WMM presents Krystle Warren + Eddie Moore

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2020

Krystle Warren and The Crew
+ Eddie Moore and We The People

Mark plays New & MidCoastal Releases from: We The People, Krystle Warren & The Crew, Blackstarkids, Shy Boys, The Black Creatures, Grand Marquis, Anjimile, Sharon Jones & The Dap Kings, Bulgarian Television and Radio Folklore Ensemble, Bob Dylan, New Order, Cut Copy, John Prine, Tracy Chapman, and Talking Heads.

Krystle Warren photo by Matthew Placek

At 11:00 KC born and internationally known singer songwriter Krystle Warren joins us from France to share details about an incredible new EP released last week from: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. The collective call themselves The Crew and have recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19. With the EP The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds from the EP will be donated to the ACLU. More info at: http://www.krysltewarren.com

At 11:30 KC musician Eddie Moore shares music and information about “Misunderstood,” the debut album from his band, We The People, to be released September 25. We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro. Together, they sift through American music of the last 20th century and gather all of their influences into incredible masterpieces. We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #856

WMM Playlist from Sept. 16, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Jayhawks – “Living in a Bubble”
from: Xoxo / SHAM – Thirty Tigers / July 10, 2020
[11th studio album from alternative country and country rock band that emerged from the Twin Cities music scene during the mid-1980s. Since the departure of John Jackson as a full-time member, the current lineup of the Jayhawks consists of: Gary Louris on guitar, lead vocals, backing vocals; Tim O’Reagan on drums, backing vocals, lead vocals; Karen Grotberg on keyboards, backing vocals; Marc Perlman on bass, backing vocals, lead vocals. Originally led by vocalists, guitarists and songwriters Gary Louris and Mark Olson, its country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s like Uncle Tupelo, the Gear Daddies and the Honeydogs. They have released eleven studio albums with and without Olson who left the band in 1995, including five on the American Recordings label. On hiatus from 2005 to 2009, the 1994–1995 lineup of the band reunited, releasing the album, Mockingbird Time, in September 2011. After the tour, Mark Olson again left the band. After another hiatus in 2013, the 1997 lineup led by Louris reunited to play shows in 2014 to support the reissue of three albums released between 1997 and 2003. The band has remained active touring and recording since, including the release of the albums Live at The Belly Up in 2015, Paging Mr. Proust, produced by Peter Buck in 2016, Back Roads and Abandoned Motels in 2018 and XOXO in 2020.]

3. Jake Wells – “Habit”
from: Sunday Morning – EP / Jake Wells Music / February 29, 2020
[Second EP from Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations. In 2018 he was featured on the nationally televised NBC reality – competition program The Voice.]

[Jake Wells plays live on Sunday, Sept. 20, 2020, 7:00 PM with Noah Davis & Heavy Electric at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

4. Crystal Rose – “Renegade”
from: Arena EP / Crystal Rose / September 18, 2020
[Crystal Rose is a singer song-writer based in heart of Kansas City. Last year she was featured on the nationally televised NBC reality – competition program The Voice. At a young age she was Influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blusey and folk centered artist like James Bay, James Vincent Mcmorrow and Johnnyswim. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Earlier this year Crystal released the single “Not Leaving (Stripped)” on January 30, 2020.Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar. To listen to more Crystal Rose please visit: http://www.crystalro.se]

5. Suzzy Roche & Lucy Wainwright Roche – “I Can Still Hear You”
from: I Can Still Hear You / StorySound records / August 23, 2020
[Suzzy Roche and her daughter Lucy Wainwright Roche shed some light on our troubled times on their third collaboration, I Can Still Hear You. Recorded from their New York City homes during the quarantine, this 11-track album showcases soul-searching, thought-provoking originals and perfectly chosen covers, along with guest appearances by Amy Ray and Emily Saliers of the Indigo Girls. The 11 tracks, 8 original and 3 covers, explore themes of good and evil, youth and mortality, the absurd and the serious, the real and the imagined, and the connection between what is present and what is gone. Each of their albums together have documented a specific time and this one, according to Suzzy, “probably is the darkest, but at the same time, it’s the most fanciful too. This time, there seemed an extra urgency about it.” Lucy Wainwright Roche is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, made up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy did not often see her father during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of singer-songwriter Sloan Wainwright. Suzzy Roche was born September 29, 1956), originally from Park Ridge, New Jersey, is best known for her work with the vocal group The Roches, alongside sisters Maggie and Terre. Suzzy is the youngest of the three, and joined the act in 1977. She is the author of the novel Wayward Saints and the children’s book Want To Be in a Band? Roche is also an active associate member of The Wooster Group and has appeared in a number of the group’s productions as well as composing original music for the group’s performances.[6] She was briefly a member of Four Bitchin’ Babes, appearing on their album Some Assembly Required. In 2004 Roche appeared on Crash Test Dummies album Songs of the Unforgiven. In addition to singing, she is an actress, having appeared in the 1988 romantic comedy Crossing Delancey, as well as a 1982 film, Soup for One. Roche also appeared with her siblings (playing themselves) in the 1996 comedy A Weekend in the Country.]

6. Krystle Warren & The Crew – “Gimme Some Truth”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations The Crew. support. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

7. Joel Kraft – “Breathe”
from: Gold In The Bargain Bin / Honeyjar / 2003
[Joel Kraft is a curious animal that grew up among the rolling hills of Missouri. Climbing trees and walking through tunnels of Brush Creek, his head swam with all kinds of notions he could only just pin down and understand by singing them out loud over and over again. At first he sang them to himself, then into microphones he found at coffee shops and bars around the US. There were other people then, who would listen while sitting, or dance or sometimes sing along. What were those songs about? I don’t think Joel himself knew all the way. Were they about someone in particular? About an event? His songs are built with impressions, one stacked upon another to arrive at something new, perhaps the same way each letter in our alphabet was once a symbol for a thing or action, but now can be arranged in strings to mean all kinds of different things. This fascination with language and experience begins every moment of Joel’s performance, which often feels like more like a series of discoveries than a broadcast. He likes people very much (especially singing people), and his favorite part of performing is discovering new moments with them. Joel followed “Gold in the Garbage Bin” with the album “Big Ideas” (May 9, 2006) and then “Computer Geniuses”(June 20, 2008).]

8. Khruangbin – “Pelota”
from: Moredechai / Dead Oceans / June 26, 2020
[Khruangbin is a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Follow up to their 4th EP release Texas Sun with Leon Bridges. Speer and Johnson met in 2004 while playing in Rudy Rasmus’ St. John’s Methodist Church gospel band in Houston, Texas. The church employed Speer as the guitarist and Johnson as the organist. “When we first started the band, we wanted to have a formula,” he says. “It’s like, ‘This is what we do, and we’re not gonna try and go outside the box too much. We’re gonna explore the box we’re in. I’ve always been a big fan of that. I used to be in bands where was like, ‘Man, we’ve gotta think outside the box!’ And all I’m thinking is: ‘You guys don’t even know.’ Music should never be just for the sake of being experimental. Before you even start, you have to know what you’re experimenting with first.” Speer said. In 2007, Speer met Lee through friends, where they initially connected over a shared love of Afghan music and Middle Eastern architecture[disambiguation needed]. In 2009, Lee started to learn the bass with guidance from Speer. After playing for six months, she auditioned and got the gig to be the bassist for Yppah on his upcoming tour. Speer already had the gig as guitarist for Yppah and had encouraged Lee to audition. In 2010, both Lee and Speer went on tour with Yppah who opened for Bonobo. The tour motivated the two of them to make music together more seriously, leading them to form Khruangbin. Speer and Lee went to a barn where they developed the bass-heavy, psychedelic sound that became the basis of the band’s aesthetic. Upon their return, they asked Johnson to join the band as drummer, to play simple break-beats under the guitar and bass. The barn, located in the 300-person town of Burton, Texas, would become the site of all future Khruangbin recording sessions. The band has a longterm working relationship with Houston-based engineer Steve Christensen. When asked to play their first gig, Lee, who was learning to speak Thai at the time, decided they should use her favorite Thai word “khruangbin”, which means “flying engine”, literally, or “aeroplane,” as their name. Speer said that, had they had the foresight to predict the band’s success, they might not have chosen a name that was so difficult to pronounce. The band’s name symbolizes the international set of influences that shaped the band’s formation. A notable part of the band’s visual style is the black wigs that Lee and Speer wear on stage, and during promotional interviews and photoshoots. Originally this was to help them move from the stage to the merchandise stand without being recognized during early tours]

10:28 – Underwriting

9. The Freedom Affair – “Rise Up”
from: “Rise Up” – Single / Colemine Records / June 21, 2019 [7″ Vinyl Release]
[The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The band includes members of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

10:33 – Interview with Chris Hazelton

Chris Hazelton is with us to share the details about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton.

Chris Hazelton, Thanks for being with us on WMM.

“Rise Up” (1 of 10 songs on the new album) was selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, & Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”

Earlier this year The Freedom Affair released their version of John Lennon’s Imagine as a single on March 20, 2020, Arranged, produced, recorded & mixed by Chris Hazelton

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

The Freedom Affair:
Misha Roberts – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar, Sitar (Track 3)
Branden Moser – Guitar
Chris Hazelton – Bass Guitar, Organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4)
Dave Brick – Drums
Pete Carroll – Trumpet
Brett Jackson – Tenor Sax, Baritone Sax (Tracks 1 & 5), & Tambourine (Tracks 5, 6, & 8)

Additional Musicians:
Pat Conway – Congas (Tracks 1, 3, & 6)
Alyssa Bell – Viola (Tracks 3, 4, & 7)
Elizabeth Codd – Violin (Tracks 3 & 4)
Matt Bennett – Violin (Tracks 3 & 7)
John Wickersham – Timpani (Track 4)
Pamela Baskin-Watson – Piano (Track 10)
Nick Howell – Tambourine (Track 10)
The Freedom Family Choir (Track 10) – Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, Chris Hazelton

All Horn & String Arrangements by Chris Hazelton except:
“Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson
“Don’t Shoot” by Chris Hazelton & Allyssa Bell

Produced, Recorded, & Mixed by Chris Hazelton
Assistant Produced by Dave Brick

Rhythm Section on Track 10 recorded by Chad Meise // Mastered by JJ Golden

Cover Artwork by Matthew “Mo” Manley

Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

1. Heartaches Don’t Come Easy
2. Make Me Surrender
3. Outta My Mind
4. I Know Better
5. Move On
6. Rise Up 02:59
7. Don’t Shoot
8. Give A Little Love 03:45
9. One Nation
10. Love Liberates (Featuring Dr. Maya Angelou)

Chris Hazelton oj the Sept. 16, 2020 editions Wednesday MidDay Medley on KKFI.

The new album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Sunflower Soul Records

Chris Hazelton’s Boogaloo 7
Singles for Los Santos Caballeros, Hi-Lux, SUNU, and The 238s.

Chris Hazelton Thanks for being with us on WMM.

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. https://sunflowersoulrecords.bandcamp.com or https://thefreedomaffair.bandcamp.com/album/freedom-is-love

10. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8).]

11. Fantastic Negrito – “Chocolate Samurai”
from: Have You Lost Your Mind Yet? / Fantastic Negrito – Cooking Vinyl / August 14, 2020
[Follow up to his June 15, 2018 release, Please Don’t Be Dead on Blackball Universe – Cooking Vinyl Records that was nominated for a Grammy Award for Best Contemporary Blues Album. His 2016 album The Last Days of Oakland won a Grammy award for Best Contemporary Blues Album at the 59th Grammy Awards. In 2019, his album Please Don’t Be Dead won the same category for the 61st Grammy Awards.Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. He was the eight of 15 children. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

11:00 – Station ID

12. Bedouine, Waxahatchee & Hurray for the Riff Raff – “Thirteen”
from: Thirteen – Single / Spacebomb Records / September 9, 2020
[From Variety.com: It feels like ages ago that Bedouine, Waxahatchee and Hurray for the Riff Raff toured together on a sort of monsters-of-indie triple bill (it was actually 2018). While the three acts make dramatically different music, they complemented each other well on this tour and share some influences as well — as evidenced by this belated cover of Big Star’s classic “Thirteen” (which is often more readily recognized by its opening lyric, “Can I walk you home from school?”) that found its origins during the tour, when Bedouine (above, right), Waxahatchee singer Katie Crutchfield (left) and Riff Raff singer Alynda Segarra (center) would sing it together onstage. // Big Star, of course, is arguably the greatest power-pop group of all time. Led by singer-songwriter Alex Chilton, they released just three albums in the early ‘70s, which were barely noticed at the time but their legend grew over the years — they were covered and feted by the Replacements, the Bangles, R.E.M., Teenage Fanclub and many more — until the group reformed in 1993. // Bedouine explains how their cover came together. “This all started in 2018 when I opened a three-bill tour for co-headliners Waxahatchee and Hurray for the Riff Raff,” she wrote. “We threw the idea around of doing a song together but weren’t sure what. I was backstage in Columbia, Missouri, when I realized it was the anniversary of Big Star’s ‘93 reunion show that had also taken place in Columbia. // “I was fiddling around with the song in my dressing room when Katie and Alynda walked in. Suddenly, I remembered there were three verses to split up. We played it as an homage that night and every night after. After the tour wrapped up, I think it was Kevin Morby that insisted we track and share it. Down the road, Katie wrote me that she would be in L.A., so I tracked the guitar and she came by to visit and put down her part. Down the road some more Alynda put down her part from New Orleans and sent it over the ether. Now, two years later, we’re finally getting to share it.”] [Katie Crutchfield who recently relocated to Kansas City to live with her boyfriend Kevin Morby released one og our favorite albums of 2020 so far. Saint Cloud was released on Merge Records on March 27, 2020. All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

13. Katy Guillen & The Drive – “Back To Normal”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen and the Drive play live on Saturday, Sept. 19, 2020, 7:00 PM with Men of Men, and Women of Women opening, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

14. Fred Wickham Caravan– “Town Without Soul”
from: Town Without Soul / Black Site Records / August 27, 2020
[The first single from the Fred Wickham Caravan’s upcoming debut LP tells of a place we all know, that city where something just ain’t right Fred Wickham on vocals & guitar, Marco Pascolini on pedal steel, Bart Colliver on piano & accordion & vocals, Richard Burgess on upright bass & vocals, Fred Wickham, Jr. on mandolin, Matt Brahl on drums & percussion. Music and lyrics by Fred Wickham. Produced by Fred Wickham Caravan. Recorded at The Nutthouse Recording Studio in Muscle Shoals, Alabama. Engineered by Jimmy Nutt. Mastered by Chad Meise at Massive Sound Studios in Kansas City, MO. Fred Wickham is best known for his work with Hadacol, the Kansas City based quartet that released two critically acclaimed records and gained a national reputation for ferocious live shows across the country. The Caravan, formed to support the solo album, Mariosa Delta, blends country, soul and rock & roll into a sound that can only be called pure Americana. More info at: http://www.fredwickhamband.com]

[The Fred Wickham Caravan play an outdoor Picnic Party, Tuesday, September 22, from 7:00 PM to 10:00 PM in the alley way of The Ship, 1217 Union Avenue, Kansas City, Mo in the West Bottoms. Bring your own chairs or blankets and set up where you like, keeping a considerate distance from others and masked as appropriate. Please respect your neighbors, be cool to each other, and let’s all stay safe. This is a FREE SHOW – no fence, no tickets, no admission ~ we just want you to have a good time and enjoy some good music, food, and drinks. Donations are very much appreciated and will help us pay for the incredible talent playing for you. Food and drinks may be purchased directly from The Ship at our walkup service counter or by using our online ordering at http://www.theshipkc.com. We’ll bring your order out to the pickup counter when ready – keep an eye on the chalkboard for your name. Clean outdoor restrooms with hand washing provisions will be provided. Online Donations may be made at https://theshipkc.square.site%5D

15. The Jubilee Mystics – “Jesus Take The Wheel”
from: In This World / The Jubilee Mystics / April 3, 2019
[The group was formed about four years ago by Alan Murphy, who’s been nominated for the Kansas Music Hall of Fame for his work in the legendary Lawrence band Ricky Dean Sinatra. The Mystics are a folk/country/skiffle/blues orchestra based in Lawrence, Kansas. The current members are Alan Murphy, lead vocals and rhythm guitar, Doug Byers, bass, mandolin, and vocals, Matt Falkenstien, lead guitar and vocals, Sue Ashline, accordion, Cotter Mitchell, electric washboard, Barry Lee, rhythm guitar and vocals. There are two albums, “The Jubilee Mystics” and “In This World,” the current release. It was recorded at Roll Away The Stone studios in Independence and produced by Dave Storms, who also plays drums on a few tracks and adds percussion and vocals to others. Most of the songs are composed by Alan Murphy but there are a few traditional tunes and covers. Special audio guests on the latest album are Robert Frost, Dwight D. Eisenhower and The Three Stooges]

16. Bill Callahan – “Breakfast”
from: Gold Record / Drag City Records / September 4, 2020
[22nd album release from Bill Callahan or Smog. Follow up to he 2019 released Shepherd in a Sheepskin Vest. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

17. Fiona Apple – “Fetch The Bolt Cutters”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

18. Sam Prekop – “Comma”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

11:28 – Underwriting

19. The Velvet Underground – “Atlantic Release Promo”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin.]

20. The Velvet Underground – “Who Loves The Sun”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin. Live at Max’s Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records. The Velvet Underground signed a two-album deal with Atlantic in early 1970 and released their fourth studio album, Loaded, in November 1970. By the time of its release, singer/guitarist/main songwriter Lou Reed had left. The rest of the band stayed together, with bassist Doug Yule moving to vocals and guitar and Walter Powers being drafted in to play bass. This line-up did a tour of the United States and Canada promoting Loaded. As the band still had a contract for another album, they wrote and played new songs eventually to be included on it. Atlantic had lost faith in the band’s commercial prospects and, wanting to cut their losses after the disappointing chart showings of Loaded, decided to release an archive live recording instead. The tapes that would later become Live at Max’s Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. While they were recording Loaded, the Velvet Underground held a nine-week engagement (June 24 – August 28, 1970) at New York City nightclub Max’s Kansas City, playing two sets a night. Polk recorded almost everything happening around her at the time, and this happened to include her attendance of the last concert that Lou Reed played with the Velvet Underground. She recorded both the early and the late set. Later that year, Atlantic A&R employee Danny Fields heard the tapes and submitted them to his superiors, who accepted the recordings and in 1972 decided to make an album out of them. The line-up at the concerts consisted of Reed, Yule, lead guitarist Sterling Morrison and drummer Billy Yule, the younger brother of Doug Yule; regular drummer Maureen Tucker temporarily left the group several months earlier when she became pregnant with her first child, Kerry “Trucker” Tucker. Originally, Live at Max’s Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band’s loud and quiet sides, respectively. On August 3, 2004, Warner Music re-issue label Rhino Records released a two-CD Deluxe Edition that contains both sets in their entirety in their original running order. The songs were recorded on a mono recorder using a simple ferro musicassette in a small venue, resulting in tape hiss and an audience often drowning out the quieter bits of music. Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs between songs as he was the one holding the microphone.]

Blair Schulman

11:33 – Interview with Blair Schulman

Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

From wikipedia:

Brigid Emmett Berlin was born September 6, 1939, and died July 17, 2020. She was an American artist and Warhol Superstar.

Early years – Berlin was in Manhattan in New York City. She was the eldest of three daughters born to socialite parents, Muriel (Johnson) “Honey” Berlin and Richard E. Berlin. Her father was chairman of the Hearst media empire for 32 years.[3][4]

As a child, Berlin regularly mixed with celebrities and the powerful: I would pick up the phone and it would be Richard Nixon. My parents entertained Lyndon Johnson, J. Edgar Hoover, and there were lots of Hollywood people because of San Simeon – Clark Gable, Joan Crawford, Dorothy Kilgallen… I have a box of letters, written to my parents in the late 1940s and 1950s from the Duke and Duchess of Windsor.

Her socialite mother frequently worried about Brigid’s weight and constantly attempted to get her to lose it through any means, from giving her cash for every pound she lost at age 11 to having the family doctor prescribe amphetamines and dexedrine. Berlin recalled, “My mother wanted me to be a slim, respectable socialite. Instead I became an overweight troublemaker.”

She was briefly married to John Parker, a window dresser. They married in 1960 and later divorced. As Andy Warhol observed in his book Popism: “When Brigid brought her window dresser fiancé home to meet the family, her mother told the doorman to tell him to wait on a bench across the street in Central Park. Then she handed Brigid her wedding present – a hundred dollar bill – and told her to go to Bergdorf’s and buy herself some new underwear with it. Then she added, ‘Good luck with that fairy.'”

She had three siblings, all younger: sister Richie, who was, for a time, the roommate of Warhol Films’ “It Girl” and superstar Edie Sedgwick; youngest sister Christina “Chrissy” Berlin, who was instrumental in engineering the defection of Russian ballet star Mikhail Baryshnikov; and the youngest sibling, brother Richard Berlin Jr.[

Association with Andy Warhol – After years as a reluctant debutante and a failed marriage, Brigid Berlin met Andy Warhol in 1964 and quickly became a central member of his entourage. After moving to Hotel Chelsea, she took on the nickname Brigid Polk because of her habit of giving out ‘pokes’, injections of Vitamin B and amphetamines. These injections were available through ‘Doctor Feelgoods’ in NYC and perfectly legal.

Berlin appeared in several of Warhol’s films, including Chelsea Girls (1966), in which she is seen injecting herself while performing a monologue, and Ciao! Manhattan (1972), which starred Edie Sedgwick. Decades later, she appeared in minor parts in two John Waters’ films: Serial Mom (1994) and Pecker (1998). Pie in the Sky: The Brigid Berlin Story (2000) is a documentary in which she tells her life story in intimate detail and breaks her diet by consuming an entire meal of key lime pies. In its review, Variety suggests “Berlin comes across as a rather sad character despite her colorful and provocative life.”

Brigid Berlin and Andy Warhol

She was known for her obsessive taping and photographing of everyday life. Selections from these tapes were later compiled by Anthony Ingrassia to form the play Andy Warhol’s Pork. Other tapes made by her were the basis for Live at Max’s Kansas City (recorded 1970, released 1972), The Velvet Underground’s first live album.

Berlin was complicit in one of Warhol’s more infamous pranks when, in 1969, Warhol announced that all of his paintings were the work of Berlin. Brigid enthusiastically followed this line when interviewed by Time. The prank led to a drop in the value of Warhol’s work, and both parties eventually retracted their statements. The question of authorship looms large in valuing Warhol’s paintings to this day.

In 1975, Berlin began work as a permanent employee for Andy Warhol’s Interview magazine, a position that she held until well after Warhol’s death. Berlin transcribed interviews as well as knitted under the desk. Patricia Hearst (a close friend of Berlin who began work at Interview in 1988) observed “On my first day at work, I noticed two small pugs who seemed to have the run of the castle. They belonged to a woman who sat behind the front desk every day from 9:00 to 5:00, but who never seemed to answer the phone. Instead, she compulsively knitted, ate bags of candy and tended lovingly to the dogs.”

Artwork – Berlin was also a prolific artist. Therein it has been argued by some that her artwork was both influential to Andy Warhol’s and simultaneously overshadowed by Warhol’s celebrity and output. Berlin’s “Tit Prints” were artworks created using her bare breasts. Berlin would dip her breasts into multiple colored paints and then create a print by pressing them down onto canvas/paper. The Tit Prints are arguably Berlin’s most infamous work and were exhibited by Jane Stubbs at a gallery on Madison Avenue in 1996. On occasion, Berlin would publicly create Tit Prints, integrating visual art and performance art that “is totally not about nudity, this is about, you know, art.” She performed this act live at the Gramercy International Art Fair. After experiencing the performance, filmmaker John Waters later said “I think that she’s the most unselfconscious nude person…[She has] great confidence for a fat girl.”

Berlin also compiled and maintained scrapbooks that she referred to as “trip books.”[15] Volumes of these scrapbooks collecting cartoons and sketches of male genitalia were known as “The Cock Book” and included the genitalia of artists such as Jasper Johns, Robert Rauschenberg, and Warhol. Three volumes of “The Cock Book” sold for $175,000 at auction to artist Richard Prince.

Both Berlin and Warhol used the medium of Polaroid photography obsessively, and are said to have been very competitive in the Polaroid film department, whether over the best equipment or the best film. In 1969–1970 German art dealer Heiner Friedrich did a small showing of Berlin’s work called Polaroids and Tapes and created a catalogue for the work of the same name. The experimental nature of Berlin’s double-exposed Polaroids transcend the static, emotionless “icon” Polaroids of Warhol’s, clearly showing the power of her personal vision and photographic style. Common subject matter of Berlin’s Polaroids are self-portraits, Warhol Superstars, other artists and celebrities, and Off-Broadway one-woman shows. A one-woman show of her Polaroid self-portraits titled “It’s All About Me” showed in 2015 at the Invisible-Exports Gallery in New York City. The New York Times review stated “Ms. Berlin’s prints seem less of a lark and more like a strident, celebratory statement by an artist who was never shy about exposing…well, anything.”

Berlin’s digital archives were published in 2015 as Brigid Berlin Polaroids with a foreword by John Waters. In the Wall Street Journal review it was noted that Berlin was the first person Andy Warhol allowed to photograph his body after the 1968 assassination attempt.

Brigid Berlin Filmography

Chelsea Girls (1966)
Tub Girls (1967)
Bike Boy (1967)
The Nude Restaurant (1967)
Imitation of Christ (1967)
Four Stars**** (1967) aka 24 Hour Movie
Lonesome Cowboys (1967) (originally Berlin was to play a leader of a rival gang)
The Loves of Ondine (1967)
Women in Revolt (1971)
Ciao! Manhattan (1972)
Phoney (1973)
Fight (1975)
Andy Warhol’s Bad (1977)
The Critical Years (1987)
Serial Mom (1994)
Pecker (1998)
Pie in the Sky: The Brigid Berlin Story (1999)
Danny Williams and the Dream Factory (documentary, 2007)

Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story.

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

11:48

21. Nico – “Chelsea Girls”
from: Chelsea Girl / Verve / October 1967
[Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

22. Leland Palmer – “After You’ve Gone”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[Leland Palmer (born June 16, 1945 in Port Washington, New York) is an American actress, dancer, and singer who has appeared on stage, in motion pictures, and on television. She appeared on Broadway in Bajour (1964), A Joyful Noise (1966) Hello, Dolly! (1967 replacement Minnie Fay), Applause (1970 replacement), and Pippin (1972). Palmer received two Tony Award nominations: in 1967 for featured actress in a musical (Miss Jimmie in A Joyful Noise), and in 1973 for actress in a musical (Fastrada in Pippin). Palmer appeared as Viola in the rock musical Your Own Thing during a highly regarded run at the Huntington Hartford Theater in Los Angeles in August 1968, in the role that she originated in the original Off-Broadway production in 1968. She appeared in Dames at Sea which opened in September 1970 at the theater at Plaza 9 in New York City. She played the role of Ruby, with The New York Times reviewer writing: “Ruby… is played like a virtuous, squeaking mouse by a girl named Leland Palmer, who is delicious in a mildly frightening way.” She appeared in the musical Double Feature at the Long Wharf Theatre, New Haven, Connecticut, which opened in November 1979. The show had music by Jeff Moss and was directed by Mike Nichols. Her U.S. television appearances include guest roles on Love, American Style; Laverne & Shirley; and Rhoda. She was also a regular on Dinah Shore’s summer variety television show, Dinah and Her New Best Friends in 1976. She played Aŕlene in the 1976 NBC television movie James Dean. Palmer is known for Bob Fosse’s All That Jazz (1979), in which she played Audrey Paris, a character believed to be modeled on Fosse’s wife, Gwen Verdon. Palmer is known now as Linda Posner. She was born Linda Palmer, and discovered many years later that the family name was really “Posner.” Although she no longer performs, she works with theaters in California. She taught acting classes at Mendocino Community College and was the Artistic Director, Director, Teacher, and Consultant for the Willits Community Theater (Willits, California). Pearl Marill, Posner’s daughter who heads a dance company, presented a one-time event “My Mother on Broadway” in October 2014 in San Francisco. She served as choreographer of the 42nd Street Moon, San Francisco production of Irma La Douce in 2008. The 1990-1991 U.S. television series Twin Peaks and its 2017 continuation featured a fictional, male character named Leland Palmer who was played by Ray Wise.

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 23, we play more New & MidCoastal Releases. Plus Krystle Warren calls in from the south of France to talk about the new 4 song EP she just released from The Crew containing unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. We will also talk with Kansas City jazz musician and band leader Eddie Moore about his band We The People‘s new album, Misunderstood.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #855

WMM talks with Chris Hazelton of The Freedom Affair + Blair Schulman on Brigid Berlin

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

Mark plays New & MidCoastal Releases from: Crystal Rose, The Freedom Affair, Jake Wells, Katy Guillen & The Drive, The Jubilee Mystics, Fred Wickham, Krystle Warren and The Faculty, Joel Kraft, Suzzy Roche & Lucy Wainwright Roche, Fantastic Negrito, Khruangbin, Bedouine, Waxahatchee & Hurray For The Riff Raff, Bill Callahan, The Jayhawks, Fiona Apple, Leland Palmer, The Velvet Underground, and Nico.

At 10:30 Chris Hazelton talks about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Blair Schulman

At 11:30 Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to the former Review magazine. More info at: http://www.blairschulman.com

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #855

WMM Playlist from Sept. 9, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 9, 2020

Bill Sundahl & the 16th Annual Crossroads Music Fest
+ Writer & Poet Steph Castor

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. Sally Haze – “Pavilion”
from: Pavilion – Single / The Record Machine / August 14, 2020
[Follow up to the band’s “All That Matters” – Single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.]

3. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson, “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

4. Krystle Warren – “Sunbeams”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

5. Aaron Alexander – “Worth It”
from: The Kushlov Effect Volume 1 / Aaron Alexander / August 23, 2020
[Follow up to Alexander’s previous release Memento Mori. Kansas City, Kansas based rapper and artist who graduated from Sumner High School and attended University of Missouri – Kansas City. Aaron Alexander recently collaborated with Google to showcase his music and Kansas City support. The collaboration with the tech giant comes eight years after Alexander, decided to pursue music professionally, cementing his mark as a national artist. Aaron told Kansascity.com: “It all kind of started off with poetry,” Alexander said of his beginnings. “I did poetry in like fifth grade. I kind of took a liking to it. Then I ended up getting a free laptop, so I started recording on Garageband, and it eventually turned into making projects and making music.” “I typically do have a theme with my music that I try to stick by, but this was, is, kind of a mood board of the last two years of my life,” Alexander said. “It’s a lot of frustration and heartbreak. It’s kind of like a roller coaster.” “Jazz is something that kind of inspires the way I do melodies,” Alexander said. “I just appreciate how loose and free-flowing it is, and I try to kind of do the same with my melodies. I mean, I grew up with it, so I think it’s pretty ingrained.” Other things Alexander uses as inspiration include anime, James Baldwin and Marvin Gaye. “I’ve been watching Marvin Gaye documentaries and listening to his music and kind of trying to cause a feeling the way he made a feeling throughout his music and his career, so I’m just trying to do the same for somebody else,” Alexander said. Brandon Williams, one of Alexander’s producers, attended Kansas City magnet school Sumner Academy of Arts and Sciences with him, which was the start of the pair working together. He said working with Alexander has helped him grow as a producer. “I like the dynamics that he brings to a song. It’s not from a monotone stance, and he tries to take different approaches with his music.” The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation. he effect has also been studied by psychologists and is well-known among modern film-makers. Alfred Hitchcock refers to the effect in his conversations with François Truffaut, using actor James Stewart as the example.]

6. Brent Windler – “Spanish Jasmine”
from: New Morning Howl / Big, Run, Fly, Kick, Show / September 4, 2020
[New single from upcoming full length release, Written by Brent Windler. Guitars & Vocals by Brent Windler, Synths & Programming by Nate Harold. Recorded at Courtesy Tone, Kansas City, MO. Engineered and Mixed by Ryan Benton and Mastered by Greg Beery at Merx Mastering Follow up to “Around The Bend” – Single released May 29, 2020. Brent Windler is a singer/songwriter based in Kansas City, Missouri. His songs display Powerpop leanings but still stay rooted in the Midwestern US creating a unique blend of melodic pop and Americana. Brent is also known for his work with The Casket Lottery, and Sons of Great Dane.]

7. Kelly Lee Owens – “Melt!”
from: Inner Song / Smalltown Supersound / August 28, 2020
[Second album from convention-blurring techno producer/musician Kelly Lee Owens. Inner Song follows the 2017 release of her much lauded self-titled debut, as well as remixes of St. Vincent and by Björk, last year’s “Let It Go / Omen” 12”, and her recent collaboration with Jon Hopkins on the one-off “Luminous Spaces.”]

10:28 – Underwriting

8. Howard Iceberg & The Titanics – “Bottle of Rye” [Featuring: Betse Ellis]
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals. Follow up to Howard’s 2017/2018 release Netherland’s his Jazz infused album recorded with Rich Hill, Bryan Hicks , Doug Auwarter and others. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

photo made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

10:33 – Interview with Steph Castor

Writer & Poet Steph Castor joins us live in our 90.1 FM Studios to share poems from her second full-length book of poetry, KEEP HER IN YOUR MOUTH just released and published by Thirty West Publishing House (Philadelphia, PA). Steph’s roots are in music, but she has an impressive history of poetry performance across the United States, including opening for Andrea Gibson on a sold out show at Czar Bar in January 2014, appearances in support of the Midwest Music Foundation and Midcoast Takeover events, founding the LFK Poetry Slam at The Granada Theatre in Lawrence, enjoying a beer with beat poet John Sinclair and the editor-in-chief of High Times Magazine at Mama’s Crow Bar in Portland, Maine while on tour with Vigil and Thieves. Steph Castor is also the writer of Bedroom Music (Stubborn Mule Press, 2019). Her past work can be found in Curve Magazine, Guitar Girl Magazine, Guitar World, Tattoo.com, and many more.

Steph Castor, Thanks for being with us on WMM.

Steph Castor is a writer and poet of two collections: Keep Her in Your Mouth (Thirty West Publishing, 2020) and Bedroom Music (Stubborn Mule Press, 2019)

Steph Castor lives in Kansas City, Missouri, and is originally from Santa Maria, California.

Steph Castor just recently became a contributing writer at The Pitch Kansas City.

Steph Castor has been nominated for “Best Poet/Spoken Word Artist” in The Pitch Kansas City The Best of Kansas City 2020, with Jen Harris.

Steph Castor on the Sept. 9, 2020 edition of Wednesday MidDay Medley on KKFI.

10:38 – Live Poem

For our WMM promo material we used a photo of Steph Castor photo made The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

Steph Castor is a Content Marketing Manager at Salt Rank November 18, 2019 to Present

Steph Castor is a Staff writer at Guitar Girl Magazine from March 21, 2018 to present where Steph interviews and writes about rad women on the music front. Steph Castor is also a contributing writer at Tattoo from May 2015 to present.

Steph Castor is a former Shop Manager at Goodfellas Tattoo Gallery from May 2019 to November 2019. Steph Castor is a former Bartender at Jackpot Music Hall, Lawrence, KS. from April 20, 2018 to August 2018.

Steph Castor Studied creative writing at The University of Kansas – (Also English language) from 2009 to 2012. Steph Castor Studied Poetry at Columbia College Chicago from 2008 to 2009. Steph Castor went to Lawrence High School.

Steph Castor on the Sept. 9, 2020 edition of Wednesday MidDay Medley on KKFI.

10:42 – Live Poem

Steph Castor is an open-minded musician, novice photographer, half-way decent chef, passionate foodie, avid adventurer, and other (usually) intriguing characters.

Castor spends most of her days in the local community darkroom, tearing up the Roanoke tennis courts with the hottest new queer Kansas City skate crew, or engaging in stimulating and satisfying brainstorm sessions with likeminded creative folks—often just for the rush.

Steph Castor, Thanks for being with us on WMM.

Steph Castor joins us live in our 90.1 FM Studios to share poems from her second full-length book of poetry, KEEP HER IN YOUR MOUTH just released and published by Thirty West Publishing House (Philadelphia, PA)

Steph Castor has been nominated for “Best Poet/Spoken Word Artist” in The Pitch Kansas City The Best of Kansas City 2020.

10:19

9. Lomelda – “Hannah Sun”
from: Hannah / Double Double Whammy / September 4, 2020
[Written by Hannah Read. Produced by Tommy Read & Hannah Read. Recorded in March 2019, July 2019 & February 2020 at Lazybones Studio in Silsbee, TX. And Mixed & mastered by Tommy Read. Performed by Hannah Read, Tommy Read, Andrew Hulett, Charlie Martin, Andrew Stevens, Zachary Daniel, Adan Carlo and Cody Green. Album artwork by T. Colantuono. Published by Double Double WhammyFollow up to 2019’s M for Empathy, released March 1, 2019. Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars.” Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

10. Sulu Moon – “Busted”
from: Too Late / Sulu Moon / August 31, 2020
[Trevor Turla on trombone & lead vocals, Michael Panelas on guitar, Jeramy Johnston on bass, Cade Pool on drums, Mikala Petillo on background vocals. Alex Garnett on vocal engineering. on guitar, engineered, mixed, and masteed by Michael Panelas. Josh Williams of 1000 Phases on artwork. Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays and sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, and LA Jones. He is the founder, lead singer and trombonist for the band Sulu Moon. More info at http://www.trevorturla.com // Earlier this year Trevor donated an earlier version of this track to the COVID-19 inspired compilation, Kansas City Syzygy, that contained music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. Proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

11. Adrianne Lenker – “anything”
from: songs / 4AD / October 23, 2020
[11-song follow up to her solo release abysskiss, released October 5, 2018 on Saddlecreek Records, and two Big Thief albums: U.F.O.F. May 3, 2019 on 4AD, and Two Hands October 11, 2019 on 4AD. Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

11:00 – Station ID

11:00 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen!
Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

What? A Virtual Event? Why did we doing this? …We applied for a Missouri Arts Council(MAC) grant back in the fall of 2019 for the 2020 festival. Their budget in early 2020 was slashed. The NTDF Grant we applied for was cancelled. We planned to not produce the festival without that needed support.

But Then…About a month ago we found out that the MAC Grant came through after all! So we decide that rather than turn down the money we would spend that money in the arts community in the KC Region. So with sponsors and the MAC grant, KKFI has been able to inject almost $10,000 into the decimated entertainment industry in our region.
How can this benefit KKFI? We decided to make it free to everyone in the area with a radio or internet connection and ask for gifts from those who love live music and KKFI.

With our Goal of $20,000 in donations to KKFI (our goal in our budget this year). So far we’ve raised $4,750 in gifts to be matched. We have a goal of $10,000 in matching donations and then we’ll work to get that matched between Sept. 9 and 16.

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s CMF.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, Connecting w/ Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. Info at: http://www.kkfi.org

2020 CMF Schedule: 4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio

11:06

12. Soul Servers feat Pugslee Atomz – “Move”
from: Crown Crafted Uno / One KC Radio / October 7, 2016
[16-track compilation produced for One Kansas City Radio that includes: Making Movies, Maria The Mexican, Eddie Moore, Miles Bonny, Conductor Williams and more. One of Kansas City, Missouri’s most popular underground Hip-Hop groups, Soul Servers is a breath of fresh air to a Hip-Hop genre in dire need of originality. Formed in 2001, the group strives to make sense of life’s daily grind using playful themes and thought-provoking lyrics. Composed of Smoov Confusion, Deuce Fontane, Lou Rip and DJ Yady, The Soul Servers also seek to add more positivity to an industry where negative is the norm. Full Service, the group’s debut album is an eclectic mix of 70’s funk, Classic R&B, Old School Hip-Hop and Rock ‘n’ Roll. Tracks like “Sick & Tired” and “HipHop on My Mind” shed light on the struggles of life and the woes of Hip-Hop, . while songs like “Think Twice” explore life’s confrontational side. Club tracks like “What’s Wrong?” also demonstrate Soul Servers ‘ commercial appeal. Since “Full Service” Soul Servers have stayed busy with live performances, collaborations, and smaller mixtape projects.]

[Soul Servers plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 4:00 PM Live from KONN 100.1 One KC Radio, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Reptil, and Soul Servers.]

11:10 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

Thanks to our 2020 CMF Sponsors for making this happen!
Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

2020 CMF Schedule: 4:45 PM – Ezgi Karakus — Live from 1900 Building

11:15

13. Ezgi Karakus – “Dok Zulfunu Meydana Gel (Arr. for Solo Cello)”
from: Dok Zulfunu Meydana Gel (Arr. for Solo Cello)-Single / Ezgi Karakus / April 3, 2019
[Turkish cellist, Ezgi Karakus began her cello education at the age of eleven with Prof. Caglayan Unal SUMER, and attended Dokuz Eylul University State Conservatory in her native Izmir, Turkey. While attending the conservatory she thrice won the concerto competition and before arriving in the U.S., joined several festivals including the Bremen Youth Symphony Orchestra in Bremen, Germany. Ezgi completed her Master of Arts at Marshall University under Dr. Solen Dikener’s mentorship, where she was awarded first price in the Belle and Lynum Jackson Balshaw Music Competition, and the Marshall University Concerto Competition. She gave the world premiere of the Suite for Violoncello and Live Electronics by Mark Zanter and performed for the Society of Composers, Inc. 2013 National Conference at the Ohio State University School of Music. She also performed with several orchestras including Dokuz Eylul Symphony, Ohio Valley Symphony, West Virginia Symphony, Medical Arts Symphony (acted principal), Spire Chamber Ensemble, Kansas City Jazz Orchestra, Topeka Symphony, The Symphony of Northwest Arkansas, Saint Joseph Symphony, Tulsa Symphony, and Kansas City Symphony. Ezgi completed her Doctor of Musical Arts in Cello Performance at the University of Missouri – Kansas City Conservatory of Music & Dance under Prof. Carter Enyeart, Mark Gibbs, and Micheal Mermagen. Additionally, she was chosen to perform for Yo-Yo Ma’s Master Class at the Kauffman Center of the Performing Arts on March 22, 2018. At this performance, Ezgi gave the world premiere of Dok Zulfunu Meydana Gel, a Turkish folk song which she arranged with composer Anil Altinsoy. Ezgi is currently co-director of Soundwave Academy, a Professor of Cello at Missouri Western State University, Emporia State University, a teaching artist at the Harmony Project Kansas City.]

[Ezgi Karakus & John Livingston plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 4:45 PM Live from 1900 Building, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Reptil, and Soul Servers.]

11:20 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s CMF.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, Connecting w/ Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. Info at: http://www.kkfi.org

2020 CMF Schedule: 5:30 PM – Reptil — Live from Massive Sound Studio

11:24

14. Reptil – “Tus Alas”
from: Alma Mia / Reptil / August 20, 2010
[A Kansas City, Kansas based bi-lingual quartet, that plays Mexican roots music that emerges from the band’s desire to express and share emotional overwhelming Rock and Roll. The band’s primary genre is Spanish Rock. The shows include a variation of their new songs, including their hit single “Besame”. The set lists are aimed to satisfy audiences who seek out new music and anyone who is nostalgic to pay tribute to Rock En Español. Members include: ALEJANDRO OLIVARES on guitar & vocals, RUBEN OLIVARES on bass guitar & vocals, LUIS C REYES on guitar, ANDRES RAMIREZ on drums and percussion.]

[Reptil plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 5:30 PM Live from Massive Sound Studio, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Ezgi Karakus,, and Soul Servers.]

11:28 – Underwriting

11:30 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

10:00 PM – Thank You! See You Next Year!

2020 CMF Schedule: 6:15 PM – Laura Noble — Live from Record Bar

11:33

15. Laura Noble – “Love Ahora”
from: Love Ahora – Single / Noble Nation Records / July 10, 2020
[Kansas City based Dominican Republic singer Laura Noble has had the opportunity to perform cover and original songs in major cities including Queens & Manhattan, NY, Minneapolis, MN, Denver, CO, Fort Myers, FL, Denver, CO, Atlanta, GA, Baltimore, MD and others. She’s been performing with live bands for 10+ years at festivals, high budget weddings, and corporate events. She has done the National Anthem and God Bless America at major sporting games and events like the KC Royals, Sporting KC and MMA fight tournaments.]

[Laura Noble plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 6:15 PM Live from recordBar, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

10:37 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar
10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen! Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

2020 CMF Schedule:
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios

11:41

16. Julia Othmer – “Frickin Awesome”
from: Sound / Frickin Awesome Records / April 12, 2019
[Julia Othmer’s second album took three years to complete and was produced with James Lundie, who married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and studied at Columbia University in New York City. She moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” In the top 10 of WMM’s 119 Best Recordings of 2019]

[Julia Othmer plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, Saturday, September 12, 7:00 PM Live from Sherman Oaks, California LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, featuring Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Laura Noble, Reptil, Ezgi Karakus & John Livingston, and Soul Servers.]

8. We The People – “Misunderstood”
from: Misunderstood – Single / Outer Circle Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

[We The People play KKFI’s 16th annual (Virtual) Crossroads Music Fest, 7:45 PM Live from Tribe Studios, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ Calvin Arsenia, The Royal Chief, Laura Noble, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

11:48 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI’s CMF, presented by Community Lending of America, will be a bit differentr.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar
10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen! Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

For Bill Sundahl & CMF & KKFI & WMM, I’m Mark Manning. Thanks for listening!

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

2020 CMF Schedule:
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

11:55

18. Calvin Arsenia – “Headlights”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia play KKFI’s 16th annual (Virtual) Crossroads Music Fest, 9:15 PM Live from recordBar, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ The Royal Chief, Laura Noble, We The People, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 16 we’ll play more New & MidCoastal Releases. PLUS, Chris Hazelton joins us to share details about The Freedom Affair‘s debut album FREEDOM IS LOVE on Sunflower Soul Records. AND, art writer Blair Schulman joins us to talk about artist and Andy Warhol Superstar Brigid Berlin.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Steph Castor photo was made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #854

WMM with Bill Sundahl & Crossroads Music Fest + Poet Steph Castor

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 9, 2020

Bill Sundahl & the 16th Annual Crossroads Music Fest
+ Writer & Poet Steph Casto
r

Mark plays New & MidCoastal Releases from: The Freedom Affair, Aaron Alexander, Brent Windler, Sulu Moon, Calvin Arsenia, We The People, Howard Iceberg & The Titanics featuring Betse Ellis, Julia Othmer, Krystle Warren & The Faculty, Sally Haze, Laura Noble, Reptil, Ezgi Karakus, Soul Servers, Lomelda, Kelly Lee Owens, and Adrianne Lenker.

photo made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

At 10:30 Writer & Poet Steph Castor shares poems from her second full-length book of poetry, KEEP HER IN YOUR MOUTH just released and published by Thirty West Publishing House (Philadelphia, PA). Steph’s roots are in music, but she has an impressive history of poetry performance across the United States, including opening for Andrea Gibson on a sold out show at Czar Bar in January 2014, appearances in support of the Midwest Music Foundation and Midcoast Takeover events, founding the LFK Poetry Slam at The Granada Theatre in Lawrence, enjoying a beer with beat poet John Sinclair and the editor-in-chief of High Times Magazine at Mama’s Crow Bar in Portland, Maine while on tour with Vigil and Thieves. Steph Castor is also the writer of Bedroom Music (Stubborn Mule Press, 2019). Her past work can be found in Curve Magazine, Guitar Girl Magazine, Guitar World, Tattoo.com, and many more.

At 11:00 KKFI’s Development Director Bill Sundahl joins us to share the details about the KKFI’s 16th annual (Virtual) Crossroads Music Fest, Saturday, September 12th, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, sponsored by Community Lending of America and featuring Calvin Arsenia, The Royal Chief, Eddie Moore’s We The people, Julia Othmer, Laura Noble, Reptil, Ezgi Karakus & John Livingston, and Soul Servers. Performances will be broadcast from recordBar, 1900 building, Massive Sound Studios, Tribe Studio, Sherman Oaks, One KC Radio – KONN 100.1, and Emerald Dreams Lab. The 2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen. To donate in support of KKFI and CMF visit: http://www.kkfi.org/donate. More info at: http://www.cmfkc.org.

Steph Castor photo made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Black Lives Matter

Show #854

WMM Playlist from Sept. 2, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is Allen Epley on voice, guitar, Rhodes; Josh Newton on guitar, Jason Gerken on drums, Cymbals; Paul Malinowski on bass. produced by Shiner. Recorded and mixed by Paul Malinowski at Massive Sound, Shawnee, Kansas. Additional recording by Allen Epley. Additional mixing by Josh Newton. Mastered by Mike Nolte at Eureka Mastering, Portland, OR. Art by Mike McKenney (@the_real_theory). Layout by Josh Newton Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.” The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.]

[SHINER plays a 15 Year Anniversary – Kickstarter Kick-Off Party with Heels and DJ Stevie Cruz on Friday September 4, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. recordBar is launching a Kickstarter campaign through their Lights On program, which is designed specially to help businesses find funding to weather the pandemic. This campaign will celebrate recordBar’s 15th year by offering rewards of limited edition merchandise, items from recordBar’s vast collection of memorabilia, future tickets and much more. To launch the campaign, an all-time favorite band, Shiner will perform. Tickets can be purchased through the Lemonade Park or recordBar website. This show will also be available via live-stream from the Kickstarter page. Tickets are limited to 75 and are available for $75 a piece, with assigned seating. Donations for the Day of Show Auction include prizes from: KC Royals, Midwest Music Foundation, Jack Daniels, Tito’s, Drunken Fiddles, The Record Machine, Ragazza, The Midland Theater, Josey Records, The Pairing, Boulevard Brewery, Manor Records, Jaykco Guitar Straps, Weights & Measures Recording Studio, Massive Sound Recording Studio, Records With Merritt, Messenger Coffee, Ibis Bakery. More info at: http://www.shiner.net / http://www.kickstarter.com/projects/recordbar/15-year-anniversary-recordbar-will-return%5D

[SHINER plays Night 2 of recordBar 15 Year Anniversary Party with The Whiffs and DJ Thundercutz on Sunday September 6, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

3. Daniel Gum – “Ruin Your Life”
from: Ruin Your Life – Single / Manor Records / September 4, 2020
[First single from Daniel Gum’s new album, Thirteen to be released later this fall on Manor Records. Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Sam Prekop – “Summer Places”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

5. Miki P and The Swallowtails – “Imperfect”
from: Right Where We Are / Miki P / August 21, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P (Mikala Petillo) started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

6. Paper Tongues – “Just Do It”
from: Just Do It – Single / Soundview Projects / August 5, 2020
[Paper Tongues are a musical hailing from Charlotte North Carolina. Aswan North grew up in Jacksonville, North Carolina and Danny Santell is originally from the Bronx, New York City, NY. The two combine forces to deliver an eclectic Rock & Hip Hop Sounds. Danny Santell now resides in Kansas City. Paper Tongues was once signed to AM Octone Records and was managed by Randy Jackson (American Idol/Journey). They left the label and got their masters back and are now truly independent recording artists!.]

7. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:30 – Underwriting

8. Sean Muldoon & Ashley Davis – “Perfectly Beautiful”
from: LightSongs / Dead Rabbit Records / January 14, 2020
[Think Joni Mitchell meets contemporary Celtic and you’ll get something like the creative force of Ashley Davis, an American singer-songwriter whose musical imagination invites the world into her eclectic sphere. Good Morning America, describes the Ashley Davis Band as “new music springing from ancient roots.” A culmination of the many influences that have inspired her over the years, Davis’s songwriting has captivated audiences on either side of the Atlantic. She has excelled in Celtic folk, Americana, and even electronic, proving she can turn any musical style into a spellbinding story. In the words of Academy Award winning composer Philip Glass, Ashley Davis has “as much musicality as anyone could wish for.” A native of Kansas and graduate of the University of Limerick’s World Music Centre, Ashley Davis writes music that lives between continents and speaks to two national traditions. Between her background in American roots and love of Celtic folk, Davis possesses a unique talent for conjoining ancient history with modern, intercultural interpretation. As a performer moving between Nashville, New York, the west of Ireland, and even the Isle of Man, where she served as Artist in Residence in 2006, Ashley has always applied her distinct Great Plains perspective to a range of genres and cultures, forging songs out of the moment when different minds and backgrounds meet. Given all the time she has spent traversing the Atlantic, it is unsurprising that Davis’s music exhibits an inherently ethereal and aqueous quality. Her songs seem to exist air bound above the ocean, merely waiting for the current to direct them toward shore..]

[Ashley Davis plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:34 – Interview with David Shaughnessy

What happens when you are in the middle of a pandemic and your annual celebrated and incredibly popular annual KC Irish Fest is scheduled for Labor Day Weekend. The result is: KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating, and also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.

David Shaughnessy works at Uptown Artist Group, an artist booking and management agency specializing in contemporary Celtic, World and Mainstream music. Their roster consists of Byrne and Kelly, Mundy, Ashley Davis, Runa, Red Hot Chilli Pipers, Dylan Walshe, Shane Hennessy, and Oscar Blue. David is also the founder of Shaughnessy & Associates Photography and he serves as Entertainment Director at Kansas City Irish Fest.

David Shaughnessy, Thanks for being with us on WMM.

Check out http://www.kcirishfest.com for a full listing of Fest Where You Are

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

Classic Irish hits & covers from house band Carswell & Hope with guest performances.

PERFORMING LIVE AT CROWN CENTER: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

VIRTUAL PERFORMANCES & INTERVIEWS: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

FEST WHERE YOU ARE BENEFIT CONCERT

Audiences can enjoy the benefit concert live, in-person at Crown Center, with physically distanced tables that seat up to six guests of your choice (and include a beverage package featuring Guinness, Boulevard Products, Miller Lite, wine and water.) Each table also receives a swag bag with gifts from all our Fest Where You Are partners including koozies, bandanas, glassware, and a KC Irish Fest branded mask! All tables are outside under the Crown Center Pavilion tent and spaced a minimum of 8-feet apart. Limited tables available. Tickets must be purchased by table and cannot be purchased individually. Must be 21+ to attend, and agree to these terms and conditions. All proceeds from this concert will be donated to the Kansas City Irish Fest Grant Fund and other non-profit organizations. info@kcirishfest.com
Purchase tickets for the in-person event at Crown Center here: https://bit.ly/3gT2dtu

FEST WHERE YOU ARE CONCERT LIVE FROM CROWN CENTER
WATCH VIRTUALLY VIA LIVESTREAM on KCIrishFest.com
SATURDAY, SEPTEMBER 5TH, 7-9PM

OTHER WAYS TO WATCH

KANSAS CITY IRISH CENTER
Kansas City Irish Center will have a limited number of tickets available for purchase, for a seat on their patio to watch a livestream broadcast of the concert outdoors on a large LED screen. Tickets are $25 and food and beverages will be available for purchase.Enjoy a pre-show with Ian & Kian Byrne.

KELLY’S WESTPORT INN
Kelly’s Westport Inn will be featuring the concert on their TV sets and will have reserved tables available for purchase. Tickets are $15 per person and you must reserve your table by August 20th. Tickets must be purchased by table and cannot be purchased individually. To reserve your table, email info@kellyswestportinn.com

Reservations begin at 7pm but you can stay as long as you like
Table sizes range from 2-20 people, but are limited
All tables are located in the back two rooms of Kelly’s
Ticket includes two drink tickets for Boulevard Wheat, Pale Ale or a Jameson cocktail

BROWNE’S IRISH MARKET
Browne’s Irish Marketplace will be streaming “KC Irish Fest Where you Are” on an LED screen in their large outdoor venue South of Brownes. It is perfect for your small group to be distanced from other small groups. Tickets are $20 and include one drink token. Enjoy a pre-show from the Jump 2-3’s beginning at 6 p.m. Additional food and beverages will be available for purchase.

CONROY’S PUBLIC HOUSE
Conroy’s will be streaming the concert live at their 47th street location. Reservations are required, please call (913) 296-7901 to make your reservation

THE DUBLINER
The Dubliner in the Power & Light District will be streaming the Fest Where You Are Concert at their restaurant. Food & Drink specials available. Reservations are recommended, but not required. Call (816) 268-4700 to make your reservation

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are activities including Whiskey Tastings, Virtual Workshops, Kids Activities and more.

SATURDAY, SEPT. 5.

10:00 am – MR. STINKY FEET VIRTUAL CONCERT & STORYTELLING
11:00 am – COOK IRISH BREAKFAST WITH KYLE FROM BOULEVARD
3:00 pm – SCONES WITH SHAUN BRADY
6:00 pm – JAMESON WHISKEY TASTING
4:00 pm- STONE LION PUPPETS LEPRECHAUN PUPPET WORKSHOP
8:00 pm – LIVE CONCERT AT CROWN CENTER

David Shaughnessy, Thanks for being with us on WMM.

Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

David Shaughnessy, Thanks for being with us on WMM.

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are

10:52

9. Calvin Arsenia – “Kansas City Baby”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artistsBorn in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine.com “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

[Calvin Arsenia plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10. Black Pumas – “Fast Car”
from: Black Pumas (Deluxe) / ATO / August 28, 2020
[From Rolling Stone: Black Pumas have released a new double album deluxe edition of the band’s debut album, out August 28th via ATO Records. This deluxe edition features live-in-studio version of their song “Confines” where Black Pumas are tapering back the quick soul skip of the original into a groove that still moves at a steady pace, but now boasts additional space for a cadre of background singers and a string quartet. This new arrangement suits Black Pumas, as both Eric Burton’s raw vocals and Adrian Quesada’s spitfire guitar still sound right at home amid the swelling strings. This version of “Confines” is one of three live-in-studio cuts on the deluxe edition, along with renditions of “Colors” and “Oct 33.” The record also features three previously unreleased originals, “I’m Ready,” “Red Rover” and “Black Cat,” plus a live version of “Know You Better,” recorded at the Austin club, C-Boys Heart and Soul. The deluxe edition, Black Pumas also feature four cover songs: their take on Tracy Chapman’s “Fast Car,” plus renditions of the Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes” and Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City.” // Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019 which was part of WMM’s 119 Best Recordings of 2019. Black Pumas performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

11:00 – Station ID

11. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Ivory Blue

11:04 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue caught our attention with the debut EP, Ready Get Set, released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue joins us on the phone to share the new single “Half a Life” to be released September 20, 2020. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Creating music in pandemic times.

Ivory Blue has been in the studio working on a new 10-song album, “Compound Love.”

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and The Kauffman Stadium, July 1, Royals home game.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and was welcomed into a new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.”

Ivory is one of our most frequent guests and sang “Elite Dreamland” live on our November 6, 2019 edition.

“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio.

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s new song “Half A Life” will be released September 20. Ivory’s full length 10-song album called “Compound Love” will be released later in 2020. More info at: http://www.ivorybluemusic.com

11:20

12. Ivory Blue – “Half A Life”
from: “Half A Life” – Single / Devin Robert Kesler / September 20, 2020
[“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family]

13. Lava Dreams – “See It Through”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Saturday Storytellers, Saturday, September 5, at 5:00 PM with Jessica Paige, at Ollie’s Local, 3044 Gillham Rd., in KCMO hosted by Don Simon on the first Saturday of each month.]

14. Shy Boys – “View From The Sky”
from: Talk Loud / Polyvinyl Record Co. / Expected September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020. and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

11:29 – Underwriting

15. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

[Nick Carswell is presenting MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

Nick Carswell

10:34 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick has also played bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. The virtual series begins this afternoon, September 2, at 4;00 to 5:30 PM offering COVID Check-in: Staying Well & Staying Creative with panelist Krystle Warren, Calvin Arsenia, Erin McGrane, Nick Carswell, and moderated by Mark Manning. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Last time Nick was on the show was over a year ago when he shared music and information about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.: Friday, May 10, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. The project was supported by an ArtsKC Inspiration Grant.

Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Classic Irish hits & covers from house band Carswell & Hope with guest performances from: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.With virtual performances and presentations from: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

11:49

16. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

17. Angel Olsen – “Whole New Mess”
from: Whole New Mess / Jagjaguwar / August 28, 2020
[5th studio album from Angel Olsen. Recorded by Olsen and engineer Michael Harris in a converted church, the album features tracks from her 2019 album, All Mirrors, arranged in a more intimate style. Whole New Mess was recorded over ten days in October 2018 with engineer Michael Harris. The pair worked in isolation in the town of Anacortes, Washington, recording in a converted Catholic church.[2] Olsen would use the church’s corridors to create a natural echo effect on her vocals. The album was recorded prior to Olsen’s 2019 studio album, All Mirrors, which features many of the same compositions in a different form: “When we made [Whole New Mess], I was still processing a lot of the songs, so for me, it’s harder to listen to this record than it is for me to listen to All Mirrors. When I recorded All Mirrors, other people had their hands in the pot, which separated me from the songs. I could get into them in a distant way. On Whole New Mess I’m feeling every feeling that they evoke.” The album was written following the collapse of a romantic relationship, with Olsen noting: “I was really depressed. I had no idea whether the songs were good. They were just about my life. I could have recorded them at home and kept them as demos, but I knew Michael [Harris] was someone I could be depressed in front of, who would help me to explore it in different ways. It was such an emotional process.” Angel Olsen was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 9, Bill Sundahl joins us to share details the Crossroads Music Fest presented virtually and over the radio on Saturday, September 9, with Calvin Arsenia, Laura Noble, We the People (feat. Eddie Moore), Julia Othmer, Ezgi Karakus & John Livingston, Soul Servers, and The Royal Chief. More info at: http://www.CMF.com

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Nick Carswell photo by John Knepper

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #853

WMM presents Ivory Blue + Nick Carswell + KC Irish Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

Mark plays New & MidCoastal Releases from: Shiner, Miki P & The Swallowtails, Shy Boys, Ivory Blue, Sam Prekop, Daniel Gum, Lava Dreams, Madisen Ward and The Mama Bear, Krystle Warren, Calvin Arsenia, Angel Olsen, Black Pumas, Paper Tongues, and Ashley Davis.

At 10:30 David Shaughnessey shares details about KC Irish Fest Where You Are Benefit Concert, Saturday, September 5, 7:00 to 9:00 PM, broadcast via Livestream and on stage at Crown Center Pavilion, with a limited number of physically distanced tables. The broadcast features Irish classics and covers from house band Carswell & Hope, with special guest performances from: Calvin Arsenia, Ashley Davis, Eddie Delahunt, Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen, with virtual interviews & performances from:<strong> Aoife Scott, Byrne & Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, and We Banjo 3. The broadcast will be available LIVE on http://www.KCIrishFest.com.

Ivory Blue

At 11:00 Ivory Blue shares the new single “Half a Life” to be released September 20, 2020. “Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory Blue’s EP Ready Get Set was released in 2015. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles and won the top prize. Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Nick Carswell

At 11:30 Nick Carswell shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning. September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more. September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell photo by John Knepper

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #853

WMM Playlist from August 26, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 26, 2020

Eliza Gilkyson + The Black Creatures + Kemet Coleman

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

Calvin Arsenia

2. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

3. Nubya Garcia – “Stand With Each Other”
from: SOURCE / Concord Jazz / August 21, 2020
[Nubya Nyasha Garcia was born in 1991. She is a British jazz musician, saxophonist, flautist, composer and bandleader. Garcia is the youngest of four siblings born in Camden Town, London to a Guyanese mother, a former civil servant, and a British Trinidadian film maker father. Garcia followed her older siblings to the local Saturday music centre at the age of 5, where she first learned the violin and later played the viola in the London Schools Symphony Orchestra (LSSO). Garcia has said her home life with her stepdad, a brass player with a vast collection of instruments, and her mother a keen collector of all genres of music from reggae and Latin to classical and soul, coupled with the music activities at school, Camden School for Girls, meant she was saturated with music of all genres. Garcia began learning the saxophone at the age of 10, with Vicky Wright until attaining ABRSM G8 distinction. She very early became a member of the Camden Jazz Band, directed by jazz pianist Nikki Yeoh, before joining the junior jazz program at the Royal Academy of Music. She also attended the workshops of Tomorrow’s Warriors under the direction of Gary Crosby. While still in High School, she received a scholarship for a five-week summer program at the Berklee College of Music in Boston. During her Gap Year she studied with former Jazz Messengers member, Jean Toussaint. In 2016 she graduated with Honours from the Trinity Laban Conservatoire of Music and Dance, in Jazz Performance. In 2017, Garcia released her debut album Nubya’s 5ive via the label Jazz re:freshed. That year, her Nubya Garcia Band was an opening act at Gilles Peterson’s Worldwide Festival in Sète; the following year she played at the NYC Winter Jazz Festival and the Jazzfest Berlin.In her 2018 EP When We Are, Garcia explored how electronics can be used in a live jazz environment; the EP was created as a result of the Steve Reid Innovation Award. She is also a member of the Nérija, a collective, and the band Maisha led by drummer Jake Long. In addition, she is a collaborator on albums by Makaya McCraven, Theon Cross, Moses Boyd, the Toshio Matsuura Group and Sons of Kemet to Shabaka Hutchings; contributions from her can be found on five tracks of Brownswoods We Out Here, a sampler album from the modern London jazz scene. Garcia tours internationally, in Europe, India, Australia, and North America. She regularly performs at Greenfield festivals in the UK including Love Supreme Jazz Festival. She has headlined sell-out shows at Ronnie Scott’s Jazz Club London. Garcia also has a burgeoning reputation as a DJ, with a hit monthly radio residency on NTS Radio since November 2017. Garcia was supposed to perform at the Glastonbury Festival, but the festival had to be cancelled due to the increasing concerns over the 2019–20 coronavirus pandemic.]

4. Bully – “You”
from: SUGAREGG / Sub Pop / Augut 21, 2020
[Bully is the solo project of guitarist and singer Alicia Bognanno. The American rock band formed in 2013 in Nashville. They signed to Columbia Records label Startime International and released their first album Feels Like in 2015, then moved to Sub Pop to release Losing in 2017. Their third album Sugaregg was released on August 21, 2020. What initially began as a three-piece band is now a solo project with accompanying members. Bully was founded by Rosemount, Minnesota native Alicia Bognanno, who earned a degree from Middle Tennessee State University in audio recording before getting an internship at Steve Albini’s Electrical Audio studios in Chicago. She started recording demos of her own material before relocating to Nashville, Tennessee, where she worked as an engineer at Battle Tapes Recording and The Stone Fox venue. She formed the band with Stewart Copeland on drums (not to be confused with the drummer for The Police). After self-releasing a limited cassette, the band’s first single proper, “Milkman”, was released in April 2014. They signed with Columbia Records label Startime International and released their debut album Feels Like in June 2015. Feels Like received generally positive reviews from critics. Laura Snapes of Pitchfork wrote, “The coarse Cobain head-scream of Bully singer, songwriter, and guitarist Alicia Bognanno is its own resuscitating jolt of protest… she spends much of Feels Like tearing down the house with her howl.” Losing, Bully’s second studio album, was released by Sub Pop on October 20, 2017. The album was recorded at Electrical Audio in Chicago. It was called less “grimier and sugar-slick” than Feels Like. On May 1, 2020, Bully released covers of Nirvana’s “About a Girl” and Orville Peck’s “Turn to Hate”. Of the “About a Girl” cover, Rolling Stone stated “Hearing the Nashville band cover Nirvana is almost too obvious—but, good God, is it glorious. Their spin on 1989’s ‘About a Girl’ strikes a perfect balance of raw and melodic, without ever sounding like the output of a cover band…Still, it’s not just a skilled copy of a classic.” As for her take on “Turn to Hate”, Stereogum wrote “A song that sounds incredible in Bully’s rocket-fueled garage rock style.” Paste concurred that “Bully’s rendition is possibly even better than the original with its incredibly anthemic chorus.” On June 11, 2020, Bully announced their third record Sugaregg, which was released by Sub Pop on August 21, 2020. Bognanno paid homage to Chumbawamba’s 1997 song “Tubthumping” when writing the single “Where to Start”, which was met with positive reception. On the album’s second single “Every Tradition”, Bognanno addresses society’s expectations for women, while also targeting a specific unnamed individual.]

5. The Moose – “Ultraviolet”
from: “Ultraviolet” – Single / The Moose / August 3, 2020
[The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose released the two song single “Through The Rainbow”/”Bell-Bottom Trees” on November10, 2019. The Moose joined us LIVE on WMM on July 10, 2019.]

6. Bright Eyes – “Marianna Trench”
from: Down in the Weeds, Where the World Once Was / Dead Oceans / August 21, 2020
[After being on a hiatus since their last performance on November 21, 2011 in Honolulu, Hawaii, Bright Eyes is back! Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. It consists of Oberst, multi-instrumentalist and producer Mike Mogis, arranger, composer and trumpet and piano player Nate Walcott, and a rotating line-up of collaborators drawn primarily from Omaha’s indie music scene. Between 1998 and 2011, the band’s albums were released through Saddle Creek Records, a Nebraska-based label founded by Justin Oberst (Conor’s brother) and Mogis. In January 2020, the band announced their return, having signed with Dead Oceans. In January 2020, Bright Eyes launched an Instagram page and teased a 2020 return. As of January 21, 2020 Bright Eyes have signed with Dead Oceans and are working on a new studio album. They released their first new song in 9 years – “Persona Non Grata” – on March 24. NME’s Luke Morgan Britton wrote of the track: “[A] dual sense of societal dystopia and inner turmoil collide and intertwine on the quietly poignant ‘Persona Non Grata’… [It] sees the band maintain the sage-like, cryptic feel of their latter-day records. Yet it also returns to the intimacy and immediacy of their early material.]

7. CHICKA – “U Should”
from: “U Should” – Single / Warner Records / August 7, 2020
[Chika was born, Jane Chika Oranika, on March 9, 1997 (age 23), on Montgomery, Alabama,. Known professionally as Chika (often stylized CHIKA), is an American rapper, model, and actress. She was featured in JoJo’s song “Sabotage” which reached number 18 on the Billboard US R&B Digital Downloads. In 2020, she was included on XXL’s 2020 Freshman Class. Because of her interest in music and slam poetry, she attended Booker T. Washington Magnet High School. She received an acceptance to Berklee College of Music, but due to tuition costs, she enrolled at the University of South Alabama instead. She dropped out after her first year to focus on a music career. Chika first gained widespread attention following an Instagram post from November 9, 2016, the day after the 2016 United States presidential election. In the video, she covers herself in pale foundation, saying “African-American? Never felt that, never heard of that, never tasted that, never smelled that”. Early in 2017, she created the #EgoChallenge, using the Beyoncé song of that title to promote body positivity and self-love. That year she also released a Pride-themed remix of Ed Sheeran’s “Shape of You” as well as a poetry EP. In 2018, Chika went viral for a freestyle addressed at Kanye West over West’s own “Jesus Walks” beat. The freestyle concerned West’s support for Donald Trump and caught the attention of Jada Pinkett Smith, Sean “Diddy” Combs, and Erykah Badu. She later released a freestyle dedicated to Nia Wilson. In August 2018, she featured on Rachel Crow’s single “Coulda Told Me”. Chika released her debut single, “No Squares”, in April 2019. The following month, at the invitation of guest host Lena Waithe, she performed the track and “Richey v. Alabama”, another of her songs, on Jimmy Kimmel Live!. The song dealt with the state of Alabama’s 2019 abortion bill and was named for a friend of Chika’s. That summer, she signed a deal with Warner Records. Chika released two more singles as a lead artist in 2019: “High Rises” and “Can’t Explain It” featuring Charlie Wilson. That year, she also featured on JoJo’s “Sabotage”, which reached number 18 on the Billboard US R&B Digital Downloads. In December 2019, Chika announced that she was working on an EP titled Industry Games. On January 23, 2020, Chika confirmed the title and posted snippets of music from the EP, telling followers the release was two months away. She released On August 11, 2020, Chika was included on XXL’s 2020 Freshman Class. Chika had a small role in the 2020 Netflix Original film called Project Power. In May 2019, Chika featured in a Calvin Klein #MyCalvins advertisement, also writing poetry for the brand’s S/S 2019 campaign. That same year, she participated in a Business of Fashion panel at Paris Fashion Week and posed for the December cover of Teen Vogue. She was recognized by Business of Fashion as one of the top 500 people shaping the fashion industry in 2019. Chika is the youngest of her Nigerian-American parents’ three daughters. She is of Igbo descent and was raised in the Pentecostal faith. Chika identifies as bisexual and addresses her sexuality in her music and videos. In her video for “Can’t Explain It”, she put a queer spin on A Different World, her favorite sitcom.]

10:29 – Underwriting

8. Eliza Gilkyson – “Peace In Our Hearts”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

Eliza Gilkyson

10:35 – Interview with Eliza Gilkyson

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson joins us to discuss her new album 2020, released April 10, 2020 on Red House Records. Eliza Gilkyson is a politically minded, poetically gifted singer-songwriter who has become one of the most respected musicians in folk and Americana music circles. The daughter of legendary songwriter Terry Gilkyson, Eliza entered the music world as a teenager, recording demos for her father. Since then she has released 20 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash.

Eliza Gilkyson, Thanks for being with us on WMM.

Congratulations on 2020. Eliza’s 20th solo album.

2020 was produced by Cisco Ryder Gilliland (Eliza’s son)

Eliza Gilkyson on acoustic guitar, national steel guitar, electric guitar, harmonica
Cisco Ryder Gilliand on drums, ,percussion, harmony vocals
Mike Hardwick on electric & acoustic guitars, slice guitar, pedal steel, dobro, 12-string
Chris Maresh on bass
Bukka Allen on Wurlitzer, Hammond Organ, Nord, Piano
Warren Hood on mandolin
Betty Soo on harmony vocals
Jaimee Harris vocal on “A Hard Rain’s A-Gonna Fall”
Wewim Choir of Austin

Recorded in Austin, TX

Dedicated to Eliza’s grandkids: Riley, Bellarosa, Santi, Rex, Benito

Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.

Gilkyson first recorded as a vocalist on demos and soundtracks produced by her father, who wrote several hits in the 1950s and early 1960s and is also known as a singer-composer for 1960s Disney films and an Academy Award nominee for “The Bare Necessities” from the 1967 animated film The Jungle Book.

She released Eliza ’69, her first album, in 1969 while raising a family in Santa Fe, New Mexico, and did not come out with her second, Love from the Heart, until ten years later. She moved to Austin, Texas in 1981 and released the commercial album Pilgrims before moving to Los Angeles in 1987.

After a brief stint in Los Angeles, she returned to New Mexico in the early 1990s, releasing several albums of original material. In 1993 she collaborated with New Age artist Andreas Vollenweider on his recording, Eolian Minstrel.

She has been with Red House Records since 2000, although she also worked on three albums independently, recording on her own label, Realiza Records.

In 2003 she was inducted into the Texas Music Hall of Fame.

Land of Milk and Honey, 2004 release on Red House Records, was Grammy nominated.

In 2005, she released Paradise Hotel with the song “Requiem” about the 2004 Indian Ocean earthquake and tsunami in December 2004. Coinciding with Hurricane Katrina’s devastation of the Gulf Coast region in August 2005, this song found its way to listeners as a song of prayer and comfort.

The same year she was recognized with 3 Austin Music Awards and 4 Folk Alliance Music Awards, one of which was for her song “Man of God” about the Bush administration.

In 2008, her album Beautiful World came out, again on Red House Records. The songs vary from pop to folk and points in-between, with songs ranging from intimate ballads to rallying cries against the imperialist machine.

She recently collaborated on a new album entitled Red Horse with two of her Red House Records label-mates John Gorka and Lucy Kaplansky.

In 2011, she came out with Roses at the End of Time, and in 2014 released The Nocturne Diaries which was Grammy nominated for best Folk Album. Both CDs were recorded at her home with the help of her son and co-producer Cisco Ryder.

She continues to tour about 150 dates per year in the United States and overseas, as well as hosting annual songwriting workshops near Taos, New Mexico.

Discography – Albums

1969 – Eliza ’69, Mont Clare Records (out of print)
1979 – Love from the Heart, as Lisa Gilkyson, Helios Records (out of print)
1982 – No Commercial Potential, as Lisa Gilkyson, Wind River Prod. (cassette/out of print)
1984 – Eliza Gilkyson / Mark Hallman, SouthCoast Records (EP – out of print)
1987 – Pilgrims, Gold Castle Records
1988 – Legends of Rainmaker, Gold Castle Records (out of print)
1992 – Through the Looking Glass, Private Music (out of print might be reissued in future)
1993 – Eolian Minstrel by Andreas Vollenweider, vocals, acoustic guitar, and lyrical co-author, although Gilkyson’s credit only appears in the liner notes, Capitol Records
1994 – Undressed, Realiza Records (out of print)
1997 – Redemption Road, Silverwave Records
1999 – Misfits, Realiza Records
2000 – Hard Times in Babylon, Red House Records
2001 – More Than a Song, w/ Ad Vanderveen & Iain Matthews, Perfect Pitch Productions
2002 – Lost and Found, Red House Records
2004 – Land of Milk and Honey, Red House Records
2005 – RetroSpecto, Realiza Records
2005 – Paradise Hotel, Red House Records
2007 – Your Town Tonight, Red House Records
2008 – Beautiful World, Red House Records
2010 – Red Horse with John Gorka and Lucy Kaplansky, Red House Records
2011 – Roses At The End Of Time, Red House Records
2014 – The Nocturne Diaries, Red House Records
2018 – Secularia, Red House Records
2020 – 2020, Red House Records

Many of us in Kansas City had the opportunity to see Eliza Gilkyson live at Folk Alliance International a few years back here in Kansas City.

Mark shares mutual friends with Eliza in Judy Werle and Cris Williamson

Eliza Gilkyson, Thanks for being with us on WMM.

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson relesed her 20th solo album this year called 2020, released April 10, 2020 on Red House Records.
More info at: http://www.elizagilkyson.com

10:52

9. Eliza Gilkyson – “One More Day”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

10. Nick Siegel – “New York Course Corrected”
from: “New York Course Corrected” – Single / Nick Siegel / September 4, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on his own as solo artist, Nick released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” was released April 10, 2020. This EP was the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s. “For You Dear, Anything: Act Two” comes out Halloween and this song is the first single from it. The project is a total of 3 EPs. It’s really just a record split in 3 parts.]

11:00 – Station ID

11. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” – Single / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” Feb. 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. Info at: http://www.centercutrecords.com]

11:04 – Interview with Jade Green & Xavier Martin

Jade Green & Xavier Martin of The Black Creatures join us to talk about their recent album Wild Echoes originally released September 30, 2019. This album landed at #2 on WMM’s 119 Best Recordings of 2019. Recently Center Cut Records signed The Black Creatures to their label and are re-releasing a newly remixed and remastered Wild Echoes on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

Congratulations on being signed to Center Cut Records

“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28.

Jade Green & Xavier Martin who were our guests on the September 25, 2019 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs).

Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page.

The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.

The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals.

Xavier Martin is DJ/Writer/Producer/Rapper/Singer at The Black Creatures
Jade Green performs with: Arquesta Del SolSoul. a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves: African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.” Members include Les Izmore, Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

The Black Creatures Discography

The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016.
The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.
The Black Creatures “Elements” – Single, February 14, 2018
The Black Creatures “Silver Tears” – Single, June 19, 2018
(with additional voices provided by AniMal (Ana Marcela Maldonado Morales), Barbara Solomon, Kassidee, Quaranta, Adres Va Cortas)
The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “Turn” – Single, October 30, 2019
The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019
The Black Creatures – “SHINE” – Single, December 11, 2019
The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020
The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020
The Black Creatures – “Arcade Love” – Single, February 5, 2020
The Black Creatures – “Run Up” – Single, February 19, 2020.
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “wretched (it goes)”- single Center Cut, July 17, 2020 [remastered]
The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut]

The Black Creatures at Lemonade Park in August 29, 2020

The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Xavier Martin and Jade Green performed with Calvin Arsenia for his album release show Thursday, September 19, 2019 at recordBar.

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

The newly remastered album Wild Echoes is being released on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

11:21

12. The Black Creatures – “Dumm”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com]

13. Eems – “Middle”
from: Middle – Single / Eems / May 4, 2020
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest. Eems released his EP Dreems on June 26, 2018. For Eems, a ukulele is a jumping off point that leads to an uncharted and often unpredictable world of sound and inspiration. Blending it with loops and effects to achieve a captivating blend of R&B and pop music, Eems has used his unique sounds, voice and sense of humor to reach crowds across the country. Eems has opened up for” Slick Rick The Ruler and GLC form Kanye West’s G.O.O.D music labe.]

[Eems plays the Crown Crated Music Series Saturday, August 29, 7:00 PM to 1 online on Facebook Live Hosted by One Kansas City Radio and Mid-Continent Public Library.]

11:29 – Underwriting

14. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Creative / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home.]

[The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube w/ Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

Kemet Coleman

11:35 – Interview with Kemet Coleman

Hip hop MC extraordinaire, Kemet Coleman joins us to share music and information about his new EP, Black is Beautiful and talk about his band The Phantastics who will play, Greenline Grows KC-Benefit for The Greenline Initiative, Friday, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube. Kemet Coleman is a Kansas City based musicians who calls himself an Urbanist. Kemet is lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet Coleman Thanks for being with us on Wednesday MidDay Medley

The Phantastics play, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020.

Although made to coincide with a beer release by Crane Brewing, it also cast a clear and honest trajectory for the musical identity of Kemet Coleman. On BLACK IS BEAUTIFUL, Kemet challenges racial injustice and bias as it relates to beauty, as the title suggests, but also socio-economic themes such as wealth creation from the perspective of a Black male during the most challenging times in modern history. Evoking the spirit of poetry, BLACK IS BEAUTIFUL’s soulful, electronic, kaleidoscope provides an experiential moment for the listener as Kemet’s cool yet energetic vocal delivery drives home a message of Black Power.

All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas.

Last year Kemet the Phantom released Electric Park on August 16, 2019. Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy. Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway.

Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.

Kemet Coleman, Thanks for being with us on Wednesday MidDay Medley

Kemet Coleman’s band The Phantastic plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce,The Phantastics and more!

More info at http://www.kemetcoleman.com

11:49

15. Kemet Coleman – “The Virus”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

16. Loren North – “Wake Me Up”
from: Wake Me Up – Single / Loren North / August 15, 2020
[As a little girl growing up in Cincinnati, Loren North couldnt get to sleep at night without her cassette player tucked in beside her. Now based in Los Angeles, the 22 year old singer/songwriter has channeled that lifelong love of music into a lushly textured and sweetly soulful breed of pop. With their indelible melodies and elegant electronic edge, Norths forthcoming music delves into delicate emotional terrain but radiates an irresistible bright energy. North grew up singing in the church and began playing piano at age six. At 14, after her family moved to LA for her and her brother, Austin, to pursue a career in acting, she soon realized her ultimate passion had always been and always will be to create music. While her brother has become a successful actor, Loren has focused solely on her music career while continuing to sing in church. From the beginning stages of her music career, simply posting covers on YouTube to developing her own music, Loren has enjoyed being involved in every element of production from arranging and recording to shooting and editing videos]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 2 , David Shaughnessy joins us to share details about KC Irish Fest. ALSO Ivory Blue joins us to premiere the new single “Half A Life.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Eliza Gilkyson photo bt Todd V Wolfson

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #852

WMM presents Eliza Gilkyson + The Black Creatures + Kemet Coleman

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 26, 2020

Eliza Gilkyson + The Black Creatures + Kemet Coleman

Mark plays more New & MidCoastal releases from: Kemet Coleman, Calvin Arsenia, The Black Creatures, The Moose, Nick Siegel, Eems, Eliza Gilkyson, Bully, CHIKA, Bright Eyes, Loren North, and Nubya Garcia.

Eliza Gilkyson

At 10:30 Folk Singer Eliza Gilkyson joins us to discuss her new album 2020, released April 10, 2020 on Red House Records. Eliza Gilkyson is a politically minded, poetically gifted singer-songwriter who has become one of the most respected musicians in folk and Americana music circles. The daughter of legendary songwriter Terry Gilkyson, Eliza entered the music world as a teenager, recording demos for her father. Since then she has released 20 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash. More info at: http://www.elizagilkyson.com

At 11:00 Jade Green & Xavier Martin of The Black Creatures join us to talk about their recent album Wild Echoes originally released September 30, 2019. This album landed at #2 on WMM’s 119 Best Recordings of 2019. Recently Center Cut Records signed The Black Creatures to their label and are re-releasing a newly remixed and remastered Wild Echoes on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Kemet Coleman

At 11:30 hip hop MC extraordinaire, Kemet Coleman joins us to share his new EP, Black is Beautiful and talk about his band The Phantastics who will play, Greenline Grows KC-Benefit for The Greenline Initiative, Friday, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more! The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Eliza Gilkyson photo bt Todd V Wolfson

Show #852

WMM Playlist from August 19, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 19, 2020

Nico Gray – Guest Producer

We welcome back to the show, Nico Gray, as “Guest Producer.” Nico is a writer, performance artist, and has worked as an actor with KC Rep, Gorilla Theatre, 8th St. Cafe Theatre, Actor’s Craft, and Big Bang Buffet. Nico has worked for Theatre League, The Midland Theatre and is currently a marketing & advertising consultant with Union Station, KC Fringe, and KC Creates. Nico grew up in KC but has lived in Chicago, New York & Marseille. For WMM Nico Gray has co-hosted several of fund drive shows, Glam Rock show, Bowie Tribute Shows, and our 700th show. Today is his 9th appearance as Guest Producer.

Nico Gray, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Orb – “Slave Till U Die No Matter What U Buy” (L’anse Aux Meadows Mix)
from: Abolition of The Royal Familia / Cooking Vinyl / March 27, 2020
[16th album from The Orb, an electronic music group founded in 1988 by Alex Paterson and The KLF member Jimmy Cauty. Beginning as ambient and dub DJs in London, their early performances were inspired by electronic artists of the 1970s and 1980s, most notably Brian Eno and Kraftwerk. Because of their psychedelic sound, the Orb developed a cult following among clubbers “coming down” from drug-induced highs. The Orb have maintained their drug-related science fiction themes despite personnel changes, including the departure of Cauty and members Kris Weston, Andy Falconer, Simon Phillips, Nick Burton, and Andy Hughes. Paterson has been the only permanent member, continuing to work as the Orb with Swiss-German producer Thomas Fehlmann and, later, with Martin “Youth” Glover, bassist of Killing Joke. Beyond recognition on their albums and concerts, his unauthorized use of other artists’ works has led to disputes with musicians, most notably with Rickie Lee Jones. During their live shows of the 1990s, The Orb performed using digital audio tape machines optimized for live mixing and sampling before switching to laptops and digital media. Despite changes in performance method, The Orb maintained their colorful light shows and psychedelic imagery in concert. These visually intense performances prompted critics to compare the group to Pink Floyd, whose guitarist, David Gilmour, collaborated with them on the album Metallic Spheres in 2010. http://www.theorb.com]

3. Ezra Furman —“I’m Coming Clean”
from: Sex Education Original Soundtrack / Bella Union / January 24, 2020
[Ezra Furman was born September 5, 1986, he is an American musician and songwriter. Furman currently performs solo and tours with her band. Ezra Furman and the Harpoons were a four-piece rock band active between 2006 and 2011. The band consisted of Ezra Furman (vocals, guitar), Job Mukkada (bass guitar), Drew “Adam” Abrutyn (drums), and Andrew Langer (guitar). They formed at Tufts University in 2006. They released four albums: the self-released Beat Beat Beat (2006), followed by Banging Down the Doors (2007), Inside the Human Body (2008) and Mysterious Power (2011). The group broke up in 2011. After their contract with Minty Fresh Records expired, the band released a self-produced compilation album in 2009, Moon Face: Bootlegs and Road Recordings 2006–2009, which included live recordings and some of Furman’s solo work. In 2018, 33⅓ published a book by Furman about Lou Reed’s album Transformer. Furman provided the soundtrack for the 2019 Netflix drama-comedy show Sex Education. The soundtrack consists of songs from Furman’s back catalogue, as well as songs written for the show. Furman and her band also appeared in episode seven of the first season of the show, “At the Bottom of the Ocean,” making a cameo as the band playing at the main characters’ school dance. Furman is Jewish. Her father is from a Jewish family and her mother converted to Judaism. Furman identifies as trans and bisexual, and uses he/him and she/her pronouns. Furman’s younger brother Jonah was lead singer and bassist in the Boston-based rock band Krill, until their split in October 2015. Ezra and Jonah also have two more siblings.]

4. Arthur Lee & Love —“Five String Serenade”
from: Five String Sernade / Last Call & New Rose Records / 1992 [Reissued August 26, 2002]
[Arthur Taylor Lee as born, Arthur Porter Taylor, on March 7, 1945. He died on August 3, 2006, and was an American singer-songwriter who rose to fame as the leader of the Los Angeles rock band Love. Lee was born in Memphis, Tennessee, on March 7, 1945 in John Gaston Hospital, to Agnes (née Porter), a school teacher, and Chester Taylor, a local jazz musician and cornet player. Love’s 1967 album Forever Changes was inducted into the Grammy Hall of Fame, and it is part of the National Recording Registry. In late 1996, Lee was sentenced to 12 years for the negligent discharge of a firearm. California’s three strikes law meant Lee was forced to serve a prison term, having previously served two years in jail for arson, and having been charged with various drug, driving and assault offences. Lee denied that he had fired the gun, and visiting fan Doug Thomas who had denied involvement when the police responded later confessed to the deed. Lee was incompetently represented in court; a year-delayed analysis of a gunpowder residue test on him produced a negative result. Had he pleaded guilty, Lee would have been sentenced to nine months in jail but he fought the case and lost. With the charges enhanced on account of his prior felony conviction and coincidental accusations of domestic violence of the same time-frame, the court made an example of him: 12 years, 85 percent of time served: about 9 years. In prison Lee refused visitors and interviews. “I thought I would beat this case, so why would I want to broadcast it? This has been so humiliating to me.” Former bandmates Bryan MacLean and Ken Forssi both died while Lee was incarcerated, ending any speculation as to a full-fledged Love reunion. On December 12, 2001, Lee was released from prison, having served 5½ years of his original sentence. A federal appeals court in California reversed the charge of negligent discharge of a firearm, as it found that the prosecutor at Lee’s trial was guilty of misconduct. In April 2006 it was publicly announced that Lee was being treated for acute myeloid leukemia. A tribute fund was set up shortly after the announcement, with a series of benefit concerts to be performed to help pay medical bills. The most notable of these concerts was produced by Steve Weitzman of SW Productions at New York’s Beacon Theater on June 23, 2006, and featured Robert Plant, Ian Hunter, Ryan Adams, Nils Lofgren, Yo La Tengo, Garland Jeffreys, Johnny Echols (Love’s original lead guitarist), and Flashy Python & The Body Snatchers (featuring Alec Ounsworth of Clap Your Hands Say Yeah). Backed by Ian Hunter’s band, Plant performed 12 songs, including four Led Zeppelin songs and five recorded by Love in the 60s (“7 and 7 Is”, “A House Is Not A Motel”, “Bummer in the Summer”, “Old Man”, and “Hey Joe”).[20] A benefit concert was held in Dublin, Ireland. Lee underwent several months of treatment for leukemia, including chemotherapy and an experimental stem cell transplant using stem cells from an umbilical cord blood donor. His condition continued to worsen, and he died from complications of the disease in Memphis, Tennessee, at the age of 61. Robyn Hitchcock’s 1993 song “The Wreck of the Arthur Lee” from the Robyn Hitchcock and the Egyptians album Respect was written as a tribute to the singer. Arthur Lee is mentioned in the song “Are You Ready to Be Heartbroken”, by Lloyd Cole & the Commotions, as well as in the song “Mate of the Bloke”, by Half Man Half Biscuit. His prison term is the subject of “The Prison’s Going Down” by ex-Stranglers singer and guitarist Hugh Cornwell. Lee is the subject of the song “Byrds Turn to Stone” (originally titled “Mr Lee”) by Liverpool band (and former Arthur Lee backing group) Shack.]

5. Le Ren – “Love Can’t Be the Only Reason To Stay”
from: Morning & Melancholia / Secretly Canadian / July 31, 2020
[Montreal folk singer Le Ren (aka Lauren Spear) recently toured with Orville Peck aad now she signed to Secretly Canadian and released her first single for the label, “Love Can’t Be The Only Reason to Stay.” It’s a gorgeous, tender dose of Americana that sounds like a lost record from 1971.]

6. Oracle Sisters – “Asc. Scorpio”
from: Paris 1 – EP / 22Twenty / July 8, 2020
[Recorded at La Ferme records on a farm in the Arcachon region of France the band settled down to a live work/rhythm and routine for over a week, sleeping in the studio surrounded by chickens and an agriculture farm with a honey bee plantation, the ocean and pine trees. Recording all hours of the day and night when the mood was right they recorded 1 batch of songs with drums and drum machine layered live and 1 batch of songs, all playing live in 1 room….the difference in the sound, feel and aesthetic of the songs made them decide to split these in to two separate EP’s. Overdubs were done back in Paris. The songs represent a collection of the first songs written by Lewis & Chris & Juilia arriving in Paris from Scotland, New York and Helsinki. Music Produced by: Oracle Sisters, except Most of All (produced by Jerome Goldet & Oracle Sisters) / Sound Engineer: Maxime Kosinetz / Mixing: Noah Georgeson ((except for Most of All : Craig Silvey and Max Prior)). Creators of artistic dream rock, Oracle Sisters make music that is at once sonically soothing and lyrically compelling. Intricate vocal harmonies over lilting arrangements make an otherworldly vehicle for dreamlike stories of human connection, home and heartbreak.]

10:31 – Underwriting

7. Noga Erez – “Hit U”
from: Off The Radar / City Slang / June 2, 2017
[Noga Erez was born 26 December 1989) is an Israeli singer, songwriter and producer. In 2017 her song “Dance While You Shoot” was used by Apple in an advertising campaign for its music streaming service. In the same year she released her debut album, Off The Radar to critical acclaim. She grew up in Caesarea from the age of six and studied composition at the Jerusalem Academy of Music and Dance. Through her childhood and while growing up she explored different instruments and studied different styles of music. She was a part of different groups and ensembles as a vocalist, keyboardist and percussionist. She served as a military musician during her conscription in the Israeli Defence Forces. In 2011 Erez worked on a jazz album, which she almost finished and decided to scrap and move to writing and producing electronic music. On stage, Erez performs as a three-piece-band with herself on vocals, Ori Rousso (sampler, synthesizer) and Jacobovitz Ran (electronic drums, percussion). In 2017, Erez was included in Forbes Israel’s “Under 30” list. Erez’s first single, “Toy” received a rave review from The New York Times: “the Israeli singer and electronic-music producer Noga Erez gives ‘Toy’ a beat that jitters and heaves, ratchets across the stereo field, speeds up fitfully and stops for a moment of dead silence halfway through the song; the melodies are brief modal phrases hinting at Middle Eastern origins… It’s a sparse, thorny, unstable track — and haunting, too.” Erez produced her first record “Off The Radar”, which was released 2 June 2017 via City Slang, with her partner Ori Rousso. This release was followed by festival shows at Primavera, SXSW, Pitchfork Paris, Roskilde, MELT! Visions Festival, Convergence and Great Escape in 2017. She also toured the UK and Europe in 2017.]

8. Moonlight Benjamin – “Papa Legba”
from: Siltane / Ma Case / March 23, 2018
[The priest of voodoo Rock ‘n Roll pulls no punches with a straight-for-the-jugular, guitar licked homage to Haiti evoking an Afro-energised Black Keys meets Dr. John. This is no world music foray rather a bountiful display of energy in an oft-growling record with plays host to flashes of light and shrouds of darkness, defying musical purity.]

9. Jean-Phillippe Goncalves – “Dance & Angela (Trip-Hop Version)”
from: Sharp Objects (Music from HBO Limited Series) / Entertainment One / Nov. 30, 2018
[Jean-Philippe “Jean-Phi” Goncalves was born in 1978, in Angoulême, France. He is a percussionist and record producer based out of Montreal, Quebec, Canada. An member of Montreal’s electronic music scene, Goncalves provides percussion for the bands Afrodizz, Plaster, Le Golden and Beast. As a producer he has worked with many French-speaking Quebecer musicians and in 2005 he collaborated with American recording artist Lauryn Hill. The musician was particularly busy at the 2005 Festival de Musique Émergente (FME)—an annual new music festival held in Rouyn-Noranda, Quebec. During the fest he performed on 3 consecutive days for Afrodizz, Plaster and Dan Thouin respectively, causing a reporter to call him “the star of the FME”]

10. John Lewis – “You Can Redeem The Soul of Our Nation”
Mr. Lewis, the civil rights leader and U.S Representative died on July 17. He wrote this essay shortly before his death, to be published upon the day of his funeral in The New York Times. Read by Prentiss Onayemi (5:10 excerpt)

11. Kalu James – “Listen To the Wind”
from: Live / Kalu James / February 24, 2010
[Kalu and the Electric Joint blend the powers of psychedelic soul music with the driving beat of rock and roll and the ancient rhythms of Africa. Born in Nigeria, Kalu relocated to Austin, Texas, where he put together a stellar ensemble of players who graciously fuel and follow his deep well of eclectic influences. The group’s new record, Time Undone is a sonic masterpiece of original tunes with a positive message and soul-stirring beats. The arrangements are masterfully crafted allowing the songs to breathe and flow. From the first note, these musicians show that they’re prepared to carry modern music forward while still paying tribute to the inspirations of their past. Their music invokes a wide range of emotions while influencing with an uplifting message through masterful playing. Opening for acts like George Clinton & The Parliament Funkadelic, Vieux Farka Toure, Allen Stone, Keller Williams amongst many others, this band comes to play and when they do, the dance floor never stays empty.]

12. Nina Simone – “If You Pray Right”
from: Baltimore / CTI – Sony / January 1, 1978
[Born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born the sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old. In the early 1960s, she became involved in the civil rights movement and the direction of her life shifted once again. Simone’s music was highly influential in the fight for equal rights in the United States. In later years, she lived abroad, finally settling in France in 1992. She received a Grammy Hall of Fame Award in 2000 and was a fifteen-time Grammy Award nominee over the course of her career.]

11:00 – Station ID

13. Prince – “Cosmic Day”
from: Sign ‘O’ the Times (Super Deluxe) / Warner Bros. / September 25, 2020
[The Super Deluxe Edition contains 92 audio tracks, of which 63 are previously unreleased, including 45 studio tracks from Prince’s legendary Vault. The Super Deluxe Edition opens with Prince’s iconic album, Sign O’ The Times, dazzlingly remastered for the very first time by Prince’s original mastering engineer Bernie Grundman. The set also includes an entire previously unreleased audio recording of Prince’s Sign O’ The Times tour performance in Utrecht, Netherlands, on June 20, 1987. The DVD features a complete previously unreleased recording of Prince’s benefit performance at Paisley Park, December 31st, 1987. The show includes Prince’s only on-stage collaboration with Miles Davis. Housed in a 12” box, and accompanied by a 12” 120 page hardback book featuring: Brand new liner notes by: Prince’s creative peers and friends Dave Chappelle (in conversation with photographer Mathieu Bitton) and Lenny Kravitz; Prince’s longtime engineer Susan Rogers; Daphne A. Brooks, William R. Kenan, Jr. Professor of African American Studies, American Studies and Women’s, Gender & Sexuality Studies at Yale University; Minneapolis radio host and author Andrea Swensson, host of the Official Prince Podcast; and Prince scholar Duane Tudahl. Rare and previously unseen photography by Jeff Katz. Prince’s handwritten lyrics. LP1-2: Sign O’ The Times album (2020 Remaster). LP3-4: 13x single mixes and edits, all newly remastered. LP5-10: 45x previously unreleased studio recordings from Prince’s Vault. LP11-13: 18x live tracks, comprising a complete previously unreleased concert performance recorded in Utrecht, Netherlands, on June 20, 1987. DVD: 23x tracks, comprising a complete previously unreleased concert performance recorded at Paisley Park, Chanhassen, on December 31st, 1987. Vinyl $268.99 // CD $159.98] [Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, musician, record producer, dancer, actor, and filmmaker. He is widely regarded as one of the greatest musicians of his generation. A multi-instrumentalist who was considered a guitar virtuoso, he was well known for his eclectic work across multiple genres, flamboyant and androgynous persona, and wide vocal range which included a far-reaching falsetto and high-pitched screams. Prince’s innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, psychedelia, pop, industrial, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday”. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. In 1984, he and his backup band, The Revolution, released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200. The film also won the Academy Award for Best Original Song Score, the final film to receive the award. After disbanding The Revolution, Prince released the critically acclaimed double album Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the “Love Symbol”), and was sometimes referred to as “The Artist Formerly Known as Prince” or simply “The Artist”. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. On April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 130 million records worldwide, ranking him among the best-selling music artists of all time. He was honored with special awards including the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. Rolling Stone placed Prince among its list of both the 100 Greatest Artists of All Time and 100 Greatest Songwriters of All Time. He is also ranked on the Top 100 Artists of All Time list by Billboard.]

14. Beck – “Nicotine & Gravy”
from: Midnight Vultures / Geffen Records / November 20, 1999
[Beck Hansen (born Bek David Campbell; July 8, 1970) is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 14 studio albums (three of which were released on indie labels), as well as several non-album singles and a book of sheet music.Born and raised in Los Angeles, Beck grew towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city’s small but fiery anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his breakthrough single “Loser”, which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won several awards. He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005’s Guero returned to Odelay’s sample-based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008’s Modern Guilt was inspired by ’60s pop music; and 2014’s folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Album and Best Engineered Album at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck’s most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone’s list of the 500 greatest albums of all time. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks.] [Midnite Vultures is the seventh studio album by American musician Beck, released on November 23, 1999 by DGC Records. While similar to most of Beck’s previous albums in its exploration of widely varying styles, it did not achieve the same blockbuster success as his breakthrough album Odelay, but was still critically acclaimed and commercially successful. Several songs were directly inspired by other songs: “Get Real Paid” features a spiraling sequencer motif reminiscent of Kraftwerk’s “Home Computer”; a synth breakdown in “Milk & Honey” echoes a similar riff in Grandmaster Flash and the Furious Five’s “The Message”; “Beautiful Way” came about after listening to The Velvet Underground’s “Countess from Hong Kong”; and “Debra” was inspired by both Prince’s song “Adore” and the David Bowie song “Win”. Midnite Vultures reached number 34 in the US, where it went gold, and also hit number 19 in the UK. As of July 2008, Midnite Vultures has sold 743,000 copies in the United States. Midnite Vultures was praised by most critics, and the album holds a score of 83 at Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, indicating “universal acclaim”.[4] Jon Pareles of Rolling Stone remarked that on Midnite Vultures, Beck “plays the insider, riding the executive plane through the good life with every need fulfilled.” Richard Cromelin of the Los Angeles Times wrote that he gives the album “a cinematic richness, depth and detail with an array of mutations and surprises, from banjo hoedown to electronic effects”.]

15. Christian Ihle Hadland – “Trois nouvelles études: Etude No. 3 in D Flat Major”
from: Paris Avenue Montaigne: Eclectic Selection of Haute Couture Classics from Bel Canto to Downtempo / 340 MS / May 20, 2014
[Christian Ihle Hadland is widely recognized as one of Norway’s most exciting young piano talents and following his recital debut at the Norwegian Opera in 2008 was hailed in the Norwegian press as an artist who shows himself as a unique musician whose artistry should be heard on the world’s concert stages. In 2009 he was appointed joint Artistic Director of the Stavanger Chamber Music Festival alongside Swedish clarinetist Martin Fröst. In 2011 he was selected for the prestigious BBC Radio 3’s New Generation Artists scheme.]

16. The Lemon Twigs – “Those Days Is Comin’ Soon”
from: Do Hollywood / 4AD / October 14, 2016
[The Lemon Twigs are an American rock band from Long Island, New York, fronted by brothers Brian and Michael D’Addario. Both brothers are vocalists, songwriters and multi-instrumentalists, and are joined live by Daryl Johns on bass, Tommaso Taddonio on keyboards and Andres Valbuena on drums. Brian and Michael D’Addario had extensive stage experience as children. Brian played Gavroche in Les Miserables and Flounder in The Little Mermaid on Broadway. Michael appeared in The Coast of Utopia, The Radio City Christmas Spectacular, and the 2008 production of All My Sons. Michael also appeared in a variety of television shows and films, such as John Adams on HBO, Are We There Yet? on TBS, and the 2012 films People Like Us and Sinister.[2] The Lemon Twigs were founded by the brothers while they were both students at Hicksville High School on Long Island, New York. The siblings both perform lead vocals, lead guitar, drums and other instruments. Their first release was the cassette What We Know, issued in a limited edition of 100 copies (with digital download) in 2015 by Winspear. On their debut release, Do Hollywood, each brother took the lead on vocals and guitar on the songs he composed; during live performances, this setup was preserved, with the remaining D’Addario playing the drums, and fellow schoolmates Megan Zeankowski and Danny Ayala (who have played with the D’Addarios on and off since their youth) playing bass and keyboards, respectively. Ayala also sang backing vocals. The album, produced by Jonathan Rado of Foxygen, was recorded in the spring of 2015, with the members being only 15 and 17 at the time of its creation. The Lemon Twigs served as opening act for fellow New York City/Long Island-based alt-rockers Sunflower Bean on their East Coast tour in late 2016 and performed on television programs like The Tonight Show Starring Jimmy Fallon, CBS This Morning “Saturday Sessions” and Conan along the way. In early 2017 it was announced that the band would play on day one of the Coachella Valley Music and Arts Festival in Indio, California on April 14, 2017. This performance saw the Twigs joined by one of the band’s “favorite musicians ever, in the whole world”, Todd Rundgren, to play “Couldn’t I Just Tell You” from Rundgren’s classic 1972 double album, Something/Anything?. The Lemon Twigs released the Do Hollywood tracks “These Words” and “As Long As We’re Together” as a double-A-side single, and made videos for both songs. The third single was the album opener, “I Wanna Prove to You”, with a video directed by Nick Roney. The band played at several major festivals in the summer of 2017, such as Glastonbury, Outside Lands, Lollapalooza, Austin City, and the Montreux, in addition to opening for Phoenix across the United States. These 2017 shows saw the band covering songs such as “Fish and Whistle” by John Prine, “I Walked with a Zombie” by Roky Erickson, “You Can’t Talk to the Dude” by Jonathan Richman, “I’ve Begun To Fall In Love” by R. Stevie Moore, “Love Stepped Out” by their father, Ronnie D’Addario, and “I Can Feel the Fire” by Ronnie Wood; they notably performed the latter song with Thomas Hedlund of Phoenix on drums while supporting Phoenix at the Hollywood Bowl alongside Mac DeMarco. In September 2017 the band released an EP, Brothers of Destruction, containing songs recorded during the Do Hollywood sessions.]

17. Armando Trovaioli – “Sessomatto (Feat. Edda dell’Orso)” (Vinyl)
from: Sesso Matto / Duse Records / 1973
[Armando Trovajoli was born September 2, 1917 in Rome and died February 28, 2013, in Rome. He was an Italian film composer and pianist with over 300 credits as composer and/or conductor, many of them jazz scores for exploitation films of the Commedia all’italiana genre. He collaborated with Vittorio De Sica on a number of projects, including one segment of Boccaccio ’70. Trovajoli was also the author of several Italian musicals: among them, Rugantino and Aggiungi un posto a tavola. Trovajoli was the widower of actress Pier Angeli. He died in Rome at the age of 95 on 28 February 2013. After graduating from the Accademia Nazionale di Santa Cecilia in Rome (1948), Trovajoli was entrusted by RAI with the direction of a pop music orchestra, set with 12 violins, 4 violas, 4 cellos, 1 flute, 1 oboe, 1 clarinet, 1 horn, harp, vibraphone, electric guitar, bass, drums and the piano (played by Trovajoli himself). In 1952–53 he collaborated with Piero Piccioni in Eclipse, a weekly musical broadcast in which the orchestra is directed alternately by the two composers, in a style extremely refined and sophisticated, very different from the music of radio orchestras at that time. Together with Goffredo Petrassi, Trovajoli composed the score of Giuseppe De Santis’ Bitter Rice (1949). In 1951, Trovajoli was invited by Dino De Laurentiis to write music for Anna, a film directed by Alberto Lattuada: particularly the song El Negro Zumbón became an international success: inspired by tropical rhythms, is sung in playback and danced by Silvana Mangano, but actually performed by Flo Sandon’s. Since then, Trovajoli wrote soundtracks for directors as Dino Risi, Vittorio De Sica, Ettore Scola and others.]

18. Alessandro Alessandroni – “Capelli Rossi”
from: Open Air Parade / SR Records / 1972
[Alessandro Alessandroni was born March 18, 1925 and died March 26, 2017. He was an Italian musician and composer. He played multiple instruments, including the guitar, mandolin, mandolincello, sitar, accordion and piano, and composed more than 40 film scores and countless library music. Alessandroni collaborated with his childhood friend Ennio Morricone on a number of soundtracks for Spaghetti westerns. Morricone’s orchestration often calls for an unusual combination of instruments, voices, and whistling. Alessandroni’s twangy guitar riff is central to the main theme for The Good, the Bad and the Ugly. Alessandroni can be heard as the whistler on the soundtracks for Sergio Leone’s films, including A Fistful of Dollars, For a Few Dollars More, Once Upon a Time in the West, and Pervirella. Alessandroni founded the octet vocal group I Cantori Moderni in 1961. The group, which included his wife, Giulia De Mutiis [it], performed wordless vocals on several Italian movie soundtracks. Most notably, I Cantori Moderni are featured on the song “Mah Nà Mah Nà”, written by Piero Umiliani for the 1968 Luigi Scattini mondo film Sweden: Heaven and Hell (Italian: Svezia, inferno e paradiso [it]) and popularized on The Muppet Show. Alessandro has also composed film scores, including Any Gun Can Play (1967), Johnny Hamlet (1968), The Reward’s Yours… The Man’s Mine (1969), Lady Frankenstein (1971), The Devil’s Nightmare (1971), The Mad Butcher (1971), Seven Hours of Violence (1973), Poker in Bed (1974), White Fang and the Hunter (1975), Blood and Bullets (1976), L’adolescente (1976), La professoressa di scienze naturali (1976), The Opening of Misty Beethoven (1976), Women’s Camp 119 (1977), Killer Nun (1978), L’imbranato (1979), and Trinity Goes East (1998).]

19. Ennio Morricone – “The Braying Mule”
from: Django Unchained (OST)/ Visiona Romantica / January 1, 2012
[Ennio Morricone, was born November 10, 1928 and died July 6, 2020. He was an Italian composer, orchestrator, conductor, and trumpet player who wrote music in a wide range of styles. Morricone composed more than 400 scores for cinema and television, as well as more than 100 classical works. His score to The Good, the Bad and the Ugly (1966) is considered one of the most influential soundtracks in history. It was inducted into the Grammy Hall of Fame. His filmography includes more than 70 award-winning films, all Sergio Leone’s films since A Fistful of Dollars, all Giuseppe Tornatore’s films since Cinema Paradiso, The Battle of Algiers, Dario Argento’s Animal Trilogy, 1900, Exorcist II, Days of Heaven, several major films in French cinema, in particular the comedy trilogy La Cage aux Folles I, II, III and Le Professionnel, as well as The Thing, Once Upon a Time in America, The Mission, The Untouchables, Mission to Mars, Bugsy, Disclosure, In the Line of Fire, Bulworth, Ripley’s Game, and The Hateful Eight. Morricone is widely regarded as one of the greatest and most influential film composers of all time. After playing the trumpet in jazz bands in the 1940s, he became a studio arranger for RCA Victor and in 1955 started ghost writing for film and theatre. Throughout his career, he composed music for artists such as Paul Anka, Mina, Milva, Zucchero, and Andrea Bocelli. From 1960 to 1975, Morricone gained international fame for composing music for Westerns and—with an estimated 10 million copies sold—Once Upon a Time in the West is one of the best-selling scores worldwide. From 1966 to 1980, he was a main member of Il Gruppo, one of the first experimental composers collectives, and in 1969 he co-founded Forum Music Village, a prestigious recording studio. From the 1970s, Morricone excelled in Hollywood, composing for prolific American directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty, John Carpenter, and Quentin Tarantino. In 1977, he composed the official theme for the 1978 FIFA World Cup. He continued to compose music for European productions, such as Marco Polo, La piovra, Nostromo, Fateless, Karol, and En mai, fais ce qu’il te plait. Morricone’s music has been reused in television series, including The Simpsons and The Sopranos, and in many films, including Inglourious Basterds and Django Unchained. He also scored seven Westerns for Sergio Corbucci, Duccio Tessari’s Ringo duology and Sergio Sollima’s The Big Gundown and Face to Face. Morricone worked extensively for other film genres with directors such as Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Roman Polanski, Henri Verneuil, Lucio Fulci, Umberto Lenzi, and Pier Paolo Pasolini. His acclaimed soundtrack for The Mission (1986), was certified gold in the United States. The album Yo-Yo Ma Plays Ennio Morricone stayed for 105 weeks on the Billboard Top Classical Albums. Morricone’s best-known compositions include “The Ecstasy of Gold”, “Se Telefonando”, “Man with a Harmonica”, “Here’s to You”, the UK No. 2 single “Chi Mai”, “Gabriel’s Oboe”, and “E Più Ti Penso”. In 1971, he received a “Targa d’Oro” for worldwide sales of 22 million, and by 2016 Morricone had sold more than 70 million records worldwide. In 2007, he received the Academy Honorary Award “for his magnificent and multifaceted contributions to the art of film music”. He was nominated for a further six Oscars, and in 2016, received his only competitive Academy Award for his score to Quentin Tarantino’s film The Hateful Eight, at the time becoming the oldest person ever to win a competitive Oscar. His other achievements include three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d’Argento, two European Film Awards, the Golden Lion Honorary Award, and the Polar Music Prize in 2010. Morricone influenced many artists from film scoring to other styles and genres, including Hans Zimmer, Danger Mouse, Dire Straits, Muse, Metallica, and Radiohead.]

10:27 – Underwriting

Nico Gray

11:29 – Nico Speaks Out!

July 5th would’ve been my brother Benjamin’s 54th birthday. He died of a self-inflicted gunshot wound in May 2001. On the day of his death, a beautiful sunny Tuesday, he walked into a K-Mart, and next to the Martha Stewart bath towels found the ‘outdoors’ department and purchased a case…

…of 12 gauge shotgun shells. Suicide accounts for the highest number of deaths by guns. He died that same afternoon. The bullet he used to kill himself added money into the pockets of the company who makes them – sells them like candy at our department stores.  

A gallon of milk, some t-shirts, toothpaste – the necessities – oh, and guns, and bullets.

Thank God for capitalism and the convenience of our 24 hour superstores. It’s good to be an American. Yes?

No, not today. I am embarrassed by our country, and have been since Nov. 8th 2016 when half of my blood family voted for a racist-white nationalist, bigoted, homophobic sex offender.

No, today I am NOT celebrating our independence. We ARE NOT FREE. We are chained and bound to witness the demise in self character and morals in our country. Greed and selfishness and a false sense of privilege drive these intentions – with a twist of hypocrisy.

Ah, let me squeeze a lemon and stir. Now it’s better. We Americans like our denial –
it’s as wholesome as the rotten apple pies we bake and pass off as patriotism.”

11:33

20. Rich Aucoin – “Reset”
from: United States / Haven Sounds / September 18, 2020
[4th full length studio album from the Canadian indie rock musician, based in Halifax, Nova Scotia. He is the younger brother of Paul Aucoin of Hylozoists. He performs and records both as a solo artist and as a collaborator and guest musician in Hylozoists.]

21. J.S. Ondara —“I’m Afraid of Americans”
from: Tales of America (The Second Coming) / Verve Forecast-UMG / Sept. 20, 2019
[28 year old J.S. Ondara is a Kenyan singer-songwriter whose debut album, Tales of America, was released on February 15, 2019 via Verve Label Group. J.S. Ondara was born in August 1992 in Nairobi, Kenya. As a child, he wrote poems and stories as well as songs despite not having an instrument to play them on because his family couldn’t afford one. He was inspired by Radiohead, Nirvana, Death Cab For Cutie, Jeff Buckley, Pearl Jam, Guns N’ Roses, and Bob Dylan. He grew up listening to rock songs on his older sisters’ battery-powered radio. Having discovered The Freewheelin’ Bob Dylan following a dispute with a friend over whether Knockin’ on Heaven’s Door was a Guns N’ Roses song, Ondara resolved to travel to the United States to pursue a career in music. In February 2013, after winning in the green card lottery, he moved to Minneapolis, Minnesota at the age of 20. He taught himself to play guitar and perform during open mic nights. Eventually, he decided to study music therapy in college, but dropped out of school to return to playing small shows at coffee houses after attending a concert. After moving to Minnesota, Ondara tried his hand at making music and performing in small venues. His big break came when Minneapolis radio station KCMP 89.3 The Current played one of his songs on air by pulling audio from his YouTube channel, where he had been uploading covers of his favorite songs. At the time, he was going by the name Jay Smart. Ondara’s debut album, Tales of America, was released in February 2019 by Verve Label Group. Despite only 11 tracks making the final tracklist, Ondara wrote more than 100 songs for the album, all based on an immigrant’s life in America. The album was produced by Mike Viola of the Candy Butchers. In support of the album, Ondara embarked on his first headlining tour in March 2019. After the release of the album, Ondara debuted on Billboard’s Emerging Artist chart at No. 37 in March 2019. The album also landed on the Billboard Heatseekers Album, Americana/Folk Album Sales, and Rock Album Sales charts. He was nominated for Best Emerging Act at the 2019 Americana Music Honors & Awards. Ondara cites Bob Dylan as his musical hero, which is why he chose to live in Minnesota and why he wears his signature fedora. He has toured with the Milk Carton Kids, Lindsey Buckingham and in 2019, he opened for select dates on tour with Neil Young.]

22. Winds – “Don’t Fall Apart”
from: Don’t Fall Apart – Single / Winds Records / May 21, 2020
[Los Angeles, California based Winds is John Zabawa & Trevor Pritchett, This is one of two singles available other bandcamp page. Produced by Winds & Glenn Brigman. Written by John Zabawa & Trevor Pritchett. Drums & Percussion by Brendan Peleo-Lazar. Winds describe their sound as: “A breeze always blows in the direction it wishes to go.”]

23. The Innocence Mission — “On Your Side”
from: See You Tomorrow / Thérèse Records / January 17, 2020
[12th studio album from The Innocence Mission, an indie folk band with: Karen Peris (née McCullough), her husband (and fellow guitarist) Don Peris, and Mike Bitts (on bass guitar). The band was formed in Lancaster, Pennsylvania, when the members met during a Catholic school production of Godspell. Although all members of the band have contributed to their music, Karen Peris is their main writer. Before being signed to a record label, the band originally played local clubs, events and at Lancaster Catholic High School (the alma mater of the band members).Their self-titled debut album was released in 1989 on A&M Records and was produced by Larry Klein, then-husband of Joni Mitchell. Recorded in Mitchell’s Los Angeles studio, the album spent 10 weeks on the Billboard charts, peaking at #167 in 1990. Klein also produced their 1991 follow up, Umbrella. Their third A&M album, Glow (1995), was produced by Dennis Herring, who had previously produced two records for Camper Van Beethoven. This album is a departure from Klein’s heavier production style. Herring’s lighter touch gave more emphasis to the group’s guitar work and to Karen’s vocals and lyrics. Glow contains songs that appear on the soundtracks of the films Empire Records and Dream for an Insomniac, as well as the television series Party of Five. The album’s second track, “Bright as Yellow,” peaked at #33 on Billboard’s Modern Rock Tracks. After the band completed the recording of a follow-up album to Glow, A&M Records was bought by Universal Music Group. The group decided to mutually part ways with the label, shortly before it was merged with other companies to form Interscope-Geffen – A&M. 1999’s Birds of My Neighborhood inaugurated The Innocence Mission as they are today, following three albums as a quartet that drew comparisons to The Sundays and 10,000 Maniacs. When drummer Steve Brown left to become a chef, Karen Peris (guitars, piano, pump organ, accordion, voice), Don Peris (guitars, drums, voice) and Mike Bitts (upright bass) forged ahead with an orchestral and sometimes cinematic folk-pop sound, which they felt was truer to their real nature – in any case, a sound rich in atmosphere, innately sad, but ultimately hopeful. The album was followed by the release of The Lakes of Canada EP, which contains a remix of “Snow” by Icelandic electronic group GusGus, the band’s only remix thus far. The 2000 release, Christ Is My Hope, featuring folk songs and hymns that had inspired them over the years, was independently distributed by their own label, LAMP, with all proceeds from sales of the record being donated to hunger relief charities. An exclusive one-album deal signed with independent label WhatAreRecords? saw Small Planes following a year later. Their first album on Badman Records in the US and Agenda in Europe, Befriended, was released in 2003 and was followed a year later by a collection of lullabies, standards, traditional and classical songs called Now the Day Is Over. Recorded over two weeks in Aug. 2004, the album contained their well-known cover of Henry Mancini’s “Moon River.” Badman Records acquired license to re-master and re-issue the then-out-of-print Birds of My Neighborhood album in 2006. We Walked in Song was released in 2007 and included the song “Brotherhood of Man”, which appeared in two acclaimed films: the documentary The Human Experience and the short film Weathered, starring Tony Hale and Nicole Parker, which also featured a new version of the song “Our Harry”. Also on this album are “Happy Birthday” and closing song “Over the Moon”, both of which are featured in the Julia Roberts film Fireflies in the Garden. On June 6, 2008, “Bright as Yellow” was played as the official NASA wake-up call for the crew of Space Shuttle mission STS-124 on flight day 7. Street Map was released in December 2008 and was the second record to be distributed independently on their own LAMP label, while their eighth studio album, My Room in the Trees, was released on July 13, 2010. Their ninth studio album, Hello I Feel the Same, was released on October 17, 2015, followed by Sun on the Square in 2018. Their next studio album, See You Tomorrow, is due for release on January 17, 2020. Don Peris has recorded four solo albums: Ten Silver Slide Trombones (2001), the mostly instrumental Go When the Morning Shineth (2006), which features a vocal contribution from Karen Peris on “North Atlantic Sand”, and an instrumental solo guitar album, Brighter Visions Beam Afar (2007), which raised money for local food banks. His fourth studio album, The Old Century, was released on May 7, 2013. Karen Peris released her first solo album, Violet, on Dec. 3, 2012. The 10-song album was performed mainly on piano, and features six instrumental compositions. Don Peris appears as guitarist on two songs, while the couple’s two children performed violin and viola on a further two songs. A version of the album containing two bonus tracks, “First Days in the City” and “Getting Here”, was released in Japan through P-Vine Records on May 15, 2013. Sufjan Stevens calls The Innocence Mission “moving and profound”, adding, “What makes Karen Peris’ lyrics so remarkable is the economy of words, sensory language, concrete nouns – everyday objects take on tremendous meaning.]

24. The New Seekers — “Look What They’ve Done to My Song, Ma”
from: The Best of the New Seekers / Elektra Records / April 26, 2005
[Originally released on the album, Keith Potger and the New Seekers, November 1970 on Phillips Records. The band’s second album and second single. The New Seekers are an English pop group, formed in London in 1969 by Keith Potger after the break-up of his group, The Seekers. The idea was that the New Seekers would appeal to the same market as the original Seekers, but their music would have pop as well as folk influences. They achieved worldwide success in the early 1970s with hits including “I’d Like to Teach the World to Sing”, “You Won’t Find Another Fool Like Me” and “Beg, Steal or Borrow.” “What Have They Done to My Song Ma,” is a song by Melanie. It was released in 1970 as the B-side of her “Ruby Tuesday” single and included on the album Candles in the Rain. The single reached the number 39 in the UK. Other artists have recorded the song as “Look What They’ve Done To My Song Ma”, after the song’s first line, and this title is used on the Music page at Melanie’s own website. Daliah Lavi recorded a successful German version of the song in 1971 and Ray Charles released a cover (as “Look What They’ve Done to My Song, Ma”) in 1972. The song has also been covered by many other artists, including Nina Simone, the New Seekers, and Billie Jo Spears. Dalida recorded the song in French and Italian [4] and released both version as singles. Czechoslovak singer Helena Vondráčková recorded it in 1971 as “Kam zmizel ten starý song” with Czech lyrics by Zdeněk Borovec. Jeanette did an English/French version in 1973. Yugoslav rock band Bajaga i Instruktori released a cover of it with lyrics in Serbian, called “Vidi šta sam ti uradio od pesme, mama”, in 1985. It was used in the 1970s as a commercial for Lifebuoy soap (“Look what they’ve done to my Lifebuoy”), and in the 1980s as a commercial jingle for Ramada Inn (as “Look what they’ve done to Ramada”) and for Oatmeal Crisp cereal (as “Look what they’ve done to my oatmeal”). In October 2012, Miley Cyrus released a video of her own acoustic version of the song as part of her Backyard Sessions series. In 2015, Melanie joined her to duet on the song in addition to “Peace Will Come (According to Plan)”. Another copy version was made by Jack Wild which appeared on his album «Everything’s coming up Roses», released in 1971.]

25. Alfred Hall —“Safe & Sound”
from: Wilderness / Sony / 2013
[Norwegian indie pop duo, formed in the summer of 2009 by Bjørn Tveit on vocals & guitar, and Hans Thomas Kiær on guitar, the Norwegian town Drammen. Their debut single, “So Bright” was nominated for “Ukas Urørt” in 2011, and was released the year after following a period of repackaging in the Tinnitus studio in Bergen. Their first album, “Wilderness”, came out exclusively in Norway in 2013, and was nominated for the Spellemann Award (the Norwegian “Grammy”) in the category “Pop Group of the Year”. On October 9th, Alfred Hall, as one of three artist, performed at the opening night of the first JaJaJa club night in Fluxbau, Berlin. They released their first international EP in the fall of 2014, called “Alfred Hall EP”. Their first international single, “The King of Cape” was released in the beginning of 2015. In April 2015, Alfred Hall was chosen as one of 14 finalists to play at the Midem festival in Cannes in June 2015.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKCGo – Arts Calendar

Nico Gray Thank you for being our Guest Producer today!

Happy Birthday to Caleb Belknap!

Next week on Wednesday, August 26 we talk with Folk Singer Eliza Gilkyson. We also talk with The Black Creatures who play shows on Friday and Saturday next weekend August 28 and 29 at Lemonaid(e) Park, and we welcome hip hop MC extraordinaire, Kemet Coleman who has a new EP and plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more! joins us to share new music.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Nico Gray Portrait by: Jan McNiel

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #851