WMM Playlist from October 16, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2019

Krystle Warren, Brad Cox of Owen/Cox Dance Group
+ More Favorite MidCoastal Releases of 2019
+ Betse Ellis + Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Phillips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play OA2 EP Release w/ Emmaline Twist, Sat, Oct 19, 9:PM, miniBar, 3810 Brdway.]

10:04 – Fall Fund Drive w/ Special Guest Co-Hosts: Betse Ellis & Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also a member of the Short Round Stringband, the 5-piece band that released a 14-track album this year called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her patrner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

10:12

Calvin Arsenia

4. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019
Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Heart of the Matter, Sat, Oct 19 at 7 PM at Trinity United Methodist Church 620 E. Armour Blvd, KCMO, The final in Trinity’s series celebrating 100 years on Armour Blvd.]

4. Madisen Ward and the Mama Bear – “Back to the North”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear, recently played The High Watt, Nashville, Saturday, October 12, and Levitt Shell, Memphis, Sunday, October 13.]

10:20 – Pledge Break #2 – [7 Minutes]

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Calvin Arsenia and Madisen Ward and The Mama Bear. Wednesday MidDay Medley was the first radio show to ever play their music. Calvin has been a guest on WMM 15 times and MadisenWard and the Mama Bear have been on the show 8 times. We not only play the music but we let you know where to see these artists perform live in KC and around the country. We offer information about when the music was released, who contributed to the recordings and information about these artists. Our playlists are posted on http://www.kkfi.org, http://www.spinitron.com, http://www.facebook.com/WednesdayMidDayMedleyon90.1FM, https://twitter.com/MarkTManning, and playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org.

10:27 – Underwriting

Krystle Warren

5. Krystle Warren & The Faculty – “Tuesday Morning”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

Brad Cox, Krystle Warren, and Jonathan Anderson on the October 16, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Krystle Warren, Brad Cox and Jonathan Anderson

Krystle Warren, Brad Cox and Jonathan Anderson join us to talk about the world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at The Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being withus on WMM

Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty. Krystle’s most recent release, Three The Hard Way was co-producing by Ben Kane (D’Angelo) and was #1 on WMM’s 117 Best Recordings of 2017.

Brad Cox

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Jonathan Anderson is a freelance professional musician who lives in San Francisco. He played keyboards on the 2012 double album “Love Songs”. He has played with Krystle in multiple live concerts including her Sunday, October 6, 2013 concert on the City Stage of The Power & Light District in Kansas City a band that also included Brad Cox, Jeff Harshbarger and Mike Stover.

Krystle Warren, Brad Cox, and Jonathan Anderson thanks for being with us on WMM

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” on Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

10:42

6. Krystle Warren & The Faculty – “Fool Me Once”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012]

10:45 – Pledge Break #3

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Krystle Warren. KKFI and Mark Manning were some of the very first to play Krystle’s music on the radio. Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours during a winter snow storm, at a huge party where Krystle played with her band including her longtime friend Solomon Dorsey on bass. The show was a benefit show, in a packed, smoke filled apartment, near Community Christian Church across the hall from where Solomon lived. When the show was over Solomon gave Mark a 2-song demo CD, that contained some of Krystle Warren & The Faculty’s ‘s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was one of the first radio shows to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording.

Now, more than ever, Independent, Community Media is important for our world Along with our stellar National Public Affairs shows like Democracy Now, we offer programs specifically produced for the LGBTQIA collective communities, Women’s issues, Native American news and culture, Middle Eastern music and information, latino programming, African American public affairs and community news, labor and worker’s unions, our prison population and justice system, environmental programming, visual and literary arts, and performing arts.

We are The Voice of The Community – 90.1 offers 102 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 147 hours each week of locally produced handcrafted programs.

You we not find this kind of representative diversity anywhere else on your radio dial. or from any singular source on your computer. It is very special. It needs to be nourished and kept alive.

10:52

7. Krystle Warren & The Faculty – “Forever Is a Long Time”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:56 – Station ID

10:56 – More Interview with Krystle Warren & Jonathan Anderson

Krystle Warren, Brad Cox, and Jonathan Anderson join us to talk about the world premiere of Owen/Cox Dance Group: Love Songs featuring new original choreography by Jennifer C. Owen, brought to life by the amazing dance company of Owen/Cox, to all 24 songs from Krystle’s critically acclaimed double album “Love Songs,” performed LIVE by Krystle Warren, with a 12 piece band of many of Kansas City’s very best musicians.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

Love Songs: “A Time You May Embrace” and “A Time to Refrain from Embracing” is a double album recording, of songs written by Krystle Warren (12 songs on each album) from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty, alongside choirs, horn and string sections.

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” is Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

11:07

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

11:10 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:17

The Black Creatures

9. The Black Creatures – “wretched (it goes)”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Lincoln Marshall, and Neak]

10. Lincoln Marshall – “Falling Up”
from: Wisdom / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray. Additional keyboards & atmosphere by Asterales, guitar by Ross Williams, horns by Miles Bonny, live drums & percussion by Aikido Bray. Artwork, Photography & Layout Design By: The Art My Life Imitates

[Lincoln Marshall play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Black Creatures, and Neak]

11. Stacy Busch – “When / Time”
from: When / Time – Single / Stacy Busch / October 3, 2019
[“When/Time” is the flagship piece for a new collaboration between Stacy Busch, Andi Meyer, Sascha Groschang and J.J. Pearse coming next spring. Stacy will be performing this live along with an all new set on October 17, at 8:00 pm at Westport Coffee House at my show called “She Shed.” I’ll also be performing this song at the ArtsKC Awards Luncheon in February. 30 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch is presenting “She Shed” Thursday, October 17, at 8:00 pm at Westport Coffee House, 4010 Pennsylvania, KCMO, Featuring J.J. Pearse and pieces written by Kalli Siringas. This is a No Divide KC production. All proceeds will go towards No Divide KC and our 2020 programming.]

11:27 – Underwriting

11:29 – Pledge Break #5

Our Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

We offer loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Records With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music,

11:36

Mike McCoy

12. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

Short Round Stringband

13. Short Round Stringband – “The One I Love is Gone”
from: Ain’t No Part of Nothin’ / Short Round Stringband / July 19, 2019
[From the debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience.]

[Short Round Stringband play Pilgrim’s Progression Dance Weekend, Friday, November 15th, 7:00 PM, East Lawrence Recreation Center, 1245 E 15th St, Lawrence, KS]

[Betse & Clarke Return to Open Range Concerts, Sunday, November 3, at 3:00 PM in Paola, Kansas]

[Betse & Clarke play an Old Time Party, Wed, Nov. 6, 7:00 PM, at The Ship, 1217 Union Ave, KCMO.]

Making Movies

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies are currently on an extensive US Tour with shows all through October and November bringing the band back home to KC for another special New Year’s Eve show at The Truman 601 E. Truman Road, KCMO, Tuesday, December 31, 2019 at 9:00 PM. More info at: http://www.mkngmvs.com]

11:47 – Pledge Break #6

Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You! Thank you to everyone who called in!

11:55

Thighmaster

15. Thighmaster – “Aerobicise”
from: Aerobicise – Single / High Dive Records / August 9, 2019
[Debut single from Thighmaster a Lawrence, Kansas based band formed by Maxfield Yoder (formerly of the bands: Dean Monkey & the Dropouts, Plains) on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Thighmaster recently signed with KC based label High Dive Records. The band is resurrecting the song-writing demons that have long haunted Mayfield Yoder. Thighmaster truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. “Aerobicise” was Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 23 – Marion Merritt returns as Guest Producer with more sonic discoveries and information from her musically-encyclodedic-brain. Also joining us is musician, singer, songwriter, producer, Shawn Stewart, and artist, actor, designer, performance artist, Late Night Theatre alum, Jon “Piggy” Cupit.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #807

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WMM presents Krystle Warren & Brad Cox + Betse Ellis + Marion Merritt

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2019

Krystle Warren, Brad Cox of Owen/Cox Dance Group
+ More Favorite MidCoastal Releases of 2019
+ Betse Ellis + Marion Merritt

Mark spins tracks from 10 more of our favorite MidCoastal Releases of 2019: Lincoln Marshall, The Black Creatures, Calvin Arsenia, Madisen Ward and the Mama Bear, Other Americans, Making Movies, Mike McCoy’s Trompe-l’œil, Stacy Busch, Short Round String Band, and Thighmaster. We’ll also feature multiple tracks from Krystle Warren‘s 24-song, double vinyl album, “Love Songs – A Time You May Embrace and A Time To Refrain From Embracing” which was recently named one of the best records of the decade.

At 10:30, Krystle Warren and Brad Cox join us to share details and music about the world premiere of the Owen/Cox Dance Group: Love Songs featuring original choreography set to a live musical performance of Krystle’s acclaimed double album, “Love Songs” performed by Krystle and a full band led by Brad. The performances are Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at The Polsky Theatre at Carlsen Center for the Performing Arts, at Johnson County Community College, 12345 College Blvd, OPKS. For more information you can contact: http://www.owencoxdance.org

Betse Ellis

Marion Merritt

Mark also welcomes Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke who joins us for the entire show as our special guest co-host. We also welcome Marion Merritt, longtime contributor to Wednesday MidDay Medley, and proprietor of Records With Merritt, who also joins us as co-host. Betse & Marion will help to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Fall Fund Drive Show.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #807

WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

Wednesday MidDay Medley presents Julia Other + Jocelyn Olivia Nixon + Brenton Cook & Steve Tulipana of Outer Reaches Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

Mark plays music from the 8th annual Outer Reaches Fest, with tracks from: Lumerians, Unicorns in the Snow, Be/Non, Thunder Jackson, BCR, FaceFace, and Monta At Odds. We’ll also play new music from Pretend Friend who play the 5th annual PorchFest KC. And we’ll spin music from Julia Othmer, The Creepy Jingles, and Angel Olsen.

Julia Othmer

At 10:15 Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie, a UK musician and producer who married Julia after the completion of “Sound.” Music writer Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.” Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown. Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

The Creepy Jingles

At 10:33 Mark talks with Jocelyn Olivia Nixin, lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records. The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes. The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat. The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky. More info at: http://www.highdiverecords.bandcamp.com

At 11:00 Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) and has a ticket price of $15. Advanced ticket options are available at http://www.therecordbar.com. More Info: http://www.outerreachesfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from Oct. 2, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 2, 2019

Music from the 9th Annual Middle of The Map Fest
with Chris Haghirian & Nathan Reusch
+ Ordinary Elephan
t

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Ordinary Elephant – “Harriet”
from: Honest / Berkalin Records / May 3, 2019
[Ordinary Elephant is: Crystal Hariu-Damore -on vocals & guitar; Pete Damore on vocals, banjo, & octave mandolin. For this recording Ordinary Elephant was joined in the studio by: Will Kimbrough on electric guitar, acoustic guitar, mandola, & organ; Michael Rinne on bass; Neilson Hubbard on piano & percussion. Produced by Neilson Hubbard. Engineered & Mixed by Dylan Alldredge at Skinny Elephant Recording.
Mastered by Jim DeMain at Yes Master Studios. Keep kind all that rises from your chest to your tongue. Don’t ever let your words undo the work you’ve done,” sings Crystal Damore on “Worth the Weight,” a song that beats at the heart of Ordinary Elephant’s potent new album, Honest. In the song, it’s a two-line enjoinder from an adult to a kid. In life, though, it’s a mission statement for ourselves as much as for others. And the work that Crystal, along with her husband Pete, has done on Honest is both filled with kindness and worthy of praise. With her on acoustic guitar/lead vocals and him on clawhammer banjo/harmony vocals, Honest is worth so much more than its weight, and Ordinary Elephant makes every kind word count as it rises from their chests to their tongues. ©2019 Ordinary Elephant. All rights reserved. All songs written by Ordinary Elephant (©2019 Bean Sown Music/ASCAP) except Jenny & James Written by Ordinary Elephant (©2019 Bean Sown Music/ASCAP) and Wes Collins (©2019 Whoompleytunes/ASCAP).]

[Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.]

Ordinary Elephant

10:05 – Interview with Pete & Crystal Damore of Ordinary Elephant

But first we welcome to our 90.1 FM Studios Pete & Crystal Damore, who are Ordinary Elephant. Ordinary Elephant were named “Artist of The Year” at the 2017 International Folk Music Awards. This duo lives on the road full-time, and are in Kansas City for a few shows. Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley.

Welcome back to Kansas City.

Ordinary Elephant won the 2017 International Folk Music Awards – Artist of the Year – right here in Kansas City at The Folly Theatre, (February 14, 2018).

Folk Alliance International held the their annual conference in Kansas City that year.

Pete & Crystal Damore quit their jobs to go full time on their music. Crystal and Pete had to set aside the work they’d done previously, as a veterinary cardiologist and a computer programmer, respectively. The two met at an open mic in College Station, Texas, in 2009 and soon moved to Houston together. With her on acoustic guitar/lead vocals and him on clawhammer banjo/harmony vocals, the work of music continued on the side as both had full-time jobs, until they threw all caution to the wind and hit the road in an RV.

The choices we make are not always easy or safe, but they are important. The songs on Honest speak, again and again, to being our truest, best selves, no matter who we are or where we come from. Indeed, every of us has a heritage, a legacy, a story, of which we are a part, for better and for worse. Each moment and memory a lesson leading us to who we will be.

“Honest” was funded with a Kickstarter campaign.

“Honest” is being called ” one of the best Americana albums of the year.”

One review said that their name Ordinary Elephant “sounds like a ’90s jangle-pop band that never broke through. If that’s your expectation, prepare to be surprised.”

Ordinary Elephant play a “House Concert” in Kansas City tonight.

http://www.ordinaryelephant.net

Pete Damore and Crystal Damore of Ordinary Elephant play live on the October 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:14

3. Ordinary Elephant – “I Come From” (LIVE)
also available on: Honest / Berkalin Records / May 3, 2019

10:16 – Interview with Pete & Crystal Damore of Ordinary Elephant

We are talking with Pete & Crystal Damore, of Ordinary Elephant Ordinary. Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley

Pete grew up in Austin, Texas, in a big Italian family who gathered for big Italian meals, and he’s quick to admit that we all live in bubbles of our own making or choosing. “I can only imagine growing up in a toxic environment,” he offers. “Without the perspective gained from travel and experiencing other cultures, it’s nearly impossible to realize how toxic your world actually is. I can’t fault anybody not overcoming. I’m not in their shoes. I know I can’t change them by telling them they’re wrong, but I do know that people can change when they see new things.”

Ordinary Elephant Discography:

Before I Go / Released on Berkalin Records / 2017
Produced by Jono Manson / Featuring Sharon Gilchrist (Peter Rowan & Tony Rice Quartet, Darol Anger) and Jason Crosby (Bob Weir, Phil Lesh)

Honest / Released on Berkalin Records / 2019
Produced by Neilson Hubbard / Featuring Will Kimbrough and Michael Rinne

Upcoming Shows:

Wednesday, October 2, Kansas City, MO – Private House Concert, 6:00 PM

Thursday, October 3, Olathe Public Library, 7:00 PM

Friday, October 4, Oklahoma City, OK – The Blue Door w/ K.C. Clifford 7:30 PM PM

Saturday, October 5, 2019 Tulsa, OK – Woody Guthrie Center w/ K.C. Clifford, 7:00 PM
102 East Mathew Brady Street Tulsa, OK, 74103

Sunday, October 6, 2019 Lawrence, KS – Studio 901 House Concert 4:00 PM

Wednesday, Oct. 9, 2 Minneapolis, MN – The Warming House w/ Sarah Morris. 8:00 PM

Pete Damore and Crystal Damore of Ordinary Elephant on the October 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:25

4. Ordinary Elephant – “Hope To Be That Happy” (LIVE)
also available on: Honest / Berkalin Records / May 3, 2019

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley

Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.
More info at: http://www.ordinaryelephant.net

10:29 – Underwriting

10:33 – Bands playing Middle of The Map Fest 2019

5. Clairo – “Bags”
from: Immunity / Fader / August 2, 2019
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts. Her fame escalated after releasing “Pretty Girl” in 2017, a lo-fi-produced song that attracted over 35 million views on YouTube. She credited her sudden popularity to the website’s algorithm system. Claire was born in Atlanta, Georgia, the daughter of marketing executive Geoff Cottrill. According to her, “Pretty Girl” was inspired by 1980s pop music, and that although she was tagged with the “bedroom pop” label, it was not her intention to make that style of music. After the popularity of “Pretty Girl”, Clairo signed a record contract with Fader. Clairo’s father, Geoff Cottrill, formerly held top positions at Procter & Gamble, Coca-Cola, Starbucks, Converse, and MusiCares a philanthropic organization associated with the Grammy Awards. Between 2015 and 2017, he was president of American operations at MullenLowe Lintas Group. Claire began recording covers at the age of 13 and taught herself guitar from Internet tutorials. During this time, MTV contacted her to record a song to be used as background music for one of their shows, but the song was never used. Under the names Clairo and DJ Baby Benz, she began posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on SoundCloud. She also maintained a YouTube channel where she would post covers and short films. In 2017, she began attending Syracuse University. Clairo’s “Pretty Girl” was recorded for an indie rock compilation benefiting the Transgender Law Center. According to her, she recorded the track “using the resources around me which were pretty shitty. I used like a little keyboard that I had and I was really into ’80s pop music — my mom is obsessed with it — so it kind of inspired me to do something like that.” The video also became popular on vaporwave-centric Facebook groups. Another video that was uploaded to YouTube a month earlier, “Flamin Hot Cheetos”, garnered 3 million views by July 2018. The success of “Pretty Girl” led to interest from major labels such as Capitol, RCA, and Columbia. Clairo signed a 12-song record contract with Fader Label. According to The New York Times, this was made possible by her father’s connection to Jon Cohen, co-founder of The Fader and an executive at the publication’s marketing agency, Cornerstone. He signed Clairo to the magazine’s associated record label. Clairo is managed by Mike Ahern and Jimmy Bui. “The whole ‘do-it-yourself’ attitude is everything that I’m about. […] I think it’s really important to be genuine and authentic with everything you do.” —Claire Cottrill, 2017 interview with Fader. In October 2017, an article about Clairo was published by Fader, in which she stated that she was most inspired by Brockhampton, and cited their “do-it-yourself ‘attitude'” as her ethos. Some online communities criticized her comments as disingenuous, arguing that her professional career was borne from nepotism, and thus she should not be considered a true DIY musician. They accused her of being an “industry plant”, in other words, an artist who has backing from the music industry to advance or kick-start their careers, but are deceptively presented as an independent start-up. Such discussion appeared mostly on Reddit. One of the widely shared posts lamented that, although the user enjoyed her music and thought she was an “inspiring” songwriter, they could not fathom why none of her articles and interviews acknowledged her father’s significant industry connections. Clairo described the “industry plant” accusation as sexist and denied that there was “a man behind my success”. The Ringer contributor Lindsay Zoladz commented that it would have likely been more difficult for Clairo to get a record contract without her father’s connections, and that “it is impossible to imagine Clairo’s success in a Gen X world, so vital is the internet to her appeal.” On May 25, 2018, Fader Label released Clairo’s debut record, titled Diary 001. In her review for Pitchfork, Fader contributor Sasha Geffen wrote that the EP ought to subside the “legions of naysayers who dismissed her as a one-hit fluke or an industry plant.” By then, “Pretty Girl” had amassed more than 15 million views on YouTube. A piece written by Joe Coscarelli of The New York Times said that the work: “bridges both worlds, building on the coy, understated bedroom pop of ‘Pretty Girl’ and ‘Flamin Hot Cheetos’ toward sturdier numbers like ‘4EVER’ and ‘B.O.M.D.'”. That same month, she announced a headlining tour throughout North America, opening for Dua Lipa on multiple dates. Her July performance at the Bowery Ballroom in New York was a sold-out show. In October 2018, she performed at Lollapalooza. She is scheduled to perform at Coachella 2019.]

[Clairo plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Snail Mail, Beabadoobee, and Hello Yellow.]

10:37 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. The next 90 minutes of our show is dedicated to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

Joining us for the entire show are the founders and organizers of Middle of The Map Fest:

Chris Haghirian has worked for The KC Star for 20 years and helped launch INK in April of 2008 where he puts together music promotions, and organizes music for Boulevardia, The Plaza Art Fair, and KC Star Sessions Live on Mondays at Noon on The Star’s Facebook Page Live. Chris is the host, with Sarah Bradshaw, of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge.

Chris Haghirian thanks for being with us on WMM.

Also with us is our friend, Nathan Reusch is co-founder of The Record Machine, and independent area music label he started with friends and has fostered for over 16 years. Nathan is also the co-founder and curator of the Middle of The Map Fest.

Nathan Reusch thanks for being with us on WMM.

Congratulations on 9 years of The Middle of The Map Fest!

We just played Clairo – Middle of The Map’s Friday October 4 Headliner – and late breaking changes have moved Clairo, Snail Mail, Beabadoobee, Hello Hello, from the Crossroads KC to The Uptown Theatre,

Bands include: Clairo, Snail Mail, Beabadoobee, Hello Hello, Michigander, Me Like Bees, Brother Moses, Berwanger, The Sluts, Second Hand King, Drop A Grand, The Creepy Jingles, Mild Cats, Golden Groves, Hannah Norris and The Band, Hot Suede, The Moose, Quite frankly, Oxford Remedy, BigFatCat, Miki P, Stary, Blue False Indigo, Heartfelt Anarchy, Claire Adams, Modern Day Fitzgerald, Violent Bear, Fathers, Womanish Girl, Pala Zolo, Lazy Projector, Use Your Atlas, Leah Watts, The Bad ideas, Good Saint Nathaneal, JC and The Nuns, Una Walkenhorst, Courtney Ann Hall, Jo MacKenzie, The Arsonists, and Caroline Blubaugh.

We’re playing tracks from 15 of over 45 bands participating in Middle of The Map Fest.

MUSIC SCHEDULE

Friday, October 4 – Uptown Theatre, 3700 Broadway, KCMO

7:00 PM HELLO YELLO
7:45 PM BEABADOOBEE
8:45 PM SNAIL MAIL
10:00 PM CLAIRO

10:46

6. Snail Mail – “Pristine”
from: Lush / Matador / June 8, 2018
[Baltimore based solo project of Lindsey Jordan]

[Snail Mail plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Clairo, Beabadoobee, and Hello Yellow.]

7. Beabadoobee – “She Plays Bass (Radio Edit)”
from: She Plays Bass – Single / Dirty Hit / August 21, 2019
[Bea Kristi, known by her stage name Beabadoobee, is a Filipino-British indie artist, who was born in Iloilo City, Philippines, on June 3, 2000. Beabadoobee released her first song ‘Coffee’ and a cover of Karen O’s ‘The Moon Song’ on September 17, 2017. This was followed by the release of her debut EP Lice on March 1, 2018. Her second EP, titled Patched up was released on December 7, 2018. In early 2019, Beabadoobee released an EP titled Loveworm. In July 2019, Beabadoobee released an acoustic version of her Loveworm EP titled Loveworm (Bedroom Sessions). Beabadoobee is signed to the record label, Dirty Hit, who released her singles “She Plays Bass” in August 2019 and “I Wish I Was Stephen Malkmus” in September 2019.]

[Beabadoobee plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Clairo, Snail Mail, and Hello Yellow.]

10:51 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. We are dedicating our show to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

MUSIC SCHEDULE – Friday, October 4

recordBar, 1520 Grand Blvd, KCMO

TITO’S HANDMADE VODKA & SOUNDMACHINEKC PRESENTS

8:00 PM DROP A GRAND
9:00 PM VARIOUS BLONDE
10:00 PM THE SLUTS
11:00 PM ME LIKE BEES

Josey Records, 1814 Oak St, KCMO.

6:00 PM BERWANGER
7:00 PM JC & THE NUNS
8:00 PM BAD IDEAS
9:00 PM MILD CATS

Songbird Cafe, 1529 Grand Blvd, KCMO.

89.3 KCUR GENERATION LISTEN PRESENTS

6:00 PM KAT KING
7:00 PM MIGUEL ANTONIO
8:00 PM NICOLE SPRINGER
9:00 PM GOOD SAINT NATHANAEL

10:56 – recordBar – Friday, October 4

8. Various Blond – “All Bases Covered”
from: All Bases Covered / The Record Machine / September 16, 2016
[Alternative experimental progressive rock funk pop progressive psychedelic from KC based band. Produced by Adam Mcgill, written by Joshua Allen. Various Blonde was conceived by Joshua Allen in 2008 and has opened for numerous national acts, Russian Circles, Free Moral Agents, Zechs Marquise, Dead Meadow, Imaad Wasif, Jucifer,The Memorials, Thursday, Fang Island, Murder By Death, Matt Pryor, Wannabe Jalva, and Electric Sixx. Current members Include: Joshua Allen on guitar & vocals, Adam Mcgill on guitar, Evanjohn Mcintosh on bass, Mark Lomas on drums. Various Blonde played the Crossroads Music Fest, September 10. Joshua Allen joined us live oj WMM on August 3, and September 14.]

[Various Blonde plays Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, The Sluts and Me Like Bees ]

9. Me Like Bees – “Heartbeats”
from: Heartbeats – Single / Me Like Bees / August 2, 2019
[Formed in Joplin in 2009 by Luke Sheafer, Nick Bynum, Pete Burton, Tim Cote. In 2015 after completing a leg in Van’s Warped Tour, Me Like Bees finished their new EP with award-winning producer, John Feldmann (Five Seconds of Summer, The Used, Panic! at the Disco, Goldfinger, Good Charlotte, Plain White T’s)]

[Me Like Bees play Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, The Sluts and VArious Blonde.]

11:03 – Station Identification

10. The Sluts – “Wonderful”
from: Only One / The Sluts / May 25, 2017
[Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play play Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, Me Like Bees, The Sluts and Various Blonde.]

11:05 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. We are dedicating our show to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

Middle of the Map Fest started Started April 8, 2011

Middle of the Map Fest moved from Spring to Summer last year, and now to Fall this year: Friday, October 4, and Saturday, October 5 http://www.middleofthemapfest.com

Saturday, October 5 – Day Parties:

Messenger Cafe, 1624 Grand, Blvd

2:00 PM CLAIRE ADAMS
3:00 PM MODERN DAY FITZGERALD
4:00 PM LAZY PROJECTOR
5:00 PM VIOLENT BEAR

Songbird Cafe, 1529 Grand Blvd, KCMO.

89.3 KCUR GENERATION LISTEN DAY PARTY
2:00 PM JO MACKENZIE
2:50 PM UNA WALKENHORST
3:40 PM LEAH WATTS
4:30 PM COURTNEY ANN HALL
5:20 PM MIKI P

The Brick, 1727 Megee St,. KCMO

90.1 KKFI DAY PARTY
2:00 PM BLUE FALSE INDIGO
3:00 PM CAROLINE BLUBAUGH
4:00 PM PALA ZOLO
5:00 PM WOMANISH GIRL

11:12 – Saturday Day Parties, October 5

11. Claire Adams – “Better Luck”
from: Better Luck – Single / Republic Recordings / September 20, 2017
[Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. 2019 finds Adams collaborating with the KC based string quartet Rewound, jazz pianist Alyssa Murray & drummer Fritz Hutchinson. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals.]

[Claire Adams plays Middle of The Map Fest, Saturday, October 5, at 2:00 at Messenger Coffee, 1624 Grand Blvd, with Modern day Fitzgerald, Lazy Projector, and Violent Bear.]

12. Jo MacKenzie – “Lights Down Low”
from: Proud – EP / Jo Mackenzie / November 17, 2018
[Debut EP from Kansas City based 16 year old singer songwriter Jo MacKenzie.]

[Jo Mackenzie plays Middle of The Map Fest on Saturday, October 5, at 2:00 at Songbird Cafe 1529 Grand Blvd, KCMO. with Una Walkenhorst, Leah Watts, Courtney Ann Hall, and Miki P.]

13. Pala Zolo– “Up Northern”
from Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

[Pala Zolo plays Middle of The Map Fest on Saturday, October 5, at 4:00 at 90.1 KKFI DAY PARTY at The Brick, 1727 Megee St,. KCMO with Blue False Indigo, Caroline Blubaugh, and Womanish Girl.]

11:23 – More Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

The Brick, 1727 Megee St,. KCMO – Saturday, October 5

THE RECORD MACHINE PRESENTS
8:30 PM NUBLVCKCITY
9:30 PM HEARTFELT ANARCHY
10:30 PM STARY
11:30 PM THE FEY
12:30 PM SECOND HAND KING

11:26 – The Brick Saturday Night, October 5

14. Stary – “Rainy”
from: Stary / Stary / June 5, 2019
[Debut EP from alternative, lo-fi, indie rock band formed in Kansas City with Adam Stary on guitar & vocals; Marisa Bee on bass & vocals, and Seth Props on drums. Production by Sean Obrecht and Wallace McCanless.]

[Stary play Middle of The Map, Saturday, October 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Heartfelt Anarchy, NublvckCity, Heartfelt Anarchy, The Fey, and Second Hand King.]

15. The Fey – “Lost in My Head (Radio Edit)”
from: Lost in My Head – Single / The Record Machine / August 2, 2019
[New single and follow to the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Middle of The Map, Saturday, October 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Heartfelt Anarchy, NublvckCity, Heartfelt Anarchy, Stary, and Second Hand King.]

16. NuBlvckCity – “All Night”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[NuBlvckCity play Middle of The Map, Sat, Oct. 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Stary,, Heartfelt Anarchy, The Fey, and Second Hand King.]

11:36 – Underwriting

11:38 – More of our Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

recordBar, 1520 Grand, Blvd, KCMO – Saturday, October 5

90.9 THE BRIDGE DAY PARTY
2:00 PM THE MOOSE
2:50 PM THE ARSONISTS
3:40 PM OXFORD REMEDY
4:30 PM QUITE FRANKLY
5:20 PM BIGFATCAT

TITO’S HANDMADE VODKA & SOUNDMACHINEKC PRESENTS
8:00 PM HANNAH NORRIS AND THE BAND
9:00 PM USE YOUR ATLAS
10:00 PM BROTHER MOSES
11:00 PM MICHIGANDER

11:43 – recordBar – Saturday, October 5

17. The Arsonists – “Alex (Radio Edit)”
from: Cold – Single / The Arsonists / September 17, 2017
[Notes excerted from The Unversity Daily Kansan: The Arsonists sparked a fire with their new music video featuring commentary on school shootings. Hailing from Lawrence High School, The Arsonists is a band composed of a group of sophomores. The current band is Aden Smith on the drums, Jaxon Ray on the keys and accordion, Giovanni Ventello on guitar and vocals, and Giovanni Lule-Paredes on bass. For the band’s most recent song, “Alex,” which also features fellow student Sadie Capps, the music video is filmed in black-and-white and features a school undergoing a lockdown situation during a lyrically implied school shooting. While the band plays in the gym, students hide under desks in classrooms and bathroom stalls, following procedure. Lyrically, “Alex” is a politically-charged song, commenting on politicians and older generations attacking students when they speak out about gun violence. The story behind the title of the song has a message hidden behind it. Alex Schachter was a victim in the Parkland school shooting. The fourteen-year-old played baritone in the school marching band and trombone in the orchestra. The Arsonists said they named the song after the late student musician to remember him and other victims of gun violence.]

[The Arsonists play Middle of The Map, Sat, Oct. 5, at 2:50 PM for The Bridge 90.9 Day Party at recordBar, 1520 Grand, Blvd. with The Moose, Oxford Remedy, Quite Frankly and BigFatCat.]

18. Michigander – “Nineties”
from: Nineties – Single / Michigander / April 29, 2016
[Michigander is Jason Singer, a Midland, Michigan based musician. Adopted at three-weeks-old, Jason gravitated towards music at a young age. He found an old classical guitar in the closet and taught himself how to play with a chord chart “from a guy at church.” In between piano lessons, he listened to everyone from James Taylor, The White Stripes, and Rush to Britpop a la Oasis, Coldplay, and Arctic Monkeys. Opting to forego college, he snuck off to play cover sets for 400 bucks a pop at night in bars and coffee shops alone. Relocating to Kalamazoo, he brought Michigander to life during 2014. The independent single “Nineties” took off, claiming real estate on Spotify playlists such as Indie All Stars, Viral Hits, and Indie 2017 and cracking 1 million streams on the platform. Between releasing the 2018 Midland EP, the group shared the stage with the likes of Ra Ra Ra Riot, Tokyo Police Club, Twin Peaks, and JR JR in addition to gracing the stages of festivals with alt-j, Solange, Foster The People, and Run The Jewels, to name a few. Signed to C3 Records, he recorded Where Do We Go From Here and expanded the sound in 2019. Jason wrote everything in his bedroom over the course of six months and followed a thematic thread inspired by his recent move back to Kalamazoo from Midland. Co-producing alongside Jake Rye, he emphasized the prominence of solos—in every song—making what he aptly describes as, “big pop songs disguised with guitars.]

[Michigander plays Middle of The Map, Sat, Oct. 5, at 11:00 PM, at recordBar, 1520 Grand, Blvd. with Hannah Norris and the Band, Use Your Atlas, and Brother Moses.]

11:50 – More of our Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

Chris Haghirian & Nathan Reusch thanks for being with us on WMM.

Middle of the Map sponsors: Ink, The Kansas City Star, Kansas City Maker City, The Record Machine, Mammoth, Screenland Theatres, KC Royals, Tito’s Handmade Vodka, Boulevard Brewing Co., Seen Merch, 90.9 The Bridge, 90.1 FM KKFI, 89.1 KCUR, VMLY&R, Nashville Music City, iWerx, Mid-Continent Public Library, KC Film, Torn Label Brewong, Fine Dining Productions, The Rino, Restless Spirits, Boto Box, Red Bull

Chris Haghirian & Nathan Reusch thanks for being with us on WMM. More info at http://www.middleofthemapfest.com

11:56

19. Clairo – “B.O.M.D.” (feat: Danny L Harle)
from: diary 001 – EP / Fader / May 25, 2018
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts.]

[Clairo plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Snail Mail, Beabadoobee, and Hello Yellow.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 9 – Jocelyn Olivia Nixin, lead singer and songwriter for The Creepy Jingles joins us for our first hour. In our second hour we feature music from The Outer Reaches Festival, October 12 at recordBar, and welcome special guests Brenton Cook and Steve Tulipana.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #805

WMM Playlist from September 25, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2019

The Black Creatures + Dylan Pyles
+ Clint Hoffmeier, Matt Tady & Katelyn Jamison
+ Ian Griggs, Jonathan Hendrix & Galen Gould of Tiki Brawlers

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Brittany Howard – “Stay High”
from: Jaime / ATO Records / September 20, 2019
[Brittany Howard writes, “I wrote this record as a process of healing. Every song, I confront something within me or beyond me. Things that are hard or impossible to change, words and music to describe what I’m not good at conveying to those I love, or a name that hurts to be said: Jaime. // I dedicated the title of this record to my sister who passed away as a teenager. She was a musician too. I did this so her name would no longer bring me memories of sadness and as a way to thank her for passing on to me everything she loved: music, art, creativity. // But, the record is not about her. It’s about me. // It’s not as veiled as work I have done before.
I’m pretty candid about myself and who I am and what I believe. Which, is why I needed to do it on my own. // I wrote and arranged a lot of these songs on my laptop using Logic. Shawn Everett helped me make them worthy of listening to and players like Nate Smith, Robert Glasper, Zac Cockrell, Lloyd Buchanan, Lavinia Meijer, Paul Horton, Rob Moose and Larry Goldings provided the musicianship that was needed to share them with you. // Some songs on this record are years old that were just sitting on my laptop, forgotten, waiting to come to life. Some of them I wrote in a tiny green house in Topanga, CA during a heatwave. // I was inspired by traveling across the United States. I saw many beautiful things and many heartbreaking things: poverty, loneliness, discouraged people, empty and poor towns. And of course the great swathes of natural, untouched lands. Huge pink mountains, seemingly endless lakes, soaring redwoods and yellow plains that stretch for thousands of acres. There were these long moments of silence in the car when I could sit and reflect. I wondered what it was I wanted for myself next. I suppose all I want is to help others feel a bit better about being. All I can offer are my own stories in hopes of not only being seen and understood, but also to learn to love my own self as if it were an act of resistance. // Resisting that annoying voice that exists in all of our heads that says we aren’t good enough, talented enough, beautiful enough, thin enough, rich enough or successful enough. The voice that amplifies when we turn on our TVs or scroll on our phones. // It’s empowering to me to see someone be unapologetically themselves when they don’t fit within those images. That’s what I want for myself next and that’s why I share with you, “Jaime”.”]

3. Cate Le Bon & Bradford Cox – “Secretary”
from: Myths 004 / Mexican Summer / November 1, 2019
[Performed by Bradford Cox and Cate Le Bon, with additional players Stephen Black, Samur Khouja, Stella Mozgawa, and Tim Presley. Recorded at Marfa Recording Co. (Marfa, Tx), and Maze Studios (Atlanta, GA), 2018. Co-produced by Bradford Cox and Cate Le Bon. Engineered by Samur Khouja. Assistant Engineered by Chico Jones. Mixed by Ben Etter at Maze Studios (Atlanta, GA). Mastered by Heba Kadry at Timeless Mastering (Brooklyn, NY). As sure as if it had been mapped in the stars, or written in a prophecy buried deep beneath the sands of the Marfa desert, a collaboration between Cate Le Bon and Bradford Cox was always something of an inevitability. After years of admiring each other’s work from afar, the two finally converged on Marfa, Texas in 2018, at Mexican Summer’s annual Marfa Myths festival. Gaps puttied by a band of frequent Cate Le Bon co-conspirators on drums, saxophone, percussion, keys and additional guitar (Stella Mozgawa of Warpaint, Stephen Black of Sweet Baboo, Tim Presley of White Fence, and Samur Khouja); the EP–fourth in Mexican Summer’s Myths series–was written and recorded in just one week.]

10:10

4. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles and are now on the verge of releasing their new album, Wild Echoes.]

[The Black Creatures play Thursday Night Show at Westport Coffee House, Thurs, Sept 26, 8:00 PM.]

[Jade Green performs in an intimate evening with Jessica Ayala featuring members of Arquesta Del SolSoul: Les Izmore, Brad Williams, and Yesid Fabian Prad, Friday, September 27, at 6:00 PM, on the ROOFTOP of the Student Union and UMKC Multicultural Student Affairs, 3838 E. 63rd St, KCMO.]

10:15 – Interview with Xavier Martin & Jade Green of The Black Creatures

5. Interview w/ Xavier Martin & Jade Green, recorded Monday, Sept. 23, 2019 in KKFI Production studio

Xavier Martin and Jade Green are The Black Creatures are a darkpop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. The duo has made an impression of the music community in the past few years with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles and are now on the verge of releasing their new album, Wild Echoes on September 30, 2019.

The Black Creatures play Thursday Night Show at Westport Coffee House, Thurs, Sept 26, 8 – 10 PM.

Jade Green performs in an intimate evening with Jessica Ayala featuring members of Arquesta Del SolSoul: Les Izmore, Brad Williams, and Yesid Fabian Prad, Friday, September 27, at 6:00 PM, on the ROOFTOP of the Student Union and UMKC Multicultural Student Affairs, 3838 E. 63rd St, KCMO.

Xavier Martin and Jade Green thanks for being with us on Wednesday MidDay Medley

New Album release: The Black Creature – Wild Echoes – September 30, 2019 (Physical CDs available) More informational: http://www.theblackcreatures.bandcamp.com

The Black Creatures

Xavier Martin is a DJ/Writer/Producer/Rapper/Singer.

Jade Green also performs with: Arquesta Del SolSoul. Arquesta Del SolSoul is a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves: African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.” Members include (but not limited to) Les Izmore, Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

The Black Creatures Discography:

The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.

The Black Creatures “Elements” – Single, February 14, 2018

The Black Creatures “Silver Tears” – Single, June 19, 2018 with additional voices provided by AniMal (Ana Marcela Maldonado Morales) , Barbara Solomon , Kassidee, Quaranta , Adres Va Cortas

The Black Creatures “Dare Gorillaz (Cover)” – Single, August 8, 2019

The Black Creature – Wild Echoes – September 30, 2019

Recent Past Shows:

Xavier Martin and Jade Green performed with Calvin Arsenia for his album release show Thursday, September 19 at recordBar.

The Black Creatures played Crossroads Music Fest, September 7, 2019

The Black Creatures played Davey’s Sept. 6 with Gone Gurls, Lovergurl, Wick & The Tricks

The Black Creatures played recordBar, August 16 with Collidescope, Another Maxwell, and Sauce

The Black Creatures played miniBar, July 27 with Seasaw, and Kat King

The Black Creatures played R.S.D. April 13, at Records With Merritt

The Black Creatures at InterUrban ArtHouse called “Emergence” – Queer Storytelling, on July 10.

Xavier Martin and Jade Green thanks for being with us on Wednesday MidDay Medley

The Black Creatures

10:35

6. The Black Creatures – “U N I Verse”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles and are now on the verge of releasing their new album, Wild Echoes.]

[The Black Creatures play Thursday Night Show at Westport Coffee House, Thurs, Sept 26, 8:00 PM.]

[Jade Green performs in an intimate evening with Jessica Ayala featuring members of Arquesta Del SolSoul: Les Izmore, Brad Williams, and Yesid Fabian Prad, Friday, September 27, at 6:00 PM, on the ROOFTOP of the Student Union and UMKC Multicultural Student Affairs, 3838 E. 63rd St, KCMO. ]

10:40 – Underwriting

7. “Marpessa”
Theme Song from Wednesday Night Drinking Practice

[“This or That” the live game show! is Thursday, September 26, at 7:00 PM at Phosphor Studio, 1730 Broadway, KCMO, in the Crossroads Arts District.]

Katelyn Jamison, Matt Tady, & Clint Hoffmeier of Wednesday Night Drinking Practice on the September 25, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:42 – Interview with Clint Hoffmeier, Matt Tady, & Katelyn Jamison

You are listening to the original theme song of the weekly podcast Wednesday Night Drinking Practice produced and hosted by Clint Hoffmeier, Matt Tady, & Katelyn Jamison. Wednesday Night Drinking Practice a weekly Kansas City based podcast with over 100 episodes that welcomes a wide range of Kansas City guests, many who are area musicians. The show is a talk/variety show w/ games, interviews, jokes, stories & drinks.

Clint Hoffmeier is a Kansas City native, He has played in bands since he was 10. Although heavy into film and theater in his 20’s, music has continued to be a big part of his life. In 2008, he opened CODA, with Dan and Ann Tutko, friends he made while working for The Majestic Restaurant. Clint has been involved in many recording projects including the Kansas City based band, The Dynamite Defense.

Matt Tady was born in Wyandotte County, but grew up in Southeast Kansas. After landing in Kansas City, he met his wife Danielle Meister in 2004. Matt has collaborated as an actor and dancer on performance installation pieces for the Charlotte Street Foundation, and has worked hanging art in galleries and bars in the Crossroads. Matt has also been a part of the astro-conspiracy rock band, The Cosmic Tady Brothers with his brother Chris. He is also the owner of Tadej Leather Goods with his wife Danielle Meister, who is the owner of We Are Sincerely Yours which is currently transitioning from rick and mortar to digital online sales.

We first met Katelyn B. Jamison when she was part of the power house band The B’Dinas, and then later with the band Dream Wolf with Matt’s brother Chris on lead guitar. Katelyn’s keyboard help give dream Wolf a sound unlike any other band in Kansas City and many of us miss that band. Katelyn is also part of the extremely popular and fabulous Talking Heads Tribute band, Found A Job. Katelyn is also a working mom and married to musician and producer Brent Jamison

Matt, Clint, and Katelyn are taking the popular “This or That” game from their weekly podcast, and turning it into a live, on-stage game show, live streamed, with a live studio audience. “This or That” the live game show! is Thursday, September 26, at 7:00 PM at Phosphor Studio, 1730 Broadway, KCMO, in the Crossroads Arts District. More info at: http://www.ancienthouseproductions.com

Clint Hoffmeier, Matt Tady, & Katelyn Jamison, Thanks for being with us on WMM.

Wednesday Night Drinking Practice a weekly Kansas City based podcast with over 100 episodes that welcomes a wide range of Kansas City guests, many who are area musicians.

The show is a talk/variety show w/ games, interviews, jokes, stories & drinks.

Matt, Clint, and Katelyn are taking the popular “This or That” from their weekly podcast, and turning it into a live, on-stage game show, live streamed, with a live studio audience.

“This or That” the live game show! is Thursday, September 26, at 7:00 PM at Phosphor Studio, 1730 Broadway, KCMO, in the Crossroads Arts District.

Clint & Matt & Katelyn host and produce the show, that is recorded at Clint’s home studio, in his Rosedale KCK neighborhood.

Clint’s mom provides a home cooked meal for every show.

Clint formed Ancient House Productions with Jason Orr at Phosphor Studios several years ago. Ancient House Productions work with artists to record music and also video production.

Clint has been involved in many recording projects including The Dynamite Defense a band that included Jordan Carver, Tess Jehle-Ray, Chris Tady, and Chris Teasley.

More info at: http://www.ancienthouseproductions.com

To hear and download, “Wednesday Night Drinking Practice” podcasts, you can visit: http://www.ancienthouseproductions.com, or I=Tunes,, or where ever podcasts are available.

Clint Hoffmeier, Matt Tady, & Katelyn Jamison, Thanks for being with us on WMM.

“This or That” the live game show! is Thursday, September 26, at 7:00 PM at Phosphor Studio, 1730 Broadway, KCMO, in the Crossroads Arts District. More info at: http://www.ancienthouseproductions.com

Dylan Pyles with Katelyn Jamison, Matt Tady, & Clint Hoffmeier of Wednesday Night Drinking Practice on the September 25, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:00 – Station ID

8. Dylan Pyles – “I Thought It Was You”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Dylan Pyles played a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

Dylan Pyles

11:06 – Interview with Dylan Pyles

Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his new 20 track album, Popular Songs for the Heart, released September 20, 2019 digitally and on cassette through Manor Records. Dylan also released the 6 song EP, Solo Acoustic Guitar Vol. 1, on September 20, 2019. In December 2018 Dylan Pyles released the 19 track release, You Have a Problem but You Are Not a Problem.

Dylan Pyles, thanks for being with us on WMM.

We just heard “I Thought It Was You” from Popular Songs for the Heart on cassette from Manor Records, and digitally through BandCamp and other services. Popular Songs for the Heart was released on September 20, 2019 This is one of the longest songs on the album of 20 tracks in 41 minutes.

Dylan Pyles in interested in many types of music and plays beautiful guitar on “The New Fog Has Settled.”

The album was self recorded and self produced with instruments and equipment that was available to Dylan when the songs were recorded. Tracks were recorded on a smaller 4-track recording system. Some track were originally recorded on his phone. Sometimes he had drums available, sometimes he did not.

The album could be labeled in multiple genres, Dylan calls them all pop songs.
11:14

9. Dylan Pyles – “Softer Chew”
from: Popular Songs for the Heart / Manor Records / September 20, 2019

11:16 – Interview with Dylan Pyles

Dylan Pyles on the September 25, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his new 20 track album, Popular Songs for the Heart, released September 20, 2019 digitally and on cassette through Manor Records.

Dylan Pyles, thanks for being with us on WMM.

More information at: http://www.dylanpyles.bandcamp.com

More info at: http://www.dylanpyles.bandcamp.com

11:25

10. Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company. Dylan Pyles played a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

11. Radkey – “Basement”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is sessetially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the band released “Basement,” “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays NKC Music Fest Sat, September 28, at 8:15 PM at Velo Garage 1403 Swift Street, NKC, with hammerhedd, Berwanger, Arson Class, Braggers, Killer City. Info at: http://www.nkcmusicfest.com]

11:29 – Underwriting

12. Tiki Brawlers – “Good Things Come”
from: All Night Riot / Tiki Brawlers / April 29, 2019
[Debut album from Kansas City based, Tiki Brawlers who formed in 2018. The music is a blend of ska, reggae, punk, pop, and rock. For this recording the Tiki Brawlers are: Ian Griggs on vocals, Brad Buckner on drums, Galen Gould on bass, Michael Burton on guitar & vocals, with Kadesh Flow on trombone, and Ernest Melton on saxophone. Recorded at Markosa Studios, Roeland Park, KS. Engineered and Mastered by Mark Thies.]

[Tiki Brawlers play the Riot Room, 4048 Broadway, KCMO, Sunday, September 29 at with Boss Hooligan Sound System, The Scotch Bonnets, and The Toasters.]

Ian Griggs, Jonathan Hendrix & Galen Gould of Tiki Brawlers on the September 25, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:31 – Interview with Ian Griggs, Jonathan Hendrix & Galen Gould

Ian Griggs, Jonathan Hendrix & Galen Gould of Tiki Brawlers join us to share music from their first album, All Night Riot!, released in April 2019. The music is a lively and unique blend of ska, reggae, punk, pop, and rock, showcasing the diverse backgrounds of the members. Tiki Brawlers were formed in 2018 by Ian Griggs on lead vocals and Brad Buckner on drums. They added Galen Gould on bass and recently Jonathan Hendrix on guitar. The band also includes horns: Ryan Davis on trombone, Ernest Melton on saxophone, Caleb Aldrich on saxophone, and Brett Ryan on trumpet. The band came together over their love of Ska Punk and Reggae music.

Tiki Brawlers play the Riot Room, 4048 Broadway, KCMO, Sunday, September 29 at with Boss Hooligan Sound System, The Scotch Bonnets, and The Toasters. More info at: http://www.tikibrawlers.com

Ian Griggs, Jonathan Hendrix & Galen Gould thanks for being with us on WMM

Tiki Brawlers

The Tiki Brawlers were formed in the Summer of 2018. When ex Purple Velvet’s vocalist and founder and lead vocalist of The Waspmen Ian Griggs and ex Purple velvet’s Drummer Brad Buckner decided to form a new project. Brad is also the Drummer for K.C. Green.

They quickly found a bassist in Galen Gould and after a few guitarist auditions landed on Micheal Burton. Recently Jonathan Hendrix replaced Burton on guitar.

Also with the band are: Ryan Jamaal Davis on trombone, Ernest Melton on saxophone, Caleb Aldrich on saxophone, and Brett Ryan on trumpet.

They quickly came together over their love of Ska Punk and Reggae music – the Tiki Brawlers were born.

11:39

13. Tiki Brawlers – “Dropping Out”
from: All Night Riot / Tiki Brawlers / April 29, 2019
[Debut album from Kansas City based, Tiki Brawlers who formed in 2018. The music is a blend of ska, reggae, punk, pop, and rock. For this recording the Tiki Brawlers are: Ian Griggs on vocals, Brad Buckner on drums, Galen Gould on bass, Mike Burton on guitar & vocals, with Kadesh Flow on trombone, and Ernest Melton on saxophone. Recorded at Markosa Studios, Roeland Park, KS. Engineered and Mastered by Mark Thies.]

11:42 – Interview with Ian Griggs, Jonathan Hendrix & Galen Gould

We are talking with Ian Griggs, Jonathan Hendrix & Galen Gould of the KC based band Tiki Brawlers and sharing music from their debut album, All Night Riot!, released April 2019. More info at: http://www.tikibrawlers.com

Ian Griggs, Jonathan Hendrix & Galen Gould thanks for being with us on WMM

Their debut album, All Night Riot! was recorded at Markosa Studios, Roeland Park, KS. Engineered & Mastered by Mark Thies.

Ian Griggs on lead vocals
Brad Buckner on drums.
Galen Gould on bass
Jonathan Hendrix on guitar & vocals,
Ryan Jamaal Davis on trombone
Ernest Melton on saxophone,
Caleb Aldrich on saxophone,
Brett Ryan on trumpet.

Original Artwork by Anthony and Jessica Olvera.

Tiki Brawlers play the Riot Room, 4048 Broadway, KCMO, Sunday, September 29 at with Boss Hooligan Sound System, The Scotch Bonnets, and The Toasters.

Tiki Brawlers play Punk in the Crossroads, at Grinders Pizza, 417 East 18th St, KCMO, on Monday, October at 8:00 PM with El Escapado (from Nashville(, Side Walk Celebrity, The Lithographers, and Cox-Johnson.

Ian Griggs, Jonathan Hendrix & Galen Gould thanks for being with us on WMM

11:50

14. Tiki Brawlers – “Everybody”
from: All Night Riot / Tiki Brawlers / April 29, 2019
[Debut album from Kansas City based, Tiki Brawlers who formed in 2018. The music is a blend of ska, reggae, punk, pop, and rock. For this recording the Tiki Brawlers are: Ian Griggs on vocals, Brad Buckner on drums, Galen Gould on bass, Mike Burton on guitar & vocals, with Kadesh Flow on trombone, and Ernest Melton on saxophone. Recorded at Markosa Studios, Roeland Park, KS. Engineered and Mastered by Mark Thies. Original Artwork by Anthony and Jessica Olvera.]

[Tiki Brawlers play the Riot Room, 4048 Broadway, KCMO, Sunday, September 29 at with Boss Hooligan Sound System, The Scotch Bonets, and The Toasters.]

15. Headlight Rivals – “Stuck”
from: Mattson / Black Site Records / November 1, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017. ]

[Headlight Rivals play NKC Music Fest, Saturday, Sept. 28, at 7:30 PM at O.S.P. At Repeal 18th, 1825 Buchanan Street, NKC, with Kadesh Flow, Fred Wickham & The Hadacol Caravan, Hoghunt, Back Alley Brass Band, Cowboy Bart & Band of Redman, Sky Smeed, and Brody Buster One Man Band.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 2 – Mark talk with Pete and Crystal of the critically acclaimed band Ordinary Elephant who will play live in our 90.1 FM Studios. Ordinary Elephant play Olathe Public Library, Thursday, October 3, at 7:00 PM. At 10:30 Chris Haghirian and Nathan Reusch co-founders of and organizers of the Middle of The Map Fest join us to share music and information about this years festival October 4 and 5. More info at http://www.motmkc.com

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #804

Wednesday MidDay Medley presents The Black Creatures + Dylan Pyles + Tiki Brawlers + This or That!

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2019

The Black Creatures + Dylan Pyles
+ Clint Hoffmeier, Matt Tady & Katelyn Jamison
+ Ian Griggs & Brad Buckner of Tiki Brawlers

Mark plays more New & MidCoastal Releases from: The Black Creatures, Headlight Rivals, Radkey, Dylan Pyles, Tiki Brawlers, Brittany Howard, Cate Le Bon & Bradford Cox.

At 10:15 Xavier Martin & Jade Green of the KC, dark pop, hip hop duo, The Black Creatures join us in our 90.1 FM Studios to share music and information about their new album, “Wild Echoes” being released September 30, 2019. The Black Creatures play the Thursday Night Show at Westport Coffee House, Thursday, September 26, 8:00 to 10:00 PM. Jade Green performs in an intimate evening with Jessica Ayala featuring members of Arquesta Del SolSoul: Les Izmore, Brad Williams, and Yesid Fabian Prad, Friday, September 27, at 6:00 PM, on the ROOFTOP of the Student Union and UMKC Multicultural Student Affairs, 3838 E. 63rd St, KCMO. More info at: http://www.theblackcreatures.bandcamp.com

At 10:40 Mark talks with Clint Hoffmeier, Matt Tady, & Katelyn Jamison the creators & hosts of the popular Wednesday Night Drinking Practice a weekly Kansas City based podcast with over 100 episodes that welcomes a wide range of Kansas City guests, many who are area musicians. The show is a fun filled variety show with games, interviews, jokes, stories and drinks. Matt, Clint, and Katelyn are taking the popular “This or That” from their weekly podcast, and turning it into a live, on-stage game show, live streamed, with a live studio audience. “This or That” the live game show! is Thursday, September 26, at 7:00 PM at Phosphor Studio, 1730 Broadway, KCMO, in the Crossroads Arts District. More info at: http://www.ancienthouseproductions.com

Dylan Pyles

At 11:00 Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his new 20 track album, Popular Songs for the Heart, released September 20, 2019 digitally and on cassette through Manor Records. Dylan also released the 6 song EP, Solo Acoustic Guitar Vol. 1, on September 20, 2019. In December 2018 Dylan Pyles released the 19 track, experimental release, You Have a Problem but You Are Not a Problem.

Tiki Brawlers

At 11:30, Ian Griggs & Brad Buckner of Tiki Brawlers join us to share music from their first album, All Night Riot!, released in April 2019. The music is a lively and unique blend of ska, reggae, punk, pop, and rock, showcasing the diverse backgrounds of the members. Tiki Brawlers were formed in 2018 by Ian Griggs on lead vocals and Brad Buckner on drums. They added Galen Gould on bass and Micheal Burton on guitar & vocals, with horns: Ryan Davis on trombone, Ernest Melton on saxophone, Caleb Aldrich on saxophone, and Brett Ryan on trumpet. The band came together over their love of Ska Punk and Reggae music. Tiki Brawlers play the Riot Room, 4048 Broadway, KCMO, Sunday, September 29 at with Boss Hooligan Sound System, The Scotch Bonets, and The Toasters. More info at: http://www.tikibrawlers.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #804

WMM Playlist from Sept. 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupa
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Lee Fields & The Expressions – “It Rains Love”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).]

[Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

3. Broken Heart Syndrome – “Dolly (and other unfinished business)”
from: Dolly (and other unfinished business) – Single / Broken Heart Syndrome / Sept, 13, 2019
[Kansas City bsed supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. Dolly (and other unfinished business) is the second official Broken Heart Syndrome release. Matthew Roth writes, “This track was inspired by the autobiography of Dolly Parton. Many years ago, while I was still living in New York, I took part in a very ambitious singer-songwriter night that is put on by my friend Susan Hwang, called the Bushwick Book Club. It’s still going on, as far as I know. Basically, you read a book and then you write a song about it. The book was Dolly Parton’s: My Life and Other Unfinished Business. I was having a hard time tracking down a copy of the book and luckily my friend Diane Cluck just so happened to have it on tape. It was an actual cassette tape. So, yeah turns out Dolly Parton had a pretty amazing life. It was great to hear her voice telling her own story. There were several points where I felt very moved and even connected to her story. I tried to take some of those parts and channel them as inspiration for the lyrics. It’s like a little secret message from me to her. I don’t think most people would be able to tell what the song is about if I didn’t tell them. I’m pretty positive that she’ll probably never hear it but it’s a really fun way to write a song.”]

[Broken Heart Syndrome plays Revolution Records 1830 Locust KCMO, Wednesday, September 18, at 7:30 PM with Golden Shoulders (from Nevada City, CA) on tour in support of their new album.]

4. Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company]

[Dylan Pyles plays a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

[Dylan Pyles will be our guest on Wednesday MidDay Medley next week on September 25]

10:18

5. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]
[NuBlvckCity play Lincoln Calling 2019, Downtown Lincoln NE, 1412 O St, TONIGHT, Sept. 18.]

[NuBlvckCity play 2019 Plaza Art Fair, Saturday Zeptember, 21 at 6:20 on the Ink Magazine Music Stage at Ward Parkway and Pennsylvania, KCMO]

[NuBlvckCity play Troostapalooza, Saturday, September 21, at 3000 Troost Ave, KCMO with Hi-Lux, The Black Creatures, The Freedom Affair, The Phantastics, and more ]

[NuBlvckCity play The Granada Theatre, 1020 Massachusettes, St., Lawrence, KS., Monday, September 23, at 7:00 PM opening for Phony Ppl/]

6. The Black Tones – “Ghetto Spaceship”
from: Cobain & Cornbread / Chauty & Chauto Records / April 12, 2019
[The Black Tones are like a mixture of Kurt Cobain and cornbread. Consisting of founders/twin siblings Eva Walker on guitar/vocals and Cedric Walker on drums, the blues and punk-based dynamo continuously project subversion, power and the potential for something new on stage. Born and raised in Seattle WA, they credit their family’s New Orleans roots as an influence on their music and writing. During the past year, the band’s name has been on the tongue of nearly everyone who follows the richness of Seattle music. In 2018, the group opened for Death Cab for Cutie at the historic Paramount Theater during its 90th Anniversary celebration; became the most played band on KEXP (on the 50th anniversary of Martin Luther King’s assassination) with their song, “The Key of Black (They Want Us Dead)”; and performed at countless summer festivals from Doe Bay to the Capitol Hill Block Party. The Black Tones have also shared stages with standout groups like Thunderpussy, Tacocat, Delvon Lamarr Organ Trio and We Were Promised Jetpacks.The Black Tones have made appearances on Band In Seattle and The Spud Goodman Show, as well as having music licensed to the independent film “The Noise Made by People”. They have received praise from the Seattle Public Library system, The Stranger and AfroPunk. The band’s debut record Cobain & Cornbread, recorded with famed Seattle producer Jack Endino.]

7. Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band for thie recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. The current line up includes: Wick Trick on vocals, Chris Stallion on guitar, & backing vocals, George Valiant on drums, Promise Clutter on bass, Young Noah on guitar & backing vocals and the band has a new soingle called “Mastermind” that was released on July 10, 2019. In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).]

[Wick & The Tricks play The Rino 314 Armour Rd, NKC, Thursday, September 19, at 7:00 PM with The Black Feathers (from Denver) and Belle & The Vertigo Waves.]

[Wick & The Tricks play The Bottleneck, 737 New Hampshire St. Lawrence, KS., Saturday, Sept. 21, at 7:00 PM, opening for Radkey, with The Sluts and The Many Colored Death.]

8. Red Kate – “You Don’t Speak For Me”
from: unamerican activities / Black Site Records / April 2, 2016
[Fro this recording: L. Ron Drunkard on bass & vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar & vocals, Desmond Poirier on guitar & vocals. (After this release Shaun Hamontree joined band on guitar.) Produced by Red Kate. Recorded at Weights & Measures Soundlab, KCMO, w/ Duane Trower doing recording, mixing and digital mastering engineering. Roger Seibel on vinyl mastering at SAE Mastering, Phoenix, AZ. Shaun Hamontree created cover art. Pressed at Quality Record Pressings, Salina, KS.]

[Red Kate plays The Brick’s 20th Anniversary on Friday, September 20 with Captured By Robots!]

10:30 – Underwriting

9. JAENKI – “Bolt”
from: Every Human – EP / Jaenki / November 23, 2018
[Jaenki is the new musical project from The Republic Tigers lead singer, Kenn Jankowski now with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.]

[Jaenki plays 3 Deep – Chromadepth 3D Concert, Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand with Pala Zolo, Flaural, Triptides, Monta At Odds (Dub Set), and Live Visuals by VJDN8 ]

Dedric Moore and Nathan Reusch on the Sept. 18, 2019 edition of Wednesday MidDay Medley on KKFI.

10:36 – Interview with Dedric Moore and Nathan Reusch

Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records.

Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest.

Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Jaenki from their most recent EP Every Human that came out so late in 2018 we consider it a 2019 release.

Jaenki is the musical project from The Republic Tigers lead singer, Kenn Jankowski

Jaenki has gome through some personnel changes: with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.

11:43

19. Pala Zolo – “Up Northern”
rom Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

11:47

We are talking with Dedric Moore & Nathan Reusch about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Pala Zolo the instrumental electronic project of Lawrence, KS musician Eric Davis the keyboard player in rock band Hembree (Thirty Tigers, Oread Records). .In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy.

The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions.

In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences.

On Saturday night, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

10:53

11. Monta At Odds feat. Your Friend – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.] [MONTA AT ODDS played the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, PALA ZOLO w/ Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

[Monta At Odds play 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Fri., Sept. 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Live Visuals by VJDN8.]

The Band That Fell To Earth at Lawrence Arts Center Saturday, September 21, 2019.

12. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018
[Curated by musician/writer Michelle Bacon to pay homage to David Bowie while showcasing talent across Kansas City’s vast musical spectrum. With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show. This was from the second year of the annual performances with: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keyboards, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone.]

[The Band That Fell To Earth play The Lawrence Arts Center, 940 New Hampshire St., Lawrence KS., Saturday, Sept. 21, at 7:30 PM featuring many Lawrence area rock and rollers in guest singing roles.]

11:00 – Station ID –

13. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre.

Calvin Arsenia at recordBar, Thursday, September 19, 2019.

Now Calvin is set to put out his newest Center Cut Records release LA Sessions, with a LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM.

Calvin Arsenia, thanks for being with us on WMM.

We just heard the 1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers.

From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.”

He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’”

LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy.

Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band.

More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album.

Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.

11:13

14. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019

11:17

Calvin Arsenia on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. More info at More info at http://www.centercutrecords.com http://www.calvinarsenia.com

10:26

15. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Cavia, and the full length debut, Catastrophe.Standing at 6 foot 7 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

11:30 – Underwriting

Calvin Arsenia, Rigby Summer, and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

11:32 – Interview with Rigby Summer and Ed Dupas

Singer songwriters Rigby Summer and Ed Dupas travel all over the country to play their original songs and sometimes they get to play on the same bill. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Rigby Summer and Ed Dupas join us today to play live in our 90.1 FM Studios.

Ed Dupas

Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in.

Rigby Summer

Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee.

Rigby Summer and Ed Dupas thanks for being with us on WMM

ED DUPAS – WELL WORN WIDE AWAKE MUSIC

Americana singer-songwriter Ed Dupas’ lived-in melodies unwind with reflective lyrics and speak to the current state of the human condition, soothing where possible, agitating where necessary, and seeking change where appropriate. Ed Dupas creates and shares well-worn wide-awake music.

THE LONESOME SIDE OF TOWN – Ed Dupas’ 3rd studio album features 11 new songs! When all is said and done, The Lonesome Side Of Town is a collection of songs that bear witness to a time of tremendous personal change in my life. Its songs testify to both the steadfastness of love, as well as its departure. Hopefully, the record serves to communicate the lessons, the struggle, and the beauty to be found in all of it.

The Lonesome Side of Town was conceived in a small church in Greenville, Michigan. Having been constructed in the 1880’s, the building found new life as a recording studio when it was purchased by my friend and fellow musician, Chris Ranney. In August of 2018, Chris and I spent a day tracking drums in the church with producer Michael Crittenden and drummer Rob Avsharian. Rob’s playing was solid and artful as ever, and he proved himself a good sport when our creative wanderings gave way to bossa nova beats and vinyl LPs on drum heads. As night fell, a line of storms approached the town, and we had no choice but to call the session. It was enough, we’d gotten the drum tracks we needed in a single day. We also captured the character of the church, who’s color permeates and shapes the entire record.

Ed Dupas 2nd album was released in spring of 2017, Tennessee Night, is the result of three days tracking with producer Michael Crittenden at Mackinaw Harvest Studios in Grand Rapids, MI. The heart of the record was recorded live in July of 2016 in the midst of a summer heatwave. The album features Rob Avsharian on drums, James Simonson on bass, Drew Howard on Steel/electric guitar, Chris Ranney on Piano, and Michael Crittenden doing a little of everything. Also featured on the album are singer-songwriter Judy Banker (Heading Home Again), Tara Cleveland (Some Things), and Cole Hansen (Everything Is In Bloom, Promised Land, and Tennessee Night.)

Ed Dupas first album: A GOOD AMERICAN LIFE was named as one of the best country albums of 2015 by The Telegraph-UK, this debut record was independently released late May, 2015. A Good American Life was recorded/produced in Grand Rapids, MI by Michael Crittenden.

“Sonically, the album consistently retains a dusky hue, reminiscent of Nebraska-era Springsteen or early Red House Painters. Ed’s music is essentially acoustic at its core; the recordings include some accompaniment complete with flourishes of overdriven, midwestern guitar shapes and pedal steel over top spare and sure drumming, while the occasional harmonica embellishes the quintessentially American folk sense of these tunes. Ed’s baritone vocals retain an easy, warm, and melodic tone, his lyrics refreshingly well articulated with just a touch of sardonic wit beneath the heartfelt and at times aching delivery.” -National Country Review

” … Songs that could or should have come from the pens of Springsteen, Kristofferson or more recently Sturgill Simpson….” – No Depression

SEP 19 THU – The Blue Door – Oklahoma City, OK,
SEP 22 SUN – Old Town Tavern – Ann Arbor, MI,
OCT 11 FRI – Noggin Room Pub – Petoskey, MI,
OCT 12 SAT – Trinity House Theatre w/ Judy Banker – Livonia, MI,
OCT 18 FRI – Westside Bowl – Youngstown, OH,
OCT 19 SAT – Taffys of Eaton – Eaton, OH,
OCT 25 FRI – Cambria – Nashville, TN,
OCT 26 SAT – Lowell Arts – Lowell, MI,
NOV 14 THU – Duke’s Indy – Indianapolis, IN,

More info at: http://www.eddupas.com

11:41

Ed Dupas plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

16. Ed Dupas – “Both Hands on The Wheel” (LIVE)
also available on: The Lonesome Side of Town / Road trip Songs / 2019

11:45 – Interview with Rigby Summer and Ed Dupas

Rigby Summer and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Rigby Summer and Ed Dupas who play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the show after Carl’s band kicks off the night.

Rigby Summer and Ed Dupas thanks for being with us on WMM.

Rigby Summer is an emerging, Oklahoma-based songwriter. She weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater. Those cross-country moves and life-changes put music on the back burner in recent years, but she’s now come into her own, giving these songs new life.

While her influences range from Mary Chapin Carpenter to The Frames, Sia Furler to Johnny Cash, her sound often draws comparisons to Ingrid Michaelson and Peggy Lee–a little modern, a little old-fashioned, always earnest.

In 2017, after a five-year hiatus from performing music, she founded the monday@modella songwriter pop-up, and started sharpening her musical teeth, slowly carving a niche for herself in the Oklahoma scene. Recent honors include Honorable Mention in the 2017 Woody Guthrie Festival Songwriting Contest and invitations to join Norman Music Festival 2018, Bob Childers’ Gypsy Café 2018 and Women of Woodyfest 2018.

Meanwhile, Nadia credits the songs themselves for her return to the stage. “When I see the audience’s reaction to a lyric I’ve been given, I realize this isn’t about me. It’s about the songs and the power of words to connect us. I decided I had an obligation to bring these songs into the world.”

Influences
a good up-bringing.
midwestern winters.
jazz in the night.
three quiet years of listening in nashville.
winfield.
quarter-life angst.
an imaginary boyfriend.
hotel cafe.
malibu sunsets.

SEP 18 7:30pm Knuckleheads Saloon Kansas City, MO with Ed Dupas
SEP 19, 7:30pm The Blue Door – Oklahoma City, OK with Ed Dupas
SEP 21, 12:00pm – Ten Sleep Brewing Company, Ten Sleep, WY US
SEP 24, 6:00pm AC Hotel – Oklahoma City, OK
SEP 26, 6:00pm – Prairie to Palette – Ponca City, OK
SEP 27, 8:00pm Zannotti’s Wine Bar – Stillwater, OK
SEP 28, 2:00pm – Alumniati Tail Gate Stillwater, OK
OCT 08, 6:00pm – AC Hotel Oklahoma City, OK
OCT 10, 6:00pm – George’s Stables – Stillwater, OK
OCT 24, 3:00pm – FARM-Folk Alliance Region Midwest – Grand Rapids, MI
OCT 25, 9:00am – FARM-Folk Alliance Region Midwest Grand Rapids, MI
OCT 26, 9:00am, FARM-Folk Alliance Region Midwest Grand Rapids, MI

11:50

Rigby Summer plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

17. Rigby Summer – “Buy My A Piano” (LIVE) (4:00)
original piece written and perormed by Jen Harris from Curses & Charms

Rigby Summer and Ed Dupas thanks for being with us on WMM

Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night.

More info at: http://www.eddupas.com or http://www.thisissummerland.com

11:56

18. Joan Shelley – “The Fading”
from: Like The River Loves The Sea / No Quarter Records / August 30, 2019
[Joan Shelley was born in 1985,. She is a songwriter and singer from Louisville, KY. She draws inspiration from traditional and traditionally-minded performers from her native Kentucky, as well as those from Ireland, Scotland, and England, but she’s not a folksinger. Her disposition aligns more closely with that of, say, Roger Miller, Dolly Parton, or her fellow Kentuckian Tom T. Hall, who once explained—simply, succinctly, in a song—“I Witness Life.” Since the 2015 release of her fourth album Over and Even, Shelley has crossed the country and toured Europe several times as a headlining artist, joined by guitarist Nathan Salsburg and sharing shows with the likes of Jake Xerxes Fussell, Bonnie “Prince” Billy, Doug Paisley, Daniel Martin Moore, the Other Years, and Michael Hurley. She has opened for Wilco, Chris Smither, Andrew Bird, and Richard Thompson. Jeff Tweedy produced her 2017 record “Joan Shelley” at The Loft in Chicago. She’ll be familiar to readers of guitar-centric magazines for having appeared, in the same season, on the covers of Fretboard Journal and Acoustic Guitar. Her latest album, “Like the River Loves the Sea,” was released to wide acclaim in Uncut magazine, Rolling Stone, Pitchfork, Mojo, and Q magazine. Her second album, Ginko, and third album Farthest Field (with Daniel Martin Moore) were released in 2012 on Ol Kentuck. In 2014, Shelley released her fourth album, Electric Ursa, on No Quarter Records. In 2015, Shelley released her fifth album, Over and Even, on No Quarter. In 2017, Shelley released her eponymous sixth album. Her seventh album, Like the River Loves the Sea, was released in 2019. ]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on September 25 – Clint Hoffmeier, Matt Tady, and Katelyn B. Jamison the hosts of the popular Wednesday Night Drinking Practice Podcast join us to share details about their “This or That live game show!, Thursday, September 26, at 7:00 PM at Phosphor Studio in the Crossroads Arts District at 1730 Broadway, KCMO. Also next week Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his Popular Songs for the Heart, Manor Records release. And…Ian Griggs & Brad Buckner of the band Tiki Brawlers join us to share their latest music and info on their upcoming show Sunday, September 29 at The Riot Room with The Toasters. PLUS, we talk with Jade Green & Xavier Martin of The Black Creatures.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #803

WMM presents Calvin Arsenia + Rigby Summer & Ed Dupas + Dedric Moore & Nathan Reusch & 3 Deep

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupas

Mark plays more New & MidCoastal Releases from: Calvin Arsenia, Broken Heart Syndrome, Jaenki, NuBlvckCity, The Band That Fell To Earth, Pala Zolo, Dylan Pyles, Monta At Odds, Red Kate, Wick & The Tricks, The Black Tones, Joan Shelley, and Lee Fields & The Expressions.

At 10:30 Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8. Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records. Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest. More info at http://www.therecordmachine.co

Calvin Arsenia

At 11:00 Mark talks with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy. Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre. More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Ed Dupas

Rigby Summer

At 11:30 Singer songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in. Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee. More info at: http://www.eddupas.com or http://www.thisissummerland.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #803

WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802