WMM Playlist from July 1, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 1, 2020

Black Light Animals + Johnny Hamil
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.]

3. Honeywagen – “For Love”
from: Halfdog / RockOPlane Records / April 21, 2020
[Halfdog is the fifth album by Honeywagen. The players on Halfdog are: Mike Penner on vocals and guitars along with Scott Christensen on guitars, Gary Charlson on bass and Charlie Pautler on drums and backing vocals. All songs recorded, mixed & mastered by Mike Penner at Cricket Palace Recording, Olathe, KS., a RockOPlane Records release. More info at: http://www.honeywagen.com]

4. Black Stacey – “Happy Music”
from: Happy Music – Single / Sharaden Staten / June 2, 2020
[a new soingle from the upcoming EP release Lose the Peace. Co-produced/mixed/mastered by Joel Nanos at Element Studios. The track features Julia Hail of Hi-Lux; Christine Grossman, principal violist of the Kansas City Symphony; and Michael Raehpour and Grant Morgan on horns. “The record tells the story of a relationship between father and daughter, and with this track giving the back story and possible end of said relationship, it only makes sense that it’s Black Stacey’s most involved song to date.” We first played an unmastered version of this song on March 13, 2019. Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos. More info at: http://www.blackstacey.com.]

5. Ondist – “Interstate Love Song”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. No Coincidence was recording in Malibu, Dallas, Kansas City, and Las Vegas to bring environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic. Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage, Missouri where Corbin Dooley would visit during summers staying with is grandparents. Sam explained that Corbin asked Sam to put a band together for some Kansas City sessions of recording songs for No Coincidence. It was such a success that Corbin came back twice to record and flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track “Interstate Love Song” (a cover of the Stone Temple Pilots original) Claire Adams is on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. From these recordings and others 14 songs ended up on No Coincidence. The album was mixed by Nick Poortman and produced by Corbin Dooley and Maya Love Coppola. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand.

6. Tiny Spys – “Fruits of My Mind”
from: Thoughts in My Mind / Tinysoldiersrecords / May 1, 2020
[Written by Dominique Sanders, Rick Carson and Keith Rodgers. Produced by Dominique Sanders. Mixed and mastered by Rick Carson. Recorded at Make Believe Studios.]

7. Jo MacKenzie – “’96 DiCaprio”
from: “’96 DiCaprio” – Single / Jo Mackenzie / June 14, 2020
[One of several new singles from 16 year old, Kansas City based singer songwriter, Jo MacKenzie. Written, Performed and Produced by Jo MacKenzie. Mixed by Harper James. Jo MacKenzie released her Debut EP Proud on November 17, 2018. Along with Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019 and the single “Suicide Season” on February 1, 2020, and the single “Lose My Face” on April 24, 2020. More info at http://www.jomackenzie.com]

8. We The People – “Misunderstood”
from: Misunderstood – Single / Outer Circle Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

10:28 – Underwriting

9. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

Johnny Hamil on the July 1, 2020 edition of Wednesday MidDay Medley on KKFI

11:03 – Interview with Johnny Hamil

Kansas City based musician, composer, and teacher, Johnny Hamil joins to share details about KC BASS WORKSHOP, International Rabbath Institute, and International Society of Bassists proudly presenting: Bassists 4 Bassists “Do Not Stay Alone,” July 7 through July 11, 2020, an online Bass Workshop and BASS FEST live streaming for all levels and styles of music for double bass and electric bass. Classically trained bassist Johnny Hamil is one of the founding members of Mr. Marco’s V-7, he plays with Pamper The Madman, Stephonne Singleton, Mikal Shapiro and his GAV7D Project series of recordings. More information at http://www.kcbassworkshop.com

Johnny Hamil, Thank you for being with us on Wednesday MidDay Medley.

The KCBASS WORKSHOP

International Rabbath Institute & International Society of Bassists proudly present

Bassists 4 Bassists

“DO NOT STAY ALONE” -Francois Rabbath

July 7-11, 2020

Don’t miss this once in a lifetime event!

Tuition is Free – A donation is suggested as many of the faculty are donating their time and art to raise money for the bassists that are financially hit hardest by the pandemic. Please consider making a donation to let your fellow bassists know they have the support when they need it most. The Bass family pays it forward!

KCBASS is always in loving memory of George Vance.

To Donate Visit: http://www.kcbassworkshop.com

Featuring the Bass family:

Francois Rabbath ● Lynn Seaton ● Hans Sturm ● Etienne La France ● Paul Ellison ● Billy Sheehan ● Anthony Wellington ● Ted Botsford ● Johnny Hamil ● Nina DeCesare ● John Clayton ● Jason Beers ● Kate Jones ● Dennis Whitaker ● Szymon Marciniak ● Andrew Raciti ● Jory Herman ● Shawn Conley ● Marcos Machados ● Lloyd Goldstein ● Grace Lewis ● Frank Proto ● Doan Brian Roessler ● Gaeleen McCormick ●Nick Walker ● Jessica Valls ● Christian Chesanek ● Kassie Ferrero ● Jonathan Fisher ● Andrew Ryan ● Eric Thorin ● Jeff Harshbarger ● Brian Hicks ● Tyson Leslie ● Dominque Saunders ● James Ward ● Heather Miller Lardin ● Kyle Motl ● David Young ● George Fahlund ● Gerald Spaits ● Bob Bowman ● Robert Peterson ● Martha Vance ● Jeff Kail ● Caleb Quillen ● Richard Ryan ● Steve Tulipana ● Anthony Stoops ● David Murry ● Volkan Orhan ● Ryan Madora ● Tracy Rowell ● Ken Poggioli ● Kristin Benson ● Chris Threlkeld Weigland ● Robert Castillo ● Rick Willoughby ● Brandon Mason ● Nash Tomey ● Aaron Osbourne

The KCBASS WORKSHOP WORKSHO COURSES

Work directly with staff on your playing

Scales and technique

Play together virtually in large group

Make a solo video to post

Semi private masterclasses

Large group masterclasses

Be able to customize a track that is more in your interest area (classical, rock, jazz, orchestral excepts, folk, theory, electric, early period, young bassists, and more).

Submit your video of your playing along with these masters and the winners get put in the video (see 2:56 on video). Charts are posted on pdf page. don’t forget to pick your favorite part to play other than the solo part. All levels are encouraged to enter as you never know which solo is going to be the coolest….. We need cool in the summertime!

Earlier this year Johnny Hamil and Jeff Harshbarger traveled to Paris to work with heir bass hero François Rabbath. They were able to get out on one other e last flights from Paris as COVID-19 hit. They were in quarantine together for several weeks upon returning to the U.S. Jeff shared his ZOOM account with Johnny to help with his teaching, and the ZOOM classes inspired Johnny to continue KCBASSFEST as an online event this year.

Johnny Hamil

Johnny is one of the founding members of the band Mr. Marco’s V7, a band that has reinvented themselves with each new release, and changed and evolved with different line-ups. Known for their experimental, instrumental music, Johnny told us that for ALL of the music he has composed for the band came to him in his dreams.

In 2011, the classically trained bassist Johnny Hamil, who dreams his musical compositions in his sleep, noticed something revolutionary for his creative process when Johnny’s dream compositions included lyrics for the first time, and this set him on a new path to create, the GAWD project, which is not Mr. Marco’s V7 proper, but it is members of the Mr.Marco’s V7 from throughout the long history of the the band. The concept was to collaborate a vocal version of a composition with musical friends and then have various lineups of the V7 family interpret the material in different ways., CartoonNoirJazz, PunkFunkPolka, and FreeeExoticaMiddleEastern. Selections from the GAWD project premiered at the Folk Alliance International.

As a teacher of the bass Johnny Hamil was recently featured in a recent season of Queer Eye on Netflix.

Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, was where the band first performed live in the early 90s. Marco Pascolini, Johnny Hamil, Chris Fugitt, and Clark Wyatt formed the original band.

Johnny’s Birthday was June 11.

Johnny Hamil, Thank you for being with us on Wednesday MidDay Medley.

KC BASS WORKSHOP, International Rabbath Institute, and International Society of Bassists proudly presenting: Bassists 4 Bassists “Do Not Stay Alone,” July 7 through July 11, 2020, an online Bass Workshop and BASS FEST live streaming for all levels and styles of music for double bass and electric bass. More information at http://www.kcbassworkshop.com

10:48

10. Betse & Clarke – “Innocent When You Dream”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

11. Dirty Projectors – “Lose Your Love”
from: Flight Tower – EP / Domino Recording Co / June 25, 2020
[Scarcely 18 months after the release of their album, “Lamp Lit Prose,” from July 13, 2018, and three months after their live-in-studio album “Sing The Melody” from December 10, 2019, Dirty Projectors released the single ‘Overlord.’ Then several month later the band released their new 4-song EP Flight Tower. Lead Projector Dave Longstreth put together the new band around the Lamp Lit Prose touring in 2018/19. Guitarist Maia Friedman handles lead vocals and co-wrote the lyrics with Dave, who wrote and produced the music. Felicia Douglass and Kristin Slipp contribute additional vocals. Nat Baldwin plays upright bass; Mike Johnson is behind the kit. Mauro Refosco plays congas.]

12. In The Pines – “Bones”
from: Bones – Single / Arctic Rodeo Recordings / June 5, 2020
[In The Pines are back with their first new release since the 2006 debut album In The Pines. Single from upcoming album to be released soon. KC based six piece band with Brad Hodgson on guitar & vocals, Darren Welch on bass, Laurel Morgan on violin & vocals, Matt Wolber on guitar, and Mike Myers on drums. Made up of two guitars, a bass, a violin, a viola, a pump organ, drums, and five vocals, their music is serene at times, other times brooding, creating an atmosphere ideal for their subject matter: narratives of a man wasted away in prison, a woman burning to death as her dress catches fire, a handless man intent on showing others the subtle gifts in life. It is dark, it is dirty, it is sometimes drunken. It is intimate. more info at: http://www.inthepines.com]

11:00 – Station ID

13. Black Light Animals – “Halo”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

Cole Bales and Cody Calhoun on the July 1, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Colby Bales & Cody Calhoun

Cole Bales & Cody Calhoun joined us on the phone to talk about their new musical project Black Light Animals and their debut album, Playboys of The Western World, to be released on July 3, 2020. Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com

Colby Bales & Cody Calhoun, thanks for being with us on Wednesday MidDay Medley

It was just a little over a year ago that Cole and Cody joined us on the June 12, 2019 edition of Wednesday MidDay Medley to share a new recording they’ve just completed, “Tell Me That You Love Me” was just finished up and mastered by Zach Harris And to talk about heir previous band, Instant Karma playing their last live show on Saturday, June 22, at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. Instant Karma! was a 4-piece rock band from Kansas City blending elements of psych, soul, funk. and hip hop. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums.

Instant Karma Discography:
Make Me a Man – Single – April 7, 2016
Three Little Flames – Single – May 22, 2016
Wait On Love – Single – May 22, 2016
Trying To Find My Mind EP – July 22, 2017
Give Me Freedom / Shine on – Single – May 11, 2018 (Sunflower Soul/Chris Hazleton)

After their last show on Saturday, June 22, 2019 the band killed off their name and persona and reinvented themselves with a new sound and direction.

Cole Bales and Branden Moser also play with The Freedom Affair.

Colby Bales & Cody Calhoun, thanks for being with us on WMM

Black Light Animals “Playboys of The Western World”

Black Light Animals and their ground breaking debut album, Playboys of The Western World, to be released on July 3, 2020. Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night.

11:17

14. Black Light Animals – “Dark Fantasies”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

15. BLACKSTARKIDS – “Reasons To Exist”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids, recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

16. The 1975 – “If You’re Too Shy (Let Me Know) [Edit]”
from: Notes On A Conditional Form / Polydor & Interscope Records / May 22, 2020
[The 1975 are an English pop rock band formed in 2002 in Wilmslow, Cheshire. Now based in Manchester, the band consists of lead vocalist and rhythm guitarist Matthew Healy, lead guitarist Adam Hann, bassist Ross MacDonald, and drummer/producer George Daniel. The band’s origins trace to their attendance at high school and playing together as teenagers.[6] Gigs organized by a council worker led the band to formally sign with Dirty Hit and Polydor Records. The band opened for several major acts and released a series of extended plays (Facedown, Sex, Music for Cars, IV) throughout 2012 before releasing their self-titled debut album (2013), which included the popular singles “Sex”, “Chocolate”, and “Robbers” reaching number one in the United Kingdom. Their second album, I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It (2016), reached No. 1 in the US and UK. Following the touring cycle for the record, the band announced their third album under the working title of Music for Cars, before going on hiatus again throughout 2017. Returning in 2018, the band announced that the album had evolved into their third campaign cycle, consisting of their third and fourth studio albums. The first, A Brief Inquiry into Online Relationships (2018), was released to widespread critical acclaim,[8] and became their third No. 1 album in the UK. The second, Notes on a Conditional Form, was released in May 2020 and became their fourth consecutive No. 1 album in the UK.]

11:29 – Underwriting

17. Keisha Frazier aka Klov – “Cannot Change”
from: Cannot Change – Single / Records DK / June 12, 2020
[Keisha “Klov” Frazier, is a KC Native rap artist. At the age of 12, Klov, developed a passion for music dedicated her life to pursuing her dream. Influences include; Bone Thugs N Harmony, Tupac Shakur, Da Brat, and Notorious B.I.G. Klov’s music can be found on SoundCloud, YouTube, iTunes, and more. Keisha Frazier goes deep on this emotionally driven track about being kicked out of her home for being gay. Midwestern religion and ideals can be an oppressive force that she “Cannot Change” but that does not stop her from seeing strength in herself and moving forward. Mixed by multi-platinum engineer, Aaron Connor.]

18. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe.Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

19. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, 2019, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

20. Phoebe Bridgers – “Kyoto”
from: Punisher / Dead Oceans / June 18, 2020
[Second album from Phoebe Bridgers who was born August 17, 1994, and is from Los Angeles, California. Bridgers released her major label debut 7″ on Ryan Adams record label, PAX AM. In early 2016, Bridgers supported Julien Baker on her 2016 East Coast tour. On September 22, 2017 Bridgers released her debut album, Stranger in the Alps. Followed by last year’s self titled, Better Oblivion Community Center, her musical project with Conor Oberst who made a cameo appearance for her Kansas City show at recordBar on April 9, 2018. Bridgers is a graduate of Los Angeles County High School for the Arts. In 2014 she was featured in a commercial for the Apple iPhone singing a cover of “Gigantic” by the Pixies. In June 2017, Phoebe Bridgers signed to Dead Oceans. The Alps was produced by Tony Berg and Ethan Gruska.]

21. Scabb & Strings – “Mount (Radio Edit)”
from: Mount – Single / Manor Records / May 25, 2020
[Scabb & Strings is Sammy Hernandez (Scabb) and Shaun Crowley (Strings). Sammy Hernandez is the younger brother of Quinn Hernandez of the band Momma’s Boy. Shaun Crowley is the lead guitarist for Momma’s Boy and founder of Manor records and the Manor Fest. Produced & engineered by Scabb.]

22. Howard Iceberg & The Titanics – “The Majesty of Love”
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 8Sam Platt joins us to talk about the Ondist recording sessions in Kansas City for the band’s release No Coincidence on Bikiniwax Records released June 12, 2020. Sam put together a band together for some Kansas City sessions at Weights and Measures with Claire Adams, Eddie Moore DeAndre Manning and Jamie Anderson on guitar. The new Ondist record features theses Kansas City musicians, along with band founders Corbin, Nick and Maya.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #844

WMM presents: Black Light Animals + Johnny Hamil

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 1, 2020

Black Light Animals + Johnny Hamil
+ New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: Honeywagen, Jo Mackenzie, Calvin Arsenia, Black Light Animals, Black Stacey, Blackstarkids, We The People, In The Pines, Keisha Frazier, Tiny Spys, Betse & Clarke, Scabb & Strings, Ondist, Howard Iceberg & The Titanics, Madisen Ward and the Mama Bear, Pamper The Madman, Phoebe Bridgers, The 1975, Dirty Projectors, and Jefferson Airplane.

Johnny Hamil

At 10:30 Kansas City based musician, composer, and teacher, Johnny Hamil joins to share details about KC BASS WORKSHOP, International Rabbath Institute, and International Society of Bassists proudly presenting: Bassists 4 Bassists “Do Not Stay Alone,” July 7 through July 11, 2020, an online Bass Workshop and BASS FEST live streaming for all levels and styles of music for double bass and electric bass. Classically trained bassist Johnny Hamil is one of the founding members of Mr. Marco’s V-7, he plays with Pamper The Madman, Stephonne Singleton, Mikal Shapiro and his GAV7D Project series of recordings. More information at http://www.kcbassworkshop.com

Black Light Animals “Playboys of The Western World”

At 11:00 Mark talks with Colby Bales & Cody Calhoun about their new musical project Black Light Animals and their ground breaking debut album, Playboys of The Western World, to be released on July 3, 2020. Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Colby also plays in the band The Freedom Affair. We will play the Black Light Animals newest singles: “Halo” and “Dark Fantasies.” More info at: http://www.blacklightanimalsband.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #844

WMM Playlist from May 27, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 27, 2020

New & MidCoastal Releases + Remy Styrk
+ Dedric Moore of Monta At Odds +
Paul Malinowski of SHINER

1.“Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. David George & Friends – “When We All Come Together”
from: “When We All Come Together” – Single / Moozer Music / May 11, 2020
[Nearly two months, four creators, and almost 100 musicians came together to make this amazing song! “When We All Come Together” started the week Kansas Citians were asked to self-quarantine. This meant all businesses would be shut down until it was safe to return to normal. But it was pretty clear normal would be a long way away for musicians and others in the music community. Midwest Music Foundation is a Kansas City-based organization that helps those who need help in our music community. This video and song were created to help those struggling in the Kansas City Music Community. To donate or for more information go to: http://www.midwestmusicfoundation.org. Written by David George (featuring rap written by Kadesh Flow). Orchestral arrangements by Brian Lynn. Mastered by Duane Trower. Creative team: Steve Gardels, David George , Michael Lopez, and Giuliano Mingucci. The Band includes: Drew Black, David George, Jeremiah James, John Johnson , J B Moreland, and Mike Penner on guitars; Joe Donley, and Gavin Mac on bass; Giuliano Mingucci on drums; Billy Brimblecom, Jr., Leo Brimblecom (cowbell), and Sam Wisman on percussion; Lin Buck (B3 Organ), and Mark Lowrey (piano) on keyboards; Kian Byrne, Shay Estes, David George, Skeet Hank, Camry Ivory, Kadesh Flow, David Luther, Dana Joel Nicholson, Kirsten Paludan , Nicole Springer, Jillian Roscoe, Jordan Smith, Greg Wickham on featured vocals; Albert Bickley, Lin Buck, Noah Davis, Elizabeth Day & son, Chris Doolittle, Cheryl Fountaine & son, Debbie George, Bill Guilfoyle, Jeff Hon, Rachel Hon, Chris Hudson, Matt Kessler, Brent Kinder, Brian Lynn, Barry Lee, Troy Meiss, John Michaels, Shawn Stewart, Scotty McCormick, Anne Marie McLaughlin, Tiffany Smith, Dave Tanner, and Bob Walkenhorst as the When We All Come Together Choir; with the When We All Come Together Orchestra: Marti Whelan on Bassoon; Phil Brenner, and Teri Quinn on clarinet; Christine Broxterman, Novella Collum, Michael Hon, Laura Hoesly , and Ben Munoz on cello; Karl Hayes on English horn; Janice Lee , Cameron Lynn , Lyra Pherigo , and Mimi Wenger on flute; Karl Hayes on oboe; Phil Brenner (Alto/Tenor), Ian Corbett (Alto/Tenor), Peter Lawless on saxophone; Andrew Anderson, Kadesh Flow, Libby Hanssen, Mark Hoffman, and Anthony Ritchie; Pete Caroll, David Cunningham, Stanton Kessler, Nate Nall, and Ryan Oldham on trumpet; Ben Ruth on tuba; Hannah Dowell, Katie Johnson, Laurel Parks, Roshelle Pekarek, Michael Turnbo on violin; Lexi Carbellero, Roshelle Pekarek, Mason Salmond on viola; When We All Come Together Sign holders (in video): Michelle Bacon & Elena, Tabitha Cosper, Liz Ernst, Sondra Freeman, Shannon Higgins, Liz, Amelia, William Higgins, Phil & Alice Jaggard, Rhonda Lyne, Deegan Poores, Sean Poores, and Pat Tomek; Dancers (in video): Katie Gilchrist, and Brimblecom kids. Thanks to everyone at Midwest Music Foundation for their amazing service to the music industry of Kansas City: Rhonda Lyne, Sondra Freeman, Michelle Bacon, Canyon McClung, Brenton Cook, Christopher Tate, Scott Easterday, Chris Meck, Garrett Nordstrom, Ellen Sherman, Eric Barton. Dr. K. Allen Greiner, Erin Corriveau, Bryant Miller, Vi Tran, Camry Ivory, and Amber Hulet. ©2020 Moozer Music Inc]

3. The Airborne Toxic Event – “Come on Out”
from: Hollywood Park / Rounder Records – Concord / May 8, 2020
[6th studio album from The Airborne Toxic Events and companion piece to lead singer and band founder Mikel Jollett’s memoir Hollywood park, released May 8, 2020, through Celadon Books. The Airborne Toxic Event is an American rock band from Los Angeles, California, formed in 2006. It consists of Mikel Jollett (vocals, guitar, keyboards), Steven Chen (guitar, keyboards), Adrian Rodriguez (electric bass, backing vocals), and Daren Taylor (drums). Named after a section in Don DeLillo’s novel White Noise, the group is known for its blend of rock music and orchestral arrangements, having performed frequently with the Calder Quartet, a string quartet based in Los Angeles. The group has also played concerts with the Louisville Orchestra and the Colorado Symphony Orchestra. Initially a writer and essayist, Jollett began seriously writing songs with an acoustic guitar following a week in March 2006, during which he underwent a break-up, learned his mother had been diagnosed with cancer, and was himself diagnosed with a genetic autoimmune disease that led to the development of two cosmetic conditions: Alopecia areata and Vitiligo. This quick succession of traumatic events spurred a period of intense songwriting, and it was around this time that he first met Taylor through a mutual friend in Silver Lake, Los Angeles. Airborne Toxic Event at The Saint in Asbury Park, NJ, March 2009. Throughout the summer of 2006, Jollett and Taylor rehearsed several of Jollett’s songs, including early incarnations of “Wishing Well,” “Missy,” and “Innocence,” which would eventually appear on the band’s debut album. After a few months of rehearsals, Jollett ran into Anna Bulbrook one night at El Gran Burrito, a popular outdoor Mexican restaurant in Silver Lake. Trained in orchestral and chamber music, she had just moved to Los Angeles from NYC. Though they were just acquaintances at the time, he remembered that she played the violin and asked her to attend one of his and Taylor’s rehearsals. Afraid to bring her more expensive violin to a rock rehearsal, she agreed to bring her viola instead. Jollett then asked Harmon, a Tucson native and graduate of the Herb Alpert School of Music at the California Institute of the Arts, to join his fledgling band, having seen him perform in Los Angeles with other acts and been impressed with his background in rock and jazz, as well as his skill with the upright bass. At the time, Harmon was performing with multiple rock and jazz bands while teaching guitar to children both in East Los Angeles as part of CalArts’ Community Arts Partnership, and at Arroyo Seco Park (Highland Park, CA) as part of its “Art in the Park” program. He refused at first, and it wasn’t until months later—after several shows—that Harmon agreed to join the group full-time. Chen and Jollett, meanwhile, had already known each other for five years. They first met through a mutual friend while both were living in San Francisco and working as writers. After a few years of living in New York, Chen made a return to his hometown of Los Angeles, upon which Jollett contacted him and asked if he’d be interested in playing the keyboard in the band. Chen replied that he, in fact, played guitar and eventually filled the role as lead guitarist. Prior to the formation of the band, and to supplement his fiction writing, Jollett supported himself as a freelance writer, contributing to NPR, Los Angeles Times, Filter and Men’s Health, among other organizations. Soon after the formation of the band, he concentrated only on fiction. In the summer of 2008, McSweeney’s issue 27 published one of Jollett’s short stories, The Crack, which appeared between short stories by Liz Mandrell and Stephen King.[3] In keeping with his literary background, Jollett named the band after a section of the postmodern novel White Noise by Don DeLillo,[4] which won the National Book Award in 1985. In the book, a chemical spill from a railcar releases a poisonous cloud, dubbed by the military and media as an “airborne toxic event.” The reason for choosing this as the name of the band, he has stated, is that the event described in the novel triggers a fear of death and a sense of mortality that fundamentally alters the protagonist’s outlook on himself, his family, and his life. The band was born of a similar life-altering sequence of events, and thus, the themes of mortality and media consumption that arise from the novel’s toxic cloud serve as a major impetus for the band’s creative drive.]

4. Lucinda Williams – “When the Way Gets Dark”
from: Good Souls Better Angels / Highway 20 records – Thirty Tigers / April 24, 2020
[15th album sin 1979 from Lucinda Williams. The release of this album was preceded by the track “Man Without a Soul”, a critique of Donald Trump. Lucinda Gayle Williams (born January 26, 1953) is an American rock, folk and country music singer, songwriter and musician. She recorded her first albums in 1978 and 1980 in a traditional country and blues style and received very little attention from radio, the media, or the public. In 1988, she released her self-titled album, Lucinda Williams. This release featured “Passionate Kisses,” a song later recorded by Mary Chapin Carpenter, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams recorded and released only one other album in the next several years, Sweet Old World, in 1992. Her commercial breakthrough came in 1998 with Car Wheels on a Gravel Road, an album presenting a broader scope of songs that fused rock, blues, country and Americana into a distinctive style that remained consistent and commercial in sound. Car Wheels on a Gravel Road, which includes the Grammy nominated track “Can’t Let Go”, became Williams’ greatest commercial success to date. The album was certified Gold by the RIAA and earned Williams a Grammy Award for Best Contemporary Folk Album, while being universally acclaimed by critics. Williams released the critically acclaimed Essence three years later, and the album also became a commercial success. One of the album’s tracks, “Get Right with God,” earned Williams the Grammy Award for Best Female Rock Vocal Performance in 2002. Williams has released a string of albums since that have earned her more critical acclaim and commercial success. She has won three Grammy Awards, from 15 nominations, and received two Americana Awards, from 12 nominations. Additionally, Williams ranked No. 97 on VH1’s 100 Greatest Women in Rock & Roll in 1998, she was named “America’s best songwriter” by Time magazine in 2002, and was chosen by Rolling Stone as the 79th greatest songwriter of all time. Williams was born in Lake Charles, Louisiana, the daughter of poet and literature professor Miller Williams and an amateur pianist, Lucille Fern Day. Her parents divorced in the mid-1960s. Williams’s father gained custody of her and her younger brother, Robert Miller, and sister, Karyn Elizabeth. Like her father, she has spina bifida.[6] Her father worked as a visiting professor in Mexico and different parts of the United States, including Baton Rouge; New Orleans; Jackson, Mississippi; and Utah before settling at the University of Arkansas in Fayetteville. Williams never graduated from high school but was accepted into the University of Arkansas. Williams started writing when she was 6 years old. She showed an affinity for music at an early age, and was playing guitar at 12. Williams’s first live performance was in Mexico City at 17, as part of a duo with her friend, a banjo player named Clark Jones.]

5. The Republic Tigers – “Mind Over Matter”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

6. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

7. Krystle Warren & The Faculty– “Sadness Is a Good Thing”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Krystle Warewn learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle recently participated in KC Bands Together May 15-16, weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle Warren & The Faculty are getting set to release a new album called, “Extended Play.” Krystle told me that the band had wanted to do album cover photos during a concert that was scheduled in Kansas City in March 202, but was cancelled due as COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release.]

10:28 – Underwriting

8. Remy Styrk – “Winter/Summer”
from: “Winter/Summer”- Single / Remy Sryrk / February 28, 2019
[21 year old Remy Stryk lives in Leawood Kansas, originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. About this new single Remy tells us “It represents the two major seasons and personifies them to create a feeling of trust, anger, love, uncertainty, inspiration and comfort. I wanted them to be applicable to many people’s situations in life, no matter who they are or what they believe in. This song is about universal feelings that connect us as one and value our ability to feel and express.” Last year Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

Remy Styrk on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:36 – Interview with Remy Styrk

21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk Thanks for being with us on WMM

21 year old Remy Styrk lives in Leawood Kansas.

Remy Styrk Discography

“Of My Own Design” 9-Minute Interactive Album – May 2, 2020

CHIOU – Opening & Closing Tracks from documentary film – March 15, 2020

Particle Evolutions GTRS – 40 ONE SHOT custom royalty free sound samples – March 24, 2020

Pads and Drones – 40 ONE-SHOTS custom royalty free sound samples – January 3, 2020

“Over It” – Single – April 17, 2020

“Winter/Summer” – Single – February 27, 2019

“In Too Deep” – Single – June 13, 2018

Sunday – 5-song EP – January 25, 2018

“Feel So Old” – Single – November 10, 2017

“October” – Single – October 17, 2017

“17” – Single – September 1, 2017

Telling Stories Through The Basement Door – 11- song Album – August 12, 2015

All music is available at http://www.remystyrk.bandcamp.com

On the radio Mark talked about when he first heard of Remy Styrk when he was 13 years old and was part of a songwriting workshop / contest with Money Wolf Music (Kansas City record label) and Christian Hankel.

Remy Styrk’s musical songs and compositions speak to his life, his birth, his adoption, a national tragedy that moved his family to the Kansas City area, and the loss of his mother.

Remy Styrk talked with us about being born in Newark, New Jersey. His birth mother was a homeless heroin addict. He spent three weeks in the hospital as a new born baby fighting to stay alive.

Remy was adopted by Tom and Deborah Styrkowicz in a semi-closed adoption. With his adopted family Remy lived outside New York City in Newark. When Remy was a toddler 9/11 happened and the Styrkowicz family moved away from the New York City area and Remy’s adopted father Tom got a job at Hallmark in Kansas City, Missouri.

Tragedy struck again, after Remy’s family moved to the area and settled in Leawood, Kansas, Remy’s adopted mom Deborah suffered a sudden brain aneurysm and died. Tom Styrkowicz was forced to leave his job at Hallmark to take care of Remy and his older brother, and comfort them in this difficult time for their family.

Tom Styrkowicz began to go back to one of his earlier passions of photography and found work as a photographer. Remy told Brock Wilbur at The Pitch Kansas City that Tom’s endeavors “set the tone for his kids. Push through everything. Never give up. Dedicate yourself to what you love and work towards it each and every day.”

When Remy was six, he shared with his parents his desire to play music. His family supported him entirely. Remy talked about “being spoiled” by parents that gave him the equipment and instruments he needed to make his original music. Remy talked with us about his discovery of folk music and the ability to tell stories with music. Remy talked about music allowed him to express his feelings and write about his mother Deborah, and how much of his music deals with her and the loss of her in his life.

Remy told Brock Wilbur of The Pitch Kansas City, “I grew up black in a predominately white school system,” Styrk says. “I felt like an outcast but it didn’t make me want to give up on who I was. It pushed me to work harder on being who I want to be. I won’t change for anyone.”

Remy Styrk has played in a variety of genres of music learning about Kansas City Blues, playing in indie and rock groups, and composing for film.

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk photograph by Tom Styrkowicz

10:45

9. Remy Styrk – “A Ring Around the Moon”
from: Of My Own Design / Remy Sryrk / May 2, 2020

We are talking with 21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story.

Remy told Brock Wilbur of The Pitch Kansas City, “As an outsider, I’m just adding what is beneficial to a project. My whole mission is to never overpower what I’m working on. Just complimenting the project.” “If what I do doesn’t fit with the project it becomes irrelevant.”

Remy Styrk Thanks for being with us on WMM

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

10:51
10. Remy Styrk – “A Green World”
from: Of My Own Design / Remy Sryrk / May 2, 2020

11. Chloe Jacobson – “Nice 2 Meet U”
from: “Nice 2 Meet U” – Single / Chloe Jacobson / April 30, 2020
[Follow up to her debut album Frozen Fruit from November 14, 2018. It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.”]

Nan Turner

12. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22. 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat on guitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

11:00 – Station ID

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Kosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

Dedric Moore on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Dedric Moore

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds and the new monthly compilations from his music label Kosmic City. Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution. Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar. Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar.

Monthly compilations from his music label Kosmic City.

Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution.

Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar.

The New Mysterious Clouds release coming next month was produced by Paul Malinowski.

Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

Monta At Odds released Zen Diagram EP through Kosmic City on May 1, 2020

More information at: http://www.kosmiccity.com

11:16

14. Monta At Odds – “I Count the Steps to a New Sunrise”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape..

15. Fiona Apple – “I Want You To Love Me”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

16. KeiyaA – “Do Yourself a Favor” (Single Version)
from: Forever, Ta Girl / Forever recordings / March 27, 2020
[The debut album from KeiyaA originally from Chicago, now based in New York City. Written by keiyaA and produced by keiyaA, featuring additional production from dj blackpower and dj cowriiie. Mixed and mastered by BSTFRND. ]

11:29 – Underwriting

17. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released Feb 28, 2020.]

Paul Malinowski on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Paul Malinowski

Paul Malinowski joins us on the phone to talk about their band SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason Gerken on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Paul Malinowski Thanks for being with us on WMM

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Paul Malinowski (bass, voice, engineer) Founding Member of Season To Risk: 1989-1995
Bands: Fire of 1666, Shiner, Big Sky Blue Earth

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia ? Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a 2nd series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.
2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

Paul Malinowski as Producer: The Pedaljets / The Philistines / Godzillionaire

Paul Malinowski Tyhanks for being with us on Wednesday MidDay Medley

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

11:47

18. Shiner – “Nothing”
from: Schadenfreude / Two Black Eyes / May 8, 2020

19. Okkyung Lee – “The Yellow Porcelain Bird”
from: Yeo-Neun / Shelter Press / May 8, 2020
[Yeo-Neun (Korean: 여는) is the eighth studio album by South Korean artist Okkyung Lee. Maeve Gilchrist on harp, Okkyung Lee on cello, Eivind Opsvik on bass and Jacob Sacks on piano. Written by Okkyung Lee (born 1975 in Daejeon, South Korea) is a South Korean cellist, improviser, and composer. Lee moved to Boston in 1993, where she received a dual bachelor’s degree in Contemporary Writing and Production and Film Scoring (Berklee College of Music), and a master’s degree in Contemporary Improvisation (New England Conservatory of Music). In 2000, Lee moved to New York and immersed herself in the city’s downtown music scene. Since then, she has collaborated with a wide range of musicians and artists, including Laurie Anderson, Arca, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Lasse Marhaug, Haroon Mirza, Thurston Moore, Ikue Mori, Stephen O’Malley, Lawrence D “Butch” Morris, Jim O’Rourke, Evan Parker, Marina Rosenfeld, Wadada Leo Smith, Swans, Cecil Taylor, C. Spencer Yeh and John Zorn. In 2013, Lee curated the Music Unlimited festival in Wels, Austria, giving it the title “The most beautiful noise on earth”. Lee received a Foundation for Contemporary Arts Grant in 2010. and a Doris Duke Performing Artist Award in 2015. She lives in New York City.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, June 3, we talk with members of The Republic Tigers, we also talk with Konnor Ervin about the new release Koney, and Nan Turner calls into the show too!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #839

WMM Playlist from April 15, 2020

Jesse Kates Sketch by Jamie Pratt
The Sexy Accident Photo by Forester Michael

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 15, 2020

New & MidCoastal Releases + Miki P
+ Jesse Kates of The Sexy Accident +
Jenna Rae of Lost Cowgirl Records

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. David Burchfield – “O Big City”
from: State To State / David Burchfield / June 5, 2020
[“O Big City” was released March 24, 2020. It is the first of 5 singles to be released from, State To State, followed by “Ain’t Gonna Be Easy” that was released on April 7. David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel. Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA “I learned a lot from that time,” Burchfield says of his unplugged nights in the Rocky Mountain backcountry. “I developed a deep love of traditional country and folk music, and it also taught me about connecting with an audience in the simplest, most direct way—no lights, no PA, and with just a few feet between us. That’s still my favorite way to perform. It’s all about connection.” State to State, his newest release, finds Burchfield traveling across the American heartland in search of stability and inspiration. Brimming with coastlines, highways, rolling plains, old hometowns and new destinations, the record evokes a vivid picture of a songwriter’s wandering. Along the way, State to State also shines a light on the people, places and near-death experiences that have shaped Burchfield’s music and outlook on life. That brush with death is recounted on the pensive one-two hush of “Midnight on the Water” and “You’re OK, It’s Alright.” The former is a quick, solemn hit of traditional fiddle tune, while the latter is a poignant Burchfield original, inspired by a hair-raising crash, and the stark perspective that came in its wake—perspective that ultimately led him to rededicate his life to music. “I’d made two previous albums right out of college, and then more or less quit to move to Colorado and become an elementary-school teacher,” he says. “I was in my second year teaching when a truck hit me while driving my scooter home one night.” Rushed to the hospital, Burchfield awoke to find he’d escaped with only a broken nose and a concussion. Above all, he was left with a potent reminder of life’s brevity and a fresh sense of urgency. Once again, he picked up the guitar, and out poured “You’re OK, It’s Alright,” the first of the songs that now comprise State to State. His passion for making music was rekindled. Recorded in American Fork, Utah, with Burchfield’s road band and producer Joshua James, State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. On the softly spun “Dishes in the Sink,” Burchfield struggles to settle into an unfamiliar home, pedal steel swooning in the background, while the slow-motion swagger of “Ain’t Gonna Be Easy” finds him reflecting on relationships with his hometown friends over some understated brass and the steady chug of an electric guitar. As this 11-track journey plays out, Burchfield meanders from tender acoustic moments to lushly amplified highlights like the soulful stomp of “Feelin’ Pretty Alright,” a track that would be right at home on The Band’s proto-Americana gem Music From Big Pink. State to State reads like an Americana travelogue stocked with songs borne of a restless spirit and adventurous heart. David Burchfield has never sounded more at home.]

[David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 7:00 PM (CST) Live from David’s house in Denver. Drop a request and we’ll try our darndest to get to it that week, or if not, the next. Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com]

3. Lava Dreams – “The Heat”
from: Good Energy + Focus / Lava Dreams / April 11, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Julia Hamilton aka Lava Dreams will be our guest on WMM on March 22, at 11:30]

4. Lyra Pramuk – “Tendril”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. Half Waif – “Clouds Rest”
from: The Caretaker / Anti / March 27, 2020
[2nd album from Half Waif aka Nandi Rose. Written and arranged by Nandi Rose. Produced by Nandi Rose and David Tolomei. Mixed by David Tolomei. Mastered by Heba Kadry. Nandi Rose on vocals, keyboards, & electronic percussion; Elena Moon Park on violin; Kyla Rose Smith on violin; Izaak Mills on flute and bass clarinet; Jay Wires on vintage synth programming; Spencer Zahn on electric and upright bass; Oli Hayhurst on bowed bass on “Generation”; Adan Carlo on guitar; Zack Levine on live drum samples and additional electronic percussion; Mauro Refosco on auxiliary percussion.]

7. Yazmin Lacey – “Morning Matters”
from: Morning Matters – EP / Own Your Own Records / March 27, 2020
[Written by Yazmin Lacey / C.Dodds / M.Mbemba / S.Tandy / I.Ogunjobi. Produced by Craigie Dodds. Engineered by Hugh Fothergill Mixed by Eric Lau. Yazmin Lacey on vocals, Sarah Tandy on keyboards, Marla Mbemba on bass, Femi Koleoso on drums, Ife Ogunjobi on trumpet. Yazmin Lacey didn’t set out to be a singer. Born and raised in Manor Park, East London, she relocated to Nottingham whilst working for a children’s charity and initially only considered making music as a way of having fun with friends. However, a chance encounter lead to her earning a place on Future Bubblers – Gilles Peterson’s development programme devoted to discovering and nurturing fresh UK talent – and enthused by the experience, Lacey recorded some songs in her living room, then in 2017 self-released her debut EP, Black Moon. The more polished When The Sun Dips 90 Degrees EP followed in 2018 and includes standout single Something My Heart Trusts, which has clocked up over 4.3 million plays on Spotify. “As soon as I made that first EP I knew there would be three of them, and this is the third”, says Lacey of Morning Matters. “Black Moon was trauma, When The Sun Dips 90 Degrees was healing, and Morning Matters is moving forward.” Morning Matters is Lacey’s most accomplished offering yet and showcases her growing abilities and confidence. The singer pairs candid songwriting with a laidback, graceful delivery and – as the title suggests – Morning Matters is inspired by new dawns and fresh starts. “The EP is dedicated to anyone that’s ever struggled with getting up and out in the morning, for everyone doing work on themselves and trying to live better”, explains Lacey. Contributors include Femi Koleoso and Ife Ogunjobi of Ezra Collective on drums and trumpet respectively (Own Your Own, Morning Matters), celebrated pianist Sarah Tandy on keys (Morning Matters), and jazz protege Moses Boyd on drums and production (Lately, Morning Sunrise).]

8. They Call Me Sauce – “Make You Sing [feat. Love, Mae C]”
from: Make You Sing – Single / NuBlvckCity / March 27, 2020
[Featuring Love, Mae C. Produced by D. Professor. Recorded at I Got The Sauce Studios & Woodgrain Productions. Mixed & mastered by Tony at Woodgrain ProductionsRoyce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released his album Soul Food 4. In 2019 his collective NuBvckCitywith Kartez Marcel, Mae C, and VP3 released the single “All Night” / “Alive”.]

[They Call Me Sauce will be our guest on WMM on April 29 ay 10:30 AM]

10:29 – Underwriting

9. The Sexy Accident – “The Oh”
from: Rabarbaro / The Sexy Accident / April 14, 2020
[Third single, released February 13, 2020 from The Sexy Accident’s 7th full length, Rabarbaro, to be released during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; with Steve Fisk on keyboards, and guest violinist Laurel Parks. More info at http://www.sexyaccident.com]

Jesse Kates Sketch by Jamie Pratt

10:35 – Interview with Jesse Kates

The Sexy Accident‘s 7th full length, Rabarbaro, to be released April 14, 2020 during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; with Steve Fisk on keyboards, and guest violinist Laurel Parks. More info at http://www.sexyaccident.com

Jesse Kates, Thanks for being with us on Wednesday MidDay Medley

The Sexy Accident is a pop band from Kansas City. The Sexy Accident have released over 80 songs on seven albums and four EPs. The Sexy Accident doesn’t do normal, their 2014 album Lavendar 3 was released as a 9” x 9” square, 48-page, cloth-covered, foil-stamped hardback book. The band’s 2016 recording Champagne Babycakes, their 6th full length record, was released as a “card game.” The band’s last release, Chamcakes Babypagne was a selection of songs from The Sexy Accident’s , Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and guest musicians.

“The Oh,” was the third single from Rabarbaro released February 13, 2020.

“The Land of Want” was the second single released November 2, 2019

“Unto a Sparkling Shore” was the first single released September 21, 2019

The Sexy Accident is celebrating on 15 years as a band.

The Sexy Accident Photo by Forester Michael

The current line up of The Sexy Accident includes:
Jesse Kates on guitars, vocals, keyboards & percussion;
Ramone Hall on drums;
Jamie Pratt on vocals;
Ryan Leip on guitars & keyboards;
Eric Knight on bass;

Rabarbaro also included Steve Fisk on keyboards, and guest violinist Laurel Parks.

On September 23, 2017 The Sexy Accident released, Live at Holy Cow EP – Performed by The Sexy Accident on September 23, 2016, with Jesse Kates on vocals & guitar, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keyboards. Recorded by Josh Williams. Songs selected from Champagne Babycakes, Lavender 3 and Ninja Ninja Fight Darth Vader. Cover art curated by Carly Lewandowski of How Very Vintage from objects found at Holy Cow.

Jesse Kates of The Sexy Accident on the April 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

The Sexy Accident’s 7th full length, Rabarbaro, to be released April 14, 2020 during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk.

More info at http://www.sexyaccident.com

10:48

9. The Sexy Accident – “The Land of Want”
from: Rabarbaro / The Sexy Accident / April 14, 2020
[2nd single from The Sexy Accident’s 7th full length, Rabarbaro, to be released during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; More info at http://www.sexyaccident.com

Belle & The Vertigo Waves

10. Belle & The Vertigo Waves – “Pulse”
from: “Pulse” – Single / Drop Out Records / April 17, 2020
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux.. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. Belle & The Vertigo Waves are releasing a new single on April 17, with a new music video at the band’s instagram page @thevertigowaves. Belle & The Vertigo Waves joined us on WMM on February 5, 2020 and in 2019 in the summer. More info at: http://www.thevertigowaves.com The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.” The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves release a new EP, and new video later this year. ]

11. Una Walkenhorst – “Pretty Face”
from: “Pretty Face” – Single / Una Walkenhorst / February 20, 2020
[2nd single from Una’s upcoming EP, “Woman of the Year,” to be released April 16. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies. Una will be on WMM on March 18]

[Una Walkenhorst plays a Virtual EP Release Show, Saturday, April 18 at 4:00 PM (CST) Live Streaming on Facebook and Instagram.]

11:00 – Station ID

12. Miki P and The Swallowtails – “Not Mine”
from: “Not Mine” – Single / Miki P / November 21, 2019
[Meeting in the vast network of Kansas City’s rich music scene, in October of 2018 Miki P and the Swallowtails was created, and by the fall of 2019 they released their first EP Swallowtail independently. With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. The group includes Miki P on guitar & vocals, Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Robert Castillo on bass, and Cade Pool on drums. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including tAmerican Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

Mikala Petillo

11:03 – Interview with Miki P

Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. More info at: http://www.mikipmusic.com

Miki P , thanks or being with us on Wednesday MidDay Medley

In October of 2018 Miki P and the Swallowtails was created, and by the fall of 2019 they released their first EP Swallowtail independently.

With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other.

Miki P & The Swallowtails

The group includes
Miki P on guitar & vocals,
Rachel Lovelace on bassoon,
Adee Dancy on cello & vocals,
Robert Castillo on bass,
Cade Pool on drums.

Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.”

Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018.

She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in.

Miki P was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music

11:12

4. Miki P and The Swallowtails – “I”
from: I – Single / Miki P / February 13, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. More info at: http://www.mikipmusic.com.]

Mikala Petillo on the April 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:16 – More Interview with Miki P

Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show.

In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018.

In 2018, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails.

Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up full length album. More info at: http://www.mikipmusic.com

11:25

14. Miki P and The Swallowtails – “Sarah”
from: “Sarah” – Single / Miki P / December 30, 2019
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. More info at: http://www.mikipmusic.com]

11:29 – Underwriting

Jenna & Martin

15. Jenna & Martin – “Wild Side of Heaven”
from: Cosmic Western Duets / Lost Cowgirl Records / January 3, 2020
[Jenna Rae and Martin Farrell Jr. met in Winfield, Kansas at Walnut Valley Bluegrass Music Festival. Both were playing banjo in separate bands at the time and bonded through their love of classic country music. They started learning Gram Parsons and Emmylou Harris duets and quickly realized their voices nested well together. Determined to recreate classic country sounding music in a new way they started collaborating on a genre they call “Cosmic Western”. This music incorporates bluegrass techniques, gospel harmonies, rock rhythms and experimental classic country sounds. The duo performs as “Jenna & Martin” wearing coordinated outfits and often times sharing the stage with their standard poodle, Roy Rogers. Martin makes his telecaster guitar and pedal steel guitar speak like a dog, kitten, truck, chicken or whatever the song requires. Creating a wall of rockin’ sound they take their listeners on a Cosmic Western journey through old-timey sounding music and nostalgic emotions.// Jenna likes to write songs that are “three chords and the truth” while Martin loves to add in unexpected chords, key changes, and complex arrangements. Jenna will often take a simple song she has written to Martin and he will add in a new bridge or chord that takes the song to a new level. Martin says Jenna has helped him truly appreciate the simplicity in songwriting and recognize it as a valuable tool to reach the listener. Most of Jenna’s songs are true stories and emotions about her or people she knows. Martin likes to create fictional stories and characters as well as retell historical stories in a new way. Together they come up with lyrics that can make you laugh and cry in the same breath. While the duo loves writing together, they also think it’s important to keep their separate songwriting identities. In 2018, they both released solo records: Jenna Rae “Workin’ Woman” and Martin Farrell Jr. “Tales From the Outer Country”. All of the music they have released has been recorded in their home studio and produced by Martin. // In 2017 with hopes and dreams of taking their music careers to the next level, Jenna & Martin started renovating a short school bus to live and tour out of. They sold a lot of what they owned and moved their bus “Bussalo Bill” out to Jenna’s Grandma’s farm in Peculiar, Missouri. They experienced “country living” for the first time and wrote a lot of music during this time. Many of these songs will be featured on their upcoming album “Cosmic Western Duets”. Jenna’s Grandma passed away in the summer of 2018 and the duo found themselves moving back to the city, out of the bus and into a house in Kansas City, Kansas. Here they set up their studio in their living room and began recording for other people as well. // In the winter 2018, the duo released their first EP together titled “Gingerbread” featuring three original holiday songs. They also wrote, directed, produced, and starred in an eleven minute short film to go along with the album with a surprising twist at the end. // In January, 2020 they released their first full length album of music titled “Cosmic Western Duets”. Most of the songs they co-wrote or they wrote specifically to sing together. They also included two love songs on the album, one written entirely by Jenna for Martin and another written entirely by Martin for Jenna. Since the moment they met, Jenna & Martin found themselves on an undeniable path of writing, creating, producing and performing music together. The duo believes in the power of music and that a good song can turn someone’s day around or even their life. At every show they aim to evoke cosmic and spiritual emotions from their audience that reminds them that each of us is more than our physical being. // Some of their influences include: Merle Haggard, Ernest Tubb, Patsy Cline, Kitty Wells, George Jones, Sturgill Simpson, Tyler Childers, Margo Price, Nikki Lane, Gram Parsons, Willie Nelson, Waylon Jennings, Danny Barnes, John Hartford and coffee.]

Jenna Rae on the April 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Jenna Rae

Jenna Rae is the cofounder of Lost Cowgirl Records. Jenna’s began playing tenor saxophone in the Pittsburg State University marching band. In between studying for nursing she started playing banjo and formed the folk band “Deadeye”. After four years of nursing, Jenna cut back on her hours to pursue music. In 2018 she founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume‘s album, “Vinegar,” and Elexa Dawson‘s album, “Music is Medicine.” In 2019, Jenna Rae on acoustic guitar, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin formed the bluegrass group Unfit Wives. On January 3, 2020, Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. More info at: http://www.thelostcowgirl.com

Jenna Rae, thanks for being with us on WMM.

We just heard music from the new Jenna & Martin release Cosmic Western Duets

Jenna Rae and Martin Farrell Jr. met in Winfield, Kansas at Walnut Valley Bluegrass Music Festival. Both were playing banjo in separate bands at the time and bonded through their love of classic country music.

They started learning Gram Parsons and Emmylou Harris duets and quickly realized their voices nested well together. Determined to recreate classic country sounding music in a new way they started collaborating on a genre they call “Cosmic Western”. This music incorporates bluegrass techniques, gospel harmonies, rock rhythms and experimental classic country sounds.

The duo performs as “Jenna & Martin” wearing coordinated outfits and often times sharing the stage with their standard poodle, Roy Rogers.
Past plays:

We played Deadeye on WMM on August 2, 2017 and the song “Nothin’ At All” released on July 31, 2016. Produced by Deadeye. Live take studio sessions from Pittsburg, Kansas based band formed by: Meg McCoy on vocals, guitar & violin; Jenna McCarty on vocals & banjo; Jennifer Murphy on saxophone & vocals; and Taylor Rea on percussion, with A. Sheppard on bass. Recorded and mixed by Rob Nold of Rob Nold Audio in Raytown, MO. Deadeye crafts their love of folk, bluegrass, rock, and country into a homemade, heel-stomping musical blend. The group builds their songs with reverence to the Americana music that rings memories of times long-passed in the Midwest. More information at: http://www.deadeyeband.com. Deadeye play the KC Zine Con at Josey Records, Saturday, August 5, 2017 with The New Baboons, Black Market Translation, Gay Girl Cowboy, and Black Creatures.

On September 6, 2017 we played Jenna McCarty and the single, “Love Havin’ Company” an Unreleased track. Kansas City based singer-songwriter who is a guitarist and songwriter for Jenna & Martin with musician Martin Farrell Jr.. Jenna also plays banjo in the band Deadeye.. She is also a guitarist and songwriter for the 6-piece Lawrence based western band Playing For Horses. That year, Jenna & Martin play Crossroads Music Fest, Saturday, September 9, at 6:45 at The Living Room Theatre Downstairs, for the Lost Cowgirl Records Showcase.

Jenna’s began playing tenor saxophone in the Pittsburg State University marching band.

In between studying for nursing she started playing banjo and formed the folk band “Deadeye.”

After four years of nursing, Jenna cut back on her hours to pursue music.

In 2018 she founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume’s album, “Vinegar,” and Elexa Dawson’s album, “Music is Medicine.”

In 2019, Jenna Rae on acoustic guitar, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin formed the bluegrass group Unfit Wives. On January 3, 2020, Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. More info at: http://www.thelostcowgirl.com

Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. More info at: http://www.thelostcowgirl.com

11:48

Jenna Rae

16. Jenna Rae – “Train Made Me Late”
from: Workin’ Woman / Lost Cowgirl Records / October 23, 2018
[Jenna’s began playing tenor saxophone in the Pittsburg State University marching band. In between studying for nursing she started playing banjo and formed the folk band “Deadeye”. After four years of nursing, Jenna cut back on her hours to pursue music. In 2018 she founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume’s album, “Vinegar,” and Elexa Dawson’s album, “Music is Medicine.” In 2019, Jenna Rae on acoustic guitar, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin formed the bluegrass group Unfit Wives. On January 3, 2020, Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. More info at: http://www.thelostcowgirl.com.]

17. Lillie Mae – “How?”
from: Other Girls / Lillie Mae / August 16, 2019
[Lillie Mae led a sequestered childhood touring in a motorhome with her musician parents, constricted by religious boundaries. In her adolescence she busked from RV parks to the Rio Grande, swept through Nashville clubs, and achieved Top 40 country status in her sibling group Jypsi, but on Other Girls, a new side of herself emerges with more to say than ever before. She embraces personal triumphs on “I Came For The Band (For Show),” breathes new perspective into “Terlingual Girl,” a song she wrote as a 19-year-old in the South-Texan desert, and professes brave truths as heard in “You’ve Got Other Girls for That.” After a vagabond past, crossing paths with hundreds of musicians, she limits the cast of Other Girls to just her brother, sister, and a few trusted collaborators. Produced by Dave Cobb]

18. Joy Camp – “Got My Love”
from: Got My Love – Single / Camp Joy / February 14, 2020
[Kansas City based Alternative Rock 4-piece band formed by Kurtis Blunt on Lead vocals & rhythm guitar, Andrew Carnes on lead guitar, Nate Ward on guitar, and Blase Pivovar on drums. Formed in 2016, when these four longtime friends decided to compete in the OPUS Battle of the Bands, a yearly event put on by the Union Program Council at Kansas State University. The band ended up winning the competition. The band defined the term “Joy Camp” as when a group of people gather with intentionality to share life together and for an increase of joy and happiness. The band has played in Manhattan, Lawrence and the Kansas City area. On August 3, 2018 Joy Camp released its first single “Eyes.”Since its release, the single has had over 100,000 listens on Spotify and many more on other platforms. The band released their self titled EP Camp Joy on July 26, 2019. Followed by the single “Summer Solstice (Sun Never Goes Down)” on December 27, 2019.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 22 we will be presenting more New & Midcoastal Releases. We will also talk with Peter Beatty aka R.I.Peter of Manor Records, Matt Kesler of The Pedaljets, and Julia Hamilton aka Lava Dreams.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #833

WMM Playlist from Dec. 25, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 25, 2019

The 119 Best Recordings of 2019
(Part 4 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. On X-Mas morning, December 25th we unwrap our final show of the year, as we count down #30 to #1

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (30.) Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. (29.) FKA Twigs – “cellophane”
from: MAGDALENE / Young Turks Recordings / November 8, 2019
[Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack.]

4. (28.) Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016.]

5. (27.) GAV7D – “Eastwood Stayed Skinny, Travolta Got Fat, Pt. 1”
from: Thanks For Everything Punkfunkpolka / GAV7D / May 31, 2019
[Johnny Hamil on bass, Clarke Wyatt on keyboards, Mikal Shapiro on guitars & vocals, Kyle Dahlquist on accordions & theremins & vocals, Charles “Critter” Sims on drums, and Chad Meise on Hendrix inspired guitars. Written & arranged by Johnny Hamil. This is the 3rd release in the GAV7D series. The debut, “Thanks For Everything” was released June 21, 2015. The double album, “Thanks For Everything – Cartoonoirjazz” was released June 1, 2016. Johnny Hamil told us that he recently finished the mixing for 4th GAV7D “Thanks for Everything – exoticamiddleasternfreejazz,” to be released next year. Johnny said that it “reminded me that the outside listener doesn’t hear the whole project like I do, or the concert goer does.” He added “I really feel like it’s my major work of my lifetime, but even better, it tells the story of the KaC music community, which I’m so proud of.” KC based musician, composer, and teacher Johnny Hamil plays in the band Pamper The Madman. Johnny will be in the studio from Dec. 29 through Jan. 2 recording the new Pamper The Madman album. Johnny Hamil also plays bass for Mikal Shapiro, and Julia Othmer, and can be heard on the recordings of many KC and Lawrence based artists including Stephonne Singelton. Johnny Hamil collaborates with jazz combos, theatre productions, and is also known for his work with The Malachy Papers. As a teacher of the bass, Johnny Hamil was recently featured on Queer Eye on Netflix. Johnny is a founding member of Mr. Marco’s V7, a band that has been reinvented with each new release, and changed and evolved with different line-ups. Known for experimental, instrumental music, Johnny told us that the music he composed for the band came to him in his dreams. In 2011 the bassist noticed something revolutionary for his creative process when his dream compositions included lyrics for the first time This set him on a new path to create GAV7D, which is not Mr. Marco’s V7 proper, but members from throughout the long history of the the band. The concept was to collaborate a vocal version of the compositions with friends and then have various lineups of the V7 family interpret the material in different ways, CartoonNoirJazz, PunkFunkPolka, and FreeeExoticaMiddleEastern. GAV7D premiered at the Folk Alliance International. Chad Meise is a master of sound and the studio and stage producing and engineering records for Mr. Marco’s V7, Hearts of Darkness, Expassionate, Rex Hobart, MIke Dillon, The Gaslights, Atlantic Fadeout, and The Country Duo.]

[Julia Othmer presents Bobby Pinz & The Spray with Johnny Hamil on bass, Chris Tady on guitar and John Floyd Whitaker on drums. Sharing the evening with, Chad Meise Presents: Tribute to Hendrix, Thurs, Dec. 26, at 8:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO.]

[KC Killers: An Iron Maiden Tribute, Fri, Dec. 27, at 8:00 PM, at The Brick 1727 McGee St, KCMO.]

[Pamper The Madman play The Riot Room, 4048 Broadway, KCMO, Sat, Dec 28, at 8:00 PM w/ The Pornhuskers, and Otis 13.]

[Mr. Marco’s V-7 play The Ship 1227 Union Avenue, KCMO, Thurs, Jan. 2, 2020, at 9:00 PM].

6. (26.) Solange – “Dreams”
from: When I Get Home / Columbia Records / March 1, 2019
[4th studio album from singer and songwriter Solange, and follow up to her breakthrough record, A Seat at the Table released on September 30, 2016,. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a “breakdown” due to the amount of time and emotion she was putting into the recording process. While recording the album Knowles released an EP entitled True (2012) and launched her own record label named Saint Records. A Seat at the Table became Solange’s first number-one album on the Billboard 200.]

7. (25.) Lomelda – “M for Mush”
from: M for Empathy / Double Double Whammy / March 1, 2019
[Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars”. Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

8. (24.) Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist . A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

10:28 – Underwriting

9. (23.) J.S. Ondara – “Saying Goodbye”
from: Tales of America / Verve / February 1, 2019
[27 year old J.S. Ondara is a Kenyan singer-songwriter whose debut album, Tales of America, was released on February 15, 2019 via Verve Label Group. J.S. Ondara was born in August 1992 in Nairobi, Kenya. As a child, he wrote poems and stories as well as songs despite not having an instrument to play them on because his family couldn’t afford one. He was inspired by Radiohead, Nirvana, Death Cab For Cutie, Jeff Buckley, Pearl Jam, Guns N’ Roses, and Bob Dylan. He grew up listening to rock songs on his older sisters’ battery-powered radio. Having discovered The Freewheelin’ Bob Dylan following a dispute with a friend over whether Knockin’ on Heaven’s Door was a Guns N’ Roses song, Ondara resolved to travel to the United States to pursue a career in music. In February 2013, after winning in the green card lottery, he moved to Minneapolis, Minnesota at the age of 20. He taught himself to play guitar and perform during open mic nights. Eventually, he decided to study music therapy in college, but dropped out of school to return to playing small shows at coffee houses after attending a concert. After moving to Minnesota, Ondara tried his hand at making music and performing in small venues. His big break came when Minneapolis radio station KCMP 89.3 The Current played one of his songs on air by pulling audio from his YouTube channel, where he had been uploading covers of his favorite songs. At the time, he was going by the name Jay Smart. Ondara’s debut album, Tales of America, was released in February 2019 by Verve Label Group. Despite only 11 tracks making the final tracklist, Ondara wrote more than 100 songs for the album, all based on an immigrant’s life in America. The album was produced by Mike Viola of the Candy Butchers. In support of the album, Ondara embarked on his first headlining tour in March 2019. After the release of the album, Ondara debuted on Billboard’s Emerging Artist chart at No. 37 in March 2019. The album also landed on the Billboard Heatseekers Album, Americana/Folk Album Sales, and Rock Album Sales charts. He was nominated for Best Emerging Act at the 2019 Americana Music Honors & Awards. Ondara cites Bob Dylan as his musical hero, which is why he chose to live in Minnesota and why he wears his signature fedora. He has toured with the Milk Carton Kids, Lindsey Buckingham and in 2019, he opened for select dates on tour with Neil Young.]

10. (22.) Deerhunter – “Greenpoint Gothic”
from: Why Hasn’t Everything Already Disappeared? / 4AD / January 18, 2019
[8th studio album by the American indie rock band Deerhunter. The album was co-produced by singer-songwriter Cate Le Bon, Ben H. Allen (who had previously worked with the band on Halcyon Digest and Fading Frontier), Ben Etter (who worked as a studio assistant on Fading Frontier) and the band itself. The first single, “Death in Midsummer”, was released on October 30, 2018. The same day, a world tour in support of the album was announced, starting in November 4, 2018. The second single from the album, “Element”, was released on December 6, 2018. The album leaked on December 12, 2018. Deerhunter is an American rock band from Atlanta, Georgia, formed in 2001. The band consists of Bradford Cox (vocals, guitar, keyboards), Moses Archuleta (drums, electronics, sound treatments), Lockett Pundt (guitar, vocals, keyboards), Josh McKay (bass) and Javier Morales (keyboards, synthesizers, alto saxophone). Founded by Cox and Archuleta, Deerhunter’s first stable line-up included guitarist Colin Mee and bass guitarist Justin Bosworth.]

11. (21.) Hipshot Killer – “Places We Want To Be”
from: All This Time is Ours / Hipshot Killer / March 20, 2019
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) All This Time is Ours was Mastered at Weights and Measures studio by Duane Trower. All songs written by Mike Alexander. The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 . Mike Alexander has been a tireless organizer of the KC area punk scene and has helped to produce multiple years of the Center of the City Fest. Mike also helped to create the 8-song tribute recording, I’ll Repay You: A Benefit for John Fackler – featuring the songs of John Fackler and Jettison. More info at http://www.hipshotkiller.com]

12. (20.) The Sluts – “Break Their Heart”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. All were recorded at Element Recording. Info at http://www.thesluts.bandcamp.com]

13. (19.) Dead Voices – “Passing Through”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

14. (18.) Helado Negro – “Please Won’t Please”
from: This Is How You Smile / RVNG Intl. / March 8, 2019
[6th album from Roberto Carlos Lange, better known by his stage name Helado Negro, is an American musician. He was formerly signed to Asthmatic Kitty Records from 2009 to 2016. Helado is now currently signed to and released his latest album through RVNG Intl., a Brooklyn-based music institution. Helado grew up in Miami, Florida where he spent his teenage years searching for his identity in the cultural melting pot of south Florida. He immersed himself in the hip-hop and electronic music scenes, where he learned to be an artist by playing out shows to small audiences. Helado released his first full-length album in 2009 titled Awe Owe. In 2010, Helado released an EP titled Pasajero. Helado released his second full-length album in 2011 titled Canta Lechuza. In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today.” In 2016, Helado released his fifth full-length album titled Private Energy.]

15. (17.) The Highwomen – “Highwomen”
from: The Highwomen / Elektra / September 6, 2019
[The Highwomen is a country music group composed of Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires, formed in 2019. The group’s self-titled debut album was released on September 6, 2019, by Elektra Records and was produced by Dave Cobb. In 2016, when Shires was finishing her record, My Piece of Land, in music producer Dave Cobb’s studio, Shires had an idea to create a girl country supergroup in homage to the legendary Highwaymen country supergroup (consisting of Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson). At the same time, the lack of representation of women artists on country music radio and at country music festivals had been publicly discussed by many, influenced by the Me Too movement and journalists like Marissa Moss. While on tour in her van, while listening to country radio, Shires kept a running list of artists and noticed that there were few women. When she called to request they play more women artists, she was directed to a Facebook page lottery system. Cobb recommended Shires call Carlile, whom she didn’t know. Carlile thought it would be fun, and would be an interesting creative project. The Highwomen project was widely hinted at by Carlile, Morris and Shires before it was officially announced on April 6, 2019. With the name paying homage to the legendary Highwaymen country supergroup, the Highwomen were originally intended to leave the fourth spot in their line-up vacant to allow other female collaborators to join them, with Chely Wright, Courtney Marie Andrews, Margo Price, Janelle Monae and Sheryl Crow mentioned as potential guests. The band, who jokingly refer to the collaboration as a pirate ship experience, said that they see the project as an incubator project that highlights mentorship and support of fellow women artists. Maren hadn’t worked with Cobb before, and remarked on how much she liked tracking live. The band recorded live vocals, live band, harmonies in unison, where the musicians were recording together live in an organic environment at historic RCA Studio A, which Cobb now owns. As part of the experience, some of the members got matching Highwomen tattoos. The group made their live debut on April 1, 2019 at Loretta Lynn’s 87th birthday concert held at the Bridgestone Arena in Nashville. There, Natalie Hemby was officially revealed as the final member and the quartet performed “It Wasn’t God Who Made Honky Tonk Angels”. Their debut single, “Redesigning Women”, and its associated music video featuring female artists including Tanya Tucker, Cam, Lauren Alaina, Cassadee Pope and Wynonna Judd was released on 19 July 2019, with their self-titled debut album (set for release on September 6) becoming available for pre-order on the same day. The song was promoted by country singer Dierks Bentley who released a comedic reading of the lyrics to his YouTube Channel which received praise from Carlile and Morris. Their second single, “Crowded Table”, written by band member Hemby and Lori McKenna, was released on July 26, 2019. In July 2019, the Highwomen performed their first ever full live set at the 60th annual Newport Folk Festival, previewing songs from their upcoming album including “If She Ever Leaves Me”, written by Shires, her husband Jason Isbell and Chris Thompkins. With Carlile on lead vocals, Isbell described it as “the first gay country song” which elicited applause from the audience. Other songs performed included “My Only Child”, an ode to “suburban moms” performed by Hemby who wrote the track with Shires and Miranda Lambert, “Loose Change”, a nod to 70s country written by Morris, Daniel Layus of Augustana, and Maggie Chapman, featuring Morris on lead vocals and “Cocktail and a Song” which was written solely by Shires in honor of her father. Carlile later invited the rest of the Highwomen to join her during her headlining set where, as they originally intended, the group performed alongside other female artists including Amy Ray, Courtney Marie Andrews, Dolly Parton, Jade Bird, Judy Collins, Linda Perry, Lucy Dacus, Our Native Daughters, Sheryl Crow, The First Ladies of Bluegrass, and Yola Carter. Shires said the plan was always to debut their music at Newport with Dolly Parton. The band wore custom suits by Manuel. Their cover of “The Chain” by Fleetwood Mac from the soundtrack of the movie The Kitchen debuted during the film’s first trailer and was officially released on August 2, 2019. The title track of their self-titled debut album was released on August 13, 2019. Written by Carlile and Shires with Jimmy Webb, the original writer of “Highwayman”, the track that originally inspired the Highwomen’s formation, it tells the story of various women throughout history and features guest vocals from British country soul singer Yola Carter and backing vocals from Sheryl Crow. The song is a classic answer song. The band recorded 15 songs, but 12 tracks made the album. Songwriters included the Jimmy Webb, Rodney Clawson, Maggie Chapman, Lori McKenna, Jason Isbell, Peter Levin, Miranda Lambert, Ray LaMontagne, among others. Many songs flip gender roles, with additions of characters like refugee, preacher, Freedom Rider, and a healer, compared to the characters drawn by the Highwaymen songs.]

16. (16.) Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nothin’ / Short Round Stringband / July 19, 2019
[On April 24, 2019 WMM was the first to play the debut single from this new collection of songs writen by Bill Monroe performed by this new ensemble of veteran musicians. The debut album from the pan-Missouri band with a refreshing approach to old time music, Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience.]

11:58 – Station ID

17. (15.) Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

18. (14.) The Get Up Kids – “The Problem Is Me”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from—it’s definitely a celebration of the fact that we still get to do this.” ]

19. (13.) Samantha Fish – “Love Your Lies”
from: Kill or Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays Knuckleheads Saloon, Sat., Dec. 28, at 8:30 with Jonathon Boogie Long]

20. (12.) Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favorable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin).]

21. (11.) Scott Hrabko & The Rabbits – “Sometimes”
from: Smash Hits From A Parallel Universe (EP) / Scott Hrabko / February 14, 2019
[Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott calls this release: 4 songs for the new age of anxiety. Scott Hrako & The Rabbits released “Summer” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg.]

22. (10.) The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, rhythm guitar, & keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Friday, December 27 ay 9:00 PM with Killer City, The Black Mariah Theatre, and Vertical Striping.]

[The Creepy Jingles play miniBar, 3810 Broadway Rd, KCMO, Wednesday, February 5, 2020 at 9:00 PM with Stary, Shady Bug (STL), and Momma’s Boy.]

23. (9.) Julia Othmer – “Frickin Awesome”
from: Sound / Frickin Awesome Records / April 12, 2019
[Julia Othmer’s second album took three years to complete and was produced with James Lundie, who married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and studied at Columbia University in New York City. She moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”]

[Julia Othmer presents Bobby Pinz & The Spray with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. Sharing the evening with, Chad Meise Presents: Tribute to Hendrix, Thurs, Dec. 26, at 8:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO.]

24. (8.) Hembree – “Continents”
from: House on Fire / OREAD Records / April 26, 2019
[KC based band was formed in November of 2015, with Isaac Flynn on guitar, & lead vocals, Garrett Childers on bass & vocals, Eric Davis on keys & synth, Alex Ward on guitar, and Austin Ward on drums. Hembree is signed to Thirty Tigers of Nashville, TN. The band was founded by original members Isaac Flynn, Garrett Childers, and Eric Davis. Brothers Alex and Austin Ward later joined in 2018. Hembree quickly garnered national attention after their single “Holy Water” was placed in an Apple commercial that aired during Super Bowl LII. The band’s music has been featured in a variety of other national placements, including Monday Night Football (NFL) and Bose. Hembree has notably supported Elvis Costello, Phoenix, Cold War Kids, Vance Joy, JR JR, and Joywave, among others. The band first toured Europe in Fall 2018. In 2018, Hembree signed with Thirty Tigers (The Avett Brothers, Lupe Fiasco) to release their first full-length album House on Fire, released 4/26/2019. In 2019, Hembree performed at Hangout Music Festival. They will also appear on the soundtrack of 13 Reasons Why: Season 3 with the song “Culture”. Hembree was named one of NPR’s Slingshot 2018 Artists to Watch. Rolling Stone named Hembree as one of the thirty best artists at SXSW 2018. “Had It All” debuted on Zane Lowe’s Beats 1 on January 19, 2017. Lowe described the song as “absolutely fantastic.” “Holy Water” was featured in Apple’s HomePod “Distortion” TV spot, which ran during Super Bowl LII, the 60th Annual Grammy Awards, and the 2018 Winter Olympics.]

[Hembree plays The Bottleneck, 737 New Hampshire St, Lawrence KS.,Tues, Dec 31, at 7:PM w/ Mess.]

11:27 – Underwriting

25. (7.) Mess – “Body Parts”
from: Learning How To Talk / Mess / March 29, 2019
[Debut full length album from Kansas City based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. Produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre). Mess previously released several singes and heartswithholes EP in 2017.]

[Mess plays The Bottleneck, 737 New Hampshire St, Lawrence KS.,Tues, Dec 31, at 7:00 PM with Hembree.]

26. (6.) Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays The Cosmic Country Ball presented by Lost Cowgirl Records, Saturday, February 15, 2020, at 8:00 PM at Voodoo Lounge, 1 riverboat Drive, KCMO, with Miki P and the Swallowtails, Elexa Dawson, Lily B. Moonflower, Unfit Wives, and Jenna Rae.]

27. (5.) Kevin Morby – “No Halo”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

[Kevin Morby plays recordBar, 1520 Grand Blvd, KCMO, Saturday, April 25, 2020 at 9 PM]

28. (4.) Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia plays a New Years Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia plays Olathe Indian Creek Library, 16100 W 135th Street, Olathe, KS, on Sunday, January 5, 2020 at 2:00 PM.]

[Calvin Arsenia opens for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

29. (3.) Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP – Radio Winners, was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

30. (2.) The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play The Brick, 1727 McGee St, KCMO, Saturday, December 28, at 9:00 PM, with Schwervon!, and Casey Guest.]

[The Black Creatures play Three Headed Thursday at Replay Lounge, 946 Massachusetts St, Lawrence, KS. on Thursday, January 2, 2020 at 9:00 PM, with Bad Alaskan, and Collidescope.]

[The Black Creatures play Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, and Les Izmore and the Gods.]

31. (1.) Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies presents a PuNky Draggy New Year’s Eve PartY, Tuesday, December 31, 2019 at 9:00 PM at The Truman, 601 E. Truman Road, KCMO, performing The Clash album “Combat Rock” in it’s entirety, with special guests: Radkey, Yes You Are, The Freedom Affair, Una Walkenhorst, Brandon Phillips, Victor & Penny, Khrystal., The Royal Chief, Wick & The Tricks, DJ Thundercutz, Mireya Ramos of Flor De Toloache and Drag Queens and Kings: Jaharia Von Du, Moltyn Decadence, Dick Von Dyke, and KC Sunshine]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on January 1, 2020, we bring in the new year celebrating the Birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. With special permission from the artist, we’ll feature music from all six of Iris DeMent’s full length recordings, plus her collaborative studio work with: Greg Brown, John Prine, Nancy Griffith, Emmylou Harris, Tom Russell, Steve Earle, and Kansas City’s own, Gary Kirkland. We’ll also feature music from Iris DeMent’s inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Merle Haggard and Bob Dylan.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #817

WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from July 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Chase The Horseman

2. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase Horseman plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM w/Nan Turner]

Chase Horseman & Nan Turner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:04 – Interview with Nan Turner and Chase Horseman

Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Her new EP is called For Champs and Losers, Version 2 and was Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman.

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Nan Turner and Chase Horseman are playing a Double EP Release Party at miniBar, 3810 Broadway, KCMO, Friday, July 12, at 9:00 PM with Breaka Dawn & LosCauz.

Nan Turner and Chase Horseman thanks for being with us on WMM.

Chase the Horseman’s new EP is called Disinformation Blues.

Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase Horseman helped produce and record and played on Nan’s new EP.

Nan Turner

Nan wrote on facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber-talented in his own right and he’s releasing an EP called Disinformation Blues on July 12, as well. He and Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks and brought the songs to life in the way they needed but I didn’t know they needed (just MORE one nite stands I’m adding to the crew ha ha)!”

Chase has been out of town premiering new music he created for film.

Frida the dog help in the production.

http://chasethehorseman.bandcamp.com

http://nanturner.bandcamp.com

10:15

Nan Turner

3. Nan Turner – “Strong”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums on tracks 1, 2, and 4. Chase Horseman plays bass on tracks 1, 2, and 4.]

[Nan Turner plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM with Chase Horseman]

John Mark Aladeen & Jade Osborne on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:19 – Interview with Jade Osborne & John Mark Aladeen

Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

John Mark Aladeen Studied at Stratford Career Institute for relaxation therapies, the School of Metaphysics in Springfield, Missouri, and The International Center for Reiki Training in Southfield, Michigan. He is a multi-instrumentals who has played with the critically acclaimed Dub Sutra. He has also performs at Kansas City Renaissance Festival.

Jade Osborne and John Mark Aladeen join us to share details about “The Shift Show” running July 19 through July 27 for the 15th annual KC Fringe Festival at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO.

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Both Mark and Jade work at Aquarius.

Jade recently preformed in a special outdoor event INTER RELATION >SHIP at Washington Square Park with Calvin Arsenia and John Baker as part of her “Fifty Shows of Jade.”

Jade was the person that introduced Calvin to WMM listeners on the radio on July 20, 2011 when she brought Calvin with her as one of the composers for her Voler Theives of Flight show for KC Fringe that was produced in the Kansas City Ballet Todd Bolender Dance Space.

There was an altar constructed during INTER RELATION >SHIP with Calvin Arsenia and John Baker a few weeks ago. Jade is recreating and extending the voices and memories into the next performance, The SHIFT SHOW.

Jade writes: “Rituals breathe life into my story. Constructing an altar…The deliberate placement of meaningful items is meditative and brings my mind peace and purpose.”

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

Five performances! At Union Station City Stage.
7/19 @ 7:30p
7/21 @ 3:00p
7/23 @ 6:00p
7/26 @ 9:00p
7/27 @ 4:30p

Tickets with Fringe button.
http://kc-fringe.ticketleap.com/the-shift-show

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Jade Osborne’s KC Fringe production “The Shift Show” is running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. http://www.kcfringe.org

10:33 – Underwriting

Chris Hudson & Chad Brothers

10:35 – Interview with Chris Hudson & Chad Brothers

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. released April 23, 2019

from: https://chrishudson.bandcamp.com

“Premonition Scenes” is a great duo collaboration of two of Kansas City’s finest musicians.. Chris Hudson(Gullywasher) and Chad Brothers(Old Sound, Shapiro Brothers, Super Massive Blackholes) came together in the spring 2018 and started recording Chris’s EMO Americana original solo songs when they decided to combine forces and put some excellent guitar work around Chris’s lyrics, music and vocals, the trade off guitar work between them is unbelievable interwoven stuff, capturing a one of kind performance, All recorded live in Chad’s home studio.

Chris Hudson: Guitar, Vocal’s and SongWriting Chad Brothers: Guitar, Engineering, Mixing and Production.

Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass.

http://www.gullywasher.com

10:41

4. Chris Hudson and Chad Brothers– “No Getting Over” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Chris Hudson on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Hudson a Kansas City Native. He is a classical guitarist, guitarist, musician, composer, multi-instrumentalist, singer songwriter, teacher and visual artist. Chris is a member of the band Gullywasher.

Chad Brothers on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chad Brothers is a native of Winfield Kansas. He is a veteran of the Kansas City and Lawrence music scene, and a frequent collaborator with Mikal Shapiro (his wife), Scotty Stanton, Alexis Barclay, and many others.

Upcoming Shows:

Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 11, at 9:00 PM.

Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

Chris Hudson’s band Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes.

Chris Hudson with the Gullywasher Duo plays Hook Gallery on Friday, July 19 at 8:00PM.

Chris Hudson plays Ollie’s Local, 3044 Gillham Rd., for Saturday Storytellers, on August 3, at 5:00 PM with Melissa Weinman.

Chris Hudson plays Songbird Sundays with John Keck at The Mockingbird Lounge, 204 Orchard St. KCK, Sunday August 11, at 8:00 PM.

Gullywasher plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO on Friday August 1, at 8:00 PM with Calamity Cubes! and Big Cedar Fever.

10:54

5. Chris Hudson and Chad Brothers– “We Wake” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers thanks for being with us on WMM.

11:00 – Station ID

6. Blue False Indigo – “Letter”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity and The Moose. Sponsored by Mid-Continent Public Library and The Record Machine.]

7. The Moose – “Everyday Low Price”
from: Live Sessions Single / The Record Machine / July 13, 2019
This song is also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

The Moose

11:06 – Interview with The Moose and Nathan Reusch of TRM

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, are members of the band The Moose an alternative band from Lee’s Summit, formed in 2016.

The Moose and Nathan Reusch are to share details about What’s Next KC, Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

The Moose is an alternative band from Lee’s Summit, Missouri: a suburb of Kansas City.

Originally formed by Jake Hilger, Alex Huffman, and Tyler Frey in the summer of 2016, they were later completed with the additions of Emma Klein in August 2016.

The Moose began as a psychedelic, neo-rock band in the summer of 2016.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Hilger on keyboard, synths, guitar and vocals
Alex Huffman on bass and vocals
Tyler Frey on guitar and vocals
Emma Klein on percussion & vocals

Tyler, humored the idea after a choir show at their high school just outside of Kansas City, Missouri. Their plan went into full effect after the addition of Emma Klein (percussion and vocals). The group built their headquarters in Klein’s basement, hiding the cement walls with posters of their influencers: The Beatles, Tame Impala, and Electric Light Orchestra; and textile sheets separating their studio from their main base.

After many rumors of The Moose becoming an official band, the members spontaneously decided to have a Halloween Bash— costumes required— and unwarrantedly advertised so with posters all over their high school. Completely filling the backyard of Tozier’s house, fans all dressed up and singing classic rock covers with their new favorite band.

Because of the positive feedback from the Halloween bash, The Moose released their first single in February 2017, “New Kind Of Love,” which brought the band 15,000 listens and multiple bar shows with their name as the headliner.

The Moose’s success heightened after their performance at Battle of the Bands in Kansas City— winning first place and a cash prize. And once Frey— the oldest in the group— graduated from high school, summer kicked off, the band started taking their careers more officially.

In August of that year, The Moose released their first self-titled EP overflowing with classic psychedelic rock, and alternative sounds. The band did not receive as much support they originally began with but still sustained their local fan base, enabling them to continue bar shows and other small events.

After Middle of the Map Fest, and a concert at the recordBar in Kansas City, senior year was winding down for the rest of the band members. Parker Tozier who had joined the with Emma Klein in 2016, decided to pursue his aspirations at an out-of-state college, dropping the band from five to four.

The Moose released their debut album “The First Real Encounter” in December of 2018 on the winter solstice of 2018. They now prepare for a tour of the Midwest in the springtim

http://www.musicofthemoose.com

With backgrounds in choir, jazz band, and years of playing, each member implements their own unique touch to each track. The Moose’s “sound” includes ingredients of a funky alternative- pop/synth-rock genre, with heavy influences from neo-psychedelic bands k.

The Moose has played numerous shows and locations, such as: the recordBar, Llywelyn’s Pub, The Roxy, Aftershock, 825 Studios, and The Nelson-Atkins Museum,

The Moose won 2017 Shuttlerock: Teen Battle of the Bands at The Nelson-Atkins Museum. Winning the Battle of the Bands later gained them a spot on the Middle of the Map Festival Lineup, where artists such as Lewis Delmar, Jason Isbell, and De La Soul headlined.

Nathan Reusch, Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, thanks for being with us on WMM.

11:23

8. The Moose – “Exclusive”
from: Live Sessions Single / The Record Machine / July 13, 2019
also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:28 – Underwriting

Daniel Glascock and Joel Bonner of Serene Fiend on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Friday, July 19, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Joel Bonner & Daniel Glascock thanks for being on WMM.

I Heart Local Music writes: “In the ever-evolving attempt to bring electronic music back into Lawrence’s scene, another musician has switched gears– this time leaning towards a more industrial sound.”

I Heart Local Music continues “It comes from an unlikely source. Serene Fiend is the latest project from Joel Bonner, the man who’s been bringing animated live shows and rockabilly licks to Lawrence over the past year with his band The Boot Stompers. It’s unsurprising that his buzzing and provocative guitar style carries over to this project, though he’s piled it on with a lot more synths and electronic beats.”

11:37

Serene Fiend

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel BonnerI Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” ]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Chase Horseman, Nan Turner, Daniel Glascock and Joel Bonner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.”

Joel Bonner, & Daniel Glascock of Serene Fiend thanks for being on WMM.

Unto Myself lyrics:

I’m not afraid to die, I’m just afraid of loss
My strength means nothing if I’m not tough enough
I am an effigy – new possibility
I must be decimated to be built back up

And I will die unto myself
And I will try to heal myself
All for you

Sacrosanct as our romance, I will keep what I am
But the bee hive swarming in my head will be calm instead
I’ll come as you want me, I’ll be everything
The heart wants what it wants and I want to make me better
(to make us better)

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

And when it all comes crashing down
I just want to lose myself in you

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

The heart wants what it wants and I want to make me better

Earlier this year Joel Bonner released “Environ” by Serene Fiend, released May 14, 2019 – an ambient project written and recorded in one day across three three-hour blocks of time, hence the track titles.

1. Morning 15:08
2. Afternoon 08:48
3. Evening 08:12

Joel Bonner & Daniel Glascock of Serene Fiend, please stand by.

11:55

10. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / Vitality Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 17, we talk with the band L A Jones. Enrique Javier Chi of Making Movies drops by for a chat about his show at Knuckleheads, Betse Ellis and Clarke Wyatt and members of Short Round Stringband join us live in our 90.1 FM Studios, and Fally Afani shares music from Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #794

WMM Playlist from May 15, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Today’s show is a celebration of 786 weeks, 1572 hours of radio, 15,720 hours of preparation, over 2000 guests, and over 15,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering spaces. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

To say I’ve been inspired by the KC music scene, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who now plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for a place where we can connect to the amazing stories and music of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers. Today we celebrate 15 years of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, on these community airwaves. Thanks for listening.

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Dimitri From Paris – “Prologue,”
from: Sacreblu / Atlantic Records / June 11, 1996

Marion Merritt

10:04 – Introduction of Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her sonic discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every WMM on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri, that feature in-store performances from young and upcoming bands.

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

We always wanted someone from a record store to have a regular presence on WMM.

When Mark first met Marion she walked up to him and handed him the Philip Glass recordings of the Low Symphony with David Bowie and Brian Eno, saying, “I think you may be interested in this.”

Mark and Marion really didn’t know each other in the beginning, but throughout these 15 years they’ve become very close friends. Mark has watched Marion’s life transition from corporate retail to owning her own record store in the neighborhood where Mark lives.

For 15 years Marion has had a huge influence on our WMM playlists.

Marion Merritt, Kasey Rausch, Barry Lee, Betse Ellis, Fran Stanton

10:07 – Marion’s pick

3. Billy Preston – “That’s the Way God Planned It (Live)”
from: The Concert for Bangladesh / Apple Records / December 20, 1971
[The Concert for Bangladesh is a live triple album credited to “George Harrison & Friends” and released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the two concerts of the same name, held on August 1, 1971 at New York’s Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the homeless Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan’s first major concert appearance in the US in five years. Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. Besides the main performers, the musicians and singers include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Linnear. Minimal post-production was carried out on the recordings, ensuring that the album was a faithful document of the event. The box set’s packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS. On release, The Concert for Bangladesh was a major critical and commercial success. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. It was reissued in 2005, four years after Harrison’s death, with revised artwork. As of 2011, sales of the album continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a campaign marking the album’s 40th anniversary.] [William Everett Preston (September 2, 1946 – June 6, 2006) was an American musician whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Rev. James Cleveland and the Beatles. He went on to achieve fame as a solo artist, with hit singles such as “That’s the Way God Planned It”, “Outa-Space”, “Will It Go Round in Circles”, “Space Race”, “Nothing from Nothing” and “With You I’m Born Again”. Additionally, Preston co-wrote “You Are So Beautiful”, which became a number 5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group’s four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles’ breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group’s albums and tours during the 1970s.]

Maria Vasquez Boyd

10:11 – Introduction of Maria Vasquez Boyd

Maria Vasquez Boyd is an artist, poet, educator, and radio show host & producer. She has been a regular contributor to Wednesday MidDay Medley where she has produced shows about Ukuleles, The Day of The Dead, and The Artist’s Studio. She has been a regular cast member in our “He Touched Me Gospel Hour” programs, and has contributed original material for almost all of our “A Story In A Song” shows, including our live show at recordBar, and Big Bang Buffet Black Sheep Rising at The Buffalo Room. Maria is graduate of the Kansas City Art Institute, where she has taught in the Design/Illustration Department, as well as, the Nelson Atkins Museum of Art. An artiost and a poet, Maria is a founding member of the Latino Writers Collective. Maria uses all of her experience as the host and producer of ARTSPEAK Radio which airs Wednesdays at Noon, following Wednesday Midday Medley on 90.1 FM KKFI. Soon ARTSPEAK Radio will be celebrating 7 years on the air!

Maria Vasquez Boyd, thanks for being with us on Wednesday MidDay Medley

Maria Vasquez Boyd

Mark met Maria at The Writer’s Place. Mark was on the Board of KKFI’s MidCoast Radio Project, Maria was on the board of Latino Writer’s Collective. They would both go in early to set up for their meetings. Maria was a guest on WMM and we welcomed her back to produce & host several shows and it became clear that she should create Artspeak Radio. Mark and Maria became great friends, and she calls him her “Radio Husband.”

11:14 – Maria’s Story

Maria Vasquez Boyd

Necia Gamby and Nico Gray

10:18

4. Wagon Christ – “Rennie Codgers”
from: Tomorrow / Ninja Records / March 29, 2011)

Necia Gamby

10:18 – Introduction of Necia Gamby

Necia Gamby is Licensed Massage Practitioner at her own practice, NRGinMOTION. She also serves as a licensed Massage Therapist at Spa on Penn. Necia has been in practice for 38 years. She uses Swedish (classical) massage technique. Over the years she has studied and practiced Hatha Yoga and is currently studying TaiChi. She founded and directed the Heartland School of Massage from 1988-1996. She has studied and incorporated Shiatsu, trigger point technique, lomi-lomi and a host of other philosophies and techniques into her massage style. She was an instructor for Johnson County Community College’s Certified Massage Program for 6 years where she taught Basic Swedish technique and Business Practices. She is an avid reader and especially loves science fiction and Korean dramas. Necia is the daughter of a KC Jazz pianist, and the mother of a graphic artist and MC from the acclaimed KC based hiphop duo SoundsGood and her other son is an engineer and producer with the 64111 Clinic.

Necia Gamby, thanks for being us on Wednesday MidDay Medley

Mark used to live across the street from Necia.

Necia and Mark used to walk their dogs late at night and talk on the side walks about community radio.

Together, Necia and Mark became friends with Sharon Jones on March 8, 2014

11:22 – Necia’s Pick

5. Bill Withers – “I Love You Dawn”
from: Making Music / Sony / January 1, 1975
[4th studio album by American R&B singer Bill Withers. It was also released in the UK as Making Friends. William Harrison Withers Jr. (born on July 4, 1938) is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. He recorded several major hits, including “Lean on Me”, “Ain’t No Sunshine”, “Use Me”, “Just the Two of Us”, “Lovely Day”, and “Grandma’s Hands”. Withers won three Grammy Awards and was nominated for four more. His life was the subject of the 2009 documentary film Still Bill. He was inducted into the Rock and Roll Hall of Fame in 2015]

Nico Gray

11:25 – Introduction of Nico Gray

Nico Gray has worked as a writer, performance artist, and as an actor with The Kansas City Rep, Gorilla Theatre, the 8th Street Cafe Theatre, Actor’s Craft, and was recently a featured performer in Big Bang Buffet’s Black Sheep Rising. Nico has also worked for Theatre League, The Midland Theatre and is currently a marketing and advertising consultant who does work with Union Station. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC. ”

Nico Gray welcome back to Wednesday MidDay Medley.

Mark and Nico have been friends since around 1990.

Mark and Nico marched on Washington DC together with their partners in 1993.

11:28 – Nico’s Pick

6. The Limiñanas – “The Gift (Anton mix)”
from: I’ve Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018) / Because Music / Nov. 16, 2018
[Garage pop and psyche. Getting their start in October of 2009, The Limiñanas are the brainchild of Lio and Marie Limiñana.]

10:32- Underwriting

Betse Ellis

10:34 – Introduction of Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also involved with The Short Round Stringband! The 5-piece band is in the process of releasing a new 14-track Tribute To Bill Monroe record.

Betse Ellis thanks for being with us on Wednesday MidDay Medley.

Betse Ellis

Mark has known Betse since the late 1980s when she was going to school at UMKC and they did performance art together at Cafe Lulu and Whistler’s Mother.

For more than five years now Betse has been volunteering for KKFI during our Fund Drive Shows to help raise money to keep community radio alive.

Betse & Clarke play The Robert Johnson Birthday Tribute hosted by KKFI’s Boogie Bridge, Sunday, May 19, 2:00 PM to 5:00 PM, at B.B.’s Lawnside BarB-Q, 1205 East 85th Street, Kansas City.

Betse & Clarke play The Ship on Wednesday, May 22 with Bob & Diana Suckiel.

10:38

7. Betse Ellis – “Heaven Bells Are Ringing/Gone to View that Land” (LIVE)

10:42

8. The Magnetic Fields – BBC Radiophonic Workshop
from: Holiday / Merge / 1994

Kasey Rausch

11:42 – Introduction of Kasey Rausch

Kasey Rausch is a 5th generation songwriter & musician. She is co-producer and co-host of River Trade Radio on 90.1FM KKFI Kansas City Community Radio on Sunday Mornings 9:00 to 11:00. With pedal steel & guitar master Marco Pascolini, Kasey performs as The Country Duo. Kasey plays locally with classic country honky tonk band The Naughty Pines. And Kasey plays bass in songwriter Scott Stanton’s The Butter Band. Rausch’s third album, Guitar in Hand was released on MudStomp Records in 2014, and debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee. She has shared the stage with Joe Ely, Dale Watson, Peter Rowan, Roland White, Kris Delmhorst, Jack Williams and many more.

Kasey Rausch thanks for being with us on Wednesday MidDay Medley

Kasey was one of the very first live musical guests on WMM. If you look at our very first playlist from May 14, 2004 you’ll see a diverse mix, and equality between women and men, however there was hardly any “local” music. Mark was learning how to do this radio show, and it was the Kansas City and Lawrence area musicians who came on the show and taught him about the music community. Robert Moore’s Oxblood Records compilation “First Blood” became an early road map to the bands Ghosty, The Architects, Olympic Size, Softee, Roman Numerals, Ssion, The Republic Tiger, Be/Non, American Catastrophe, and others. Midwest Music Foundation and Abigail Henderson helped to shine the light. After the death of Anne Winter, Kasey and mark and Betse Ellis made a pact to be there for each other as friends and to attempt to continue some of of Anne’s work. Mark redirected his focus on the radio show to include even more area releases, and to document the growth of the music in Kansas City. Social media and Facebook became the inter-office memo of the are music community. The birth of festivals: Crossroads Music Fest, Middle of the Map Fest, and Folk Alliance International Conference, the development of more studios and record labels, and the re-birth of record stores.

Mikal Shapiro, Kasey Rausch, and Barry Lee

10:47

9. Mark Mothersbaugh – “Look at That Old Grizzly Bear”
from: The Royal Tenenbaums / UMG / May 12, 2015

Kasey Rausch

10:47 – Introduction of Mikal Shapiro

Mikal Shapiro is a singer, songwriter, artist, filmmaker, puppeteer, ring-leader. Mikal Shapiro is the founder of State City Films – a new media house based in KCMO that she founded to create content that amplifies independent voices and tells stories that ache to be told through documentary and experimental filmmaking practices. Mikal Shapiro has worked on commercial, non-profit and independent productions since 2008. She was Director of Photography for the regional Emmy award-winning film “Tipping Point.” She studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. She received her MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. She has been involved in music and the arts for over two decades. Mikal’s full length solo releases “The Crow The Lark And The Loon” from 2008, and “For Good” from 2010 and “The Musical” from 2017 and “The Musical II” from 2018 have been acclaimed by local music writers, and have been in the top tens of WMM’s Best of lists.

Mikal Shapiro thanks for being with us on Wednesday MidDay Medley

Mikal Shapiro

Mikal Shapiro just recently finished 10 days of filming, with an female majority crew, inside the Topeka Correctional Facility for Women documenting Rita Chiarelli facilitating a music program that culminated with a concert on May 4, with an all female band presented to their fellow inmates, families, victims, and the community. Authorities from the Department of Corrections were invited to attend including the Kansas Governor Laura Kelly.

Mikal Shapiro plays with Monta At Odds at recordBar, 1520 Grand, KCMO, on Friday, May 17, at 8:00 with Redder Moon, and Namelessnumberheadman.

Mikal Shapiro plays in the Jane Doe Revue: Female Rock Orchestra – A Benefit for Abby’s Fund, Saturday, June 8, at 7:30 PM at recordBar, 1520 Grand Boulevard, KCMO with an all female ensemble comprised of members from local bands, Violet and the Undercurrents, Teri Quinn, Amy Farrand and MORE!

10:50

10. Mikal Shapiro – “Lazy Dazy” (LIVE)
(new original song from Mikal)

11. Quiet Corral – Intro
from: Quiet Corral [EP] / Quiet Corral / 2010
[Quiet Corral was an indie folk band from Lawrence, KS. Most of the group went on to form Hembree. Members: Isaac Flynn, Jim Barnes, Matt Green, Jesse Roberts, Garrett Childers, Zach Mehl.]

Fran Stanton

10:53 – Introduction of Fran Stanton

Fran Stanton is the co-owner of It’s A Beautiful Day. She is also a mom to Hayley and Peter. She is part of the team that produces River Trade Radio every Sunday morning on 90.1 FM KKFI – Kansas City Community Radio. Fran also celebrated her birthday on Mother’s Day – May 12. Fran is a huge music supporter and traveler and gardener. She is also a dear friend to so many people. Fran has been a frequent contributor to WMM for our “Story In A Song” shows, and as part of the ensemble of “The He Touched Me Gospel Hour” co-written and starring Jim “The Blind Guy” Hoschek.

Fran Stanton, thanks for being with us on Wednesday MidDay Medley.

It’s A Beautiful Day at 3918 Broadway, KCMO – Customer Appreciation Day is Sunday, May 19, at 12:00 PM – 5:00 PM. Emceed by Leigh Liles & Miss Conception. Show: 12:15 -12:45 Miss Conception // 1:00-2:00 Original Culture // 2:30-4:00 Better Off Dead – KC // 4:15-5:00 Kan Eyed

10:57 – Station ID

Iris DeMent

10:57 – Intro for Iris DeMent

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.”

Iris DeMent released her debut album “Infamous Angel” in 1992, on Warner Brothers records, a collection of instant classic songs including “Let The Mystery Be.” These were songs she first wrote and performed in coffeehouses and small clubs here in Kansas City, along with other “up and coming” singer songwriters: Howard Iceberg and Scott Hrabko. Since then Iris has released six full length recordings, was nominated for a Grammy twice, has had her songs used in multiple films and television shows, appeared as an actress in the film, Song Catcher, appeared on the Late Show with David Letterman, Latenight with Conan OBrien, toured all over the world, was a frequent contributor to Prairie Home Companion, collaborated on recordings with John Prine, Emmylou Harris, Nancy Griffith, Steve Earle, and so many others.

On November 21, 2002 Iris married acclaimed singer-songwriter Greg Brown, in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in Kansas City.

After trying to live in both Iowa and Kansas City, Iris ended up moving to Iowa but she still holds on to her love of the 816.

10:58

12. Iris DeMent – Mark Interviews Iris
from: KKFI Production Studio / Recorded Saturday, May 11, 2019

11:05

13. Iris DeMent – “Let The Mystery Be”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record, John Prine wrote the liner notes. “One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records.]

Krystle Warren

11:08 – Introduction of Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Most recently Krystle released, Three The Hard Way that she co-produced with Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

We last talked with Krystle on Wednesday MidDay Medley on January 30, 2019 with Brad Cox and Jen Owen just prior to the Owen Cox Dance Group’s show “What Keeps Mankind Alive.”
In late 2018 you were in KC to participate in Calvin Arsenia’s Cantaloupe Premiere at The Gem Theatre, and that same weekend you sand at Mutual Musicians Foundation and did surprise show at The Ship.

Krystle has travelled all over the world and has musical ties in Paris, London, San Francisco, and New York City, but K\C will always hold a special place in her heart.

Krystle was brought to Paris by a record label that sent her a one way ticket. Because Music put our her record “Circles.” Krystle performed on multiple European television shows and then ended up leaving the label.

Krystle’s independently produced, “Love Songs” features 24 songs, on two albums, recorded in New York City, with a 27-piece orchestra. You followed up this double album extravaganza with Three The Hard Way, where you played almost every single instrument and sang lead and harmonized with your own voice in a critically acclaimed work of musical art.

In between all of these projects Krystle has recored with Hercules and The Love Affair, Joon Moon, and tribute concerts and recordings for Kate McGarrigle and Nick Drake.

Krystle has toured extensively with Rufus Wainwright, Joan as Police Woman, Nick Cave, and Norah Jones.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

11:17

14. Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

Barry Lee

11:19 – Introduction of Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90.1 FM. Barry has been a longtime programmer at KKFI. Barry Lee has organized multiple benefit concerts for KKFI including his annual Beatles Tribute shows, A Tribute to Pete Seeger, and special “Collaborations” recordings. It was while playing in a tribute to Neil Young that Barry and friends formed Broken Arrows, a 5-piece band that has released their second record, “Street Flowers” in August of 2018 to critical acclaim. [Broken Arrows play Knuckleheads, Thursday, May 16 with the Kaw Tikis & Berwanger.] [Broken Arrows play Jazzhaus, Friday, May 17 with the Kaw Tikis ]Broken Arrows play The Bottleneck in Lawrence, Saturday, May 18 in support of The Jubilee Mystics cd release party.

Barry Lee thank you for being with us on WMM

Barry Lee

11:20

15. Barry Lee – “Pale Blue Eyes” (Live)
Written by Lou Reed

11:26

16. Anne Winter – “Flying the Staff to The Pixies in Chicago”
from: Wednesday MidDay Medley’s Tribute to Recycled Sounds / WMM / March 22, 2006

11:27 – Underwriting

Brenton Cook

11:29 – Intro of Brenton Cook

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Brenton Cook thanks for being with us on Wednesday MidDay Medley

11:32 – Brenton’s Pick

17. HMPH! – “Three Chords”
from: Three Chords – Single / Haymaker Records / To be released
[Ryan Lee Toms on guitar, Jonathan Thatch on drums, and Kitten Adventure Boggs on bass.]

Calvin Arsenia

11:36 – Intro of Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. In 2018 Calvin launched a three month Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. That same year he was signed to Center Cut Records and released his latest full length album Cantaloupe with a giant show at The Gem Theatre. This year Calvin played Folk Alliance in Montreal and has been traveling all over the world.

Calvin Arsenia thanks for being with us on Wednesday MidDay Medley

Calvin Arsenia just returned from shows on the West and East Coasts.

Calvin Arsenia has a show this Saturday night a The Rino in North Kansas City with Teri Quinn and Aaron James from Memphis.

Calvin Arsenia

11:40

18. Calvin Arsenia – “Cantaloupe” (Live)
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[The first release on Center Cut Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

11:45

19. Eulogies – “Inward”
from: Eulogies / Dangerbird Records / September 11, 2007

Jen Harris

11:45 – Intro of Jen Harris

Poet Jen Harris is the founder of Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016.

Jen Harris thanks for being with us on Wednesday MidDay Medley

Mark met Jen Harris at The Tivoli Theatre, since then he has watched her build her spoken word / poetry career in Kansas City, Denver, and across the midwest.

Jen just recently graduated from Artist Inc.

Jen Harris

11:48 – Jen Harris Poem

20. Jen Harris – ” ” (LIVE)

Jake Wells

11:51 – Intro of Jake Wells

Last fall the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder.” Last year Jake released his debut EP Orange and Blue. Jake Wells joins us today to share his brand new single.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style.

Jake studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”.

More information at http://www.jakewellsmusic.com

11:54

For Wednesday MidDay Medley, I’m Mark Manning, Thanks for listening

17. Jake Wells – “Wanted To Love You (Master)”
from: Wanted To Love You – Single / Sound 81 Productions / May 18, 2019
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 22Jason Buice joins us to share music from his debut EP Other / Side and David George who produced the new recordings will also join us with new music. At 11:00 Helen Proctor share new music from her band HelKat and Shawn Stewart share music from his new album, “Poppies and Puppies.” And at 11:30 Mark talks with music icon Cris Williamson who returns to Kansas City for a special show on Thursday, May 30 at 7:00 at Center For Spiritual Living with Teresa Trull and Barbara Higbie.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #786

Notes on WMM’s 15th Anniversary:

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City / Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

Wednesday MidDay Medley Celebrates 15!

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15!

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

In honor of our 15th Anniversary we welcome to the airwaves live performances from: Calvin Arsenia, Betse Ellis, Jen Harris, Mikal Shapiro, Barry Lee and Maria Vasquez Boyd. Plus, Mark interviews Iris DeMent, Krystle Warren, Kasey Rausch, and Fran Stanton. We will also have musical premieres and special musical tracks brought to us by Brenton Cook, Jake Wells, Marion Merritt, Nico Gray, and Necia Gamby.

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

Join us in our radio celebration!

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #786

WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785