WMM Playlist from May 22, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 22, 2019

Jason Buice & David George
+ Helen Proctor & Shawn Stewart +
Cris Williamson, Teresa Trull & Barbara Higbie

Jason Buice, David George, Shawn Stewart, and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

3. Big Thief – “UFOF”
from: U.F.O.F. / 4AD / May 3, 2019
[Third album from Brooklyn, NYC, based Big Thief iwith Adrianne Lenker on vocals & guitar, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums. The “F” stands for Friend. The band’s forst two albums were releasd on Sadle Creek. This is their first on 4AD Redords.]

4. Sinkane – “Ya Sudan”
from: Dépaysé / City Slang / Expected May 31, 2019
[7th Album from Sinkane (born Ahmed Abdullahi Gallab in London, England in 1983. He is a Sudanese-American musician who blends krautrock, prog rock, electronica, free jazz and funk rock with Sudanese pop. Born to college professors in London, he lived in Sudan, then moved to the US when he was five, and lived for some time in Ohio. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician. Ahmed Gallab is the vocalist and music director of the Atomic Bomb! Band which plays the music of Nigerian funk musician William Onyeabor. The group includes David Byrne (of Talking Heads), Money Mark (of the Beastie Boys), Damon Albarn (of Blur and Gorillaz), Dev Hynes (aka Blood Orange and Lightspeed Champion), Alexis Taylor (of Hot Chip), Charles Lloyd, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among many many others.]

5. Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

6. The Creepy Jingles – “Microchip On Your Shoulder”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From His Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with HelKat and Scammers.]

7. Momma’s Boy – “Sugar”
from: Sugar – Single / Manor Records / May 3, 2019
[Recorded and mixed by Ross Brown of Shy Boys/Fullbloods and mastered by Mike Nolte at Eureka Mastering. The song features Peter Beatty on lead vocals and lyric writing. Momma’s Boy hails from Kansas City, based band with Quinn Hernandez on the drums, Jared Bajkowski on bass, Peter Beatty’ on guitar, Shaun Crowley on guitar. The band also features three singers, as Peter, Shaun and Jared rotate on lead vocals.]

8. Kid Computer – “You”
from: The Darnedest Things – EP / Kid Computer / April 26, 2019
[Kansas City based 4-piece band with Matt Gore, Christian Sanchez, Dalton Grenier, and George McMillian.]

[Kid Computer play an EP Release Show, Saturday, May 25, at 10:00 PM at Replay Lounge, 946 Massachusetts Street, Lawrence KS., with The Sluts and Vehicles.]

9. Tiki Brawlers – “Worth The Wait”
from: All Night Riot / Tiki Brawlers / April 29, 2019
[Debut album from Kansas City based, Tiki Brawlers who formed in 2018. The music is a blend of ska, reggae, punk, pop, and rock. Tiki Brawlers are: Ian Griggs on vocals, Brad Buckner on drums, Galen Gould on bass, Mike Burton on guitar & vocals, with Kadesh Flow on trombone, and Ernest Melton on saxophone. Recorded at Markosa Studios, Roeland Park, KS. Engineered and Mastered by Mark Thies. Original Artwork by Anthony and Jessica Olvera.]

[Tiki Brawlers play Davey’s Uptown Rambler’s Club, on Friday May 24, with New Common Ground & Grapple The Sun.]

[Tiki Brawlers play miniBar, 3810 Broadway Rd, KCMO, Saturday, June 15, at 9:00 PM with The Mad Kings, and The Low Down Dirty Dirt Band.]

10:30 – Underwriting

Jason Buice

10. Jason Buice – “Both Sides”
from: Both Sides EP / Jason Buice / June 7, 2019
[Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music. Produced by David George. Recorded and Mixed at Largely Studios (KCMO) by Pat Tomek. Mastered by Duane Trower at Weights and Measures Studio (KCMO)]

[Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.]

10:32 – Interview with Jason Buice & David George

Jason Buice and David George on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Lawrence based singer songwriter, Jason Buice joins us to talk about his new 5 song EP Both Sides to be released on June 7. Both Sides was produced by David George and recorded and mixed by Pat Tomek (of The Rainmakers and Howard Iceberg & The Titanics). Both Sides contains five original songs written by Jason Buice and arranged by David George.

Also joining us is singer, songwriter, producer, rock and roller, musical theatre creator, David George who will share a new track from the Volker Brothers new EP Wrecking Ball, to be released on June 28. Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Jason Buice and David George thanks for being with us again on WMM.

Congratulations on all of the new music.

Jason Buice (pronounced “Bice”) will release his 5 song EP Both Sides on June 7.

Both Sides was Produced by David George and recorded and mixed by Pat Tomek (The Rainmakers) at Largely Studios (KCMO).

David George

Jason approached the multi-talented David George and asked him to produce. David agreed and helped Jason develop the songs to a new height he wouldn’t have discovered on his own.

David has treated each song as his own and helped Jason grow in his expression of songs.

Jason and David were also fortunate enough to record with Pat Tomek (The Rainmakers) at his home studio. Pat is an excellent drummer and did incredible work engineering and mixing each song in addition to lending his powerful drums to the mix.

The cherry on top was having Duane Trower master the album at Weights & Measures.

Jason loved collaborating with other musicians he admires: Caleb Ryan Martin, Kristin Hamilton, Michael Turnbo, Mark Verbeck, Marco Pascolini and Nathan Reeves Nall contribute their talents to the ep.

Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music.

JASON BUICE / BOTH SIDES
1. Wait it Out 3:17
2. Cuts Deep 3:12
3. Light On 3:33
4. Omar, He Knows 2:50
5. Both Sides 3:02

http://JasonBuiceMusic.Bandcamp.com
http://www.facebook.com/JasonBuiceMusic
Instagram: @brother_jb
Twitter: Buice_Tweets

10:42

11. Jason Buice – “Omar, He Knows”
from: Both Sides EP / Jason Buice / June 7, 2019
[Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music. Produced by David George. Recorded and Mixed at Largely Studios (KCMO) by Pat Tomek. Mastered by Duane Trower at Weights and Measures Studio (KCMO)]

[Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.]

10:45

Jason Buice and David George on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

We are talking with Lawrence based singer songwriter, Jason Buice about his new 5 song EP Both Sides to be released on June 7. Both Sides was produced by David George and contains five original songs written by Jason Buice and arranged by David George.

Also joining us is singer, songwriter, producer, rock and roller, musical theatre creator, David George who will share a new track from The Volker Brothers new EP Wrecking Ball, to be released on June 27 with a show in The Gospel Lounge at Knuckleheads.

Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Jason Buice and David George thanks for being with us again on WMM.

David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs score a touch down, has written a Christmas Musical about a Drag Queen, has performed at The Missouri Repertory Theatre, and once invited me to sing in the chorus to a single and video he created, you have certainly produced many of your own records what was it like producing for Jason?

Jason has done so many jobs, working in theatre, in the offices of law firms, religious organizations, working as an exterminator, a delivery driver, a photographer, a record label associate, I’ve watched you navigate the Kansas City music landscape and it’s great to see that you’ve found safe harbor and are able to create this new recording.

David, what is the biggest advice you would want to give to musicians and singer songwriters venturing into the music business?

Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Volker Brothers Play a Wrecking Ball EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Jason Buice and David George thanks for being with us again on WMM.

10:56

12. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers.]

[Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Kunckleheads.]

11:00 – Station ID
11:00 – Interview with Helen Proctor and Shawn Stewart

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

On June 5th, Helen Proctor will celebrate her birthday. Why do I mention this, because even though I’m several decades older, I too will celebrate my birthday on June 5. I honestly relate to, and appreciate, the mercurial nature of Helen Proctor, who is many things: a musician, an artist, a model, a community organizer, a college graduate, an activist, a teacher, a ‘zine publisher, a performer, a comedian, a worker, and advocate working to end domestic violence and gender based sexual violence. Her band Helkat is getting set to release their debut single “I Want You.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wed, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Helen Proctor thanks for being with us again on WMM.

Shawn Stewart

Shawn Stewart started playing music in Kansas City after he moved here from Chicago in 1991. His band, “Tin Roof Echo” played venues around town through 1993 when he retired to the suburbs to raise a family as a “stay at home dad.” In 2014, after his kids were grown, he moved midtown to pick up where he left off. He released four albums under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then on to Los Angeles for three months to pursue music publishers and radio.

Shawn Stewart thanks for being with us again on WMM.

Shawn and Helen were introduced by Poet Jen Harris

Shawn Stewart writes: “In December, I had this crazy idea to form a band that was equal parts WWF and punk pop. It didn’t matter if the band could play, I just wanted flash and image and hopefully a lead singer with a massive personality who wasn’t too flat. The reception to my idea was lukewarm from most people. I decided to run the idea by Jen Harris though before giving up. She loved it and impressed upon me the importance of having each character develop a unique persona. She also told me Helen Proctor was the lead singer I needed.

Helen and I met. I told her we would record Spotify singles and schedule a series of faux shows which would consist of her kicking the crap out of a strategically placed actor each time: unruly sound tech, loud cell-phone talker and sometimes even physical altercations with me, the manager. As Jen had predicted, she loved the idea! She was quite enthusiastic and crafted the role of “hot lesbian lead singer who seduces the crowd and occasionally assaults men.”

We added Laura Fred (the perpetually intoxicated one) on drums and Phia (the broody quiet one) on bass. I gave Helen the song with which I wanted to lead- “I Want You”. We took black and whites of our first “show” a NYE house party at which Helen had beat some guy up for taking unauthorized pics. I received a series of Instant Messages from people disappointed they had not been invited to the house show and imploring me to invite them to see this spectacle of a band’s future outings.

As things progressed, it became clear that there was a lot of actual talent and musical compatibility within the fake band. The meetings organically turned into practices and we were jamming. We were writing new songs, bringing old songs to practice and reworking them together. Helen showed us an acoustic breakup song she’d written a few years back and now it’s a groovy reggae-punk tune. We added Rozz Petrozz on drums, Dylan McGonigle on guitar and with great reluctance, and mostly because Phia was leaving the country, me on bass.

Helkat is releasing the Spotify single of “I Want You” on May 31, and playing shows through August only before we lose Dylan to The Iowa Writers Workshop and Shawn to Nashville. Helkat is a meteor, not a planet.

11:09

HelKat

13. Helkat – “I Want You”
from: I Want You – Single / Helkat / To Be Released: May 31, 2019
[Post apocalyptic lounge punk from Kansas City based Helen Proctor on lead vocals & guitar, Laura Fred on drums, Rozz Petrozz on drums, Dylan McGonigle on guitar and Shawn Stewart on bass.]

[Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.]

11:12 – More Interview with Helen Proctor & Shawn Stewart

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

We are talking with Helen Proctor. Her band Helkat has just released their single “I Want You.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Helen Proctor thanks for being with us again on WMM.

Also with us us Shawn Stewart who releases music under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then on to Los Angeles for three months to pursue music publishers and radio.

Shawn Stewart thanks for being with us again on WMM.

Helen Proctor is the founder of Flaccid Femmes

Helen Proctor works for Manifesto and Rose Brooks

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Poppies and Puppies will be part of Shawn’s new album “Pop.”

Shawn Stewart started playing the Kansas City clubs after he moved here from Chicago in 1991. His band, “Tin Roof Echo” was booked at the clubs around town through 1993 when he retired to the suburbs to raise a family as a stay at home dad.

In 2014, kids are grown, he moved midtown to pick up where he left off. He released four albums under the “JohnnySuperColossal” moniker through 2018. In 2019, in collaboration with “Helkat”, he is trying to get his songs on the radio with a vengeance and toNashville and Los Angeles publishers. In September he’s taking his trailer for three months to Nashville then three months to Los Angeles for that purpose.

Helen Proctor & Shawn Stewart thanks for being with us on Wednesday MidDay Medley

Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

11:21

14. JohnnySuperColossals – “Poppies and Puppies”
from: Poppies and Puppies – Single / Shawn Stewart / May 17, 2019
[Shawn Stewart started playing music in Kansas City after he moved here from Chicago in 1991. His band, “Tin Roof Echo” played venues around town through 1993 when he retired to the suburbs to raise a family as a “stay at home dad.” In 2014, after his kids were grown, he moved midtown to pick up where he left off. He released four albums under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then to Los Angeles for three months to pursue music publishers and radio..]

15. Bob Mould – “Camp Sunshine”
from: Sunshine Rock / Merge Records / February 8, 2019
[Sunshine Rock is the 13th solo album from American rock musician Bob Mould born Robert Arthur Mould on October 16, 1960. He is principally known for his work as guitarist, vocalist, and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s. Born in Malone, New York Mould lived in several places, including the Minneapolis-St. Paul, Minnesota area where he attended Macalester College. There, he formed Hüsker Dü in the late 1970s with drummer/singer Grant Hart and bass guitarist Greg Norton. Mould and Hart were the principal songwriters for Hüsker Dü, with Hart’s higher-pitched vocals and Mould’s baritone taking the lead in alternate songs. Though Mould’s sexual orientation had previously been something of an open secret, he was outed in the early 1990s in an interview in the music magazine Spin; he came to terms with being openly gay, even appearing in the movie Bear Nation, self-identifying as a bear. In April 2004, Mould was a co-organizer of the WEDRock benefit concert for Freedom to Marry. “WedRock” was a play on the word “wedlock”. The event raised an estimated US$30,000. Mould also contributed the song “See a Little Light” to the 2006 album Wed-Rock: A Benefit for Freedom to Marry, an album to support in the legalization of same-sex marriage. In interviews to promote his 2019 album Sunshine Rock, Mould revealed that he had been residing in Berlin, Germany since 2015.

11:28 – Underwriting

16. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 3 ]

11:34 – Interview with Cris Williamson, Teresa Trull, and Barbara Higbie

Teresa Trull, Cris Williamson, & Barbara Higbie

The legendary Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, from 1975, became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales allowed the independent label Olivia Records the ability to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement for women in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. Cris Williamson recently was the recipient of the Lifetime Achievement Award from The Americana Music Association. One of Cris Williamson’s best friends and longtime collaborator – Grammy Nominated singer songwriter producer Teresa Trull is back in the States momentarily from New Zealand where she now makes her home, Teresa Trull joins forces with Barbara Higbie and Cris Williamson who last played together in Kansas City over 10 years ago are back together for a string of shows in Portland, Berkeley, Seattle and Boulder. The trio play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

Congratulations on the the Lifetime Achievement Award from The Americana Music Association.

We loved seeing Cris Williamson in the American Masters PBS film Singing For Our Lives the story of Holly Near.

Cris is currently in rehearsal with friends Barbara Higbie and Teresa Trull.

The first show of their tour is this Friday in Portland.

Teresa Trull was brought up in Durham, North Carolina, where she was steeped at an early age in blues, gospel, and rhythm & blues, Teresa Trull began her musical career singing gospel in churches, then served as the lead singer in a rock & roll band for several years before joining the East Coast nightclub circuit. Since the release of her first album, The Ways a Woman Can Be, in 1977, Trull’s gutsy rock & roll vocal style and her songwriting and record production talents have won the fiery-haired singer an ever-widening recognition. In particular, Teresa’s collaboration with Barbara Higbie on their CD’s Unexpected and Playtime as well as her partnership with Cris Williamson on the CD Country Blessed have received wide critical acclaim. Other musicians with whom Trull has performed and recorded include Huey Lewis, Bonnie Hayes, David Sanborn, Andy Narell, Darol Anger, Mike Marshall, Alex DeGrassi, Joan Baez, Linda Tillery, Holly Near, the Topp Twins, Tami Neilson and Tracy Nelson. A songwriter of considerable note, Trull co-wrote two songs on the Whispers’ gold album Love for Love, including the title track, with Ray Obiedo, and her production talents were recognized by the New York Music Awards and featured in the industry standard Mix Magazine.

In 2011 Teresa moved to New Zealand to pursue her passion for horses and founded New Zealand Horse Help to help horses with their people problems. She has sung on stage at the Rugby World Cup and sung NZ’s national anthem in Maori and English for the World Cup Show Jumping Event.

Blessed with an endless supply of energy, Trull’s live performances have been said to combine the high power of Nona Hendryx with the irreverent wit of Bette Midler.

Barbara Higbie has been a professional musician since age 17, Barbara has played everything from Traditional Jazz, Bluegrass and Irish to New Classical Music, Blues, and African Pop. She is known for her ability to compose in a style that is both genre-bending and accessible. A Grammy-nominated, Grammy award-winning composer, pianist, fiddler, singer-songwriter and multi-instrumentalist, Barbara Higbie has performed on more than 100 albums, including Carlos Santana’s 2007 release. Her latest solo release, 2014’s Scenes from Life was recorded at Lucas Films Skywalker Sound.

As a solo artist, Barbara’s first solo CD Signs of Life was named a Washington Post Top Ten of the Year. Four other solo releases, I Surrender, Variations on a Happy Ending and Alive in Berkeley and last years Scenes from Life followed to much critical acclaim. In 2011, Higbie was the first ever Artist in Residence at the prestigious west coast Jazz Club, Yoshi’s, where she created two new bands. Roots music, Hills to Hollers with icons Linda Tillery and Laurie Lewis, and the exotic Cello Heaven with cellists Joan Jeanreneau of Kronos Quartet fame and new age star, Jami Sieber.

Higbie has 13 solo and group recordings to her name, as well as contributions to 10 compilations that have sold in the millions. She was the first female instrumentalist to compose and record for Windham Hill Records, 1982’s Tideline, a duet project with violinist, Darol Anger. Tideline’s unique sound became an instant classic, thanks in part to Higbie’s innovative and moving compositions. One of her pieces from Tideline, True Story, was downloaded on Pandora in 2014 more than 850,000 times. In June of 2015, Tideline was re-issued on Adventure Records. 1984 was an important year when Higbie recorded with Anger, Mike Marshall and Andy Narrell, Live at the Montreux Jazz Festival for Windham Hill Records, a landmark genre-defining album. Her composition To Be became Montreux’s radio/VH-1 hit. She toured worldwide with Montreux until 1990.

In addition to her instrumental music, Higbie’s singer-songwriter work, 2 CDs with vocal dynamo, Teresa Trull, on Olivia Records and 2 solo CDs on Slowbaby Records have won her critical acclaim and a large, devoted nationwide following. http://www.barbarahigbie.com

The Changer and the Changed – Changed The Music Business for Women

Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance!

Cris Williamson, Teresa Trull & Barbara Higbie play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM.

Congratulations to Cris for being part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with The Changer and the Changed: A Record of the Times (Olivia Records, 1975) Ann Powers of NPR Music writes: “Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. ”

The Cris piece from NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

From http://www.smithsonianmag.com – Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

Cris Williamson recorded her first record in 1964 at the age of 16. She has been releasing music for over 50 years.

In the last 17 years Cris has released 11 full length albums ( a few of those were double albums). That works out to being a new album every year and half.

More info at: http://www.criswilliamson.com

Cris Williamson, Teresa Trull & Barbara Higbie thanks for being with us again on WMM

Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM. More information at https://https://www.brownpapertickets.com/event/4219504

11:56

17. Barbara Higbie – “Water Lilies”
from: Resonance / Barbara Higbie / April 13, 2019
[Barbara Higbie (born 1958) is a Grammy nominated, Bammy award winning pianist, composer, violinist, singer-songwriter and multi-instrumentalist. She has played on over 65 CDs including 3 tunes on the recent Carlos Santana CD. A longtime Windham Hill recording artist, she has also recorded for Olivia/Second Wave records and Slowbaby Records. She resides in the San Francisco Bay Area with her family. She is a folk, jazz, pop, and fusion singer-songwriter, noted for her highly melodic, jazz/folk piano performances. She has toured nationally and internationally since the early 1980s. An early recording artist on the Windham Hill record label, she formed and played with the group Montreux along with Darol Anger, Mike Marshall, Todd Phillips, and Michael Manring. She recorded a critically acclaimed album titled Unexpected with singer Teresa Trull in 1983, which was included in The Boston Globe’s Guide to Best Albums of 1983. Higbie and Trull teamed up again in 1997 to record an album titled Playtime. Since 1990, Barbara Higbie has released a number of solo albums on the Windham Hill and Slowbaby labels. She is known as a versatile and soulful musician. Born in Michigan and raised in Indiana, she spent several years as a teenager in Ghana with her family. She went to Mills College, attended the Sorbonne in Paris, and collected traditional music in West Africa on a Thomas J. Watson Fellowship. It was in Paris that she met Darol Anger and began a fruitful musical collaboration. Together they recorded the record Tideline (1982), one of the early successful records of Windham Hill. Two years later they led a group with three other musicians (Mike Marshall, Todd Phillips, and Andy Narrel) for the Montreux Jazz Festival. The concert was considered so successful that a recording made at the concert was released as a Windham Hill record (Live at Montreux–Darol Anger/Barbara Higbie Quintet) and a new group was formed. However, after two studio releases, Sign Language and Let Them Say, the group disbanded. Barbara occasionally collaborates with her Montreux colleagues. She has performed with Bonnie Raitt, Terry Riley, The Kronos Quartet, Jaron Lanier, Cris Williamson, Holly Near, Teresa Trull and Ferron. Barbara Higbie has an active performing schedule. In August 2006, she participated in the Windham Hill 30th Anniversary Concert. She spent 18 months living in Hawaii with her family and moved back to the San Francisco Bay Area in June 2009.]

[Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM ]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 29 we present our annual LGBTQIA Pride Show, That’s So Fabulous with Bill Svoboda from KC Pride Fest, May 31, June 1, and June 2 at Berkley Riverfront Park. We’ll also talk with Stewart Hinds and Austin Williams about the 10th Anniversary of GLAMA. And Cuee and SHAH join us to share new music and talk about their shows for Pride For The Masses at the Granada Theatre in Lawrence, Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #787

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Wednesday MidDay Medley presents Jason Buice & David George + Helen Protor & Shawn Stewart + Cris Williamson

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 22, 2019

Jason Buice & David George
+ Helen Proctor & Shawn Stewart +
Cris Williamson, Teresa Trull & Barbara Higbie

Mark spins New & MidCoastal Releases from: Momma’s Boy, HelKat, Volker Brothers, The Creepy Jingles, Kid Computer, Jason Buice, JohnnySupercolossal, Tiki Brawlers, Cris Williamson, Barbara Higbie, The National with Gail Ann Dorsey, Big Thief, Jamila Woods, Sinkane and Bob Mould.

Jason Buice

At 10:30 Lawrence based singer songwriter, Jason Buice joins us to talk about his new 5 song EP Both Sides to be released on June 7, 2019. Both Sides contains five original songs written by Jason Buice and arranged by David George, with guest artists: Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow), and Caleb Ryan Martin. Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

David George

Also joining us is David George who will share a new track from Volker Bothers new EP Wrecking Ball, to be released on June 28. Both Sides was produced by David George and recorded and mixed by Pat Tomek (of The Rainmakers).

HelKat

At 11:00 Mark talks with Helen Proctor lead vocalist of the band HelKat who will release their new single “I Want You” on May 21. Helkat is Helen Proctor, Shawn Stewart, Laura Fred Smith, Rozz Petrozz and Dylan Mcgongigle.

Shawn Stewart

Helkat collaborator and bassist Shawn Stewart also joins us to share music from his new JohnnySuperColossal album “Poppies and Puppies.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Teresa Trull, Cris Williamson, & Barbara Higbie

At 11:30 The legendary Cris Williamson who recently released her 32nd album, Motherland, talks with Mark. A brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, from 1975, became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales allowed the independent label Olivia Records the ability to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement for women in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. Cris Williamson recently was the recipient of the Lifetime Achievement Award from The Americana Music Association. Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM. More information at https://https://www.brownpapertickets.com/event/4219504

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #787

Wednesday MidDay Medley presents Betse Ellis + Mike McCoy + Amy Farrand + HuDost + Allaudin Ottinger + Shaun Crowley

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 24, 2019

Betse Ellis + Mike McCoy + Amy Farrand
HuDost + Allaudin Ottinger + Shaun Crowley

Mark spins New & MidCoastal Releases from: Mildcats, Short Round Stringband, Momma’s Boy, Cher UK, Amy Farrand & The Like, Shortsweather, HuDost, Allaudin Ottinger, Cayucas, Amyl and The Sniffers, Middle Kids, and Morrissey.

Short Round Stringband

At 10:15 Betse Ellis joins us to share details about the Short Round Stringband‘s new album in the making, an 18 track tribute to Bill Monroe! Short Round Stringband is Betse Ellis, Clarke Wyatt, Kelly Wells, and Ryan Spearman. Kelly & Ryan perform as the The Aching Hearts, based in St. Louis, and like Betse & Clarke they play “old time” music. The 4-piece band is in the final weeks of their crowdfunding campaign to produce the new record. For more information or to donate you can visit: https://www.kickstarter.com/projects/shortroundstringband/

HuDost

At 10:35 we talk with Jemal Wade Hines & Moksha Sommer of HuDost, the husband-wife-fronted retro-pop art-rock group based in Montreal & Kentucky. Their new album, of water + Mercy. HuDost play an Album Release Show at Prospero’s Books, Thursday, April 23, at 7:00 PM, at 1800 W 39th St, KCMO with Allaudin Ottinger who also joins us in the 90.1 FM Studios to share music from his new release, “Vision Bewilderment & Love.”

Mike McCoy

Amy Farrand

At 11:00 Mark talks with musician and rock and roll legend, Mike McCoy and musician, singer songwriter, bandleader, Amy Farrand who share information about BRIANNE-I-FIT, The Fundraiser for Brianne Grimmer, supporting her medical expense fund, on Friday, April 26, at 6:00 PM, at recordBar, 1520 Grand BLVD. KCMO, with Amy Farrand & The Like, Pamper The Madman, Cher UK, Drop A Grand, Knife Crime, Godzillionaire, KC Bear Fighters, and Mahoots.

Shaun Crowley

Davy Langerak, Josiah Hunter, Patrick Keizer, and Bennett Jones of Shortsweather on Wednesday MidDay Medley on KKFI 90.1 FM (8/23/17)

At 11:30 Shaun Crowley of Momma’s Boy and Manor Records shares details about Manor Records Speaks Up – Sat, April 27 at 9:00 pm, at miniBar, 3810 Broadway, with Mild Cats, The Golden Fleece, Mouton, Momma’s Boy, The Rub’s, and Drugs & Attics, Manor Records will also release “The Bennett Tapes” in honor & memory of a good friend Bennett Jones featuring a live un-released track from his old band Shortsweather. The bands & musicians are uniting for a purpose with all door proceeds going to the KC chapter of SPEAK UP, raising awareness about suicide & depression and to help end the stigma associated with suicide. Speak Up stands for Suicide Prevention Education Awareness for Kids United as Partners. More info at http://www.speakup.us

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #783

WMM Playlist from April 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 17, 2019

Rita Chiarelli & Mikal Shapiro & Topeka Freedom Singers
+ Sean Mawhirter & Mundo Nouvo + Emmaline Twist

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. The Get Up Kids – “The Problem Is Me”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis (Kurt Vile, Japandroids, The National), The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from—it’s definitely a celebration of the fact that we still get to do this.” ]

3. Weyes Blood – “Andromedia”
from: Titanic Rising / Sub Pop Records / April 5, 2019
[Weyes Blood is Natalie Mering, born June 11, 1988, in Santa Monica, CA and grew up in Doylestown, Pennsylvania. She has released 4 albums and an EP. Both her siblings and parents are musicians and music played an important part in her upbringing. Her older brother, Zak Mering, is also a noteworthy recording artist, producer and songwriter under the “Raw Thrills” alias. At the age of 15 Mering began using the moniker Wise Blood to write songs. She changed to Weyes Bluhd on several self released records before changing the spelling to Weyes Blood. She took the name from the Flannery O’Connor novel Wise Blood. At the same time, while working on her own material, she toured the underground music scene with bands Jackie-O Motherfucker and Nautical Almanac. In 2011 she released the album The Outside Room as Weyes Blood And The Dark Juices on Not Not Fun Records. Uncut magazine described the album as “the vibe is devotional and ethereal, but with an edge”, while Beatbots found it “an impressive and ambitious album”. Natalie released her second record in October 2014 called The Innocents, which was released through Mexican Summer. In 2016 she released the album Front Row Seat to Earth on Mexican Summer to great acclaim throughout the music industry, and has spent the past few years touring throughout Europe and the states.]

4. Lambchop – “Everything for You”
from: This (Is What I Wanted to Tell You) / Merge Records / March 22, 2019
[Lambchop, originally from Nashville, was ever a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner. AllMusic referred to tLambchop as “arguably the most consistently brilliant and unique American group to emerge during the 1990s”. Initially indebted to traditional country, the music has subsequently moved through a range of influences including post-rock, soul and lounge music. Whatever the style, the characteristic mood of Lambchop’s music is evoked by Wagner’s distinctive songwriting: lyrically subtle and ambiguous, the vocals melodic but understated. Not so long ago, Lambchop had a famously sprawling line-up, toting a dozen or so members around the world and into the studio to document elliptical country-soul mutations. But in recent years, the band has become a more personal vehicle for Kurt Wagner. Anchored by him and framed by bassist Matt Swanson and Wagner’s incorrigibly grinning foil, the pianist Tony Crow, the Lambchop of this decade has become more pliant and adaptable, opening itself to unexpected collaborators that give Wagner’s thoughts and feelings the shape they need for each new album.]

5. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play VooDoo Lounge 1 Riverboat Dr, KCMO, with Berwanger And Kid Computer on Saturday, April 20 at 7:30 PM]

10:18 – Underwriting

6. LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. The EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra play an All Ages Show, at Replay Lounge, 946 Massachusetts St, Lawrence on Friday, April 19, with an early show at 6:00 pm and a late show at 10:00 pm for Tune In! A Girls Rock Lawrence Fundraiser and Rebrand Announcement with a new name that represents the range of identities we serve and a new mission statement that better reflects our goal: to amplify the voices and ideas of local youth through social justice and musical expression.]

7. Rita Chiarelli – “These Four Walls”
from: Music from the Big House Soundtrack / Mad Iris Music / April 5, 2011
[Rita Chiarelli was called “the goddess of Canadian blues” by CBC Radio One. Born and raised in Hamilton, Ontario, Chiarelli began performing in Ronnie Hawkins’ band in the early 1980s. She spent several years in Italy. When she returned to Canada, she attracted the attention of film director Bruce McDonald, who included her “Have You Seen My Shoes?” on the soundtrack to his 1989 film Roadkill. Chiarelli and Colin Linden recorded a cover of Bob Dylan’s “Highway 61 Revisited” for McDonald’s 1991 film Highway 61. Chiarelli released her debut album the following year. She has released 9 solo albums. Just Getting Started and Breakfast at Midnight were both nominated for the Juno Award for Best Blues Album. For her last release, Music From The Big House Soundtrack, Rita again collaborates with Director Bruce McDonald in a film that chronicles Rita’s pilgrimage to the birthplace of the blues, Louisiana State Maximum Security Penitentiary a.k.a Angola Prison, where Rita plays music with inmates serving life sentences.]

Rita Chiarelli & Mikal Shapiro on the April 17, 2019 edition of Wednesday MidDay Medley.

10:30 – Interview with Rita Chiarelli & Mikal Shapiro

Rita Chiarelli was called “the goddess of Canadian blues” by CBC Radio One. Born and raised in Hamilton, Ontario, Chiarelli began performing in Ronnie Hawkins’ band in the early 1980s. She spent several years in Italy. When she returned to Canada, she quickly attracted the attention of film director Bruce McDonald, who included her “Have You Seen My Shoes?” on the soundtrack to his 1989 film Roadkill. Chiarelli and Colin Linden recorded a cover of Bob Dylan’s “Highway 61 Revisited” for McDonald’s 1991 film Highway 61, and Chiarelli released her debut album the following year on Stony Plain Records. She has released nine solo albums, two of which, Just Getting Started and Breakfast at Midnight were nominated for the Juno Award for Best Blues Album. For her last release, Music From The Big House Soundtrack, Rita again collaborates with Director Bruce McDonald in a film the chronicles her pilgrimage to the birthplace of the blues, the Louisiana State Maximum Security Penitentiary a.k.a Angola Prison, where Rita plays music with inmates serving life sentences. Rita is now in Kansas City working on a new documentary project that began at Folk Alliance International with Mikal Shapiro.

Mikal Shapiro

Mikal Shapiro is a singer, songwriter, artist, filmmaker, puppeteer, ring-leader. Mikal Shapiro is the founder of State City Films – a new media house based in KCMO that she founded to create content that amplifies independent voices and tells stories that ache to be told through documentary and experimental filmmaking practices. Mikal Shapiro has worked on commercial, non-profit and independent productions since 2008. She was Director of Photography for the regional Emmy award-winning film “Tipping Point.” She studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. She received her MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. She has been involved in music and the arts for over two decades. Mikal’s full length solo releases “The Crow The Lark And The Loon” from 2008, and “For Good” from 2010 and “The Musical” from 2017 and “The Musical II” from 2018 have been acclaimed by local music writers.

Rita Chiarelli and Mikal Shapiro join us to talk about their work to facilitate a music program inside the Topeka Correctional Facility for Women. This project culminates with a concert on May 4 that will be presented to their fellow inmates, families, victims, and the community. Authorities from the Department of Corrections will be invited to attend including the Kansas Governor Laura Kelly. Rita & Mikal are currently in the midst of 10 days of filming, with an all-female crew, inside the facility.

Rita Chiarelli & Mikal Shapiro thanks for being with us on Wednesday MidDay Medley.

Rita Chiarelli

Text from their Kickstarter Campaign:

We just heard “These Four Walls” from the Music From The Big House Soundtrack. Rita I heard you explaining in an interview that you “‘cold called” the Louisiana State Maximum Security Penitentary to begin the process of bringing a film crew into the prison.

Rita collaborated with Director Bruce McDonald in a film the chronicle her pilgrimage to the birthplace of the blues, Louisiana State Maximum Security Penitentiary a.k.a Angola Prison, where Rita plays music with inmates serving life sentences.

How It Began… Two years ago, through Folk Alliance International, acclaimed Canadian musician and film maker Rita Chiarelli and cinematographer Mikal Shapiro of State City Films were invited into ‘The Topeka Correctional Facility for Women’ in Kansas. For two days, the mission was to bring, perform and share some music with its inmates.

What They Found…It was quickly discovered that unlike penitentiaries that house male inmates, where there are instruments available and some forms of music programs, the women’s facilities more often than not have none, such was the case in Topeka.

So…Rita Chiarelli began to work with the women, teaching them to sing some traditional tunes, and encouraging them to bring into the mix their own writings.

What happened next…midst the bonding that came through working together on the music, stories of unbelievable abuse that the women have suffered in their lives started to emerge. They shared stories of beatings and frankly abuse too difficult to imagine. As Rita and the inmates worked together, the women’s voices began to ‘rise’, begging to be heard.

This story needs to be told…Why? – A phenomenon is happening. While abuse against women is on the rise… more women are being incarcerated than ever before. Sometimes the abuser is the system itself…poverty, social injustice…this story will reveal what some women in society are going through and what leads to their incarceration. Their stories reveal that they too are victims of the detrimental effects of poverty, addiction, physical and sexual abuse and assault.

Now What? A Film…Rita and Mikal plan to go back in. Rita will bring the healing power of music to this maximum security facility .Through the compassionate eye of Mikal’s lens; she will follow Rita as she works with a group of talented inmates and adds music to their compelling writing.

This work will culminate in a concert… a concert that will be presented to their fellow inmates, families, victims and the greater community. Authorities from the Department of Corrections will be invited to attend including the Kansas Governor Laura Kelly.

This concert is an opportunity for the inmates to express their thoughts and emotions as well as reveal a side of themselves that will showcase their humanity. Their expressions set to music and sung out in what will be a cathartic culmination of a difficult yet liberating soul search for the women involved. And through the power of music, these women will ask us all for a little more understanding, forgiveness and maybe another chance.

What we leave behind…Rita has been in touch with an organization that brings instruments and music programs to prisons that have none. They are now in contact to possibly facilitate a music program in Topeka Correctional Facility for Women. The impact this project could have on the wider public is also considerable. What goes on behind the gates of a prison–from the lives of the state employees and guards, to those imprisoned inside the cells–often goes unseen and unheard. This lack of transparency contributes to a lack of accountability on our justice system as well as stigma and stereotypes of lives behind the wall. Creative work that connects people on “both sides of the fence” contributes to a healthier dialogue around crime, crime prevention, justice, rehabilitation, and redemption and an unsustainable system for controlling crime. Bringing artists and musicians into the dialogue can help highlight our collective humanity and work to facilitate criminal justice reform.

Rita and Mikal have planned 10 days of filming with an all-female crew, and a budget of $32,500 to cover this project’s initial costs of filming this documentary.

The Team
Rita Chiarelli – Director/Producer
Mikal Shapiro – Producer/Director of Photography
Khitam Jabr – 1st Assistant Camera/Camera Operator
Alexandra Lambdin – Audio Engineer/Boom Operator
Courtney Williams – Production Assistant

This project has been two years in the planning.

10:39

8. “T” – “T’s Rap”
from: T’s Rap / Mikal Shapiro footage / April, 2019
[Recorded on camera inside the Topeka Correctional Facility for Women]

We’re talking with Rita Chiarelli & Mikal Shapiro about their work to facilitate a music program inside the Topeka Correctional Facility for Women. This project culminates with a concert on May 4 that will be presented to their fellow inmates, families, victims, and the community. Authorities from the Department of Corrections will be invited to attend including the Kansas Governor Laura Kelly. Rita & Mikal have planned 10 days of filming with an all-female crew inside the facility.

10:42

9. Autumn – “Autumn’s clip for radio”
from: Topeka Freedom Singers / Mikal Shapiro footage / April, 2019
[Recorded on camera inside the Topeka Correctional Facility for Women]

Rita Chiarelli & Mikal Shapiro working to facilitate a music program inside the Topeka Correctional Facility for Women. #documentary #film #topekafreedomsingers #powerofmusic #musicinprison #artsinprison #maximumsecurity #topeka #kansas #womensprison #ritachiarelli #blues #gospel #music

10:45

10. Vegas – “Vegas’s Verse clip for radio”
from: Topeka Freedom Singers / Mikal Shapiro footage / April, 2019
[Recorded on camera inside the Topeka Correctional Facility for Women]

We’re talking with Rita Chiarelli & Mikal Shapiro heir work to facilitate a music program inside the Topeka Correctional Facility for Women. This project culminates with a concert on May 4 that will be presented to their fellow inmates, families, victims, and community. Rita & Mikal have planned 10 days of filming with an all-female crew inside the facility.

Rita Chiarelli & Mikal Shapiro thanks for being with us on Wednesday MidDay Medley.

Rita Chiarelli & Mikal Shapiro on the April 17, 2019 edition of Wednesday MidDay Medley.

10:50

11. Rita Chiarelli – “I Can Change For You”
from: Breakfast At Midnight / Mad Iris Music / May 8, 2001
[Rita Chiarelli may very well be the most powerful singer in Canada! Bringing her brand of rock & blues to an ever-increasing loyal audience since she was 15 years old, Rita finished high school in Hamilton Ontario and formed the band Battleaxe, a nine piece R&B band which toured Canada and the US. She then joined the Ronnie Hawkins school of rock and roll for a year and in 1981 left Canada on a trip to Italy, staying six years, touring and working in studios. // Back in Canada in the late 1980s she released a succession of independent singles and had one of her most powerful songs, “Have You Seen My Shoes?”, used on the soundtrack of Bruce McDonald’s Canadian-made movie Roadkill, now a cult favorite. // The success of the first Stony Plain album Road Rockets helped cement Chiarelli’s solid reputation on the club circuit as an exciting, powerhouse performer with a stunning 3 octave range and a no-holds-barred delivery that rocked audiences across North America and Europe. Her 2nd album was co-produced with John Switzer, best known for his work with Jane Siberry, and featured guest appearances by Juno Award-winning guitarist & songwriter Colin Linden and members of country rock band Prairie Oyster. All songs with the exception of the Elvis Presley hit “Love Me” were written by Rita, who’s developed her songwriting skills to the point that other artists are paying attention; Long John Baldry recorded Rita’s song “Midnight in Berlin” on his Right To Sing The Blues. – Parsifal.com]

Heidi Lynne Gluck

12. Heidi Lynne Gluck – “Sadness Is Psychedelic”
from: Pony Show / Lotuspool Records / August 26, 2016
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist originally from the middle of Canada. After transplanting herself from the plains of Manitoba to the midwestern United States, Heidi quickly became an in-demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. Heidi Lynne Gluck released the single “Party Line” on Too Much Rock on August 3, 2018.]

11:00 – Station ID

Sean Mawhirter on the April 17, 2019 edition of Wednesday MidDay Medley.

11:00 – Interview with Sean Mawhirter

Sean Mawhirter, is originally from Wichita, Kansas. He is a guitarist and educator. During his over 20 years in the Kansas City metro music community, he has performed in a variety of settings and styles. Sean is a member of the Kansas City Guitar Society and Fractured Atlas. Sean Mawhirter is also the Artistic Director of Mundo Nouvo, KC’s salsa orchestra whee he also plays guitar in the band, Mundo Nouvo has been honing its style for three years and are ready to release their first full-length album, “Mejor Tarde Que Nunca.” This group play an Album Release Concert, Friday, April 19, at 8:00 PM, at The 10 Spot, 1000 Broadway, Blvd., KCMO.

Sean Mawhirter thanks for being with us on Wednesday MidDay Medley.

Combining both Spanish and Haitian-Creole language, Mundo Nouvo [‘mun.do-nu.vo] means “New World”. This ensemble looks to source its material from the roots of Afro-Caribbean music with special emphasis on Cuban and Haitian traditions.

At its fullest, Mundo Nouvo operates as an 11-piece Salsa Orchestra that plays the dance halls for crowds that love the timeless groove of guaracha, merengue, mambo, etc.

This band also adapts to smaller formations (3-8 instruments) to play its repertoire in jazz clubs, restaurants, as well as concert programming.

Mundo Nouvo, KC’s salsa orchestra celebrating it’s first full-length album, “Mejor Tarde Que Nunca.”

Mundo Nouvo

Led by veteran Cuban singer Ramon Terrada.

Mundo Nouvo also includes Jose Miguel Ramos on congas & coro vocals, Felipe “Tato” Ramos on timbales & coro vocals, Tony Ramos on bongos, Will Crain on piano, Daniel Nonweiler on bass, Sean Mawhirter on guitar, Guy Montes on flute & coro vocals, Janne Silfverberg on trombone, Lawrence Jackson on trumpet, David Cunningham on trumpet and frequent contributors: Paul Roberts on piano, Armando Gutierrez on trumpet, and Pat Conway on Congas/Bongos & Drumset.

This group has been honing its style for three years and are ready to share an Album Release Concert, Fri, April 19, at 8:00 PM, at The 10 Spot, 1000 Broadway, Blvd., KCMO.

More information at: http://www.mundonouvo.org

Having assembled some of the best talent in Kansas City, this is not only an active band but a fiscally sponsored Arts Organization that has partnered with the Global Birthing Home Foundation (GBHF) to support their efforts with Maison de Naissance (translates to ‘Birth House’) in Torbeck, Haiti.

Maison de Naissance, a modern, culturally appropriate maternal center, was established in 2004 in Torbeck, Haiti, and is sponsored by GBHF, a 501(c)3 non-profit public charity based in Leawood, KS. Since its establishment, Maison de Naissance has delivered over 4,700 healthy babies, and conducted more than 132,000 consultations.

While all of the revenue raised through the fiscal sponsorship will be attributed to the overhead of maintaining the musical ensemble, the ticket sale proceeds will be donated to the Global Birthing Home Foundation (GBHF).

11:07

13. Mundo Nouvo – “La Esencia del Guaguanco”
from: Live at Kansas Public Radio / Mundo Nouvo – KPR / February 22, 2018

11:12 – Interview with Sean Mawhirter

We are talking with Sean Mawhirter, Artistic Director of Mundo Nouvo, Kansas City’s salsa orchestra celebrating it’s first full-length album, “Mejor Tarde Que Nunca” with an Album Release Concert, Friday, April 19, at 8:00 PM, at The 10 Spot, 1000 Broadway, Blvd., KCMO.

Sean Mawhirter thanks for being with us on WMM.

Johnsoncountylifestyle.com reported on Sean Mawhirter travels abroad in both Haiti and Cuba for monthlong research trips in an effort to conduct further study into the musical roots of these two countries that are the guiding inspiration for Mundo Nouvo. This involved formal courses taken at two music academies and private studies with some of the nations’ finest instrumentalists.

For Mawhirter, was quoted as saying, “There are so many wonderful ways educate yourself in music nowadays, but there is no substitute for being in the context of the art. After all, how can you say that you know someone without sitting at their table?”

“I’m really excited about what is down the road for us”, Mawhirter says. “Aside from the academic aspect, there’ll be instruments coming back with me for our educational outreach with K-12 schools. Also, we’re looking to get some of these master musicians up here to perform with us in future concert events for Kansas City audiences.”

Mundo Nouvo has been honing its style for three years and are ready to share an Album Release Concert, Fri, April 19, at 8:00 PM, at The 10 Spot, 1000 Broadway, Blvd., KCMO.

Sean Mawhirter thanks for being with us on WMM.

Mundo Nouvo, KC’s salsa orchestra is celebrating it’s first full-length album, “Mejor Tarde Que Nunca” with an Album Release Concert, Friday, April 19, at 8:00 PM, at The 10 Spot, 1000 Broadway, Blvd., KCMO. More information at: http://www.mundonouvo.org

11:19

14. The Phantastics – “Heartbreaker”
from: Life of the Party – EP / Kemet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantastics play The Jazzhaus of Lawrence, 926 Massachusetts St, with Tyler Sanford and the Coalition, Saturday, April 20, at 10:30 PM.]

15. Son Volt – “While Rome Burns”
from: Union / Thirty Tigers / March 29, 2019
[9th studio album from St. Louis, Missouri based band formed in 1994 after the break up of Uncle Tupelo. Jay Farrar on vocals & guitar & harmonica, Andrew Duplantis on bass & backing vocal, Mark Patterson on drums, Chris Frame on guitar, and Mark Spencer on keyboards & steel guitar.]

[Son Volt plays Knuckleheads, 2715 Rochester St. KCMO, on Tuesday, April 23, at 8:00 PM.]

16. Hi-Lux – “Dance With My Baby”
from: Hi-Lux – EP / Hi-Lux / February 1, 2018
[Originally released as a single on August 15, 2017. Now included in this 6 song EP. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

[Julia Haile Trio with Tim Braun on guitar and Brendan Culp on drums play The Phoenix, 302 W. 8th, KCMO, Saturday, April 20, at 9:30 PM]

11:28 – Underwriting

17. Priests – “The Seduction of Kansas”
from: The Seduction of Kansas / Sister Polygon / April 5, 2019
[Priests are a post-punk band from Washington D.C. Formed in 2012, they are composed of Katie Alice Greer on vocals, Daniele Daniele on drums, Taylor Mulitz on bass, and G.L. Jaguar on guitar. Strong proponents of DIY ethic, Priests have autonomously released three EPs through their independently run label Sister Polygon Records, as well as tapes and singles from acts such as Downtown Boys, Snail Mail, Shady Hawkins, and other local D.C. bands. In an interview with the Diamondback, guitarist G.L. expressed their commitment to “do it yourself” approaches in creating exposure for corporately marginalized music, “It’s important to try and make safe and supportive art spaces in communities that are very much community oriented.” In 2017, Priests released their full-length debut LP Nothing Feels Natural which found itself on several best albums of 2017 lists including Billboard, NPR, the Atlantic, Will’s Band of the Week, and Pitchfork. On inauguration day, just days before the release of the album, the band played an event which they helped organize called NO: A Night of Anti-Fascist Sound Resistance in the Capital of the USA at the Black Cat. Rolling Stone described the band as “forging jagged incantations that challenge norms ranging from the driving forces of capitalism to punk’s own chest-beating macho traditions.]

[Priests play recordBar, 1520 Grand BLVD. KCMO, on Tuesday, July 9, at 9:00 PM.]

15. Drugs & Attics – “So Tuff”
from: Clean Their Room / High Dive Records / April 19, 2019
[High Dive Records debut from Kansas City based 3-piece premiere party drug rock band.]

[Drugs & Attics play Minibar, 3810 Broadway Rd, KCMO with Dreamgirl and The Whiffs, Thursday April 18, at 9:00 PM celebrating the release of Drugs & Attics new record.]

[Drugs & Attics play Replay Lounge, 946 Massachusetts, Lawrence, w/ High WestHus, JC& The Nuns, and The Whiffs on Sat, April 20, at 10:00 PM celebrating the release of Drugs & Attics new record.]

16. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander joined the band on synthesizers & guitar.]

Kristin Conkright & Krysztof Nemeth on the April 17, 2019 edition of Wednesday MidDay Medley.

11:40 – Interview with Kristin Conkright & Krysztof Nemeth of Emmaline Twist

Emmaline Twist released their debut album “Dissimulation” on August 24, 2018 on Black Site Records. The record was in the Top 10 of WMM’s 118 Best Recordings of 2018. members of Emmaline Twist join us in our 90.1 FM Studios. Emmaline Twist play recordBar, 1520 Grand Boulevard, KCMO, Friday, April 19, at 8:00 PM with The Foreign Resort, Nite, and Monta At Odds. More information at http://www.emmalinetwist.com

Kristin Conkright and Krysztof Nemeth, Thanks for being with us on Wednesday MidDay Medley

Emmaline Twist is: Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, Krysztof Nemeth on baritone guitar, and Alex Alexander on keyboarders & guitar.

From the band’s website:
These veteran musicians first came together in early 2016 and immediately found an audience eager for their moody, darkwave sound. They produced their first video single, “Vega” (dir. Steve Gardels), later that same year. In the Fall of 2017, they self-released the digital EP, Dissimulation I, as well as their second video — “Desperate Measures” (dir. Matt Lepley). In August of 2018 Emmaline Twist released its debut vinyl LP, Dissimulation, on the Kansas City record label cooperative, Black Site. The album contains four brand new tunes plus completely remastered versions of the four tracks from the 2017 EP. Also in the Summer of 2018, the band released a 45 rpm single of “Vega” (b/w “Moon Eyes”) on Kansas City’s eat.hear.records.

Starting with the solid foundational rhythm section of Jonathan Knecht on drums and Kristin Conkright on bass, keyboardist Alex Alexander, baritone guitarist Krysztof Nemeth, and singer/guitarist Meredith McGrade add layer upon layer of structure and minimalist detail to reveal clean, tightly-crafted songs that are not so much autobiographical documents as they are universal pronouncements ─ sonic explorations of a dark-yet-hopeful aesthetic that is truly a reflection of these anxious times.

Emmaline Twist doesn’t “write songs”. This band constructs vast soundscapes that evoke the urgent, anxious energy of bustling cities enveloped by a sonic atmosphere as wide as the prairie sky. With the workmanlike spirit that is the hallmark of Midwestern rock music, Emmaline Twist combines the angular rhythms of post-punk with the dreamy ambience of shoegaze to create a sound unique to this Paris on the Plains.

This Friday Night will also be the last Emmaline Twist show for quite awhile as they are starting pre-production on their next record and will be recording during the summer.

Kristin Conkright & Krysztof Nemeth on the April 17, 2019 edition of Wednesday MidDay Medley.

Kristin Conkright and Krysztof Nemeth, Thanks for being with us on Wednesday MidDay Medley

Emmaline Twist

Emmaline Twist play recordBar, 1520 Grand Boulevard, KCMO, Friday, April 19, at 8:00 PM with The Foreign Resort, Nite, and Monta At Odds. More information at http://www.emmalinetwist.com

11:56

20. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957] [WMM’s closing theme]

Next week on April 24 Allaudin Ottinger joins us to share music from his new release “Vision Bewilderment & Love” and he brings along special guests HuDost.

Also next week we talk with Mike McCoy and Amy Farrand who share information about their fundraiser for Brianne Grimmer, supporting her medical expense fund, on Friday, April 26, at 6:00 PM, at recordBar, 1520 Grand BLVD. KCMO, with Amy Farrand & The Like, Pamper The Madman, Cher UK, Drop A Grand, Knife Crime, Godzillionaire, KC Bear Fighters, and Mahoots.

And, Shaun Crowley of Momma’s Boy and Manor Records shares details about Manor Records Speaks Up – Sat, April 27 at 9:00 pm, at miniBar, 3810 Broadway, with Mild Cats, The Golden Fleece, Mouton, Momma’s Boy, The Rub’s, and Drugs & Attics, Manor Records will also release “The Bennett Tapes” in honor & memory of a good friend Bennett Jones featuring a live un-released track from his old band Shortsweather. The bands & musicians are uniting for a purpose with all door proceeds going to the KC chapter of SPEAK UP, raising awareness about suicide & depression and to help end the stigma associated with suicide. Speak Up stands for Suicide Prevention Education Awareness for Kids United as Partners. More info at http://www.speakup.us

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #782

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

Wednesday MidDay Medley’s 25 Favorite Singles of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

#25. Y god Y – “Tired”
from: “Tired” – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

#24. Lava Dreams – “SWEET SWEET”
from: “SWEET SWEET” – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

#23. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

#22. Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]

#21. Keaton Conrad – “(If I Told You to) Stay”
from: “(If I Told You to) Stay” – Single / Keaton Conrad / July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.][On November 30, 2018, Keaton Conrad is releasing a new single called “Scars and Diamonds”]

#20. Danny McGaw – “You an Me”
from: “You an Me” – Single / Danny McGaw / September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar musician, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 called, “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio.]

#19. Jo MacKenzie – “Stuck”
from: “Stuck’ – Single / Jo Mackenzie/ September 1, 2018
[One of 5 new singles released this year from Kansas City based 15 year old singer songwriter Jo MacKenzie.]

#18. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Lovergurl released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 27 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 27. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

#17. Hot Suede – “Forget About You”
from: “Forget About You” – Single / Hot Suede / August 16,, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

#16. Olivia Fox – “Utah”
from: “Utah” – Single / OLIVIA FOX / February 16, 2018
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.] [Olivia Fox played Middle of The Map + Crossroads Music Fest]

#15. Chloe Jacobson – “True Blue”
from: “True Blue” – Single / Chloe Jacobson / November 16, 2018
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

#14. The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

#13. Kelly Hunt – “Dear Sarah”
from: “Dear Sarah” – Single / Never Records / September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run. This song was recorded by Ted Riederer of Never Records on September 14, 2018. New York artist and musician Ted Reiderer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened in Kansas City on August 25, 2018 as part of Open Spaces Kansas City, and ran through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space was located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. More information at: http://www.neverrecords.net]

#12. Chase The Horseman – “U Martyr U”
from: “U Martyr U” – Single / Chase the Horseman / June 10, 2018
[Recorded at Element Recording with Joel Nanos and at Chase’s Home Studio. Featuring Lennon Bone on Drums. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman also released the single “Modern Ruins” on Oct 4, 2018.]

#11. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

#10. Red Kate – “Iraqi Girl”
from: “Iraqi Girl” – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Desmond Poirier on guitar & vocals. The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.” The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up, full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The band has also released two 7″ split single releases with The Bad ideas, and Stiff Middle Fingers. Red Kate released “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

#9. Remy Styrk – “In Too Deep”
from: “In Too Deep” – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. “In Too Deep” is one of 4 singles Remy has released in the last 2 years. Written by Remy Styrk. Mixed & Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

#8. Instant Karma – “Give Me Freedom”
from: “Give Me Freedom” – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals.]

#7. Heidi Lynne Gluck – “Party Line”
from: “Party Line” – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck released “Party Line” with as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of Camper Van Beethoven’s,”Good Guys and Bad Guys.” Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

#6. The Black Creatures – “Elements”
from: “Elements” – Single / The Black Creatures / February 14, 2018
[The Black Creatures are a dark pop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Beomh released their debut album, See No Evil, on December 6, 2017.]

#5. Freight Train Rabbit Killer – “Shake Em”
from: “Shake Em” B-Side Single of “Happy Times Waltz” / Rural Grit-Haymaker Records / Oct 26, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

#4. Rachel Mallin and The Wild Type – “It Isn’t Love”
from: “It Isn’t Love” – Single / Rachel Mallin / November 9, 2018
[Indie synthpop from Kansas City based, 4-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals. “It Isn’t Love” the latest single from Rachel Mallin & the Wild Type. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

#3. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

#2. Radkey – “Basement”
from: “Basement” – Single / the Century Family / July 31, 2018
[Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm. “Basement” is one of several singles that band has released this year, including “St. Elwood” released August 24, 2018; “Rock & Roll Homeschool” released October 5, 2018; and “Junes” released November 16, 2018.]

#1. Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[Columbia Missouri based band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The Columbia, Missouri-based quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

These are stand alone single releases of 2018 that are not included on any EPs or full length album releases.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune into Wednesday MidDay Medley throughout December as we present our 4 week series: The 118 Best Recordings of 2018. December 5th, 12th, 19th, and 26th we’ll count down representative tracks from our favorite EPs and full length albums of 2018. This is our celebration of the year in music based on the playlists of this little ole radio show.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

WMM Playlist from Nov. 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 28, 2018

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

Wednesday MidDay Medley presents our 25 Favorite Singles of 2018. These are stand alone single releases of 2018 that are not included on any EPs or full length album releases. We’ll count down #25 to #1.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (#25) Y god Y – “Tired”
from: “Tired” – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

3. (#24) Lava Dreams – “SWEET SWEET”
from: “SWEET SWEET” – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams played Outer Reaches Fest, at recordBar.]

4. (#23) Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

5. (#22) Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]

6. (#21) Keaton Conrad – “(If I Told You to) Stay”
from: “(If I Told You to) Stay” – Single / Keaton Conrad / July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[On November 30, 2018, Keaton Conrad is releasing a new single called “Scars and Diamonds”]

10:27 – Underwriting

7. (#20) Danny McGaw – “You an Me”
from: “You an Me” – Single / Danny McGaw / September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar musician, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 called, “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio.]

[Danny McGaw played Plaza Art Fair, Sept. 23.]

8. (#19) Jo MacKenzie – “Stuck”
from: “Stuck’ – Single / Jo Mackenzie/ September 1, 2018
[One of 5 new singles released this year from Kansas City based 15 year old singer songwriter Jo MacKenzie.]

[Jo Mackenzie played in the special preshow showcase opening for Miki P’s Album Release Show, Friday, September 14, at The Rino, 314 Armour Rd, North Kansas City, with: Alisön Hawkins, Adee Dancy, Kelly Hunt, Jo MacKenzie, Courtney Ann Hall, Ivy Roots, and Mason Blaize Cline.]

[Jo MacKenzie also played 90.1 FM KKFI’s 30th Anniversary at The Folly Theatre, June 30.]

9. (#18) Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Lovergurl released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 27 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 27. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl play Stray Cat Film Center, 1662 Broadway, KCMO on Friday, December 7, at 9:00 PM for the Joesph Warren & The Wanderlust Revival “HAIR LIKE LEMONS” music video prtemiere concert with Erica Joy]

[Lovergurl play The Riot Room, 4048 Broadway, KCMO, Friday, December 14, at 8:00 PM, opening for The Sluts with Other Americans.]

10. (#17) Hot Suede – “Forget About You”
from: “Forget About You” – Single / Hot Suede / August 16,, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede played Mills Record Company, Fri, Nov 2, for Apocalypse Meow 11.]

11. (#16) Olivia Fox – “Utah”
from: “Utah” – Single / OLIVIA FOX / February 16, 2018
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.] [Olivia Fox played Middle of The Map + Crossroads Music Fest]

12. (#15) Chloe Jacobson – “True Blue”
from: “True Blue” – Single / Chloe Jacobson / November 16, 2018
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

[Chloe Jacobson played Manor Records for MOCSA, on November 16, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Mason Blaize.]

13. (#14) The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

11:00 – Station ID

14. (#13) Kelly Hunt – “Dear Sarah”
from: “Dear Sarah” – Single / Never Records / September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run. This song was recorded by Ted Riederer of Never Records on September 14, 2018. New York artist and musician Ted Reiderer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened in Kansas City on August 25, 2018 as part of Open Spaces Kansas City, and ran through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space was located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. More information at: http://www.neverrecords.net]

15. (#12) Chase The Horseman – “U Martyr U”
from: “U Martyr U” – Single / Chase the Horseman / June 10, 2018
[Recorded at Element Recording with Joel Nanos and at Chase’s Home Studio. Featuring Lennon Bone on Drums. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman also released the single “Modern Ruins” on Oct 4, 2018.]

[Chase The Horseman played Middle of The Map and Apocalypse Meow 11]

16. (#11) Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

11:15 – Top Ten Singles

17. (#10) Red Kate – “Iraqi Girl”
from: “Iraqi Girl” – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Desmond Poirier on guitar & vocals. The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.” The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up, full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The band has also released two 7″ split single releases with The Bad ideas, and Stiff Middle Fingers. Red Kate released “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

18. (#9) Remy Styrk – “In Too Deep”
from: “In Too Deep” – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. “In Too Deep” is one of 4 singles Remy has released in the last 2 years. Written by Remy Styrk. Mixed & Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

19. (#8) Instant Karma – “Give Me Freedom”
from: “Give Me Freedom” – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals.]

20. (#7) Heidi Lynne Gluck – “Party Line”
from: “Party Line” – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck released “Party Line” with as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of Camper Van Beethoven’s,”Good Guys and Bad Guys.” Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

11:29 – Underwriting

21. (#6) The Black Creatures – “Elements”
from: “Elements” – Single / The Black Creatures / February 14, 2018
[The Black Creatures are a dark pop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Beomh released their debut album, See No Evil, on December 6, 2017.]

22. (#5) Freight Train Rabbit Killer – “Shake Em”
from: “Shake Em” B-Side Single of “Happy Times Waltz” / Rural Grit-Haymaker Records / Oct 26, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

23. (#4) Rachel Mallin and The Wild Type – “It Isn’t Love”
from: “It Isn’t Love” – Single / Rachel Mallin / November 9, 2018
[Indie synthpop from Kansas City based, 4-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals. “It Isn’t Love” the latest single from Rachel Mallin & the Wild Type. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

24. (#3) Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Iowa City Yacht Club in Iowa City, on Saturday, December 1.]

25. (#2) Radkey – “Basement”
from: “Basement” – Single / the Century Family / July 31, 2018
[Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm. “Basement” is one of several singles that band has released this year, including “St. Elwood” released August 24, 2018; “Rock & Roll Homeschool” released October 5, 2018; and “Junes” released November 16, 2018.]

26. (#1) Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[Columbia Missouri based band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The Columbia, Missouri-based quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on December 5, we present part one of our 4 week series: The 118 Best Recordings of 2018. Wednesdays in December on the 5th, 12th, 19th, and 26th we will be counting down representative tracks from our favorite EPs and full length albums. This is our celebration of the year in music based on the playlists of this little ole radio show.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #762

WMM’s 25 Favorite Singles of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 28, 2018

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

Wednesday MidDay Medley presents our Favorite 25 Singles of 2018. These are stand alone single releases of 2018 that are not included on any EPs or full length album releases. We’ll count down #25 to #1.

Mark features 25 tracks from: Radkey, Heidi Lynne Gluck, Freight Train Rabbit Killer, Violet and The Undercurrents, Momma’s Boy, Rachel Mallin and The Wild Type, Kelly Hunt, Red Kate, Instant Karma, The Black Creatures, Jessica Paige, Chase the Horseman, Hot Suede, Chloe Jacobsen, Olivia Fox, Danny McGaw, Keaton Conrad, Lovergurl, Remy Stryk, Jo MacKenzie, Payge Turner, Dylan Guthrie & the Good Time Guys, Y God Y, The Depth and The Whisper and Lava Dreams.

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #762

WMM Playlist from November 14, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 14, 2018

Royce “Sauce” Handy
+ Shaun Crowley & Mason Blaize +
Dr. Michael J C Taylor + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

3. Monta At Odds – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

[MONTA AT ODDS plays an Argentum Dreams RECORD RELEASE with Mikal Shapiro performing vocals in a special ‘One Performance Only’ show on Saturday, December 1, at 8:00 PM, at recordBar, 1520 Grand Boulevard, with SHANA FALANA (NYC), MIKAL SHAPIRO & “The Musical” Band / with live video projections from VJDN8]

4. The UK’s – “AWOD”
from: American Way of Death – EP / The UK’s / November 17, 2018
[Kansas City based band formed in July 2010 with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, Tarquin Eugene Kellough on drums. This EP is their follow up release to their 2016 debut album “Bad Seed”, featuring their single “The Poison Squad” released in March of 2018 and four more tracks. More info at: http://www.theuksband.com]

[The UK’s play an EP Release Bonanza Show with Shoebox Money who are also releasing a new EP, Saturday, November 17, at 8:00 PM, at The Rino, 314 Armour Rd., North Kansas City, with The Way Way Back, and Kid Computer.]

5. Shoebox Money – “Lifeline”
from: Reason and Rhyme Side B / Avenue Records / November 17, 2018
[Lawrence, Kansas based band that has recently had some line up changes. The current band includes: Hannah Norris on guitar & vocals , Ben Wellwood on guitar & harmonica & vocals, Patrick Spanier on bass, John Feess on slide guitar, and Nico Williams on percussion. This new EP is a follow up to the band’s September 1, 2018 EP release, Reason & Rhyme – Side A. After winning the Farmer’s Ball 2018 Battle of the Bands in Lawrence, Kansas the band finally had the funds to record their first ever professional EP. Filled with tales of frustration, heartbreak, longing, and good times, they are incredibly proud of the music they have worked so hard to create.]

[Shoebox Money play an EP Release Bonanza Show with The UK’s who are also releasing a new EP, Saturday, November 17, at 8:00 PM, at The Rino, 314 Armour Rd., North Kansas City, with The Way Way Back, and Kid Computer.]

6. Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and the late Billy Johnson who played drums on all of their recordings and who passed away on February 14, 2018 at the age of 42.]

7. Eggs on Mars – “Sod is Good”
from: Mama Pancake / Eggs On Mars / November 9, 2018
[KC based 3-piece, lo-fi, psych-surf-garage rock band with Brad Smith on guitars, vocals & keyboards; Justin Longmeyer on bass; and Mason Potter on drums & percussion. Mama Pancake was recorded May through September of 2018. Recorded, mixed, and mastered by Rodd Fenton. All songs by Eggs on Mars.]

8. BRONCHO – “Boys Got To Go”
from: Bad Behavior / Park The Van Records / October 12, 2018
[4th album from indie rock band formed in Norman, Oklahoma in 2010. The current lineup consists of Ryan Lindsey on guitar and vocals, Ben King and Mandii Larsen on guitars, Penny Pitchlynn on bass and Nathan Price on drums.Their debut album Can’t Get Past the Lips originally came out in 2011 and was rereleased by Fairfax Recordings in 2013. Broncho released their second album Just Enough Hip to Be Woman on September 16, 2014 on Dine Alone Records. The album received generally favorable reviews from the music press.The band’s song “It’s On” was played over the closing credits of “Females Only,” the first episode of the third season of the HBO series Girls. “Try Me Out Sometime” was used in an advertisement for HBO Now and Movie 43. “Try Me Out Sometime” was also featured in the documentary, Valley Uprising. The track “Class Historian” was used in a commercial featuring Kate Hudson for her Fabletics brand of women’s athletic clothing as well as Cartoon Network’s bearstack campaign. “Class Historian” also appears on the soundtrack for Vacation, as well as the second episode of the second season of Santa Clarita Diet.]

[BRONCHO plays The Riot Room, 4048 Broadway, on Saturday, November 17, at 8:00 PM with Valen, and Momma’s Boy.]

10:28 – Underwriting

Michael J C Taylor on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:32 – Interview with Michael J C Taylor

Constitutional Historian, Dr. Michael J C Taylor joins us to talk about his new book, The Preamble and Mission of the Constitution, to be released December 9, 2018 from Peter Lang Publishing of New York. Michael J C Taylor earned his bachelor of arts from Rockhurst College and obtained his doctorate in history and political science from the University of Missouri Kansas City. He served as Professor of American History and Politics at Dickinson State University, Bemidji State University and Paine College.

Michael J C Taylor, thanks for being with us today on WMM.

From the book cover: “The Preamble and Mission of the Constitution is an intellectual history of the six essential phrases of the Preamble of the U.S. Constitution. These phrases convey what the essential goals and purposes of the Constitution are, and this book’s essential mission is to discern both the original intent they left to us. The Book examines the writing of the Framers, as well as the various works that inspire their ideas and the abstract concepts they studied.”

The Preamble to the United States Constitution is a brief introductory statement of the Constitution’s fundamental purposes and guiding principles. It states in general terms, and courts have referred to it as reliable evidence of the Founding Fathers’ intentions regarding the Constitution’s meaning and what they hoped the Constitution would achieve.

We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.”

From wikipedia: The phrase “People of the United States” has sometimes been understood to mean “citizens.” This approach reasons that, if the political community speaking for itself in the Preamble (“We the People”) includes only citizens, by negative implication it specifically excludes non-citizens in some fashion. It has also been construed to mean something like “all under the sovereign jurisdiction and authority of the United States.”[49] The phrase has been construed as affirming that the national government created by the Constitution derives its sovereignty from the people, (whereas “United Colonies” had identified external monarchical sovereignty) as well as confirming that the government under the Constitution was intended to govern and protect “the people” directly, as one society, instead of governing only the states as political units. The Court has also understood this language to mean that the sovereignty of the government under the U.S. Constitution is superior to that of the States. Stated in negative terms, the Preamble has been interpreted as meaning that the Constitution was not the act of sovereign and independent states.

From wikipedia.org: The phrase “to form a more perfect Union” has been construed as referring to the shift to the Constitution from the Articles of Confederation. The contemporary meaning of the word “perfect” was complete, finished, fully informed, confident, or certain. The phrase has been interpreted in various ways throughout history based on the context of the times. For example, shortly after the Civil War and the ratification of the Fourteenth Amendment, the Supreme Court said that the “Union” was made “more perfect” by the creation of a federal government with enough power to act directly upon citizens, rather than a government with narrowly limited power that could act on citizens only indirectly through the states, e.g., by imposing taxes. Also, the institution was created as a government over the States and people, not an agreement (union) between the States. Later, the phrase came to mean the continual process of improvement of the country.

Jon Meacham wrote in 2018: “To know what has come before is to be armed against despair. If the men and women of the past, with all their flaws and limitations and ambitions and appetites, could press on through ignorance and superstition, racism and sexism, selfishness and greed, to create a freer, stronger nation, then perhaps we, too, can right wrongs and take another step toward that most enchanting and elusive destinations: a more perfect Union.”

Michael J C Taylor’s tie on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Michael J C Taylor wrote on his Facebook page: ““We, the people …” is the phrase the opens the U.S. Constitution. It is an inspiration to all of those who live or wish to live within the American republic. These words convey the vital foundation of this country and who is at the center of its governmental polices, its beneficence, and its aspirations.

Yet throughout it’s his history the people have been excluded from the choice of their representatives. When the republic was founded with the adoption of the Constitution only white land-owning males were allowed the voting franchise. It was argued by John Dickinson of Delaware and Gouveneur Morris of Pennsylvania that if all were allowed the right to vote the have-nots would take from the haves—an argument which appealed to the majority of the delegates for they were all men of position and wealth.

It was not until the opening of the West in the 1820s and 1830s the franchise was broadened to include all White males. Inspired by Mary Wollstonecraft’s “A Vindication of the Rights of Women”, published in 1798, the push for women to vote began in the early 1840s. The movement’s public launch came with the Seneca Falls Convention held on 19 July 1848. However when the movement became affiliated with abolitionist causes it became a popular pariah in both the North and the South during the 1850s, while gaining ascendency in the West.

The voting franchise expanded with the 1870 ratification of the Fifteenth Amendment to the Constitution when all males regardless of color were provided the right to vote, but women were not included. Individual western states began allowing the votes of women in local and state election in the late 1870s. Victoria Woodhull offered herself as a presidential candidate in 1880, and Belva Lockwood actually ran for president in 1884, and was arrested when she attempted to vote for herself. The Nineteenth Amendment to the Constitution was ratified in 1920 and allowed women the right to vote, although state laws barred Asian and Hispanic women that right until 1954, and women of color until the passage of the Voting Rights Act in 1965.

In short, the right to vote in a free and fair election for most Americans was long and hard-fought-for process. Those who benefitted from the casting of fewer votes, and who also already held the franchise, saw fit to block every action taken on behalf of “We, the people”. And they are engaged once again in this practice under the guise of “voter fraud”.

They have made laws in which some legitimate voters are barred from casting their ballots, or if they cast their ballots they are not counted. Then there are other laws which bar those with rural addresses lacking specific streets as locations which further contracts the voting populace. Then there are the political candidates who seek to stop recounting votes in fear of losing their provisional victory in the initial count which, of course, has the real effect of not counting every vote.

For a republic to function properly all who cast their ballots must be heard, and their votes tallied to determine the true victor in a popular election. To hinder this goal is the win by fraud, and to make public policy through malice and thievery. As the right to vote has been a hard-won process it does not benefit a country based upon the will of “We, the people” to exclude them from the choice of who is to represent them in a representative republic. And those who seek to gain from it have too much to gain from restricting the voice of American citizens.”

http://www.peterlang.com // Author Photo by Bill Pryor // Cover Image by Michael McQuary

Dr. Michael J C Taylor
Photo by Bill Pryor

Michael J C Taylor is not only a Scholar of U.S. Constitutional History he is also the co-founder and vocalist and 12-string acoustic guitarist and Composer with his band Hejira.

Side note: Hejira is the 8th studio album by Joni Mitchell, released in 1976. The songs on the album were largely written by Mitchell on a trip by car from Maine back to LA, with prominent imagery including highways, small towns and snow. The photographs of Mitchell on the front and back cover were taken by Norman Seeff and appear against a backdrop of Lake Mendota, in Madison, Wisconsin, after an ice storm. Characterized by lyrically dense, sprawling songs, and the distinctive fretless bass playing of Jaco Pastorius, Hejira marked Mitchell’s turn towards the jazz-based music she would implement on later recordings. The album did not sell as well as its predecessors, peaking at #22 in Mitchell’s native Canada. It also reached #13 on the Billboard 200 pop album chart in the U.S. (where it was certified gold by RIAA), and #11 in the UK, where it attained a silver certification. Critically, the album was generally well received, and in the years since its release, Hejira has been recognized as one of the high-water marks in Mitchell’s career.

The album title is a transliteration of the Arabic word “hijra”, which means “journey”, usually referring to the migration of the Islamic prophet Muhammad (and his companions) from Mecca to Medina in 622. She later stated that when she chose the title, she was looking for a word that meant “running away with honor.” She found the word “hejira” while reading the dictionary, and was drawn to the “dangling j, like in Aja… it’s leaving the dream, no blame”.

Michael J C Taylor is also the cofounder writer producer for ‘Greenwich Mean Time’ a satirical comedy radio sho produced for KKFI between 1988 and 1989 with Pete Bakely, Harris Deutch, and Sheila Gerber with episodes that were nominated for both a George Foster Peabody Broadcast Award and the Playboy Free Speech Awards.

Michael J C Taylor, thanks for being with us today on WMM.

Dr. Michael J C Taylor’s new book, The Preamble and Mission of the Constitution, will be released December 9, 2018 from Peter Lang Publishing of New York. His book will be available through amazon and where ever books are sold.

10:48

9. Ex Acrobat – “Let’s Get Lost”
from: Let’s Get Lost – EP / Ex Acrobat / October 10, 2018
[Ex Acrobat is a Kansas City based 4-piece rock band with Justin Warring on guitar & vocals, Duane Trower on guitar, Chuck Irons on bass, John Cruz on drums.]

[Ex Acrobat play miniBar, 3810 Broadway, Thur, Dec. 6, at 9:00 PM, with Dead Soft, and Man Bear.]

10. Dragon Inn 3 – “What Kind Of World Are You Living In”
from: Double Line / American Laundromat Records / August 17, 2018
[Kansas City based and formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

11. Oh Dear Oh My – “Bon Appetit”
from: ASHDLA’ / Oh Dear Oh My / July 11, 2018
[KC synth/drum duo, is made up of Rani & Curt. This is their 2nd release. They’ve been playing locally for 3 years. This EP Ashdla’ is named for the Navajo word for Five. There are five tracks on their EP, as Curt is himself Navajo. Oh Dear Oh My tend toward dark & dancy but can’t seem to commit to a single rock genre.]

12. Meshell Ndegeocello – “Waterfalls”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Waterfalls” is a song by American recording group TLC. It was written by band member Lisa “Left Eye” Lopes with Marqueze Etheridge and Organized Noize for TLC’s second album, CrazySexyCool (1994), featuring production by the latter. The song was released as the third single from the album on May 29, 1995 in the United States, followed by a United Kingdom release on August 5, 1995. Often considered the group’s signature song, “Waterfalls” was an international hit, topping the charts in many different territories. The song spent seven weeks at No. 1 on the Billboard Hot 100, giving the group their second US No. 1. The song was the No. 2 song of the year on the Billboard 1995 year-end chart. “Waterfalls” also peaked at No. 1 in New Zealand, Switzerland, and Germany, while reaching the top 10 in many other countries. “Waterfalls” received critical acclaim, earning 2 Grammy nominations at the 38th Annual Grammy Awards in 1996 for Record of the Year and Best Pop Performance by a Duo or Group with Vocal. The song tackled issues of the illegal drug trade, promiscuity and HIV/AIDS. Jarett E. Nolan of BMG noted that “Waterfalls” was the first #1 song ever to reference AIDS in one of its verses. The accompanying music video for the song reflected its socially conscious lyrics. With a million-dollar budget, the video was an MTV staple credited for giving the single much of its success. It stayed atop the MTV Video Monitor chart for over a month, making TLC the first act to ever achieve this feat. The video won 4 MTV Video Music Awards in 1995, including top honors for Video of the Year. TLC was the first African-American act to ever receive the trophy.]

[TLC plays Ameristar Casino, Saturday, November 17, at 8:30 PM]

11:00 – Station ID

13. Sauce – “Apologize”
from: Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. More info at: http://www.soundcloud.com/theycallmesauce%5D

[Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms.]

[Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wed, Nov 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.]

Royce “Sauce” Handy

11:04 – Interview with Royce “Sauce” Handy

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, the hip hop community and with the collective NUBLVCKCITY. Last year Sauce released his EP Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. Throughout November and December he will be touring midwestern and southern cities with Mae C., Kartez Marcel, VP3, and Kadesh Flow. Sauce joins us to share new music and information about the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms. Sauce is on the verge of sending out his newest release Soul Food 4, with a special SoulFood4 Release show – A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

Royce “Sauce” Handy, Thanks for being with us on WMM

Royce “Sauce” Handy grew up in Kansas City, Kansas. His father ran a small business Quindaro Boulevard. His mother grounded her son when he got into trouble. While being grounded he spent the days reading books. He had a large collection of Goosebumps books. He wrote, too, finding his way with words and language and rhthym. In 5th grade at Fairfax Elementary school he became known as a human jukebox. He memorized songs from Master P, Naz, Biggie and others that he heard on the radio.

He told Pitchweekly: “I think that kind of helped when I first heard hip-hop,” he says. “I was always into the lyrics.”

From Pitch KC: “By the time he attended Wyandotte High School, he and his friends would pound out beats on lunchroom tables and battle whenever they could. Everyone in the group had a rap name except Handy. At the time, the And1 Mixtape Tour filled ESPN airwaves with cartoon crossovers and impossible dunks; the king of the dribble back then was a scrawny kid named Philip Champion — Hot Sauce. Handy considered himself the king of his crew, so he cribbed the name. People called him Sauce.”

He got married at 22, and becoming a father transformed his perspective

In 2012 one of his best friends was injured seriously in a drive-by shooting. Multiple bullets struck the chest of Handy’s friend, who was hospitalized and fell into a coma for months.

When Handy returned to the recording studio he wanted his music to carry a message about the tragedy of his friend. His “Stop the violence,” music became a bridge for his involvement with began working with the AdHoc Group Against Crime, KC Mothers in Charge and other anti-violence groups around the city.

Handy’s track “Gunshots” was released in 2013 and spoke out against hip hop’s obsession with guns and violence. Handy performed his music in Boys & Girls Clubs, and after school programs and churches throughout the metro. “Gunshots” was played on Hot 103 Jamz and became a hit for Sauce.

Handy’s choice to use hip hop music to promote positive themes, and the celebration of women and men in our community started to grow from this experience and has formed Handy’s music in his last three professionally produced EPs, and continues into his new upcoming 4th EP Soul Food 4.

11:15

14. Sauce – “Cultivating Manhood feat. Ryan S. Harvey”
from: Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. More info at: http://www.soundcloud.com/theycallmesauce%5D

11:17 – Interview with Royce “Sauce” Handy

Royce “Sauce’ Handy on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Royce “Sauce” Handy joins us to share new music and information about several shows he plays in the next week. Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms. Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

Royce “Sauce” Handy, Thanks for being with us on WMM

Royce “Sauce” Handy and his musical partner, rapper and producer Kartez Marcel have worked with young people through the Teens in Transition program at ArtsTech. Michael Toombs, the director of Storytellers Inc, who coordinates the program told Pitchweekly, “He really added another dimension.”

NUBLVCKCITY is a group Hip Hop artists who collaborate as a collective musical entity. The group includes Sauce, Mae C., Kartez Marcel, and others.

Royce “Sauce” Handy is a Hip-Hop entrepreneur, creative, urban leader, and more. He has worked as an Air Quality/Public Affairs Intern at Mid-America Regional Council. He serves as Social Media Manager at Big Mommas Bakery-Cafe. Handy is Co-Owner/Talent Buyer at The Rap Asylum and Co-owner/Teacher at We Are RAP. He is owner/Designer at Melanin Connoisseur

Providing soulful & empowering tunes, Kansas City native, Sauce, guarantees a live performance that will inspire any & everyone. On top of being a go-to voice for the region, and having music that has peaked on iTunes, Amazon, and Billboard charts, he works with youth through Hip-Hop based initiatives. He is available for performing, speaking, teaching (Hip-Hop education), and more.

Royce “Sauce” Handy, Thanks for being with us on WMM

Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms.

Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

11:25

15. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[3rd original release from Kansas City based Hip-Hop artist Sauce. It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts.]

11:28 – Underwriting

16. Rachel Cion – “One More Time 35mm”
from: One More Time 35mm – Single / Rachel Cion / November 9, 2018
[Rachel Cion is Rachel Cionitti an Olathe, Kansas based singer-songwriter who has posted multiple songs on her SoundCloud page.]

[Rachel Cion plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Chloe Jacobsen, and Mason Blaize.]

11:33 – Interview with Shaun Crowley and Mason Blaize

Royce “Sauce” Handy, Shaun Crowley, and Mason Blaize on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We first met Shaun Crowley in the band Rev Gusto. He is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. Shaun is also organizing the live music at Voltaire, 1617 Genessee, in the West Bottoms.

Kansas City based singer songwriter Mason Blaize who is a classically trained vocalist who has performed with The Lyric Opera of Kansas City. Mason plays piano, bass, ukulele and has played guitar snce she was 8 years old. Mason has gain fans through her shows at The Rino, Ollie’s Local and Californos. Mason Blaize will play live in our 90.1 FM Studios.

Shaun Crowley & Mason Blaize join us to share details about Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms. This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOCSA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community. The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.
Shaun Crowley and Rachel Mallin thanks for being with us on WMM.

Shaun Crowley & Mason Blaize thanks for being with us on WMM.

Manor Records for MOCSA, on Friday, November 16, at 5:00 PM,
Blip Roasters, 1101 Mulberry, KCMO in The Bottoms.

This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOCSA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community. More info at: http://www.mocsa.org.

The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.

11:42

Mason Blaize

17. Mason Blaize – “Time” (LIVE)

[Mason Blaize plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Chloe Jacbson.]

We’re talking with Shaun Crowley & Mason Blaize about Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms. The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.

This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOSCA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community.

Momma’s Boy opens for BRONCHO atThe Riot Room, 4048 Broadway, on Saturday, November 17, at 8:00 PM with Valen.

Shaun Crowley and Mason Blaize thanks for being with us on WMM.

11:54

18. Chloe Jacobson – “True Blue”
from: Frozen Fruit / Chloe Jacobson / to be released soon
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in late 2018 or early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

[Chloe Jacobson plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Mason Blaize.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday November 21, Tim Finn – Music writer for IN Kansas City, Marion Merritt – owner of Records With Merritt, Chris Haghirian – from Ink and KC Star and host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – founder of I Heart Local Music who all join us to share their favorite releases of 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #760

WMM Playlist from September 12, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 12, 2018

Krystle Warren +
Jim Andrews & Patrick Sprehe of Bullseye Records
+ Jesse Kates of The Sexy Accident

10:00

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Angélique Kidjo – “Born Under Punches”
from: Remain In Light / Kravenworks / June 8, 2018
[Angélique Kidjo has partnered with producer Jeff Bhasker (Rihanna, Kanye West, Harry Styles, Bruno Mars, Drake, Jay-Z) to create Remain In Light – a new project that finds the Benin-born artist reclaiming rock for Africa, bringing Talking Heads’ landmark 1980 album full circle. The record is a track-by-track re-imagination of the original, considered to be one of the greatest albums of the ’80s and deeply influenced by music from West Africa, notably Fela Kuti’s afrobeat. With her version of Remain In Light, Angélique celebrates the genius of Talking Heads, Brian Eno and the touchstones that made the original so revered and injects it with her euphoric singing, explosive percussion, horn orchestrations, and select lyrics performed in languages from her home country. Remain In Light features appearances by Ezra Koenig of Vampire Weekend, Blood Orange, Tony Allen, Antibalas Horns, Angélique’s longtime guitarist Dominic James, and Magatte Sow (percussionist for the ‘Black Panther’ film score). Visual artist Kerry James Marshall created the album artwork. On May 5, 2017, Kidjo presented her “Remain In Light” concert at Carnegie Hall. Her sold out performance was a reinvention of the iconic album by the rock band Talking Heads. The concert included special guest Nona Hendryx, Lionel Loueke, Antibalas, Jason Lindner and an unplanned duet with David Byrne on the song “Once In A Lifetime”. Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, known as Angélique Kidjo (born July 14, 1960), is a Grammy Award-winning Beninese singer-songwriter, actress and activist, noted for her diverse musical influences and creative music videos. Time magazine has called her “Africa’s premier diva”. The BBC has included Kidjo in its list of the African continent’s 50 most iconic figures. The Guardian has listed her as one of its Top 100 Most Inspiring Women in the World and Kidjo is the first woman to be listed among “The 40 Most Powerful Celebrities In Africa” by Forbes magazine. The Daily Telegraph in London described her as “The undisputed queen of African music” during the 2012 Olympic Games River of Music Festival. In March 2013, NPR, National Public Radio in America, called her “Africa’s greatest living diva”. Kidjo is listed among the “2014 Most Influential Africans” by New African magazine and Jeune Afrique. Forbes Afrique put Kidjo on the cover of their “100 most influential women” issue in 2015. On June 6, 2013, Kidjo was elected vice-president of the Confédération Internationale des Sociétés d´Auteurs et Compositeurs (CISAC). She now resides in New York City, where she is an occasional contributor to the New York Times. Kidjo has received Honorary Doctorates from Yale University, Berklee College of Music and Middlebury College. She is the 2018 Harvard University Jazz Master In Residence. Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Jimi Hendrix, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime”, Ravel’s Boléro, Jimi Hendrix’s “Voodoo Child” and the Rolling Stones’ “Gimme Shelter”, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, Carlos Santana, John Legend, Herbie Hancock, Josh Groban, Dr John, the Kronos Quartet and Cassandra Wilson. Kidjo’s hit songs include “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga”, and her version of “Malaika”. Her album Logozo is ranked number 37 in the Greatest Dance Albums of All Time list compiled by Vice Magazine’s Thump web site. Kidjo is fluent in five languages: Fon, French, Yorùbá, Gen (Mina), and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga”. “Malaika” is a song sung in the Swahili language. Kidjo often utilizes Benin’s traditional Zilin vocal technique and jazz vocalese. Kidjo is the recipient of the 2015 Crystal Award given by the World Economic Forum of Davos in Switzerland and has received the Ambassador Of Conscience Award from Amnesty International in 2016 She also is included in the exhibits at the National Museum of African American History that officially opened on Sept. 24, 2016 on the National Mall.]

3. Broken Heart Syndrome – “Submarine Sandwich”
from: Submarine Sandwich (Single track) / Matthew Roth / (Unreleased)
[A “Demo” version of this song is available at http://www.brokenheartsyndrome.bandcamp.com for $666.00. A Kansas City based 4-piece supergroup of sorts, formed in 2017 with members of The Rainmakers, Schwervon!, The Quivers, and Liverpool. Pat Tomek on drums, Matt Roth on guitar & vocals, Todd Granthem on keyboards & vocals, and Dave Tanner on bass & vocals.]

[Matthew Roth plays Broken Heart Syndrome songs solo for Nan’s Birthday Showtime Spectacular! with Nan + The One Nite Stands, Saturday September 15, at 9:00 PM, at The Brick, 1727 McGee St, KCMO. Also featuring Breaka Dawn! And the fabulous Ailecia Ruscin DJing between sets.]

4. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Independent / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. We will be releasing a series of these demos over the next few months. The track features Peter Beatty on vocals. ]

[Momma’s Boy plays Jackpot Music Hall, 943 Massachusetts St, Lawrence, on Friday, September 28, at 9:00 PM with Colly, and Wild Eye]

[Momma’s Boy plays Californos, 4124 Pennsylvania Ave, KCMO, on Saturday, September 29 at 8:00 PM with Big Step, Lava Dreams, and Shadow Year.]

10:15 – Underwriting

5. Miki P – “Broken Hearted People”
from: Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Festival. More info at: http://www.mikipmusic.com]

[Miki P plays an Album Release Show, Friday, September 14, at 8:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Special Showcase beforehand featuring: Alisön Hawkins, Adee Dancy, Kelly Hunt, Jo MacKenzie, Courtney Ann Hall, Ivy Roots, and Mason Blaize Cline.]

6. Jo MacKenzie – “Stuck”
from: “Stuck’ – Single / Jo Mackenzie/ September 1, 2018
[One of 5 new singles released this year from Kansas City based 15 year old singer songwriter Jo MacKenzie.]

[Jo Mackenzie plays in the special showcase opening for Miki P’s Album Release Show, Friday, September 14, at 8:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Special Showcase beforehand featuring: Alisön Hawkins, Adee Dancy, Kelly Hunt, Jo MacKenzie, Courtney Ann Hall, Ivy Roots, and Mason Blaize Cline.]

10:23

7. Extrapedestrian – “MMMS”
from: Polyonymous / Extrapedestrian / June 30, 2013
[Multi-instrumentalist singer-songwriter/improviser who makes home studio recordings. seeking to strike that magic balance between accessibility and wild exploration. Influenced by prog rock, experimental indie, heavily improvised jazzish, synth-based pop/rock.]

8. The Sexy Accident – “You’ve Got to Ride Your Bicycle Ha Ha Ha”
from: Chamcakes Babypagne / The Sexy Accident / September 8, 2018
[This track was flipped by Akkilles. Chamcakes Babypagne is a selection of songs from The Sexy Accident’s sixth full-length album, Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians. All songs written by Jesse Kates / Halaster Music [ASCAP] except You’ve Got To Ride Your Bicycle Ha Ha Ha by Jonas Kates. Mastering by Mike Nolte at Eureka. The Sexy Accident is a pop band from Kansas City. They’ve released over 70 songs on six albums and four EPs. Their September 23, 2016 album, Chanpagne Babycakes included 12 songs produced by Seattle legend Steve Fisk, and a game deck of 45 cards designed by Gavin Snider. The current line up consist of: Jesse Kates on guitar & vocals, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keys.]

10:31 – Interview with Jesse Kates

The Sexy Accident is a pop band from Kansas City. The Sexy Accident have released over 70 songs on six albums and four EPs. The Sexy Accident doesn’t do normal, their 2014 album “Lavender 3” was released as a 9” x 9” square, 48-page, cloth-covered, foil-stamped hardback book. Their 2016 recording Champagne Babycakes, the band’s 6th full length record, was released as a “card game.” The band’s latest release, Chamcakes Babypagne is a selection of songs from The Sexy Accident’s Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians.

With us on the phone is the songwriter and lead singer for the band, Jesse Kates, thanks for being with us today on Wednesday MidDay Medley.

We just heard You’ve Got To Ride Your Bicycle Ha Ha Ha written by Jonas Kates, Jesse’s then 5-year old son. The song was “flipped” by Akkilles (David Bennett)

Chamcakes Babypagne contains six songs from The Sexy Accident’s 2018 release: Champagne Babycakes, re-imagined and reconstructed. Mastered by Mike Nolte at Eureka.

The Sexy Accident’s Champagne Babycakes original release included 12 songs, produced by Seattle legend Steven Henry Fisk, and a game deck of 45 cards designed by artist/musician Gavin Snider.

The KC based band includes: Jesse Kates on guitar & vocals, Ramone Hall on drums, Jamie Lin on vocals, (Pete Marten) Eric Knight on bass, and Ryan Leip on keys.

The Sexy Accident have released over 70 songs on six albums and three EPs. More information at: http://www.sexyaccident.com

Champagne Babycakes, as a card game!
objective: finish the album. Build a lineup and play songs. Dodge amp failures, soccer leagues and day jobs to outscore your opponents!

Each copy of Champagne Babycakes includes:
A game deck of 45 cards designed by Gavin Snider
Totally intelligible instructions by human bandleader Jesse Kates
Twelve playful, punchy songs produced by Seattle legend Steve Fisk
Liner notes with complete lyrics
You’ll also get a hi-resolution download of the songs (or mp3s if you prefer.)

On September 23, 2017 The Sexy Accident released, Live at Holy Cow EP – Performed by The Sexy Accident on September 23, 2016, with Jesse Kates on vocals & guitar, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keyboards. Recorded by Josh Williams. Songs selected from Champagne Babycakes, Lavender 3 and Ninja Ninja Fight Darth Vader. Cover art curated by Carly Lewandowski of How Very Vintage from objects found at Holy Cow.

Jesse Kates, thanks for being with us today on Wednesday MidDay Medley.

10:45

9. The Sexy Accident – “Sneaky [Steve Fisk Gotta Sift Seasoning Mix]”
from: Chamcakes Babypagne / The Sexy Accident / September 8, 2018
[Chamcakes Babypagne is a selection of songs from The Sexy Accident’s sixth full-length album, Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians. All songs written by Jesse Kates / Halaster Music [ASCAP] except You’ve Got To Ride Your Bicycle Ha Ha Ha by Jonas Kates. Mastering by Mike Nolte at Eureka.The Sexy Accident is a pop band from Kansas City. They’ve released over 70 songs on six albums and four EPs. Their September 23, 2016 album, Chanpagne Babycakes included 12 songs produced by Seattle legend Steve Fisk, and a game deck of 45 cards designed by Gavin Snider. The current line up consist of: Jesse Kates on guitar & vocals, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keys.]

10. The Creighton Organization featuring: Jimmy Dykes -“Goin To New Orleans”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / David Ford / 2009
[The Creighton Organization is a Jazz band form Kansas City, Missouri with dave Breighton on keys]

[The Creighton Organization plays The Ship, 1217 Union, KCMO – TONIGHT, Sept. 12, at 8:00 PM]

11. Gillian Welch – “Elvis Presley Blues”
from: Revelator / Acony Records / July 31, 2001
[3rd full length album by Gillian Welch. All songs were written by Welch together with David Rawlings and were recorded in Nashville, Tennessee.]

[Gillian Welch plays The Folly Theatre, Friday, September 14]

11:00 – Station ID

12. Calvin Arsenia – “Cantaloupe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays an Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 w/ special guest Krystle Warren & others, presented by Bullseye Records.]

11:05 – Interview with Jim Andrews & Patrick Sprehe of Bullseye Records

Jim Andrews & Patrick Sprehe of Bullseye Records share details on their new record label, Bullseye Records, and their first release: Calvin Arsenia’s Cantaloupe. James Andrews has worked in the publishing business since 1999 and is now part-owner of Andrews McMeel Universal. Patrick Sprehe has been a teacher for 25 years, first serving with the Peace Corps in Kazakhstan, and then moving on to Raleigh, NC; Oakland, CA; and Tokyo, Japan. He spent the past 13 years teaching at Academie Lafayette. Bullseye Records’ mission is to illuminate the amazing collection of musical talent in Kansas City and solidify its place in the national discussion about sonic art. Bullseye Records presents an Album Release Show for Calvin Arsenia’s Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Saturday, September 15, at 7:00PM. More info at: http://www.bullseyerecords.com

Jim Andrews & Patrick Sprehe, Thanks for being with us on Wednesday MidDay Medley

Notes from: http://www.bullseyerecords.com:

Beginning with a friendship back in high school, two young men discovered a mutual passion for all things music. Countless hours were spent at Ron Rooks’ Music Exchange in Westport arguing over who had first dibs on a prized promotional album, and buying records based solely on intriguing album covers. A few doors down, they could be found at Penny Lane chuckling over one of LeRoi’s “Riding With The King” album reviews in KC Pitch that doled out his infamous “Fly Me” mark of shame. Further treks south took them to Peaches Records to fill the wooden peach crates with the latest releases, with pit stops at Exile Records to score used new wave, punk, and blues cassettes, while drooling over the cheap concert t-shirts unavailable anywhere else in the States.

College came and even though they went their separate ways, they found the time to meet at Anne Winter’s Recycled Sounds to trade in their old tapes for bootleg compact discs. Regular road trips were taken to Love Garden in Lawrence to look for rare vinyl, extended remixes and Japanese imports. Their thirst was insatiable. This led to a new appreciation of local artists to be found at a seemingly endless supply of venues: The Homestead Grays at The Bottleneck or Jazzhaus in Lawrence, The Bon Ton Soul Accordion Band at Kiki’s Bon Ton Maison or The Hurricane, or The Sin City Disciples at Davey’s Uptown or The Shadow to name a few. And let’s not forget the late, great granddaddy of them all, The Grand Emporium, that was practically a 2nd home during those years.

More time passed and both of the young men moved away from their families in Kansas City for some time in search of their dreams. Mix tapes and CDs were sent across states and continents. Music and home were never far from their minds though, and they both eventually returned. James Andrews has worked in the publishing business since 1999 and is now part-owner of Andrews McMeel Universal. Patrick Sprehe has been a teacher for 25 years, first serving with the Peace Corps in Kazakhstan, and then moving on to Raleigh, NC; Oakland, CA; and Tokyo, Japan. He spent the past 13 years teaching at Academie Lafayette.

As both men approached 50, their discussions about music led to the decision to make a difference in the Kansas City music community. Not being musicians themselves, both James and Patrick wanted to find a way to give back some of the joy they had felt over the years while finding a way to share the rich, storied musical heritage of Kansas City with the rest of the world. The variety of musical genres found in KC is enormous, and lines are blurred constantly as artists collaborate and create a unique sound which can only be described as Kansas City. Kansas City is truly at the geographical center of America, and they believe it is also at the center of the musical universe.

Bullseye Records’ mission is to illuminate the amazing collection of musical talent in Kansas City and solidify its place in the national discussion about sonic art.

Bullseye Records presents an Album Release Show for Calvin Arsenia’s Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Saturday, September 15, at 7:00PM. More info at: http://www.bullseyerecords.com

11:15

13. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia. The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays an Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 w/ special guest Krystle Warren & others, presented by Bullseye Records.]

11:19 – Interview with Jim Andrews & Patrick Sprehe of Bullseye Record

Jim Andrews & Patrick Sprehe of Bullseye Records share details on their new record label, Bullseye Records, and their first release: Calvin Arsenia’s Cantaloupe. Bullseye Records presents an Album Release Show for Calvin Arsenia’s Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Saturday, September 15, at 7:00PM. More info at: http://www.bullseyerecords.com

Jim Andrews & Patrick Sprehe, Thanks for being with us on Wednesday MidDay Medley

Calvin Arsenia Cantaloupe Album Release Show

Saturday, September 15, at 7 PM

The Gem Theater, 1615 E 18th St, Kansas City, Missouri 64108

Following his partnership with Kansas City record label Bullseye Records, Calvin Arsenia will unveil his sophomore release, Cantaloupe, with a live performance at the Gem Theater in the historic 18th and Vine jazz district on September 15th, 2018.

Taking place two weeks prior to the international launch of the record, the event gives Kansas City friends and supporters an intimate, first listen to Arsenia’s much-anticipated follow up to his 2017 debut album, Catastrophe.

The Kansas City native has gathered a mighty cast of musicians spanning the local jazz, classical, folk and punk communities to immerse you in sonic bliss for a one-night only performance (Let’s not forget Catastrophe!).

Laying the foundation for Arsenia’s electric harp and silky voice will be percussionist Simon Huntley, the Sextet’s Robert Castillo on bass, jazz pianist Charles Williams, and electronic musician and producer J Ashley Miller. Also featured will be a 6-piece string ensemble with Tina Bilberry and Carmen Dieker on violin, Alyssa Bell on viola, Ezgi Karakus and Eman Chalshotori on cello, and Rick Willoughby on upright bass. Flanking the other side of the stage will be a brass-wind ensemble featuring bassoonist Rachel Lovelace and Billy Winston on soprano sax and flute. Joining Calvin on vocals will be Jessica Paige and Ashley Jean Rippeto.

Jim Andrews & Patrick Sprehe, Thanks for being with us on Wednesday MidDay Medley

Bullseye Records presents an Album Release Show for Calvin Arsenia’s Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Saturday, September 15, at 7:00PM. More info at: http://www.bullseyerecords.com

11:29 – Underwriting

9. Krystle Warren – “Thanks and Praise”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

Photo of Krystle Warren by Matthew Placek
http://www.matthewplacek.com/

11:35 – Interview with Krystle Warren

Krystle Warren began her musical career in Kansas City in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Krystle released, Three The Hard Way last year, co-producing by Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Krystle Warren plays Calvin Arsenia’s Album Release Show for Cantaloupe, at The Gem Theatre, Saturday, September, 15.

Krystle Warren, Thanks for being with us on Wednesday MidDay Medley

Notes from “Three The Hard Way”

Kansas City-born, Paris-based songwriter, multi-instrumentalist, and powerhouse vocalist Krystle Warren’s Three the Hard Way is an elegantly bare testament to the complex resonances of Black music and to the traditions of incisive commentary and spiritual seeking that have often walked with them. These are songs of earth and soul, of poetic protest and potent grooves.

Warren speaks boldly, going far beyond glib pop posturing on civil rights, empowerment, and personal commitment. She witnesses an apocalypse of brutal revelation, the depth of injustice, and anxiety smothered in the slick surface of today’s words and deeds. The deep past underpins and warps the frenetic present, when Biblical devotion becomes a hot love affair (“Nae-Nae and Ruthie,” a blues-inflected reframing of the Old Testament story) and when questions of faith and doubt (“I Hope He Comes Back”) resolve in the eternity of a single tree, toughing it out in the middle of a city (“Learn to Bend”).

For Warren, this was familiar territory, yet she had never worked so explicitly with these musical influences in her earlier, singer-songwriter work, music that caught the ear of Rufus Wainwright. (Warren toured with Wainwright’s band and opened for him.) “When [longtime friend and Grammy Award winning producer, engineer Ben Kane and I began talking about this project, I immediately started thinking gospel,” a sound that bursts through tracks like “Move!” “I grew up Southern Baptist, with an incredible choir at church. I started listening to old recordings of various gospel choirs… I began learning the language again. It’s always been a part of me.”

Warren and Kane (D’Angelo, Emily King, PJ Morton) worked in dialog to find just the right sound. “It was very clear that this would be the album to do together,” Warren notes. “We pared it down to two minds, navigating through and figuring out what we wanted to say.”

The instrumental voices speak in a language taut and lean. Gospel, early R&B, and raw blues couple with the lush intelligence of artists like Nina Simone and Pharoah Sanders. They form the bedrock for Warren’s sometime provocative, sometimes tender commentary on injustice’s persistence, religious estrangement, and profound relationship. “Historically, the blues and the black church have provided soulful responses to suffering and oppression,” Kane says. “Krystle is using this musical language to reflect on our modern-day pain and madness.”

As Warren and Kane explored this language, they started with “Thanks and Praise,” where tight bass and guitar bounce beneath layer upon layer of Warren’s rich, sinuous voice. “That was the starting point,” adds Kane. “The song really tilted the direction of where we could go with this album. It’s an important departure from that folk world Krystle has been exploring for the majority of her career.”

With Kane as a sounding board, Warren was encouraged to move into new places, playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.

Some of these arrangements open up into ecstatic choruses and irresistible grooves. Some stay stark, startling. Take “Red Clay,” Warren’s shiver-inducing homage to those who suffered one of America’s most shameful eruptions of racial hatred, the Tulsa Massacre of 1921, also known as the Massacre of Black Wall Street, in which a prosperous Black community came under merciless attack.

“I started thinking about those early gospel songs. In deciding to play with the minimal sound of a simple guitar and voices – very work song, early gospel, I knew that the subject had to match it,” explains Warren. “The massacre in Tulsa is something that a lot of people aren’t aware of. I felt it was time to write a song about this awful thing that had happened, to write from the perspective of someone who had lived it, endured it.”

Gospel’s abiding devotion to the elevated moments, the cornerstone of the spirit, also resounds in Warren’s songs, but not without wry questions. “I’m not passing judgement, though I myself have doubts and concerns when it comes to organized religion,” Warren muses. “I wanted to start a conversation about spirituality. To loosen the binds of organized religion and flip some ideas on their heads. Essentially, I wanted to challenge, without being too rough. It may be a shove, but it’s a loving shove. “

credits:

Produced by Krystle Warren and Ben Kane
Recorded, engineered, and mixed by Ben Kane
Written and performed by Krystle Warren, except where noted
Assistant engineer, tape operator: Manuel Aragon
Assistant mixing engineer: Jackie Sanchez
Technical services provided by Ricky Begin
Mixed at The Garden, Brooklyn
Mastered and cut by Alex DeTurk at Masterdisk
Album cover art: Kyra Termini
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The Video for “If Memory Serves Me Well” was Directed by: Emmanuel Noyon
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“Warren’s voice is an extraordinary instrument, murmuring with tenderness at times, growling with intensity at others. It vividly recalls Nina Simone in its depth and smokiness, as well as John Martyn and (Jeff) Buckley in terms of virtuosic variety.”
– The Guardian

“… there’s Krystle Warren. You should really give her a listen. You won’t believe what you’re hearing – she’s amazing.” – kd lang
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Krystle releases her music as a solo artist and with her band The Faculty, and she also is the voice for other collaborative projects with the bands: Joon Moon, and Hercules and Love Affair.

Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retromodern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipatio

Hercules & Love Affair is a dance music project created by American DJ Andy Butler in 2004. Consisting of a rotating cast of performers and musicians, the band work within the genres of house music, disco, techno and nu-disco. Originally based in New York City, now based in Ghent, Belgium, Hercules and Love Affair were founded following Butler’s collaboration with Anohni to produce the song “Blind”, which was a hit single. Initially signing to DFA Records, for their eponymous 2008 debut album, the band went on to record two more albums for Moshi Moshi, Blue Songs (2011) and The Feast of the Broken Heart (2014). Their fourth album Omnion was released in September 2017 by Atlantic Records.
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In August Krystle performed in a BBC Proms special at Albert Hall, performing the music of Hercules and Love Affair with the Heritage Orchestra.
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http://www.krystlewarren.com
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Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.
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On Saturday, October 6, at 8:00 pm, Krystle Warren performs at OPERA – GD THEATRE MASSENET , Jardin des Plantes Opéra Théâtre de St Etienne 42000 ST ETIENNE with a performance called: Bowie Symphonic – Creation Mondiale Rhino Jazz Festival
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Krystle Warren, Thanks for being with us on Wednesday MidDay Medley

11:56

15. Krystle Warren & The Faculty – “You Can Take Me With You”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays Calvin Arsenia’s Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 w/ special guests, presented by Bullseye Records.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 19, Stephonne Singleton joins us to share music and details form his new record: Caged Bird Sings Songs About Red Beard

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #751