WMM Playlist from August 5, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 5, 2020

Khrystal. & Greenline Grows KC
+ New & MidCoastal Release
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s theme]

2. Lava Dreams – “Good Energy”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Stephonne Singleton, and Dustin Rapier. More info at: http://www.stephonne.com]

3. jordana – “Forgetter”
from: Something To Say EP / Grand Jury Music / July 31, 2020
[Jordana is a girl who makes music in her living room in Kansas. Produced by MELVV & Jordana. Mixed by James Dring and mastered by Dave Trumfio. Follow up to her recent single “I’ll Take It Boring” released May 12, 2020 and her full length album release, Classical Notions of Happiness, March 27, 2020 with all songs written and produced by Jordan except “Crunch” was co written and produced by Jordana and Jeff Melvin aka “Melvv” and “Sway” was written by Jordana and co produced by Jordana and Sage Baptiste.]

4. Major Matt Mason USA – “Victims Of The Storm”
from: Victims Of The Storm – Single / Olive Juice Music / July 20, 2020
[Major Matt Mason USA is the the recording project of Matt Roth who also plays in the bands Schwervon! and Broken Heart Syndrome. The song was self produced with Brian Hurtgen on Drums and Dane Bridges on Bass at Olive Juice Music, Matt’s home studio in Shawnee Kansas. Victims of the Storm is meant to convey the collateral damage that can occur from difficult relationships while at the same time expressing the universal connection that we all have through suffering that occurs beyond our control. Matt Roth on guitar & vocals, Brian Hurtgen on drums, and Dane Bridges on bass. https://majormattmasonusa.com%5D

5. The Republic Tigers – “Falco Peregrinus”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.]

6. Krystle Warren & The Faculty – “Somebody Made For Me”
from: Love Songs – A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

7. Thanya Iyer-“Please Don’t Hold Me Hostage for Who I Am, for Who I Was”
from: Kind / Topshelf Records / July 31, 2020
[KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists. Underscoring its explorative nature, the constant movement of KIND melds the sounds of experimental pop and improv into a magical amalgam that teems with flashes of jazz and nuanced electronics. Iyer’s rhythm section pulsates with genre-defying palettes of blips and skitters that twist elegantly into the melodic voices of interlocking synth, strings, and piano, all led by Iyer’s enrapturing lilt. The rhythmic direction of bassist Alexander Kasirer-Smibert and percussionist Daniel Gélinas clears a navigable path in an otherwise unnavigable setting, built on the pair’s understated yet intriguing expertise. The most succinct distillation of the album’s themes is perhaps found in KIND’s tracklist. “Please Don’t Hold Me Hostage for Who I Am, Who I Was” and “Bring Back That Which is Kind to You” inspire philosophies of self-care and emergent reconfigurations of justice, calling on listeners to self-reflect and detach from our preconceptions of ourselves and our identity. At the end of its course, KIND arrives at the conclusion of acceptance and resolve: acceptance of our collective circumstance, and the resolve to make the choice to do better. Thanya Iyer on voice, synth, violin, piano; Alex Kasirer-Smibert on Bass, percussion, synth, voice; Daniel Gélinas on Drums, Drum machine, percussion, voice; Shaina Hayes on vocals (tracks 4,5; Simon Millerd on Trumpet; Mawmz Plus Choir [Shelby Cohen, Corey Gulkin, Emilie Kahn, Brigitte Naggar, Sarah Rossy, Tamara Sandor] (tracks 7,9); Emilie Kahn on Harp, Frédérique Roy on Accordion; Devin Brahja Waldman on Saxophone; Felix Del Tredici on Trombone; Anh Phung: on Flute; Scott Bevins on Trumpet + electronics. All songs by Thanya Iyer. Produced by Daniel Gélinas, Alexander Kasirer-Smibert & Thanya Iyer. Recorded and Mixed by Daniel Gélinas at Studio Chocolat Chaud (Ogden, QC), St George’s Anglican Church (Montréal, QC) and Resonance Café (Montréal, QC). Mastered by Elton Chueng at Classick Studios (Chicago, IL) ]

10:29 – Underwriting

8. Bahroot (Eric Fain) – “Psilocybin Tea”
from: The Last Man on Earth / BLKC Records / July 20, 2020
[Eric Fain is the proprietor of BLKC Records. BLKC (Be Loyal/Kansas City) is an independent record label, management and promotion company with the goal to garner mainstream attention to Midwestern bands with no limit on genre. Bahroot is the music side project of Eric Fain. All songs written and recorded by Eric Fain. For a while Eric kept pretty quiet about it, but recently he released 9 songs written during this pandemic and now available on Bandcamp, Spotify and other places. The Last Man on Earth is a four song EP that followed the release of three singles in May, 2020. Bahroot is instrumental / Lofi / Hip Hop / Beats / Background / Relaxation / Music. ] [Psilocybin[a] (/ˌsaɪləˈsaɪbɪn/ sy-lə-SY-bin) is a naturally occurring psychedelic prodrug compound produced by more than 200 species of mushrooms, collectively known as psilocybin mushrooms. As a prodrug, psilocybin is quickly converted by the body to psilocin, which has mind-altering effects similar, in some aspects, to those of LSD, mescaline, and DMT. In general, the effects include euphoria, visual and mental hallucinations, changes in perception, a distorted sense of time, and spiritual experiences, and can also include possible adverse reactions such as nausea and panic attacks.]

9. Durand Jones & The Indications – “Young Americans”
from: Young Americans – Single / Dead Oceans / January 20, 2020
[One of two singles the band has released in 2020. Initially recorded for Howard Stern’s SiriusXFM radio show, the band have now decided to share the track with their fans. Featured on Bowie’s 1975 album of the same name, which saw him move away from the glam of earlier recordings towards a more soulful sound, Blake Rhein from The Indications said: “The entire Young Americans album is an incredible piece of soul music history with brilliant flares gospel, funk, and disco. The way Bowie is able to use these ingredients and apply them to his own brand of weird-o pop is just amazing.” The track was recorded in August of 2017 at Russian Recording in Bloomington, Indiana after the Stern show reached out as they were putting together a compilation featuring various artists covering different Bowie songs. Having seen no one was covering Young Americans, the decision to record the track was relatively straight forward as the soul-stylings of the original perfectly suited Durand Jones & The Indications. The band were joined during recordings by Alonza Lawrence, Saren Oseitoto and GeDeane Graham on backing vocals, Ana Nelson on saxophone and Jesse Klirsfeld on trumpet.The band who last year appeared at both the Meltdown Festival, curated by Nile Rodgers, at London’s South Bank and the Green Man Festival in August and more recently played their biggest sold-out London headline show at the Islington Assembly Hall, head out for an extensive run of U.S. dates starting in January. // Durand Jones & The Indications released their debut self titled album on May 16, 2018. The band released their second album, American Love Call, on March 7, 2019. Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records. The Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group.]

10. David Bowie – “Under Pressure” with Gail Ann Dorsey
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music Entertainment / Jan. 22, 2010
[“Under Pressure” is a song by the British rock band Queen and singer David Bowie. Originally released as a single in October 1981, it was later included on Queen’s 1982 album Hot Space. The song reached number one on the UK Singles Chart, becoming Queen’s second number-one hit in their home country (after 1975’s “Bohemian Rhapsody”, which topped the chart for nine weeks) and Bowie’s third (after the 1975 reissue of “Space Oddity” and “Ashes to Ashes” in 1980). The song charted in the top 10 in more than ten countries around the world, and peaked at No. 29 on the US Billboard Hot 100 in January 1982. // A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. The 2004, live version features David Bowie – vocals, guitars, stylophone, harmonica; Earl Slick – guitar; Gerry Leonard – guitar; Gail Ann Dorsey – bass guitar, backing vocals, lead vocals on “Under Pressure”; Sterling Campbell – drums; Mike Garson – keyboards, piano; Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals. A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour commenced on 7 October 7, 2003 at the Forum, Copenhagen, Denmark continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. The tour grossed $46,000,000, making it the ninth-highest grossing tour of 2004. At over 110 shows, the tour was the longest tour of Bowie’s career. Bowie played Kansas City, May 10, 2004, at Starlight Theatre. I was there, seven rows from the stage.]

11. Koney – “Glue Diet”
from: Koney / High Dive Records / June 26, 2020
[High Dive Records announced on their website http://www.highdivekc.com “We are excited to announce that Konnor Ervin from The ACBs and Shy Boys has a new project called Koney. We will be releasing his new self titled album digitally on June 26, 2020 followed by a vinyl release later this summer. Thanks to New Commute you can check out the lead single and corresponding video at the below link. https://www.newcommute.net/feed/2020/5/19/koney-sue-2 Konnor Ervin is part of the Shy Boys who’ve released two full-length albums and multiple singles. Before Shy Boys, Konnor was the founder of the critically acclaimed band The ACBs who released their self titled debut album in 2007, followed by Stona Rosa in 2011, and Little Leaves in 2013. Konnor’s work on what might have been The ACBs fourth full-length album, got held up, but now seven years later it’s seeing the light of day under the name Koney, Konnor’s nickname from Shy Boy’s band mates.]

12. Cat Dail – “Red Pill”
from: Fred pill – Single / Lucky Magnet Records / July 30, 2020
[Recorded entirely remotely, during Covid-19, May 2020. CAT DAIL Vocals, SHAWN PELTON Drums, ANDY HESS Bass, SCOTT SHARRARD Guitar, BEN STIVERS Rhodes Piano, BARRY DANIELIAN Trumpet, CRAIG DREYER Sax, CLARK GAYTON Trombone. Produced by CLARK GAYTON, Mixed by MARC URSELLI, Mastered by JOE LaPORTA, Sterling Sound Originally from Kansas City, Singer-songwriter, multi-instrumentalist, & producer Cat Dail, lives some of the time in NYC and some of the time in Chesterfield, NH. She’s released 5 albums on her label Lucky Magnet Records . Cat has been active in the Indie rock scene since the 1990s, leading her NYC band, Cat played a residency at the Bitter End, and most colleges and clubs from Vermont to Virginia, Colorado to California. Her EP Fight For Love was part of WMM’s 118 Best recordings of 2018. More info at: http://www.catdail.com]

13. UMI – “Sukidakara”
from: Love Language – EP / Loud Robot / October 30, 2020
[Tierra Umi Wilson was born February 9, 1999. She is a singer and songwriter, born in Seattle, Washington. Wilson attended the University of Southern California, but dropped out in 2019 to pursue music. While she’s only just entered adulthood, she released singles “Remember Me” and the EP “Interlude.” On May 17, 2019, UMI released a mini EP “Balance” containing 2 songs, “Ordinary” and “Down to Earth.” UMI is an R&B artist who was raised by a pianist mother, and drummer father. UMI started writing music when she was 4 or 5, with a songwriting journal. In high school, she discovered YouTube beats and started writing to tracks. She would record the songs with a USB mic and upload them to SoundCloud and YouTube. She soon started to get copyrighted on SoundCloud from posting covers of other songs. This made her start writing and posting her own original. Her father is African American and her mother is Japanese.]

14. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc.]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

11:00 – Station ID

Last week on the show we played Khrystal.’s 2020 single, “You Again” that was released on February 21, 2020. This week we are thrilled to premiere Khrystal.’s newest single “Magic” to be released by Manor Records on August 8, 2020

15. Khrystal. – “Magic”
from: Magic – Single / Manor Records / August 8, 2020
[Manor Records announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles with her most recent single “You Again” as a B-Side. On September 1, 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK.]

[Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

1:03 – Interview with Khrystal

Singer songwriter Khrystal. will be releasing her new single “Magic” on August 8, 2020 through Manor Records. “Magic” will be released on limited edition cassette singles. announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles with her most recent single “You Again” as a B-Side. Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!

Khrystal., thanks for being with us on Wednesday MidDay Medley

Manor Records will be releasing Khrystal’s new single “Magic” digitally & on limited edition cassette – both available this Friday, August 7, 2020 on her Bandcamp page – https://khrystalwithakh.bandcamp.com/releases. The B-side will be her most recently released single “You, Again”. Production on both tracks by Duncan Barnett.

Alishia Maxwell – Photography
Christopher Robertson – Graphic Design

On July 13, 2018 Khrystal. released The Awkward Muva, an 8-song release produced with Duncan Burnett and Desmond Mason.

On September 1, 2017 Khrystal. released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett.

On September 1, 2017 Khrystal. released the EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett.

Khrystal. also works as an actress in theatre and film she can be seen in Morgan Cooper’s award winning film U Shoot Videos?

Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016.

Khrystal graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK.

Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!


GREENLINE GROWS KC: A LIVESTREAM BENEFIT CONCERT FOR THE GREENLINE INITIATIVE on FRIDAY, AUGUST 28TH, 7:00 PM CST – STREAMING ON FACEBOOK & YOUTUBE

On August 28th, local artists and leaders will partner with 90.9 The Bridge, Midwest Music Foundation, Records with Merritt, Manor Records, Folk Alliance International, KKFI 90.1 FM, Butler C&D & Center Cut Records to help bring you a live-stream event, benefitting The Greenline Initiative.

The Greenline Initiative is a Black family-owned organization in Kansas City that uses crowdsourced funding to help historically marginalized and low income populations in our city buy and renovate the houses they rent. Operating out of Kansas City’s 3rd District, the initiative works to build permanent community and generational wealth in formerly redlined neighborhoods

The evening will be centered around Black stories & voices, and will highlight Black excellence throughout Kansas City. It will also include non-Black performers and local leaders who will speak on privilege, solidarity, and the importance of consistently lifting up our black community members.

Performances by: Radkey /// The Greeting Committee /// Khrystal. /// Cuee /// Danny Cox + Bob Walkenhorst /// Enrique Javier Chi of Making Movies + Las Hermanas Altoro // Stephonne // Krystle Warren // They Call Me Sauce // The Phantastics and more!

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana
Starzette Palmer – Executive Director of Our Spot KC
G.S. Griffin – Author of Racism in Kansas City
Mayor Quinton Lucas

The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community and generational wealth in formerly redlined neighborhoods. More info at: http://www.thegreenlineinitiative.com

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

Khrystal., thanks for being with us on Wednesday MidDay Medley.

Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!

11:16

Khrystal.

16. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on November 7, 2017.

[Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and The Phantastics]

17. Khrystal. – “Her Eyes”
from: Her Eyes – Single / Khrystal. /June 7, 2019
[On September 1, 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. ]

[Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and The Phantastics]

18. Kadesh Flow – “I’m A Hero”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kadesh Flow released his latest EOP Motivated on January 31, 2020. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band. // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Dirty Projectors – “Lose Your Love”
from: Flight Tower – EP / Domino Recording Co / June 25, 2020
[Scarcely 18 months after the release of their album, “Lamp Lit Prose,” from July 13, 2018, and three months after their live-in-studio album “Sing The Melody” from December 10, 2019, Dirty Projectors released the single ‘Overlord.’ Then several month later the band released their new 4-song EP Flight Tower. Lead Projector Dave Longstreth put together the new band around the Lamp Lit Prose touring in 2018/19. Guitarist Maia Friedman handles lead vocals and co-wrote the lyrics with Dave, who wrote and produced the music. Felicia Douglass and Kristin Slipp contribute additional vocals. Nat Baldwin plays upright bass; Mike Johnson is behind the kit. Mauro Refosco plays congas.]

11:29 – Underwriting

20. Teyana Taylor – “Let’s Build (feat. Quavo)”
from: The Album (Deluxe) / Getting Out Our Dreams – Def Jam / June 19, 2020
[Teyana Meshay Jacqueli Shumpert (née Taylor; was born December 10, 1990. She is an American singer, songwriter, actress, dancer, choreographer, director, and model. In 2005, Taylor signed a record deal with American musician Pharrell Williams’ Star Trak Entertainment imprint, before making her first national appearance on MTV’s My Super Sweet 16. In 2012, she signed to Kanye West’s GOOD Music label through Def Jam, after asking for her release from Star Trak. As an aspiring songwriter, Taylor has worked with and written records for artists such as Usher, Chris Brown, and Omarion. Taylor has appeared on runways during Fashion Week and has also landed high-profile features, such as on Kanye West’s My Beautiful Dark Twisted Fantasy. She stars in the VH1 reality television show Teyana and Iman, alongside her husband, NBA player Iman Shumpert. Taylor was born on December 10, 1990, while she was raised in Harlem, New York City; she is of Afro-Trinidadian descent. Taylor is her mother’s only child while her father has two sons and another daughter from a different relationship. Her mother raised her with her family and is currently her manager. At age nine, she began performing. Taylor was enrolled in many different talent competitions, including the Apollo Theater National All-Stars talent search, although she never won. Growing up, Taylor had strong influences from Brandy, Lauryn Hill, Stevie Wonder, Janet Jackson, and Michael Jackson. On December 6, 2019, Taylor released the single “We Got Love”. On May 7, 2020, Taylor announced that her third studio album is titled The Album and would be released sometime in June 2020.[46] It was released on June 19, with the 23-track album featuring guest appearances by Erykah Badu, Kehlani, Lauryn Hill, Future, Rick Ross, Quavo, and Missy Elliot. The album was awarded 3.5/5 stars by The Forty-Five, saying The Album “finds the veteran performer firmly reclaiming her own narrative”. It debuted at number 8 on the Billboard 200.]

21. Bahroot (Eric Fain) – “Quarantine Morning”
from: The Last Man on Earth / BLKC Records / July 20, 2020
[Eric Fain is the proprietor of BLKC Records. BLKC (Be Loyal/Kansas City) is an independent record label, management and promotion company with the goal to garner mainstream attention to Midwestern bands with no limit on genre. Bahroot is the music side project of Eric Fain. All songs written and recorded by Eric Fain. For a while Eric kept pretty quiet about it, but recently he released 9 songs written during this pandemic and now available on Bandcamp, Spotify and other places. The Last Man on Earth is a four song EP that followed the release of three singles in May, 2020. Bahroot is instrumental / Lofi / Hip Hop / Beats / Background / Relaxation / Music. ] [Psilocybin[a] (/ˌsaɪləˈsaɪbɪn/ sy-lə-SY-bin) is a naturally occurring psychedelic prodrug compound produced by more than 200 species of mushrooms, collectively known as psilocybin mushrooms. As a prodrug, psilocybin is quickly converted by the body to psilocin, which has mind-altering effects similar, in some aspects, to those of LSD, mescaline, and DMT. In general, the effects include euphoria, visual and mental hallucinations, changes in perception, a distorted sense of time, and spiritual experiences, and can also include possible adverse reactions such as nausea and panic attacks.]

22. Cut Worms – “Baby Come On”
from: Nobody Lives Here Anymore / Jagjaguar / October 9, 2020
[Cut Worms is the music project of Ohio-born, Brooklyn-based singer, songwriter, and musician Max Clarke. Max Clarke, known by his stage name Cut Worms, is a singer, songwriter, and musician hailing from Ohio who is currently based in Brooklyn, New York. Cut Worms has opened for bands such as Jenny Lewis, Kevin Morby, The Lemon Twigs and Michael Rault. Cut Worms released the EP Alien Sunset in 2017. In 2018, Cut Worms released the debut full-length album Hollow Ground on Jagjaguwar. Hollow Ground received a rating of 7.2 on Pitchfork.]

23. Heavy Surface – “Didn’t it Rain”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

24. Bream – “No Beginnings/No End”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Bream is the musical project of Justin Beamer. All instruments, sounds, and lyrics written by Justin Beamer.][French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

25. Beach Bunny – “Dream Boy”
from: Honeymoon / Mom+Pop / February 14, 2020
[Beach Bunny is an American indie pop band, founded in 2015 in Chicago, Illinois. The group released its debut studio album, Honeymoon, in February 2020 on Mom + Pop Music. Beach Bunny began as a bedroom-based solo project in 2015 when Lili Trifilio recorded a song titled “6 Weeks”. The same year, Trifilio released her first EP, titled Animalism. She released her second EP titled Pool Party in 2016. In 2017, Beach Bunny expanded to a full four-piece lineup and released a third EP, titled Crybaby. In 2018, Beach Bunny released their fourth EP, titled Prom Queen. On October 31, 2019, the band announced that they had signed to Mom + Pop Music and released their first full-length album, Honeymoon, on February 14, 2020. Band members are: Lili Trifilio on vocals & guitar, Matt Henkels on guitar, Anthony Vaccaro on bass, Jon Alvarado on drums. http://www.beachbunnymusic.com]

26. The Noise FM – “Who’s Watching Who?”
from: Cooler Heads Prevail /Who’s Watching Who? – Single / The Noise FM / July 24, 2020
[The Noise FM plays melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembre]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, August 12, Nathan Reusch of The Record Machine shars new music from The Fey. Calvin Arsenia talks about life during the quarantine of COVID-19 coupled with the nationwide Black Lives Matter movements. And Hip Hop MC and Producer Cuee shares new music from his upcoming album Gospel.
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #849

WMM presents Khrystal. & Greenline Grows KC + New Releases

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 5, 2020

Khrystal. & Greenline Grows KC
+ New & MidCoastal Releases

We play New & MidCoastal Releases from: Khrystal., Noise FM, Major Matt Mason USA, jordana, Bahroot, Cuee, The Republic Tigers, Bream, Lava Dreams, Koney, Cat Dail, Kadesh Flow, Krystle Warren, Catty Cline, Heavy Surface, Thanya Iyer, UMI, Teyana Taylor, Durand Jones & The Indications, and David Bowie with Gail Ann Dorsey

Khrystal.

At 11:00 Mark welcomes singer songwriter Khrystal. who’ll release her new single “Magic” on August 8, 2020 through Manor Records on limited edition cassette singles. On February 21, 2020 Khrystal. released the single “You, Again.” In 2019 Khrystal released the singles “Blue,” “Her Rose,” and “Her Eyes.” Khrystal. released the 8-song, The Awkward Muva on July 13, 2018. The Glow Up EP, in 2017 produced and written by Khrystal. with Duncan Burnett. This was follow up to Khrystal’s debut EP, Quarter Century Living. Khrystal. graduated from UMKC in 2016 and graduated from Kansas City Kansas Community College in 2013. Khrystal. is a graduate of Sumner Academy of Arts & Science, in KCK.

Khrystal. shares details on, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, and more! The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #849

WMM Playlist From July 8, 2020

Stephonne Singleton photo by Paul Andrews Photograph. Calvin Arsenia photo by Jenny Wheat Photography. Krystle Warren photo by Manu Noyon. Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 8, 2020

Sam Platt talks about Ondist + Nina Songs
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Calvin Arsenia

2. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released thr EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in Novenber 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre.]

[Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

3. X.WILSON – “Nobody Safe”
from: Troost Story / Intelligent Sound / June 19, 2020
[X.Wilson is a non-binary composer, producer, DJ, and story teller. Troost Story was mastered by JPINO of Intelligent Sound. Troost Story is available at http://www.xwilson.bandcamp.com. 100% of the proceeds from the sales of this recording are being donated to NAACP legal defense fund.]

4. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

5. Logan Richardson – “American Mirror (feat. Kadesh Flow)”
from: American Mirror – Single / Logan Richardson/ June 19, 2020
[Lyrics By Kadesh Flow. Music by Logan Richardson. Logan Richardson on alto saxophone, and synth keyboards. Produced by Logan Richardson. Logan Richardson was born in 1980. He is a native son of Kansas City, Missouri born, and raised. Logan Richardson is considered by top critics as a breath of fresh air for the future of music. A young star pushing the boundaries of modern improvised music, carrying the torch of vitality for improvised music as a premier alto saxophonist, composer, producer, and educator. One of several singles being released this year from Logan Richardson who is also releasing a new album, AFROFUTURISM in September, 2020.]

10:21 – Underwriting

10:26 – Nina Songs

6. Bettye LaVette – “I Hold No Grudge”
from: Blackbirds / Verve Records / August 28, 2020
[“I Hold No Grudge” was from Nina Simone’s 1967 album, High Priestess of Soul. The songs are accompanied by a large band directed and arranged by Hal Mooney. The album contains pop songs and African American gospel and folk related songs written by Simone herself. After this album title –an attempt to broaden her appeal by management executivess– Nina Simone was sometimes titled “the high priestess of soul”, although she completely rejected the title herself, because it placed a label on her as an artist. However, according to her daughter, Simone, she never hated that moniker. The song “I Hold No Grudge” was co-written by Andy Badale, the pseudonym of Angelo Badalamenti, who later became known as the composer of the soundtracks for the films of David Lynch.] [For Bettye LaVette’s Blackbirds Steve Jordan served as producer. Blackbirds features songs primarily popularized by peers-other iconic women in music-who she respected and admired. This is the 11th studio album from Bettye LaVette, born Betty Jo Haskins, on January 29, 1946. She is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album I’ve Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music.LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents’ living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, “My Man — He’s a Lovin’ Man”, with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding. She next hit the charts with “Let Me Down Easy” on Calla Records in 1965. This led to a brief stint with The James Brown Revue. After recording several singles for local Detroit labels, LaVette signed to the Silver Fox label in 1969. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers. In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full-length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose not to issue the album. The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records “Doin’ The Best That I Can”. In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40. She briefly gave up recording for a six-year run in the Broadway smash Bubbling Brown Sugar, appearing alongside Honi Coles and Cab Calloway. After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he sought the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label. At the same time, Let Me Down Easy — Live In Concert was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for “Comeback Blues Album of the Year”. In an interview, LaVette identified A Woman Like Me as the first album in the second phase of her career and said her 2012 autobiography was named after the album.]

7. Meshell Ndegeocello – “Please Don’t Let Me Be Misunderstood”
from: Pour une ame sourveraine – A Dedication To Nina Simone / Naive / October 12, 2012
[“Please Don’t Let Me Be Misunderstood. Ndegeocello’s soulful, blues-inflected rendition of the pop standard opens her tribute album to Nina Simone, Pour Une Âme Souveraine. Known for her refusal to adhere to genre conventions, her progressive approach to pop music, and her fierce political activism, Simone is a clear artistic forbearer for Ndegeocello, and Pour Une Âme Souveraine both honors Simone’s legacy while allowing Ndegeocello to build on her own.” – Slant Magazine (Oct. 8, 2012). Michelle Lynn Johnson, better known as Meshell Ndegeocello was born August 29, 1968. She is an American singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and although she has never won a Grammy Award, she has been nominated ten times. She has been credited for helping to have “sparked the neo-soul movement. Pour une Âme Souveraine: A Dedication to Nina Simone is the 10th studio album. “Don’t Let Me Be Misunderstood” is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for the singer and pianist Nina Simone, who first recorded it in 1964 from the album, Broadway, Blues, Ballads. “Don’t Let Me Be Misunderstood” has been covered by many artists, most notably by The Animals, whose blues rock version of the song became a transatlantic hit in 1965. A 1977 four-on-the-floor disco rearrangement by disco group Santa Esmeralda was also a hit, while a 1986 cover by new wave musician Elvis Costello found success in the British Isles]

8. David Bowie – “Wild Is The Wind (2010 Harry Maslin Mix)”
from: Nothing Has Changed / Parlophone Records / November 17, 2014
[“Wild Is the Wind” was written by Dimitri Tiomkin & Ned Washington for the 1957 film Wild Is the Wind. Johnny Mathis recorded the song for the film and released it as a single in November 1957. Mathis’ version reached No. 22 on the Billboard chart. It was nominated for an Academy Award. The song has been recorded many times, by many performers. The best known versions are one by Nina Simone in 1966, and one by David Bowie released in 1976 as a tribute to Simone. Nina Simone first recorded “Wild Is the Wind” live in 1959, this version appearing on the album Nina Simone at Town Hall. Her most famous interpretation of the song was a studio recording released on the compilation album Wild Is the Wind (1966), made of songs recorded for two earlier album projects. Simone reworked the song with slow, sparse instrumentation, stretching the vocal delivery to express soulful, hopeless loss. Simone’s 1966 version appeared on the trailer for the 2008 movie Revolutionary Road. David Bowie recorded”Wild Is the Wind” for his 1976 album Station to Station. Bowie was an admirer of Simone’s style, and after meeting her in Los Angeles in 1975, he was inspired to record the song for his album. Bowie later said that Simone’s version “really affected me… I recorded it as an hommage to Nina.” This was the only cover song released by Bowie during this period of his career; he wrote or co-wrote the other songs on his albums. Bowie took special care with the contemporary rock arrangement and production of “Wild Is the Wind”, committing to an emotional and romantic vocal performance, the words drawn out more slowly and with a greater sense of loss, following the 1966 Simone version rather than the Mathis original Station to Station is the 10th studio album by English musician David Bowie, released by RCA Records in 1976. Commonly regarded as one of his most significant works, Station to Station was the vehicle for his performance persona, the Thin White Duke. The album was recorded after he completed shooting Nicolas Roeg’s The Man Who Fell to Earth, and the cover artwork featured a still from the film. During the sessions, Bowie was heavily dependent on drugs, especially cocaine, and later claimed that he recalled almost nothing of the production. Musically, Station to Station was a transitional album for Bowie, developing the funk and soul music of his previous release, Young Americans, while presenting a new direction influenced by German bands such as Neu! and Kraftwerk. The album’s lyrics reflected his preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion. Drawing on funk and krautrock, romantic balladry and occultism, Station to Station has been described as “simultaneously one of Bowie’s most accessible albums and his most impenetrable”. Bowie himself said that Station to Station was “a plea to come back to Europe for me”.Preceded by the single “Golden Years”, Station to Station made the top five in both the UK and US charts. The musical styles explored on the album would culminate in some of Bowie’s most acclaimed work with the “Berlin Trilogy”, recorded with Brian Eno in 1977–79. In 2012, the album was ranked No. 324 on Rolling Stone magazine’s list of the 500 greatest albums of all time. It has since been reissued multiple times and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.]

9. Nina Simone – “Feeling Good”
from: I Put A Spell On You / Phillips / June, 1965
[Feeling Good” was written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast. Nina Simone recorded “Feeling Good” for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, Black Cat Bones, Sammy Davis Jr., Bassnectar, and Avicii, among others. Nina Simone’s version, arranged and produced by Hal Mooney, was recorded in New York in January 1965 and appeared on her album I Put a Spell on You. It was not released as a single at the time. In 1994, Simone’s recording was used in a British TV commercial for Volkswagen, and became popular. Released as a single, it reached no. 40 on the UK Singles Chart in July 1994. Simone’s recording was used in the film Point of No Return, and it appears on soundtracks for the movies Repo Men (2010), Last Holiday (2006), Professor Marston and the Wonder Women (2017), and the TV soundtrack Six Feet Under, Vol. 2: Everything Ends. The Bassnectar/Simone cover was used in “Chapter 6”, a first-season episode of the television series Legion.] [Born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born the sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old. In the early 1960s, she became involved in the civil rights movement and the direction of her life shifted once again. Simone’s music was highly influential in the fight for equal rights in the United States. In later years, she lived abroad, finally settling in France in 1992. She received a Grammy Hall of Fame Award in 2000 and was a fifteen-time Grammy Award nominee over the course of her career.]

10. Special Interest – “Young, Gifted, Black, In Leather”
from: Spiraling / Records DK / February 28, 2018
[Produced By Quintron. Mastered by Will Killingsworth at Dead Air Studios. Special Interest is a four piece punk band emerging from New Orleans, Louisiana. Combining elements of No-Wave, Glam, and Industrial Special Interest create a frenetic and urgent revisioning of punk and electronic music for a modern world gone mad. Propulsive drum machines, a swirling layer of detuned samples, and a driving bass line create the foundation across which angular guitar work and dissonant synth lines glide. Front and center are Alli Logout’s commanding vocals and razor sharp lyrics moving from high camp satire to insightful political imperatives often within the course of one song. Special Interest initially formed in 2015 to play one show in a basement. Originally a two-piece with Alli Logout and Maria Elena playing guitars and power tools over the beat of a 70’s Univox drum machine. Soon after they ditched the power tools and were joined by Ruth Mascelli on electronics and Nathan Cassiani on bass. Special Interest quickly gained a reputation for their intense and energetic live shows. A dense wall of sound oscillating from aggressive and noisy to joyous and danceable punctuated by the no holds barred on stage persona of their vocalist. Special Interest have embarked on several short tours of the southeast and have traveled to play festivals such as Suoni Per Popolo, Slut Island, and Not Dead Yet. Their debut album Spiraling w as recorded in New Orleans in 2017 by organist, inventor, and fixture of the local underground music scene Quintron. The first new release on Brice Nice’s Raw Sugar label since 2011, Spiraling is perhaps the sum of its members influences. Which is, to say, everything. They are currently working on a follow up LP to be released in the US on Thrilling Living and in the UK/Europe on Night School Records.]

11. Special Interest – “All Tomorrow’s Carry”
from: The Passion Of / Thrilling Living / June 19, 2020
[“But would you bat an eye waiting for war machines to pass you by? But aren’t we going out tonight? Aren’t we going out? “ Special Interest have returned with their sophomore LP. A dual release from Night School (EU) and Thrilling Living (US). The Passion Of… combines elements of glam rock and no wave pushed through a mangled filter of contemporary electronic forms. Special Interest present a precise and deranged vision of punk, an apocalyptic celebration, a step forward into a perverse and uncertain landscape. Recorded & mixed by James Whitten. Mastered by Rashad Becker. Cover painting by Tamara Santibañez. Special Interest is baed in New Orleans and is made up with: Alli Logout on vocals & lyrics, Nathan Cassiani on bass, Maria Elena on guitar, and Ruth Mascelli on electronics

BLACKSTARKIDS

12. BLACKSTARKIDS – “Wigs”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

13. Ondist – “Gather Up The World”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

11:00 – Station ID

14. Ondist – “Interstate Love Song”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[“Interstate Love Song” is a song by Stone Temple Pilots, released in 1994, from the band’s second studio album, Purple.Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic. Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recently Corbin with Ondist has been traveling around the country, recording songs. Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Sam Platt on the July 8, 2020 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:04 – Interview with Sam Platt

KC based drummer & producer Sam Platt joins us to talk about the new album No Coincidence, from the L.A. based band Ondist. No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Ondist is Corbin Dooley, Maya Coppola, and Nick Poortman. Corbin Dooley asked Sam to put a band together for KC sessions. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. More info at http://www.ondistmusic.com

Sam Platt, Thank you for being with us on Wednesday MidDay Medley.

Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in L.A.

Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman.

Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recenlty Corbin with Ondist has been traveling around the country, recording songs.

Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing.

From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Sam Platt is from Carthage Missouri School, graduated 1986, and spent that summer playing tympani and throughout Europe with the United States Collegiate Wind Ensemble. After 3 years at the University of Missouri-Kansas City, he moved to Boston to finish his degree at the Berklee School of Music. In 1991 he moved back to Kansas City, and received his Master of Arts in Music at the UMKC and started playing 3 nights a week with Billy Meynier and James Albright at the Majestic Steakhouse. Moves to Laguna Beach in 1995. Recording Internship at Future Post. Taught at Capistrano Valley high school and music stores in Orange County and Burbank. Taught jazz and toured in the summers at the Chopin School of Music in Warsaw Poland. In 1996 bought Redhouse Recording in Lawrence Ks, and began recording music, commercials, and audio for video. Sold studio to Getupkids in 2003.

Platt currently playing with RSS Trio, Jeff Shirley Trio, Ken Lovern’s Organ Jazz Trio, performed with Bob Brookmeyer, Bobby Foster, Gary Foster, Micheal Urbaniak, Matthew Garrison, Chris Cheek, Seamus Blake, Doug Talley, Milt Abel, Nathan Granner, and Gerald Trottman. Rock bands include: Pendergast, Ricky Dean Sinatra, Expassionates, Kristie Stremel, The Naughty Pines, The Sunflower Colonels, Kasey Rausch, Fred Wickham Hadacol Caravan, the Billybats, duo with Jason Vivone went to IBC finals in Memphis. Currently head of audio at the American Jazz Museum, just finished 6 weeks of streaming bands 6 nights a week.

His recording clients include: The Bach Aria Soloists, James Clay, Sequira Costa, Micheal W. Smith, Anhauser Busch, all audio recorded, edited and mastered over 10,000 files for the Liberty Memorial World War I Museum, FedEx, Second Story Productions, the Speed Channel, the History Channel, the Discovery Channel, the Outdoor Channel, Disney, John Deere, Dairy Queen, University of Kansas, Washburn University, Baker University, and Southwest Airlines.

He has composed music for Slim 4 Life, Frontier Broadband, Dish Network, John Deere, Grundfos, Seimans, and Liquid 9 Advertising Agency

Sam Platt, Thank you for being with us on Wednesday MidDay Medley.

The new Ondist album No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Corbin Dooley asked Sam Platt to put a band together for KC sessions. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. More info at http://www.ondistmusic.com

11:19

15. Ondist – “No Rain”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[No Rain” is a song by American rock band Blind Melon. It was released in 1993 as the second single from the band’s debut album Blind Melon. Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic. Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recenlty Corbin with Ondist has been traveling around the country, recording songs. Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Lava Dreams aka Julia Hamilton

16. Lava Dreams – “Catch A Vibe”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

11:26 – Underwriting

Photo of Krystle Warren by Matthew Placek
http://www.matthewplacek.com/

17. Krystle Warren – “Sunday Comfort”
from: Circles / Because Music / March 13, 2009
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

18. Aretha Franklin – “Don’t Play That Song”
from: 30 Greatest Hits / Atlantic Records / January 1, 1985
[Don’t Play That Song (You Lied)” is a song written by Ahmet Ertegun and the wife of soul singer Ben E. King, Betty Nelson. It was first recorded by King and was the title track on his third album Don’t Play That Song! (1962). The song reached number 2 on the U.S. R&B singles chart and number 11 on the pop chart when released as a single on Atco Records in 1962. // Aretha Franklin covered the song for her nineteenth studio album, Spirit in the Dark, released on Atlantic Records in 1970. Her version, performed with the Dixie Flyers, was released as a single in 1970 and peaked at number 1 for five weeks on the R&B singles chart and number 11 on the pop chart. Franklin’s version was certified gold with sales over a million copies. It reached number 13 on the UK Singles Chart. This was the first of two covers Franklin did of songs made popular by King. The other was her cover of “Spanish Harlem” in 1971. // Aretha Louise Franklin (March 25, 1942 – August 16, 2018) was an American singer, songwriter, actress, pianist, and civil rights activist. Franklin began her career as a child singing gospel at New Bethel Baptist Church in Detroit, Michigan, where her father C. L. Franklin was a minister. At the age of 18, she embarked on a secular-music career as a recording artist for Columbia Records. While Franklin’s career did not immediately flourish, she found acclaim and commercial success after signing with Atlantic Records in 1966. Hit songs such as “I Never Loved a Man (The Way I Love You)”, “Respect”, “(You Make Me Feel Like) A Natural Woman”, “Chain of Fools”, “Think”, and “I Say a Little Prayer” propelled her past her musical peers. By the end of the 1960s, Aretha Franklin had come to be known as the “Queen of Soul”. // Franklin continued to record acclaimed albums such as I Never Loved a Man the Way I Love You (1967), Lady Soul (1968), Spirit in the Dark (1970), Young, Gifted and Black (1972), Amazing Grace (1972), and Sparkle (1976) before experiencing problems with her record company. Franklin left Atlantic in 1979 and signed with Arista Records. She appeared in the 1980 film The Blues Brothers before releasing the successful albums Jump to It (1982), Who’s Zoomin’ Who? (1985), and Aretha (1986) on the Arista label. In 1998, Franklin returned to the Top 40 with the Lauryn Hill-produced song “A Rose Is Still a Rose”; later, she released an album of the same name which was certified gold. That same year, Franklin earned international acclaim for her performance of “Nessun dorma” at the Grammy Awards; she filled in at the last minute for Luciano Pavarotti, who canceled his appearance after the show had already begun. In a widely noted performance, she paid tribute to 2015 honoree Carole King by singing “(You Make Me Feel Like) A Natural Woman” at the Kennedy Center Honors. // Franklin recorded 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top-ten pop singles, 100 R&B entries, and 20 number-one R&B singles. Besides the foregoing, Franklin’s well-known hits also include “Ain’t No Way”, “Call Me”, “Don’t Play That Song (You Lied)”, “Spanish Harlem”, “Rock Steady”, “Day Dreaming”, “Until You Come Back to Me (That’s What I’m Gonna Do)”, “Something He Can Feel”, “Jump to It”, “Freeway of Love”, “Who’s Zoomin’ Who”, and “I Knew You Were Waiting (For Me)” (a duet with George Michael). She won 18 Grammy Awards,[5] including the first eight awards given for Best Female R&B Vocal Performance (1968–1975). Franklin is one of the best-selling music artists of all time, having sold more than 75 million records worldwide. // Franklin received numerous honors throughout her career. She was awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female performer to be inducted into the Rock and Roll Hall of Fame. She also was inducted into the UK Music Hall of Fame in 2005 and into the Gospel Music Hall of Fame in 2012. In 2010, Rolling Stone magazine ranked her number one on its list of the “100 Greatest Singers of All Time” and number nine on its list of “100 Greatest Artists of All Time”. The Pulitzer Prize jury in 2019 awarded Franklin a posthumous special citation “for her indelible contribution to American music and culture for more than five decades.”]

19. George Jackson – “Aretha, Sing One For Me”
from: The Blues Sessions / Hi Records – Fat Possum Records / May 28, 2013
[George Henry Jackson (March 12, 1945 – April 14, 2013) was an American blues, rhythm & blues, rock and soul songwriter and singer. His prominence was as a prolific and skilled songwriter; he wrote or co-wrote many hit songs for other musicians, including “Down Home Blues,” “One Bad Apple”, “Old Time Rock and Roll” and “The Only Way Is Up”. As a southern soul singer he recorded fifteen singles between 1963 and 1985, with some success. // Jackson was born in Indianola, Mississippi, and moved with his family to Greenville at the age of five. He started writing songs while in his teens, and in 1963 introduced himself to Ike Turner. Turner took him to Cosimo Matassa’s studios in New Orleans to record “Nobody Wants to Cha Cha With Me” for his Prann label, but it was not successful. Jackson then traveled to Memphis to promote his songs, but was rejected by Stax before helping to form vocal group The Ovations with Louis Williams at Goldwax Records. Jackson wrote and sang on their 1965 hit “It’s Wonderful To Be in Love”, which reached no.61 on the Billboard Hot 100 and no.22 on the R&B chart. He also wrote for other artists at Goldwax, including Spencer Wiggins and James Carr, and recorded with Dan Greer as the duo George and Greer. After the Ovations split up in 1968, he recorded briefly for Hi Records, and also for Decca using the pseudonym Bart Jackson. As a singer, he had a versatile tenor that was influenced by Sam Cooke, and released many records over the years, for a host of different labels, but his recordings never made him a star. // At the suggestion of record producer Billy Sherrill, Jackson moved to Rick Hall’s FAME Studios at Muscle Shoals in the late 1960s, Alabama, where he wrote for leading singers including Clarence Carter – whose “Too Weak To Fight” reached no.13 on the pop chart and no.3 on the R&B chart in 1968 – Wilson Pickett, and Candi Staton. Some of Jackson’s songs for Staton, including her first hit in 1969, “I’d Rather Be An Old Man’s Sweetheart (Than A Young Man’s Fool)”, are “widely regarded as examples of some of the finest southern soul ever recorded by a female artist, with lyrics that were full of meaning and innuendo, a hallmark of Jackson’s best work.” Jackson also recorded for Fame Records, and had his first chart success as a singer in 1970 with “That’s How Much You Mean To Me”, which reached no. 48 on the R&B chart. The Osmonds visited the FAME studio in 1970, and heard and liked Jackson’s song “One Bad Apple”, which he had originally written with The Jackson 5 in mind. The Osmonds recorded the song, and it became the group’s first hit, rising to the top of the Hot 100 in February 1971; it also reached no.6 on the R&B chart. // In 1972 he briefly rejoined the Hi label, and had his second and last solo recording success with “Aretha, Sing One For Me”, an answer song to Aretha Franklin’s “Don’t Play That Song”; Jackson’s song reached no.38 on the R&B chart. He then released several singles for MGM Records, while continuing to write for other artists. In the early 1970s he began working as a songwriter for the Muscle Shoals Sound Studio and, with Thomas Jones III, wrote “Old Time Rock and Roll” which Bob Seger recorded in 1978; Seger’s version reached no.28 on the pop chart. While with Muscle Shoals Sound, he also wrote “Down Home Blues”, recorded by Z.Z. Hill, which became a theme tune for Malaco Records in the 1980s; “Unlock Your Mind”, recorded by the Staple Singers and a no.16 R&B hit in 1978; and “The Only Way Is Up”, originally recorded by Otis Clay in 1980. A version of “The Only Way Is Up” by Yazz & The Plastic Population reached no.1 on the UK singles chart, and no.2 on the Billboard dance chart, in 1988. // In 1983, Jackson formed his own publishing company, Happy Hooker Music, before joining Malaco Records as a staff songwriter. There he wrote hits for Johnnie Taylor, Bobby Bland, Latimore, Denise LaSalle, and Z.Z. Hill. He recorded an album of his own songs, Heart To Heart Collect, in 1991 for Hep’ Me Records. In 2011, a compilation CD of his FAME recordings, Don’t Count Me Out, was released. // Jackson died on April 14, 2013, at his home in Ridgeland, Mississippi, from cancer at the age of 68. He left a son and two grandchildren.]

Royce “Sauce” Handy

20. They Call Me Sauce – “Be Real Black For Me”
from: Be Real Black For Me – Single / NuBlvckCity / June 23, 2020
[Produced by Mike Dupree. Recorded, mixed and mastered by Royce “Sauce” HandyOne of three new singles released by They Call Me Sauce this year, so far. Sauce writes, “Be Real Black for Me is inspired by Donny Hathaway & Roberta Flack’s 1972 duet of the same name. This is also the song that producer Mike Dupree uses as a sample in the song. Dupree, a multi-platinum music producer and more (Kendrick Lamar, T.I. Trey Songz, and more), released a series of free instrumentals for the fight against racism and directed artists to use them as they please.” Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released Soul Food 4. In 2019 his collective NuBvckCity with Kartez Marcel, Mae C, and VP3 released the single “All Night” / “Alive”.]

Stephonne Singleton Photography by Paul Andrews Photography // Makeup by Janette RiiRii Noriega // Styling by Alex Nivens and Stephonne Singleton.

21. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne Singleton will be our guest nest week on WMM]

22. Aimee Mann – “Wise Up”
from: Magnolia: Music from the Motion Picture / Warner Music / December 7, 1999
[Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.
Paul Thomas Anderson stated that Magnolia was inspired by Mann’s music. Many of the songs feature prominently within the film, with “Wise Up” even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being “You Do” and “Save Me”. “Save Me” would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins’s song “You’ll Be in My Heart” from TarzanAimee Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for ‘Til Tuesday, and wrote their top-ten single “Voices Carry”. She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song “Save Me”. She has won two Grammy Awards and was named one of the world’s ten greatest living songwriters by NPR in 2006. She negotiated a contract release from David Geffen and founded her own label, SuperEgo Records.]

23. Billy Preston – “Blackbird”
from: Ultimate Collection: Billy Preston / Universal Music / January 1 10, 2000
[Often referred to as the fifth Beatle, Prestin covers the song written by Paul McCartney originally for the Beatles White Album. “Blackbird” was recorded by Billy Preston for his 7th studio album Music Is My Life, released October 8, 1972 on A & M Records. // William Everett Preston (September 2, 1946 – June 6, 2006) was an American musician whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Reverend James Cleveland, and the Beatles. He went on to achieve fame as a solo artist with hit singles such as “That’s the Way God Planned It”, the Grammy-winning “Outa-Space”, “Will It Go Round in Circles”, “Space Race”, “Nothing from Nothing”, and “With You I’m Born Again”. Additionally, Preston co-wrote “You Are So Beautiful”, which became a #5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group’s four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles’ breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group’s albums and tours during the 1970s. ” Preston first met the Beatles as a 16-year-old in 1962, while part of Little Richard’s touring band, when their manager Brian Epstein organized a Liverpool show, at which the Beatles opened. The Washington Post explained their subsequent meeting. // They’d hook up again in 1969, when the Beatles were about to break up while recording the last album they released, Let It Be (they would later record Abbey Road, which was released prior to Let It Be). George Harrison, a friend of Preston, had quit, walked out of the studio and gone to a Ray Charles concert in London, where Preston was playing organ. Harrison brought Preston back to the studio, where his keen musicianship and gregarious personality temporarily calmed the tension. // Preston is one of several people referred to as the “Fifth Beatle”. At one point during the Get Back sessions, John Lennon proposed the idea of having him join the band (to which Paul McCartney countered that it was difficult enough reaching agreements with four). Preston played organ and electric piano for the Beatles during several of the Get Back sessions; some of these sessions appeared in the film Let It Be and on its companion album. Preston also accompanied the band on electric piano for its rooftop concert, the group’s final public appearance. In April 1969, their single “Get Back” was credited to “The Beatles with Billy Preston”, the only time such a joint credit had been given on an official Beatles-sanctioned release (as distinct from an unsanctioned reissue of some Hamburg-era recordings on which they were the backing group for Tony Sheridan). The credit was bestowed by the Beatles to reflect the extent of Preston’s presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked, in a more limited role, on the Abbey Road album, contributing organ to the tracks “I Want You (She’s So Heavy)” and “Something”. // In 1978, he appeared as Sgt. Pepper in Robert Stigwood’s film Sgt. Pepper’s Lonely Hearts Club Band, which was based on the Beatles’ album of the same name, and sang and danced to “Get Back” as the penultimate song. // Although the details did not become fully known to the general public until after his death, Preston struggled throughout his life to cope with his homosexuality, and the lasting effects of the traumatic sexual abuse he suffered as a boy. Although his sexual orientation became known to friends and associates in the music world (such as Keith Richards), Preston did not publicly come out as gay until just before he died: partly because he felt that it conflicted with his deeply held religious beliefs and his lifelong association with the church, he was in the closet until shortly before his death. Keith Richards in his autobiography, Life, mentioned Preston’s struggles with his homosexuality. // In an interview for a 2010 BBC Radio 4 documentary on his life and career, Preston’s manager Joyce Moore revealed that after she began handling his affairs, Preston opened up to her about the lifelong trauma he had suffered as the result of being sexually abused as a child. Preston told Moore that at about the age of nine, after he and his mother moved to Los Angeles from Houston to perform in a touring production of Amos ‘n’ Andy, he was repeatedly abused by the touring company’s pianist. When Preston told his mother about the abuse, she did not believe him, and failed to protect him. The abuse went on for the entire summer, and Preston was also later abused by a local pastor. // Another traumatic incident, which reportedly affected Preston deeply, occurred in the early 1970s, while he was engaged to actress/model Kathy Silva. At this time Preston had become close friends with musician Sly Stone, and made many contributions to Stone’s recordings of the period (including the landmark album There’s a Riot Goin’ On). According to Moore, Preston was devastated when he came home one day to find Stone in bed with Silva (who later famously married Stone on stage at Madison Square Garden). According to Moore, Silva’s affair with Stone was the trigger that led Preston to stop having relationships with women. It was after this incident that he began abusing cocaine and having sex with men, and Moore has stated that she saw his drug abuse as his way of coping with the internal conflicts he felt about his sexual urges]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 15Stephonne Singleton joins us to talk about his new EP and the New Video for his song “Want Me.” We will also talk with KC based singer songwriter Heath Church about his new song “The Stranger.” Plus, we will feature music included in a new compilation titled Black Lives Matter, from KC based label French Exit Records with all proceeds from this release being donated to One Struggle KC‘s Liberation Fund. One Struggle KC is a Black-led coalition of Kansas City activists seeking to connect the struggles of oppressed communities, locally and globally. Learn more about the Liberation Fund here: actionnetwork.org/fundraising/it-aint-over-legal-fund

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
Calvin Arsenia photo by Jenny Wheat Photography
Krystle Warren photo by Manu Noyon
Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #845

WMM features Songs of Nina Simone + Sam Platt on Ondist + New & MidCoastal Releases

Stephonne Singleton photo by Paul Andrews Photograph. Calvin Arsenia photo by Jenny Wheat Photography. Krystle Warren photo by Manu Noyon. Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 8, 2020

Sam Platt talks about Ondist + Nina Songs
+ New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: Blackstarkids, The Black Creatures, Logan Richardson with Kadesh Flow, Lava Dreams, Krystle Warren, Calvin Arsenia, They Call Me Sauce, X.Wilson, Special Interest, Stephonne Singleton, Ondist, Bettye LaVette, Nina Simone, Meshell Ndegeocello, David Bowie, Aretha Franklin, George Jackson, Aimee Mann and Billy Preston.

At 11:00 KC based drummer & producer Sam Platt talks about the new album No Coincidence, from the L.A. band Ondist, with members from Arkansas, New Zealand, and New York. No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Ondist is Corbin Dooley, Maya Coppola, and Nick Poortman. Corbin Dooley asked Sam to put a band together for KC sessions. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. Over 20 songs were recorded, 14 originals, 6 covers. More info at http://www.ondistmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #845

Stephonne Singleton photo by Paul Andrews Photograph
Calvin Arsenia photo by Jenny Wheat Photography
Krystle Warren photo by Manu Noyon
Nina Simone photo by Jack Robinson – Getty Images

WMM Playlist from April 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 22, 2020

New & MidCoastal Releases + R.I.Peter
+ Matt Kesler of The Pedaljets +
Lava Dreams aka Julia Hamilton

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3.Mavis Staples – “All In It Together”
from: All In It Together / Anti / April 2, 2019
[New single written by Mavis Staples and Jeff Tweedy. Produced by Jeff Tweedy. Mixed by Tom Schick. All proceeds from the song will be donated to My Block, My Hood, My City – a Chicago organization ensuring seniors have access to the essentials needed to fight COVID-19. More info here: http://www.formyblock.org. Mavis Staples on vocals; Jeff Tweedy on guitar, bass & vocals; Stephen Hodges on drums; Scott Ligon on piano; Glenn Kotche on percussion; Donny Gerrard on backing vocals; Vicki Randle on backing vocals; Kelly Hogan on backing vocals; and Akenya Seymour on backing vocals. Last year on May 10, 2019, Mavis Staples released “We Get By” her 14th studio solo album. Mavis Staples is an iconic rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

4. David Bowie – “Sunday”
from: Heathen / ISO – Columbia Records / June 11, 2002
[Heathen is the 22nd studio album by David Bowie. It was considered a comeback for him in the US market by becoming his highest charting album (number 14) since Tonight (1984). It also earned strong reviews. The BBC said the album’s title track “shows that Bowie could still pen disarmingly direct, affecting pop of a very individual inclination 30-plus years after he started”. World-wide, it sold one million copies and experienced a four-month run on the UK charts. Although its production had started before the September 11 attacks in 2001, the album was finished after that date, which resulted in the influencing of its concept. He supported the album on the Heathen Tour throughout 2002. Heathen marked the return of record producer Tony Visconti, who co-produced (with David Bowie himself) several of Bowie’s classic albums. The last album Visconti had co-produced was Scary Monsters in 1980. This was Bowie’s first album in over a decade to not include guitarist Reeves Gabrels, who debuted with the singer on Tin Machine (1989). Originally, Bowie had recorded the album Toy for release in 2001. This album was meant to feature some new songs and remakes of some of his lesser-known songs from the 1960s. Although Toy remains officially unreleased, re-recordings of the tracks “Afraid” and “Slip Away” (then titled “Uncle Floyd”), appear on Heathen. Some other re-recordings of songs from the Toy sessions were included as B-sides to the singles from Heathen. The album was recorded at the mountain-top Allaire Studios in Shokan. Early recording sessions for Heathen were by Bowie on guitars and keyboards, Visconti on bass, and Matt Chamberlain on drums. The trio recorded about forty songs, ranging from brief sketches to nearly-complete compositions. Additional recording sessions took place at several studios, and featured performances from newcomers and previous Bowie collaborators. Bowie regulars Carlos Alomar (guitar) and Sterling Campbell (drums) returned, as did The Who guitarist Pete Townshend, who played the solo on “Slow Burn” and had earlier played guitar on “Because You’re Young” from Scary Monsters (And Super Creeps). Newcomers included Foo Fighters frontman and former Nirvana drummer Dave Grohl, Dream Theater keyboardist Jordan Rudess, pianist Kristeen Young, and prolific bassist Tony Levin of King Crimson. The song “I Took a Trip on a Gemini Spaceship” contains the lowest note Bowie has ever sung on an album (G1). Although many of its songs were written for Toy, and some are cover versions, biographers and critics of the time claimed that Heathen deals with Bowie’s impressions of the September 11 attacks. The lyrics of songs such as “Slow Burn”, “Afraid”, “A Better Future” and “Heathen (The Rays)” focus on the degradation of mankind and the world in general, recalling his earlier album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the song “Five Years”. Bowie denied that any of the album’s songs were written after September 2001, though he admitted that the songs deal with the general feeling of anxiety that he’d had in America for a number of years, adding “it’s not unlikely that you’re going to have a sense of angst in anything that’s recorded in New York or by New Yorkers.” He also said in a 2003 interview: “It was written as a deeply questioning album. Of course, it had one foot astride that awful event in September. So that was quite a traumatic album to finish. This one hints at that, but it’s not really trying to resolve any trauma. [September 11] did affect me and my family very much. We live down here.” The album contains cover versions of three songs: “Cactus” by Pixies, which features Bowie on all instruments except for bass and is his only recorded drum performance, “I’ve Been Waiting for You” by Neil Young (which had also been recorded by Pixies as a B-side for 1990’s “Velouria” single), and “I Took a Trip on a Gemini Spaceship” by Norman Odam, aka the Legendary Stardust Cowboy, from whom Bowie lifted part of his “Ziggy Stardust” moniker in 1972. The latter two songs were taken from a list of songs that Bowie compiled in the 1970s for his never-recorded Pin Ups 2 album. Bowie, who was 55 at the time of the record’s release, said, “I’m pretty much a realist. There’s a certain age you get to when you’re not really going to be shown [on TV] anymore. The young have to kill the old. … That’s how life works. … It’s how culture works.” For this reason there were no music videos released for any of the songs from this album. The song “Sunday” was played live at the Heathen Tour and A Reality Tour concerts. A live version recorded at The Point, Dublin in November 2003 was included on the A Reality Tour DVD. A Moby remix is available on the bonus disc of the 2-CD version of Heathen, and a Tony Visconti remix was released on the European version of the single “Everyone Says ‘Hi'” and the single “I’ve Been Waiting for You”.]

5. The MGDs – “Time For Love [feat. Danielle Nicole]”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

6. Jenny Lewis – “Wasted Youth”
from: On The Line / Warner Records / March 22, 2019
[On the Line is the fourth studio album by Jenny Lewis. Recorded at Capitol Records’ Studio B, the album has contributions from Beck, Ringo Starr, Ryan Adams, Don Was, Benmont Tench, Jason Falkner, and Jim Keltner. A month prior to the album’s release, Ryan Adams, who helped produce the record, was accused by several women of sexual misconduct. After the album was released, Lewis told Pitchfork: “The allegations are so serious and shocking and really fucked up, and I was so sad on so many levels when I heard, I hate that he’s on this album, but you can’t rewrite how things went. We started the record together two years ago, and he worked on it — we were in the studio for five days. Then he pretty much bounced, and I had to finish the album by myself. Jennifer Diane Lewis was born January 8, 1976, in Las Vega. She was the lead singer and rhythm guitarist for the indie rock band Rilo Kiley. Lewis gained prominence in the 1980s as a child actress, appearing in the films Troop Beverly Hills (1989) and The Wizard (1989) and the television series Brooklyn Bridge (1991–93). In the mid-1990s, Lewis semi-retired from acting to focus on her musical career, and formed Rilo Kiley in 1998 with fellow former child actor Blake Sennett. Rilo Kiley released four albums before they disbanded in 2014.Lewis has released four solo albums: Rabbit Fur Coat (2006), Acid Tongue (2008), The Voyager (2014) and On the Line (2019). In addition to Rilo Kiley and her solo career, Lewis has been a member of the Postal Service, Jenny & Johnny and Nice As Fuck.]

10:29 – Underwriting

7. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

R.I.Peter aka Peter Beatty on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:35 – Interview with Peter Beatty

R.I.Peter joins us (on the phone) to share music and information about his new cassette-single release, “Cruis’n” and “Rising Sun” from Manor Records. R.I.Peter is the new musical project from Peter Beatty who also plays lead guitar and sings in the band Momma’s Boy. Members of Momma’s Boy have been playing together since the band Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick formed when they were in high school at Saint James Academy. Peter studied at University of Kansas.

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

Peter Beatty released “Cruis’n” / “Rising Sun” – as a Cassingle Release – Streaming Live Concert, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram.

“Rising Sun” written by Peter Beatty

in the morning
the fun is gone
there’s nothing for me now
but the rising sun

9 in the morning
my joe is warm
there’s nothing to do now
but weather the storm

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

the room is still spinning
I’m feeling like I’ve died
but there’s no need to worry
with you by my side

We meet again, my only friend
we know this story from beginning to end
so stop the nonsense and quit playing pretend

dancing shadows fill the room
and ill sing that familiar tune
we all know that we’re going to soon
but it the end I know love will bloom

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

Peter Beatty

The new singles follow R.I.Peter’s self titled 5-song EP debut, that was released July 5, 2019. On last year’s EP Jerad Bajkowski helped with the songwriting and production.

R.I.Peter is also part of a new compilation benefit release from Manor Records. On April 13th, 2020 Manor Records released, “Keep the Change :: A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. More info at: http://www.manorrecords.com

R.I.Peter performs “Swim and Sleep (Like a Shark)” (An Unknown Mortal Orchestra cover)

Cruis’n written by Peter Beatty

Ridin’ down the avenue
start to think about something new
have a heart to heart, me and you
figure out if our love is true

is he the one you want
is she the one you want
are they the one you want
am I the one you want

cruis’n down the boulevard
babe I know that your life’s been hard
I think its time that I pull your card
and figure out who you really are

is he the one you want
is she the one you want
are they the one you want
am I the one you want

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

The Cruis’n / Rising Sun – Cassingle were released through Manor Records on April 10, 2020 http://www.ripeter.bandcamp.com

10:48

8. R.I.Peter – “Cruis’n”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

9. Chloe Jacobson – “Secret Heart” (a Ron Sexsmith cover)
from: Keep the Change – A Fundraiser for KC Service Industry / Manor Records / April 10, 2020
[“Keep the Change – A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. All rights to songs go to original artists. all funds received go to donation to local kc service staffs mentioned. More info at: http://www.manorrecords.com ]

10. The Nicole Springer Band – “Come Clean”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com .]

[Nicole Springer presents a “Come Clean” Music Video Virtual Release Party! Hosted by Nicole Springer and Outskrts, Thursday, April 23 at 7 PM on Nicole Springers and Outskrts Facebook pages.]

[Nicole Springer joins us LIVE on next week WMM on April 29]

11:00 – Station ID

11. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Matt kesler of The Pedaljets, The Doo Dads, The Midtown Quartet, and SHE SAID, on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Matt Kesler

Matt Kesler plays bass and sings with the band Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Formed in 1984, Pedaljets made a name for themselves playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” However, 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, their first album of new material in 23 years. Now, six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (of The Philistines), while previous guitarist Paul Malinowski served as producer. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, SHE SAID, The Doo Dads and Midtown Quartet.

Matt Kesler Thanks for being with on Wednesday MidDay Medley

Because The Pedaljets broke up for 20 years, all of the members started their own families and other bands. Coming back together as a band, after all of those years, all of you were in different places and touring and live performances now were navigated in new ways. The Pedaljets were originally going to be on tour right now, coming back to Kansas City to play Record Store day at Mills Record Company. All of that has been postponed.

The Pedaljets, played an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids.

Pedaljets

Pedaljets are: Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming

Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the new album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Matt Kesler

Matt Kesler was also the original bass player for The Wilders

Matt also plays with the bands:

Doo Dads
Doo-Dad Mike: Guitar and Vocals
Doo-Dad Joe: Drums and Vocals
Doo-Dad Matt Kesler: Bass Guitar and Vocals
Doo-Dad Ken: Keyboard and Vocals

The Doo-Dads, are a kid-cool rock ‘n’ roll band, was founded in 2002 by four friends and dads, all veterans of the Kansas City music scene. The band puts on a high-energy show that has every hallmark of a real rock concert – fun, excitement and . . . BUBBLES!

Midtown Quartet
Dwayne Mitchell on guitars
Dan Christensen on drums
Carl J Bender on sax
Matt Kesler on bass

Midtown Quartet played at Mstt’s wedding before he was a member of the band

SHE SAID
Jennie Ferguson – Vocals & Guitar
Scott Mize – Guitar
Doug Hitchcock – Drums
Matt Kesler – Bass & Vocals

11:13

12. SHE SAID – “These Are The Days”
from: “These Are The Days” – Single / SHE SAID / unreleased demo
[KC based, 4-piece, SHE SAID, is Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler on bass & vocals. SHE SAID played live on the Juoy 12, 2017 edition or WMM. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johnston, and the band Near Death Experience. Matt Kesler also plays in The Pedajets and The Doo Dads.]

11:17 – More Interview with Matt Kesler

We are talking with Matt Kesler plays bass and sings with the bands SHE SAID, and the Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, Doo Dads and Midtown Quartet.

Mat Kesler, Thank you for being with us on Wednesday MidDay Medley

Once hailed as “Kansas City’s answer to The Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own.

After releasing two LPs, 1988’s “Today Today” and 1989’s “Pedaljets,” the band split up.

After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland.

Kesler owned and operated the KC vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more.

The Pedaljets couldn’t stay apart forever though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform.

20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the reunion led to “What’s In Between” in 2013, the band’s first new material in 23 years.

6 years later, “Twist The Lens” their 4th full-length, is the first to feature new guitarist Cody Wyoming while previous guitarist Paul Malinowski served as producer.

More info at: http://www.thepedaljets.com

Matt Kesler, thanks for being with us on Wednesday MidDay Medley

The Pedaljets released their new album, “Twist The Lens,” Feb. 14, on Electric Moth Records. More info at: http://www.thepedaljets.com

11:25

12. Pedaljets – “Today Today”
from: Today Today / Newly remastered / Original: Twilight Records / 1988
[Newly remastered from the debut album from The Pedaljets, with Mike Allmayer on vocals & guitar, Matt Kesler on bass & vocals, Rob Morrow on drums & vocals, and John Harper on guitar. Produced by J.J. Johnson, and The Pedaljets at Holly Hill Recorders. Artwork by Richard Hoefle, photography by Mike Soden. Manufactured and marketed by Fundamental Music.]

11:29 – Underwriting

14. Lava Dreams – “Good Energy”
from: “Good Energy” – Single / Lava Dreams / April 22, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

Lava Dreams aka Julia Hamilton on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Julia Hamilton aka Lava Dreams

Solo artist Lava Dreams is the electronic music project of Julia Hamilton who writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. Lava Dreams releases her new single “Good Energy” produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

Julia Hamilton thanks for being with us on WMM.

Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child.

Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars.

After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018.

Lava Dreams will be releasing the EP “Good Energy + Focus” sometime in May or June. The new EP was produced by Duncan Burnett.

Lava Dreams met Duncan Burnett after a show in Lawrence, Kansas when she shared the stage with Khrystal. Duncan was playing drums for Khrystal. and he approached Julia and asked if they wanted to collaborate.

Lava Dreams writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music.

Last year in 2019 Lava Dreams released the 12 song full length album, Meditation.

Prior to “Meditation” Lava Dreams released the song, “Sweet Sweet.”

Julia Hamilton is also a filmmaker who received her Bachelor’s of Arts Degree in Film from Avila University.

Lava Dreams Influences are: Sade, Billie Holiday, Solange, Frank Ocean, Daniel Ceasar, The Internet, Washed Out, The Cranberries, Tame Impala, Heart, Prince, Steve Lacy, Janelle Monae, Tracy Chapman, Fleetwood Mac, Mereba, and Nao.

Lava Dreams conveys optimism and vulnerability with lyrics that drive home personal truths. Lava’s second album will be released Summer 2020.

Julia Hamilton, thanks for being with us on WMM.

Lava Dreams aka Julia Hamilton

Lava Dreams release the new single Good Energy produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

11:48

15. Lava Dreams – “The Heat”
from: The Heat / Lava Dreams / April 11, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com]

16. John Lennon – “Nobody Told Me”
from: Milk and Honey / Polydor-Geffen / January 27, 1984
[“Nobody Told Me” was a song that John Lennon had intended for Ringo Starr’s 1981 album “Stop and Smell the Roses.” It was released as a single and became a worldwide Top 10 hit. Other singles from Milk and Honey were “I’m Stepping Out” and “Borrowed Time”. The songs “Let Me Count the Ways” and “Grow Old with Me” were written by Lennon and Ono to each other using inspiration from poems by Elizabeth Barrett Browning and Robert Browning. They are presented in their demo form. Milk and Honey is the sixth and final album by John Lennon and Yoko Ono, released in 1984. Following the compilation The John Lennon Collection, it is Lennon’s eighth and final studio album, and the first posthumous release of new Lennon music, having been recorded in the last months of his life during and following the sessions for his 1980 album Double Fantasy. It was assembled by Yoko Ono in association with the Geffen label. Milk and Honey was the duo’s projected follow-up to Double Fantasy, though Lennon’s death caused a temporary shelving of the project. It took Ono three years to be able to resume work to complete it. Ono’s material largely comprises new recordings, which she undertook during the album’s preparation in 1983, which give her songs a more commercial and contemporary edge. Conversely, Lennon’s material, being rough takes and rehearsal recordings, has a more casual feeling. The album title came from Ono, who explained that it referred to their journey to the US, “the land of milk and honey”. “But also, in the Scripture, the land of milk and honey is where you go after you die, as a promised land”, Ono went on to say. “So it’s very strange that I thought of that title. Almost scary – like someone up there told me to call the next album Milk and Honey.” The cover is an alternative take from the same photo session that produced the front cover of Double Fantasy, though this time it appears in colour. After a falling out with David Geffen, whose Geffen Records had initially released Double Fantasy, Ono moved future projects to Polydor Records, which initially released Milk and Honey. EMI, home of Lennon’s entire recorded output—including that with the Beatles—acquired this and all Lennon releases in the late 1990s. Predictably, the reaction to Milk and Honey was less fanatical than the one that afforded Double Fantasy in the wake of Lennon’s death, but it was still well received, peaking at No. 3 in the UK and No. 11 in the US, where it went gold. Jack Douglas, who had co-produced Double Fantasy with Lennon and Ono, also had input into the initial sessions for Milk and Honey, though Ono declined to credit him after their professional relationship soured following Lennon’s death. In 2001, Ono supervised the remastering of Milk and Honey for its CD reissue, adding three bonus tracks and a 22-minute excerpt from Lennon’s last interview in the late afternoon of 8 December 1980, hours before his death. The bonus tracks include home demo recordings of “I’m Stepping Out” and “I’m Moving On” (from Double Fantasy) along with a version of “Every Man Has a Woman Who Loves Him” featuring Lennon’s vocals only, which was planned to be included on the Ono tribute album Every Man Has a Woman (released 1984).]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 29 we’ll play more New & MidCoastal Releases. We’ll also talk with: Kimmie Queen and Cody Wyoming, They Call Me Sauce, Nicole Springer, and Ivory Blue.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #834

WMM with: R.I.Peter + Matt Kesler + Lava Dreams

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 22, 2020

New & MidCoastal Releases + R.I.Peter
+ Matt Kesler of The Pedaljets +
Lava Dreams aka Julia Hamilton

Mark plays New & MidCostal Releases from: The Freedom Affair, MGDs with Danielle Nicole, Lava Dreams, R.I.Peter, Chloe Jacobson, Pedaljets, The Nicole Springer Band, Mavis Staples, David Bowie, Jenny Lewis, and John Lennon.

Peter Beatty

At 10:30 R.I.Peter joins us (on the phone) to share music and information about his new cassette-single release, “Cruis’n” and “Rising Sun” from Manor Records. R.I.Peter is the new musical project from Peter Beatty who plays lead guitar and sings in the band Momma’s Boy. Members of Momma’s Boy have been playing together since the band Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick formed when they were in high school at Saint James Academy. Peter studied at University of Kansas.

Matt Kesler

Pedaljets

At 11:00 Mark talks with Matt Kesler who plays bass and sings with the band Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Formed in 1984, Pedaljets made a name for themselves playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, their first album of new material in 23 years. Now, six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer. Matt Kesler also plays with the bands, Doo Dads and Midtown Quartet.

Lava Dreams aka Julia Hamilton

At 11:30 Lava Dreams joins us to talk about her new release, “Good Energy + Focus” produced by Duncan Burnett. Solo artist Lava Dreams is the music project of Julia Hamilton. She writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a filmmaker who received her Bachelor’s of Arts Degree in Film from Avila University. More info at LavaDreamsMusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #834

WMM Playlist from Jan. 22, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 22, 2020

Hadiza. & Les Izmore
+ Scott Hobart of Giants Chair
+ New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. David Bowie – “Everyone Says “Hi” (Edit)”
from: Nothing Has Changed / dBpm Records / October 4, 2019
[“Everyone Says ‘Hi'” is a song recorded by English singer David Bowie for his twenty-second studio album Heathen (2002). It was written by Bowie, and produced by British duo Brian Rawling and Gary Miller, with vocals produced by the singer himself with Tony Visconti. The song was released on September 16, 2002, by ISO and Columbia Records. “Everyone Says ‘Hi'” peaked at number 20 on the UK Singles Chart and also reached number 83 in the German Singles Chart. Reeves Gabrels, Bowie’s guitarist throughout the 1990s and close creative partner up until a few years before Heathen’s released, said that “Everyone Says ‘Hi'” was the only song Bowie made after his departure that he heard “because someone told me that David wrote that for me. That made me cry. An edited version of this song was included in the 2014 compilation “Nothing has Changed” the first album to showcase Bowie’s entire career and includes a new composition, “Sue (Or in a Season of Crime)”, which was later re-recorded for his final album Blackstar go 2016. Nothing Has Changed is notable for including songs from Bowie’s unreleased 2001 album Toy: “Your Turn to Drive”, previously an internet-only single, and a previously unreleased re-recorded version of “Let Me Sleep Beside You”, both of which are found on the triple CD version of the album.]

[The Band That Fell To Earth: A Tribute to David Bowie, is 2 nights: Friday, Jan. 24 & Saturday, Jan. 25. Doors at 8:PM, show at 9:PM, recordBar, 1520 Grand. A portion of sales benefit KC Anti-Violence Project. ]

3. Emily King – “Radio (Acoustic)”
from: Sides (Acoustic) / ATO Records / January 17, 2020
[Emily King has been nominated for two 2020 Grammy Awards: for best R&B song “Look at Me Now” and for best engineered album Scenery. Sides is a new collection of 11 acoustic versions of previously released from her 2011 EP The Seven, 2016 album The Switch and 2019 album Scenery. Sides was produced by Jeremy Most and features string arrangements by Rob Moose. We fIrst played Emily King on June 29, 2016 when our friend Krystle Warren was Guest Producer and played the song “Georgia” from King’s 2011 EP Seven. She is an American singer and songwriter. She started her career in 2004 and her debut album East Side Story was released three years later in August 2007. In December 2007, King was listed as a Grammy nominee for Best Contemporary R&B Album. Born July 10, 1985, in NYC in 1985, King grew up in a small apartment on the Lower East Side. Her parents, Marion Cowings and Kim Kalesti, were a singing duo who performed and traveled regularly bringing her and her older brother along with them. At age 16, King left high school after earning her GED to pursue her music career. She began playing shows in restaurants and venues around New York City including CBGB and The Bitter End. King signed her first record deal with J Records in 2004 and was featured on Nas’ 2004 album Street’s Disciple credited as simply “Emily”. Her debut album East Side Story was released 3 years later in August 2007. It went on to earn a Grammy nomination for “Best Contemporary R&B Album of the Year.” During that time King toured with John Legend & Floetry. She opened for various artists such as Nas, Alicia Keys, Chaka Khan & Erykah Badu. After parting ways with her label in 2008, King continued independently. She self-recorded her follow-up EP Seven in her home, released July 2011. In October 2011, she accepted an invite from Maroon 5 to open on their European/Scandinavian tour. In 2012, King was awarded the Holly Prize (a tribute to the legacy of Buddy Holly) from The Songwriters Hall of Fame for recognition of the “all-in songwriter” whose work exhibits the qualities of Holly’s music: true, great and original. King was invited by Emeli Sande to open for her UK tour playing sold out shows in 5 cities including The Royal Albert Hall in London. King collaborated with José James on his album No Beginning No End in 2013 and can be heard on tracks Heaven on the Ground and the acoustic version of Come to My Door. In 2014, King was performing as an opening act for Sara Bareilles’ Little Black Dress tour. The year 2015 marked the release of King’s 2nd studio album, The Switch, Emily self-released on her label Making Music Records on June 26. The Wall Street Journal remarked that the album is “a tasteful collection of 11 songs that showcase King’s distinctive voice.” After signing with the ATO Records in 2017, King became label mates with Brittany Howard, Benjamin Booker & Brandi Carlile. More info at: http://www.emilykingmusic.com]

4. Adam Scott York – “What I Need”
from: The Twin Rivers EP / Adam Scott York / December 20, 2019
[Adam Scott York is a multi-instrumentalist and songwriter from Kansas City, who specializes in bass guitar. His versatile range of influences vary from hip-hop to folk to classic rock. Adam first took up the piano at age 4 at the behest of his parents and thus began the endless curiosity that led him to learn any instrument he could get his hands on, be it guitar, banjo, drums, or bass. Adam previously played bass for The Creepy Jingles.]

5. Una Walkenhorst – “People in the Paper”
from: People in the Paper – Single / Una Walkenhorst / December 7, 2019
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

6. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

10:25 – Underwriting

7. Jametatone – “I Can Tell”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays Hadiza’s band Collidescope play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with ARQuesta Del SolSoul.]

8. Hadiza. – “Reactions”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza. released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza. plays Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Sat, January 25, at 9:00 PM with Hadiza., Babydoll, The Black Creatures, and Les Izmore and the GOATs.]

[Hadiza’s band Collidescope play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with Jametatone and ARQuesta Del SolSoul.]

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

10:34 – Interview with Hadiza. and Les Izmore

On December 29, 2018, Hadiza. released her EP Gone, and on Novenber 22, 2019 Hadiza. released her new 10 song, full-length album called, Shadow Weight, which continues to showcase her deeply moving voice and piano. Born in Iowa City, Iowa, she has lived in Bushwick, and Atlanta, and worked in corporate America in the New York Finance District. For many years she studied the piano, while keeping her singing voice private. Eventually she made the jump into her new life of composing, singing, writing, collaborating and presenting what she calls a blend of soul, classical, blues and folk. Since relocating to Kansas City, Hadiza. has been slowly carving out her place as a solo artist and also as lead vocalist and lyricist for the experimental electronic duo Collidescope.

Hadiza., thanks for being with us on WMM.

Les Izmore is a veteran of the Kansas City Music Community fusing American Funk and Soul, Afrobeat, Kansas City Big Band, Rock, and Hip Hop as frontman for the critically acclaimed multi-genre Kansas City ensemble, Hearts of Darkness. Les has also collaborated with D/Will for the Hip Hop album release of Heartfelt Anarchy. Les has also collaborated with Julia Haile, Herman Mehari, Lee Langston, Anthony Saunders, Brad Williams and Reach to perform and release music as The Buhs. Most recently Les has been involved in exploring the indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa with the Kansas City based collective Arquesta Del SolsSoul with Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

Les Izmore, thanks for being with us on WMM.

Hadiza. and Les are here to share informaton about their new music and upcoming shows:

Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, Les Izmore and the GOATS, and The Black Creatures.

Hadiza’s band Collidescope with Jametatone and ARQuesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza. released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin.

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy.

Les Izmore is a veteran of the Kansas City Music Community as frontman for the critically acclaimed multi-genre Kansas City ensemble, Hearts of Darkness.

Les has also collaborated with D/Will for the Hip Hop band Heartfelt Anarchy.

Les has also collaborated with Julia Haile, Herman Mehari, Lee Langston, Anthony Saunders, Brad Williams and Reach to perform and release music as The Buhs.

Les has been involved in exploring the indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa with the Kansas City based collective Arquesta Del SolsSoul with Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

One of the first recordings from Arquesta Del SolSoul was a track titled “SOL SOL SIX” recorded by Ted Rieder for Never Records during Open Spaces Kansas City. Featuring Les Izmore, Jessica Ayala on vocals. Recorded October 27, 2017 by Ted Rieder for Never Records during Open Spaces Kansas City. Featuring Les Izmore, Jessica Ayala on vocals. ”

Arquesta Del SolSoul is a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves “African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.”

10:55

9. Arquesta Del SolSoul – “GROW SOMETHING (Fela Minded KC)
from: GROW SOMETHING (Fela Minded KC) – Single / unreleased

11:00 – Station ID

11:00 – More Interview with Hadiza. and Les Izmore

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

We are talking to Kansas City musicians Hadiza. and Les Izmore who join us to share informaton about their new music and upcoming shows:

Hadiza. and Les Izmore, thanks for being with us on WMM.

Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, Les Izmore and the GOATS, and The Black Creatures.

Hadiza’s band Collidescope with Jametatone and ARQuesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM.

More info is at: http://www.hadizaisnothere.bandcamp.com

11:10

10. The Black Creatures – “wretched (it goes)”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Sat, January 25, at 9:00 PM with Hadiza., Babydoll,, and Les Izmore and the Goats.]

[Arquesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with Collidescope, and Jametatone.]

11. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / January 17, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

11:17 – Where are all the protest songs?

12. Kate Bush – “Army Dreamers”
from: Never for Ever / EMI America / September 7, 1980
[“Army Dreamers” is a 1980 song, the third and final single to be released from the album Never for Ever, by Kate Bush. It was a UK top 20 hit in October 1980. Norwegian songwriter Pål Knutsen, released his fourth studio album Unsongs on September 16, 2016 on Propeller Recordings. A collection of covers of protest songs which included Kate Bush’s “Army Dreamers” which was banned by the BBC for anti-war sentiments during the Falklands conflict. “Army Dreamers” is an example of a song which only grows more powerful and relevant through the establishment trying to silence it. Of the track, Moddi says “while most of the songs on the album are explicitly political in form, it was difficult for me to see how ‘Army Dreamers’ would pose a threat to anyone at first glance. Initially, I thought it was ridiculous to ban it. However, when I tried singing the song, I began taking in the message. The words are so simple, describing nothing but pure and bottomless motherly sorrow, a sorrow against which I could not defend myself. Then I understood why the song was dangerous: because it calls forth compassion. Inescapably. Kate Bush was never imprisoned like Pussy Riot or killed like Víctor Jara but the message she was trying to spread was nonetheless silenced. This song made me realise that censorship is so much more than violent suppression. It happens quietly, in our homes and on our radios, every day. And usually we don’t talk too much about it.”]

13. Anti-Flag – “Christian Nationalist”
from: 20/20 Vision / Spinefarm Records / January 17, 2020
[Anti-Flag is an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for its politically charged lyrics and activism, focusing on human rights and various left-wing causes. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band together; later members are guitarist Chris Head, and singer/bassist Chris Barker who replaced Jamie “Cock” Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International. Most recently, the band has declared solidarity with the global Occupy Together movement. On October 7, 2019, the band released their song “Christian Nationalists”, alongside the announcement of a European tour the following year. On the band’s website, the song’s meaning was explained by a quote from Justin: “History is full of wealthy and powerful people using religion and cultism to justify policies of oppression and inequality. Invariably, these policies target the most vulnerable in society so that elites can maintain their dominance. Today we see this same strategy employed by right wing politicians all over the world. Just as the anti-fascists of the 1930s and 1940s rejected the fascist ideologies of their era, we reject the neo-fascists of this era. Theocracy is dangerous and inherently anti-democratic because it restricts individual choice and provides an avenue by which politicians can claim a moral superiority over “the other”. It gives political cover and justification for policies and actions which might otherwise be deemed morally objectionable, inhuman, or adverse to the best interest of the country.” The website also provided a list of Republican politicians, along with sources indicating that said politicians had accepted large amounts of donations from the NRA and gun lobbyists for their support of many of the concepts that are explained in the quote, along with a list of mass shooting incidents. Later that month, the band announced their twelfth studio album, 20/20 Vision, alongside the release of the song “Hate Conquers All” and the song’s music video. More info at: http://www.anti-flag.com]

11:24 – Underwriting

14. Pedaljets – “Dissassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of lead vocalist Mike Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers. Once hailed as “Kansas City’s answer to the Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own. After releasing two LPs, 1988’s Today Today and 1989’s Pedaljets, the band split up. After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland. Kesler owned and operated the Kansas City vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more. The Pedaljets couldn’t stay apart forever, though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform.]

[The Pedaljets play miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8 PM with Dan Jones & the Squids.]

15. Giants Chair – “Kids Running”
from: Prefabylon / Spartan Records / December 6, 2019
[Third album from Giants Chair who are: Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon”.]

Scott Hobart on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

11:33 – Interview with Scott Hobart

Originally from St. James, Missouri Scott Hobart is a multi-talented artist, singer-songwriter, guitarist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys that were signed to Bloodshot Records, and their newest incarnation, Scott Hobart & The Honky Tonk Standards (who have a regular monthly slot at The Ship in the West Bottoms). Along with being a husband and a dad, Scott Hobart also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed on stage in the Coterie’s Latenight series. Scott is also the co-founder of the mid 1990s ‘post-hardcore power trio” Giants Chair formed with friend Byron Collum who he mat at the Kansas City Art Institute in 1989, and with drummer Paul Ackerman who Byron had gone to high school with. Giants Chair recorded two critically-acclaimed full-length albums and oured the U.S. twice, before ending in 1997. After several reunion shows, on December 6, 2019, Giants Chair released their third album on Spartan Records.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giants Chair recorded 2 acclaimed full-length albums and toured the U.S. twice.

Giants Chair sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released 2 new songs and are working on material.

Scott Hobart in Giants Chair in the mid 1990s.

Giants Chair started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, Caulfield Records.

Giants Chair toured the U.S. twice, once with fellow KC indie band, BOYS LIFE, before going on “unofficial hiatus” in 1997 when members pursued other projects, including Scott’s interest in straight-forward, country, honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, Giants Chair have done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the second album with back in 1996. Duane offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

Giants Chair recorded the album during the Winter of 2018-2019, with Duane Trower at Weights and Measures Sound Lab, in Duane’s new studio. It’s currently available everywhere digitally and it is also available on vinyl.

Scott wrote that about why the band put this album now? “At first it was kind of a ‘Why not? We’re still all here.’ And ‘Can we make up some new songs that we like?’ – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting ‘journey’ to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

11:13

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:45

16. Giants Chair – “Ghost Love”
from: Prefabylon / Spartan Records / December 6, 2019
[Third album from Giants Chair who are: Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon”.]

17. Miki P and The Swallowtails – “Not Mine”
from: Not Mine – Single / Miki P/ November 21, 2019
[Meeting in the vast network of Kansas City’s rich music scene, in October of 2018 Miki P and the Swallowtails was created, and by the fall of 2019 they released their first EP Swallowtail independently. With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. The group includes Miki P on guitar & vocals, Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Robert Castillo on bass, and Cade Pool on drums. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including tAmerican Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

11:55

18. David Byrne – “Road To Nowhere”
from: American Utopia on Broadway: Original Cast Recording / Nonesuch / Oct. 18, 2019
[We saw this show from the front row at the Kauffman Center for the Performing Arts on June 7, 2018. Following a sold-out world tour, the acclaimed theatrical concert is now in performances at Broadway’s intimate Hudson Theatre for a limited engagement. DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” (Billboard) and marks a major cultural milestone in the worlds of music and theater. Pitchfork reviewed American Utopia on Broadway, writing that Bryne, “… remains an artist to be grateful for—same as he ever was.” Innovative pop/rock icon David Byrne (Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe. Together with production consultant Alex Timbers and choreographer Annie-B Parson (his collaborators on Here Lies Love), Byrne and ensemble deliver “a marvel of staging and motion” (Chicago Tribune) that’s as surprisingly poignant as it is supremely funky. Don’t miss this “thought-provoking example of the power of live music” (Forbes). “The boisterous ensemble surrounding Byrne is able to capture and amplify already-iconic moments in his catalog. Their Afropop drum grooves nod to My Life in the Bush of Ghosts, Byrne’s landmark 1981 collaboration with Brian Eno, while their guileless twitches of choreography and playful melodrama point back, once more, to Stop Making Sense. When they stomp in methodical marching band moves—including that rotating spiral that high school music nerds know all too well—they evoke the live show for Love This Giant, Byrne’s 2012 joint record with St. Vincent, only far more euphoric. Their greatest moment may well be their gauzy inversion of Remain in Light opener “Born Under Punches (The Heat Goes On)”: Nimble in the melodies and forceful in the percussion, their version is even more thrilling than the original.” (Pitchfork).]


19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on January 29 We talk and play new music from Jairy. We also welcome company members of Spinning Tree Theatre’s KC premiere of “Girlfriend” based on Matthew Sweet’s 1991 rock album of the same name. The show runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, Kansas. “Girlfriend is set in 1993 small-town Nebraska during the summer between high school and whatever comes next. College-bound jock Mike and self-assured but aimless Will find themselves drawn to each other. Their rush of first-time love, full of excitement, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #821

WMM presents Hadiza. + Les Izmore + Scott Hobart

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 22, 2020

Hadiza. & Les Izmore
+ Scott Hobart of Giants Chair
+ New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: Pedaljets, Una Walkenhorst, Miss Boating, Jametatone and Blastocyst, Ebony Tusks, Adam Scott York, Miki P & The Swallowtails, Hadiza., Arquesta Del SolSoul, The Black Creatures, Giants Chair, Emily King, Anti-Flag, and David Byrne’s American Utopia on Broadway. We’ll also play Kate Bush and David Bowie.

Les Izmore

At 10:30 we talk with KC Hip Hop Superstar Les Izmore and singer, songwriter & pianist Hadiza. We’ll play music from Hadiza’s new album, “Shadow Weight,” and from Les Izmore’s Kansas City based collective Arquesta Del SolSoul. Hadiza. plays Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Sat, January 25, at 9:00 PM with Hadiza., Babydoll, The Black Creatures, and Les Izmore and the GOATs. Hadiza’s band Collidescope play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with Jametatone and ARQuesta Del SolSoul.

At 11:30 we talk with Scott Hobart of the midwestern post hardcore/emo trio, Giants Chair who joins us live in our 90.1 FM Studios. Giants Chair were part of the mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Giant’s Chair recorded two full-length albums and toured the U.S. twice before ending in 1997. On December 6, 2019, Giants Chair released their third album on Spartan Records.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #821

WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819

WMM Celebrates David Bowie!

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

David Bowie’s Birthday is January 8! Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

WMM presents our Tribute to David Bowie, featuring short stories about David Bowie from some of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray. We’ll feature selected songs from David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama, Nile Rodgers and two bands with KC connections: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about the Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Mulberry Room, 1321 W. 13th St., Kansas City. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

At 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #819