WMM Playlist from April 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 22, 2020

New & MidCoastal Releases + R.I.Peter
+ Matt Kesler of The Pedaljets +
Lava Dreams aka Julia Hamilton

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3.Mavis Staples – “All In It Together”
from: All In It Together / Anti / April 2, 2019
[New single written by Mavis Staples and Jeff Tweedy. Produced by Jeff Tweedy. Mixed by Tom Schick. All proceeds from the song will be donated to My Block, My Hood, My City – a Chicago organization ensuring seniors have access to the essentials needed to fight COVID-19. More info here: http://www.formyblock.org. Mavis Staples on vocals; Jeff Tweedy on guitar, bass & vocals; Stephen Hodges on drums; Scott Ligon on piano; Glenn Kotche on percussion; Donny Gerrard on backing vocals; Vicki Randle on backing vocals; Kelly Hogan on backing vocals; and Akenya Seymour on backing vocals. Last year on May 10, 2019, Mavis Staples released “We Get By” her 14th studio solo album. Mavis Staples is an iconic rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

4. David Bowie – “Sunday”
from: Heathen / ISO – Columbia Records / June 11, 2002
[Heathen is the 22nd studio album by David Bowie. It was considered a comeback for him in the US market by becoming his highest charting album (number 14) since Tonight (1984). It also earned strong reviews. The BBC said the album’s title track “shows that Bowie could still pen disarmingly direct, affecting pop of a very individual inclination 30-plus years after he started”. World-wide, it sold one million copies and experienced a four-month run on the UK charts. Although its production had started before the September 11 attacks in 2001, the album was finished after that date, which resulted in the influencing of its concept. He supported the album on the Heathen Tour throughout 2002. Heathen marked the return of record producer Tony Visconti, who co-produced (with David Bowie himself) several of Bowie’s classic albums. The last album Visconti had co-produced was Scary Monsters in 1980. This was Bowie’s first album in over a decade to not include guitarist Reeves Gabrels, who debuted with the singer on Tin Machine (1989). Originally, Bowie had recorded the album Toy for release in 2001. This album was meant to feature some new songs and remakes of some of his lesser-known songs from the 1960s. Although Toy remains officially unreleased, re-recordings of the tracks “Afraid” and “Slip Away” (then titled “Uncle Floyd”), appear on Heathen. Some other re-recordings of songs from the Toy sessions were included as B-sides to the singles from Heathen. The album was recorded at the mountain-top Allaire Studios in Shokan. Early recording sessions for Heathen were by Bowie on guitars and keyboards, Visconti on bass, and Matt Chamberlain on drums. The trio recorded about forty songs, ranging from brief sketches to nearly-complete compositions. Additional recording sessions took place at several studios, and featured performances from newcomers and previous Bowie collaborators. Bowie regulars Carlos Alomar (guitar) and Sterling Campbell (drums) returned, as did The Who guitarist Pete Townshend, who played the solo on “Slow Burn” and had earlier played guitar on “Because You’re Young” from Scary Monsters (And Super Creeps). Newcomers included Foo Fighters frontman and former Nirvana drummer Dave Grohl, Dream Theater keyboardist Jordan Rudess, pianist Kristeen Young, and prolific bassist Tony Levin of King Crimson. The song “I Took a Trip on a Gemini Spaceship” contains the lowest note Bowie has ever sung on an album (G1). Although many of its songs were written for Toy, and some are cover versions, biographers and critics of the time claimed that Heathen deals with Bowie’s impressions of the September 11 attacks. The lyrics of songs such as “Slow Burn”, “Afraid”, “A Better Future” and “Heathen (The Rays)” focus on the degradation of mankind and the world in general, recalling his earlier album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the song “Five Years”. Bowie denied that any of the album’s songs were written after September 2001, though he admitted that the songs deal with the general feeling of anxiety that he’d had in America for a number of years, adding “it’s not unlikely that you’re going to have a sense of angst in anything that’s recorded in New York or by New Yorkers.” He also said in a 2003 interview: “It was written as a deeply questioning album. Of course, it had one foot astride that awful event in September. So that was quite a traumatic album to finish. This one hints at that, but it’s not really trying to resolve any trauma. [September 11] did affect me and my family very much. We live down here.” The album contains cover versions of three songs: “Cactus” by Pixies, which features Bowie on all instruments except for bass and is his only recorded drum performance, “I’ve Been Waiting for You” by Neil Young (which had also been recorded by Pixies as a B-side for 1990’s “Velouria” single), and “I Took a Trip on a Gemini Spaceship” by Norman Odam, aka the Legendary Stardust Cowboy, from whom Bowie lifted part of his “Ziggy Stardust” moniker in 1972. The latter two songs were taken from a list of songs that Bowie compiled in the 1970s for his never-recorded Pin Ups 2 album. Bowie, who was 55 at the time of the record’s release, said, “I’m pretty much a realist. There’s a certain age you get to when you’re not really going to be shown [on TV] anymore. The young have to kill the old. … That’s how life works. … It’s how culture works.” For this reason there were no music videos released for any of the songs from this album. The song “Sunday” was played live at the Heathen Tour and A Reality Tour concerts. A live version recorded at The Point, Dublin in November 2003 was included on the A Reality Tour DVD. A Moby remix is available on the bonus disc of the 2-CD version of Heathen, and a Tony Visconti remix was released on the European version of the single “Everyone Says ‘Hi'” and the single “I’ve Been Waiting for You”.]

5. The MGDs – “Time For Love [feat. Danielle Nicole]”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

6. Jenny Lewis – “Wasted Youth”
from: On The Line / Warner Records / March 22, 2019
[On the Line is the fourth studio album by Jenny Lewis. Recorded at Capitol Records’ Studio B, the album has contributions from Beck, Ringo Starr, Ryan Adams, Don Was, Benmont Tench, Jason Falkner, and Jim Keltner. A month prior to the album’s release, Ryan Adams, who helped produce the record, was accused by several women of sexual misconduct. After the album was released, Lewis told Pitchfork: “The allegations are so serious and shocking and really fucked up, and I was so sad on so many levels when I heard, I hate that he’s on this album, but you can’t rewrite how things went. We started the record together two years ago, and he worked on it — we were in the studio for five days. Then he pretty much bounced, and I had to finish the album by myself. Jennifer Diane Lewis was born January 8, 1976, in Las Vega. She was the lead singer and rhythm guitarist for the indie rock band Rilo Kiley. Lewis gained prominence in the 1980s as a child actress, appearing in the films Troop Beverly Hills (1989) and The Wizard (1989) and the television series Brooklyn Bridge (1991–93). In the mid-1990s, Lewis semi-retired from acting to focus on her musical career, and formed Rilo Kiley in 1998 with fellow former child actor Blake Sennett. Rilo Kiley released four albums before they disbanded in 2014.Lewis has released four solo albums: Rabbit Fur Coat (2006), Acid Tongue (2008), The Voyager (2014) and On the Line (2019). In addition to Rilo Kiley and her solo career, Lewis has been a member of the Postal Service, Jenny & Johnny and Nice As Fuck.]

10:29 – Underwriting

7. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

R.I.Peter aka Peter Beatty on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:35 – Interview with Peter Beatty

R.I.Peter joins us (on the phone) to share music and information about his new cassette-single release, “Cruis’n” and “Rising Sun” from Manor Records. R.I.Peter is the new musical project from Peter Beatty who also plays lead guitar and sings in the band Momma’s Boy. Members of Momma’s Boy have been playing together since the band Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick formed when they were in high school at Saint James Academy. Peter studied at University of Kansas.

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

Peter Beatty released “Cruis’n” / “Rising Sun” – as a Cassingle Release – Streaming Live Concert, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram.

“Rising Sun” written by Peter Beatty

in the morning
the fun is gone
there’s nothing for me now
but the rising sun

9 in the morning
my joe is warm
there’s nothing to do now
but weather the storm

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

the room is still spinning
I’m feeling like I’ve died
but there’s no need to worry
with you by my side

We meet again, my only friend
we know this story from beginning to end
so stop the nonsense and quit playing pretend

dancing shadows fill the room
and ill sing that familiar tune
we all know that we’re going to soon
but it the end I know love will bloom

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

Peter Beatty

The new singles follow R.I.Peter’s self titled 5-song EP debut, that was released July 5, 2019. On last year’s EP Jerad Bajkowski helped with the songwriting and production.

R.I.Peter is also part of a new compilation benefit release from Manor Records. On April 13th, 2020 Manor Records released, “Keep the Change :: A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. More info at: http://www.manorrecords.com

R.I.Peter performs “Swim and Sleep (Like a Shark)” (An Unknown Mortal Orchestra cover)

Cruis’n written by Peter Beatty

Ridin’ down the avenue
start to think about something new
have a heart to heart, me and you
figure out if our love is true

is he the one you want
is she the one you want
are they the one you want
am I the one you want

cruis’n down the boulevard
babe I know that your life’s been hard
I think its time that I pull your card
and figure out who you really are

is he the one you want
is she the one you want
are they the one you want
am I the one you want

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

The Cruis’n / Rising Sun – Cassingle were released through Manor Records on April 10, 2020 http://www.ripeter.bandcamp.com

10:48

8. R.I.Peter – “Cruis’n”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

9. Chloe Jacobson – “Secret Heart” (a Ron Sexsmith cover)
from: Keep the Change – A Fundraiser for KC Service Industry / Manor Records / April 10, 2020
[“Keep the Change – A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. All rights to songs go to original artists. all funds received go to donation to local kc service staffs mentioned. More info at: http://www.manorrecords.com ]

10. The Nicole Springer Band – “Come Clean”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com .]

[Nicole Springer presents a “Come Clean” Music Video Virtual Release Party! Hosted by Nicole Springer and Outskrts, Thursday, April 23 at 7 PM on Nicole Springers and Outskrts Facebook pages.]

[Nicole Springer joins us LIVE on next week WMM on April 29]

11:00 – Station ID

11. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Matt kesler of The Pedaljets, The Doo Dads, The Midtown Quartet, and SHE SAID, on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Matt Kesler

Matt Kesler plays bass and sings with the band Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Formed in 1984, Pedaljets made a name for themselves playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” However, 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, their first album of new material in 23 years. Now, six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (of The Philistines), while previous guitarist Paul Malinowski served as producer. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, SHE SAID, The Doo Dads and Midtown Quartet.

Matt Kesler Thanks for being with on Wednesday MidDay Medley

Because The Pedaljets broke up for 20 years, all of the members started their own families and other bands. Coming back together as a band, after all of those years, all of you were in different places and touring and live performances now were navigated in new ways. The Pedaljets were originally going to be on tour right now, coming back to Kansas City to play Record Store day at Mills Record Company. All of that has been postponed.

The Pedaljets, played an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids.

Pedaljets

Pedaljets are: Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming

Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the new album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Matt Kesler

Matt Kesler was also the original bass player for The Wilders

Matt also plays with the bands:

Doo Dads
Doo-Dad Mike: Guitar and Vocals
Doo-Dad Joe: Drums and Vocals
Doo-Dad Matt Kesler: Bass Guitar and Vocals
Doo-Dad Ken: Keyboard and Vocals

The Doo-Dads, are a kid-cool rock ‘n’ roll band, was founded in 2002 by four friends and dads, all veterans of the Kansas City music scene. The band puts on a high-energy show that has every hallmark of a real rock concert – fun, excitement and . . . BUBBLES!

Midtown Quartet
Dwayne Mitchell on guitars
Dan Christensen on drums
Carl J Bender on sax
Matt Kesler on bass

Midtown Quartet played at Mstt’s wedding before he was a member of the band

SHE SAID
Jennie Ferguson – Vocals & Guitar
Scott Mize – Guitar
Doug Hitchcock – Drums
Matt Kesler – Bass & Vocals

11:13

12. SHE SAID – “These Are The Days”
from: “These Are The Days” – Single / SHE SAID / unreleased demo
[KC based, 4-piece, SHE SAID, is Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler on bass & vocals. SHE SAID played live on the Juoy 12, 2017 edition or WMM. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johnston, and the band Near Death Experience. Matt Kesler also plays in The Pedajets and The Doo Dads.]

11:17 – More Interview with Matt Kesler

We are talking with Matt Kesler plays bass and sings with the bands SHE SAID, and the Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, Doo Dads and Midtown Quartet.

Mat Kesler, Thank you for being with us on Wednesday MidDay Medley

Once hailed as “Kansas City’s answer to The Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own.

After releasing two LPs, 1988’s “Today Today” and 1989’s “Pedaljets,” the band split up.

After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland.

Kesler owned and operated the KC vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more.

The Pedaljets couldn’t stay apart forever though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform.

20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the reunion led to “What’s In Between” in 2013, the band’s first new material in 23 years.

6 years later, “Twist The Lens” their 4th full-length, is the first to feature new guitarist Cody Wyoming while previous guitarist Paul Malinowski served as producer.

More info at: http://www.thepedaljets.com

Matt Kesler, thanks for being with us on Wednesday MidDay Medley

The Pedaljets released their new album, “Twist The Lens,” Feb. 14, on Electric Moth Records. More info at: http://www.thepedaljets.com

11:25

12. Pedaljets – “Today Today”
from: Today Today / Newly remastered / Original: Twilight Records / 1988
[Newly remastered from the debut album from The Pedaljets, with Mike Allmayer on vocals & guitar, Matt Kesler on bass & vocals, Rob Morrow on drums & vocals, and John Harper on guitar. Produced by J.J. Johnson, and The Pedaljets at Holly Hill Recorders. Artwork by Richard Hoefle, photography by Mike Soden. Manufactured and marketed by Fundamental Music.]

11:29 – Underwriting

14. Lava Dreams – “Good Energy”
from: “Good Energy” – Single / Lava Dreams / April 22, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

Lava Dreams aka Julia Hamilton on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Julia Hamilton aka Lava Dreams

Solo artist Lava Dreams is the electronic music project of Julia Hamilton who writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. Lava Dreams releases her new single “Good Energy” produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

Julia Hamilton thanks for being with us on WMM.

Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child.

Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars.

After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018.

Lava Dreams will be releasing the EP “Good Energy + Focus” sometime in May or June. The new EP was produced by Duncan Burnett.

Lava Dreams met Duncan Burnett after a show in Lawrence, Kansas when she shared the stage with Khrystal. Duncan was playing drums for Khrystal. and he approached Julia and asked if they wanted to collaborate.

Lava Dreams writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music.

Last year in 2019 Lava Dreams released the 12 song full length album, Meditation.

Prior to “Meditation” Lava Dreams released the song, “Sweet Sweet.”

Julia Hamilton is also a filmmaker who received her Bachelor’s of Arts Degree in Film from Avila University.

Lava Dreams Influences are: Sade, Billie Holiday, Solange, Frank Ocean, Daniel Ceasar, The Internet, Washed Out, The Cranberries, Tame Impala, Heart, Prince, Steve Lacy, Janelle Monae, Tracy Chapman, Fleetwood Mac, Mereba, and Nao.

Lava Dreams conveys optimism and vulnerability with lyrics that drive home personal truths. Lava’s second album will be released Summer 2020.

Julia Hamilton, thanks for being with us on WMM.

Lava Dreams aka Julia Hamilton

Lava Dreams release the new single Good Energy produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

11:48

15. Lava Dreams – “The Heat”
from: The Heat / Lava Dreams / April 11, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com]

16. John Lennon – “Nobody Told Me”
from: Milk and Honey / Polydor-Geffen / January 27, 1984
[“Nobody Told Me” was a song that John Lennon had intended for Ringo Starr’s 1981 album “Stop and Smell the Roses.” It was released as a single and became a worldwide Top 10 hit. Other singles from Milk and Honey were “I’m Stepping Out” and “Borrowed Time”. The songs “Let Me Count the Ways” and “Grow Old with Me” were written by Lennon and Ono to each other using inspiration from poems by Elizabeth Barrett Browning and Robert Browning. They are presented in their demo form. Milk and Honey is the sixth and final album by John Lennon and Yoko Ono, released in 1984. Following the compilation The John Lennon Collection, it is Lennon’s eighth and final studio album, and the first posthumous release of new Lennon music, having been recorded in the last months of his life during and following the sessions for his 1980 album Double Fantasy. It was assembled by Yoko Ono in association with the Geffen label. Milk and Honey was the duo’s projected follow-up to Double Fantasy, though Lennon’s death caused a temporary shelving of the project. It took Ono three years to be able to resume work to complete it. Ono’s material largely comprises new recordings, which she undertook during the album’s preparation in 1983, which give her songs a more commercial and contemporary edge. Conversely, Lennon’s material, being rough takes and rehearsal recordings, has a more casual feeling. The album title came from Ono, who explained that it referred to their journey to the US, “the land of milk and honey”. “But also, in the Scripture, the land of milk and honey is where you go after you die, as a promised land”, Ono went on to say. “So it’s very strange that I thought of that title. Almost scary – like someone up there told me to call the next album Milk and Honey.” The cover is an alternative take from the same photo session that produced the front cover of Double Fantasy, though this time it appears in colour. After a falling out with David Geffen, whose Geffen Records had initially released Double Fantasy, Ono moved future projects to Polydor Records, which initially released Milk and Honey. EMI, home of Lennon’s entire recorded output—including that with the Beatles—acquired this and all Lennon releases in the late 1990s. Predictably, the reaction to Milk and Honey was less fanatical than the one that afforded Double Fantasy in the wake of Lennon’s death, but it was still well received, peaking at No. 3 in the UK and No. 11 in the US, where it went gold. Jack Douglas, who had co-produced Double Fantasy with Lennon and Ono, also had input into the initial sessions for Milk and Honey, though Ono declined to credit him after their professional relationship soured following Lennon’s death. In 2001, Ono supervised the remastering of Milk and Honey for its CD reissue, adding three bonus tracks and a 22-minute excerpt from Lennon’s last interview in the late afternoon of 8 December 1980, hours before his death. The bonus tracks include home demo recordings of “I’m Stepping Out” and “I’m Moving On” (from Double Fantasy) along with a version of “Every Man Has a Woman Who Loves Him” featuring Lennon’s vocals only, which was planned to be included on the Ono tribute album Every Man Has a Woman (released 1984).]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 29 we’ll play more New & MidCoastal Releases. We’ll also talk with: Kimmie Queen and Cody Wyoming, They Call Me Sauce, Nicole Springer, and Ivory Blue.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #834

WMM Playlist from Jan. 22, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 22, 2020

Hadiza. & Les Izmore
+ Scott Hobart of Giants Chair
+ New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. David Bowie – “Everyone Says “Hi” (Edit)”
from: Nothing Has Changed / dBpm Records / October 4, 2019
[“Everyone Says ‘Hi'” is a song recorded by English singer David Bowie for his twenty-second studio album Heathen (2002). It was written by Bowie, and produced by British duo Brian Rawling and Gary Miller, with vocals produced by the singer himself with Tony Visconti. The song was released on September 16, 2002, by ISO and Columbia Records. “Everyone Says ‘Hi'” peaked at number 20 on the UK Singles Chart and also reached number 83 in the German Singles Chart. Reeves Gabrels, Bowie’s guitarist throughout the 1990s and close creative partner up until a few years before Heathen’s released, said that “Everyone Says ‘Hi'” was the only song Bowie made after his departure that he heard “because someone told me that David wrote that for me. That made me cry. An edited version of this song was included in the 2014 compilation “Nothing has Changed” the first album to showcase Bowie’s entire career and includes a new composition, “Sue (Or in a Season of Crime)”, which was later re-recorded for his final album Blackstar go 2016. Nothing Has Changed is notable for including songs from Bowie’s unreleased 2001 album Toy: “Your Turn to Drive”, previously an internet-only single, and a previously unreleased re-recorded version of “Let Me Sleep Beside You”, both of which are found on the triple CD version of the album.]

[The Band That Fell To Earth: A Tribute to David Bowie, is 2 nights: Friday, Jan. 24 & Saturday, Jan. 25. Doors at 8:PM, show at 9:PM, recordBar, 1520 Grand. A portion of sales benefit KC Anti-Violence Project. ]

3. Emily King – “Radio (Acoustic)”
from: Sides (Acoustic) / ATO Records / January 17, 2020
[Emily King has been nominated for two 2020 Grammy Awards: for best R&B song “Look at Me Now” and for best engineered album Scenery. Sides is a new collection of 11 acoustic versions of previously released from her 2011 EP The Seven, 2016 album The Switch and 2019 album Scenery. Sides was produced by Jeremy Most and features string arrangements by Rob Moose. We fIrst played Emily King on June 29, 2016 when our friend Krystle Warren was Guest Producer and played the song “Georgia” from King’s 2011 EP Seven. She is an American singer and songwriter. She started her career in 2004 and her debut album East Side Story was released three years later in August 2007. In December 2007, King was listed as a Grammy nominee for Best Contemporary R&B Album. Born July 10, 1985, in NYC in 1985, King grew up in a small apartment on the Lower East Side. Her parents, Marion Cowings and Kim Kalesti, were a singing duo who performed and traveled regularly bringing her and her older brother along with them. At age 16, King left high school after earning her GED to pursue her music career. She began playing shows in restaurants and venues around New York City including CBGB and The Bitter End. King signed her first record deal with J Records in 2004 and was featured on Nas’ 2004 album Street’s Disciple credited as simply “Emily”. Her debut album East Side Story was released 3 years later in August 2007. It went on to earn a Grammy nomination for “Best Contemporary R&B Album of the Year.” During that time King toured with John Legend & Floetry. She opened for various artists such as Nas, Alicia Keys, Chaka Khan & Erykah Badu. After parting ways with her label in 2008, King continued independently. She self-recorded her follow-up EP Seven in her home, released July 2011. In October 2011, she accepted an invite from Maroon 5 to open on their European/Scandinavian tour. In 2012, King was awarded the Holly Prize (a tribute to the legacy of Buddy Holly) from The Songwriters Hall of Fame for recognition of the “all-in songwriter” whose work exhibits the qualities of Holly’s music: true, great and original. King was invited by Emeli Sande to open for her UK tour playing sold out shows in 5 cities including The Royal Albert Hall in London. King collaborated with José James on his album No Beginning No End in 2013 and can be heard on tracks Heaven on the Ground and the acoustic version of Come to My Door. In 2014, King was performing as an opening act for Sara Bareilles’ Little Black Dress tour. The year 2015 marked the release of King’s 2nd studio album, The Switch, Emily self-released on her label Making Music Records on June 26. The Wall Street Journal remarked that the album is “a tasteful collection of 11 songs that showcase King’s distinctive voice.” After signing with the ATO Records in 2017, King became label mates with Brittany Howard, Benjamin Booker & Brandi Carlile. More info at: http://www.emilykingmusic.com]

4. Adam Scott York – “What I Need”
from: The Twin Rivers EP / Adam Scott York / December 20, 2019
[Adam Scott York is a multi-instrumentalist and songwriter from Kansas City, who specializes in bass guitar. His versatile range of influences vary from hip-hop to folk to classic rock. Adam first took up the piano at age 4 at the behest of his parents and thus began the endless curiosity that led him to learn any instrument he could get his hands on, be it guitar, banjo, drums, or bass. Adam previously played bass for The Creepy Jingles.]

5. Una Walkenhorst – “People in the Paper”
from: People in the Paper – Single / Una Walkenhorst / December 7, 2019
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

6. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

10:25 – Underwriting

7. Jametatone – “I Can Tell”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays Hadiza’s band Collidescope play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with ARQuesta Del SolSoul.]

8. Hadiza. – “Reactions”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza. released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza. plays Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Sat, January 25, at 9:00 PM with Hadiza., Babydoll, The Black Creatures, and Les Izmore and the GOATs.]

[Hadiza’s band Collidescope play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with Jametatone and ARQuesta Del SolSoul.]

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

10:34 – Interview with Hadiza. and Les Izmore

On December 29, 2018, Hadiza. released her EP Gone, and on Novenber 22, 2019 Hadiza. released her new 10 song, full-length album called, Shadow Weight, which continues to showcase her deeply moving voice and piano. Born in Iowa City, Iowa, she has lived in Bushwick, and Atlanta, and worked in corporate America in the New York Finance District. For many years she studied the piano, while keeping her singing voice private. Eventually she made the jump into her new life of composing, singing, writing, collaborating and presenting what she calls a blend of soul, classical, blues and folk. Since relocating to Kansas City, Hadiza. has been slowly carving out her place as a solo artist and also as lead vocalist and lyricist for the experimental electronic duo Collidescope.

Hadiza., thanks for being with us on WMM.

Les Izmore is a veteran of the Kansas City Music Community fusing American Funk and Soul, Afrobeat, Kansas City Big Band, Rock, and Hip Hop as frontman for the critically acclaimed multi-genre Kansas City ensemble, Hearts of Darkness. Les has also collaborated with D/Will for the Hip Hop album release of Heartfelt Anarchy. Les has also collaborated with Julia Haile, Herman Mehari, Lee Langston, Anthony Saunders, Brad Williams and Reach to perform and release music as The Buhs. Most recently Les has been involved in exploring the indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa with the Kansas City based collective Arquesta Del SolsSoul with Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

Les Izmore, thanks for being with us on WMM.

Hadiza. and Les are here to share informaton about their new music and upcoming shows:

Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, Les Izmore and the GOATS, and The Black Creatures.

Hadiza’s band Collidescope with Jametatone and ARQuesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza. released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin.

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy.

Les Izmore is a veteran of the Kansas City Music Community as frontman for the critically acclaimed multi-genre Kansas City ensemble, Hearts of Darkness.

Les has also collaborated with D/Will for the Hip Hop band Heartfelt Anarchy.

Les has also collaborated with Julia Haile, Herman Mehari, Lee Langston, Anthony Saunders, Brad Williams and Reach to perform and release music as The Buhs.

Les has been involved in exploring the indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa with the Kansas City based collective Arquesta Del SolsSoul with Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

One of the first recordings from Arquesta Del SolSoul was a track titled “SOL SOL SIX” recorded by Ted Rieder for Never Records during Open Spaces Kansas City. Featuring Les Izmore, Jessica Ayala on vocals. Recorded October 27, 2017 by Ted Rieder for Never Records during Open Spaces Kansas City. Featuring Les Izmore, Jessica Ayala on vocals. ”

Arquesta Del SolSoul is a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves “African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.”

10:55

9. Arquesta Del SolSoul – “GROW SOMETHING (Fela Minded KC)
from: GROW SOMETHING (Fela Minded KC) – Single / unreleased

11:00 – Station ID

11:00 – More Interview with Hadiza. and Les Izmore

Hadiza. and Les Izmore on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

We are talking to Kansas City musicians Hadiza. and Les Izmore who join us to share informaton about their new music and upcoming shows:

Hadiza. and Les Izmore, thanks for being with us on WMM.

Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, Les Izmore and the GOATS, and The Black Creatures.

Hadiza’s band Collidescope with Jametatone and ARQuesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM.

More info is at: http://www.hadizaisnothere.bandcamp.com

11:10

10. The Black Creatures – “wretched (it goes)”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Sat, January 25, at 9:00 PM with Hadiza., Babydoll,, and Les Izmore and the Goats.]

[Arquesta Del SolSoul play recordBar, 1520 Grand Boulevard, KCMO, Wednesday, February 12, at 7:00 PM with Collidescope, and Jametatone.]

11. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / January 17, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

11:17 – Where are all the protest songs?

12. Kate Bush – “Army Dreamers”
from: Never for Ever / EMI America / September 7, 1980
[“Army Dreamers” is a 1980 song, the third and final single to be released from the album Never for Ever, by Kate Bush. It was a UK top 20 hit in October 1980. Norwegian songwriter Pål Knutsen, released his fourth studio album Unsongs on September 16, 2016 on Propeller Recordings. A collection of covers of protest songs which included Kate Bush’s “Army Dreamers” which was banned by the BBC for anti-war sentiments during the Falklands conflict. “Army Dreamers” is an example of a song which only grows more powerful and relevant through the establishment trying to silence it. Of the track, Moddi says “while most of the songs on the album are explicitly political in form, it was difficult for me to see how ‘Army Dreamers’ would pose a threat to anyone at first glance. Initially, I thought it was ridiculous to ban it. However, when I tried singing the song, I began taking in the message. The words are so simple, describing nothing but pure and bottomless motherly sorrow, a sorrow against which I could not defend myself. Then I understood why the song was dangerous: because it calls forth compassion. Inescapably. Kate Bush was never imprisoned like Pussy Riot or killed like Víctor Jara but the message she was trying to spread was nonetheless silenced. This song made me realise that censorship is so much more than violent suppression. It happens quietly, in our homes and on our radios, every day. And usually we don’t talk too much about it.”]

13. Anti-Flag – “Christian Nationalist”
from: 20/20 Vision / Spinefarm Records / January 17, 2020
[Anti-Flag is an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for its politically charged lyrics and activism, focusing on human rights and various left-wing causes. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band together; later members are guitarist Chris Head, and singer/bassist Chris Barker who replaced Jamie “Cock” Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International. Most recently, the band has declared solidarity with the global Occupy Together movement. On October 7, 2019, the band released their song “Christian Nationalists”, alongside the announcement of a European tour the following year. On the band’s website, the song’s meaning was explained by a quote from Justin: “History is full of wealthy and powerful people using religion and cultism to justify policies of oppression and inequality. Invariably, these policies target the most vulnerable in society so that elites can maintain their dominance. Today we see this same strategy employed by right wing politicians all over the world. Just as the anti-fascists of the 1930s and 1940s rejected the fascist ideologies of their era, we reject the neo-fascists of this era. Theocracy is dangerous and inherently anti-democratic because it restricts individual choice and provides an avenue by which politicians can claim a moral superiority over “the other”. It gives political cover and justification for policies and actions which might otherwise be deemed morally objectionable, inhuman, or adverse to the best interest of the country.” The website also provided a list of Republican politicians, along with sources indicating that said politicians had accepted large amounts of donations from the NRA and gun lobbyists for their support of many of the concepts that are explained in the quote, along with a list of mass shooting incidents. Later that month, the band announced their twelfth studio album, 20/20 Vision, alongside the release of the song “Hate Conquers All” and the song’s music video. More info at: http://www.anti-flag.com]

11:24 – Underwriting

14. Pedaljets – “Dissassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of lead vocalist Mike Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers. Once hailed as “Kansas City’s answer to the Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own. After releasing two LPs, 1988’s Today Today and 1989’s Pedaljets, the band split up. After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland. Kesler owned and operated the Kansas City vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more. The Pedaljets couldn’t stay apart forever, though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform.]

[The Pedaljets play miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8 PM with Dan Jones & the Squids.]

15. Giants Chair – “Kids Running”
from: Prefabylon / Spartan Records / December 6, 2019
[Third album from Giants Chair who are: Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon”.]

Scott Hobart on the January 22, 2020 edition Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

11:33 – Interview with Scott Hobart

Originally from St. James, Missouri Scott Hobart is a multi-talented artist, singer-songwriter, guitarist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys that were signed to Bloodshot Records, and their newest incarnation, Scott Hobart & The Honky Tonk Standards (who have a regular monthly slot at The Ship in the West Bottoms). Along with being a husband and a dad, Scott Hobart also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed on stage in the Coterie’s Latenight series. Scott is also the co-founder of the mid 1990s ‘post-hardcore power trio” Giants Chair formed with friend Byron Collum who he mat at the Kansas City Art Institute in 1989, and with drummer Paul Ackerman who Byron had gone to high school with. Giants Chair recorded two critically-acclaimed full-length albums and oured the U.S. twice, before ending in 1997. After several reunion shows, on December 6, 2019, Giants Chair released their third album on Spartan Records.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giants Chair recorded 2 acclaimed full-length albums and toured the U.S. twice.

Giants Chair sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released 2 new songs and are working on material.

Scott Hobart in Giants Chair in the mid 1990s.

Giants Chair started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, Caulfield Records.

Giants Chair toured the U.S. twice, once with fellow KC indie band, BOYS LIFE, before going on “unofficial hiatus” in 1997 when members pursued other projects, including Scott’s interest in straight-forward, country, honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, Giants Chair have done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the second album with back in 1996. Duane offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

Giants Chair recorded the album during the Winter of 2018-2019, with Duane Trower at Weights and Measures Sound Lab, in Duane’s new studio. It’s currently available everywhere digitally and it is also available on vinyl.

Scott wrote that about why the band put this album now? “At first it was kind of a ‘Why not? We’re still all here.’ And ‘Can we make up some new songs that we like?’ – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting ‘journey’ to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

11:13

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:45

16. Giants Chair – “Ghost Love”
from: Prefabylon / Spartan Records / December 6, 2019
[Third album from Giants Chair who are: Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon”.]

17. Miki P and The Swallowtails – “Not Mine”
from: Not Mine – Single / Miki P/ November 21, 2019
[Meeting in the vast network of Kansas City’s rich music scene, in October of 2018 Miki P and the Swallowtails was created, and by the fall of 2019 they released their first EP Swallowtail independently. With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. The group includes Miki P on guitar & vocals, Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Robert Castillo on bass, and Cade Pool on drums. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including tAmerican Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

11:55

18. David Byrne – “Road To Nowhere”
from: American Utopia on Broadway: Original Cast Recording / Nonesuch / Oct. 18, 2019
[We saw this show from the front row at the Kauffman Center for the Performing Arts on June 7, 2018. Following a sold-out world tour, the acclaimed theatrical concert is now in performances at Broadway’s intimate Hudson Theatre for a limited engagement. DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” (Billboard) and marks a major cultural milestone in the worlds of music and theater. Pitchfork reviewed American Utopia on Broadway, writing that Bryne, “… remains an artist to be grateful for—same as he ever was.” Innovative pop/rock icon David Byrne (Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe. Together with production consultant Alex Timbers and choreographer Annie-B Parson (his collaborators on Here Lies Love), Byrne and ensemble deliver “a marvel of staging and motion” (Chicago Tribune) that’s as surprisingly poignant as it is supremely funky. Don’t miss this “thought-provoking example of the power of live music” (Forbes). “The boisterous ensemble surrounding Byrne is able to capture and amplify already-iconic moments in his catalog. Their Afropop drum grooves nod to My Life in the Bush of Ghosts, Byrne’s landmark 1981 collaboration with Brian Eno, while their guileless twitches of choreography and playful melodrama point back, once more, to Stop Making Sense. When they stomp in methodical marching band moves—including that rotating spiral that high school music nerds know all too well—they evoke the live show for Love This Giant, Byrne’s 2012 joint record with St. Vincent, only far more euphoric. Their greatest moment may well be their gauzy inversion of Remain in Light opener “Born Under Punches (The Heat Goes On)”: Nimble in the melodies and forceful in the percussion, their version is even more thrilling than the original.” (Pitchfork).]


19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on January 29 We talk and play new music from Jairy. We also welcome company members of Spinning Tree Theatre’s KC premiere of “Girlfriend” based on Matthew Sweet’s 1991 rock album of the same name. The show runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, Kansas. “Girlfriend is set in 1993 small-town Nebraska during the summer between high school and whatever comes next. College-bound jock Mike and self-assured but aimless Will find themselves drawn to each other. Their rush of first-time love, full of excitement, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #821

WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819

Wednesday MidDay Medley Celebrates David Bowie

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

David Bowie’s death in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made music for those of us who felt left out. Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

Wednesday MidDay Medley presents our Tribute to David Bowie, featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

We’ll feature selected songs from, and representing, some of David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for other artists, including: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama Col. Chris Hadfield, Nile Rodgers and James Murphy and two bands with Kansas City connections: Soft Reeds, and The Band That Fell To Earth.

At 11:15, we welcome musician and writer, Michelle Bacon who joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO, featuring: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone, with American Sign Language interpretation from Peige Turner and video projections from XO Blackwater. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #768

WMM Playlist from: Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2013

Mat Shoare + Spencer Ward
+ Michelle Bacon & Terra Peal & SXSW MidCoast Takeover
+ Local & New Releases

1. Yo La Tengo – “Well You Better”
from: Fade / Matador Records / January 15, 2013
[Indie rock band formed in Hoboken, New Jersey in 1984 by husband and wife: Ira Kaplan (guitars, piano, vocals), and Georgia Hubley (drums, piano, vocals). Since 1992, the lineup has included James McNew (bass, vocals). This is their 13th full-length album. It was produced by John McEntire, instead of Roger Moutenot, who had produced all their albums since 1993’s “Painful.” Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. The band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.]

2. David Bowie – “Where Are We Now?”
from: The Next Day / ISO – Columbia / Expected March 12, 2013
[We were all surprised to hear the single Bowie released on his birthday, Jan. 8. His 1st new music in 10 years. In the works for over 2 years, Bowie is collaborating w/ longtime producer Tony Visconti who told the BBC that they worked on the new album at a very slow pace. “We never spent more than two to three weeks at a time recording,” Visconti said. “And then we’d take off as much as two months. We’d usually work on one or two songs in an afternoon and we’d whip them up to shape where they’d sound like great rock tracks. At that point there wouldn’t be any final vocals or lyrics. This is the same way I’d been working with him since The Man Who Sold the World. He hasn’t really changed in his approach.” Toward the end of Bowie’s 2004 tour in Europe the singer underwent emergency heart surgery for a blocked artery. There were rumors about Bowie’s health. Visconti told the BBC “He’s a very healthy man… I couldn’t explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio.”]

3. Drew Black and Dirty Electric – “Curio Doll”
from: Single Track from upcoming release / Independent / , 2013
[Joining Drew Black on Guitar & Vocals are members of bands: The Quivers, Deco Auto, & Dolls On Fire, w/ Terra Peal on Bass & Vocals, Michelle Bacon on Drums, Zach Hodson on Guitar & Percussion & Vocals.]

[Drew Black and Dirty Electric play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up.]

10:15 – Interview with Michelle Bacon & Terra Peal

Drew Black and Dirty Electric is a four-piece group that is the brainchild of Drew Black (formerly of The Belated), who wrote and released his solo album “Wanderlust” in early 2012. Soon after, Black enlisted bassist Terra Peal (of The Quivers), drummer Michelle Bacon (of Deco Auto, and Dolls on Fire) and multi-instrumentalist Zach Hodson (of Dolls on Fire) to bring Drew’s recorded songs to life on stage, as a full throttle rock and roll machine. The band will play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up for the first of 5 MidCoast Takeover Fundraisers.

In the coming weeks Wednesday MidDay Medley will feature the music from KC area bands participating in The MidCoast Takeover fundraiser shows. Proceeds from these shows benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, that this year will showcase over 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas.

The Deli KC Editor, Michelle Bacon, who is also a dedicated Midwest Music Foundation volunteer, and member of the bands: Deco Auto, Dolls on Fire, along with Terra Peal who is part of the band The Quivers joined us to give us the details on this year’s MidCoast Takeover.

Drew Black and Dirty Electric will be playing the MidCoast Takeover Fundraiser on Saturday night at the recordBar with: She’s A Keeper, Molly Picture Club, and Antennas Up.

Drew Black and Dirty Electric also in concert: Saturday, Feb. 9, at the recordBar, and Saturday, March 9, at The Brick.

MidCoast Takeover Fundraisers

Saturday, January 26 – recordBar
9:45 She’s A Keeper
10:30 Drew Black and Dirty Electric
11:15 Molly Picture Club
12:15 Antennas Up

Friday, February 1 – Czar
9:45 Jorge Arana Trio
10:30 Eyelit
11:15 Tiny Horse
12:00 The Latenight Callers

Saturday, February 2 – Riot Room
9:45 Various Blonde
10:30 Drop A Grand
11:15 Maps for Travelers
12:15 Six Percent

Saturday, February 16 – The Brick
10:00 Rev Gusto
10:45 Cherokee Rock Rifle
11:30 David Hasselhoff on Acid
12:30 Not A Planet

Friday, March 8 – Uptown Arts Bar (acoustic show)
8:00 Cadillac Flambe
9:00 Sons of Great Dane
10:00 Clairaudients
11:00 Heroes & Villains

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

10:30 – Underwriting

10:31 – Interview with Mat Shoare

4. Mat Shoare – “Evolution”
from: Domestic Partnership / Golden Sound Records / December 11, 2013
[All songs by Mat Shoare. Made by Mat Shoare and Ross Brown. Most parts of this album were recorded by Mat Shoare in multiple bedrooms, basements, and offices from winter 2011 till fall 2012. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.]

Mat Shoare is a Kansas City based singer, guitarist, songwriter, record label founder. His brand new solo record,”Domestic Partnership” was officially released December 11, 2012, on Golden Sound Records. This is Mat’s second full length solo release. He also released a solo EP. Mat has released two EPs with his band The Empty Spaces, and was a member of the band Everyday/Everynight. All of the music is available at Golden Sound Records, and independent, Kansas City based record label Mat founded with his friends Jerad Tomasino and Ross Brown.

Mat prefers the homemade sound and feel in his recordings. The Golden Sound Records website reports that most parts of his album were recorded in multiple bedrooms, basements, and offices from winter 2011 through the fall of 2012.

The Golden Sound Records website describes “Domestic Partnership” as a recollection of love, loss, and love again. Then loss…and so forth.”

10:39

5. Mat Shoare – “Keeping Everyone Happy”
from: Domestic Partnership / Golden Sound Records / December 11, 2013

10:42

On Domestic Partnership, all of the songs were written and performed by Mat Shoare. Made by Mat Shoare and Ross Brown. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.

Ross plays drums on Domestic Partnership and also with Mat’s band The Empty Spaces. The band has released two EPs including 2012’s “Party Line” which was part of Wednesday MidDay Medley’s 112 Best Recordings of 2012. Mat’s solo work is very different for his work with the band, even though his band evolved out of the recording of your first full length solo recording.

10:46

6. Mat Shoare – “Boots of Spanish Leather” (LIVE)
Written & Recorded by Bob Dylan for his 3rd album “These Times They Are a-Changin’ “/ 1964

10:50

The Empty Spaces will participate with Midwest Music Foundation’s MidCoast Takeover for the SXSW Music Festival in Austin, Texas in March.

10:54

7. Mat Shoare – “Put That in Your Pipe and Smoke It” (LIVE)
also available on: Domestic Partnership / Golden Sound Records / December 11, 2013

More information at GoldenSoundRecords.com

11:00

8. David Seume– “All I Have To Give”
from: Single Track Release / Independent / January 5, 2013
[Last month, Arthur Jack Seume, the son of local singer-songwriter David Seume and his wife, Kelly, died, just five weeks shy of his due date. An unknown knot in the umbilical cord had tightened its grip. David Seume wrote about this tragic loss on his blog davidsueme.com where he very eloquently expressed his despair, and his questions, and his attempt, through ART, to “making sense of the senseless.” With his wife Kelly they are starting a memorial fund in Arthur’s name. David has recorded a new song, “All I Have to Give,” which can be downloaded, in support of Arthur. All proceeds go to the Arthur Jack Seume Memorial Fund. David’s friends Konnor Ervin and Kyle Rausch of The ACB’s sang backing vocals, and Mike Nolte of Ghosty, mixed and mastered the track. The link is: davidseume.com.]

9. Claire and the Crowded Stage – “Tower of Babel”
from: Technicolor / Golden Sound Records / January 5, 2013
[All songs by Claire Adams. All arrangements by The Crowded Stage: Katy Guillen, Katelyn Boone,, Brent Jamison, Peter Lawless, Stephanie Williams, Jerod Rivers and Teri Quinn. Recorded in Kansas City by Jerod Rivers, Peter Lawless, Claire Adams and Brent Jamison, mixed by Claire Adams
mastered by Duane Trower at Weights+Measures soundlab.]

10. The Dead Girls – “Never Erased”
from: Fade In/Fade Out / Independent / 2013
[The Dead Girls (formerly Dead Girls Ruin Everything) was formed in 2004 from the ashes of Ultimate Fakebook and Podstar, two bands that were staples of the Lawrence and KC power-pop sound. Guitarists / singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar attack and vocal harmonies with the rhythmic assault of drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook. The band’s new record was Produced by Chris Cosgrove who produced their 2010 album “Out Of Earshot.”]

[The Dead Girls play 2 Release Shows: Friday, Feb. 1 at the Replay Lounge in Lawrence, w/ The Depth and The Whisper, and Saturday, Feb 2, at the recordBar, with Casket Lottery and Gentleman Savage. ]

11:14 – Underwriting

11:15 – Interview with Spencer Ward

11. Spencer Ward – “One Life”
from: Single Track Release / Independent / 013

11:19

The Broadcast premiere of Spencer Ward’s new song “One Life.” Spencer Ward grew up in the KC Area. He graduated from Shawnee Mission South High School, and received his Bachelor’s of Arts degree in Science and Holistic Health. In 2011 he released 4 song EP and is currently working on a new recording. Spencer is also an actor, and he recently worked in two new local films the will be making their premieres this year. Spencer also spent 13 years as an amatuer and professional boxer, where he had over 30 fights. We talked with Spencer about performing in Nashville, and his life growing up in a boxing and theatre family, and his new music.

“One Life” is one Spencer’s new songs that was just recently recorded and produced by David Lichtenauer.

Spencer grew up taking piano lessons, but didn’t really find his passion for music until he was taking audio and engineering and recording classes at Johnson County Community College.

One of his teachers, Mike Moreland, helped to encourage him to record and create new songs.

Spencer grew up in and musical family. His parents met while studying Theatre at Tarkio and performed in Plays and Musical and worked as commercial actors in print and television. Spencer’s sister is a performer too.

Spencer also grew up in the world of boxing. His father was an undefeated boxer, who and is now a trainer, and manager of The Underground Boxing Company in Overland Park, Kansas. Spencer’s brother Keaton is also a boxer.

11:27

12. Spencer Ward – “The Bridge” (LIVE)

11:31

Spencer has recently worked as an actor in two new short films produced here in the KC area.

A short student film called “Infected,” written and directed by Taylre Jones.

Spencer also appears in and the new short film “Martini Lunch,” written and directed by Nathan Kincaid, a Kansas City native who studied film in San Francisco and England. Nathan was recently selected as a Robert Altman Emerging Filmmaker in KC. This film will be shown in film festivals in Kansas City and all around the world. Spencer plays the main character of Charlie, a young busboy working in one of Kansas City’s most upscale restaurants in the 1950’s. Charlie serves the many wealthy and influential patrons, and overhears brief snippets of their conversations. Much of the film was shot in Kansas City’d Savoy Restaurant and also features former Mayor of Kansas City, and State Senator, Dr. Charles B. Wheeler, in a key role.

Spencer also works in the world of healthy food and healthy living. Spencer works at Whole Foods and talked about how Whole foods has opened the doors for him to do shows in Las Vegas, and Nashville.

Spencer also has performed Gavin DeGraw’s club in Nashville and at famous Bluebird Cafe.

Spencer considers Brett Dennen to be one of his biggest inspirations.

More information at spencerward.com.

13. Spencer Ward – “Tell Me”
from: Spencer Ward / Independent / 2011

11:42

14. Mark Lowrey – “Que Nada Sapa Mi Suftir”
from: Tangos For 18th Street / Independent / December, 2012
[Mark Lowrey is one of KC’s most versatile performers, playing solo, in a Jazz Trio, with The Barclay Martin Ensemble. Mark credits the local KC Band Tango Lorca for bringing the Argentine Tango to his ears.]

[Mark Lowrey & friends play The Majestic, January 20 and 21.]

15. Making Movies – “Ego Trip”
from: A La Deriva / Independent / KC Pre-release: December 21, 2012
[Enrique Chi (guitar/lead vox), Brendan Culp (drums), Diego Chi (bass), Juan-Carlos Chaurand (percussion /keyboard). Their new full length was produced with Steve Berlin of Los Lobos.]

16. The PedalJets – “Riverview”
from: 7″ Single b/w “Terra Nova” / Independent / December 15, 2012
[The Pedaljets first new material in 23 years. The sound of “Riverview,” has been described as “possible love child of Iggy Pop & Bob Dylan.” A full length to be released Feb. 13. More info: thepedaljets.com]

17. Fleetwood Mac – “That’s Enough For Me”
From: Tusk / Warner Bros. / 1979

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #457