WMM Playlist from July 15, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 15, 2020

Stephonne Singleton + Heath Church
+ New & MidCoastal Releases

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. UpKeep – “Burnt Hands”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Electronic dream pop band from Springfield, Missouri formed in January 2017 by Spencer Pearson and Anna Redmond. “Burnt Hands” was mastered by Jordan Bleau. “Burnt Hands” was originally released as a single on March 1, 2019. Spencer Pearson also performs and records ambient music under the name, faulter. (https://faulter.bandcamp.com/album/regain). Anna also releases music as a solo artist and has played keyboards with Buckle Up Baby (https://anna-music.bandcamp.com/track/reason).French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Sam Wells – “Dear Black People” (Radio Edit)
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year on April 21, 2020, Sam Wells released her single “Sugar” produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Crystal Rose – “Not Leaving (Stripped)”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year Crystal Rose released, “Not Leaving (Stripped)” on January 30, 2020. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar, Peter Marten on guitar, and Robert Castillo on bass. Crystal Rose is a singer song-writer based in heart of Kansas City. At a young age she was influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blues and folk centered artist like James Bay, James Vincent McMorrow and Johnny Swim. To listen to more Crystal Rose please visit: http://www.crystalro.se. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

5. The Mammals – “If You Could Hear Me Now”
from: Nonet / Humble Abode Music / May 22, 2020
[Nonet may refer to a composition which requires nine musicians for a performance. The Mammals “Nonet” band is nine musicians: Ruth Ungar on fiddle, guitar, ukulele, vocals; Mike Merenda on guitar, banjo, vocals; Konrad Meissner on drums; Lee Falco on drums; Jacob Silver on upright & electric bass; Brandon Morrison on electric bass, baritone guitar, high-strung guitar, vocals; Ken Maiuri on piano, Wurlitzer, high-strung guitar, vocals; Will Bryant on Hammond organ, clavinet, vocals; and Charlie Rose om pedal steel, banjo, vocals. Special guests included: Lindsay Lou, Kate Pierson, Connor Kennedy, Jayla Kai Smith, Gail Ann Dorsey, Zach Djanikian, Joan Henry, and Will Puck Merenda on handclaps. All songs © 2020 M. Merenda / R. Ungar, Shake Sugaree Music, ASCAP. Recorded by Adam Armstrong at The Clubhouse, Rhinebeck, NY and Humble Abode Music, West Hurley, NY. Mixed by Adam Armstrong except “Coming Down Off Summer,” “Radio Signal,” and “Someone’s Hurtin” mixed by Paul Antonell & Shubham Mondal; “Beyond Civilization” and “You Gotta Believe” mixed by Mike Merenda. Mastered by Greg Calbi at Sterling Sound. Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the The lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”] [The Mammals played Folk Alliance International Conference February 17, 2018 .]

6. Curtis Mayfield – “Superfly”
from: Superfly (Soundtrack from the Motion Picture) / Curtom Records / July 1972
[[We hear in the bridge Curtis singing, “Trying to get over” the theme we hear in so many of Curtis Mayfield’s incredible recordings. Super Fly is the third studio album by American soul musician Curtis Mayfield. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, “Freddie’s Dead” (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied. Super Fly, along with Marvin Gaye’s What’s Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield’s position is far more critical. Like What’s Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade. Curtis Lee Mayfield was born in Chicago on June 3, 1942, He died on December 26, 1999. An American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music, he first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist. Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone’s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998. After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57. In my tween years my mother’s record collection was changing, her second husband Al drove a van, and listened to 8-track tapes. My mom was in the RCA Music Club where they would automatically send you the new release, that’s how she ended up with the soundtrack to the film “Superfly” from Curtis Mayfield. The movie never played our town. But the soundtrack tells the story, of “Trying to get over.”]

10:28 – Underwriting

7. Stephonne Singleton – “Want Me”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonne was born and raised in Wyandotte County, Kansas. He has performed in multiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A video for “Want Me” was just released. “Want Me” is part of a new 4-song EP.]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

Stephonne Singleton on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:33 – Interview with Stephonne Singleton

Singer songwriter, & actor, Stephonne Singleton talks about his new EP, SIS: Side A, to be released August 7, and the single “Deep,” released July 14, 2020. Stephonne co-produced his EP with Justin Mantooth who also engineered & mixed, at Westend Studios. Joining Stephonne was Johnny Hamil on bass, Ben Byard on guitar, & Adam McKee on drums. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018.

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

After 2018’s Caged Bird Sings Songs About Red Beard and the release of two singles, ‘Want Me’ and ‘Dominate’, we finally get our hands on Stephonne’s SIS: Side A EP. “With ‘Want Me’, I finally found a full confidence and strength in myself again. There were a lot of years that passed, where I really felt that I couldn’t do this independently. I stopped listening to the music and instead listened to rejection, doubt and a lot of self-sabotage.” After a 2018 New York showcase, Singleton laid in A friend’s Philadelphia bed and thought about what was next. He had taken a step he hadn’t before and it was that precise step that woke up a sleeping giant. “It all hit me at once! I got so much closer to my dream than ever before and a dream with steps and goals that I’d written down and prayed aloud for since I was 7.” ‘Want Me’ would spawn a very successful Kickstarter for its major music video and an EP that Stephonne had no idea he’d end up writing.

Stephonne Singleton photo by Paul Andrews Photograph

“‘Want Me’ had been written before my debut was released but was just sitting and, honestly, after I decided I needed to go about this alone I remembered that I was broke,” laughs the singer-songwriter. From jobs in corporate America, local theatre and drag Stephonne put his money where his dreams were. After crowdfunding success, the songs just showed up and demanded attention. SIS, in the case of this EP, actually means Summoning Insatiable Spirits.

“That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys.” On Side A and, an upcoming, B we find those spirits. “All of these songs came to me in an instant. They are really from some relationship that I have with the ether that I can’t explain. Whole songs in 10-15 minutes that I hear over and over until I get in with the band (Johnny Hamil, Ben Byard and Adam McKee) finish writing with everyone and then record them. They are literal sprits or ghosts that demand to be heard.”

Stephonne Singleton photo by Paul Andrews Photograph

Side A’s first single, ‘Deep’, came to Stephonne on a return to MCI from SEA. “There I was… crying on the plane like a big ass baby because of some dude I fell in love with and knew it wouldn’t work out with. The melody and lyrics hit me like a brick and after trying to hide my weeping face from the two passengers next to me, I went to that tiny bathroom and got everything on my phone.” Like ‘Want Me’, the pop gem would sit and scream at Stephonne until late 2019. The influence of 90’s and early 00’s radio rock reigns supreme on ‘Deep’ and we find Stephonne in his greatest melodic and lyrical territory yet. “I feel like you are always trying, unsuccessfully, to write a hit and with every single one of these songs there was no trying. I listened to life, wrote it down and got out of my own way.” Each song holds its ground without overproduction and a desperation for chart placement that holds back many industry hopefuls. What is delivered is sincere, raw but refined, pure and honest music that is accessible no matter your love of genre. With that being said, that this is a rock record is undeniable. “The frustrating thing for me about it, is that radio and audiences look at my skin color and automatically label everything as Hip-Hop and R&B. I’d say I did music as a kid and people would ask me if I was a rapper without even a second passing… Music of every genre has BLACK origin and yet where are we on the radio? We continue to carry the industry on our backs and are still having to use the back door!”

The genre jumper doesn’t deny his R&B, Soul and Jazz influences on SIS. It’s quite the opposite. Rock and R&B collide with the sultry, silky and vocal grit of Stephonne. He is an artist who conjures up the spirits of Prince and Billie Holiday (his biggest influences) but that delivers something inimitable, visceral, strange and beautiful. Even on the sugary and hyper sexuality of ‘Sweet Tooth’ and the dark but hopeful beauty of ‘Middle Man’, there is a triumphant transcendence that was a staple of yesteryears Popular music. A time when saturation wasn’t heavy and when artist development was embraced over carbon copying. “I only have interest in being me. Sis, I’m Black, unapologetically Queer, and very sex positive. I’m at a point in my life where I embrace every single part and won’t spend energy on anything but self-love, my music and the things that I can help with to change this world for the better.” SIS: Side A reflects all of the above exclamations of Stephonne but it also puts him in position to step into the world’s radar and officially begins his legacy as one music’s greatest treasures.

Stephonne Singleton photo by Paul Andrews Photograph

SIS: Side A will soon be up for pr-order on all music/streaming platforms, worldwide with ‘Deep’ arriving on July 14th and the full EP on August 7th! SIS: Side B will arrive late this year and SIS, the full album, is slated for Spring 2021! Production comes solely from Stephonne with co-production, engineering and mixing by Westend Studio’s, Justin Mantooth. For more visit www.stephonne.com!

Stephonne Singleton slinks and slides into ears with ‘Want Me’. The dark and slickly polished track oozes of sex, confusion and tension. “Those things describe my coming of age as a black gay man. I’ve put my heart and mental health through a lot, trying to find love.” With Stephonne you find a painfully personal style of writing. Here, he delves into the point of view of an ex-lover. “I kept trying to make it work and the outcome was always the same. It was so confusing, that it haunted me. I was with a person who loved me but that didn’t want anything to do with love. I was just a body for sex and a cheerleader when he decided it was game on.” The song was his final straw and a way to make sense of what he’d been through. It also examines the hookup culture of apps like Grindr and Scruff. “The app culture feels like shopping at a butcher shop for meat. It’s a bunch of ghosts, most of the time, who appear and disappear as soon as they cum. Sex can be utility but I suddenly don’t exist after that?!” Being black, becoming fetishized and turned away from members of queer communities has been an often occurrence for the singer-songwriter.

Stephonne Singleton photo by Paul Andrews Photograph

The writing and production comes solely from the Kansas City native, with a huge helping hand from co-producer, Justin Mantooth. Recorded at Westend Recording Studios the track features Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Singleton continues to defy genre, but instead of dipping his toe into his alternative rock roots he takes a deep dive in. Still marked by breathy vocals, buttery falsetto, gospel rasp and innate jazz sensibilities, the track and brand new music video lift Stephonne to new heights. 

The “Want Me” video transports us into the center of a horror movie. Surrounded by candles and ancient vigil work, Stephonne is painted in a nod to Grace Jones and Kieth Haring. Artist, Ryan Wilks makes Stephonne and the set a canvas, where he resurrects someone he probably shouldn’t. From a mere snap, we travel through a film noire that is equal parts Nosferatu, The Craft and an inescapable heat and sexuality that emit from both the songwriter and featured dancer, Courtney Germany. “I needed black girl magic in this video and what was most important to me was to have someone who could express every bit of agony and yearning in the song with their body.” Courtney is breathtaking. Choreographed by Ashley Personett of Empire Dance Academy and That’s Entertainment KC, Germany turns into a lovelorn golem who will do anything for the attention of its maker. “There is a magic that BIPOC hold within us that comes from a 24/7, 365 day struggle just to survive. On top of that, we also have to live, love and try to find time to heal. We are worthy of so much more than this world gives us.” In this way, Stephonne becomes a symbol for what’s not given and for what doesn’t wish to be given in the video.

The multi-layered and cinematic masterpiece was helmed and directed by Method Media. You may know them from the critically acclaimed and TIME magazine reviewed/featured videos by Kansas City natives, SSION (Inherit, At least The Sky is Blue and Comeback). Every detail is given the utmost attention by director and editor, Jordon Rioux. Every tone, shot and transition contains an edge and sophistication that only heightens this supernatural affair. The video production is an affair of its own. A Kansas City love affair that showcases the talents, locations (filmed at Heidi Van’s Black Box) and savvy of a slept on city that has recently gained new notoriety due to shows like Queer Eye. “We are a city full of so much treasure and promise! Every part of this video was responsible because of Kansas City businesses, costume/jewelry makers, artists and more. I will always rep my city.” Over half of the funding for the musical thriller was given by KC locals through a very successful Kickstarter last year!

Stephonne Singleton photo by Paul Andrews Photograph

‘Want Me’ is currently available on all digital/streaming platforms but will also appear on the upcoming EP, SIS: Side A. SIS means Summoning Insatiable Spirits. “That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys. It is like the ritual in the video but without blood and body paint,” laughs Stephonne. The ‘Want Me’ video ushers us into a slew of Alternative Rock tracks that are witchy, infectious, ready for radio and that bring R&B and Pop in the mix to create something inimitable but richly accessible. “I just want to make my city proud but I’ve got a lot in store for the entire world. It’s time to enter that stage.”

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

10:49

8. Stephone Singleton – “Deep”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

9. Eydie Gorme & Los Panchos -“Piel Canela”
from: Amour / CBS – Columbia / June, 1964
[Recorded In New York February 14, 18 and 19, 1964. Hecho en México ℗1964. Guitar – Alfredo Gil, Chucho Navarro, Johnny Albino The trio became one of the leading exponents of the bolero and the romantic ballad in Latin America. Its current members are Chucho Navarro Jr., Eduardo Beristian and Misael Reyes. A characteristic instrument of Los Panchos and other Mexican tríos románticos since the 1950s is the requinto guitar, which is smaller and tuned higher than a standard guitar and was popularized by Alfredo Gil. Requinto solos found in many bolero recordings by Los Panchos. Los Panchos first met in 1944 in New York City.[1] The three original members were Chucho Navarro, and Alfredo Gil, both from Mexico, and Hernando Avilés from Puerto Rico. All three played guitar and contributed vocally. Los Panchos reached fame with their romantic songs, especially in Latin America where they are still regarded as one of the top trios of all time. They sold millions of records in Latin America and other countries. In the 1940s they collaborated with Alfredo Antonini’s Viva America Orchestra with the orchestral accordionist John Serry Sr. in a recording of “La palma” (a cueca) and “Rosa negra” (a conga) for Pilotone Records (#45 5067, #45 5069). They also appeared in around 50 movies, mostly during the Golden Age of Mexican cinema. Los Panchos began touring internationally in 1946 and would relocate later that same year to Mexico City. They were welcomed with open arms and XEW-AM, the most popular radio station in Mexico City, reserved a time slot for their music. In 1951, Los Panchos launched another international tour across Latin America. Julito Rodríguez joined the group in 1952; he was replaced by Johnny Albino in 1958. Johnny Albino and Chucho Navarro—Miguel Poventud and Yomo Toro were studio musicians for CBS—famously worked with singer Eydie Gorme on a series of bestselling albums in the 1960s. The Albino era was one of the most prosperous ones for Los Panchos whose classic albums are very popular among Los Panchos fans still. His departure in 1968 was a tumultuous one, as he did not leave on good terms with the group’s management. In 1971, Ovidio Hernández joined the band as lead vocalist, a part he would fulfill until his untimely passing of complications of meningitis in 1976. Following him, Rafael Basurto Lara joined as lead singer. A very interesting note, and one that not everyone knows about, is that during the illness of Ovidio Hernández and the integration of Rafael Basurto to the trio, Alfredo Gil (the trio’s director) met the Puerto Rican singer, David Ortiz, in New York City, and amazed by the quality of his voice and style, asked him to come to Mexico and sing with Los Panchos. David Ortiz accepted the invitation and was with the Trio Los Panchos for several months. However, after fulfilling several commitments with the trio, David Ortiz returned to New York. Alfredo Gil played with Los Panchos until his retirement in 1981; he died in 1999. Chucho Navarro played with the group until his death in 1993. Currently the trio using the Los Panchos name is the Trio Los Panchos de Chucho Navarro Fundador (“Trio Los Panchos of Founder Chucho Navarro”) under the direction of Chucho Navarro Jr., the son of original Los Panchos member Chucho Navarro.][Eydie Gormé died in 2013 at age 84. Her groundbreaking career in Latin music, highlighted by the 1964 album “Amor” recorded with Trio Los Panchos. When it comes to Latin-music icons, Las Vegas veteran Eydie Gormé isn’t exactly the first name that leaps to mind. But to generations of Hispanics, Gormé is eternally linked with nostalgic sounds in Spanish. The primary reason is “Amor,” her luminous 1964 collaboration with Mexican vocal group Trio Los Panchos. “Most artists have an album or two that define them,” says Texas journalist Ramiro Burr, author of “The Billboard Guide to Tejano and Regional Mexican Music.” “The Beatles have ‘Sgt. Pepper.’ Nirvana has ‘Nevermind.’ For Eydie Gormé, that timeless album is ‘Amor.'” Since its release more than 40 years ago, the disc has never gone out of print. It’s the biggest-selling album in Gormé’s long career. In the ’90s, Sony repackaged the album along with its 1965 sequel, “More Amor,” and the disc made the Latin charts all over again. Gormé’s career in Spanish may seem surprising until one looks at her background. The New York-born singer is the daughter of Sephardic Jews and grew up speaking mainly Spanish at home. Columbia Records President Goddard Lieberson came up with the concept of recording one of his top female vocalists with Los Panchos, a big-selling trio a few years past their prime.
“He was a really sophisticated, international man,” Lawrence recalls. “He knew of Eydie’s Spanish background. He thought of Los Panchos, and they were aware of Eydie. They all met in the studio, and it was like they were old friends.” Los Panchos chose the songs. Most of them were established tunes, such as “Piel Canela,” “Amor” and “Cuando Vuelva a Tu Lado,” that had been recorded by scores of artists. “They were drinking a lot of wine on those sessions,” she says with a laugh. “They were lovely people. Drunk, but lovely.” Whatever the reason, the artists had a once-in-a-lifetime chemistry.]]

10. Prince – “Gotta Broken Heart Again”
from: Dirty Mind / Warner Bros. / October 8, 1980
[Dirty Mind is the third album by American recording artist Prince. It was released on October 8, 1980, by Warner Bros. Records as the follow-up to his self-titled second album, Prince, (1979). It was produced, arranged, and composed entirely by Prince in his home studio in Minneapolis, Minnesota during May to June of 1980. Dirty Mind has been considered by critics as Prince’s most creative and boldest album, setting the baseline for his artistic direction in the following years. During the spring of 1980, Prince and his backing band members Dez Dickerson, André Cymone, drummer Bobby Z, and keyboardists Doctor Fink and Gayle Chapman spent nine weeks on the road opening for Rick James, a musical rival of Prince. Following the end of James’ tour, Prince returned to Minnesota and rented a house in Wayzata where he set up a 16-track studio. During the recording of the album, Doctor Fink’s jam-out during a rehearsal provided the basis for the album’s title track. A fusion of post-disco, new wave, funk and dance, Dirty Mind is more prevalent in punk sounds than Prince’s previous albums. Prince’s high and feminine vocals, along with his androgynous image during the Dirty Mind era, has been recognized for bringing attention to gaydar. Controversially, the album’s theme is fueled by explicit topics including oral sex, threesome and ejaculation, which has been credited for opening the doors for sexually explicit albums in the coming years. The first single of Dirty Mind, “Uptown” reached number five on both the Billboard Hot Soul Singles and the Billboard National Disco Action Top 30 charts. Though the album only reached number 45 on the Billboard 200, it earned widespread acclaim from music critics and crossover success. Due to its fusion of genres, critics have hailed it for setting the sound for urban black music of the early 1980s. The album has been ranked by several publications as one of the greatest albums of all time. // Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, musician, record producer, dancer, actor, and filmmaker. He is widely regarded as one of the greatest musicians of his generation. A multi-instrumentalist who was considered a guitar virtuoso, he was well known for his eclectic work across multiple genres, flamboyant and androgynous persona, and wide vocal range which included a far-reaching falsetto and high-pitched screams. Prince’s innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, psychedelia, pop, industrial, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday”. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. In 1984, he and his backup band, The Revolution, released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200.[5] The film also won the Academy Award for Best Original Song Score, the final film to receive the award. After disbanding The Revolution, Prince released the critically acclaimed double album Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the “Love Symbol”), and was sometimes referred to as “The Artist Formerly Known as Prince” or simply “The Artist”. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. On April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 130 million records worldwide, ranking him among the best-selling music artists of all time. He was honored with special awards including the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. Rolling Stone placed Prince among its list of both the 100 Greatest Artists of All Time and 100 Greatest Songwriters of All Time. He is also ranked on the Top 100 Artists of All Time list by Billboard.]

11:00 – Station ID

11. Heath Church – “Extra Pain”
from: “Extra Pain” – Single / Heath Church / November 18, 2019
[Heath Church is an American singer-songwriter from KC who primarily plays indie-folk music. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. Featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venues and interacting with his faudiences. Heath released his debut, The Things I’ve Tried on Dec. 23, 2017. More info at: http://www.heathchurchmusic.com]

Heath Church on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Heath Church

Heath Church joins us on the phone to talk about his music and play his new single “The Stranger.” KC based singer-songwriter Heath Church grew up in Blue Springs, Missouri and performs all over the metropolitan area. Heath plays indie-folk music. His lyrics speak poetically about his own life, losses, struggles and intimate moments. His music is full of melancholy, catchy hooks, and sweet vocals. His style is inspired by artists such as Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. In the last two years Heath has released two 5-song EPs and four singles. Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

“Extra Pain” is the first of three new singles you have released in the last 9 months.

Heath has released two 5-song EPs and four singles.

Heath Church photo by Sean Stratton⁣

Heath Church Discography

The Stranger – Single – July 10, 2020
Echoes of You – Single – May 8, 2020
Extra Pain – Single – November 18, 2019
Chemical Optometry – 5-song EP – June 14, 2019
All Messed Up – Single – December 7, 2018
Breaking Even – Single – April 6, 2018
The Things I’ve Tried – 5-song EP – December 23, 2017

Notes from Heath Church’s debut EP The Things I’ve Learned: THEMES & CONCEPTS DISCUSSED Coping with Life in Less Than Ideal Ways And Failing Miserably

The EPs main theme is sort of a tragicomic story of trying to find ways to cope with day to day life struggles but feeling trapped by the resulting disappointment that often comes from temporary solutions such as alcoholism and materialism. Below is part of a verse from the title track “The Things I’ve Tried” that reflects this theme.

“I tried drinkin’ alcohol to forget the things I saw, but every drink just brought back memories”

Running to a Place of Comfort

In “Kansas City Train”, I used my hometown to speak to the desire that most people have to leave their regular life behind for a new and brighter future. This track is more than just the desire to jump on the train out of town – It’s about wanting a new life that is free from the stressors we encounter everyday. I have always loved my hometown of Kansas City, Missouri and remember plenty of times when I was away at college longing to return to it and start a new life. The song isn’t just about Kansas City though. It’s really about the hope of a more promising future full of new friends and people who care about you. Below is a line from “Kansas City Train”.

“If your mind keeps yellin’ and you’re all stressed out -If your eyes keep cryin’ and they won’t slow down. You can pack your bags – you can leave right now. I hope you find yourself in my favorite town”

Heath Church photo by Sean Stratton

Heath Church has upcoming shows:

Jul 16 – Captain’s Sports Lounge – Lees Summit, MO
Jul 18 – The Corner Boutique – Belton, MO
Aug 20 – Captain’s Sports Lounge – Lees Summit, MO
Aug 29 – Tipsy Taco – Lees Summit, MO
Sep 19 – Tipsy Taco – Lees Summit, MO
Oct 08 – Captain’s Sports Lounge – Lees Summit, MO
Oct 16 – Tipsy Taco – Lees Summit, MO

Heath is getting ready to release a new EP Cosmic Love this year.

Heath Church – “The Stranger” Just released July 10

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church photo by Sean Stratton

11:17

12. Heath Church – “The Stranger”
from: “The Stranger” – Single / Heath Church / July 10, 2020
[Heath Church is a singer-songwriter from KC who plays indie-folk. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths, featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venue.. More info at: http://www.heathchurchmusic.com]

13. Brandon Phillips & The Condition – “Sunrise”
from: “Sunrise” – Single / Brandon Phillips & The Condition / July 13, 2020
[Another installment of the band’s Summer Singles 2020 Series. Brandon Phillips, Adam Phillips, Brent Kastler, Mike Alexander, Nathan Showalter, Julie Berndsen, Julia Haile, and featuring Eric Bikales on flute. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Produced and mixed by Brandon Phillips. Artwork by Jud Kite. Follow up to their June 16, 2020 single release “Contrition” and their May 28 double single: ‘C.A.R.D.I.A.C. A.R.R.E.S.T.” and “Whatever.” On April 13, 2019 Brandon Phillips and The Condition with Too Much Rock released the, “Angel Say No” / “People Talk” 7” single release. On November 14, 2017 the group rebased “Heartsick” and “Clean and Sober” as a double A-side single. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast with musicians from other bands.]

14. The Nicole Springer Band – “Birthday”
from: Birthday – Single / Nicole Springer / July 10, 2020
[Recorded, produced, mixed, & mastered by Joel Nanos of Element Recording Studios. The Nicole Springer Band’s follow-up to their debut EP, “Willing.” Nicole Springer on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. Birthday is Nicole’s response to acknowledging the birthday of a family member removed from her life, is a nuanced recognition of both sorrow & joy, grief & peace, and a sincere hope that happiness rests in the heart of a loved one long gone. Last year The Nicole Springer Band released the EP Willing. On the April 10, 2019 WMM Nicole shared the radio debut of her single, “Hell.” Nicole Springer was the founder and songwriter of: The Clementines, The Good Hearts, Heart Machine, Nikki and the Rooftop Punch, and her solo projects. Nicole has performed at numerous festivals . Nicole Springer has a big amazing voice; once you hear it, you cannot ignore this voice. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues. Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins who played LIVE on our April 25, 2012 edition of WMM. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. The band added Stephanie Williams on drums, and Travis Earndshaw on bass. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. Nicole Springer grew up in Oak Grove, MO, and graduated high school in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and Special Education with Music at Metropolitan Community College, in KC. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs. I still love gospel music, though I’m not religious or anything. I did musicals throughout high school.” When she was 19, Nicole was disowned and made homeless by her family because of her sexual orientation. 15 years later she released her music video “Come Clean” dedicated to her wife Bethany Cain and the LGBTQIA Community. Nicole has recently found new confidence in her music and in telling her own story of her life. Last November Nicole was on the cover of Camp Kansas City Magazine in a feature written by John Long, where Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician. More info at http://www.nicolespringersings.com]

11:29 – Underwriting

15. Rufus Wainwright – “Damsel In Distress”
from: Unfollow the Rules / BMG / July 24, 2020
[New York-born, Montreal-raised singer songwriter praised by the New York Times for his “genuine originality.” Unfollow the Rules is Wainwright’s ninth release of original material, his first since Out of the Game (2012), and his first under BMG. The album was produced by Mitchell Froom, and other contributors include Matt Chamberlain, Jim Keltner, and Blake Mills. “Trouble in Paradise”, released in October 2019, served as the album’s lead single. “Damsel in Distress”, “Peaceful Afternoon”, and “Alone Time” were released in February, March, and April 2020, respectively. Originally scheduled to be available on April 24, the album’s release date was pushed back to July 24 because of the ongoing coronavirus pandemic. Rufus McGarrigle Wainwright was born July 22, 1973, He is an American-Canadian singer, songwriter, and composer. He has recorded nine albums of original music and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright’s self-titled debut album was released through DreamWorks Records in May 1998. His second album, Poses, was released in June 2001. Wainwright’s third and fourth studio albums, Want One (2003) and Want Two (2004), were repackaged as the double album Want in 2005. In 2007, Wainwright released his fifth studio album Release the Stars and his first live album Rufus Does Judy at Carnegie Hall. His second live album Milwaukee at Last!!! was released in 2009, followed by the studio albums All Days Are Nights: Songs for Lulu (2010) and Out of the Game (2012). The double album Prima Donna (2015), was a recording of his opera of the same name. His ninth studio album Take All My Loves: 9 Shakespeare Sonnets (2016), featured nine adaptions of Shakespeare’s sonnets. Wainwright is the son of musicians Loudon Wainwright III and Kate McGarrigle, and the older brother of singer Martha Wainwright.]

16. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.] [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

17. Sly & The Family Stone – “Poet”
from: There’s A Riot Goin’ On / Epic / November 20, 1971
[There’s a Riot Goin’ On is the fifth studio album by American funk and psychedelic soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 20 by Epic Records. The album’s recording was dominated by band frontman Sly Stone during a period of drug use and intra-group tension. Its music embraced a darker and more challenging sound than the optimistic style of the band’s previous releases, making use of hard funk rhythms, primitive drum machines, extensive overdubbing, and a dense mix. The album’s planned title was Africa Talks to You, but it was retitled in response to Marvin Gaye’s album What’s Going On, released six months before. There’s a Riot Goin’ On reached the Billboard Pop Album and Soul Album charts at number one upon its release, while its lead single “Family Affair” topped the Pop Singles chart. By 2001, it had sold one million copies and been certified platinum by the Recording Industry Association of America (RIAA).[8] Received with ambivalence upon its release, the album is now praised as one of the greatest and most influential recordings of all time, and ranked at or near the top of many publications’ best album lists. In 2003, it was ranked number 99 on Rolling Stone’s list of 500 Greatest Albums of All Time. // Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone’s brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup. // Formed in 1966, the group’s music synthesized a variety of disparate musical genres to help pioneer the emerging “psychedelic soul” sound. They released a series of Top 10 Billboard Hot 100 hits such as “Dance to the Music” (1968), “Everyday People” (1968), and “Thank You (Falettinme Be Mice Elf Agin)” (1969), as well as critically acclaimed albums such as Stand! (1969), which combined pop sensibility with social commentary. In the 1970s, it transitioned into a darker and less commercial funk sound on releases such as There’s a Riot Goin’ On (1971) and Fresh (1973), proving as influential as their early work. By 1975, drug problems and interpersonal clashes led to dissolution, though Sly continued to record and tour with a new rotating lineup under the name “Sly and the Family Stone” until drug problems forced his effective retirement in 1987. The work of Sly and the Family Stone greatly influenced the sound of subsequent American funk, pop, soul, R&B, and hip hop music. Music critic Joel Selvin wrote, “there are two types of black music: black music before Sly Stone, and black music after Sly Stone”. In 2010, they were ranked 43rd in Rolling Stone’s 100 Greatest Artists of All Time, and three of their albums are included on Rolling Stone’s 500 Greatest Albums of All

11:45 – Kansas City Syzygy

We started the show with three tracks from the new French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

We are ending the show with three tracks from another new compilation called Kansas City Syzygy, 19 musical tracks created during the quarantine in April, 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. Robert Castillo, of The Sextet, who organized this compilation will be with us next week on WMM to share more tracks and information.

18. We The People – “Don’t Get Wrapped Up”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[On June 26, 2020 Eddie Moore’s We The People released “Misunderstood” with a music video. This was the first single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples. /// Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Calvin Arsenia – “Painted Ladies”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released the EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in November 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, KC Fringe, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

[Congratulations go out to: Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. And Center Cut Records with Patrick Sprehe and James Andrews. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

20. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests included: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro and her husband Chad Brothers also record and perform as Shapiro Brothers. Mikal is also part of the band Monta At Odds. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 22, musician and artist and band leader, Robert Castillo, of The Sextet, joins us to share three more tracks from the new compilation called Kansas City Syzygy, 19 songs tracks created in April 22 during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records
Heath Church photo by Sean Stratton

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #846

WMM Playlist from June 24, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 24, 2020

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far
(Part Two) + Stacy Busch

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

Hi-Lux

2. Hi-Lux – “Revolution”
from: Revolution / Get What You Give – Single / The Record Machine / March 6, 2020
[This KC based band is lead by singer Julia Haile, with Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings) but also claims a spotlight of its own in the musical world. After a string os single releases, including one on 7” vinyl through Sunflower Soul Records, followed by the release of their self-titled EP, Hi-Lux has introduced an eclectic and impressive collection of songs to give the world a small taste of what’s to come. Hi-Lux is on a journey of musical discovery, mixing old and new to create something unique.]

3. The Sluts – “King Kong”
from: Enjoy The Show / The Sluts / May 7, 2020
[Enjoy The Show is the follow up to last year’s 6-song EP Break Their Heart. The Lawrence based band The Sluts were formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The Sluts released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. Info at http://www.thesluts.bandcamp.com]

4. They Call Me Sauce – “Make You Sing [feat. Love, Mae C]”
from: Make You Sing – Single / NuBlvckCity / March 27, 2020
[Featuring Love, Mae C. Produced by D. Professor. Recorded at I Got The Sauce Studios & Woodgrain Productions. Mixed & mastered by Tony at Woodgrain ProductionsRoyce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released Soul Food 4. In 2019 his collective NuBvckCity with Kartez Marcel, Mae C, and VP3 released the single “All Night” / “Alive”. Mae C is a singer/songwriter who’s one of Kansas City’s go-to voices and performer’s. Mae C is a Kansas City based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said.]

5. Broken Heart Syndrome – “Hard To Be Boring”
from: Hard To Be Boring – Single / Olive Juice Music / February 14, 2020
[Kansas City based supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. This is the thrid single release from th band and ia follow up to their September 13, 2019 release of Dolly (and other unfinished business) is the second official Broken Heart Syndrome. ]

jordana

6. jordana – “I’ll Take It Boring”
from: I’ll Take It Boring – Single / Grand Jury Music / May 12, 2020
[Jordana is a girl who makes music in her living room in Kansas. Produced by MELVV & Jordana. Follow up to her full length album release, Classical Notions of Happiness, March 27, 2020 with all songs written and produced by Jordan except “Crunch” was co written and produced by Jordana and Jeff Melvin aka “Melvv” and “Sway” was written by Jordana and co produced by Jordana and Sage Baptiste.]

7. DeMaur – “Love Is a Losing Game”
from: Love Is a Losing Game – Single / DeMaur / February 14, 2020
[DeMaur is Maurice Demetrius Roper. He is a singer/songwriter based in his hometown of Kansas City, Missouri. DeMaur is an R&B/Soul artist. He started singing at the age of 5 years old when he joined his Kindergarten choir and has enjoyed being an entertainer ever since. DeMaur got much of his musical influence and inspiration singing in his late uncle’s church in Kansas City, Missouri during his teenage years. During this time, he knew that singing would be a part of his everyday life. DeMaur performs with his band, The Movement, throughout the Kansas City, Missouri area.]

Jo MacKenzie

8. Jo MacKenzie – “Lose My Face”
from: “Lose My Face” – Single / Jo Mackenzie / April 24, 2020
[One of several new singles from 16 year old, Kansas City based singer songwriter, Jo MacKenzie. Written, Recorded and Produced by Jo MacKenzie. Jo MacKenzie released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019 and the single “Suicide season”February 1, 2020 More info at http://www.jomackenzie.com]

10:28 – Underwriting

Adam Scott York

9. Adam Scott York – “What I Need”
from: The Twin Rivers EP / Adam Scott York / December 20, 2019
[Adam Scott York is a multi-instrumentalist and songwriter from Kansas City, who specializes in bass guitar. His versatile range of influences vary from hip-hop to folk to classic rock. Adam first took up the piano at age 4 at the behest of his parents and thus began the endless curiosity that led him to learn any instrument he could get his hands on, be it guitar, banjo, drums, or bass. Adam previously played bass for The Creepy Jingles.]

Misha Roberts

10. Misha Roberts – “Glass”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

11. The Roseline – “Better to the Bone”
from: GOOD / GRIEF / King Forward Records / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The songs were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality. Beyond simply the lyrics, they have added sonic textures that have not previously been explored, thanks to the addition of guitarist Bradley McKellip, bassist Colin Jones, and keyboardist and vocalist Heidi Gluck. Drummer Jim Piller and guitarist Kris Losure have returned as solid mainstays of the band. Guest appearances from lap steel player Mike Stover, pianist Dan Loftus, and vocalist Chase Horseman widen the sonic spectrum even further. The album was recorded, engineered and produced by Joel Nanos at Element Recording Studios in KCMO. The new album follows the September 29, 2017 release “Blood,” and the June 19, 2015 album, “Townie.” The band has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. More info at; http://www.roselinemusic.com.]

12. Soultru – “Come & Gone”
from: “Come & Gone” – Single / The Record Machine / April 10, 2020
[Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.]

13. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape. Dedric Moore was our guest on WMM on May 27.]

Cody Wyoming, Kimmie Queen and Justin Muschinske of The Guillotine Choir

14. The Guillotine Choir – “What Tomorrow Brings”
from: “What Tomorrow Brings” – Single / The Guillotine Choir / April 29, 2020
[The Guillotine Choir is an electronic rock band and the musical side project of Kimmie Queen and Cody Wyoming of The Philistines, and Justin Muschinske of The Widows Ride. Invoking the imagery of a late night journey through a cold war Berlin, the synthesizers sizzle and crash and beat against the wall, as the music searches for signs of light and freedom across dark urban landscapes. Cody Wyoming is also a guitarist with The Pedaljets. Cody went to Park Hill High and lives in Kansas City, Missouri with Kimmie Queen who he has been in a relationship with for 15 years. Cody grew up in Enid, Oklahoma.]

11:00 – Station ID

15. Stacy Busch – “Memory”
from: She Shed: When is the Time / Stacy Busch / June 17, 2020
[“Whar is certain is that Busch is an important emerging compositional voice, fearless in its vulnerability, and able to pull disparate musical genres into a cohesive whole eithout artifice.” -KC METROPOLIS. Stacy Busch is a composer and performer. Her concerts and productions are designed to be provocative yet accessible in order to cultivate broader artistic interest and, in particular, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for social causes. Artistically, her work deals with internal conflicts that are often taken abstractly from her personal experiences with addiction and bipolar disorder. These experiences of duality both in the mind and body are universal and her work expresses this underlying human vulnerability.
Stacy’s work has been performed nationally as well as in France and Iceland. In 2020, Stacy is composing / performing the new music and theater production, When/Time in partnership with Charlotte Street Foundation. The Mid America Freedom Band is premiering her double concerto piece for two drag queens. No Divide KC is producing “Stories from Under the Stars” a storytelling event focusing on homelessness in Kansas City as well as the 1st Annual Queer Narratives Festival. Recently, Stacy released a new project and subsequent album, titled Mass, which she premiered at MTH Theater. Stacy has performed at Splice Electroacoustic Music Festival, she scored the documentary “The Ordinance Project” which premiered at the Kansas City LGBTQ Film festival, she partnered with Gilda’s Club KC, Owen/Cox Dance Group and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer,” other service with No Divide KC includes partnerships with the Kansas City Ballet School and the Johnson County Library. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, University of Missouri-Kansas City Conservatory of Music and Dance, Western Michigan University and Central Michigan University. It has also been performed by ensembles including: loadbang, Bent Frequency and the Beo String Quartet. She is a 2020 Charlotte Street Foundation Generative Performing Artist Fellow. Stacy has received grants from ArtsKC, ArtSounds, Charlotte Street Foundation and the UMKC Women’s Council. Stacy received her MM in composition from the University of Missouri-Kansas City and her BM in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

Stacy Busch of No Dive KC on the June 24, 2020 edition of Wednesday Midday Medley on KKFO 90.1 FM.

11:04 – Interview with Stacy Busch

Stacy Busch is a composer and performer. Her concerts and productions are designed to be provocative yet accessible in order to cultivate broader artistic interest and, in particular, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for social causes. Artistically, her work deals with internal conflicts that are often taken abstractly from her personal experiences with addiction and bipolar disorder. These experiences of duality both in the mind and body are universal and her work expresses this underlying human vulnerability. She is a 2020 Charlotte Street Foundation Generative Performing Artist Fellow. Stacy has received grants from ArtsKC, ArtSounds, Charlotte Street Foundation and the UMKC Women’s Council. Stacy joins us on the radio today to talk about No Divide KC’s 1st Annual Queer Narratives Festival. More information at: http://www.nodividekc.org

Stacy Busch, thanks for being with us on Wednesday MidDay Medley.

We just heard “Memory” for your She Shed series

Stacy’s work has been performed nationally as well as in France and Iceland. In 2020, Stacy is composing/performing the new music and theater production, When/Time in partnership with Charlotte Street Foundation. The Mid America Freedom Band is premiering her double concerto piece for two drag queens. No Divide KC is producing “Stories from Under the Stars” a storytelling event focusing on homelessness in Kansas City as well as the 1st Annual Queer Narratives Festival.

Stacy Busch

Recently, Stacy released a new project and subsequent album, titled Mass, which she premiered at MTH Theater. She performed at Splice Electroacoustic Music Festival, she scored the documentary “The Ordinance Project” which premiered at the Kansas City LGBTQ Film festival, she partnered with Gilda’s Club KC, Owen/Cox Dance Group and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer,” other service with No Divide KC includes partnerships with the Kansas City Ballet School and the Johnson County Library.

In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, University of Missouri-Kansas City Conservatory of Music and Dance, Western Michigan University and Central Michigan University. It has also been performed by ensembles including: loadbang, Bent Frequency and the Beo String Quartet.

She is a 2020 Charlotte Street Foundation Generative Performing Artist Fellow. Stacy has received grants from ArtsKC, ArtSounds, Charlotte Street Foundation and the UMKC Women’s Council. Stacy received her MM in composition from the University of Missouri-Kansas City and her BM in composition from Western Michigan University.

Stacy’s teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.

Stacy joined us to share details about:

No Divide KC presents – 1st Annual Queer Narratives Festival
Kansas City Young Audiences, 3732 Main St, Kansas City, MO 64111, October 31, 2020 6:00 PM – 10:00 PM HALLOWEEN THEME!

The festival will include artists representing all mediums. Music, dance, spoken word, poetry, multimedia, installation, interactive performance, photography, paint, mixed media, video, etc. All live performance and visual art forms are accepted.

No Divide KC uses the arts as a vehicle for stimulating social awareness, participation and community building. No Divide KC partners with Kansas City-based artists and organizations to create artistic events that are focused on the stories of underserved and misrepresented communities in Kansas City.

In 2020, NDKC is launching its 1st Annual Queer Narratives Festival. This festival will be held annually to highlight and celebrate queer voices representing the full spectrum of the LGBTQ+ community. The event is sponsored by the Francis Family Foundation, ArtsKC, Kansas City Young Audiences and other local businesses

Stacy Busch, thanks for being with us on Wednesday MidDay Medley.

For more information about No Divide KC’s 1st Annual Queer Narratives Festival you can visit http://www.nodividekc.org

11:17

Ingrid Ingram

16. Ingrid Ingram – “Just Joking”
from: Worried / Ingrid Ingram / March 8, 2020
[Ingrid Ingram joined us live on our March 18, 2020 WMM. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On March 8, 2020 Ingrid released her debut full length album, “Worried,” where she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society. Ingrid Ingram also plays bass in the KC based band The Creepy Jingles. Prior to “Worried,” 26 year old Ingrid Ingram released three singles from “Worried,” plus her EP “Inside Outside” from January 2017, and “Noises And People” from February 2016. Many of the sounds used in these earlier two releases were recorded on a phone during a two-year period of travel around the United States and stitched together on friends laptops. Our first question to Ingrid was, are you worried? She immediately, and bravely identified herself as having BDP, Borderline Personality Disorder. About 1.6% of people have BPD in a given year, with some estimates as high as 6%. Women are diagnosed about three times as often as men. It appears to become less common among older people. Up to half of people improve over a ten-year period. There is an ongoing debate about the naming of the disorder, especially the suitability of the word borderline. The disorder is often stigmatized in both the media and the psychiatric field. When we asked Ingrid Ingram about her musical influences and she told us about Micachu and the Shapes. The UK band was formed by Mica Levi, born February 2, 1987, also known by her stage name Micachu. She is an English singer, songwriter, composer and producer. Micachu and the Shapes includes Raisa Khan on keyboards and Marc Pell on drums. The band signed to Accidental Records. With the Shapes, Levi’s focus has been on experimental pop music. Most of this music prominently features an acoustic half-guitar with various non-standard tunings, extensive distortion, and use of noise and found-object elements, as well as occasionally unusual time signatures. Despite these experimental leanings, the artist categorizes her output with the Shapes as pop music. Ingrid Ingram met Jocelyn Olivia Nixin of The Creepy Jingles when she was working at Succotash, Beth Barden’s restaurant at 2601 Holmes, in KCMO. Ingrid told us about jumping into an already established band that have been playing together for several years and that is was especially fun because Ingrid was a big fan. On Wednesday MidDay Medley, over the past 7 years, we’ve been watching the growing number of brave trans-artists opening us and coming out in the collective Kansas City music communities. Ivory Blue, Eve Sheldon, Ada Brumback, The Creepy Jingles, Mazzy Mann, Cuee, HellKat, True Lions, Chase The Horseman, are many of the artists we’ve had as guests on Wednesday MidDay Medley and have featured their recordings. Ingrid said that she has found acceptance in the KC music community, especially in early DIY spaces, that we can’t mention on the radio. Ingrid grew up in Raytown, Missouri and was home-schooled. She talked about the irony of being home-schooled in relationship to her current job, as the “lunch lady” at an elementary school in Gladstone. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On”Worried,” she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society. Ingrid Ingram plays bass in The Creepy Jingles.]

17. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

18. City Pets – “All The Time”
from: All The Time – Single / City Pets Records / February 21, 2020
[A new collaborative project from Joe Stanziola aka Second Hand King]

11:30 – Underwriting

Ivy Roots

19. Ivy Roots – “Home”
from: “Home” – Single / Ivy Roots Music / April 22, 2020
[KC native singer songwriter, who plays piano & guitar, and produces beats. Her style ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. The acoustic guitar strumming songstress draws from her inspirations; Stevie Wonder, Lauryn Hill, Deangelo, and India Arie. Ivy Roots studied audio engineering at Kansas City, Kansas Community College. She toured in a 5-piece reggae band, played regional festivals, Los Angeles, and collaborated with film & performance. She also sang in a vocal jazz group at a performing arts jazz festival at Lincoln Center in NYC, before releasing her first album “Bad Intuition” and beginning her solo career. Last year Ivy Roots released her EP Love Art Growth on June 5, 2019 where she collaborated with Eddie Moore. Ivy Roots released her debut album Bad Intuition on April 14, 2016. Written & produced by Ivy.]

20. Nick Siegel – “Surely [Radio Edit]”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

Amy Marcus

21. Amy Marcus – “Sweater”
from: Two Years EP / Amy Marcus / April 3, 2020
[Singer songwriter Amy Marcus was born and raised in Kansas City. She has been writing song since she was a child and in May 2016 she released her debut 5-song EP Brave with Kansas City based Serve Productions. In January 2017 she released ” I Want More For My Daughters” that was produced by musician Zach Balch at his studios in Dallas. Amy writes music to bring her honest lyrics to life. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and personal chef. Amy was our guest on WMM on March 4.]

Konnor Ervin

22. Koney – “Buds”
from: Koney / High Dive Records / June 26, 2020
[High Dive Records announced on their website http://www.highdivekc.com “We are excited to announce that Konnor Ervin from The ACBs and Shy Boys has a new project called Koney. We will be releasing his new self titled album digitally on June 26, 2020 followed by a vinyl release later this summer. Thanks to New Commute you can check out the lead single and corresponding video at the below link. https://www.newcommute.net/feed/2020/5/19/koney-sue-2 Konnor Ervin is part of the Shy Boys who’ve released two full-length albums and multiple singles. Before Shy Boys, Konnor was the founder of the critically acclaimed band The ACBs who released their self titled debut album in 2007, followed by Stona Rosa in 2011, and Little Leaves in 2013. Konnor’s work on what might have been The ACBs fourth full-length album, got held up, but now seven years later it’s seeing the light of day under the name Koney, Konnor’s nickname from Shy Boy’s band mates.]

Belle & The Vertigo Waves

23. Belle & The Vertigo Waves – “Pulse”
from: “Pulse” – Single / Drop Out Records / April 17, 2020
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. Belle & The Vertigo Waves are releasing a new single on April 17, with a new music video at the band’s instagram page @thevertigowaves. Belle & The Vertigo Waves joined us on WMM on February 5, 2020 and in 2019 in the summer. More info at: http://www.thevertigowaves.com The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.” The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves release a new EP, and new video later this year. ]

Kadesh Flow

24. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

Jake Wells

25. Jake Wells – “Habit”
from: Sunday Morning – EP / Jake Wells Music / February 29, 2020
[Second EP from Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, July 1 we’ll be playing more New & Midcoastal Releases from Honeywagen, Black Stacey, Forest Porridge, Black Light Animals and more. We’ll talk with Johnny Hamil about KC BASS WORKSHOP International Rabbath Institute & International Society of Bassists proudly presents Bassists 4 Bassists “Do Not Stay Alone” July 7-11th 2020 A online Bassworkshop and BASSFEST live stream for all levels and styes of music Double Bass and Electric. Also Colby Bales and Cody Calhoun join us to talk about their new musical project Black Light Animals and their new album Playboys of The Western World.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #843

WMM Playlist from April 29, 2020

The Guillotine Choir photograph by Jami Michael

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 29, 2020

New & MidCoastal Releases
+ The Guillotine Choir + They Call Me Sauce +
Nicole Springer + Ivory Blue

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. THE VACANT LOTS – “RESCUE”
from: INTERZONE / Fuzz Club Records / June 26, 2020
[The Vacant Lots are Jerad Artaud & Brian MacFadyen. Music & lyrics by The Vacant Lots. Produced by The Vacant Lots. Recorded in Brooklyn, New York. Mixed & additional productions by Maurizio at La Distilleria Studio. Engineered by Ted Young. Mastered by Gianni Peri. More info: http://www.thevacantlots.com. Interzone is the third full-length album by New York’s electro post-punk duo The Vacant Lots. A genre-blending synthesis of dance and psych, Interzone is made for secluded listeners and all night partygoers, meant for headphones and the club. Uninhibited by the limitations of two people and continuing their mission of “minimal means maximum effect,” The Vacant Lots’ Jared Artaud and Brian MacFadyen create an industrial amalgam of icy electronics and cold beats with detached vocals and hard hitting guitars. Interzone’s trance-like opener ‘Endless Rain’ and the kinetic krautrock stomper ‘Into The Depths’ are followed by scintillating dark disco anthems ‘Rescue’ and ‘Exit’. Side 2 kicks off with 80’s synth-pop track ‘Fracture’ and haunting after-hours minimal wave ‘Payoff,’ while ‘Station’ and album closer ‘Party’s Over’ deal with disillusionment and conquering one’s indifference to make real change. The album creates order from chaos and delves into escapism, isolation, relationship conflicts, and decay. With nods to William S. Burroughs and Joy Division’s song of the same name, “Interzone is like existing between two zones,” Jared says. “Interzone doesn’t mean one thing. It can mean different things to different people depending on their interpretation. Working on this album was a constant struggle reconciling internal conflicts with all that’s going on externally in the world. Interzone in one word is duality.” “Jared and I bounced ideas back and forth while working in seclusion on opposite coasts. We would just send files to each other until the songs were arranged. Then we met up at the studio in Brooklyn where we were fortunate enough to borrow Alan Vega’s Arp synth and finished recording with engineer Ted Young. We then worked with Maurizio Baggio to mix it,” recalls Brian. After the band finished producing Interzone, long term visual collaborator Ivan Liechti designed the album artwork. The Vacant Lots have released singles with Mexican Summer and Reverberation Appreciation Society, collaborated on their debut album Departure with Spacemen 3’s Sonic Boom, their second album Endless Night with Alan Vega, and most recently on their two EPs, Berlin and Exit, with Brian Jonestown Massacre’s Anton Newcombe at his studio in Berlin. The group has toured with Black Rebel Motorcycle Club, Suicide, Brian Jonestown Massacre, The Growlers, Dean Wareham, The Dandy Warhols, and Spectrum. Reflecting on the new album, Jared says, “We don’t want to waste people’s time and we want people to play it over and over. Our mantra is ‘is it bulletproof? It’s about intention and vision.” Interzone is a record made for these times.]

3. The Sluts – “Enjoy The Show”
from: “Enjoy The Show” – Single / The Sluts / April 21, 2020
[Second single from The Sluts upcoming 2020 release, Enjoy The Show and follow up to last year’s 6 song EP Break Their Heart. The Lawrence based band The Sluts were formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The Sluts released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. Info at http://www.thesluts.bandcamp.com]

4. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by Paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

10:15 – Underwriting

Cody Wyoming and Kimmie Queen on the April 29, 2020 edition of WMM on KKFI.

10:17 – Interview with Cody Wyoming & Kimmie Queen

Cody Wyoming & Kimmie Queen are veterans of the Kansas City music community. They are also two of the founding members of the six piece rock band The Philistines, formed in 2013 and including: Kimmie Queen on vocals; Cody Wyoming on guitar & vocals, Steve Gardels on drums, Rod Peal on guitar, Josh Mobley on keyboards, and Barry Kidd on bass. The Philistines debut album “The Backbone of Night” was #1 on WMM’s 116 Best Recordings of 2016. Kimmie Queen and Cody Wyoming join us to share the broadcast radio premiere of their new single “What Tomorrow Brings” from their musical side project, The Guillotine Choir, an electronic rock band they have created with Justin Muschinske of The Widows Ride.

Cody Wyoming & Kimmie Queen, Thanks for being with us on WeMM

We just heard “Further” a single released last year from The Philistines that will be part of the band’s upcoming album Dysnomia, recorded and mixed by Paul Malinowski at Massive Sound Studios, produced by Paul Malinowski and Cody Wyoming.

Cody Wyoming, Kimmie Queen and Justin Muschinske of The Guillotine Choir

The Guillotine Choir is an electronic rock band musical side project they have created with Justin Muschinske of The Widows Ride.

The new single: “What Tomorrow Brings”

The Guillotine Choir photo by Rod Peal

Invoking the imagery of a late night journey through a cold war Berlin, the synthesizers sizzle and crash and beat against the wall, as the music searches for signs of light and freedom across dark urban landscapes. Kimmie and Cody share details about “What Tomorrow Brings” their new single from The Guillotine Choir

Cody Wyoming is also a guitarist with The Pedaljets. Cody went to Park Hill High and lives in Kansas City, Missouri with Kimmie Queen who he has been in a relationship with for 15 years. Cody grew up in Enid, Oklahoma.

Cody Wyoming & Kimmie Queen, thank you for being with us on WMM.

10:25

5. The Guillotine Choir – “What Tomorrow Brings”
from: “What Tomorrow Brings” – Single / The Guillotine Choir / April 29, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

6. They Call Me Sauce – “Make You Sing [feat. Love, Mae C]”
from: Make You Sing – Single / NuBlvckCity / March 27, 2020
[Featuring Love, Mae C. Produced by D. Professor. Recorded at I Got The Sauce Studios & Woodgrain Productions. Mixed & mastered by Tony at Woodgrain ProductionsRoyce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released Soul Food 4. In 2019 his collective NuBvckCity with Kartez Marcel, Mae C, and VP3 released the single “All Night” / “Alive”.]

Royce “Sauce” Handy on the April 29, 2020 edition of WMM on KKFI.

10:35 – Interview with They Call Me Sauce

They Call Me Sauce is Royce “Sauce” Handy, a rapper, songwriter, beat maker, designer, teacher, MC, business owner, social media manager, husband, father, and community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Arts Tech, Mid-America Regional Council, UMKC, and Representative Brandon Ellington. In 2017 Sauce’s EP, Summer Sauce was one of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released Soul Food 4. Last year the collective, NuBvckCity, with Kartez Marcel, Love Mae C, and VP3 released “All Night” and “Alive” through The Record Machine. This year Sauce is back with his single new, “Make You Sing” featuring Love, Mae C.

Royce “Sauce” Handy, Thanks for being with us on Wednesday MidDay Medley

NuBlvckCity’s singles Alive & All Night were #1 on WMM’s 39 Favorite Singles of 2019

More info at: http://www.theycallmesauce.com

NuBlvckCity went on a Winter Tour in 2018 followed by a Spring Tour in 2019. The collective represents positive vibes, creativity, showmanship, and community. NuBlvckCity is a Kansas City-based music collective, members include Mae C; They Call Me Sauce; Kartez Marcel and VP3.

Royce “Sauce” Handy

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released his newest album Soul Food 4.

Kartez Marcel (Addison) is a native of Kansas City, Missouri, he is a Hip-Hop artist, community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth.Kartez Marcel’s passion for artistic expression and vision not only led him to establish the League of Lifestyles, but also guides him in working to ensure generations that follow have access to unique and relevant mediums of expression. As such Kartez has partnered in the delivery of M.E.D.I.A over the past few years, which is an after/in-school program designed to expose local students to various facets of the music industry while providing practical experience they can apply both in and out of creative spaces. Kartez was educated in the KC and Hickman Mills School Districts, and later attended college at Full Sail University in Orlando, Florida where he studied music production and sound engineering.

VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production.

Mae C is a singer/songwriter who’s one of Kansas City’s go-to voices and performer’s. Mae C is a Kansas City based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said.

They Call Me Sauce released his new single “Make You Sing” featuring Love, Mae C. More information at: http://www.theycallmesauce.com

10:48

7. NuBlvckCity – “All Night”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently graduated from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” came after her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Rep. Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

8. Ivy Roots – “Home”
from: “Home” – Single / Ivy Roots Music / April 22, 2020
[KC native singer songwriter, who plays piano & guitar, and produces beats. Her style ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. The acoustic guitar strumming songstress draws from her inspirations; Stevie Wonder, Lauryn Hill, Deangelo, and India Arie. Ivy Roots studied audio engineering at Kansas City, Kansas Community College. She toured in a 5-piece reggae band, played regional festivals, Los Angeles, and collaborated with film & performance. She also sang in a vocal jazz group at a performing arts jazz festival at Lincoln Center in NYC, before releasing her first album “Bad Intuition” and beginning her solo career. Last year Ivy Roots released her EP Love Art Growth on June 5, 2019 where she collaborated with Eddie Moore. Ivy Roots released her debut album Bad Intuition on April 14, 2016. Written & produced by Ivy.]

9. The Magnetic Fields – “(I Want To Join a) Biker Gang”
from: Quickies / Nonesuch Records / May 15, 2020
[The Magnetic Fields’ Quickies vinyl box set is five 7” EPs comprising twenty-eight new short songs by Stephin Merritt, ranging in length from thirteen seconds to two minutes and thirty-five seconds, performed by Merritt and band members Sam Davol, Claudia Gonson, Shirley Simms, and John Woo, along with longtime friends and collaborators Chris Ewen, Daniel Handler, and Pinky Weitzman. he Magnetic Fields (named after the André Breton/Philippe Soupault novel Les Champs Magnétiques) are an American band founded and led by Stephin Merritt. Merritt is the group’s primary songwriter, producer, and vocalist, as well as frequent multi-instrumentalist. The Magnetic Fields is essentially a vehicle for Merritt’s songwriting, as are various side-projects including The 6ths, Future Bible Heroes, and The Gothic Archies. Merritt’s recognizable lyrics are often about love and with atypical or neutral gender roles, and are by turns ironic, tongue-in-cheek, bitter, and humorous. The band released their debut single “100,000 Fireflies” in 1991. The single was typical of the band’s earlier career, characterized by synthesized instrumentation by Merritt, with lead vocals provided by Susan Anway (and then by Stephin Merritt himself from The House of Tomorrow (EP) onwards). A more traditional band later materialized; it is now composed of Merritt, Claudia Gonson, Sam Davol, and John Woo, with occasional guest vocals by Shirley Simms. The band’s best-known work is the 1999 three-volume concept album 69 Love Songs. It was followed in the succeeding years by a “no-synth” trilogy: i (2004), Distortion (2008), and Realism (2010). The band’s most recent album, 50 Song Memoir, was released in March 2017. The band began as Merritt’s studio project under the name Buffalo Rome. With the help of friend Claudia Gonson, who had played in Merritt’s band The Zinnias during high school, a live band was assembled in Boston, where Merritt and Gonson lived, to play Merritt’s compositions. The band’s first live performance was at T.T. the Bear’s Place in Cambridge, Massachusetts in 1991 where they played to a sparse audience that was expecting to see the Galaxie 500 spin-off, Magnetophone. The 1999 triple album 69 Love Songs showcased Merritt’s songwriting abilities and the group’s musicianship, demonstrated by the use of such varied instruments as the ukulele, banjo, accordion, cello, mandolin, flute, xylophone, and the Marxophone, in addition to their usual setting of synthesizers, guitars, and effects. The album features vocalists Shirley Simms, Dudley Klute, L.D. Beghtol, and Gonson, each of whom sings lead on six songs as well as various backing vocals, plus Daniel Handler (who has written under the pseudonym Lemony Snicket) on accordion, and longtime collaborator Christopher Ewen (of Future Bible Heroes) as guest arranger/synthesist. Violinist Ida Pearle makes a brief cameo on “Luckiest Guy on the Lower East Side”. The band’s albums, i (2004) and Distortion (2008), both followed the album theme structure of 69 Love Songs: The song titles on i begin with the letter (or, in the case of half the songs’ titles, the pronoun) “I”, whilst Distortion was an experiment in combining noise music with their typically unconventional musical approach. The liner notes claim the album was made without synthesizers. According to an article: “To celebrate the release of Distortion, Merritt and The Magnetic Fields played mini-residencies in cities around the country, culminating with six shows at Chicago’s Old Town School of Folk Music.” Realism was released in January 2010, concluding what Merritt termed the “no-synth” trilogy (following i and Distortion). The next album produced would feature synthesizers “almost exclusively”. In 2010, the documentary film Strange Powers: Stephen Merritt and the Magnetic Fields made its debut in film festivals around the world. It was directed by Kerthy Fix and Gail O’Hara. Shot over a period of 10 years, it discusses the formation of the band, Stephin’s friendship with Claudia Gonson, the production of various albums, and Stephin’s move to California from New York. It won the Outfest 2010 Grand Jury Prize for Feature Documentary. The band was chosen by Jeff Mangum of Neutral Milk Hotel to perform a rare festival performance at the All Tomorrow’s Parties event that he curated in March 2012 in Minehead, England. The band released its tenth full-length album, Love at the Bottom of the Sea, on March 6, 2012 to critical acclaim. This album, sometimes compared to 69 Love Songs, brought back the use of a synthesizer. Merritt told fans on his website, “I was very happy to be using synthesizers in ways that I had not done before. Most of the synthesizers on the record didn’t exist when we were last using synthesizers.” The song “Andrew in Drag” has garnered much attention, receiving play from entities such as CBS News and NPR’s All Songs Considered. In 2012, the Magnetic Fields celebrated its new album by launching a North American and European tour. It began on March 6, the release date of Love at the Bottom of the Sea, and continued for two months. In 2016 it was announced that the band’s eleventh studio album, 50 Song Memoir would contain fifty songs, akin to the 69 Love Songs concept, one to commemorate each year since Stephin Merritt was born. It was released in March 2017. On May 15th 2020, the band will release the album Quickies – twenty-eight songs under three minutes long through Nonesuch Records. The first single “The Day The Politicians Died” was released on February 25th, followed by “Kraftwerk In A Blackout” on April 1st and “I Want To Join A Biker Gang” on April 16th.]

11:00 – Station ID

10. The Nicole Springer Band – “Come Clean”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com.]

Nicole Springer on the April 29, 2020 edition of WMM on KKFI

11:05 – Interview with Nicole Springer

Last fall Nicole Springer premiered her brand new single and EP “Willing” on Wednesday MidDay Medley. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. As founder of The Clementines and The Good Hearts, Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. Nicole Springer joins us to discuss her new single & video “Come Clean” from her EP Willing, and the share details about being a finalist to play The Melissa Etheridge Cruise.

Nicole Springer, Thanks for being with us on Wednesday MidDay Medley

Nicole Springer sang “Come Clean” LIVE on the November 6, 2019 edition of WMM.

When Nicole Springer was 19 years old she was disowned and made homeless because of who she loved.

Now 15 years later she releases her music video “Come Clean.” Dedicate to her wife Bethany Cain and the LGBTQIA Community who have had to face unfathomable obstacles to simply love.

“Come Clean” is the first official video for the Nicole Springer Band. It was directed and filmed by Kelly Powell, and edited by Julia Hamilton.

Nicole Springer, has been selected out of hundreds across the globe as a top 10 finalist to perform on The MELISSA ETHERIDGE Cruise! Melissa is a queer icon/musician who was popular in the 90s/00s and happens to be from Kansas! We’d appreciate your vote to get Nicole into the finals! Vote at: https://www.themelissaetheridgecruise.com/soundcheck/

The Nicole Springer Band includes: Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums.

Nicole Spinger

Nicole Springer lives in KC. Nicole Springer has a big amazing voice; once you hear it, you cannot ignore her voice. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. She is founder of the bands, The Clementines, and The Good Hearts. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues.

On the April 10, 2019 edition of WMM she shared the radio debut her single, “Hell.”

We first met Nicole as part of The Clementines, originally a duo Tim Jenkins & Nicole Springer, playing LIVE on our April 25, 2012 show. Their band included Stephanie Williams on drums, and Travis Earndshaw on bass.

Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO.

Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religious or anything. I did musicals through – out high school, and I went to school for a year at Missouri State for music education.”

She was the founder of critically acclaimed + award wining local groups, The Clementines, The Good Hearts, Nikki and the Rooftop Punch, Heart Machine. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects.

Last November Nicole was on the cover of Camp Kansas City Magazine in a feature article written by John Long, where Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician. Nicole is married to Bethany Cain and has recently found new confidence in her music ad in telling her own story of her life.

Nicole Springer is parent to a cat and 2 doggies. She is also proud wife, sister, & aunt.

Besides her own songs, Nicole Springer loves singing covers from the 1980’s – 1990’s. More info at http://www.nicolespringersings.com where you can hear her originals and covers

Artists Nicole Springer likes: Janis Joplin / Judy Garland / Beach Boys / Beatles / Broadway / The Supremes / Dixie Chicks / Haim / Tegan and Sara / 80’s pop /

Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. She describes her sound as pop-folk but additional influences such as gospel, soul, and Motown find their way into the mix. With her sometimes big, always emotional vocals, Nicole performs each heartfelt song with a raw emotionality that aims to move people and free herself.

Nicole Springer, Thanks for being with us on Wednesday MidDay Medley

Nicole Springer, has been selected out of hundreds across the globe as a top 10 finalist to perform on The MELISSA ETHERIDGE Cruise! Melissa is a queer icon/musician from Leavenworth, Kansas! Vote at: https://www.themelissaetheridgecruise.com/soundcheck/

11:18

11. The Nicole Springer Band – “Moving Strong”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. More info at http://www.nicolespringersings.com .]

12. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[Debut single. Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between.]

[Sam Wells will be our guest on WMM on May 13, 2020]

11:28 – Underwriting

13. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

Ivory Blue on the April 29, 2020 edition of WMM on KKFI.

11:05 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. More info at: http://www.ivorybluemusic.com

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivory Black plays the Kauffman Stadium, July 1, Royals home game.

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

Ivory Blue

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 9 years Ivory had the opportunity to be in a family and came out as “Non-Binary Transgender.”

Last time Ivory was on WMM was on November 6, 2019 when Ivory sang “Elite Dreamland” live.

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s new full length 10-song album called “Compound Love” will be released in 2020. More info at: http://www.ivorybluemusic.com

11:48

14. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020.]

15. Heath Church – “Extra Pain”
from: “Extra Pain” – Single / Heath Church / November 18, 2019
[Heath Church is an American singer-songwriter from Kansas City, Missouri who primarily plays indie-folk music. His style is inspired by artists such as Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. Featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, more intimate venues and interacting with his fellow Kansas City locals. Heath Church released his debut EP The Things I’ve Tried on December 23, 2017. More information at: http://www.heathchurchmusic.com]

16. Quiet Takes – “More”
from: Milk and Honey / Polydor-Geffen / released as Quiet Takes on April 14, 2020
[Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, bass & programming by David Bennett. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018.. Quiet Takes has new music coming in 2020.] [

[Quiet Takes plays an Instagram Live streaming concert on Friday, May 1]

[Sarah Magill will be on WMM on May 13.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, May 6 we’ll be playing more New & Midcoastal Releases. We will also talk with Chase the Horseman, Mike McCoy, and David Burchfield.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1F

Show #835

WMM Playlist from March 25, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 25, 2020

New & MidCoastal Releases +
Fritz Hutchison + Colin Halliburton
+ Jennifer Owen of Owen/Cox Dance Group

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Labelle – “Sunshine (Woke Me Up This Morning)”
from: Something Silver / Warner Archives / 1997
[orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash. Written and composed by Nona Hendryx. This release was their first and only for RCA Records, and was critically raved due to the songs that songwriter and member Nona Hendryx composed. The album is also notable for being the first album released following lead singer Patti LaBelle giving birth to her only child, son Zuri Edwards (she recorded the album while still pregnant with Zuri). Despite RCA releasing the Stevie Wonder composition, “Open Your Heart”, the album failed to become a success. In spite of its initial failure, the album has gone on to become a cult classic and is considered a revolutionary album because few female groups talked so openly about social issues and other topics. Wonder was uncredited due to contractual reasons – the production credit was listed as “Vicki Wickham and friend”. Musicians on this track included members out of a Philadelphia-based band, Buff, and others from a Latin-black band from Queens called Harlem River Drive. Several of them would morph to become Labelle’s road band, including guitarist, Eddie Martinez.]

3. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full length debut album, from Michael Trotter Jr & Tanya Blount-Trotter from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

4. Bob & Una Walkenhorst – “Any Given Day”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst present a Facebook LIVE Benefit for Mike Kelly’s Westsider Staff on Sun., Mar. 29 at 3:00 PM. You can find the broadcast at the Bob & Una Walkenhorst Facebook Page.]

5. Charlotte Dos Santos – “Josef”
from: Harvest Time – EP / Because Music / March 13, 2020
[Charlotte Hall Dos Santos was born in 1990, in Oslo, Norway. She is a Brazilian-Norwegian jazz singer, composer, and arranger, currently based in Berlin. Dos Santos grew up in Bærum with a Norwegian mother and Brazilian father. She attended jazz studies at the Berklee College of Music in Boston, Massachusetts (2013–16), where she earned a Bachelor of Music in Contemporary Writing and Production, and Vocal Jazz Performance. Her music mixes “South-American traditions, jazz, neo soul, and tasty beats, with music history samples in a colorful way“. Dos Santos released her solo EP Cleo in 2017 on the label Fresh Selects. The EP was received positively in Norwegian media. Whilst Dos Santos spent her life in four different countries over three years, her debut project ‘Cleo’ EP took shape ending up functioning as a diary for the Brazilian-Norwegian composer, producer and vocalist. The metamorphosis of womanhood, falling in and out of love, betrayal, self realization and the passion for uplifting female musicians of color are all ideologies behind the restless musician’s 10 track EP. The character Cleo was created whilst Dos Santos studied Flamenco and Mediterranean music in Valencia, Spain. Cleo is a medieval deity, a moorish goddess that represents all women inspiring from Dos Santos lineage of strong women. She represents courage, independence, femininity, royalty and power only settling for success. She’s received recognition from Outkast’s Big Boi, Gilles Peterson, Pitchfork and Bandcamp. NyMag and The Cut, and was a nominee of the Norwegian Grammy Awards “Spellemannsprisen” in 2018.]

6. Scott Hrabko & The Rabbits – “Dog In The Backyard”
from: Dog In The Backyard – Single / Scott Hrabko / April 3, 2020
[Scott Hrabko’s new single, will be available online April 3, 2020. For this single the Rabbits were Scott Hrabko on vocals & guitar, Jason Beers on bass, and Chris Hudson on lead guitar. This single is a follow-up to Scott Hrabko & The Rabbits single “Pretty Good Day” was released on November 2, 2019. On February 14, 2019 Scott Hrabko released the EP Smash Hits From A Parallel Universe with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrako & The Rabbits released “Summer” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg.]

7. Jo MacKenzie – “Suicide Season”
from: “Suicide Season” – Single / Jo Mackenzie / February 1, 2020
[Newest single from 16 year old, Kansas City based singer songwriter, Jo MacKenzie, who released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019. More info at http://www.jomackenzie.com]

10:30 – Underwriting

Jennifer Owen on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

10:32 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group. In accordance with the current COVID-19 local and international protocol, Owen/Cox Dance Group is postponing their upcoming U.S. State Diplomacy Tour in Ukraine. They are organizing to reschedule this tremendous opportunity as soon as possible. At this time, Owen/Cox Dance Group is looking forward with their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. More info at: http://www.owencoxdance.org

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

Jen Owen’s husband and partner is Brad Cox, who is also the founder of The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. AND, Brad Cox Octet–an eight-piece ensemble made up of 2 saxophonists, 2 bass players, 2 drummers, and 2 keyboardists.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

When we scheduled this interview weeks ago Jennifer Owen was going to be sharing the details about Owen/Cox Dance Group’s upcoming U.S. State Diplomacy Tour in Ukraine. In accordance with the current COVID-19 local & international protocol, Owen/Cox Dance Group is postponing this trip until later.

Owen/Cox Dance Group is also having postpone their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. Info at: http://www.owencoxdance.org

Congratulations again, to the entire company for last Fall’s world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” October 19 & 20 at Polsky Theatre at Carlsen Center at Johnson County Community College.

Jennifer Owen of Owen/Cox Dance Group

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

For more information about Owen/Cox Dance Group you can visit: http://www.owencoxdance.org

10:45

8. U.S. Girls – “4 American Dollars”
from: Heavy Light / 4AD / March 6, 2020
[7th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. Heavy Light is a follow up to 2018 “In a Poem Unlimited” and is her third release on 4AD Records.]

9. David Byrne – “I Zimbra”
from: American Utopia on Broadway: Original Cast Recording / Nonesuch / Oct. 18, 2019
[We saw this show from the front row at the Kauffman Center for the Performing Arts on June 7, 2018. Following a sold-out world tour, the acclaimed theatrical concert had a highly successful run at Broadway’s intimate Hudson Theatre for a limited engagement. DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” (Billboard) and marks a major cultural milestone in the worlds of music and theater. Pitchfork reviewed American Utopia on Broadway, writing that Bryne, “… remains an artist to be grateful for—same as he ever was.” Innovative pop/rock icon David Byrne (Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe. Together with production consultant Alex Timbers and choreographer Annie-B Parson (his collaborators on Here Lies Love), Byrne and ensemble deliver “a marvel of staging and motion” (Chicago Tribune) that’s as surprisingly poignant as it is supremely funky. Don’t miss this “thought-provoking example of the power of live music” (Forbes). “The boisterous ensemble surrounding Byrne is able to capture and amplify already-iconic moments in his catalog. Their Afropop drum grooves nod to My Life in the Bush of Ghosts, Byrne’s landmark 1981 collaboration with Brian Eno, while their guileless twitches of choreography and playful melodrama point back, once more, to Stop Making Sense. When they stomp in methodical marching band moves—including that rotating spiral that high school music nerds know all too well—they evoke the live show for Love This Giant, Byrne’s 2012 joint record with St. Vincent, only far more euphoric. Their greatest moment may well be their gauzy inversion of Remain in Light opener “Born Under Punches (The Heat Goes On)”: Nimble in the melodies and forceful in the percussion, their version is even more thrilling than the original.” (Pitchfork).]

10. Kevin Morby – “Gift Horse”
from: Gift Horse / I Was on Time – Single / Dead Oceans / April 29, 2019
[Newest single from Kevin Robert Morby born April 2, 1988. Kevin Morby released his critically acclaimed 5th album, Oh My God on April 29, 2019. This was a follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Oh My God was #5 on WMM 119 Best recording of 2019. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album, City Music was in WMM’s The 118 Best Recordings of 2018.]

11:00 – Station ID

11. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:04 – Interview with Fritz Hutchison

Musician and singer songwriter Fritz Hutchison joins us to talk about his debut solo album “Wide Wild Acres.” Multi-instrumentalist Fritz Hutchison is a life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. On guitar he’s played with: J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia. After more than a decade of lending an ear and a hand to other music makers, Fritz is launching his own solo career as a singer-songwriter. His new album is being released through Center Cut Records.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Congratulations on the new music and the new album!

Mark talked about first meeting Fritz while he was a drummer and member of She’s A Keeper. Fritz was still in high school. Fritz has had such an interesting musical journey playing with Freight Train Rabbit Killer, Grand Marquis, J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia.

It was through his relationship playing with Calvin Arsenia that Frotz met the founders of Center Cut Records who sighed him as their second artist, after Calvin.

“Wide Wild Acres,” was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

We just heard “Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz.

The first single from the new album is “Stationary” with a music video that was directed beautifully by Miki P (Mikala Petillo) whre she shot Fritz playing various instruments from the song and then films the projection of Fritz playing with-in these projections.

“Stationary” also features Ian Teeple on bass, and again Fritz on everything else.

11:11

12. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison

11:13 – More Interview with Fritz Hutchison

We are talking with musician and singer songwriter Fritz Hutchison about his debut solo album, “Wide Wild Acres,” released through Center Cut Records. All songs written, arranged, and performed by Fritz Hutchison.

The lyrics in “Wide Wild Acres” reference Fritz’ dad Pete, and his mom, who had seven children. Fritz has an older sister, and five siblings younger than him.

Multi-instrumentalist Fritz Hutchison was born May 27, 1991. He is 29 years old. Fritz is a life long resident of Kansas City.

Although Fritz plays guitar, piano, and other instruments, he first started o drums.

Wide Wild Acres was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

Mastered by Collin Jordan at The Boiler Room in Chicago.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Wide Wild Acres is being released on Center Cut Records on March 27, 2020 More info at: http://www.centercutrecords.com

11:20

13. Fritz Hutchison – “Police Dogs” (Radio Edit)
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. “Currach Mòr” recorded by Ross Brown at Escape Pod Audio. Mastered by Collin Jordan at The Boiler Room in Chicagor.]

14. BLACKSTARKIDS – “Dirty Dancing”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

15. Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

11:29 – Underwriting

16. The Roseline – “Counting Sheep”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.

Colin Haliburton on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:35 – Interview with Colin Halliburton

Lawrence based musician Colin Halliburton joins us to talk about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005. This is the band’s 6th release and it includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO. More info at: http://www.roselinemusic.com.

Colin Halliburton, thanks for being with us on WMM.

Congratulations on the new album, it is very beautiful, including a very fine vinyl release.

The album cover is a rendering of a sky full of giant clouds, and a tornado reaching down through the sky, with the words GOOD / GRIEF embossed in the upper center of the image. It’s beautiful and troubling at the same time.

The songs on GOOD / GRIEF were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline) Ehren Starks, as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar,

AND, guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

11:42

17. The Roseline – “Better To The Bone”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

Colin Halliburton

11:46 – More Interview with Colin Halliburton

We are talking with Lawrence based musician Colin Halliburton about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005.

Colin Halliburton, thanks for being with us on WMM.

The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO.

The Roseline were set to play an Album Release show at Replay Lounge in Lawrence, Friday, April 3 at 9:00 PM. AND, The Roseline were set play a Kansas City Album Release show at Mike Kelly’s Westsider, Saturday, April 4. – But these shows were cancelled.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar, with guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

The Roseline has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. They have had the good fortune of getting sync placements in hit television shows like ABC’s Nashville and Resurrection as well as USA’s Queen of the South. They have been featured in/on NPR, Pop Matters, No Depression, and The Bluegrass Situation. They have had two records debut in the top five on the Euro Americana Chart. Spring 2020 tour dates as well as all other info can be found at: roselinemusic.com.

The band’s release includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline). Ehren Starks was also a big part of The Roseline and your best friend, can you talk about is friendship and how it inspired the record.

Ehren Starks was also part of the band Other Americans, and when They were on the show last year Brandon Taylor Phillips talked about what a great loss it was after Ehren’s death, that he was such a big part of the creation of their early songs.

Colin Halliburton, thanks for being with us on Wednesday MidDay Medley

The Roseline’s new album is called GOOD / GRIEF. More info at: http://www.roselinemusic.com.

18. The Roseline – “Song For Ehren”
from: GOOD / GRIEF / Alt Country Club / to be released April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 1, we talk with Charlie Colborne about his new band Miss Boating and their new EP “The Vhargon Sidestep.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #830

WMM presents: Jen Owen + Fritz Hutchison + Colin Halliburton

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 25, 2020

New & MidCoastal Releases +
Fritz Hutchison + Colin Halliburton
+ Jennifer Owen of Owen/Cox Dance Group

Mark plays New & MidCostal Releases from: Fritz Hutchison, The Roseline, Jo MacKenzie, Blackstarkids, Kevin Morby, Heidi Phillips & Danny Krause, Scott Hrabko & The Rabbits, Bob & Una Walkenhorst, Charlotte Dos Santos, U.S. Girls, David Byrne, The War and Treaty, and LaBelle.

Jennifer Owen of Owen/Cox Dance Group

At 10:30 we talk with Jennifer Owen, Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group. In accordance with the current COVID-19 local and international protocol, Owen/Cox Dance Group is postponing their upcoming U.S. State Diplomacy Tour in Ukraine. They are organizing to reschedule this tremendous opportunity as soon as possible. At this time, Owen/Cox Dance Group is moving forward with our world premiere performance of aRound & aRound on June 13th, 2020 at Spencer Theatre. More info at: http://www.owencoxdance.org

Fritz Hutchison

At 11:00 Mark talks with musician and singer songwriter Fritz Hutchison about his debut solo album, “Wide Wild Acres,” produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Multi-instrumentalist Fritz Hutchison is a life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. On guitar he’s played with: J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia. A decade of lending an ear and a hand to other music makers has left Fritz poised to launch his own solo career as a singer-songwriter. His new album is being released through Center Cut Records.

Colin Halliburton

At 11:30 Lawrence based musician Colin Halliburton joins us to talk about the new album, “GOOD / GRIEF” from his band The Roseline, formed in 2005. The band’s 6th release includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar, with guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals. The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO. More info at: http://www.roselinemusic.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #830

WMM Playlist from Dec. 25, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 25, 2019

The 119 Best Recordings of 2019
(Part 4 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. On X-Mas morning, December 25th we unwrap our final show of the year, as we count down #30 to #1

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (30.) Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. (29.) FKA Twigs – “cellophane”
from: MAGDALENE / Young Turks Recordings / November 8, 2019
[Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack.]

4. (28.) Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016.]

5. (27.) GAV7D – “Eastwood Stayed Skinny, Travolta Got Fat, Pt. 1”
from: Thanks For Everything Punkfunkpolka / GAV7D / May 31, 2019
[Johnny Hamil on bass, Clarke Wyatt on keyboards, Mikal Shapiro on guitars & vocals, Kyle Dahlquist on accordions & theremins & vocals, Charles “Critter” Sims on drums, and Chad Meise on Hendrix inspired guitars. Written & arranged by Johnny Hamil. This is the 3rd release in the GAV7D series. The debut, “Thanks For Everything” was released June 21, 2015. The double album, “Thanks For Everything – Cartoonoirjazz” was released June 1, 2016. Johnny Hamil told us that he recently finished the mixing for 4th GAV7D “Thanks for Everything – exoticamiddleasternfreejazz,” to be released next year. Johnny said that it “reminded me that the outside listener doesn’t hear the whole project like I do, or the concert goer does.” He added “I really feel like it’s my major work of my lifetime, but even better, it tells the story of the KaC music community, which I’m so proud of.” KC based musician, composer, and teacher Johnny Hamil plays in the band Pamper The Madman. Johnny will be in the studio from Dec. 29 through Jan. 2 recording the new Pamper The Madman album. Johnny Hamil also plays bass for Mikal Shapiro, and Julia Othmer, and can be heard on the recordings of many KC and Lawrence based artists including Stephonne Singelton. Johnny Hamil collaborates with jazz combos, theatre productions, and is also known for his work with The Malachy Papers. As a teacher of the bass, Johnny Hamil was recently featured on Queer Eye on Netflix. Johnny is a founding member of Mr. Marco’s V7, a band that has been reinvented with each new release, and changed and evolved with different line-ups. Known for experimental, instrumental music, Johnny told us that the music he composed for the band came to him in his dreams. In 2011 the bassist noticed something revolutionary for his creative process when his dream compositions included lyrics for the first time This set him on a new path to create GAV7D, which is not Mr. Marco’s V7 proper, but members from throughout the long history of the the band. The concept was to collaborate a vocal version of the compositions with friends and then have various lineups of the V7 family interpret the material in different ways, CartoonNoirJazz, PunkFunkPolka, and FreeeExoticaMiddleEastern. GAV7D premiered at the Folk Alliance International. Chad Meise is a master of sound and the studio and stage producing and engineering records for Mr. Marco’s V7, Hearts of Darkness, Expassionate, Rex Hobart, MIke Dillon, The Gaslights, Atlantic Fadeout, and The Country Duo.]

[Julia Othmer presents Bobby Pinz & The Spray with Johnny Hamil on bass, Chris Tady on guitar and John Floyd Whitaker on drums. Sharing the evening with, Chad Meise Presents: Tribute to Hendrix, Thurs, Dec. 26, at 8:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO.]

[KC Killers: An Iron Maiden Tribute, Fri, Dec. 27, at 8:00 PM, at The Brick 1727 McGee St, KCMO.]

[Pamper The Madman play The Riot Room, 4048 Broadway, KCMO, Sat, Dec 28, at 8:00 PM w/ The Pornhuskers, and Otis 13.]

[Mr. Marco’s V-7 play The Ship 1227 Union Avenue, KCMO, Thurs, Jan. 2, 2020, at 9:00 PM].

6. (26.) Solange – “Dreams”
from: When I Get Home / Columbia Records / March 1, 2019
[4th studio album from singer and songwriter Solange, and follow up to her breakthrough record, A Seat at the Table released on September 30, 2016,. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a “breakdown” due to the amount of time and emotion she was putting into the recording process. While recording the album Knowles released an EP entitled True (2012) and launched her own record label named Saint Records. A Seat at the Table became Solange’s first number-one album on the Billboard 200.]

7. (25.) Lomelda – “M for Mush”
from: M for Empathy / Double Double Whammy / March 1, 2019
[Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars”. Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

8. (24.) Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist . A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

10:28 – Underwriting

9. (23.) J.S. Ondara – “Saying Goodbye”
from: Tales of America / Verve / February 1, 2019
[27 year old J.S. Ondara is a Kenyan singer-songwriter whose debut album, Tales of America, was released on February 15, 2019 via Verve Label Group. J.S. Ondara was born in August 1992 in Nairobi, Kenya. As a child, he wrote poems and stories as well as songs despite not having an instrument to play them on because his family couldn’t afford one. He was inspired by Radiohead, Nirvana, Death Cab For Cutie, Jeff Buckley, Pearl Jam, Guns N’ Roses, and Bob Dylan. He grew up listening to rock songs on his older sisters’ battery-powered radio. Having discovered The Freewheelin’ Bob Dylan following a dispute with a friend over whether Knockin’ on Heaven’s Door was a Guns N’ Roses song, Ondara resolved to travel to the United States to pursue a career in music. In February 2013, after winning in the green card lottery, he moved to Minneapolis, Minnesota at the age of 20. He taught himself to play guitar and perform during open mic nights. Eventually, he decided to study music therapy in college, but dropped out of school to return to playing small shows at coffee houses after attending a concert. After moving to Minnesota, Ondara tried his hand at making music and performing in small venues. His big break came when Minneapolis radio station KCMP 89.3 The Current played one of his songs on air by pulling audio from his YouTube channel, where he had been uploading covers of his favorite songs. At the time, he was going by the name Jay Smart. Ondara’s debut album, Tales of America, was released in February 2019 by Verve Label Group. Despite only 11 tracks making the final tracklist, Ondara wrote more than 100 songs for the album, all based on an immigrant’s life in America. The album was produced by Mike Viola of the Candy Butchers. In support of the album, Ondara embarked on his first headlining tour in March 2019. After the release of the album, Ondara debuted on Billboard’s Emerging Artist chart at No. 37 in March 2019. The album also landed on the Billboard Heatseekers Album, Americana/Folk Album Sales, and Rock Album Sales charts. He was nominated for Best Emerging Act at the 2019 Americana Music Honors & Awards. Ondara cites Bob Dylan as his musical hero, which is why he chose to live in Minnesota and why he wears his signature fedora. He has toured with the Milk Carton Kids, Lindsey Buckingham and in 2019, he opened for select dates on tour with Neil Young.]

10. (22.) Deerhunter – “Greenpoint Gothic”
from: Why Hasn’t Everything Already Disappeared? / 4AD / January 18, 2019
[8th studio album by the American indie rock band Deerhunter. The album was co-produced by singer-songwriter Cate Le Bon, Ben H. Allen (who had previously worked with the band on Halcyon Digest and Fading Frontier), Ben Etter (who worked as a studio assistant on Fading Frontier) and the band itself. The first single, “Death in Midsummer”, was released on October 30, 2018. The same day, a world tour in support of the album was announced, starting in November 4, 2018. The second single from the album, “Element”, was released on December 6, 2018. The album leaked on December 12, 2018. Deerhunter is an American rock band from Atlanta, Georgia, formed in 2001. The band consists of Bradford Cox (vocals, guitar, keyboards), Moses Archuleta (drums, electronics, sound treatments), Lockett Pundt (guitar, vocals, keyboards), Josh McKay (bass) and Javier Morales (keyboards, synthesizers, alto saxophone). Founded by Cox and Archuleta, Deerhunter’s first stable line-up included guitarist Colin Mee and bass guitarist Justin Bosworth.]

11. (21.) Hipshot Killer – “Places We Want To Be”
from: All This Time is Ours / Hipshot Killer / March 20, 2019
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) All This Time is Ours was Mastered at Weights and Measures studio by Duane Trower. All songs written by Mike Alexander. The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 . Mike Alexander has been a tireless organizer of the KC area punk scene and has helped to produce multiple years of the Center of the City Fest. Mike also helped to create the 8-song tribute recording, I’ll Repay You: A Benefit for John Fackler – featuring the songs of John Fackler and Jettison. More info at http://www.hipshotkiller.com]

12. (20.) The Sluts – “Break Their Heart”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. All were recorded at Element Recording. Info at http://www.thesluts.bandcamp.com]

13. (19.) Dead Voices – “Passing Through”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

14. (18.) Helado Negro – “Please Won’t Please”
from: This Is How You Smile / RVNG Intl. / March 8, 2019
[6th album from Roberto Carlos Lange, better known by his stage name Helado Negro, is an American musician. He was formerly signed to Asthmatic Kitty Records from 2009 to 2016. Helado is now currently signed to and released his latest album through RVNG Intl., a Brooklyn-based music institution. Helado grew up in Miami, Florida where he spent his teenage years searching for his identity in the cultural melting pot of south Florida. He immersed himself in the hip-hop and electronic music scenes, where he learned to be an artist by playing out shows to small audiences. Helado released his first full-length album in 2009 titled Awe Owe. In 2010, Helado released an EP titled Pasajero. Helado released his second full-length album in 2011 titled Canta Lechuza. In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today.” In 2016, Helado released his fifth full-length album titled Private Energy.]

15. (17.) The Highwomen – “Highwomen”
from: The Highwomen / Elektra / September 6, 2019
[The Highwomen is a country music group composed of Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires, formed in 2019. The group’s self-titled debut album was released on September 6, 2019, by Elektra Records and was produced by Dave Cobb. In 2016, when Shires was finishing her record, My Piece of Land, in music producer Dave Cobb’s studio, Shires had an idea to create a girl country supergroup in homage to the legendary Highwaymen country supergroup (consisting of Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson). At the same time, the lack of representation of women artists on country music radio and at country music festivals had been publicly discussed by many, influenced by the Me Too movement and journalists like Marissa Moss. While on tour in her van, while listening to country radio, Shires kept a running list of artists and noticed that there were few women. When she called to request they play more women artists, she was directed to a Facebook page lottery system. Cobb recommended Shires call Carlile, whom she didn’t know. Carlile thought it would be fun, and would be an interesting creative project. The Highwomen project was widely hinted at by Carlile, Morris and Shires before it was officially announced on April 6, 2019. With the name paying homage to the legendary Highwaymen country supergroup, the Highwomen were originally intended to leave the fourth spot in their line-up vacant to allow other female collaborators to join them, with Chely Wright, Courtney Marie Andrews, Margo Price, Janelle Monae and Sheryl Crow mentioned as potential guests. The band, who jokingly refer to the collaboration as a pirate ship experience, said that they see the project as an incubator project that highlights mentorship and support of fellow women artists. Maren hadn’t worked with Cobb before, and remarked on how much she liked tracking live. The band recorded live vocals, live band, harmonies in unison, where the musicians were recording together live in an organic environment at historic RCA Studio A, which Cobb now owns. As part of the experience, some of the members got matching Highwomen tattoos. The group made their live debut on April 1, 2019 at Loretta Lynn’s 87th birthday concert held at the Bridgestone Arena in Nashville. There, Natalie Hemby was officially revealed as the final member and the quartet performed “It Wasn’t God Who Made Honky Tonk Angels”. Their debut single, “Redesigning Women”, and its associated music video featuring female artists including Tanya Tucker, Cam, Lauren Alaina, Cassadee Pope and Wynonna Judd was released on 19 July 2019, with their self-titled debut album (set for release on September 6) becoming available for pre-order on the same day. The song was promoted by country singer Dierks Bentley who released a comedic reading of the lyrics to his YouTube Channel which received praise from Carlile and Morris. Their second single, “Crowded Table”, written by band member Hemby and Lori McKenna, was released on July 26, 2019. In July 2019, the Highwomen performed their first ever full live set at the 60th annual Newport Folk Festival, previewing songs from their upcoming album including “If She Ever Leaves Me”, written by Shires, her husband Jason Isbell and Chris Thompkins. With Carlile on lead vocals, Isbell described it as “the first gay country song” which elicited applause from the audience. Other songs performed included “My Only Child”, an ode to “suburban moms” performed by Hemby who wrote the track with Shires and Miranda Lambert, “Loose Change”, a nod to 70s country written by Morris, Daniel Layus of Augustana, and Maggie Chapman, featuring Morris on lead vocals and “Cocktail and a Song” which was written solely by Shires in honor of her father. Carlile later invited the rest of the Highwomen to join her during her headlining set where, as they originally intended, the group performed alongside other female artists including Amy Ray, Courtney Marie Andrews, Dolly Parton, Jade Bird, Judy Collins, Linda Perry, Lucy Dacus, Our Native Daughters, Sheryl Crow, The First Ladies of Bluegrass, and Yola Carter. Shires said the plan was always to debut their music at Newport with Dolly Parton. The band wore custom suits by Manuel. Their cover of “The Chain” by Fleetwood Mac from the soundtrack of the movie The Kitchen debuted during the film’s first trailer and was officially released on August 2, 2019. The title track of their self-titled debut album was released on August 13, 2019. Written by Carlile and Shires with Jimmy Webb, the original writer of “Highwayman”, the track that originally inspired the Highwomen’s formation, it tells the story of various women throughout history and features guest vocals from British country soul singer Yola Carter and backing vocals from Sheryl Crow. The song is a classic answer song. The band recorded 15 songs, but 12 tracks made the album. Songwriters included the Jimmy Webb, Rodney Clawson, Maggie Chapman, Lori McKenna, Jason Isbell, Peter Levin, Miranda Lambert, Ray LaMontagne, among others. Many songs flip gender roles, with additions of characters like refugee, preacher, Freedom Rider, and a healer, compared to the characters drawn by the Highwaymen songs.]

16. (16.) Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nothin’ / Short Round Stringband / July 19, 2019
[On April 24, 2019 WMM was the first to play the debut single from this new collection of songs writen by Bill Monroe performed by this new ensemble of veteran musicians. The debut album from the pan-Missouri band with a refreshing approach to old time music, Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience.]

11:58 – Station ID

17. (15.) Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

18. (14.) The Get Up Kids – “The Problem Is Me”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from—it’s definitely a celebration of the fact that we still get to do this.” ]

19. (13.) Samantha Fish – “Love Your Lies”
from: Kill or Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays Knuckleheads Saloon, Sat., Dec. 28, at 8:30 with Jonathon Boogie Long]

20. (12.) Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favorable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin).]

21. (11.) Scott Hrabko & The Rabbits – “Sometimes”
from: Smash Hits From A Parallel Universe (EP) / Scott Hrabko / February 14, 2019
[Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott calls this release: 4 songs for the new age of anxiety. Scott Hrako & The Rabbits released “Summer” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg.]

22. (10.) The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, rhythm guitar, & keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Friday, December 27 ay 9:00 PM with Killer City, The Black Mariah Theatre, and Vertical Striping.]

[The Creepy Jingles play miniBar, 3810 Broadway Rd, KCMO, Wednesday, February 5, 2020 at 9:00 PM with Stary, Shady Bug (STL), and Momma’s Boy.]

23. (9.) Julia Othmer – “Frickin Awesome”
from: Sound / Frickin Awesome Records / April 12, 2019
[Julia Othmer’s second album took three years to complete and was produced with James Lundie, who married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and studied at Columbia University in New York City. She moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”]

[Julia Othmer presents Bobby Pinz & The Spray with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. Sharing the evening with, Chad Meise Presents: Tribute to Hendrix, Thurs, Dec. 26, at 8:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO.]

24. (8.) Hembree – “Continents”
from: House on Fire / OREAD Records / April 26, 2019
[KC based band was formed in November of 2015, with Isaac Flynn on guitar, & lead vocals, Garrett Childers on bass & vocals, Eric Davis on keys & synth, Alex Ward on guitar, and Austin Ward on drums. Hembree is signed to Thirty Tigers of Nashville, TN. The band was founded by original members Isaac Flynn, Garrett Childers, and Eric Davis. Brothers Alex and Austin Ward later joined in 2018. Hembree quickly garnered national attention after their single “Holy Water” was placed in an Apple commercial that aired during Super Bowl LII. The band’s music has been featured in a variety of other national placements, including Monday Night Football (NFL) and Bose. Hembree has notably supported Elvis Costello, Phoenix, Cold War Kids, Vance Joy, JR JR, and Joywave, among others. The band first toured Europe in Fall 2018. In 2018, Hembree signed with Thirty Tigers (The Avett Brothers, Lupe Fiasco) to release their first full-length album House on Fire, released 4/26/2019. In 2019, Hembree performed at Hangout Music Festival. They will also appear on the soundtrack of 13 Reasons Why: Season 3 with the song “Culture”. Hembree was named one of NPR’s Slingshot 2018 Artists to Watch. Rolling Stone named Hembree as one of the thirty best artists at SXSW 2018. “Had It All” debuted on Zane Lowe’s Beats 1 on January 19, 2017. Lowe described the song as “absolutely fantastic.” “Holy Water” was featured in Apple’s HomePod “Distortion” TV spot, which ran during Super Bowl LII, the 60th Annual Grammy Awards, and the 2018 Winter Olympics.]

[Hembree plays The Bottleneck, 737 New Hampshire St, Lawrence KS.,Tues, Dec 31, at 7:PM w/ Mess.]

11:27 – Underwriting

25. (7.) Mess – “Body Parts”
from: Learning How To Talk / Mess / March 29, 2019
[Debut full length album from Kansas City based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. Produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre). Mess previously released several singes and heartswithholes EP in 2017.]

[Mess plays The Bottleneck, 737 New Hampshire St, Lawrence KS.,Tues, Dec 31, at 7:00 PM with Hembree.]

26. (6.) Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays The Cosmic Country Ball presented by Lost Cowgirl Records, Saturday, February 15, 2020, at 8:00 PM at Voodoo Lounge, 1 riverboat Drive, KCMO, with Miki P and the Swallowtails, Elexa Dawson, Lily B. Moonflower, Unfit Wives, and Jenna Rae.]

27. (5.) Kevin Morby – “No Halo”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

[Kevin Morby plays recordBar, 1520 Grand Blvd, KCMO, Saturday, April 25, 2020 at 9 PM]

28. (4.) Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia plays a New Years Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia plays Olathe Indian Creek Library, 16100 W 135th Street, Olathe, KS, on Sunday, January 5, 2020 at 2:00 PM.]

[Calvin Arsenia opens for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

29. (3.) Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP – Radio Winners, was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

30. (2.) The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play The Brick, 1727 McGee St, KCMO, Saturday, December 28, at 9:00 PM, with Schwervon!, and Casey Guest.]

[The Black Creatures play Three Headed Thursday at Replay Lounge, 946 Massachusetts St, Lawrence, KS. on Thursday, January 2, 2020 at 9:00 PM, with Bad Alaskan, and Collidescope.]

[The Black Creatures play Hadiza’s Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Hadiza., Babydoll, and Les Izmore and the Gods.]

31. (1.) Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies presents a PuNky Draggy New Year’s Eve PartY, Tuesday, December 31, 2019 at 9:00 PM at The Truman, 601 E. Truman Road, KCMO, performing The Clash album “Combat Rock” in it’s entirety, with special guests: Radkey, Yes You Are, The Freedom Affair, Una Walkenhorst, Brandon Phillips, Victor & Penny, Khrystal., The Royal Chief, Wick & The Tricks, DJ Thundercutz, Mireya Ramos of Flor De Toloache and Drag Queens and Kings: Jaharia Von Du, Moltyn Decadence, Dick Von Dyke, and KC Sunshine]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on January 1, 2020, we bring in the new year celebrating the Birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. With special permission from the artist, we’ll feature music from all six of Iris DeMent’s full length recordings, plus her collaborative studio work with: Greg Brown, John Prine, Nancy Griffith, Emmylou Harris, Tom Russell, Steve Earle, and Kansas City’s own, Gary Kirkland. We’ll also feature music from Iris DeMent’s inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Merle Haggard and Bob Dylan.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
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http://www.WednesdayMidDayMedley.org,
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Show #817

WMM Playlist from Dec. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 11, 2019

The 119 Best Recordings of 2019
(Part 2 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We are packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #90 through #61 on our list with representative tracks from: Kemet The Phantom, Calvin Arsenia, The Nicole Springer Band, The Depth and The Whisper, The Wires, Approach, True Lions, The Butter Band, Sky Smeed, Miki P, Y god Y, Cuee, Chase The Horseman, Deco Auto, Lovergurl, Digital Leather, Blue False Indigo, Wonderfuzz, Billie Eilish, Rina Mushonga, Bill Callahan, Black Pumas, Better Oblivion Community Center, Ibibio Sound Machine, The National, Lambchop, Lee Fields and The Expressions, Amyl and The Sniffers, Lana Del Rey, and Jamila Woods.

10:00 AM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (90.) Billie Eilish – “bad guy”
from: When We All Fall Asleep, Where Do We Go? / Darkroom – Interscope / March 29, 2019
[17 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

3. (89.) Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

4. (88.) Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

5. (87.) Black Pumas – “Old Man”
from: Black Pumas / ATO / 2019
[Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019. They performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

6. (86.) Lovergurl – “The One About Moms”
from: Buzzkill – EP / Lovergurl / September 7, 2019
[Last release from Lovergurl who disbanded in September 2019 after the trio announced that their guitarist and vocalist, Heather Andrews was moving out of Kansas City to pursue her career in animation. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews was born and raised in Rhode Island. The band released multiple singles and two EPs.]

7. (85.) Deco Auto – “Turnaround”
from: Another Great Decision / Deco Auto / April 5, 2019
[Newest EP from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums. Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, and mixed and by Pat Tomek at Largely Studios, Kansas City, MO. Mastered by Gabe Fry at Kimura Studios. Produced by Steven Garcia and Pat Tomek. “Deco Auto is the perpetual opener, the also-rans, the nice-guys-finish-last band in the KC rock scene. Songwriter Steve Garcia is to blame, and he knows it. His songs straddle the line between power pop and pop punk — never casual enough for the former, nor saccharine enough for the latter.” ~ Too Much Rock]

8. (84.) Blue False Indigo – “Don’t Dream It’s Over”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follw up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums. “Don’t Dream It’s Over” is a song by the Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album. The song was written by band frontman Neil Finn, and released in October 1986 as the fourth single from the album.]

[Blue False Indigo play Cover Me, Kansas City, Tuesday, Dec. 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

10:29 – Underwriting

9. (83.) Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

10. (82.) Lana Del Rey – “Doin’ Time”
from: Norman Fucking Rockwell! / Polydor Records – Interscope Records / August 30, 2019
[Elizabeth Woolridge Grant was born June 21, 1985, and she is known professionally as Lana Del Rey, an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality; its themes of tragic romance, glamour, and melancholia; and it’s references to pop culture, particularly 1950s and 1960s Americana. Born in New York City and raised in Upstate New York, Del Rey returned to New York City in 2005 to begin her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey’s breakthrough came after the viral success of her debut single “Video Games” in 2011. She signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her only top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of “Summertime Sadness”, as well as the internationally successful singles “Blue Jeans”, “Born to Die”, and “National Anthem”. Del Rey released the Grammy-nominated EP, Paradise in 2012. The next year, Del Rey ventured into film as she wrote, directed and starred in the short music film, Tropico, and released “Young and Beautiful” for the film The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultra violence (2014), to critical success, topping the charts and spawning the single, “West Coast”. That same year, Del Rey recorded the eponymous theme for Big Eyes, which garnered her both Grammy and Golden Globe nominations. Shortly afterwards, Del Rey released the critically acclaimed Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album. Del Rey’s sixth studio album, Norman Fucking Rockwell, was released on August 30, 2019, to widespread acclaim. In 2019, Del Rey also released the commercially successful singles “Doin’ Time” and “Don’t Call Me Angel”, the latter being a trio with Ariana Grande and Miley Cyrus. As of 2019, Del Rey has sold over 5 million singles in the UK and has sold 5.5 million units in the US. Her YouTube and Vevo pages have combined lifetime views of 3.5 billion.]

11. (81.) Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

12. (80.) Y god Y – “Say”
from: Y god Y – EP / High Dive Records / April 5, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This was also their 4th single and part of their debut 5-song EP released on High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop.]

13. (79.) Calvin Arsenia – “Oh Marie [feat. J. Ashley Miller]”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, and The Black Creatures.]

14. (78.) Ibibio Sound Machine – “I Will Run”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

15. (77.) Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Bottleneck in Lawrence, Friday, December 13 with Opal Agafia.]

16. (76.) Lee Fields & The Expressions – “A Promise is a Promise”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).][Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

11:00 – Station ID

17. (75.) Amyl and The Sniffers – “Got You”
from: Amyl and The Sniffers / ATO Records / May 24, 2019
[Debut album from Melbourne, Australia based, 4-piece punk band fronted by singer Amy Taylor who explains of the song, “‘Got You’ is about that feeling you get when you first start seeing someone and you’re excited to see them, no matter what shit they got. You just see them at the pub and it feels like the most exciting thing in the world, like you’re so lucky they’re even there. It’s definitely one of the “sweetest” songs on the album, and less punky. It was kind of inspired by Split Enz.”]

18. (74.) Lambchop – “Everything for You”
from: This (Is What I Wanted to Tell You) / Merge Records / March 22, 2019
[Lambchop, originally from Nashville, was ever a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner. AllMusic referred to Lambchop as “arguably the most consistently brilliant and unique American group to emerge during the 1990s”. Initially indebted to traditional country, the music has subsequently moved through a range of influences including post-rock, soul and lounge music. Whatever the style, the characteristic mood of Lambchop’s music is evoked by Wagner’s distinctive songwriting: lyrically subtle and ambiguous, the vocals melodic but understated. Not so long ago, Lambchop had a famously sprawling line-up, toting a dozen or so members around the world and into the studio to document elliptical country-soul mutations. But in recent years, the band has become a more personal vehicle for Kurt Wagner. Anchored by him and framed by bassist Matt Swanson and Wagner’s incorrigibly grinning foil, the pianist Tony Crow, the Lambchop of this decade has become more pliant and adaptable, opening itself to unexpected collaborators that give Wagner’s thoughts and feelings the shape they need for each new album.]

19. (73.) Approach / “Rapper’s Delight”
from: Merely Minutes, In A Day / Datura Records / February 4, 2019
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Sean Hunt aka Approach is a Kansas emcee/producer who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000 that he helps curate the roster for. ]

[Lincoln Marshall play The Riot Room, 4048 Broadway, KCMO, Thursday, January 2, at 10:00 PM with Domineko, NuBlvckCity, and Black Radio.]

20. (72.) Cuee – “Broken Memories”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently received their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

21. (71.) The Depth and The Whisper – “Break Me”
from: The Waiting is the Hardest Part / The Depth and The Whisper / January 18, 2019
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, who now lives in New York has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

22. (70.) The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC based duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello). Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City. Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com The Wires joined us live on WMM on May 8, 2019.]

[The Wires are playing a series of Solstice concerts at various Mid-Continent Libraries around KC starting Monday, Dec. 16, at 6:30 PM at Mid-Continent Public Library (Riverside Branch), 2700 N.W. Vivion Rd, Riverside, MO. And continuing Thursday, Dec. 19, at 2:00 PM at Mid-Continent Public Library (Boardwalk Branch), 8656 N. Ambassador Drive, KCMO. and Friday, Dec. 20, at 3:30 PM at Mid-Continent Public Library (Parkville Branch), 8815 Tom Watson Pkwy, Parkville, MO.]

23. (69.) Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

24. (68.) Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year. Wonderfuzz released a second full length live album “Live With It” Nov. 8, 2019]

11:30 – Underwriting

25. (67.) Scott Stanton & The Butter Band – “Bicycle”
from: Crag-o-lea / Scott Stanton / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton one of KC’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed & mastered by James Albright. Scott Stanton (songwriter) on vocals & acoustic guitar; Chad Brothers on acoustic guitar & harmonies; Kasey Rausch on upright bass & harmonies & fiddle; Marco Pascolini on pedal steel guitar; Grady Keller on banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play Cover Me, Kansas City, Tuesday, December 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

26. (66.) Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[Music & lyrics by Chase Horseman. Recorded & Mixed by Joel Nanos & Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase the Horseman plays Stockyard Sounds at Stockyards Brewing Co.. 1600 Genessee, KCMO, on Monday, December 16, at 7:00 PM with Lava Dreams.]

[Chase the Horseman plays Replay Lounge, 946 Massachusetts St, Lawrence, KS. Saturday, January 4, 2020 at 10:00 PM with True Lions and Pala Zolo.]

27. (65.) The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com]

[Nicole Springer plays The Brick, on Saturday, December 14 with True Lions and Teri Quinn.]

28. (64.) Kemet the Phantom – “Electric (feat. Kadesh Flow)”
from: Electric Park / Kemet Creative / August 16, 2019
[Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy.
Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More info at: http://www.kemetthephantom.com.] [Kemet The Phantom plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.]

29. (63.) The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

30. (62.) Miki P – “I Get Lost [Feat. The Swallowtails]”
from: Swallowtail – EP / Miki P/ September 1, 2018
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

31. (61.) True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions plays The Brick, on Sat., Dec. 14 with Nicole Springer and Teri Quinn.]

[True Lions plays The RINO, on Sun., Dec. 29 with Chloe Jacobson, Other Suns, and Pealds.]

[True Lions play Replay Lounge, 946 Massachusetts St, Lawrence, KS. Sat., Jan. 4, 2020 at 10:00 PM with Chase The Horseman and Pala Zolo]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 18, we bring you part 3 of our 4-week special, the 119 Best Recordings of 2019. We will count down #60 to #31 with representative tracks from: The Sextet, Violet and the Undercurrents, Other Americans, Yes You Are, Fathers, Akkilles, Volker Brothers, Ensemble Iberica, Simon Fink & The Wires, The Greeting Committee, The UK’s, Radar State, Headlight Rivals, OLIVIA FOX, Berwanger, Radkey, Hipshot Killer, Nan Turner, LK Ultra!, Florist, Hadiza., Our Native Daughters (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), Brittany Howard, Durand Jones & The Indications, Big Thief, Hand Habits, Cass McCombs, Michael Kiwanuka, Christone “Kingfish” Ingram, and Yola.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #815

WMM Playlist from Nov. 13, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2019

Una Walkenhorst & Chase The Horseman
+ OLIVIA FOX + Hadiza.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Wilco – “Everybody Hides”
from: Ode to Joy / dBpm Records / October 4, 2019
[Wilco is an American alternative rock band based in Chicago, Illinois. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo following singer Jay Farrar’s departure. Wilco’s lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004, the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released eleven studio albums, a live double album, and four collaborations: three with Billy Bragg and one with The Minus 5. Wilco’s music has been inspired by a wide variety of artists and styles, including Bill Fay, The Beatles and Television, and has in turn influenced music by a number of modern alternative rock acts. The band continued in the alternative country style of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music, including elements of alternative rock and classic pop. Wilco’s musical style has evolved from a 1990s country rock sound to a current “eclectic indie rock collective that touches on many eras and genres.”[Wilco garnered media attention for their fourth album, Yankee Hotel Foxtrot (2001), and the controversy surrounding it. After the recording sessions were complete, Reprise Records rejected the album and dismissed Wilco from the label. As part of a buy-out deal, Reprise gave Wilco the rights to the album for free. After streaming Foxtrot on its website, Wilco sold the album to Nonesuch Records in 2002. Both record labels are subsidiaries of Warner Music Group, leading one critic to say the album showed “how screwed up the music business is in the early twenty-first century.” Yankee Hotel Foxtrot is Wilco’s most successful release to date, selling over 670,000 copies. Wilco won two Grammy Awards for their fifth studio album, 2004’s A Ghost Is Born, including Best Alternative Music Album. Wilco released their ninth studio album, Star Wars, in July 2015, and in September 2016 released their tenth studio album, Schmilco, followed finally by their eleventh studio album, Ode to Joy, in October 2019.]

[Wilco plays their Ode To Joy Tour Show at The Midland, 1228 Main St., KCMO on Sunday, November 17, at 7:30 PM with Yuomo & Markus.]

3. Akkilles- “By Myself”
from: By Myself – Single / David Bennett / November 1, 2019
[Akkilles is the music project of David Bennett. I make music under Akkilles. He also helps other people make music. For this recording: David Bennett on guitars, David Bennett & Ian Thompson on keyboards, David Bennetton bass, David Bennett on synthesizer, David Bennett on vocals, Bryan Koehler on drums. Mixed and edited by David Bennett. Mastered by Dedric Moore. Artwork by Matt Schmitz. Recorded at: Aorist Studios in Kansas City. This one of three single Akkilles has released this year. “Meet in the Middle” was released October 25, 2019. “Feelin’ My Self” was released February 1, 2019. Akkilles released the critically acclaimed debut record “Something You’d Say” on July 2, 2013.]

[Akkilles plays Davey’s Uptown Rambler’s Club, 3402 Main, KCMO, on Saturday, December 14, at 8:00 PM with Gods Unwanted Children, sMallTaves, and RUBEO.]

4. The Moose – “Through The Rainbow”
from: Through the Rainbow / Bell-Bottom Trees – Single / The Moose / November 10, 2019
The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019.]

[The Moose play a Singles Release Show at recordBar, 1520 Grand Blvd, KCMO, Friday, November 15, at 7:00 PM with Hannah Norris and the Band, and Miki P and the Swallowtails.]

5. Dan Jones and The Squids – “I’ve Got Time For You”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Reception and gathering for Heart Rays: Graphics and Paintings by Dan Jones is Saturday, November 16, 5:00 to 7:00 pm, at FM Music Vintage Sounds, 206 E. 18th Ave, NKC. Dan will play some acoustic songs and FM Sounds will play Squids new album “We Live In A World That Is Out Of This World.”]

10:20 – Underwriting

6. True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions play an EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with The Black Creatures, Dream Girl, and Hadiza.]

7. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with Dream Girl, and Hadiza.]

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

8. Hadiza. – “Cousins”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza. plays the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Sat, November 30, at 9:00 PM with Dream Girl, and The Black Creatures.]

Hadiza. photo Captured by Meanz Chan / Lighting by John Hennessey Baker

10:34 – Interview with Hadiza.

Last December 29, 2018, Hadiza. released her EP Gone, and now she is back with a new 10 song, full-length album called, Shadow Weight, which continues to showcase her deeply moving voice and piano, that she considers her primary “tools” that she uses to get through…to herself. Born in Iowa City, Iowa, she has lived in Bushwick, and Atlanta. Hadiza. worked in for corporate America in the New York Finance District. For many years she studied the piano, while keeping her singing voice private. Eventually as she writes, she made the jump into her new life of composing, singing, writing, collaborating and presenting what she calls a blend of soul, classical, blues and folk. Since relocating to Kansas City from her hometown of Iowa City, she has been slowly carving out her place in the scene as a solo artist and as lead vocalist and lyricist for the experimental electronic duo Collidescope a band formed with Madi Mclaughlin.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza, thanks for being with us on WMM.

Hadiza. writes:

“It is possible to change the past. Not through false or omitted histories and not with time machines to put you there (at least not in 3d). No, you must jump.”

“Piano, voice, composition and melody, these are the primary tools she wields to get through to…herself. Tools summoning words to assist in the recursively unfolding Undertaking; to confront and embrace hers and her family’s shadows. She angles lenses available to her; neo-colonialism, romantic rejection, overbearing anxiety, and the maddening oscillations (often overlaps) of invisibility and hyper-visibility, directing the sun’s rays to illuminate.”

“Jumping timelines in Bushwick, Atlanta, Iowa City (birthplace) and now Kansas City as a keyboardist, background singer, lead vocalist and band leader, this is a journey of many entry points. What was first a coping mechanism to maintain sanity in the distinctly other-izing world of the New York Finance District version of Corporate America soon sparked the drive to study the complexities of her voice; building upon a foundation formed from middle school choir, a private love for singing, and years of training in piano.”

“When this all started, Hadiza’s timeline was one within which she acted as an element to other projects and was more than content labeling any pursuit of music a ‘hobby’. Time did what it does best in presenting more and more opportunities to jump, with each jump higher than the last. That first jump though? It was rough. Now, she composes, sings, writes, plays, refines, collaborates, shares, repeat in no particular order. The result has been an eclectic blend of soul, classical, jazz, blues and folk. Hadiza writes songs for herself first. She doesn’t expect you to relate or embrace her, but when a stranger takes something from her words, her singing, her melodies and is compelled to share, it is confirmation to keep jumping and to never look back.”

Official track list: Shadow Weight

1. Cousins
2. Narcissus
3. Abort
4. Reactions!
5. Lazy Eyes
6. Dear…(Family Song)
7. Cotton
8. Airport Funeral/Babylon Dreams
9. Sleep Paralysis
10. Elmina

Hadiza released her EP “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Monroe.

Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano.

Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy.

If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.

10:55

Hadiza, thanks for being with us on WMM.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:56

9. Hadiza. – “Reactions!”
from: Shadow Weight / Hadiza. / November 22, 2019

11:00 – Station ID

10. Olivia Fox – “Carbon”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

Aubrey Callahan, Hadiza., Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

11. Hadiza. – “Dear…(Family Song)”
from: Shadow Weight / Hadiza. / November 22, 2019

11:08 – Interview with Lauren Flynn, Aubrey Callahan and Tiffany Smith

The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs.

OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.

OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.

OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

More info at http://www.weareoliviafox.com

Aubrey Callahan, Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

OLIVIA FOX were last on WMM on April 4, 2018

OLIVIA FOX were all brought together through their manager David “DJ” Lee.

This year Lauren had a baby boy, Aubrey got married, and Tiffany adopted a new doggie

OLIVIA FOX

Carbon was Produced by Tyler Banks. Co-Produced by David “DJ” Lee. All Songs written by Lauren Flynn, BMI, Except “Blame” written by Lauren Flynn and David “DJ” Lee. All Vocals by OVFX. Additional vocals on “Not Going Down” by Kianna Alarid, Jessica Paige, Jo Mackenzie, Kat King, Nicki White, Natalie Norman, and Crystal Rose.

All drums, synths and programming by Tyler Banks. All Violin by Tiffany Smith and Acoustic guitars by Lauren Flynn. Acoustic guitars on “Across the Water” and “Carbon” by Katy Guillen. Acoustic guitars on “Easy” and “Utah” by Josh Johnson. Piano on “Little Bird” and “Elevator Doors” by Jess Hughes. Album artwork: Chet Flynn.

Copyright and Production 2019. OLIVIA FOX Records. All rights reserved.

11:13

12. Olivia Fox – “Across The Water”
from: Carbon / OLIVIA FOX / August 23, 2019

11:17

OLIVIA FOX

We are talking to Kansas City musicians: Lauren Flynn, Aubrey Callahan and Tiffany Smith who make up the Kansas City band, OLIVIA FOX.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

Lauren Flynn plays piano, guitar, mandolin, bass. Lauren grew in Independence, Missouri and prior to Olivia Fox had been performing solo artist playing as L.A. Price.

Aubrey Callahan sings, plays keyboards, synthesizers, guitar in Olivia Fox and is also an award winning Kansas City based wedding photographer with Aubrey Erin Photography. She studied photography at University of Central Missouri and the University of Central Lancashire (UCLan). Aubrey You grew up in Liberty, Missouri. More information at:
http://www.aubreyerinphoto.com http://www.kcvintagewedding.com

Tiffany Smith sings, plays violin and guitar, and creates many of the band’s string arrangements. Tiffany is also a Registered Nurse at Outpatient Mental Health. She grew up in the Blue Springs area.

11:25

13. Olivia Fox – “Empty”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

[OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.]

[OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.]

11:29 – Underwriting

Una Walkenhorst, Chase Horseman, Tiffany Smith, Lauren Flynn, and Aubrey Callahan on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

14. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:35 – Interview with Una Walkenhorst & Chase The Horseman

Following the release of her debut album “Scars” in 2014, Una Walkenhorst loading up her 97 Honda Civic, and spent a year traveling across North America playing bars and open mics, and booking her own gigs. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. In the last 23 months, 26 year old,, Una has played The Folly, Boulevardia, Crossroads Music Fest, Middle of The Map Fest, opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest;, and has helped to produce shows to benefit The Innocence Project, and MOCSA. Last year In Una released the album “For Tomorrow” with her father Bob Walkenhorst, taking turns as songwriters with 5 from Una, interwoven with 5 from Bob, written individually, and recorded together, in shared musical DNA harmonies, that can be heard in family bands like The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.

Una Walkenhorst thank you for beibg with us on Wednesday MidDay Medley

Chase The Horseman

Also with us is our friend, Chase the Horseman, who is one of the hardest working guys in the music business. Chase The Horseman is a band, a film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over nearly 40 films and has released multiple singles and recordings a solo artist. As a musician and producer Chase has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner, and many more. Recently Chase released his latest EP “Disinformation Blues.”

Chase Horseman thank you for being with us on Wednesday MidDay Medley

Una Walkenhorst and Chase the Horseman join us to share music and news of their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC. More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music.

Una toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.”

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York. After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half. Una wanted to make it as a musician, on her own terms without help from her father. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. More info at: http://www.unawalkenhorst.bandcamp.com

Whoa Dakota is Jesse Ott.

On her first full length album, Patterns, Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electro pop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere.

Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk- Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.

10:43

15. Whoa Dakota – “Patterns”
from: Patterns / Whoa Dakota / September 15, 2017
[Debut length album, Patterns, from Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electropop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere. Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk ala Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.]

[Whoa Dakota plays The Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM with Una Walkenhorst and Chase the Horseman.]

Una Walkenhorst and Chase Horseman on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:47 – Interview with Una Walkenhorst & Chase The Horseman

We are talking with Una Walkenhorst and Chase the Horseman about their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thurs. Nov. 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC.

Una Walkenhorst is currently working on her new EP due to be released soon. She is also getting set to release the first single and video from the EP, “People in The Paper.”

11:53

Una Walkenhorst and Chase Horseman, Thanks for being with us on WMM

More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

11:56:48

16. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horsemn released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, November 20, we welcome Tim Finn – Music writer for IN Kansas City, Marion Merritt – owner of Records With Merritt, Chris Haghirian – from Ink and KC Star and host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – founder of I Heart Local Music who all join us to share their favorite releases of 2019.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #811

WMM Playlist from August 28, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 28, 2019

Enrique Chi & Making Movies’ Carnival
+ Danielle Jones & Tim O’Connor of LA Jones

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Soultru – “Must Be”
from: Must Be – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays the MOTM Film Presents: with NuBlvckCity, and Duncan Burnett at The Rino, 314 Armour Rd, NKC, Saturday, August 31 at 7:00 PM as part of Middle of the Map Film Festival that start TONIGHT August 28, and runs through September 4 at Screenland Armour, 408 Armour Rd, NKC. More info at: http://www.middleofthemapfest.com]

3. Seratones – “Gotta Get to Know Ya”
from: Power / New West Records / August 23, 2019
[Seratones are from Shreveport, Louisiana and include: AJ Haynes on vocals & guitar; Adam Davis on bass & backup vocals; Jesse Gabriel on drums, percussion, vibraphone & backup vocals; Tyran Coker on keyboards, piano, synth, guitar & backup vocals; Travis Stewart on guitar & backup vocals, and Matt Combs on strings. Produced by Bradley Shultz – A Small House Production. Additional Production on “Crossfire” by Chris Sunday. Recorded by Jeremy Ferguson at Battle Tapes Recording, Nashville, TN. Mixed by Claudius Mittendorfer. Mastered by Adam Grover at Sterling, Nashville, TN]

4. Purple Mountains – “My Happiness is Gone”
from: Purple Mountains / Drag City Records / July 12, 2019
[Purple Mountains was an American indie rock project formed by musician and poet David Berman. The project debuted in May 2019, over a decade after the dissolution of Berman’s previous group Silver Jews. An eponymous album was released in July 2019. The album was recorded primarily in Chicago and produced by Jarvis Taveniere and Jeremy Earl of the band Woods. The project’s name is a mondegreen of the lyric “Purple mountain majesties” from “America the Beautiful”. The project was presumably dissolved upon Berman’s death on August 7, 2019. Berman returned to music in 2018, co-producing Yonatan Gat’s critically acclaimed album Universalists. On December 12, 2018, former Pavement and Silver Jews member Bob Nastanovich revealed on his podcast Three Songs that David Berman would release new music in 2019 under the name Purple Mountains, which was also the name of Berman’s blog. Although, his blog was also titled Menthol Mountains at times. On May 10, 2019, Berman released his first music in over a decade, a single entitled “All My Happiness Is Gone” on vinyl by Drag City, using the moniker Purple Mountains. The single included two remixes of the song, “All My Happiness Is Wrong” by Noah Count and “All My Happiness Is Long” by Mark Nevers featuring clipped recordings of Dave Cloud, and also indicated that a full-length album was a “couple months away.” It also credited Berman, Jeremy Earl and Jarvis Taveniere of Woods, Aaron Neveu and songwriter Anna St. Louis. The single was released digitally on May 17, 2019 with the announcement of a full-length album. The eponymous debut album, accompanied by a US tour, was released on July 12, 2019. “Darkness and Cold” was released as the album’s second single on June 11, 2019. “Margaritas at the Mall” was released as the album’s third and final single on June 28, 2019. A remix of “All My Happiness Is Gone” by Australian electronic music group The Avalanches, who Berman has collaborated with in the past, was commissioned by him, but a licensing issue prevented their version from being released. A few reviews: David Berman is back from his post-Silver Jews void and moving Purple Mountains onto our fruited cultural plain. His iconic literary lyrics sit astride immaculate country-rock tunes, evoking jukebox-ready disaffection with twists of pathos, comedy and tragedy – an indie poet laureate at false dusk! Stop the world! Purple Mountains’ inaugural voyage launches with a five-alarm weep-rocker – and total self-destruction never sounded so good. Amid sumptuous mellotron strings n’ galloping tom-toms, David Berman’s stone-cold account of middle age’s wild unkindnesses takes on a positively heroic glow.]

4. Hannah Norris & the Band – “Ego Death”
from: Ego Death – Single / Hannah Norris & the Band / October 30, 2018
[Lawrence / Hays Kansas based Hannah Norris, on lead vocals & guitar, Kenny Singleton on drums and Matt Mozier on bass. Recorded in September 2018 at Fire & Ice Studios, and engineered by Steve Squire.]

[Hannah Norris & the Band play The Bottleneck, 737 New Hampshire St., Lawrence, KS. Saturday, August 31, at 8:00 PM with The Una Walkenhorst Trio, & Teri Quinn – This show will also be celebrating the 6th month anniversary of our Survivors’ Stories: Stand Against Sexual Violence event, which all three acts were involved in. “Stand Against Sexual Violence” will be available wot proceeds benefiting MOCSA, the Metropolitan Organization to Counter Sexual Assault.]

[Hannah Norris & the Band play the 15th Annual Crossroads Music Fest, Saturday, September 7, 2019]

5. The Nude Party – “Water On Mars”
from: The Nude Party / New West Records / July 6, 2018
[All songs written and composed by The Nude Party. Lyrics by Christopher Patton Magee. Produced by Oakley Munson. Recorded by Matthew Cullen at Dreamland Recording Studios in Woodstock, NY. Mastered by Scott Craggs at Old Colony Mastering in Boston, MA. The members came together in the freshman dormitories of Appalachian State University in Boone, North Carolina in 2012. Patton Magee (lead vocals, guitar), and later Austin Brose (percussion, vocals), linked up with childhood friends Connor Mikita (drums) and Alec Castillo (bass guitar, vocals), and stepbrothers Shaun Couture (lead guitar, vocals) and Don Merrill (organ/piano, vocals). The following summer, with the shimmer of The Kinks, Velvet Underground, and other still-unsurpassed classic rock masterpieces as their soundtrack, the young men moved into a lake house outside of town, began acquiring and learning to play instruments, and jamming on rudimentary riffs. Friends came by the lake house to swim and canoe and party and soon ritual nudity was a part of the festivities. When the fall semester came around the friends moved into a house in Boone and the jamming continued in the basement on a nightly basis. During this time the Dionysian Adamite sextet began developing a following as the house band at a notorious Boone party palace referred to as the 505 House. The bare honesty of their performances was contagious and their audience also started partying au naturel. While these traditions may appear risqué to the casual observer, the band explains, “These weren’t orgies, they weren’t sexual even. It was just kind of a wild exhibitionism that we felt gave us freedom.” ]

[The Nude Party play Knuckleheads Saloon, 2715 Rochester St, KCMO on Sunday, September 1, at 8:00 PM, with Pinky Pinky.]

6. Ceremony – “In the Spirit World Now”
from: In the Spirit World Now / Relapse Records / August 23, 2019
[Rohnert Park, California based band, CEREMONY were formed in 2005. They make their Relapse Records debut with their highly ambitious new album, ‘In the Spirit World Now’! The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer’s most compelling and infectious records. “In the Spirit World Now” is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now” is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.]

7. The Sluts – “Break Their Heart”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play Riot Room, at 4048 Broadway, on Friday, August 30, at 8:00 PM with Mild Cats and The Typing Pool.]

10:30 – Underwriting

9. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

Danielle Jones and Tom O’Connor on the August 28, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:34 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band formed in 2016. LA Jones in 2016. after a string of singles they released their debut EP Bring Me Back Down this past Spring, and played an EP Release Show, at The Rino. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.

L A Jones play Camp Leavenworth Festival, Saturday, September 21.

Danielle Jones has worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools. Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015. She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Danielle Jones is engaged to Tim O’Connor

Tim O’Connor has worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School. Tim O’Connor studied at Kansas State University from 2011 to 2016. Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.
Bring Me Back Down was engineered at Soundworks Recording Studio.

Last time Danielle and Tim were here was just before LA Jones played recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves.

New Single: “Behind The Times”

10:41

10. L A Jones – “Behind The Times”
from: Behind The Times – Single / L A Jones / September 4, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, the band has now grown to feature a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

L A Jones

10:46 – Interview with Danielle Jones & Tim O’Connor

LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band includes a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists.

Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones includes:
Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

More information at http://www.officiallajones.com

10:53

11. L A Jones – “Switch”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

12. The Milk Carton Kids – “Younger Years”
from: All the Things That I Did and All the Things That I Didn’t Do / Anti / JUne 29, 2018
[The Milk Carton Kids are an American indie folk duo from Eagle Rock, California, United States, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who began making music together in early 2011. The band has recorded and released five albums: Retrospect, Prologue, The Ash & Clay, Monterey, and All the Things That I Did and All the Things That I Didn’t Do. They are noted for releasing their first two albums for free. Pitchfork writes about their new album: “Pattengale and Ryan have loosened their restrictions, inviting a cast of session pros that includes Wilco’s Pat Sansone to add splashes of piano, strings, and thumping drums to their songs. The additions are often subtle—conceptually, they have more in common with Beach House’s quiet amalgamation of synth tones than with Bob Dylan going electric—but they have an outsized impact on the group’s dynamics. These songs continue the world-weary narratives of earlier tracks like “Michigan” and “Years Gone By,” albeit with heightened urgency: Pattengale overcame a cancer diagnosis and the dissolution of a long-term relationship before recording got underway. Paradoxically, though, the album crackles with newfound levity and muscle.”]

[The Milk Carton Kids play Knuckleheads Saloon 2715 Rochester, TONIGHT, Aug 28, 8:00 PM]

11:00 – Station ID

13. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob and Una Walkenhorst at Light Up The Lawn, Hosted by Carlsen Center at Johnson County Community College and Nerman Museum of Contemporary Art on Friday, August 30, at 8:30 PM at Nerman Museum of Contemporary Art 12345 College Blvd, Overland Park, KS.]

14. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform]

[Hadiza plays An Evening with Hadiza. Friday, August 30, at 7 PM at Gaslight Gardens, 317 N 2nd St, Lawrence, Ks]

[Hadiza. plays The 15th annual Crossroads Muic Fest, Saturday, September 7, 2019]

15. Timbers – “I Could Be The One”
from: Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

[Timbers play The Stockyards Brewing Company, on Sunday, September 1, at 3:00 PM]

16. Erin Keller – “Moonlight in Vermont”
from: Distracted / Erin Keller / May 9, 2016
[KC based vocalist Erin Keller is originally from Waukee, Iowa. She was born in August, in 1980. Erin has been singing on a professional level for 25 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. In April Erin released her new album, “Distracted,” and has been playing live shows while also being upfront and honest about her recent cancer diagnosis where she has received multiple rounds of chemo treatments. Erin Keller wrote the song “Distracted” and recorded her songs with Chad Meise. Immediatedly after the album was released Erin diagnosed with liver cancer and began treatments, while also going through a divorce, and moving to a new home. During her chemo treatments Erin continued performing and producing shows, keeping an incredible sense of humor and strenght through such a difficult period. She has successfully completed multiple round of chemo.]

[Erin Keller & the Love Basement play The Ship, 1217 Union, KCMO, tomorrow August 29, 9:00 PM. It’s Charlie Parker’s Birthday and also Erin Keller’s Birthday! Steve Lambert on saxophones & flute, Nick Howell on trumpet & tambourine, Arnold Young on drums & percussion, Brian Steever on drums & percussion, Jason Emmond on bass, Andrew Ouellette on keyboards.]

17. Like A Tiger – “Home Movies”
from: Home Movies / Like A Tiger / January 18, 2019
[Pete Marten on guitar & loops, KR Azad on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte. Like A Tiger began playing together in early 2018 and draws on influences of rock, jazz, and electronic music. The band presents a refreshing take on instrumental rock, using live looping and exploring effects, textures, and timbres. Members Pete Marten, John O’Keefe, and Krishnaswami Ramachandran Azad recorded their debut album Home Movies in September of 2018.]

[Like A Tiger play miniBar, 3810 Broadway, Sat, August 31, 9:00 PM w/The Sexy Accident and Miki P.]

18. Barnaby Bright – “Just The Same”
from: Barnaby Bright / Shortest Night Music / June 21 , 2019
[Brooklyn-based indie folk rock duo Barnaby Bright, have garnered high accolades for their lyrically captivating and impeccably balanced songwriting and sound. Finalists in the New York Song Circle Contest for two years in a row, Barnaby Bright was awarded the Grand Prize, winners in November 2010 for their song, “Don’t Look Down.” Formed in 2009, Barnaby Bright is Becky Bliss on lead vocals, harmonium, Keyboards, & Ukulele ; and Nathan Bliss on guitar, vocals, loops, and banjo. Both classically-trained, the duo has made some cool Americana records, lived in Brooklyn, Nashville and Kansas, toured coast to coast, run out of money, toured Europe, run out of money again, won high-falutin’ prizes for songwriting in New York, generally not argued, done benefit shows for prestigious US AAA radio stations, given away 200k+ tracks on Amazon, played Lincoln Center & NPR’s Mountain Stage, eaten copious amounts of vegetarian food, attracted 19k+ listeners a month on Spotify and opened for Norah Jones & the Lumineers. “This is Life,” was co-produced with Cason Cooley (Ingrid Michaelson, Matt Kearney) and speaks to where they’ve been, who they are, what they want and where they’re going. It’s smart pop with an authentic Americana stamp, not the other way round. Somewhere in there they got married, but they’d rather not talk about that.]

[Barnaby Bright play the Kansas City Songwriter Series, at Kemper Museum of Contemporary Art, Thursday, August 29, 5:00 PM to 7:00 PM, curated by KC Trumpeter Hermon Mehari. More info at: http://www.kemperart.org]

11:30 – Underwriting

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com]

11:34 – Interview with Enrique Chi

Enrique Chi is lead singer & co-founder of the KC based and internationally known band Making Movies. Enrique joins us to talk about Making Movies critically acclaimed new album, ameri’kana. Enrique is also here to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO, featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi, thanks for being with us again on WMM.

Last time Enrique here was just before your intimate solo show “From the River to the Delta” on July 18, in Carl Butler’s Gospel Lounge a Knuckleheads. Accompanied by special guests the Altoro Sisters, and John Kizlarmut. Malek Looney, Rebel Song Academy Alumni opened the show with a mini set.

Making Movies Carnaval, will be Saturday, Sept 7, at 8:00 PM at Knucklehead’s Saloon.

ameri’kana, the highly anticipated album from Making Movies and Rubén Blades, is out today. It’s an album that is as striking musically as it is narratively. It’s the power of collaboration across generations/languages/borders- it’s a call to action.

The album is a collaboration with none other than Rubén Blades. The collaboration began at the 2017 Latin Grammys, when Blades said he wanted to work with Making Movies, setting into motion their first collaboration, No Te Calles, a calling to all artists and the general public to speak out against corruption. Inspired by the poetry of Blades on “No Te Calles” Making Movies entered the studio and dreamed up ameri’kana, an “oldies” station from the future, where the injustices sung about are long gone. The album features artists that align with speaking out against divisions, corruption, and injustices, with the hope that in the future those ills will be a memory. Steve Berlin of Los Lobos signed on to produce the album, his third time working with the group, along with co-producer Ben Yonas and together helmed the sessions that brought the featured cast of ameri’kana: Flor De Toloache, David Hidalgo of Los Lobos, Asdru Sierrra of Ozomatli, Frankie Negrón, and Las Cafeteras. Blades offered himself as a guide and resource to the band during the process, and appears on three tracks of the record, including one co-penned by Lou Reed.

“For the first time in our journey we have aimed at a focused message to stand up against the political corruption and injustices that are plaguing our beautiful continent, Abya Yala.” said Enrique Chi, guitarist & frontman of Making Movies. “We are all accomplices in it and we must be accomplices in the solution which begins with raising our voices.”

The album’s genre-breaking sound pulls from Latin music as well as rock’n’roll, which Making Movies attests are one and the same: without the influence of Latin music in North America, jazz and blues would have never been born, nor would its successor rock’n’roll. ameri’kana marks the band’s sound and mantra: “ROCK’N’ROLL IS LATIN MUSIC,” they are as inseparable as the continent itself.

Making Movies is currently celebrating the release on a tour across the U.S. and Panama. Rubén Blades and Making Movies will share the stage for the first time at the Auditorio Nacional in Mexico City on November 20th.

Upon the release of this album I Am Another You, (May 26, 2017). Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.”

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

11:42

20. Making Movies & Las Cafeteras – “Montańa”
from: Montańa – Single. / 3/2 Records / June 8, 2018
[Las Cafeteras’ album “Tastes Like L.A.” (released April 14, 2017) was part of WMM’s 117 Best Recordings of 2017. They call themselves a Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

Enrique Chi

11:44 – Interview with Enrique Chi

Enrique Chi, lead singer & co-founder of the KC based and internationally known band Making Movies is here with us in our 90.1 FM Studios to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCM, featuring Las Cafeteras from Los Angeles, who we just heard in a collaboration with Making Movies.

Enrique Chi, thanks for being with us again on WMM.

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members.

Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi thanks for being on WMM.

21. ÉSSO – “La Calle”
from: Juntos / Esso Afrojam Funkbeat / September 8, 2017
[ESSO’s second full length album on their own “Sonic Octopus Records” brings a more concise and focused approach for the diverse multi-faceted band. “Juntos” is a step forward in the arrangement and definition of this Chicago based collective. “ESSO might just be the band the country needs in these dark days of the Trump presidency.” -Agúzate.org (Sept 2017) Esso Afrojam Funkbeat is a large conglomeration with a rich guest list, mixing upbeat salsa on pieces like “Baila” and “Mariposa Negra” to hip hop tunes such as “Mi Gente” and the electric grooved “Cumbia Del Encanto.” Some folk guitar and lovely voice by Diana Mosquera create a rich atmosphere on “Cumbia Triste” and folk driven flute from Matthew Davis teams with indie moods on “Stone Eagle.” Traditional sounds with Millennial hearts – JazzWeekly (November 2017) “Music is an amazing thing. You don’t have to understand any of the lyrics of a song to be moved by the melody and the rhythm. Juntos, the latest album from Esso Afrojam Funkbeat is a great testament to this phenomenon. Even if you don’t understand a word of Spanish, you’re likely to find yourself moving when you listen to it.” – AXS (Sept 2017) All songs performed by ¡ESSO! Afrojam Funkbeat. Armando Pérez recorded + mixed = produced at Belmont Electric Studios, Chicago IL. Rollin Weary mastered at IV Labs, Chicago IL. Mark Ettinger, piano recorded at the Lethe Lounge, NYC. AfroQbano beats, Patrick’s piano, and Jess’ batá drums recorded at Ekibo’s, Chicago IL. Aaron Feder, guitar recorded at Alma Studios, Barcelona, Spain. Music and lyrics by Armando Pérez except for: additional music and lyrics on “Mariposa Negra, Cumbia Triste, Sangre” by Diana Mosquera. “Mi Gente” music and verse by Kevin Miller. “Homenaje” lyrics are traditional Yoruban Chants. Programmed beats on “Meet Me Out, Piramides, Stone Eagle” by AfroQbano. Rhymes and spoken word poems written by all emcees respectively Poetas mexicanos invitados por Syncretik Productions. Sonic Octopus Recordings Copyright 2017 Fantasy Bunker Publications ASCAP.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 4, Madisen Ward, of Madisen Ward and the Mama Bear join us with KKFI Development Director Bill Sundahl to share all the details and play music from the 15th annual Crossroads Music Festival, featuring 30 bands in 6 venues with Day parties and Drumlines More information at CMFKC.COM

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #800

Wednesday MidDay Medley presents: Nicole Springer + Stephonne Singleton + Jen Harris, Teri Quinn & Joy Baker + Promise Clutter

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 10, 2019

Nicole Springer + Stephonne Singleton
+ Jen Harris, Teri Quinn & Joy Baker of Curses & Charms +
Promise Clutter from Revolution Records + Record Store Day!

Mark spins New & MidCoastal Releases from: Stephonne, Nicole Springer, The Freedom Affair, Brandon Phillips & The Condition, Hembree, Deco Auto, Lazy Projector, Madisen Ward and The Mama Bear, Schwervon!, The Black Creatures, Lovergurl, and Wick & The Tricks.

Record Store Day

At 10:15 Promise Clutter talks about Record Store Day at Revolution Records, 1830 Locust, on Saturday, April 13, with AKAMFDM, Joseph Warren Wheeler & The Wanderlust Revival, Lovergurl, Wick & The Tricks, Major Matt Mason USA, and Instant Karma! Record Store Day in-stores are happening at: Mills Record Company, 4045 Broadway; Records With Merritt 1614 Westport Rd; Josey Records 1814 Oak; and Vinyl Renaissance & Audio at 7932 Santa Fe Drive, OPKS. Other stores participating include: The Vinyl Underground at 7th Heaven, 7621 Troost; Brothers Music at 5921 Johnson Drive, Shawnee Mission; Got What U Like Records at 11601 Hickman Mills Drive; and FM Music Vintage Sounds at 206 E. 18th Ave NKC. Other stores include: Boss Vintage Records at 1214 McGee; Sister Anne’s – Records and Coffee at 901 E 31st. For Info on RSD: http://www.recordstoreday.com/SpecialReleases

Nicole Springer

At 10:35 Nicole Springer debuts her new single “Hell.” Nicole will also play a few songs live in our 90.1 FM Studios. Nicole Springer is a KC based singer-songwriter and multi-instrumentalist. She was the founder of the critically acclaimed bands, The Clementines, and The Good Hearts. Nicole Springer plays Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, on Thursday, April 25, at 7:00 PM with Dawson Hollow, and Joy Camp. Nicole Springer plays Records With Merritt on Saturday, May 11, at 7:00 PM with The Summer Storms, and Amanda Hughey. More info at: http://www.facebook.com/nicolespringersings

Jen Harris

At 11:00 Jen Harris, Teri Quinn, and Joy Baker join us to share details about Curses & Charms on Sunday, April 14, at 4:30 PM at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Curses & Charms: A Further Account of the Trials of Womyn with wild tales told through poetry & music featuring spoken word artist Emery Diercks, musician-singer-songwriter Teri Quinn, and Poet Jen Harris. More info at: http://www.interurbanarthouse.org

Stephonne Singleton

At 11:30 Singer songwriter and actor, Stephonne Singleton premieres his new single “Want Me.” Stephonne calls himself the lovechild of Prince and Billie Holiday, grew up in KCK and received a Bachelor of Arts degree in Music from Bendictine College and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018. Natalie Gallagher wrote in The Pitch, “If you’re looking for a good soul-stirring, acquaint yourself with Stephonne. The KC-born artist evokes the sultry sashay of Prince — one of his primary inspirations — and the omniscient wisdom of great jazz singers from bygone eras. He recombines the best elements of soul, R&B and funk, informing the resulting sound with some kind of magical instinct for the irresistible.” More info at: http://www.stephonne.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #781