WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

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Wednesday MidDay Medley presents Nick Carswell + The Wires + Molly McLaughlin & Turlach Boylan

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

Mark spins New & MidCoastal Releases from: Le Grand, The Wires, Pamper The Madman, Jean Claude and the Eclairs, Danielle Nicole, Nick Carswell, Carswell & Hope, The Sextet with Calvin Arsenia, Marvin Gaye, Stereolab, MorMor, and Mattiel.

At 10:30 Nick Carswell shares details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence). The project was supported by an ArtsKC Inspiration Grant. More info at: http://www.changingshadesproject.com

At 11:00 Mark talks with The Wires Alternative String DuoLaurel Morgan Parks on violin, and Sascha Groschang on cello. The Wires compose and perform original music inspired by a myriad of genres and eclectic sounds, and blend wide-ranging styles, from tango to gypsy, jazz to rock, infused with the precision of classical form. Laurel Morgan Parks and Sascha Groschang will share details about The Wires 2nd Album Release – Wilder, Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. More info at: http://www.thewires.info

At 11:30 Molly McLaughlin and Turlach Boylan play live in our 90.1 FM Studios. Together they will share music that they have been working together for the past six months. Molly McLaughlin and Turlach Boylan will be in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, Kansas City Missouri. This is the culmination of their work together though the MO Folk Arts Apprenticeship Program, a grant they received last year. Suggested donation is $10 half of all proceeds will benefit Harmony Project KC.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #785

WMM Playlist from May 1, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 1, 2019

Spinning Records With Marion Merritt
+ Nathan Reusch of The Record Machine

Marion Merritt

Mark welcomes Marion Merritt as our special “Guest Producer.” For 15 years now Marion has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Fela Kuti – “2000 Blacks Got to be Free (feat. Roy Ayers)”
from: Music of Many Colors (feat. Roy Ayers) / Knitting Factory Records / 2019
[Originally released January 1, 1980, reissued on CD 1996 on M.I.L. Multimedia. Fela Anikulapo Kuti was born October 15, 1938 and died August 2, 1997 He was also professionally known as Fela Kuti, or Fela. He was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and human rights activist. At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers. Fela Kuti was a political giant in Africa from the 1970s until his death. Kuti criticized the corruption of Nigerian government officials and the mistreatment of Nigerian citizens. He spoke of colonialism as the root of the socio-economic and political problems that plagued the African people. Corruption was one of the worst, if not the worst, political problem facing Africa in the 70s and Nigeria was among the most corrupt countries of the time. The Nigerian government was responsible for election rigging and coups that ultimately worsened poverty, economic inequality, unemployment, and political instability, which further promoted corruption and thuggery. Fela’s protest songs covered themes inspired by the realities of corruption and socio-economic inequality in Africa. Fela Kuti’s political statements could be heard throughout Africa. Kuti’s open vocalization of the violent & oppressive regime controlling Nigeria did not come without consequence. He was arrested on over 200 different occasions and spent time in jail, including his longest stint of 20 months after his arrest in 1984. On top of the jail time, the corrupt government would send soldiers to beat Kuti, his family and friends, and destroy wherever he lived and whatever instruments or recordings he had. In the 1970s, Kuti began to run outspoken political columns in the advertising space of daily and weekly newspapers such as The Daily Times and The Punch, bypassing editorial censorship in Nigeria’s predominantly state controlled media. Published throughout the 1970s and early 1980s under the title “Chief Priest Say”, these columns were extensions of Kuti’s famous Yabi Sessions—consciousness-raising word-sound rituals, with himself as chief priest, conducted at his Lagos nightclub. Organized around a militantly Afrocentric rendering of history and the essence of black beauty, “Chief Priest Say” focused on the role of cultural hegemony in the continuing subjugation of Africans. Kuti addressed a number of topics, from explosive denunciations of the Nigerian Government’s criminal behavior; Islam & Christianity’s exploitative nature, and evil multinational corporations; to deconstructions of Western medicine, Black Muslims, sex, pollution, and poverty. “Chief Priest Say” was cancelled, first by Daily Times then by Punch. Many have speculated that the papers’ editors were increasingly pressured to stop publication, including by violence.]

4. Kevin Morby – “Seven Devils”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

5. Kevin Morby – “Ballad of Faye”
from: Oh My God / Dead Oceans / April 29, 2019

10:35 – Underwriting

6. Lucy Rose – “The Confines of This World”
from: No Words Left / Arts & Crafts / March 22, 2019
[Lucy Rose was born June 20, 1989, She is an English singer-songwriter and musician. Her debut album, Like I Used To was released in 2012. Rose released her second album, Work It Out, in 2015 on Columbia Records. Her third album, Something’s Changing, was released in 2017 on Communion Records. Born in Camberley, Surrey, England. Rose’s musical origins began with her playing drums in her school orchestra; her songwriting started with her writing tunes on her family home’s piano. She is the youngest of three sisters. She later bought a guitar from a shop she passed on the way to school, taught herself and began writing material at around the age of sixteen. Rose never played her material for anyone until she left home after completing her A-levels. At eighteen, she moved to London; instead of taking her place at University College London to study geography, she began experimenting and performing with other musicians. It was at this time when she met Jack Steadman, the frontman of Bombay Bicycle Club. After becoming friends, Steadman asked if she would like to perform vocals on a song he had written and was recording. The acoustic album Flaws came out with Steadman on lead vocals, and Rose performing backing vocals, most notably on the title track “Flaws”, as well as others on the album. She also performs some backing vocal duties on Bombay Bicycle Club’s third album, A Different Kind of Fix, and features in their fourth, So Long, See You Tomorrow. Rose also performs some backing vocal duties on the track This Sullen Welsh Heart by the Manic Street Preachers on their album Rewind the Film. A fan of tea, Rose began selling her own blend named ‘Builder Grey’ (two part English Breakfast and one part Earl Grey) at her shows as a substitute for merchandise or CDs..]

7. Lucy Rose – “Pt. 2”
from: No Words Left / Arts & Crafts / March 22, 2019

8. Weyes Blood – “Mirror Forever”
from: Titanic Rising / Sub Pop Records / April 5, 2019
[Weyes Blood is Natalie Mering, born June 11, 1988, in Santa Monica, CA and grew up in Doylestown, Pennsylvania. She has released 4 albums and an EP. Both her siblings and parents are musicians and music played an important part in her upbringing. Her older brother, Zak Mering, is also a noteworthy recording artist, producer and songwriter under the “Raw Thrills” alias. At the age of 15 Mering began using the moniker Wise Blood to write songs. She changed to Weyes Bluhd on several self released records before changing the spelling to Weyes Blood. She took the name from the Flannery O’Connor novel Wise Blood. At the same time, while working on her own material, she toured the underground music scene with bands Jackie-O Motherfucker and Nautical Almanac. In 2011 she released the album The Outside Room as Weyes Blood And The Dark Juices on Not Not Fun Records. Uncut magazine described the album as “the vibe is devotional and ethereal, but with an edge”, while Beatbots found it “an impressive and ambitious album”. Natalie released her second record in October 2014 called The Innocents, which was released through Mexican Summer. In 2016 she released the album Front Row Seat to Earth on Mexican Summer to great acclaim throughout the music industry, and has spent the past few years touring throughout Europe and the states.]

10:57 – Station ID

9. The Brian Jonestown Massacre – “Tombes Oubliées”
from: The Brian Jonestown Massacre / A Records / March 15, 2019
[The Brian Jonestown Massacre is the self-titled eighteenth studio album by American band The Brian Jonestown Massacre. The Brian Jonestown Massacre is an American musical project and band led by Anton Newcombe. It was formed in San Francisco in 1990. The group was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behavior of Newcombe. The collective has released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date. The band name is a portmanteau of deceased Rolling Stones founder Brian Jones and the 1978 Jonestown Massacre.]

10. The Brian Jonestown Massacre – “We Never Had A Chance (Edited)”
from: The Brian Jonestown Massacre / A Records / March 15, 2019

11. Eddie Russ – “The Lope Song”
from: Soul Jazz Records Presents Eddie Russ: Fresh Out / Soul Jazz Records / Mar 15, 2019
[Eddie Russ’s Fresh Out was independently released in Detroit in 1974 and has remained a collector’s item ever since. Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label. As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.]

12. Throbbing Gristle – “20 Jazz Funk Greats (Remastered)”
from: 20 Jazz Funk Greats (Remastered) / Mute Records / 2019 [Reissued on vinyl]
[3rd studio album by British industrial music group Throbbing Gristle, released in December 1, 1979 by the band’s label Industrial Records. It is known for its tongue-in-cheek title and artwork, and has been hailed as the band’s best work, with UK magazine Fact naming it the best album of the 1970s. 20 Jazz Funk Greats is the band’s first full studio album, as prior albums contained both live and studio recordings. The production is credited to “Sinclair/Brooks”. The album was recorded on a 16-track borrowed from Paul McCartney after Peter Christopherson had worked on artwork for McCartney. The album was produced using electronic musical instruments and effects units, primarily from Roland and Boss. Throbbing Gristle were an English music and visual arts group, officially formed in September 1975 in Kingston upon Hull by members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter “Sleazy” Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition Prostitution, and, the following year, released their debut single, “United / Zyklon B Zombie”, Throbbing Gristle dissolved in 1981 due to interpersonal differences; the individual members went on to participate in other projects, such as Psychic TV, Coil and Chris & Cosey. The band was reformed in 2004, and released three more studio albums—TG Now (2004), Part Two, and The Third Mind Movements (2009)—before disbanding again after P-Orridge’s departure and Christopherson’s death in Autumn 2010; the band’s last studio project—a cover version of the 1970 Nico album Desertshore—was released in 2012 under the moniker X-TG.followed by an album, The Second Annual Report (1977).]

13. Ibibio Sound Machine – “I Need You to Be Sweet Like Sugar (Nnge Nte Suka)”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

14. Ibibio Sound Machine – “Wanna Come Down”
from: Doko Mien / Merge Records / March 22, 2019

11:32 – Underwriting

15. Coby and the Prisoners – “One Thru Ten”
from: One Thru Ten – Single / The Record Machine / May 10, 2019
[Coby Hartzler, Matt Garver, Nate Sustar, Joey Weaver, William Stansifer. Coby and the Prisoners began in 2012 during some downtime between projects for songwriter and founder Coby Hartzler. A collection of solo songs and ideas were recorded over a long weekend at a studio in Indianapolis. It was released quietly online in conjunction with a few shows around Ohio, but the project soon fizzled out and was left at that. // The next phase of the band began to slowly form sometime in 2015. A few new players came into the picture, adding their own flavors and styles. The sound started to take shape creating what could be considered the band’s second album, “Candy Queen”. The album hones in on Hartzler’s knack for pop hooks layered with sounds that can feel somewhat classic yet modern at the same time. Guitar licks and melodies that pay homage to classic rock or the Nashville country of old, yet never retreading over already worn down or recycled territories. // Having grown up in a fairly conservative, small town with religion starkly at the focus, Hartzler began to question what he was being fed. Similarly, small town America rejects the idea that a grown man can continue to pursue the art of music as something more than a teenage hobby. For Hartzler, music is a way of clawing back at some of these things. With this album, he begins to address these issues head on, as if you can see the layers slowly being peeled away. “Candy Queen” hovers somewhere around playful off the cuff lyrics and thoughts that can suddenly dip into deeper and darker territories without warning. Like a simple sunny drive on an early summer’s evening that can feel almost too perfect. When a moment is so good that you can’t help but be reminded of the fleetingness of it all. That it will end. All of these themes swirl throughout the center of his songs but come wrapped up in a colorful candy wrapper.]

11:38 – Interview with Nathan Reusch

Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Nathan Reusch joins us to talk about upcoming events sponsored by The Record Machine including multiple SoundMachineKC events, new singings to the label, The What’s Next Concert on July 13 in collaboration with Mid-Continent Public Libraries, and Middle of The Map Fest.

Nathan Reusch thank you for being with us on Wednesday MidDay Medley

SoundMachineKC Shows:

Thursday, May 2, at 9:00 PM – SoundMachineKC presents Jorge Arana Trio, Lung, Jametatone at Minibar 3810 Broadway Rd, KCMO.

Saturday, May 4, at 8:00 PM – SoundMachineKC presents The Freedom Affair, Soultru, Duncan Burnett at recordBar, 1520 Grand Boulevard, KCMO.

Wednesday, May 15 at 9:00 PM – SoundMachineKC presents Big Bend, Pala Zolo, Myry at Minibar 3810 Broadway Rd, KCMO.

The Record Machine Recent Signings

– Pala Zolo
– Coby and the Prisoners
– Soultru
– Spooky Wilson

11:43

16. Soultru– “Can You Keep A Secret”
from: Soultru & Progeny / Fake Four Inc. / December 25, 2018
[Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little..]

[Soultru plays SoundMachineKC on Saturday, May 4, at 8:00 PM, with The Freedom Affair, and Duncan Burnett.]

11:47 – Interview with Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Nathan Reusch thank you for being with us on Wednesday MidDay Medley

SoundMachine Shows:

Thursday, May 2, at 9:00 PM – SoundMachineKC presents Jorge Arana Trio, Lung, Jametatone at Minibar 3810 Broadway Rd, KCMO.

Saturday, May 4, at 8:00 PM – SoundMachineKC presents The Freedom Affair, Soultru, Duncan Burnett at recordBar, 1520 Grand Boulevard, KCMO.

Wednesday, May 15 at 9:00 PM – SoundMachineKC presents Big Bend, Pala Zolo, Myry at Minibar 3810 Broadway Rd, KCMO.

http://www.therecordmachine.co

17. Pala Zolo – “Up Nothern”
from Up Northern – Single / The Record Machine / May 15, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957] [WMM’s closing theme]

Next week on May 8 The Wires Alternative String Duo with Laurel Morgan on violin, and Sascha Groschang, on cello join us to share details about The Wires 2nd Album Release – Wilder, Saturday, May 18, at 7 PM at recordBar, 1520 Grand Boulevard, Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #784

WMM Playlist from: Feb. 20, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2013

Marion Merritt’s Musical Discoveries
+ Laurel Morgan & Sascha Groschang of The Wires

Marion Merritt joined us to share information from her musically-encyclopedic-brain. Marion Merritt is the co-creator of the blog: a2-m3.com providing information about: Music, Film, Art, Books, Television, Technology, with links, downloads, and articles keeping us current with the latest musical and film news.

1. Dimitri From Paris – “Prologue, Sacreblu”

2. Follakzoid – “9”
from: 2 / Sacred Bones / Jan. 22, 2010
[Föllakzoid began in Santiago, Chile from what they describe as the result of “a product of a trance experience between friends, sort of a soul abduction in which they’ve been living since 2008.” The band is made up of multi-faceted artists: Juan Pablo (bass, vocals) is a producer of the Sangre Fresca Music Festival in Santiago, Diego (drums) is a photographer, Alfredo (synth) is an architect and Domingo (guitar) is also a filmmaker credited with long length movie “Partir to Live.”]

3. The Bryan Ferry Orchestra – “Love is the Drug”
from: The Jazz Age / BMG / February 12, 2013

4. Mac DeMarco – “Cooking Up Something Good”
from: Mac DeMarco 2 / Captured Tracks / Oct. 16, 2012

5. Mac DeMarco – “Annie”
from: Mac DeMarco 2 / Captured Tracks / Oct. 16, 2012

6. Junip – “Line of Fire”
from: Single Release / Mute US Corporation / Jan. 15, 2013

7. Matthew E. White – “Will You Love Me”
from: Big Inner / HOMETAPES / Aug. 21, 2012

10:33 – Underwriting

10:34

8. Foxygen – “In The Darkness”
from: We Are the 21st Century Ambassadors of Peace & Magic / Jagjaguar / Jan. 18, 2013
[Second full-length album by Californian experimental rock duo of Sam France, 22 year old vocalist and songwriter, originally from Olympia, Washington, and Jonathan Rado, also 22, who is a songwriter, guitarist, and keyboard player, originally form NYC. Formed in 2005, the band self-released several EPs between 2007 and 2011. In 2012 the group was signed to Jagjaguwar Records. This album was produced by Richard Swift and recorded at his National Freedom studio.]

9. Foxygen – “Shuggie”
from: We Are the 21st Century Ambassadors of Peace & Magic / Jagjaguar / Jan. 18, 2013

10. Unknown Mortal Orchestra – “So Good at Being in Trouble”
from: II / Jagjaguar / Feb. 5, 2013

11. Unknown Mortal Orchestra – “Swim and Sleep (Like a Shark)”
from: II / Jagjaguar / Feb. 5, 2013

10:48

12. Pantha du Prince & The Bell Laboratory- “Photon”
from: Elements of Light / Rough Trade US / Jan. 15, 2013

13. Pantha du Prince – “Bohemian Forrest”
from: Black Noise / Rough Trade / Feb. 9, 2010

11:00 – Station I.D.

14. Alfonso Lovo – “Firebird Feathers”
from: La Gigantona / Numero Group / Sept. 2012
[Alfonso Noel Lovo (Born August 12, 1951 in León, Nicaragua) Nicaraguan composer and guitarist. He started playing with Ricardo Palma founder of Los Rockets in 1963 and then co-founded Los Juniors, with Emilio Ortega, in 1965. Both were among the top guitar players of the Nicaragua rock movement in the 60’s. He also played with Edmundo Guerrero, a local guitar master of the Bossa Nova Brazilian jazz style. Lovo was hijacked on a Lanica airline flight out of Miami, where he almost lost his left hand due to bullet wounds. Lovo survived and later regained the use of his hand. He was one of the original exponents of Nicaraguan Latin Rock. He recorded an album, Terremoto Richter 6.3 in 1973, in New Orleans. It is a fusion of Nicaraguan-style classic Spanish guitar with New Orleans Jazz and Gospel. He collaborated in his home town with Chepito Areas, the original percussionist with Santana Band. This connected him with that band. Together they produced the Managua Earthequake Relief concert featuring Mario Moreno and ‘Cantinflas’ in October 1972. After the Nicaraguan Revolution, Lovo moved to the USA. In New Orleans, he got deeper into the Blues Guitar, influenced by New Orleans musicians and Louisiana bluesmen. In Miami, in the late 80’s he recorded the song Freedom Fighters with his band “Wolf and The Pack”. This song, is a mixture of rock and politics, earned him an invitation to perform at the White House. The Miami Herald front-paged the band, then known as Alfonso Lobo and Wolf and The Pack, which led to TV interviews with CBS, NBC, ABC and Univision. The Miami PBS channel dedicated a documentary program directed by Don Webb, to a Lovo interview and featured clips from the network coverage. In Patrick Carr’s book Sunshine States, the author titled chapter 7 ‘The King of Contra Rock’ and dedicated it to Lovo. Lovo recorded La Gigantona, originally in 1976, featuring acid Latin jazz music, with an all-star Nicaraguan band, including percussion by Areas. The Chicago-based record label The Numero Group reissued Lovo’s La Gigantona album in the fall of 2012. The reissue was sourced from a rare acetate and includes extensive liner notes on Alfonso Lovo, including historical photos of his musical background. Since its re-release, La Gigantona has been a success and Lovo has been the subject of many reviews and interviews worldwide, including praises from BBC music critic Gilles Peterson, radio, Relix Magazine, Dusted Magazine, and many more international stations, and several TV shows. La Gigantona has become a well known name, and in November 14 , it reached # 4 in Billboard, Tropical music category. A new version of Wolf and The Pack has been formed in Miami, with Latin jazz players, and new performances have been seen up to the end of 2012, of La Gigantona, considered a dormant hit record, that has been awakened by Numero Group, the reissue label from Chicago.]

15. Samuel Yirga – “Abet Abet (Punt Mix)”
from: Guzo / Real World / Sept. 25, 2012
[Ethiopian pianist who was introduced to Real World through his work with Ethio-fusion collective Dub Colossus. Influenced by Keith Jarrett & Herbie Hancock, he nonetheless creates his own highly unique style, experimenting with the music of his ethnic roots, American jazz, soul & r&b, Latin & classical music. Despite being in his early 20s and a recent alumnus of Addis Ababa’s Yared School of Music, he’s developed at a remarkable pace as both player and composer, and is already being heralded as one of his country’s most promising young musicians. GUZO, means “journey” in Sam’s native Amharic. Recorded partly in Addis and partly at England’s Real World Studios. Produced by Dubulah — aka Nick Page, the UK musician/producer behind TransGlobal Underground, Dub Colossus and Temple of Sound — it explores both the traditional musical history of Ethiopia and the modern Ethiojazz that has brought the country’s music to international attention. The album also ventures into bigband brass ensembles, soul and funk, and simmers with deeply impassioned piano solos that clearly mark Samuel Yirga as a major emerging talent.]

11:15 – Underwriting

11:16 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained, she has been playing the violin for 25 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic fusion ensemble, Musical Theatre Heritage at the Off-Center Theatre and as a member of folk-rock band, ‘In the Pines” that won several Pitch music awards. As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City. Laurel Morgan is currently on faculty at the Cottey College department of music.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC and Rhino Records. She is currently working with Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, an alternative exploration in string sound from Kansas City, Missouri. They compose & perform original music for violin & cello. The Wires play in concert at the recordBar, Sat, Mar. 9, at 7:00 PM, for their CD Release, accompanied by a video-installation by multi-media artist Ben Parks.

Laurel Morgan on violin & Sascha Groschang on cello live next to each other in homes they purchased with their husbands in the Hyde Park area of Kansas City.

Both of Laurel and Sascha have spent a lifetime of collaboration with orchestras, bands, trios, ensembles. The Wires offer a diversion from the concert recital hall, bringing original music for strings to clubs like the recordBar.

16. The Wires – “Native” (LIVE)
also available on: The Wires – Alternative Strings / Independent / March 9, 2013

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn.

Many people are familiar with Laurel’s work in the acclaimed band, In The Pines. Laurel told us that the band is working on a new recording to be released soon.

11:28

17. The Wires – “Zero is The River” (LIVE)
also available on: The Wires – Alternative Strings / Independent / Mar. 9, 2013

Laurel, is also playing with The CAVES for Golden Sound Records new concert series, On The House, Saturday, February 23, at the recordBar, w/ Oils and Cowboy Indian Bear.

11:36

18. The Wires – “Sligo” (LIVE)
also available on: The Wires – Alternative Strings / Independent / Mar. 9, 2013

The Wires play a CD Release at the recordBar, Saturday, March 9, at 7:00 PM, accompanied by a video-installation by multi-media artist Ben Parks. More info at thewires.info

11:40

19. Widowspeak – “Perennials”
from: Almanac / Captured Tracks / Jan. 22, 2013

20. Ex Cops – “The Millionaire”
from: True Hallucinations / Fat Possum Records / Jan. 22, 2013

11:50

21. Blonde Redhead – “In Particular”
from: Melody of Certain Damaged Lemons / Touch and Go Records / June 6, 2000
[NYC’s Blonde Redhead developed a reputation as Sonic Youth imitators, because their sound originally depended on the same discordant guitar points and sexless machinelike rhythms. But over the course of five albums, they’ve grown out of that heady shadow. Incorporating sinister keyboards, conventional melodic guitar lines, and a stronger grasp of songwriting (“Melody of Certain Three,” among others, is hummable), Blonde Redhead is emerging from the underground rock world with a sound that mixes dissonant alt-rock (“For the Damaged”) with space-age pop grace (“Ballad of Lemons”) and orchestral ambitions (“Loved Despite Great Faults”). Mixed louder than the usual indie release, the atmospheric lead vocals of Kazu Makino bring the imagistic lyrics to the fore. “Hated Because of Great Qualities” builds into a teetering seesaw of notes while Makino admits, “It never meant a thing. So be it,” with Godardian detachment. Definitely one of the more noteworthy bands that have slowly been growing into a diverse and formidable act. –Rob O’Connor]

11:59:30

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

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