WMM PLAYLIST from March 11, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 11, 2026

New & MidCoastal Releases + Outer Reaches Fest + Calvin Arsenia & Cera Impala + Diane Scott & Jade Osborne

  1. “It’s Showtime Folks”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Jill Scott – “Norfside (feat. Tiarra Whack)”
    from: To Whom This May Concern / Blues Bade Records / February 12, 2026
    [To Whom This May Concern is the sixth studio album by the American singer Jill Scott. It was released on February 13, 2026, by Blues Babe, Human Re Sources, and The Orchard. The album is Jill Scott’s first full-length project in ten years. The album features collaborations from Ab-Soul, JID, Tierra Whack, and Too Short, along with production from from longtime collaborator Andre Harris, Adam Blackstone, Camper, DJ Premier, and Trombone Shorty. // Throughout the 2020s, Jill Scott made appearances on various artists’ tracks, notably Alicia Keys, Camper, Kehlani, Sir, Teyana Taylor, Ty Dolla Sign and Tyla. She also embarked on multiple tours throughout the early 2020s to celebrate the 20th anniversary of her debut studio album Who Is Jill Scott?: Words and Sounds Vol. 1 (2000). On June 1, 2024, Scott headlined the Roots Picnic music festival and performed an unreleased song with rapper Tierra Whack, which she also previewed prior to announcing her album in 2025. // Jill Heather Scott (born April 4, 1972) is an American singer, songwriter, model, poet, and actress. Her 2000 debut album, Who Is Jill Scott?: Words and Sounds Vol. 1, went platinum and the follow-ups Beautifully Human: Words and Sounds Vol. 2 (2004) and The Real Thing: Words and Sounds Vol. 3 (2007) both achieved gold status. // Scott made her film debut in 2007 in Hounddog and Tyler Perry’s Why Did I Get Married?. In 2008, she starred in the BBC/HBO series The No. 1 Ladies’ Detective Agency, based on the novels of the same name by Alexander McCall Smith. After a four-year hiatus from music, Scott released her fourth album, The Light of the Sun, in 2011. In 2014, she starred in the film Get on Up as Deidre “Dee Dee” Jenkins, the second wife of James Brown. In 2015, she released her fifth album, Woman. Beginning in 2018, Scott appeared in The CW DC Comics superhero series Black Lightning as Lady Eve. She released her sixth album, To Whom This May Concern, in February 2026. // Scott was born on April 4, 1972, in Philadelphia. She grew up an only child in a North Philadelphia neighborhood, raised by her mother, Joyce Scott, and her grandmother. She recalls her happy childhood, saying she was “very much a loved child”. Jill Scott’s maternal ancestry has been traced to the Jola people of Guinea-Bissau. She was raised as a Jehovah’s Witness. // After graduating from the Philadelphia High School for Girls, Scott attended Temple University. While working two jobs she studied secondary education. She planned to become a high school English teacher. However, after three years of study and then working as a teacher’s aide, Scott became disillusioned with a teaching career and she dropped out of college. // Scott began her performing career as a spoken word artist, appearing at live poetry readings to perform her work. She was eventually discovered by Ahmir “Questlove” Thompson of the Roots. Questlove invited her to join the band in the studio. The collaboration resulted in a co-writing credit for Scott on the song, “You Got Me”. In 2000, Erykah Badu and the Roots won a Grammy for Best Rap Performance by a Duo or Group for “You Got Me”, and Scott debuted as an artist during a Roots live show, singing as original artist/singer of the song. Afterwards Scott collaborated with Eric Benet, Will Smith, and Common; she broadened her performing experience by touring Canada in a production of the Broadway musical Rent. // Scott was the first artist signed to Steve McKeever’s Hidden Beach Recordings label. Her debut album, Who Is Jill Scott?: Words and Sounds Vol. 1 was released in 2000. She experienced some notice and chart success with the single “A Long Walk”, eventually earning a Grammy nomination in early 2003 for Best Female Vocal Performance. Scott lost that award, but won a 2005 Grammy for Best Urban/Alternative R&B Performance for “Cross My Mind”. The live album, Experience: Jill Scott 826+, was released November 2001. Scott’s second full-length album, Beautifully Human: Words and Sounds Vol. 2, followed in 2004. // Scott continues to write poetry; a compilation volume of her poems, The Moments, The Minutes, The Hours, was published and released by St. Martin’s Press in April 2005. // In early 2007, Scott was featured on the George Benson and Al Jarreau collaboration single “God Bless The Child” (written by Billie Holiday), which earned Scott her second Grammy (for Best Traditional R&B Vocal Performance) at the 2007 Grammy Awards ceremony. Scott shared the win with Benson and Jarreau. In 2006, Scott was prominently featured on hip hop artist Lupe Fiasco’s single “Daydreaming”, which won a 2008 Grammy for Best Urban/Alternative Performance and also appeared on a new Scott collection called Collaborations on January 30, 2007. // The Collaborations collection served as “an appetizer” for her next studio album, The Real Thing: Words and Sounds Vol. 3 released September 25, 2007. A clip of the title track was released on a bonus disc from Hidden Beach Records and included with Collaborations. The lead single “Hate on Me” gained airplay in May 2007, with a video released in mid-July. In advance of the album’s release, Hidden Beach released a 17-minute album sampler through their forums. Interspersed between the dozen songs previewed on the sampler was a personal explanation from Jill for the inspiration behind some of her songs. //In 2008, Scott released her second live album, Live in Paris+, which consists of 8 songs recorded during her set list of the “Big Beautiful Tour” in Europe. The bonus DVD contains the same concert, plus some live cuts from The Real Thing: Words and Sounds Vol. 3. In the same year, “Whenever You’re Around”, a single from The Real Thing, which features George Duke was a moderate hit on urban radio.]
  1. The Swallowtails – “Perspective”
    from: Perspective – Single / The Swallowtails / March 3, 2026
    [Baroque Pop band The Swallowtails shares First Single from New Album. The rock/folk duo defines new sound with “Perspective.” The Swallowtails announce the release of their single titled “Perspective” out exclusively on YouTube and Bandcamp March 4th, 2026. This is the first of 5 singles that will be released over the next four months leading up to the release of The Swallowtails junior album “Perspective” May 2026. The title track Perspective is a song that tells the story of The Swallowtails. One of friendship, trust, belonging, and stability in the foundation this band has so diligently curated. // About The Swallowtails: At the heart of The Swallowtails are two musicians drawn together by curiosity, connection, and a shared desire to be understood. Kansas City–based duo Miki P and Rachel Lovelace craft genre-bending songs that blend harmonious folk with impassioned pop, pairing steady rhythmic guitar and bassoon with heartfelt, melodic storytelling. Formed in 2018, The Swallowtails have released two full-length albums—Right Where We Are (2020) and The World Still Spins (2023)—and a self-produced EP, Lucky Penny (2024), which marked a bold evolution into a fully collaborative songwriting partnership. NPR’s 90.9 The Bridge praised the EP as “a lovely confluence of pastoral folk and baroque pop.” Voted Best Band of Kansas City by The Pitch Awards in 2024, the duo is preparing to release their third album, Perspective, in May 2026. This record represents their most expansive and intentional work to date; songs shaped both onstage and in community with their listeners. // Live video recording of the single “Perspective” has been released on The Swallowtails YouTube channel as their official submission to the 2026 NPR Tiny Desk Contest. // Lawrence, KS based singer/songwriter Heidi Gluck produced their new album. // The singles and upcoming album release will be available on YouTube, Bandcamp, and physical copy. The Swallowtails are choosing not to release music on streaming platforms like Spotify, Apple Music, Amazon, etc., because of their exploitative nature, lack of transparency, and unwillingness to create a fair market for artists to be compensated. // Miki P, songwriter, singer and musician in The Swallowtails says about the upcoming single release, “I wrote Perspective during an unpredictable time in my life. I was experiencing regular panic attacks on stage that made me question if I could continue performing full time to support myself at the capacity I had been for nearly a decade. At the end of this illogical tunnel, was the Swallowtails. More particularly writing and playing music with my longtime bandmate and confidant, Rachel. It’s about our friendship.” // Est. in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site. // The Swallowtails hwere recently approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission. // Historically, on May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead vocals. // Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. Miki P has played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. As a teen she played drums for various groups including American Slim. At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. // The Swallowtails played the 20th Annual Crossroads Music Fest, Aug. 24, 2024 on the Stockyards Brewing Stage with: Howard Mahan & Friends, The Canterberries, Danielle Ate The Sandwich, Beth Watts Nelson, Rural Grit All Stars, and Les Ismore & The Goats. // More info at: http://www.mikipmusic.com]

[The Swallowtails play The Boulevard Brewing Co., 2501 Southwest Blvd., KCMO on Thursday March 24, 2026, at 7:00pm]

  1. They’re Theirs – “Weird Christians (Radio Edit)”
    from: “Weird Christians” – Single / Chase The Horseman / March 11, 2026
    [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // They’re Theirs released their single “Midland Empire” on February 18, 2025. “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns, Chase Horseman, and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase Horseman is a film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released the Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.] [They’re Theirs played the Play Loud Fest Thurs, Sept. 25 for the Pre-Party on the recordBar Main Stage with Post Sex Nachos, and Malek Azrael & The Vibes at 1520 Grand Boulevard, KCMO.]

[Chase Horseman celebrates their birthday when their band, They’re Theirs playing Hillsiders, 403 N. 5th Street, KCK on Thursday, March 12, 2026 with special guests Heidi Gluck, Teri Quinn, Nan Turner, & Aud Whitson. – Chase will also be part of GoodBye Horses Karaoke on Thursday, March 19 at Hillsiders. Chase is having a Moving Sale at Hillsiders on Sumday March 22 at 2:00pm]

  1. Keo & Them – “Who is There?”
    from: “Who is There?” – Single / Midtopia / March 14, 2025
    [The new single marks a sonic departure from previous Keo & Them releases, something bandleader Keo notes is by design and a welcome change from previous material from the group. // Keo & Them released their single “Fire”on March 15, 2024. // Keo & Them released their 7-track album, THIS TIME AROUND on October 28, 2023. // When Neo-soul meets funk, meets R&B, meets pop, meets hip hop & even rock sometimes. Keo & Them released the single “Fool Me Once” on October 6, 2023 on Midtopia. Leo & Them released the three song single “Don’t Say” with “Be Still” and “Money Grooves (feat. Greg Spero)” on June 2, 2023 on Midtopia. And earlier “Money Grooves (feat. Greg Spero)” was release by itself on March 2, 2023. For Wichita-based, Texas-raised singer/songwriter Keo, making music is as much about the one creates and the songs one writes as it is about making deeper connections with the other people partaking in an artistic journey. From the unique flavors, perspectives, and performances they each contribute, Keo finds the “Them” that brings her project Keo & Them full circle. // First formed and conceptualized by Keo in 2018, the collective consists of Keo and a revolving door of musicians and collaborators, each of whose contributions would leave an indelible mark on the project’s ever-adapting sound that merges the worlds of 70’s pop and R&B with the moody glow of contemporary neo-soul and beyond. For Keo, the project’s sole constant member, the fluid line-up allowed her to become immersed and acquainted with a Wichita music scene she was completely new to and overwhelmed by. Through meeting, jamming, and performing with the Kansas town’s tight-knit and eclectic music scene in which Keo found something akin to a family. More info at: https://linktr.ee/keoandthem [Keo & Them played Outer Reaches Fest, on Sat, Oct. 14 at recordBar.]

10:15 – Interview with Diane Scott & Jade Osborne

Diane R. Scott (she/her) is an arts administrator, educator, and writer specializing in the development of resources and programming to support artists in the management of enduring artistic practices. The Director of Artist Services at the Regional Arts Organization Mid-America Arts Alliance, Scott is the founding director and principal designer of the Artist INC professional development program. Now in its 17th year, Artist INC programs have been completed by more than 3,500 artists. Diane is also a noted professor winning numerous teaching awards. Combining her experiences in both non-profit artist services and higher education, Diane operates as a liaison between collegiate arts entrepreneurship education and artist professional development in the field. She specializes in creative entrepreneurship and has worked with thousands of artists of all disciplines in traditional classrooms and professional development settings to improve their strategic planning, marketing, project planning, financial, fundraising, leadership, and communication skills. Scott’s book Artist Entrepreneurship for Life: Making Art Work for You was released by Routledge in 2025. AND TODAY IS HER BIRTHDAY!

Diane Scott Thanks for being with us on Wednesday MidDay Medley

Jade Osborne (she/her/we/us) is an arts administrator and an innovative creative person who is passionate about the arts and community. Jade is an multidisciplinary artist and experiential curator. She explores the space in between the self, the other, and the living art that is created when we are together. Jade has performed and presented on stages in fourteen countries interlacing social practice/community outreach with each of her appearances. She is an award winner and grantee of ArtsKC, KC & Chicago Fringe Festivals, Afest, Missouri Arts Council, COMBAT among others. She served as Artist Advisor for the New Airport in Kansas City and is currently serving as Performing Arts Director for Art in the Loop Public Arts Project, the Program Director for the Summer in the City Public Arts Project and as Program Officer for the Artist Services Division at Mid-America Arts Alliance.

Jade Osborne Thanks for being with us on WMM

Diane Scott and Jade Osborne join us to talk about ARTISTS THRIVE 2026 Summit in Kansas City, on March 24, 25, and 26. The 2026 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2026 Artists Thrive Summit you can visit: http://www.artiststhrive.org

2026 Artists Thrive Summit is coming to 6 locations across the country!

A six-city, national summit designed to unite and ignite artists and arts leaders

Artists Thrive is a national initiative dedicated to improving the conditions for artists to thrive, is excited to announce the expansion of the annual Artists Thrive Summit for 2026. The Summit will take place concurrently across six vibrant host cities on March 24-26, 2026, and offers a unique format that blends shared national sessions with deep, locally-focused programming.

The 2026 Summit is a rare gathering open to artists, arts administrators, educators, and funders across all disciplines and levels of expertise. All sites are open for registration to participants from across the country.

Unlike a traditional single-location conference, the Artists Thrive Summit will be held in six distinct communities, each hosting a unique local theme while uniting for key shared sessions:

  • Lowell, MA: Spatial Justice
  • Nashville, TN: Community Partnerships & Collaborations
  • Kansas City, MO: Artists-Led Organizations
  • San Antonio, TX: Arts and Mental Health & Wellbeing
  • Billings, MT: Rooted in Place: Arts and Community in Conversation
  • Las Vegas, NV: 3rd Spaces: Community & Connection

This innovative multi-site structure ensures a rich, diverse program that keeps the in-person experience intimate yet encourages networking across the country through the Summit app.

A national committee includes representatives from Creative West, Montana Arts Council, Mid-America Arts Alliance, South Arts, Arts + Business Council of Greater Nashville, Arts & Business Council of Greater Boston, Western Avenue Studios and Lofts, New York Foundation for the Arts (NYFA) and Emily Hall Tremaine Foundation.

In addition, each location has a host committee that is entrusted with developing the local theme content and curating the overall attendee experience. This collaboration provides a vital bridge between national perspectives and local community insights.

Registration for the 2026 Artists Thrive Summit is now open. Interested individuals and organizations are encouraged to visit the official Artists Thrive website for more details on registration, local host site schedules, and accommodation information.

The national Summit is funded by the Emily Hall Tremaine Foundation in partnership with the New York Foundation for the Arts (NYFA). Sponsorships from City of San Antonio Department of Arts & Culture and others help make the Summit accessible to all.

“The Artists Thrive Summit was a goldmine for networking. I made invaluable connections that have propelled my career forward.” – Past Artist Thrive Attendee

Artists Thrive Summit, Kansas City 2026 (March 24-26, 2026)
Location: Kauffman Foundation Conference Center, 4801 Rockhill Road, Kansas City, MO 64110

Described by artists she’s worked with as a “goal fairy,” Diane Scott uses the power of artists’ stories, artists community and “exponentialization” to take the magic out of the business of art for the next generation of artists. Passionate about the need to give undergraduate arts students the ability to create balanced and thriving lives that include enduring arts practices, Diane creates processes, systems, networks, and carefully curated experiences to help arts faculty employ these skills in their own practices and mentor them with their students. As the founder and designer of the nationally recognized Artist INC artist professional development program, Diane brings her experience as a professor of arts management and a practitioner working directly with thousands of artists in the field into the undergraduate arts arena through her writing, research, speaking engagements, workshops, and curricular consulting.

Diane Studied Communication/Speech/Theatre at Wichita State University where she graduated in 1991. She Studied Management at Wichita State University and graduated in 1996. She served as Associate Professor and Chair of the Department of Fine & Performing Arts at Massachusetts College of Liberal Arts from July 2014 – May 2022. She served as Director of Professional Development and Adjunct Assistant Professor at UMKC Conservatory from 2013 – July 2014. From 2008 through 2014 she served as Director of Artist INC Professional Development Programming at Artist INC, a program she created. AND TODAY IS HER BIRTHDAY!

Jade Osborne is a Program Officer (Catalyze & Interchange) for MidAmerica Arts Alliance. She is an International performance artist, arts activist, facilitator, mentor and speaker. She began working in Non-Profit Education, served in AmeriCorps and have been a Poet in Residence, Artist in Residence, and Performer (Capoeira & Aerialist) in Residence. She was the first female Capoeira performer in the U.S. and in Hong Kong. She has have studied philosophies, ethics and spiritual integration techniques with Masters in Brazil and in the U.S. Jade has Produced/Directed and performed in a number of theatrical shows. She is a dancer, a writer, a poet, an aerialist, an actress, an artist, an activist, an activator, an alchemist, and an art administrator. She has worked for KC Friends of Alvin Ailey, Aquarius, Youthfriends, The Boys and Girls Club, KCK Public Schools, Storytellers Inc. Charlotte Street Foundation, She is a founder of Voler Thieves of Flight, a graduate of Artist Inc., a performer/producer with multiple KC Fringe shows under her dance belt, as well as collaborative work with Quixotic Fusion, Dance in The Park, JAZZOO, ArtsKC, Latenight Callers, Monta, Lawrence Busker Festival, ACLU, KC Renassance Festival, Nelson Atkins Museum of Art, and Big Bang Buffet just to name a few. Jade has served as Director for Art In The Loop.

Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of free interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation. Learn more at http://www.artiststhrive.org.

Diane Scott & Jade Osborne, thank you for being with us on Wednesday MidDay Medley

The ARTISTS THRIVE 2026 Summit in Kansas City, is on March 24, 25, and 26, at the Ewing Marion Kauffman Foundation For more information on the 2026 Artists Thrive Summit you can visit: http://www.artiststhrive.org

10:35 – Underwriting

10:37 – Music from OUTER REACHES

  1. Nite – “Sleepless Through The Nite”
    from: Sleepless / wearethenite / August 26, 2021
    [NITE is an alternative band inspired by the sounds of Darkwave, Synthpop, and Post-Punk. Based in Texas, twin brothers Myles and Kyle Mendes, along with drummer Phil Helms, craft music that bridges the gap between dark nostalgia and modern electronic pop. // Big, dark, dance music. Guitars, synthesizers, and dueling twin vocalist combine to make the songs you’ll dance to for the next thirty years. // Their recent singles — “All Your Pain,” “Have Mercy,” “Price For Heaven,” and “Our Light Will Never Die” — showcase their ability to blend haunting melodies with driving beats. “All Your Pain” gained viral attention through Facebook and Instagram nostalgia posts, earning a spot on Spotify’s Dark and Gothic playlist and solidifying NITE’s reputation as a band to watch. // Fresh off tours with Dead on a Sunday, The Funeral Portrait, Small Black, Empathy Test, and The New Division, NITE has captivated audiences across the country with their magnetic live performances. Whether crafting songs about love, loss, or resilience, NITE continues to illuminate the darker corners of the human experience.]

[Nite plays Outer Reaches Fest on Saturday, March 14, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, with Panic Priest, Reviser, Redder Moon, and Juliette Frost. Info: http://www.outerreachesfest.com]

  1. REVISER – “Dead Eyes”
    from: DOLOROSO / REVISER / March 1, 2026
    [Reviser recently released “THE FLAMES” is the first single from REVISER’s new album “DOLOROSO” released digitally on all streaming platforms own March 1, 2026. Released on Vinyl via Bandcamp on May 1, 2026. “THE FLAMES” is a post-punk / goth-rock anthem., presented as a clarion call in these dark times. The song is energetic, driving, and intense, with insistent bass and drum machines, guitars that weave around each other, buzzing keyboards, and lyrics sung intensely that question whether the listener will be joining this call to justice with them. The song calls to mind “In Shreds” by The Chameleons or “Dark Entries” by Bauhaus, and lets plenty of REVISER’s own smoldering snarl and fiery energy carry this torch forward. REVISER is: Dawn Don on backing vocals, Dedric Moore on standard guitar, and Krysztof Nemeth on lead vocals & baritone guitar. As part of the Kosmic City collective of regional post-punk, goth, darkwave acts, REVISER spent 2025 successfully cementing itself as a black beacon of dark musical energy. // 2026 sees REVISER release their new album “DOLOROSO”; 8 songs as a digital and vinyl release, showcasing what the band has become over it’s journey to now. Sometimes dark and brooding, sometimes romantic and longing, REVISER’s sound on collects the classic vibes of 80’s post-punk, goth-rock, and darkwave into something both familiar and foreign, a sound that is dark, deep, and danceable. Calling to mind legendary acts such as Sisters of Mercy, The Cure, The Chameleons, and Echo & the Bunnymen, REVISER sounds complimentary to such contemporaries as Actors, House of Harm, Drab Majesty, and Traitrs. Considering this moment in time, REVISER emphasizes standing strong with our communities to support inclusivity and equality and is absolutely against Fascism, Racism, Xenophobia, Homophobia, and Transphobia. // REVISER released their singles “DEAD EYES” on October 16, 2025, “CELESTINE” on February 28, 2025, “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. These previously five singles, individually released, have all been remixed and remastered for their new album DOLOROSO, and include Dawn’s vocals on them, now. REVISER is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.] [REVISER opened for Lene Lovich at recordBar, on Nov. 5, 2025. Info: http://www.reviser.bandcamp.com / http://www.instagram.com / http://www.kosmiccity.com]

[Reviser plays Outer Reaches Fest on Saturday, March 14, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, with Panic Priest, Nite, Redder Moon, Juliette Frost. More info at: http://www.outerreachesfest.com]

[Reviser plays a Kosmic City Goth Night at miniBar, 3810 Broadway Boulevard, KCMO, Monday, April 20 at 7:00pm with Feyleux, and Stranger Gallery.[

10:45 – Interview with Steve Tulipana, Dedric Moore, and Nathan Reusch

Dedric Moore is a Kansas City, Kansas, based musician, producer, songwriter, vocalist, videographer, Audio Specialist. For over 20 years Dedric has been manager of Monta at Odds renamed Monta and currently Religion of Heartbreak. Dedric is also the co-founder of the bands: Reviser, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records. Dedric started the KC Psych Fest in 2012. Over the years KC Psych Fest has evolved to become Outer Reaches Fest. For nearly 13 years Dedric worked as Audio support contractor for Sporting Kansas City. More information at http://www.kosmiccity.com

Steve Tulipana is best known as the lead singer of the band Season to Risk, which formed in 1989 and is recognized for its noise rock and indie rock style. Tulipana has a captivating stage presence, drawing comparisons to iconic performers like Iggy Pop and Nick Cave. In addition to his music career, he is involved in the local music scene as a venue owner, contributing significantly to the cultural landscape of Kansas City, Steve is also a member of the bands: Roman Numerals, Violenteers, Thee Water Mocassins, Men of Men, The Band That Fell To Earth, and Dan Jones and The Squids. Steve is also co-owner and Manager of recordBar, miniBar, and Lemonade Park along with business partner Shawn Sherrill.

Nathan Reusch is co-founder of The Record Machine an area music label that next month is celebrating 23 years! Nathan Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ. Bobcat Attack released The Year of The Bobcat on Les Bon Bons Electriques – The Record Machine on August 1, 2025. It was part of WMM’s 120 Best recordings of 2025

Nathan Reusch thanks for being with us on WMM.

Dedric Moore, Steve Tulipana, and Nathan Reusch join us to discuss Kansas City’s Outer Reaches Fest taking over recordBar & miniBar on Friday, March 13 and Saturday, March 14 — two nights of psych, shoegaze, electronic, darkwave, and beautifully out there, left-of-center, and under-the-radar artists. The March 13th show at recordBar features Doubledrag, Violenteer, Modeling, Bobcat Attack, and RxGhost. The March 13th show at miniBar features: Hashtronaut, Momovudu, and Buzzard Fight. And the March 14th show at recordBar features: Nite, Panic Priest, Reviser, Redder Moon, and Juliette Frost. More info at: http://www.outerreachesfest.com

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution.

The Record Machine is the collective sum of individuals, life experiences, knowledge, self-expression, and talent; our artists represent a significant part of not only our culture but our company’s reputation and achievements. We embrace and encourage our artist’s differences in race, ethnicity, gender identity or expression, religion, sexual orientation, and other characteristics that make our community unique.

Kansas City’s Outer Reaches Fest taking over recordBar & miniBar on Friday, March 13 and Saturday, March 14 — two nights of psych, shoegaze, electronic, darkwave, and beautifully out there, left-of-center, and under-the-radar artists. More info at: http://www.outerreachesfest.com

10:55 – Music from OUTER REACHES

  1. Modeling – “at Variance”
    from: “at Variance” – Single / Modeling Music / August 12.2025
    [Written and Recorded by Modeling. Produced and Mixed by Modeling. Mastered by Robin Schmidt. Modeling is a three -piece band of Connor, Ryan, and Cuinn whoo are based in Fayeteville, Arkansas.]

[Modeling plays Outer Reaches Fest on Friday, March 13, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, with Doubledrag, Violenteer, Bobcat Attack, and RxGhost. More info at: http://www.outerreachesfest.com]

11:00 – Station ID

  1. Redder Moon – “In The Darkest Night”
    from: “In The Darkest Night” – Single / Redder Moon / December 21, 2025
    [Released for Winter Solstice. Performed by Jeremiah James Gonzales and Jason Scott. Jeremiah James Gonzales is originally from in rural Idaho. After a couple years spinning his wheels at community college he discovered an outlet playing top 40 rock tunes with a non-profit organization that led him to spend months touring places like Brazil, India, Poland, as well as in the United States, from 1998 to 2001. Making many friends around the world, Jeremiah kept in touch with a drummer friend from Nigeria who had somehow landed in Kansas City. In March of 2001 Jeremiah James accepted what was supposed to be a 3-month tour of the Midwest playing bass in a hard rock band. One thing led to another and now it’s been 20 years in KC. Redder Moon is a Kansas City based band led by Jeremiah James Gonzales using analog synths, dark dance beats, dreamy guitars, we create Mono No Aware music. The band began as one of Gonzales’ many music projects, although more electronic than his other work with Knife Crime, Be/Non, Rhunes, Elevator Division, Umberto. The band released their EP, LAND OF THE BLIND on June 13, followed by the album, HELL IS OTHER PEOPLE, on November 5, 2021, and If Your Falling Dive on August 28, 2025.]

[Redder Moon plays Outer Reaches Fest on Saturday, March 14, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, with Panic Priest, Nite, Reviser, and Juliette Frost. More info at: http://www.outerreachesfest.com]

11:04 – More Interview with Steve Tulipana, Dedric Moore, Steven Tulipana, and Nathan Reusch

Steve Tulipana, Dedric Moore, and Nathan Reusch join us to discuss Kansas City’s Outer Reaches Fest taking over recordBar & miniBar on Friday, March 13 and Saturday, March 14 — two nights of psych, shoegaze, electronic, darkwave, and beautifully out there, left-of-center, and under-the-radar artists. The March 13th show at recordBar features Doubledrag, Violenteer, Modeling, Bobcat Attack, and RxGhost. The March 13th show at at miniBar features: Hashtronaut, Momovudu, and Buzzard Fight. And the March 14th show at recordBar features: Nite, Panic Priest, Reviser, Redder Moon, and Juliette Frost. More info at: http://www.outerreachesfest.com

The organizers of Outer Reaches, an annual live music festival operating since 2012, have announced the official date for the 2026 events. Fri. March 13 at recordBar (1520 Grand Blvd) and miniBar (3810 Broadway Blvd) and Sat. March 14 at recordBar in KCMO.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Outer Reaches is a music festival based in Kansas City that showcases the ‘out there’, left-of-center, under-the-radar artists experimenting within and pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of experimental music around the globe. There has always a strong tie to music that would fit into the realm of psychedelic music, but the festival has since opened up to more genres with a goal of promoting all music that is adventurous and mind expanding.

The concept for Outer Reaches was started in 2012 as KC Psych Fest by Dedric Moore, owner of recording space HQ and member of Kansas City experimental groups Monta at Odds, Gemini Revolution, and Mysterious Clouds. Before this festival, there often wasn’t a venue or forum for left-of-center music in Kansas City and these acts would often be stuck on one-off underground shows. He pitched the idea of a festival specifically for psychedelic music to the Kansas City, Kansas arts space FOKL and an all-night planning session was held with the assistance of Justin Wright of Expo ’70.

The first KC Psych Fest took place at FOKL arts space in Kansas City, Kansas over three days in mid-May 2012. Utilizing the upstairs and downstairs of the space and projecting video onto 3D sculptures (courtesy of VJDN8 and Sam F), it created a wild backdrop of visuals to go along with the mind-bending music. Highlights of that first year include sets by Be/Non, Mr. Marco’s V7, Umberto, Gemini Revolution, Monta at Odds, Expo ’70, Metatone, The Conquerors, and Jorge Arana Trio.

Year two of the festival shifted to a multiple venue event in Kansas City, Kansas. Once again the festival was held in May and coordinated by Dedric Moore and FOKL. Early shows happened at the Dedric’s recording studio HQ and late shows in the downstairs space of FOKL. Several of the mainstays from year one performed for year two, with some exciting up-and-coming acts such as Your Friend, Stacian, Aaron Martin, and Bloodbirds peppered in.

After hosting 25+ bands each of the first two years, the FOKL art space shifted focus in 2013. Steve Tulipana, longtime appreciator of experimental music and the owner of Kansas City, Missouri music venue The recordBar, offered up the venue as a future home for the KC Psych Fest. The event was moved to recordBar (and Missouri) for a three day festival and changed to a fall event in early October. Brenton Cook, the owner of Kansas City cerebral indie music record label Haymaker Records, also jumped on board to help in the planning for the event. KC Psych Fest 2014 continued to feature the great local Kansas City experimental / psych acts, but the additional space and established venue environment allowed for some touring national acts to join the festival. Magic Castles, Gringo Star, White Mystery, Bailiff, and Darsombra joined the lineup of the twenty local bands already on board.

KC Psych Fest 2015 saw yet more changes to the configuration. Rather than a having the event as a fixed weekend festival, the event was broken out into multiple events over the course of the year. The first event was held at Kansas City rock club The Riot Room and featured UK / Austin psychedelic rock band Ancient River, joined by local backing bands HMPH!, Mysterious Clouds, and Drugs & Attics. The second event for 2015 was held at MOD Gallery in the Crossroads Art District as part of the 11th annual Crossroads Music Fest. Local acts Dark Satellites, Riala, Freight Train Rabbit Killer, The Philistines, Janet the Planet, and 3 Son Green played a Haymaker Records / KC Psych Fest curated stage at the Kansas City music festival. The main two-day KC Psych Fest 2015 was held October 2nd and 3rd at recordBar once again, being a tie-in with the 10-year anniversary of the recordBar venue. The line-up featured some staples of the Kansas City music scene like Jorge Arana Trio, The Philistines, and Be/Non as well as some new arrivals like Via Luna and Merlin Some great touring acts were lined up for the 2015 festival with Holy Gallows, The Van Allen Belt, Crushed Out, Wet Socks, and DFA Records’ own Slim Twig.

2016 saw a lot of changes for the festival. First off, the official festival was rebranded from KC Psych Fest to Outer Reaches. This included new organization, a new website, a new logo, and new marketing campaign. Two events were held in early 2016, the first was a show in collaboration with the Charlotte Street Foundation and held at La Esquina, showcasing the artwork of Kevin Harris from St. Louis and showcased live sound and visual collaboration performances from Expo ’70 and Eric Hall. The second event was in support of Canadian band Living Hour and featured support from Kansas City bands Rachel Mallin + The Wild Type and New Baboons. The first event under the Outer Reaches name is the official 2-day festival on September 30th and October 1st, 2016. Outer Reaches 2016 was held at the newly located recordBar location at 1520 Grand Blvd. For the first time since the first year of KC Psych Fest, the festival had a multiple stage setup for a near non-stop barrage of adventurous music. Day 1 featured nine acts featuring 7 bands from Kansas City / Lawrence area and national touring acts Open Fields and L.A. Witch. Kansas City’s only Balinese Gamelan group, Gamelan Genta Kasturi, will make a notable first appearance this day. Day 2 features 7 bands from Kansas City / Lawrence and features national touring acts Gramps the Vamp and Magic Sword. Kansas City native Michael Angelo performed as Michael Angelo’s Dreamfeast, marking the first time that any of his songs from his infamous self-titled (and critically acclaimed re-release) album from 1977 have been played outside of his Pop Montreal performance the week before. With the new rebranding of the festival, it allowed for the fest to branch out from being an exclusive “psych” music event to a fest that better embraces all genres of music with an emphasis on the acts that are really pushing the boundaries of their representative genre. Shoegaze, folk, blues, punk rock, and funk groups are notably making appearances on the 2016 Outer Reaches bill.

2017, with a year under the name Outer Reaches brand, the festival went bigger than it had ever gone before. Efforts were focused on only doing a single event with a single stage, but working with bigger national acts than ever before. Work began in February to book the two-day fall Outer Reaches 2017 festival. There was also a considerable effort made to upgrade the stage presence, utilizing video production group XO Blackwater to incorporate live video mapping to printed Outer Reaches logo elements on stage. Once again the event was held at the new recordBar location at 1520 Grand Blvd. Night 1 on Friday, September 29, 2017 featured five acts featuring including national touring acts Deerhoof (San Francisco, CA), Lily and Horn Horse (New York City, NY), and Matches (Chicago, IL) as well as Kansas City acts Various Blonde and Mysterious Clouds. Night 2 on Saturday, September 30th featured national touring acts El Ten Eleven (Los Angeles, CA), Dead Rider (Chicago, IL), and Sego (LA, CA). KC was represented on Saturday with Pageant Boys and a special rare appearance of KC supergroup The Hearers.

2018 will feature two events on the year. The first event is a one-day festival at recordBar on Friday, April 20th called Outer Reaches Explores the World. This is a new format with an emphasis on artists inspired by rhythms and traditional instruments of the world, who have incorporated this sound in creative ways to construct new boundary-pushing music. This isn’t a “world music” event per se and will still feature the familiar format of left-of-center music, it just has more of a worldly feel to it. This special event has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund and will function as a benefit for Midwest Music Foundation. Artists performing at this event include SUNU, Enrique Javier Chi (of Making Movies), Harptasia feat. Calvin Arsenia, Teri Quinn, and Brandon Draper‘s interactive lecture and world percussion workshop Drum Safari.

As the festival continues to grow and changes, we maintain our gaze forward – embracing those musical acts that push the Outer Reaches.

Dedric Moore, Steve Tulipana, and Nathan Reusch, thank you for being with us on WMM

Kansas City’s Outer Reaches Fest taking over recordBar & miniBar on Friday, March 13 and Saturday, March 14 — two nights of psych, shoegaze, electronic, darkwave, and beautifully out there, left-of-center, and under-the-radar artists. More info at: http://www.outerreachesfest.com

11:14 – Music from OUTER REACHES

  1. Juliette Frost – “Drowning in a Glass of Water “
    from: Drowning in a Glass of Water – Single / Juliette Frost / September 5, 2025
    [Juliette Frost released the EP personal logs on March 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. personal logs was a small collection of personal notes and feelings collaged into 3 tracks which have been sliced and diced like curry ingredients. // Juliette Frost released the single “Carbon Copy (radio edit). On March 22, 2024. // Juliette Frost released the single “Wizard Trance” with Not Nymph Yet, on December 20, 2023, // Juliette Frost released the single “UeyuAau,” on December 13, 2023. // Juliette Frost released the single “Night Owl,” on April 13, 2023. // Juliette Frost released the single “Fruits of Our Tree,” on December 11, 2022. // Juliette Frost also released the single “Sylvrface,” on February 8, 2021. // Juliette Frost also released the single “Parallel,” on February 8, 2021. // Juliette Frost also released the17 track album, “Lepidoptera” on February 8, 2021. // Juliette Frost also released the single “Streetwalker,” on February 8, 2021. // Juliette Frost recorded a 6-song EP HUSH on May 5, 2021, that was created in a 5-day recording session, in December 2020 in Los Angeles, with musician, bassist, & producer Dominique Sanders. The songs, written by Juliette, feature her vocals layered in harmonies, beats and soundscapes. // Juliette Frost also released the single “burd,” on February 8, 2021. // On April 18, 2020 Juliette released Subterranean.Egyptian.Sea.Monkeys, her 19-track, debut, recorded in her bedroom, when she was 16, sampling sounds from her own cats meowing and purring, among others. When Juliette was making the music for, Subterranean.Egyptian.Sea.Monkeys, she really wasn’t thinking of putting out an album. She was just creating music, and before she knew it she had all of these songs. // Juliette has had the opportunity to see the recording process from two very different perspectives: in a recording studio in LA, and in her own private bedroom, working by herself. Juliette says that she prefers the alone time, in her bedroom process, because she can translate her ideas into reality, much faster. Juliette says she realized her musical passion, and that she had the abilities to create music and songs when she was in middle school. // Juliette Frost went to Shawnee Mission North High School. Juliette is not only a songwriter and producer of music but she is also a visual artist who created amazing collage art, and is also a painter and fine artist. // Juliette grew up surrounded by music in her home, Juliette is the daughter of opera and jazz vocalist Emily Frost and nationally known Hip Hop Beatboxer Adrian “A-Train” Frost] [Juliette Frost played minibar, on October 23, 2024, with Belgium-based Ultra Sunn and Religion of Heartbreak.] [Juliette Frost played the Play Loud Fest celebrating 20 years of recordBar, at 1520 Grand Boulevard, KCMO on Saturday, September 27 , 2025.]

[Juliette Frost plays Outer Reaches Fest on Saturday, March 14, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, with Panic Priest, Nite, Redder Moon, and Reviser. More info at: http://www.outerreachesfest.com]

  1. momovudu – “Azrael Divine”
    from: momovudu II / momovudu / February 23, 2026
    [Three piece, Stoner Rock band proudly representing Kansas City, MO. Working class psychedelic response to the failures of human governance, the war between freedom vs control and self destruction vs universal love. Matt Watkins on guitar & vocals, Nate Keirsey on bass & vocals, and Matt Tidwell on drums & vocals. Psychedelic Groove Band – momovudu supports diversity, equity, inclusion, cultural exchange and free speech. More info at: http://www.momovudi.com and http://www.momovudu.bandcamp.com]

[momovudu plays Outer Reaches Fest on Friday, March 13, at 7:00pm, at miniBar 3810 Broadway Blvd. KCMO, with Hashtronaut, Momovudu, and Buzzard Fight.. More info at: http://www.outerreachesfest.com]

  1. RxGhost – “Undersaid”
    from: “Anytime But Now” / “Undersaid” – Singles / Celery Wolf / March 14, 2025
    [RxGhost also released the single“Sponsored Content”on July 10, 2025. RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and Recording engineer by Josh Thomas. Music by RxGhost and Lyrics by Josh Thomas. RxGhost released their single “Anytime But Now” / “Undersaid” on March 14, 2025. RxGhost released their album Scaffolding on April 11, 2024, part of WMM’s 120 Best Recordings of 2024. More info at: rxghost.bandcamp.com]

[RxGhost plays Outer Reaches Fest on Fri, March 13, at 7:00pm, at recordBar, 1520 Grand Ave, KCMO, w/ Doubledrag, Violenteer, Bobcat Attack, Modeling. RxGhost. http://www.outerreachesfest.com]

11:22 – More New & MidCoastal Releases

  1. LyMerrick – “XO Freestyle (Rafio Edit)”
    from: “Medicine” – Single / LyMerrick / October 1, 2024
    [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released the singles: “Medicine” on October 1, 2025, “Broadway” with Ikey Suave feat. TOP MEECH; Ephemeral”- EP on October 1, 2024; Singles: “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwalker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Song” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled debut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco.]
  1. Kemet Coleman – “What You Want From Me”
    from: Two Ships in the Night – EP / Kemet Creative (Vine Street Brewing) / March 6, 2026
    [Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A UMKC alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. In 2020 Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 KC-based musicians in the middle of the map of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home. Kemet Coleman released, BLACK IS BEAUTIFUL on Aug. 1, 2020. Kemet Coleman released the single “Eyes On The Street” on May 21, 2021.] [The Phantastics released their single “All That Fine”on May 6, 2022. The Phantastics are an 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Kimology on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the KC Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]
  1. Sara Bellum and the Brainwaves –”Outside”
    from: Outside” – Single / Sara Bellum and the Brainwaves / March 11, 2026
    [Sara Bellum and the Brainwaves are a 7-piece dance punk band based in Kansas City, Missouri. Their music combines danceable rhythms, rockin’ guitar riffs, and upbeat melodies paired with the uncommon instrumentation of viola, keytar, and foley art. The band’s inception began in theatre school where lead vocalist Sara Bellum first met guitarist MC Burnie Beta, sound designer Theo Theta, and vocalist/keytarist Zesty Zeta. Although it took many years for the band to fully form, these friendships developed the ground-work of what the group would become. After meeting violist Gemma Gamma, drummer Delma Delta, and bassist Athen Alpha, the band was fully assembled in late 2024, began performing live in January 2025, and started recording in April 2025. With the departure of Athen Alpha to attend college at the end of 2025, the Brainwaves welcomed bassist/keys player Spencer Synapse to join the group. Just as their name emphasizes the brain, much of the Brainwaves’ music and art focuses on mental health and healing. With the belief that mental health is just as important as physical health, they wish to build a loving community with their art.

[Sara Bellum and the Brainwaves play a single release show at The RINO 314 Armour Rd, North Kansas City, Friday, March 13, at 8:00pm with The 58 Overhead, and Katie & Michael.]

11:29 – Underwriting

  1. Cera Impala – “Gypsy Babe”
    from: Wildest Dreams / Cera Impala / November 18, 2022
    [Cera Impala is prolific songwriter and powerhouse multi-instrumentalist. Cera has toured internationally with The New Prohibition. Cera released her 5th album, “Wildest Dreams’, on November 18, 2022. She is currently recording a double album, Demeter’s Daughter (Part I), followed by Persephone (part II). “For lovers of Norah Jones, Billie Holliday, and Lana Del Rey, Impala’s charm, wit, and prowess are undeniable. It takes a songwriter with deep and clear understanding of theory and multiple technical disciples to make music this complex and nuanced sound utterly effortless. Run, don’t walk to bless your ears and soul with this delicious nectar.” – Calvin Arsenia. The banjo is the Swiss army knife of the dark side. http://www.ceraimpala.com

[Cera Impala plays Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com]

11:33 – Interview with Calvin Arsenia & Cera Impala

Calvin Arsenia a multi-instrumentalist, vocalist, teacher, writer, actor, model, designer, and artist. Calvin is also the curator at the Greenwood Social Hall. Calvin Arsenia was born in Orlando, Florida. His creative journey began when he moved to Olathe, Kansas, teaching himself guitar, piano, banjo. He learned the harp, at the age of 20. Calvin Arsenia first appeared on WMM on July 25, 2012. His passion for stretching the boundaries saw him transformed after a trip to Edinburgh, Scotland’s Fringe Festival early in his career. An Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, MOMENTS, in 2014, his EP, PROSE in 2015, and his Folk Alliance exclusive EP, CATASTROPHE in 2016. On February 14, 2017 Calvin released his full length debut, CATASTROPHE, with a live show at recordBar in November 2016, involving 50 people: dancers, body painting, stilt walkers. After signing to Center Cut Records, Calvin released the albums: CANTALOUPE in 2018, with a sold out show at The Gem Theatre on September 15, 2018. He then released, L.A. SESSIONS in 2019, along with the EP, HONEY DEW, the EP, GODDESS with Quixotic, and the holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “SUMMER IN HINDSIGHT,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin Arsenia released his 14 track album PARADISE to fans on June 23, 2023. His most biographical album yet, with songs about Black Lives Matter, racism, probation, gay love, and collaborations with Cheery, Kadesh Flow & Jametatone. KC Magazine hailed Calvin as “equal parts opera, symphony, musical theatre, rock show, all built around its creator, a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.” Calvin Arsenia was voted KC’s Best Musician in The Pitch in 2018, 2019, 2020, 2021, 2022, 2023, 2024, and 2025. He has been featured in Billboard, NPR.org. Calvin is the recipient of the Charlotte Street Foundation 2022 Generative Performing Artist Award, along with The Black Creatures. Calvin is also the co-creator of the podcast, “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. More info at: http://www.calvinarsenia.com

Calvin Arsenia thanks for being with us on WMM.

Cera Impala is prolific spell-casting songwriter who creates compositions that feel instantly familiar. A whiskey-honeyed voice and intimately crafted pieces take her audiences to another time and place, one of dreams and magic – sensual as they are savage. `Armed with a sound like an audio-hug’, this powerhouse multi-instrumentalist has been heard all over the world; toured internationally with her handpicked band, The New Prohibition. She is in currently recording a much anticipated double album, Demeter’s Daughter (Part I), followed by Persephone (part II). // Cera released her 5th album of beautifully reviewed original work, “Wildest Dreams”, available on all digital platforms, CD and Vinyl. Impala is an accomplished recording artist and session musician, having performed on recordings for Bella Hardy, Jellyman’s Daughter, and notable others. In 2019, Cera debuted a new duet project, Delightful Squalor (currently on pause), and is a member of the Dance bandits ‘psychedelic comedy ceilidh band’, and has been a previous imbedded touring and recording member of The Blackberry Bushes, Dark Green Tree, and the infamous queens of sass and harmony for years, The Bevvy Sisters.

Cera Impala, thanks for being with us on WMM.

Calvin Writes about Cera Impala: “For lovers of Norah Jones, Billie Holliday, and Lana Del Rey, Impala’s charm, wit, and prowess are undeniable. It takes a songwriter with deep and clear understanding of theory and multiple technical disciples to make music this complex and nuanced sound utterly effortless. Run, don’t walk to bless your ears and soul with this delicious nectar.” -Calvin Arsenia

Cera Impala leads a writing workshop Thursday, March 12, 4;00 to 6:30pm at Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com

Cera Impala’s art will be presented in a special show titled: The Living World of Girls Friday, March 13, at the Rejoy Gallery, third floor of The Leedy-Voulkos Art Center, 2012 Baltimore Ave., KCMO.

Cera Impala plays Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com

Cera Impala’s Half Moon Medicine: Impala hosts, curates and performs monthly at the Peoples Leisure Club in (previously held at the Jazz bar) in Edinburgh and curates annually for both Knockengorroch festival and Kelburn Garden party (festival) . Cera is passionate about supporting minority voices and helping the untold story get told and providing ‘The Cure For Wot Ails Ye’ via a regular heroic dose of her brand of ‘Half Moon Medicine’ and teaching her method of writing, collage and music in her bespoke workshop “The Distillary”

Greenwood Social Hall – Long term collaborator, ally, and friend of Calvin Arsenia, Peregrine Honig began hosting performing arts events in the Spring of 2017 at Greenwood Social Hall – the gently renovated historically Black Baptist Church formerly known as Greenwood Baptist Church. Over the years, Calvin Arsenia had filmed multiple projects in the space: Toxic music video, Convert Kit music video, and Live at Greenwood. As her season came to close near the end of 2023, Honig asked Arsenia if he would like to take the helm and make the place his own. He said yes and the rest, as they say, is history.

Monarch String Trio: Pop Queens on Strings play Greenwood Social Hall, 1750 Belleview Ave, Kansas City, MO Wednesday, March 11, 2026, Doors at 6:30 pm Music at 7:00 pm

Cera Impala plays Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com

Cera Impala and Calvin Arsenia thanks for being with us on WMM.

11:55

  1. Cera Impala – “Nothing”
    from: Wildest Dreams / Cera Impala / November 18, 2022
    [Cera Impala is prolific songwriter and powerhouse multi-instrumentalist. Cera has toured internationally with The New Prohibition. Cera released her 5th album, “Wildest Dreams’, on November 18, 2022. She is currently recording a double album, Demeter’s Daughter (Part I), followed by Persephone (part II). “For lovers of Norah Jones, Billie Holliday, and Lana Del Rey, Impala’s charm, wit, and prowess are undeniable. It takes a songwriter with deep and clear understanding of theory and multiple technical disciples to make music this complex and nuanced sound utterly effortless. Run, don’t walk to bless your ears and soul with this delicious nectar.” – Calvin Arsenia. The banjo is the Swiss army knife of the dark side. http://www.ceraimpala.com

[Cera Impala plays Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on Wednesday, March 18 we have a packed show with Singer songwriter Christena Graves. We also welcome our friend Ivory Blue. Also Dandelion Lakewood joins us LIVE in our 90.1 FM Studios. AND members of the Sass-a-Brass band also join us on the show!!!!

Some of the hundreds of guests who have appeared on Wednesday MidDay Medley

THANK YOU! THANK YOU! THANK YOU! to our special Wednesday MidDay Medley Listeners who donated to 90.1 FM KKFI‘s On-Air Winter Fund Drive! From our listening audience, 49 individuals stepped up to donate a total of $3,924.00!!!!!!!!!!!!

You can find our playlists at:
http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1138

WMM presents More New & MidCoastal Releases + Outer Reaches Fest + Calvin Arsenia & Cera Impala + Diane Scott & Jade Osborne

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 11, 2026

New & MidCoastal Releases + Outer Reaches Fest + Calvin Arsenia & Cera Impala + Diane Scott & Jade Osborne

Mark Spins New & MidCoastal Releases from: The Swallowtails, They’re Theirs, Keo & Them, Kemet Coleman, LyMerrick, REVISER, Sara Bellum and the Brain Waves, momovudu, RxGhost, Redder Moon, Juliette Frost, Jill Scott, Nite, Modeling, and Sera Impala

At 10:15am Diane Scott and Jade Osborne of Artist Inc and Mid America Arts Alliance join us to talk about ARTISTS THRIVE 2026 Summit in Kansas City, on March 24, 25, and 26. The 2026 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2026 Artists Thrive Summit you can visit: http://www.artiststhrive.org

At 10:45 Dedric Moore, Brenton Cook, and Nathan Reusch join us to discuss Kansas City’s Outer Reaches Fest taking over recordBar & miniBar on Friday, March 13 and Saturday, March 14 — two nights of psych, shoegaze, electronic, darkwave, and beautifully out there, left-of-center, and under-the-radar artists. The March 13th show at recordBar features Doubledrag, Violenteer, Modeling, Bobcat Attack, and RxGhost. The March 13th show at at miniBar features: Hashtronaut, Momovudu, and Buzzard Fight. And the March 14th show at recordBar features: Nite, Panic Priest, Reviser, Redder Moon, and Juliette Frost. More info at: http://www.outerreachesfest.com

At 11:30am Calvin Arsenia and Cera Impala join us to talk about Cera’s upcoming show at Greenwood Social Hall. Cera Impala is prolific songwriter and powerhouse multi-instrumentalist. Cera has toured internationally with The New Prohibition. Cera released her 5th album, “Wildest Dreams’, on November 18, 2022. She is currently recording a double album, Demeter’s Daughter (Part I), followed by Persephone (part II). “For lovers of Norah Jones, Billie Holliday, and Lana Del Rey, Impala’s charm, wit, and prowess are undeniable. It takes a songwriter with deep and clear understanding of theory and multiple technical disciples to make music this complex and nuanced sound utterly effortless. Run, don’t walk to bless your ears and soul with this delicious nectar.” – Calvin Arsenia. Cera Impala plays Greenwood Social Hall, 1750 Belleview Ave, Kansas City, on Sunday, March 15 at 7:00PM. More info at: http://www.greenwoodsocialhall.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1138

WMM Playlist from March 4, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 4, 2026

WMM Spins More New & MidCoastal Releases + She Said + Betse Ellis + Mara Williams + Joelle St. Pierre

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
    [WMM’s Theme]
  1. REVISER – “THE FLAMES”
    from: “THE FLAMES” – Single / REVISER / March 1, 2026
    [“THE FLAMES” is the first single from REVISER’s new album “DOLOROSO” released digitally on all streaming platforms own March 1, 2026. Released on Vinyl via Bandcamp on May 1, 2026. “THE FLAMES” is a post-punk / goth-rock anthem., presented as a clarion call in these dark times. The song is energetic, driving, and intense, with insistent bass and drum machines, guitars that weave around each other, buzzing keyboards, and lyrics sung intensely that question whether the listener will be joining this call to justice with them. The song calls to mind “In Shreds” by The Chameleons or “Dark Entries” by Bauhaus, and lets plenty of REVISER’s own smoldering snarl and fiery energy carry this torch forward. REVISER is: Dawn Don on backing vocals, Dedric Moore on standard guitar, and Krysztof Nemeth on lead vocals & baritone guitar. As part of the Kosmic City collective of regional post-punk, goth, darkwave acts, REVISER spent 2025 successfully cementing itself as a black beacon of dark musical energy. // 2026 sees REVISER release their new album “DOLOROSO”; 8 songs as a digital and vinyl release, showcasing what the band has become over it’s journey to now. Sometimes dark and brooding, sometimes romantic and longing, REVISER’s sound on collects the classic vibes of 80’s post-punk, goth-rock, and darkwave into something both familiar and foreign, a sound that is dark, deep, and danceable. Calling to mind legendary acts such as Sisters of Mercy, The Cure, The Chameleons, and Echo & the Bunnymen, REVISER sounds complimentary to such contemporaries as Actors, House of Harm, Drab Majesty, and Traitrs. Considering this moment in time, REVISER emphasizes standing strong with our communities to support inclusivity and equality and is absolutely against Fascism, Racism, Xenophobia, Homophobia, and Transphobia. // REVISER released their singles “DEAD EYES” on October 16, 2025, “CELESTINE” on February 28, 2025, “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. These previously five singles, individually released, have all been remixed and remastered for their new album DOLOROSO, and include Dawn’s vocals on them, now. REVISER is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.] [REVISER opened for Lene Lovich at recordBar, on November 5, 2025. More info: http://www.reviser.bandcamp.com / http://www.instagram.com / http://www.kosmiccity.com]

[Reviser plays a Kosmic City Goth Night at miniBar, 3810 Broadway Boulevard, KCMO, Monday, April 20 at 7:00pm with Feyleux, and Stranger Gallery.[

  1. Baby Augi – “keep going”
    from: “keep going” – Single / Baby Augi / February 6, 2026
    [Baby Augi is a 23-year-old multi-genre singer-songwriter from Kansas City, Missouri. Since February 2022 Baby Augi has released on 12-track album one EP and 25 singles. Known for his diverse musical style, he creates tracks that range from chill and sad vibes to uplifting and romantic moods. He has gained recognition for his work, including winning the 2024 Mysfit Award for “Best New Artist” and having his music featured on KKFI 90.1. 90.9 The Bridge, and “Warrior Radio.” Baby Augi actively shares his music on platforms like YouTube, BandLab, and Bandcamp, showcasing his talent across genres such as hip-hop, pop, and rap. More info at: https://linktr.ee/BabyAugi%5D

10:08 – Pledge Break #1

We interrupt our scheduled programming, KKFI is currently in day 10 of our 12-day On Air Winter Fund Drive. This is where we need YOU to be involved! We are breaking into our prepared programming, to encourage YOU to make a donation in support 90.1 FM KKFI YOUR favorite community radio station! Call us at 888-931-0901 or online at http://www.kkfi.org to DONATE!

Our special Winter Fund Drive co-hosts:

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For nearly 50 years Betse has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders who released 10 albums. Betse has released two acclaimed solo records, and records & performs with the bands Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Mará Rose Williams is The Kansas City Star’s Senior Columnist, she is the former assistant managing editor for race and equity issues. She has served as a member of the Star’s Editorial Board and she is an award-winning columnist. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs & racism on university campuses. She was a writer on The Star’s 2020 “Truth in Black and White” project, and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará is the creator, co-host and co-producer of The Kansas City Star’s radio series, VOICES OF KANSAS CITY, produced on collaboration with 90.1 FM KKFI

Mara Rose Williams thanks for being our guest on WMM

Also with us is Joelle St. Pierre, a friend of the show, a friend of Mark’s since the early 1990s when they worked together at Cafe Lulu. Joelle is a super volunteer for 90.1 FM KKFI, helping with KKFI’s special events, the Crossroads Music Festival, answering phones for our On-Air-Fund Drives, being a “Listener Evaluator” for KKFI’s Program Evaluation Initiative. Joelle works full time for an Insurance Company but also finds time to volunteer for Midwest Music Foundation, Folk Alliance International, and several other charity organizations. Joelle helped me build two school gardens in KCK with both having 18-raised beds, and also helped water gardens for several years. Poet Kahlil Gibran notes that “Music is the language of the Spirit. It opens the secret of life bringing peace, abolishing strife”.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

10:17 – WMM Spins More New & MidCoastal Releases

  1. Lava Dreams – “Chemistry”
    from: “Chemistry” – Single / Lava Dreams / February 18, 2026
    [Written by Lava Dreams and produced by Spencer Hoad. Lava Dreams (she/they) is a queer, multidisciplinary artist, performer, and songwriter based in Kansas City, Missouri – who’s been writing music for as long as they can remember. / Flourishing dreamy vocals, vulnerable lyrics, and visceral rhythms- hooking listeners through catchy melodies and electric performances – Lava Dreams is quickly becoming a striking figure in the Alternative Pop scene. / Lava Dreams released the single “Thirsty” on September 12, 2025, “Your Warrior” on August 9, 2024, “Driver” on May 24, 2024, “R.I.P. The Old Me” non July 28, 2023, “Thrill Ride” on July 1, 2022, “Galaxies” on July 9, 2021, and “The Amazing Wave” on January 8, 2021. Her 2020 project “GOOD ENERGY + FOCUS,” was praised by 909 The Bridge as one of the best EPs of that year. / Lava Dreams is dedicated to writing songs that lift the spirit and connect to the soul. Lava Dreams released the single. You can listen to Lava Dreams everywhere you stream music. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Lava Dreams (Julia Hamilton) is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. More info at: LavaDreamsMusic.com] [Lava Dreams played Apocalypse Meow 18, Saturday, November 1, at recordBar, with: Steddy P, Betse & Clarke (Electric), and Nathan Corsi & My Atomic Daydream.]
  1. Jessica Paige – “Oh Mister”
    from: Oh Mister – EP / Independent / March 6, 2026
    [Jessica Paige is a master storyteller, translating personal experience into music that is sophisticated, diverse in its influences, and instantly relatable. Her commanding voice has been described as equal parts Norah Jones and Janis Joplin, an uncommon union of sultry warmth & raw power. Jessica recently recorded her 2nd album at the legendary Bear Creek Studio. Jessica released her single “Kissing In The Rain” on April 27, 2022 Jessica released her breakthrough album SWEET NOTHINGS on September 18, 2015. Jessica also performs with Kadesh Flow. She’s opened for Corinne Bailey Rae, Hembree, Yes You Are, and Nicole Atkins. “She’s a must see with her strong stage presence and sultry vocals.” -The Heartland Today “The record showcases Paige’s gift for crafting lovely, indelible melodies and for her expressive, soulful voice, which shifts easily among several styles”- KC Star, 3-time American Idol semi-finalist. Official Showcase Artist – Folk Alliance International. Voted Best KC Vocalist (The Pitch 2018). The Best KC Music- KCUR 89.3. Info at http://www.jesspaige.com]

[Jessica Paige plays an Album Release Party on Sunday, March 8, at 7:00pm at The Greenwood Social Hall at 1750 Belleview Ave, KCMO.]

  1. Wills Van Doorn – “Sometimes / Rarely”
    from:“Sometimes / Rarely” – Single / Enigmatic Brunch Records / February 17, 2026
    [Second single from Wills Van Doorn upcoming solo album release ENDURO. Wills Van Doorn is a solo artist and a frequent collaborator of Kansas City musicians. He has played with Supermoto, The Creepy Jingles and Brent Windler’s band. He has honed his sound over the years until creating something of his own, he released the EP, RUN WITH YOU on December 11, 2020, and his debut album ROSEDALE SPEEDWAY on October 20, 2023, and he released a 4-song EP titled NIGHT OWL and OTHER SONGS on June 24, 2025. Will is getting set to release his upcoming new album ENDURO. Van Doorn has also been at work producing and engineering the upcoming Miki P solo record, and engineering the upcoming Swallowtails record. He recently relocated to Portland Oregon at the end of 2025. http://www.willsvandoorn.bandcamp.com]
Screenshot
  1. the eradicats – “I Ate a Sandwich”
    from: “I Ate a Sandwich” – Single / Celery Wolf Records / February 27, 2026
    [the eradicats released their singles, “Be My Baby” on August 15, 2025, “Smead” on July 18. 2025, “89 Batman” on May 13, 2025. the eradicats released their EP, best in show on October 2, 2024. Words by Kristi Who and Josh Thomas. Music by Josh Thomas, Chris Smead, Justin Brooks, and Kristi Who, Artwork by Kristi Who. // What if Pixies were funny? Black Francis specifically, Kim Deal is hilarious and the coolest person ever. What if They Might Be Giants grew up listening to punk? The eradicats answer these questions, and maybe even a few others, on their debut EP “Best in Show”.]

10:26 – Underwriting

10:27 – Pledge Break #2

WMM Winter Fund Drive Team: Betse Ellis, Mara Williams, & Joelle St.Pierre

90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph.

You’re the reason we’re able to stay alive and on the airwaves for all of these past 38 years.

Last year In 2025 Mark conducted over 175 interviews with 159 special guests:

Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry, Sandra Draper, Steve Tulipana, Day Shepherd, Tirzah DeMeire, Keyon Monté, Lee Sampson, Joel Stratton, Jim Hubbell, TheBabeGabe, TyFaison, Mitzi McKee, Don Simon, Morgan Holcomb, Bill Sundahl, Rick Truman, Nick Carswell, Brody Lowe, Fritz Hutchison, Mark Ronning, Iona DeWalt, Nan Turner, Amy Steinberg, Pete Kuhn, Brandon Day, Flare Tha Rebel, Margo May, Jared Bond, Tim York, Rita Hanch, Brock Johnson, Howard Iceberg, Chad Brothers, Julie Bates, Andrew Morris, Bess Wallerstein-Huff, Christopher Ruiz, Wills Nan Doorn, Sondra Freeman, Steddy P, David George, Scotty Sharp, Ben Wendt, Brock Wilbur, Nick Spacek, Gabe Rivera, Sara Swenson, Tommy Capps, Dirk Liebert, Graham Stone, Barry Lee, Chuck Haddix, Judy Mills, and Bill Brownlee.

In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of). On WMM we culled these releases for our specail mix of New & MidCoastal releases. In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves.

Since 2009 WMM has presented an end of year special The 120 Best Recording of the years, a 4-part, 4 week series. All of our Best of Lists and all of our weekly playlists are available at: Our “Best of Lists” can be found at: http://www.wednesdaymiddaymedley.org

10:35 – WMM Spins More New & MidCoastal Releases

One of Mark’s earliest interviews on 90.1 FM KKFI was with Krystle Warren. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman.

Kate McGarrigle was born February 6, 1946 – was a Canadian folk music singer-songwriter, who wrote and performed as a duo with her sister Anna McGarrigle.She is the mother of singers Rufus Wainwright and Martha Wainwright from her marriage to American singer-songwriter Loudon Wainwright III, which ended in divorce. Kate McGarrigle died on January 18, 2010.

A “Celebration of Kate McGarrigle” was held on May 12 and 13, 2011, at New York City’s Town Hall. Among the participating artists honoring her at these concerts were Martha Wainwright, Rufus Wainwright, Anna McGarrigle, Emmylou Harris, Lisa Hannigan, Norah Jones, Antony Hegarty, Jimmy Fallon, Krystle Warren, Justin Vivian Bond, Teddy Thompson, Jenni Muldaur, writer Michael Ondaatje and longtime friends and McGarrigle sidemen Chaim Tannenbaum and Joel Zifkin. The celebration was curated by Joe Boyd and filmed by Lian Lunson. Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle was released in June 2013; Sing Me the Songs: Celebrating the Works of Kate McGarrigle served as the film’s soundtrack.

Krystle Warren was asked to audition by Joe Boyd who had previously worked with her for a Nick Drake Tribute. When Krystle walked into the room, sitting behind a table was Rufus Wainwright, Emmylou Harris, Nick Cave and Neil Tennant (of The Pet Shop Boys). Krystle looked at the table and sort of freaked out. She asked if it would be okay for her to turn around from them to sing. She just couldn’t look at their faces. These were some of her musical heroes all staring at her.

She turned around, with her back to the table, and sang the song Kate had written that Krystle would sing in the show. When Krystle finished singing, she turned to face the table to find that Rufus Wainwright had left the room. Krystle immediately felt that she had failed. Leaving the room she began criticizing herself. Krystle said “I fucked it up, Rufus left the room I was so bad.” Joe Boyd who was present in the room said looked at Krystle and said,, “Oh no, you’re wrong kiddo, Rufus left the room because when he heard your voice singing his mother’s song, he lost it and started crying.

Krystle got the gig, and then Rufus hired her to go on tour with him, opening for him in concert, and singing back-up for him on stage during his show.

10:37

  1. Krystle Warren – “I Don’t Know”
    from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 2013
    [Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.] [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On WMM in 2021 Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

[Owen/Cox joins forces with internationally renowned singer/songwriter Krystle Warren for an evening of intimate and powerful music and dance. This world premiere will feature songs selected from Warren’s expansive catalog, including previously unreleased material. Krystle Warren will be joined by a stellar ensemble of musicians and dancers for this unforgettable performance. Friday &Saturday April 10 & 11 at 8:00pmand Sunday April 12, at 2:00pm at City Stage Theatre – Union Station.

[Jennifer Owen, Brad Cox and Krystle Warren will join us on Wednesday MidDay Medley on April 8, 2026.]

  1. Dimension Bill Edwards – “No Internet Dinosaur”
    from: “No Internet Dinosaur” – Single / Gordophonic Records / March 5, 2026
    [Dimension Bill Edwards released their album SUSTENANCE / Gordophonic Records / February 10, 2022. Dimension Bill Edwards released their single,“Surrealberry Hill” on Fat Tuesday, February 16, 2021. The single was inspired by band members move from the West 39th street area to Strawberry Hill in Kansas City, Kansas. The spoken word portion of the song is Matt reading from the Egyptian Book of The Dead. The release coincided with an amazing “Float House” that Melissa created for Mardi Gras in Pandemic times. Dimension Bill Edwards is a band that kind of organically formed through live performances at the Walnut Valley Folk Festival and the last set of the festival “Heavy Petting ZO0” held in the Pecan Grove an the band mameber’s association with the band KC Bearfighters. Dimension Bill Edwards is: Matt Weinman on lyrics, vocals & guitar; Melissa Weinman on lyrics, vocals & dance moves; Grant Buell on keyboards & accordion; Mallory Edson on violin; Phil Craven on bass & recording engineer; (John Bersuch on drums for “Surrealberry Hill”) ; Ike Golets on drums for future recordings and live performances. Matt and Melissa met John Bersuch when he moved in next door to them in Strawberry Hill on New Years Eve 2019. Grant Buell and Melissa Weinman are also in the band Good Time Charley. Phil Craven and Mallory Edson and Ike Goletz are also in the band, Whiskey for the Lady. Band members found a wooden sign that read” Dimension Bill Edwards? behinds Cupini’s on West 43rd Street. No one know what the sign was from or what it meant, but they decided to use this for the name of their band. More info at: http://www.dimensionbilledwards.bandcamp.com]

[Dimension Bill Edwards play a Single Release Party TOMORROW on Thursday, March 7, at 7:00pm at Greenwood Social Hall. 1750 Belleview Ave., KCMO with Rachel & Griffin.]

  1. Sky Smeed – “Nine to Five” (Live)
    from: “Nine to Five (Live)” – Single / Sky Smeed / January 14, 2026
    [Sky Smeed released his singles: “Bumper Sticker” (Live) on February 19, 2026; “What A Wonderful World” on June 12, 2024; “Why Do I Do It” on September 25, 2023; “Honeymoon Phase” on February 8, 2023; “Chicken of the Trees” on January 3, 2023 ; “True Love” on November 12, 2000 ; North Shore Trail on August 10, 2018; “If your Taught You Learn to Be Mean” on September 20, 2017; (Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River). To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Boulevard Beer Hall, 2534 Madision Ave, KCMO just across from the brewing facilty on the Boulevard Brewing Company’s campus, on Wednesday, March 4, at 6:00pm.]

[Sky Smeed will be celebrating the release of his 10th album at Greenwood Social Hall, 1750 Belleview Ave., KCMO on Saturday, April 4, 2026, Doors 6 p.m. Showtime at 7:00pm.]

10:49 – Pledge Break #3

WMM Winter Fund Drive Team: Betse Ellis, Mara Williams, & Joelle St.Pierre

Where do listeners go to learn more about: Environmental issues, Immigration, Labor rights, Renters Rights, LGBTQIA issue, Urban Issues, Women’s Issues, Native American Issues, Understanding Isreal Palestine, Educational Issues, School Boards and Local Politics, our area Prison Population, Economic Issues, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, National Headlines? Where do listeners go to hear: Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio. KKFI host 88 locally produce radio shows each creating weekly content to serve multiple communities of diversity across our listening audience.

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating healthcare & legal protections for women, equality, civil rights, jobs, minorities, people living with disabilities, children, rolling back equality for Transgender, Non-Binary & Queer friends. With the recent narrow passage of Trump’s Big Beautiful Bill – ICE now has an estimated budget of $150 billion between now and 2029—an annual average of $37.5 billion, which is higher than the military expenditure of all but 15 countries.

Things aren’t so good for pubic broadcasting. The president formally requested that Congress to rescind $1.1 billion in federal subsidies for the Corporation for Public Broadcasting (CPB), which lawmakers had already approved. Congress rescinded federal funding for the Corporation for Public Broadcasting, and public radio stations such as KKFI, KCUR, Classical KC, and 90.9 The Bridge have lost thousands in additional grants that help to sustain non-commercial broadcasters.

Music and the arts permeate almost every aspect of public media–from shows dedicated to music discovery and local artists to live on-air performances and concert calendars, public media provides access to music genres and artists that in many cases are ignored by commercial media.

Without federal funding from the CPB and CPB’s management of these music rights, public radio stations face a diminished capacity to deliver the quality and variety of music you rely on, both on the radio and through our streaming platforms. The loss of CPB’s role in securing music licenses is truly an existential threat for noncommercial public media.

KC’s noncommercial stations provide critical pipelines for new, local artists & music to be discovered, with many artists attributing their success to their start on public radio. We also bolster local arts economies by forging partnerships with local arts organizations and performance venues, creating opportunities for the community to engage with them.

10:57

  1. She Said – “Time”
    from: What! / May 10, 2025
    [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler, on bass. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Lyrics by Jennie Ferguson, music by Jennie Ferguson and She Said. Produced by She Said. Recorded and Engineered by Paul Malinowski at Massive Sound in Shawnee, Kansas. Mixing by Paul Malinowski and She Said. Mastered by Mike Nolte at Eureka Mastering. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

[She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners]

11:00 – Station ID

11:00 – Interview w/ Jennie Ferguson, Scott Mize, Matt Kesler of She Said and Hank Pendergraft KCKCC recording engineer student and musician.

She Said is a Kansas City super group – made up of veteran musicians Jennie Ferguson (PMS, Shotgun Solution), Scott Mize (Sylvan Grove, Pedaljets), Matt Kesler (Pedaljets, St. George & The Dragons), and Doug Hitchcock (Freedie Johnston, Hari Kari Trio of Doom), She Said delivers original Midwest rock with decades of experience and loads of soul.

Jennie Ferguson, Scott Mize, Matt Kesler, and Hank Pendergraft thanks for being with us on Wednesday MidDay Medley.

She Said released their debut album, What! on May 10, 2025, and was in the Top Five of WMM’s 120 Best Recordings of 2025.

She Said join us to premiere their new single, “You Remind Me,” recorded and engineered by Hank Pendergraft.

She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners.

More information at: http://www.shesaid3.bandcamp.com

A time warp of styles and substance, this supergroup of veteran musicians takes what it wants from the Rock-n-Roll canon and spits out a riotous sound. With nods to The Pretenders, Joan Jett, Stevie Nicks, Nancy Sinatra and a cosmic micro-dose of The B-52s, She Said confidently walks their talk into a new era of Midwestern power pop.

“They want to make the world a better place and their music is the perfect medicine for the times we are living through.” – Mark Manning MidDay Medley 90.1FM KKFI Kansas City Community Radio

She Said – Clad in classic western filigree and vintage Telecasters, She Said delivers the kind of punchy midcoast Rock and Roll that satisfies both the meat-and-potato music lover and the Americana cool kid. Each band member brings a unique flavor to the table with collective musical experiences steeped in punk, funk, jazz, country, and folk alongside off-beat sonic ventures. Less of a fusion and more of a collection of tastes, their range of influences lends itself to an infectious mixtape full of their own original tunes.

For the past 8 years, She Said bandmates have aligned creative paths to discover their own stylistic territory, as evident in their upcoming full-length album “She Said What!” Eschewing midwest nice for emotional grit, Ferguson does not pull punches with her driving guitar and honest lyrical delivery layered on a platter of Kesler’s vocal harmonies and pop punk basslines. Mize expertly lands the rock, blues and country licks while Hitchcock shakes up the backbone with classic beats that could land themselves in any decade.

About the band’s new single, “You Remind Me” Matt Kesler writes: A friend of the band, Jeff Pendergraft (of the band Big Iron) mentioned that his son, Hank Pendergraft was studying Audio Engineering at the Kansas City Community Collage and needed to record a band for his senior project. We jumped on the opportunity to help our young friend and record in one of the best facilities in the area. We went in with an idea and came out with “You Remind Me”. We recorded the song in one session then went back for several mixing sessions. Hank Pendergraft proved his understanding of the recording equipment and the software. He got an A+.

More information at: http://www.shesaid3.bandcamp.com

11:08 – Pledge Break #4

WMM Winter Fund Drive Team: Betse Ellis, Mara Williams, & Joelle St.Pierre

On Saturday, February 28, 2026 KKFI Celebrated 38 years on the air!

On May 13, 2026 – WMM will celebrate 22 Years on the radio.

As of this week WMM has done 1137 weeks, equal to 2274 hours of radio, over 18,000 hours of preparation, 3000 interviews, over 3000 guests, and nearly 25,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Joey Arias, Cheyenne Jackson, Iris Dement, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Tom Miller, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

We are inspired by our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

90.1 offers 100 different radio programs. 88 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 24 locally produced News, Public Affairs, Arts & Talk shows.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:16

  1. She Said – “You Remind Me” [BROADCAST PREMIERE]
    from: “You Remind Me” – Single / She Said / March 4, 2026
    [Recorded, engineered and mixed by Hank Pendergraft. Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler, on bass. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Lyrics by Jennie Ferguson, music by Jennie Ferguson and She Said. A friend of the band, Jeff Pendergraft (of the band Big Iron) mentioned that his son, Hank Pendergraft was studying Audio Engineering at the Kansas City Community Collage and needed to record a band for his senior project. We jumped on the opportunity to help our young friend and record in one of the best facilities in the area. We went in with an idea and came out with “You Remind Me”. We recorded the song in one session then went back for several mixing sessions. Hank Pendergraft proved his understanding of the recording equipment and the software. He got an A+.]

[She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners. ]

11:20 – More Interview w/ Jennie Ferguson, Scott Mize, Matt Kesler, and Hank Pendergraft.

She Said is a Kansas City super group – made up of veteran musicians Jennie Ferguson (PMS, Shotgun Solution), Scott Mize (Sylvan Grove, Pedaljets), Matt Kesler (Pedaljets, St. George & The Dragons), and Doug Hitchcock (Freedie Johnston, Hari Kari Trio of Doom), She Said delivers original Midwest rock with decades of experience and loads of soul.

She Said join us to premiere their new single, “You Remind Me,” recorded and engineered by Hank Pendergraft who also joins us.

Jennie Ferguson, Scott Mize, Matt Kesler, and Doug Hitchcock and Hank Pendergraft thanks for being with us on Wednesday MidDay Medley.

“You Remind Me” – She Said recorded the song in one session then went back for several mixing sessions. Hank Pendergraft proved his understanding of the recording equipment and the software. He got an A+.

She Said released their debut album, What! on May 10, 2025, and was in the Top Five of WMM’s 120 Best Recordings of 2025. She Said delivers original Midwest rock with decades of experience and loads of soul. She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners. More information at: http://www.shesaid3.bandcamp.com

She Said has loads of chemistry and it’s no wonder – mapping their longtime musical friendships and forays would take a series of Venn diagrams: From front woman Jennie Ferguson’s psych-pop girl band background with PMS and her days with guitarist Scott Mize in Shotgun Solution, to Mize’s jangly guitar project Sylvan Grove with bassist Matt Kesler into their legendary alt-punk band The Pedaljets. Drummer Doug Hitchcock plays with Kesler in the MidTown Jazz Quartet. He also has a rich musical history of his own. Hitchcock has played with Near Death Experience, They Might Be Giants labelmate Freedie Johnston, The Drummer’s Collective NYC, and the Hari Karaoke Trio of Doom known for filling the Knitting Factory in New York City with their dubbed out echoplex experiments.

As a KC supergroup, She Said masterfully holds their own in a midsize club or opening up for a national touring act. Their loyal fanbase brings the party wherever they play and with their new album in hand, they are ready to showcase how a band can wield both spirit and craft, in rooms across the Show-Me State and beyond. There’s nothing more entertaining than watching seasoned pros get their rock off. Yeah, that’s what she said.

Jennie Ferguson, Scott Mize, Matt Kesler, and Hankl Pendergraft thanks for being with us on Wednesday MidDay Medley.

She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners.

More information at: http://www.shesaid3.bandcamp.com

11:28– Underwriting

11:29 – Pledge Break #5

WMM Winter Fund Drive Team: Betse Ellis, Mara Williams, & Joelle St.Pierre

We offer Live in studio performances from: Howard Iceberg & The Matchsellers and Chad Brothers, Marmoppes, Beth Watts Nelson, ALBER, True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Julia Othmer, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell,

We make shows featuring: The Folly Theater, Extemporaneous Music & Arts Society, Lotus Pool Records, KC Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Kosmic City Records, Midwest Music Foundation, Artists Thrive!, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Whim Theater, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, “I’m So Glad” documentary film about KC Gospel Music, KC Fringe Fest, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent, the music of Palestine and Gaza

11:37 – WMM Spins MidCoastal Trans Artists

Last week in the Kansas City Star Mará Rose Williams wrote an opinion piece about Kansas Senate Bill 244, which Republican supermajorities in the Kansas Legislature voted last week to enact into law, overriding Gov. Laura Kelly’s veto, went into effect this week, prompting the national political action committee Trans Liberty PAC to issue a formal evacuation alert for transgender residents of Kansas.

The Kansas state government has invalidated the driver’s licenses and birth certificates of transgender residents who changed the gender on those documents, in accordance with a law that took effect on Thursday, February 26, 2026. – The move affects thousands of people.

Specifically, the new law invalidates transgender residents’ state identification documents, including drivers licenses, that include gender identification other than what they were issued at birth. The new law also requires people in government-owned buildings to use restrooms and other multi-occupancy private spaces that correspond with their sex assigned at birth.

“Kansas is the 21st state to restrict transgender people’s access to restrooms, but it’s the first to enact criminal enforcement, a private bounty mechanism, and retroactive ID invalidation,” Trans Liberty said in a statement on Thursday.

The PAC used national population data to estimate that 20,000 to 50,000 transgender people live in Kansas.

Affected residents must pay for their new driver’s licenses. The law also requires transgender people to use bathrooms and locker rooms in buildings owned or leased by government entities that match their sex assigned at birth.

  1. Jocelyn Nixon – “fight for your say”
    from: “fight for your say”- Single / Supe Brill Records / March 4, 2026 UNRELEASED
    [Last year Jocelyn Olivia Nixon released the single, “YOU AIN’T RIGHT! YOU MUST BE WRONG!” on May 2, 2025. Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. The Creepy Jingles are getting ready to release a new alum called WASHED UP coming this spring. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019.]
  1. Beverly Glenn-Copeland – “Shenandoah”
    from: Laughter in The Summer / Transgressive Records / February 6, 2026
    [Beverly Glenn-Copeland on vocals, Elizabeth Glenn-Copeland on vocals Alex Samaras on vocals & piano, Naomi McCarroll-Butler on clarinet and whistles. // From his bandcamp page: From the moment we are born, we begin the long walk home. Elizabeth and Beverly and Glenn-Copeland started down the path together nearly half a century ago, and have been trailing it since, hand in hand and song by song. Together, they’ve made a life sharing their unselfish hearts—ones too large for earthly configuration—through art and community, encouraging us all to take our own dance down the road with elemental love and grace. // Now, as Glenn lives with a version of Dementia known as LATE, their walk has taken on a different weight. Out of this season comes Laughter In Summer, an album the couple made together—realizing, before long, that it was a love letter to one another: a tender ledger of memories, shared devotion, grief and joy. We, as listeners, are privileged to enter the orbit of the Glenn-Copelands’ love. It is a generative force: a spine-builder, a river, a source of nourishment and vital life. Spending any time with Laughter In Summer can rouse us from slumber, reawakening instincts dulled by atomization and nihilism—and all that this love counters. // Laughter In Summer marks a return to the collaborative spirit that first bound Elizabeth and Glenn together all those decades ago. “I think the universe was conspiring to get us together for a long time,” Elizabeth says now. She was nineteen when she first saw him—Toronto, Jarvis Street, in a small restaurant. Onstage stood a figure with an enigmatic presence, dressed in a sweatsuit, playing piano and singing as though for no one but himself. For Elizabeth, nothing existed but the sound of that voice: plum-rich, tender, and assured. // After that night, she did not see or hear of Glenn again for a decade. She was pregnant with her daughter, Faith when a friend stopped her on the street and entreated, “Elizabeth, have you heard of Beverly Glenn-Copeland?!” She hadn’t. Into her hands the friend pressed one of Glenn’s homemade cassettes. On it were two songs: ‘Sailing On the Winds of Time’ and ‘Hold On’. Elizabeth played the latter for her unborn child, singing along as she carried Faith inside. // When Elizabeth had saved enough to record her own album in the nineties, ‘My Mother’s Eyes”, she longed to cover ‘Hold On’. She reached out to Glenn personally for his permission, and in that exchange, their friendship began. Theirs soon grew into a partnership rooted in music and spirituality. Elizabeth invited Glenn into the theater shows she produced, sometimes as collaborator, sometimes as co-producer. They shared stages, work, and vision. The seeds of Laughter In Summer—of creating music as a shared lifeline—were planted here, long before the album itself would exist. // Their love story truly began in the spring of 2007. Elizabeth, a single mother, sent a ferocious prayer to the universe: Please send me my mate. That same night she dreamt of Glenn, standing on a hill, moonlight behind him. She woke and called their mutual friend Maggie Hollis—who sang on Glenn’s ‘La Vita’—and told her of the dream. Maggie said Glenn was going through a divorce, and let her know, “Elizabeth, you would be perfect for him.” // Later that spring, Elizabeth attended Maggie’s wedding, knowing Glenn would be there. Afterward she called him. He was eating oatmeal with his oversized spoon, as he often did. Elizabeth told him about her dream: how he was reaching for her, gilded by the moonlight. On the other end of the line, she heard the spoon fall to the floor. Glenn would later say that it was his mother, who had recently passed, who brought Elizabeth to him. By the end that summer2007, they were in love. Their romance only emboldened their shared vocation: to make art in service of community, especially for children, so that the next generation might carry their message forward. In 2010, they left Toronto for the East Coast, drawn by lower costs and the call of the ocean and forests. There they founded KPH Theater Productions, a children’s theater school that flourished until 2016, when the local economy collapsed. Closing it was a difficult dream for the couple to relinquish. For years it had given them a grounded way to bring people together, to show how the arts could be a tool for belonging. // For too long, the story of Beverly Glenn-Copeland has overlooked the importance of local theater in his work, and, more fundamentally it has overlooked Elizabeth. The narrative built around Glenn has unwittingly echoed misogynistic forms of lionization, where the woman’s influence is diminished in favor of a sole male genius. But what of the woman who produced the shows that gave Glenn stages to stand on, arranged his music, raised children, built theater programs for other people’s children, paid the bills, carried him through the hardships of obscurity and the disorientation of belated fame? What of the woman who now, as Glenn lives with cognitive impairment, walks him home? “Behind every great man, a woman,” the saying goes. Glenn is keen to correct it: “In front of every great woman, a man.” // Now, Elizabeth has rightly taken her place as producer of Glenn’s work, shaping Laughter In Summer. The album’s title comes from a song born almost accidentally. Glenn, as his cognitive impairment advanced, began composing a series of instrumentals he called Songs With No Words, meant for listeners to write their own lyrics. One day he played one such piece for Elizabeth. Sitting by a lake, listening to loons and gazing at the sky, words rose up in her: laughter in summer, how I remember. “It was a very painful time,” she recalls, “because I was so aware of just how much of my sweetheart I was losing.” My life, my joy, on Earth, here, with you, she sang. The words came as a gift, as if from the loons themselves. // In 2024, before a Montreal performance, they were invited to spend a few days recording alongside producer and engineer Howard Bilerman (Godspeed You! Black Emperor, Vic Chesnutt, and Wolf Parade) at Hotel2Tango. There was no plan to make a record. They simply wanted to capture the songs they had been singing on tour, joined by a choir of Canadian voices gathered by their music director Alex Samaras. None of the singers had rehearsed with Glenn and Elizabeth. The first take of the first song, ‘Let Us Dance: Movement Two’, became the version on the album. Every other track you hear was recorded in a single take. // Other songs on the album reach further back. ‘Children’s Anthem’ dates from the couple’s early years together, written for a teachers’ workshop on bullying. Elsewhere, writing on their own ancestral lines, ‘Middle Island Lament’ recalls their years running the theater school on the Acadian coast, rooted in local history of famine, quarantine, and farewell. ‘Harbor’, written for Elizabeth’s birthday, reappears too, a song Glenn relearned by improvisation after memory loss, backstage at the Brooklyn Academy of Music, with Elizabeth’s hand in his. // As Glenn’s executive functioning diminishes, his musical being—“and I would say his heart self,” Elizabeth adds—only grows stronger. This, she believes, is the dividend of fifty years of Buddhist practice. But their love has been braided with grief. “One of the things both Glenn and I have contended with in this walk, walking him home, is the depth of our love for each other, and how it’s reflected in the depth of grief that we feel. As much as I’m losing parts of him, he’s said to me, ‘Honey, I’m also losing parts of you, because I can’t remember certain things anymore,’ and it breaks my heart.” // They refuse to look away from the sorrow. At least once a week, they sit together and name what is being lost. “Because when you deny an emotion,” Elizabeth says, “it becomes frozen within you.” The making of Laughter In Summer became another way of being present with each other—songs not just as compositions but as testaments. // “From the moment we are born, we are walking towards our deaths,” Elizabeth says. “And that’s okay. In order for there to be birth, there must be death.” Glenn tells her that when he goes, he will be able to be with her even more than now. For Elizabeth, the thought is both comfort and pain. But what sustains them both is Glenn’s refusal to stop giving. “Sometimes he’ll hold my hands and say, ‘I have so much more to give. I’ve got so much to give these young people.’” // As his wife and his caretaker, Elizabeth wants the world to show him its love for Glenn. She wants him to see how the world sees him; how it loves him, how it needs him. // And so, they keep walking. Let us join them, and dance down that road. // In 2020 Beverly Glenn-Copeland released Transmissions: The Music of Beverly Glenn-Copeland through Transgressive Records on Sept. 25, 2020. “There are three challenges in my life. The first is being black in a white culture. The second is being transgendered in a hetero-normative culture. The third is being an artist in a business culture” – Glenn-Copeland // Transmissions: The Music of Beverly Glenn-Copeland – A career retrospective release featuring music released over the last 50 years. “La Vita” was first released on Primal Prayer album under the moniker Phynix in 2004. Produced by John Herberman. Mixed by Composers Music Production. Additional vocals on La Vita by Maggie Dace Hollis. Electric Bass on This Side of Grace by Scott Alexander. Recorded at Composers Music Production studio in Toronto, ON. All tracks re-mastered by Guy Davie at Electric Mastering. Artwork of The Raven by Evelyn Wolff. Graphic design and layout by Traianos Pakioufakis. // Born into a family all of whom were very musical, essentially studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He went on to study classical music and then after a few years of concertizing he suddenly felt called to write music that would weave all the different musical cultures he had come to love. // Beverly Glenn-Copeland is a singer and songwriter who was born in Philadelphia, but has spent most of his life and career in Canada. He is a trans man. Glenn-Copeland began publicly identifying as trans in 2002. // In 1961, Glenn-Copeland became one of the first black students to study at McGill University in Montreal. // Glenn-Copeland started his career as a folk singer incorporating jazz, classical, and blues elements. He also performed on albums by Ken Friesen, Bruce Cockburn, Gene Murtynec, Bob Disalle, and Kathryn Moses, and was a writer on Sesame Street. He spent twenty-five years entertaining children as a regular actor on Canadian children’s television show Mr. Dressup. // His 1986 electronic album, Keyboard Fantasies, recorded using equipment including a Yamaha DX7 and a Roland TR-707, was rediscovered and given further attention in the 2010s. Before his gender transition was made public, the album was selected as one of the 70 greatest recordings by women by The Stranger. Keyboard Fantasies: The Beverly Glenn-Copeland Story, a documentary directed by Posy Dixon, was released in 2019. // Planned 2020 international tours to Australia, the United Kingdom, and other European destinations were re-scheduled to 2021 due to the COVID-19 pandemic. A fundraising campaign was then started to help Glenn-Copeland and his wife after the loss of their house that resulted from these changes; the campaign raised over $90,000.00.]
  1. Betse Ellis – “Question To Lay Your Burden Down”
    from: High Moon Order / Free Dirt / June 14, 2013
    [Betse Ellis with: Jason Beers, Jonathan Kraft, Josh Mobley, Mark Smeltzer, Michael Stover, Mike West. Recorded at 9th Ward Pickin’ Parlor, Lawrence, KS. Recorded, mixed and mastered by Mike West. Produced by Mike West and Betse Ellis. 2nd solo release from renowned fiddler, Betse Ellis. Betse Ellis is originally from Fayetteville, Arkansas. Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For nearly 40 years Betse has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders who released 10 albums. Betse is adept at the difficult technique of singing while playing the fiddle. Betse performs material, drawn from traditional American fiddle tunes, spirituals, original tunes, and her “personal old-time music”, influenced by avant-garde artists like Talking Heads, punk pioneers The Clash, and 19th century art music composer Gabriel-Mari. Betse has released two acclaimed solo records, and records & performs with the bands Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as tBetse & Clarke.]

[Starhaven Rounders play the Dinner Matinee show at The Ship, 1221 Union Ave, KCMO in the Historic West Bottoms on Friday, March 6 at 6:00pm.]

11:45 – Pledge Break #6

WMM Winter Fund Drive Team: Betse Ellis, Mara Williams, & Joelle St.Pierre

On February 28, 1988 folks from the Kansas City Community launched onto our airwaves KKFI 90.1 FM with hopes that through community radio we could help build our community, make it a better place, for our future, for those that follow and take our place. Today 38 years later 90.1 FM offers 100 radio programs, and 88 of these programs are locally produced, locally sourced, locally researched, locally presented by passionate and dedicated members of our Kansas City Community. Bucking all trends of commercially owned media, at KKFI, Diversity and Inclusion are part of our mission. Telling the stories of people who are under-represented is our mission. In a world where national corporations have purchased almost all local TV & Radio stations, KKFI has fought hard to remain free, locally loyal, a voice for those not represented in the corporately owned & cloned stations, or the rightwing talk, church owned christian stations, that proliferate the frequencies, through all of this, KKFI has worked hard to keep a little slice of the public airwaves alive for all of the people in our collective communities.

With shows locally produced about Native People, LGBTQIA People, Women, Working People, Black People, Ecological People, People in Prison, Stories of Middle Eastern and Latinx, KC Tenants, Understanding Israel Palestine, Economics For The People, Local elected leaders, Creatives, Artists, Poets, Musicians, Teachers, Theatre People, Dancers, Writers, Environmentalists, Historians, Activists, Survivors, KKFI’s News, Public Affairs, Arts & Culture programs go the distance with every show to represent and report of what is going on in our world here in Kansas City and the surrounding metro in our 80 mile radius of signal, and even farther on line digitally.

KKFI offers music shows produced by steadfast representatives from the diverse Music Community of Kansas City: Jazz shows 7 days a week hosted by professional Jazz Musicians; Reggae Shows throughout the week hosted by Reggae Royalty, Folk and Americana shows all week long hosted by folk musicians with decades of performances; Blues shows hosted by women & men who dearly love and live in KC’s enduring and nationally recognized blues community. Music shows that celebrate Independent, Local, Alternative, Soul and R&B, Punk, Hip Hop, Electronic, Vinyl only, Glam Rock, New Wave, Rockabilly, Tejano, Classical, K-Pop, LIVE!, Gospel, New!, World, Experimental, Old-Timey, House, Country, Heavy Metal, and so much more. Every show is produced, engineered and hosted by a real live person on the other end of the telephone.

90.1 FM is a miracle in broadcasting because hundreds of volunteers and active members keep it alive with their passion for the possibilities of radio, our most accessible media, available online, but also over the airwaves from our 100,000 watt tower that we own as a station and non-profit membership based organization.

Please help us survive. Reports show that 1 to 10 percent of listeners actually give back and donate in support of community radio. With your donation, YOU are the funder of something 100 other people will enjoy (for free) because of your donation. You are helping to build our community.

Big THANK YOU to my special co-hosts: Mara Williams, Betse Ellis and Joelle St. Pierre.
I’m Mark Manning. Thanks for listening!

11:54 – WMM Spins More New & MidCoastal Releases!

  1. Say That Again – “I’m Alright”
    from: “I’m Alright”- Single / Say That Again / March 6, 2026
    [Say That Again were formed in early 2020 with Will Kuenne on lead vocals & rhythm guitar, Trecen Peeler on bass, Vinnie Cascone on drums, and Carlos Nunez on lead guitar. Their music is a fun blend of Alternative/Indie Rock and Bedroom Pop that’ll get your toes tappinc g. Say That Again released their last album Get Over it on Feb. 23, 2024. Say That Again released their debut EP “Flying Cars” in Dec.cc of 2021 and just released their first full-length album, “Get Over It” on Feb. 23, 2024. Info: linktr.ee/SayThatAgainKC]

[Say That Again play The RINO, 314 Armour Rd, North Kansas City on Friday, March 6 at 7:00p, with Amble Haunt, and Malek Azraek & The Vibez]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 11, 2026 on Wednesday MidDay Medley

  • Diane Scott and Jade Osborne of Artist Inc and Mid America Arts Alliance join us to talk about ARTISTS THRIVE! a unique arts conference happening in Kansas City March 24, 25, and 26. //
  • Steve Tulipana, Dedric Moore, Brenton Cook, and Nathan Reusch about the Outer Reaches Fest Friday & Saturday March 13 and 14 at recordBar and miniBar with 13 bands and incredible visuals
  • Calvin Arsenia and Cera Impala join us to talk Cera Impala show at Greenwood Social Hall on Sunday, March 15 at 7:00pm.

You can find our playlists at:
http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1137

WMM Spins More New & MidCoastal Releases + She Said + Betse Ellis + Mara Williams + Joelle St. Pierre

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 4, 2026

WMM Spins More New & MidCoastal Releases + She Said + Betse Ellis + Mará Williams + Joelle St. Pierre

Mark Spins New & MidCoastal Releases from: REVISER, Baby Augi, Lava Dreams, Jessica Paige, Wills Van Doorn, the eradicats, Krystle Warren, Dimension Bill Edwards, Sky Smeed, She Said, Betse Ellis, Say That Again, Jocelyn Olivia Nixon, and Beverly Glenn-Copeland

At 11:00 we welcome members of the KC band, She Said, a super group of veteran musicians Jennie Ferguson (PMS, Shotgun Solution), Scott Mize (Sylvan Grove, Pedaljets), Matt Kesler (Pedaljets, St. George & The Dragons), and Doug Hitchcock (Freedie Johnston, Hari Kari Trio of Doom). She Said join us to premiere their new single, “You Remind Me,” recorded and engineered by Hank Pendergraft who also joins us. She Said released their debut album, What! on May 10, 2025, and was in the Top Five of WMM’s 120 Best Recordings of 2025. She Said delivers original Midwest rock with decades of experience and loads of soul. She Said play miniBar 3810 Broadway, KCMO on Friday, March 6, 2026, at 7:00pm, with Cher UK, Lorna K, and The Scriveners. More information at: http://www.shesaid3.bandcamp.com

Joining us for the entire show: Betse Ellis, Mará Rose Williams, and Joelle St. Pierre, serve us as special co-hosts for KKFI’s Winter On-Air-Fund Drive. We need YOUR support. Please call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

Betse Ellis is originally from Fayetteville, Arkansas. Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For nearly 40 years Betse has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders who released 10 albums. Betse has released two acclaimed solo records, and records & performs with the bands Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Mará Rose Williams is The Kansas City Star’s Editorial Board and an award-winning columnist. Mara formerly served as The Kansas City Star’s assistant managing editor for race and equity issues. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs and racism on university campuses. She was a writer on The Star’s 2020 “Truth in Black and White” project and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará Rose Williams was the creator and host and producer of Voices of Kansas City an award winning special series created by the KC Star with KKFI.

Joelle St. Pierre, is a friend of the show, a friend of Mark’ since the early 1990s when they worked together at Cafe Lulu. Joelle is a super volunteer for 90.1 FM KKFI, helping with KKFI’s special events, the Crossroads Music Festival, answering phones for On-Air-Fund Drives, being a “Listener Evaluator” for KKFI’s Program Evaluation Initiative. Joelle works full time for an Insurance Company but also finds time to volunteer for Midwest Music Foundation, Folk Alliance International, and several other charity organizations. Joelle helped Mark build two school gardens in KCK with both having 18-raised beds, and also helped water gardens for several years.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1137

WMM PLAYLIST from February 25, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 25, 2026

WMM Celebrates Black History with 20+ Black Artists & Bands from KC + Mará Rose Williams + D. Rashaan Gilmore + Sandra Draper

10:00 – WMM Celebrates Black History with 20+ Black Artists from Kansas City

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Various Blonde – “Silent Partner” – Single
    from: “Silent Partner” – Single / Various Blonde / April 11, 2025
    [One of three new singles released in the last few months from Various Blonde. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]

10:05 – WMM Celebrates Black History with 20+ Black Artists from Kansas City

  1. TheBabeGabe X The Human – “Rozzelle Court”
    from: HONEYPOP RELOADED / Seven Rings Media /Aug. 8, 2025
    [One of two full length albums release in 2025 by TheBabeGabe, the other being HONEYPOP on Seven Rings Media released March 5, 2025, both with production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.”]

10:08 – Pledge Break #1

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

Today WMM Celebrates Black History with 20 Black Artists & Bands from Kansas City

Special co-hosts:

Mará Rose Williams is The Kansas City Star’s Senior Columnist, she is the former assistant managing editor for race and equity issues. She has served as a member of the Star’s Editorial Board and she is an award-winning columnist. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs & racism on university campuses. She was a writer on The Star’s 2020 “Truth in Black amd White” project, and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará is the creator, co-host and co-producer of The Kansas City Star’s radio series, VOICES OF KANSAS CITY, produced on collaboration with 90.1 FM KKFI

Mara Rose Williams thanks for being our guest on WMM

D. Rashaan Gilmore is host of “Unbossed and Unbothered with D. Rashaan Gilmore,” on KKFI Saturday nights at 5:00pm. D. Rashaan Gilmore is a two-time Emmy Award winning host and producer of Flatland In Focus on Kansas City PBS. A life-long resident of Kansas City. D Rashaan is a community connector, organizer, collaborator, and AIDS activist, who serves as Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic. D Rashaan has also served as the Senior Field Organizer for PROMO, Missouri’s statewide LGBT equality and advocacy organization. Prior to Unbossed and Unbotheted D. Rashaan spent 4 years as part of the team of host & Producers on KKFI’s program The Tenth Voice.

D. Rashaan Gilmore thanks for being with us on Wednesday MidDay Medley.

Also with us is Sandra Draper a member of KKFI’s Board of Directors, Sandra was born in Kansas City and attended Paseo High School. Sandra became a student at Washburn University in Topeka, Kansas, and eventually returned to Kansas City to complete her last year graduating with a Bachelor of Arts degree studying history and communications from the University of Missouri at Kansas City. She is the mother of four children three sons and one daughter. While her children were all born on different years 1978, 1979, 1980, and 1984 two of her sons were born on the same day, and her daughter and other son were also born on the same day. For the past year Sandra has been volunteering at KKFI and has very recently began hosting, engineering, and producing her own radio show, Silky San’s Soul Sensations Mondays at 4:00pm to 6:00pm on 90.1 FM – KKFI.

Sandra Draper, Thanks for being with us on Wednesday MidDay Medley

90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 38 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve. We do all of this because of YOU and it is because of our incredible listeners, who take a moment and call 888-931-0901 and donate, that we are able to continue. You keep us alive! Our volunteers are waiting to hear from YOU right now. WE NEED YOU – MORE THAN EVER.

WMM Celebrates Black History with 20+ Black Artists & Bands from Kansas City

90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM & KKFI are committed to featuring artists under-represented in other media, and that includes KC & Lawrence Arts & Music Community, where for 22 years we’ve shined a light on artists, music labels, recording studios, & venues.

Wednesday MidDay Medley was the first radio show to ever play the recordings of: Calvin Arsenia, Stephonne, Madisen Ward and the Mama Bear, Krystle Warren, The Black Creatures, The Shy Boys, The Salvation Choir, The Creepy Jingles, Ivory Blue, Miki P., Kai McGarry, Rude Cousin. We were the first to interview these artists live on the radio and bring their music to a wider audience.

10:16 – WMM Celebrates Black History with 20+ Black Artists & Bands from Kansas City

  1. Malek Azrael – “You”
    from: “You” – Single / Malek Azrael / February 27, 2026
    [Malek recently wrote to me about this new single, saying,”This record means a lot to me. “YOU” lives in that pop/indie pop space with smooth R&B vocals and textures, blending traditional pop sensibility with the singer songwriter honesty I always try to bring. It’s about that unexpected moment of falling in love and choosing to be fully open — even when it feels a little scary. Very warm, very intentional.” // On March 1, 2025 Malek Azrael released the EP, FEELS LIKE. It was part of WMM’s 120 Best recordings of 2025. On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael plays the POP IS BLACK concert at Zhou B Art Center, 1801 East 18th St, Kansas City, MO, on Saturday, February 28, at 6:00pm, with Broderick Jones, Hailes, Shay Lyriq, and DJ Skeme – ending Black History Month on a high note!]

  1. HAILES – “Chess (Radio Edit)”
    from: FIVE (EP) / Magic Mango Music / September 29, 2025
    [Debut EP from KC based R&B artist HAILES. After graduating from Blue Valley West High School and briefly attending college, Hailes spent two years in the U.S. tour of The Wizard of Oz before moving to New York in 2017 to continue her acting career. COVID-19 shut down theatre and HAILES turned her energies toward writing music. When Broadway came back to life, HAILES returned to theatre and joined the Hadestown Broadway Tour for three years. While on tour Hailes continued writing music. // The music on her debut EP FIVE came from her time attending a writing camp in Austin, Texas. // HAILES told Cameron Castaldi of KJHK “On the road, I always had my recording equipment, so in every hotel that we got to, I would set up my little studio and write sporadically throughout the week.” // After living in New York City for the last seven years, R&B artist, songwriter, and actress Hailes is back home in Kansas City. She had her first concert in Kansas City on August 5, 2025 at The Blue Room. / More info at:www.hailes.komi.io/.]

[Hailes plays the POP IS BLACK concert at Zhou B Art Center, 1801 East 18th St, Kansas City, MO, on Saturday, February 28, at 6:00pm, with Broderick Jones, Malek Azrael, Shay Lyriq, and DJ Skeme – ending Black History Month on a high note!]

  1. Broderick Jones – “Tell Me (fest. Calio)”
    from: “Tell Me (feat. Calio)” – Single / Atlantic Recording Corporation / March 28, 2022
    [Broderick Jones is a pop sensation from Kansas taking the music scene by storm. He was born in Olathe, Kansas, where he grew up dreaming of one day becoming the greatest artist coming out of Kansas. Jones developed his zeal for singing when he was only a little kid. He dreamt of singing at events like the Super Bowl and Grammys and pretended to be on stage in his living room After his mother disallowed him from singing, Jones gave it up until completing high school. However, after high school, he again picked it back up. His 2014 debut album, “Cuddle,” quickly gained popularity with its catchy acoustic tunes. His 2016 feature on the “It’s Different” Pokemon Ü remix, was viewed 1 million times in less than 24 hours, and propelled him to the next level. Since then, he’s been featured on many successful projects and have racked up over 34 million views on YouTube alone. // With the release of his first EP, “Me,” in 2017 and his perfect blend of pop, R&B, and rap, his name has continued to grow locally and worldwide. Broderick’s singles “FaceTime” and “Where Did You Go” have solidified him as a rising star and someone to watch for the years to come. In early 2022, Broderick was chosen to represent Kansas in NBC’s hit TV show “American Song Contest,” hosted by Snoop Dogg and Kelly Clarkson. Placing in the top 10 in the competition. More info at http://www.broderickjones.com]

[Broderick Jones plays the POP IS BLACK concert at Zhou B Art Center, 1801 East 18th St, Kansas City, MO, on Saturday, February 28, at 6:00pm, with, Hailes, Malek Azrael, Shay Lyriq, and DJ Skeme – ending Black History Month on a high note!]

  1. Paris Williams “alien luv (feat. Saving Miles Lemon)” (clean edit)
    from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024
    [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the EP COCOA on December 10, 2020 . // He released the single , “Austin”on February 18, 2021. // Paris Williams released the single, “Sweeter” on July 9, 2021. // He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. // He released the single ,“Chunky”on April 20, 2022. // He released the single, “Hopscotch” on June 21, 2022. // Paris Williams released the EP REBEL HEART on January 31, 2023. This release was part of WMM ‘s 120 Best Recordings of 2023. // Paris Williams released the single, “Pack Light” on July 25, 2023. // Paris Williams with Globetrotters & Kaleab Samuel released the single, “C.est La Vie” on September 14, 2024, // Paris Williams with Globetrotters & Kaleab Samuel released the single, “Ayo (Feat TyFaison)” on September 18, 2024. // Paris Williams & The Human released the 10-track album, A Paris Williams Joint through Bitter Sweet Sound on November 19, 2024. This release was part of WMM’s 120 Best Recordings of 2024. // Paris Williams & TheBabeGabe released the single “Me Again” on April 28, 2025. // Paris Williams & Bloom Allen released the single “Truthfully” (radio edit) through BitterSweet Sound on August 12, 2025. // More info at: allmylinks.com/popstarparis]

[Paris Williams plays recordBar 1520 Grand Ave, KCMO, on Sunday, March 8, 2026 at 7:00 opening or Slum Village (Detroit Hip Hop royalty established in the early 1990s ) with Greg Enemy.]

10:27 – Underwriting

10:28 – Pledge Break #2

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

Today WMM Celebrates Black History with 20+ Black Artists from Kansas City

90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

90.1 FM KKFI is “Radio Powered By Diversity” For 38 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.

Last year in 2025 Mark conducted over 175 interviews with 159 special guests:

Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry, Sandra Draper, Steve Tulipana, Day Shepherd, Tirzah DeMeire, Keyon Monté, Lee Sampson, Joel Stratton, Jim Hubbell, TheBabeGabe, TyFaison, Mitzi McKee, Don Simon, Morgan Holcomb, Bill Sundahl, Rick Truman, Nick Carswell, Brody Lowe, Fritz Hutchison, Mark Ronning, Iona DeWalt, Nan Turner, Amy Steinberg, Pete Kuhn, Brandon Day, Flare Tha Rebel, Margo May, Jared Bond, Tim York, Rita Hanch, Brock Johnson, Howard Iceberg, Chad Brothers, Julie Bates, Andrew Morris, Bess Wallerstein-Huff, Christopher Ruiz, Wills Nan Doorn, Sondra Freeman, Steddy P, David George, Scotty Sharp, Ben Wendt, Brock Wilbur, Nick Spacek, Gabe Rivera, Sara Swenson, Tommy Capps, Dirk Liebert, Graham Stone, Barry Lee, Chuck Haddix, Judy Mills, and Bill Brownlee.

In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of). On WMM we culled these releases for our specail mix of New & MidCoastal releases. In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves.

Since 2009 WMM has presented an end of year special WMM’s 120 Best Recordings of the Year, a 4-part, 4 week series. All of our Best of Lists and all of our weekly playlists are available at: Our “Best of Lists” can be found at: http://www.wednesdaymiddaymedley.org

10:36 – WMM Celebrates Black History with 20+ Black Artists from Kansas City

The Lyric Opera of Kansas City Presents Porgy and Bess at the Muriel Kauffman Theatre – Kauffman Center for the Performing Arts 1601 Broadway, KCMO, on Saturday, February 28 at 7:30pm, Friday, March 6 at 7:30pm, and Sunday, March 8, at 2:00pm.

Presented for the first time in Lyric Opera history, Porgy and Bess is the quintessential American opera. The source of some of the twentieth century’s most beloved songs—including “Summertime”—this jazzy Gershwin score is unforgettable. The opera paints a vivid picture of life in the Charleston neighborhood Catfish Row.

  1. Calvin Arsenia – “Summertime”
    from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
    [from Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. // Calvin Arsenia a multi-instrumentalist, vocalist, teacher, writer, actor, model, designer, and artist. Calvin is also the curator at the Greenwood Social Hall. Calvin Arsenia was born in Orlando, Florida. His creative journey began when he moved to Olathe, Kansas, teaching himself guitar, piano, banjo. He learned the harp, at the age of 20. Calvin Arsenia first appeared on WMM on July 25, 2012. His passion for stretching the boundaries saw him transformed after a trip to Edinburgh, Scotland’s Fringe Festival early in his career. An Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, MOMENTS, in 2014, his EP, PROSE in 2015, and his Folk Alliance exclusive EP, CATASTROPHE in 2016. On February 14, 2017 Calvin released his full length debut, CATASTROPHE, with a live show at recordBar in November 2016, involving 50 people: dancers, body painting, stilt walkers. After signing to Center Cut Records, Calvin released the albums: CANTALOUPE in 2018, with a sold out show at The Gem Theatre on September 15, 2018. He then released, L.A. SESSIONS in 2019, along with the EP, HONEY DEW, the EP, GODDESS with Quixotic, and the holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “SUMMER IN HINDSIGHT,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin Arsenia released his 14 track album PARADISE to fans on June 23, 2023. His most biographical album yet, with songs about Black Lives Matter, racism, probation, gay love, and collaborations with Cheery, Kadesh Flow & Jametatone. KC Magazine hailed Calvin as “equal parts opera, symphony, musical theatre, rock show, all built around its creator, a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.” Calvin Arsenia was voted KC’s Best Musician in The Pitch in 2018, 2019, 2020, 2021, 2022, 2023, 2024, and 2025. He has been featured in Billboard, NPR.org. Calvin is the recipient of the Charlotte Street Foundation 2022 Generative Performing Artist Awards, along with The Black Creatures. Calvin is also the co-creator of the podcast, “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. ]
More info at: http://www.greenwoodsocialhall.com

Events at Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO

[Guinevere Goodwin + Fritz & Sons + Honeybee play Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Friday, February 27m 2926 at 7:00pm]

[Monarch String Trio: Pop Queens on Strings play Greenwood Social Hall, 1750 Belleview Ave, Kansas City, MO Wednesday, March 11, 2026, Doors at 6:30 pm Music at 7:00 pm]

[Cera Impala plays Greenwood Social Hall on Sunday, March 15 at 7:00PM]

  1. Laurent Marode & Eboni Fondren – “I’m Beginning To See The Light”
    from: Eboni Fondren With Laurent Marode Orchestra / Laurent Marode / September 10, 2024
    [boni Fondren is a dynamic vocalist who captivates audiences with her passionate performances and unmatched energy on stage. Known for her precise interpretations of jazz standards, beautifully infused with a touch of R&B, Eboni lights up every room she steps into. Her smooth, sultry vocals and lyrical storytelling leave listeners entranced, craving more with every note. // A graduate of the Everette DeVan School of Groove in 2012, Eboni has since risen to become one of Kansas City’s premier jazz vocalists. Whether fronting her own projects, such as Eboni and the Ivories, lending her talents to Lost Wax Band, or collaborating with the city’s finest musicians, Eboni is a staple of the Kansas City jazz scene, entertaining audiences with her soulful swing at top venues around town. // Her accolades speak volumes about her talent and impact. Eboni was named Favorite Jazz Vocalist by the KC Jazz Ambassadors for three consecutive years (2021, 2022, 2023) and Favorite Vocalist in The Pitch Best 2024. She was recognized as a “Woman to Watch” by Her Life Magazine and proudly represents Kansas City Jazz as part of VisitKC’s initiatives. Most notably, she represented the United States at the 2023 G20 Summit in Varanasi, India—a testament to her extraordinary artistry. // Eboni’s recent creative ventures include the release of her debut album, The Journey: To Kansas City with Love, in July 2024, and An American in Paris, recorded in Paris, France, with the Laurent Marode Orchestra, released in October 2024. With each project, she not only honors her jazz roots but also redefines what it means to be a modern-day jazz performer. // From Kansas City to international stages, Eboni Fondren continues to inspire with her passion, elegance, and infectious love for music.]

[Internationally acclaimed vocalist and entertainer. EBONI FONDREN brings her dynamic one-woman show, JAZZ: THE WOMEN WHO SHAPED ME to Quality Hill Playhouse, 303 West 10th St., KCMO on March 4 through March 15, 2026. Ms. Fondren amplifies legendary women of jazz, including Bessie Smith, Billie Holiday, Ella Fitzgerald, Sarah Vaughn and more]

  1. Jass – “Hope.Wav”
    from: “Hope.Wav” – Single / Jass / February 29, 2024.
    [Jass is Jasmine “Jass” Couch. Jass is currently working with her band Jass and the ConrtraBand.. Jass recently released the single, Autumn in The City” on September 22, 2025 This release captures Jass’s dynamic sound in a live band recording, tracked and recorded by bandmate Clarence Copridge. The smooth vocals from Jass and instrumentals of vibes and upright bass in this track are the perfect end of summer/welcome to fall track. // Jass writes, “My new single ‘Autumn in the City” s close to my heart—paying homage to my hometown and the fall season that inspires so much love and reflection. Huge thanks to everyone who came out and supported us.” // Jass released the EP APRIL SHOWERS on April 27, 2025. // Jass released the single “Hope.wav” on February 29, 2024. // Jass and The Boys released the single, “Daydream Girl” on August 25, 2023. // Jass and The Boys released the single “Gvn2u” on July 14, 2023. // Jass released the single, “Time&Space” on July 14, 2023. // Jass released the single, “Eye Contact.” // Jass released the single, “Lifetime” on January 6, 2023 // Jass and The Boys released the single “Love U Like I Love U” on December 2, 2022. Jass released the single “grow” on November 26, 2022. Jass released the EP, OFF KEY: TOO HIGH on September 23, 2022. Jass released the single “Higher Ground” on August 16, 2022. It was #1 on WMM’s 50 Favorite Singles of 2022. Jass released her single, “Him” on February 23, 2022. Jass released At the Close of a Decade on November 26, 2022. It was part of WMM’s 121 Best Recordings of 2021. She wrote, “After years of writing and recording in voice memos .. I decided to grab my iPad and began recording something that I am very proud of. I named it, At the Close of A Decade, and released it in November 2019. With my iPhone/iPad, some apple headphones, I created this project. The amazing people around me told me it was worth it, even when I didn’t believe it myself. I convinced myself I would be the only one that liked my songs. If you decide to listen you’ll hear sound clips of shows and movies that made a difference in the way I saw the world, the way I saw myself, and the way I overcame my experiences. I remember asking my grandma and my son if I should release what I’ve been writing and they both said very simply to do it, so I’ve done it. I want to thank all of my wonderful friends who have been my soundboards during this process, all of the people that have asked me when it’s coming, the people that have kept me accountable, and believed that this time it was for real. My story is so very triumphant and beautiful because I have overcome experiences and shunned the fear I had to do what I love. It’s crazy how you can talk your way out of some amazing things and also how you can talk yourself into making some amazing things happen. If you partake, I hope you enjoy.” // Jass has opened for Thundercat sat GRINDERS, headlined a show at The Bottleneck in Lawrence, and she opened up for The New Respects at The Uptown, and sang the Negro National Anthem at BLAQUE to School Night at the KC Monarchs game.More info at: http://www.jassrcouch.com]
  1. The Freedom Affair – “The Water”
    rom: The Freedom Affair / Sunflower Soul Records / May 9, 2025
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

10:49 – Pledge Break #3

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

Where do listeners go to learn more about: Environmental issues, Immigration, Labor rights, Renters Rights, LGBTQIA issue, Urban Issues, Women’s Issues, Native American Issues, Understanding Israel Palestine, Educational Issues, School Boards and Local Politics, our area Prison Population, Economic Issues, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, National Headlines? Where do listeners go to hear: Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio. KKFI host 88 locally produce radio shows each creating weekly content to serve multiple communities of diversity across our listening audience.

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating healthcare & legal protections for women, equality, civil rights, jobs, minorities, people living with disabilities, children, rolling back equality for Transgender, Non-Binary & Queer friends. With the recent narrow passage of Trump’s Big Beautiful Bill – ICE now has an estimated budget of $150 billion between now and 2029—an annual average of $37.5 billion, which is higher than the military expenditure of all but 15 countries.

Things aren’t so good for pubic broadcasting. The president formally requested that Congress to rescind $1.1 billion in federal subsidies for the Corporation for Public Broadcasting (CPB), which lawmakers had already approved. Congress rescinded federal funding for the Corporation for Public Broadcasting, and public radio stations such as KKFI, KCUR, Classical KC, and 90.9 The Bridge have lost thousands in additional grants that help to sustain non-commercial broadcasters.

Music and the arts permeate almost every aspect of public media–from shows dedicated to music discovery and local artists to live on-air performances and concert calendars, public media provides access to music genres and artists that in many cases are ignored by commercial media.

Without federal funding from the CPB and CPB’s management of these music rights, public radio stations face a diminished capacity to deliver the quality and variety of music you rely on, both on the radio and through our streaming platforms. The loss of CPB’s role in securing music licenses is truly an existential threat for noncommercial public media.

KC’s noncommercial stations provide critical pipelines for new, local artists & music to be discovered, with many artists attributing their success to their start on public radio. We also bolster local arts economies by forging partnerships with local arts organizations and performance venues, creating opportunities for the community to engage with them.

10:57

  1. Sinple – “Broadway Exit”
    from: Music For Machines (Vol. 4) / Sinple / February 26, 2026
    [Since his debut release Us in 2014 he has released 15 albums and 24 music videos. Many of his recordings were inspired by Brian Eno. In June 2018 Jesse Bartmess left KC and moved to Los Angeles, California where he continued recording and playing in bands. Last September Jesse moved back to KC. As a live performer he has opened for Phantogram, The Soft Moon, EMA and Class Actress. Jesse played keyboards for Bad Dreamer with Joe Stanziola, and The Wild Type. He has also played in the bands: High Tatras, and Boy Detective. His music can be found at: http://www.sinple.bandcamp.com.]

11:00 – Station ID

11:00 – Pledge Break #4

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

On May 13, 2026 – WMM will celebrate 22 Years on the radio.

As of this week WMM has done 1136 weeks, equal to 2272 hours of radio, over 18,000 hours of preparation, 3000 interviews, over 3000 guests, and nearly 25,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Joey Arias, Cheyenne Jackson, Iris Dement, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Tom Miller, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

To say this WMM has been inspired by the KC music community. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friendApril Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and two years ago returned after 37 years to host and produce WMM.

We are inspired by our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

11:16

  1. Krystle Warren – “Red Clay”
    from: Three The Hard Way / Parlour Door Music / August 18, 2017
    [Inspired by the domestic terrorism and racist massacre and destruction of the Greenwood neighborhood in Tulsa, Oklahoma, on May 31, 1921, that was one of the worst acts of domestic terrorism in the history of the United States, in which more than 35 square blocks were destroyed by a wave of racial terrorism, fire bombs dropped for airplane, and sniper fire from shot guns of those trying to escape that left hundreds of Black residents dead, and more than 1,000 houses burned and destroyed. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]
  1. Bobby Watson & The I Have a Dream Project – “Check Cashing Day” [feat. Glenn North]
    from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
    [From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

11:22 – Pledge Break #5

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

Together we are building our community.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:27– Underwriting

11:28 – Pledge Break #5 Continued

WMM and 90.1 FM KKFI Kansas City Community Radio offers Live in studio performances from: Howard Iceberg & The Matchsellers and Chad Brothers, Marmoppes, Beth Watts Nelson, ALBER, True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Julia Othmer, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell,

We make radio shows that cover: The Folly Theater, Extemporaneous Music and Arts Society, Lotus Pool Records, KC Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Kosmic City Records, Midwest Music Foundation, Artists Thrive!, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Whim Theater, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, KC Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent, the music of Palestine and Gaza

11:35 – WMM Celebrates Black History with 2-+ Black Artists from Kansas City

Julia Haile
  1. Julia Haile – “Keep It Comin’ [feat. Les Izmore]”
    from: EP/ Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. “Keep It Comin’” offers a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]
  1. TyFaison – “The Gospel (Radio Edit)”
    from: UNTIL THE WAR IS WON / Seven Rings Media / September 26, 2025
    [Every song produced by Medici & TyFaizon as The Human. // Every song mixed & mastered by Medici. // Executive produced by Alex Guapo & Medici. // Album art by Trey Hyde & Daniel Ruiz. // TyFaizon aka Mango Marai is a rapper previously in the groups Drop Dead XX & Blackstarkids. He is now 1/2 of production duo The Human. TyFaizon is a multi faceted musical artist, writer, producer, composer, TyFaison is also known as Mango Marai. TyFaison is a rapper previously in the groups Drop Dead XX & Blackstarkids. TyFaison rose to international acclaim with BLACKSTARKIDS. // Mark: When we first heard BLACKSTARKIDS – “Sounds Like Fun!” from their album: SURF on Bedroom Records, released Feb. 28, 2020, we lost our minds. It was one of our most played song on the radio show that year and landed at #2 in WMM’s 120 Best Recordings of 2020. Blackstarkids were a phenomenon who came out of Raytown Missouri and SURF became the soundtrack for the summer of 2020. // Blackstarkids were a pop/R&B/hip-hop trio that include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school meeting at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on Aug. 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. // Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020. // Blackstarkids released Whatever, Man on Dirty Hit Records, their 3rd album on October 22, 2020, followed by Puppies Forever on Oct. 15, 2021, and Cyberkiss on Sept. 23, 2022. Blackstarkids released their last two albums Saturn Dayz on Sept. 20, 2024, and Heaven on Urf on Oct. 25, 2024. // With BLACKSTARKIDS, Ty gained experience, opening on tour with The 1975, beabadoobee, and Glass Animals. // In Sept. 20, 2024. After the break-up of BlackStarKids last year, TyFaison with Medici formed the production company “The Human” and then produced Paris Williams 2024 album A PARIS WILLIAMS JOINT (released Nov. 19, 2024) and then the full length album MANGO MARAI & SATURN STAR, (released in Dec. 2024). Ty then lent his talent to collaborating with BlackStarKids bandmate and close friend TheBabeGabe in launching her solo career. Her debut mixtape HONEY POP, was released on March 5, 2025 and five months later, HONEYPOP: RELOADED was released on Aug. 8, 2025. Both albums were produced by The Human.]
  1. Stephonne – “Bloody Mary”
    from: “Bloody Mary” – Single / Glory Blue Music / February 13, 2026
    [Rebellious genre-queer singer-songwriter, producer and multi-disciplinary artist Stephonne has debuted their new single, “Bloody Mary”. The slinky alt-electronic/pop track drips with erotic esotericism. It’s influenced by bands like Portishead, Garbage, She Wants Revenge, and Erotica – Bedtime Stories era Madonna. Stephonne writes, “I was playing Angel in RENT and heard about D’Angelo’s passing right before Halloween. The cast finally had a break from back-to-back shows and my sadness drove me to create that night and remember the power of Voodoo. 25 years later and that album’s energy is still just as potent. I turned on the Devil’s Pie documentary and this track fell from the heavens. “Bloody Mary” was also birthed from my love of witches, New Orleans, Anne Rice’s vampires, and 90s alternative music and nostalgia. I’m telling a story in a new way where I don’t have to choose between being gothic, nerdy, or provocative. I get to be all of those things and more on this record. There’s some very inspiring art coming from artists like JMSN, Slayyyter, and Charli xcx that gives me hope we are finally ready to let our freak flags fly at full mast again. Thank God!” // “Bloody Mary” plays like a Tarantino directed erotic thriller that injects dance floor fever and grunge edge. The clever wordplay and melody we’ve come to expect from Stephonne don’t take a backseat to theatricality here. All three drive Stephonne’s purpose-driven production and vocal power to new heights. Slick, cinematic, dangerous and glossy, this track a must-listen. // Stephonne writes, “Electronic music has helped me take up more space as an artist. I’ll always pledge allegiance to rock music, but I’ve loved experimenting more, letting go, and trusting the music as I hear it first. Listeners are getting more of me in every aspect of my releases and that feels good. I’m understanding my assignment more clearly, sonically, and I’m excited to showcase that through new visuals and LIVE!” // Lyrical Odyssey writes: “Stephonne is reimagining what it means to be a Black musician in Kansas City, disrupting outdated narratives with music that celebrates fluidity, theatricality, and freedom. Their art is multidimensional, relentless, and ambitious, drawing inspiration from other pockets of pop music.” // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne works to synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think it’s Gonna Be Alright” on April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. Stephonne released the single, “Worship at The Chappell” co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne was on WMM on Sept 10, 2025 before his run in RENT playing Angel for Music Theatre Heritage. More info at: http://www.stephonne.com]
  1. Cuee – “Proud Boi”
    from: “Proud Boi” – Single / Cuee / June 1, 2023
    [Cuee released the (3-song Single) “With Love” including the track “See You Tonight” on February 14, 2023. Before that Cuee released the (3-song Single) “Coming Out” on June 24, 2022. // Lawrence/Chicago based hip-hop artist Cuee is a rapper with a Master’s Degree. Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc. Originally from Chicago, Illinois, Cuee has wowed audiences with exciting live performances. And since 2017 Cue has released several critically acclaimed albums, an EP, multiple singles. We last talked with Cuee on March 3, 2021 and on May 5, 2021 and before that, on August 12, 2020, when he released the single “Who’s Back.” and before that on May 29, 2019. Cuee released the single: “Ain’t Goin Backon May 7, 2021, “Gravity (Feat: Lindsey Alderman)” on April 29, 2021 and part of GOSPEL the album. In 2020 Cuee’ track, “Shook” landed on an official Spotify playlist dedicated to transgender, non-binary and gender-fluid musicians across the globe including Kim Petras and Lex Allen. Spotify sent out a note said, “Hey Cuee you hit a high note this month.” Cuee said he didn’t even know what that meant, and he looked up to discover he had over 24,000 listener during the month of June on Spotify. I was trying to figure out what happened. I did a little research, I logged onto my instagram account, I was starting to get a flood of followers. I was just tracing it back and I landed on a Spotify playlist, it was an editorial playlist so he couldn’t find out who put him on there. “Someone found me.” Cuee made three trips home to Chicago to record the record. For the new album GOSPEL Cuee explained that this term can have biblical connections but it also means ‘the truth.” The video for “Ain’t Going Back” takes place in a church, and is a declaration of freedom, and identity, while also paying respect. Cuee talked us about how the track was created in the studio and translating the song into a video that was shot in a church. Last time we talked with Cuee he shared his thoughts about ‘”Queerness in a church,” Cuee said, “you know, is very…different, I mean I wanted to bring that into that space, and freedom into that space, allow that space to be seen and heard by other people who traditionally wont take up that space.” Along with getting his Master’s Degree, Cuee has released around 30 different musical tracks, legally changed his name, and has transitioned physically and vocally. The song “Ain’t Going Back” features Cuee’s friend Joel Leoj who is originally from Florida, but after moving to Chicago, became friends with Cuee in school, and recently moved to Lawrence to make music and collaborate on recordings with Cuee. Cuee explained that they have known each other since high school, that they “started a Hip Hop culture club in our high school, to bring music, kinda having a place to chill after school, write music together as a community. That’s how we started.” “I moved out here to Kansas, to go to school, he stayed back in Miami, and then we kind of connected back, maybe about two years ago, and hit it off really strong. We decided we wanted to pursue this music thing together. We decided let’s just do this. So he said he was going to move to Lawrence. I didn’t believe him at first, until he showed up on my doorstep, and I was like, Wow, you are here, let’s do this.” Joel Leoj released the album, JOEY IN WONDERLAND on January 31, 2021. Cuee is a featured guest emcee on the tracks “Eden” and “No Debate.” More info at: http://www.officialcuee.com]

11:46 – Pledge Break #6

WMM Winter Fund Drive Team: Mara Williams, D. Rashaan Gilmore, & Sandra Draper

On February 28, 1988 folks from the Kansas City Community launched onto our airwaves KKFI 90.1 FM with hopes that through community radio we could help build our community, make it a better place, for our future, for those that follow and take our place. Today 37 years later 90.1 FM offers 100 radio programs, and 85 of these programs are locally produced, locally sourced, locally researched, locally presented by passionate and dedicated members of our Kansas City Community. Bucking all trends of commercially owned media, at KKFI, Diversity and Inclusion are part of our mission. Telling the stories of people who are under-represented is our mission. In a world where national corporations have purchased almost all local TV & Radio stations, KKFI has fought hard to remain free, locally loyal, a voice for those not repented in the corporately owned & cloned stations, or the rightwing talk, church owned christian stations, that proliferate the frequencies, through all of this, KKFI has worked hard to keep a little slice of the public airwaves alive for all of the people in our collective communities.

With shows locally produced about Native People, LGBTQIA People, Women, Working People, Black People, Ecological People, People in Prison, Stories of Middle Eastern and Latinx, KC Tenants, Understanding Israel Palestine, Economics For The People, Local elected leaders, Creatives, Artists, Poets, Musicians, Teachers, Theatre People, Dancers, Writers, Environmentalists, Historians, Activists, Survivors, KKFI’s News, Public Affairs, Arts & Culture programs go the distance with every show to represent and report of what is going on in our world here in Kansas City and the surrounding metro in our 80 mile radius of signal, and even farther on line digitally.

KKFI offers music shows produced by steadfast representatives from the diverse Music Community of Kansas City: Jazz shows 7 days a week hosted by professional Jazz Musicians; Reggae Shows throughout the week hosted by Reggae Royalty, Folk and Americana shows all week long hosted by folk musicians with decades of performances; Blues shows hosted by women & men who dearly love and live in KC’s enduring and nationally recognized blues community. Music shows that celebrate Independent, Local, Alternative, Soul and R&B, Punk, Hip Hop, Electronic, Vinyl Only, Glam Rock, New Wave, Rockabilly, Tejano, Classical, K-Pop, LIVE!, Gospel, New!, World, Experimental, Old-Timey, House, Country, Heavy Metal, and so much more. Every show is produced, engineered and hosted by a real live person on the other end of the telephone.

90.1 FM is a miracle in broadcasting because hundreds of volunteers and active members keep it alive with their passion for the possibilities of radio, our most accessible media, available online, but also over the airwaves from our 100,000 watt tower that we own as a station and non-profit membership based organization.

Please help us survive. Reports show that 1 out of 10 listeners actually give back and donate in support of community radio. With your donation, YOU are the funder of something 100 other people will enjoy (for free) because of your donation. You are helping to build our community. – Please donate. Thank you!

For Mará Williams, D. Rashaan Gilmore, and Sandra Draper, I’m Mark Manning. Thanks for listening!

11:55 – WMM Celebrates Black History with 20+ Black Artists from Kansas City

  1. FlareThaRebel – “Playground (feat. The Belief Cycle & Leigh Adams)”
    from: Summer You Summer Me/ Shafer / October21, 2022
    [On October 8, 2025 FlafeYhaRebel released “Mixology” from his upcoming full length album DEAR CITY to be released in 2026. Career and love brought hip-hop MC Flare Tha Rebel™ back to his hometown of Kansas City, MO, which sparked a creative renaissance. As The Pitch noted, “As a member of hip-hop collective Anti-Crew, Flare Tha Rebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ’00s, he’s now back…” His homecoming has proved fruitful – his track “Playground” was voted the Number 1 Song of 2022 by listeners of 90.9 FM The Bridge. Throughout his career, Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. // Flare Tha Rebel aka Jeff Shafer is Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors /t utors in schools to keep kids on track to graduate. This job brought Jeff back to KC, where he became Executive Director. ]

[FlareThaRebel hosts Music Maker Mondays presented by Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm at Brewery Emperial, 1829 Oak St. KCMO, to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community thru a new monthly happy hour the first Monday each month.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 4 members of the band She Said join us LIVE in our studio.. Plus we’ll play new music from: Lava Dreams, Sky Smeed, Say That Again, and more! Mara Williams will be back to help me co-host along with Betse Ellis and Joelle St. Pierre.

You can find our playlists at:
http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1136

WMM Celebrates Black History with 15 Black Artists & Bands from KC + Sinple + Mará Rose Williams + D. Rashaan Gilmore + Sandra Draper

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 25, 2026

WMM Celebrates Black History with 15 Black Artists & Bands from KC + Sinple + Mará Rose Williams + D. Rashaan Gilmore + Sandra Draper

WMM Celebrates Black History spinning tracks from 15+ of our Favorite Black Artists based in Kansas City: Julia Haile & Les Izmore, Calvin Arsenia, Stephonne, Hailes, Malek Azrael, Paris Williams, Jass, Eboni Fondren, Ty Faison, FlareThaRebel, Various Blonde, TheBabeGabe, Broderick Jones, Cuee, and The Freedom Affair.

At 11:00 we welcome back Jesse Bartmess who records and performs under the moniker of Sinple. Jesse’s new album, MUSIC FOR MACHINES Vol. 4, will be released February 26, 2026. Since his debut release Us in 2014 he has released 15 albums and 24 music videos. Many of his recordings were inspired by Brian Eno. In June 2018 Jesse Bartmess left KC and moved to Los Angeles, California where he continued recording and playing in bands. Last September Jesse moved back to KC. As a live performer he has opened for Phantogram, The Soft Moon, EMA and Class Actress. Jesse played keyboards for Bad Dreamer with Joe Stanziola, and The Wild Type. He has also played in the bands: High Tatras, and Boy Detective. His music can be found at: http://www.sinple.bandcamp.com

Joining us for the entire show: Mará Rose Williams, D. Rashaan Gilmore and Sandra Draper, our special co-hosts, will help encourage YOU, our beautiful listener, to donate to KKFI’s Winter On-Air-Fund Drive. We need YOUR support. Please call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

Mará Rose Williams is The Kansas City Star’s Assistant Managing Editor for race and equity issues. She has served as a member of the Star’s Editorial Board and is an award-winning columnist. She was a writer on The Star’s 2020 “Truth in Black amd White” project, and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará Rose Williams was the creator and host and producer of Voices of Kansas City an award winning special series created by the KC Star with KKFI.

D. Rashaan Gilmore is host of “Unbossed and Unbothered with D. Rashaan Gilmore,” on KKFI Saturday nights at 5:00pm. D. Rashaan Gilmore is a two-time Emmy Award winning host and producer of Flatland In Focus on Kansas City PBS. D. Rashaan is Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic.

Sandra Draper is a retired federal employee, and graduate of the University of Missouri – Kansas City. She is a mother of four, and grandmother of more. Sandra is a volunteer at The Folly Theater and also at KKFI where she serves on KKFI’s Board of Directors and hosts SylkySan Soul Sensations, a dynamic radio show that blends a variety of genres every Monday from 4:00pm to 6:00pm on 90.1 FM KKFI.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1136

WMM PLAYLIST from February 18, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 18, 2026

WMM presents: Sara Swenson + Nathan Reusch, Charlie Burt, & Mike Bland + Brad Smith

  1. “It’s Showtime Folks”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Hello Biplane – “Fetch”
    from: “Fetch” – Single / Hello Biplane / February 13, 2026
    [Hello Biplane released their single “Spotlight” on January 16, 2026. // Spencer Goertz-Giffen – vocals, guitar, charango; Braden Young – vocals, electric, acoustic, baritone guitar; Jeff Jackson – bass; Austin Sinkler – drums; Hugh Naughtin – cello, synth; Nate Holt – piano, accordion, organ. // Engineered by Jim Piller and Braden Young. Produced by Braden Young, Spencer Goertz-Giffen, and Jim Piller. Mastered by Winston Goertz-Giffen at Pulp Arts Studio. All songs written by Spencer Goertz-Giffen and Braden Young. // Spencer Goertz-Giffen and Braden Young of Hello Biplane also have the band, Alien Hellbop who released the EP, After The Quake on October 25, 2021. // Alien Hellbop is a maximalist rock duo from Lawrence, KS combining guitar, drums, sample pad bass and vocal harmonies to create a sonic duo larger than the sum of its parts. Attendees of shows past have been hypnotized and dumbfounded by how the sound is pulled off. Originally formed in Chico, CA members Spencer Goertz-Giffen and Braden Young set out to create a full band sound with only two members. After a flurry of positive feedback from shows played in northern California, Alien Hellbop managed to drive cross country with their two small children to Gainesville, FL and record a five song EP at PULP studios with the help of engineer and producer Winston Goertz-Giffen. Alien Hellbop is now based out of Lawrence, KS. Spencer and Braden have been involved in many other bands over the years including: Hospital Ships, The Kinetiks, The Willnots, Accursed Wound, The Magentlemen, Saything, and Old and Gray. The duo also fronts another group called Hello Biplane, a six-piece dream-folk-pop band with focus on songwriting and male/female harmonies.]

[Hello Biplane will join us LIVE in the studio on WMM on March 25, 2026 at 11:00am.]

[Hello Biplane play Bottleneck, 737 New Hampshire, Lawrence, KS. on Mar. 28, 2026 w/ The Roseline.]

  1. Kevin Morby – “Javelin”
    from: Little Wide Open / Dead Oceans / May 15, 2026
    [First single from Kevin Morby’s upcoming 8th studio album. // From Kevin’s Bandcamp page: For Kevin Morby, the “little wide open” is the big sky, the small lives, it’s his origins in the Midwest, and every duty and modesty and familiarity and isolation: the land, the people, and the parts of that inside him. “There’s something unintentionally musical about the Midwest; cicadas chirping in the trees, a train passing, a tornado siren going off,” explains Morby. “If you listen, there are these almost ominous sounds taking place beneath the wide-open sky—its ugliness and its beauty and how the two are often working together simultaneously. And while the Midwest isn’t technically the badlands, it’s my badlands.” // Little Wide Open is the title of Kevin Morby’s eighth studio album, produced by Aaron Dessner. In the summer of 2024, Dessner had asked Morby to support The National at their London show in Crystal Palace Park. Shortly after, Dessner—who was on a hot streak, having produced albums for Taylor Swift, Ed Sheeran, and Gracie Abrams—reached out to Morby to say he’d love to produce his next album. They began recording at Aaron’s Long Pond Studio in Stuyvesant, NY, early in 2025 and finished in September of that year. // The album, which features a host of contributors such as Dessner—who plays multiple instruments across it—Amelia Meath, Andrew Barr, Justin Vernon, Katie Gavin, Lucinda Williams, Meg Duffy, and more, has been described by Morby as the third in a trilogy of releases, following 2020’s Sundowner and 2022’s This Is a Photograph, which catalogued his time in the Midwest after moving back to Kansas City. This time out, Dessner’s production elevates Morby’s recordings while never losing focus of the songs themselves. There’s a newfound confidence and clarity in both Morby’s writing and Dessner’s production that recalls Tom Petty’s 1994 classic Wildflowers. // Now primarily living in LA, the atmosphere that runs through Little Wide Open has changed somewhat from its predecessors. As Rachel Kushner writes of Morby in the album’s accompanying essay: “It’s about time, about feeling like he has shifted from nostalgia and the losing game, losing but beautiful, of holding onto the past. He has accepted that time is ceaselessly flowing, and you can’t stop it. Instead, he feels like he’s riding it. He’s riding passenger with time.” // Kevin Morby’s single “Beautiful Strangers’ was recently recorded by Mavis Staples for her 2025 album SAD AND BEAUTIFUL WORLD. Mavis Staples won a Grammy at the 68th Annual Grammys for Best American Roots Performance for her interpretation of Kevin’s song. Kevin released this song only as a single in 2016 in tribute to the victims of the Orlando Pulse shooting. Kevin Morby is pretty bowled over by the existence of this cover. Morby says. “It isn’t easy to put into words what it feels like having one of the best, most important vocalists and cultural figures of both the 20th and 21st century sing one of my songs.” // Kevin Robert Morby was born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native KC to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. Kevin Morby began a solo career in 2013 releasing his debut album HARLEM RIVER on November 26, 2013. STILL LIFE, his 2nd album, was released in October 14, 2014. SINGING SAW his 3rd album was released April 15, 2016 and was in WMM’s 116 Best Recordings of 2016. His 4th album CITY MUSIC was released June 16, 2017 and was in WMM’s 118 Best Recordings of 2018. Kevin Morby released his 5th album OH MY GOD on April 26, 2019. On October 16, 2020 Kevin Morby released SUNDOWNER, his 6th release, #20 on WMM’s 120 Best Recordings of 2020. On October 8, 2021 Kevin Morby released A NIGHT AT the LITTLE LOS ANGELES (Sundowner 4-Track Demos) on Dead Oceans Records. On May 13, 2022 Kevin Morby released THIS IS A PHOTOGRAPH his 7th album as a solo artist, on Dead Oceans. It was #7 on WMM’s 120 Best Recordings of 2022. From http://www.rollingstone.com: “In January 2020, songwriter Kevin Morby witnessed his father collapse from a medical event while visiting his childhood home in Kansas. In a state of shock, the singer spent the evening looking at old family photos and fixated on an image of his father as a young man, looking, as Morby states, ‘full of confidence.’ The experience forced Morby to confront both the idea of mortality and the passage of time — and, after an extended sojourn in Tennessee, these reflections came together in the form of, This Is a Photograph. Produced by frequent Morby collaborator Sam Cohen, This Is a Photograph was primarily written in Memphis’ historic Peabody Hotel, where the singer-songwriter holed up in search of inspiration and self-realization amongst the city’s dark past.” On January 25, 2023 Kevin Morby released MUSIC FROM MONTANA STORY a 13 track film soundtrack. On May 26, 2023 Kevin Morby release MORE PHOTOGRAPHS (A Continuum) on Dead Oceans Records. Throughout his 10 album releases Kevin has also released 25 singles.]

[Kevin Morby plays The Uptown Theater, 3700 Broadway, KCMO, May 29, at 7:00 with Liam Kazar.]

  1. Anjimile – “Waits For Me”
    from: You’re Free To Go / 4AD / March 13, 2026
    [Anjimile also released the single “Like You Really Mean It” ear;ier this year. Today North Carolina based singer-songwriter Anjimile announces plans to release the full-length album You’re Free to Go, due out March 13, 2026 on 4AD. The announcement comes with the luminous lead single “Like You Really Mean It” which overflows with tenderness and vulnerability, accompanied by a beautiful video directed by Caity Arthur. // Anjimile shares: “I wrote this to make my girlfriend want to give me a kiss. We live about an hour apart, and I was just by myself thinking about her. Thinking about wanting a kiss. What could I do to get a kiss from my sweetheart? Write a song about it! Anyway, it worked.” // “Like You Really Mean It” comes after the November single “Auld Lang Syne II,” a tender note-to-self on resilience and hard-fought freedom, characterized by delicate finger-plucked strings, charming horn passages, and intimate vocal delivery, which Stereogum called “stunning” upon its release; a song Anjimile says was: “originally intended as something of a wedding present for my best friend, who got married a few years back.” // Contrasting the intricacy and complexity of The King, You’re Free to Go unfolds organically under the intuitive direction of producer Brad Cook (Waxahatchee, Hurray for the Riff Raff, Mavis Staples). The album’s songs bloom naturally, grounded in warm acoustic guitars, subtle synth textures, lush string arrangements, and delicate rhythmic layers. Collaborative efforts with musicians Nathan Stocker (Hippo Campus), Matt McCaughan (Bon Iver), and guest vocalist Sam Beam (Iron & Wine) – a personal hero of Anjimile whose music deeply influenced the album even before his involvement – cultivate an exploratory yet intimate atmosphere, perfectly aligned with Anjimile’s nuanced storytelling. // Anjimile (ann-JIM-uh-lee) Chithambo has forged a distinctive musical path characterised by unflinching introspection and deep honesty. Emerging from Boston’s vibrant indie scene while studying at Northeastern University, Anjimile captivated audiences with earnest songwriting, delicate sonic textures, and performances that felt like prayer and celebration. // Critical acclaim quickly followed; 2020’s Giver Taker, hailed by Rolling Stone as one of the year’s best albums, positioned him as a compelling voice exploring enduring themes of spirituality, identity, and liberation. With The King(2023), Anjimile intensified his examination of Black and trans existence amid personal and societal turbulence, reaffirming his courageous commitment to navigating discomfort as a means of liberation. // You’re Free to Go picks up where The King left off, but with its hands open wide – a central question being: what happens when you let go and let love in? // Crafted over years marked by transformation, the album traces vividly the profound complexities of change – from breakups to new love; deep grief and loss to renewal and rediscovery. “The past two years have been a deeply transitional point in my life,” Anjimile explains. On You’re Free to Go, he learns to trust life again. The album’s title symbolises Anjimile’s expansive perspective on love and personal freedom, influenced profoundly by his relationship with his partner and their joyful embrace of non-monogamy. He describes this dynamic playfully: “I view non-monogamy as setting out milk every night on your porch for the cats; they can come if they want,” – a reminder that connection thrives when it’s truly chosen and not confined and restricted by normativity. This same playfulness runs through “Rust & Wire” which captures the exhilaration of falling in love again and again (“ripen in the heat like wine”). // Elsewhere, You’re Free to Go explores heavier, darker truths; ‘Exquisite Skeleton’ hauntingly portrays the ache of familial estrangement and ‘Ready or Not’ the exhaustion of facing transphobia. “When I was a little girl, I wanted to be free… When I was a little boy, I wanted to be real.”, he disarmingly reflects on “Waits For Me,” a powerful reckoning on childhood identity. But even in its most searching moments, the record radiates light. // Each song holds space for healing – for turning pain into something tender, communal, and free. // Spirituality remains the heartbeat of Anjmile’s work. “Songwriting feels like a prayer, a plea, or a question,” he says. Across You’re Free to Go, sacredness feels alive and imperfect — a practice of breathing, wondering, forgiving. The album hums with that same sacred energy: messy and full of grace. // Throughout You’re Free to Go, Anjimile skilfully integrates a variety of musical inspirations to heighten the album’s emotional impact. Tracks such as “Turning Away” and “The Store” channel the raw and unadorned authenticity reminiscent of early Modest Mouse. The collaboration with Sam Beam on “Destroying You” adds a gentle warmth that beautifully complements Anjimile’s refined vocal expression. Melodically, the album evokes a subtle nostalgia for late-’90s alternative pop, seamlessly blending folk sensibilities into inviting, memorable hooks. Anjimile has notably evolved, adopting a more relaxed and expressive approach to his singing, partly due to his ongoing hormonal therapy – a transformative journey he embraces gladly. This newfound vocal depth amplifies the album’s emotional resonance, allowing him to express himself with greater authenticity. // As Anjimile prepares to share You’re Free to Go live, he envisions intimate performances that reinterpret rather than replicate the album’s recordings. He aims for the authenticity and vulnerability embedded in these songs to resonate deeply, emphasising, “This record feels very authentic to my life experiences. It’s about as close to getting to know me as you could ever get with a record.” // You’re Free to Go is a portrait of transformation — not as a wound, but as an opening. Richly textured, this collection of songs is an honest reflection of life’s fluctuations. It holds space for contradiction and finds liberation in tenderness. As Anjimile beautifully articulates, the album embodies “breathing into the question,” acknowledging that life’s most profound moments often come without clear answers, but rather exist in the gentle tension of uncertainty and discovery. In every note, Anjimile provides space for each listener to reflect and uncover their own truths, while gently reminding us that freedom isn’t the absence of pain, but the courage to love, to ask, to keep beginning again.]
  1. Sara Swenson – “Taller Than You Think (feat. Greg LaFollette)”
    from: “Taller Than You Think (feat. Greg LaFollette)” – Single / Sara Swenson / January 9, 2026
    [One of several new singles Sara Swenson is releasing leading up to the release of her new album, TALLER on Saturday, 28, 2026. // Critically acclaimed singer songwriter Sara Swenson has released some of our most played and favorite recordings of the last 7 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two Kansas City Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English and Journalism Teacher in Platte County High School, and left the Kansas City music scene, and she flew off to the United Kingdom, where she got married. In the spring of 2014, Sara returned to Kansas City and performed for the Folk Alliance International Conference. On July 18, 2014 she released her 4th album, RUNWAY LIGHTS that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions and emotions. Produced by Don Chaffer in Nashville. // On March 26, 2021 Sara Swenson released the single, “I Wont Let You Feel Alone” Sara Swenson wrote to me that her new song is featured in her husband Michael Price’s film “The Hidden Pandemic” that premiered Thursday, April 8 at 7:00 PM on Kansas City PBS. The film is about the mental health crisis in KC – it’s a powerful film that also features Mark Lowrey’s piano playing. Sara’s song is featured in various parts of the film, and then also at the end. To see a trailer for “The Hidden Pandemic” you can visit: https://www.youtube.com/watch?v=Nkd7046rPtU. ] [Sara Swenson played the 21st Annual Crossroads Music Fest, Sat, September 6, at 5:00pm, at the Stockyards Brewing Co.]

[Sara Swenson plays a TALLER THAN YOU THINK album release show, Saturday, February 28, 2026 at the Gospel Lounge at Knuckleheads.]

10:16 – Interview with Sara Swenson

Sara Swenson shares new singles: “Taller Than You Think” and “Homesick” from her new full length album TALLER, to be released Friday, February 27, 2026. // Sara Swenson is one of our most played artists of the last 15 years. In 2009 Sara’s self titled debut Sara Swenson was #1 on WMM’s 100 Best Recordings of 2009. // In 2010 Sara Swenson released her second album, ALL THINGS BIG AND SMALL, followed by her 5-song EP, NEVER LEFT MY MIND from November of 2011. // In that time, Sara won two Kansas City Singer-Songwriter of the Year Awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” // In 2012, Sara Swenson left her job as an English and Journalism Teacher in Platte County High School, and flew to the United Kingdom, where she got married. After returning to KC Sara released her 4th album, RUNWAY LIGHTS on July 18, 2014, an album that captures snapshots of her 18-month experience of living abroad, getting married and sorting through transitions and emotions. // Sara Swenson released the single, “I Wont Let You Feel Alone” on March 26, 2021 a song featured in her husband Michael Price’s film “The Hidden Pandemic.”

Sara Swenson plays a TALLER Album Release Show on Saturday, February 28, 2026, in The Gospel Lounge at Knuckleheads, 2715 Rochester Street, KCMO. It’s sold out. More info at: http://www.saraswenson.com

Sara Swenson, thank you for being with us on Wednesday MidDay Medley

TALLER Single Releases:

“Phantoms” was released on October 16, 2025 the first single.

“Go On Free” was released on February 27, 2026 as the second single.
[In this frantic, unpredictable, high-stress world, we all need a song that feels like freedom. This Americana folk-rock anthem helps us escape modern life with its constant demands and instead roll the windows down as we ride into a simpler atmosphere. To embrace the slow pleasures of life and shed the feelings of constant work and responsibilities. With the attitudes of Tom Petty, Rilo Kiley and Sheryl Crow combined with slide electric guitar and other acoustic sounds, the main female vocal (with some close harmonies throughout much of the song) sends us driving into the sunset like it’s the end of something, but also the beginning. ]

“Taller Than You Think (feat. Greg LaFollette)” was released January 9, 2026.

“Homesick (feat. Matthew Perryman Jones)” was released February 13, 2026.

On February 13 Sara released Homesick EP containing all 4 of the new singles leading up to the release of her new album, TALLER on Saturday, 28, 2026.

One of the songs from Sara’s new record “Your Town” features a community chorus of voices from the Kansas City music community.

Over the last 15 years we have watched Sara launch a musical life, playing live, releasing albums produced in Nashville, while also teaching English & Journalism at Platte County High School. In 2009 Sara’s self titled debut ended up at #1 on WMM’s 100 Best Recordings of 2009. was a breakthrough record, establishing Sara as a serious musical voice in Kansas City. // In 2010 Sara Swenson released her second album, ALL THINGS BIG AND SMALL, followed by her 5-song EP, NEVER LEFT MY MIND from November of 2011. In that time, she won two Kansas City Singer-Songwriter of the Year Awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” // We said goodbye to Sara as she moved across the Atlantic.

In 2012, Sara Swenson left her job as an English and Journalism Teacher in Platte County High School, and flew to the United Kingdom, where she got married. After returning to KC and Sara released her 4th album, RUNWAY LIGHTS on July 18, 2014 that captures snapshots of her 18-month experience of living abroad, getting married and sorting through transitions and emotions.

Sara and her husband Michael Price have two children, a 7 year old boy named Henry and a 11 year old girl named Lucy. Sara was pregnant with Lucy when she performed in her own Artist Showcase at the 26th Annual Folk Alliance International, February 2014.

Sara’s addition singles: “The Moment You Fall Asleep” was originally written in 201. “For Eva Josephine” was originally written in 2017. [Mark: I saw Sara perform this song at recordBar in a show you did with Calvin Arsenia. I think that was the first time I just broke down and started crying when Sara told her story and performed this song. I was blown away by her honesty and ability to share such a sad experience.]

Sara was on WMM on the July 7, 2021, just a few months after the release of her single “I Wont Let You Feel Alone” released as a single on March 26, 2021 with Mark Lowrey on piano, and produced by Greg Lafollette who also produced Sara’s new album TALLER.
“I Wont Let You Feel Alone” and is featured in Sara’s husband Michael Price’s film “The Hidden Pandemic.”

Swenson’s successes include songs featured on the prime time American drama “Private Practice” (ABC), period drama “Reign” (CW) and Canada’s “Hello Goodbye” (CBC). She has performed opening sets for major artists such as Jakob Dylan, Katie Herzig, Gregory Alan Isakov, Peter Bradley Adams, and the Lilith Fair (with McLachlan, Emmylou Harris, Ingrid Michaelson and others.) She’s been voted Singer-Songwriter of the Year twice in Kansas City and has toured in several major cities in the United States and the United Kingdom.

Sara Swenson works for the Northland Career Center teaching 11th and 12th grades.

Sara Swenson, thank you for being with us on Wednesday MidDay Medley

Sara Swenson plays a TALLER Album Release Show Sat., Feb. 28, in The Gospel Lounge at Knuckleheads, 2715 Rochester St, KCMO. It’s sold out. Info at: http://www.saraswenson.com

10:38

  1. Sara Swenson – “Homesick (Feat. Mathew Perryman Jones)”
    from: Homesick – EP / Sara Swenson / February 13, 2026
    [Homesick EP contains 4 new sIngles Sara Swenson released leading up to the release of her new album, TALLER on Saturday, 28, 2026. “Go On Free” was second single from Sara Swenson’s new full length album to be released in February 2026;“Taller Than You Think (feat. Greg LaFollette)” was released January 9, 2026; “Phantoms” was released on October 16, 2025 // Critically acclaimed singer songwriter Sara Swenson has released some of our most played and favorite recordings of the last 7 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two Kansas City Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English and Journalism Teacher in Platte County High School, and left the Kansas City music scene, and she flew off to the United Kingdom, where she got married. In the spring of 2014, Sara returned to Kansas City and performed for the Folk Alliance International Conference. On July 18, 2014 she released her 4th album, RUNWAY LIGHTS that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions and emotions. Produced by Don Chaffer in Nashville. // On March 26, 2021 Sara Swenson released the single, “I Wont Let You Feel Alone” Sara Swenson wrote to me that her new song is featured in her husband Michael Price’s film “The Hidden Pandemic” that premiered Thursday, April 8 at 7:00 PM on Kansas City PBS. The film is about the mental health crisis in KC – it’s a powerful film that also features Mark Lowrey’s piano playing. Sara’s song is featured in various parts of the film, and then also at the end. To see a trailer for “The Hidden Pandemic” you can visit: https://www.youtube.com/watch?v=Nkd7046rPtU.%5D [Sara Swenson played the 21st Annual Crossroads Music Fest, Sat, September 6, at 5:00pm, at the Stockyards Brewing Co.]

[Sara Swenson plays a TALLER Album Release Show on Saturday, Feb. 28, 2026, in The Gospel Lounge at Knuckleheads, 2715 Rochester St, KCMO. It’s sold out. Info at: http://www.saraswenson.com]

10:43 – Underwriting

  1. Ivory Blue – “Afterglow”
    from: “Afterglow” – Single / IVORY BLUE / February 20, 2026
    [IVORY BLUE released the single “Forevermore” on November 28, 2025. // IVORY BLUE’s single “Echo” was #3 in WMM’s 50 Favorite Singles of 2025. What IVORY BLUE says: “Echo” is about the energy in the world and how we get back what we put into it. The theme came to me when I was in the hospital, listening to stories from all kinds of people who were there. Our situations were different, but we were part of the same community striving for the love and connection we all deserve. I wanted this song to capture the echoes of our actions, our struggles, and our hopes all returning to use like a gift from above.” // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Mirrors” pon August 1, 2025. //IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com] [Ivory will be LIVE in the studio on WMM on March 18, 2026]
  1. Kim Gordon– “Not Today”
    from: Play Me / Kim Gordon – Matador Records / March 13, 2026
    [Kim Gordon’s third album, ‘PLAY ME,’ is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident.” // The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated ‘The Collective’ processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture – where dark humor voices the absurdity of modern life. // Despite its frequent outward gaze, ‘PLAY ME’ is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process. // “A lifelong radical still at the peak of her powers.” – New Yorker “A poet of modern life, offering abstract, spoken vocals that speak to both the banality and volatility of our world.” – New York Times// Kim Gordon is an artist, musician, producer, fashion designer, writer, and actress. She is a founding member of the experimental post-punk band Sonic Youth. Following the breakup of Sonic Youth, Gordon formed the group Body/Head. A collection of her early critical art writing entitled Is It My Body? was released by Sternberg Press in January 2014. // From kimgordon.bandcamp.com: Legendary musician and multi-disciplinary artist Kim Gordon retleased her second solo album, The Collective, on March 8, 2024, on Matador. Recorded in her native Los Angeles, The Collective follows Gordon’s 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload. // “On this record, I wanted to express the absolute craziness I feel around me right now,” says Gordon. “This is a moment when nobody really knows what truth is, when facts don’t necessarily sway people, when everyone has their own side, creating a general sense of paranoia. To soothe, to dream, escape with drugs, TV shows, shopping, the internet, everything is easy, smooth, convenient, branded. It made me want to disrupt, to follow something unknown, maybe even to fail.” // More info at: http://www.bodyheadmusic.com]
  1. Anti-plastic (Stonegood) – “Lunisolar (Moon & Sun)”
    from: Bi-state Voltage Controllers Vol. 2 / KC Synth Collective / February 20, 2026
    [The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. The Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the KC Synthesizer Collective. More info at: http://www.kcsynthcollective.com]

[Austin Williamson, Gnozis, wrker, and Korgtron play Kansas City Synthesizer Collective Four Year Anniversary Show, Fri., Feb. 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee, Ste 100, KCMO.]

[The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective.]

  1. AgreKulture – “Rain”
    from: Bi-state Voltage Controllers Vol. 2 / KC Synth Collective / February 20, 2026
    [The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. The Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the KC Synthesizer Collective. More info at: http://www.kcsynthcollective.com]

[Austin Williamson, Gnozis, wrker, and Korgtron play Kansas City Synthesizer Collective Four Year Anniversary Show, Fri., Feb. 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee, Ste 100, KCMO. ]

[The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective.]

11:00 – Station ID

  1. Bobcat Attack – “Rhinoplasty”
    from: Bi-state Voltage Controllers Vol. 2 / KC Synth Collective / February 20, 2026
    [The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. The Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the KC Synthesizer Collective. More info at: http://www.kcsynthcollective.com. // Bobcat Attack released The Year of The Bobcat on Les Bon Bons Electriques – The Record Machine on August 1, 2025. It was part of WMM’s 120 Best recordings of 2025. // Bobcat Attack released the single “Bird of Prey” on January 10, 2025 Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // Bobcat Attack’s debut single release, “Pallas,” (Sept. 20, 2024) was the inaugural release on Les Bon Bons Electriques – The Record Machine imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine.][Bobcat Attack played a YEAR OF THE BOBCAT EP release show July 31 at miniBar, with FaceFace, Hautlle and Slow Poke.]

11:04 – Interview with Nathan Reusch, Charlie Burt, and Mike Bland

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 22 years! Nathan Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. His debut track, Pallas, released September 18, 2024 was the inaugural release on Les Bon Bons Electriques imprint on The Record Machine label. Bobcat Attack released The Year of The Bobcat on Les Bon Bons Electriques – The Record Machine on August 1, 2025. It was part of WMM’s 120 Best recordings of 2025

Nathan Reusch thanks for being with us on WMM.

Charlie Burt is a graphic designer, illustrator, photographer, typographer, and resident cat-handler. He has been based in the Kansas City area for more than a decade in varying creative capacities—from freelancer to full-time Creative Director— Charlie Burt has a passion for branding, identity, packaging, and menu development with a special focus on the food & beverage and spirits industries. His current and past clients and associations include J. Rieger & Co., Hotel Kansas City, Bronson’s Milk Punch, Port Fonda, Altamar Brands, Riddle Wines, Mount Fair Farm, The Monarch Bar, Julep, Westport Cafe, and many more. You can see his work at http://www.cburt.studio

Charlie Burt records electronic music under the moniker of Korgtron and Charlie is also part of the KC Synth Collective.

Charlie Burt thanks for being with us on WMM

Mike Bland is the co-founder of the Kansas City Synthesizer Collective. Kansas City Synthesizer Collective celebrate their fourth anniversary with a special show, Fri, Feb 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee, Ste 100, KCMO.

Mike Bland thanks for being with us on WMM.

Nathan Reusch & Charlie Burt & Mike Bland share details about the KC Synthesizer Collective, a group of electronic musicians working to build platforms for experimental & emerging artists. The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st & 3rd Tues. from 6 to 10:00 pm at Stockyards Brewing Co.

Austin Williamson, Gnozis, wrker, and Korgtron play The Kansas City Synthesizer Collective Four Year Anniversary Show, Friday, February 20, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste. 100, KCMO. The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective. More info at: http://www.kcsynthcollective.com

Charlie Burt records electronic music under the moniker of Korgtron and Charlie is also part of the KC Synth Collective.

Korgtron plays The Kansas City Synthesizer Collective Four Year Anniversary Show, Friday, February 20, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO, with Austin Williamson, Gnozis, and wrker.

11:13

Charlie Burt of KorgTron
  1. Korgtron – “Korgtron Theme”
    from: “Korgtron Theme” – Single / KorgTron / unreleased
    [Kortron is part of The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. Nathan is co-founder of indie label, The Record Machine and is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renew his interest in making music. Joining Nathan is Charlie Burt who records with the band Korgtron and is also part of the KC Synth Collective. The Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the KC Synthesizer Collective. More info at: http://www.kcsynthcollective.com]

[Korgtron plays Kansas City Synthesizer Collective Four Year Anniversary Show, Fri, Feb 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee, Ste 100, KCMO, w/ Austin Williamson, Gnozis, and wrker.]

[The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective.]

11:17 – More Interview with Nathan Reusch, Charlie Burt, and Mike Bland

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 22 years! Nathan Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. His debut track, Pallas, released September 18, 2024 was the inaugural release on Les Bon Bons Electriques imprint on The Record Machine label. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,

Nathan Reusch thanks for being with us on WMM.

Charlie Burt is a graphic designer, illustrator, photographer, typographer, and resident cat-handler. He has been based in the Kansas City area for more than a decade in varying creative capacities—from freelancer to full-time Creative Director— Charlie Burt has a passion for branding, identity, packaging, and menu development with a special focus on the food & beverage and spirits industries. His current and past clients and associations include J. Rieger & Co., Hotel Kansas City, Bronson’s Milk Punch, Port Fonda, Altamar Brands, Riddle Wines, Mount Fair Farm, The Monarch Bar, Julep, Westport Cafe, and many more. You can see his work at http://www.cburt.studio

Charlie Burt records electronic music under the moniker of Korgtron and Charlie is also part of the KC Synth Collective.

Austin Williamson, Gnozis, wrker, and Korgtron play The Kansas City Synthesizer Collective Four Year Anniversary Show, Friday, February 20, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective. More info at: http://www.kcsynthcollective.com

Charlie Burt thanks for being with us on WMM.

The Kansas City Synthesizer Collective, a group of electronic musicians working to build platforms for experimental & emerging artists.

The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene.

The collective meets 1st and 3rd Tues. from 6 to 10:00 pm at Stockyards Brewing Co.

The Kansas City Synthesizer Collective will celebrate their fourth anniversary with a special show, Friday, February 20, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. More info at: http://www.kcsynthcollective.com

Nathan Reusch & Charlie Brut Thanks for being on WMM

Kansas City Synthesizer Collective celebrate their forth anniversary with a special show, Fri, Feb 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. With Austin Williamson, Gnozis, wrker, and Korgtron playing.

The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective. More info at: http://www.kcsynthcollective.com

11:24

  1. The Intolerant Left – “Inseminating Elon in the KKK Hole on Mars”
    from: Bi-state Voltage Controllers Vol. 2 / KC Synth Collective / February 20, 2026
    [The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. The Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the KC Synthesizer Collective. More info at: http://www.kcsynthcollective.com]

[Austin Williamson, Gnozis, wrker, and Korgtron play Kansas City Synthesizer Collective Four Year Anniversary Show, Fri, Feb 20, 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. ]

[The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective.]

11:28 – Underwriting

  1. Eggs On Mars –”Good Morning (I Love You)”
    from: Good Morning (I Love You) / Enigmatic Brunch Records / March 3, 2026
    [Eggs on Mars, a 4-piece soft psych pop band from KCMO. Brad Smith – lead vocals, guitars & piano; Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton – lead guitars & keyboards; Mason Potter – drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Graphic design, photography, CD layout, cassette layout by Doug Bybee. Info at: http://www.eggsonmars.bandcamp.com]

[Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.]

11:31 – Interview with Brad Smith

Brad Smith joins us to talk about the new album from Eggs on Mars called, GOOD MORNING (I Love You) to be released March 3, 2026. Brad also talks about his new music label Enigmatic Brunch that has recently released music from: Joel vs Joel, and Wills Van Dorn. Eggs on Mars is a 4-piece soft psych pop band from KCMO. Brad Smith on lead vocals, guitars & piano; Doug Bybee on bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton on lead guitars & keyboards; Mason Potter on drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze. More info at: http://www.eggsonmars.bandcamp.com]

Brad Smith, thank you for being with us on Wednesday MidDay Medley

Eggs on Mars is a 4-piece soft psych pop band from KCMO.

Brad Smith on lead vocals, guitars & piano; Doug Bybee on bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton on lead guitars & keyboards; Mason Potter on drums, percussion, & field recordings.

Good Morning (I Love You)to be released on March 3, 2026 is a 10-track album, with all songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer
Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios
Mixed by Doug Bybee & Joel Stratton
Mastered by Doug Bybee & Josh Johnson
Art Direction by Brad Smith
Graphic design, photography, CD layout, cassette layout by Doug Bybee
Brad Smith – lead vocals, guitars & piano
Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”
Joel Stratton – lead guitars & keyboards
Mason Potter – drums, percussion, & field recordings

Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.

Brad also talks about his new music label Enigmatic Brunch that has recently released music from: Joel vs Joel, and Wills Van Dorn.

More info at: http://www.eggsonmars.bandcamp.com]

10:40

  1. Eggs On Mars – “Be For You”
    from: Good Morning (I Love You) / Enigmatic Brunch Records / March 3, 2026
    [Eggs on Mars, a 4-piece soft psych pop band from KCMO. Brad Smith – lead vocals, guitars & piano; Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton – lead guitars & keyboards; Mason Potter – drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Graphic design, photography, CD layout, cassette layout by Doug Bybee. Info at: http://www.eggsonmars.bandcamp.com]

[Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.]

10:43 – More Interview with Brad Smith

Brad Smith joins us to talk about the new album from Eggs on Mars called, GOOD MORNING (I Love You) to be released March 3, 2026. Brad also talks about his new music label Enigmatic Brunch that has recently released music from: Joel vs Joel, and Wills Van Dorn. Eggs on Mars is a 4-piece soft psych pop band from KCMO. Brad Smith on lead vocals, guitars & piano; Doug Bybee on bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton on lead guitars & keyboards; Mason Potter on drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze. More info at: http://www.eggsonmars.bandcamp.com]

Brad Smith, thank you for being with us on Wednesday MidDay Medley

Eggs on Mars is a 4-piece soft psych pop band from KCMO.

Brad Smith on lead vocals, guitars & piano; Doug Bybee on bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton on lead guitars & keyboards; Mason Potter on drums, percussion, & field recordings.

Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.

Brad also talks about his new music label Enigmatic Brunch that has recently released music from: Joel vs Joel, and Wills Van Dorn.

Eggs On Mars Discography

Welcome to our Family – August 25, 2014
10-track album
Recorded Summer 2014 at Potter Underground Studios
Guitars/Lead Vocals-Brad Smith
Bass/Other Vocals-Justin Longmeyer
Drums-Mason Potter

Spacey Stacy – September 4, 2015
8-track album
Recording/Mixing/Mastering/Pancakes-Doug Bybee
Recorded August 2015 at Sound + Vision Studios of the Lawrence Public Library
Cover photo taken by Mason Potter
Guitars/Vocals – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

On Hold, Hold On – October 7, 2016
5-track EP
Album art by Anna Smith
Recorded/Mixed/Mastered by Justin Longmeyer
Guitars/Vocals/Keys – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

In A Desert Place – March 15, 2018
10-track album
Recorded/Mixed/Mastered by Justin Longmeyer // Recorded at 2319
Guitars/Vocals – Brad Smith
Bass/Vocals/Guitar solo – Justin Longmeyer
Drums – Mason Potter

Mama Pancake – November 9, 2018
10-track album
Recorded/mixed/mastered by Rodd Fenton
Recorded May through September of 2018 at 2319
Artwork by Julie Smith
Brad Smith – guitars/vocals/keys
Justin Longmeyer – bass
Mason Potter – drums/percussion

It Will Be Like It Was – October 4, 2019
10-track album
Recorded/Mixed/Mastered by Rodd Fenton
Recorded summer of 2019 at Bread Basket Music Studios
Guitars/Vocals/Keys – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

Brighter Now – June 25, 2021
7-track EP
Recorded / mixed / mastered by Rodd Fenton
Recorded in the fall of 2020 at Solstice Audio
Cover painting by Jesse Bartmess
Brad Smith – Vocals, guitar
Mason Potter – Drums, backing vocals, self-sacrificial tambourine
Bennie Neselroad – Keys, backing vocals,
Doug Bybee – Bass, backing vocals

Warm Breakfast – March 21, 2023
10-track album
Recorded/Engineered/Mixed by Rodd Fenton
Mastered by Josh Johnson.
Recorded 2023 at Solstice Audio.
Cover painting by Shannon Brouk
Brad Smith – guitar/lead vocals/keys
Mason Potter – drums/percussion/backing vocals
Doug Bybee – bass/keys/backing vocals;
Joel Stratton – keys/backing vocals;
with
Austin Smith – additional guitars
Sam Smith – backing vocals
Rodd Fenton – backing vocals/hand claps.

Good Morning (I Love You)– March 3, 2026
10-track album
All songs by Eggs on Mars
Words for “Takes Time” by Justin Longmeyer
Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios
Mixed by Doug Bybee & Joel Stratton
Mastered by Doug Bybee & Josh Johnson
Art Direction by Brad Smith
Graphic design, photography, CD layout, cassette layout by Doug Bybee
Brad Smith – lead vocals, guitars & piano
Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”
Joel Stratton – lead guitars & keyboards
Mason Potter – drums, percussion, & field recordings

Brad Smith, thank you for being with us on Wednesday MidDay Medley

Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.

For WMM, I’m Mark Manning. Thanks for listening!

10:54

  1. Eggs On Mars – “Shooting Stars”
    from: Good Morning (I Love You) / Enigmatic Brunch Records / March 3, 2026
    [Eggs on Mars, a 4-piece soft psych pop band from KCMO. Brad Smith – lead vocals, guitars & piano; Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton – lead guitars & keyboards; Mason Potter – drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Graphic design, photography, CD layout, cassette layout by Doug Bybee. Info at: http://www.eggsonmars.bandcamp.com]

[Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, February 25 we will feature our favorite releases of the past year from black musical artists based here in Kansas City. Plus we welcome back to the show our friend Jesse Bartmess who will share music from his newest release MUSIC FOR MACHINES Vol. 4, to be released February 26, 2026.

Also join me as special co-hosts for the entire show are: Mará Rose Williams The Kansas City Star’s assistant managing editor for race and equity issues. She has served as a member of the Star’s Editorial Board and is an award-winning columnist. She was a writer on The Star’s 2020 “Truth in Black amd White” project, and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mara Rose Williams was the creator host and producer of Voices of Kansas City and award winning special series creatred by the KC Star with KKFI.

Also joining us is D. Rashaan Gilmore host of “Unbossed and Unbothered with D. Rashaan Gilmore,” on KKFI on Saturday nights at 5:00pm. D. Rashaan Gilmore is a two-time Emmy Award winning host and producer of Flatland In Focus on Kansas City PBS. D Rashaan is Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic.

And Sandra Draper, who is a retire federal employee who new serves on KKFI’s Board of Directors and hosts SylkySan Soul Sensations, a dynamic radio show that blends a variety of genres Mondays at 4:00pm to 6:00pm on 90.1 FM KKFI.

Mará Williams, D. Rashaan Gilmore and Sandra Draper will help co-host for our Winter On-Air-Fund Drive. We will need to hear from YOU our listeners to support Community Radio. Please call 888-931-0901 during the show so we can say your name over the airwaves,

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1135

WMM presents: Sara Swenson + Nathan Reusch & Charlie Burt + Brad Smith

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 18, 2026

WMM presents: Sara Swenson + Nathan Reusch & Charlie Burt + Brad Smith

Mark plays New & MidCoastal Releases from: Kevin Morby, Hello Biplane, Eggs on Mars, Sara Swenson, IVORY BLUE, Bobcat Attack, AgreKulture, Anti-plastic, TrenchFloat, The Intolerant Left, Anjimile, and Kim Gordon.

At 10:15am, Sara Swenson shares new singles: “Taller Than You Think” and “Homesick” from her new full length album TALLER, to be released Friday, February 27, 2026. In 2009 Sara’s self titled debut SARA SWENSON was #1 on WMM’s 100 Best Recordings of 2009. In 2010 Sara Swenson released her second album, ALL THINGS BIG AND SMALL, followed by her 5-song EP, NEVER LEFT MY MIND from November of 2011. In that time, Sara won two Kansas City Singer-Songwriter of the Year Awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” In 2012, Sara Swenson left her job as an English and Journalism Teacher in Platte County High School, and flew to the United Kingdom, where she got married. After returning to KC Sara released her 4th album, RUNWAY LIGHTS on July 18, 2014, an album that captures snapshots of her 18-month experience of living abroad, getting married and sorting through transitions and emotions. Sara Swenson released the single, “I Wont Let You Feel Alone” on March 26, 2021 a song featured in her husband Michael Price‘s film “The Hidden Pandemic.” Sara Swenson plays a TALLER Album Release Show on Saturday, February 28, 2026, in The Gospel Lounge at Knuckleheads, 2715 Rochester Street, KCMO. It’s sold out. More info at: http://www.saraswenson.com

At 11:00am, Mark welcomes Nathan Reusch and Charlie Burt who share details about the Kansas City Synthesizer Collective, a group of electronic musicians working to build platforms for experimental & emerging artists. The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. Nathan is co-founder of indie label, The Record Machine and is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renew his interest in making music. Joining Nathan is Charlie Burt who records with the band Korgtron and is also part of the KC Synth Collective. Austin Williamson, Gnozis, wrker, and Korgtron play The Kansas City Synthesizer Collective Four Year Anniversary Show, Friday, February 20, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. The KC Synth Collective will also be releasing a new Bi-state Voltage Controllers Vol. 2 Compilation of multiple artists from the collective. More info at: http://www.kcsynthcollective.com

At 11:30am, Brad Smith joins us to talk about the new album from Eggs on Mars called, GOOD MORNING (I Love You) to be released March 3, 2026. Brad also talks about his new music label Enigmatic Brunch that has recently released music from: Joel vs Joel, and Wills Van Dorn. Eggs on Mars is a 4-piece soft psych pop band from KCMO. Brad Smith on lead vocals, guitars & piano; Doug Bybee on bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton on lead guitars & keyboards; Mason Potter on drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Eggs On Mars play an Album Release Show on Saturday, March 7, at 7:00pm at The RINO, 315 Armour Rd., North Kansas City with Big Fat Cow, and Field Daze. More info at: http://www.eggsonmars.bandcamp.com]

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1135

WMM PLAYLIST from February 11, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 11, 2026

WMM presents: D Rashaan Gilmore + Calvin Arsenia + Cera Impala + FlareThaRebel + Shaun Crowley

  1. “It’s Showtime Folks”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Eggs On Mars –”Good Morning (I Love You)”
    from: Good Morning (I Love You) / Enigmatic Brunch Records / March 3, 2026
    [Eggs on Mars, a 4-piece soft psych pop band from KCMO. Brad Smith – lead vocals, guitars & piano; Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”; Joel Stratton – lead guitars & keyboards; Mason Potter – drums, percussion, & field recordings. All songs by Eggs on Mars. Words for “Takes Time” by Justin Longmeyer. Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios. Mixed by Doug Bybee & Joel Stratton. Mastered by Doug Bybee & Josh Johnson. Art Direction by Brad Smith. Graphic design, photography, CD layout, cassette layout by Doug Bybee. Info at: http://www.eggsonmars.bandcamp.com]

[Brad Smith will be with us next week on February 18 to talk about the new Eggs On Mars album]

Eggs On Mars Discography

Welcome to our Family – August 25, 2014
10-track album
Recorded Summer 2014 at Potter Underground Studios
Guitars/Lead Vocals-Brad Smith
Bass/Other Vocals-Justin Longmeyer
Drums-Mason Potter

Spacey Stacy – September 4, 2015
8-track album
Recording/Mixing/Mastering/Pancakes-Doug Bybee
Recorded August 2015 at Sound + Vision Studios of the Lawrence Public Library
Cover photo taken by Mason Potter
Guitars/Vocals – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

On Hold, Hold On – October 7, 2016
5-track EP
Album art by Anna Smith
Recorded/Mixed/Mastered by Justin Longmeyer
Guitars/Vocals/Keys – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

In A Desert Place – March 15, 2018
10-track album
Recorded/Mixed/Mastered by Justin Longmeyer // Recorded at 2319
Guitars/Vocals – Brad Smith
Bass/Vocals/Guitar solo – Justin Longmeyer
Drums – Mason Potter

Mama Pancake – November 9, 2018
10-track album
Recorded/mixed/mastered by Rodd Fenton
Recorded May through September of 2018 at 2319
Artwork by Julie Smith
Brad Smith – guitars/vocals/keys
Justin Longmeyer – bass
Mason Potter – drums/percussion

It Will Be Like It Was – October 4, 2019
10-track album
Recorded/Mixed/Mastered by Rodd Fenton
Recorded summer of 2019 at Bread Basket Music Studios
Guitars/Vocals/Keys – Brad Smith
Bass – Justin Longmeyer
Drums – Mason Potter

Brighter Now – June 25, 2021
7-track EP
Recorded / mixed / mastered by Rodd Fenton
Recorded in the fall of 2020 at Solstice Audio
Cover painting by Jesse Bartmess
Brad Smith – Vocals, guitar
Mason Potter – Drums, backing vocals, self-sacrificial tambourine
Bennie Neselroad – Keys, backing vocals,
Doug Bybee – Bass, backing vocals

Warm Breakfast – March 21, 2023
10-track album
Recorded/Engineered/Mixed by Rodd Fenton
Mastered by Josh Johnson.
Recorded 2023 at Solstice Audio.
Cover painting by Shannon Brouk
Brad Smith – guitar/lead vocals/keys
Mason Potter – drums/percussion/backing vocals
Doug Bybee – bass/keys/backing vocals;
Joel Stratton – keys/backing vocals;
with
Austin Smith – additional guitars
Sam Smith – backing vocals
Rodd Fenton – backing vocals/hand claps.

Good Morning (I Love You) – March 3, 2026
10-track album
All songs by Eggs on Mars
Words for “Takes Time” by Justin Longmeyer
Recorded by Joel Stratton in fall 2024/winter 2025 at Soundstructure Studios
Mixed by Doug Bybee & Joel Stratton
Mastered by Doug Bybee & Josh Johnson
Art Direction by Brad Smith
Graphic design, photography, CD layout, cassette layout by Doug Bybee
Brad Smith – lead vocals, guitars & piano
Doug Bybee – bass, keys, vocals on “Shooting Stars” & “Takes Time”
Joel Stratton – lead guitars & keyboards
Mason Potter – drums, percussion, & field recordings

  1. Angie Fights Crime – “Between the Mountain and the Sea”
    from: To Be Beautiful / Angie Fights Crime / February 14, 2026
    [Written and recorded in Kansas City Missouri. Ash Reynolds on vocals on all songs except; Tess Savigear & Bethan Mathis on “To Be Beautiful”; Nikki Goodson on “Tiny Lies”; Keith Howell on Drums. Production & Mastering by Robert Rebeck. Album Art by KD Grant, Album Design Jeff Irvine. Angie Fights Crime is the brainchild of Brent Kinder, a musician, poet, songwriter of unlimited passion and a desire to create music and share it with the world. Angie Fights Crime often features collaborations with musicians from around the world. Angie Fights Crime released the album SAVIOR OF THE WORLD on March 1, 2025. Savior of The World features Daniel Jordan on vocals, and Keith Howell on drums; with artwork by Tyson Schroeder, and J. Irvine. Mixing and mastering by Robert Rebeck. // Brent Kinder is also in the band sMallWaves where he plays bass. With 49 albums, and 461 tracks, Angie Fights Crime is the musical project of one guy who couldn’t stop writing songs. Part I 1995-2015 (The Alphabet Series) Part II 2016 – ? (The Greyscale Series). More information at: https://alonetone.com/angiefightscrime.%5D

[Brent Kinder will join us on WMM on March 25]

  1. Quiet Takes – “Hope”
    from: Veils / Sarah Magill / December 12, 2025
    [Songwriter Sarah Magill makes music for feelers as Quiet Takes. A writer and wanderer, After Magill had a nomadic creative journey she eventually settled and found community in Eau Claire, Wisconsin. She makes a living as a freelance writer. She makes joy as a DIY music community organizer and show promoter in Eau Claire. // Sarah Magill wrote to me from Wisconsin last December, telling me she was “really fascinated by the way a song can shift between revelations and hiding places.” Sarah writes that “Veils is seven raw songs for a stark season.” She tracked it live, solo, with a piano and the river out the window. Sarah writes she is “fascinated by how songs, like veils, can both reveal and obscure. There’s power in both.” The record was engineered by Lena Sutter and mixed/mastered by Zach Hanson. // On February 15, 2024 Quiet Takes released the album, Regrets Only, written by Sarah Michelle Magill. Produced, engineered & mixed by Zach Hanson. Mastered by Huntley Miller. Recorded at The Hive in Eau Claire, WI. Environmental sound recorded by Sarah Michelle Magill in various locations, except 2, recorded by Redditor @roffels. // On November 5, 2021 Quiet Takes released the EP, Weekly, Weakly with music written by Sarah Magill, produced by David Bennett, with vocals & keyboards by Sarah Magill. Guitars, bass and percussion by David Bennett. Drums by Jared Bond. Engineered and mixed by David Bennett at Aorist Studios in Kansas City, MO. Mastered by Zach. Weekly, Weakly the third collaboration between Magill and producer/multi-instrumentalist David Bennett. “Ghosty…” was inspired by pandemic-era panic attacks and social unease. This song was one way I tried to process the new, very anxious voice inhabiting my brain, which I nicknamed Ghosty. Sarah writes, “I made the WEEKLY, WEAKLY EP exactly as titled: During weekly Friday sessions at Aorist Studios with my producer, David Bennett, while feeling extremely weak. I was living alone during the pandemic and (like many of us) coping with isolation, depression and anxiety. Making this EP was my lifeboat. Both the process of making music — refining lyrics, experimenting with new textures, collaborating on harmonies — and the commitment to the weekly process kept me relatively grounded and connected. This project tethered me to human-ness when I was afraid I was going to float off into some kind of feral, disconnected netherworld of pandemic loneliness. I’ll forever be grateful to David and his wife, Kayla, for creating a safe space to continue working at Aorist during such a dangerous time.” WEEKLY, WEAKLY followed the release of Sarah Magill’s EP, SAN FIDEL under her moniker, Quiet Takes. Released March 5, 2021. Written by Sarah Magill. Produced by David Bennett and Sarah Magill. Vocals and keys by Sarah Magill on vocals & keyboards, David Bennett on guitars and bass, Ian Thompson on additional keyboards & synthesizers, Kyle Rausch on drums, and Bryan Koehler on percussion. Engineered and mixed by David Bennett at Aorist Studios in Kansas City, MO. Mastered by Zach Hanson. Cover image by Shawn Brackbill. Sarah Magill released her single “Wanted (The Dirty Windshield Version)” on May 1, 2020. . Sarah Magill released AHEM, a 4-song EP, on December 11, 2020. The songs were originally released under her old project name MYRY, in November 2018. Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer & musician based in KC. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In KC, she is known for hosting house shows and co-founding Rubix, a performance art collective. MYRY’s first EP, AHEM, was released in 2018. Sarah released four of MYRY’s songs from that 2018 EP release as Quiet Takes singles in 2020. Sarah Magill was a guest. We interviewed Sarah Magill on WMM on May 13, 2020 and on March 10, 2021 and Nov. 2, 2021. // Info at: https://quiettakes.com ]
Photo by Remy Styrk
  1. Stephonne – “Bloody Mary”
    from: “Bloody Mary” – Single / Glory Blue Music / February 13, 2026
    [Rebellious genre-queer singer-songwriter, producer and multi-disciplinary artist Stephonne has debuted their new single, “Bloody Mary”. The slinky alt-electronic/pop track drips with erotic esotericism. It’s influenced by bands like Portishead, Garbage, She Wants Revenge, and Erotica – Bedtime Stories era Madonna. Stephonne writes, “I was playing Angel in RENT and heard about D’Angelo’s passing right before Halloween. The cast finally had a break from back-to-back shows and my sadness drove me to create that night and remember the power of Voodoo. 25 years later and that album’s energy is still just as potent. I turned on the Devil’s Pie documentary and this track fell from the heavens. “Bloody Mary” was also birthed from my love of witches, New Orleans, Anne Rice’s vampires, and 90s alternative music and nostalgia. I’m telling a story in a new way where I don’t have to choose between being gothic, nerdy, or provocative. I get to be all of those things and more on this record. There’s some very inspiring art coming from artists like JMSN, Slayyyter, and Charli xcx that gives me hope we are finally ready to let our freak flags fly at full mast again. Thank God!” // “Bloody Mary” plays like a Tarantino directed erotic thriller that injects dance floor fever and grunge edge. The clever wordplay and melody we’ve come to expect from Stephonne don’t take a backseat to theatricality here. All three drive Stephonne’s purpose-driven production and vocal power to new heights. Slick, cinematic, dangerous and glossy, this track a must-listen. // Stephonne writes, “Electronic music has helped me take up more space as an artist. I’ll always pledge allegiance to rock music, but I’ve loved experimenting more, letting go, and trusting the music as I hear it first. Listeners are getting more of me in every aspect of my releases and that feels good. I’m understanding my assignment more clearly, sonically, and I’m excited to showcase that through new visuals and LIVE!” // Lyrical Odyssey writes: “Stephonne is reimagining what it means to be a Black musician in Kansas City, disrupting outdated narratives with music that celebrates fluidity, theatricality, and freedom. Their art is multidimensional, relentless, and ambitious, drawing inspiration from other pockets of pop music.” // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne works to synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think it’s Gonna Be Alright” on April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. Stephonne released the single, “Worship at The Chappell” co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne was on WMM on Sept 10, 2025 before his run in RENT playing Angel for Music Theatre Heritage. More info at: http://www.stephonne.com]
  1. Katie Ziegler – “Ready To Fly”
    from: “Ready To Fly” – Single / Katie Zielger / January 9, 2026
    [Katie Ziegler is an independent singer-songwriter based in the Kansas City metro area whose voice carries the wide-open spaces of her rural Kansas upbringing and the intimate stories of home. Raised in a musical family, she began writing songs at age 11 and picked up the guitar at 16 — early roots that formed her personal, narrative-driven songwriting. // In August 2022 she released her first single, “He Ain’t Yours,” and then followed it with her debut EP Residue, steadily building a catalog of 14 songs. // Katie has opened for acts like the The  Bellamy  Brothers, Eli Young Band, Billy Dean, Twitty & Lynn, Jerrod Niemann, Logan Mize and Cody Canada & The Departed, sharpening her performance chops on larger stages. // In her own words: “I’m a small-town Kansas girl chasing dreams — and if I can write something and make someone else feel understood, then it’s all worth it.” That sentiment reflects both her origin and her mission. // Off stage, she shares glimpses of her heart with her social media following: “Long video alert but if you’re looking for a little encouragement I hope this can,” she posted recently, showing that her music is about more than notes — it’s about connection. // Beyond her role as an artist, Katie embraces life as a “songwriter, wife … girl mama” from small-town Kansas, “chasing dreams.” // With one foot in her rural roots and the other in the vibrant KC metro music scene, Katie Ziegler writes songs that feel lived-in and real. Whether she’s strumming a guitar in a quiet cabin or stepping into the spotlight as an opener for national artists, her journey is both grounded and ambitious — and each song is a small invitation to walk alongside her. Info at: http://www.katiezieglermusic.com]

[Katie Ziegler plays Buffalo State Pizza, 932 Santa Fe Drive, Overland Park, KS. Saturday, February 14 @ 7:00PM — 9:00PM]

  1. Betse & Clarke – “Fill My Way With Love”
    from: River Still Rise / Betse & Clarke / July 1, 2016
    [Full-length debut album, from traditional and future folk duo, Betse & Clarke Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision. “River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.” Betse & Clarke joined us live on WMM on Februry 17.]

[Betse & Clarke play the Stockyards Brewing Company, 1600 Genessee St. Suite 100, KCMO in Historic West Bottoms, on Sunday, February 15, 3:00pm to 6:00pm.]

  1. Mikal Shapiro – “Everybody’s Baby”
    from: The Musical II / Mikal Shapiro / May 26, 2018
    [“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro & Chad Brothers as Shapiro Brothers play The Love Hangover the annual post Valentine’s Day celebration of love duets, this year at miniBar 3810 Broadway, KCMO, on Sunday February 15, 2026 at 6:00pm, with Scott Easterday trio; Nathan Corsi & Nathan Showalter; Of Tree; and Dana Woolard & Jeff Harshbarger, + Steve Tulipana. The Love Hangover is an annual multi-city, multi-artist musical event that explores romantic love in all its many guises. Held each year on February 15th, this post-Valentine’s showcase features a line-up of duets singing songs of the lovelorn, love sworn and love torn. 26 years, 10 cities, 89 shows, 900+ performers.]

10:31 – Underwriting

10:33 – Interview with D Rashaan Gilmore

Starting this Saturday, February 14 at 5:00pm on 90.1 FM KKFI – Kansas City Community Radio is the return of the very good radio show called, “Unbossed and Unbothered with D. Rashaan Gilmore.” After nearly four years as part of the team on 90.1’s The Tenth Voice, D. Rashaan made the leap to producing and hosting his own weekly radio show “Unbossed and Unbothered” that aired from 2021-2022 on 90.1 FM KKFI, that was until our friends at KCPT Kansas City PBS took D. Rashaan away from us to be host and producer of Flatland In Focus where he won two Emmy Awards. Last year, budgetary reasons caused KC PBS to end this critically acclaimed program, and we are lucky enough to have D. Rashaan’s old time slot suddenly become open again, around the same tome D Rashaan was looking to return to KKFI. A life-long resident of Kansas City. D Rashaan is community connector, organizer, collaborator, and AIDS activist, who serves as Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic. D Rashaan has also served as the Senior Field Organizer for PROMO, Missouri’s statewide LGBT equality and advocacy organization. “Unbossed and Unbothered with D. Rashaan Gilmore” makes its return to 90.1 FM KKFI this Saturday, February 14 at 5:00pm. More info at: http://www.blaqout.org

D. Rashaan Gilmore thanks for being with us on Wednesday MidDay Medley.

“Unbossed and Unbothered with D. Rashaan Gilmore” makes its return to 90.1 FM KKFI this Saturday, February 14 at 5:00pm.

After nearly four years as part of the team on 90.1’s The Tenth Voice, D. Rashaan made the leap to producing and hosting his own weekly radio show “Unbossed and Unbothered” that aired from 2021-2022 on 90.1 FM KKFI, that was until our friends at KCPT Kansas City PBS took D. Rashaan away from us to be host and producer of Flatland In Focus where he won two Emmy Awards.

Last year, budgetary reasons caused KC PBS to end this critically acclaimed program, and we are lucky enough to have D. Rashaan’s old time slot suddenly become open again, around the same tome D Rashaan was looking to return to KKFI.

Unbossed and Unbothered – The slogan “unbought and unbossed” appeared on Shirley Chisholm’s campaign posters, one of which resides in the collections of the National Museum of African American History and Culture. NMAAHC, Gift of Ellen Brooks

In 1972 Shirley Chisholm announced her historic run for the White House, challenging fellow Democrats George McGovern, Hubert Humphrey, Edmund Muskie, Henry M. Jackson and George Wallace. “I am not the candidate of Black America, although I am Black and proud. I am not the candidate of the woman’s movement of this country, although I am a woman and I am equally proud of that.”


Before Carol Moseley Braun, before Barack Obama, before Hillary Clinton, Shirley Chisholm was both the first woman and the first African American to run for the nomination of a major party for president of the United States. Already the first Black woman to be elected to the United States Congress in 1968, Chisholm made her ambitious attempt to win the White House decades before her country was ready for her, garnering just 152 delegate votes at the Democratic National Convention.

One of the segments of your show was “Reclaiming My Time” in honor of Congresswoman Maxine Waters (D-CA) is the first woman and first African American Chair of the House Financial Services Committee. Waters ‘went viral’ in 2017 when she invoked House procedural rules during Steven Mnuchin’s House Financial Services Committee hearing. Rejecting Mnuchin’s attempts to avoid her questions, Waters repeated the phrase “reclaiming my time” to indicate her right to retain minutes on the clock that had been allotted to her. The hashtag #ReclaimingMyTime began trending on social media and has since become a symbol of resistance and refusal.

D Rashaan Gilmore’s sister is Dana Gilmore, who Mark interviewed in the early years of WMM. Dana Gilmore appeared in episode 5 of the 4th season of Russell Simmons presents Def Poetry on HBO. The show ran for 7 seasons from 2002 – 2007. Tell is about your parents and how they raised two children both gifted in words and communication.

D Rashaan is community connector, organizer, collaborator, and AIDS activist, who serves as Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core.

Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic.

D Rashaan has also served as the Senior Field Organizer for PROMO, Missouri’s statewide LGBT equality and advocacy organization.

D. Rashaan Gilmore thanks for being with us on Wednesday MidDay Medley.

“Unbossed and Unbothered with D. Rashaan Gilmore” makes its return to 90.1 FM KKFI this Saturday, February 14 at 5:00pm. More info at: http://www.blaqout.org

10:55

  1. The Freedom Affair – “Love Is Love”
    from: “Love Is Love” – Single / Sunflower Soul Records / June 26, 2024
    [The Freedom Affair released their second full length album The Freedom Affair on May 9, 2025. This album was #1 on WMM’s 120 Best Recordings of 2025. // The band includes: Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

11:00 – Station ID

  1. Calvin Arsenia – “Rose Petals”
    from: Paradise / Calvin Arsenia / June 23, 2023
    [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com][Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia plays Knuckleheads, 2715 Rochester, Saturday, February 14 at 8:00pm, for a special Valentine’s Day Show. More info at: http://www.calvinarsenia.com]

11:03 – Interview with Calvin Arsenia & Cera Impala

Calvin Arsenia a multi-instrumentalist, vocalist, teacher, writer, actor, model, designer, and artist. Calvin is also the curator at the Greenwood Social Hall. Calvin Arsenia was born in Orlando, Florida. His creative journey began when he moved to Olathe, Kansas, teaching himself guitar, piano, banjo. He learned the harp, at the age of 20. Calvin Arsenia first appeared on WMM on July 25, 2012. His passion for stretching the boundaries saw him transformed after a trip to Edinburgh, Scotland’s Fringe Festival early in his career. An Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, MOMENTS, in 2014, his EP, PROSE in 2015, and his Folk Alliance exclusive EP, CATASTROPHE in 2016. On February 14, 2017 Calvin released his full length debut, CATASTROPHE, with a live show at recordBar in November 2016, involving 50 people: dancers, body painting, stilt walkers. After signing to Center Cut Records, Calvin released the albums: CANTALOUPE in 2018, with a sold out show at The Gem Theatre on September 15, 2018. He then released, L.A. SESSIONS in 2019, along with the EP, HONEY DEW, the EP, GODDESS with Quixotic, and the holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “SUMMER IN HINDSIGHT,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin Arsenia released his 14 track album PARADISE to fans on June 23, 2023. His most biographical album yet, with songs about Black Lives Matter, racism, probation, gay love, and collaborations with Cheery, Kadesh Flow & Jametatone. KC Magazine hailed Calvin as “equal parts opera, symphony, musical theatre, rock show, all built around its creator, a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.” Calvin Arsenia was voted KC’s Best Musician in The Pitch in 2018, 2019, 2020, 2021, 2022, 2023, 2024, and 2025. He has been featured in Billboard, NPR.org. Calvin is the recipient of the Charlotte Street Foundation 2022 Generative Performing Artist Awards, along with The Black Creatures. Calvin is also the co-creator of the podcast, “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal.

Calvin Arsenia & Friends play Knuckleheads, 2715 Rochester, Saturday, February 14 at 8:00pm, for a special Valentine’s Day Show. More info at: http://www.calvinarsenia.com

Calvin Arsenia thanks for being with us on WMM.

Cera Impala is prolific spell-casting songwriter who creates compositions that feel instantly familiar. A whiskey-honeyed voice and intimately crafted pieces take her audiences to another time and place, one of dreams and magic -sensual as they are savage. `Armed with a sound like an audio-hug’, this powerhouse multi-instrumentalist has been heard all over the world; toured internationally with her handpicked band, The New Prohibition. She is in currently recording a much anticipated double album, Demeter’s Daughter (Part I), followed by Persephone (part II). // Cera released her 5th album of beautifully reviewed original work, “Wildest Dreams’, available on all digital platforms, CD and Vinyl. Impala is an accomplished recording artist and session musician, having performed on recordings for Bella Hardy, Jellyman’s Daughter, and notable others. In 2019, Cera debuted a new duet project, Delightful Squalor (currently on pause), and is a member of the Dance bandits ‘psychedelic comedy ceilidh band’, and has been a previous imbedded touring and recording member of The Blackberry Bushes, Dark Green Tree, and the infamous queens of sass and harmony for years, The Bevvy Sisters.

Cera Impala, thanks for being with us on WMM.

Calvin Arsenia and Friends (including Cera Impalla) – Sat, Feb 14 @ 8:00PM Knuckleheads, Kansas City, MO

Calvin Arsenia at eTown – Wed, Feb 18 @ 7:00PM eTown, 1535 Spruce St, Boulder, CO

Cera Impala plays ICONS, at 16 E Kiowa Street, Colorado Springs, CO., on Friday, February 20, 2026 at 7:00pm

Calvin Arsenia has had a very busy 2026 so far. Calvin played theFolk Alliance International Conference in New Orleans as a special Showcase Artist.

Ramy Essam played New Orleans too and Calvin brought him back to KC to play Greenwood Social Hall.

Calvin Writes about Cera Impala: “For lovers of Norah Jones, Billie Holliday, and Lana Del Rey, Impala’s charm, wit, and prowess are undeniable. It takes a songwriter with deep and clear understanding of theory and multiple technical disciples to make music this complex and nuanced sound utterly effortless. Run, don’t walk to bless your ears and soul with this delicious nectar.” -Calvin Arsenia

Cera Impala’s Half Moon Medicine: Impala hosts, curates and performs monthly at the Peoples Leisure Club in (previously held at the Jazz bar) in Edinburgh and curates annually for both Knockengorroch festival and Kelburn Garden party (festival) . Cera is passionate about supporting minority voices and helping the untold story get told and providing ‘The Cure For Wot Ails Ye’ via a regular heroic dose of her brand of ‘Half Moon Medicine’ and teaching her method of writing, collage and music in her bespoke workshop “The Distillary”

Greenwood Social Hall – Long term collaborator, ally, and friend of Calvin Arsenia, Peregrine Honig began hosting performing arts events in the Spring of 2017 at Greenwood Social Hall – the gently renovated historically Black Baptist Church formerly known as Greenwood Baptist Church. Over the years, Calvin Arsenia had filmed multiple projects in the space: Toxic music video, Convert Kit music video, and Live at Greenwood. As her season came to close near the end of 2023, Honig asked Arsenia if he would like to take the helm and make the place his own. He said yes and the rest, as they say, is history.

sissiboi presents: C Yu – Friday, Feb 13 & Saturday, Feb 14, Doors 7:30pm, Show 8:00pm, at The Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor // C Yu is an original performance by sissiboi—the collaborative partnership of performance artists Ósq Trujillo and Sam McReynolds. Two queer lives, shaped by different histories and timelines, meet through movement, listening, instinct, and the quiet power of negotiation. What unfolds is tender, curious, and deeply human. // This is an evening for those who crave embodied art, emotional exposure, and the electricity of shared presence—experienced up close in one of Kansas City’s most intimate spaces. Moe info at: http://www.greenwoodsocialhall.com/events

Guinevere Goodwin + Fritz & Sons + Honeybee play Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Friday, February 27m 2926 at 7:00pm

Monarch String Trio: Pop Queens on Strings play Greenwood Social Hall, 1750 Belleview Ave, Kansas City, MO Wednesday, March 11, 2026, Doors at 6:30 pm Music at 7:00 pm

Cera Impala plays Greenwood Social Hall on Sunday, March 15 at 7:00PM

Calvin Arsenia & Cera Impala thanks for being with us on WMM.

Calvin Arsenia & Friends play Knuckleheads, 2715 Rochester, Saturday, February 14 at 8:00pm, for a special Valentine’s Day Show. More info at: http://www.calvinarsenia.com

11:23

  1. Calvin Arsenia – “Toxic”
    from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
    [The first release on Bullseye Records. Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. His full length album Catastrophe on February 14, 2017, His EP Caviar in November 2017. Calvin’s 2018 national debut, Cantaloupe, was released on September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin was first on WMM on July 25, 2012.

[Calvin Arsenia plays Knuckleheads, 2715 Rochester, Saturday, February 14 at 8:00pm, for a special Valentine’s Day Show. More info at: http://www.calvinarsenia.com]

11:28 – Underwriting

  1. FlareThaRebel – “Mixology”
    from: “Mixology” – Single / Shafer / October 8, 2025
    [“Mixology” from his upcoming full length album DEAR CITY to be released in 2026. Career and love brought hip-hop MC Flare Tha Rebel™ back to his hometown of Kansas City, MO, which sparked a creative renaissance. As The Pitch noted, “As a member of hip-hop collective Anti-Crew, Flare Tha Rebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ’00s, he’s now back…” His homecoming has proved fruitful – his track “Playground” was voted the Number 1 Song of 2022 by listeners of 90.9 FM The Bridge. Throughout his career, Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His most recent release is the locally acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. // Flare Tha Rebel aka Jeff Shafer is Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This was the job that brought Jeff back to KC, where he became Executive Director. ]

[FlareThaRebel hosts Music Maker Mondays presented by Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO, to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring on the first Monday of each month.]

10:33 – Interview with Flare Tha Rebel

FlareThaRebel returns to WMM to share details about Music Maker Mondays from Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring the first Monday of each month.

FlareThaRebel released his latest single “Mixology” on October 8, 2025 from his upcoming full length album DEAR CITY to be released in 2026. Career and love brought hip-hop MC FlareThaRebel back to his hometown of Kansas City, MO, which sparked a creative renaissance. As The Pitch noted, “As a member of hip-hop collective Anti-Crew, FlareThaRebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ’00s, he’s now back…” His homecoming has proved fruitful – his track “Playground” was voted the Number 1 Song of 2022 by listeners of 90.9 FM The Bridge. Throughout his career, Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His most recent release is the locally acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. FlareThaRebel is also known as Jeff Shafer who serves as Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This was the job that brought Jeff back to KC. More info at: http://www.cityyear.org

Shaun Crowley joins FlareThaRebel. Shaun is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Crowley started playing in the Kansas City music community when he was 17 in band Rev Gusto who released their debut album on High Dive Records. Rev. Gusto then transformed into the band Momma’s Boy. Shaun is the Founder & Executive Director of Manor Records, a non-profit organization that functions as a record store and record label to support Kansas City musicians. Crowley started the nonprofit in 2017 with concerts first in a rented house in Shawnee, then moving to a cafe in Strawberry Hill , then a basement space in the West Bottoms, and then to a storefront retail space on Troost.

FlareThaRebel and Shaun Crowley thanks for being with us on WMM

FlareThaRebel hosts Music Maker Mondays presented by Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO, to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring on the first Monday of each month.

Manor Records has expanded the idea of what a music label can be, by creating multiple record store locations, hosting Songbird Sessions every Sunday at ARTSKC, 106 Southwest Blvd, KCMO; Manor Fest an eight day, two weekend music festival held progressively in eight different neighborhoods in Kansas City in May; and now Music Maker Mondays on the First Monday of every month, 5:00pm-7:00pm at Brewery Emperial, 1829 Oak St. KCMO. More info at http://www.manorrecords.com

Flare Tha Rebel aka Jeff Shafer is Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This job brought Jeff back to KC, where he became Executive Director.

Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His most recent release is the locally acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. FlareThaRebel is also known as Jeff Shafer who serves as Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This was the job that brought Jeff back to KC. More info at: http://www.cityyear.org

Flare Tha Rebel played a special acoustic performance for Manor Records Songbird Session with SEYKO, featuring Jeff Stocks on Sunday, October 19, 2025, at ARTSKC, 106 Southwest Boulevard, KCMO.

Upcoming projects

FlareThaRebel is planning to release a new full length album, DEAR CITY, in 2026.

The DEAR CITY album will be connected to DEAR CITY Reels – obe show music video reels filmed ny Lava Dreams, Direcred by FlareThaRebel. Each Reel will showcase the first verse or first verse and chorus of songs from DEAR CITY album.

The majority of reels will be released leading up to the DEAR CITY elease concert.

Jeff Shafer is Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate.

FlareThaRebel “SUMMER YOU, SUMMER ME” EP was removed from Spotify.

FlareTheRebels’ encouragement to Kansas City is to form a music ofice0A MUSIC OFFICE AND MEETING IN OCTOBER WITH DALLAS MUSIC OFFICE

Flare’s brother Sike is known for his pristine community murals’s located all over Kansas City. Sike’s time at Recycled Sounds was memorable for Jeff as a young kid and as he developed into a DJ and graphic designer and got heavily into the scene with The Guild, CES Cru, Sounds Good, Brother of Moses, etc. This influenced Jeff and Anti-Crew to start releasing music and performing as well.

Many of Flare’s songs are connected to his Art to Empower initiative, raising awareness and funds for a variety of social justice causes and nonprofits, such as his Royalty EP poster designed by muralists JT Daniels, which raises funds for the Equal Justice Initiative.

As Flare explains, in our country Black men are being mistreated, demonized, killed, and not given the same structures that they need to be successful.

“We have to pull together ourselves as a community, but something like the Bloc is very education-focused and that’s something that I’m very passionate about. I can’t just talk about it. I got to walk the walk and, if I can use art to promote and raise funds for nonprofits and social justice causes that are making difference on the front lines, then that’s what I want to do.”

The end result of all of this is that The Revolution Will Not Be Hashtagged is a very powerful collection of songs, not just because of the strength in the lyrics and in Flare’s delivery, but also with a lot of empathy. The rapper isn’t attempting to shame anyone so much as he’s addressing sense of being overwhelmed by these things and understanding of how that can be for folks.

“You can’t do this without being empathetic, in my opinion,” Flare concurs. “I might be bringing up topics that are hard for people to swallow, but I hope I do so in a way that’s still motivating. Music is supposed to make you feel an emotion and hopefully, the emotion that people feel from this music is motivation to make a change, to make a stand, or–at the very least–to educate themselves about the realities of our country.”

Flare’s Art to Empower initiative, and about merchandise that was designed by your brother muralist Sike Style to raise funds and awareness for BLOC (Brothers Liberating our Communities).

Flare Tha Rebel & Bob Pulliam joined us live in our 90.1 FM studios on August 11, 2021. the year his EP, THE REVOLUTION WILL NOT BE HASHTAGGED, was released (on July 9, 2021). This was the 50th anniversary of Gil Scott-Heron’s “The Revolution Will Not Be Televised.”

Inspired by Gil Scott-Heron’s 1971 single, “The Revolution Will Not Be Televised”, Lyricist Flare Tha Rebel and beat producer Bob Pulliam took on a slew of social issues on their 4-track EP release: police brutality on “P.O.P. Off”, quotes from revolutionaries and civil right activities on “Different Ships,” and the United States tragic apathy towards gun violence for the track “Child’s Play” featuring Bob’s dad, KC Jazz musician and teacher Joe Miquelon. More Info at: http://www.flaretharebel.com

Flare Tha Rebel told Nick Spacek in a July 13, 2021 article for The Pitch Kansas City:

The Revolution Will Not Be Hashtagged EP carries through on that sense of empowering and motivating the listeners. “Different Ships,” especially, interweaves a series of quotes from people by whom the rapper has been motivated, drawing its title from a quote from Dr. Martin Luther King Jr., “We may have all come on different ships, but we’re in the same boat now.” As Flare puts it, “That’s a call for unity amongst the Black community, but it’s also showcasing the struggles that we’ve had in our shared experience.”

“I’m motivated by my ancestors,” states Flare emphatically. “I’m motivated by the revolutionaries and civil rights activists that have come before me and I’m motivated by the ones that exist today. I’m learning from them and when I’m creating art, I’m interweaving what I’ve learned from them into what I’m addressing. It was a way to create a lyrical pro-Black narrative that I felt was very relevant.”

Manor Fest 8 Dates Announcement – Monday March 9th, 2026
Manor Fest 8 Lineup Announcement & Ticket Launch – Monday, April 6th 2026
Manor Fest 8 Venue Schedule – Monday, April 13th 2026

Manor Festival Dates: Weekend One : May 20th – 23rd // Weekend Two : May 27 -30th

Shaun Crowley will be back on April 8, at 11:00am to announce all of the artists playidmng this year’s Manor Fest.

Shaun Crowley will be back on Wednesday, May 13, 10 to Noon, for the entire show, as our co-host, to do our annual survey of all eight days of the Monor Festival. It is our “radio journey” through the dates and times chronologically, playing bands from every venue (or as many as we can)?

FlareThaRebel and Shaun Crowley thanks for being with us on WMM

FlareThaRebel hosts Music Maker Mondays presented by Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO, to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring on the first Monday of each month.

For WMM, I’m Mark Manning. Thanks for listening!

10:54

  1. Flare Tha Rebel & Bob Pulliam – “P.O.P Off (Radio Edit)”
    from: The Revolution Will Not Be Hashtagged / Shafer / July 9, 2021
    [Career and love brought hip-hop MC Flare Tha Rebel™ back to his hometown of Kansas City, MO, which sparked a creative renaissance. As The Pitch noted, “As a member of hip-hop collective Anti-Crew, Flare Tha Rebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ’00s, he’s now back…” His homecoming has proved fruitful – his track “Playground” was voted the Number 1 Song of 2022 by listeners of 90.9 FM The Bridge. Throughout his career, Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His most recent release is the locally acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. // Flare Tha Rebel aka Jeff Shafer is Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This was the job that brought Jeff back to KC, where he became Executive Director. Info at: http://www.flaretharebel.com]

[FlareThaRebel hosts Music Maker Mondays presented by Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO, to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring on the first Monday of each month.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, February 19 at 10:15am we talk with Sara Swenson who returns to share more new music from her new album TALLER. Sara Swenson plays a TALLER Album Release show Saturday, February 28, Doors at 6 pm. Show at 6:30 pm. ay Knuckleheads Gospel Lounge, 2715 Rochester Ave., Kansas City, MO. // At 11:00 Nathan Reusch shares several new tracks from the Kansas City Synthesizer Collective 4th Anniversary Celebration on Friday, February 20, at Stockyards Brewing. // AND at 11:30am Brad Smith joins us to talk about the new album from Brad’s band Egg on Mars called Good Morning (I Love You) to be released March 3, 2026. Brad also talks anout his new music label Enigmatic Brunch.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1134

WMM presents: D Rashaan Gilmore + Calvin Arsenia + FlareThaRebel + Shaun Crowley

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 11, 2026

WMM presents: D Rashaan Gilmore + Calvin Arsenia + FlareThaRebel + Shaun Crowley

Mark plays New & MidCoastal Releases from: Eggs on Mars, The Freedom Affair, Angie Fights Crime, Quiet Takes, Katie Ziegler, FlareThaRebel, Betse & Clarke, Calvin Arsenia, Mikal Shapiro & The Musical, and Al Green.

At 10:30 D. Rashaan Gilmore joins us to talk about the return of his radio show, “Unbossed and Unbothered with D. Rashaan Gilmore,” starting this Saturday, February 14 at 5:00pm on 90.1 FM KKFI – Kansas City Community Radio. D. Rashaan Gilmore is a two-time Emmy Award winning host and producer of Flatland In Focus on Kansas City PBS. He has also served as a Newsweek contributing writer. After nearly four years as part of the team on 90.1’s The Tenth Voice, D. Rashaan made the leap to producing and hosting his own weekly radio show “Unbossed and Unbothered” that aired from 2021-2022 on 90.1 FM KKFI, before leaving KKFI to work at KCPT. A life-long resident of Kansas City. D Rashaan is community connector, organizer, collaborator, and AIDS activist, who serves as Founder and President/CEO at BlaqOut KC, which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic. D Rashaan has also served as the Senior Field Organizer for PROMO, Missouri’s statewide LGBT equality and advocacy organization. “Unbossed and Unbothered with D. Rashaan Gilmore” makes its return to 90.1 FM KKFI this Saturday, February 14 at 5:00pm. More info at: http://www.blaqout.org

At 11:00 Mark welcomes Calvin Arsenia a multi-instrumentalist, vocalist, teacher, writer, actor, model, designer, and artist. Calvin is also the curator at The Greenwood Social Hall. Calvin Arsenia was born in Orlando, Florida. His creative journey began when he moved to Olathe, Kansas, teaching himself guitar, piano, banjo. He learned the harp, at the age of 20. Calvin Arsenia first appeared on WMM on July 25, 2012. His passion for stretching the boundaries saw him transformed after a trip to Edinburgh, Scotland’s Fringe Festival early in his career. An Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, MOMENTS, in 2014, his EP, PROSE in 2015, and his Folk Alliance exclusive EP, CATASTROPHE in 2016. On February 14, 2017 Calvin released his full length debut, CATASTROPHE, with a live show at recordBar in November 2016, involving 50 people: dancers, body painting, stilt walkers. After signing to Center Cut Records, Calvin released the albums: CANTALOUPE in 2018, with a sold out show at The Gem Theatre on September 15, 2018. He then released, L.A. SESSIONS in 2019, along with the EP, HONEY DEW, the EP, GODDESS with Quixotic, and the holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “SUMMER IN HINDSIGHT,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin Arsenia released his 14 track album PARADISE to fans on June 23, 2023. His most biographical album yet, with songs about Black Lives Matter, racism, probation, gay love, and collaborations with Cheery, Kadesh Flow & Jametatone. KC Magazine hailed Calvin as “equal parts opera, symphony, musical theatre, rock show, all built around its creator, a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.” Calvin Arsenia was voted KC’s Best Musician in The Pitch in 2018, 2019, 2020, 2021, 2022, 2023, 2024, and 2025. He has been featured in Billboard, NPR.org. Calvin is the recipient of the Charlotte Street Foundation 2022 Generative Performing Artist Awards, along with The Black Creatures. Calvin is also the co-creator of the podcast, “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin Arsenia & Friends play Knuckleheads, 2715 Rochester, Saturday, February 14 at 8:00pm, for a special Valentine’s Day Show. More info at: http://www.calvinarsenia.com

At 11:30am, FlareThaRebel returns to WMM to share details about Music Maker Mondays from Manor Records Foundation, & Brewery Emperial on the First Monday of every month, 5:00pm-7:00pm (through August) at Brewery Emperial, 1829 Oak St. KCMO to provide local music makers of all types – any genre, a laid-back, non-gig environment to connect, organize, and build community through a new monthly happy hour occurring the first Monday of each month. FlareThaRebel released his latest single “Mixology” on October 8, 2025 from his upcoming full length album DEAR CITY to be released in 2026. Career and love brought hip-hop MC FlareThaRebel back to his hometown of Kansas City, MO, which sparked a creative renaissance. As The Pitch noted, “As a member of hip-hop collective Anti-Crew, FlareThaRebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ’00s, he’s now back…” His homecoming has proved fruitful – his track “Playground” was voted the Number 1 Song of 2022 by listeners of 90.9 FM The Bridge. Throughout his career, Flare has shared stages with heavyweights including Chance The Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. His most recent release is the locally acclaimed EP, “Summer You, Summer Me”, followed by his feature on the Kemet Coleman song “Android”. FlareThaRebel is also known as Jeff Shafer who serves as Executive Director for City Year Kansas City, an educational-equity nonprofit that places mentors/tutors in schools to keep kids on track to graduate. This was the job that brought Jeff back to KC. More info at: http://www.cityyear.org

Shaun Crowley joins FlareThaRebel. Shaun is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Crowley started playing in the Kansas City music community when he was 17 in band Rev Gusto who released their debut album on High Dive Records. Rev. Gusto then transformed into the band Momma’s Boy. Shaun is the Founder & Executive Director of Manor Records, a non-profit organization that functions as a record store and record label to support Kansas City musicians. Crowley started the nonprofit in 2017 with concerts first in a rented house in Shawnee, then moving to a cafe in Strawberry Hill , then a basement space in the West Bottoms, and then to a storefront retail space on Troost. Manor Records has expanded the idea of what a music label can be, by creating multiple record store locations, hosting Songbird Sessions every Sunday at ARTSKC, 106 Southwest Blvd, KCMO; Manor Fest an eight day, two weekend music festival held progressively in eight different neighborhoods in Kansas City in May; and now Music Maker Mondays on the First Monday of every month, 5:00pm-7:00pm at Brewery Emperial, 1829 Oak St. KCMO. More info at http://www.manorrecords.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1134