WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

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Wednesday MidDay Medley’s Halloween with Béla, Boris, & Bette + Apocalypse Meow 11

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

On Halloween Mark plays New & MidCoastal & “Haunted Recordings” from: Hot Suede, Chase The Horseman, Jametatone, Jason Beers, AKA Dundeon Master, St. Vincent, Thom Yorke, Snoop Dogg, Kraftwerk, Laurie Anderson, Nina Simone, Sonic Youth, Madonna, Siouxsie & The Banshees, The Misfits, The Velvet Underground, Screaming Jay Hawkins, Michel Rubini & Denny Jaeger, William Stromberg & Moscow Symphony Orchestra, Kenneth Alwyn, Bette Davis, Cesar Davila-Irizarry & Charlie Clouser, Bobby “Boris” Pickett & The Crypt-Kickers, Donald Trump, and The Jimi Shawndi Band.

Portions of our show will co-hosted by Béla Lugosi, Boris Karloff, and Bette Davis as played by our special guest star, Michael McQuary.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.” Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world. Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts. Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.” He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC. Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds. Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

At 11:40 we talk with Sondra Freeman of Midwest Music Foundation about the 11th annual Apocalypse Meow benefit concert on Friday, Nov. 2 and Saturday, Nov. 3. The annual concert is MMF’s primary fundraiser for Abby’s Fund For Musicians’ Health Care. It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee. The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door. More information about Apocalypse Meow 11 and MMF can be found at midwestmusicfoundation.org.

Michael McQuary as Bette Davis by Paul Andrews Photography
Michael McQuary as Boris Karloff by M.R. King Images

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

WMM Playlist from August 29, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Le
e

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Y god Y – “Tired”
from: Tired – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

[Y god Y play Replay in Lawrence Saturday, September 1, at 10:00 with The Fey, and Khrystal.]

[Y god Y play Sound Machine KC at recordBar, Tuesday, September 4, at 7:00 pm with Chad Valley, and Dreamgirl]

3. Kian Byrne – “Sing That Song”
from: Up & Down / Matador Records / March 16, 2018
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. You can learn more at: kianbyrnemusic.com]

[Kian Byrne plays KC Irish Fest on Saturday, September 1, at 5:00 pm.]

4. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

[Amy Farrand opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.]

Amy Farrand

10:15 – Interview with Amy Farrand

Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows, and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations to Amy for getting the gig to open for the pride of Leavenworth Kansas, and Kansas City Missouri, and the whole world …Melissa Etheridge.

Melissa Etheridge is celebrating the 25th Anniversary of, Yes I Am.

Amy Farrand and The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

Amy Farrand is a true veteran of the Kansas City music scene, playing with band since the 1980s early 1990s.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley.

Amy Farrand & opens for Melissa Etheridge, TONIGHT at Crossroads KC gates open at 7:00.

10:29 – Underwriting

Lisa Mckenzie and Amy Farrand on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:32 – Interview with Lisa Mckenzie, Ashlynn Gale and Alex Stoll

Kansas City based drummer Lisa Mckenzie, has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa joins us to talk about an adolescent program she coordinates at Clay-Platte Montessori School, a farm based school at 5901 NW Waukomis Drive, Kansas City, Missouri. This is a Montessori school that celebrates diversity and being a community, located on 10 acres of wooded property, complete with a meandering creek.

Lisa Mckenzie, thanks for being with us on Wednesday MidDay Medley

Ashlynn Gale, Lisa Mckenzie and Alex Stoll on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lisa brought with her two students from the school and farming program: Ashlynn Gale, 13 years, and Alex Stoll, 14 years.

The students have been selling their produce at the KCK Farmers Market.

Clay-Platte Montessori School is built on land that was once home to the Hopewell people, dating back to 2000 BC. CPMS middle school children have worked with a local archeologist to find artifacts that have helped to identify the native people and date the time of the inhabitance. The children have named and registered the site as 10 Acre Wood with the Archeology Society.

The mission of Clay-Platte Montessori School is to employ the philosophy and methods of Dr. Maria Montessori and educate young people to their fullest potential, instilling a deep sense of personal independence and responsibility to self, to others, and to our Earth.

Their purpose is to provide, through the Montessori philosophy and curriculum, an environment where each child will be free to function and develop individually, naturally and sequentially into the whole child that lies within, realizing the full potential of his/her innate talents.

Ashlynn Gale and Alex Stoll talked about raising chickens and goats. collecting eggs and milking the goats. Alex talked about pulling weeds and keeping the gardens maintained.

Lisa is a mom and with her husband has adopted 8 children. Lisa and her family live on a farm and raise horses and other animals.

Lisa is a drummer, gardener, traveler, hiker, equestrian, dog smoocher , parent, dreamer, thinker, life lover.

Lisa currently plays with Alex Abramovitz and His Swing’n Kansas City Jazz Band who won Best Local Band from The pitch Magazine Best of Kansas City (2017)

Current Full-Time Members include: Alex Abramovitz (founding member since 2008) on cornet, arrangements, & vocals; “Pretty” Ricky Cole on guitar & banjo (since 2014); Jeff Schwartz on bass & tuba (since 2017); and Lisa McKenzie on drums (Since 2017).

Lisa also plays in several side projects of Alex Abramovitz and His Swing’n Kansas City Jazz Band.

Lisa also plays in a blue grass band called Sycamore Grove, and in the band KC Bankroll.

Lisa Mckenzie studied Cultural Anthropology at UMKC, and graduated from Blue Springs Senior High

Lisa Mckenzie, Ashlynn Gale and Alex Stoll, thanks for being with us on WMM

10:45

5. Under the Big Oak Tree – “Daytime Moon”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO with Scott Stanton]

6. Fullbloods – “Money”
from: Mild West / High Dive Records / February 26, 2016
[2nd full length release from Fullbloods. On this album: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

[Fullbloods play Sound Machine KC, Thursday, September 30, at 7:00 at recordBar], with Suzannah Johannes, and Black Stacey.]

7. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Quintet plays American Jazz Museum, Friday, August 31, at 8:30 pm.]

11:02 – Station ID

Ivory Blue

11:02 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on June 28, 2017. Since then they have been on a journey.

Ivory competed in neXt2Rock and made it into the finals and played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush.

These were the comments from the judges:

Scott Borchetta: “ You exude artistry from the minute you step on that stage’

John Varvatos: “WOW, I’ve been waiting for the wow and you are the wow”

Gavin Rossdale: “You’re a true artist”

Desmond Child: “I love everything about you, you sing what you live, you’re fantastic”

Chris Lord-Alge: “Giving us the diamond in the rough we can only dream of, the foundations that’s built underneath it, that’s what music is made from”

Steve Jones: “ You’ve got a LOT of potential”

11:09

8. Ivory Black – “Ready Get Set”
from: Ready Get Set – Single / Big Machine Records – John Varvatos Records / June 15, 2018
[Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, Kauffman Stadium, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:18

Ivory Blue playing live on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

9. Ivory Blue – “Family Table” (LIVE)
a new song Ivory is currently working in for a new album

More info at: ivorybluemusic.com or Facebook/ivorybluemusic

Ivory has talked with us about how they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue say Ivory performing in a YouTube video and contacted them, flying them to KC, and adopting Ivory into the Van Lue family. During the past 8 years Ivory came out as Non-Binary Transgender

One of the resources for Ivory in this transition was Caroline Gibbs, co-founder of the Transgender Institute.

In an interview with The Pitch KC, Caroline Gibbs said, “Trans people have to live with being objectified a lot. It’s an ugly place to be, and nobody wants to live in that place. The fact that people would be willing to live openly in the face of all kinds of denigration tells me how compelling this urge to live out their true gender really is.”

Ivory has told us, “people see what they want to see.”

11:28

10. Ivory Blue – “Elite Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

More information at http://www.ivorybluemusic.com

11:30 – Underwriting

Barry Lee and Ivory Blue on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. Broken Arrows – “For Love”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

[Broken Arrows play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Howard Iceberg & Chad Brothers, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

11:33 – Interview with Barry Lee

Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Tomorrow Night, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

Barry Lee Thanks for being with us on WMM

Barry please accept our sincere condolences on the loss of your friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, Caroline guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Caroline requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

11:41

12. Broken Arrows – “Recognize My Heart w/Howard Iceberg”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Written by Howard iceberg. Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, a benefit for KKFI

11:56:36

13. The Hermanos Brothers – “Be My Baby (The Ronettes)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg and Chad Brothers. These songs were recorded in one day.]

[Howard Iceberg and Chad Brothers play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders, and Broken Arrows. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on September 5, Bill Sundahl joins us as co-host for our entire show as we present two hours of music featuring artists playing the 14th annual Crossroads Music Festival, Saturday, September 8. And we are visited in the studio by the band RADKEY!!! Go to http://www.kkfi.org for more information.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #749

Wednesday MidDay Medley presents Amy Farrand + Lisa Mckenzie + Ivory Blue + Barry Lee

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Lee

Mark plays New & MidCoastal Releases from: Shy Boys, Amy Farrand & The Like, Broken Arrows, Under The Big Oak Tree, Marcus Lewis Big Band with Kadesh Flow, Kian Byrne, Ivory Blue, Howard Iceberg & Chad Brothers, Y god Y, and Fullbloods.

Amy Farrand

At 10:15 Musician Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, August 29 at 7:00 pm. Amy Farrand has been a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Lisa Mckenzie

At 10:35 Mark talks with Kansas City based drummer Lisa Mckenzie, who has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa Mckenzie is also a gardener, educator, and mom, and she joins us to talk about an adolescent program she coordinates at Clay Platte Montessori, a farm based school. The students have been selling their produce at the KCK Farmers Market.

Ivory Blue

At 11:00 Ivory Blue, joins us in our 90.1 FM Studios. Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records, released June 15, 2018. More info at: http://www.ivorybluemusic.com

Barry Lee

At 11:30, Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, on Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #749

WMM Playlist from August 22, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 22, 2018

Emmaline Twist & Abandoned Bells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Bob & Una Walkenhorst – “Time Goes Walking”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releaseing debut albums. Spcial guest Storm Circus will open the evening.]

3. Mary Gauthier – “Got Your Six”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays Knuckleheads, 2715 Rochester St., KCMO, Thursday, August 23, at 8:00 PM.]

4. Krystle Warren & The Faculty – “Every Morning”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

5. Calvin Arsenia – “Cantaloupe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia called, Cantaloupe, the first release on the new recording label Bullseye Records. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:21 – Underwriting

6. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

Emmaline Twist

7. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

10:30 – Interview with Krysztof Nemeth and Kristin Conkright

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the KC based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Kristin Conkright and Krysztof Nemeth of Emmaline Twist on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

Emmaline Twist got started in early 2016 when Krysztof Nemeth, former baritone guitarist in The Latenight Callers, started collaborating with Meredith McGrade, a veteran of several Kansas City bands, including Admiral Red, Wick and The Tricks, and The B’Dinas. Krysztof told Timothy Finn of The Kansas City Star, “Meredith and I got started in trying to capture the sound and feel of the music we mutually loved: post-punk and shoegaze,” Nemeth said. “Meredith initially played bass and sang, while I employed the baritone guitar as the lead instrument.”

Jonathan Knecht, formerly of the Silver Maggies, came along as drummer.

Kristin Conkright, formerly of Knife Crime and Onward Crispin Glover, was looking for a project. During the very first The Band That Fell to Earth – Bowie Tribute Show, at The Uptown Theatre, in January 2016, Kristin approached Krysztof asking what he was working on and asked if he needed a bassist. Krzysztof liked her sound and thought it would fit the Emmaline Twist vision. McGrade moved to guitar and Conkright came aboard as bassist.

Alex Alexander & The Band That Fell To Earth

Recently, Alex Alexander, of The Band That Fell to Earth, has joined the band on synthesizers, becoming the 5th member.

In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.”

The band’s new 12″ LP is being released by Black Site Records, a label started by members of the band Red Kate, who have had a busy couple of years releasing music from Red Kate, Chess Club, Truckstop Love, Wick and The Tricks, and others.

Earlier this season, Emmaline Twist became the second official release of the eat.hear.records, limited edition 7″ vinyl single series, with the tracks: “Vega” and “Moon Eyes.” These were the band’s original first two digital releases.

More information at http://www.emmalinetwist.com

8. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the Kansas City based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona. Emmaline Twist will be playing with their newest addition of Alex Alexander to the band on synthesizers & guitar.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

DISSIMULATION was Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.

Nominated for Pitch Music Awards

Emmaline Twist has been on a media blitz and was recently on 38th The Spot, Eight One Sixty with Chris Haghirian, Retro Redeye Express with my Gemini Sister Sunshine and Too Much Rock, Under The Radar with John Todd.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

More information at http://www.emmalinetwist.com

10:56

9. Emmaline Twist – “Desparate Measures”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

11:02 – Station ID

Abandoned Bells

10. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Krysztof Nemeth, Teri Ann Quinn and Tyson Schroeder of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:06 – Interview with Teri Ann Quinn, Tyson Schroeder, and Krysztof Nemeth

The Kansas City three piece band, Abandoned Bells, join us to share details about their up coming live performance opening for Woovenhand, on August 29. Abandoned Bells are Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar.

Teri Ann Quinn of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Teri Quinn is a Kansas City based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, andin 2016 released her debut EP, Moons and Meltdowns.

Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illustrations and covers, periodicals, and Zim’s Sauces. Tyson has had works included in group and solo shows in KC, Boston, Salem, Portland, Houston and Nashville, and in museum shows about band posters, as he has created posters for, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson is also a musician, who plays in the band Medicine Theory.

Teri Ann Quinn Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth moved back to the Kansas City area from Seattle, Washington, 10 years ago. He is a published artist who has work specializing in fetish, gothic, retro, and low-brow kulture pin-up illustration. Krysztof has created saucy pin-up girls for everything from bands to burlesque troupes, gallery shows to rock shows, and clothing stores to private commissions. He work is in shows all over the country. Krysztof is also a father. He was one of the founders and lead guitarist for the band The Latenight Callers who released their critically acclaimed EP Easy Virtues in 2012 and the full length album, Songs for Stolen Moments in 2013. Krysztof os also the founder and baritone guitarist for Emmaline Twist, who are releasing their full length debut album, Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar together are Abandoned Bells

We just heard “Lost Children” the single the band released last year.

“Lost Children” was recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.

Today’s Wednesday MidDay Medley demonstrates to paradox of Krysztof’s musical life with bands that represent two very different sides to your own artistic expression: Emmaline Twist + Abandoned Bells

But it’s not just Krysztof, in the last year, Teri has been on the show discussing her solo work and musical tour. Tyson was on the show talking about his play “Bastard” that premiered at The Living Room Theatre, this band is full of incredibly creative and independent artists.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth all have backgrounds in creating visual art pieces, and all have their own distinct visions as artists, their own distinct passions that influence their art.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth, thanks for being with us on WMM.

11:19

11. Abandoned Bells – “Bob’s Bizzare Bizzarre”
from: “Bob’s Bizzare Bizzarre” – Single / Independent / February 5, 2017
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Teri Ann Quinn, Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:26 – Underwriting

11:28 – Manor Records Summer Showcase #2

Californos 4124 Pennsylvania Ave, KCMO, on Saturday, August 25, 8:00 PM – Doors

Manor Records proudly announces the second offering in their ongoing showcase series. This time the party happens at Californos, under the stars on the deck, Saturday August 25, doors open at 8:00 PM. Six of the area’s best bands play.

8:00 – Doors
8:30 to 9:00 – Those Far Out Arrows (Omaha)
9:15 to 9:45 – Toughies (LFK)
10:00 to 10:30 – Planet What (Tulsa)
10:45 to 11:15 – Dreamgirl (KC)
11:30 to 12:00 – Paddlefish (Springfield)
12:15 to 12:45 – Scruffy & The Janitors (St. Joe)

12. Those Far Out Arrows – “Living Today”
from: Where Are You? / Those Far Out Arrows / December 17, 2016
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White and Evan Keelan-White wbo now perform with Derek Levasseur, and Tanner Rogerson. Recorded and mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska. Music writer Tim McMahan wrote, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

[Those Far Out Arrows play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 7:00 PM]

13. Toughies – “Real Love”
from: ain’t that something [EP] / Independent / November 24, 2017
[Recorded & Mixed by Steve Squire in the scenic Vinland Valley. All songs written & performed by Toughies. 5-piece band from Lawrence formed by Joe Gronniger on bass & vocals, Caroline Lohrenz on drums, Carl Smith on guitar & lead vocals, Sam Ramer on guitar & vocals, and Ben Sauder http://www.toughies.bandcamp.com]

[Toughies play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 9:15 PM]

14. Dreamgirl – “American Blonde”
from: American Blonde – Single / Independent / February 14, 2015
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

[Dreamgirl play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 10:45 PM]

15. Paddlefish – “Got No Clue”
from: Spill Me! / Independent / August 17, 2018
[Paddlefish is a four-piece band from Springfield, Missouri with: Owen Misterovich on lead vocals, guitar, drums & keyboards; Joe Misterovich on backing vocals, guitar, bass & keyboards; Blake Nieman on bass, and Anthony Clark on drums. All songs written by Owen Misterovich. Engineered by Joe Misterovich. Mastered by Carl Saff. Album Art by Tanner Spreer..]

[Paddlefish play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 11:30 PM]

16. Wade D. Brown – “Home Country Pie”
from: From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

[Wade D. Brown plays The Brick, Saturday, August 25, at 7:00 PM]

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

17. Marcus Lewis Big Band – “All Day (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Big Band with Kadesh Flow and
kemet The Phantom play the Brass & Boujee + The Phantastics Joint Album Release Show!, Saturday August 25, at 9:00 PM, at The 10 Spot, 1000 BROADWAY BLVD Suite 300, KCMO on the 3rd floor of The Garment House.]

18. Eems – “Moment”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays The Mark Music Show 2.5, Friday, August 24, at 7:30 PM, at St. Mark Hope and Peace Lutheran at 3800 Troost Ave, KCMO]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 29, as we welcome: Amy Farrand, Lisa McKenzie, Ivory Blue, and Barry Lee joins us to share details about Concert for Carolyn

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #748

WMM Playlist from May 2, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 2, 2018

Spinning Records With Marion Merritt
+ Barry Lee & An Evening With the Music of The Beatles: Unplugged

10:00 – Guest Producer: Marion Merritt

Marion Merritt of Records With Merritt

We welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Cymande – “Anthracite”
from: Second Time Round/ Cherry Red / 1973 [Reissued by Mr. Bongo 2018]
[Cymande (See-man-day) was a British funk group that released several albums in the early 1970s and reunited in 2014 with a European tour and a new album released in 2015. The group was formed by Steve Scipio and Patrick Patterson in 1971 in London, England, along with musicians from Guyana, Jamaica and Saint Vincent. The name Cymande is derived from a calypso word for dove, symbolising peace and love. The group developed a subtle and complex, deep funk style influenced by calypso rhythms, jazz, African music, American soul and UK rock of the time. By the mid-1970s the band members were going their separate ways, and the group disbanded in 1974. It was not until 20 years later that they reaped any financial rewards, as their music became a popular source for samplers. Cymande’s original albums are still widely sought-after by DJs and funk aficionados. Perhaps the band’s best known recording is the soulful dancefloor filler called “Bra”, which was later sampled by the American hip-hop group De La Soul and used as a breakbeat record by Kool Herc and Grandmaster Flash. Cymande was accidentally discovered by English producer John Schroeder in a Soho, London club where they were rehearsing. He was there to see a rock band but the gig had been cancelled, and he stumbled upon these West Indian musicians. He soon signed the band and recorded their initial single “The Message.” The single was released by Janus Records, a division of Chess Records. The track reached #20 on the US Billboard R&B chart. This set the stage for Cymande’s self-titled release in 1972. Cymande traveled to New York after the success of the first album, and began a tour of the US with Al Green. They shared bills with Latin funk ensemble Mandrill. They played The Apollo, and played a gig on Soul Train. The band released 3 LPs for Janus. However, their final album, Promised Heights, was not released in the US, where Cymande had achieved their initial success. Promised Heights included “Brothers on the Slide”, “The Recluse” and “Promised Heights”. The tracks “Brothers on the Slide” and “Bra” also were staples of the rare groove scene that developed in London and NYC nightclubs during the 1980s.

Discography
1972 – Cymande
1973 – Second Time Round
1974 – Promised Heights
1981 – Arrival
1999 – The Message (compilation)
2000 – The Soul of Rasta (compilation)
2003 – The Best of Cymande (compilation)
2003 – Nyah-Rock (compilation)
2004 – Renegades of Funk (best of anthology)
2007 – Promised Heights (reissue compilation)
2015 – A Simple Act of Faith]

4. Cymande – “Promised Heights
from: Promised Heights / Newhouse Records / 1974 [Reissued by Mr. Bongo 2018]

5. King Britt & Sister Gertrude Morgan – “Living Bread”
from: King Britt Presents: Sister Gertrude Morgan / Ropeadope / 2005
[Reissued 2018]
[King Britt is a DJ, composer & record producer from Philadelphia. He is a 1986 graduate of Central High School (Philadelphia). In 1987 he started working at Tower Records, as a buyer for the singles/import section. His extensive knowledge of dance music made him an in demand buyer in the company. He went on to make many connections in the music community, bringing in records and new labels from all over the world. King attended Temple University. He produced King Britt Presents: Sister Gertrude Morgan in 2005. A recreation of self-proclaimed bride of christ, Sister Gertrude’s original Preservation Hall album gets new life. The record goes on to be included in the Michael Mann’s 2006 film Miami Vice, on the AdBusters compilation, Live Without Dead Time and the HBO television show True Blood. Sister Gertrude Morgan (April 7, 1900 – July 8, 1980) was a self-taught African American artist, musician, poet and preacher. Born in LaFayette, Alabama, she relocated to New Orleans in 1939, where she lived and worked until her death in 1980. Sister Morgan achieved critical acclaim during her lifetime for her folk art paintings. Her work has been included in many groundbreaking exhibitions of visionary and folk art from the 1970s onwards. In 1957 Sister Morgan received another revelation from God. Dreaming, she heard a voice that told her she was the Bride of Christ. She then discarded her black missionary attire in favor of an all-white ensemble made up of a nurses’ uniform, peaked nurses’ cap and matching white shoes. Music was another tool of Sister Morgan’s ministry. In the early 1970s, Let’s Make A Record was recorded in order to capture Morgan singing and playing her tambourine. In 2004 the original album was re-released on the Preservation Hall Recordings label. In 2005, Ropeadope released King Britt presents Sister Gertrude Morgan, which took the a cappella/tambourine recordings of Let’s Make A Record and added contemporary beat programming and instrumentation. The album received rave reviews and created a new, young audience for Sister Gertrude Morgan. The album artwork featured her paintings.]

6. Nina Simone – “I Can’t See Nobody (Daniel Y. Remix)”
from: Nina Simone Remixed & Reimagined / Legacy /2006 [Reissued-Legacy RCA 2008]
[Nina Simone was born Eunice Kathleen Waymon on February 21, 1933. She died April 21, 2003. She was was a singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Waymon aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in New York. Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree. To make a living, Eunice Waymon changed her name to “Nina Simone”. The change related to her need to disguise herself from family members, having chosen to play “the devil’s music” or “cocktail piano” at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist. Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. She had a hit in the United States in 1958 with “I Loves You, Porgy”. Simone’s musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.]

7. Thievery Corporation – “Music to Make You Stagger”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018
[10th album from Thievery Corporation was formed in the summer of 1995 at Washington D.C.’s Eighteenth Street Lounge. Rob Garza and Lounge co-owner Eric Hilton were drawn together over their mutual love of club life, as well as dub, bossa nova and jazz records. They decided to see what would come of mixing all these in a recording studio, and from this, in 1996 the duo started their Eighteenth Street Lounge Music record label. The duo drew attention with their first two 12-inch offerings, “Shaolin Satellite” and “2001: a Spliff Odyssey” and with their 1996 debut LP, Sounds from the Thievery Hi-Fi. The duo has publicly stated their fondness of the Brazilian culture in interviews and liner notes of their releases, especially of the 1960s Bossa Nova music movement. Some of their earlier recordings even had specific artwork paying homage to classic releases by bossa nova artists like João Gilberto (His self-titled 1973 album) or Tom Jobim (Stone Flower). They also released “Sounds From The Verve Hi-Fi” in 2001, a ‘best of’ compilation of 1960s–1970s material of Verve Records that includes Jazz, Bossa Nova and Latin Jazz works from artists like Cal Tjader, Wes Montgomery, Sérgio Mendes & Brasil ’66, Luiz Bonfá, among others. Their 1997 debut album is also dedicated to the memory of Antonio Carlos Jobim, who died three years earlier.]

8. Thievery Corporation – “Voyage Libre (feat. LouLou Ghelichkhani)”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018

10:39 – Underwriting

9. Bettye LaVette – “Person to Person”
from: Strange Angels: In Flight with Elmore James / Sylvan Songs / Jan. 26, 2018
[Bettye LaVette was born Betty Jo Haskins, on January 29, 1946. She is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album I’ve Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music. LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents’ living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, “My Man — He’s a Lovin’ Man”, with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding. She next hit the charts with “Let Me Down Easy” on Calla Records in 1965. This led to a brief stint with The James Brown Revue. After recording several singles for local Detroit labels, LaVette signed to the Silver Fox label in 1969. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers. In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full-length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose not to issue the album. The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records “Doin’ The Best That I Can”. In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40. She briefly gave up recording for a six-year run in the Broadway smash Bubbling Brown Sugar, appearing alongside Honi Coles and Cab Calloway. After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he sought the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label. At the same time, Let Me Down Easy — Live In Concert was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for “Comeback Blues Album of the Year”. In an interview, LaVette identified A Woman Like Me as the first album in the second phase of her career and said her 2012 autobiography was named after the album.]

10. C.W. Stoneking – “Jungle Blues”
from: Jungle Blues / King Hokum / 2008 [Reissued by King Hokum 2018]
[Christopher William “C.W.” Stoneking (born 1974) is an Australian blues singer-songwriter, guitarist and banjo player. He has released three studio albums, King Hokum (March 2005), Jungle Blues (28 August 2008) and Gon’ Boogaloo (17 October 2014), on his own King Hokum Records label.]

11. Kevin Morby – “Slow Train (feat. Cate Le Bon)”
from: Harlem River / Woodsist / November 26, 2013
[Debut full length solo release from Kevin Robert Morby born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His album Singing Saw was one of our 116 Best Recordings of 2016, In 2017 Kevin Morby released his 4th album, City Music on Dead Oceans Records. It was one of WMM’s The 117 Best Recordings of 2017.]

[Kevin Morby plays recordBar, 1520 Grand, KCMO. Saturday, May 5, at 9:00 pm, with Hand Habits.]

12. Mike Donovan – “Spiral Tee Shirt”
from: How to Get Your Record Played in Shops / Drag City / April 20, 2018
[Mike Donovan was born October 6, 1971. He is a San Francisco, California based musician best known as the guitarist and singer of Sic Alps (2004-2013). He has also released music by other San Francisco musicians with his Dial Records and Folding Cassettes labels. Donovan is a veteran of several other bands. He was a member of The Ropers, The Church Steps with Chris Douglas, NAM, Big Techno Werewolves, Sounds of the Barbary Coast and Yikes. In October 2013 he released his solo debut “Wot” on Drag City. In May 2015, Donovan formed the San Francisco lo-fi supergroup The Peacers, releasing a self-titled debut on July 17, 2015. The self-titled album was co-produced and co-performed by Ty Segall. The current lineup of The Peacers is Mike Donovan, Shayde Sartin, Mike Shoun and Bo Moore. The band release their 2nd record “Introducing The Crimsmen” on Drag City on June 16, 2017]

11:00 – Station ID

13. Matador! Soul Sounds – “Get Ready”
from: Get Ready / Color Red Records / March 12, 2018
[Matador! Soul Sounds is a band loosely based on the concept of Spanish bullfighting. A common misconception in America is that bullfighting is a feat of one man versus one bull—in reality, bullfighting is largely a team effort by a matador and his cuadrilla. Born from the vision of Eddie Roberts (The New Mastersounds) and Alan Evans (Soulive) their fierce cuadrilla consists of keyboardist Chris Spies and bassist Kevin Scott (Jimmy Herring) as the band’s “banderilleros”. Adding a feminine energy to the band are Adryon de León and Kimberly Dawson (Pimps of Joytime) on vocals. Combining the dynamism of each band leader, the music they have created is brand new, hard hitting and drenched with their shared musical passions – jazz, funk & soul. The band made their official World Debut at Live for Live Music’s Brooklyn Comes Alive 2017 and will be touring in the spring of 2018 behind their first full length EP “Get Ready”]

14. The New Mastersounds – “Chicago Girl”
from: Renewable Energy / One Note Records / April 13, 2018
[The New Mastersounds are a British four-piece jazz fusion and funk band from Leeds, England. Over the last 16 years, they have issued ten studio albums, two live dates, two remix collections, and a compilation album.In the late 1990s, guitarist and producer Eddie Roberts was running a club night in Leeds called “The Cooker.” When The Cooker moved into a new venue with a second floor in 1999, there was space and the opportunity to put a live band together to complement the DJ sets. Simon Allen and Roberts had played together in 1997 as The Mastersounds, with a different bassist and no organ. Through friends and the intimate nature of the Leeds music scene, Pete Shand and Bob Birch were added on bass and Hammond respectively, establishing The New Mastersounds. Their first rehearsal produced the release for Blow it Hard Records on two limited-edition 7″ singles in 2000.]

15. Grouper – “Parking Lot”
from: Grid of Points / Kranky / April 27, 2018
[Grouper is the solo project of US-American musician, artist and producer Liz Harris. She has been releasing material on her own label and other independent labels since 2005. Grouper released the critically acclaimed Dragging a Dead Deer Up a Hill in 2008, followed by five more records, including a two-part album, A I A, and the piano-led album Ruins. Her eleventh album, Grid Of Points was released on April 27, 2018. On March 8, 2018, the song Parking Lot from the forthcoming album was released via her BandCamp. She has collaborated with a number of other artists, including Xiu Xiu, Jesy Fortino (Mirrorring), Roy Montgomery, The Bug, Lawrence English (Slow Walkers), and Jefre Cantu-Ledesma (Raum). Harris was born in Northern California and grew up around the San Francisco Bay area. She grew up in a Fourth Way commune there which was inspired by the philosophy of George Gurdjieff. The community was known as “The Group”, which would later serve as some inspiration for the moniker Grouper. According to Harris, the kids called each other and the parents ‘groupers’ sort of as a defiance. She says: “It was us making our own identities inside a pretty controlled environment, and sort of lashing back maybe… When I had to think of a name I felt annoyed at nothing sounding right. I wanted something that referenced me without referencing ‘Me.'” According to her, she “felt like the music was at its barest just a grouping of sounds, and I was just the grouper.”]

16. Melody’s Echo Chamber – “Breathe in, Breathe Out”
from: Bon Voyage / Fat Possum Records / June 16, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012.]

17. Lou Johnson – “Rock Me Baby”
from: Sweet Southern Soul / Water Music Records / 1969
[Reissued by Run Out Groove Records 2018]
[Born 1941, in Brooklyn, NYC. He is a soul singer & pianist who was active as a recording artist in the 60s and early 70s. He started singing in gospel choirs in his teens, before studying music at Brooklyn College. He learned keyboards & percussion, forming a gospel group, the Zionettes, who recorded for Simpson Records and achieved some local success. Johnson then formed a secular group, the Coanjos, with Tresia Cleveland & Ann Gissendammer, recording “Dance the Boomerang” before Cleveland & Gissendanner left to become the Soul Sisters. In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the Brill Building. There, he met the songwriting team of Burt Bacharach & Hal David, who wrote Johnson’s 1st single, “If I Never Get to Love You”. Neither that song nor his 2nd record, “You Better Let Him Go”, were hits, but his 3rd single, “Reach Out for Me”, also written by Bacharach & David and this time produced by Bacharach, reached # 74 on the Billboard Hot 100 in late 1963. However, as it rose up the charts, the record company collapsed, limiting the record’s success. Johnson signed to its successor label, Big Hill, and continued to record Bacharach & David songs. In 1964, his original version of “(There’s) Always Something There to Remind Me”, with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston, reached # 49 in the US charts. In the UK, a cover version by English singer Sandie Shaw rose to #1 on the British singles chart. Johnson also recorded the original versions of several other Bacharach & David songs that later proved to be bigger hits for other musicians. “Reach Out for Me”, “Message to Michael (Kentucky Bluebird)” (originally “A Message to Martha”), and “(There’s) Always Something There to Remind Me” were all American hits, also produced by Bacharach & David, for Dionne Warwick. Several of his records reached the Cashbox R&B Top 20 including “Always” peaking at # 12 and “Reach Out” at #15. In the UK, Johnson’s version of “A Message to Martha” was his biggest hit, reaching #36 in late 1964, but was outsold by Adam Faith’s cover version. In 1965, working with the team of Bill Giant, Bernie Baum & Florence Kaye on the reactivated Bigtop label, Johnson recorded a vocal version of Sidney Bechet’s instrumental hit of a few years earlier, “Petite Fleur”, entitled “A Time to Love, A Time to Cry”. He appeared on the UK TV program: Ready Steady Go!, but neither it nor its follow-ups, a version of the jazz standard “Anytime” and then a version of “Walk On By” co-produced by Allen Toussaint, were successful, and the record company’s choice of songs distanced him from his earlier audience. An album, called Anytime, went unreleased as the record company again collapsed. Johnson recorded two albums in the late 1960s and early 1970s. The first, Sweet Southern Soul, for the Atlantic subsidiary Cotillion, was produced by R&B producer, Jerry Wexler, at Fame Studios in Muscle Shoals. Allen Toussaint produced the 2nd, With You in Mind, at his New Orleans studio for Stax’s Volt label, but neither proved successful. After moving to Orange County, CA, Johnson became a nightclub entertainer. He sometimes performed in a latter-day version of the Ink Spots.]

18. Sir Stanley – “I Believe”
from: Eccentric Soul: The Saru Label / Numero Group / March 23, 2018
[20th volume of our flagship Eccentric Soul series has all the boxes checked: Gun-toting, skip-tracing record producers, child stars, rip-offs, the “World’s Greatest Bail Bondsman,” swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. Helmed by the O’Jays Bobby Massey, Saru was a creative vortex that pulled Cuyahoga County’s greatest talent in, making a strong case for Cleveland to contend with Detroit, Philly, and Memphis as America’s soul music’s capital. Deluxe compact disc includes 25 obscure and unknown sides from the Out of Sights, the Elements, Pandella Kelly, David Peoples, Sir Stanley, the Ponderosa Twins + 1, Ba-Roz, Bobby Dukes, and of course, the O’Jays.]

19. Miles Davis & John Coltrane – “Round Midnight (Live from Olympia Theatre, Paris)”
from: The Final Tour: The Bootleg Series, Vol. 6 / Columbia-Sony Legacy / March 23, 2018
[The latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960. Miles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This “first great quintet” made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles’ spacious, melodic lines and Trane’s cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as “sheets of sound.” While the quintet disbanded shortly after the release of ‘Round About Midnight, Coltrane was back in Miles’ ensemble in early 1958. A year late, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian “Cannonball” Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane. These historic performances marked Miles and Trane’s last outing together and showcased both musicians’ incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time. The 4CD set The Final Tour: The Bootleg Series Vol. 6 includes concerts recorded in Paris, Copenhagen and Stockholm.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:31 – Underwriting

11:33 – Interview with Barry Lee

Barry Lee and Marion Merritt on the May 2, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS. Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Barry Lee is the host & producer of Signal To Noise heard Friday nights at 9:00 PM.

We offered our sincere condolences on the loss of Barry’s friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline and Barry Lee

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, she guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Barry plans two memorial shows for Caroline Lee on May 4th and May 11th, at 9:00 pm on KKFI. Signal To Noise, will present “Watusi Radio” a tribute to Caroline Lee on Friday, May 4, at 9:00 PM.

There will also be a concert at Knuckleheads in July in her memory. She requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

Barry has been working on a special benefit he is producing for KPR’s Audio Reader Network.

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

10:42

20. Beatles Tribute Band – “Two Of Us”
from: Unreleased Rehearsal Recordings / April 29, 2018
[Mike Penner on guitar & vocals, Darrell Lea on guitar & vocals, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on bass & vocals]

10:46 – More interview with Barry Lee

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network.

The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Erik Voeks) will open the show with a set of acoustic Beatles songs.

The Volker Brothers (David George & Erik Voeks) will open the show

All – Star band:
Mike Penner on guitar,
Darrell Lea on guitar,
Nate Holt on keyboards,
Paul Lemon on percussion,
Pat Tomek on drums, &
Michael Paull on vocals and bass

11:56

21. Beatles Tribute Band – “Fool On A Hill”
from: Unreleased Rehearsal Recording / April 29, 2018
[Mike Penner on guitar, Darrell Lea on guitar, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on vocals and bass]

[An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 9th David Wayne Reed joins us to share information the premiere of Eternal Harvest his new short film about the cycle of life as depicted by the growing season on a rural Kansas farm using drones, dance, farm implements, heirloom quilts, agriculture, and video installation, that will be part of the Miami County Farm Tour May 12 in Louisburg, Kansas. Also next week we’ll talk with Johnny Hamil, Theresa Scott, Chris Tady about Woodstack 2018 on Saturday, May 12 at Woodyard BBQ, 3001 Merriam Lane in Kansas City, Kansas featuring The Sleazebeats, Sopchoppy, Claire Adams, Erica Joy, Betse & Clarke, WyCo Low Riders, The Almighty Trouble Brothers and Pamper The Madman. Also next week we have an extended interview with Musician and Director Cody Critcheloe of SSION, just before the national release of the new SSION album, 0, thaty comes out May 11 on DERO ARCADE records. Also next week Shawn Saving joins us to share information about Workers Revival Fest – May 11 and 12 at recordBar, 1520 Grand Blvd, KCMO, with Downtown Boy, Red Kate, Friendship Commanders, EBONY TUSKS, Nublvckcity, Baracutanga, Rev. Sekou, Austin Lucas, Scruffy & the Janitors, and Lovergurl featuring speakers from Jobs With Justice, Greater AFL-CIO, Noisey, and more

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #732

Wednesday MidDay Medley

Wednesday MidDay Medley is Spinning Records With Marion Merritt + Barry Lee

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 2, 2018

Spinning Records With Marion Merritt
+ Barry Lee & An Evening With the Music of The Beatles: Unplugge
d

Marion Merritt of Records With Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Cymande, Kevin Morby, CW Stoneking, Lou Johnson, Tim Maia, Miles & Trane, King Britt, Grouper, Epic Soundtracks, Cavern of Anti-Matter, Melody’s Echo Chamber, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Barry Lee

At 11:30 Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS. Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Erik Voeks) will open the show with a set of acoustic Beatles songs.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #732

WMM Playlist from April 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

Caroline Lee & Barry Lee

We lost one of our own at KKFI as Caroline Lee passed away early in the morning on Wednesday, April 18th, surrounded by her family. Caroline was married to Barry Lee. Together they have been a constant presence in the area music scene and on the radio. Caroline was an early volunteer and organizer for 90.1 FM. When the station went the air in 1988 Caroline hosted and produced “Watusi Rodeo,” (one of the first alternative country radio shows). When that program ended its run, she was often a guest-host on, Signal To Noise. Barry Lee will present a radio memorial for Caroline on May 4th at 9:00 pm. There will also be a concert at Knuckleheads Saloon in July in her memory.

In honor of Caroline’s passing I would love to play a song from Cris Williamson’s 2001 release “Ashes,” 12 original songs about transformation, love, and the Phoenix rising. Helping Cris with the vocals is her friend Bonnie Raitt.

10:01

2. Cris Williamson – “Cry Cry Cry”
from: Ashes / Wolf Moon Records / September 18, 2001
[Written by Cris Williamson. Produced by Teresa Trull. Lead vocals – Cris Williamson, piano – Bonnie Hayes, supporting vocals – Bonnie Raitt, string arrangments & keyboard – Frank Martin, violin – Jeremy Cohen.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

10:07

3. John Keck – “Dear Life”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on bass, drums, organ, & wurlitzer. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:11 – Interview with John Keck

John Keck on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck, thanks for being with us on Wednesday MidDay Medley

Out In The Cold – 12th Street Singles. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th St. in downtown KCMO.

Produced, engineered, & mixed by Chase Horseman at Element Recording Studios.

John Keck’s mom was a teacher.

Missouri Queen.

John’s words – This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass’”

10:20

4. John Keck – “Missouri Queen”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

10:22 – Interview with John Keck

John Keck

We are talking with Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.

John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

“Song For Mother”

John’s words – The last piece began after the shooting in Ferguson, MO. In following weeks I heard an interview with a woman who was protesting, I remember her saying “We’re just trying to keep our sons alive in the streets, don’t you understand, why can’t people understand”. Her voice stayed with me, haunting me as I watched and read about shooting after shooting. Eventually I dreamt a conversation with a mother who has been confronted all of her days with the death of their child. I woke up and sang this song to myself in the middle of the night. At first she is hesitant to say anything, but then can’t stop herself, going through grief, confusion, sadness, anger, frustration and finally feeling hopeless, pointless. The faint piano represents the child voice/spirit and the violin is speaking for the mother.

John’s words – Just before recording I spoke to the violinist, Shannon O’Shea, I told her what the song represented and asked her to play a solo with that represents the physical struggle when you’re sobbing so hard you can’t control your breath.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

10:30

4. John Keck – “Song For Mother”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on piano & pump organ. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:34 – Underwriting

6. Gamelan Genta Kasturi – “Sekar Jagat”
from: unreleased track “welcoming dance” / Gamelan Genta Kasturi /
[written by Patrick Alonzo Conway]

10:39 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Owen/Cox Dance Group, Mambo DeLeon, Chris Hazelton’s Boogaloo 7, Expassionates, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM.

Patrick Alonzo Conway thanks for being with us again on WMM.

Congratulations on KC’s Gamelan Genta Kasturi – 15th Anniversary!

The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika;

University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti;

and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics.

This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter.

To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

For over 15 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving Kansas City in 2006. He and his family maintain an active schedule performing, teaching and promoting Balinese Cultural Arts.

Gamelan Genta Kasturi have been Studio Residents as part of the Charlotte Street Foundation/Urban Culture Project Studio Residency Program.

Gamelan Genta Kasturi, premiered a large scale collaborative work in 2011 featuring his Patrick Alonzo Conway’s original composition Angels & Demons at Play through Urban Culture Project and ArtSounds.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the westernmost end of the Lesser Sunda Islands, lying between Java to the west and Lombok to the east. It is one of the country’s 34 provinces w/ the provincial capital at Denpasar towards the S. of the island.
Patrick Alonzo Conway went to Bali.

Kansas City’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. http://www.gamelangentakasturi.org

https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

10:57

7. Gamelan Genta Kasturi – “Samvartaka”
from: Rehearsal recording / Gamelan Genta Kasturi /
[Original composition written by Patrick Alonzo Conway for 20th aniversary of Charlotte Street Foundation.]

11:00 – Station ID

Grand Marquis

8. Grand Marquis – “Another Lover”
from: Brighter Days / King Forward Records / April 28, 2018

11:04 – Interview with Bryan Redmond and Ben Ruth

Grand Marquis were founded in 1998, over the last 20 years they have logged well over 2000 performances from Seattle to South Beach Miami playing their very own mix of American Roots, Blues, & Prohibition Jazz. They have now released 8 albums including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. Grand Marquis write powerful original songs and mix classic standards into their sets. Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums.

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth thanks for being with us on Wednesday MidDay Medley.

Grand Marquis are playing the Zoo Bar in Lincoln Nebraska, Friday, April 27.

“This band plays as if the joint was literally on fire.” Billtown Blues Association

“Completely infectious…it begs to be played loud, it begs to be danced to!” Boston Blues Review

“…moving the genre forward into the next century.” Graham Clarke, Blues Bytes

“Few bands have more fun or produce more joy in an audience while onstage.” Jason Harper, The Pitch

Accolades:

2013 International Blues Challenge Finalists: “Best Self-Produced CD”
2011 International Blues Challenge Finalists (The Blues Foundation)
2011 Best Blues Band – The Pitch (Kansas City, MO)
2010 Topeka Blues Society International Blues Challenge Champions
2007 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Local Band – The X Entertainment Magazine (Kansas City metro area)

11:12

9. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018

11:16 – More Interview with Bryan Redmond and Ben Ruth

Bryan Redmon and Ben Ruth of Grand Marquis on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Grand Marquis Discography:

“Brighter Days”2018
“Blues and Trouble” 2013
“The Sun Session” 2011
“Hold On To Me” 2010
“One More Day” 2007
“Grand Marquis” 2004
“Le Chant Du Diable Bleu” 2002
“Burlesk” 2000

The band has grown and evolved over the years.

Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter Days is the band’s 8th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth have kept this band alive and made all of this music while also growing families and raising kids.

Ben Ruth also plays in the bands: The Hardship Letters, Be/Non.

http://www.grandmarquis.net

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

11:23

10. Grand Marquis – “Many Rivers to Cross”
from: Brighter Days / King Forward Records / April 28, 2018

11:28 – Underwriting

11. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

11:34 – Interview with Cris Williamson

Cris Williamson

Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance! Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church , 4501 Walnut, on Saturday, April 28, at 7:00 pm.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

On Motherland we just heard the title track, a song Cris wrote. All of the other songs on the new record are written by her musical contemporaries of the past 50 years: Joni Mitchell, Eliza Gilkyson, Laura Nyro, Patty Griffin, Bob Dylan, Jackson Brown, James Taylor, Leonard Cohen & Jennifer Warnes. We’ve heard you cover songs from Joni Mitchell & James Taylor on earlier releases.

Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with her record – The Changer and the Changed: A Record of the Times (Olivia Records, 1975)

Cris Williamson

From NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

Cris Williamson

From http://www.smithsonianmag.com:
Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

It has been over 10 years since Cris Williamson has been back to Kansas City.
Cris will be playing at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm.

Cris is also doing a show in St. Louis on April 28, at MCC of St. Louis

http://www.criswilliamson.com

Never one to rest on her laurels, to which Cris replied laughing, “What Laurels?” In the last 17 years Cris have released 11 full length albums (a few of those were double albums). That works out to be a new album every year and half. Considering the process of writing, recording, mastering, raising the funds to produce and launch a new record, we asked Cris to share what she might be currently working on for the next release. She told us that she has a back log of new songs she has written and collected and from those songs she is working through what she may release next. She has been playing with the idea of releasing an album of American standards, but held back because so many other musicians have been doing this.

(Note: The laurels that are being referred to when someone is said to ‘rest on his laurels’ are the aromatically scented Laurus Nobilis trees or, more specifically, their leaves. The trees are known colloquially as Sweet Bay and are commonly grown as culinary or ornamental plants. Rest on his laurels. The origins of the phrase lie in ancient Greece, where laurel wreaths were symbols of victory and status.)

Throughout the last 15 years Cris Williamson has also conducted Songwriting Workshops.

This summer Cris will be traveling to Norway with Olivia Cruises, and returning to National Women’s Music Festival, and in the fall, attending Women’s Week in Provincetown.

11:55

12. Cris Williamson – “Woman”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

13. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 2, Marion Merritt of Records With Merritt, returns as our Guest Producer sharing musical discoveries and information from her encyclopedic brain. Also next week, Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS where Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #731

WMM Playlist from April 19, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 19, 2017

Music From Record Store Day
+ Barry Lee & An Evening With The Music of The Beatles
+ Aaron Rhodes of Shuttlecock Magazine

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. Wire – “Short Elevated Period”
from: Silver | Lead / Pinkflag / March 31, 2017
[1st single from tWire’s 16th studio album that coincides with the 40th anniversary of theirs first gig as a four-piece band on April 1, 1977 at The Roxy in London. Wire is an acclaimed British post-punk band that was formed in London in October of 1976 by Colin Newman on vocals & guitar, Graham Lewis on bass & vocals, Bruce Gilbert on guitar and Robert Grey on drums. For this record Matt Simms plays electric guitar, lap steel, modular synth replacing Bruce Gilbert who left the band in 2004.]

of Montreal

3. of Montreal – “Stag to the Stable”
from: Rune Husk – EP / Sybaritic Peer / January 13, 2017
[10th EP from the Athens Georgia based band that has also release 14 full length albums, six compilations, and 28 singles. of Montreal was founded for frontman Kevin Barnes in 1996, named after a failed romance between Barnes and a woman “of Montreal.”]

[of Montreal plays recordBar, Friday, April 21, 2017]

4. Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com]

[Hermon Mehari featuring Peter Schlamb play the 1900 Building, at 1900 Shawnee Mission Parkway, in Mission Woods, Kansas, TONIGHT, April 19, at 6:00 pm, to benefit Kansas City JazzLP (that Hermon & Krystle have contributed to) and Record to Rebuild. Tickets at: https://kcjazzlp.eventbrite.com.%5D

Hermon Mehari & Krystle Warren

5. Krystle Warren – “Get A Load”
from: Three The Hardway / Parlour Door Music / expected Spring, 2017
[Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and do all of the vocals and back up vocals. Krystle was on the show several times last year where she shared the inspirations for this record, early gospel recordings, that crossed over into Jazz fro Pharoah Sanders, Edwin Hawkins, The Swan Silvertones and more. Krystle Warren is originally from Kansas City. Krystle learned to play the guitar by listening to The Beatles albums Rubber Soul and Revolver. Krystle Warren graduated from Paseo Arts Academy in 2001 and began her musical career in Kansas City and collaborating with local jazz and pop musicians. After living in San Francisco and New York City, Krystle was signed to a French recording label, Because Music, and moved to Paris and released her album “Circles” in 2009. Krystle played numerous French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world, touring with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time you May Embrace” a recording from a 13 day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystal Warren plays the 1900 Building, at 1900 Shawnee Mission Parkway, in Mission Woods, Kansas, TONIGHT, April 19, at 6:00 pm, with Brad Cox, Jeff Harshbarger, Brad Williams, Mike Stover, Calvin Arsenia, Mark Southerland, Matt Hopper, Nick Howell, and Eddie Moore, to benefit Kansas City JazzLP (that both Hermon and Krystle have contributed to) and Record to Rebuild. Tickets at: https://kcjazzlp.eventbrite.com.%5D

10:15 – Underwriting

10:17 – Area Bands Playing In-stores on Record Store Day, April 22

6. The Conquerors – “Telling You (It’s Alright)”
from: Wyld Time / High Dive Records / August 26, 2016
[First full length album from Kansas City based Rock & Roll band. Rory Cameron on guitar & vocals, Vince Lawhon on guitar & vocals, Jim Button on drums, Jake Cardwell on percussion, Quentin Schmidt on bass & vocals. All songs written by Rory Cameron, performed by The Conquerors. Recorded and mixed by Vincent Lawhon with additional help from Adam McGill at Element Recording Studios. Mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. More info at: http://theeconquerors.bandcamp.com%5D

[The Conquerors play Mills Record Store on Saturday, April 22, for Record Store Day, for a High Dive Records Showcase withFullbloods, The Whiffs, and Bummer.]

Monta At Odds

7. Monta at Odds featuring Your Friend – “Transmission from Cobby Base”
from: Fairgrounds Vol. 2 / Haymaker Records / February 29, 2016
[Monta At Odds is one of the recording projects of brothers Dedric Moore and Delaney Moore, based in Kansas City, Kansas. Their music is released through Upstairs Recordings nd Haymaker Records.]

[Monta At Odds play Josey Records, at 1814 Oak Street, on Saturday, April 22, at 6:45 pm, for Record Store Day with The Bad ideas, The Whiffs, Faultfinder and more.]

8. Amy Marcus – “I Want More For My Daughters”
from: I Want More For My Daughters – Single / Independent / January 24, 2017
[Singer songwriter Amy Marcus was born and raised in Kansas City. She has been writng song since she was a child and last May 2016 she released her debut 5-song EP Brave with Kansas City based Serve Productions. Yesterday she released a new single that was produced by musician Zach Balch at his studios in Dallas. The new song is called here in KC and is hoping to get started on recording a full length album this Spring with Zach Balch, who recorded and produced “I Want More For My Daughters.” Amy writes music to bring her honest lyrics to life. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and personal chef. Amy is currently making preparations to start recording a full length album this Spring with musical friend, Zach Balch..]

[Amy Marcus plays Californos in Westport, TONIGHT, April 19, with Margo May, and the Mailboxes.]

9. Beatles Tribute Band – “Don’t Let Me Down”
from: Unreleased rehearsal recording / Independent / April 15, 2017
[Dave Tanner bass, vocals (Liverpool, The Depth and the Whisper, The Oldfield Victory); Paul Lemon, percussion (Potters Field); Pat Tomek, drums (The Rainmakers, Deco Auto); Todd Grantham, keyboards, vocals (The Quivers); Darrell Lea, guitar, vocals (Fortnight, solo artist); Mike Penner, guitar, vocals (Broken Arrows)]

10:32 – Interview with Barry Lee

Barry Lee is host and producer of 90.1 FM’s Signal To Noise, heard Friday nights at 9:00 pm. Barry Lee joins us to share the details about, An Evening With The Music of the Beatles, Friday, April 21, at 8:00 pm, at Knuckleheads Saloon, 2715 Rochester, KCMO.

This benefit for 90.1 FM featuring Fast Johnny Ricker and his band starting things off, followed by a supergroup of area musicians from the bands: Liverpool, The Rainmakers, Broken Arrows, Potters Field, The Quivers, and Fortnight all playing Beatles songs “the way they should be played.” Go to http://www.kkfi.org for more information.

Dave Tanner bass, vocals (Liverpool, The Depth and the Whisper, The Oldfield Victory);

Paul Lemon, percussion (Potters Field);

Pat Tomek, drums (The Rainmakers, Deco Auto);

Todd Grantham, keyboards, vocals (The Quivers);

Darrell Lea, guitar, vocals (Fortnight, solo artist);

Mike Penner, guitar, vocals (Broken Arrows)

An Evening With The Music of the Beatles, Friday, April 21, at 8:00 pm, at Knuckleheads Saloon, 2715 Rochester, KCMO. This benefit for 90.1 FM. Go to http://www.kkfi.org for more information.

10:50

10. Beatles Tribute Band – “I’m Down”
from: Unreleased rehearsal recording / Independent / April 15, 2017
[Dave Tanner bass, vocals (Liverpool, The Depth and the Whisper, The Oldfield Victory); Paul Lemon, percussion (Potters Field); Pat Tomek, drums (The Rainmakers, Deco Auto); Todd Grantham, keyboards, vocals (The Quivers); Darrell Lea, guitar, vocals (Fortnight, solo artist); Mike Penner, guitar, vocals (Broken Arrows)]

[An Evening With The Music of the Beatles, Friday, April 21, at 8:00 pm, at Knuckleheads Saloon, 2715 Rochester, KCMO. This benefit for 90.1 FM. Go to http://www.kkfi.org for more information.]

10:54 – Area bands playing in-stores on Record Store Day, April 22

11. sweatpantsdaze – “Caveman”
from: The Gothic Sarcophagus / sweatpantsdaze / March 20, 2017
[Recorded between January and March of 2017. All songs written, arranged, & recorded by sweatpantsdaze. sweatpantsdaze is: Tim on guitars, drums, effects, & vocals; and Kristin on keyboards & vocals.]

[Sweatpantsdaze play Records With Merritt, at 1614 Westport Road, on Saturday, April 22, for Record Store Day with Kate Rose, Jenna & Martin, Eggs On Mars, Karen Baum, Abigail Faith, Luther Vincent, and Brody Alan.]

Wick & The Tricks

12. Wick & The Tricks – “Brooklyn Queens”
from: TRIGGER WARNING [EP] / Wick & The Tricks / July 27, 2016
[3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”]

[Wick & The Tricks play Revolution Records, at, 1830 Locust Street, KCMO, on Saturday, April 22, for Record Store Day with Bad Girls and Instant Karma.]

[Wick & The Tricks play Middle of The Map Fest, Thurs, May 4, at 11:00 PM at The Westport Saloon.]

11:00 – Station ID

11:00 – Guest Producer with Aaron Rhodes

Aaron Rhodes is a busy guy, he is the former Editor-in-chief at The Campus Ledger, the student newspaper for Johnson County Community College. He recently started writing for The Pitch Kansas City. And, Aaron Rhodes is the owner and Editor-in-chief, of Shuttlecock Music Magazine, that he launched in 2015, to feature in-depth coverage of new and VERY emerging music from Kansas City and the surrounding areas.

Aaron joins us as our special “Guest Producer” for our second hour, to share music from artists playing the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, starting at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for this year’s Middle of the Map Fest. Aaron will spin tracks from Aaron Alexander, Dev3n, Sahvannes, Dom Chronicles, Squibs, Ebony Tusks, Heartfelt Anarchy, Kemet The Phantom, and False Brother.

Aaron Rhodes grew up in Olathe, Kansas (born January 5, 1997) went school at Olathe East High and studied journalism at Johnson County Community College, and has been going to see live shows for nearly 7 or 8 years now.

The website features concert reviews, photo galleries, interviews, streams of new releases, and updates on the 816 Music Break podcast.

@ShuttlecockMag on Twitter and Instagram
Facebook.com/ShuttlecockMag
http://www.shuttlecockmusic.com

13. Aaron Alexander- “Sometimes”
from: “Sometimes” – Single /Ignart art / 2017
[Kansas City Kansas based, Aaron Alexander (22 years old) is an uprising lyricist that has been gaining attention through his mature blend of distinct influences. Aaron’s sound is a sum of his idols Basquiat and Erykah Badu, the visceral torque of lyricism, and a disruptive flow of jazz-centric beats. Aaron builds his bars layer by layer, painting the new sound of Hip Hop.]

[Aaron Alexander plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, starting at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for this year’s Middle of the Map Fest.]

14. Dev3n – “Omni”
from: “EPHNY” / Dev3n / 2017)

[Dev3n plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, starting at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for this year’s Middle of the Map Fest.]

Sahvannes

15. Sahvannes – “Jean Michel”
from: “Jean Michel” – Single / Sahvannes / 2017

[Sahvannes plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, starting at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for Middle of the Map Fest.]

16. Dom Chronicles – “ZZZs”
from: Reality Makers / Indyground Entertainment / March 29, 2016

[Dom Chronicles plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for Middle of the Map Fest.]

17. Squibs – Flux (ft. Domineko & Dev3n)
from: Flux (ft. Domineko & Dev3n) – Single / Squibs / 2016

[Squibs plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, starting at 2:00 PM, at The Tank Room, 1813 Grand Blvd, for this year’s Middle of the Map Fest.]

18. Ebony Tusks – “Everybody Run”
from: “Midas [EP] / Team Bear Club / 2011

[Ebony Tusks plays the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, at The Tank Room, 1813 Grand Blvd, for tMiddle of the Map Fest.]

19. Heartfelt Anarchy – “Teleport Through the Middle (ft. Rory Cameron)
from: Heartfelt Anarchy / Heartfelt Anarchy / 2013

[Heartfelt Anarchy play the Eight One Sixty X Shuttlecock: MOTM Fest Local Hip-Hop Showcase, Saturday, May 6, at The Tank Room, 1813 Grand Blvd, for Middle of the Map Fest.]

11:46 – Underwriting

20. Kemet the Phantom – “Knock Knock”
from: Lexus Nexus / Center of Attention / April 12, 2017
[Produced, mixed and mastered by Kemet the Phantom who wrote about this recording, “Two years ago my uncle was turned up missing from his home in Chicago. My family would have never believed the news we received on April 11, 2017, the day before his birthday. We were informed that his DNA matched that of a body that was found shortly after he was reported missing. This is my attempt to grapple with the reality that I will never see my beloved and genius uncle again. Released just a month after the release of, The Invisible Man. Kemet The Phantom’s other full length release on Center of Attention Records. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[The Phantastics play Middle of The Map Fest, Thursday, May 4, at 11:00 pm at Riot Room Patio.]

[Kemet The Phantom plays Middle of The Map Fest, Saturday, May 6, at 8:00 in The Tank Room.]

21. False Brother – “Police Gun”
from: SELF TITLED TAPE / Data Decay / Sepetember 28, 2016
[Four piece post punk band based in Kansas City. The band includes: Esteban. Ian, Denny, and Deets. More information at: http://www.falsebrother.bandcamp.com/%5D

[False Brother play Middle of The Map Fest, Saturday, May 6, at 4:00 pm at Josey Records.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 26, IVØRY BLACK joins us live in our 90.1 FM Studios, and in our second hour Spencer Brown, who many know as the famous Drag Queen Daisy Buckett, joins us. Spencer travels all over the globe as one fourth of the famous a cappella quartet, The Kinsey Sicks, who bill themselves as “America’s Favorite Dragapella Beautyshop Quartet.” The Kinsey Sicks will perform their new show, “Things You Shouldn’t Say” Kansas City, Friday, April 28, at 8:00 pm, at The Arts Asylum, 1000 E. 9th Street, KCMO.

Our Script/Playlist is a cut and paste of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #678

WMM Playlist from May 22, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 22, 2013

+ The Blackbird Revue
+ Patrick Sumner & Chris Snipes & “Civil War on Wheels”
+ Guest DJ Simone Briand

1. Yo La Tengo – “Well You Better”
from: Fade / Matador Records / January 15, 2013
[Indie rock band formed in Hoboken, New Jersey in 1984 by husband and wife: Ira Kaplan (guitars, piano, vocals), and Georgia Hubley (drums, piano, vocals). Since 1992, the lineup has included James McNew (bass, vocals). This is their 13th full-length album. It was produced by John McEntire, instead of Roger Moutenot, who had produced all their albums since 1993’s “Painful.” Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. The band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.]

[Yo La Tengo plays Kansas City, TONIGHT at 8 p.m. at Crossroads KC, 417 E. 18th St. There is no opener. Yo La Tengo will perform two sets.]

2. The ACB’s – “Surface”
from: Little Leaves / High Dive Records / March 5, 2013
[Konnor Ervin on lead vocals, Andrew Connor on Guitar & Vocals, Bryan McGuire on Bass & Vocals, Kyle Rausch on Drums & Vocals.]

[The ACBs play Golden Sound Records “On The House”show 9:00 pm at the Riot Room, Saturday, May 25 with The Empty Spaces and Rev Gusto.]

3. David George & A Crooked Mile – “Withering”
from: Single Release / Independent / May 2013
[David George – Vocal, Acoustic & Electric guitars, Percussion, Eason Pritchard – Bass , John Johnson – Lead Guitar , Cody Wyoming- Lap Steel, Vocals , Chris Meck – Lap Steel , Matt Davis – Drums , Melissa Bollman – Vocals]

[David George played on The Late Show with David Letterman last night on CBS Television when he performed as part of John Fogerty’s band who David has been touring and playing with, when he is not doing his own music.]

4. Vehicle – “Virgil’s Ploy”
from: The Reluctant Cog / Recorded at Deerwolfanimalbear studios / May 25, 2013

[After 12 Years, Vehicle will release their new CD “The Reluctant Cog” as their farewell show, at Coda, Saturday, May 25, with The King Devilles, Terrence Moore, Chris Tady.]

10:15– Interview with Patrick Sumner & Chris Snipes

Patrick Sumner is the writer and Director and with Chris Snipes is the producer of “Civil War on Wheels” a new documentary film that follows Greg Clemon’s Civil War on Wheels demolition derby promotions, and Mac McClanahan’s derby team, We Ain’t Stupid, that was partly made up of “big city artists” and eccentrics. The film outlines the intersection of Kansas versus Missouri drivers in such County Fairs as Platte, Cass, and Wyandotte in the Greater Kansas City Metro region. The film is full of car crashes, and bluegrass music. “Civil War on Wheels” premieres tomorrow night, Thursday, May 23 at 7:00 pm, at the Tivoli Theatre in Kansas City.

Civil War On Wheels Premier ~ A documentary about rivalry between Kansas and Missouri demolition derby drivers produced by Patrick Sumnerand Chris Snipes starring derby promoter Greg Clemons and driver/team leader Mac McClanahan. The movie premiered April 28 at the Lawrence Arts Center, Lawrence, KS.

Originated by the Sumnerve Brothers, in 2004, and concluded by Patrick Sumner & Chris Snipes

Music in this documentary includes tracks from: Rural Grit Records (thanks Kim and Mark), Split Lip Rayfield (thanks Eric Mardis), Molly Gene the One Whoaman Band, The Sybil (thanks Kevin Young), Snuff Jazz (thanks Mark Southerland) Jamey Logan the E string fiddler and Sin City Disciples (thanks Ernie Locke) plus Dain Peterson with an original for the film about Demolition Derby by the same title.

“Civil War on Wheels” premieres tomorrow night, Thursday, May 23 at 7:00 pm, at the Tivoli Theatre in Kansas City.

10:27

5. Dale Frazier – “June Apple”
from: / Rural Gri tRecords /

10:29 – Underwriting

10:30 – Interview with Jacob & Danielle Prestidge of The Blackbird Revue

6. The Blackbird Revue – “RPM” (LIVE)

Jacob Prestidge and Danielle Prestidge, new EP Glow was recorded at The Conductor Studio, Nashville, TN. and produced with Don Chaffer who has made amazing recordings with Sara Swenson and The Barclay Martin Ensemble.

All songs written by Jacob Prestige.

Joesph Peaks joined the band 6 months ago, and he played guitar live, during the radio performances.

The Blackbird Revue have recently shared the stage with such luminaries as Edward Sharpe and the Magnetic Zeros, Over the Rhine, and Gregory Alan Isakov, while playing at numerous venues across the midwest, including the SXSW Festival in Austin, TX, and Kansas City’s Middle of the Map Fest. The band recently opened for: Pegi Young & The Survivors.

10:45

7. The Blackbird Revue – “The Devil’s Hand” (LIVE)

The Blackbird Revue are playing a the recordBar, at 1020Westport Road, this Saturday night, May 25, with She’s A Keeper.

10:51

8. The Beatles – “And Your Bird Can Sing”
from: Revolver / Capitol / August 5, 1966

10:53 – Interview with Barry Lee

Barry Lee hosts Signal To Noise every Sunday night at 8:00pm on 90.1 FM KKFI and for the third year in a row he has organized an amazing Beatles Tribute Benefit Concert of 90.1 FM – Beatles Tribute III: Being for the Benefit of KKFI, June 1, 8:00 pm, at Knuckleheads Saloon, 2715 Rochester Street, KCMO.

The show has moved to Knuckleheads Saloon, (2715 Rochester Street, KCMO.) this year!

$18 Advance; $20 Day of Show. More info at:knuckleheadskc.com or kkfi.org

Featuring The Heebie Jeebies

The Dead Girls will be performing “Revolver” in it’s entirety.

Also featuring the band assembled for this special evening: Darrell Lea, Alan Wellman, Pat Tomek, Dan Mesh, Nate Holt, & Paul Lemon.

with guest vocalists: Elaine McMillan, Joey Skidmore, Steve Wilson, Dave Tanner, and Fast Johnny Ricker.

Beatles Tribute III: Being for the Benefit of KKFI, June 1, 8:00 pm, at Knuckleheads Saloon, 2715 Rochester Street, KCMO. $18 Advance; $20 Day of Show. More info at: kkfi.org

11:00 – Guest DJ Simone Briand

9. The Clash – “Lose this skin”
from: Sandinista / CBS – Epic / Dec. 12, 1980

Simone Briand has lived in New York and Miami, but grew upon the high plains of western Kansas, where she learned to love the sky, sonic booms, and Engelbert Humperdink. Her older siblings’ hippie albums set her onthe path to loving music of all types. A self-described zen-hobo, she currently resides in Overland Park and works as a librarian.

10. Kristin Hersh – “Ruby”
from: Sunny Border Blue / 4AD / March 12, 2001

11. Mike Andrews – “Hello Lemon”
from: Hand on String / Elgin Park Recordings / Feb. 14, 2006

11:15

12. Paul Kantner and Grace Slick – “Silver Spoon”
from: Sunfighter / Grunt, RCA / Nov. 1971

13. Paul Kantner and Grace Slick – “China”
from: Sunfighter / Grunt, RCA / Nov. 1971

14. Victoria Williams – “Love”
from: Loose / Atlantic / Oct. 18, 1994

11:30 – Underwriting

11:31

15. The Specials – “I Can’t Stand It”
from: More Specials / 2 Tone / Oct, 1980

16. The Clash – “Call Up”
from: Sandinista / CBS, Epic / Dec. 12 1980

17. Modest Mouse – “Perpetual Motion Machine”
from: No one’s first and you’re next / Epic / August 4, 2009

11:30

18. Bjork – “Dark Matter”
from: Biophilia / One little Indian – Polydor / Oct. 10,2011

19. Inara George – “A Day”
from: All Rise / Everloving / Jan. 25 2005

20. They Might Be Giants – “I can hear you”
from: Factory Showroom / Elektra / Oct. 8 1996

11:59:30

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #474