Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 1, 2026

John Lawrence Johnson + Jamogi + Danny Fischer

1. Various Artists – “Main Title Instrumental (It’s Showtime Folks)”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
   [WMM’s theme]

2. feeble little horse – “Rewind (Album Version)”
   from: BITKNOT / Saddle Creek Records / May 26, 2026
   [Pittsburgh, PA’s feeble little horse surprise released their new album, bitknot, May 26 via Saddle Creek. On the band’s third full-length album, feeble little horse explore the tension between human connection and the isolating effects of capitalism, technology, and modern consumer culture. Sonically, they continue their exploration of making thrilling and wildly unpredictable music, blending expansive arrangements, introspective lyricism, melodic hooks, dense noise textures, and precision drumming into a sound that feels rooted in the early aughts but pointed toward something entirely new at the clumsy conjunction of IRL and WWW. // Throughout bitknot the band contrasts the digital and the physical, questioning ideas of hyperindividualism and self-sufficiency while searching for new forms of interdependence and shared humanity. “The album art is based on the coincidental core memory matrix, which was used in old computers to store memory / access information using 0s and 1s. Each core, or ‘bit,’ is accessed through the grid of wires, like a knot that stores secret details and memories.” // bitknot was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh. ]

[feeble little horse play The Bottleneck, 737 New Hampshire St., Lawrence KS on Fri, July 24]

3. Tara Clerkin Trio – “Lake Walk”
   from: Somewhere Good / World of Echo / June 5, 2026
   [With two extraordinary mini-albums making a splash on London’s World of Echo label in wake of their self-titled 2020 debut, Somewhere Good is, in many ways, the Tara Clerkin Trio’s most realised work. In running their usual gauntlet of idiosyncratic approaches, Clerkin & co. Color in and outside of compositional lines over the course of 40+ celebratory minutes – never wallowing, despite inherently somber subject matters of self-defeat, disease, displacement, restlessness, gentrification – allowing their arrangements and improvisations ample space and time to situate, stretch out, breathe, cross-pollinate, and ultimately take deeper hold on the listener’s imagination – all while somehow sounding more like themselves than ever before.Of course, there are traceable influences herein.. Being the big dumb American from the small boring town that I am, cornfed on ’90s alternative radio with the enchantingly exotic sounds of Maxinquaye and Mezzanine emanating from my chunky tube television, I can’t help but to make a blatantly obvious reference to a “Bristol sound”, ie the whole trip-hop trip, the pastoral crooning over the suggestive urban grime of cracked electro/piano treatments, the digitally-yet-primitively reconstructed James Bond soundtrack string-beats, etc.. But the Tara Clerkin Trio is so infinitely much more than that. There are elements of avant-pop, modern classical, kraut-folk, audio verité, dare I say indie rock (and not of the beer guzzling, masturbatory fuzz-flex variety but perhaps more like a Trish Keenan-fronted Faust, Adrian Sherwood at the mixing desk of If You’re Feeling Sinister, or – in expanding on our alternate reality – a world in which High Llamas cut a full-length for Warp Records with Andrew Weatherall on coffee duty).- Ryan Davis (Chicago, February 2026). ]

4. Suneaters – “Boulevard Of Joy And Love (feat. Rhiannon Birdsall)”
   from: Suneaters V: Heroic Dose / Lotuspool Records / June 19, 2026
   [9th album release. Suneaters are: Scott Free on vocals, guitar, bass, synthesizer; Chris Lost on vocals, guitar, bass, synthesizer, percussion; Mike Judd on guitar, electric piano; Nick Carroll on vocals, guitar, drums, percussion; Sam Goodell on piano, organ, & synthesizer. // Produced by Chris Cosgrove and Suneaters. Engineered and mixed by Chris Cosgrove. Additional Engineering by Matt Allen on Women Get The Shaft. Mastering by Alex McCollough at True East Mastering. Vinyl Mastering by Jeff Powell at TAKE OUT VINYL. Album illustrations by Michael McMillian. Layout and design by Michael Legleighter. // All songs written and performed by Suneaters except “Rock Me Baby” written by Bump Funk and J. Scott. // Even while their last studio album, Suneaters IV: Absinthe Makes The Heart Grow Fingers was listed as one of the best albums of 2022, it’s ambitious to make the next studio album a double. In their defense, Suneaters V: Heroic Dose (Available June 19, 2026 Digital and Double LP), organically grew to its eventual size, and like fingerless gloves, gets the job done with minimal fuss. // Can you call a double LP with a scattershot array of tastes/flavors, themes, and styles at all “minimal”? Mostly it’s a four-sided hunting blind. Peak your head through the flaps to see what waits for you. Beauty – a sunset. Creation – a sunrise. Destruction – thunder and lightning. // Targeting ears and attitudes. Targeting hearts and minds. Stories about precise moments captured that are to be endured or celebrated. Precise moments of heart ache, rejection, or disappointment, ecstasy, transcendence, power, aggression or love. A heroic dose of these things that cripple or teach. All on four sides. A square. // Enlarged subset to show greater detail:
   Bedhead – From the annals of a social anxiety digest.//

Song list:

Home – Where you’re happy?
Johatsu – The ultimate French exit
Obliteration – A controlled burn
Greater Than… – A depressed Richard Alpert discovers ketamine
Mr. Sullivan – Hat tip to those who formed us
Give the Mind… – A political song for Kid Rock to sing
Come Apart – Unlucky charms and an unhappy meal
Rock Me Baby – Didn’t see that coming
Big Dancer – Body movin’
Boulevard of Joy and Love – That which sustains us
Morning Face – Non-diegetic score for a cup of coffee
Revenge of the Children – What variety of a shithole do we leave?

// A jump off a low bridge. A baby sip of poison. A super soaker to the head. A butter knife to the wrist. Heroic Dose runs over the speed bump of broken bands with sheer genuineness in this dumbest of all timelines. // There’s no such thing as a straight line said the geometer and the Suneater. A parallelogram with one line pleased as punch and another filled with something approaching sorrow. Calculated together, you get your prescription, a Heroic Dose. // Suneaters collectively thank, Matt Ku, Rhiannon Birdsall, Bump Funk, J. Scott, Michael McMillian, Mark Silverberg, Chris Cardwell, W. Dave Keith, David Saab, Matt Nalbach, Larry Glasscock, and Mike Horvath.]

5. Lucinda Williams – “So Much Trouble in The World (ft. Mavis Staples)”
   from: World’s Gone Wrong / Highway 20 – Thirty Tigers / January 23, 2026
   [World’s Gone Wrong is the sixteenth studio album by the American singer-songwriter Lucinda Williams. World’s Gone Wrong features nine original songs composed by Williams and a cover of Bob Marley and the Wailers’ “So Much Trouble in the World”, seen here as a duet with Mavis Staples. The album also features additional guest appearances from Brittney Spencer (“The World’s Gone Wrong” and “Something’s Gotta Give”) and Norah Jones (“We’ve Come Too Far to Turn Around”). // The album was co-produced by Tom Overby and Ray Kennedy and recorded at the Room & Board Studio in Nashville, Tennessee. // The album’s lead single, “The World’s Gone Wrong”, was released on October 30, 2025, simultaneously with the album’s announcement. A performance video coincided with the song’s release. The second single, “There’s So Much Trouble in the World”, was released on December 12, 2025. // Lucinda Gayl Williams[a] (born January 26, 1953) is an American singer-songwriter and a solo guitarist. She recorded her first two albums, Ramblin’ on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, Lucinda Williams, to widespread critical acclaim. Regarded as “an Americana classic”, the album also featured “Passionate Kisses”, a song later recorded by Mary Chapin Carpenter for her 1992 album Come On Come On, which garnered Williams her first Grammy Award for Best Country Song in 1994. Williams released her fourth album, Sweet Old World, four years later in 1992. Sweet Old World was met with further critical acclaim and was voted the 11th best album of 1992 in The Village Voice’s Pazz & Jop, an annual poll of prominent music critics. Robert Christgau, the poll’s creator, ranked it 6th on his own year-end list, later writing that the album as well as Lucinda Williams were “gorgeous, flawless, brilliant”. // Williams’ commercial breakthrough came in 1998 with Car Wheels on a Gravel Road, an album presenting a broader scope of songs that fused rock, blues, country and Americana into a distinctive style that remained consistent and commercial.[citation needed] Car Wheels on a Gravel Road, which included the singles “Right in Time” and the Grammy nominated “Can’t Let Go”, became Williams’ greatest commercial success to date.[citation needed] The album was certified Gold by the RIAA the following year, and earned her a Grammy Award for Best Contemporary Folk Album while being universally acclaimed by critics. Williams’ next album, Essence, appeared in 2001 to further critical acclaim and commercial success, becoming her first Top 40 album on the Billboard 200, peaking at No. 28. Featuring a more downbeat musical tone, with spare, intimate arrangements,[citation needed] Essence earned Williams three Grammy nominations in 2002: Best Contemporary Folk Album, Best Female Pop Vocal Performance for the title track, and Best Female Rock Vocal Performance for the single “Get Right With God”, which she won. // One of the most celebrated singer-songwriters of her generation, Williams has released a string of albums since that have earned her further critical acclaim and commercial success, including World Without Tears (2003), West (2007), Little Honey (2008), Blessed (2011), Down Where the Spirit Meets the Bone (2014), The Ghosts of Highway 20 (2016), and Good Souls Better Angels (2020). She has won three Grammy Awards from 17 nominations, and has received two Americana Awards (one competitive, one honorary) from 11 nominations. Williams ranked No. 97 on VH1’s 100 Greatest Women in Rock & Roll in 1999, and was named “America’s best songwriter” by Time magazine in 2002. In 2015, Rolling Stone ranked her the 79th greatest songwriter of all time. In 2017, she received the Berklee College of Music Honorary Doctorate of Music Degree, and ranked No. 91 on Rolling Stone’s 100 Greatest Country Artists of All Time. In 2020, Car Wheels on a Gravel Road ranked No. 97 and Lucinda Williams ranked No. 426 on Rolling Stone’s 500 Greatest Albums of All Time. She was inducted into the Austin City Limits Hall of Fame in 2021.That same year, “Passionate Kisses” ranked No. 437 on Rolling Stone’s 500 Greatest Songs of All Time.]

[Lucinda Williams plays Starlight Theatre on Saturday, July 4, opening for Bob Dylan along with the John Doe Trio.]

6. Ann Peebles – “Tonight I’ll Be Staying Here With You”
   from: Meeting on Mission Street / HearMusic / 2005
   [“Tonight I’ll Be Staying Here with You” is a song written by Bob Dylan from his 1969 album Nashville Skyline. It was the closing song of the album. // Ann Lee Peebles (born April 27, 1947) is a retired American singer and songwriter who gained popularity for her Memphis soul albums of the 1970s while signed to Hi Records. Her most successful singles include “I Can’t Stand the Rain,” which she wrote with her husband Don Bryant and radio broadcaster Bernie Miller, and “I’m Gonna Tear Your Playhouse Down.” In 2014, she was inducted into the Memphis Music Hall of Fame. // She was born in Kinloch, Missour the seventh child of eleven. As a child she began singing in the choir of her father’s church and with the family’s group, the Peebles Choir, who regularly opened shows for gospel stars including Mahalia Jackson and the Soul Stirrers featuring Sam Cooke. She was also influenced by R&B performers, including Muddy Waters, Mary Wells and Aretha Franklin. // “Why gritty singing like this can’t be heard on ‘progressive’ radio when a borderline hysteric like Lydia Pense is an automatic add ought to be investigated by the Civil Rights Commission.”— Review of Straight from the Heart in Christgau’s Record Guide: Rock Albums of the Seventies (1981) // She began performing in clubs in St. Louis, and in the mid-1960s joined a revue led by bandleader Oliver Sain. While visiting Memphis in 1968, she sang in a club with trumpeter Gene “Bowlegs” Miller, a popular local bandleader known for helping other musicians get their start in the Memphis music industry (including the members of the Hi Rhythm Section, who played on Peebles’ recordings). Miller introduced her to Hi Records producer Willie Mitchell, who quickly offered her a recording contract. // Her first record, “Walk Away,” written by Sain, reached the R&B chart in 1969, as did the follow-up, “Give Me Some Credit,” and she released an album, This Is Ann Peebles. All her early records on Hi were produced by Mitchell and featured the signature sound of the Hi Rhythm Section and Memphis Horns. In 1970, her single “Part Time Love,” a version of Little Johnny Taylor’s 1963 hit, reached no. 7 on the R&B chart, and no.45 on the pop chart, and she began working with the Hi label’s songwriter Don Bryant, whom she married in 1974. One of the first songs he wrote for her was “99 Pounds” in 1971.. // She continued to have R&B hits in the early 1970s, including “I Pity the Fool,” “Slipped, Tripped and Fell in Love,” “Breaking Up Somebody’s Home” (a Hot 100 hit in 1973 for Albert King and later recorded by Bette Midler), “Somebody’s on Your Case,” and “I’m Gonna Tear Your Playhouse Down” (later a hit for Paul Young). She was also the only female singer on Hi to release a string of albums, including Straight from the Heart and I Can’t Stand the Rain, that contained many tracks that she co-wrote. The title track of the latter album, written by Peebles and Bryant with DJ Bernard Miller, was her biggest commercial success, reaching no. 6 on the R&B chart and no. 38 on the pop chart in 1973.// Although she continued to have hit R&B singles and to release albums on Hi, none matched the success of “I Can’t Stand the Rain.” Mitchell later said: “She was the girl with the big voice who could have really gone further … But I don’t think Ann spent enough time thinking about what she needed to do. I don’t think she put as much energy into her career as a singer as some of the rest of these people.”[6] After Hi Records closed in 1979, and with the rise of disco music, Peebles took a break from the music industry to spend more time with her family. She returned in 1989 with the album Call Me, again produced by Willie Mitchell and released on his own Waylo label. During the 1990s, she released albums on Rounder Records’ Bullseye Blues subsidiary label.n She continued to perform, and in 2006 she released the album Brand New Classics, which consisted of re-recordings of some of her songs in an acoustic style. Peebles also joined Cyndi Lauper on a recording of “Rollin’ and Tumblin'” on Lauper’s 11th studio album, Memphis Blues. She gave up performing after a stroke in 2012.]

[Bob Dylan plays Starlight Theatre on Saturday, July 4, with Lucinda Williams the John Doe Trio.]

7. Tierra Whack – “WAX PAPER”
   from: WHACK’S MUSEUM / Interscope Records / June 18, 2026
   [Tierra Helena Whack was born August 11, 1995. She is an American rapper and singer. She originally performed as “Dizzle Dizz” as a teenager but reverted to her birth name in 2017. Her debut mixtape, Whack World, was released in May 2018 and received widespread critical acclaim. Her song “Mumbo Jumbo” was nominated at the 61st Annual Grammy Awards for Best Music Video. Whack has since collaborated with Beyoncé, Alicia Keys, Tyler, the Creator, Chief Keef, and Melanie Martinez. // Whack was born in 1995 and grew up living with two younger siblings and their mother in North Philadelphia. In a 2018 interview with The Fader, Whack mentioned that she and her father are estranged. She was an introverted child who wrote to help herself deal with insecurities. As a child, Whack loved the author Dr. Seuss to the extent that she would rhyme the sentences together in her homework assignments. // Whack pinpointed the exact moment when her love for rhyming began. She had to rhyme for a homework assignment for class and after receiving positive feedback, she continued with it. She later asked her mother for composition books to fill with rhymes and lyrics before she eventually started recording herself. // Whack attended The Arts Academy at Benjamin Rush in Philadelphia for three years before finishing high school in Atlanta. At Benjamin Rush, she was a vocal major and was one of the few black students in a predominantly white graduating class. With some difficulty, she and her friends persuaded their principal to let them perform the finale from Sister Act 2: Back in the Habit for the school vocal showcase; Whack performed a rap verse in the song. Later in Whack’s career, she toured with Lauryn Hill, who starred in the 1993 film. // At around fifteen, Whack who went by the moniker “Dizzle Dizz” appeared in a 2011 freestyle video produced by Philadelphia’s underground music collective We Run the Streets. Her mother drove past the group of men freestyling and encouraged her to join. She released several tracks as Dizzle Dizz including “Dizzy Rascvls”, but struggled with depression in the months afterwards. Despite being a teenager, Whack gained notoriety in the streets of Philadelphia as “Dizzle Dizz.” Although she had growing fame, Whack grew bored. There was no way to make money in freestyling and no way to creatively grow. She claimed there was little experimentation and growth beyond battle rapping if she were to stay in Philadelphia. Her mother elected to move out of Philadelphia so Whack could finish school. After going to Atlanta with her mother, Whack began working at a Mister Car Wash allowing her to save for a Mac laptop and start recording her music. She was often the only woman working on the line at the car wash, and her former manager said she was a memorable person with an impressive drive, which Whack credits to her mother. // In Atlanta, Whack kept a low profile, having felt the effects of fame back home. She wanted to keep to herself to have a chance to solely focus on her music. By the time she returned to Philadelphia, she had a laptop full of two years’ worth of music, which she never ended up sharing with anyone. She left her family behind in Atlanta. During that time she was homeless for three months and hopped around staying at friends’ homes but refused to return to Atlanta. She believed staying in Philadelphia would be best for her music career. // By 2015, Whack was in Philadelphia and she reconnected with Kenete Simms, a sound engineer and music producer whom she knew from her teenage years. Whack credits Simms as being her collaborator. After she returned to working with Simms she learned how to properly mix her own music. Simms helped her use equipment in order to help her make music more easily. In 2017, she signed with Interscope Records; Johnny Montina is her manager. // In March 2017, Whack made her debut as Tierra Whack with three tracks, including “Toe Jam” and “Sh_ Happens”. In October 2017, she released “Mumbo Jumbo”, a hip-hop single and accompanying music video which featured the young rapper performing while wearing a mouth prop. Most of the lyrics to the track are purposefully unintelligible. She also toured with Flying Lotus in 2017. // Whack’s debut fifteen-track mixtape, Whack World, was released on May 30, 2018 and received a “Best New Music” accolade from Pitchfork. Critics praised the unusual format of the album—each song lasting precisely one minute. She released each short track on Instagram, each accompanied by a short film directed by Thibaut Duverneix and Mathieu Léger. The multimedia project received widespread critical acclaim. Robert Christgau gave the album an A-minus and reported in Vice that his wife, fellow critic Carola Dibbell, loved the video, saying, “it gave me reason for living”. // Often referred to as the “Missy Elliott” of this generation, Whack has gained a great amount of acclaim for the creativity and eccentricity of her music videos. The track “Mumbo Jumbo” received a nomination for Best Music Video for the 2019 Grammy Awards. In October 2018, Whack traveled to Tokyo for a long-term artistic sabbatical. // In an episode of Genius’ The Cosign series on YouTube in which current artists who have been in the industry have the opportunity to watch videos of newer artists, rapper Remy Ma chose to cosign Whack. Even though she mentioned seeing potential in each of the artists, Remy said, “I pick(ed) her because I feel like she brought the entire package as far as the song, the delivery, the vocals, and the actual visual. I feel like she did something that was super out of the ordinary, and I enjoyed it… I wanna watch it again.” In the episode of The Cosign, Whack’s music video for her single “Unemployed” was put in a group with music videos from other female MCs including Kash Doll, CupcakKe, Mulatto, Tay Money, and That Girl Lay Lay. // She has recorded as-yet-unreleased music with Meek Mill and Childish Gambino. In 2018, she toured with 6lack on his world tour, From East Atlanta with Love. Briana Younger, the writer for The Fader, wrote that “popular and mainstream rap hasn’t championed a darker-skinned woman since Missy Elliot…and Whack seems poised to be the one.” Whack acknowledged that women in the music industry often aren’t afforded the privilege to make art for art’s sake, but she refuses to let that inhibit her. Beginning February 19, 2019, Whack released one single per week for five weeks in a series she called “#whackhistorymonth.” These singles included “Only Child”, “Clones”, “Gloria”, “Wasteland”, and “Unemployed”. Whether these tracks will be released under a full-length album has not yet been revealed. Whack has said that she is not thinking about a timeline for a new album, saying “I’m not gonna drive myself crazy. I’m having fun creating what I’m creating.” Whack collaborated with Flying Lotus on the song “Yellow Belly” for his 2019 album Flamagra and she was later named as one of the members of XXL’s “2019 Freshman Class” on June 20, 2019. She appeared at many festivals in the 2019 festival season including Coachella, Primavera Sound, Lollapalooza, Outside Lands, Camp Flog Gnaw, Osheaga, and Austin City Limits. Her song “Unemployed” is featured in the football game FIFA 20. // Whack co-wrote and was featured in Melanie Martinez’s single “Copy Cat”, which was released on February 10, 2020. It marks the first time that Whack has worked in a professional capacity with Melanie Martinez.[29] In May 2020, Whack appeared alongside American rapper Lil Yachty on the song “T.D” which features rappers ASAP Rocky and Tyler, the Creator. The song was #84 on the Billboard Hot 100 and Whack’s first entry on the chart. She featured on the song “Me x 7” by Alicia Keys, taken from her seventh studio album, Alicia, in September 2020. Her 2017 single, “Mumbo Jumbo”, had an accompanying music video that garnered a Best Music Video nomination for the 2019 Grammy Awards. // In October 2020, Whack released her first solo single of the year titled “Dora”. In November 2020, she appeared in the 2020 Apple holiday commercial “The Magic of Mini” which featured the new singles, “Peppers and Onions” and “feel good” which were released coinciding with the introduction of the commercial. In April 2021, she released a single titled “Link”. The music video, created in partnership with the LEGO Group, had Whack sit with a group of schoolchildren as part of Lego’s “Rebuild the World” campaign, using their ideas as inspiration for the video. In December 2021, she released three EPs, Rap?, Pop? and R&B?. // March 15, 2024, Whack released her 2nd studio album “World Wide Whack” under Interscope Records, it received a 7.3 on the Pitchfork web site. In June 2024, she performed a Tiny Desk Concert featuring some songs from her new album; “Mood Swing”,”Accessible”, “Ms. Behave”, “Imaginary Friends”, “Moovies”, “27 Club” and “Shower Song” as well as earlier favorites: “Flea Market”, “Pretty Ugly”, and “Hungry Hippo”. The concert featured the mascot Phillie Phanatic as a proud supporter of her birth city quoting “anything Philly is all me”. // Whack’s beginnings in rap started with battle rapping and it is something she looks upon fondly. While she appreciates the foundation which it gave her for her music, she wanted to aim higher than just rap battles. Seeing artists such as Lauryn Hill, Andre 3000, and Eminem had inspired her to become a true artist. In doing so, she would be seen as something more serious than just a battle rapper. // Whack cites Outkast, Erykah Badu, Busta Rhymes, and Kelis as some of her musical influences. Whack claims there are many different things which inspire and motivate her and she wants to be able to portray those to her fans in her music. She credits Sesame Street and the children’s book No! David as some of her influences; that is clearly seen through her visuals from her album’s music video. Her inspirations come from everything, from her relationships to people to inanimate objects. Her single, “Only Child”, for example, was created after dating a man whose behavior she aligned with that of someone who grew up an only child. // Whack’s mother is often credited as one of if not the biggest inspirations for her music. She recalls her mother playing gangster rap during car rides. For her single “Unemployed”, her mother helped her create the key musical hook. // Whack has written poetry since she was a child. Writing was a way for her to deal with her shyness and insecurities. She is also an accomplished spoken word performer. // She lives in Philadelphia with her mother and her two siblings. She is still “Philly-based,” saying that Philadelphia is her home and where she feels grounded. She owns a cat, whom she named Starkey after the Whole Foods brand of sparkling water. She does not drink alcohol or smoke cigarettes. She is severely allergic to insects, a condition she satirizes in the music video for her 2018 track, “Bugs Life”.]

8. Run With It – “FORevR”
   from: “FORevR” – Single / Run With It / July 1, 2026
   [Every month, Run With It releases a new anthem — this month’s is FØRevR. A cinematic mid-tempo Alt-Rock coastal love story built for late-night drives, ocean air, and windows-down moments. Fans of Kings Of Leon, The Killers, and AWOLNATION will connect with its soaring vocals, atmospheric guitars, and nostalgic energy. The band also documents the full creative process online as they release one new song every month. // one of 18 new singes the band has produced over the past two years. // Miguel Antonio on lead vocals & guitar. Daniel Cole on drums. Cody Ryan Stapleton on lead guitar. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. // Run With it were last on WMM on October 23, 2024, before that is was nearly eight years ago on March 22, 2017 with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 2017. // More information at: http://www.runwithitband.com]

9. Rhiannon Giddens – “Carolina Rain”
   from: Hope Is The Thing With Feathers / Nonesuch Records / September 18, 2026
   [“Few American performers this century are more accomplished and important than Rhiannon Giddens” – Mojo // Pulitzer and Grammy-winning artist Rhiannon Giddens has announced that her new album Hope is the Thing with Feathers. The 10-song collection was inspired by the beauty of people coming together and drawing strength from each other. It was intentionally recorded live with no frills and few overdubs, just pure and essential music that captures the feeling of community, clarity, as well as the joy and power of creating together. From exploring the lineages that make American music to the community-oriented spirit in which it was conceived and recorded, in many ways the album tells the story of the last 20 years of Giddens’ life. // Hope is the Thing with Feathers features Giddens’ key collaborators from throughout her career. Giddens (lead vocals, minstrel banjo, fiddle) is joined by longtime bassist Jason Sypher, Italian multi-instrumentalist Francesco Turrisi (accordion, percussion), Congolese artist Niwel Tsumbu (guitars), and Louisiana native Dirk Powell on multiple instruments, as well as her very first bandmate and fellow North Carolinian Justin Robinson (vocals, fiddle), her nephew Justin Harrington (bones), Dirk’s daughter Amelia Powell (acoustic guitar, vocals), Charly Lowry (vocals, percussion), and Giddens’ sister Lalenja Harrington. // Says Giddens: “Louisiana, the Congo, Italy, the Carolinas – all of these influences and people coming together to make something: that is American music. It’s how American music came to be, and that was the original thought of creating a band with the musicians that I’ve been playing with for years, and featured on this album.” // On “Carolina Rain” Giddens soars over plucked banjo and fiddle runs in a song about love and money that pierces like an arrow. // Recent performances and appearances include a sold-out Carnegie Hall, and PBS’ Finding Your Roots TV series with Dr. Henry Louis Gates, Jr. Her work with Silkroad Ensemble continues throughout this year with Sanctuary: The Power of Resonance and Ritual. Giddens also just launched the Biscuits & Banjos Foundation, a nonprofit that celebrates the African diaspora’s role in shaping American identity and culture through music, literature, food, and community. // Giddens has a full slate of performances throughout the summer, including a special five-night presentation of concerts in which Giddens will be joined by Mavis Staples, Mary Chapin Carpenter and Hurray for the Riff Raff under open skies for a joyful celebration of American songs that connect generations and begins tomorrow, June 26. ]

10:30 – Underwriting

10. John Lawrence Johnson – “Endless Night”
    from: The Impossible Task / John Lawrence Johnson / May 29, 2026
    [ New 11-track solo album from John Lawrence Johnson a Kansas City based musician, producer, singer songwriter, and teacher. John Lawrence Johnson also plays guitar and sings in Supermassive Black Holes.]

[John Lawrence Johnson plays a solo show July 3, 6 to 9:00pm, at Our House on West 39th St. KCMO.]

[Supermassive Black Holes play Reply Lounge in Lawrence, Kansas on July 10, with Satori.]

[ Supermassive Black Holes play Lemonade Park July 11, with Mitzi McKee, and Gullywasher.]

[John Lawrence Johnson also plays in the band Phaze II performing Thursday, July 16 at 7:00pm at The Ship 1221 Union Ave. KCMO.]

10:36 – Interview with John Lawrence Johnson

John Lawrence Johnson joins us live in our 90.1 FM Studios to share details of his new 11-track solo album THE IMPOSSIBLE TASK, released May 29, 2026. John is a Kansas City based musician, producer, singer songwriter, and teacher. John Lawrence Johnson also plays guitar and sings in the band Supermassive Black Holes. John Lawrence Johnson plays a solo show on July 3, 6:00pm to 9:00pm, at Our House on West 39th St. KCMO. Supermassive Black Holes play Reply Lounge in Lawrence, Kansas on July 10, with Satori. Supermassive Black Holes play Lemonade Park July 11, with Mitzi McKee, and Gullywasher. John Lawrence Johnson also plays in the band Phaze II performing Thursday, July 16 at 7:00pm at The Ship 1221 Union Ave. KCMO.

John Lawrence Johnson, thanks for being with us on Wednesday MidDay Medley

The Impossible Task / John Lawrence Johnson / May 29, 2026

John Lawrence Johnson’s Bands:

Supermassive Black Holes – Guitar / Vocals
January 29, 2008 – Present

Phase II – Guitar
January 2, 2025 – Present

John el & Modern Culture – Guitar / Vocals
February 15, 2025 – Present

Supermassive Black Holes: Matt Davis – Alexis Barclay – John Johnson – Chad Brothers

Formed in 2010, these four extraordinary individuals crossed paths during the legendary Monday jam nights at the renowned Crosstown Station. United by their shared passion for exploration and musical adventure, Supermassive Black Holes create a mind-bending sonic experience that transcends conventional boundaries.

Matt Davis drives the rhythm section with his captivating drumming, infusing each composition with intricate fills and an uncanny ability to bend the beat across infinite styles. Alexis Barclay holds down the rock-solid foundation with his reliable and steady bass playing, providing the band with a powerful and unwavering groove.

John Johnson’s guitar mastery channels the spirits of legends like Jeff Beck and Frank Zappa, crafting intricate melodies and scorching solos that mesmerize audiences and transport them to uncharted realms. Chad Brothers, the tasteful and textural guitarist, adds depth and nuance to the band’s sonic palette, weaving atmospheric textures that intertwine seamlessly with their cosmic explorations.

Together, they forge a musical bond that transcends genres. Their chemistry, honed over 13 years of collaboration, effortlessly pushes the boundaries of sonic expression.

Amidst the swirling sonic cosmos that Supermassive Black Holes conjure, the realms of space and the celestial find their way into the band’s artistry. Their lyrics and inter-band banter often allude to the cosmic dance, adding an ethereal touch to their already mind-expanding performances.

Within their repertoire, standout tracks like “Break Some Bones,” “Tis What It Is,” “Change Your Mind,” and “The Man” showcase the band’s multifaceted brilliance. These sonic journeys embody the essence of Supermassive Black Holes, featuring Matt’s captivating drumming, Alexis’s rock-solid bass, John’s mesmerizing guitar work, and Chad’s textured playing.

John Lawrence Johnson, thanks for being with us on Wednesday MidDay Medley

John Lawrence Johnson plays a solo show July 3, 6 to 9:00pm, at Our House on West 39th St. KCMO.

Supermassive Black Holes play Reply Lounge in Lawrence, Kansas on July 10, with Satori.

Supermassive Black Holes play Lemonade Park July 11, with Mitzi McKee, and Gullywasher.]

[John Lawrence Johnson also plays in the band Phaze II performing Thursday, July 16 at 7:00pm at The Ship 1221 Union Ave. KCMO.]

10:54

11. John Lawrence Johnsom – “Lives”
    from: The Impossible Task / John Lawrence Johnson / May 29, 2026
    [New 11-track solo album from John Lawrence Johnson a Kansas City based musician, producer, singer songwriter, and teacher. John Lawrence Johnson also plays guitar and sings in Supermassive Black Holes.]

[John Lawrence Johnson plays a solo show July 3, 6 to 9:00pm, at Our House on West 39th St. KCMO.]

[Supermassive Black Holes play Reply Lounge in Lawrence, Kansas on July 10, with Satori.]

[Supermassive Black Holes play Lemonade Park July 11, with Mitzi McKee, and Gullywasher.]

[John Lawrence Johnson also plays in the band Phaze II performing Thursday, July 16 at 7:00pm at The Ship 1221 Union Ave. KCMO.]

12. Cécile McLorin Salvant, Metropole Orkest & Jules Buckley – “Sophisticated Lady”
    from: With Every Breath I Take / Nonesuch / June 26, 2026
    [Cécile McLorin Salvant’s album With Every Breath I Take, her first with orchestra, features The Netherlands’ Metropole Orkest conducted by Jules Buckley. Salvant and the ensemble perform timeless songs—by Cy Coleman, Noël Coward, Duke Ellington, Stephen Sondheim, Billy Strayhorn, and Salvant—newly arranged by composer and bandleader Darcy James Argue. “It is a rare opportunity to be able to make an album at this scale, which has been a dream of mine for many years,” she says. “Darcy James Argue wrote stunning arrangements and the Metropole Orkest, conducted by the extraordinary Jules Buckley, gave these stories a cinematic dimension … I am so incredibly proud to share it.” // Cécile McLorin Salvant (born August 28, 1989) is a French-American jazz singer-songwriter and composer. Salvant is one of the most highly regarded jazz vocalists of her generation, often winning DownBeat annual critics polls. She has released eight albums since 2010, six of which have been nominated for Grammy Awards. She is a 3-time winner of the Best Jazz Vocal Album Grammy Award for her 2015 album For One to Love, her 2017 album Dreams and Daggers, and her 2018 album The Window, each released on the Mack Avenue label. Salvant’s most recent album is Oh Snap, released in 2025 by Nonesuch Records. Salvant primarily sings in English or French, her first language, and has also recorded songs in Occitan and Haitian Kreyòl. // Cécile Sophie McLorin Salvant was born in Miami, Florida in 1989. Her father, who is Haitian, is a doctor and her mother, who is French, is the founder and president of a French immersion school in Miami. Salvant began studies in classical piano at the age of five, and began singing in the Miami Choral Society when she was eight. She subsequently developed an interest in classical voice and began studying with private instructors, and later with Edward Walker, vocal teacher at the University of Miami. She said in 2015: “I was lucky enough to grow up in a house where we listened to all kinds of music. We listened to Haitian, hip hop, soul, classical, jazz, gospel and Cuban music, to name a few. When you have access to that as a child, it just opens up your world.” // In 2007, Salvant moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. It was in Aix-en-Provence, with reedist and teacher Jean-François Bonnel [fr], that she studied improvisation, instrumental and vocal repertoire, and sang with her first band. // In a four-star review of her sold-out engagement at Ronnie Scott’s Club in London in June 2015, John Fordham wrote in The Guardian: “She brings ideas from unexpected angles to the familiar art of standards-singing, and she applies a mischievous intelligence to well-worn lyrics in ways that transform them.” // Salvant began studying voice at the age of eight with an interest in classical music. She began her transition into jazz while studying at the Darius Milhaud Conservatory in 2007, and also studied composition and music theory at The New School . Salvant says that her main jazz influence is Sarah Vaughan, recalling childhood memories of listening to her songs repeatedly. While strongly influenced by Sarah Vaughan, she is also heavily influenced by vocalists such as Billie Holiday, Bessie Smith, and Betty Carter. She describes her sound as jazz, blues, with elements of folk and musical theatre. She composes music and lyrics which she also sings in French, her native language, as well as in Spanish. She enjoys popularity in Europe and in the United States, performing in clubs, concert halls, and festivals accompanied by renowned musicians. Salvant has performed at jazz venues and festivals including Ronnie Scott’s, the Newport Jazz Festival in Rhode Island, the Festival international de Jazz de Montréal and the Village Vanguard. // In 2010, Salvant released her first album, Cécile & the Jean-François Bonnel Paris Quintet. Soon thereafter, at the age of 21, she went on to win the Thelonious Monk International Jazz Competition for vocalists. Her first-prize win included a recording contract with the label Mack Avenue Records, with whom she released her next five albums. Writing in The New York Times in 2012, Ben Ratliff said: “In front of a trio led by the pianist Aaron Diehl she sings clearly, with her full pitch range, from a pronounced low end to full and distinct high notes, used sparingly […] Her voice clamps into each song, performing careful variations on pitch, stretching words but generally not scatting; her face conveys meaning, representing sorrow or serenity like a silent-movie actor.” // In 2013 she released her second album, WomanChild, which was nominated for a 2014 Grammy Award in the category of Best Vocal Jazz Album. The songs chosen for WomanChild include original compositions, as well as compositions that date back to the 19th century and progress into the 21st. Salvant chose for this album songs she felt had a personal connection to her life. // In September 2015, Salvant released her second album with Mack Avenue Records, titled For One to Love. On this album, she chose songs that focus attention on strong women and independence. The album contains five original works and jazz standards. In 2016, the album won a Grammy for Best Vocal Jazz Album. Two years later, her third album with Mack Avenue, Dreams and Daggers, won a Grammy in the same category. // She has toured with the Jazz at Lincoln Center Orchestra, whose music director Wynton Marsalis was quoted in a 2017 New Yorker article as saying of Salvant: “You get a singer like this once in a generation or two.” // In January 2023, Nonesuch Records announced the release of Salvant’s seventh album. The album, titled Mélusine, recounts the European folk legend of Melusine and largely features songs sung in French and Haitian Creole. The album was released digitally on March 24, 2023. // Salvant has sung in advertisements for Chanel’s “Chance” brand.]

11:00 – Station ID

13. Jamogi – “Treasure”
    from: J’DAY / Jam Tunes / June 12, 2026
    [J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality. // Produced alongside OceanLife Gianni, J’Day captures the energy, emotion, and moments that make life memorable. From the horn driven fanfare of “Go Big or Go Home” to the flirtatious blend of West Coast, Midwest, and Southern influences on “Back N’ Forth,” Jamogi demonstrates a clear understanding of both his sound and his audience. Tracks like “Do It to Me” transport listeners through different eras and musical inspirations, while songs such as “Storybook,” “Treasure,” and “Georgia Peach” reveal his romantic side through storytelling, heartfelt lyricism, and poetic imagery. // The album also features collaborations with a talented lineup of friends and fellow artists on tracks including “What’s It Gonna Be?” and “HOLLABACK,” adding even more personality and perspective to the project. // More than just a collection of songs, J’Day marks a defining moment in Jamogi’s artistic journey. It is a bold statement of who he is today and a testament to the creative vision he has spent years refining. Rich with personality, versatility, and heart, the project positions Jamogi for his next era and leaves listeners wondering where he’ll take them next. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California.// Jamogi released the single “Georgia Peach (feat. Burgandy)” on September 5, 2025. Jamogi released Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi and The Jammers play The Ship 1221 Union Ave, KCMO, on Friday, July 10, 2026.]

[Jamogi and The Jammers play Macken Park in North Kansas City Friday, July 10, 7:00 to 9:00pm]

[Jamogi and The Jammers play The Bottleneck in Lawrence, KS. Saturday, July 11 with Soul Agenda]

[Jamogi and The Jammers play Union Station , KCMO, Sunday, July 12, 2:00pm to 4:00pm]

[Jamogi and The Jammers play Sofar Sounds KC at Equal Minded Cafe KCMO, July 12, 2:00pm to 4:00pm]

11:05 – Interview with Jamogi

We are very happy to welcome back to the WMM, Jamogi who joins us to talk about his new album, J’DAY released through Jam Tunes on June 12, 2026. J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality. Produced alongside OceanLife Gianni. Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California.

Jamogi and The Jammers play The Ship 1221 Union Ave, KCMO, on July 10, 2026.

Jamogi, Thanks for being with us on Wednesday Midday Medley

It took 3 years to get it J’DAY to Jamogi’s liking and he is so excited to build upon it. Just a heads up, this is just PART ONE.

J’DAY Songs:

Go Big or Go Home
Back n Forth
Do it To Me
Storybook
Hollaback
Hot Block
Georgia Peach
Whats it gonna be
Treasure

Album notes: J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality.

Produced alongside OceanLife Gianni, J’Day captures the energy, emotion, and moments that make life memorable. From the horn driven fanfare of “Go Big or Go Home” to the flirtatious blend of West Coast, Midwest, and Southern influences on “Back N’ Forth,” Jamogi demonstrates a clear understanding of both his sound and his audience. Tracks like “Do It to Me” transport listeners through different eras and musical inspirations, while songs such as “Storybook,” “Treasure,” and “Georgia Peach” reveal his romantic side through storytelling, heartfelt lyricism, and poetic imagery.

The album also features collaborations with a talented lineup of friends and fellow artists on tracks including “What’s It Gonna Be?” and “HOLLABACK,” adding even more personality and perspective to the project.

More than just a collection of songs, J’Day marks a defining moment in Jamogi’s artistic journey. It is a bold statement of who he is today and a testament to the creative vision he has spent years refining. Rich with personality, versatility, and heart, the project positions Jamogi for his next era and leaves listeners wondering where he’ll take them next.

Jamogi released the single “Georgia Peach (feat. Burgandy)” on September 5, 2025. Jamogi released Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) through Jam Tunes on April 11, 2025.

Jamogi Bridges a KC based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi’s music is a fusion of soulful R&B melodies with infectious pop beats and dance-floor grooves. Jamogi released his debut single, “Celebration” on December 30, 2022. Jamogi delivered his debut EP, AGE OF AQUARIUS on March 3, 2023. Jamogi followed up with his latest EP, STAR-CROSSED LOVER, on March 3, 2023, followed by a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single, on June 9, 2023. Jamogi played the 19th Annual Crossroads Music Fest, on August 26, 2023. More info at: https://linktr.ee/Jamogi

Jamogi Bridges a KC based singer, songwriter, MC, producer, originally from Long Beach, CA.
He moved to Kansas City hen he was 15 years old.

Jamogi has been singing since he was seven years old. He started singing in church. It was his uncle’s church, and it was his uncle who urged him to sing.

His first performance out of Church was in Middle School, singing, CeeLo Green’s “Forget You.”

Jamogi sang with, for many years, and graduated from The Kansas City Boys Choir, founded by Ollie Robinson in 1994. Jamogi served as Assistant Music Director also.

For Jamogi’s live performances he plays with an ensemble of musicians with himself on lead vocals and keyboards, a drummer, bass player, horn section, and back up singers.

More info at: https://linktr.ee/Jamogi

Jamogi, Thanks for being with us on Wednesday Midday Medley

[Jamogi and The Jammers play The Ship 1221 Union Ave, KCMO, on Friday, July 10, 2026.]

[Jamogi and The Jammers play Macken Park in North Kansas City Friday, July 10, 7:00 to 9:00pm]

[Jamogi and The Jammers play The Bottleneck in Lawrence, KS. Saturday, July 11 with Soul Agenda]

[Jamogi and The Jammers play Union Station , KCMO, Sunday, July 12, 2:00pm to 4:00pm]

[Jamogi and The Jammers play Sofar Sounds KC at Equal Minded Cafe KCMO, July 12, 2:00pm to 4:00pm]

11:24

14. Jamogi – “Back & Forth”
    from: J’DAY / Jam Tunes / June 12, 2026
    [J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality. // Produced alongside OceanLife Gianni, J’Day captures the energy, emotion, and moments that make life memorable. From the horn driven fanfare of “Go Big or Go Home” to the flirtatious blend of West Coast, Midwest, and Southern influences on “Back N’ Forth,” Jamogi demonstrates a clear understanding of both his sound and his audience. Tracks like “Do It to Me” transport listeners through different eras and musical inspirations, while songs such as “Storybook,” “Treasure,” and “Georgia Peach” reveal his romantic side through storytelling, heartfelt lyricism, and poetic imagery. // The album also features collaborations with a talented lineup of friends and fellow artists on tracks including “What’s It Gonna Be?” and “HOLLABACK,” adding even more personality and perspective to the project. // More than just a collection of songs, J’Day marks a defining moment in Jamogi’s artistic journey. It is a bold statement of who he is today and a testament to the creative vision he has spent years refining. Rich with personality, versatility, and heart, the project positions Jamogi for his next era and leaves listeners wondering where he’ll take them next. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California.// Jamogi released the single “Georgia Peach (feat. Burgandy)” on September 5, 2025. Jamogi released Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Jamogi and the Jammers played Boulevardia 2025]

[Jamogi and The Jammers play The Ship 1221 Union Ave, KCMO, on Friday, July 10, 2026.]

[Jamogi and The Jammers play Macken Park in North Kansas City Friday, July 10, 7:00 to 9:00pm]

[Jamogi and The Jammers play The Bottleneck in Lawrence, KS. Saturday, July 11 with Soul Agenda]

[Jamogi and The Jammers play Union Station , KCMO, Sunday, July 12, 2:00pm to 4:00pm]

[Jamogi and The Jammers play Sofar Sounds KC at Equal Minded Cafe KCMO, July 12, 2:00pm to 4:00pm]

11:28 – Underwriting

15. Warren Burns – “Rooms”
    from: Burn Again / Warren Burns / April 10, 2026
    [Warren Burns on vocals, guitar, piano, harmonica; Brad Highnam on bass, backing vocals, piano; Marco Pascolini on pedal steel; Jon Kraft on drums, w/ Mark Cohick on pipes, Marvin Gruenbaum & Tony DeMarco & Kent Brauninger on violin; Steve Molloy & Danny Fischer on trumpet; Kari Agosti & Suzanne Hogan & on backing vocals. Recorded by Duane Trower at Weights & Measures Soundlab. Mastered by Carl Saff]

[Warren Burns plays Hillsiders 403 N. 5th St., KCK, on Thursday, July 2 with Luke Callen.]

[Nature Boys play SK8BAR, 4014 Central, KCMO, on Saturday, July 4, at 7:00pm with Red Kate, The Bad Ideas, The Phantom AD, and Braggers]

11:34 – Interview with Danny Fischer

Danny Fischer joins us to talk about his musical projects including the recent release of Warren Burns and the album BURN AGAIN, released April 10, 2026. BURN AGAIN was recorded by Duane Trower at Weights and Measures Soundlab with Warren Burns on vocals, guitar, piano, harmonica; Brad Highnam on bass, backing vocals, piano; Marco Pascolini on pedal steel, and Jon Kraft on drums. Warren Burns self titled debut album was released July 2, 2022. Danny Fischer also records and performs music in his band Nature Boys who started playing together in 2009, and have release 4 albums. More information at: http://www.natureboysrocknroll.com

Warren Burns plays Hillsiders 403 N. 5th St., KCK, on Thursday, July 2 with Luke Callen.

Nature Boys play SK8BAR, 4014 Central, KCMO, on Saturday, July 4, at 7:00pm with Red Kate, The Bad Ideas, The Phantom AD, and Braggers

Danny Fischer thanks for being with us on Wednesday Midday Medley

Warren Burns played a Vinyl release show will be at The Ship, 1221 Union Ave. KCMO in Historic West Bottoms on Sunday April 12, at 6:00pm, with Lodestones.

In April 2026, Warren Burns went on tour:
04.23.2026-fayetteville ar-@ artemis w/ noah richmond
04.24.2026-Little rock ar-@ white water tavern w/ numb chunks, william blackart
04.25.2026-memphis-@ dkdc w/ Aquarian blood
04.26.2026-new orleans-@ The Okay bar w/ cry baby’s, dirty rotten snake in the grass
04.28.202-austin tx-@ crow bar w/ Cooper moon
04.29.2025-oklahoma city-@ flora bodega
05.19.2026-st louis mo-@ The hi dive w ace of spit
05.20.2026-berea ky-@rebel rebel
05.21.2026-detroit mi-@the painted lady w/ old fashioned aces
05.22.2026-kalamozoo mi-@glow hall
05.23.2026-green bay wi-@ the razz
05.24.2026-minniapolis mn-@eagles club
05.25.2026-iowa city-@tbd

Nature Boys released the single: “Common Visions” from / Dead Broke Rekerds / April 11, 2025

Nature Boys – Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! They left for our first tour in January of 2010.

The band includes:
Danny Fischer on guitar & vocals
Suzanne Hogan on bass & vocals
Brad Highnam on drums.

Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn.

Their fourth album and first on Dead Broke after self-releasing a slew of their previous efforts. Imagine if Dead Moon was a bunch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. Limited to 300 copies. (200 Black, 100 Clear Pink) w/download code..]

Nature Boys played a Special Halloween Benefit for Confluence & KC Tenants on Saturday, October 30, at 8:00 PM, at Blip Roasters 1301 Woodswether Rd, WEST BOTTOMS, KCMO with Pink Phase, DJ Dan Cool, Killus.

Nature Boys play 21st Annual Crossroads Music Fest on Sat, Sept. 6, at 11:15pm in West Bottoms at Voltaire, 1617 Genessee St. with DJ Nana G, DJ Thundercutz, Teri Quinn & The Coyotes, and SEYKO

Danny Fischer Discography

The Afterparty – Forever After – 2005
Piano, Electric Piano [Rhodes], Vocals – Josh Mobley
Bass – Chris DeVictor
Drums – Paul Andrews
Vocals – Sarah Carpenter
Vocals, Guitar – Danny Fischer, Dave Regnier*
Recorded By, Engineer – Chad Meise, Clarke Wyatt
All Songs Written – The Afterparty
Arranged – The Afterparty

The Afterparty – Under The Rainbow – 2006
Vocals, Guitar, Organ – Danny Fischer
Piano [Rhodes] – Josh Mobley
Bass – Chris Devictor
Drums – Paul Andrews
Guitar – David Regnier
Vocals [The Brunettes] – Amie Nelson, Sarah Carpenter, Sonya Andrews
Guitar [Guest Musician] – Marco Pascolini
Saxophone [Guest Musician] – Mark Southerland, Mark Weinberg, Sam Hughes
Soprano Saxophone [Guest Musician] – Jolin Smith
Sousaphone [Guest Musician] – Bill McKemy
Trombone [Guest Musician] – Jeremiah Kidwell, Seth Lee
Trumpet [Guest Musician] – Bobby DuSoul
Fiddle [Guest Musician] – Betse Ellis
Recorded – Chad Meise
Mastered – E. Clarke Wyatt*
Arranged – The Afterparty
Artwork [Art/Packaging] – Pascolini Design Lab

The Afterparty – unreleased 3rd album – 2007
a limited number of cassettes were created.
Side one:
boots
Big Mamou
Rock Bump Head
Tacoland Blues
In Blazes
Dinosaurs
Side two:
Butterflies and Clothesline
Drakkars Mamma
Phil
I Love You

Nature Boys – Nature Boys – 2010
San Huevos Records
Guitar, Vocals – Danny Fischer
Bass, Vocals – Suzanne Hogan
Drums – Aaron Rommel
Recorded – Ashley Miller
Recorded [Assisted By] – Zachary VanBenthusen
Written – Nature Boys
Artwork, Photography, Design Concept – Nature Boys

Nature Boys – Nature Boys – 2013
San Huevos Records
Danny Fischer – Guitar, Vocals
Suzanne Hogan – Bass, Vocals
Aaron Rommel – Drums
Danny Fischer – Lyrics
Recorded by – Jon Kraft
Mixed – Mike Tuley, Jon Kraft, Nature Boys
Photography – Michael Boles
Will Burnip – Artwork [Insert Art]

Nature Boys – 2017
San Huevos Records
Suzanne Hogan
Suzanne Hogan – Bass, Vocals
Evan Malone – Drums
Danny Fischer – Guitar, Vocals
Recorded by – Danny Fischer
Mastered By – Carl Saff
Written By – Nature Boys

Nature Boys – IV – 2021
Dead Broke Rekerds
Suzanne Hogan – Bass, Vocals
Evan Malone – Drums
Danny Fischer – Guitar, Vocals
Recorded By – Danny Fischer, James Rumsey
Carl Saff – Lacquer Cut
Pam Fischer – Cover, Artwork
Grace Ambrose – Layout

Warren Burns – Warren Burns – 2023
Danny Fischer – Guitar, Vocals
Recorded By – Danny Fischer
Mastered By – Carl Saff

Warren Burns – Burn Again – April 10, 2026
Warren Burns on vocals, guitar, piano, harmonica
Brad Highnam on bass, backing vocals, piano
Marco Pascolini on pedal steel
Jon Kraft on drums
with Mark Cohick on pipes,
Marvin Gruenbaum & Tony DeMarco & Kent Brauninger on violin;
Steve Molloy & Danny Fischer on trumpet;
Kari Agosti & Suzanne Hogan & on backing vocals.
Recorded by Duane Trower at Weights & Measures Soundlab.
Mastered by Carl Saff

Danny Fischer thanks for being with us on WMM.

Warren Burns plays Hillsiders 403 N. 5th St., KCK, on Thursday, July 2 with Luke Callen.

Nature Boys play SK8BAR, 4014 Central, KCMO, on Saturday, July 4, at 7:00pm with Red Kate, The Bad Ideas, The Phantom AD, and Braggers

For WMM, I’m Mark Manning. Thanks for listening!

11:52

16. Warren Burns – “Neon Lights”
    from: Burn Again / Warren Burns / April 10, 2026
    [Warren Burns on vocals, guitar, piano, harmonica; Brad Highnam on bass, backing vocals, piano; Marco Pascolini on pedal steel; Jon Kraft on drums, w/ Mark Cohick on pipes, Marvin Gruenbaum & Tony DeMarco & Kent Brauninger on violin; Steve Molloy & Danny Fischer on trumpet; Kari Agosti & Suzanne Hogan & on backing vocals. Recorded by Duane Trower at Weights & Measures Soundlab. Mastered by Carl Saff]

[Warren Burns plays Hillsiders 403 N. 5th St., KCK, on Thursday, July 2 with Luke Callen.]

[Nature Boys play SK8BAR, 4014 Central, KCMO, on Saturday, July 4, at 7:00pm with Red Kate, The Bad Ideas, The Phantom AD, and Braggers]

17. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 8 we welcome Audrey Crabtree from KC Fringe, Chris Garibaldi from Lotuspool Records and the band Suneaters, Theresa Scott of The Utilitarians and Kimmie Queen of The Philistines, AND singer songwriter writer Nikki White!

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 36 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1154