WMM Playlist from August 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Scott Hrabko & The Rabbits – “Last Dance”
from: Last Dance EP / Scott Hrabko / August 7, 2020
[Scott Hrabko calls this new EP release a “bit of a departure …” Scott writes on his bandcamp page: “For some time now, ideas for dance/experimental rhythms have been knocking (in syncopation!) on the doors of my dreams, with a growing sense of urgency. Eventually I had no choice but to heed the call, so I got busy and recorded this EP. In this time of social distancing I played all of the Rabbit parts except as noted below, with my friends, Chris Tady (in person, pre-pandemic) and Jason Beers (via remote). My son, Sam Hrabko created the beautiful image on the cover. Chris Tady on lead guitar on “45 Spiders,” Jason Beers on slide guitar on “Last Dance,” all other sounds and utterances by Scott Hrabko. Produced by Scott Hrabko. Mastered by Mike Nolte at Eureka Mastering – Portland, OR. Earlier this year Scott Hrabko released the singles “Free” on August 7, and “Dog In The Backyard” on April 3, 2020. These singles followed the single “Pretty Good Day,” released November 2, 2019. Scott Hrabko released the EP Smash Hits From A Parallel Universe, on February 14, 2019, with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrabko & The Rabbits released the albums: “Summer,” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]

3. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Coleman / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman except for COLLECTION PLATE which is produced by Sharif Thomas. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home came together. More info at: http://www.kemetcoleman.com]

[Kemet Coleman and his band The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

4. Krystle Warren & The Faculty – “Climbing Out (feat. Teddy Thompson)”
from: Love Songs – A Time to Refrain from Embracing / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

5. Kris Delmhorst – “The Horses”
from: Long Day In The Milky Way / Kris Delmhorst / August 14, 2020
[Kris Delmhorst is an American singer-songwriter and musician. Originally from Brooklyn, New York, United States, she now lives in Western Massachusetts, is an active member of the Boston folk scene, and tours internationally. She has released nine full-length solo albums and two EPs on Signature Sounds Recordings. Delmhorst released Appetite, her first album, in 1998, the same year she was involved in producing the Respond compilation, a fundraiser for domestic violence groups. It included her song Weatherman. In 1999, she released a live album with The Vinal Avenue String Band, consisting of herself, Sean Staples, and Ry Cavanaugh. Her second solo album, Five Stories, was released in 2001 and was well received. In 2005, Delmhorst, Jeffrey Foucault, and Peter Mulvey released an album entitled Redbird. The trio released a live album in 2011. In 2006, Delmhorst took the words of poems by writers such as Lord Byron, George Eliot and Edna St. Vincent Millay, and set them to original music.[4] Delmhorst released Shotgun Singer in 2008, a collection of original recordings noted for its artistic vibe, instrumentation and alternative aesthetic, compared to previous recordings that focused more heavily on vocals and lyrics. In 2011, Delmhorst gathered instrumentalists and singers from across the Boston/Cambridge music scene, including The Cars’ keyboardist Greg Hawkes, to record a covers album dedicated to music by the new wave band The Cars. Delmhorst’s seventh album, Blood Test was released on Signature Sounds on May 13, 2014. It is her first of original music since her 2008 album Shotgun Singer. Delmhorst has recorded vocals, fiddle and cello on over 50 albums from artists such as Peter Wolf, Mary Gauthier, Chris Smither and Lori McKenna. Delmhorst is married to fellow singer/songwriter Jeffrey Foucault, with whom she had a daughter in 2008.[9] She occasionally performs as part of the collective Redbird with Foucault and Mulvey.]

6. Indigo Girls – “K.C. Girl”
from: Look Long / Rounder Records – Concord / April 24, 2020
[15th studio album by American folk rock duo Indigo Girls. The Indigo Girls recorded the album with previous collaborator John Reynolds. Tour dates were postponed due to the COVID-19 pandemic in the United States but the duo performed a series of weekly live-streamed concerts online to raise money for charity as well as promote this release. These events were accompanied by a question and answer session and audience requests for performances. They also performed at a virtual festival of musicians raising money for the United Nations Foundation on Mother’s Day, 2020. Indigo Girls are an American folk rock music duo from Atlanta, Georgia, consisting of Amy Ray and Emily Saliers. The two met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in Emory Village. They released a self-produced, full-length record album entitled Strange Fire in 1987, and contracted with a major record company in 1988. After releasing nine albums with major record labels from 1987 through 2007, they have now resumed self-producing albums with their own IG Recordings company. Outside of working on Indigo Girls–related projects, Ray has released solo albums and founded a non-profit organization that promotes independent musicians, while Saliers is an entrepreneur in the restaurant industry as well as a professional author; she also collaborates with her father, Don Saliers, in performing for special groups and causes. Saliers & Ray are both lesbians and active in political and environmental causes.]

7. Gemini Revolution – “Pure Air”
from: Supernova Remnant / Kosmic City Records / August 6, 2020
[Dedric Moore on synthesizer, bass, drum programming, dub guitar; Delaney Moore on synthesizer, Krystof Nemeth on baritone guitar on 4, 5, and 6; Mikal Shapiro on lead vocal on 6; Teri Quinn on backing vocal on 6; Alexander Thomas on drums on 6. An alternate timeline side of Monta at Odds. Gemini Revolution explores the dark ambient side of sonic space exploration digging deep into sounds from beyond slowly enveloping everything it comes into contact. Set your controls to the heart of the supernova. Gemini Revolution finds brothers Dedric and Delaney veering from their duties in Monta At Odds and into the uncharted star-field. Their album Supernova Remnant yields expansive results — kosmiche tones and analog textures blending into an intense brand of ambient extraction. Throughout Supernova Remnant, Gemini Revolution masterfully execute a push/pull effect with layers of sound, planting a feeling of time’s motion stuck in place. The opening “Slow Stars” sets up the project, inspired by a challenge from fellow 8Di’er San Mateo and morphing into a blossoming 17 minutes that surround in a sonically colorful haze. From there, Supernova Remnant tours the sizzling remains of celestial objects, with Dedric and Delaney’s intertwined instrumentation guiding the way. Krystof Nemeth, of darkwave band Emmaline Twist, supplies his remote ‘baritone guitar’ on a few key tracks. And drummer Alexander Thomas and vocalists Mikal Shapiro and Teri Quinn appear for the epic finale, “Children of Collisions.” Together the six tracks complete Gemini Revolution’s orbit, floating through the darkness as a cosmic whole. Listen as Supernova Remnant traces the distance of imagination. More info at http://www.kosmiccity.com]

8. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

10:29 – Underwriting

9. Soultru – “We”
from: “We” – Single / The Record Machine / January 31, 2020
[One of several singles Soultru has released this year incuding “Come & Gone” released April 10, 2020. Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019. More info at: http://www.soultrumusic.com]

Nathan Reusch

10:36 – Interview with Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. You can learn about all of their bands and more details at http://www.therecordmachine.co

Nathan Reusch joins us to share the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair.

Nathan Reusch, Thanks for being with us on WMM.

Current Record Machine Releases:

Soultru

Soultru – “Must Be” – single, released August 24, 2019. Soultru is Terrance Banks, a singer, songwriter, poet and emcee, and native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.

The Noise FM

The Noise FM – “Cooler Heads Prevail” / “Who’s Watching Who?” – single, released July 24, 2020. The Noise FM play melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembree.]

The Republic Tigers – Mind Over Matter, album, released June 5, 2020. Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.

Sally Haze

Sally Haze – “All That Matters” – single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.

Pala Zolo

Pala Zolo – “You Can’t” – single, released April 17, 2020. Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas.

The Fey

The Fey – “Tear It Off” – single, released August 7, 2020. The Fey is an Alternative R&B band, was formed by singer, songwriter, and producer Zach Watkins. While the infrastructure of the group’s style and sound is developed by Watkins, it is made complete by instrumentalists Michael Rogers (lead guitar), Ludwing Siebenhor (rhythm guitar), and John Fucinaro (bass). Evolved from the rock-soul project formally known as, AZP, and after years of arranging, composing, and performing under the former brand, Watkins felt destined to shape things back to his original design to produce modern music with a retro vibe. Since his jazz percussion studies at Berklee College of Music, Watkins has created music for and with artists of various genres, while crafting what he considers the ideal blend of sound and style that is now The Fey. This style holds true to the genres of pop and hip-hop with head-nodding breakbeats and hypnotizing bass lines that are the foundation of The Fey’s records. “Growing up, my father loaded the house with gospel and soul albums,” says Watkins, “but it was the culture of hip-hop that pulled me under its wing outside of the home. It was the best of both worlds.” Those classic soul and gospel tunes are where Watkins gives vocal credit. The Fey’s gripping connection between soulful-bluesy vox and modern-vintage instrumental continues to entice music enthusiasts of all sorts. With singles like “Contender” and “Tear It Off”, the band fervidly builds the strong rhythm section and surrounds Watkins’ expressive melodies with classic tones of guitar and synth, giving The Fey an edgy “rock star” aura. These anthem-esque vibes are funky, moody, and heavy, all under one roof. Lyrically, Watkins describes The Fey message as the voice of the underdogs, like “a stray wolf drifted away from the pack, embracing his own path through peaks and valleys.” Though the sensible ebb and flow of Zach’s personal life may set the band’s lyrical tone, The Fey is no underdog to a live performance. Rooted from numerous awards and achievements – six regionally recognized tours, including more than ten unofficial showcases at SXSW, as well as various performances for blog, radio, and television – The Fey has a reputation for rocking the stage. Since the release of their 2018 EP, Strawberry Lemonade, The Fey continues to make strides alongside their Kansas City-based indie record label, The Fey’s debut full-length LP, Palm Tree Shade, is to be released.

Nathan Reusch, Thanks for being with us on WMM.

10:45

10. The Fey – “Tear It Off (Radio Edit)”
from: Tear It Off- Single / The Record Machine / August 7, 2020
[New single that follows their last single, “Lost In My Head” released August 2, 2019, that followed the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. More info at http://www.therecordmachine.co]

Betse & Clarke

11. Betse & Clarke – “Who By Fire”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, original, traditional, fiddle, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

12. Jamila Woods – “SULA (Paperback)”
from: SULA (Paperback) – Single! / Jagjaguwar / August 6, 2020
[Woods has released a new song written under the premise of her 2019 album Legacy Legacy, this time inspired by the late Toni Morrison. “SULA (Paperback)” is based on Morrison’s 1974 novel of the same name, and honors both the author and her literary characters. Listen to it below. In a press release, Jamila Woods stated: “Sula was the first Toni Morisson novel I ever read and it inspired the first chapbook of poems I ever wrote. The novel shows the evolution of a friendship between two Black women and how they choose to navigate society’s strict gender roles and rules of respectability. On Sula, Toni Morrison wrote, “Living totally by the law and surrendering totally to it without questioning anything sometimes makes it impossible to know anything about yourself.” Last year Jamila Woods released her second album Legacy Legacy on May 10, 2019. and it was part of WMM 119 Best Recordings of 2019. From Pitchfork: “On LEGACY! LEGACY!, Woods celebrates 12 of her heroes, along with the cultural lineage they have created for her. Each track is named after a forebear, like a single lit candle to their altar. Several are immediately recognizable in their pop-culture ubiquity, including “EARTHA,” “BASQUIAT,” and “MILES.” Others are less known: “GIOVANNI” and “SONIA” nod to the poets Nikki Giovanni and Sonia Sanchez, who’ve written grandly and compassionately about women of color. For many tracks, Woods pored over past interviews with her subjects to further get into their minds; in some cases, they were artists she’s taught to her mentees at the literacy nonprofit Young Chicago Authors, where she is the Associate Artistic Director. (Ever the teacher, she is including a bibliography of her research in the album’s liner notes.)” from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

13. Duncan Burnett – “You Agree?”
from: One of Those Days – EP / R.I.O.T LLC / April 10, 2020
[Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Follow up to his 2018 EP The Almighty.]

11:00 – Station ID

Calvin Arsenia

14. Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names: Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Calvin Arsenia plays a Live Stream Event, Fri, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records.

Calvin released L.A. Sessions September 20, 2019 on Center Cut Records

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping and live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.] [Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.

A slice of Calvin’s Shows from 2019 to 2020…

[Calvin Arsenia played Tristian Griffin’s Palimpsest, Thur, June 13 at 7:00 PM & Fri, June 14 at 11:00 PM at Capsule, Charlotte Street Foundation’s new multi-room installation event space, 1664 Broadway Blvd, KCMO. the collaborative multi-media interactive art performance, features award-winning poet Glenn North, and original music by Calvin Arsenia and Pheenix Leeor]

[Calvin Arsenia appeared with The Mike Dillon Band opening for Rickie Lee Jones, Sun, June 16, at Crossroads KC, 417 E. 18th St, KCMO, 8:00 PM. Mike Dillon co-produced R.L.J. new KICKS.]

[Calvin Arsenia played INTER Relation>ship w/ Jade Osborne, Wed, June 19, 7:00 PM at Washington Square Park, 100 E. Pershing Rd, KCMO.]

[Calvin Arsenia played Briarfest, June 21, at Briar Cliff, 4100 N Mulberry Dr, KCMO.]

[Calvin played Crossroads Fashion Show]

[Calvin Arsenia played Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar]

[Calvin Arsenia played The Sextet Album Release for Among Friends, Sept 15, at recordBar]

[Calvin Arsenia played Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia played Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar with Fritz Hutchison, and The Black Creatures.]

[Calvin Arsenia played a New Year’s Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia played Olathe Indian Creek Library, Olathe, KS, on Sunday, January 5.]

[Calvin Arsenia opened for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

[Calvin Arsenia played Woody Guthrie Center, Oklahoma, February 21, 2020]

[Calvin Arsenia played Carpenter Square Theater, on Oklahoma City, February 23, 2020]

All of these shows ended in March at COVID-19 Quarantine began and music venues closed down. Calvin spent the first 2 months of Quarantine doing banjo and ukulele classes, live streaming shows, visual zoom gatherings.

Calvin Arsenia

We are talking with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

The Black Lives Matter Movement has had a great effect on Calvin Arsenia.

Calvin’s great, great, great grandmother Alice Gilliam Scott, was former slave who observed her 100th birthday.

11:14

15. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song

Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.

In 2020 Calvin was able to purchase a new harp

Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as i a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

11:25

16. Calvin Arsenia – “River”
from: all is calm / Calvin Arsenia. / December 13, 2019
[Step into Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from Kansas City and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than i had anticipated but I think you’ll enjoy it regardless. Most of you may not know that I actually do not own a harp. 😮The ones you’ve seen me play over the past ten years have all been on loan. Donations for this album will go towards the purchase of my very own orchestral harp.”

[Calvin Arsenia plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

11:30 – Underwriting

17. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences for his critically acclaimed releases and live performances. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Cuee

11:36 – Interview with Cuee

Originally from Chicago, Illinois, in the last five years 27 year old Lawrence based hip-hop artist Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee Thanks for being with us on Wednesday MidDay Medley

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Cuee is Mar’quis Wright

On August 4 Cuee announced on Facebook that “the judge approved (his) name change order…It’s official y’all…Mar‘Quis or ‘Quis for short (Kiese)”

27 year old Lawrence based hip-hop artist emcee, and educator. Cuee has gained fans over the last five years in Lawrence and Kansas City for his critically acclaimed musical releases and live performances.

On November 28, 2018 Cuee released the 10-track album Shameless.

Originally from Chicago, Illinois, where Cuee’s father still lives.

Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas where Cuee worked as a graduate assistant.

Cuee is also a recently graduate of Artist Inc.

Cuee has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper,

Cuee is currently working to release a new album titled, “Gospel.”

Follow Cuee @cueemusic everywhere | http://www.officialcuee.com .
IG: @cueemusic
Twitter: @cueemusic
SoundCloud: https://soundcloud.com/cueemusic

CUEE Thanks for being with us on Wednesday MidDay Medley

11:48

18. Cuee – “Who’s Back”
from: Who’s Back – Single / Cuee / August 12, 2020
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Black Light Animals “Playboys of The Western World”

19. Black Light Animals – “Halo”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with The Fey, and The Freedom Affair. More info at http://www.therecordmachine.co]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKCGo – Arts Calendar

Next week on Wednesday, August 19, Nico Gray joins us as Guest Producer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #850

WMM Playlist from July 15, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 15, 2020

Stephonne Singleton + Heath Church
+ New & MidCoastal Releases

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. UpKeep – “Burnt Hands”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Electronic dream pop band from Springfield, Missouri formed in January 2017 by Spencer Pearson and Anna Redmond. “Burnt Hands” was mastered by Jordan Bleau. “Burnt Hands” was originally released as a single on March 1, 2019. Spencer Pearson also performs and records ambient music under the name, faulter. (https://faulter.bandcamp.com/album/regain). Anna also releases music as a solo artist and has played keyboards with Buckle Up Baby (https://anna-music.bandcamp.com/track/reason).French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Sam Wells – “Dear Black People” (Radio Edit)
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year on April 21, 2020, Sam Wells released her single “Sugar” produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Crystal Rose – “Not Leaving (Stripped)”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year Crystal Rose released, “Not Leaving (Stripped)” on January 30, 2020. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar, Peter Marten on guitar, and Robert Castillo on bass. Crystal Rose is a singer song-writer based in heart of Kansas City. At a young age she was influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blues and folk centered artist like James Bay, James Vincent McMorrow and Johnny Swim. To listen to more Crystal Rose please visit: http://www.crystalro.se. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

5. The Mammals – “If You Could Hear Me Now”
from: Nonet / Humble Abode Music / May 22, 2020
[Nonet may refer to a composition which requires nine musicians for a performance. The Mammals “Nonet” band is nine musicians: Ruth Ungar on fiddle, guitar, ukulele, vocals; Mike Merenda on guitar, banjo, vocals; Konrad Meissner on drums; Lee Falco on drums; Jacob Silver on upright & electric bass; Brandon Morrison on electric bass, baritone guitar, high-strung guitar, vocals; Ken Maiuri on piano, Wurlitzer, high-strung guitar, vocals; Will Bryant on Hammond organ, clavinet, vocals; and Charlie Rose om pedal steel, banjo, vocals. Special guests included: Lindsay Lou, Kate Pierson, Connor Kennedy, Jayla Kai Smith, Gail Ann Dorsey, Zach Djanikian, Joan Henry, and Will Puck Merenda on handclaps. All songs © 2020 M. Merenda / R. Ungar, Shake Sugaree Music, ASCAP. Recorded by Adam Armstrong at The Clubhouse, Rhinebeck, NY and Humble Abode Music, West Hurley, NY. Mixed by Adam Armstrong except “Coming Down Off Summer,” “Radio Signal,” and “Someone’s Hurtin” mixed by Paul Antonell & Shubham Mondal; “Beyond Civilization” and “You Gotta Believe” mixed by Mike Merenda. Mastered by Greg Calbi at Sterling Sound. Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the The lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”] [The Mammals played Folk Alliance International Conference February 17, 2018 .]

6. Curtis Mayfield – “Superfly”
from: Superfly (Soundtrack from the Motion Picture) / Curtom Records / July 1972
[[We hear in the bridge Curtis singing, “Trying to get over” the theme we hear in so many of Curtis Mayfield’s incredible recordings. Super Fly is the third studio album by American soul musician Curtis Mayfield. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, “Freddie’s Dead” (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied. Super Fly, along with Marvin Gaye’s What’s Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield’s position is far more critical. Like What’s Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade. Curtis Lee Mayfield was born in Chicago on June 3, 1942, He died on December 26, 1999. An American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music, he first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist. Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone’s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998. After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57. In my tween years my mother’s record collection was changing, her second husband Al drove a van, and listened to 8-track tapes. My mom was in the RCA Music Club where they would automatically send you the new release, that’s how she ended up with the soundtrack to the film “Superfly” from Curtis Mayfield. The movie never played our town. But the soundtrack tells the story, of “Trying to get over.”]

10:28 – Underwriting

7. Stephonne Singleton – “Want Me”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonne was born and raised in Wyandotte County, Kansas. He has performed in multiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A video for “Want Me” was just released. “Want Me” is part of a new 4-song EP.]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

Stephonne Singleton on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:33 – Interview with Stephonne Singleton

Singer songwriter, & actor, Stephonne Singleton talks about his new EP, SIS: Side A, to be released August 7, and the single “Deep,” released July 14, 2020. Stephonne co-produced his EP with Justin Mantooth who also engineered & mixed, at Westend Studios. Joining Stephonne was Johnny Hamil on bass, Ben Byard on guitar, & Adam McKee on drums. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018.

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

After 2018’s Caged Bird Sings Songs About Red Beard and the release of two singles, ‘Want Me’ and ‘Dominate’, we finally get our hands on Stephonne’s SIS: Side A EP. “With ‘Want Me’, I finally found a full confidence and strength in myself again. There were a lot of years that passed, where I really felt that I couldn’t do this independently. I stopped listening to the music and instead listened to rejection, doubt and a lot of self-sabotage.” After a 2018 New York showcase, Singleton laid in A friend’s Philadelphia bed and thought about what was next. He had taken a step he hadn’t before and it was that precise step that woke up a sleeping giant. “It all hit me at once! I got so much closer to my dream than ever before and a dream with steps and goals that I’d written down and prayed aloud for since I was 7.” ‘Want Me’ would spawn a very successful Kickstarter for its major music video and an EP that Stephonne had no idea he’d end up writing.

Stephonne Singleton photo by Paul Andrews Photograph

“‘Want Me’ had been written before my debut was released but was just sitting and, honestly, after I decided I needed to go about this alone I remembered that I was broke,” laughs the singer-songwriter. From jobs in corporate America, local theatre and drag Stephonne put his money where his dreams were. After crowdfunding success, the songs just showed up and demanded attention. SIS, in the case of this EP, actually means Summoning Insatiable Spirits.

“That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys.” On Side A and, an upcoming, B we find those spirits. “All of these songs came to me in an instant. They are really from some relationship that I have with the ether that I can’t explain. Whole songs in 10-15 minutes that I hear over and over until I get in with the band (Johnny Hamil, Ben Byard and Adam McKee) finish writing with everyone and then record them. They are literal sprits or ghosts that demand to be heard.”

Stephonne Singleton photo by Paul Andrews Photograph

Side A’s first single, ‘Deep’, came to Stephonne on a return to MCI from SEA. “There I was… crying on the plane like a big ass baby because of some dude I fell in love with and knew it wouldn’t work out with. The melody and lyrics hit me like a brick and after trying to hide my weeping face from the two passengers next to me, I went to that tiny bathroom and got everything on my phone.” Like ‘Want Me’, the pop gem would sit and scream at Stephonne until late 2019. The influence of 90’s and early 00’s radio rock reigns supreme on ‘Deep’ and we find Stephonne in his greatest melodic and lyrical territory yet. “I feel like you are always trying, unsuccessfully, to write a hit and with every single one of these songs there was no trying. I listened to life, wrote it down and got out of my own way.” Each song holds its ground without overproduction and a desperation for chart placement that holds back many industry hopefuls. What is delivered is sincere, raw but refined, pure and honest music that is accessible no matter your love of genre. With that being said, that this is a rock record is undeniable. “The frustrating thing for me about it, is that radio and audiences look at my skin color and automatically label everything as Hip-Hop and R&B. I’d say I did music as a kid and people would ask me if I was a rapper without even a second passing… Music of every genre has BLACK origin and yet where are we on the radio? We continue to carry the industry on our backs and are still having to use the back door!”

The genre jumper doesn’t deny his R&B, Soul and Jazz influences on SIS. It’s quite the opposite. Rock and R&B collide with the sultry, silky and vocal grit of Stephonne. He is an artist who conjures up the spirits of Prince and Billie Holiday (his biggest influences) but that delivers something inimitable, visceral, strange and beautiful. Even on the sugary and hyper sexuality of ‘Sweet Tooth’ and the dark but hopeful beauty of ‘Middle Man’, there is a triumphant transcendence that was a staple of yesteryears Popular music. A time when saturation wasn’t heavy and when artist development was embraced over carbon copying. “I only have interest in being me. Sis, I’m Black, unapologetically Queer, and very sex positive. I’m at a point in my life where I embrace every single part and won’t spend energy on anything but self-love, my music and the things that I can help with to change this world for the better.” SIS: Side A reflects all of the above exclamations of Stephonne but it also puts him in position to step into the world’s radar and officially begins his legacy as one music’s greatest treasures.

Stephonne Singleton photo by Paul Andrews Photograph

SIS: Side A will soon be up for pr-order on all music/streaming platforms, worldwide with ‘Deep’ arriving on July 14th and the full EP on August 7th! SIS: Side B will arrive late this year and SIS, the full album, is slated for Spring 2021! Production comes solely from Stephonne with co-production, engineering and mixing by Westend Studio’s, Justin Mantooth. For more visit www.stephonne.com!

Stephonne Singleton slinks and slides into ears with ‘Want Me’. The dark and slickly polished track oozes of sex, confusion and tension. “Those things describe my coming of age as a black gay man. I’ve put my heart and mental health through a lot, trying to find love.” With Stephonne you find a painfully personal style of writing. Here, he delves into the point of view of an ex-lover. “I kept trying to make it work and the outcome was always the same. It was so confusing, that it haunted me. I was with a person who loved me but that didn’t want anything to do with love. I was just a body for sex and a cheerleader when he decided it was game on.” The song was his final straw and a way to make sense of what he’d been through. It also examines the hookup culture of apps like Grindr and Scruff. “The app culture feels like shopping at a butcher shop for meat. It’s a bunch of ghosts, most of the time, who appear and disappear as soon as they cum. Sex can be utility but I suddenly don’t exist after that?!” Being black, becoming fetishized and turned away from members of queer communities has been an often occurrence for the singer-songwriter.

Stephonne Singleton photo by Paul Andrews Photograph

The writing and production comes solely from the Kansas City native, with a huge helping hand from co-producer, Justin Mantooth. Recorded at Westend Recording Studios the track features Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Singleton continues to defy genre, but instead of dipping his toe into his alternative rock roots he takes a deep dive in. Still marked by breathy vocals, buttery falsetto, gospel rasp and innate jazz sensibilities, the track and brand new music video lift Stephonne to new heights. 

The “Want Me” video transports us into the center of a horror movie. Surrounded by candles and ancient vigil work, Stephonne is painted in a nod to Grace Jones and Kieth Haring. Artist, Ryan Wilks makes Stephonne and the set a canvas, where he resurrects someone he probably shouldn’t. From a mere snap, we travel through a film noire that is equal parts Nosferatu, The Craft and an inescapable heat and sexuality that emit from both the songwriter and featured dancer, Courtney Germany. “I needed black girl magic in this video and what was most important to me was to have someone who could express every bit of agony and yearning in the song with their body.” Courtney is breathtaking. Choreographed by Ashley Personett of Empire Dance Academy and That’s Entertainment KC, Germany turns into a lovelorn golem who will do anything for the attention of its maker. “There is a magic that BIPOC hold within us that comes from a 24/7, 365 day struggle just to survive. On top of that, we also have to live, love and try to find time to heal. We are worthy of so much more than this world gives us.” In this way, Stephonne becomes a symbol for what’s not given and for what doesn’t wish to be given in the video.

The multi-layered and cinematic masterpiece was helmed and directed by Method Media. You may know them from the critically acclaimed and TIME magazine reviewed/featured videos by Kansas City natives, SSION (Inherit, At least The Sky is Blue and Comeback). Every detail is given the utmost attention by director and editor, Jordon Rioux. Every tone, shot and transition contains an edge and sophistication that only heightens this supernatural affair. The video production is an affair of its own. A Kansas City love affair that showcases the talents, locations (filmed at Heidi Van’s Black Box) and savvy of a slept on city that has recently gained new notoriety due to shows like Queer Eye. “We are a city full of so much treasure and promise! Every part of this video was responsible because of Kansas City businesses, costume/jewelry makers, artists and more. I will always rep my city.” Over half of the funding for the musical thriller was given by KC locals through a very successful Kickstarter last year!

Stephonne Singleton photo by Paul Andrews Photograph

‘Want Me’ is currently available on all digital/streaming platforms but will also appear on the upcoming EP, SIS: Side A. SIS means Summoning Insatiable Spirits. “That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys. It is like the ritual in the video but without blood and body paint,” laughs Stephonne. The ‘Want Me’ video ushers us into a slew of Alternative Rock tracks that are witchy, infectious, ready for radio and that bring R&B and Pop in the mix to create something inimitable but richly accessible. “I just want to make my city proud but I’ve got a lot in store for the entire world. It’s time to enter that stage.”

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

10:49

8. Stephone Singleton – “Deep”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

9. Eydie Gorme & Los Panchos -“Piel Canela”
from: Amour / CBS – Columbia / June, 1964
[Recorded In New York February 14, 18 and 19, 1964. Hecho en México ℗1964. Guitar – Alfredo Gil, Chucho Navarro, Johnny Albino The trio became one of the leading exponents of the bolero and the romantic ballad in Latin America. Its current members are Chucho Navarro Jr., Eduardo Beristian and Misael Reyes. A characteristic instrument of Los Panchos and other Mexican tríos románticos since the 1950s is the requinto guitar, which is smaller and tuned higher than a standard guitar and was popularized by Alfredo Gil. Requinto solos found in many bolero recordings by Los Panchos. Los Panchos first met in 1944 in New York City.[1] The three original members were Chucho Navarro, and Alfredo Gil, both from Mexico, and Hernando Avilés from Puerto Rico. All three played guitar and contributed vocally. Los Panchos reached fame with their romantic songs, especially in Latin America where they are still regarded as one of the top trios of all time. They sold millions of records in Latin America and other countries. In the 1940s they collaborated with Alfredo Antonini’s Viva America Orchestra with the orchestral accordionist John Serry Sr. in a recording of “La palma” (a cueca) and “Rosa negra” (a conga) for Pilotone Records (#45 5067, #45 5069). They also appeared in around 50 movies, mostly during the Golden Age of Mexican cinema. Los Panchos began touring internationally in 1946 and would relocate later that same year to Mexico City. They were welcomed with open arms and XEW-AM, the most popular radio station in Mexico City, reserved a time slot for their music. In 1951, Los Panchos launched another international tour across Latin America. Julito Rodríguez joined the group in 1952; he was replaced by Johnny Albino in 1958. Johnny Albino and Chucho Navarro—Miguel Poventud and Yomo Toro were studio musicians for CBS—famously worked with singer Eydie Gorme on a series of bestselling albums in the 1960s. The Albino era was one of the most prosperous ones for Los Panchos whose classic albums are very popular among Los Panchos fans still. His departure in 1968 was a tumultuous one, as he did not leave on good terms with the group’s management. In 1971, Ovidio Hernández joined the band as lead vocalist, a part he would fulfill until his untimely passing of complications of meningitis in 1976. Following him, Rafael Basurto Lara joined as lead singer. A very interesting note, and one that not everyone knows about, is that during the illness of Ovidio Hernández and the integration of Rafael Basurto to the trio, Alfredo Gil (the trio’s director) met the Puerto Rican singer, David Ortiz, in New York City, and amazed by the quality of his voice and style, asked him to come to Mexico and sing with Los Panchos. David Ortiz accepted the invitation and was with the Trio Los Panchos for several months. However, after fulfilling several commitments with the trio, David Ortiz returned to New York. Alfredo Gil played with Los Panchos until his retirement in 1981; he died in 1999. Chucho Navarro played with the group until his death in 1993. Currently the trio using the Los Panchos name is the Trio Los Panchos de Chucho Navarro Fundador (“Trio Los Panchos of Founder Chucho Navarro”) under the direction of Chucho Navarro Jr., the son of original Los Panchos member Chucho Navarro.][Eydie Gormé died in 2013 at age 84. Her groundbreaking career in Latin music, highlighted by the 1964 album “Amor” recorded with Trio Los Panchos. When it comes to Latin-music icons, Las Vegas veteran Eydie Gormé isn’t exactly the first name that leaps to mind. But to generations of Hispanics, Gormé is eternally linked with nostalgic sounds in Spanish. The primary reason is “Amor,” her luminous 1964 collaboration with Mexican vocal group Trio Los Panchos. “Most artists have an album or two that define them,” says Texas journalist Ramiro Burr, author of “The Billboard Guide to Tejano and Regional Mexican Music.” “The Beatles have ‘Sgt. Pepper.’ Nirvana has ‘Nevermind.’ For Eydie Gormé, that timeless album is ‘Amor.'” Since its release more than 40 years ago, the disc has never gone out of print. It’s the biggest-selling album in Gormé’s long career. In the ’90s, Sony repackaged the album along with its 1965 sequel, “More Amor,” and the disc made the Latin charts all over again. Gormé’s career in Spanish may seem surprising until one looks at her background. The New York-born singer is the daughter of Sephardic Jews and grew up speaking mainly Spanish at home. Columbia Records President Goddard Lieberson came up with the concept of recording one of his top female vocalists with Los Panchos, a big-selling trio a few years past their prime.
“He was a really sophisticated, international man,” Lawrence recalls. “He knew of Eydie’s Spanish background. He thought of Los Panchos, and they were aware of Eydie. They all met in the studio, and it was like they were old friends.” Los Panchos chose the songs. Most of them were established tunes, such as “Piel Canela,” “Amor” and “Cuando Vuelva a Tu Lado,” that had been recorded by scores of artists. “They were drinking a lot of wine on those sessions,” she says with a laugh. “They were lovely people. Drunk, but lovely.” Whatever the reason, the artists had a once-in-a-lifetime chemistry.]]

10. Prince – “Gotta Broken Heart Again”
from: Dirty Mind / Warner Bros. / October 8, 1980
[Dirty Mind is the third album by American recording artist Prince. It was released on October 8, 1980, by Warner Bros. Records as the follow-up to his self-titled second album, Prince, (1979). It was produced, arranged, and composed entirely by Prince in his home studio in Minneapolis, Minnesota during May to June of 1980. Dirty Mind has been considered by critics as Prince’s most creative and boldest album, setting the baseline for his artistic direction in the following years. During the spring of 1980, Prince and his backing band members Dez Dickerson, André Cymone, drummer Bobby Z, and keyboardists Doctor Fink and Gayle Chapman spent nine weeks on the road opening for Rick James, a musical rival of Prince. Following the end of James’ tour, Prince returned to Minnesota and rented a house in Wayzata where he set up a 16-track studio. During the recording of the album, Doctor Fink’s jam-out during a rehearsal provided the basis for the album’s title track. A fusion of post-disco, new wave, funk and dance, Dirty Mind is more prevalent in punk sounds than Prince’s previous albums. Prince’s high and feminine vocals, along with his androgynous image during the Dirty Mind era, has been recognized for bringing attention to gaydar. Controversially, the album’s theme is fueled by explicit topics including oral sex, threesome and ejaculation, which has been credited for opening the doors for sexually explicit albums in the coming years. The first single of Dirty Mind, “Uptown” reached number five on both the Billboard Hot Soul Singles and the Billboard National Disco Action Top 30 charts. Though the album only reached number 45 on the Billboard 200, it earned widespread acclaim from music critics and crossover success. Due to its fusion of genres, critics have hailed it for setting the sound for urban black music of the early 1980s. The album has been ranked by several publications as one of the greatest albums of all time. // Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, musician, record producer, dancer, actor, and filmmaker. He is widely regarded as one of the greatest musicians of his generation. A multi-instrumentalist who was considered a guitar virtuoso, he was well known for his eclectic work across multiple genres, flamboyant and androgynous persona, and wide vocal range which included a far-reaching falsetto and high-pitched screams. Prince’s innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, psychedelia, pop, industrial, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday”. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. In 1984, he and his backup band, The Revolution, released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200.[5] The film also won the Academy Award for Best Original Song Score, the final film to receive the award. After disbanding The Revolution, Prince released the critically acclaimed double album Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the “Love Symbol”), and was sometimes referred to as “The Artist Formerly Known as Prince” or simply “The Artist”. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. On April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 130 million records worldwide, ranking him among the best-selling music artists of all time. He was honored with special awards including the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. Rolling Stone placed Prince among its list of both the 100 Greatest Artists of All Time and 100 Greatest Songwriters of All Time. He is also ranked on the Top 100 Artists of All Time list by Billboard.]

11:00 – Station ID

11. Heath Church – “Extra Pain”
from: “Extra Pain” – Single / Heath Church / November 18, 2019
[Heath Church is an American singer-songwriter from KC who primarily plays indie-folk music. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. Featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venues and interacting with his faudiences. Heath released his debut, The Things I’ve Tried on Dec. 23, 2017. More info at: http://www.heathchurchmusic.com]

Heath Church on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Heath Church

Heath Church joins us on the phone to talk about his music and play his new single “The Stranger.” KC based singer-songwriter Heath Church grew up in Blue Springs, Missouri and performs all over the metropolitan area. Heath plays indie-folk music. His lyrics speak poetically about his own life, losses, struggles and intimate moments. His music is full of melancholy, catchy hooks, and sweet vocals. His style is inspired by artists such as Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. In the last two years Heath has released two 5-song EPs and four singles. Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

“Extra Pain” is the first of three new singles you have released in the last 9 months.

Heath has released two 5-song EPs and four singles.

Heath Church photo by Sean Stratton⁣

Heath Church Discography

The Stranger – Single – July 10, 2020
Echoes of You – Single – May 8, 2020
Extra Pain – Single – November 18, 2019
Chemical Optometry – 5-song EP – June 14, 2019
All Messed Up – Single – December 7, 2018
Breaking Even – Single – April 6, 2018
The Things I’ve Tried – 5-song EP – December 23, 2017

Notes from Heath Church’s debut EP The Things I’ve Learned: THEMES & CONCEPTS DISCUSSED Coping with Life in Less Than Ideal Ways And Failing Miserably

The EPs main theme is sort of a tragicomic story of trying to find ways to cope with day to day life struggles but feeling trapped by the resulting disappointment that often comes from temporary solutions such as alcoholism and materialism. Below is part of a verse from the title track “The Things I’ve Tried” that reflects this theme.

“I tried drinkin’ alcohol to forget the things I saw, but every drink just brought back memories”

Running to a Place of Comfort

In “Kansas City Train”, I used my hometown to speak to the desire that most people have to leave their regular life behind for a new and brighter future. This track is more than just the desire to jump on the train out of town – It’s about wanting a new life that is free from the stressors we encounter everyday. I have always loved my hometown of Kansas City, Missouri and remember plenty of times when I was away at college longing to return to it and start a new life. The song isn’t just about Kansas City though. It’s really about the hope of a more promising future full of new friends and people who care about you. Below is a line from “Kansas City Train”.

“If your mind keeps yellin’ and you’re all stressed out -If your eyes keep cryin’ and they won’t slow down. You can pack your bags – you can leave right now. I hope you find yourself in my favorite town”

Heath Church photo by Sean Stratton

Heath Church has upcoming shows:

Jul 16 – Captain’s Sports Lounge – Lees Summit, MO
Jul 18 – The Corner Boutique – Belton, MO
Aug 20 – Captain’s Sports Lounge – Lees Summit, MO
Aug 29 – Tipsy Taco – Lees Summit, MO
Sep 19 – Tipsy Taco – Lees Summit, MO
Oct 08 – Captain’s Sports Lounge – Lees Summit, MO
Oct 16 – Tipsy Taco – Lees Summit, MO

Heath is getting ready to release a new EP Cosmic Love this year.

Heath Church – “The Stranger” Just released July 10

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church photo by Sean Stratton

11:17

12. Heath Church – “The Stranger”
from: “The Stranger” – Single / Heath Church / July 10, 2020
[Heath Church is a singer-songwriter from KC who plays indie-folk. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths, featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venue.. More info at: http://www.heathchurchmusic.com]

13. Brandon Phillips & The Condition – “Sunrise”
from: “Sunrise” – Single / Brandon Phillips & The Condition / July 13, 2020
[Another installment of the band’s Summer Singles 2020 Series. Brandon Phillips, Adam Phillips, Brent Kastler, Mike Alexander, Nathan Showalter, Julie Berndsen, Julia Haile, and featuring Eric Bikales on flute. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Produced and mixed by Brandon Phillips. Artwork by Jud Kite. Follow up to their June 16, 2020 single release “Contrition” and their May 28 double single: ‘C.A.R.D.I.A.C. A.R.R.E.S.T.” and “Whatever.” On April 13, 2019 Brandon Phillips and The Condition with Too Much Rock released the, “Angel Say No” / “People Talk” 7” single release. On November 14, 2017 the group rebased “Heartsick” and “Clean and Sober” as a double A-side single. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast with musicians from other bands.]

14. The Nicole Springer Band – “Birthday”
from: Birthday – Single / Nicole Springer / July 10, 2020
[Recorded, produced, mixed, & mastered by Joel Nanos of Element Recording Studios. The Nicole Springer Band’s follow-up to their debut EP, “Willing.” Nicole Springer on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. Birthday is Nicole’s response to acknowledging the birthday of a family member removed from her life, is a nuanced recognition of both sorrow & joy, grief & peace, and a sincere hope that happiness rests in the heart of a loved one long gone. Last year The Nicole Springer Band released the EP Willing. On the April 10, 2019 WMM Nicole shared the radio debut of her single, “Hell.” Nicole Springer was the founder and songwriter of: The Clementines, The Good Hearts, Heart Machine, Nikki and the Rooftop Punch, and her solo projects. Nicole has performed at numerous festivals . Nicole Springer has a big amazing voice; once you hear it, you cannot ignore this voice. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues. Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins who played LIVE on our April 25, 2012 edition of WMM. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. The band added Stephanie Williams on drums, and Travis Earndshaw on bass. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. Nicole Springer grew up in Oak Grove, MO, and graduated high school in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and Special Education with Music at Metropolitan Community College, in KC. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs. I still love gospel music, though I’m not religious or anything. I did musicals throughout high school.” When she was 19, Nicole was disowned and made homeless by her family because of her sexual orientation. 15 years later she released her music video “Come Clean” dedicated to her wife Bethany Cain and the LGBTQIA Community. Nicole has recently found new confidence in her music and in telling her own story of her life. Last November Nicole was on the cover of Camp Kansas City Magazine in a feature written by John Long, where Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician. More info at http://www.nicolespringersings.com]

11:29 – Underwriting

15. Rufus Wainwright – “Damsel In Distress”
from: Unfollow the Rules / BMG / July 24, 2020
[New York-born, Montreal-raised singer songwriter praised by the New York Times for his “genuine originality.” Unfollow the Rules is Wainwright’s ninth release of original material, his first since Out of the Game (2012), and his first under BMG. The album was produced by Mitchell Froom, and other contributors include Matt Chamberlain, Jim Keltner, and Blake Mills. “Trouble in Paradise”, released in October 2019, served as the album’s lead single. “Damsel in Distress”, “Peaceful Afternoon”, and “Alone Time” were released in February, March, and April 2020, respectively. Originally scheduled to be available on April 24, the album’s release date was pushed back to July 24 because of the ongoing coronavirus pandemic. Rufus McGarrigle Wainwright was born July 22, 1973, He is an American-Canadian singer, songwriter, and composer. He has recorded nine albums of original music and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright’s self-titled debut album was released through DreamWorks Records in May 1998. His second album, Poses, was released in June 2001. Wainwright’s third and fourth studio albums, Want One (2003) and Want Two (2004), were repackaged as the double album Want in 2005. In 2007, Wainwright released his fifth studio album Release the Stars and his first live album Rufus Does Judy at Carnegie Hall. His second live album Milwaukee at Last!!! was released in 2009, followed by the studio albums All Days Are Nights: Songs for Lulu (2010) and Out of the Game (2012). The double album Prima Donna (2015), was a recording of his opera of the same name. His ninth studio album Take All My Loves: 9 Shakespeare Sonnets (2016), featured nine adaptions of Shakespeare’s sonnets. Wainwright is the son of musicians Loudon Wainwright III and Kate McGarrigle, and the older brother of singer Martha Wainwright.]

16. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.] [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

17. Sly & The Family Stone – “Poet”
from: There’s A Riot Goin’ On / Epic / November 20, 1971
[There’s a Riot Goin’ On is the fifth studio album by American funk and psychedelic soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 20 by Epic Records. The album’s recording was dominated by band frontman Sly Stone during a period of drug use and intra-group tension. Its music embraced a darker and more challenging sound than the optimistic style of the band’s previous releases, making use of hard funk rhythms, primitive drum machines, extensive overdubbing, and a dense mix. The album’s planned title was Africa Talks to You, but it was retitled in response to Marvin Gaye’s album What’s Going On, released six months before. There’s a Riot Goin’ On reached the Billboard Pop Album and Soul Album charts at number one upon its release, while its lead single “Family Affair” topped the Pop Singles chart. By 2001, it had sold one million copies and been certified platinum by the Recording Industry Association of America (RIAA).[8] Received with ambivalence upon its release, the album is now praised as one of the greatest and most influential recordings of all time, and ranked at or near the top of many publications’ best album lists. In 2003, it was ranked number 99 on Rolling Stone’s list of 500 Greatest Albums of All Time. // Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone’s brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup. // Formed in 1966, the group’s music synthesized a variety of disparate musical genres to help pioneer the emerging “psychedelic soul” sound. They released a series of Top 10 Billboard Hot 100 hits such as “Dance to the Music” (1968), “Everyday People” (1968), and “Thank You (Falettinme Be Mice Elf Agin)” (1969), as well as critically acclaimed albums such as Stand! (1969), which combined pop sensibility with social commentary. In the 1970s, it transitioned into a darker and less commercial funk sound on releases such as There’s a Riot Goin’ On (1971) and Fresh (1973), proving as influential as their early work. By 1975, drug problems and interpersonal clashes led to dissolution, though Sly continued to record and tour with a new rotating lineup under the name “Sly and the Family Stone” until drug problems forced his effective retirement in 1987. The work of Sly and the Family Stone greatly influenced the sound of subsequent American funk, pop, soul, R&B, and hip hop music. Music critic Joel Selvin wrote, “there are two types of black music: black music before Sly Stone, and black music after Sly Stone”. In 2010, they were ranked 43rd in Rolling Stone’s 100 Greatest Artists of All Time, and three of their albums are included on Rolling Stone’s 500 Greatest Albums of All

11:45 – Kansas City Syzygy

We started the show with three tracks from the new French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

We are ending the show with three tracks from another new compilation called Kansas City Syzygy, 19 musical tracks created during the quarantine in April, 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. Robert Castillo, of The Sextet, who organized this compilation will be with us next week on WMM to share more tracks and information.

18. We The People – “Don’t Get Wrapped Up”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[On June 26, 2020 Eddie Moore’s We The People released “Misunderstood” with a music video. This was the first single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples. /// Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Calvin Arsenia – “Painted Ladies”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released the EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in November 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, KC Fringe, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

[Congratulations go out to: Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. And Center Cut Records with Patrick Sprehe and James Andrews. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

20. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests included: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro and her husband Chad Brothers also record and perform as Shapiro Brothers. Mikal is also part of the band Monta At Odds. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 22, musician and artist and band leader, Robert Castillo, of The Sextet, joins us to share three more tracks from the new compilation called Kansas City Syzygy, 19 songs tracks created in April 22 during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records
Heath Church photo by Sean Stratton

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #846

WMM Playlist from Dec. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 11, 2019

The 119 Best Recordings of 2019
(Part 2 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We are packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #90 through #61 on our list with representative tracks from: Kemet The Phantom, Calvin Arsenia, The Nicole Springer Band, The Depth and The Whisper, The Wires, Approach, True Lions, The Butter Band, Sky Smeed, Miki P, Y god Y, Cuee, Chase The Horseman, Deco Auto, Lovergurl, Digital Leather, Blue False Indigo, Wonderfuzz, Billie Eilish, Rina Mushonga, Bill Callahan, Black Pumas, Better Oblivion Community Center, Ibibio Sound Machine, The National, Lambchop, Lee Fields and The Expressions, Amyl and The Sniffers, Lana Del Rey, and Jamila Woods.

10:00 AM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (90.) Billie Eilish – “bad guy”
from: When We All Fall Asleep, Where Do We Go? / Darkroom – Interscope / March 29, 2019
[17 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

3. (89.) Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

4. (88.) Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

5. (87.) Black Pumas – “Old Man”
from: Black Pumas / ATO / 2019
[Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019. They performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

6. (86.) Lovergurl – “The One About Moms”
from: Buzzkill – EP / Lovergurl / September 7, 2019
[Last release from Lovergurl who disbanded in September 2019 after the trio announced that their guitarist and vocalist, Heather Andrews was moving out of Kansas City to pursue her career in animation. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews was born and raised in Rhode Island. The band released multiple singles and two EPs.]

7. (85.) Deco Auto – “Turnaround”
from: Another Great Decision / Deco Auto / April 5, 2019
[Newest EP from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums. Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, and mixed and by Pat Tomek at Largely Studios, Kansas City, MO. Mastered by Gabe Fry at Kimura Studios. Produced by Steven Garcia and Pat Tomek. “Deco Auto is the perpetual opener, the also-rans, the nice-guys-finish-last band in the KC rock scene. Songwriter Steve Garcia is to blame, and he knows it. His songs straddle the line between power pop and pop punk — never casual enough for the former, nor saccharine enough for the latter.” ~ Too Much Rock]

8. (84.) Blue False Indigo – “Don’t Dream It’s Over”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follw up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums. “Don’t Dream It’s Over” is a song by the Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album. The song was written by band frontman Neil Finn, and released in October 1986 as the fourth single from the album.]

[Blue False Indigo play Cover Me, Kansas City, Tuesday, Dec. 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

10:29 – Underwriting

9. (83.) Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

10. (82.) Lana Del Rey – “Doin’ Time”
from: Norman Fucking Rockwell! / Polydor Records – Interscope Records / August 30, 2019
[Elizabeth Woolridge Grant was born June 21, 1985, and she is known professionally as Lana Del Rey, an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality; its themes of tragic romance, glamour, and melancholia; and it’s references to pop culture, particularly 1950s and 1960s Americana. Born in New York City and raised in Upstate New York, Del Rey returned to New York City in 2005 to begin her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey’s breakthrough came after the viral success of her debut single “Video Games” in 2011. She signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her only top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of “Summertime Sadness”, as well as the internationally successful singles “Blue Jeans”, “Born to Die”, and “National Anthem”. Del Rey released the Grammy-nominated EP, Paradise in 2012. The next year, Del Rey ventured into film as she wrote, directed and starred in the short music film, Tropico, and released “Young and Beautiful” for the film The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultra violence (2014), to critical success, topping the charts and spawning the single, “West Coast”. That same year, Del Rey recorded the eponymous theme for Big Eyes, which garnered her both Grammy and Golden Globe nominations. Shortly afterwards, Del Rey released the critically acclaimed Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album. Del Rey’s sixth studio album, Norman Fucking Rockwell, was released on August 30, 2019, to widespread acclaim. In 2019, Del Rey also released the commercially successful singles “Doin’ Time” and “Don’t Call Me Angel”, the latter being a trio with Ariana Grande and Miley Cyrus. As of 2019, Del Rey has sold over 5 million singles in the UK and has sold 5.5 million units in the US. Her YouTube and Vevo pages have combined lifetime views of 3.5 billion.]

11. (81.) Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

12. (80.) Y god Y – “Say”
from: Y god Y – EP / High Dive Records / April 5, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This was also their 4th single and part of their debut 5-song EP released on High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop.]

13. (79.) Calvin Arsenia – “Oh Marie [feat. J. Ashley Miller]”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, and The Black Creatures.]

14. (78.) Ibibio Sound Machine – “I Will Run”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

15. (77.) Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Bottleneck in Lawrence, Friday, December 13 with Opal Agafia.]

16. (76.) Lee Fields & The Expressions – “A Promise is a Promise”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).][Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

11:00 – Station ID

17. (75.) Amyl and The Sniffers – “Got You”
from: Amyl and The Sniffers / ATO Records / May 24, 2019
[Debut album from Melbourne, Australia based, 4-piece punk band fronted by singer Amy Taylor who explains of the song, “‘Got You’ is about that feeling you get when you first start seeing someone and you’re excited to see them, no matter what shit they got. You just see them at the pub and it feels like the most exciting thing in the world, like you’re so lucky they’re even there. It’s definitely one of the “sweetest” songs on the album, and less punky. It was kind of inspired by Split Enz.”]

18. (74.) Lambchop – “Everything for You”
from: This (Is What I Wanted to Tell You) / Merge Records / March 22, 2019
[Lambchop, originally from Nashville, was ever a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner. AllMusic referred to Lambchop as “arguably the most consistently brilliant and unique American group to emerge during the 1990s”. Initially indebted to traditional country, the music has subsequently moved through a range of influences including post-rock, soul and lounge music. Whatever the style, the characteristic mood of Lambchop’s music is evoked by Wagner’s distinctive songwriting: lyrically subtle and ambiguous, the vocals melodic but understated. Not so long ago, Lambchop had a famously sprawling line-up, toting a dozen or so members around the world and into the studio to document elliptical country-soul mutations. But in recent years, the band has become a more personal vehicle for Kurt Wagner. Anchored by him and framed by bassist Matt Swanson and Wagner’s incorrigibly grinning foil, the pianist Tony Crow, the Lambchop of this decade has become more pliant and adaptable, opening itself to unexpected collaborators that give Wagner’s thoughts and feelings the shape they need for each new album.]

19. (73.) Approach / “Rapper’s Delight”
from: Merely Minutes, In A Day / Datura Records / February 4, 2019
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Sean Hunt aka Approach is a Kansas emcee/producer who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000 that he helps curate the roster for. ]

[Lincoln Marshall play The Riot Room, 4048 Broadway, KCMO, Thursday, January 2, at 10:00 PM with Domineko, NuBlvckCity, and Black Radio.]

20. (72.) Cuee – “Broken Memories”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently received their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

21. (71.) The Depth and The Whisper – “Break Me”
from: The Waiting is the Hardest Part / The Depth and The Whisper / January 18, 2019
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, who now lives in New York has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

22. (70.) The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC based duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello). Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City. Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com The Wires joined us live on WMM on May 8, 2019.]

[The Wires are playing a series of Solstice concerts at various Mid-Continent Libraries around KC starting Monday, Dec. 16, at 6:30 PM at Mid-Continent Public Library (Riverside Branch), 2700 N.W. Vivion Rd, Riverside, MO. And continuing Thursday, Dec. 19, at 2:00 PM at Mid-Continent Public Library (Boardwalk Branch), 8656 N. Ambassador Drive, KCMO. and Friday, Dec. 20, at 3:30 PM at Mid-Continent Public Library (Parkville Branch), 8815 Tom Watson Pkwy, Parkville, MO.]

23. (69.) Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

24. (68.) Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year. Wonderfuzz released a second full length live album “Live With It” Nov. 8, 2019]

11:30 – Underwriting

25. (67.) Scott Stanton & The Butter Band – “Bicycle”
from: Crag-o-lea / Scott Stanton / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton one of KC’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed & mastered by James Albright. Scott Stanton (songwriter) on vocals & acoustic guitar; Chad Brothers on acoustic guitar & harmonies; Kasey Rausch on upright bass & harmonies & fiddle; Marco Pascolini on pedal steel guitar; Grady Keller on banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play Cover Me, Kansas City, Tuesday, December 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

26. (66.) Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[Music & lyrics by Chase Horseman. Recorded & Mixed by Joel Nanos & Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase the Horseman plays Stockyard Sounds at Stockyards Brewing Co.. 1600 Genessee, KCMO, on Monday, December 16, at 7:00 PM with Lava Dreams.]

[Chase the Horseman plays Replay Lounge, 946 Massachusetts St, Lawrence, KS. Saturday, January 4, 2020 at 10:00 PM with True Lions and Pala Zolo.]

27. (65.) The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com]

[Nicole Springer plays The Brick, on Saturday, December 14 with True Lions and Teri Quinn.]

28. (64.) Kemet the Phantom – “Electric (feat. Kadesh Flow)”
from: Electric Park / Kemet Creative / August 16, 2019
[Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy.
Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More info at: http://www.kemetthephantom.com.] [Kemet The Phantom plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.]

29. (63.) The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

30. (62.) Miki P – “I Get Lost [Feat. The Swallowtails]”
from: Swallowtail – EP / Miki P/ September 1, 2018
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

31. (61.) True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions plays The Brick, on Sat., Dec. 14 with Nicole Springer and Teri Quinn.]

[True Lions plays The RINO, on Sun., Dec. 29 with Chloe Jacobson, Other Suns, and Pealds.]

[True Lions play Replay Lounge, 946 Massachusetts St, Lawrence, KS. Sat., Jan. 4, 2020 at 10:00 PM with Chase The Horseman and Pala Zolo]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 18, we bring you part 3 of our 4-week special, the 119 Best Recordings of 2019. We will count down #60 to #31 with representative tracks from: The Sextet, Violet and the Undercurrents, Other Americans, Yes You Are, Fathers, Akkilles, Volker Brothers, Ensemble Iberica, Simon Fink & The Wires, The Greeting Committee, The UK’s, Radar State, Headlight Rivals, OLIVIA FOX, Berwanger, Radkey, Hipshot Killer, Nan Turner, LK Ultra!, Florist, Hadiza., Our Native Daughters (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), Brittany Howard, Durand Jones & The Indications, Big Thief, Hand Habits, Cass McCombs, Michael Kiwanuka, Christone “Kingfish” Ingram, and Yola.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #815

WMM Playlist from July 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Chase The Horseman

2. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase Horseman plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM w/Nan Turner]

Chase Horseman & Nan Turner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:04 – Interview with Nan Turner and Chase Horseman

Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Her new EP is called For Champs and Losers, Version 2 and was Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman.

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Nan Turner and Chase Horseman are playing a Double EP Release Party at miniBar, 3810 Broadway, KCMO, Friday, July 12, at 9:00 PM with Breaka Dawn & LosCauz.

Nan Turner and Chase Horseman thanks for being with us on WMM.

Chase the Horseman’s new EP is called Disinformation Blues.

Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase Horseman helped produce and record and played on Nan’s new EP.

Nan Turner

Nan wrote on facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber-talented in his own right and he’s releasing an EP called Disinformation Blues on July 12, as well. He and Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks and brought the songs to life in the way they needed but I didn’t know they needed (just MORE one nite stands I’m adding to the crew ha ha)!”

Chase has been out of town premiering new music he created for film.

Frida the dog help in the production.

http://chasethehorseman.bandcamp.com

http://nanturner.bandcamp.com

10:15

Nan Turner

3. Nan Turner – “Strong”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums on tracks 1, 2, and 4. Chase Horseman plays bass on tracks 1, 2, and 4.]

[Nan Turner plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM with Chase Horseman]

John Mark Aladeen & Jade Osborne on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:19 – Interview with Jade Osborne & John Mark Aladeen

Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

John Mark Aladeen Studied at Stratford Career Institute for relaxation therapies, the School of Metaphysics in Springfield, Missouri, and The International Center for Reiki Training in Southfield, Michigan. He is a multi-instrumentals who has played with the critically acclaimed Dub Sutra. He has also performs at Kansas City Renaissance Festival.

Jade Osborne and John Mark Aladeen join us to share details about “The Shift Show” running July 19 through July 27 for the 15th annual KC Fringe Festival at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO.

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Both Mark and Jade work at Aquarius.

Jade recently preformed in a special outdoor event INTER RELATION >SHIP at Washington Square Park with Calvin Arsenia and John Baker as part of her “Fifty Shows of Jade.”

Jade was the person that introduced Calvin to WMM listeners on the radio on July 20, 2011 when she brought Calvin with her as one of the composers for her Voler Theives of Flight show for KC Fringe that was produced in the Kansas City Ballet Todd Bolender Dance Space.

There was an altar constructed during INTER RELATION >SHIP with Calvin Arsenia and John Baker a few weeks ago. Jade is recreating and extending the voices and memories into the next performance, The SHIFT SHOW.

Jade writes: “Rituals breathe life into my story. Constructing an altar…The deliberate placement of meaningful items is meditative and brings my mind peace and purpose.”

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

Five performances! At Union Station City Stage.
7/19 @ 7:30p
7/21 @ 3:00p
7/23 @ 6:00p
7/26 @ 9:00p
7/27 @ 4:30p

Tickets with Fringe button.
http://kc-fringe.ticketleap.com/the-shift-show

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Jade Osborne’s KC Fringe production “The Shift Show” is running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. http://www.kcfringe.org

10:33 – Underwriting

Chris Hudson & Chad Brothers

10:35 – Interview with Chris Hudson & Chad Brothers

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. released April 23, 2019

from: https://chrishudson.bandcamp.com

“Premonition Scenes” is a great duo collaboration of two of Kansas City’s finest musicians.. Chris Hudson(Gullywasher) and Chad Brothers(Old Sound, Shapiro Brothers, Super Massive Blackholes) came together in the spring 2018 and started recording Chris’s EMO Americana original solo songs when they decided to combine forces and put some excellent guitar work around Chris’s lyrics, music and vocals, the trade off guitar work between them is unbelievable interwoven stuff, capturing a one of kind performance, All recorded live in Chad’s home studio.

Chris Hudson: Guitar, Vocal’s and SongWriting Chad Brothers: Guitar, Engineering, Mixing and Production.

Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass.

http://www.gullywasher.com

10:41

4. Chris Hudson and Chad Brothers– “No Getting Over” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Chris Hudson on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Hudson a Kansas City Native. He is a classical guitarist, guitarist, musician, composer, multi-instrumentalist, singer songwriter, teacher and visual artist. Chris is a member of the band Gullywasher.

Chad Brothers on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chad Brothers is a native of Winfield Kansas. He is a veteran of the Kansas City and Lawrence music scene, and a frequent collaborator with Mikal Shapiro (his wife), Scotty Stanton, Alexis Barclay, and many others.

Upcoming Shows:

Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 11, at 9:00 PM.

Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

Chris Hudson’s band Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes.

Chris Hudson with the Gullywasher Duo plays Hook Gallery on Friday, July 19 at 8:00PM.

Chris Hudson plays Ollie’s Local, 3044 Gillham Rd., for Saturday Storytellers, on August 3, at 5:00 PM with Melissa Weinman.

Chris Hudson plays Songbird Sundays with John Keck at The Mockingbird Lounge, 204 Orchard St. KCK, Sunday August 11, at 8:00 PM.

Gullywasher plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO on Friday August 1, at 8:00 PM with Calamity Cubes! and Big Cedar Fever.

10:54

5. Chris Hudson and Chad Brothers– “We Wake” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers thanks for being with us on WMM.

11:00 – Station ID

6. Blue False Indigo – “Letter”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity and The Moose. Sponsored by Mid-Continent Public Library and The Record Machine.]

7. The Moose – “Everyday Low Price”
from: Live Sessions Single / The Record Machine / July 13, 2019
This song is also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

The Moose

11:06 – Interview with The Moose and Nathan Reusch of TRM

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, are members of the band The Moose an alternative band from Lee’s Summit, formed in 2016.

The Moose and Nathan Reusch are to share details about What’s Next KC, Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

The Moose is an alternative band from Lee’s Summit, Missouri: a suburb of Kansas City.

Originally formed by Jake Hilger, Alex Huffman, and Tyler Frey in the summer of 2016, they were later completed with the additions of Emma Klein in August 2016.

The Moose began as a psychedelic, neo-rock band in the summer of 2016.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Hilger on keyboard, synths, guitar and vocals
Alex Huffman on bass and vocals
Tyler Frey on guitar and vocals
Emma Klein on percussion & vocals

Tyler, humored the idea after a choir show at their high school just outside of Kansas City, Missouri. Their plan went into full effect after the addition of Emma Klein (percussion and vocals). The group built their headquarters in Klein’s basement, hiding the cement walls with posters of their influencers: The Beatles, Tame Impala, and Electric Light Orchestra; and textile sheets separating their studio from their main base.

After many rumors of The Moose becoming an official band, the members spontaneously decided to have a Halloween Bash— costumes required— and unwarrantedly advertised so with posters all over their high school. Completely filling the backyard of Tozier’s house, fans all dressed up and singing classic rock covers with their new favorite band.

Because of the positive feedback from the Halloween bash, The Moose released their first single in February 2017, “New Kind Of Love,” which brought the band 15,000 listens and multiple bar shows with their name as the headliner.

The Moose’s success heightened after their performance at Battle of the Bands in Kansas City— winning first place and a cash prize. And once Frey— the oldest in the group— graduated from high school, summer kicked off, the band started taking their careers more officially.

In August of that year, The Moose released their first self-titled EP overflowing with classic psychedelic rock, and alternative sounds. The band did not receive as much support they originally began with but still sustained their local fan base, enabling them to continue bar shows and other small events.

After Middle of the Map Fest, and a concert at the recordBar in Kansas City, senior year was winding down for the rest of the band members. Parker Tozier who had joined the with Emma Klein in 2016, decided to pursue his aspirations at an out-of-state college, dropping the band from five to four.

The Moose released their debut album “The First Real Encounter” in December of 2018 on the winter solstice of 2018. They now prepare for a tour of the Midwest in the springtim

http://www.musicofthemoose.com

With backgrounds in choir, jazz band, and years of playing, each member implements their own unique touch to each track. The Moose’s “sound” includes ingredients of a funky alternative- pop/synth-rock genre, with heavy influences from neo-psychedelic bands k.

The Moose has played numerous shows and locations, such as: the recordBar, Llywelyn’s Pub, The Roxy, Aftershock, 825 Studios, and The Nelson-Atkins Museum,

The Moose won 2017 Shuttlerock: Teen Battle of the Bands at The Nelson-Atkins Museum. Winning the Battle of the Bands later gained them a spot on the Middle of the Map Festival Lineup, where artists such as Lewis Delmar, Jason Isbell, and De La Soul headlined.

Nathan Reusch, Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, thanks for being with us on WMM.

11:23

8. The Moose – “Exclusive”
from: Live Sessions Single / The Record Machine / July 13, 2019
also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:28 – Underwriting

Daniel Glascock and Joel Bonner of Serene Fiend on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Friday, July 19, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Joel Bonner & Daniel Glascock thanks for being on WMM.

I Heart Local Music writes: “In the ever-evolving attempt to bring electronic music back into Lawrence’s scene, another musician has switched gears– this time leaning towards a more industrial sound.”

I Heart Local Music continues “It comes from an unlikely source. Serene Fiend is the latest project from Joel Bonner, the man who’s been bringing animated live shows and rockabilly licks to Lawrence over the past year with his band The Boot Stompers. It’s unsurprising that his buzzing and provocative guitar style carries over to this project, though he’s piled it on with a lot more synths and electronic beats.”

11:37

Serene Fiend

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel BonnerI Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” ]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Chase Horseman, Nan Turner, Daniel Glascock and Joel Bonner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.”

Joel Bonner, & Daniel Glascock of Serene Fiend thanks for being on WMM.

Unto Myself lyrics:

I’m not afraid to die, I’m just afraid of loss
My strength means nothing if I’m not tough enough
I am an effigy – new possibility
I must be decimated to be built back up

And I will die unto myself
And I will try to heal myself
All for you

Sacrosanct as our romance, I will keep what I am
But the bee hive swarming in my head will be calm instead
I’ll come as you want me, I’ll be everything
The heart wants what it wants and I want to make me better
(to make us better)

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

And when it all comes crashing down
I just want to lose myself in you

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

The heart wants what it wants and I want to make me better

Earlier this year Joel Bonner released “Environ” by Serene Fiend, released May 14, 2019 – an ambient project written and recorded in one day across three three-hour blocks of time, hence the track titles.

1. Morning 15:08
2. Afternoon 08:48
3. Evening 08:12

Joel Bonner & Daniel Glascock of Serene Fiend, please stand by.

11:55

10. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / Vitality Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 17, we talk with the band L A Jones. Enrique Javier Chi of Making Movies drops by for a chat about his show at Knuckleheads, Betse Ellis and Clarke Wyatt and members of Short Round Stringband join us live in our 90.1 FM Studios, and Fally Afani shares music from Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #794

Wednesday MidDay Medley presents Nan Turner & Chase Horseman + Jade Osborne + Serene Fiend + The Moose + Chris Hudson & Chad Brothers + Nathan Reusch

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

Mark spins New & MidCoastal Releases from: Serene Fiend, Nan Turner, Chase the Horseman, The Moose, Chris Hudson & Chad Brothers, and Black Mariah Theater.

Chase The Horseman

At 10:00 Mark talks with Nan Turner and Chase Horseman who share songs from their new EP’s that they are releasing in a Double EP Release Party at miniBar, Friday, July 12, at 9:00 PM. Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase the Horseman’s new EP is called Disinformation Blues.

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

At 10:15 Jade Osborne shares details about her KC Fringe production “The Shift Show” running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. Tickets at: https://kc-fringe.ticketleap.com/the-shift-show/ Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

Chris Hudson & Chad Brothers

At 10:35 Mark talks with Chris Hudson & Chad Brothers about their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences. Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass. http://www.gullywasher.com Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes. Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

The Moose

At 11:00 Mark talks with The Moose and Nathan Reusch of The Record Machine. The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018. What’s Next KC, is Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lee’s Summit, MO. This is a free, all ages, family friendly event featuring live performances by: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. What’s Next KC is sponsored by Mid-Continent Public Library and The Record Machine.

Joel Bonner

At 11:30 Joel Bonner and his Serene Fiend live bandmates Sam Piper & Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies”. Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with free and “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #794

WMM Playlist from July 3, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 3, 2019

Heavy Grams + Radial Red + Jaclyn Bell
+ NuBlvckCity & Nathan Reusch

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Calvin Arsenia – “Psycho Killer”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

3. Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.”[4] His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.]

[Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

4. Madisen Ward and the Mama Bear – “Mother Mary”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim,. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of KCMO. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[LiveOnMass Presents: Madisen Ward and the Mama Bear, Saturday, July 6 at 6:00 PM at The Granada Theater, 1020 Massachusetts St, Lawrence, KS with Pony Bradshaw and Sky Smeed.]

Jaclyn Bell

5. Jaclyn Bell – “Wanna Be Mine”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based singer songwriter Jaclyn Bell. Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City, Missouri at Dwelling Place Music with John Hendrickson. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded. http://www.jaclynbellmusic.com]

[Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th]

[Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.]

[Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.]

10:19 – Interview with Jaclyn Bell & Josh Bell

Josh Bell & Jaclyn Bell on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Singer, songwriter, producer, Jaclyn Bell released her first full-length album, “Wanna Be Mine” recorded here in Kansas City. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded.

Jaclyn Bell thanks for being with us on WMM.

Also joining us is Jaclyn’s husband Josh Bell, thanks for being with us on WMM.

Josh plays saxophone and plays live with Jaclyn and on Wanna Be Mine.

Jaclyn Bell studied at Berklee College of Music

Jaclyn Bell studied Audio Engineering/Music Production at Recording Radio Film Connection

Josh Bell is a NOC-Technician at Sprint

Josh Bell Studied Audio Engineering/Music Production at Recording Radio Film Connection

Jaclyn & Josh Bell live in Overland Park, Kansas. Jaclyn grew up in the Kansas City area. Josh is originally from Highlands, Texas.

Jaclyn Bell married Josh Bell on February 15, 2013

Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City, Missouri at Dwelling Place Music with John Hendrickson.

Jaclyn started singing as a child in church and at 4-H competitions.

Jaclyn Bell played The Rino, 314 Armour Rd, North Kansas City, MO, last week on Friday, June 28 with The Dear Misses, Radiant Bones [NE], Thames [STL].

In an interview with Johnson County Library Jaclyn explained the she has “been working on (her new album, Wanna Be Mine) for about three years and I recorded here in Kansas City with some great local musicians and producers. The songs I would say I’m most proud of on the album are “Wanna Be Mine”, “Killing All of You”, and “Young and Free”. “Wanna Be Mine” because it’s one of my most melodic songs. It’s really raw honesty when you put yourself out there in front of someone and tell them what you want.”

She also talked about how she has “been a songwriter since I was about 17. But the past five years I’ve been really writing loads of songs and making it a career, [studying how] Taylor Swift [and] Ed Sheeran write and compose [their] music. Some of her earliest musical influences were Taylor Swift, Colbie Caillat, and Paramore.”

“For my songwriting process it’s a bit different. It’s like I catch a writing bug I could go months without writing songs and then once I feel inspired, I could write seven songs in three days. With editing, each song is different. Some songs I write once and don’t change anything about it. Others […] take four or five different editing sessions to get it perfect. Each song is a different art piece so doing it all the same doesn’t really make sense to me. I think that each one deserves its own unique attention and style.”

“2019 is the year that I put out my first album Wanna Be Mine and is officially the kickoff of my music journey and my career in making this what I do. I have a really good team and we have a bunch of stuff planned this year with a few media releases, a few singles that are already in the works, and obviously I’m still writing for my next album because the goal is to keep this going. We have some plans for getting my music out there for people to hear so I’m really excited!”

Upcoming Shows:

Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th

Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.

Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.

10:32

Jaclyn Bell and Josh Bell, thanks for being with us again on WMM.

Wanna Be Mine was released March 28 and is available at iTunes and where music is available.

10:32

6. Jaclyn Bell – “Am I The One”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based singer songwriter Jaclyn Bell. Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded. http://www.jaclynbellmusic.com]

[Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th]

[Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.]

[Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.]

10:35 – Underwriting

Dustin Mott, Calandra Ysquierdo Wall, Jaclyn Bell, and Josh Bell on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

7. Heavy Grams – “A Little Luck”
from: Heavy Grams EP / Heavy Grams /May 25, 2019
[Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone.]

10:40 – Interview with Calandra Ysquierdo Wall, and Dustin Mott of Heavy Grams

Dustin Mott and Calandra Ysquierdo Wall o the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower.

Calandra Ysquierdo, and Dustin Mott thanks for being with us on WMM.

Heavy Grams were formed in 2018.

Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and
Dustin Mott on drums.

Calandra Ysquierdo and Dustin Mott played together in the band The Lucky

Jeff Wall also plays in the band 3 Hour Drive

Calandra Ysquierdo and Jeff Wall were married on July 7, 2018

Jeff Wall Studied Sociology, Philosophy and Religious Studies at Benedictine College

Jeff wall is from Oak Grove, Missouri. June 29 is his birthday.

Dustin Mott is a Music teacher, drummer, who serves as Band Director at Northgate Middle School

Dustin Mott lives in Kansas City, Missouri

Dustin Mott studied Music Education at UMKC Conservatory and graduated in 2018.

Dustin Mott studied Music Performance – Percussion · Music education at Missouri Western State University, where he graduated in 2011 · Kansas City, Missouri

Dustin Mott graduated from Independence Senior High, in Independence, Kansas

Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone.

Calandra Rene Ysquierdo Wall, and Dustin Mott thanks for being with us on WMM.

10:54

8. Heavy Grams – “Pavement”
from: Heavy Grams EP / Heavy Grams /May 25, 2019
[Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone. ]

9. Hipshot Killer – “Places We Want To Be”
from: All This Time is Ours / Hipshot Killer / March 20, 2019
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016.]

[Hipshot Killer play Davey’s, 3402 Main, KCMO, Sat, July 6, 9:PM w/ The Right Here, Chad Rex, and The Rackatee’s.]

11:00 – Station ID

Radkey

10. Radkey – “Rock & Roll Homeschool”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is sessetially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national televison commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the nad released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays recordBar 1520 Grand. KCMO, TONIGHT! July 3, 7:00 PM w/ Salty, and Deco Auto]

NuBlvckCity

11. NuBlvckCity – “Alive”
from: All Night / Alive – Single / The Record Machine / July 12, 2019
[NuBlvckCity is a KC-based music collective, members include (but not limited to) Mae C; They Call Me Sauce; Kartez Marcel. The collective represents positive vibes, creativity, showmanship, and community.]

[NuBlvckCity play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with The Moose, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:06 – Interview w/ VP3, and Kartez Marcel (NuBlvckCity) and Nathan Reusch of TRM

VP3 and Kartez Marcel of NuBlvckCity on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Kartez Marcel (Addison) is a native of Kansas City, Missouri, he is a Hip-Hop artist, community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth.

VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production.

VP3, and Kartez Marcell (half of the collective NuBlvckCity) and Nathan Reusch (of The Record Machine) join us to share details about What’s Next KC, on Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. sponsored by Mid-Continent Public Library and The Record Machine.

Nathan Reusch, VP3, Kartez Marcell thanks for being with us on WMM.

NuBlvckCity went on a Winter Tour last year and a Spring 2019 Tour in March. The collective represents positive vibes, creativity, showmanship, and community. NuBlvckCity is a Kansas City-based music collective, members include Mae C; They Call Me Sauce; Kartez Marcel and VP3.

Mae C is a singer/songwriter who’s one of Kansas City’s go-to voices and performer’s. Mae C is a Kansas City based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..] [Mae C. played The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released his newest album Soul Food 4.

What’s Next KC, is on Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly, community event featuring live performances by: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. What’s Next KC is sponsored by Mid-Continent Public Library and The Record Machine.

Kartez Marcel’s passion for artistic expression and vision not only led him to establish the League of Lifestyles, but also guides him in working to ensure generations that follow have access to unique and relevant mediums of expression. As such Kartez has partnered in the delivery of M.E.D.I.A over the past few years, which is an after/in-school program designed to expose local students to various facets of the music industry while providing practical experience they can apply both in and out of creative spaces. Kartez was educated in the KC and Hickman Mills School Districts, and later attended college at Full Sail University in Orlando, Florida where he studied music production and sound engineering.

VP3, Kartez Marcell of NuBlvckCity & Nathan Reusch of TRM thanks for being on WMM.

What’s Next KC, is on Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

11:23

12. NuBlvckCity – “All Night”
from: All Night / Alive – Single / The Record Machine / July 12, 2019
[NuBlvckCity is a KC-based music collective, members include Mae C; They Call Me Sauce; Kartez Marcel. The collective represents positive vibes, creativity, showmanship, and community. This track was produced by VP3 who also sings on the song.]

[NuBlvckCity play What’s Next KC, Sat, July 13, 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., w/ The Moose, and Blue False Indigo. Sponsored by Mid-Continent Public Library and The Record Machine.]

11:27 – Underwriting

13. The Creepy Jingles – “Signs Of The Times New Roman”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From His Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play Summer Benefit Series: July First Friday for Bandwaggn, Friday, July 5, at 8:00 PM at Revolution Records 1830 Locust St, KCMO with Hadiza, & True Lions.]

[Jocelyn Olivia Nixin of The Creepy Jingles, plays Saturday Storytellers with Radial Red on Sat, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, KCMO.]

Radial Red

14. Radial Red – “As It Should Be”
from: 3-Songs for Radio (Unreleased) / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

11:34 – Interview with Alisa Jefferson, Barb Wilmoth, Scott Mitchell

Scott Mitchell, Alisa Jefferson, and Barb Wilmoth of Radial Red on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on bass & vocals, Barb Wilmoth on drums & vocals, and Scott Mitchell on guitar & vocals. They released their debut 7-song EP “Radiate” on June 1, 2015. The band has been busy working in the studio and making new recordings of prvious songs and also recording new material. Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

The band started when Barb Wilmoth found Alisa Jefferson through the Kansas City Women’s Music Network. Barb has been playing drums for seven years, before that she played bass. Alisa met Scott through the insurance industry and knew he played guitar.

The band’s debut 7-song EP “Radiate” was released on June 1, 2015.

Radial Red has played for the last four years at KC Pride Fest at Berkeley Riverfront Park.

Radial Red is currently writing original songs and working on influential covers sprinkled around their set. The members of Radial Red describe their musical and personal friendship with one another as a common core with mutual respect, love of similar music and commitment to band together to see their drive and passion through. They each feel genuinely excited and proud of this collaboration.

11:41

15. Radial Red – “Infinity”
from: 3-Songs for Radio (Unreleased) / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

Radial Red

10:45 – Interview with Alisa Jefferson, Barb Wilmoth, Scott Mitchell

We are talking with members of Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar.

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

Radial Red also has an upcoming show at Davey’s Uptown.

Alisa Jefferson has also played with the band RetroTherapy

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

11:55

16. Radial Red – “Karma”
from: 3-Song EP / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 10, Nan Turner and Chase Horseman share songs from their new EP’s that they are releasing in a Double EP Release Party at miniBar, Friday, July 12, at 9:00 PM. release. Jade Osborne shares details about her KC Fringe production “The Shift Show” running July 19 through July 27 at Union Station City Stage Theatre. Chris Hudson and Chad Brothers play live in our 90.1 FM Studios. Nathan Reusch returns to talk more about What’s Next KC with The Moose. And, Joel Bonner brings members of his band Serene Fiend to share new music in anticipation of their new release and their appearance at Lawrence Field Day Fest.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #793

WMM Playlist from March 27, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 27, 2019

Savanna Howland & Stevie Ervay of Playlistplay
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme song]

2. Rolling Blackouts Coastal Fever – “In The Capital”
from: In The Capital – Single / Sub Pop / February 27, 2018
[Follow up to their debut full-length album Hope Downs from june 15, 2018. Rolling Blackouts Coastal Fever is an Australian indie rock band formed in Melbourne in 2013 by singer-guitarists Fran Keaney, Tom Russo & Joe White. The band’s five members are Keaney, his cousin Joe White, Tom Russo, his brother Joe Russo on bass guitar, and Marcel Tussie on drums. Their debut EP, Talk Tight, was released in 2016 on Ivy League Records. It was followed by their second EP, the French Press, which was mixed by Doug Boehm and released in 2017 on Sub Pop Records. Robert Christgau gave Talk Tight an A grade, writing that “If you like the [guitar] effect—and why not, it’s beautiful—you’ll gravitate to it on sound alone. But what I’m loving at least as much is lyrics that suit the bright white male culture the sound implies.” He also compared the band’s sound to that of the Go-Betweens, a comparison that has also been made by critics like Stephen Deusner.]

3. Mess – “Dead Space”
from: “Dead Space”‘ – Single / Mess / March 22, 2019
[Second single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, witchhazel. SOLD OUT!]

4. SASAMI – “Not The Time”
from: SASAMI / Domino Recording / March 8, 2019
[Sasami Ashworth, is known mononymously as Sasami (stylized as SASAMI). She graduated from the Eastman School of Music in 2012. She scored and made orchestral arrangements for films, commercials and studio albums, and worked as a music teacher in Los Angeles, where she is currently based and makes music. In 2015, she joined the American rock band Cherry Glazerr with whom she played synths and toured for two and a half years before announcing her departure in January 2018 to pursue her solo musical career. On April 3, 2018, Sasami shared her first solo track “Callous” on SoundCloud, which Pitchfork awarded with their “Best New Track” label. On October 9, Domino Recording Company announced that Sasami had signed to their label, and officially released “Callous” alongside a new song titled “Not the Time”, premiered by The Fader, who called Sasami “rock’s next big thing.” Sasami stated, “I wrote both of these songs on tour on a guitar on my iPad with GarageBand plugins and Moog 15 app sounds and then re-recorded them in the studio onto tape with really great tones. So it’s kind of like emotionally scribbling a letter on a tear and snot-stained napkin and then re-writing it on fancy papyrus paper to make it look like you have your shit together.”[4] The songs were released on a 7” vinyl on October 26. Throughout 2018, Sasami toured with various musicians, including Baths, No Joy, King Tuff, Mitski, Soccer Mommy, Snail Mail and Menace Beach.]

5. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

Black Stacey

6. Black Stacey – “Tell Me Don’t Want You”
from: Tell Me Don’t Want You – Single (unmastered) / Sharaden Staten / Released in Spring
[Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

7. Celeste & Gotts Street Park – “Lately”
from: Lately – EP / Both Sides Records – Polydor Records / March 22, 2019
[Celeste Waite is 24. She was born in Los Angeles, California. She left L.A. when she was three years old. With her my mother she moved to an area just on the outskirts of London, and then to Brighton when she was five years old. Brighton is an hour away from London on the train. Celeste told Interview Magazine in 2017, “It’s funny, because it’s such a good place to grow up when you’re a teenager because it is quite safe, really, so you can do all of that underage clubbing and go out when you’re 16. But by the time you get to 20, or even 18, you want more. It feels like quite a small place once you’ve lived here for a while, but the good thing about it is I’ve always felt free to just create and do what I want. There’s not real pressure to fit in and be something that you’re not. It’s always that you could do what you wanted to, in a good way.” She went on to say,”I think I really want to move to London, mainly because now I want to spend time in the studio more and I have, over the last few years, been traveling back and forth to London. I’ve made groups of friends there, so it feels like the natural thing to want to be there. But I think Brighton is always a place that I’ll come back to because it does feel really nice sometimes; when you’ve been feeling shitty then you come back and you can be near the ocean. There’s not a time of day where everyone’s rushing around because it’s not that kind of place.]

10:29 – Underwriting

The Freedom Affair

8. The Freedom Affair – “Rise Up”
from: Soul Slabs Vol. 2 / Colemine Records / April 13, 2019
[The Freedom Affair has been selected to be part of Colemine Records new 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive Release. The Freedom Affair is a new project of Chris Hazelton of SunFlower Soul Records and Chris Hazelton’s Boogaloo 7. The new band includes member of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.]

[Paula Saunders and Desmond Mason play the Indigo Hour in the American Jazz Museum Blue Room Jazz Club, at 1600 E 18th Street, KCMO, Friday, March 29, at 5:00 pm, the Indigo Hour features the best Kansas City R&B and Neo-Soul acts every Friday night from 5:30 pm – 7:30 pm.]

[The Freedom Affair play Lucia Beer Garden + Grill, 1016 Massachusetts Street, Lawrence, KS, Saturday, March 30 at 10;00 PM with Dylan Guthrie & The Good Time Guys]

[The Freedom Affair plays SoundMachineKC, Sat, May 4, at 8:00 PM, w/ Soultru, & Duncan Burnett.]

Kadesh Flow

9. Kadesh Flow – “Party Thoughts (Radio Edit) (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

[The Deshtet plays Ca Va, 4149 Pennsylvania, KCMO, Thurs, Mar 28, at 9:00 – 11:00 PM. The Deshtet includes Ryan Jamaal Davis aka Kadesh Flow w/ Peter Schlamb, Matt Villinger, & Zach Morrow.]

10. The Butter Band – “Bicycle”
from: Crag-o-lea / The Dear Misses / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton. Scott is one of Kansas City’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed and mastered by James Albright. Scott Stanton & The Butter Band is: Scott Stanton – songwriter, vocals, acoustic guitar; Chad Brothers – acoustic guitar, harmonies; Kasey Rausch – upright bass, harmonies, fiddle; Marco Pascolini – pedal steel guitar; Grady Keller – banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play and Album Release Show, Friday, April 12, at 7:00 PM at The Buffalo Room, 817 Westport Rd, KCMO. Kicking off the night will be collaborations with members of Shapiro Brothers, The Country Duo and River Trade Radio founders Kasey Rausch Music & Mikal Shapiro Music (a/k/a Partners in Glory!)]

11. Nilüfer Yanya – “In Your Head”
from: Miss Universe / ATO Records / March 22, 2019
[Debut album from British musical artist, Nilüfer Yanya who was born in 1996, the daughter of two visual artists. Yanya grew up in Chelsea, London. Growing up with her father’s Turkish music and her mother’s classical music playing at home, she soon gravitated to guitar rock and learned how to play the instrument at age 12. Informally starting her musical career with demos uploaded to SoundCloud in 2014, she turned down an offer to join a girl group produced by Louis Tomlinson of One Direction and focused on developing her own music instead.[1] Her first EP, “Small Crimes/Keep on Calling”, was released in 2016. Her second EP, “Plant Feed”, was released in 2017, followed by “Do You Like Pain?” in 2018. Miss Universe has received wide critical acclaim, with critics noting her ability to bounce back and forth between musical and lyrical styles, shifting between “gimlet-eyed composure and cataclysmic panic”. Yanya’s music has been described as nervous and restless, combining influences from indie rock to soul, jazz, and trip hop. A Stereogum review called her voice “malleable and endlessly expressive.]

12. Y god Y – “Say”
from: Say- Single / High Dive Records / February 15, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This is their 4th single and part of their upcoming debut 5-song EP to be released April 5, 2019, and on their new label High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop.]

[Y god Y play the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH MONTA AT ODDS, LA GUERRE, and PALA ZOLO with Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

13. Monta At Odds – “Argentum Dreams”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

[MONTA AT ODDS play the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, and PALA ZOLO with Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

14. Katy Guillen & The Girls – “Heavy Days”
from: Heavy Days / VizzTone Label Group and KG&G Records / June 24, 2016
[Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums. Recorded at Weights and Measures Soundlab with their longtime engineer Duane Trower, the band supplemented guitar, vocal and percussive layers; auxiliary instrumentation from blues pianist Mike “Shinetop” Sedovic (Danielle Nicole Band) and jazz trombonist Ryan Heinlein (The Project H); production from Paul Malinowski; and mastering at Black Lab Mastering in Louisville, Kentucky. Katy Guillen & the Girls hometown release of “Heavy Days” on May 21 at Knuckleheads.]

[Katy Guillen & Stephanie Williams play the Gospel Lounge, at Knuckleheads Saloon, 2715 Rochester St, KCMO, Friday, April 12, at 9:00 PM]

11:00 – Station ID

15. Miya Folick – “Thingamajig”
from: Premonitions / A Terrible Records – Interscope Release / October 26, 2018
[Los Angeles based musical artist writes: “Premonitions begins with “Thingamajig” — something you can’t quite recall the name of, but you know exactly what it means and what it feels like. Like the pull of desire that comes with not quite remembering fully. The magnetism of something just on the tip of your tongue. I wanted the album to feel like that thing. // I think a lot about about memory-making as an act of creation, the words we use to describe a memory give shape to and sometimes mutate the memory itself. I believe that the way we choose to describe the events of our lives is not only a means of creative fulfillment, but an absolutely vital part of creating the world we want to live in. When we are dishonest in the present, we create a dishonest future. When we are honest in the present, we create a more honest future. I wanted this album to be the vehicle for a hopeful, truthful, generous, and loving world. I tried not to posture or pretend. I wrote about my life as I’ve seen it and how I’d like to see it, as both memory and premonition. // The producers, Justin Raisen and Yves Rothman, and I spent months collecting organic sounds to fill the world of this record. We threw away everything that felt false and tried to keep the soul of each song alive. I hope Premonitions gives you comfort and joy. I hope it feels like all the mysterious details of your lives, all your massive and mundane glories. I hope it reminds you that there is beauty in the details. Rainbows in your sprinklers. Drinking water from a hose. The way it felt to make a friend for the first time. Locking yourself in a bathroom to avoid everyone. Dancing until your shins burn. Leaving your phone in an Uber and making your best friend drive you an hour away to knock on a stranger’s door after locating it on Find My Phone. Losing a friend. Losing yourself. Remembering.”]

11:04 – Interview with Savanna Howland & Stevie Ervay

Stevie Ervay and Savanna Howland on the March 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Savanna Howland & Stevie Ervay are joining us on our 90.1 FM Studios here at 39th and Main Street. Savanna Howland started Playlistplay in 2015 with husband Nick Howland. Savanna is also the co-creator of gstlst.com. With 25 music festivals under her belt in the past two years and 86 shows attended in 2018, she is constantly searching for hidden gems in local music scenes around the world.

Savanna Howland thanks for being with us on Wednesday MidDay Medley

Stevie Ervay Lives in Kansas City, Missouri. He studied Communications/Public Relations at Park University. He serves as Digital Content Manager & Editor at Playlistplay. Steven also works for gstlst.com, he is co-director at Sofar Sounds Kansas City, he also works as a Promoter & Booker at The Rino promoting shows under the moniker of Fine Dining Productions.

Stevie Ervay thanks for being with us on Wednesday MidDay Medley

Savanna Howland started Playlistplay in 2015 with husband Nick Howland.
The site came out of the playlists Savanna and Nick shared with each other. Sending playlist back and forth as they were dating and eventually got married. They created a website for fun but is was so well received from others that it grew into a business

Savanna is also the co-creator of gstlst.com as sister site to Playlistplay. Savanna has been going to music festivals around the country and discovered that there are over 400 big music festivals happening annually. with Stevie’s help they created a database with all of these festivals and created a place to link them together.

Savanna is also co-Creator of Bands and Bowls that focuses on food and music.

Savanna also works at Refinery Room and has studied at Paul Mitchell The School

http://www.playlistplay.com features Discovery Playlists offering a chance for viewers to find their new favorite songs as well as discover new tracks from their favorite artists.

Along with Playlists the site also features Liner Notes and Features

11:14

16. Hop Along – “How Simple”
from: Bark Your Head Off, Dog / Saddle Creek / April 6, 2019
[Written over the course of 2016 and 2017 and recorded in the summer of the latter year by Frances Quinlan (songwriter/vocalist/rhythm guitar), Tyler Long (bass), Joe Reinhart (guitar), and Mark Quinlan (drums), Bark Your Head Off, Dog addresses disappointment, particularly in man’s misuse of power, and relates accounts from the periphery — one’s attempts to retreat from the lengthening shadows of tyrants, both historical and everyday. It considers what it’s like to cast off longheld and misguided perceptions, yet without the assurance of knowing what new ones will replace them. Much like on Hop Along’s first and second records, Get Disowned and Painted Shut, Quinlan seeks in real time to work through these issues. // Throughout the album, one gets the sense that Quinlan is wandering in the thicket of a forest—a state of being that will feel familiar to longtime listeners—and on this outing, she hasn’t left a trail of breadcrumbs behind her. The album’s artwork, which Quinlan painted herself, invites the listener into that forest, as well. “There is a terror in getting lost,” she says, “the woods are at the same time beautiful and horrifying.” This curious wandering gives the album, both lyrically and musically, a heightened dimensionality. // Bark Your Head Off, Dog is, without question, Hop Along’s most dynamic and textured record yet. Self-produced and recorded at The Headroom in Philadelphia by Reinhart and Kyle Pulley, Bark Your Head Off, Dog features the familiar sounds that have always made the band allergic to genre: grunge, folk, punk, and power pop all appear, with inspiration from ELO to Elvis Costello to ‘70s girl group vocal arrangements. This time around, they’ve added strings, more intricate rhythms, lush harmonies (featuring Thin Lips’ Chrissy Tashjian), along with a momentary visit with a vocoder. In more than one place, Mark Quinlan drums like he’s at a disco with Built to Spill. // Most significantly, Bark Your Head Off, Dog shows the band at its strongest and most cohesive. Hop Along (which originally began as Quinlan’s solo project under the moniker Hop Along, Queen Ansleis) has never sounded so deliberate, so balanced. “So strange to be shaped by such strange men” is a line that repeats on more than one song on the album. “I’ve been thinking about that a lot. That I just deferred to men throughout my life,” Quinlan says. “But by thinking you’re powerless, you’re really robbing yourself. I’m at a point in my life where I’m saying instead, ‘Well, what can I do?’” // Produced by Joe Reinhart and Hop Along // Written by Frances Quinlan and Hop Along (ASCAP) // Engineered by Kyle Pulley and Joe Reinhart at The Headroom in Philadelphia with Assistants Pat Quigley Ethan Farmer Ben Weiss // Mixed and Mastered by Ryan Schwabe .]

11:18 – Interview with Savanna Howland & Stevie Ervay

Savanna Howland and Steven Ervay

Savanna Howland started Playlistplay in 2015 with husband Nick Howland. Savanna is also the co-creator of gstlst.com. With 25 music festivals under her belt in the past two years and 86 shows attended in 2018, she is constantly searching for hidden gems in local music scenes around the world.

Steven Ervay serves as Digital Content Manager & Editor at Playlistplay. Steven also works for gstlst.com, he is co-director at Sofar Sounds Kansas City, he also works as a Promoter & Booker at The Rino promoting shows under the moniker of Fine Dining Productions.

gstlst.com // http://www.playlistplay.com

Savanna Howland & Stevie Ervay, thanks for being with us on Wednesday MidDay Medley

11:27

17. Superorganism – “Reflections On The Screen”
from: Superorganism / Domino Records / March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

11:31 – Underwriting

18. Jaclyn Bell – “Wanna Be Mine”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based Jaclyn Bell is releasing her new EP, Wanna Be Mine as a follow up to her 2018 EP “Memories.” Jaclyn Bell studied at Berklee College of Music. She also studied Audio Engineering/Music Production at Recording Radio Film Connection]

[Jaclyn Bell plus a Record Release Show, tomorrow, March 28, at 7:00 PM, The Rino, 314 Armour Rd, North Kansas City, MO with Tonks (NJ), Oh Dear Oh My]

19. L A Jones – “Addicted”
from: Addicted – Single / L A Jones / June 30, 2018
[LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[LA Jones, play and Album Release Show, Sunday, March 31, at 7:00 PM at The Rino, 314 Armour Rd, North KCMO with Matt Cook Collective, Lovergurl, and Dreamhouse.]

Hipshot Killer

20. Hipshot Killer – “Hearts Like Ours”
from: All This Time is Ours / Hipshot Killer / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

[Hipshot Killer, play an “All This Time is Ours” LP release show, Saturday, March 30, 2019 at 9:00 PM at miniBar 3810 Broadway Rd, KCMO with Midlife from Springfield MO and KC’s own Arson Class.]

21. The Ultra Sounds – “Snow”
from: Maiden Mars | The Ultrasounds Split EP / The Ultrasounds / April 20, 2017
[Sludgy garage pop from Winona, MN Comprised of three chicks and one dude who, surprisingly, is not the drummer—The Ultrasounds fashion a wall of noisy guitars and feedback juxtaposed with frail but poignant melodies. It’s an indie, post-punk, and sludge amalgam for all except tasteless squares. Band Members include: Megan Hanson on guitar & vocals, Courtney Guenveur on bass, Amber Fletcher on drums, and Todd Hanson on guitar & vocals.]

[The Ultra Sounds plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, VidCo Kult, and Kill Vargas.]

22. VidCo Kult – “Ernest Goes To Branson”
from: Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in Kansas City, Missouri. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

[VidCo Kult plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, and Kill Vargas.]

23. Busey – “Cat Butt”
from: Cat butt – Single (b/w of Good Boy) / Butt Horn Records / March 15, 2019
[Power slop from Minneapolis. Band Members include: Montana Dan, Skokie Jones, Jesse Berndt, Young Ryan, and Jonny Po. Written and Performed by BUSEY. Recorded/mixed by John Peters at Future Condos .]

[Busey plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, VidCo Kult, Ultrasounds, and Kill Vargas.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on April 3 we have an Action Packed show with Victor & Penny, Sondra Freeman of Midwest Music Foundation, Brandon and Adam Phillips sharing the new Too Much Rock Single Series featuring Brandon Phillips & The Condition, and Aaron Rhodes of Shuttlecock Music Magazine.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #779

WMM Playlist from August 29, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Le
e

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Y god Y – “Tired”
from: Tired – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

[Y god Y play Replay in Lawrence Saturday, September 1, at 10:00 with The Fey, and Khrystal.]

[Y god Y play Sound Machine KC at recordBar, Tuesday, September 4, at 7:00 pm with Chad Valley, and Dreamgirl]

3. Kian Byrne – “Sing That Song”
from: Up & Down / Matador Records / March 16, 2018
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. You can learn more at: kianbyrnemusic.com]

[Kian Byrne plays KC Irish Fest on Saturday, September 1, at 5:00 pm.]

4. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

[Amy Farrand opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.]

Amy Farrand

10:15 – Interview with Amy Farrand

Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows, and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations to Amy for getting the gig to open for the pride of Leavenworth Kansas, and Kansas City Missouri, and the whole world …Melissa Etheridge.

Melissa Etheridge is celebrating the 25th Anniversary of, Yes I Am.

Amy Farrand and The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

Amy Farrand is a true veteran of the Kansas City music scene, playing with band since the 1980s early 1990s.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley.

Amy Farrand & opens for Melissa Etheridge, TONIGHT at Crossroads KC gates open at 7:00.

10:29 – Underwriting

Lisa Mckenzie and Amy Farrand on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:32 – Interview with Lisa Mckenzie, Ashlynn Gale and Alex Stoll

Kansas City based drummer Lisa Mckenzie, has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa joins us to talk about an adolescent program she coordinates at Clay-Platte Montessori School, a farm based school at 5901 NW Waukomis Drive, Kansas City, Missouri. This is a Montessori school that celebrates diversity and being a community, located on 10 acres of wooded property, complete with a meandering creek.

Lisa Mckenzie, thanks for being with us on Wednesday MidDay Medley

Ashlynn Gale, Lisa Mckenzie and Alex Stoll on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lisa brought with her two students from the school and farming program: Ashlynn Gale, 13 years, and Alex Stoll, 14 years.

The students have been selling their produce at the KCK Farmers Market.

Clay-Platte Montessori School is built on land that was once home to the Hopewell people, dating back to 2000 BC. CPMS middle school children have worked with a local archeologist to find artifacts that have helped to identify the native people and date the time of the inhabitance. The children have named and registered the site as 10 Acre Wood with the Archeology Society.

The mission of Clay-Platte Montessori School is to employ the philosophy and methods of Dr. Maria Montessori and educate young people to their fullest potential, instilling a deep sense of personal independence and responsibility to self, to others, and to our Earth.

Their purpose is to provide, through the Montessori philosophy and curriculum, an environment where each child will be free to function and develop individually, naturally and sequentially into the whole child that lies within, realizing the full potential of his/her innate talents.

Ashlynn Gale and Alex Stoll talked about raising chickens and goats. collecting eggs and milking the goats. Alex talked about pulling weeds and keeping the gardens maintained.

Lisa is a mom and with her husband has adopted 8 children. Lisa and her family live on a farm and raise horses and other animals.

Lisa is a drummer, gardener, traveler, hiker, equestrian, dog smoocher , parent, dreamer, thinker, life lover.

Lisa currently plays with Alex Abramovitz and His Swing’n Kansas City Jazz Band who won Best Local Band from The pitch Magazine Best of Kansas City (2017)

Current Full-Time Members include: Alex Abramovitz (founding member since 2008) on cornet, arrangements, & vocals; “Pretty” Ricky Cole on guitar & banjo (since 2014); Jeff Schwartz on bass & tuba (since 2017); and Lisa McKenzie on drums (Since 2017).

Lisa also plays in several side projects of Alex Abramovitz and His Swing’n Kansas City Jazz Band.

Lisa also plays in a blue grass band called Sycamore Grove, and in the band KC Bankroll.

Lisa Mckenzie studied Cultural Anthropology at UMKC, and graduated from Blue Springs Senior High

Lisa Mckenzie, Ashlynn Gale and Alex Stoll, thanks for being with us on WMM

10:45

5. Under the Big Oak Tree – “Daytime Moon”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO with Scott Stanton]

6. Fullbloods – “Money”
from: Mild West / High Dive Records / February 26, 2016
[2nd full length release from Fullbloods. On this album: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

[Fullbloods play Sound Machine KC, Thursday, September 30, at 7:00 at recordBar], with Suzannah Johannes, and Black Stacey.]

7. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Quintet plays American Jazz Museum, Friday, August 31, at 8:30 pm.]

11:02 – Station ID

Ivory Blue

11:02 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on June 28, 2017. Since then they have been on a journey.

Ivory competed in neXt2Rock and made it into the finals and played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush.

These were the comments from the judges:

Scott Borchetta: “ You exude artistry from the minute you step on that stage’

John Varvatos: “WOW, I’ve been waiting for the wow and you are the wow”

Gavin Rossdale: “You’re a true artist”

Desmond Child: “I love everything about you, you sing what you live, you’re fantastic”

Chris Lord-Alge: “Giving us the diamond in the rough we can only dream of, the foundations that’s built underneath it, that’s what music is made from”

Steve Jones: “ You’ve got a LOT of potential”

11:09

8. Ivory Black – “Ready Get Set”
from: Ready Get Set – Single / Big Machine Records – John Varvatos Records / June 15, 2018
[Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, Kauffman Stadium, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:18

Ivory Blue playing live on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

9. Ivory Blue – “Family Table” (LIVE)
a new song Ivory is currently working in for a new album

More info at: ivorybluemusic.com or Facebook/ivorybluemusic

Ivory has talked with us about how they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue say Ivory performing in a YouTube video and contacted them, flying them to KC, and adopting Ivory into the Van Lue family. During the past 8 years Ivory came out as Non-Binary Transgender

One of the resources for Ivory in this transition was Caroline Gibbs, co-founder of the Transgender Institute.

In an interview with The Pitch KC, Caroline Gibbs said, “Trans people have to live with being objectified a lot. It’s an ugly place to be, and nobody wants to live in that place. The fact that people would be willing to live openly in the face of all kinds of denigration tells me how compelling this urge to live out their true gender really is.”

Ivory has told us, “people see what they want to see.”

11:28

10. Ivory Blue – “Elite Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

More information at http://www.ivorybluemusic.com

11:30 – Underwriting

Barry Lee and Ivory Blue on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. Broken Arrows – “For Love”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

[Broken Arrows play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Howard Iceberg & Chad Brothers, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

11:33 – Interview with Barry Lee

Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Tomorrow Night, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

Barry Lee Thanks for being with us on WMM

Barry please accept our sincere condolences on the loss of your friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, Caroline guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Caroline requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

11:41

12. Broken Arrows – “Recognize My Heart w/Howard Iceberg”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Written by Howard iceberg. Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, a benefit for KKFI

11:56:36

13. The Hermanos Brothers – “Be My Baby (The Ronettes)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg and Chad Brothers. These songs were recorded in one day.]

[Howard Iceberg and Chad Brothers play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders, and Broken Arrows. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on September 5, Bill Sundahl joins us as co-host for our entire show as we present two hours of music featuring artists playing the 14th annual Crossroads Music Festival, Saturday, September 8. And we are visited in the studio by the band RADKEY!!! Go to http://www.kkfi.org for more information.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #749

Wednesday MidDay Medley presents Amy Farrand + Lisa Mckenzie + Ivory Blue + Barry Lee

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Lee

Mark plays New & MidCoastal Releases from: Shy Boys, Amy Farrand & The Like, Broken Arrows, Under The Big Oak Tree, Marcus Lewis Big Band with Kadesh Flow, Kian Byrne, Ivory Blue, Howard Iceberg & Chad Brothers, Y god Y, and Fullbloods.

Amy Farrand

At 10:15 Musician Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, August 29 at 7:00 pm. Amy Farrand has been a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Lisa Mckenzie

At 10:35 Mark talks with Kansas City based drummer Lisa Mckenzie, who has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa Mckenzie is also a gardener, educator, and mom, and she joins us to talk about an adolescent program she coordinates at Clay Platte Montessori, a farm based school. The students have been selling their produce at the KCK Farmers Market.

Ivory Blue

At 11:00 Ivory Blue, joins us in our 90.1 FM Studios. Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records, released June 15, 2018. More info at: http://www.ivorybluemusic.com

Barry Lee

At 11:30, Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, on Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #749

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
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Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley