (1972) was influential to many artists in the power pop genre. His 1973 album A Wizard, a True Star remains an influence on later generations of “bedroom” musicians. Rundgren organized the first interactive television concert in 1978, designed the first color graphics tablet in 1980, and created the first interactive album, No World Order, in 1994. Additionally, he was one of the first acts to be prominent both as an artist and as a producer. His notable production credits include Badfinger’s Straight Up (1971), Grand Funk Railroad’s We’re an American Band (1973), the New York Dolls’ New York Dolls (1973), Meat Loaf’s Bat Out of Hell (1977) and XTC’s Skylarking (1986).]

[Todd Rundgren plays the Crossroads KC on Saturday, September 22, at 8:00 PM.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 26, we’ll play more New & Local Releases. Plus Nathan Bowman and members of the Kansas City Public Theatre joins us in the studio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #752