Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org
Wednesday, May 24, 2023
Mike Dillon + Malek Azrael + Krystle Warren
- “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]
- Hannah Jadagu – “What You Did”
from: Aperture / Sub Pop Records / May 19, 2023
[Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” // Resonate it did; What Is Going On? is Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.” // On May 19th, 2023 Jadagu premiered Aperture, her first LP and most ambitious work to date. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” // As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. // “Lose” showcases Jadagu’s love of contemporary indie auteurs as it weaves a spare and unpretentious guitar riff with barebones piano chords all while Jadagu sings about the thrill and underlying fear that comes with beginning a new relationship. It is, in her words, a “classic pop song.” “The things we haven’t done/ Play out in my mind/ Would you just give me time?” she sings, nearing the end, as the skittering drumbeat propels the song from a place of contemplative yearning to defiance. “Every track on this album, except for “Admit It”, was written first on guitar, which is an instrumental throughline,” Jadagu says. “But the blanket of synths I use throughout helps me move between sensibilities. There’s rock Hannah, there’s hip-hop Hannah, and so on. I didn’t want any of the songs to sound too alike.” // Emblematic of this ethos is the single “Warning Sign,” which starts out as an acoustic, R&B slowburner before a muscular electric guitar enters the mix and the song morphs into something akin to psychedelic. “I knew I could make another album on my phone, but I wanted to make sure that I was leveling up, especially for the debut,” Jadagu says. So she began the difficult process of searching for a co-producer capable of complementing her work without dominating it. Enter Max Robert Baby, a French songwriter and producer who captured Jadagu’s attention with his take on Aperture’s lead single “Say It Now.” The duo worked together remotely, sending stems to one another via email, before eventually meeting in-person for the first time at Greasy Studios on the outskirts of Paris. // “When I recorded my EP, it was all MIDI, but in the studio Max and I worked with a ton of analog instruments,” Jadagu says. “There’s some Glockenspiel on the album, calling back to my percussionist days, and some synth warping that adds texture.” While What Is Going On? was heavy on layered reverb, making Jadagu’s vocals feel “shy,” she took what she calls a more “intimate, up close” approach while recording her voice for the LP. That experimentation is best heard on the rousing “What You Did,” which leverages crushing accusations against the song’s unnamed subject. Screaming static and a crunchy guitar part softens under Jadagu’s calm delivery as she sings: “Act like it’s best if we make amends, but I don’t wanna talk to you again.” // An aperture is strictly defined as an opening, a hole, a gap. On a camera, it’s the mechanism that light passes through, allowing a photographer to immortalize a moment in time. For Jadagu, the word perfectly encapsulates the mood of her debut album. In the years it took her to complete, she faced moments of darkness, sure, but the process of making it, her first ever in a professional studio, was ultimately a cathartic experience, one she now shares with you, the listener. Let the light in.]
[Hannah Jadagu plays the Bottleneck in Lawrence Kansas on Friday, September 29, 2023]
- ANOHNI and the Johnsons– “It Must Change”
from: My Back Was a Bridge For You To Cross / Secretly Canadian / july 7, 2023
[All tracks written by Anohni Hegarty. All tracks produced & mixed by Jimmy Hogarth. Executive Producers, Geoff Travis & Jeannette Lee. Mastered by Greg Calbi. Published by Downtown Music Publishing // from Bandcamp notes: “I’ve been thinking a lot about Marvin Gaye’s What’s Going On. That was a really important touchstone in my mind,” says ANOHNI of her sixth studio album, My Back Was A Bridge For You To Cross. “A couple of these songs are almost a response to the call of What’s Going On, from 2023. They are a kind of an echo from the future to that album from 50 years ago.” // As the British-born, New York-based artist’s first full album since 2016’s HOPELESSNESS, ANOHNI explains that the creative process was painstaking, yet also inspired, joyful, and intimate, a renewal and a renaming of her response to the world as she sees it. // A record its creator acknowledges is inextricably both personal and political, and one that is full of heartfelt music that also questions its own right to be heard, My Back Was A Bridge For You To Cross demonstrates music’s unique capacity to bring harmony to competing, sometimes contradictory, elements. // “For me, there’s no heavenly respite; creation is a spectral and feminine continuum, and our souls are an inalienable part of nature.” // In 2022, having sought producer recommendations from Rough Trade Records’ Jeannette Lee and Geoff Travis, ANOHNI began working with Jimmy Hogarth (Amy Winehouse, Duffy, Tina Turner) noting his sensitivity towards soul music. Having always helmed and written her previous records – bar HOPELESS-NESS, for some of which, producers were invited to submit instrumentals – this kind of collaboration was a first for ANOHNI. “There was a great ease to this songwriting process,” she says of her writing and recording sessions with Hogarth. “I loved making this record in a way that I’ve never done before.” // Bringing in with her several years of texts, ANOHNI and Hogarth shared musical ideas and sketched out a series of demos with Hogarth playing guitar. Hogarth then assembled a studio band – including guitarist Leo Abrahams and string arranger/instrumentalist Rob Moose – to record the full album. // “Many of the recordings on this record – like“It Must Change”and “Can’t” – capture the first and only time I have sung those songs through. There’s a magic when you suddenly place words you have been thinking about for a long time into melody. A neural system awakens. It isn’t personal and yet is so personal. Things connect and come alive.” // Hogarth’s intuitive guitar leads the listener across ten songs, touching on elements of American soul, British folk and experiment-al music. ANOHNI places her heart on the line and in a groove in the opening track “It Must Change,” describing systems in collapse with a note of compassion for humanity: “The truth is I always thought you were beautiful in your own way / That’s why this is so sad.”“Scapegoat” waivers between tenderness and instrumental brutality, “Take all of my hate into your body / It doesn’t matter what you’ve got to give / or why you want to live / You’re my scapegoat / It’s not personal.” The primordial, Kaliesque curse “Rest” positions the record at moments in conversation with experimental rock of the 1970s: “Rest like the enemy of all that sees / Rest like the enemy of all that breathes / In the poison ocean blue / She’ll come home to you.” “Go Ahead” presses melody through dissonance. “You are determined to take me down / Go ahead kill your friends / I can’t stop you.” My Back Was A Bridge For You To Cross shape shifts through its subject matter: the loss of loved ones, inequality, alienation, privilege, denial, ecocide and the tidal power of Earth, isolation, Future Feminism, and the intention that we might yet transform our ways of thinking, our religious ideas, our societal structures, and our relationships with the rest of nature. // “You know how they always said that light was the opposite of darkness? / It’s just fire in darkness, creating life / So those opposites, they don’t exist / It’s just an idea that someone told you” (“It Must Change”) // ANOHNI’s voice is sensual and smoothed, selectively reaching to the edges of what it can contain. “I don’t want you to be dead, I can’t accept it,” she cries out at the climax of “Can’t.” “We’re not getting out of here / No one’s getting out of here / This is our world,” she murmurs on “It Must Change.” “How sweet the vista, the portal view / On my way to black and blue,” she grieves on “Sliver of Ice,” a remembering of some of the last words Lou Reed shared with her. // A portrait of gay rights activist Marsha P. Johnson taken by Alvin Baltrop features on the cover of My Back Was a Bridge For You To Cross, reflecting a 25-year relationship with the memory of Johnson that ANOHNI has held space for in the presentation of her own work. Paintings by Sylvester Hustito, a Zuni Two Spirit artist from New Mexico, depict another crucial vision of America, from a queer, indigenous historical point of view. On “You Be Free,” ANOHNI sings from with heartbreak about the passing of trans intergenerational knowledge: “Done my work / My back was broke / My back was a bridge for you to cross / Then I wished in the aftermath / That the Earth would take my life / Like she took the lives of my Mother and my Sister.” // “I’m careful with the emotional pathways I am drawing. The stories we tell ourselves are the basis of our cultural mythologies, and often a foreshadowing of our destinies. We live in a world where story-telling has become another abuse of power, a threat, fake news, anti-female, anti-nature,” ANOHNI says of her intentions as lyricist. The album artwork states ”IT’S TIME TO FEEL WHAT’S REALLY HAPPENING”. In some ways it feels as if she is reaching across her life’s expression, and has found a moment of unique composure, wearing her long exploration of disarming intensity, but with the maturity of a painter choosing colors. // On listening to My Back Was A Bridge For You To Cross, one is reminded of music’s power and ability to articulate the political and the personal concurrently. “As much as I was British or American, I was identified as a non-viable part of family, community, church, society. At moments I was deemed not worth protecting, as being expendable, on account of my femininity. Ultimately that was a gift for me because it brought me unique insight into the societies I found myself having to navigate. It forced me to be more willing to look at who and where I really was.” // With “Mercy Mercy Me (The Ecology),” Marvin Gaye made a visionary plea for the environment in 1971, a gesture that ANOHNI has echoed across her own output, from “Rapture” in 1992 and “Another World” in 2009, to “4 Degrees” and “Why Did You Separate Me From The Earth?” from her last record HOPELESSNESS in 2016. // ANOHNI’s approach since her last record has shifted from someone tasked with challenging global denial, to an artist seeking to support others on the front lines. “I want the record to be useful. I learned with HOPELESSNESS that I can provide a soundtrack that might fortify people in their work, in their activism, in their dreaming and decision-making. I can sing of an awareness that makes others feel less alone, people for whom the frank articulation of these frightening times is not a source of discomfort but a cause for identification and relief.” // “I see myself as a part of a process. I know that I’m not there, but I feel that someone in the future might know how to get there. An innovation in our way of dreaming or thinking might help us get back home. I hope that this record is another step in that direction. As problematic and broken as it might be, maybe there’s an element in this music that’s going to be useful to a future iteration of us. They’re going to be able to distill what’s right about it and make something better out of it. So I do my work hoping that someone’s going to be able to pick it up and take it further, that it can be a source of something positive at some later point in our evolution – if we’re lucky to continue to have an evolution.” // “We are each moving through massive impersonal systems that we feel powerless to change. And yet we’re being asked in this moment to pull back the curtain and recognize these systems for what they are – not the preordained will of a god, but something we created over centuries. If we can’t do this collective-ly, we will forfeit our remaining ability to influence our trajectory. We have to dismantle systems that are destructive, and yet upon which many of us are dependent. Whether it’s because of malevolence, or fear, or addiction… ultimately it’s been one big survival strategy. We’ve never been faced with a challenge this consequential before as a species. Because of their structural hatred of Femaleness, Abrahamic religions and capital-ism can only realize an apocalyptic future, rather than facilitate the emergence of a life-sustaining sensibility that might allow us to continue to exist as a part of Nature. So that’s a challenge that we’re facing now.”]
- Ivory Blue – “Control”
from: “Control” – Single / IVORY BLUE / May 26, 2023
[Follow up to the single “All Outta Love” from February 24, 2023. IVORY BLUE released their full length debut album COMPOUND LOVE on February 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017. In 2017 Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender”. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. IVORY BLUE released the video of “Family Table” directed by Mikal Shapiro, on August 21, 2021 and the audio track was released on September 7, 2021. IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. IVORY BLUE released their debut album COMPOUND LOVE on February 25, 2022. IVORY BLUE released the single “Red Light” on July 29, 2022. IVORY BLUE released the single “Starlit Love Child” on October 28, 2022. IVORY BLUE released the single “All Outta Love” on February 24, 2023. More info at: https://linktr.ee/ivorybluemusic%5D
- Mike Dillon & Punkadelick – “Pandas”
from: Inflorescence / Royal Potato Family / January 27, 2023
[Punkadelick: Mike Dillon – Vibraphone, Marimba, Prophet 6, Congas, Bongo; Brain Haas – Fender Rhodes, Piano, Bass Moog, Melodica; Nikki Glaspie – Drums, Cymbals, Vocals. Mixed and Recorded by Chad Meise. Mastered by Collin Jordan / Boiler Room Mastering. Cover Art: Peregrine Honig. // From Bandcamp notes: Mike Dillon & Punkadelick makes its recorded debut with Inflorescence, an album of heady, instrumental rock highlighting a band deep in the throes of creative freedom, road tested and wild. Consisting of 10 tracks in 42-minutes, it’s an expansive, focused and fearless collection, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament and the ‘anything fits’ outsider ethos of acid-fried punks like The Meat Puppets. // A trio featuring Mike Dillon (Ricki Lee Jones, Ani DiFranco, Les Claypool) on vibraphone, marimba, Prophet 6, congas, and bongos, Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie (Beyonce) on drums, cymbals and vocals, Punkadelick is the unified vision of six hands creating a world that often sounds like the work of an ensemble three times the size. // During 2020 and 2021, while many music venues were still shuttered, the group began touring, sweating their way through cuts Dillon and Haas had composed during quarantine writing sessions. Locking in on stage, it quickly became clear the band was functioning at a level that made the hair on their arms stand at attention—even for three live music veterans accustomed to life on the road. // “It became obvious to let this become a collaboration,” Dillon says. “This is really something all three of us are doing because we have so much love for one another and a love for the music that we started creating.” // “There’s only three of us, but we move together like a big, nasty school of fish,” Haas adds, laughing. // During the tail end of a 2021 tour, the band booked time to record with engineer—and functioning fourth band member—Chad Meise, and Inflorescence sprouted. Opener “Desert Monsoon,” sets the stage with a spiritual-jazz intro of organ, vibraphone, percussion and wordless vocal coos before crackling to life as a swaggering funk strut. The title track, and “Pandas,” dig into thick dub textures built around Glaspie’s drumming and Haas’s subwoofer-straining bass synths. // “Apocalypse Daydream,” which appeared as an exotic head-nodder on 2020’s Shoot the Moon (titled “Apocalyptic Daydreams”) is reborn as a meatier jazz-rock slab where Dillon and Haas circle each other like Television performing as a lounge act on a cruise ship sailing seas of psilocybin. // Bending ears and surprising audiences has long been part of Dillon’s MO and Glaspie and Haas act as perfect foils for forays into the weird. While Dillon bristles at the “punk jazz” tag, punk rock and jazz remain core influences to the band, in sound and spirit. // “We’re students of the titans of music. We grew up listening to punk and rock ’n’ roll but we also love instrumental music—particularly the forefathers of Black American Music. In our minds, Led Zeppelin and Milt Jackson, Parliament-Funkadelic and The Minutemen, The Bad Brains and Frank Zappa are interconnected influences,” explains Dillon. “All that comes together in how we approach instrumental creative music. Both punk rock and jazz are not prefab things, they’re about the freedom. We have no genre restriction in this band, and people who get it really respect that.” // Maybe the greatest example of the band’s punk-steeped sonic free-for-all is “Slowly But Surely,” a track Dillon told Haas to compose as if he were “writing for Queens of the Stone Age.” The song plays like QOTSA translated to piano runs, vibes and deeply swinging drums—big-riff stoner rock upended and played with huge smiles by America’s premier proponents of the unclassifiable. // “We try to challenge our listeners. We’re touching a nerve with people who maybe don’t want to see the same songs done in the same variations all night long,” continues Dillon. “Part of my mission is taking these instruments that are primarily designed for the orchestral or jazz world and taking them to the rock world, the club world, running them through pedals and effects. We’re not afraid to be soft, or to surprise. That’s what we all do in this band — get beyond our own conceptions of what music is supposed to be.” // “We are so blessed and lucky to do what we do for a living — it’s apparent in the music,” Glaspie chimes in. “It doesn’t matter how the day is going, but we get to the club, set up and crush the gig, all the other stuff doesn’t matter. We’re likeminded individuals who love life, love people and want to spread happiness.”
10:18 – Interview with Mike Dillon
We just heard Mike Dillon & Punkadelick and the track “Pandas” from the band’s debut album, Inflorescence. Mike Dillon is on the phone calling in from the road, where he is touring as a member of Les Claypool’s Fearless Flying Frog Brigade, who play Grinders KC, 1826 Locust St., on Friday, May 26. Mike Dillon was a percussionist with Billy Goat, and was one third of influential and acclaimed band, The Malachi Papers. Mike’s band, Mike Dillon & Punkadelick features Mike on vibraphone, ma-rimba, Prophet 6, congas, & bongos; Brian Haas (of Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog & melodica; and Nikki Glaspie (of Beyonce) on drums, cymbals & vocals. Punkadelick released their 10-track instrumental rock, debut album, INFLORESCENCE on Royal Potato Family Records, on January 30, 2023. The album was produced with Chad Meise. Mike Dillon has released solo records, multiple albums with his other bands, many singles, and collaborations with Ricki Lee Jones, Ani DiFranco and others.
Mike Dillon Thank you for being with us on WMM.
Mike Dillon called in from the road, where he is touring as a member of Les Claypool’s Fearless Flying Frog Brigade, with Les on vocals & guitar, Sean Lennon on guitar, Harry Waters on keyboards, Paulo Baldi on drums, Skerik on saxophone, and Mike Dillon on percussion. Les Claypool’s Fearless Flying Frog Brigade play Grinders KC, 1826 Locust St., on Friday, May 26.
Mike Dillon was a percussionist with Billy Goat, and was one third of influential and acclaimed band, The Malachi Papers.
Mike Dillon has released over 12 solo records, multiple albums with his other bands, many singles, and collaborations with Ricki Lee Jones, Ani DiFranco and others. More information at http://www.mikedillonvibes.com
Mike’s band, Mike Dillon & Punkadelick features Mike on vibraphone, ma-rimba, Prophet 6, congas, & bongos; Brian Haas (of Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog & melodica; and Nikki Glaspie (of Beyonce) on drums, cymbals & vocals.
Punkadelick released their 10-track instrumental rock, debut album, INFLORESCENCE on Royal Potato Family Records, on January 30, 2023.
The album was produced with Chad Meise.
Consisting of 10 tracks in 42-minutes, it’s an expansive, focused and fearless collection, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament and the ‘anything fits’ outsider ethos of acid-fried punks like The Meat Puppets.
A trio featuring Mike Dillon (Ricki Lee Jones, Ani DiFranco, Les Claypool) on vibraphone, marimba, Prophet 6, congas, and bongos, Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie (Beyonce) on drums, cymbals and vocals, Punkadelick is the unified vision of six hands creating a world that often sounds like the work of an ensemble three times the size.
During 2020 and 2021, while many music venues were still shuttered, the group began touring, sweating their way through cuts Dillon and Haas had composed during quarantine writing sessions. Locking in on stage, it quickly became clear the band was functioning at a level that made the hair on their arms stand at attention—even for three live music veterans accustomed to life on the road.
“It became obvious to let this become a collaboration,” Dillon says. “This is really something all three of us are doing because we have so much love for one another and a love for the music that we started creating.” // “There’s only three of us, but we move together like a big, nasty school of fish,” Haas adds, laughing.
During the tail end of a 2021 tour, the band booked time to record with engineer—and functioning fourth band member—Chad Meise, and Inflorescence sprouted. Opener “Desert Monsoon,” sets the stage with a spiritual-jazz intro of organ, vibraphone, percussion and wordless vocal coos before crackling to life as a swaggering funk strut. The title track, and “Pandas,” dig into thick dub textures built around Glaspie’s drumming and Haas’s subwoofer-straining bass synths.
Bending ears and surprising audiences has long been part of Dillon’s MO and Glaspie and Haas act as perfect foils for forays into the weird. While Dillon bristles at the “punk jazz” tag, punk rock and jazz remain core influences to the band, in sound and spirit. // “We’re students of the titans of music. We grew up listening to punk and rock ’n’ roll but we also love instrumental music—particularly the forefathers of Black American Music. In our minds, Led Zeppelin and Milt Jackson, Parliament-Funkadelic and The Minutemen, The Bad Brains and Frank Zappa are interconnected influences,” explains Dillon. “All that comes together in how we approach instrumental creative music. Both punk rock and jazz are not prefab things, they’re about the freedom. We have no genre restriction in this band, and people who get it really respect that.”
Maybe the greatest example of the band’s punk-steeped sonic free-for-all is “Slowly But Surely,” a track Dillon told Haas to compose as if he were “writing for Queens of the Stone Age.” The song plays like QOTSA translated to piano runs, vibes and deeply swinging drums—big-riff stoner rock upended and played with huge smiles by America’s premier proponents of the unclassifiable.
“We try to challenge our listeners. We’re touching a nerve with people who maybe don’t want to see the same songs done in the same variations all night long,” continues Dillon. “Part of my mission is taking these instruments that are primarily designed for the orchestral or jazz world and taking them to the rock world, the club world, running them through pedals and effects. We’re not afraid to be soft, or to surprise. That’s what we all do in this band — get beyond our own conceptions of what music is supposed to be.”
More information at http://www.mikedillonvibes.com
Mike Dillon Thank you for being with us on WMM.
Les Claypool’s Fearless Flying Frog Brigade, who play Grinders KC, 1826 Locust St., on Friday, May 26. Mike Dillon & Punkadelic’s debut album, Inflorescence was released this year on Roya; Potato Family Records. More information at http://www.mikedillonvibes.com
10:30
- Mike Dillon & Punkadelick – “Desert Monsoon”
from: Inflorescence / Royal Potato Family / January 27, 2023
[Punkadelic: Mike Dillon – Vibraphone, Marimba, Prophet 6, Congas, Bongo; Brain Haas – Fender Rhodes, Piano, Bass Moog, Melodica; Nikki Glaspie – Drums, Cymbals, Vocals. Mixed and Recorded by Chad Meise. Mastered by Collin Jordan / Boiler Room Mastering. Cover Art: Peregrine Honig.]
10:33 – Underwriting
- Malek Azrael & The Vibez – “22 (Radio Edit)”
from: “22 (Radio Edit” – Single / Malek Azrael / January 6, 2023
[On October 15, 2021 Makek Azrael released his 10-track album debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and is currently working with touring. Malek Azrael has been involved with Making Movies non-profit organization Art As Mentorship. He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms.]
[Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM.]
10:39 – Interview with Malek Azrael
Malek & The Vibez is a band that includes lead singer songwriter Malek Azrael, drummer Josh Luke, bassist Jack Roberts, and guitarist Calvin Haverkamp. Malek Azrael grew up in Kansas City. He has worked for Boys Grow, and is currently working with touring. Malek Azrael was part of Making Movies non-profit organization Art As Mentorship, and sometimes plays with Making Movies. Malek played the Ameri-Kana Fest, and KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, 2022. Makek Azrael released his 10-track debut album on October 15, 2021. Malek Azrael released the single “22” on January 13, 2023, and the newest single, “Anxiety” on April 30, 2023.
Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM. More info at: http://www.mavband.us
Malek Azrael, Thank you for being with us on WMM.
Some have compared Malek Azrael’s soulful debut album “Waves” to artists likes of D’angelo, Stevie Wonder, and Prince.
After Waves was recorded Malek then assembled ‘The Vibez” as a live band to support the record and do live shows. The band is made up of: Drummer Josh Luke, bassist Jack Roberts, and guitarist Calvin “CLAV” Haverkamp.
The single “22” represents a departure of the sound of WAVES and features driving guitars and drums.
Malek, who will turn 24 in late June, talked about growing pains and learning lessons in his growing up process, he says “but it’s even harder when you turned 20 and 21 during the Covid epidemic where you’re not out making mistakes and living life. So when I turned 22 and I was finally able to leave my house, I found that it was toxic overload.”
Malek Azrael told KDHK Radio, “I had a particularly hard time with being told what music and sound was expected of me because I was a black male R&B singer and it made it extremely hard to create. I started writing because I loved telling a story no matter the genre, and I actually grew up with a huge appreciation for rock thanks to my dad and his obsession with most of the soundtrack from guitar hero. I decided to say fuck expectations and make music thats fun and that me and my band align with right now in this part of our journey. I’m not saying goodbye to my roots at all, I’m just saying “ hey i’m an artist, not a genre” and creating freely, that is what i think music should be. I want to remind others that black rock stars still exist!”
“Honestly, I have to thank my band mates Josh Luke, Jack Roberts, and Calvin “CLAV” Haverkamp, along with our producer and friend Brandon Yangmi because they allowed me to be able to speak my truth and actually helped me elevate my recording technique and see the potential in my work. I dream bigger when I write now, which I didn’t even know was possible until we started this project.”
10:46
- Malek Azrael & The Vibez – “Anxiety”
from: “Anxiety” – Single / Malek Azrael / April 30, 2023
[On October 15, 2021 Makek Azrael released his 10-track album debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and is currently working with touring. Malek Azrael has been involved with Making Movies non-profit organization Art As Mentorship. He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms.]
[Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM.]
10:50 – More Interview with Malek Azrael
Malek & The Vibez is a band that includes lead singer songwriter Malek Azrael, drummer Josh Luke, bassist Jack Roberts, and guitarist Calvin Haverkamp. Malek Azrael grew up in Kansas City, He has worked for Boys Grow and is currently working with touring. Malek Azrael was part of Making Movies non-profit organization Art As Mentorship, and sometimes plays with Making Movies. Malek played the Ameri-Kana Fest, and KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, 2022. Makek Azrael released his 10-track debut album on October 15, 2021. Malek Azrael released the single “22” on January 13, 2023, and the newest single, “Anxiety” on April 30, 2023.
Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM. More info at: http://www.mavband.us
Malek Azrael Thank you for being with us on WMM.
Malek talked about the new single “Anxiety” which he suffer from in his life. The song is a reminder to him to stop and breathe.
Malek told us about how he first started sing in the choir at Church, only he said in the beginning he didn’t sing, he would pose and pretend to sing, because he want to be in the group.
Eventually he was called on to sing out loud, and others discovered that yes, he could sing and he could sing very well.
Malek is excited to play Boulevardia this year, after assisting with Making Movies performance their last year.
Malek Azrael, Thank you for being with us on WMM.
Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM. More info at: http://www.mavband.us
10:57
- Malek Azrael – “Find The Love”
from: Waves / Malek Azrael / October 15, 2021
[On October 15, 2021 Malek Azrael released his 10-track album debut. Male Azrael lives in KCMO. He has worked for Boys Grow. And is currently working with touring. Malek Azrael has been involved with Making Movies non-profit organization Art As Mentorship. He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms.]
[Malek & The Vibez play Boulevardia Festival at Crown Center, on Friday, June 16, at 7:00 PM.]
11:01 – Station ID
11:01 – Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us in our 90.1 FM Studios. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Krystle says that the song, “became equal parts: a love letter to Paul McCartney and a note of encouragement to me. Which is a wonderful thing if you think about it.” Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
Krystle Warren & Solomon Dorsey headlined the KC Folk Fest 2023 on Saturday, May 20, in Washington Square Park, Kansas City, MO with Solomon Dorsey.
Following their double album LOVE SONGS (2012) and their single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US “Macca” is the newest release from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY.”Macca” arrived unexpectedly.
.
“A pal contacted me to help work on the music for an advertisement he was piecing together. My job was to find a melody and put words to it, so I set up my mic and started trying out ideas. And then POW! ‘ ‘Hang then upon the moon…’ – it sounded so distinctly Paul. Immediately I worried that the client would accept my buddy’s sunmbission; thankfully, they didn’t.”
The “Paul” Krystle is referring to is Paul McCartney, whose famous nickname entitles the song.
“He is such a huge inspiration for me. As a songwriter – my love of melody, the little quirks that come out lyrically – that’s all thanks to him. And singing that chorus — it evoked for me those gorgeous ballads he composed in the 80s – ‘Wanderlust,” ‘Tug of War’…There’s a bit of Wings there as well, I think, with a nod to ‘I’m Carrying.’
“What’s wild to me is that, though I decided. ‘This is for Paul,’ it became equal parts: a love letter to him, and a note of encouragement to me. Which is a wonderful thing when you think about it: Paul’s music so often encourages us to keep going, keep trying, and in using hs language (so to speak), unwittingly, he was giving me strength.”
11:07
- Krystle Warren & The Faculty– “Macca”
from: “Macca”- Single / Parlour Door Music / May 22, 2023
[Following their double album LOVE SONGS (2012) and their single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US, “Macca” is the newest release from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY.”Macca” arrived unexpectedly. // “A Pal contacted me to help work on the music for an advertisement he was piecing together. My job was to find a melody and put words to it, so I set up my mic and started trying out ideas. And then POW! ‘ ‘Hang then upon the moon…’ – it sounded so distinctly Paul. Immediately I worried that the client would accept my buddy’s submission; thankfully, they didn’t.” // The “Paul” Krystle is referring to is Paul McCartney, whose famous nickname entitles the song. // “He is such a huge inspiration for me. As a songwriter – my love of melody, the little quirks that come out lyrically – that’s all thanks to him. Nd singing that chorus — it evoked for me those gorgeous ballads he composed in the 80s – ‘Wanderlust,” ‘Tug Of War’…There’s a bit of Wings there as well, I think, with a nod to ‘I’m Carrying.’ // “What’s wild to me is that, though I decided. ‘This is for Paul,’ it became equal parts: a love letter to him, and a note of encouragement to me. Which is a wonderful thing when you think about it: Paul’s music so often encourages us to keep going, keep trying, and in using his language (so to speak), unwittingly, he was giving me strength.”]
11:13 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us in our 90.1 FM Studios. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
Krystle Warren began performing in her native KC at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her EP THE CREW released September 15, 2020. Her band The Faculty is ready to release EXTENDED PLAY
Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians.
11:15
- Paul McCartney – “That Would Be Something”
from: McCartney / Apple – EMI / April 17, 1970
[McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John’s Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles’ past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape. // McCartney recorded the album during a period of depression and confusion, following John Lennon’s private departure from the Beatles in September 1969. Conflicts over the release of McCartney’s album further estranged him from his bandmates, as he refused to delay the album’s release to allow for Apple’s previously scheduled titles, notably the Beatles’ album Let It Be. A press release in the form of a self-interview supplied with UK promotional copies of McCartney led to the Beatles’ break-up. // McCartney received mostly negative reviews, while McCartney was vilified for seemingly ending the Beatles. The record was widely criticised for being under-produced and for its unfinished songs, although the ballad “Maybe I’m Amazed” was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US Billboard Top LPs before yielding that position to Let It Be. It peaked at number 2 in Britain. // In later years, the album was credited for having had an impact on DIY musicians and lo-fi music styles. McCartney also recorded two successor albums: McCartney II (1980) and McCartney III (2020). In 2011, the first McCartney record was reissued with bonus tracks as part of the Paul McCartney Archive Collection.]
11:18 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us in our 90.1 FM Studio. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France.
Krystle moved to Paris to release “Circles” in 2009. Krystle played French & British TV programs, including Later with Jools Holland, garnering critical acclaim and traveling on world tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman.
Krystle left Because Music and created her own recording label, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a double album recording from a 14-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the recording,.
Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake.
11:20
- Paul McCartney & Linda McCartnery – “Another Day”
from: Ram / Apple – Columbia / May 17, 1971
[Ram is the only album credited to the husband-and-wife music duo Paul and Linda McCartney, released on 17 May 1971 by Apple Records. It was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: “Uncle Albert/Admiral Halsey” (McCartney’s first number 1 hit in America without the Beatles), “The Back Seat of My Car” and “Eat at Home”. The recording sessions also yielded the non-album single “Another Day”. // The album’s release coincided with a period of acrimony between McCartney and his former Beatle bandmates, and followed his legal action in the United Kingdom’s High Court to dissolve the Beatles partnership. John Lennon perceived slights in the lyrics to songs such as “Too Many People”. Although McCartney felt that he had addressed the criticisms he received with his 1970 solo debut, McCartney, Ram elicited a similarly unfavourable reaction from music journalists. It nonetheless topped the national album charts in the UK, the Netherlands and Canada. Today, Ram is held in high regard by many music critics and is often ranked as one of McCartney’s best albums. It has also been recognised as an early indie pop album. // In 1971, McCartney produced Thrillington, an instrumental interpretation of Ram that was released in 1977 under the pseudonym Percy ‘Thrills’ Thrillington. In 2012, an expanded edition of Ram was reissued with over two dozen bonus tracks as part of the Paul McCartney Archive Collection. In 2020, Ram was ranked number 450 on Rolling Stone’s list of the greatest albums of all time.]
11:24 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us live in our 90.1 FM Sutions. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
In an article in SPIN Magazine, December 6, 2020, The 35 Best Lesser-Known Artists of the Last 35 Years, Picked by 35 Well-Known Artists Krystle Was named twice!
Joan as Police Woman on Krystle Warren: “Most stellar voice, tender and strong in equal measure with a range nothing short of miraculous. Incredible writer of songs, the type of which used to get written and go on to become classics. Exquisite live performer in the way you forget completely where you are and what’s happening in your life.”
Rufus Wainwright on Krystle Warren: “Krystle Warren’s voice and performance style seared an indelible mark on me years ago when she joined Martha and I on tributes to our mom Kate McGarrigle in both London and New York. Her haunting interpretations, vocal timbre and singular look completely devastated all present, and soon after I had the honor of taking her out on the road with me. Be it covers, her own material or harmonizing with others, she is a true musician and should be considered an international treasure.”
Krystle Warren & The Faculty Discography
Krystle Warren & The Faculty has released the EP, DIARY on May 1, 2007;
Krystle Warren released the EP, THE UP SERIES on November 10, 2008;
Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009;
Krystle Warren & The Faculty released the EP, A TIME TO KEEP – LOVE SONGS on August 12, 2011
Krystle Warren & The Faculty released the double album 24-song LOVE SONGS released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015.
Krystle Warren released the album THREE THE HARD WAY on August 18, 2017.
Krystle Warren & The Faculty released the single “Rising” – on May 31, 2019
Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020
Krystle Warren & The Faculty released the single “Macca” – on May 22, 2023
11:28
- Paul McCartney & Wings – “Get On The Right Thing”
from: Red Rose Speedway / EMI – Columbia / April 30, 1973
[Red Rose Speedway is the second studio album by the British–American rock band Wings, although credited to “Paul McCartney and Wings”. It was released through Apple Records on 30 April 1973, preceded by its lead single, the ballad “My Love”. By including McCartney’s name in the artist credit, the single and album broke with the tradition of Wings’ previous records. The change was made in the belief that the public’s unfamiliarity with the band had been responsible for the weak commercial performance of the group’s 1971 debut album Wild Life. // Before recording the album, Wings recruited lead guitarist Henry McCullough and released their debut single, “Give Ireland Back to the Irish”, which was banned by the BBC for its political message. Recording sessions for the album took place throughout 1972 at five recording studios in London. The group also recorded the non-album singles “Mary Had a Little Lamb”, “Hi, Hi, Hi” and “Live and Let Die”, the last of which was issued in June 1973. Originally planned as a double album, it was condensed into a single LP at the request of EMI. The company believed that the material was not of a sufficiently high standard and were mindful of the modest sales of Wild Life and Wings’ first two singles. Members McCullough and Denny Laine later expressed disappointment in the choice of songs on the single album. // Red Rose Speedway peaked at number 5 on the UK Albums Chart and number 1 on the Billboard Top LPs & Tape chart in the US, while “My Love” topped the US Billboard Hot 100. Although a commercial success, the album was given a mixed response by music critics, with several reviewers considering the songs to be inconsequential and mediocre. Decades later, it continues to receive mixed reviews. The album was reissued in 1987 and 1993 with bonus tracks and remastered in 2018 as part of the Paul McCartney Archive Collection. The 2018 remaster includes the reconstructed double LP version of the album..]
11:32 – Underwriting
11:34 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joins us in out 90.1 FM Studios. . One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year.
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
From Diary EP to Extended Play A Truncated History of Krystle Warren & The Faculty
From http://www.krystalwarren.com written by Phil Anderson:
Krystle Warren met Solomon Dorsey some weekend at a high school debate competition in Kansas City. After she had trounced Solomon’s debate partner, the two ended up in an open classroom where they began playing music—Krystle had brought her guitar and was practicing chords, and Solomon, then an accomplished violinist, cellist, bassist, and singer likely had some sort of instrument on him, and even if he didn’t he had his voice.
Due to some specific details we’re not going to get into, Krystle was already living on her own; she was eighteen and he was seventeen. But she had a friend who had an apartment near hers, and this friend was having a party. “Wanna go?” she asked Solomon. And, as Solomon puts it, he has seen or spoken to Krystle every single day of his life since.
So when Solomon decided to attend the jazz program at New School in New York, he asked Krystle, “Wanna go?” And a few months after he moved, Krystle showed up. On her first night in the city, Solomon introduced her to Zach Djanikian, a saxophonist he’d become fast friends with at school. They lived in the same dorm, and Zach and Solomon took Krystle to a practice room in the basement and the three of them played musical games. According to Zach, “We’d sing as many melodies as we could over four open strings of the upright bass, plucked successively. ‘Norwegian Wood’ and the theme to Family Matters were a couple favorites.”
This led to busking as a trio, and each of them was hustling for gigs. An Italian restaurant that featured live music gave Krystle a regular night, and she often had Solomon and Zach play with her. Zach’s friend from Philadelphia, Ben Kane, would come to these nights, and he brought Mike Riddleberger.
In Philly, Zach was in a band called The Brakes, and Ben Kane was producing an album for Zach’s band in a windowless apartment that he shared with Riddleberger. Kane and Riddleberger had become friends a year earlier at NYU, bonding over their love of D’Angelo’s album Voodoo. Riddleberger says that even though he saw Krystle perform, he didn’t speak to her until after she saw him play with his band, Quintus. Zach had brought her, and she approached him after the show to play in a band she was starting.
The Faculty was formed with Krystle, Solomon, Zach, Riddleberger, and Dave Moore, a keyboardist from Kansas who was at New School, too. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at ElectricLady Studios and was sneaking them in at odd hours, Krystle turned those songs into an EP called DIARY.
And it was a diary. The songs were about her daily experiences in this new place and with these new people. “I’ve Seen Days” has a title that implies a reflection, but it’s about how the world is new to her, how she’s “a frightened child” in a new city. “The New Astrologer” is about a new and exciting love, one that remains a good friend of hers. “A Song For Holly” is a letter to family explaining her new quotidien life (“your big sister / out in New York on some subway / your big sister, out trying to get paid”). And “Central Park” is a document of a night she had in Central Park with Zach and his boyfriend (now husband) Jesse, and how she is coming to embrace this new city, these new people, and this new chapter of her life.
If DIARY, the Faculty’s first recordings, is Krystle’s “Songs of Innocence,” then EXTENDED PLAY, the Faculty’s latest, is Krystle’s “Songs of Experience.”
Diary led to CIRCLES, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, and Krystle had her next move. She stayed in France even when her relationship with Because ended because she found Vanessa, and Vanessa was worth staying in France for. But Krystle still recorded LOVE SONGS in New York, a double album that invokes a Blakean duality with its two subtitles, “A Time to Refrain from Embracing” and “A Time You May Embrace.” LOVE SONGS was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys in the Faculty.
The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Solomon and Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Policewoman, Jose James, Emily King, Janet Jackson, Ron Sexsmith, The Dixie Chicks, Amy Helm, Stevie Wonder, Taylor Swift, Rufus Wainwright, Kylie Minogue, Sara Bareilles, Natalie Merchant, Kesha, Bleachers, Emylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, Jenny Lewis, and honestly that’s less than the half of it.
So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while DIARY and CIRCLES and LOVE SONGS were recorded with everyone in the same room (THREE THE HARD WAY was just Krystle and Kane together), EXTENDED PLAY was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs.
And Krystle is writing with a close emotional connection to the distant past. The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in EXTENDED PLAY and a forlornness. And these songs are filled with references, musical and otherwise, to those who have inspired Krystle over the years, from Les Mis (specifically the song adopted by the ACT UP movement) to Gregory Djanikian, Zach’s poet father, and Audre Lord.
Krystle describes “When I Look Back,” the last song of Extended Play, as “an apology to my teenage self.” Seventeen years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”
But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says,
“I’m going on to something else, the shape of which I have no idea. ‘Only thing I know, is it’s going to be quite different. What I leave behind has a life of its own. I’ve said this about poetry… Well in a sense, I’m saying it about the very artifact of who I have been.”
Krystle Warren & The Faculty still have more to come. They have built seventeen years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart.
Written by Phil Anderson
11:42
- Paul McCartney – “Coming Up”
from: McCartney II / Parlophone – Columbia / May 16, 1980
[McCartney II is the second solo album by English musician Paul McCartney, released on May 16, 1980. It was recorded by McCartney at his home studio in the summer of 1979, shortly before the dissolution of his band Wings in 1981. Like his first solo album, McCartney (1970), he performed all the instruments himself. It yielded three singles: “Coming Up”, “Waterfalls”, and “Temporary Secretary”. // The album was a significant departure for McCartney, as much of it relies heavily on synthesizers and studio experimentation, while its music style embraces new wave and elements of electronica. It was initially released to largely unfavourable reviews by critics, though retrospective reception has been more positive and the album has become a cult favourite. In 2011, an expanded edition of McCartney II was issued with over a dozen bonus tracks. In 2020, the album was succeeded by McCartney III. In 2022, the trilogy was reissued in the McCartney I II III box set. // After the release of what turned out to be Wings’ final album, Back to the Egg, McCartney went north to his farm in Scotland to begin some private recordings in July 1979. “Check My Machine” samples dialogue from the 1957 Merrie Melodies cartoon featuring Tweety and Sylvester entitled Tweet Zoo. By sessions’ end, he had recorded over 20 songs. With no immediate use for the recordings, he put them aside for the time being and returned to work with Wings to prepare for a UK tour that November and December. Simultaneously with the performances (which included the new “Coming Up”), McCartney released his first solo single since 1971, the Christmas-themed “Wonderful Christmastime”, backed with “Rudolph the Red-Nosed Reggae”, which charted at No. 6 in the UK but initially only at No. 83 in the US. (The song later reached No. 28 in 2020.) The A-side was recorded during the McCartney II sessions, while its flip side had been cut in 1975. However, upcoming events were about to change McCartney’s plans with Wings. // After years of visa refusals due to his past arrests for marijuana possession, Japan had finally allowed McCartney, and thus Wings, to perform. It would be the first instance McCartney had performed in the country since he had done so with the Beatles in 1966, and anticipation was running high with Wings’ tour completely sold out. However, upon his arrival in Tokyo on 16 January 1980, a search of McCartney’s luggage revealed a bag containing 219 grams of marijuana, prompting his immediate arrest and eventually cancelling the tour. After a nine-day jail stay, McCartney was released and returned home to his Scottish farm. Deciding to put Wings on hold while he contemplated his future, he now decided to issue his solo recordings from the previous summer]
11:42 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us in out 90.1 FM Studios. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren join us today to talk about her new song, “Macca” from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Krystle says that the song, “became equal parts: a love letter to (Paul McCartney) and a note of encouragement to me. Which is a wonderful thing if you think about it.” Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
Krystle was on WMM on September 23, 2020 to talk about The Crew. Krystle Warren formed The Crew with Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, and Ben Kane. Warren embarked on the project after her album with The Faculty, was put on hold due to COVID-19. The Crew tackled themes of racial injustice in the wake of nationwide Black Lives Matter and includes a cover of John Lennon’s “Gimme Some Truth” along with Bob Dylan’s “Dear Landlord,” Joe Raposo’s “Bein’ Green” and “Rhythm of Life” written by Nicky Holland and Roland Orzabal for Oleta Adams.
The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds donated to the ACLU.
With The Crew, Krystle Warren sang her rendition of the 1970 song, that had also been previously recorded by Ray Charles, Frank Sinatra and others. ‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.”
11:46
- Chet Atkins – “I Feel Fine”
from: Chet Atkins Pick on the Beatles / RCA Victor / March 1966
[Chet Atkins Picks on the Beatles is the twenty-eighth studio album by American guitarist Chet Atkins. Atkins interprets a selection of songs by The Beatles on this album. // The sleeve features liner notes by George Harrison and there is a photo of Atkins wearing a “Beatle wig” on the back cover. It peaked at No. 6 on the Billboard Country Albums charts and No. 112 on the Pop Albums charts. // Atkins never recorded with the Gretsch Country Gentleman 12-string guitar that was made especially for him and is pictured on the cover. // The recording was nominated for Best Instrumental Recording (other than Jazz) at the 1967 Grammy awards. // Writing for Allmusic, critic Stephen Thomas Erlewine called the album “an entertaining, if ultimately disposable, artifact… As always, his playing is subtle and tasteful, but the album doesn’t provide enough inventive or energetic performances to be of lasting interest.” Norm Rosenfield of Country Standard Time wrote “You don’t have to be a guitar fan to enjoy Atkins’ arrangements that add unexpected harmonies with generous helpings of class. So when Chet picks on the Beatles it’s only the highest form of flattery.]
11:48 – More Interview with Krystle Warren
KC born and internationally known singer songwriter Krystle Warren joined us in out 90.1 FM Studios. One of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests. Krystle Warren joined us today to talk about her new song, “Macca” and share her musical influences of this new song. “Macca” was recorded on the heels of sessions for Krystle Warren & The Faculty‘s upcoming full length album EXTENDED PLAY to be released this year. Info: http://www.krystlewarren.com
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
Krystle Warren has been a special guest of Wednesday MidDay Medley 17 times.
Mark first interviewed Krystle Warren for The Tenth Voice, back 2002, Krystle was 19. Mark waited several hours, during a winter snow storm, at a huge party, the where Krystle played with her band including her longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment near Community Christian Church across the hall from where Solomon lived, to be given a 2-song, demo CD, that contained Krystle’s first recorded music, including the songs “Chanel #5” and “Patches.”
Mark interviewed Krystle for WMM in an extensive interview that aired October 23, 2013,
Mark interviewed Krystle for WMM on July 8, 2015 prior to her July 10, 2015 performance at Californos in Westport, with an all-star band including Hermon Mehari, Brad Cox, Beau Bledsoe, Jeff Harshbarger, Brad Williams, and others
Krystle participated in our Special WMM Tribute to David Bowie Shows on March 2, 2016, January 4, 2017, January 3, 2018, January 9, 2 2019, and January 8, 2020.
Krystle was with us on WMM on May 18, 2016 for a “Musical Conversation” prior to her performance at The Polsky Theatre, Wednesday, May 25, at 7:30 PM, for the Performing Arts Series at Johnson County Community College, 12345 College Blvd, Overland Park, Kansas
Krystle was on WMM on June 29, 2016 as “Guest Producer” to share inspirations for her record, THREE THE HARD WAY playing early gospel recordings, that crossed over into Jazz from: Pharaoh Sanders, Edwin Hawkins, and The Swan Silvertones. Krystle’s critically acclaimed album, THREE THE HARD WAY was #1 on WMM’s 117 Best Recordings.
Krystle was on WMM on September 20, 2017 for our 700th Show.
Krystle was on WMM on May 15, 2019 for our 15th Anniversary Show.
Krystle was on WMM on October 16, 2019 with Brad Cox to talk about “Love Songs” Owen Cox Dance Ensemble’s production using the Krystle Warren & The faculty 24 track double album LOVE SONGS in a show choreographed by Jennifer Owen in a live performance at Polsky Theater.
Krystle was on WMM on September 23, 2020 to talk about The Crew.
Krystle was on WMM on July 28, 2021 for our 900th Show.
Krystle was on WMM on April 26, 2023 for the premiere of “Macca”.
Krystle was on WMM on May 17, 2023 to promote Kansas City Folk Fest on May 20, 2023.
Krystle was on WMM on May 24, 2023 to share inspirations for the “Macca.”
For the past hour we’ve been hanging out with Krystle Warren talking about her new song, “Macca” from Krystle Warren & The Faculty, recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY to be released this year. Krystle Warren shared tracks from her musical influence, Paul McCartney. Info: http://www.krystlewarren.com
“We Can Work It Out” written by Paul McCartney and John Lennon
Krystle Warren, thanks for being with us on Wednesday MidDay Medley
11:54
- Stevie Wonder – “We Can Work It Out”
from: Signed Sealed and Delivered / Motown / August 7, 1970
[Signed, Sealed & Delivered is the 12th studio album by American recording artist Stevie Wonder, released on August 7, 1970, by Tamla Records. The album featured four hits that hit the Billboard Hot 100: “Signed, Sealed, Delivered I’m Yours” (#3), “Heaven Help Us All” (#9), “Never Had a Dream Come True” (#26) and Wonder’s cover of The Beatles’ “We Can Work It Out” (#13). The album hit #25 on the Billboard Pop Albums chart as well as #7 on the R&B Albums chart. // This was Wonder’s first album on which he was given producer credit, though he actually produced only two of the tracks and co-produced three more. He wrote or co-wrote seven of the tracks. // Reviewing for The Village Voice in 1970, Robert Christgau said Signed, Sealed & Delivered has flawed moments, but Motown albums are rarely consistent. He concluded the album is “still the most exciting LP by a male soul singer in a very long time, and it slips into no mold, Motown’s included.” Rolling Stone magazine’s Vince Aletti said that the album “holds more creative singing than you’re likely to find in another performer’s entire body of work.” Aletti felt that, although not all of the songs match the energy of the title track, the album does not have a bad song and includes an “extraordinary” cover of “We Can Work It Out” that shares the other songs’ “tasteful, unencumbered” arrangements. // In his list for The Village Voice, Christgau named Signed, Sealed and Delivered the eleventh best album of 1970, and later called it the best soul album of the year. In a retrospective review, Allmusic’s Ron Wynn gave the album three out of five stars, noting that Wonder’s focus seemed to be more on social issues than commercial concerns, and found songs such as “I Can’t Let My Heaven Walk Away” and “Never Had a Dream Come True” as intriguing as the hit title track and “We Can Work It Out”.]
- Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week on WMM on May 31 – Stephonne joins us to talk about the West 18th Street Fashion Show, happening Friday, June 2, at 7:00 PM at 116 W. 18th St., KCMO. // Also next week: Music By Skippy aka Luke Harbur joins us to talk about the Release Show for his new EP, THESE SONGS ARE EMOTIONS June 24 & 25th at the Musical Theatre Heritage on the third floor of the Crown Center Shops, 2450 Grand Blvd KCMO, 64108. // Also next week: musician Julia Reynolds joins us to talk abut her solo musica releases and her collaborative work with other artists including The Lonnie Fisher Band. // And also next week: Mica-Elgin Vi of the band Modern Day Fitzgerald, shares the band’s new single “City Burning” as part of Asian American Pacific Islander Heritage Month. // And also next week: we talk with members of one of our favorite are bands of all time, GHOSTY, including singer songwriter Andrew Connor. GHOSTY plays The Ship, 1221 Union Ave. KCMO WEST BOTTOMS, on Friday, June 2 at 8:00 PM with Daniel Gum, and 95 Sweetbird. And GHOSTY plays the Eight Street Tap Room, 801 New Hampshire Street, Lawrence Kansas on Saturday, June 3, with Miss Boating, and Empty Moon.
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
Show #995
Wednesday MidDay Medley 