Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 20, 2026

KC Folk Fest w/ Rachel Christia & Vi Tran + Darin Challacombe + Madeline Marak & Lori Buntin

1. “It’s Showtime Folks”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
   [WMM’s theme]

2. Andrew Connor – “Kiss Them For Me”
   from: Covers Collection / Pretend Outlaw Music / May 1, 2026
   [Andrew Connors new release features 13 covers of songs from family, friends and musical icons including Andrew’s Fathers Band from during /before his early childhood, from Minden lead singer Casey Burge, Siouxsie Sioux & The Banshees, The Bee Gees, Neil Young, Alex Chilton, Yukihiro Takashi and more. // “Kiss Them for Me” by Siouxsie Sioux (Susan Ballion), Steven Severin, Budgie (Peter Edward Clarke), and Martin McCarrick, originally recorded by Siouxsie and the Banshees. // Recorded & Mixed by Andrew Connor. Instruments & Vocals by AC except: Jake Acosta – Drums on “Kiss Them For Me.” Mastered by Mike Nolte at Eureka Mastering. // Andrew Connor is a veteran of the Lawrence KS – KC Music Community. Ghosty has released some of our most favorite music of the past 22 years of this radio show. // The Lawrence/KC band GHOSTY is one of our most played and favorite area bands of all time Between 2002 and 2020 GHOSTY has released six EPs, three full length albums, and multiple singles. As a solo project Andrew Connor recently released COLORADO on April 21, 2023. More info at: http://www.ghostysounds.com]

Ghosty / Andrew Connor Discography

Ghosty released the 3-song EP, PRODIGAL SUN on February 28, 2020 with Bill Belzer on drums, percussion / Ross Brown on guitar, keys / Andrew Connor on guitar, keyboards, vocals / Mike Nolte on bass

Ghosty released the self titled album GHOSTY on April 17, 2014. It was there 3rd full length release with Andrew Connor, Mike Nolte and Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download.]

Ghosty released the single “Love U 2” on July 15, 2013, recorded June 2013 at Westend, Kansas City, KS. Documentary about the recording of this song by surrounding media vimeo.com/70317712 // with: Mike Nolte on bass, engineering, mastering // Andrew Connor on guitar, keys, vocals / Bill Belzer – drums, & percussion

Ghosty released the 5-track EP, TEAM UP AGAIN on April 13, 2010 with Andrew Connor, Mike Nolte, David Wetzel, Josh Adams, Jake Blanton, Suzannah Johannes, Konnor Ervin, Ryan Johnson // Team Up Again,” “Ocean of Heat (Setting FIres),” and “Quell The Hunger” by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2010. “Virginia Song” by Rev. Howard Finster, arranged by Ghosty. “On A Saturday” by Jake Blanton, arranged by Ghosty. // “Team Up Again,” “Setting Fires,” “Virginia Song,” and “On A Saturday” recorded and mixed at Run Riot / More Famouser Studios, Shawnee, KS, September 2009 through March 2010. Engineered and mixed by Mike Nolte and Ghosty. // “Quell The Hunger” recorded at Mixtape Soundlab, Lawrence, KS, January 2009 additional tracking and mixing and Run Riot / More Famouser studios, Shawnee, KS, and February 2010. Engineered and mixed by Mike Nolte and Ghosty.

Ghosty released the 3-track EP, FOOLISH PRIDE on November 17, 2009 with All songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “Foolish Pride” and “Rose-Colored Glasses” basic tracks recorded at Jack’s House, Merriam, Kansas, Fall 2007. Engineered by Mike Nolte and Ghosty. Additional tracking and mixing at More Famouser Studios, Kansas City, MO, and Run Riot Studios, Shawnee, KS, Fall 2009. // “Hey Bill” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking and mixing at More Famouser Studios, Kansas City, MO by Mike Nolte and Ghosty, Spring 2009.

Ghosty released the 3-track EP, A MYSTIC’S ROBE on September 15, 2009 with Andrew Connor, David Wetzel, Mike Nolte, Jake Blanton, Josh Adams, Carmen Winters // All Songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “My Girl Is Strong” and “Sunday Morning” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking & mixing at More Famouser Studios, KCMO by Mike Nolte & Ghosty Spring 2009. // “Secret Language” basic tracks recorded at Jack’s House, Merriam, KS, Fall 2007 Engineered by Mike Nolte & Ghosty. Additional tracking & mixing at More Famouser Studios, by Mike Nolte & Ghosty Spring 2009.

Ghosty released the 11-song album ANSWERS on January 15, 2008 with tracks recorded by Paul Malinowski at Westend and Run Riot Studios, Kansas City, KS, 2006-07. racks 4, 6, 7, and 9 were recorded and mixed by Trent Bell at Bell Labs, Norman, OK, 2006. // Track 8 was recorded by Tim Brandsted at UMKC and Paul Malinowski at Westend. Mixed by Paul Malinowski at Westend, 2007. // Tracks 2 and 10 were recorded by Chris Behmer at the Ferrell home, Overland Park, KS, 2005, and with Trent Bell at Bell Labs. Mixed by Trent Bell at Bell Labs, 2006. // Mastered by Roger Seibel at SAE Masterin // All songs by Andrew Connor, arranged by Ghosty // Pretend Outlaw Music, ASCAP. // Released on Oxblood Records.

Ghosty released the 5-track EP, ME, ME, ME on January 15, 2006 w/ Andrew Connor on guitar & vocals / Jeff Ferrell on guitar & vocals // David Wetzel on keyboards &* vocals // Mike Nolte – bass & vocals // Josh Adams on drums & vocals // Recorded & mixed Fall 2005 by Jeff Ferrell and Ghosty at New York St. house, Lawrence, KS. Artwork by Paul Browning. Songs by Andrew Connor, Pretend Outlaw Music

Ghosty released the 19-track album GROW UP OR SLEEP IN (Deluxe Edition) on August 30, 2005 with Josh Adams, Andrew Connor, Jeff Ferrell, Mike Nolte, David Wetzel// and Alums: Jacob Baum, Richard Gintowt, Mark Hurst, Andrew Sallee, James Duft // Big Surrender, Henry Greene, and Hey! Somebody were recorded by Mike Mogis at Presto! in Lincoln, NE in the summer of 2002 // Jacqueline, Rooms in the Dark, (In a Big World)Little Dreams Count, High on Life, Clouds Solve It, Go to Add/Drop City, and World Travelers were recorded by Trent Bell and Andy Nunez at Bell Labs in Norman, OK in the fall 2003 // Mastered by Doug Van Sloun at Studio B // Design by Patrick Giroux at Blue Collar Press // All songs by Andrew Connor, Copyright 2005 // Pretend Outlaw Music(ASCAP) // Wayne Coyne appears courtesy of Warner Brothers Records // BONUS TRACKS: Primadonna, John Hunter, and Sad Sack recorded Summer 2006? at the Ferrell Home in Overland Park, KS by Chris Behmer and Ghosty // Dust Box Nites and Rok Town Air recorded and mixed with Tom Wagner at Underground Sound in Lawrence Kansas, Winter 2005? James Duft plays bass // Going Home Recorded in the Spring of 2002 at 1225 and 1137 Tennessee in Lawrence, KS by Ghosty, Mixed with Jeff Ferrell.

Ghosty released the 6-track EP THE FIVE SHORT MINUTES on February 2, 2002 with Andrew Connor: Guitar, Vocals, Keyboards / Jacob Baum: Bass, Organ, Percussion, Guitar / Richard Gintowt: Drums, Percussion / Jeff Jackson: Pedal Steel Guitar on Track 5 // Recorded Fall 2001 at the haunted house by Jacob Baum / Produced by Ghosty / Mastered by Boyd Bristow

Andrew Connor – In Colorado / Pretend Outlaw Music / April 21, 2021
[Darien Williams on drums, Justin Fernando on bass guitar, Joseph Murphy on synth, Ryan Connor on guitar & lap steel, Andrew Connor on guitar, keys, & bass guitar. // Engineered by Doug Malone at Jamdek, Chicago // additional tracking by Andrew Connor. // Mixed by Mike Nolte and Andrew Connor in Portland, OR // Mastered by Mike Nolte at Eureka Mastering // Songs by Andrew Connor, Pretend Outlaw Music ASCAP
Except “Misery” by Ryan Connor and Andrew Connor.]

Andrew Connor – 2015 / Pretend Outlaw Music / August 10, 2024
[These 2015 Demos Andrew just posted have this effect: When they start, they are subtle, and through glints of metal and woozy guitars evoke some future summer. But by the end the listener comes to understand that this future environment could map onto our present. The music then positions the listener to inhabit that world, to accept Andrew’s contention that the griefs and disappointments of today are wholly contained in a breezy, becalmed futurenow.” Eugene Booth, 2024.]

3. Swamp Dogg – “Acid Tongue (Jenny Lewis Cover)”
   from: Swamp Dogg Contemplates The Afterlife / S-Curve Records / June 19, 2026
   [The B-Side of the First single from new album. // Veteran soul/R&B/funk/rock/Americana icon Swamp Dogg celebrates his 84th birthday this summer; this milestone is to be preceded by the release of his 27th full length Swamp Dogg Contemplates The Afterlife. The new album, set for release by S-Curve Records on June 19, in recognition of Black Music Month, was produced by the artist, né Jerry Williams, Jr., along with S-Curve founder Steve Greenberg, Mike Mangini and Sam Hollander, Grammy winners who’ve individually and collectively produced artists including Joss Stone, Tom Jones, the O’Jays, Betty Wright & the Roots, Andy Grammer, Jonas Brothers, Hanson, Digable Planets and Public Enemy. // Two advance tracks from the album will be released on April 24 – the digital equivalent of a double A-sided 45. The self-penned “Searching For Heaven” encapsulates the album’s overriding themes of life lived and one’s mortality. The other track is a cover of “Acid Tongue,” written and originally recorded in 2008 by Jenny Lewis. Swamp Dogg and Lewis are friends and Lewis collaborated with Swamp on his much-celebrated 2024 album Blackgrass: From West Virginia to 125th St. // “This record didn’t start out as a concept album but, apparently, it is,” Swamp Dogg relates. Except for unique takes on “Acid Tongue” and John Prine’s “Please Don’t Bury Me,” the rest of the album’s selections are Swamp Dogg originals, including “Waka Waka Waka,” featuring guest vocalist Gary U.S. Bonds, who’d been a close collaborator and friend of Swamp since adolescence before an unfortunate falling out decades ago, now remedied by this appearance. // One of the few first-generation soul artists still recording and touring, Swamp Dogg’s music being has been embraced by successive generations who are taken with his musical mastery and iconoclastic approach to both his craft and life writ large. Testimony to his ecumenism is found in the fact that he’s been warmly embraced within the Americana world, and in his recent headlining appearance aboard the SiriusXM Outlaw Country Cruise. He has also made waves of late with the release of the critically lauded documentary film Swamp Dogg Gets His Pool Painted, currently streaming. // Of special note is the album art, conceived by Grammy-winner David Gorman, depicting Swamp Dogg, surrounded by tomes dealing with mortality, examining a comic book in the style of a Renaissance illuminated manuscript.]

4. Stephonne – “Papa John”
   from: “Papa John (radio edit)” – Single / Glory Blue Music / May 20, 2025
   [“Stephonne is reimagining what it means to be a Black musician in Kansas City, disrupting outdated narratives with music that celebrates fluidity, theatricality, and freedom. Their art is multidimensional, relentless, and ambitious, drawing inspiration from other pockets of pop music.” – Lyrical Odyssey // May 20th, 2026 (New York, NY): Fearless alternative/genrequeer singersongwriter, producer and multi-disciplinary artist Stephonne has debuted their new single, “Papa John”. A funky pop art joyride of sexual liberation, they delivers us a sonic smorgasbord. Innuendo laden and cheeky, Parliament meets Doja Cat on a Studio 54 dance floor. Over a percolating beat and playful bass synth, grit, guts and go-go simmer. “Papa John” is inimitably Stephonne. Their artistic voice here is singular, however lushly layered, and the freest we’ve heard it yet.// “In the age of A.I. it’s more important than ever to show up as perfectly imperfect and as fully as possible. Listening to this song is like freebasing me. You’re experiencing me at my purest, loosest, most raw, and in full-on play mode. Every part of creating this song was fun. It felt like a celebration and still does. I’m excited to party with everybody. Right now, we need humor and joy. We need to dance and free ourselves. Revolution can be sexy. It may even be necessary. In the midst of so much pain, it’s easy to forget about pleasure. We aren’t just here to procreate. Please be safe and get tested, but don’t forget to spice up your life. Food is not the only thing that’s better with seasoning, sis. That goes for all of us, no matter the countless ways we separate ourselves. We have more in common than we don’t. God and sex are two of the biggest things we do. God used it to create my gay ass just like He used it to create you. Can we move on to something important? You know, like stopping WWIII and A.I. armageddon? Persecuting LGBTQ people won’t stop either of those or those in power from coming for you next. Unclench, folks. Life is so much more enjoyable. The gays can show you how, honey! We can also show you how to survive, thrive, and persevere because we continue to through it all.” – Stephonne // Stephonne takes the helm as songwriter, producer, and artist again. Recent collaborator, Joseph Price (Third Son) adds his assist to amplify the Kansas City native’s potent lyricism and musical instincts. We’ve stepped into an electronic era, but “Papa John” is still punk. Full of humor and audacity, it also recalls and reimagines funk and disco. “Papa John” will live rent free in your head, long after first listen and leave you hungry for Stephonne’s next delivery .// On February 13, 2026 Stephonne released “Bloody Mary” Written, Produced, and Engineered by Stephonne Singleton, Co-Produced, Mixed and Mastered by Joseph T Price. // On August 15, 2025 Stephonne released “Worship at the Chappell: Co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne is an Alternative/Genrequeer singer-songwriter, cultural producer, and generative performing artist from Kansas City, MO. They synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases since 2015. Bold new 2025 singles and videos continue to push boundaries! New experiences, both sonic and visual, await us from the upcoming sophomore LP, STEPHONNE. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think its Gonna Be Alright” I April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. // More info at: http://www.stephonne.com]

[Stephonne joins us on WMM on June 3, 2026]

5. Angélique Kidjo – “Bando (feat. Pharrell Williams & Quavo)
   from: Hope / Parlophone Records / April 24, 2026
   [Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo is a Beninese musician, actress, and activist. Kidjo has won five Grammy Awards and a Polar Music Prize. She has collaborated with artists including Alicia Keys, Peter Gabriel, John Legend, Philip Glass, Bono, Yo-Yo Ma, and Burna Boy. She is the first Black African artist to receive a star on the Hollywood Walk of Fame.She performed at the Tokyo 2020 Olympic Games Opening Ceremony on July 23, 2021. In 2021, Time magazine included her in its list of the 100 most influential people in the world. Kidjo is fluent in five languages: Fon, French, Yorùbá, Gen (Mina) and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga”. Kidjo often uses Benin’s traditional Zilin vocal technique and vocalese. // Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo was born in Ouidah, French Dahomey, in what became Benin. Her father is from the Fon people of Ouidah and her mother from the Yoruba people. Her father was a musician, and her mother worked as a choreographer and theatre director. She grew up listening to Yoruba and Beninese traditional music, Miriam Makeba, Hugh Masekela, James Brown, Manu Dibango, Otis Redding, Jimi Hendrix, Fela Kuti, Stevie Wonder, Osibisa and Santana. By the time she was six years old, Kidjo was performing with her mother’s theatre troupe. // She started singing in her school band, Les Sphinx, and found success as a teenager with her adaptation of Miriam Makeba’s “Les Trois Z”, which was played on national radio. Kidjo recorded the album Pretty with Cameroonian producer Ekambi Brilliant and her brother Oscar. It featured the songs “Ninive”, “Gbe Agossi”, and a tribute to the singer Bella Bellow, one of her role models. The success of the album allowed her to tour all over West Africa. Continuing political conflicts in Benin prevented her from being an independent artist in her own country and led her to relocate to Paris in 1983. // After moving to France, Kidjo initially planned to become a human rights lawyer, but ended up studying music. While working various day jobs to pay for her tuition, Kidjo studied music at the CIM, a jazz school in Paris, where she met musician and producer Jean Hebrail, with whom she has composed most of her music and whom she married in 1987. She started out as a backup singer in local bands. In 1985, she became the front singer of Jasper van ‘t Hof’s Euro-African jazz/rock band Pili Pili. Three Pili Pili studio albums followed: Jakko (1987), Be In Two Minds (1988, produced by Marlon Klein) and Hotel Babo (1990). By the end of the 1980s, she had become one of the most popular live performers in Paris and recorded a solo album called Parakou for the Open Jazz Label. She met Island Records founder Chris Blackwell in Paris; Blackwell signed her to a record deal in 1991. She recorded four albums for Island until Blackwell’s departure from the label. In 2000, she was signed in New York by Columbia Records, for whom she recorded two albums.]

6. Cola – “Forced Position”
   from: Cost of Living Adjustments / Firetalk Records / May 8, 2026
   [C.O.L.A. is sort of a self-titled album. It’s an acronym for Cost of Living Adjustment, a fitting conceptual framework for Cola’s third record. C.O.L.A. is the band’s most maximalist work to date, full of the eerie and sweet pangs that nostalgia can provoke. It is the band’s most refined offering. A perfection of carefully honed aesthetic impulses. One of the goals with the album was to have the melody guide the lyrics. Here, the vocal melodies are on the same level as all of the other melodies on the record, but the lyrics are no less poetic. Sounds do not blur, even when they are expansive. The record is full of clarifying moments: where a whole swirl of feelings becomes so clear that it almost hurts a little bit. It is abstract, oblique, sometimes strange, whatever you want to call it. But it is also beautiful, in the classic sense. Beautiful like a painting can be beautiful. / Cola is a post-punk band from Montreal, Quebec, Canada. The band consists of Tim Darcy (vocals, guitar), Ben Stidworthy (bass), and Evan Cartwright (drums). // The band’s roots trace back to late 2019, when members of Ought, Tim Darcy and Ben Stidworthy, began writing music with Evan Cartwright of U.S. Girls. Darcy and Sidworthy were in Montreal at the time, while Cartwright was in Toronto. After informal writing and music sessions, the members began exchanging lyrics and song ideas into 2020 and 2021. In November 2021, the band Ought announced their disbandment, and announced the band, Cola the same day. With the announcement of the band was the release of their debut single, “Blank Curtain”. The song was met with critical praise, with Rob Sheffield of Rolling Stone describing the song having a “gorgeously obsessive guitar groove”. The band told Destroy Exist that the song, “is a quarter note kick drum pushing 240 bpm, a drone-like chord progression, and declarative vocals cutting through the haze. If you could invert the color of the Blank Curtain, you might have something like a Chicago house track that sounds like a band in a room.” // On February 22, 2022, the band announced their debut studio album, Deep in View. The album was released on May 20, 2022. // In April 2024, Cola announced their sophomore record, The Gloss, and released the record on June 14, 2024, through Fire Talk Records. // On February 18, 2026, the band announced their third record, Cost of Living Adjustment, alongside the first single “Hedgesitting.” Cost of Living Adjustment released on May 8 on Fire Talk Records. Discography: Deep in View (2022), The Gloss (2024), and Cost of Living Adjustment (2026)]

7. Hovvdy – “Try Try Try”
   from: Big World / Arts & Crafts / August 14, 2026
   [Hovvdy the project of Will Taylor and Charlie Martin, announce Big World, their sixth full-length album, due August 14th via Arts & Crafts. Alongside the album announcement, the band has its propulsive lead single “Try Try Try” with a Michael Rees-directed video. // The songs of Big World find Hovvdy trading in overt emotional directness for subject matter that leans enigmatic, contemplating their place in the world through a mosaic of songs that sees the band at their most secure and self-aware. // Since 2024’s Hovvdy, the band’s most expansive album to date, which earned them the coveted Best New Album distinction from Pitchfork, both Martin and Taylor have become published songwriters in their new home of Nashville – a career development that heavily informed their approach to making Big World. “The last record felt like such a generous offering: a double-album, deeply personal, you can literally hear me crying on some songs,” says Martin. “With this one, we wanted to take on the challenge of making something more concise and to the point, and give the fans something that feels like a shorter but more exciting ride.” // Over a handful of recording sessions between Nashville and Asheville in fall 2025, Martin and Taylor adopted a recording approach that was new for them as a band: coming to the sessions only with instrumentals rather than fully-drafted demos, choosing to write and respond to the songs in real time. “When it comes to the music, there’s literally never questions between Charlie and me, only answers,” says Taylor. “We can always show up and not have to worry about the music, and that continues to amaze me.” They viewed this as a fun, new challenge for them and, with the backing of their longtime collaborator Ben Littlejohn who serves as producer on Big World, felt less pressured and more empowered to make a record that was more sonically immediate, but emotionally ambiguous. Each song holds up a mirror to the band, both looking back at where they’ve come from and forward towards where they might be heading, sometimes proud, sometimes defeated, but always humbled by the enormity of the world and their place in it. // Additionally, Hovvdy announced a fall tour in support of Big World that traverses the US and Canada. Before then, they will be supporting Bleachers (US) and Wilco (EU) this summer.]

[Hovvdy plays The Bottleneck In Lawrence Kansas. on October 9, 2026 with Bleachers.]

10:28 – Underwriting

10:30 – Interview with Darin Challacombe

Darin Challacombe is host & producer of KKFI’s All That Class and Jazz, broadcast Saturday mornings 2:00am to 5:00am. Darin, holds a Ph.D. in psychology from Northcentral University. He also holds a degree in Specialization in Human Resources Management – Certified Practitioner, and is Director of Talent Development at a medical records company. With 20+ years in education and deep roots in the health information field, Darren serves on several professional boards and associations. When he’s not in the office, Darin is DJ Darin — the voice behind All That Class and Jazz on KKFI. A trained vocalist and enthusiast of jazz, blues, swing, and classical music, he’s lived in a half-dozen states and several countries, and recently returned to Kansas City from South America.

Darin Challacombe , thank you for being with us on WMM

He also holds a degree in Specialization in Human Resources Management – Certified Practitioner, and is Director of Talent Development at a medical records company.

With 20+ years in education and deep roots in the health information field, Darren serves on several professional boards and associations.

Darin is DJ Darin — the voice behind All That Class and Jazz on KKFI. A trained vocalist and enthusiast of jazz, blues, swing, and classical music,

Darin has lived in a half-dozen states and several countries, and recently returned to Kansas City from South America.

90.1 FM KKFI Kansas City
All That Class And Jazz – 2:00 AM to 5:00 AM
Music With DJ Darin

This show’s core philosophy is to break down the perceived barriers between “high art” and “street soul” weaving together Classical, Jazz, Blues, & Swing, the program aims to:

Demonstrate Musical Lineage: Show how the complex harmonies of classical music directly influenced the birth of jazz and blues.

Promote Accessibility: Make genres that are often viewed as exclusive or “academic” approachable and entertaining for a broad audience.

Champion Diversity: Focus on underrepresented composers and performers in each genre, highlighting the contributions of women and people of color to the classical and jazz canons.

Foster Discovery: Provide a space where a fan of swing might discover a new favorite classical suite, and vice-versa, through thoughtful, thematic curation.
“All That Class and Jazz” track’s with our mission statement, especially to “stimulate, educate, and entertain our audience” and to showcase “music that have been overlooked, suppressed or under-represented by other media.”.

DJ Darin is the voice behind “All that Class and Jazz,” KKFI’s Saturday early morning show. He is a jazz, blues, swing, and classical music enthusiast. He is trained in vocal performance. Originally from Topeka, he has lived in a half-dozen states and several countries. He recently just returned to KC from South America.

Darin Challacombe , thank you for being with us on WMM

KKFI’s All That Class and Jazz, broadcast Saturday mornings 2:00am to 5:00am.

On a recent show we heard Darin play: Charlie Parker, Robert Johnson, Aaron Copeland, W.C. Handy, Louis Armstrong, Ella Fitzgerald. Count Basie, Muddy Waters, and Tervor Turla

10:49

8. Trevor Turla – “Let Go”
   from: As We Continue / Trevor Turla / April 21, 2022..
   [Trevor Turla composed all of the music on this EP that included Trevor Turla on trombone, Daniel Dissmore on trumpet, Aryana Nemati on saxophone, Fritz Hutchison on guitar & banjo, Miki P on guitar & vocals, John O’Keefe on bass, Nik Douglas on drums, Carmen Dieker on fiddle, Jake Keegan on dobro, and Chris Hazelton on organ. “Let Go” was the second single released on February 17, 2022. We first played Trevor Turla on WMM on July 29, 2020. His track “Busted” was released on a compilation titled KANSAS CITY SYZYGY that featured over 25 Kansas City-based musicians who came together to create a compilation of music created during the shutdown of the world in the Spring of 2020. // Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays & sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, & LA Jones. He was also the founder, lead singer & trombonist for the band Sulu Moon. Info at http://www.trevorturla.com.]

[Trevor Turla plays the KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Flutienastieness & The Soul Patrol, Julia Haile, Reach, Sisterbot, Bad Alaskan, and more!]

9. Flutienastiness – “Go Get It”
   from: This Is Me / Flutienastiness Entertainment / October 28, 2020
   [Jazz flutist, educator, band director, and band leader, Amber Underwood is a native of Kansas City and has been entertaining and performing music since the tender age of 8. Beginning her musical journey on the piano and soon after began playing classical flute. / While in college, Amber discovered Jazz and became intrigued with the art form inspired by musical influences of Bobbi Humphrey, Hubert Laws, Frank Wess, Herbie Mann, and Nestor Torres and found a love for the art form. At age 20, Amber graduated from Wichita State University with a Bachelor of Music in Flute Performance and by 23 she completed a Masters of Arts in Arts Administration and Music Business from the University of Missouri Kansas City Conservatory and continued her education with a second Master’s degree in Education and Teaching Music from Pittsburgh State University. / In the beginning of 2014, the Amber Underwood Project and later transformed into Flutienastiness and the SoulPatrol with the mission to showcase an instrument that is normally used as an auxiliary instrument in jazz but now as a solo instrument. Flutienastiness and the SoulPatrol is a modern and fresh take on smooth jazz and R&B sounds with a touch of Latin, Funk and Gospel. Flutienastiness and the SoulPatrol uses the rich tones and colors of the flute to interpret the various styles and genres of jazz. Amber has been a presence in the Kansas City jazz scene making a place and a voice for her instrument. Amber has opened for Kirk Whalum and has performed alongside a host of other artist. / Amber is our modern-day soul and contemporary jazz flautist and a force to be reckoned with. Her debut album, ‘This Is Me’ has gained International recognition and was name one of the Top 25 Jazz Albums of Kansas City in 2020. Amber has also appeared on jazz playlists and featured on various recordings from all genres. Amber ‘Flutienastiness’ Underwood is the future of contemporary soul jazz flute! // On October 28, 2020 Flutienastiness released the album THIS IS ME (part of WMM 120 Best recordngs of 2020). The album was produced, mixed, & mastered by Desmond “D. Professor” Mason for Out D. Park Productions. All flutes by Amber Underwood. All tracks were composed collaboratively between Amber & Desmond. Amber writes: “This is album is a touch of all my feelings, life journeys and a inside look into Amber ‘Flutienastiness’ Underwood as a person beyond the stage. More info at:www.flutienastiness.com.]

[Flutienastiness plays the KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Trevor Turla & The Soul Patrol, Julia Haile, Reach, Sisterbot, Bad Alaskan, and more!]

10. Julia Haile – “Keep It Comin’ [feat. Les Izmore]”
    from: EP/ Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. “Keep It Comin’” offers a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]

[Julia Haile plays the KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Trevor Turla & The Soul Patrol, Flutienastiness , Reach, Sisterbot, Bad Alaskan, and more!]

11:00 – Station ID

11:00 – Interview with Rachel Christia, and Vi Tran

Rachel Christia a Kansas City born tech-girl, afro-futurist, vocalist, actress and landlocked mermaid. She has performed with notable MidCoast bands such as Hearts of Darkness; an eclectic collective influenced by 70s afrobeat, and the Denver based powerhouse Pink Hawks; pulling funky polyrhythms from West Africa and South America. More recently, she enjoys collaborating with her favorite Kansas Music legends or concocting fully improvised audience led musicals with The Maestro’s – Kansas City. She is perfectly aligned as a Kansas City Folk Fest Board member as her primary directive is to build community by lovingly blurring the lines between art and activism.

Rachel Christia, Thanks for being with us on Wednesday MidDay Medley

Vi Tran is an event producer, interdisciplinary storyteller, performer, and arts entrepreneur. Vi is best known as the creator of The Butcher’s Son, a folk musical memoir chronicling his family’s journey from Vietnam to the meatpacking country of southwestern Kansas. Past festival goers might recognize him as the Main Stage Manager and MC for the 2023 KC Folk Fest! Vi was also the founding owner and managing curator of The Buffalo Room, an artists’ salon and performance space in Westport. In its span, The Buffalo Room hosted over 800 events, collaborating with scores of producers and mentoring hundreds of performers over its six years of operation.

Vi Tran, Thanks for being with us on Wednesday MidDay Medley

Rachel Christia and Vi Tran join us to share all the details about Kansas City Folk Festival, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Flutienastieness & The Soul Patrol, Julia Haile, Reach, Trevor Turla, Sisterbot, Bad Alaskan, and more! KC Folk Fest boasts three stages, delicious food trucks, bike valet and an extensive craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” organized by a local community-led board. KC Folk Fest continues its legacy as an all-ages, admission-free city festival whose mission is “to celebrate the music and arts of our neighborhoods, region and beyond.” Originally founded as a public outreach event for Folk Alliance International’s annual industry conference in 2016, FAI transitioned the fest over to local stakeholders in 2019. “Kansas City Folk Festival” incorporated as a 501(c)3 nonprofit organization in 2021 and produced their first outdoor folk festival in 2022 in Washington Square Park, KCMO. For more information: http://www.kcfolkfest.org

KC FOLK FEST IS ADMISSION-FREE

Where to park?

Carpools, Buses and Bikes, OH MY – We encourage everyone to carpool or take our mass transit including our RideKC buses and the free KC Street Car. Bikes also welcome! We have a FREE BIKE VALET thanks in part to our pardners at Midwest Cyclery!

What to bring? – Lawn chairs and blankets * sun protection * reusable shopping bags * reusable water bottles to refill at the KC water bar * cash for the craft market * frisbee * friends and framily * bag for trash

We are a “PACK IT IN, PACK IT OUT!” event.
Keep our fest trash-free. Take your belongings and trash with you when you go 🙂

KC Folk Fest Board

Chair – Les Izmore is an AfricanFuturist multi-disciplinary artist. Izmore, centered around experimentation and Black sonic creations, is a spoken word artist, poet, writer, songwriter, music composer, beat maker and vocal performer. A Black farmer, historian and OutKast, Les Izmore is also the curator of KCulture Building. Izmore’s work takes a critical look at the sociopolitical injustices of the world creating spaces for conversation, edutainment, healing, and action.

Vice Chair – Rachel Christia is a Kansas City born techgirl, afrofuturist, vocalist, actress and landlocked mermaid. She has performed with notable MidCoast bands such as Hearts of Darkness; an eclectic collective influenced by 70s afrobeat and Denver based powerhouse Pink Hawks; pulling funky polyrhythms from West Africa and South America. More recently, she enjoys collaborating with her favorite Kansas Music legends or concocting fully improvised audience led musicals with The Maestro’s – Kansas City. She is perfectly aligned as a Kansas City Folk Fest Board member as her primary directive is to build community by lovingly blurring the lines between art and activism.

Secretary – Mikal Shapiro In 2021, Mikal facilitated the successful transition of Kansas City Folk Festival from an event hosted by Folk Alliance International into its own nonprofit. She continues to help organize. Her experience includes: Recruiting a dedicated board of local stakeholders, building and sustaining a volunteer base, producing the festival program, designing a budget, securing funding and independently coordinating the event from 2022-2025. Prior administrative experience includes serving on the Board of Directors of the Midcoast Radio Project / KKFI Kansas City Community Radio in her roles as Membership Committee Chair and Programmer Representative. Mikal is also a Kansas City based musician, artist and filmmaker.

Treasurer – Rachael Cady is a freelance lighting and video designer and an adjunct professor at UMKC. She primarily works on live events like theatre, concerts, cruise ships and large corporate meetings. Rachael’s work has been seen all over the world. Locally her designs have been seen at the Kansas City Rep, Unicorn, Coterie, New Theatre, Actors Theatre and MTH. She works regularly for Virgin Voyages primarily as a video engineer and programmer but has also done design work on all the ships in the fleet. She has toured with Pit Bull, Imagine Dragons, J Lo, Paula Abdual, and several others. When she is not working Rachael enjoys music, she is primarily a drummer, but also dabbles with keyboards, synths, drum machines and sequencers. Rachael is an avid pickleball player and has won several medals in local, and regional tournaments. Rachael is also the producer and one of the hosts of Siren Song, as well as the cohost of The Darkest Hours on KKFI 90.1FM in Kansas City. She lives with her partner Margaret and their 2 dogs Cassie and Harley.

Member – Dan Calderon. In 2021, as treasurer he helped to facilitate the formation of the Kansas City Folk Festival as a separate 501(c)3 after the transition away from its ownership by Folk Alliance International. Duties in that endeavor included the formation of the organization as a non-profit entity with the State of Missouri, as well as drafting the organization’s governing documents and bylaws. Calderon also provides much of the logistical planning and permitting for the yearly event, working closely with the city of Kansas City and the Parks Department to ensure that the festival operates within city guidelines and policies. He also coordinates the many vendors that provide the festival’s crucial infrastructure – including staging, attendee comfort, and sheltering. Calderon is an attorney (currently inactive status), and received a Juris Doctorate from the University of Kansas School of Law. In his previous employment as an attorney, some of Calderon’s practice centered around contract law, corporate law, entertainment law, and commercial litigation. Dan is also a musician and music writer.

Festival Coordinator – Vi Nhan Tran An event producer, interdisciplinary storyteller, performer, and arts entrepreneur, Vi (he/him) is best known as the creator of The Butcher’s Son, a folk musical memoir chronicling his family’s journey from Vietnam to the meatpacking country of southwestern Kansas. Vi was also the founding owner and managing curator of The Buffalo Room, an artists’ salon and performance space in Westport. In its span, The Buffalo Room hosted over 800 events, collaborating with scores of producers and mentoring hundreds of performers over its six years of operation.Past festival goers might recognize him as the Main Stage Manager and MC for the 2023 KC Folk Fest!

11:07

11. The Freedom Affair – “The Water”
    from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

[The Freedom Affair, play KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with Kaia Kater, Julia Haile, Trevor Turla & The Soul Patrol, Flutienastiness, Reach, Sisterbot, Bad Alaskan, and more!]

11:11 – More Interview Rachel Christia & Vi Tran

We are talking with Rachel Christia & Vi Tran share info about KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Flutienastieness & The Soul Patrol, Julia Haile, Reach, Trevor Turla, Sisterbot, Bad Alaskan, and more! KC Folk Fest boasts three stages, delicious food trucks, bike valet and an extensive craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” organized by a local community-led board. KC Folk Fest continues its legacy as an all-ages, admission-free city festival whose mission is “to celebrate the music and arts of our neighborhoods, region and beyond.” Originally founded as a public outreach event for Folk Alliance International’s annual industry conference in 2016, FAI transitioned the fest over to local stakeholders in 2019. “Kansas City Folk Festival” incorporated as a 501(c)3 nonprofit organization in 2021 and produced their first outdoor folk festival in 2022 in Washington Square Park, KCMO. For more information: http://www.kcfolkfest.org

Rachel Christia &Vi Tran & Les Izmore thanks for being with us on WMM

KC Folk Fest boasts four stages, delicious food trucks, bike valet and an extensive craft market chock full of local vendors.

Programming by community partners include an open mic, youth songwriter contest by Heartland Song Network, and showcases by No Divide KC.

Supported by grassroots campaigns such as as our “Dandelion Donor” campaign ($100×100 “Seed” Donors), “Fun Raisers” such as FolkyOkie Karaoke and community outreach events like Pickball – a jam-friendly brand of kickball – alongside local sponsors, community partners and arts grants such at Missouri Arts Council’s Folk Arts Grant, KC Folk Fest continues its legacy as an all-ages, admission-free city festival whose mission is “to celebrate the music and arts of our neighborhoods, region and beyond” – all while paying its artists a living wage. As a zero-waste event with recycling and composting available on-site, KCFF encourages visitors to follow the National Parks mottos “Pack it in, pack it out” and “Leave it better than you found it.”

HISTORY OF THE FEST: Originally founded as a public outreach event for Folk Alliance International’s annual industry conference in 2016, FAI transitioned the fest over to local stakeholders in 2019. “Kansas City Folk Festival” incorporated as a 501(c)3 nonprofit organization in 2021 and produced their first outdoor folk festival on Saturday, May 22, 2022 in Washington Square Park, KCMO.

KC Folk Festival at Washington Square Park on Sat, May 30, 2026 from 11 to 8:00pm.
For lineup: http://www.kcfolkfest.org.

11:18

12. Kaia Kater – “The Witch (Feat. Aoife O’Donovan)”
    from: Strange Medicine / Kaia Kater – Free Dirt Records / May 17, 2024
    [Kaia Kater’s album, Strange Medicine, opens with a haunting vision. Accompanied by Aoife O’Donovan, Kater sings of the women burned at the stake as witches in 17th century Salem, Massachusetts and their wish to strike back: “I dreamt I moved through you and / Burned my name into your chest”. It’s an opening salvo from an album that celebrates the power of women and oppressed people throughout history as they rise up and turn the poison of centuries of oppression into a strange kind of medicine. Kater’s songs are dialogues with these historical figures and meditations on her own modern life as well. In the years since her 2018 album, Grenades, on Smithsonian Folkways, Kater has taken time to reinvent herself and hone her skills, first attending film school to learn composition, then diving deeper into her songwriting to come up with her most personal album yet. Feeling the pressure as a talented young songwriter, banjo player, and bandleader with three successful albums and an NPR Tiny Desk Concert under her belt, Kater struggled initially with the expectations of her adopted genre, Americana. “I was factoring everybody else’s perception into my songwriting,” she says. “Would I write more honestly if I knew that no one would ever hear this?” With that in mind, Kater retreated to her apartment in Montréal. Sitting at home with her banjo, the songs unfolded in personal intimacy, revealing windows into the perspective of women and revolutionaries through history. Co-producing with Joe Grass (Elisapie, The Barr Brothers), Kater invited close friends and colleagues O’Donovan and Allison Russell to sing on the album, along with longtime hero and American legend Taj Mahal. With lush arrangements and unexpected musical ideas drawn from genres as surprising as minimalist composition, jazz drumming, and film scores, Strange Medicine is the bold next step in Kater’s career. It’s an album made beyond the white gaze of Americana, unbeholden to a music industry that so often tokenizes and silences marginalized voices, a Black Feminist perspective on a genre that refuses to cede power to Black women. // Kaia Kate writes: “I specifically wanted to write about the way men historically have branded women as temptresses, harlots, sirens and shrews, and then sought to reflect this visually – the letter A for adulteress, the burning of flesh to symbolize evil. The first woman labeled a witch in Salem was a Black woman by the name of Tituba. Usually these women died nameless and scorned. In my narrative, the woman who is branded a witch and burned at the stake survives her pilgrim’s punishment, and now seeks her revenge on those who sought to destroy her.” // “One of Americana’s most thoughtful and inventive artists returns after six years with a meditation on those who’ve survived and thrived against marginalization and oppression.” – Ann Powers, NPR Music]

[Kaia Kater plays KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Julia Haile, Trevor Turla & The Soul Patrol, Flutienastiness , Reach, Sisterbot, Bad Alaskan, and more!]

11:22 – More Interview Rachel Christia & Vi Tran

We are talking with Rachel Christia & Vi Tran share info about KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Flutienastieness & The Soul Patrol, Julia Haile, Reach, Trevor Turla, Sisterbot, Bad Alaskan, and more! KC Folk Fest boasts four stages, delicious food trucks, bike valet and an extensive craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” organized by a local community-led board. For more information: http://www.kcfolkfest.org

KC Folk Fest boasts three stages, delicious food trucks, bike valet and an extensive craft market chock full of local vendors.

The 2026 Folk Fest Poster was created by artist, Kai Johnson (they/them), an illustrator and designer based in Kansas City, Missouri, with a deep passion for mental health advocacy and creative self-expression. With eight years of freelance experience, Kai has brought countless projects to life, including patches for KC Current’s Pride Collection, a tifo and hand-painted banner for the Google Pixel X NWSL Championship in 2024, a mental health journal for children, wrestling merchandise and uniforms, a flower press, and portraits.

Kai’s work is a commitment to mental health, self-awareness, and community healing. Their current artistic focus is on developing Mark Making: an art curriculum that pairs somatic experiences with creative exercises, empowering individuals to explore, understand, and transform emotions through art.

In their spare time, Kai loves to indulge in early 2000s cartoons and roller skating. For more about Kai, visit: kaistoodios.com/ or catch them on the Insta @kaistoodios

Rachel Christia &Vi Tran & Les Izmore thanks for being with us on WMM

KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Flutienastieness & The Soul Patrol, Julia Haile, Reach, Trevor Turla, Sisterbot, Bad Alaskan, and more! For more information: http://www.kcfolkfest.org

11:28 – Underwriting

13. Sisterbot – “Feel The Color”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Asley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace & Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” // Adee Dancy (Sisterbot), is a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved, into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, & theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and The Swallowtails. More info at http://sisterbotmusic.com%5D

[Sisterbot recently announced that as of this July, they will be joining the cast of Cirque du Soleil’s ECHO as a cellist and lead singer!!! Cirque put out a casting call back in late February that so many people tagged Adee and texted so they decided to submit an audition. Adee found out last week that they officially got the job- and that I’ll be going on an 18-month international tour. Aee will leave for Montreal, Québec, about mid-way through July for training, rehearsals, and their first shows with the company. Then I’ll spend the rest of 2026 in three different cities in Mexico!]

[Sisterbot plays KC Folk Fest on KC Folk Fest, Saturday, May 30, 11:00am to 7:00pm at Washington Square Park with The Freedom Affair, Kaia Kater, Julia Haile, Trevor Turla & The Soul Patrol, Flutienastiness , Reach, Bad Alaskan, and more!]

11:35 – Interview with Madelin Marak & Lori Buntin

Madeline Marak is a visual artist that makes paintings inspired by the urban environment. She received her Masters of Fine Art from the Sam Fox School of Art and Design at Washington University in St. Louis and her Bachelors of Fine Art from Tulane University in New Orleans, Louisiana. She has exhibited in notable galleries and museums including Kiosk Gallery, Smalter Gallery, Mildred Lane Kemper Art Museum, Meadows Museum, Contemporary Art Museum in St. Louis, UNO Gallery in New Orleans, and more. She has been an artist in residence at several international residency programs and a commissioned public artist in St. Louis and Kansas City. Aside from her art practice, Marak has been dedicated to serving her community in non-profit and arts leadership roles. She moved to Kansas City in 2022 from North Louisiana to join the vibrant arts community and continue working as a practicing artist.

Lori Buntin has lived in the Kansas City area since 2001, moving here after having taught drawing and painting courses at Wichita State University where she received her MFA in painting. Her current studio in the Livestock Exchange Building, located in the West Bottoms of Kansas City, puts her in the heart of the urban industrial surroundings that so often are the subjects of her paintings. Lori’s paintings and other artworks are in homes and collections across the country.

Lori is inspired by urban spaces, lit by cloudless, blue skies. Walking about the city, observing color, light, and form informs the subjects and compositions of her work. The finished work is sometimes a combination of the representation of a particular space, along with technical references to color mixing, sections roughed in/not “finished”, and design details. Other times the work is a singular composition of an observed space. And sometimes, a particular detail of a larger space becomes the focus of the piece.

Madeline Marak & Lori Buntin joins us to talk about a group show at Kansas City Artists Coalition curated by Madeline Marak called (un) Focused – a show of women artists who create images within lived experiences, which explore the relationship between urban and suburban, personal spaces, belonging, and a collective uncertain future. Marak brings together artists whose work intends to prompt the viewer to re-consider, re-connect, and re-examine ordinary spaces and familiar, yet uncharted spaces. Opening Reception Friday, June 5, 5:00pm. Closing Reception Friday, July 5, 5:00pm. On View: May 15 – July 3, 2026 at Kansas City Artists Coalition, 3200 Gillham Road, KCMO. http://www.kansascityartistscoalition.org

Madeline Marak & Lori Buntin thanks for being with us on WMM

Artists include: Lori Buntin, Hannah Chalew, Nicole Fry, Jessica Heikes, Kaitlyn B. Jones, Jessica Kincaid, Madeline Marak, Caroline Minchew, Yuxiao Mu, Katelyn Patton, Mandy Pedigo, Whitney Lea Sage, Carley Schmidt, Francesca Simonite, Tiffany J. Sutton, Gala Reneaum Tello, Chanel Thomas, Katherine Toler, Carolyn Wiedeman, and Arin Yoon.

Kansas City Artists Coalition
exhibitions@kansascityartistscoalition.org | http://www.kansascityartistscoalition.org
20+ artists in 2 exhibitions explore lived experience, and contentious relationships in KCAC’s Early Summer series.

Kansas City, MO — This spring, KCAC presents two group exhibitions exploring relationships and the everyday.

Main Gallery: (un) Focused, curated by Madeline Marak

Curator and artist Madeline Marak curates a show of women artists who create images within lived experiences, which explore the relationship between urban and suburban, personal spaces, belonging, and a collective uncertain future. Marak brings together artists whose work intends to prompt the viewer to re-consider, re-connect, and re-examine ordinary spaces and familiar, yet uncharted spaces.

Artists include: Lori Buntin, Hannah Chalew, Nicole Fry, Jessica Heikes, Kaitlyn B. Jones, Jessica Kincaid, Madeline Marak, Caroline Minchew, Yuxiao Mu, Katelyn Patton, Mandy Pedigo, Whitney Lea Sage, Carley Schmidt, Francesca Simonite, Tiffany J. Sutton, Gala Reneaum Tello, Chanel Thomas, Katherine Toler, Carolyn Wiedeman, and Arin Yoon.

Snap Space: The Unearthing of Cavities Through Meditative Rituals of Intimate and
Quiet Practice, a two person exhibition by Eve Krahn and Moe Leady

In the Snap Space, Painter Moe Leady and Ceramicist Eve Krahn investigate relationships
between individuals and vessels. The proximity of forms and bodies in their works prompt
us to reflect on relationships and stories that emerge from these interactions. The media of
each artist are quite different, yet both create work that directs the viewer towards both
contemplating and feeling larger ideas about identity, memory, and connection.
Moe Leady is an artist who works and resides in Kansas City. Her work has been recently
exhibited at Zhou B Art Center in Kansas City, Visionary Projects in Manhattan, and Awita
Studio in Brooklyn.

Eve Krahn is a practicing pediatrician and Fine Artist in Kansas City, focusing on a
abstract, hand-built sculptures that feature organic forms. She Shows regularly around
Kansas CIty, on both sides of State Line.

Exhibition Details
Opening Reception: First Friday, June 5, 2026, from 5:00 – 9:00 PM
Closing Reception: First Friday – July 5 , 2026, 5:00 – 8:00 PM
On View: May 15 – July 3, 2026
Location: Kansas City Artists Coalition, 3200 Gillham Road, Kansas City, MO 64109
Gallery Hours: Wednesday – Saturday, Noon – 5:00 PM

More Information: Visit http://www.kansascityartistscoalition.org
About the Kansas City Artists Coalition: The Kansas City Artists Coalition (KCAC) is a nonprofit organization dedicated to promoting More Information: Email Thayer, Exhibitions

Madeline Marak & Lori Buntin thanks for being with us on WMM

Kansas City Artists Coalition curated by Madeline Marak called (un) Focused – a show of women artists who create images within lived experiences, On View: May 15 – July 3, 2026 Opening Reception Friday, June 5, 5:00pm, at Kansas City Artists Coalition, 3200 Gillham Road, KCMO. http://www.kansascityartistscoalition.org

11:49

14. Allison Russell – “Cold April”
    from: “Cold April” – Single / Birds of Chicago LLC – Fantasy Records – Concord/ May 8, 2026
    [4x GRAMMY-nominated singer, songwriter, poet, activist, and multi-instrumentalist Allison Russell has announced her third studio album, In The Hour of Chaos, produced by Russell and Dim Star and arriving on July 10th via Fantasy Records. To mark the occasion she has shared her single “Cold April” featuring her tourmate Kara Jackson, Denitia and the Explore! Pop Choir. // Allison Russell just completed her second run on Broadway as Persephone in the 8x Tony Award winning musical Hadestown. She took over the role in November 2024 initially, after spending much of that year opening for Hozier on his Unreal Unearth Tour supporting his arena run on all US dates and throughout Europe. She made her Billboard Hot 100 debut thanks to their duet “Wildflower & Barley.” // Russell recently took the stage at the JUNO Awards to pay tribute to fellow Canadian, Joni Mitchell. The performance was a duet between her and Sarah McLachan who she will tour with throughout the summer. Dates kick off on July 1st in Franklin, TN. A full list of tour dates is below. // The accolades for Russell have been immense. Last year she was nominated for the Polaris Prize and named Billboard Women In Music Canada’s “Breakthrough Artist of the Year.” She has had 8 GRAMMY nominations and one win, earned three 2022 Americana Award nominations and a win for Album of the Year with subsequent nominations in 2023 and 2024, two International Folk Music Award wins, a 2022 Juno nomination for ‘Songwriter of the Year,’ and her first-ever Juno Award win for Contemporary Roots Album of the Year. Russell won three Canadian Folk Music Awards, two UK Americana Music Awards, and more. // Allison Russell on “Cold April” – Things are rough. Things have been rough before. “Cold April” is not laying out the grim facts of the moment. “Cold April” asks if we can let the music itself restore and recharge us. The act of singing with my sisters, Kara Jackson and Denitia, is a balm for my soul, and a wind at my back to keep on. And my daughter Ida’s Explore! Pop Choir?! Let them tell it: “Calling all birds from across the nation yeah we got a brand new murmuration we don’t have to fly in that old formation, no” Youth – and Love – will be served! // Kara Jackson recently collaborated with Gorillaz and was previously the US National, Youth Poet Laureate Denitia part of CMT Next Women Of Country series, member of Rissi Palmer’s Color Me Country program, and featured in Dolly Parton’s Threads: My Songs in Symphony concert. // // Allison Russell released The Returner, on September 8, 2023. The album was written and co-produced by Allison along with dim star (her partner JT Nero and Drew Lindsay) and was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, CA. It features Russell’s “Rainbow Coalition” band of all female musicians along with special guest appearances from the legendary Wendy & Lisa, Brandi Carlile, Brandy Clark, and Hozier. Allison Russell on The Returner: “My goal with The Returner – sonically, poetically, and spiritually – is a radical reclamation of the present tense, a real time union of body, mind, and soul. This album is a much deeper articulation of rhythm, groove, and syncopation. Groove as it heralds the self back into the body, groove as it celebrates sensual and sexual agency and flowering, groove as an urgent call to action and political activism. // In just a word, it’s funkier. But as is the history of anything funky, it’s never just a party. It is a multiverse of energies that merges the celebration and the battle cry. For while an embrace of the present tense is a celebration, it is equally an unquestioning leap into battle – cultural, political, environmental.” // Since the release of her debut solo LP two years ago Outside Child, Russell’s often devastating, deeply moving, cathartic celebration of survivor’s joy has become one of the most acclaimed albums of the past 10 years. Now comes the second chapter in her story, The Returner, a body-shaking, mind-expanding, soulful expression of liberation, love, and self-respect that serves as a fierce declaration of joy for all survivors that have made it to the other side. Allison, JT, and Drew built The Returner from the bottom up with a rhythm-first, genre-fluid approach. The improvisational energy of great female artists sparked the album’s fierce joy, and provided a wider canvas for Allison’s immense, unlimited talent. In all, the new album doesn’t just deliver on the promise of the last two years, it exceeds all reasonable (and unreasonable) expectations and affirms Allison Russell’s place among music’s most vital artists and The Returner, as one of 2023’s most essential recordings. // Allison Russell has spent her career in multiple bands, including Po’ Girl, Our Native Daughters, and Birds of Chicago. After a career spent as a gifted multi-instrumentalist, backing numerous other artists, she finally dared to release her solo project in 2021. “It’s an album of strength and affirmation, not victimization,” said The New York Times in their profile on Russell and Outside Child. Following the album’s release, Russell performed on Jimmy Kimmel Live!, Ellen, Late Night With Stephen Colbert, CBS Saturday Morning, Austin City Limits, The Kelly Clarkson Show made her Opry debut and appeared at the Country Music Hall of Fame and performed at the 2022 GRAMMY’s Premiere Ceremony. // The accolades for Russell have been immense. In addition to her four GRAMMY nominations, she has earned three 2022 Americana Award nominations and a win for Album of the Year, two International Folk Music Award wins, a 2022 Juno nomination for ‘Songwriter of the Year,’ and her first-ever Juno Award win for Contemporary Roots Album of the Year. Russell received two 2021 Americana Awards nominations, won three Canadian Folk Music Awards, two UK Americana Music Awards, and more. She was recently nominated for Song of the Year and Artist of the Year for the 2023 Americana Awards. In addition, Russell has consistently used her newfound platform to elevate, educate and inspire; curating the history making Once And Future Sounds: Roots and Revolution set for the Newport Folk Festival in 2021 and mobilizing this year’s triumphant Love Rising All-Star benefit concert in support of LGBTQIA+ causes in Nashville – raising over $550,000 and calling national attention to Tennessee’s dangerous anti/trans and anti/drag laws. Russell has also announced a book deal with Flatiron/MacMillan for her debut novel, a memoir based on her life and the material that inspired Outside Child and The Returner. // All songs written by Allison Russell, JT Nero, and Drew Lindsay // Co-Producers: Dim Star and Allison Russell // Recorded by Brandon Bell at Henson Recording Studios (Los Angeles, CA) Assistant Engineer: Kelsey Porter. Mixed by Brandon Bell at The Cabin Studio (Nashville, TN). Mastered by Kim Rosen at Knack Mastering (Ringwood, NJ) // Allison Russell (vocals, banjo, clarinet), Elenna Canlas (keyboards/synth, backing vocals), Elizabeth Pupo-Walker (percussion), Chauntee Ross (violin, backing vocals) & Monique Ross (cello, backing vocals) aka SistaStrings, Ganessa James (bass, backing vocals), Joy Clark (guitar), Kerenza Peacock (violin), Larissa Maestro (cello, backing vocals), Lisa Coleman (piano), Mandy Fer (guitar, backing vocals), Meg Coleman (drums), Meg McCormick (guitar), Wendy Melvoin (guitar, bass), and Wiktoria Bialic (drums). Special guests Brandi Carlile, Brandy Clark, and Hozier provide backing vocals on “Requiem”. //We first saw Allison Russell as part of the band/duo with her partner JT Nero as, The Birds of Chicago at the 2014 International Folk Alliance Conference, where they were an Official Showcase Artist . More info at http://www.folk.org. Russell was born in Montreal to a Grenadian student and a Scottish-Canadian teenage single mother. Her mother struggled with postpartum depression and schizophrenia, and Russell was initially placed in foster care. Her mother regained custody of her after marrying a white-supremacist American expatriate. From the ages of 5 to 15, she was physically and sexually abused by her adoptive father. At the age of 15, Russell ran away from home, eventually moving to Vancouver in 1998. She attended Dawson College. // Russell was initially a member of the Vancouver-based Celtic folk band Fear of Drinking. // In 2003, Russell formed the band Po’ Girl with The Be Good Tanyas member Trish Klein. She recorded seven albums with the band: Po’ Girl (2003), Vagabond Lullabies (2004), B-side Recordings (2006), Home to You (2007), Deer in the Night (2008), Live (2009), and Follow Your Bliss (2010). Russell formed the music group Birds of Chicago with JT Nero in 2012. As part of Birds of Chicago, Russell released three studio albums, Birds of Chicago (2012), Real Midnight (2016) and Love in Wartime (2018). With the group, she also released a live album, Live from Space, and an EP titled American Flowers in 2018. In 2018, Russell joined the musical collective Our Native Daughters alongside fellow musicians Rhiannon Giddens, Leyla McCalla, and Amythyst Kiah In 2019, the group released the album Songs of Our Native Daughters under the Smithsonian Folkways label. Russell was also featured alongside the rest of the group in a Smithsonian Channel documentary titled Reclaiming History: Our Native Daughters. Info: http://www.allisonrussellmusic.com]

15. Aldous Harding – “Venis in Zinnia (feat. H. Hawkline)”
    from: Train on the Island / 4AD / May 8, 2026
    [Aldous Harding is New Zealand based singer songwriter. Her Lyrics are brilliantly expressive and surreal. Her minimalist Indie rock 2022 album Warm Chris was released March 25, 2022. // Hannah Sian Topp was born in 1990. She is known professionally as Aldous Harding, is based in Cardiff, Wales. // Topp comes from a musical family in Lyttelton, New Zealand: her mother is folk singer Lorina Harding. One of the first musicians who came across her was New Zealand folk-pop singer/songwriter Anika Moa. Moa asked Harding to play support for her that night after finding her busking outside the venue she was about to play at. // She has released music through independent record labels Flying Nun, Spunk, and 4AD. She has collaborated with Marlon Williams, John Parish, Mike Hadreas and Fenne Lily. // 4AD announced Harding as a new signing in early 2017 just prior to the release of her second album, Party. Party was nominated for IMPALA’s European Album of the Year Award. Singer-songwriter Aldous Harding, released Designer is the third studio album on April 26, 2019 by 4AD. The song “The Barrel” won the 2019 APRA Silver Scroll award. // As of 2020, she is based in Cardiff, Wales, where she had previously lived with partner and collaborator H. Hawkline. Aldous Harding played The Granada Theatre, 1020 Massachusetts, Lawrence, on Saturday, July 2.]

16. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, May 27 we talk with comedian Margaret Cho who plays The Folly Theatre on Saturday, June 13 at 7:30PM. Plus we talk with FlareThaRebel fresh from his trip to Ireland with Kadesh Flow and Kemet Coleman. AND Cody Calhoun and Brodie Rush share all the details of the Pink Floyd Tribute show they’ve put together featuring Dark Side of The Moon in it’s entirety along with other hits on Friday, May 29 at 8:00pm at Warehouse on Broadway, 3951 Broadway Blvd, KCMO

THANK YOU to everyone who donated to KKFI’a Winter Fund Drive during Wednesday MidDay Medley we had a total of 49 individuals donated $3924.00 going way over our show goal!

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1148

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 28, 2025

WMM presents: New & MidCoastal Releases + Chris Hudson + Dwight Frizzell & Sound in Radio Art

1. “It’s Showtime Folks”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
   [WMM’s theme]

2. Hello Biplane – “Spotlight”
   from: “Spotlight” – Single / Hello Biplane / January 16, 2026
   [Spencer Goertz-Giffen – vocals, guitar, charango; Braden Young – vocals, electric, acoustic, baritone guitar; Jeff Jackson – bass; Austin Sinkler – drums; Hugh Naughtin – cello, synth; Nate Holt – piano, accordion, organ. // Engineered by Jim Piller and Braden Young. Produced by Braden Young, Spencer Goertz-Giffen, and Jim Piller. Mastered by Winston Goertz-Giffen at Pulp Arts Studio. All songs written by Spencer Goertz-Giffen and Braden Young. // Spencer Goertz-Giffen and Braden Young of Hello Biplane also have the band, Alien Hellbop who released the EP, After The Quake on October 25, 2021. // Alien Hellbop is a maximalist rock duo from Lawrence, KS combining guitar, drums, sample pad bass and vocal harmonies to create a sonic duo larger than the sum of its parts. Attendees of shows past have been hypnotized and dumbfounded by how the sound is pulled off. Originally formed in Chico, CA members Spencer Goertz-Giffen and Braden Young set out to create a full band sound with only two members. After a flurry of positive feedback from shows played in northern California, Alien Hellbop managed to drive cross country with their two small children to Gainesville, FL and record a five song EP at PULP studios with the help of engineer and producer Winston Goertz-Giffen. Alien Hellbop is now based out of Lawrence, KS. Spencer and Braden have been involved in many other bands over the years including: Hospital Ships, The Kinetiks, The Willnots, Accursed Wound, The Magentlemen, Saything, and Old and Gray. The duo also fronts another group called Hello Biplane, a six-piece dream-folk-pop band with focus on songwriting and male/female harmonies.]

[Hello Biplane play Bottleneck, 737 New Hampshire, Lawrence, KS. on Mar. 28, 2026 w/ The Roseline.]

3. Various Blonde – “Poverty Line” – Single
   from: “Poverty Line” – Single / Various Blonde / January 9, 2026
   [One of several new singles released in the last few months from Various Blonde. “Silent Partner” was released on April 11, 2025. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]

4. Calvin Arsenia – “Help! The Flying Monkeys are Coming!”
   from: Paradise / Calvin Arsenia / June 23, 2023
   [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectacle at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, 2022, 2023. 2024, and 2025. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, June 23, and 24, at The Emerald, 1715 West 9th Street, KCMO. More info at http://www.calvinarsenia.com][Calvin Arsenia was on WMM Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia joins us LIVE on WMM on Wednesday, February 11, 2026.]

[Calvin Arsenia plays Knuckleheads, 2715 Rochester Ave., KCMO, Sat, Feb. 14, 2026 at 8:00pm]

5. Ramy Essam – “Ra7 Nelte2i”
   from: “Ra7 Nelte2i” – Single / Rev House Productions / January 25, 2025
   [Ramy Essam was born 1987 in Mansoura. He is an Egyptian musician, best known for his appearances in Tahrir Square in Cairo during the Egyptian Revolution of 2011, and has been called the voice of the Egyptian revolution. // Essam stands for gender equality, LGBTQ+ rights, freedom, social justice, equity, health care, minority rights, education and peace as it can be found in his music. His songs feature the themes of corruption, censorship, women’s and workers’ rights, political prisoners, economic exploitation and torture. // The second of four children, Ramy Essam’s father died when he was 11. He completed three and a half years of a five-year architecture degree in Mansoura, before the advent of the Egyptian revolution. // When the Egyptian revolution began, Essam travelled to Cairo with his guitar and began performing in Tahrir square, turning the crowd’s chants into songs. He began performing in front of millions of people, and the song “Irhal”, in which then Egyptian president Hosni Mubarak was urged to resign, gained popularity among the demonstrators. It became widely-known through YouTube, and is referred to as the anthem of the revolution. In 2011, it was selected by Time Out as the third-most world-changing song of all time. // When Tahrir Square was cleared by soldiers on 9 March 2011, Essam was arrested, taken to the nearby Egyptian Museum, and tortured. // In 2013, Essam’s songs were banned in Egypt and he was forbidden from performing. His fans were harassed by police if his music was found on their phones. // After the 2014 Egyptian presidential election, Essam was detained and interrogated for his history of anti-police songs. He left to live in Finland & Sweden later that year, receiving a fellowship with International Cities of Refuge Network which gave him the chance to create and perform freely to spread his message as an ambassador of the Egyptian revolution. // During 2016 to 2017, Essam toured throughout Finland with the theatre monologue RAMY – In the Frontline, which also received 5 stars reviews at the Fringe Festival Edinburgh. // In 2021, Essam performed at Access Now’s 10th anniversary edition of RightsCon. // His 2018 song “Balaha”, a satirical criticism of Egypt’s military rulers, led to six individuals being arrested in Egypt that were, either correctly or incorrectly, assumed to be connected to Essam and the song. Among them were the writer of the song’s lyrics, poet Galal El-Behairy, and a former band member that had not worked on the record. Essam’s passport was revoked by the Egyptian government, leaving him paperless and unable to travel. // In May 2020, one of the detainees, filmmaker Shady Habash, died after being incarcerated for more than two years in pretrial detention. Egypt’s public prosecutor claimed that Habash mistakenly drank hand sanitiser in his cell, thinking it was water. // Awards, nominations & honors: #3 on the list “100 Songs That Changed History”, Timeout Magazine // “Freedom To Create” prize winner, 2011 // Music Rights Champion, 2016, Int. Music Council // Spirit of Folk Award, 2017, Folk Alliance Festival, US // GrupYorum Award, 2020, “Tenco 2020 Award” – Sanremo – Italy.]

Discography
Albums
Manshourat (2011)
El Masala (2012)
Mamnoua’ (2014)
Resala Ela Magles El Amn (“A Letter To The UN Security Council”) (2017)
In 2017, Essam released his album on Universal Music MENA. The album is a mix of re-recorded older tracks and new compositions. The lyrical topics range from depictions of daily hardships of normal people, the struggle for social justice and women’s rights, environmental issues and criticism of the regime.

Singles
Segn Bel Alwan (2016) (featuring Lebanese rapper Malikah) was released in 2016. The song highlighting women’s situation and the issue of gender equality in his home country, became a big hit and one of the most streamed videos in Egypt in the weeks after its release.The
Camp (2017) Essam collaborated with UK artist PJ Harvey, released in June 2017 to benefit displaced children in the Lebanese Bekaa Valley fleeing the Syrian Civil War.
Balaha (2018) on February 26, 2018, Essam released a song and music video called Balaha which mocked Egyptian president Abdel Fatah al-Sisi. Balaha led to eight arrests back in Egypt; two remain in detention as of April 2020, and a third, music video director Shady Habash, died in prison in 2020, allegedly from “health issues not yet specified”, at the age of twenty-four after living over two years in pre-trial detention. The video has received over five million YouTube views.

Muqawma (Resistance) (2021) A song based on a poem by Egyptian activist Ahmed Douma from the revolutionaries of Egypt to the revolutionaries of Palestine]

[Ramy Essam plays Greenwood Social Hall, 1750 Belleview KCMO, on Wed, Jan. 28, 2026 at 7:00pm]

6. Jesus Christ Taxi Driver – “Too Cold To Golf”
   from: Too Cold To Golf / Midtopia / January 23, 2026
   [Is it about the President? Yes of course it is. The bands first release in three years. Somewhere between the violent rock and roll of Jon Spencer, the sophisticated rhythms of Ali Farka Toure, and the religious disorientation of Jean Meslier, Jesus Christ Taxi Driver makes joyfully irreverent noise. Taking aim at daily banal agonies, and existential uncertainty, the moods shift from meditative to unhinged. The music takes risks. // Formed in 2022 on Colorado’s front range, they’ve been bringing their wildly disruptive live shows to venues across the mountain west at an incredible pace. Keep an eye on their schedule to see where they are playing near you, and for their debut LP “Lick My Soul” released on July 7, 2023. // Jesus Christ Taxi Driver played the 21st Annual Crossroads Music Fest, September 6, 2025.]

7. Suzannah Johannes – “Whisper (feat. Syd Straw)”
   from: Los Angeles: The Missing Album / Hobbie Songs and Music / January 2, 2026
   [About the Album: In 2013, Suzannah Johannes flew out to Los Angeles to record an album with her longtime friend Josh Adams and Gus Seyffert, who has produced for Beck, Jenny Lewis, and Dr. Dog. Over two and a half days at Seyffert’s house, the three recorded 11 sparkling tracks that somehow got lost in the shuffle of time. Los Angeles — aka “The Missing Album” — was recorded for a potential record deal, but then Johannes broke her wrist, changed jobs, got married, had a child, and even Johannes herself is not sure what happened to the music. Seyffert paid to have the tracks mastered, and now, finally, this album of beauty and longing will appear in the world. These songs are bright, rich, lively, sometimes spontaneous — Seyffert’s neighbor, Syd Straw, popped by to visit and ended up singing harmony on the first track. The songs — sometimes paradoxical: as Johannes sings, “don’t take my hand / don’t walk away” — benefit from the accompanyment of Josh Adams (drums, percussion), Tyler Cash (keyboard), and Gabe Noel (bass). Los Angeles is a gift from the time capsule, a wondrous amalgamation of Johannes’ searching voice and Seyffert’s masterly production. – (Daniel Hoyt) // On August 29, 2025 Suzannah Johannes released Kansas City: Hanz Bronze Boulevard /also through Hobbie Songs and Music. // Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. // Limited-edition of 500 black vinyl records that are hand numbered. Purchase through this website to receive the vinyl album before the release date and receive link to download digitally, as well as to choose to have your album signed. More info at: http://www.suzannahjohannes.com.]

10:29 – Underwriting

8. Courtney Barnett feat. Waxahatchee – “Site Unseen”
   from: Creature of Habit / Mom+Pop / To be released on: March 27, 2026
   [By Mark Redfern for Under the Radar: Courtney Barnett has announced a new album, Creature of Habit, and shared a new song from it, “Site Unseen,” which features Waxahatchee. // In 2023 Barnett released a new instrumental album, End of the Day. Barnett’s last album of regular songs, Things Take Time, Take Time, came out in 2021 via Mom + Pop Music/Marathon Artists. // Creature of Habit was written after Barnett relocated from her native Australia to Los Angeles and also closed down her label, Milk! Records. // Of “Site Unseen” and working with Waxahatchee (aka Katie Crutchfield), Barnett says in a press release: “I tried three separate times over two years to track this song, and each time it either wasn’t finished or didn’t sound right and each time we had to start again. I kept hearing this really high harmony in my head, so for the fourth and final version, I asked Katie if she’d be into singing it with me. I’m a big Waxahatchee fan. I really love Katie’s songwriting and her voice, so it was an honor to have her sing on ‘Site Unseen.’”

Courtney Barnett Tour Dates:
May 1 – Austin, TX – RADIO/EAST
May 2 – Houston, TX – White Oak Music Hall
May 3 – Dallas, TX – The Bomb Factory
May 5 – Nashville, TN – Ryman Auditorium
May 6 – Atlanta, GA – Tabernacle
May 9 – Brooklyn, NY – Kings Theatre
May 10 – Washington, DC – The Anthem
May 12 – Philadelphia, PA – The Fillmore
May 13 – Boston, MA – Roadrunner
May 15 – Madison, WI – The Sylvee
May 16 – St. Paul, MN – Palace Theatre
May 19 – St. Louis, MO – The Hawthorn
May 20 – Columbus, OH – Newport Music Hall
May 21 – Detroit, MI – Majestic Theatre
May 22 – Toronto, ON – History
August 11 – Cleveland, OH – Agora Theater
August 12 – Pittsburgh, PA – Roxian Theatre
August 14 – Cincinnati, OH – MegaCorp Pavilion
August 15 – Kansas City, MO – The Truman
August 18 – Seattle, WA – TBA
August 19 – Portland, OR – TBA
August 21 – Denver, CO – Mission Ballroom
August 22 – Salt Lake City, UT – Rockwell at The Complex
August 24 – Sacramento, CA – Channel 24
August 26 – San Francisco, CA – The Fillmore
August 29 – Los Angeles, CA – Hollywood Palladium

9. Natalie Prauser – “Dice”
   from: Everything Is Fine / Midtopia Records / January 16, 2026
   [Natalie Prauser: Vocals, Acoustic Guitar, Keys; Joseph Patrick Gaughan: Electric Guitar, Baritone; Nate Hofer: Pedal Steel; Chad Hasty: Bass; Sam Cronenberg: Drums. // All songs written by Natalie Prauser. Produced and mastered by Duane Trower. Recorded at Weights & Measures Studio. Cover photograph by Patricia Fouts © Natalie Prauser 2025. // Natalie Prauser blends the introspection of the 60s Laurel Canyon folk scene with the attitude of 70s outlaw country. Through tales of loving, leaving, and honky-tonk debauchery, her honest voice and razor-sharp lyricism give Prauser a cutting edge take on a timeless sound. // More info at:www.natalieprauser.com]

[Natalie Prauser plays The Granada Theatre, 1020 Massachusetts St., Lawrence KS, Saturday, January 31, 2026 with Lorna Kay, and Lauren Lovelle & The Midnight Spliffs.]

10. Lauren Lovelle – “Anxiously Attached (radio edit)”
    from: Other Dreams – EP / Lauren Lovelle / September 9, 2025
    [From OnetoWatch.com: Lauren Lovelle has country music coursing through her veins. Hailing from Harvey County, Kansas it may not come as a surprise that Lovelle is a country music aficionado. But not every Harvey County four-year-old is getting on stage with their dad’s honky tonk band to sing Hank Williams’ “Your Cheatin’ Heart.” By the time Lovelle was 10, she spent full sets up on stage with the band. While Lovelle’s journey to music seems like an obvious one, it wasn’t as straightforward as it could’ve been. Moving to a new high school in Wichita left her ashamed of her rural upbringing, leading her to abandon country music, and a college sexual assault brought years of grief and trauma. In the end, however, it was music, specifically a Linda Ronstadt song, that brought Lovelle back to herself. Having fronted a country band for the past two years, Lovelle is now introducing herself with her debut EP Other Dreams. // The EP is a masterful weaving of classic country and bluegrass sounds with straightforward, honest lyrics. On the opening track, “Anxiously Attached,” Lovelle dives into her struggles with love and attachment. Set to a classic country instrumentation full of guitar, fiddle, and drums, Lovelle sings “Don’t you know I’m attached anxiously / I’m the match / Hastily wasting this flame / On a lover who walked away.” Despite her anxious attachment, Lovelle sings with an air of nonchalance and acceptance. // “Won’t Tell You Goodbye” immediately contrasts the energy of “Anxiously Attached.” Lovelle’s vocals on the lovelorn ballad lay out every emotion she is feeling. Her pain and frustration are palpable as she sings “Couldn’t be more in love / Than the day we said we’re through.” A mournful pedal steel adds an air of melancholy as it wails above the guitars and drums. Lovelle’s heartbreak only pushes her towards her music, as she realizes that heartbreak from music is worth so much more than heartbreak from a man. Speaking on “Won’t Tell You Goodbye,” Lovelle shared, “It’s about how I’m going to give music a chance to break my heart first. If music destroys me and disappoints me, that’s still more of a victory than not taking the chance and totally letting my heart be broken by some dude back home. The failure of music, after I tried and gave it my all, would still be a victory on its own.” The song’s final lyrics drive home Lovelle’s point as she croons “If rock and roll don’t break my heart / I can surely depend on you.” // While Lovelle’s heart has been broken, she doesn’t dwell on it, as “Very Last Time” brings back the classic upbeat country twang heard in the EP’s opening track. Lovelle reflects on all the shortcomings of her ex-lover as she sings “You’ve been busy / Busy tryna waste my time again / Even though you know you leave me cryin’.” While there may be moments where Lovelle misses her ex, she knows that she’s better off without them as she sings “Well the day will come / When you’re ready to apologize again / Standing at my door with bloodshot eyes / But then don’t expect to get invited inside.” Lovelle shows off her vocal chops, easily floating up into her higher register before effortlessly sliding back down into her chest voice. A chorus of background vocals join Lovelle, and it’s easy to picture her in front of a crowd, conducting them to sing along with her. // In the EP’s final song, “In My Jeans,” Lovelle reflects on her history, the country music coursing through her veins, and everything else that happened along the way, that ultimately brought her here to her own work of country music. The chorus ties together her heritage and her trauma as she sings “I know you want to talk about it / But I can’t stand to look down at this / Hollow aching wound I’ll never clean / You can dive into my blood / And climb my family tree / I was cursed before the cradle / It’s in my jeans.” Lovelle continues to honor her country music roots, as the instrumentation is once again full of strings and guitars. // Other Dreams perfectly introduces Lauren Lovelle to the world. Classic country instrumentations combined with Lovelle’s modern outlook on life, result in four tracks that lay out Lovelle’s story so far. We can’t wait to see what the next chapter brings.]

[Lauren Lovelle & The Midnight Spliffs play The Granada Theatre, 1020 Massachusetts St., Lawrence KS, Saturday, January 31, 2026 with Lorna Kay, and Natalie Prauser.]

11. Lorna Kay – “What Ever Happened”
    from: Lorna Kay – EP / Town & Country / September 19, 2025
    [Lauren Krum solo project with Mike Stover. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]

[Lorna Kay plays The Granada Theatre, 1020 Massachusetts St., Lawrence KS, Saturday, January 31, 2026 with Lauren Lovelle & The Midnight Spliffs and Natalie Prauser.]

12. Joy Oladokun – “Nothing Comes Easy”
    from: “Nothing Comes Easy” / Feed The Family – Concord / January 16, 2026
    [From Stereogum January 16, 2026: On her new single “Nothing Comes Easy,” folk artist Joy Oladokun is here to remind us that we are human and getting hurt is a integral part of that. It’s normal. It will pass. We have time, and time heals all. “Don’t take it on you/ It’s just the cold truth,” she sings, embodying a loved one’s words of wisdom. “Nothing comes easy except for pain.” It’s a song that validates pain, but doesn’t relish in misery. We are all stronger than we think. We carry on. // Oladokun has released a handful of singles since 2024’s great album Observations From A Crowded Room, but “Nothing Comes Easy” is her first new music of 2026. She shared some insight about the new song: // I wrote “Nothing Comes Easy” about how getting hurt can happen quickly but healing takes time. This past year, I dealt with a lot of change in my personal life and career and for a moment it felt like nothing good would ever come again. In my backyard, there is a planter filled with the most resilient sunflowers I’ve ever seen. I wrote this song about watching them find life over and over again and how they taught me to celebrate good things because oftentimes they have fought hard to be good. // The song also comes with a Ademola Ogunnaike-directed video in which Oladokun gets tattooed while singing. In a Substack post from earlier this month, she offered her struggles from the past year, the small rituals she took towards self-healing, and how that all led up to this new song and video. You should read the whole thing, but here’s the passage that explains the significant meaning behind the track’s visual: The chief purpose of my music is to make songs that heal me and release them with the hope that they will help heal someone else too. That lack of commercial vision can be frustrating for business partners but the conviction that it comes with is rare. I believe in the songs I write and the messages they send so deeply. // When it came time for a music video, I decided that this particular lesson was important enough for me to keep around. // Tattoos, to me, are like talismans. Each one that I have is tied to a life lesson I’ve learned and want to remember. I realized that I want to hold on the idea that good things push through the soil of the minutiae of our days and bloom into soul sustaining joys. // I found a tattoo artist and a director and the video for the song was filmed a few nights before Christmas. // My leg now has a bouquet of flowers on it and my heart has a reminder for when the bottom falls out of another false world built on my pride. // Joy Oladokun released Observations From A Crowded Room on Oct. 18, 2024. // Joy Iladokun released Proof of Life her 4th studio album on April 28, 2023. The album was supported by five singles released throughout 2022 & 2023. The album features guest appearances from Mt. Joy, Manchester Orchestra, Chris Stapleton, Maxo Kream, and Noah Kahan. In a press release about the album, Oladokun said that she intended for the songs on Proof of Life to be “helpful anthems” and to resonate with “anybody who feels normal and needs a little musical boost to get through the day”. The first single, “Keeping the Light On”, was released on January 21, 2022. The second single, “Sweet Symphony” (featuring Chris Stapleton), was released on September 23, 2022. Of the song, Oladokun said that the song was about “the vulnerability, the fear, and the ups and downs that come from loving someone.” The third single, “Changes”, was released on February 17, 2023, simultaneously with the album announcement. The fourth single, “We’re All Gonna Die” (with Noah Kahan), was released March 17, 2023. The 5th and final single, “Taking Things for Granted”, was released on April 21, 2023. // Joy Oladokun was born April 6, 1992, she is an American singer-songwriter. Oladokun’s music spans the genres of folk, R&B, rock, and pop and is influenced by her identity as a queer woman of color. Oladokun grew up in Casa Grande, Arizona, listening to country and folk music, as well as Bob Marley and Lauryn Hill. Both of her parents are Nigerian immigrants to the United States. Her family regularly attended a Christian church, where Oladokun was chosen to lead worship. Later, Oladokun left the church because it limited her creativity. // When Oladokun was 10, a video of Tracy Chapman inspired her to learn guitar.// After college, at a friend’s suggestion, Oladokun moved to Los Angeles to pursue her music career. She later moved to East Nashville, where she signed with Prescription Songs. She has released three studio albums. In 2015, Joy Oladokun self-released her debut EP Cathedrals. Her debut studio album, Carry Me was funded by Kickstarter and released on April 29, 2016 through Well Records. // Oladokun released the single “Sunday” in 2019, saying “‘Sunday’ is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer and happy. Queer and healthy. Queer and holy. She needed to see married women kissing and playing with their kids.” The music video highlights people in LGBTQ relation-ships and has a predominantly queer cast. // Oladokun’s song “Mercy” follows in the same theme, describing her experience as a Black person in the United States, while the single “I See America” criticizes systemic racism. NPR listed “I See America” on its 100 Best Songs of 2020. // On July 17, 2020, Oladokun released her 2nd studio album, In Defense of My Own Happiness (Vol. 1). Billboard described the album as a “stunningly emotional collection.” Mitch Mosk, editor-in-chief of Atwood Mag., called it a “a sweeping, soaring, and stunning sophomore record oozing heart and soul.” // In 2021, Oladokun received a grant from YouTube’s “#YouTubeBlack Voices Fund”. The same year she signed with Amigo Records, Verve Forecast Records, & Republics. http://www.joyoladokun.com Oladokun played The Truman on Sept. 12, 2024]

13. Run With It – “Do It Anyway”
    from: “Do It Anyway” – Single / 5AM Publishing / January 1, 2026
    [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // Run With It is on a new path dropping one new song a month and are fully self-producing as well. On November 12, 2025 they released the single “X2myY”. in October 2025 they released the single, “Darkest Days.” // In 2024 Run With It released their the singles: “Ghost Like You” on September 13, 2024; “Nightwatch” on August 21, 2024; and “It’s Not Over (feat. The Royal Chief) on April 10, 2024. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on February 12, 2025 and October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 201, recorded with producer Josh Gleave. // http://www.runwithitband.com]

14. Britanny Davis – “Girl (Don’t You Know)”
    from: Black Thunder / Loosegroove Records / June 13, 2025
    [“As a blind person, I’ve never had an actual visual experience,” says artist Brittany Davis. “Sound is the way I’ve always seen my world.” // Brittany brings that world to cinematic life with Images Issues, their full-length debut as a solo artist, released March 1, 2024 on Loosegroove Records. Arriving on the heels of 2022’s I Choose to Live — an introductory EP that was championed by outlets like NPR (who hosted Davis for a Tiny Desk Concert) and SPIN Magazine (who praised Davis’ “intuitive virtuosity across deeply-felt rock, funk, and R&B”) — it’s a wildly creative project that obliterates the traditional borders between genre and job. Brittany isn’t just the album’s vocalist; they’re also the songwriter, engineer, co-producer, and multi-instrumentalist responsible for nearly every sound on the album. Those sounds are just as diverse as the person who created them, with Image Issues making room for gospel piano, hip-hop grooves, house beats, jazz chords, self-made samples, and everything in between. It’s a wide mix — and it’s all Brit. // From Written by Jonathan Cohen’s April 13, 2023 article in DSPIN Magazine: Blind since birth, the talented musician leads their own quartet while also playing in Stone Gossard’s Painted Shield. // Davis, who uses they/them pronouns, has been dazzling people in this fashion more or less since the beginning, while overcoming enormous personal challenges along the way. They were born blind in 1994 in Kansas City, Mo., and were just three years old when their mother was sent to prison for a decade for murder, leaving them to be raised by their maternal grandmother. Davis has a form of synesthesia, where they can experience multiple senses at once. Although for some this might seem like a kind of blessing or superpower, for Davis, it only magnified the struggle to translate the sounds in their young head into something people could actually hear for themselves. // “When I was little, I heard music in everything,” Davis tells SPIN over Zoom after apologizing for the constant loud noises coming from their cell phone (“Forgive me – everything in my life talks,” they say with a huge smile, in a voice as naturally harmonious as their songs). “Music was like a language. There was no quintessential moment where I knew it was magic — it just was. It always was. It’s like breathing. But I didn’t really have anybody to share it with, or the means to share it with people the way that I wanted to. I definitely played in churches sometimes, or maybe if a friend came to the house, they’d be like, ‘OK Brittany, play us a song.’ I felt like a one-trick pony, and I didn’t know how to express my desire and pain through my music. It was almost like a second skin.” // An early breakthrough came through the assistance of a teacher at a Kansas City piano academy, where at the behest of their grandmother, Davis spent four years as a student between the ages of seven and 11. Even though they “can’t stand to practice,” Davis was encouraged to play loops or fragments of their fledgling ideas, which the instructor then helped turn into actual songs. “Bless his soul – he gave me my first recording experience,” Davis says of this material, which is now sadly lost to the ages. // Shortly thereafter, Davis’ life was plunged back into tragedy when, at age 12, their father was murdered. “My mother was still incarcerated at the time, so imagine the impact of what that meant for 12-year-old me,” they say. “My father was my lucky star. I believed he was really God’s conduit for my gift – I’m the vessel, but he was the conduit to show me what was possible.” // Davis’ mother was eventually released from prison, and in search of a fresh start, moved Davis and one of their three brothers from Kansas City to Seattle, where their late father’s sister resided. Although a leading light from the city’s celebrated music scene would eventually figure prominently in Davis’ life, initially, they didn’t even think about what their new hometown might have to offer from a cultural standpoint: “I was just on this adventure, like, ‘Seattle! Let’s go!’ It was as if I found a golden ticket but didn’t know about the contest.” // Davis continued working on music with the help of a basic synthesizer with a built-in sequencer, in spite of ongoing difficulties with their day-to-day well-being. “Definitely I experienced a lot of displacement,” they admit. “I say ‘homelessness’ very loosely, because we didn’t live on the street. But we lived in hotels sometimes. I’d take taxis to school because we didn’t have transportation. I had clothes and food, but just not a steady residence. I moved almost 60 times during the term of my high school career.” // Stability may have proven elusive for a while, but Davis was also beginning to make inroads in the Seattle music community. They played regular gigs at an African restaurant called Rumba Notes and made appearances at local festivals such as Sundiata, Juneteenth, and Folklife, but the big break came just before the pandemic in 2019. // That year, Pearl Jam’s Stone Gossard heard from longtime Seattle friend Om Johari that there was a young musician in town who he positively had to meet. Before long, Davis was at Gossard’s Studio Litho recording new ideas of their own and was quickly invited to Pearl Jam’s warehouse to contribute to material from Gossard’s nascent side project, Painted Shield. Gossard also signed Davis to his revived imprint Loosegroove, for which they’ve released the 2022 EP I Choose To Live and are working on a debut full-length that should be out before the end of the year. // “It has been such an amazing experience to be involved with Brittany,” Gossard tells SPIN. “Their capabilities as a musician, improviser, storyteller, producer, and straight-up keyboard hero are as profound as any that I’ve ever experienced. It is beyond an honor to be connected to their blossoming career.” // Davis now finds themself with the good fortune of being in two different bands at once, a situation made even more fruitful now that Painted Shield finally played live for the first time during three March shows at Seattle’s Clock-Out Lounge. Among Davis’ upcoming gigs are solo performances on April 30 and May 28 at Seattle’s Rabbit Box, an appearance to sing “The Star-Spangled Banner” at the Seattle Sounders soccer game on May 17, and two June shows with the Quartet (bassist Evan Flory-Barnes, drummer D’vonne Lewis, and guitarist Jason Cameron) as part of the city’s annual Pride celebration. // “When it comes to sitting in front of a keyboard, I will always come through expressively,” Davis says. “If I’m in a rock band, I’ll rock just as hard as any other rocker. If I’m rapping, I’ll rap just as well. I always acknowledge the language being spoken sonically, and that’s one of the gifts I have. To be honest, with Painted Shield, I don’t know how people see me in that band. They probably think, ‘Whoa! That’s a wild card (laughs)! Whoa, Stone! Who is that?’” // While it’s true that a non-binary, sightless, millennial African-American musician may seem like an odd match with four veteran rockers in their 40s and 50s, Gossard can’t say enough about what Davis has brought to songs such as “Til God Turns the Lights on” and “Fallin’ Out the Sky” for Painted Shield, which also features vocalist Mason Jennings, drummer Matt Chamberlain, and bassist Jeff Fielder. // “Britt’s work with Painted Shield is just scratching the surface of what they are capable of, but if I were to list the two biggest aspects of how they’ve impacted the band, it would be their incredible vocal harmonies and their wicked ear, which allows them to layer color and other musical ideas to existing tracks,” Gossard says. “It’s a high priority for me to have more songwriting from Britt on our next album, and to give them more freedom to create outside the lines. I can’t wait to hear it.” // And while Davis is confidently looking forward, enough time has now passed from their tumultuous early years to allow them to trace the evolution of music’s role in their life. They’re now even more committed to what they believe is their God-given purpose: to ignite the spirits, souls, and hearts of people through sonic translation. // “Music has definitely evolved, in the way that I express it and how it expresses me,” Davis says. “That language has broadened. It’s one thing to say, ‘I’m sad,’ but it’s another to say, ‘I’m grieved.’ It’s being able to digest the amalgamation of the emotion that can form through being in contact with music. I’m entrenched in Seattle music now, and I’m working with historical figures who have been a part of historical movements. All of that changes how you walk. It’s not the same as wishing and hoping. No, it’s happening, and the people I’m touching are real. The lives I’m impacting are real. The love being given is real. The journey is no longer in my head, and that’s humbling because you realize that even if it’s all gone tomorrow, the music will always be there.”]

15. Mitzi McKee & The Precious Cargo – “Threads and Branches”
    from: Inverted Shadows / Mitzi McKee and The Precious Cargo / November 21, 2025
    [Mitzi McKee & The Precious Cargo, call themselves a “spacey KC rock & roll trio” w/ Mitzi on guitar, piano, & vocals; Brendan Bennett on bass, & Caleb Robertson on drums Mitzi has lived in KC since 2011 where she began singing in the jazz fusion band Valency. // Mitzi has also played drums, keyboards, and sang backup in the KC proto-punk Iggy & The Stooges cover band, No Fun, and the New York Dolls cover band, Trashed with Britt Adair. Mitzi played her first solo show in 2022 at the Pairing, where she also worked the front-of-house. Mitzi and on first Saturdays, at Chartreuse Saloon in the Crossroads.][Mitzi McKee & The Precious Cargo play Lemonade Park, 1628 Wyoming Street, West Bottoms, KCMO on Friday, August 29, 2025 at 7:00pm with Mikal Shapiro & The Musical, Stephonne, Supermassive Black Holes with Les Izmore.][Mitzi McKee & The Precious Cargo play an Inverted Shadows Album Release Show at Gigantic Records 1614 Westport Road, KCMO, on Friday, November 21 at 7:00pm.]

[Mitzi McKee & The Precious Cargo play The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Gullywasher, and Mikal Shapiro & The Musical.]

16. Mikal Shapiro & The Musical – “Little Black Ant”
    from: The Musical II / Mikal Shapiro / May 26, 2018
    [The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro & The Musical play The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Gullywasher, and Mitzi McKee & The Precious Cargo.]

11:00 – Station ID

17. Hudson Electric – “MAELSTROM”
    from: “Maelstrom” – Single / Chris Hudson / January 20, 2026
    [Recorded at Northern Sky Recording in November 2025 by Danny McGaw
    Featuring Alexis Barclay on bass, Matt Davis drums and Danny McGaw on keys/backing vocals. // Chris Hudson a Kansas City Native, Classical Guitarist, Guitarist, Musician, Composer, Multi-Instrumentalist ,SingerSongwriter, Teacher and Visual Artist… he’s a Member of three bands: Gullywasher, Hudson Electric, the Cruelest Months and The Bard Owls. More info at: http://www.gullywasherkc.com]

[Gullywasher with Chris Hudson plays The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Mikal Shapiro & The Musical, and Mitzi McKee & The Precious Cargo.]

11:04 – Interview with Chris Hudson

KC based musician Chris Hudson is a classically trained guitarist, composer, and multi-instrumentalist. He is also a teacher and visual artist. Chris is a Member of the bands: Gullywasher, Hudson Electric, the Cruelest Months and The Bard Owls. Chris received his Bachelor of Music in 1996 from the UMKC Conservatory of Music. He has given solo performances in various concert series through the KC Guitar Society. He recently performed at the 38th annual Folk Alliance International Conference in New Orleans. In 2007, Chris received the Lighton Prize for Excellence as a Music Teaching Artist for his work with children, inspiring their love of guitar and musical collaboration when forming Garage Bands at KCYA. Chris has released multiple full length recordings and continues to collaborate with many artists and experiment with new forms, instruments, electronic synth and music genres, including experimental video soundscapes. Recently Chris has been recording with Danny McGaw at Northern Sky Recording creating new music as Hudson Electric.

With his band Gullywasher Chris Hudson plays The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Mitzi McKee & The Precious Cargo, Mikal Shapiro & The Musical.

Chris Hudson thanks for being with us on WMM.

We just heard “Maelstrom” your newest single, released as Hudson Electric a new moniker for your work, recorded with Danny McGaw at Northern Sky Recording. Was it Danny McGaw who influenced your new sounds?

Chris recently performed at the 38th annual Folk Alliance International Conference in New Orleans.

Mark talked about seeing Chris running sound for one of the stages at the Kansas City Folk Festival. Along with all of his musical work \Chris talked about running sound in the Kansas City Room at Folk Alliance International.

Mark talked about seeing Jade Green that day, formerly of The Black Creatures, debuting many new songs from their solo work, lyrics and words over electric bass, with historic sound clips dropped into intros of songs.

Chris Hudson has been playing and creating songs for decades in the KC – Lawrence area.

We last talked with Chris Hudson on October 19, 2022 to talk about Gullywasher’s album COME TOMORROW YOU’LL FALL. Gullywasher that includes: Matt Cathlina on upright bass & vocals, Chris Hudson on guitar & vocals, and Sam Wright on banjo & vocals.

Before that Chris joined us on September 22, 2021 upon the released of Chris Hudson and The Bard Owls album THE ERASING released on September 29, 2021.

Chris joined us on March 31, 2021 to share news about HOLDING THE DAWNING released on March 15, 2021. HOLDING THE DAWNING was recorded between September and November 2020 during the Covid-19 Pandemic, at Weights and Measures Soundlab in KCMO with Duane Trower. Gullywasher brought in special guest perfomers for several tracks local Chad Brothers of the band Old Sound on guitar, Devan Teran of The Timbers Devon Teran on pedal steel, and Mark Hamblin on Trumpet. More info at: http://www.gullywasherkc.com

Gullywashwr was formed in 2018 the band started recording demos, rehearsing and performing these songs at multiple venues, including a trip to SXSW in Austin in early March 2020 just before the COVID-19 Pandemic shut down and quarantine. In the early months of the pandemic they continued to rehearse and write more songs and do live streaming shows. Chris Hudson wrote the majority of the songs. Sam Wright wrote the song “Eastward Facing Road.” The band writes that their songs are” a mix of Americana, Folk, ProgRock, Emo and Jazz.”

Prior to that we talked with Chris Hudson on Nov. 4, 2020, when he and Julie Bennett Hume joined us to share details about their release SONGS FOR LATTER DAYS. Chris Hudson and Julie Bennett Hume have been playing and creating songs for decades in the KC – Lawrence area. Their musical project The Multiverse, released the album, Songs Of Latter Days, on Nov. 1, 2020. They played on all songs with help from the KC acclaimed alternative string duo The Wires with Laurel Morgan Parks on violin & Sascha Groschang on cello. Also contributing to the recording was Jason Beers. http://www.themultiverse.com

Chris Hudson Discography

Maelstrom (Single) – Hudson Electric

Evidence (Single) – Hudson Electric

Motheater Mixtape – Motheater–Chris Hudson and Jason Beers

Sink Or Swim (Single) – Chris Hudson & The Cruelest Months

On St. Nicholas (Single) – Chris Hudson and The Cruelest Months

Crumbled Bridges (Single)-Chris Hudson & The Cruelest Months

All Burdens Be Gone (Single) -Chris Hudson & the Cruelest Months

Isolation Tracks Side 5: The Cruelest Months (January 2023) with Jason Beers & Chris Hudson

Isolation Tracks Side 4: “Last Years Ghost & Rust Belt Vortex” Home Demos (December 2021-November 2022) – Chris Hudson

Gullywasher “Come Tomorrow You’ll Fall” – Gullywasher

“Through the Glass” (single) from Prejudice & Pride – The Bard Owls

The Easing – Chris Hudson and The Bard Owls

Holding the Dawning – Gullywasher

Patagonia (20th Anniversary Edition) – Chris Hudson

Isolation Tracks Pandemic Home Demos Side One March – May 2020 – Chris Hudson

Isolation Tracks Pandemic Home Demos Side Two June-July 2020 -Chris Hudson

Isolation Tracks Pandemic Home Demos Side Three August-November 2020 – Chris Hudson

A Missed Of A Morning Space Special Edition – Chris Hudson

Premonition Scenes – Chris Hudson and Chad Brothers

Nocturnal Trios – Chris Hudson and The Bard Owls: Alexis Barclay, Chad Brothers, Bryan Hicks and Sam Wright

11:15

18. Chris Hudson – “Boots On The Ground” (LIVE PERFORMANCE)
    A new Gullywasher song written in response to ICE invasions of U.S. cities like Minneapolis

Chris Hudson thanks for being with us on WMM.

Gullywasher with Chris Hudson plays The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Mikal Shapiro & The Musical , and Mitzi McKee & The Precious Cargo.

More information at http://www.chrishudson.bandcamp.com http://www.gullywasherkc.com

11:24

19. Hudson Electric – “Evidence”
    from: “Evidence” – Single / Chris Hudson / December 23, 2025
    [Recorded at Northern Sky Recording in November 2025 by Danny McGaw
    Featuring Alexis Barclay on bass, Matt Davis drums and Danny McGaw on keys/backing vocals. // Chris Hudson a Kansas City Native, Classical Guitarist, Guitarist, Musician, Composer, Multi-Instrumentalist ,SingerSongwriter, Teacher and Visual Artist… he’s a Member of three bands: Gullywasher, Hudson Electric, the Cruelest Months and The Bard Owls. More info at: http://www.gullywasherkc.com]

[Gullywasher with Chris Hudson plays The RINO, 314 Armour Rd, North Kansas City, MO on Thurs. Jan. 29, 2026, at 7:00pm with Mikal Shapiro & The Musical , and Mitzi McKee & The Precious Cargo.]

11:28 – Underwriting

20. BCR – “In The Night”
    from: Speck of Dust / Sparkling Beatnik Records / December 31, 2004
    [“In The Night” with lyrics by – Jay Mandeville and Dwight Frizzell and music by – Randy Weinstein. Recorded live at St. Mary’s Episcopal Church, Kansas City, Missouri. // Black Crack Revue is self described “Afro Nuclear Wave Funk Swing Reggae Tang Band” founded in 1983 in Kansas City, Missouri. // Members: Allaudin Ottinger, Bill Dye, Cliff Baldwin, Julia Thro, Mark Thies, Monique Danielle, P. Alonzo Conway, Rev. Dwight Frizzell, Stan Kessler, Thomas Aber.// Speck of Dust was Recorded and Produced at Markosa Studios. Producer, Mixed By, Recorded By – Mark Thies // Producer, Recorded By, Mixed By – Rev. Dwight Frizzell // Accordion – Jeffrey Ruckma (tracks: 4); Acoustic Guitar, Lap Steel Guitar – Bill Dye (tracks: 1, 6); Alto Saxophone, Baritone Saxophone, Bassoon, Congas, Timbales, Vocals – Alonzo Conway*\; Bass Clarinet, Baritone Saxophone, Sopilka – Thomas Aber; Clarinet, Tenor Saxophone, Baritone Saxophone, Vocals – Rev. Dwight Frizzell; Design – Rhondda Francis; Djembe – Eric George (tracks: 9);; Drums – Arnold Young (tracks: 3); Electric Bass – Jeffrey Ruckma (tracks: 3); Electric Bass, Vocals – Mark Thies; Electric Guitar – Jim Cottingham (tracks: 3, 9); Electric Guitar, Guitar Synthesizer – Julia Thro; Flute – Paula Van Regenmorter (tracks: 6); Harmonica [Chromatic] – Randy Weinstein (tracks: 2, 8); Liner Notes – Jay Mandeville; Recorded By – Willie Mackie (tracks: 3); Shakuhachi, Executive-Producer – Synthesizer [Serge] – Ed Herrmann; Tar (Drum), Shaker, Drums, Vocals – Allaudin Ottinger; Viola da Gamba – Gerald Trimble (tracks: 8); vocals – Joey Skidmore (tracks: 7, 8); Vocals, Djembe, Claves, Bells, Tamborim – Monique Danielle.]

[BCR plays a Valentine’s Day Celebration for All at 1519 Oak Street, KCMO on Saturday, February 14, at 6:30pm to 9:00pm.]

11:34 – Interview with Rev Dwight Frizzell

Rev Dwight Frizzell is a Professor & Sound Head, at Kansas City Art Institute, – Photography & Filmmaking Dept. with a Terminal Degree in Sound Design. Dwight is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 43rd year. Dwight Frizzell is also an Arif, with Moorish Orthodox Church, and served at First Editor, The Pitch, he is a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard on the fifth Thursday of each month on KKFI’s hursday Night Special at 7:00pm on 90.1 FM.

Rev. Dwight Frizzell joins WMM to share details about SOUND IN RADIO ART to be broadcast on KKFI 90.1 FM on Thursday January 29, at 7:00pm. SOUND IN RADIO ART features new sound pieces created by young audio-visual artists working in radio space for the first time. This special broadcast was created through Kansas City Art Institute’s Sound Minor program.

Rev. Dwight Frizzell, thanks for being with us on Wednesday MidDay Medley

SOUND IN RADIO ART to be broadcast on KKFI 90.1 FM on Thursday January 29, at 7:00pm. SOUND IN RADIO ART features new sound pieces created by young audio-visual artists working in radio space for the first time.

The listener will hear natural wireless transmissions from the same electromagnetic spectrum that carries radio waves, but from a less familiar sources— transmissions from distant stars to body electricity, and from the electrical grid we live in to the enfolding surfaces of the brain. Hear voices speaking in a twilight art-zone between sound and noise, poetry and music.
This special broadcast was created through Kansas City Art Institute’s Sound Minor program with instructor Dwight Frizzell, and features:

Alastair Koch– Sound from the Regulus Nebula
Noah Pagan– Electromagnetic Snapshots
Tyrisse Simmons– Galvanic Skin Response and the Aurora Borealis
Hunter Hancock– Klein Bagel in Your Brain
Crow Schneider– In the Kiln
Kate Sutton– The Life Ceramic
Abby Bober– Metals in My Room
Nicole Gilliford– Father Forgive Me
Tyrisse Simmons– My Soul and Yours
Eden Demaree– Sorrowful Passion
Sam Miller– Whiskers

Hear selections from the program—

11:45

21. Alastair Koch – “In The Night”
    from: SOUND IN RADIO ART to be broadcast on KKFI 90.1 FM on Jan. 29, at 7:00pm.

11:50

22. Noah Pagan– “Electromagnetic Snapshots”
    from: SOUND IN RADIO ART to be broadcast on KKFI 90.1 FM on Jan. 29, at 7:00pm.

11:52

Also airing on 90.1 FM KKFI on Thursday night, January 29, 2026 at 7:30pm is: MADE IN KANSAS CITY: NUCLEAR BOMBS FOR THE WORLD – The Kansas City National Security Campus features a new nuclear weapons plant at Botts Road and Missouri Highway 150 in southern Kansas City. Their nearly 2 billion dollar annual budget supports the “life-extensions” of the B61 thermonuclear devices deployed at Whiteman AFB and other nuclear bases around the world. These updates keep the bombs fresh and deployable. They include Boeing tail-kits that make them maneuverable “smart” bombs. The newly re-orchestrated music features data sonifications of a detonation event as performed by the newEar contemporary chamber ensemble. Composers Michael Henry and Dwight Frizzell mapped data to the score using graphs showing the bombs’ short and long term effects including shock waves, atmospheric impacts, electromagnetic pulse readings and biological aberrations.

Contacts: Dwight Frizzell, KCAI artist
 dfrizzell@kcai.edu

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

The last time Dwight was on our show was June 12, 2019 to share details about details about Heliophonie (Sun Sound) a midday Solstice concert, Friday, June 21, 2019 11:00 AM to Noon at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall) performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

BCR plays a Valentine’s Day Celebration for All at 1519 Oak Street, KCMO on Saturday, February 14, at 6:30pm to 9:00pm.

Rev. Dwight Frizzell, thanks for being with us on Wednesday MidDay Medley

For WMM, I’m Mark Manning. Thanks for listening!

11:54

23. Verbose – “Somber Summer”
    from: “Somber Summer” – Single / Dog Cop Records / December 26, 2025
    [Produced by Tim Cote & Verbose. Verbose is a three piece band from Pittsburg, KS. The band is made up of Logan Glasgow (Vox/Drums), Cody Morris (Guitar) and Tim Cote (Bass/Vox)
    Discography:
    Somber Summer – Single – December 26, 2025
    Flash Bang Johnny – Single – October 23, 2020
    Idle Hour at Barto’s – 4 track EP – November 8, 2019
    Irony – Single – January 15, 2019
    Underwater – Single – May 4, 2016
    Ignorant Bliss – Single – November 12, 2016
    Walking&Falling – Single – February 14, 2017]

21. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK on February 4 we bring you more new & MidCoastal Releases.

Stay tuned at 12:00 Noon for Learning To Wiggle with Steve Stemmerman, at 2:00pm it’s Jazz

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1132

WMM’s 120 Best Recordings of 2025 are based on the playlists of this little ole radio show. We’ve compiled our favorite full-length albums and EPs of 2025, where there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles. We’ve culled from these releases for our weekly mix of New & MidCoastal releases. In 2025 Wednesday MidDay Medley broadcast nearly 900 different tracks over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 500 of these tracks were from New & MidCoastal Releases. 70 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2025 we’ve conducted over 175 interviews with 159 special guests. Nearly 50 of the bands and artists in our “Best of” list have joined us as guests on WMM. We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music, and discovery for your ears.

1. The Freedom Affair – The Freedom Affair / Sunflower Soul Records / May 9, 2025

[Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

2. Katy Guillen & The Drive – Make That Sound / Are and Be Recordings / Oct. 17, 2025

[MAKE THAT SOUND was Produced by Megan McCormick, Engineered & Mixed by Brandon Bell with Annie Petrik, Mastered by Kim Rosen. Katy Guillen on vocals & guitar; Stephanie Williams on drums & percussion; Megan McCormick on bass, backing vocals, additional guitars & percussion; Erin Manning on Synthesizers; and Brandon Bell on Loops & programming. // Established in 2019, Katy Guillen & The Drive is an independent Indie Roots Rock band from Kansas City, Missouri, formed by partners Katy Guillen (Vocals, Guitar) and Stephanie Williams (Drums). The band’s 2022 debut album Another One Gained, produced by Kevin Ratterman (My Morning Jacket, Heartless Bastards), “hit the sweet spot with a mix of spiky garage rock and soulful country torch songs,” lauds Uncut Magazine. Under The Radar Magazine declares the duo “evokes a timeless indie rock sound” and displays “effortless instrumental chemistry that gives both members a chance to shine.” Following this release, the band unleashed Another One Gained Deluxe featuring ‘Batallas,’ a highly anticipated Spanish version of the fan-favorite ‘Battles,’ which spotlighted special guest Latin Grammy winner Mireya Ramos (Flor De Toloache) on violin and backing vocals. // Katy Guillen & The Drive prides itself on fostering empowered spaces for women in music both onstage and off, and performances showcase the group’s signature all-female powerhouse formation, technical prowess, and electrifying chemistry. This core value heavily influenced the band’s second full-length effort Make That Sound. Guillen admits, “Having never worked with a woman in the studio, that’s something we wanted to change on this record. We wanted more female energy, ideas, and power to influence this album.” With this goal in mind, the band was eventually led to Producer Megan McCormick (Allison Russell, Amythyst Kiah). As a result of their fast friendship and facile chemistry, the duo embraced their newfound creative trust in this relationship and ran with it. Within a matter of a few days, the three collaborated on everything from songwriting and arrangements to live tracking and overdubs, resulting in a liberated, emboldened, and nuanced new record. Williams shares, “The recording process was dense and fast. It required being totally present, trusting our initial instincts, and pushing into some uncharted territory at times.” Guillen speaks to the inspiration behind the songs and process, “In creating this album I felt particularly inspired by the countless strong and important women in my life, the love that I’ve grown with my partner, and the strength I’ve gained from digging inward through challenging times.” Make That Sound is a celebration of self-empowerment, liberation, vulnerability, honesty, and love. In addition to McCormick, the band was fortunate to work with engineers Brandon Bell (Brandi Carlile, Joni Mitchell) and Annie Petrik on tracking and mixing, as well as mastering engineer Kim Rosen (Bonnie Raitt, Allison Russell).][Katy Guillen & The Drive set out for a 32 city tour Sept. 19 – Nov. 23, 2025 with a show at Knuckleheads on Nov. 14, 2025.]

3. Fullbloods – Playing It Safe / High Dive Records / March 7, 2025

[Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. // Fullbloods is a studio project of songwriter and producer Ross Brown who is also in the bands: Shy Boys, Koney, and Snacky. When Fullbloods play live, Ross is joined on stage by his friends. N writing about Ross Browms previous Fullbloods album, Soft and Virtual Touch , Lionell Williams aka “Vinyl Williams” of PRIVATE PLAYLIST on KCRW calls “Ross Brown a frickin’ genius. He’s the modern day Brian Wilson of America. His whole album, the entire way through, is one of those albums [where] every microsecond, every quantum moment, is wow. He’s just a straight-up genius.” Info: http://www.fullbloods.com.][Fullbloods played The Ship on Feb. 21, with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show. ][Fullbloods played Hillsiders in KCK on March 7, 2025 for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy.]

4. She Said – What! / May 10, 2025

[Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler, on bass. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Lyrics by Jennie Ferguson, music by Jennie Ferguson and She Said. Produced by She Said. Recorded and Engineered by Paul Malinowski at Massive Sound in Shawnee, Kansas. Mixing by Paul Malinowski and She Said. Mastered by Mike Nolte at Eureka Mastering. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

5. joel vs. joel – Smile in the Mirror / Enigmatic Brunch Records / August 19, 2025

[All songs written by joel stratton. mixed by daniel gum. mastered by mike nolte @ eureka mastering. performances by: isaiah petrie (vibraphone 2,3,10); micah ritchie (drums); jon self (lead guitar L channel track 10); doug bybee (synth 4,6); joanna metsker (violin on 7,8,11); drums, vibes, strings recorded by mike crawford; bass, aco guitars, recorded by daniel gum. // oel vs joel is the moniker of Kansas City-based multi-instrumentalist, Joel Stratton. With classical training, but also an instinctive and emotive musicality that can’t be taught, joel vs joel sculpts with complex chord structures, time signatures, deftly fingerpicked guitar, well-plotted bass, vibraphones, percussion, and other eclectic musical arrangements. This is all interconnected with vulnerably delivered lyrics that convey the manifold feelings of one’s humanity. // Some craftsmen work in wood, stone, or metal. Others sculpt with more intangible and ethereal materials: notes, chords, rhythms, riffs, melodies, and human emotion. Both toil over their medium until it outwardly takes the shape of their inner being. The outcome of joel vs joel’s labor is the beautifully crafted debut album, Smile in the Mirror. // Smile in the Mirror is a protestation of struggles with identity, paranoia, suffering, anarchy, catharsis, and love. These innate human feelings are combined with instrumentation that is at times comfortably familiar and at others strikingly and pleasingly surprising.// Joel Stratton who performs as joel vs joel. Joel is a Kansas City-based multi-instrumentalist, with classical training from UMKC Conservatory of Music. Joel Stratton trained as a “serious” jazz musician and gigged his way through many Kansas City venues with an upright bass in tow. Curiously this gave way to repeated toe-dips in the singer-songwriter circle, starting as a sideman with Alyssa Murray’s AM Trio. There followed a head-first plunge into a self-stirred mixture of 60’s baroque pop, 70’s folk rock, and the indie rock mainstays of his youth. Joel has released several EP’s of original music under the moniker Tropic of Leo. Joel has also played and collaborated with the bands Supermoto, Eggs on Mars and Daniel Gum. joel vs. joel is getting ready to release his debut album, SMILE IN THE MIRROR on Tuesday, August 19, 2025 through Enigmatic Brunch Records a “small batch” local record label with this being their very first album release. Info at: http://www.enigmaticbrunchrecords.bandcamp.com]

6 Eddie Moore – What Makes Us / Eddie Moore Music / March 25, 2024

[Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s We The People released the album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, Marcus Lewis Big Band. Eddie Moore joined WMM – Sept. 23, 2020 & Nov. 23, 2022. http://www.eddiemooremusic.com]

7. Pool Culture – Pure Lemon / The Record Machine – Les Bonbons Electriques / October 17, 2025

[Les Bonbons Electriques, an imprint of The Record Machine. // Pool Culture is an electronic dream pop band from Kansas City, MO. Through distorted synthesizers, overdriven found-sound samples, and glitched-out electronics, the four-piece puts an electronic twist inside a rock band, removing guitars and substituting them with synths. The band draws on 90s IDM, trip hop, and shoegaze influences, imbuing their synthesizers with the sonic characteristics of busted equipment: filters, overdrives, distortion, and modulation hybridize low and high fidelity instrumentation. This sound, coupled with live bass and drums, captures the dynamic scope of a rock band but with electronic production in a pop package. Blooming beneath dreamy vocals, Pool Culture creates an emotional landscape populated with hope, desperation, love, and doubt, glistening within a vibrant ecosystem of sounds. // The band started as a solo project for Mark Ronning after he graduated from college in 2017, but it grew into an earnest project when it became a full band in 2023, with Jeff McCreary on bass guitar, Kody Krause on drums, Iona DeWalt on synth, and Mark Ronning on vocals and synthesizer. Now, in 2025, Pool Culture features Sean Logan on drums, and they are promoting their upcoming EP “Pure Lemon” with a stint of small tours, beginning this weekend. They’ve released two singles so far, and the third comes out Friday, September 19th. / “Birds Like These was their first of three singles Pool Culture, put out leading up to the release of PURE LEMON. The 2nd single “Mathletes” was released on August 22, 2025 and the band’s third single “Finish Line”, was released on September 19, 2025. // Pool Culture released their single “brighter lighter” on April 20, 2018, with music and lyrics and production by Mark Ronning. all instruments and vocals by Mark Ronning. mixed by Reid Kruger at Waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which focuses on artistry, experimentation, and electronic music. Mark Ronning & Iona Dewalt joined us on WMM on Sept. 17, 2025.] [Pool Culture played miniBar, September 17, at 7:00pm with Ryder The Eagle, and Prototones.]

8. Daniel Gum – The Great Conjunction / Manor Records / February 7, 2025

[All songs written/performed by Daniel Gum (BMI), production/engineering: Mike Crawford & Daniel Gum, mixing: Daniel Gum, bass: Joel Stratton, drums/percussion: Micah Ritchie. With Joel Stratton (piano on 1, baritone guitar on 2), Wills Van Doorn (slide guitar on 3), Brandon Bray (lead guitar on 6), Cole Crawford (piano on 10), Devon Teran (pedal steel on 2), Evan Herd (writing for drums on 7), Rachel Cionitti (bgvs on 1-6, 8), mastering: Mike Nolte at Eureka Mastering, artwork/lettering: Daniel Gum] // Here’s what Daniel had to say about this track: “This song was written reflecting on a past relationship—thinking things probably could have worked out if we met 5 years later than we did. Or maybe they wouldn’t have.. but I’ll never know. This song is a part of a series of singles leading up to my second album. I hope you enjoy the chord progressions and slide guitar especially”. // Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020]

9. Dragon Inn 3 – Full Disclosure / American Laundromat Records / October 13, 2025

[The first four songs on Full Disclosure were written over the course of three decades. Grace started writing “Never Lost” as a teenager in 2002. I started working on “Send Your Love” in 2015 but couldn’t figure out how to finish it until I saw the movie True Romance for the first time last year. Sharon and I collaborated on “Taking It Back” and “Yer Too Good” this year. We couldn’t have made these songs without some of our new and old friends. Ryan Wasoba, who I played shows with in the early 2000s, helped us record some guitars on “Never Lost.” And our new friends Nick Wilkerson (drums), Brandon Yangmi (recording engineer), and Scoops Dardaris (mixing) helped us out on everything else.// The second set of four songs on the EP are a collection of digital singles we released over the past few years and collected here for the first time on cassette. // We’re super lucky and grateful to work with American Laundromat Records, Bank Robber Music, and SRG studios. They’ve been helping us release music for the last seven years. Special thanks to Lonny Unitus for the excellent cassette design and layouts.” – Philip Dickey // Performed by Dragon Inn 3: Grace Bentley on vocals; Philip Dickey on bass, drums, guitar, synths, & vocals; Sharon Hamm on synths, vocals. // Additional Musicians: Nick Wilkerson on drums on Send Your Love, Never Lost, Yer Too Good, and Clock Machine; Ryan Wasoba on distorted guitars on Never Lost; Matt Vollmer on Fender VI on Yer Too Good; Juan C. Marioni on Acoustic 12-String on Yer Too Good; Samo T. on feedback on Never Lost. // Mixed by Scoops Dardaris// Recorded by Philip Dickey, Jack Florio, Brandon Yangmi, Ryan Wasoba, and Ross Brown. // Mastered by Sean Glonek at SRG studios // In 2023 Dragon Inn 3 released Trade Secrets on American Laundromat Records on April 18, 2023, their sophomore release featuring 10 new original songs plus a cover of Yazoo’s “Only You.” // For Dragon Inn 3 second album: Grace Bentley on vocals; Philip Dickey on synths, drums, guitar, bass & vocals; Sharon Hamm on synths & vocals; David Hill on vocals & synths. Recorded from 2018 to 2022 at Davey’s house and Sharon’s house. Recorded, mixed, & produced by Philip Dickey. Additional recording and mixing help from Ross Brown, David Hill, and Chase Horseman. Mastered by Sean Glonek at SRG studios. Additional musicians: Bill Belzer percussion “I Can’t Stop”, John Cardwell guitar “Finally Going Down”, Ben Collins guitar “I Can’t Stop”, Tim Gillespie saxophone “I Can’t Stop” “Out Of Control” “Trade Secrets Theme”, Anita Kitungano vocals “See It Your Way”, John O’Hallaron guitar “Teleport”, Bora Wilondja vocals “See It Your Way” “Trade Secrets Theme”, Mauwa Wilondja vocals “Trade Secrets Theme”, Pelo Wilondja percussion “I Could Never”. Additional writers: Emma Bentley Ruzicka “Not Enough”, Bora Wilondja “See It Your Way”, JR Top “See It Your Way”, and Vincent Clark “Only You”. // KC based band formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP DOUBLE LINE was released on Aug. 17, 2018 through American Laundromat Records and was part of WMM’s 118 Best Recordings of 2018. The band spent 6 years whittling away on the songs. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group, Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. With members spread out over the country (KC, LA, Springfield, MO), the group signed to American Laundromat Records in 2018. A demo of “Bad Boy” co-written with Free Energy’s Paul Sprangers landed in a commercial for Ryan Adams’ Beats 1 Radio show before it was even completed. More: http://www.dragoninn3.com Phil Dickey joined on WMM May 3, 2023.]

10. Black Light Animals – LAST CALL FOR LOVE SONGS / The Record Machine / March 28, 2025

[Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]

11. TheBabeGabe X The Human – Honey Pop Reloaded / Seven Rings Media / Aug. 8, 2025

[One of two full length albums release in 2025 by TheBabeGabe, the other being HONEYPOP on Seven Rings Media released March 5, 2025, both with production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.”]

12. TyFaison – UNTIL THE WAR IS WON / Seven Rings Media / September 26, 2025

[Every song produced by Medici & TyFaizon as The Human. // Every song mixed & mastered by Medici. // Executive produced by Alex Guapo & Medici. // Album art by Trey Hyde & Daniel Ruiz. // TyFaizon aka Mango Marai is a rapper previously in the groups Drop Dead XX & Blackstarkids. He is now 1/2 of production duo The Human. TyFaizon is a multi faceted musical artist, writer, producer, composer, TyFaison is also known as Mango Marai. TyFaison is a rapper previously in the groups Drop Dead XX & Blackstarkids. TyFaison rose to international acclaim with BLACKSTARKIDS. // Mark: When we first heard BLACKSTARKIDS – “Sounds Like Fun!” from their album: SURF on Bedroom Records, released Feb. 28, 2020, we lost our minds. It was one of our most played song on the radio show that year and landed at #2 in WMM’s 120 Best Recordings of 2020. Blackstarkids were a phenomenon who came out of Raytown Missouri and SURF became the soundtrack for the summer of 2020. // Blackstarkids were a pop/R&B/hip-hop trio that include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school meeting at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on Aug. 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. // Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020. // Blackstarkids released Whatever, Man on Dirty Hit Records, their 3rd album on October 22, 2020, followed by Puppies Forever on Oct. 15, 2021, and Cyberkiss on Sept. 23, 2022. Blackstarkids released their last two albums Saturn Dayz on Sept. 20, 2024, and Heaven on Urf on Oct. 25, 2024. // With BLACKSTARKIDS, Ty gained experience, opening on tour with The 1975, beabadoobee, and Glass Animals. // In Sept. 20, 2024. After the break-up of BlackStarKids last year, TyFaison with Medici formed the production company “The Human” and then produced Paris Williams 2024 album A PARIS WILLIAMS JOINT (released Nov. 19, 2024) and then the full length album MANGO MARAI & SATURN STAR, (released in Dec. 2024). Ty then lent his talent to collaborating with BlackStarKids bandmate and close friend TheBabeGabe in launching her solo career. Her debut mixtape HONEY POP, was released on March 5, 2025 and five months later, HONEYPOP: RELOADED was released on Aug. 8, 2025. Both albums were produced by The Human.]

13. Mavis Staples – Sad And Beautiful World / Anti / June 10, 2025

[Mavis Staples’ new album of covers of others songs especially chosen for this record. This particular track was written by Kevin Morby who released this song only as a single in 2016 in tribute to the victims of the Orlando Pulse shooting. Staples’ version is gentle and lived-in. It’s got electric guitars from MJ Lenderman and Staples’ bandleader Rick Holmstrom. Brad Cook plays vibraphone, and his brother Phil adds piano. Nathaniel Rateliff and Tré Burt sing backup vocals. Unsurprisingly, Kevin Morby is pretty bowled over by the existence of this cover. Morby says. “It isn’t easy to put into words what it feels like having one of the best, most important vocalists and cultural figures of both the 20th and 21st century sing one of my songs. But hearing Mavis sing “Beautiful Strangers” is hands down the greatest moment and highest honor of my career. Far beyond any kind of accolade or acclaim — having one of my biggest heroes sing something I wrote is the most validating and flattering thing that could ever happen to me as a songwriter and person. Thank you, Mavis. Mavis also wields that extremely rare power to take a song somebody else wrote and make it entirely her own. As the person who penned “Beautiful Stranger,” I feel I have every right to say: Her version is better. // This was the second single from Mavis Staple’s new album of cover songs. The first single was “Godspeed” written by Frank Ocean. A legendary performer who turned 86 next month on July 10, Mavis Staples continues to be a tour-de-force in music and a voice for the voiceless in today’s divided society. Well known for her work in the gospel and Americana space, Staples is also an R&B icon who famously worked with the one and only Prince in his 80’s heyday. // Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. // At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” “I sing because I want to leave people feeling better than I found them,” Staples says. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.” // On July 9, Staples and award-winning children’s poet Carol Boston Weatherford will release the new children’s book ‘Bridges Instead of Walls: The Story of Mavis Staples’, a vibrant and poetic new picture book that introduces young readers to Staples’ life story, who began singing at age 8 and ever since has used her voice as a rallying cry to the country at numerous civil rights protests and continues to sing and share her message of love, faith and justice in front of large audiences today. // Staples recently celebrated her upcoming birthday early in stellar fashion at Los Angeles’s YouTube Theater this past April, gracing the stage alongside a star-studded lineup including Hozier, Chris Stapleton, Bonnie Raitt, Jackson Browne, Black Pumas, and more. Currently on tour in Europe, Staples will return to the US and perform at Willie Nelson’s 4th of July picnic on the nation’s birthday. The next day she begins a run of dates with Norah Jones, who she affectionally calls “my baby sister.” All upcoming dates are listed below. // Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family’s band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles “I’ll Take You There” and “Let’s Do It Again”. In 1969, Staples released her self-titled debut solo album. // Staples continued to release solo albums throughout the following decades and collaborated with artists such as Aretha Franklin, Prince, Arcade Fire, Nona Hendryx, Ry Cooder, and David Byrne. Her eighth studio album You Are Not Alone (2010), earned critical acclaim, and became her first album as a soloist to reach number one on a Billboard chart, peaking atop the Top Gospel Albums chart. It also earned Staples her first Grammy Award win. Following this, she released the albums One True Vine (2013), Livin’ on a High Note (2016), If All I Was Was Black (2017), and We Get By (2019); she is also featured on the single “Nina Cried Power” by Hozier. // Staples is the recipient of the Grammy Lifetime Achievement Award, and has won three Grammy Awards, including one for Album of the Year as a featured artist on We Are by Jon Batiste.[6] Named one of the ‘100 Greatest Singers of all Time’ by Rolling Stone in 2008; Staples was inducted into the Rock and Roll Hall of Fame in 1999, and in the Gospel Music Hall of Fame in 2018, as a member of The Staple Singers. Additionally, she was made a Kennedy Center Honoree in 2016. The following year, she was inducted into the Blues Hall of Fame as a soloist. In 2019, she received the inaugural Rock Hall Honors Award from the Rock and Roll Hall of Fame, as a soloist. // Staples was born in Chicago, Illinois, on July 10, 1939. She began her career with her family group in 1950. Initially singing locally at churches and appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Pervis, the Staples were called “God’s Greatest Hitmakers”. // With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. // During a December 20, 2008, appearance on National Public Radio’s news show Wait Wait… Don’t Tell Me!, when Staples was asked about her past personal relationship with Dylan, she admitted that they “were good friends, yes indeed” and that he had asked her father for her hand in marriage. // The Staples sang “message” songs like “Long Walk to D.C.” and “When Will We Be Paid?,” bringing their moving and articulate music to a huge number of young people. The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, “I’ll Take You There”, produced by Al Bell and recorded and mixed by Terry Manning, “Let’s Do It Again,” and a No. 2 single “Who Took the Merry Out of Christmas?” // Mavis made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single “Crying in the Chapel” to little fanfare in the late 1960s. The single was finally re-released on the 1994 Sony Music collection Lost Soul. Her first solo album would not come until a 1969 self-titled release for the Stax label. After another Stax release, Only for the Lonely, in 1970, she released a soundtrack album, A Piece of the Action, on Curtis Mayfield’s Curtom label. A 1984 album (also self-titled) preceded two albums under the direction of rock star Prince; 1989’s Time Waits for No One, followed by 1993’s The Voice, which People magazine named one of the Top Ten Albums of 1993. Her 1996 release, Spirituals & Gospels: A Tribute to Mahalia Jackson, was recorded with keyboardist Lucky Peterson. The recording honors Mahalia Jackson, a close family friend and a significant influence on Mavis Staples’s life. // Staples singing during the 2006 NEA National Heritage Fellows concert. // Staples made a major national return with the release of the album Have a Little Faith on Chicago’s Alligator Records, produced by Jim Tullio, in 2004. The album featured spiritual music, some of it semi-acoustic. // In 2004, Staples contributed to a Verve release by legendary jazz-rock guitarist, John Scofield. The album, entitled That’s What I Say, was a tribute to the great Ray Charles and led to a live tour featuring Staples, John Scofield, pianist Gary Versace, drummer Steve Hass, and bassist Rueben Rodriguez. A new album for Anti- Records entitled We’ll Never Turn Back was released on April 24, 2007. The Ry Cooder-produced concept album focuses on gospel songs of the civil rights movement and also included two new original songs by Cooder. // Her voice has been sampled by some of the biggest selling artists, including Salt ‘N’ Pepa, Ice Cube, Ludacris, and Hozier. Staples has recorded with a wide variety of musicians, from her friend, Bob Dylan (with whom she was nominated for a 2004 Grammy Award in the “Best Pop Collaboration With Vocals” category for their duet on “Gonna Change My Way of Thinking”, from the album Gotta Serve Somebody: The Gospel Songs of Bob Dylan) to The Band, Ray Charles, Prince, Nona Hendryx, George Jones, Natalie Merchant, Ann Peebles, and Delbert McClinton. She has provided vocals on current albums by Los Lobos and Dr. John, and she appears on tribute albums to such artists as Johnny Paycheck, Stephen Foster and Bob Dylan. // In 2003, Staples performed in Memphis at the Orpheum Theater alongside a cadre of her fellow former Stax Records stars during “Soul Comes Home,” a concert held in conjunction with the grand opening of the Stax Museum of American Soul Music at the original site of Stax Records, and appears on the CD & DVD that were recorded and filmed during the event. In 2004, she returned as guest artist for the Stax Music Academy’s SNAP! Summer Music Camp and performed again at the Orpheum with 225 of the academy’s students. In June 2007, she again returned to the venue to perform at the Stax 50th Anniversary Concert to Benefit the Stax Museum of American Soul Music, produced by Concord Records, who now owns and has revived the Stax Records label. // In 2009, Staples, along with Patty Griffin and The Tri-City Singers, released a version of the song “Waiting For My Child To Come Home” on the compilation album Oh Happy Day: An All-Star Music Celebration. // On October 30, 2010, Staples performed at the Rally to Restore Sanity and/or Fear alongside singer Jeff Tweedy. In 2011 she was joined on-stage at the Outside Lands Music And Arts Festival by Arcade Fire singer Win Butler. The two performed a version of “The Weight” by The Band. // Staples also performed at the 33rd Kennedy Center Honors, singing in a tribute to honoree Paul McCartney. // Staples headlined on June 10, 2012, at Chicago’s Annual Blues Festival in Grant Park. // On June 27, 2015, Staples performed on the Park Stage of Glastonbury Somerset UK. On October 31, 2015, Staples performed with Joan Osborne in Washington, D.C. at The George Washington // University’s Lisner Auditorium as part of their Solid Soul Tour. // In February 2016, Staples’s album Livin’ on a High Note was released. Produced by M. Ward, the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Discussing the album Staples said: “I’ve been singing my freedom songs and I wanted to stretch out and sing some songs that were new. I told the writers I was looking for some joyful songs. I want to leave something to lift people up; I’m so busy making people cry, not from sadness, but I’m always telling a part of history that brought us down and I’m trying to bring us back up. These songwriters gave me a challenge. They gave me that feeling of, ‘Hey, I can hang! I can still do this!’ There’s a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, ‘I got friends and I got love around me, I got people, the people who love me.’ I’m living on a high note, I’m above the clouds. I’m just so grateful. I must be the happiest old girl in the world. Yes, indeed.” // In January 2017, Staples was featured as a guest vocalist on “I Give You Power”, a single from Arcade Fire benefiting the American Civil Liberties Union. In February 2017, Staples appeared on NPR’s Wait, Wait … Don’t Tell Me! in the “Not My Job” segment, answering questions about the rock band The Shaggs. In April 2017, “Let Me Out”, a single from the fifth studio album by Gorillaz, Humanz, was released, featuring Staples and rapper Pusha T. // Staples’s sixteenth album If All I Was Was Black was released on November 17, 2017. The record was again produced by Jeff Tweedy and contains all original songs cowritten by Mavis and Tweedy. Following the release, Staples toured with Bob Dylan. She also appeared on the 2017/18 Hootenanny. In 2018, she sang on Hozier’s single “Nina Cried Power”. // In May 2019, Staples celebrated her 80th birthday with a concert at the Apollo Theater, 63 years after first appearing at the theater as a teenager with her family band, the Staple Singers, in 1956. The show, which featured special guest artists, including David Byrne & Norah Jones, is one of a series of collaborative concerts she staged in May to commemorate her 80th birthday. She performed at the 2019 Glastonbury Festival. // In 2022, Staples released Carry Me Home, a collaboration with Levon Helm, recorded at Helm’s Midnight Ramble in 2011. // She released the single “Worthy” on June 18, 2024. // On May 13, 2022 Kevin Morby released THIS IS A PHOTOGRAPH on Dead Oceans. It was #7 on WMM’s 120 Best Recordings of 2022. It was Kevin Morby’s 7th album as a solo artist. From http://www.rollingstone.com: “In January 2020, songwriter Kevin Morby witnessed his father collapse from a medical event while visiting his childhood home in Kansas. In a state of shock, the singer spent the evening looking at old family photos and fixated on an image of his father as a young man, looking, as Morby states, ‘full of confidence.’ The experience forced Morby to confront both the idea of mortality and the passage of time — and, after an extended sojourn in Tennessee, these reflections came together in the form of his upcoming album, This Is a Photograph. To mark the announcement, the singer released the record’s eponymous single, accompanied by a music video directed by Chantal Anderson. Produced by frequent Morby collaborator Sam Cohen, This Is a Photograph was primarily written in Memphis’ historic Peabody Hotel, where the singer-songwriter holed up in search of inspiration and self-realization amongst the city’s dark past.” // On October 16, 2020 Kevin Morby released SUNDOWNER, ranked #20 on WMM’s 120 Best Recordings of 2020 and was his 6th release. Kevin Robert Morby was born April 2, 1988. SUNDOWNER was the follow up to his 2019 release OH MY GOD. Kevin Morby released CITY MUSIC in 2017. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native KC to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut HARLEM RIVER. His 2nd album STILL LIFE was released in 2014. SINGING SAW was in WMM’s 116 Best Recordings of 2016. His album CITY MUSIC was in WMM’s 118 Best Recordings of 2018.]

14. Ken Pomeroy – Cruel Joke / Rounder Records / May 16, 2025

[Ken Pomeroy was seen performing in the blockbuster film Twisters and also on the soundtrack album. Ken Pomeroy had her music featured in FX/Hulu television show Reservation Dogs. // Ken Pomeroy spoke on Indigenous Leadership & Advocacy panel at AmericanaFest 2024 . // Anchored in Pomeroy’s Native Cherokee heritage, Cruel Joke is a powerful collection that showcases her raw songwriting and engaging voice. Produced by Pomeroy’s musical partner Dakota McDaniel, Gary Paczosa (John Prine, Alison Krauss, Sierra Ferrell, Katie Pruitt) and Colton Jean, the project consists of twelve deeply personal tracks (including a collaboration with her longtime songwriting hero John Moreland) that find Pomeroy telling stories of her own self-realizations and reflections as well as observations of the world around her. // In the shuffling “Pareidolia,” images of bucolic destruction build up to a wry realization: “I guess a cruel joke is all we can afford.” The song is a tribute to Buck Meek, one of Pomeroy’s songwriting heroes. // In celebration of the release, Pomeroy recently sat down with Rolling Stone and The Line of Best Fit to discuss her album, which is already receiving critical acclaim: “Stripped down and intimate while evoking the sound of folk music and country and even occasional notes of Phoebe Bridgers. It’s highly recommended.” —NPR Music // “Some artists chase trends, but Ken Pomeroy is chasing ghosts – the half-remembered hymns of John Denver, the Oklahoma songwriters who took her in, the Cherokee stories that won’t let her go”—The Line of Best Fit // “gorgeous, bare-bones country-folk…stops you in your tracks with little more than Ken’s voice and acoustic guitar”—Brooklyn Vegan // “You’ll be hard-pressed to find another songwriter in 2025 who’ll hit you with a beautiful yet devastating song like Ken Pomeroy…sublime”—Holler // Known for her impactful live shows, Pomeroy will perform select headline dates this spring including stops at Nashville’s Row One, Brooklyn’s Baby’s All Right and Tulsa’s Mercury Lounge (two nights, both sold-out). She will also join Iron & Wine, I’m With Her and Turnpike Troubadours for several dates this year and perform at Newport Folk Festival in July. // Of the album, Pomeroy shares, “Dakota and I began recording ‘Cicadas’ back in February of 2023. That marked the beginning of our long two-year journey and so much has happened since we started. The oldest song was written when I was 13 years old. The most recent one was written and added to the record only a few months ago, just before we finished recording. For almost two years, we dedicated almost every waking moment to working on Cruel Joke.” // An Oklahoma native, Pomeroy is already receiving widespread attention and has established herself as “a new voice reviving the age-old Native Americana sound” (Teen Vogue). To date, the 22-year-old has appeared in the hit film Twisters, in which she performed a cover of Richard & Linda Thompson’s “Wall of Death;” had her song “Cicadas” featured in Hulu’s show Reservation Dogs; and toured alongside artists such as Lukas Nelson, Iron & Wine, American Aquarium, John Moreland, and Kaitlin Butts. A skilled guitarist and versatile session musician, she has also lent her musical abilities to projects by artists such as Wilderado, Kyle Nix of the Turnpike Troubadours, J.R. Carroll, and more.]

15. Geese – Getting Killed / Partisan Records / September 26, 2025

[Getting Killed is the 4th studio album by Geese. It was released by Partisan Records as the full-length follow-up to their 2023 album 3D Country, as well as frontman Cameron Winter’s 2024 solo album Heavy Metal. It was preceded by the singles “Taxes”, “Trinidad” and “100 Horses”. // Getting Killed was produced alongside Kenny Beats. It was recorded over a 10-day period and has been described as “shambolic in structure but passionately performed”, with the band “[balancing] a disarming tenderness with an intensified anger”. The album’s lead single, “Taxes”, was released on July 8, 2025. The song’s music video has been described as containing “a hallucinatory rush of moshing, screaming, and violence that feels akin to an exorcism”. // On June 23, 2025, the band announced a North American headlining tour in support of the album. The tour is scheduled to begin in South Burlington, Vermont on October 10, and conclude in Brooklyn, New York on November 21. // On July 24, Cameron Winter leaked the album’s opening track, “Trinidad”, via a now-removed link shared on his Instagram page. The song was officially released 5 days later, on July 29. // All lyrics are written by Cameron Winter; all music is composed by Winter, Max Bassin, Dominic DiGesu, and Emily Green. // In the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to release some music, break up, and go away to college was touring the world. They made their TV debut on Colbert, were profiled by the NY Times, Stereogum Band To Watch, Consequence Artist Of The Month, Paste Best Of What’s Next, Rolling Stone called them “indie rock prodigies,” and they toured with Jack White and Spoon. // And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021: vocalist Cameron Winter, guitarist Gus Green, guitarist Foster Hudson, bassist Dom DiGesu, and drummer Max Bassin. But on June 23, 2023 Geese returned with their third album, ‘3D Country’ fusing recognizable sounds with warped meditations on daily life in a world sliding out of view, Geese repurposing fragments of classic rock into a sound that is stranger and wholly their own. Right out the gates, the album kicks off with serpentine grooves underneath the armageddon visions of “2122,” before quickly ceding to the title track’s gospel-flecked chorus.“Undoer” is a slowburn simmer constantly building to something apocalyptic; “Crusades” travels back to Medieval times but chugs along on a “Heroes”-esque groove before strings swoop in around it. Later, Green and Hudson’s guitars bend and fry while Hudson also jumps in on vocals for an inhuman wail on “Mysterious Love,” and the whole album ends with the sideways piano elegy of “St. Elmo,” playing out like a saloon song viewed through a funhouse mirror. // More info: http://www.geeseband.com]

16. Bon Iver – SABLE fABLE / Jagjaguar / April 11, 2025

[ Sable, Fable (stylized as SABLE, fABLE) is the fifth studio album by American indie folk band Bon Iver, released on April 11, 2025, via Jagjaguwar. The album is a continuation of the Sable EP (2024), which is included as a separate disc on vinyl. Marking the band’s first album in nearly six years since I, I (2019), it features guest appearances from Dijon, Flock of Dimes, and Danielle Haim, with additional contributions from Kacy Hill, Jacob Collier and Mk.gee, among others. // Produced by Justin Vernon and Jim-E Stack, it is musically split between Bon Iver’s predominantly folk-leaning output showcased on Sable and the contemporary R&B, pop and soul-leaning Fable. Its lyrics primarily concern newfound love. The album received widespread critical acclaim upon release, with critics noting its brighter soundscapes and Vernon’s more straightforward approach to songwriting. // Bon Iver (/ˌboʊn iːˈvɛər/ BONE ee-VAIR) is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon in Eau Claire, Wisconsin. Vernon had originally formed Bon Iver as a solo project, but it eventually became a band consisting of Vernon (vocals, guitar), Sean Carey (drums, keyboards, vocals), Michael Lewis (vocals, baritone guitar, guitar, violin, saxophone), Matthew McCaughan (drums, bass, vocals), Andrew Fitzpatrick (guitar, keyboards, vocals), and Jenn Wasner (guitar, keyboards, vocals). // Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of the album was recorded while Vernon spent three months isolated in a cabin in western Wisconsin. In 2012, the band won the Grammy Award for Best Alternative Music Album for their eponymous album Bon Iver. They released their third album 22, A Million to critical acclaim in 2016. Their fourth album, I, I, was released in 2019. The album was nominated at the 2020 Grammy Awards for Album of the Year. Their fifth and most recent album, Sable, Fable, was released in 2025. // The name “Bon Iver” derives from the French phrase bon hiver (pronounced [bɔn‿ivɛʁ]; ‘good winter’), taken from a greeting on 1990s TV series Northern Exposure. // After the breakup of his band DeYarmond Edison, the ending of a relationship, and a bout of mononucleosis hepatitis, Vernon left Raleigh, North Carolina, and moved back to Wisconsin. He spent the oncoming winter months at his father’s cabin in Dunn County, Wisconsin. According to Vernon, it was during this time that the “Bon Iver” moniker first entered his mind; while bedridden with mononucleosis, he began watching the 1990s TV series Northern Exposure on DVD. One episode depicts a group of citizens in Alaska, where the show is set, emerging from their homes into the first snowfall of the winter and wishing one another bon hiver (lit. “good winter”). This was initially transcribed by Vernon as “boniverre”; however, when he learned of its proper French spelling, he elected not to use it, deciding hiver reminded him too much of “liver”, the site of his illness at the time.]

17. Stereolab – Instant Holograms On Metal Film / Duophonic UHF-Warp / May 23, 2025

[Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. Since the mid-1990s, the band have drawn from funk, jazz and Brazilian music. // Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group’s only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas’ leader Sean O’Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. // Throughout their career, Stereolab have achieved moderate commercial success. The band were released from their recording contract with Elektra Records, and their self-owned label Duophonic signed a distribution deal with Too Pure and later Warp Records. After a ten-year hiatus, the band reunited for live performances in 2019. // Stereolab announces their first new record in 15 years. It includes 13 new studio recordings as well as guest contributions from Cooper Crain, Rob Frye, Ben LaMar Gay, Ric Elsworth, Holger Zapf, Marie Merlet and Molly Read. Alongside the announcement, the group shares a first glimpse into their forthcoming project with first single “Aerial Troubles.” // Instant Holograms On Metal Film will be available on double vinyl LP in standard and colour variants, as well as compact disc and digital formats. The album will arrive two days ahead of the launch of their world tour in Brussels on May 25th. They will then take their discography across Europe with dates in Berlin, Amsterdam, and Paris, among others. They’ll be kicking off the North American leg of the tour this coming October with shows across the United States before heading back to perform a string of shows across the UK.]

18. Samantha Fish – Paper Doll / Concord Records / April 25, 2022

[Fish tracked Paper Doll at The Orb in Austin and Savannah Studios in LA in the midst of a grueling touring schedule, recording with her touring band for the first time: Ron Johnson (bass), Jamie Douglass (drums), and Mickey Finn (keys). // Samantha Fish made National TV Debut on The Kelly Clarkson Show on April 25, 2025 // Her 2019 album KILL OR BE KIND was part of WMM’s 119 Best Recordings of 2019. // Samantha Fish (born January 30, 1989) is an American guitarist and singer-songwriter from Kansas City, Missouri. While often cited as a blues artist, Fish’s work features and draws from multiple genres, including rock, country, funk, bluegrass, and ballads. // Fish grew up in the Kansas City area. She started out playing the drums, but switched to guitar when she was 15. Fish’s mother was the instructor in a local church choir, and her father played guitar with friends. Initially hearing recordings of Bonnie Raitt and Stevie Ray Vaughan, she later heard music from Tom Petty and the Rolling Stones and cites the Stones’ album Sticky Fingers as an early influence. She and her sister were both drawn towards blues music in their teenage years. // Fish regularly went to the Knuckleheads Saloon to hear touring blues artists. After turning 18, she often joined in with the singers and bands who were performing there. // In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. // Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. // Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” // In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansone on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. // Fish’s third studio album, Wild Heart, was released on July 10, 2015. The album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). // Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. // Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. [It was chosen as a ‘Favorite Blues Album’ by AllMusic. // Fish released her seventh solo album, Faster, on September 10, 2021, on Rounder Records. The album was produced by Martin Kierszenbaum, and features drummer Josh Freese and bass player Diego Navaira of The Last Bandoleros. Kansas City area rapper Tech N9ne is featured on the song “Loud”. // In 2022, Fish was featured in the documentary short Love Letters: Samantha Fish Live From New Orleans presented by Carl Van Productions in association with Very Productive Pictures and WYES-TV, airing in both 2022 and 2023. // In May 2023, Fish released the collaborative album Death Wish Blues (Rounder Records) with Jesse Dayton, and the pair set forth on an extensive tour schedule throughout the US, UK, and Europe. Supporting them on the UK leg of their tour was Canadian roots rock band The Commoners. Death Wish Blues was nominated for Best Contemporary Blues Album at the 2024 Grammy Awards. // Her older sister, Amanda Fish, is a singer-songwriter as well and a multi-instrumentalist who has recorded for VizzTone Records.]

19. Suzannah Johannes – Kansas City: Hanz Bronze Boulevard / Hobbie Songs and Music / August 29, 2025

[Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com.]

20. Lnrd Dstroy x Chromadadata – Enter The ScribbleVerse / A Space Suit Production / June 26, 2025

[Produced by Lnrd Dstroy & Chromadadata // “What began as a short film about the artist Scribe has grown into a multidimensional exploration of the creative experience. Music, a vital thread in that journey, took center stage as Leonard DStroy and Chromadadata expanded their original film score into a full sonic odyssey—one that drifts from wide open fields to the far reaches of space. // This project is more than a soundtrack—it’s a mood, a companion for your road trips, your creative deep dives, your moments of stillness. Full of chill-out vibes and soul-nourishing lyrics, it invites you to reflect: What fuels your own creative path? // So grab your headphones, crank the stereo, and Enter the Scribbleverse.” -Scribe // Track 05 features Aaron Alexander & Ubi on vocals. Track 07 features Peter Schlamb on Vibraphone. Track 11 features Dom Sanders on Bass. Track 14 features Ubi on vocals. Track 17 features Aaron Alexander on vocals, Octavio Santos on Trumpet/ Arrangement, and Tina Sol on Strings. // Mixed/ Mastered/ Executive Produced by Lnrd Dstroy. Cover Art by Scribe. A Space Suit Production.]

21. Hermon Mehari & Tony Tixier – SOUL SONG / Komos Jazz / April 25, 2025

[Hermon Mehari on trumpet, Tony Tixier on Fender Rhodes. // Hermon Mehari and Tony Tixier first met in 2010, in their early twenties, in a club on Paris’s Rue des Lombards for a concert with saxophonist Rodolphe Lauretta. Over the next decade, the two musicians took opposite paths, while continuing to collaborate on two continents. The American trumpeter moved to France to discover European culture and the world cultures that coexist there, while the Parisian pianist of Martinican origin spent several years in the USA, immersing himself in the roots of jazz and Afro-American music. // In June 2024, the two musicians, who had been working for 15 years on numerous albums and collaborations, and whose musical understanding had continued to be forged in clubs, festivals, and on recordings, met again for a duet at the TOC-TOC festival in the Puisaye region, where Antoine Rajon was a collaborator. Enthusiastic about the idea, the artistic director of the KOMOS label invited them back to his home in this corner of Burgundy to record this Fender Rhodes / trumpet formula. He called on sound engineer Christian Hierro, who traveled with his mobile studio for the album recording, then mixed and produced the master in his studio in Lyon, using the best analog equipment and his expert ear. // At dusk on November 12, 2024, the duo played eight tracks in a single, direct take on a 33-minute magnetic tape. // Four unusual cover versions were carefully chosen. “Maimoun” is a composition emblematic of pianist Stanley Cowell’s style, also recorded by Marion Brown. George Duke’s “The Black Messiah” was captured live by Cannonball Adderley’s band on an album of the same name but has never been released as a studio version. “Hello To The Wind” was created by Bobby Hutcherson in 1969, sung by Eugene McDaniels. Finally, “Laini,” dedicated by the great Martinican pianist Marius Cultier to one of his daughters, is a mazurka dear to Tony’s heart. // Each of the musicians also contributed a composition: Hermon with “This Is Our Fantasy,” written especially for the session, and Tony with “Poem For The Oppressed,” a moving composition with an explicit title. Lastly, the duo improvised two tracks, without repetition, in mutual symbiosis and echo. // SOUL SONG captures a moment without enhancement, transformation, or additives, far removed from contemporary virtual technologies. // A&R: Antoine Rajon // Sound engineer: Christian Hierro. // Analog recording on 1/2 inch tape at Antoine’s Burgundy home on the 12th of November 2024, no edits, no overdubs. // Analog mix and mastering at Christian’s Back to Mono studio in Lyon in November 2024. // Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He received his BM in Jazz Performance from UMKC Conservatory of Music in 2010. Hermon was also the winner of the 2008 National Trumpet Competition and placed second in the International Trumpet Guild competition in Sydney, Australia. Hermon Mehari Mehari was the winner of the 2015 Carmine Caruso International Trumpet Competition and a semifinalist in the 2014 Thelonious Monk Jazz Competition. He is a founding member with Ben Leifer, Ryan Lee , John Brewer, and William Sanders of the band Diverse Jazz, and Diverse Trio. In 2014 Diverse released the album “Our Journey” which was recorded in Paris featuring Logan Richardson on alto saxophone. In 2015-2016 Hermon Mehari was a founding member of the KC super group The Buhs with Julia Haile, Lee Langston, Anthony Saunders, Reach, Les Izmore, Ryan J. Lee, Ben Leifer, Tim Braun, Brad Williams, & Kinyon Price. Hermon Mehari released his debut solo album, BLEU in 2017, and his 2nd solo album A CHANGE FOR THE DREAMLIKE in 2020. In 2021 Hermon Mehari with Alessandro Lanzoni released the 11 track Contemporary Jazz album Arc Fiction. Mehari released ASMARA on November 18, 2022. Recorded and mixed by Félix Rémy in Paris with Hermon Mehari on trumpet, Peter Schlamb on piano & vibraphone, Luca Fattorini on double bass, Gautier Garrigue on drums, and Faytinga on vocals. // In addition to performing and touring all over the world, Hermon dedicates himself to being a serious educator, runs a weekly musical radio program called “The Session” on KCUR 89.3, is constantly collaborating with other musicians: Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons, Mikal Shapiro, Krystle Warren. Hermon was featured on Bobby Watson’s 2013 release, “Check Cashing Day”.]

22. TRAИƧA / Red Hot / November 22, 2024 (Came out late in 2024 and was so big we spent several months in 2025 playing tracks in support of our Trans family here in Kansas City)

[One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey.]

23. Sudan Archives – THE BPM / Stones Throw Records / October 17, 2015

[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production // Sudan Archives’ highly anticipated third album THE BPM is out now on Stones Throw, marking her most liberated and forward-looking work to date. Across fifteen tracks, the violinist, vocalist, and producer – real name Brittney Parks – embodies the idea that “The BPM is the power,” channeling rhythm as a source of personal freedom, joy, and self-definition. // Following acclaimed albums Athena and Natural Brown Prom Queen, THE BPM imagines a gleaming future where technology and emotion pulse in perfect sync. Inspired by the club sounds of Chicago and Detroit alongside global dance music and experimental beatwork, the record sees Parks fully embracing the persona of “Gadget Girl” – a technologically advanced artist exalting in the tools that first gave her a voice. “I’m all gadget girled out now,” Sudan explains, “but I’ve never felt so free as a human.” // THE BPM was recorded in Los Angeles, Chicago and Detroit, with Sudan stepping into the role of executive producer and working exclusively with family and close friends. The album includes the singles “A BUG’S LIFE”, “MY TYPE,” and “DEAD.” The New York Times praised “DEAD” as “shape-shifting, maximalist, ultimately unstoppable,” while Stereogum called it “a full-on dance floor rager.” // A radiant exploration of self-love, technology, and transformation, THE BPM captures Sudan Archives in full command – an executive producer, artist, and visionary expanding the limits of her sound and identity. Sudan’s most raucous and party-starting record, it’s also her most vulnerable, and a monumental step forward – the kind of leap you can only make when you trust your instincts, trust the people around you, and lock into your own rhythm. // “[THE BPM] aligns instinct and intellect, human and machine, bravado and desire. Every song is crammed with ideas and sonic surprises” – The New York Times // “It’s not merely an album to dance to – it feels like a sanctuary where every song is like a hymn in full technicolour: cybernetic and uncontainable.” – NME // “Every immaculately constructed track overflows with both ideas and emotions.” – FLOOD.]

24. Willi Carlisle – Winged Victory / Willi Carlisle – Signature Sounds / June 27, 2025

[“It feels relatively easy to crown Winged Victory as the high-water mark of Carlisle’s recorded output…” – No Depression // “His thoughtful musings and memorable melodies collide in weird and wondrous ways over and over again” – Bandcamo // “Like a true poet Willi Carlisle invents a sound like none other…” – western AF // “Winged Victory reveals there is great beauty in darkness, that singing itself is an act of optimism, and that exile creates its own narratives. Therein, Carlisle has found a way of singing through dark times.” – The Bluegrass Situation // “The return of one of folk music’s most life-affirming and brilliantly eccentric voices.” – Holler // “The singer-songwriter’s songbook is a hymnal of folk gospels so full of heart they nearly pop at the seams; weeping with wisdom and brimming with radical empathy, they’re like arms you could fall into at your weakest, your worst. They are fiercely, fervently life-affirming in a world increasingly undone by hate—songs that we need now more than ever.” – Paste // Within his heart and his music, folksinger Willi Carlisle holds tight the conviction that love is bigger than hate, and no-one is expendable. Deemed “One of country music’s most important and unmistakable voices.” (PASTE), Carlisle’s music has always been a dance between spectacle and philosophy. On his fourth studio (and first self-produced) album, Winged Victory, Carlisle returns with his signature blend of traditionally-rooted folk music and kaleidoscope of oddball characters to confer with his core tenets in more overt and provocative ways. // Intent on creating art and a well-rounded life in a broken world, Carlisle directly addresses the hope that by understanding our collective suffering we might be free of it. Rather than a manifesto, the eleven songs on Winged Victory should be understood as a reflection. They revel in the beauty of tiny, monetarily-worthless moments and things, offering with them a consideration of our innate humanity. // WILLI CARLISLE is a poet and a folk singer for the people, but his extraordinary gift for turning a phrase isn’t about high falutin’ pontificatin’; it’s about looking out for one another and connecting through our shared human condition. // For Carlisle, singing is healing. And by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. More info at: http://www.willicarlisle.com]

25. Wednesday – Bleeds / Dead Oceans / September 19, 2025

[Wednesday, the North Carolina rock band led by generational songwriter Karly Hartzman released their breakthrough album, Rat Saw God. The album was one of 2023’s most critically acclaimed releases, landing on year end lists at the New York Times, NPR, Pitchfork, Rolling Stone, Associated Press, Wall Street Journal, LA Times, The Atlantic, The Ringer, The FADER, Paste, Consequence, Stereogum and more. // Wednesday is Karly Hartzman, MJ Lenderman, Xandy Chelmis, Alan Miller, and Ethan Baechtold. // “What makes Wednesday one of the best bands in the world is Hartzman’s songwriting. It’s paradisiacal in a scuzzy way, adaptable to any underbelly in North America and wickedly unafraid of being too truthful or unabashed.” -Paste // “Karly Hartzman’s storytelling remains a beautifully magpie-like collection of little details drawn from memory and observation, woven together into a transcendent indie rock tapestry.” -The AV Club // Rat Saw God released September 8, 2022. It was ij the top 30 of WMM’s 120 Best Recordings of 2024. // Hartzman was inspired to start playing guitar after watching Mitski’s NPR Tiny Desk concert. Hartzman attended college in Asheville, where she met Daniel Gorham. The two recorded an album together under the moniker Wednesday titled yep definitely. The band’s name was inspired by the British band The Sundays. // After releasing this record, Hartzman formed another band called Diva Sweetly, alongside members of the band Pictures of Vernon. Hartzman was interested in making shoegaze music, which was not the music Diva Sweetly was making. Thus, Hartzman gathered new members to join the Wednesday band and released the second album with the group, titled I Was Trying to Describe You to Someone in 2020. The group released their third record, Twin Plagues, on August 13, 2021.// On March 11, 2022, the band released a covers album titled Mowing the Leaves Instead of Piling ’em Up, featuring covers versions of songs by Gary Stewart, Chris Bell, Roger Miller, Drive-By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine and The Smashing Pumpkins. On September 8, 2022, the band left Orindal Records and signed to Dead Oceans, releasing the single “Bull Believer”. On January 18, 2023, the band released the single “Chosen to Deserve” and announced a fifth album, Rat Saw God, which was released on April 7, 2023.] [Wednesday played the recordBar, 1520 Grand Blvd, KCMO, on Wednesday, May 17, 2025 at 7:00 PM ]

26. Hembree – Dive Bar Funeral – EP / Peermusic III / August 8, 2025

[5-sopng EP containing a slightly longer version of their recent single “On The Line” plus 4 new songs. “On The Line” was one of three new singles Hembree has released this year so far, including, “Don’t Look Down” released April 4, 2025, and “U R WHAT U EAT” released February 7, 2025. Last year, Hembree released their third studio album BETTER DAYS on August 9, 2024 and was part of WMM’s 120 Best Recordings of 2024. Hembree is: Isaac Flynn, Eric Davis, Garrett Childers, Alex Ward & Austin Ward. Mixed by: Isaac Flynn. Mastered by: Ian Sefchick. Drums engineered by: Martin Cooke. Additional vocals by: Devynn Carter on tracks 1, 6, 9 and 10. Recorded at Kingsize Soundlabs (Los Angeles, CA), Peermusic (Burbank, CA) and Isaac’s house. Produced by: Isaac Flynn . // Hembree released their The 15-track album, IT’S A DREAM on February 4, 2022. It was part of WMM 120 Best Recordings of 2023. Hembree, is a KC born band was formed in November of 2015, with Isaac Flynn on guitar, & lead vocals, Garrett Childers on bass & vocals, Eric Davis on keys & synth, Alex Ward on guitar, and Austin Ward on drums. Hembree is signed to Thirty Tigers of Nashville, TN. The band was founded by original members Isaac Flynn, Garrett Childers, and Eric Davis. Brothers Alex and Austin Ward later joined in 2018. Hembree quickly garnered national attention after their single “Holy Water” was placed in an Apple commercial that aired during Super Bowl LII. The band’s music has been featured in a variety of other national placements, including Monday Night Football (NFL) and Bose. Hembree has notably supported Elvis Costello, Phoenix, Cold War Kids, Vance Joy, JR JR, and Joywave, among others. The band first toured Europe in Fall 2018. In 2018, Hembree signed with Thirty Tigers to release their first full-length album House on Fire, released 4/26/2019. In 2019, Hembree performed at Hangout Music Festival. They will also appear on the soundtrack of 13 Reasons Why: Season 3 with the song “Culture”. Hembree was named one of NPR’s Slingshot 2018 Artists to Watch. Rolling Stone named Hembree as one of the thirty best artists at SXSW 2018. “Had It All” debuted on Zane Lowe’s Beats 1 on January 19, 2017. Lowe described the song as “absolutely fantastic.” “Holy Water” was featured in Apple’s HomePod “Distortion” TV spot, which ran during Super Bowl LII, the 60th Annual Grammy Awards, and the 2018 Winter Olympics. Hembree released the single, “Reach Out” on July 20, 2021 and “Operators (feat. Bodye)” on Sept. 21, 2021on Oread Records. More info at: http://www.hembreemusic.com] [Hembree played their 10th Anniversary show August 16, at Liberty Hall, in Lawrence, KS with Cowboy Indian Bear.]

27. Snocaps – Snocaps / Anti / October 31, 2025

[Snocaps is the debut full-length album from American indie rock band Snocaps, consisting of Katie and Allison Crutchfield, joined by multi-instrumentalist MJ Lenderman and producer Brad Cook. The album was surprise-released on October 31, 2025.[2][3] The album was named one of the “11 New Albums You Should Listen To Now” by Pitchfork upon its release. // The Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot. It also marks Allison Crutchfield’s first new music in seven years, following the release of the fourth Swearin’ album Fall Into the Sun in 2018. In a post to her Substack newsletter, Katie Crutchfield noted that she and Alison had initially broached the idea of a new project in 2023, prior to the release of the Waxahatchee album Tigers Blood. She wrote that the sisters were interested in “making something akin to what we made when we were younger” with “no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.” The album was recorded with Cook and Lenderman over the course of a week, with Katie describing the experience as “realigning with the earliest, purest versions of our music-making selves”. // All tracks are written by Katie Crutchfield and Alison Crutchfield.]

28. Big Thief – Double Infinity / 4AD / September 5, 2025

[Sixth studio album from 4x Grammy nominated Big Thief. Double Infinity is the follow-up to 2022’s Grammy-nominated album, Dragon New Warm Mountain I Believe In You, and was recorded last winter at the Power Station, New York City. Together with a community of musicians, they would play for nine hours a day, tracking together – simultaneously – improvising arrangements and making collective discoveries. The album was recorded live with minimal overdubs. Double Infinity was produced, engineered and mixed by longtime Big Thief collaborator Dom Monks. “How can beauty that is living be anything but true?” Adrianne asks as she drives nose against the future with childhood mementos on lead single “Incomprehensible.” She understands “everything I see from now on will be something new.” The silver hairs on her shoulders are new as well. Yet fear of aging is cracked by proof. If a life is shaped by living, “Let gravity be my sculptor, let the wind do my hair.” Being born, then staying a while, remains the greatest mystery. Adrianne claims her place and time. “Incomprehensible, let me be.” // To celebrate the release of Double Infinity, Big Thief will embark on the first leg of their Somersault Slide 360 Tour. The extensive tour – their first US shows in over a year – kicks off in September and includes stops at Berkeley’s The Greek Theater, Los Angeles’s The Hollywood Bowl (their largest non-festival headline show yet), Boston’s MGM Music Hall, and New York’s Forest Hills Stadium. // “the best indie-folk band around.” – Rolling Stone]

29. Tune-Yards – Better Dreamiing / 4AD Records / May 16, 2025

[Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]

30. Tunde Adebimpe – Thee Black Boltz / Sub Pop Records / April 18., 2025

[Acclaimed TV On The Radio frontman and multi-hyphenate talent Tunde Adebimpe has released a new song “God Knows,” from his highly anticipated debut solo album, Thee Black Boltz. // “God Knows” delves into the complexities of a bittersweet breakup, showcasing Adebimpe’s distinctive vocals and introspective lyrics. The song captures the raw vulnerability of heartbreak as Adebimpe sings, “You’re the worst thing I ever loved, And you’re bad news but I still want to give you my love.” // Of the latest single, the TV on theman says “Breaking up is hard to down dooby doo down do”. // Thee Black Boltz is produced by Tunde Adebimpe & Wilder Zoby, and executive produced by Zoby, with additional production and contributions from Jaleel Bunton & Jahphet Landis (of TV on the Radio), and more. Showcasing visionary soundscapes, the album is a nod to Adebimpe’s propensity to write and sing about the human condition – in all its forms, under all its stressors, both big and small. // “Adebimpe is strutting back into the spotlight with style.” – Consequence // “Adebimpe is plagued with the state of the world, as he muses on the human race, love, tenderness and how to fly above it all. He whistles, claps & yelps—in all the ways that made TV On The Radio songs so com-pelling and mesmeric—but with a progressive voice that sounds fresh and thrilling in 2024.” -Paste // “‘’Magnetic’… It’s an apt name for the track, which opens with a reflective, melancholic lyric (‘I was thinking about my time in space’) before the propulsive instrumentals drop in and never let up.” – AV Club // “Tunde Adebimpe had quite the 2024, stealing scenes in Twisters and reuniting with TV on the Radio to celebrate the 20th anniversary of their debut, Desperate Youth, Blood Thirsty Babes. The front man will get a little more “me” time this year with his first solo album via Sub Pop.” – Vulture’s “Albums We Can’t Wait to Hear in 2025”

31. Kat King – Merry Go Rounds [EP] / Kat King / September 12, 2025

[Kat King released the single “It’s In a Dream” on July 11, 2025. // Kat King released the single “Somersaults”on May 2, 2025. // Kat King released the single “I Might Like It” through Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. // Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

32. Julia Haile – EP / Julia Haile / October 31, 2025

[New 7-track recording collection of Julia’s most recent songs. “Keep It Comin’” offers a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]

33. Danielle Ate the Sandwich – Fumbling / Danielle Ate The Sandwich / March 21, 2025

[Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

34. MGDs – Hold On / MGDs / January 11, 2025

[1st single from the band’s 5th album. The band is: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Cole Gurley on saxophones; Teddy Krulege on trumpet Emmitt Starkey on trombone. This KC based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic KC music culture, blending of funk & blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg & Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and athe Sunset Music Fest, the City Market Crawfish Fest, the Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two KC Royals games. The MGDs released their 4th album, Midtown on Nov. 22, 2020. This followed, Somos Como Somos, from Nov. 4, 2017.] [MGDs played 21st Crossroads Music Fest, Sept. 6, Lemonade Park w/ Krystle Warren, Laura Noble, Grupo Folklorico, Alma Tapatia, Rebel Song Academy]

35. Tech N9ne – 5816 Forest / Strange Music / June 27, 2025

[Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps.[50] After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]

36. Malek Azrael – Feels Like – EP / Malek Azrael / March 1, 2025

[On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

37. Howard Iceberg & The Titanics – Recorded Time (2118-2025) / Howard Iceberg & The Titanics / October 17, 2025

[Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s. // Legendary Singer Songwriter Howard Iceberg is one of the most prolific and poetic songwriters in Kansas City. He has written thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney (Howard Eisberg), and has donated much of his time and music to projects that serve our community. Howard Iceberg began performing in the late 1970s, and playing with songwriters Scott Hrabko and Iris DeMent in the 1980s. Over the past five and a half decades he has released countless albums, and collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.” On December 20, 2017 Howard Iceberg & The Titanics – released the album Netherlands with Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. // Howard Iceberg & The Titanics played Grand Avenue Temple, 205 East 9th Street & 903 Grand Avenue, KCMO, October 17, 2025]

38. Elexa Dawson – Stay Put / Turns Out Records / September 15, 2025

[Elexa Dawson on vocals, acoustic guitar, mandolin (Man Mountain); Kelby Kimberlin on upright bass, acoustic electric bass; Melissa Tastove on harmony vocals, percussion; Peter Oviatt on banjo, mandolin, electric guitar, acoustic guitar solos, Juno 6 Polyphonic synth, Rhodes organ, tamborine; John Depew on mandolin (Roots Grow). Production by Peter Oviatt and Elexa Dawson. Mastering by Brody Wellman // Stay Put is Elexa Dawson’s third studio album, a deeply rooted and timely work sprouted from the grounding element of earth. With this viscerally personal release, Dawson anchors her message in the soil of memory, tradition, and identity. Building on her two preceding albums, Music is Medicine and Wanderlust, Elexa continues to amplify the ancestors, infusing her voice with the grit of Oklahoma red dirt and wind-washed Kansas prairie. // From the opening reimagining of “Where Have All The Flowers Gone” as an Indigenous chant, Elexa stimulates the memory of civil rights issues of the ‘60s and reflects their relevance to present-day conflict. The title track, “Stay Put” is a songwriter’s song, a confession of a restless poet who leaves the comfort of indulgent love to chase inspiration. “Man Mountain” and “Cove” were written about and by, respectively, a mentor and a man who knows the value of a place that holds you close. In “Roots Grow”, a backbeat of biomimicry edifies the listener with an assurance of resilience in the face of adversity. “Baling Hay” is a tribute to Elexa’s Grandpa, a humble, hardworking soul whose tractor-greasy grace lives on in memory and song. Finally, “The Riddle Song” documents Elexa’s inherited rendition of a traditional Appalachian tune sung to her from the morning she was born by her Nana, who dubbed her an alto that day, and continues to support her from the other side of the soil. // These are homesick songs, not just in the geographic sense, but in the spiritual and emotional sense of belonging in a world where we’re more detached from our nourishing roots every day. Stay Put is a call to remember and celebrate those roots. Elexa pays tribute to the places that raised her, the familial ties that shaped her story, and the Indigenous traditions that inform her sense of purpose and place in the world. // In Stay Put, Dawson reminisces and reimagines. It’s an album that will make itself comfortable in the heart of anyone who has ever felt the gravity of home, the ache for grounding, and the power of not forgetting where you come from. // On February 2, 2024 Elexa Dawson & Stanley Hotel released WANDERLUST through Turns Out Records. Wanderlust was part of WMM’s 120 Best Recordings of 2024. Wanderlust was recorded at: Remote Studios. Engineered and Mixed: Isaac Nelson, Adam Stanley. Mastered by: Brody Wellman. Produced by: Elexa Dawson, Isaac Nelson, Adam Stanley, Doug Swindell. Published By: Turns Out Records. Dawson Elexa creates community-focused Americana music with soulful vocals and connection to land. Oklahoma Native, Elexa now calls Kansas her home. Wanderlust is Elexa’s sophomore release (Feb 2024) collaboration with Stanley Hotel. // Elexa Dawson also fronts the bands: Heyleon and Weda Skirts. Alexa is a Potawatomi activist and educator. Elexa facilitates songwriting workshops, talking circles, and relational plant education. // Mikal Shapiro, of Siren Song, on 90.1 FM KKFI writes, “Dear Music Lovers, do yourself a favor and put this honey in your ears. Elexa Dawson delivers yet another stunning collection of heartfelt songs in her sophomore release. // A collaboration with indie folk rockers Stanley Hotel, the chemistry is palpable and the production sparkles with Dawson’s clear and powerful voice sitting comfortably in the full-spectrum arrangements. // A soul-stirring journey through earth and sky, “Wanderlust” provides the perfect soundtrack to that road-trip you’ve been dreaming about… and you don’t have to burn any gas to get there.” // More on WANDERLUST: Nestled within the red dirt country hills of Oklahoma, Elexa Dawson and the acclaimed Stanley Hotel embarked on a visionary collaboration, crafting what can only be described as a sonic spaceship named “Wanderlust.” Reviewed as “a soul-stirring journey through earth and sky,” the album invites listeners to explore uncharted realms through its captivating songs. // From the inaugural track’s exploration of the outer limits of human experience to the final guided meditation conveying a message from the ancestors, “Wanderlust” stands as an epic odyssey worthy of the finest traveling shoes. Each song serves as a unique stop on this musical tour, gathering sentiments of loneliness, love, connection, and completion. Whether dancing with the transient and the lovers in “Rainbows,” getting “High on the Street,” or contemplating life under the southwestern sky with the poignant “Lonely Coyote,” every moment resonates with the depth of the human experience. // Elexa Dawson’s return to her Oklahoma roots for recording at Remote Records, the experimental laboratory of Stanley Hotel members Adam Stanley, Isaac Nelson, and Doug Swindell, underscores the organic collaboration between the artists. With mutual admiration at the core of their sonic choices, Stanley Hotel’s earthy soundscape perfectly supports Elexa’s vocal prowess. As both parties contribute astute compositions, the album maintains its cohesion by invoking nature’s spirits while playfully exploring the ether and always grounding itself back in the dirt. // “Wanderlust” marks Elexa’s sophomore release following her debut album, “Music is Medicine,” in 2019. The collaboration with Stanley Hotel showcases their multi-genre style and eclectic musicality, evident in releases such as “Samson Mammoth” and “The Wolf Told Me.” Elexa’s vocal quality, described by Raye Zaragoza as cutting right to the soul, blends seamlessly with Stanley Hotel’s unique style, creating a magical and expansive listening experience. http://www.elexadawson.com]

39. David Luther – Who You Are / David Luther / April 25, 2025

[David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]

40. The Mammals – Touch Grass Vol. 2 / Humble Abode Music / November 1, 2025

[RUTH UNGAR on VOCALS, GUITAR, BANJO, UKULELE; MIKE MERENDA VOCALS, GUITARS, BANJO, CASIO SK-5, PERCUSSION; BRANDON MORRISON on BASS, VOCALS; TIM MORRISON DRUMS, PERCUSSION, VOCALS; WILL BRYANT on VOCALS, PIANO, SYNTHESIZERS, ORGAN, SCOTT MILICI on ORGAN. Produced by The Mammals. Mastered by Greg Calbi, Sterling Sound (except “Unpopular Ideas” mastered by Alex Saltz)Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the announcement of a new album in 2018. The 2017 lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.” // The Mammals played an Official Showcase at Folk Alliance International Conference at Saturday, February 17, 2018 in Shawnee Mission Room at Weston Kansas City Crown Center.]

41. Liney Blu – Scout / Liney Blu / October 24, 2025

[Kansas City singer songwriter Liney Blu writes from a unique place of personal experience and identity. They vividly show us how vulnerability is strength and require us to see love, frustration, disappointment and humor through lenses we may not have considered. Every song finds Liney passionately and sometimes bravely exploring a broader, more inclusive understanding of the human experience while letting us into some sacred personal spaces to do so. And while many listeners are just finding Liney Blu, she set out on her path as a songwriter and artist as a teenager. // At age 17 as Caroline Blubaugh she released a first EP titled “Green” which featured the single “San Francisco” that quickly saw 185K Spotify streams. In 2023 as Liney Blu, came a 2nd EP, “Pennsylvania St.” with bandmates bassist Renee Huey and drummer Jones Goldman. “Pennsylvania St.” is an introspective, sometimes raw, indie pop rock/folk synthesis built on innovative arrangements relentlessly pushed along by Liney’s deep, resonant vocal, subtly insistent delivery and very personal passion. // New music building on the release of “Pennsylvania St.” is in the works. Liney Blu can be heard in venues around the Kansas City/Lawrence area with an expanded show schedule planned for 2024. More infoo at: http://www.lineyblu.com] [Liney Blu played an Album Release Show on November 21, 2025 at The Ship with Jolson & The Fear of Snakes, and Alex May & Friends.]

42 Big Fat Cow – “Garbage In, Garbage Out / Big Fat Cow / September 26, 2025

[Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]
[BIG FAT COW played a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade! Were on WMM on Sept. 10, 2025] [Big Fat Cow played Warehouse On Broadway, December 5, 2025 with Madisen Ward and Me Like Bees.]

43. Lyra Pramuk – Hymnal / 7K / June 13, 2025

[Lyra Pramuk was born September 20, 1990. She is an American singer, songwriter and performance artist. Pramuk grew up in Hollidaysburg, Pennsylvania. As a young adult, she performed on stage in church choirs, orchestras, and with musical theater groups. Pramuk, who grew up as a boy, said she didn’t feel the need to “come out as a gay man” because “it was dangerous to be different.” Pramuk moved to New York City, where she attended the Eastman School of Music and participated in a program that required her to complete daily vocal exercises in six different languages. During her studies, she spent several periods abroad in Berlin, where she made contacts with various musicians and artists and became acquainted with the city’s techno scene. // On March 20, 2020 Lyra Pramuk released her debut album FOUNTAIN which explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

44. Redder Moon – If You’re Falling, Dive / Redder Moon / April 25, 2025

[Produced by: Jeremiah James Gonzales. Engineered and Mixed by: Jeremiah James Gonzales, Brody Lowe, Ross Brown. All instruments and Songwriting: Jeremiah James Gonzales with content contributions by: Jason Scott, Brody Lowe, Eric B Lopez, Lauren Chavez. // Redder Moon is a Kansas City based band led by Jeremiah James Gonzales and Brodie Lowe using analog synths, dark dance beats, dreamy guitars, we create Mono No Aware music.. The band began as one of Gonzales’ many music projects, although more electronic than his other work with Knife Crime, Be/Non, Rhunes, Elevator Division, Umberto. Brody Lowe moved to KC from Portland, and met Jeremiah in 2019. The band released their EP, LAND OF THE BLIND on June 13, followed by an album, HELL IS OTHER PEOPLE, on November 5, 2021.]

45. Religion of Heartbreak – LUNATE EP / Kosmic City Records / September 12, 2025

[Mikal Shapiro’s sensually detached vocals float over Dedric Moore’s pounding EBM foundation, where snakey synth leads coil around italo disco-ized bass lines in a haze of post-wave nostalgia. Religion of Heartbreak make music for those broken moments and flashes of love. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. // Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever, and always filled with a sense of lost love as we follow our dark hearts. // Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts. // ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. // On June 27, 2025 Religion of Heartbreak released the single “Love Tourniquet” through Kosmic City Records // On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.]

46. The Moose – Frozen Heads / Desert Animal Records / April 4, 2025

[The Moose released their 6-track EP Undying Nightmares of Incommprehensible Doom on October 13, 2023. The Moose released their 11-track album Renaissance on Desert Animal Records on September 22, 2022 part of WMM’s Best Recordings of 2022. On April 22, 2021 The Moose released SPATURE their 26-track double album. One of WMM’s 120 Best Recordings of 2021. The album contained music and lyrics all composed by The Moose. The album was engineered, mixed, and mastered by members Emma Klein and Jake Hilger. SPATURE is a sonic amalgamation of sunny peaks and dark chasms. Join The Moose as they experiment with the fantastical worlds of space and nature. From ‘Lava’ to ‘Mother Tree’, there is a song on this double LP for everyone.The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019. The Moose also recently released SONGS OF SPATURE – LIVE FROM MYCO PLANET MUSHROOM FARM April 2022. The Moose played Outer Reaches Festival on Sat, October 15 at 7:00 PM at recordBar, 1520 Grand Blvd. KCMO, with Cheer-Accident, Season to Risk, Peculiar Pretzelman, The Black Mariah Theater, She Speaks in Tongues; Jacob E.chord and experimental dance project Composition of Dance. More info at: http://www.musicofthemoose.com ]

47 FKA Twigs – EUSEXUA / Young Recordings / January 24, 2025

[EUSEXUA is the third studio album from FKA twigs and follow up to . CAPRISONGS which was part of WMM 120 Best Recordings of 2022. CAPRISONGS was the follow up to FKA Twigs November 8, 2019 album MAGDALENE, which was #29 on WMM’s 119 Best Recordings of 2019. // Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack, while Slate described her work as distinctive in a way that rises above her influences. The Wall Street Journal described her as “an heir to futuristic R&B muses like Aaliyah, Missy Elliott and others under the progressive sway of producer Timbaland.” Describing her artistry, she said: “I am not restricted by any musical genre. I like to experiment with sounds, generating emotions while putting my voice on certain atmospheres […] I found my own way of playing punk. I like industrial sounds and incorporating everyday life’s sounds like a car alarm.” FKA Twigs has been associated with the alternative R&B tag, though she herself has rejected the R&B label as related to her race: “It’s just because I’m mixed race. When I first released music and no one knew what I looked like, I would read comments like: ‘I’ve never heard anything like this before, it’s not in a genre.’ And then my picture came out six months later, now she’s an R&B singer. I share certain sonic threads with classical music; my song ‘Preface’ is like a hymn. So let’s talk about that. If I was white and blonde and said I went to church all the time, you’d be talking about the ‘choral aspect’. But you’re not talking about that because I’m a mixed-race girl from south London.” The first singers who influenced FKA Twigs were Billie Holiday, Ella Fitzgerald, and Marvin Gaye. When she started composing songs, she wanted to reproduce music she liked: “every bit of music that I made sounded like a pastiche of Siouxsie and the Banshees or Adam Ant. But through that I discovered myself”. In an interview after being shortlisted for the 2014 Mercury Prize, Twigs cited GERMFREE ADOLESCENTS by X-Ray Spex as her favorite album of all time.]

48. Britanny Davis – Black Thunder / Loosegroove Records / June 13, 2025

[“As a blind person, I’ve never had an actual visual experience,” says artist Brittany Davis. “Sound is the way I’ve always seen my world.” // Brittany brings that world to cinematic life with Images Issues, their full-length debut as a solo artist, released March 1, 2024 on Loosegroove Records. Arriving on the heels of 2022’s I Choose to Live — an introductory EP that was championed by outlets like NPR (who hosted Davis for a Tiny Desk Concert) and SPIN Magazine (who praised Davis’ “intuitive virtuosity across deeply-felt rock, funk, and R&B”) — it’s a wildly creative project that obliterates the traditional borders between genre and job. Brittany isn’t just the album’s vocalist; they’re also the songwriter, engineer, co-producer, and multi-instrumentalist responsible for nearly every sound on the album. Those sounds are just as diverse as the person who created them, with Image Issues making room for gospel piano, hip-hop grooves, house beats, jazz chords, self-made samples, and everything in between. It’s a wide mix — and it’s all Brit. // From Written by Jonathan Cohen’s April 13, 2023 article in DSPIN Magazine: Blind since birth, the talented musician leads their own quartet while also playing in Stone Gossard’s Painted Shield. // Davis, who uses they/them pronouns, has been dazzling people in this fashion more or less since the beginning, while overcoming enormous personal challenges along the way. They were born blind in 1994 in Kansas City, Mo., and were just three years old when their mother was sent to prison for a decade for murder, leaving them to be raised by their maternal grandmother. Davis has a form of synesthesia, where they can experience multiple senses at once. Although for some this might seem like a kind of blessing or superpower, for Davis, it only magnified the struggle to translate the sounds in their young head into something people could actually hear for themselves. // “When I was little, I heard music in everything,” Davis tells SPIN over Zoom after apologizing for the constant loud noises coming from their cell phone (“Forgive me – everything in my life talks,” they say with a huge smile, in a voice as naturally harmonious as their songs). “Music was like a language. There was no quintessential moment where I knew it was magic — it just was. It always was. It’s like breathing. But I didn’t really have anybody to share it with, or the means to share it with people the way that I wanted to. I definitely played in churches sometimes, or maybe if a friend came to the house, they’d be like, ‘OK Brittany, play us a song.’ I felt like a one-trick pony, and I didn’t know how to express my desire and pain through my music. It was almost like a second skin.” // An early breakthrough came through the assistance of a teacher at a Kansas City piano academy, where at the behest of their grandmother, Davis spent four years as a student between the ages of seven and 11. Even though they “can’t stand to practice,” Davis was encouraged to play loops or fragments of their fledgling ideas, which the instructor then helped turn into actual songs. “Bless his soul – he gave me my first recording experience,” Davis says of this material, which is now sadly lost to the ages. // Shortly thereafter, Davis’ life was plunged back into tragedy when, at age 12, their father was murdered. “My mother was still incarcerated at the time, so imagine the impact of what that meant for 12-year-old me,” they say. “My father was my lucky star. I believed he was really God’s conduit for my gift – I’m the vessel, but he was the conduit to show me what was possible.” // Davis’ mother was eventually released from prison, and in search of a fresh start, moved Davis and one of their three brothers from Kansas City to Seattle, where their late father’s sister resided. Although a leading light from the city’s celebrated music scene would eventually figure prominently in Davis’ life, initially, they didn’t even think about what their new hometown might have to offer from a cultural standpoint: “I was just on this adventure, like, ‘Seattle! Let’s go!’ It was as if I found a golden ticket but didn’t know about the contest.” // Davis continued working on music with the help of a basic synthesizer with a built-in sequencer, in spite of ongoing difficulties with their day-to-day well-being. “Definitely I experienced a lot of displacement,” they admit. “I say ‘homelessness’ very loosely, because we didn’t live on the street. But we lived in hotels sometimes. I’d take taxis to school because we didn’t have transportation. I had clothes and food, but just not a steady residence. I moved almost 60 times during the term of my high school career.” // Stability may have proven elusive for a while, but Davis was also beginning to make inroads in the Seattle music community. They played regular gigs at an African restaurant called Rumba Notes and made appearances at local festivals such as Sundiata, Juneteenth, and Folklife, but the big break came just before the pandemic in 2019. // That year, Pearl Jam’s Stone Gossard heard from longtime Seattle friend Om Johari that there was a young musician in town who he positively had to meet. Before long, Davis was at Gossard’s Studio Litho recording new ideas of their own and was quickly invited to Pearl Jam’s warehouse to contribute to material from Gossard’s nascent side project, Painted Shield. Gossard also signed Davis to his revived imprint Loosegroove, for which they’ve released the 2022 EP I Choose To Live and are working on a debut full-length that should be out before the end of the year. // “It has been such an amazing experience to be involved with Brittany,” Gossard tells SPIN. “Their capabilities as a musician, improviser, storyteller, producer, and straight-up keyboard hero are as profound as any that I’ve ever experienced. It is beyond an honor to be connected to their blossoming career.” // Davis now finds themself with the good fortune of being in two different bands at once, a situation made even more fruitful now that Painted Shield finally played live for the first time during three March shows at Seattle’s Clock-Out Lounge. Among Davis’ upcoming gigs are solo performances on April 30 and May 28 at Seattle’s Rabbit Box, an appearance to sing “The Star-Spangled Banner” at the Seattle Sounders soccer game on May 17, and two June shows with the Quartet (bassist Evan Flory-Barnes, drummer D’vonne Lewis, and guitarist Jason Cameron) as part of the city’s annual Pride celebration. // “When it comes to sitting in front of a keyboard, I will always come through expressively,” Davis says. “If I’m in a rock band, I’ll rock just as hard as any other rocker. If I’m rapping, I’ll rap just as well. I always acknowledge the language being spoken sonically, and that’s one of the gifts I have. To be honest, with Painted Shield, I don’t know how people see me in that band. They probably think, ‘Whoa! That’s a wild card (laughs)! Whoa, Stone! Who is that?’” // While it’s true that a non-binary, sightless, millennial African-American musician may seem like an odd match with four veteran rockers in their 40s and 50s, Gossard can’t say enough about what Davis has brought to songs such as “Til God Turns the Lights on” and “Fallin’ Out the Sky” for Painted Shield, which also features vocalist Mason Jennings, drummer Matt Chamberlain, and bassist Jeff Fielder. // “Britt’s work with Painted Shield is just scratching the surface of what they are capable of, but if I were to list the two biggest aspects of how they’ve impacted the band, it would be their incredible vocal harmonies and their wicked ear, which allows them to layer color and other musical ideas to existing tracks,” Gossard says. “It’s a high priority for me to have more songwriting from Britt on our next album, and to give them more freedom to create outside the lines. I can’t wait to hear it.” // And while Davis is confidently looking forward, enough time has now passed from their tumultuous early years to allow them to trace the evolution of music’s role in their life. They’re now even more committed to what they believe is their God-given purpose: to ignite the spirits, souls, and hearts of people through sonic translation. // “Music has definitely evolved, in the way that I express it and how it expresses me,” Davis says. “That language has broadened. It’s one thing to say, ‘I’m sad,’ but it’s another to say, ‘I’m grieved.’ It’s being able to digest the amalgamation of the emotion that can form through being in contact with music. I’m entrenched in Seattle music now, and I’m working with historical figures who have been a part of historical movements. All of that changes how you walk. It’s not the same as wishing and hoping. No, it’s happening, and the people I’m touching are real. The lives I’m impacting are real. The love being given is real. The journey is no longer in my head, and that’s humbling because you realize that even if it’s all gone tomorrow, the music will always be there.”]

49. Hayley Williams – Ego Death At A Bachelorette Party / Post Atlantic / Nov. 7, 2025

[Ego Death at a Bachelorette Party is the third studio album by the American singer-songwriter Hayley Williams. // Hayley Nichole Williams (born December 27, 1988) is an American singer and songwriter. She is the lead vocalist and a founding member of the rock band Paramore and has released several solo albums. // Williams was born and raised in Meridian, Mississippi. Her parents divorced when she was 13. She then moved with her mother to Franklin, Tennessee, where she later formed Paramore alongside Josh Farro, Zac Farro, and Jeremy Davis. Paramore has released six studio albums: All We Know Is Falling (2005), Riot! (2007), Brand New Eyes (2009), Paramore (2013), After Laughter (2017), and This Is Why (2023). It has featured a continuously changing line-up (currently consisting of Williams, Zac Farro, and Taylor York) with Williams being the only member to appear on all six albums. Along with York, Williams won the 2015 Grammy Award for Best Rock Song for the song “Ain’t It Fun”. // Williams’ non-Paramore musical work includes the song “Teenagers” for the soundtrack of the film Jennifer’s Body (2009) and collaborations with The Chariot, October Fall, New Found Glory, Set Your Goals, Zedd, Moses Sumney, and Turnstile. In 2010, she was featured on the single “Airplanes” by B.o.B, which peaked at No. 2 on the U.S. Billboard Hot 100. The sequel to the song, “Airplanes, Part II”, featured new verses from B.o.B. and a guest verse from Eminem with Williams’ vocals remaining. This gained a nomination for the Grammy Award for Best Pop Collaboration with Vocals. In 2023, she was featured on Taylor Swift’s re-recording of her 2010 album Speak Now on the track “Castles Crumbling”. She has also released the solo EPs Petals for Armor I (2020) and Petals for Armor II (2020), the subsequent full-length solo album Petals for Armor (2020), and her second solo album Flowers for Vases / Descansos (2021). In 2025, she released her third album Ego Death at a Bachelorette Party under her own independent label named Post Atlantic.// Hayley Nichole Williams was born in Meridian, Mississippi, on December 27, 1988, the daughter of Cristi and Joey Williams. She has two younger half-sisters. Her childhood neighbor was NBA player Rodney Hood. After her parents’ divorce in 2002, when she was 13, she moved with her mother to Franklin, Tennessee. At her new school, she met future Paramore bandmates Josh and Zac Farro. Shortly after settling in Franklin, she began taking lessons with vocal coach Brett Manning. While still at school, Williams tried out for a local funk cover band called The Factory, where she met future Paramore bandmate Jeremy Davis.]

50. Cate Le Bon – Michelangelo is Dying / Mexican Summer / September 26, 2025

[Michelangelo Dying is the seventh studio album by Welsh singer and producer Cate Le Bon. The album was made between Hydra, Cardiff, London, and Los Angeles. The album was finished in the Joshua Tree desert. // Le Bon revealed the album was meant to come out a year earlier in 2024, but felt too sick and exhausted after a break-up. Le Bon described the album as: “realising you’ve completely abandoned yourself in the throes of this all-encompassing love. The breakup was always like an amputation that you don’t really want, but you know will save you” // Cate Le Bon was born Cate Timothy on March 4,1983. She is a Welsh musician, songwriter and record producer. She sings in both English and Welsh. She has released seven solo studio albums, and was one half of the experimental music duo Drinks (stylised in all caps) with her then-partner Tim Presley. Her stage name is a tribute to English musician Simon Le Bon. // As a record producer, Le Bon has worked with Deerhunter, John Grant, H. Hawkline, Kurt Vile, Josiah Steinbrick, Wilco, Devendra Banhart and Horsegirl. // Le Bon first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. // Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. // Her debut album Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. // In January 2013, Le Bon moved to Los Angeles to further her career in the US.[non-primary source needed] Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) and Huw Evans (guitar). During that year, she provided guest vocals on two albums: the track “Slow Train” from Kevin Morby’s debut album Harlem River and “4 Lonely Roads” from Manic Street Preachers’s album Rewind the Film. // In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. // Le Bon released her fourth studio album, Crab Day, on 15 April 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) and Huw Evans (guitar), with Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrumental improvisations under the name BANANA. // In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s song “Are We Good?” from the album Rebound (2018). // In 2018, Le Bon signed with Brooklyn based record label Mexican Summer. That same year, she joined John Cale onstage at the Barbican Centre with the London Contemporary Orchestra. // Le Bon released her fifth studio album, Reward, via Mexican Summer on 24 May 2019. Reward was nominated for the Mercury Prize. It was followed by her sixth Le Bon began working on Pompeii during the first wave of the COVID-19. Her parents were council workers who met at the University of Newcastle, and soon moved into a farmhouse in Penboyr, where they eventually raised their three daughters.Le Bon had previously lived with her DRINKS collaborator and partner Tim Presley in Joshua Tree, California. She had also lived in Cardiff and Los Angeles.]

51. Jeff Tweedy – Twilight Override / dBpm Records / September 26, 2025

[Twilight Override is the fifth solo studio album by Jeff Tweedy. It is a triple album featuring 30 songs. It follows Tweedy’s 2020 album, Love Is the King. It was recorded at his Chicago studio, the Loft. It features contributions from James Elkington, Finom’s Sima Cunningham and Macie Stewart, and Liam Kazar, along with Tweedy’s sons, Spencer and Sammy. Tweedy’s decision to record a triple album was first inspired after he listened to The Clash’s Sandinista! all the way through during a road trip with his two sons. // In the album’s press release, Tweedy expressed being overwhelmed by the “bottomless basket of rock bottom” of current social conditions, what he described as the “sense of decline” in the “twilight of an empire”. He, however, concluded that he was unsure what exactly was “squeezing this ennui into [his] day”, and described the album as his “effort to overwhelm it right back”. He further credited his recent prolific output to his belief that creativity aligns oneself against destruction, consuming the “darkness”. // Twilight Override was officially announced on July 15, 2025. Four singles were released the same day: “One Tiny Flower”, “Out in the Dark”, and “Stray Cats in Spain”, and “Enough”. The album is scheduled to be released on September 26, 2025, through dBpm Records. “Feel Free” was released on August 19, 2025, and “Lou Reed Was My Babysitter” was released on September 12, 2025. // Following the remaining dates on Wilco’s summer 2025 tour, Tweedy will support the album with “a full-band tour” of North America in October and November 2025, followed by a tour of Europe in February 2026. // Jeffrey Scot Tweedy (born August 25, 1967) is an American musician, singer songwriter, author, and record producer best known as the lead vocalist and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music career in high school with his band The Plebes along with Jay Farrar, also in the band. The Plebes later became the alternative country band Uncle Tupelo. // After Uncle Tupelo broke up Tweedy formed Wilco which found critical and commercial success, most notably with Yankee Hotel Foxtrot and A Ghost Is Born. The latter received a Grammy for Best Alternative Album in 2005. // During his career Tweedy has released 20 studio albums including four with Uncle Tupelo, twelve with Wilco, one with his son Spencer, a solo acoustic album, three solo studio albums, along with numerous collaborations with other musicians, most notably Mermaid Avenue with Billy Bragg. // Tweedy was born in Belleville on August 25, 1967, the fourth child of Bob and JoAnn Tweedy (née Werkmeister). Bob Tweedy (died August 4, 2017) worked for Alton & Southern Railroad in East St. Louis; JoAnn was a kitchen designer. Tweedy grew up with three siblings, older brother Greg Tweedy (he died in 2013), brother Steven Tweedy, and sister Debbie Voll. // Tweedy’s mother bought him his first guitar when he was six years old, although he did not begin to play it seriously until he was twelve. Apparently Tweedy told people that he knew how to play the guitar once he got his first guitar, even though he did not know how to play. // When he was twelve, Tweedy was injured in a bicycle accident and was laid up for the summer. He decided to learn how to play a few chords before somebody “called him out” on the lie. On an appearance of The Late Show with Stephen Colbert, he remembered attending an X concert as a youngster in St. Louis. The Replacements opened, and Paul Westerberg, their guitarist and vocalist, fell off the stage while performing. Tweedy recalls thinking “That looks like fun!” // In 1981, when Tweedy was fourteen years old, he befriended Jay Farrar during an English class at Belleville Township High School West.  All of the members of Farrar’s family enjoyed playing music; he already knew rock and roll music very well. By that time, Tweedy was a fan of The Ramones and country music while Farrar enjoyed The Sex Pistols. Tweedy attended Belleville Area College and Southern Illinois University Edwardsville.] [Jeff Tweedy played Liberty Hall in Lawrence, Kansas on November 8, 2025]

52. Liam Kazar – Pilot Light / Congrats Records / November 7, 2024

[KC-based, Chicago-raised musician & acclaimed chef/founder of the Armenian pop-up restaurant Isfahan. // Liam Kazar on vocals, acoustic guitar, electric guitar; bass on “Didn’t I,” wurlitzer on “Listening”; Sam Evian on bass, vocals; saxophone and keys on “Didn’t I”; Sean Mullins on drums, percussion; Michael Prince Coleman on piano, wurlitzer, organ, synthesizer; Hannah Cohen on vocals; Sima Cunningham on vocals; Dorian Gehring on pedal steel, fiddle; James Elkington on percussion, guitar, arrangement, and production, on “Didn’t I”; Spencer Tweedy on drums on “Didn’t I”; Meg Lui on vocals on “Didn’t I”. All songs written by Liam Kazar. Produced, engineered, mixed by Sam Evian at Flying Cloud in the Catskills. Additional engineering by Dorian Gehring at Fox Hall Studio in Chicago, IL. Mastered by Josh Bonati // Liam Kazar’s August 6, 2021 album, DUE NORTH was in the Top 15 of WMM’s 120 Best Recordings of 2021. Liam described the making of Due North as a revelation, where the more he wrote, the more his songs showed what kind of artist he’s always wanted to be. A bandmate performing with artists like Jeff Tweedy, Steve Gunn, Daniel Johnston, and more, making his own songs presented a chance to find his own voice. But figuring out how to step out was a rewarding challenge. “This record kind of all stemmed from a conversation I had with Jeff,” says Kazar. “I showed him some of my earliest songs I was working on and he told me, ‘It sounds like you’re writing for the people in your bands, you’re not writing for yourself.’ He was completely right. I was not writing songs for myself.” With that needed insight, Kazar decided to start from scratch and write songs that felt like himself. // Jeff Tweedy said, “I love everything about Liam. His voice, his songs, the way he plays instruments, his smile, his cooking…. Everything,” says Tweedy. ”Whenever I hear one of his songs for the first time I almost immediately start thinking to myself, ‘oh yeah! This song! I love this song.’ It’s a magic trick few people can pull off: making something brand new sound like a cherished memory.” “There were 2 words I had in my head during the making of this record, which was joyful & vulnerable,” says Kazar, citing Al Green’s 1978 The Belle Album as an LP that encapsulates such a feeling. “I was trying to talk about things that I’m scared about but acknowledging that I’m not that powerful and you can still be joyful in the face of your own insecurities.” Take album highlight “Frank Bacon,” where Kazar sings, “When you’re running uphill and swimming upstream / Nothing’s ever gonna be the way it seems.” Despite any lyrical uncertainty the track is bursting with life, especially in the monster groove from drummer Spencer Tweedy & bassist Lane Beckstrom. Elsewhere on “Nothing To You,” Kazar finds the sweet spot between indie rock jangle and subtle country twang as he sings, “I hope you don’t resent / The love between your hands.” Along with Tweedy and Beckstrom, Kazar enlists keyboardist Dave Curtin (Woongi), co-producer James Elkington on pedal steel, as well as Ohmme and Andrew Sa on backing vocals. Opener “So Long Tomorrow” showcases the band’s chemistry, a winding jam full of playful & soulful instrumental flourishes. One of the last songs written for the album, it was recorded remotely in quarantine but despite the distance the band’s tight bond is obvious. “These songs totally blew me away the first time I heard them: they sound like David Bowie meets the Band,” says Mare Records co-founder Kevin Morby. Due North was mixed by Sam Evian at his Flying Cloud Recordings Studio in upstate New York. “Sam knew exactly what I’m trying to do with this record,” says Kazar. “He put the whole track listing together and really had a vision for the record that I needed at that time.” // Like most musicians, the pandemic threw Kazar for a loop, knocking out both his touring revenue and his part-time gigs as a bartender. With more than enough time in his KC home, he decided to pursue his longtime love of cooking by creating the restaurant, Isfahan. With recipes that honor his Armenian heritage & family’s journey to USA from Iran, Syria, & Lebanon, Kazar’s cooking has received press from Time Out Chicago & Eater. “In COVID, my mantra was to not have my heart broken about the future and be present,” says Kazar, explaining that ethos is one of the reasons why he named the LP Due North. Though Due North is full of songs that act as a mirror to Kazar’s many talents, few sum it up as concisely as “No Time For Eternity.” On the track, he and Chicago country crooner Andrew Sa sing over wailing pedal steel, taking stock of the most important things in life: “Making time to live my life / Making time for you and me.” “The reality of my life is that when I come home, and I’m talking with my partner, maybe we had a bad day, but we still are laughing & having a good time with each other at the same time,” says Kazar. “I had to make music that expressed that part of me that’s a person who genuinely enjoys themselves.”]

53. 2W33DY – Why You So Mean / 2W33DY / February 7, 2025

[Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]

54. Saving Miles Lemon – You’re A Star – EP / Frequency / June 6, 2025

[Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “Hidden Inventory” on May 2, 2025. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]

55. Florence + The Machine – Everybody Scream / Polydor Records / November 3, 2025

[From Pitchfork: On her sixth album, Florence Welch sings anthems of resilience with her characteristic gusto, but it’s her words of uncertainty that stand out most. // She doesn’t always emerge unscathed, but at least she’s alive. Each new Florence and the Machine album opens on Florence Welch in the aftermath of a tsunami, attempting to make sense of her circumstances as she prepares to charge forth into the unknown. The London band’s sixth album, Everybody Scream, is again dedicated to finding strength in release from physical and psychological inhibitions. If you’re a fan of the band’s arena-pop baroque, you’ll get what you came for: horizon-spanning anthems of resilience furnished with cinematic strings, gargantuan drums, and, yes, the occasional scream. Nearly every song rests on this sturdy foundation, and Welch’s voice ignites each into a raging wildfire. // “There’s a feeling of dying a little bit, every time I make a record,” Welch told The Guardian earlier this year. “And, this time, I nearly died.” That’s not hyperbole: While touring Dance Fever in 2023, Welch underwent life-saving surgery, which she’s now revealed was due to massive internal bleeding caused by an ectopic pregnancy. The trauma of miscarriage is evident in the fury that fuels Everybody Scream: “Sometimes my body seems so alien to me,” Welch sings over the steady chug of “Kraken,” sounding despairingly numb before transforming into a creature of wrath. On “The Old Religion,” she dreams of immateriality, yearning to be free of her physical self so long as it means relief from pain. // Florence and the Machine (stylised as Florence + the Machine) are an English indie rock band formed in London in 2007 by lead vocalist Florence Welch, keyboardist Isabella Summers, guitarist Rob Ackroyd, drummer Christopher Lloyd Hayden and harpist Tom Monger. The band’s music features dramatic, eccentric production and Welch’s powerful vocals. Their sound has been described as a combination of various genres, including rock and soul. // The band’s debut studio album, Lungs, was released on 3 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks. As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group’s second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band’s third studio album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Welch the first British female headliner of the 21st century. // The BBC played a part in their rise to prominence by promoting Florence and the Machine as part of BBC Music Introducing. At the 2009 Brit Awards, they received the Critics’ Choice Awards.]

56. Perfume Genius – Glory / Matador / March 28, 2025

[Glory was produced by Blake Mills and marks the 7th studio album in his immaculate body of work. It’s a Mirror,” is the first single and its companion music video is directed by Cody Critchloe. The two artists first collaborated on the music video for Perfume Genius’ groundbreaking “Queen,” and Critchloe has also directed videos for artists such as Robyn, Kyle Minoque, Yeah Yeah Yeah’s, Yves Tumor and more. // Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7.. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]

57. Makaya McCraven –Techno Logic (feat. Ben LaMar Gay & Theon Cross) – EP / International Anthem Records / October 31, 2025

[Makaya McCraven (born October 19, 1983) is an American jazz drummer and bandleader. // McCraven was born in Paris, France, to jazz drummer Stephen McCraven [fr] and Hungarian singer Ágnes Zsigmondi (of the band Kolinda [fr]), and from the age of three was raised in and around Amherst and Northampton, Massachusetts. At the age of five he played in his father’s drum ensemble, the CMSS Bashers, along with some of his father’s students. In middle school, he and friends formed a band to accompany his mother’s folk singing. In high school, McCraven formed the jazz-hip hop Cold Duck Complex. He studied music at the University of Massachusetts Amherst, becoming part of the university’s jazz orchestra and receiving various DownBeat student awards, but did not graduate. // In 2007 McCraven moved to Chicago, where he performed in the bands of Bobby Broom, Corey Wilkes [de], Willie Pickens, and with the Occidental Brothers, Marquis Hill, and Jeff Parker. He also worked as a studio musician for Apollo Sunshine and Kris Delmhorst. In 2012 he released his debut album, Split Decision, through Chicago Sessions, leading a trio. In the following years he appeared weekly with other musicians, from which he developed concepts for his 2015 album, In the Moment. He also performed with Kamasi Washington. In 2016 he toured mostly in Europe. After several mix tapes, in 2018 he released the double album Universal Beings, on which he was joined by musicians from New York City, London, and Los Angeles; the album was nominated for the Jazz Journalists Association Awards in 2019.[citation needed] In DownBeat’s 2020 Critics Poll, he was the winner in the “Rising Star” categories of best producer and best drummer of the year. In September, 2022, McCraven released In These Times, a full-length album that had been in development since 2015, through International Anthem. // McCraven is married to Nitasha Tamar Sharma, a professor of African-American and Asian-American Studies at Northwestern University as of 2018.]

58. Bobcat Attack – The Year of The Bobcat / Les Bon Bons Electriques – The Record Machine / Aug. 1, 2025

[Bobcat Attack released the single “Bird of Prey” on January 10, 2025 Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // Bobcat Attack’s debut single release, “Pallas,” (Sept. 20, 2024) was the inaugural release on Les Bon Bons Electriques – The Record Machine imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,]
.[Bobcat Attack played a YEAR OF THE BOBCAT EP release show July 31 at miniBar, with FaceFace, Hautlle and Slow Poke.]

59. Valerie June – Owls, Omens, and Oracles / Concord Records / April 11, 2025

[Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]

60. Blood Orange– Essex Honey / RCA – Domino / April 29, 2025

[Andy Kellman writes: As Blood Orange, Devonté Hynes advances a progressive mixture of styles including soul, funk, post-punk, and chillwave, all while incorporating lyrical themes of identity, sexuality, belonging, and spirituality, among other issues that have shaped his existence and those of his peers. The British singer/songwriter, multi-instrumentalist, and producer established himself in the mid-2000s as a member of the dance-punk band Test Icicles. Two subsequent solo albums as Lightspeed Champion drew from a deeper pool of inspirations, from Baroque pop to folk. Blood Orange, Hynes’ longstanding primary alias, debuted with Coastal Grooves (2011) and has remained an outlet for continuous diversification and exploration. Concurrent with a period during which the Blood Orange albums Cupid Deluxe (2013), Freetown Sound (2016), and Negro Swan (2018) each registered on the album charts in the U.K. and U.S., Hynes was sought out by a varied multitude of contemporaries such as Sky Ferreira, Solange, Carly Rae Jepsen, and Philip Glass. Starting with Palo Alto, he also became noted for his soundtrack work, and he branched out further into classical composition with the Grammy-nominated Fields, performed by Third Coast Percussion. Essex Honey (2025), the first Blood Orange album in six years, dealt with loss and promoted self-acceptance with Zadie Smith, Lorde, and Daniel Caesar among Hynes’ supporting cast. // Originally from East London, David Joseph Michael Hynes got his start in the mid-2000s in Test Icicles. The combustible dance-punk band released a handful of singles and an album, 2005’s For Screening Purposes Only, issued on Domino, which would become Hynes’ long-term label. Hynes then relocated to New York, and in 2007 launched Lightspeed Champion and landed his first of many major collaboration credits, as co-writer of the Chemical Brothers’ “All Rights Reversed” (off the Grammy-winning We Are the Night). As Lightspeed Champion, Hynes made two comparatively conventional singer/songwriter-oriented LPs, Falling Off the Lavender Bridge (number 45, U.K. pop) and Life Is Sweet! Nice to Meet You (number 102), among a handful of EPs and numerous mixtapes, through 2010. Hynes shed the alias and adopted another one. Blood Orange debuted in early 2011 with “Dinner,” a single that showcased a softer singing style necessitated by an emergency throat procedure he underwent the previous year. The song became the prelude to Coastal Grooves, which arrived that August on Domino and entered the U.K. chart at number 180. Hynes handled most of the instrumentation and worked closely with producer Ariel Rechtshaid, a frequent collaborator in the ensuing years. // Having assisted the Chemical Brothers, as well as Diana Vickers, Florence + the Machine, and Theophilus London, Hynes’ extracurricular work became increasingly high profile through the completion of his second Blood Orange album. Beside Rechtshaid, he worked with Sky Ferreira on “Everything Is Embarrassing.” He also assisted Solange in the writing and production of the True EP, and he produced and co-wrote “Flatline” for Mutya Keisha Siobhan. Cupid Deluxe, the follow-up to Coastal Grooves, arrived shortly after the latter in November 2013. Featuring contributions from Skepta, Clams Casino, Kindness, and members of Chairlift, Friends, and Dirty Projectors, the willfully wayward set became Hynes’ first album to reach the R&B and independent Billboard charts (and entered the U.K. chart 178). During this flurry of activity, Hynes carved out time to compose and record the score for Gia Coppola’s Palo Alto. The drama premiered at the 2013 Telluride Film Festival and the following May received a limited release, after which the score, credited to Devonté Hynes rather than Blood Orange, was made available separately. // Kylie Minogue (“Crystallize”), FKA twigs, Jessie Ware, Kindness, and Carly Rae Jepsen (“All That”) account for just some of the artists who released Hynes-aided material from 2014 through 2016, during which Hynes continued to develop solo material. In June 2016, Hynes released Blood Orange album three, Freetown Sound. Named after the capital of Sierra Leone, the home country of Hynes’ father, it was inspired by Hynes’ West African roots, both genealogically and musically, with material that resonated deepest with marginalized Black and queer listeners. Kindness and Jepsen reciprocated with their presence at the sessions, while Hynes added Debbie Harry and Nelly Furtado to his extended musical family. The album debuted at number six on the Billboard R&B chart and in the U.K. reached number 154. // Hynes’ name popped up on releases from Blondie, HAIM, A$AP Rocky, and Mac Miller into the latter half of 2018. During this period, Hynes also performed with Philip Glass at the Kennedy Center in Washington, D.C., and with a little help from Diddy, Project Pat, Georgia Anne Muldrow, and A$AP Rocky, put together the alternately comforting and startling Negro Swan. Issued in August 2018, it became the third consecutive Blood Orange LP to chart on Billboard’s R&B and independent listings, peaking in the U.K. at number 64. // Hynes’ appearances on Empress Of’s Us and Mariah Carey’s Caution preceded a Blood Orange mixtape, Angel’s Pulse, issued in July 2019. Later in the year, Hynes contributed to Danny Brown’s uknowhatimsayin¿, provided music for the romantic crime drama Queen & Slim, and composed the material performed by Third Coast Percussion on Fields. The latter was nominated for a Grammy in the category of Best Chamber Music/Small Ensemble Performance. // In 2022, Hynes issued the Four Songs EP, which included the hit single “Jesus Freak Lighter.” That same year, he also supplied the soundtrack to director Paul Schrader’s film Master Gardener. The whirling single “The Field” arrived in June 2025 and found Hynes collaborating with Tariq Al-Sabir, Caroline Polachek, and Daniel Caesar. It also contained a sample from the Durutti Column’s song “Sing to Me.” “Somewhere in Between” and “Mind Loaded” (the latter featuring Polachek, Lorde, and Mustafa) followed as additional previews of Essex Honey, the fifth Blood Orange album, which saw release that August.]

61. Claire Adams – Passenger Seat / Claire Adams / May 2, 2025

[New 11-track album Recorded at Rio Verde in Guadalajara, Jalisco with Additional recording at Maniax Studios GDL and Weights + Measures KCMO. Mixed and Mastered by Duane Trower at Weights + Measures. Claire Adams on bass, rhythm guitar, vocals; Abraham Villaseñor on lead guitar, rhythm guitar, vocals; Jean Pierre Chaurand on drums; Christian Jiménez on keyboards; Carmen Aguilar on violin; Allysa Bell Jackson on viola; Mike Stover on pedal steel, Juan Carlos Chaurand on percussion; Stephanie Williams on percussion. // Claire Adams lives in Guadalajara, Jalisco, Mexico but still gets back to Kansas City often to work on musical projects and see family and friends. // Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. // Picking up guitar as a teenager, Adams was immediately drawn to songwriting. Her penchant for wordplay and melody led her to Nashville to study, write and perform, sparking an interest in traveling, touring and working in collaborative environments. // Upon returning closer to home in 2010, Adams set up shop in Kansas City, Missouri, and Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, pianist Alyssa Murray, Steve Gardels. // On April 2, 2024 Claiere Adams released the EP Words of Love with Claire Adams on vocals, bass; Daniel Dissmore on trumpet; Fritz Hutchison on drums; Jackie Myers on piano; Trevor Turla on trombone; Abraham Villaseñor on guitar. // Recorded, mixed and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Additional recording by Odin Parada at Rec4 Studios, GDL. // Musically curious and multifaceted, Claire Adams is dedicated to collaborating, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, and in a trio featuring pianist Alyssa Murray. // Claire Adams Alyssa Murray and Steve Gardels released the EP Easy Match on November 1, 2023. Easy Match contains 5 songs. // Claire Adams released “It’s All in Fun” – Single on June 30, 2023. Claire Adams told Michelle Bacon at The Bridge, “”I wrote the string arrangement in the summer of 2021 and we went in to record it this past spring,” Adams said. “I’ve had the happiness of working with Alyssa Bell (viola) and Carmen Dieker (violin) for several years now, mostly playing my songs as arranged by others and I wanted to give a try to arranging a song myself.” “I feel like having an understanding of everyone else’s styles and strengths gives me a sense of direction and focus on what can otherwise be a really abstract craft,” she said. On bass, she, Guillen and Williams comprised the acclaimed trio Katy Guillen & The Girls for seven years, while she has consistently been working with Murray in the years to follow. The four of them got to work with Duane Trower, who has recorded and engineered the majority of Adams‘ solo songs. // Claire Adams released “If It Isn’t Right (Alyssa Murray Remix)” on April 15, 2022 Claire Adams wrote to us saying, “Alyssa Murray made a super cool remix of one of the songs off the last album and I wanted to share it with you. The song is ‘If It Isn’t Right’ and also features the Rewound string trio and an arrangement by Peter Lawless. Alyssa really made it her own and gave it a whole new spin, she’s amazing!” Here are the full credits: Vocals: Claire Adams, Alyssa Murray, Fritz Hutchison. Synths and Beats: Alyssa Murray. Cello: Ezgi Karakus. Viola: Alyssa Bell. Violin: Carmen Dieker. String Arrangement: Peter Lawless. Mixed and Mastered by Duane Trower at Weights + Measures Soundlab. Cover Art by Cassie Allen. ‘If It Isn’t Right’ written by Claire Adams. This song was originally on Claire’s acclaimed album YOU KNOW I KNOW YOU originally released April 24, 2020. // Claire Adams released her album YOU KNOW I KNOW YOU April 24, 2020. Lost in the COVID 19 of 2020. The album was properly given a “release show” and put out on CD in 2021. 10 songs all written by Claire Adams. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals. // Claire Adams released: Words of Love EP on Feb. 5, 2021 – Recorded and Produced by Claire Adams at Casa 34 in Guadalajara, Jalisco. Mixed and Mastered by Duane Trower at Weights + Measures in Kansas City, MO. Cover Photo by Hugo Parasol. ‘So This Is Love’ written by Mack David, Al Hoffman, and Jerry Livingston. ‘Pocketful Of Rainbows’ written by Ben Weisman, ‘Till There Was You’ written by Meredith Wilson. “Words of Love” written by Claire Adams. ‘Calico Skies’ written by Paul McCartney. // Claire Adams released the EP Moras under the moniker, Mismo Sismo (same earthquake) on July 21, 2021. Claire Adams wrote and recorded this EP at home during the first months of the COVID-19 quarantine. The three songs are meant to be played all together but also stand alone. Mismo Sismo is a collaboration with photographer Hugo Parasol.// Claire played guitar on True Lions album THE FEMPIRE STRIKES BACK. In 2020 Clair played with the band Ondist for their three full length albums, No Coincidence on June 12, and Electricity on Aug. 14, and Mise en Place on Nov. 13, 2020 with songs recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. More info at: https://claireadams.bandcamp.com%5D

62. Lauren Lovelle – Other Dreams – EP / Lauren Lovelle / September 9, 2025

[From OnetoWatch.com: Lauren Lovelle has country music coursing through her veins. Hailing from Harvey County, Kansas it may not come as a surprise that Lovelle is a country music aficionado. But not every Harvey County four-year-old is getting on stage with their dad’s honky tonk band to sing Hank Williams’ “Your Cheatin’ Heart.” By the time Lovelle was 10, she spent full sets up on stage with the band. While Lovelle’s journey to music seems like an obvious one, it wasn’t as straightforward as it could’ve been. Moving to a new high school in Wichita left her ashamed of her rural upbringing, leading her to abandon country music, and a college sexual assault brought years of grief and trauma. In the end, however, it was music, specifically a Linda Ronstadt song, that brought Lovelle back to herself. Having fronted a country band for the past two years, Lovelle is now introducing herself with her debut EP Other Dreams. // The EP is a masterful weaving of classic country and bluegrass sounds with straightforward, honest lyrics. On the opening track, “Anxiously Attached,” Lovelle dives into her struggles with love and attachment. Set to a classic country instrumentation full of guitar, fiddle, and drums, Lovelle sings “Don’t you know I’m attached anxiously / I’m the match / Hastily wasting this flame / On a lover who walked away.” Despite her anxious attachment, Lovelle sings with an air of nonchalance and acceptance. // “Won’t Tell You Goodbye” immediately contrasts the energy of “Anxiously Attached.” Lovelle’s vocals on the lovelorn ballad lay out every emotion she is feeling. Her pain and frustration are palpable as she sings “Couldn’t be more in love / Than the day we said we’re through.” A mournful pedal steel adds an air of melancholy as it wails above the guitars and drums. Lovelle’s heartbreak only pushes her towards her music, as she realizes that heartbreak from music is worth so much more than heartbreak from a man. Speaking on “Won’t Tell You Goodbye,” Lovelle shared, “It’s about how I’m going to give music a chance to break my heart first. If music destroys me and disappoints me, that’s still more of a victory than not taking the chance and totally letting my heart be broken by some dude back home. The failure of music, after I tried and gave it my all, would still be a victory on its own.” The song’s final lyrics drive home Lovelle’s point as she croons “If rock and roll don’t break my heart / I can surely depend on you.” // While Lovelle’s heart has been broken, she doesn’t dwell on it, as “Very Last Time” brings back the classic upbeat country twang heard in the EP’s opening track. Lovelle reflects on all the shortcomings of her ex-lover as she sings “You’ve been busy / Busy tryna waste my time again / Even though you know you leave me cryin’.” While there may be moments where Lovelle misses her ex, she knows that she’s better off without them as she sings “Well the day will come / When you’re ready to apologize again / Standing at my door with bloodshot eyes / But then don’t expect to get invited inside.” Lovelle shows off her vocal chops, easily floating up into her higher register before effortlessly sliding back down into her chest voice. A chorus of background vocals join Lovelle, and it’s easy to picture her in front of a crowd, conducting them to sing along with her. // In the EP’s final song, “In My Jeans,” Lovelle reflects on her history, the country music coursing through her veins, and everything else that happened along the way, that ultimately brought her here to her own work of country music. The chorus ties together her heritage and her trauma as she sings “I know you want to talk about it / But I can’t stand to look down at this / Hollow aching wound I’ll never clean / You can dive into my blood / And climb my family tree / I was cursed before the cradle / It’s in my jeans.” Lovelle continues to honor her country music roots, as the instrumentation is once again full of strings and guitars. // Other Dreams perfectly introduces Lauren Lovelle to the world. Classic country instrumentations combined with Lovelle’s modern outlook on life, result in four tracks that lay out Lovelle’s story so far. We can’t wait to see what the next chapter brings.]

63. Hot Club KC – Dream Dancing / Station Direct / May 2, 2025

[Winner of the 2022 Pitch Magazine’s “Best Jazz Band” of Kansas City, as voted by readers. Hot Club KC plays swinging gypsy jazz in the style of Django Reinhardt and the Hot Club of France. The band was founded in 2015 by violinist Adam Galblum. // Hot Club KC has now proudly released their debut album, Dream Dancing. The band features Galblum on violin; 3 manouche guitars – Clayton DeLong, Riley Voth, and Eric Mardis; and bassists Alex Mallett and Rick Willoughby. Lead vocal duties are shared by Galblum & Voth, adding rich texture to the band’s lively tapestry. Dream Dancing features 2 original instrumental compositions by Galblum — “Renji” and “Ghosting”— plus 7 familiar jazz standards and a manouchestyle take on the Beatles’ classic “With a Little Help from My Friends.” that features: Adam Galblum on violin & vocal; Clayton DeLong on guitar; Forrest Fowler on guitar; Riley Voth on guitar & vocal; Rick Willoughby on bass ]

64. HAILES – FIVE (EP) / Magic Mango Music / September 29, 2025

[Debut EP from KC based R&B artist HAILES. After graduating from Blue Valley West High School and briefly attending college, Hailes spent two years in the U.S. tour of The Wizard of Oz before moving to New York in 2017 to continue her acting career. COVID-19 shut down theatre and HAILES turned her energies toward writing music. When Broadway came back to life, HAILES returned to theatre and joined the Hadestown Broadway Tour for three years. While on tour Hailes continued writing music. // The music on her debut EP FIVE came from her time attending a writing camp in Austin, Texas. // HAILES told Cameron Castaldi of KJHK “On the road, I always had my recording equipment, so in every hotel that we got to, I would set up my little studio and write sporadically throughout the week.” // After living in New York City for the last seven years, R&B artist, songwriter, and actress Hailes is back home in Kansas City. She had her first concert in Kansas City on August 5, 2025 at The Blue Room. / More info at:www.hailes.komi.io/.]

65. Jass – APRIL SHOWERS – EP / Jass / April 27, 2025.

[Jass is Jasmine “Jass” Couch. Jass is currently working with her band Jass and the ConrtraBand.. Jass recently released the single, Autumn in The City” on September 22, 2025 This release captures Jass’s dynamic sound in a live band recording, tracked and recorded by bandmate Clarence Copridge. The smooth vocals from Jass and instrumentals of vibes and upright bass in this track are the perfect end of summer/welcome to fall track. // Jass writes, “My new single ‘Autumn in the City” s close to my heart—paying homage to my hometown and the fall season that inspires so much love and reflection. Huge thanks to everyone who came out and supported us.” // Jass released the EP APRIL SHOWERS on April 27, 2025. // Jass released the single “Hope.wav” on February 29, 2024. // Jass and The Boys released the single, “Daydream Girl” on August 25, 2023. // Jass and The Boys released the single “Gvn2u” on July 14, 2023. // Jass released the single, “Time&Space” on July 14, 2023. n// Jass released the single, “Eye Contact.” // Jass released the single, “Lifetime” on January 6, 2023 // Jass and The Boys released the single “Love U Like I Love U” on December 2, 2022. Jass released the single “grow” on November 26, 2022. Jass released the EP, OFF KEY: TOO HIGH on September 23, 2022. Jass released the single “Higher Ground” on August 16, 2022. It was #1 on WMM’s 50 Favorite Singles of 2022. Jass released her single, “Him” on February 23, 2022. Jass released At the Close of a Decade on November 26, 2022. It was part of WMM’s 121 Best Recordings of 2021. She wrote, “After years of writing and recording in voice memos .. I decided to grab my iPad and began recording something that I am very proud of. I named it, At the Close of A Decade, and released it in November 2019. With my iPhone/iPad, some apple headphones, I created this project. The amazing people around me told me it was worth it, even when I didn’t believe it myself. I convinced myself I would be the only one that liked my songs. If you decide to listen you’ll hear sound clips of shows and movies that made a difference in the way I saw the world, the way I saw myself, and the way I overcame my experiences. I remember asking my grandma and my son if I should release what I’ve been writing and they both said very simply to do it, so I’ve done it. I want to thank all of my wonderful friends who have been my soundboards during this process, all of the people that have asked me when it’s coming, the people that have kept me accountable, and believed that this time it was for real. My story is so very triumphant and beautiful because I have overcome experiences and shunned the fear I had to do what I love. It’s crazy how you can talk your way out of some amazing things and also how you can talk yourself into making some amazing things happen. If you partake, I hope you enjoy.” // Jass has opened for Thundercat sat GRINDERS, headlined a show at The Bottleneck in Lawrence, and she opened up for The New Respects at The Uptown, and sang the Negro National Anthem at BLAQUE to School Night at the KC Monarchs game.More info at: http://www.jassrcouch.com]

66. Radkey – Victory – EP / Little Man Records / July 30, 2025.

[Radkey released the single “Falling Out of Grace” on October 24, 2025. Radkey released the single “Victory” on March 28, 2025. On September 23, 2022 Radkey released the single “Better Than This.” The band released “Games (Tonight)”: on January 28, 2022 on Little Man Records. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released multiple full-length recordings. In 2021 Radkey was featured in Dave Grohl’s van-touring documentary film, WHAT DRIVES US. Radkey released GREEN ROOM on Little Man Records on November 27, 2020. On Green Room the band serve as their own producers. Radkey released DARK BLACK MAKE UP in 2015 and DELICIOUS ROCK NOISE in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

67. PinkPantheress – Fancy That / 300 Entertainment / May 9, 2025

[Victoria Beverley Walker (born 19 April 2001), known professionally as PinkPantheress, is a British singer-songwriter and record producer. She is known for her diaristic lyrics and eclectic mix of genres including alternative pop, drum and bass and UK garage, often sampling music from the 1990s and 2000s. She was named Producer of the Year by Billboard Women in Music in 2024, and received accolades such as nominations for three Brit Awards and two Grammy Awards. // Born in Bath, Somerset, and raised in Kent, PinkPantheress began her musical career in 2021 while attending university in London, where she produced songs using GarageBand and posted them on SoundCloud and TikTok. Several of them, including “Break It Off”, became popular on TikTok, and she signed to Parlophone and Elektra Records and released her debut mixtape To Hell with It later that year. She won BBC’s Sound of 2022 poll after the singles “Just for Me” and “Pain” peaked in the top 40 of the UK Singles Chart. Her 2022 single “Boy’s a Liar” reached number two in the UK. // PinkPantheress’s debut studio album, Heaven Knows (2023), spawned the UK top-20 song “Nice to Meet You” and the remix single “Boy’s a Liar Pt. 2” with American rapper Ice Spice, which peaked at number three on the Billboard Hot 100. Heaven Knows was accompanied by her headlining Capable of Love Tour the following year. Her second mixtape, Fancy That (2025), earned two Grammy nominations and spawned the UK top-40 singles “Tonight” and “Illegal”. // Victoria Beverley Walker was born on 19 April 2001 in Bath, Somerset, to a Kenyan Luo mother from Kisumu, Kenya, who works as a carer, and an English father, a statistics professor. She has one older brother, who works as an audio engineer. She is related to English chess player Susan Lalic, with her mentioning that “my family are all chess players.” When she was five years old, her family moved from Bath to Canterbury, Kent, where she grew up. Her father moved to the US to work at the University of Texas in Austin, Texas, when she was 12 years old, but she and her mother remained in the UK. // Walker took piano lessons as a child, and, at age 12, sang “Stand by Me” by Ben E. King at a school talent show. When she was 14 years old, she became the lead singer in a rock band, which covered songs by My Chemical Romance, Paramore, and Green Day, and performed with them for the first time at a school fête. // She studied film at the University of the Arts London, but dropped out in 2022. // Walker started writing music in high school to help a friend before eventually writing music on her own. At age 17, she began using GarageBand to produce instrumentals for her friend, fellow singer Mazz, and she later used GarageBand to record many of her early songs while lying down in her university hall late at night. She started uploading original songs of hers to SoundCloud as PinkPantheress, where they received little attention. After a video posted to her personal TikTok account in December 2020 received over 500 thousand likes, she posted a snippet of her song “Just a Waste”, which used the instrumental from Michael Jackson’s song “Off the Wall”, as PinkPantheress later that month in the hopes of reaching a wider audience; the snippet soon went viral on the platform. // Two of PinkPantheress’s songs, the Adam F-sampling “Break It Off” and the Sweet Female Attitude-sampling “Pain”, went viral on TikTok in early 2021, with the latter peaking at number 35 on the UK Singles Chart in August of that year. She was signed to Parlophone in April 2021. In June 2021, she was featured on GoldLink’s song “Evian” from his studio album Haram! and signed to Elektra Records. When a snippet of her song “Just for Me”, produced by Mura Masa, gained attention on TikTok, she released it in August 2021, along with a music video co-directed by her and released the following month. On the UK Singles Chart, it peaked at number 27, making it her highest entry on the UK Singles Chart at the time. It earned PinkPantheress nominations for an iHeartRadio Music Award, an Ivor Novello Award, and two NME Awards. In early October 2021, she announced the release date and title of her debut mixtape, To Hell with It, which was released on 15 October 2021 through Parlophone and Elektra Records and debuted at number 20 on the UK Albums Chart. The mixtape was preceded by “Pain”, “Break It Off”, and “Just for Me” as singles, as well as “Passion”, released in July 2021, and “I Must Apologise”, released in October 2021. PinkPantheress performed live for the first time in October and November 2021 in London. // In January 2022, PinkPantheress was announced as the winner of BBC’s Sound of 2022 poll. That same month, she released a remix album for To Hell with It. She was nominated for the Brit Award for Song of the Year at the 42nd Brit Awards for “Obsessed With You” by Central Cee, which sampled her song “Just for Me”, and gave a virtual performance on Roblox for the Brit Awards. She appeared on the song “Bbycakes” with Mura Masa, Lil Uzi Vert, and Shygirl in February 2022. She released her song “Where You Are” featuring Willow in April 2022. That same month, PinkPantheress went on a European tour in support of To Hell with It. She was featured on “Tinkerbell is Overrated”, a song from Beabadoobee’s second album, Beatopia, released in July 2022. She performed as an opening act on Halsey’s Love and Power Tour throughout the spring of 2022 on the American leg. // PinkPantheress’s single “Picture in My Mind” featuring Sam Gellaitry was released in August 2022. Her extended play Take Me Home was released in December 2022, featuring the singles “Boy’s a Liar” and “Do You Miss Me”, both released a month prior, and the title track. “Way Back”, her collaborative single with Skrillex and Trippie Redd, was released in January 2023 and included on Skrillex’s album Don’t Get Too Close the following month. In February 2023, she released a remix of “Boy’s a Liar”, “Boy’s a Liar Pt. 2”, with American rapper Ice Spice. After becoming popular on TikTok, the remix debuted at number 14 on the Billboard Hot 100, becoming her first song to appear on the chart, and later peaked at number three. It also peaked at number two on the UK Singles Chart, where it became her highest-charting single. It was certified platinum by the Recording Industry Association of America (RIAA), marking her first RIAA certification, and was nominated for two BET Awards, an MTV EMA, and a Streamy Award. “Angel”, her addition to the soundtrack for the Greta Gerwig–directed 2023 film Barbie, was released as a single in June 2023. Her collaborative single “Turn Your Phone Off” with Destroy Lonely was released in July 2023, and she was featured alongside Hyunjin of the K-pop group Stray Kids on a remix of the Troye Sivan song “Rush” in August 2023. // In October 2023, Pink Pantheress announced her debut album, Heaven Knows, which was released on 10 November 2023. “Mosquito”, the album’s lead single, was released in September, followed by the singles “Capable of Love” and “Nice to Meet You” in October and November, respectively. That same month, she announced the Capable of Love Tour for the UK and Europe, spanning from February to April 2024, with North American dates added later in November. The North American leg was produced by Live Nation. In February 2024, she was honored as Producer of the Year by Billboard Women in Music. She performed as an opener on Olivia Rodrigo’s Guts World Tour in the summer of 2024 until announcing the cancellation of all of her remaining live performances in August of that year, citing health reasons. She was featured on a remix of K-pop group Le Sserafim’s song “Crazy” released in September 2024. / In January 2025, PinkPantheress was featured on Shygirl’s single “True Religion” alongside Isabella Lovestory. Her first solo single of 2025, “Tonight”, was released in April with a Regency–inspired music video. Her second mixtape, Fancy That, was released on May 9, 2025, with “Tonight” as its lead single. She was featured on Danny L Harle’s song “Starlight” released July 8, 2025 and was featured on Yves’s single “Soap” which released on August 7, 2025. On October 10, 2025, she released the remix mixtape Fancy Some More?, which features several artists. In November 2025, she was announced to be nominated for the Grammy Awards for Best Dance Pop Recording for “Illegal” and Best Dance Electronic Album for Fancy That. That same month, she appeared on Benee’s sophomore album Ur an Angel I’m Just Particles as a ‘secret feature’ on “Princess”, which she also helped write. It was announced by FKA Twigs that PinkPantheress would be featured in her album Eusexua Afterglow as a collaboration for ‘Wild and Alone’, which released on November 14, 2025. // PinkPantheress has called Paramore lead vocalist Hayley Williams (pictured) a “big influence” on her music and stated that she is “doing music because of [Williams]”. //PinkPantheress’s stage name was taken from her TikTok account of the same name, which was inspired by a question from the game show The Chase that asked “What is a female panther called?” and by The Pink Panther film series. PinkPantheress has listed Imogen Heap, Kelela, and Kate Nash as her biggest influences, alongside other artists such as My Chemical Romance, Just Jack, Michael Jackson, Kaytranada and Frank Ocean. She has also cited K-pop songs, Blink-182, Good Charlotte, Green Day, early Panic! at the Disco, Linkin Park, and Frou Frou as inspirations for her melodies and beat choices. She has called Hayley Williams a “big influence” on her as a performer and said that she first wanted to become a professional musician when she was 14 years old after seeing Williams perform as part of Paramore during Reading Festival and that she is “doing music because of [Williams]”. She has also stated that she was inspired by an interview with Doja Cat to pursue music as a career, and was inspired to post her songs on TikTok by Lil Nas X. // PinkPantheress’s music has been described as R&B, bedroom pop, pop, dance, alt-pop, drum and bass, 2-step, jungle, and hyperpop, and often uses samples of other songs, such as dance music from the 1990s and 2000s and jungle, funk, UK garage, and pop songs. PinkPantheress uses topline writing to write her songs, which are frequently self-produced and short in length. She has attributed the shorter length of her songs, which customarily range from two to three minutes long, to her belief that a song does not need to be longer than two minutes and thirty seconds or to have a bridge, a repeated verse, or an extended outro. //Walker has discussed experiencing body dysmorphia from a young age. She also suffers from gradual hearing loss, which began as tinnitus, from exposure to loud music and microphone feedback. She reported being 80% deaf in her right ear in 2022 and has described voices sounding “like bass”. // On July 22, 2025, Walker received an honorary doctorate in Music from the University of Kent.]

68. Brody Lowe – Draculover / The Basement Arcade / September 19, 2025

[Brody Lowe moved to Kansas City from Portland, in 2019 and met Jeremiah James Gonzalez of Redder Moom where Brody contributed to the releases: Land of The Blind and Hell is Other People. Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music. Brody Lowe released Maul (Original Motion Picture Soundtrack) on March 3, 2023 Brody Lowe released the 8-track album Cicadaville on May 18, 2021 Brody Lowe released his debut EP Sea Monsters of the Pacific on February 15, 2018 Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores, band collaborations, and his solo project, Loqsa.]

69. VCMN – BiProduct / VCMN Music / May 30, 2025

[VCMN released this 8-track collection of recent singles and new tracks on May 30, 2025 coinciding withtheir licve performances for Lawrence Pride. VCMN released the single “Fab” on July 26, 2024. VCMN release the single, “Bounce (Remix) [feat. Amira Wang & The Epitome on August 11, 2023. VCMN released their debut album entitled “The VCMN Project” on Friday, May 13, 2022. VCMN is an American singer-songwriter duo who’s artistry is shaped by way of edgy, alternative R&B, Pop, and Rock. Victoria and Emmanuel “Manny” Cable—aka the “Vic” and “Man” of VCMN. Victoria grew up in the Bethel International Center of Worship church in Kansas City, Kansas, where her father, Cleveland Drone, was a pastor. From the ages of 10-19, she toured across the country singing gospel music. Manny came to performance via a different path: ballet and modern dance. They’ve been working it out with the rhythms and the rhymes for years now. VCMN Project was first birthed into existence when they were still dating; the album was finished after they were married. It all began on their living room sofa. The VCMN Project is just as much a party as it is a beautifully written love story. The 10-track “The VCMN Project” encompasses a song from every top 40 music genre. R&B, Rap, Pop, Alternative Rock, Ballad, Country, Hip Hop, and Dance Pop. VCMN played Lawrence Gay Pride, presented by I Heart Local Music. Fri. June 24, 2022 at Lucia, 1016 Mass with Cuee & Friends. INFOt: http://www.vcmnofficial.com%5D

70. THIMASTR – Muscle Memories / High Dive Records / September 26, 2025

[From Lawrence, KS. Thimastr is bringing fabulous tone to thighs and songcraft since just now. Music that summons nostalgia for the chill vibes and warm tanning booths of Spring Break. Resurrecting the song-writing demons that have long haunted Maxfield Yoder (Dean Monkey & the Dropouts, Plains), Thimastr truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. No master but Thimastr includes: Max Yoder on voice & guitar; Jen Graham on drums; Jordan Swartzendruber on vocal & tambo; Ellen L’Esperance on vocals & shakers; Renee Huey –on bass; and J. Little on guitar. The new album was Mixed by Robert Pope. Tracked & Mastered by Caufield Schnug. Artwork by Amber Hansen
Graphic designer Tyler Davis. // THIMASTR released their debut album, Between The Knees And Squeeze on High Dive Records on January 10, 2020 with Maxfield Yoder on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster. Now you too can have shapely thighs in minutes a day. ]

71. Corners of the Sky– LIVE UNDER A BRIDGE – EP / COTS / December 5, 2025

[Recorded under an old abandoned railroad bridge in North Lawrence. All equipment was powered by portable batteries. Corners of the Sky released their single, “Slasher” on October 31, 2025. Corners of the Sky released their Debut EP ELECTRIFY YOUR MIND on February 7, 2025. from Kansas City based psychedelic garage rock from Jason Perez on guitar, Jake Sell on bass, Kyle Dirck on drums & Tamborine, Jason Perez on vocals. Mixed and Mastered by Jason Perez.]

72. Beth Watts Nelson – TALLGRASS – EP / Rural Grit Records / May 3, 2024

[“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. // Beth Watts Nelson’s band Little Miss Dynamite released their six-song debut EP GROW UP on May 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Little Miss Dynamite played Boulevardia, Sat, June 14, 2025. More info at: http://www.bethwattsnelson.com] [Little Miss Dynamite played 21st Annual Crossroads Music Fest, Sat., Sept. 6]

73. Lucy Dacus – Forever is a Feeling / Lucy Dacus / February 21, 2025

[Lucy Elizabeth Dacus was born May 2, 1995. She is an American singer-songwriter, guitarist, and record producer. Originally from Richmond, Virginia, Dacus first gained fame following the release of her debut album, No Burden (2016), which led to a deal with Matador Records. Historian, her second album, was released in 2018 to critical acclaim. Home Video, her third studio album, was released in 2021. Forever is a Feeling, her fourth album, was released in 2025. // In addition to her solo work, Dacus is also a member of the indie supergroup Boygenius, with Julien Baker and Phoebe Bridgers. The band has released one studio album and two EPs to critical acclaim and widespread touring. The band won 3 Grammy Awards in 2024, including Best Alternative Music Album. They also became the first all-female band to win Best Rock Song and Best Rock Performance. // In October 2023, Rolling Stone named Dacus the 213th-greatest guitarist of all time, noting: “[her] guitar is as essential an instrument as her voice”. // Lucy Elizabeth Dacus was adopted as an infant and grew up in Mechanicsville, Virginia, a suburb of Richmond. She is of Uzbek and Irish descent.[8] Her adoptive mother is a professional pianist and music teacher, and her adoptive father is a graphic designer. Dacus had an early interest in music, and bought her first guitar, an Ibanez, from Craigslist when she was in middle school. After graduating from Maggie L. Walker Governor’s School in 2013, she began studying film at Virginia Commonwealth University, but left to avoid student debt and the “feeling of being misunderstood” in her university program. Prior to becoming a full-time musician, she was employed by Richmond Camera as an editor for children’s school photos. During this time, she wrote approximately 30 songs, nine of which would make up the tracklist of No Burden.] [Lucy Dacus brought her a Forever is a Feeling Tour to The Midland Theatre on May 7]

74. The Matchsellers – Psychobiography / The Matchsellers / August 2, 2025

[Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On February 14, 2025 The Matchsellers reeased the single, “I Can’t Believe We’re Still In Love.” // On May 3, 2024 The Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.] [The Matchsellers played a two-act musical at Hammer’s 3901 Main Street, KCMO for LoKey Wednesday, August 20, 2025.]

75. Mitzi McKee & The Precious Cargo – Inverted Shadows / Mitzi McKee and The Precious Cargo / November 21, 2025

[Mitzi McKee & The Precious Cargo, call themselves a “spacey KC rock & roll trio” w/ Mitzi on guitar, piano, & vocals; Brendan Bennett on bass, & Caleb Robertson on drums Mitzi has lived in KC since 2011 where she began singing in the jazz fusion band Valency. // Mitzi has also played drums, keyboards, and sang backup in the KC proto-punk Iggy & The Stooges cover band, No Fun, and the New York Dolls cover band, Trashed with Britt Adair. Mitzi played her first solo show in 2022 at the Pairing, where she also worked the front-of-house. Mitzi and on first Saturdays, at Chartreuse Saloon in the Crossroads.][Mitzi McKee & The Precious Cargo play Lemonade Park, 1628 Wyoming Street, West Bottoms, KCMO on Friday, August 29, 2025 at 7:00pm with Mikal Shapiro & The Musical, Stephonne, Supermassive Black Holes with Les Izmore.][Mitzi McKee & The Precious Cargo played an Inverted Shadows Album Release Show at Gigantic Records 1614 Westport Road, KCMO, on Friday, November 21.]

76. Til Willis & Erratic Cowboy – Glass Cactus / Til Willis / March 27, 2025

[Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.] [Til Willis played Greenwood Social Hall, on October 4, and Northside Local, on October 17, 2025.]

77. Rudy Love & The Encore – 11 / Midtopia / July 11, 2025

[Rudy Love & The Encore is comprised of Rudy Love Jr. (vocals & keys), Marrque Nunley (drums), Rachelle Love (percussion), Mariel Jacoda (vocals), Sherdeill (DJ) Breathett (bass), and Willy Simms (guitar). // The band members have played together for most of their lives, and formally introduced the band Rudy Love & The Encore early last year. Rudy Love Jr.’s late father, renowned musician Rudy Love Sr., was a musical mentor to the band members. The band’s name is in honor of Love Sr., based on the idea that this grouping of musicians is Rudy Love Sr.’s legacy — his encore. // In 2023, the band released their debut EP, The Beauty of Burdens, followed quickly by two more singles, “Broken Angel” and “Grey.” They have been busy since the band’s inception, performing and collaborating with Elise Trouw, performing at Black & Loud Fest in Seattle, opening for notable acts like Teddy Swims and The B-52’s, and playing multiple tours across the nation.They traded the hyper-competitive hustle of the Los Angeles show business scene, and are now working together from their hometown of Wichita, Kan. to build a dream they all hold — to make music with people they love, and to share it with the world.][Rudy Love & The Encore played the Mix Master Music Fest, Sept. 19 & Crossroads Music Fest Sept. 6, 2025.]

78. Benjamin Booker – Lower / Fire Next Time Records / January 24, 2025

[Third full length album from Benjamin Booker was born Benjamin Roderick Evans on June 14, 1989. He is an American musician, singer, songwriter and guitarist. He cites The Gun Club, Blind Willie Johnson and T. Rex as influences. His music was described by the Chicago Tribune as “a raw brand of blues/boogie/soul,” by The Independent as “frenzied guitar-strumming and raw, soulful vocals that are hair-raising in intensity” and by Spin as “bright, furious, explosive garage rock.” // Benjamin Booker was born in Virginia Beach, Virginia. His family relocated to Tampa, Florida, where he attended all-ages DIY punk shows as a teenager. He attended Orange Grove Middle School, a magnet school for the performing arts, followed by Hillsborough High School, where he studied in the International Baccalaureate Program. He then attended the University of Florida in Gainesville, studying journalism with intentions of going into music journalism. After college, he moved to New Orleans to work for a non-profit organization and began playing shows. He self-released the four-track EP Waiting Ones in 2012, a collection of “low-fi blues-influenced folk-punk recordings and handclap percussion” that gained the attention of music blog Aquarium Drunkard. The track “Have You Seen My Son” eventually landed on Sirius XM satellite radio. In 2013, he began touring as an electric duo and signed with ATO Records to produce his debut album.]

79. Cass McCombs – Interior Live Oak / Domino / August 15, 2025

[Publicity material reports this is Cass’s most personal album to date, and, more than any previous record, shows Cass’ vast range as a lyricist and musician. It draws from everything Cass has created over two decades of experimentation to cut through with a direct and clarifying light. Throughout, his attitude is hopeful, which may sound odd for someone who often sings about the more extreme aspects of modern life. Interior Live Oak, however, is the resolve of someone who has lived those extremes. NPR MUSIC writes: “Cass McCombs’ songs are slow, languid and beautiful, which feels like the right counterbalance to our fast-paced times.” MOJO writes: “Steadily, Interior Live Oak becomes the kind of record it’s impossible to be casual about… Those who find themselves in his songs can expect to be transformed, no longer just lover, friend, chance encounter, but an epic hero, warrior, a creature in the throes of metamorphosis.” // Cass McCombs was born 1977 in Concord, California. He is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016. // Cass McCombs released Tip of the Sphere on Anti Records on February 8, 2019.]

80. Oklou – choke enough / True Panther – Virgin Records / March 14, 2025

[Marylou Vanina Mayniel was born April 23, 1993, she is better known by her stage name Oklou (pronounced “Okay Lou”. Her debut mixtape Galore was released in 2020, which was followed up by her debut album Choke Enough in 2025.// Marylou Mayniel was born in Poitiers, France. Mayniel grew up in the countryside of western France with her two parents and an older brother. // She was classically trained in piano and cello at a conservatory school and sang in choirs as a child. Her brother would bring home CDs from the local library, exposing her to artists such as Dälek. The first album she bought was by Gorillaz. // Mayniel began recording and uploading music online in 2013. She self-released her debut EP, Avril, in June 2014, under the moniker Loumar. // She moved to Paris in 2015, and self-released her first Oklou EP, First Tape, alongside a limited run of cassettes. After meeting in late 2015, Mayniel co-founded the female DJ collective TGAF (These Girls Are on Fiyah), alongside DJ Ouai, Miley Serious, and Carin Kelly. They would play weekly radio shows on French station PIIAF and live shows around Paris. The group gained a notable following in its formative years, appearing in many online publication features. TGAF disbanded in July 2018. She attended a Red Bull Music Academy residency in Montreal in 2016, where she met Canadian musician and close collaborator Casey Manierka-Quaile. // Mayniel acted in the short film After School Knife Fight in 2017. The film received a festival release from 2017 to 2018. In December 2017, Mayniel released her collaborative EP with Casey MQ, titled For the Beasts. In early 2018, Mayniel became associated with record label and collective, NUXXE, and its co-founders, Irish-Chilean music producer Sega Bodega, British rapper Shygirl and French producer and performer Coucou Chloe. She released her third EP, The Rite of May, via the label in March of that year. Fact described the EP as “a deeply personal exploration of identity, intimacy and faith” set against “lush, experimental electronic production.” It featured collaborations with Sega Bodega, Rodaidh McDonald, Krampf and Bok Bok. Later that year, Mayniel and Krampf co-created the video game, Zone W/O People. It was made as a part of Red Bull Music Academy France’s 2018 Diggin’ in the Carts event. Mayniel also produced a soundtrack for the game, which she later released on a limited cassette.Mayniel also appeared on the late American rapper Chynna’s October 2018 single “Xternal Locus”. // Throughout 2019, Mayniel played at various festivals, such as Loom Festival and Pitchfork’s Paris Music Festival. She also released a single, titled “Forever”, via TaP Records in October. It was co-produced with Sega Bodega. // In January 2020, Mayniel released a collaborative single with French experimentalist Flavien Berger, titled “Toyota”, via Because Music. This was followed by another single in February, titled “entertnmnt”, which was co-produced with British producer Mura Masa, and another single in April, titled “SGSY” (standing for She’s Gonna Slaughter You). The singles were released via TaP Records and True Panther Sounds. //Mayniel announced her debut mixtape Galore in July 2020, sharing three tracks, one of which, “unearth me”, was accompanied by a music video. Another three tracks from the mixtape were released in August 2020, alongside a music video for the “god’s chariots” track. The full mixtape was released 24 September 2020, via Because Music, TaP Records and True Panther Sounds. The tape was made primarily in collaboration with Casey MQ, but also featured collaborations with Sega Bodega, Shygirl, PC Music’s A. G. Cook and EASYFUN, and GRADES. It also appeared on Gorilla vs. Bear, Rough Trade, and Dummy Mag’s 2020 year-end lists. Additionally in 2020, Mayniel released remixes of Caroline Polachek’s “Door”, and Dua Lipa’s “Fever”. //Mayniel produced a remix of French singer Pomme’s “les cours d’eau” track in January 2021, followed by a remix of Swedish rapper Bladee and producer Mechatok’s “Rainbow” track in March 2021. Mayniel appeared on A. G. Cook’s Apple vs. 7G remix album in May 2020, covering “Being Harsh” from Cook’s 2020 7G album. She also released remixes of her tracks “fall” and “galore”, by Cook. Mayniel toured across the US supporting Caroline Polachek from November through to December 2021. A remix EP celebrating Galore’s anniversary was released on 13 October, featuring an extended mix of “asturias”, and two remixes from Casey MQ, and Pomme & Danny L Harle. // She appeared on Flume’s Palaces album in May 2022, on the song “Highest Building”. She supported him on the album’s tour through the United States. //In 2024, Mayniel began talking about a potential new project, before releasing a first single “Family and Friends” in September 2024, accompanied by a music video directed by Gil Gharbi. This track also included additional vocals from Casey MQ, Cecile Believe and Zsela. In October 2024, a double A-side single containing the tracks “Obvious” and “Harvest Sky” was released, the latter of which featured Underscores, an American hyperpop artist. This was followed only a month later with a fourth promotional track titled “Choke Enough”, accompanied by an announcement for an album of the same name, later released on February 7, 2025, on the French label Because Music. The singles “Take Me by the Hand” featuring Bladee, and “Blade Bird” were also released to promote the album. // The album charted in France, Belgium, and the United Kingdom. The album was also critically well-received, with Pitchfork writing “the French electronic pop darling presents a twilit fusion of Y2K worship, Baroque polyphony, and elegant, opaque ambiance”. Paste Magazine praised Mayniel for her use of field recordings and nostalgia-based musicianship. // In May 2025, she was announced as a supporting act on Lorde’s upcoming Ultrasound World Tour. // In July 2025, Mayniel released remixes of select tracks from the album, featuring remixes by Jamesjamesjames, Malibu, Nick Léon Broward, and Aaron Hibell // In October 2025, she released a song “Viscus” with British avant-pop musician FKA twigs. This was followed by an announcement of a deluxe edition of Choke Enough, titled Choke Enough: Expansion Pack. This version, released on October 30, 2025, featured four new songs, including “Viscus”. In October 2025, it was also announced via X that Mayniel is featured on the remix of British pop singer-songwriter PinkPantheress’s “Girl Like Me”, appearing the remix album Fancy Some More. // In a February 2025 interview with Stereogum, Mayniel revealed that she was pregnant. In June 2025, she announced the birth of her child.]

81. Jamogi & The Jammers – Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) / Jam Tunes / April 11, 2025.

[Jamogi Bridges is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025.]

82. Hannah Jadagu – DESCRIBE / Sub Pop Records / October 4, 2025

[On Describe, Hannah Jadagu learns the hard way that distance is relative. After 2023 debut album Aperture garnered glowing praise from outlets like The New York Times and NPR, Jadagu’s promising career took her away from her blossoming relationship in New York. “I was feeling love and gratitude, but also guilt about being away for my job,” she recalled. “Being a musician requires sacrificing time–And one thing about me, I’m a quality time girlie.” Her expansive second album sees her grappling with that separation, finding connections that extend beyond the physical and strengthening her own voice in the process. Describe reverberates with that tension, between wanting connection and craving space. Its lyrics, as on her debut, ache with an emotional specificity that can only be pulled from lived experience. // But that distance also pushed Jadagu to explore new dimensions of her sound. “I’m super into artists that are able to mix analog with modern,” she said, and moving to California for the summer gave her the opportunity to meet new collaborators and experiment with analog synthesizers and drum machines. And while the warm hum of her guitar was her primary instrument for Aperture, she began to feel that her muscle memory of the instrument was holding her back. “It was freeing to be able to sit at a synth and drone on one note while I explored my vocals,” she said. ”I found that to be a bit more freeing than playing on a guitar.” Working with her co-producer Sora at his studio in Altadena and remotely on a few songs with Aperture co-producer and collaborator Max Baby out of Paris, Jadagu carved out a sound on Describe that is both distinctively hers and a total departure from the distorted guitar melodies of her debut. // Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” // Resonate it did; What Is Going On? was Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.” // On May 19th, 2023 Jadagu premiered Aperture, her first LP and most ambitious work to date. Aperture was part of WMM’s 120 Best Recordings of 2023. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” // As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. // Hannah Jadagu played the Bottleneck in Lawrence Kansas on Friday, September 29, 2023]

83. Jon Batiste – BIG MONEY/ Verve – Interscope / August 27, 2025

[Multi-GRAMMY® and Academy Award® winner Jon Batiste today announced his new album BIG MONEY, out August 22 via Verve/Interscope. Described by The Guardian as “a certified musical genius,” Batiste continues to defy categorization with BIG MONEY—a bold, groove-driven statement about humanity, capitalism, and Americana. Stripping things down to their most essential elements, the album delivers a richly textured sound layered with spirit, irony, joy, and depth. Written and recorded mostly live in single takes over the course of just two weeks, BIG MONEY captures the raw immediacy of creative expression. The emphasis on collective energy and spontaneity draws on the roots of American music as a communal force—and offers an antidote to modern disconnection. // At the heart of the album is its title track—a percussive, hook-laden anthem sparked by a moment of inspiration following Batiste’s 2024 performance at The Ryman Auditorium. He wrote the song on guitar before he even knew he was making a new album. On the surface, it’s an infectious call for ambition. Beneath the rhythm, it’s a layered meditation on capitalism, survival, and what we choose to value. // “This is the circus of love. Under our tent there is revival and joy,” Batiste says. “You don’t lose your soul—you gain it. When Mama says, ‘Don’t be a dummy, everybody chasing that BIG MONEY,’ Mama is pushing you—while warning you. It cuts both ways.” // The track, anchored by Batiste’s guitar and retro-soul revivalist Nick Waterhouse, is brought to life by the soaring vocals of The Womack Sisters—a rising trio and granddaughters of soul legend Sam Cooke—who echo the refrain: “Might as well live for something you can feel…something that’s real.” // Batiste co-produced the album with longtime creative confidant Dion “No ID” Wilson. Other collaborators include Andra Day, Randy Newman, and a tight-knit group of musicians, songwriters, and engineers. Rather than aiming for polish, the sessions prioritized feel and presence—capturing performances in real time and preserving their imperfections as part of the record’s spiritual DNA. // Anchored by lyricism, heart, and the power of collaboration, BIG MONEY reframes and recasts Americana for a new generation—drawing on Batiste’s New Orleans roots, his gospel and protest music lineage, and his love of raw, immediate expression. The sonic palette spans blues, soul, reggae, and minimalist balladry, daring to classify them all as part of a new, evolving genre: New Americana. // Variety has called Batiste “a protean pianist and megawatt personality”—a description embodied here as he dances between styles and philosophies without losing cohesion. Each track builds on the last to create a unified vision of music as both resistance and release. // “However you interpret the songs,” Batiste says, “you can’t help feeling them. You can’t help accepting an invitation into the tent. Come in and have fun…some deeply serious fun.” // Earlier this year, Batiste made headlines for his powerful performance of the National Anthem at the 2025 Super Bowl, which brought his singular artistry to one of America’s most-watched stages. He also took home two GRAMMY® Awards—Best Music Film for the critically acclaimed Netflix documentary American Symphony, and Best Song Written for Visual Media for “It Never Went Away,” the Oscar-nominated track he co-wrote with Dan Wilson for the film. // BIG MONEY follows Beethoven Blues, released November 15 via Verve/Interscope. The album marked Batiste’s biggest sales week to date, debuting at No. 1 on Billboard’s Classical Albums chart and No. 9 on the Top Album Sales chart. It also entered the Billboard 200 at No. 64—his highest debut on the chart and his fifth career entry. Beethoven Blues held the No. 1 spot on the Billboard Classical Crossover Albums chart for nine consecutive weeks and topped the Billboard Classical Albums chart for five weeks. Showcasing his interpolations of Beethoven’s most iconic works through an expansive and innovative lens, the album expands the boundaries of classical music by infusing it with spontaneity, soul, and inclusivity. // Batiste will support BIG MONEY with a national headlining run, The BIG MONEY Tour: Jon Batiste Plays America, kicking off August 27 in Kansas City, MO. The tour will stop at more than 30 venues across the country, including Red Rocks Amphitheatre, the Grand Ole Opry, and a co-headline date with Diana Ross at The Muny in St. Louis, MO. Full tour dates below and ticket information are available at jonbatiste.com..][Jon Batiste played The Midland Theatre on Aug. 27.]

84. Folk Bitch Trio – Now Would Be A Good Time / Jag Jaguar / July 25, 2025

[“Boygenius if it was from the 40’s or something” – Phoebe Bridgers // “Design a new folk-pop sensation? Oh wait, it already exists” – Sydney Morning Herald // “There’s just something so delightfully unexpected about a group whose music is resplendent in such gorgeous harmonies and confessional songwriting having such a prickly name. Folk Bitch Trio wish to upend expectations.” – Rolling Stone // Melbourne, Australia based Folk Bitch Trio continue expanding their musical odyssey..” // The partnership of Gracie Sinclair (she/her), Jeanie Pilkington (she/her), and Heide Peverelle (they/them) boast inventive vocal arrangements and warm instrumentation at the striking intersection of the grounded, beyond-their-years conversationalism of Laura Marling and the lightly wrought swirl of Grizzly Bear or The Japanese House. Continuing their ascent today with “God’s A Different Sword,” Folk Bitch Trio showcase their resplendent three-part harmony — signature to their longstanding creative collaboration. // As the trio explain: “‘God’s A Different Sword’ speaks to relinquishing a pattern but indulging in the habit ‘just one more time.’ The song was produced by us and Tom Healy during a fleeting stop in Auckland, Aotearoa this winter, while we were in town supporting Ben Howard. The lyrics are exasperated and questioning, so we wanted them to be held by instrumentation that is optimistic and open. The video, made by our dear friend Bridgette Winten, shows us gallivanting around our stomping grounds in Naarm, where this song was written and born.” // Folk Bitch Trio manifest a unique kinesiology of relaxed indie-folk with a quietly confident, assured underbelly. Born out of what they describe as a “mutual love for songwriting and truth-telling,” most significant to their rise and consistently captivating to their craft is the joy they take in making music together — it surges with the power of friends and collaborators executing a unified vision. // What began as an unserious collaboration at some local shows, has quickly led Trio to share stages with King Gizzard and the Lizard Wizard, and Courtney Barnett.]

85. James Grauerholz – Life’s Too Good To Keep / Lotuspool Records / Nov. 1, 2024

[For this track: Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, NYC. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’ // Mark Henning’sA liner notes: To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. // James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few. // The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s. In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up. // Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list. // What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey? // You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.” – Mark Henning (Zoom, National Trust, Voice of Action)]

86. Making Movies – Baúl de las Movies: Rocky Mountain Folks Festival 2024 (En Vivo) / 3/2 Recordings / April 25, 2025]

[Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds me of home (both KC and Panamá) in different ways. Our experiences going to Memphis gave us the context to create “Could You?” It was filmed originally for AMERI’KANA TV.” Making Movies released their critically acclaimed album ameri’kana through 3/2 Recordings on May 24, 2019. This was #1 on WMM’s 119 Best Recordings of 2019. Produced by Steve Berlin and Ben Yonas. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits of the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” Making Movies released their album I Am Another You, May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff. Info at: https://makingmovies.world%5D

87. Horsegirl – Phonetics On and On / Matador / February 14, 2025

[Horsegirl is an American rock band from Chicago, Illinois, made of Nora Cheng, Penelope Lowenstein, and Gigi Reece. // In 2021, the group signed to Matador Records. In 2022, they released their debut studio album, Versions of Modern Performance. // The group originated in 2019 and they self-released their first song, “Forecast”, that year. The group released their first EP, Horsegirl: Ballroom Dance Scene et cetera, through Sonic Cathedral Recordings in 2020. Paste named the EP one of the 25 best EP’s of 2020. // In November 2021, the group released another song, “Billy”, their first on Matador Records. The song was named one of Rolling Stone’s “Songs You Need to Know”. Alongside the song, the group released a cover of Minutemen’s song “History Lesson – Part II”. // On June 3, 2022, the band released their debut album, Versions of Modern Performance, via Matador.]

88. Curtis Harding – Departures & Arrivals: Adventures of Captain Curt / Anti / September 5, 2025

[Curtis Harding – “making some of the best modern soul music out right now” (Uproxx) – has returned today with his first new music in four years. Following collaborations in recent years with RÜFÜS DU SOL and Jazmine Sullivan, the catchy new song “There She Goes” is accompanied by a new music video by Italian director Michele Civetta; taking place in an opulent Beverly Hills Garden with a sinister Twilight Zone-esque secret and featuring actor Omar Dorsey (Selma, Queen Sugar) who is a recurring presence in Harding’s music videos, watch it below. // Curtis Harding is an American soul singer, born in Saginaw, Michigan. Raised as a Mennonite, Harding’s family had no home until they settled in Atlanta, Georgia, when he was 14. Harding’s father, a mechanic, and his mother Dorothy, a gospel singer, took Harding and his five siblings around the United States in a van, stopping at churches. While his mother performed, Harding grew up playing music, though he originally wanted to play professional sports. In the early 2000s, Harding was part of the hip-hop group Proseed. He rapped on and co-wrote CeeLo Green’s 2002 album Cee-Lo Green and His Perfect Imperfections along with several Proseed members. He toured with Green as a backing singer on the Smokin’ Grooves Tour in 2002 alongside Outkast, Cypress Hill, Lauryn Hill, and The Roots. Harding spent time working with groups in Atlanta before moving to Toronto for a year. A year later, he “came back to record with some friends in my living room.” From these sessions came his debut album, Soul Power, on the indie label Burger Records, released May 6, 2014. He spent two weeks recording the album. Randy Michael composed the music on the single “Keep on Shining”, and Jason Reynolds co-wrote “Heaven’s on the Other Side” with Harding.He formed the band Night Sun with two Black Lips members, guitarist Cole Alexander and drummer Joe Bradley. His second album, Face Your Fear, was recorded at Danger Mouse’s 30th Century Studio in New York City. “Wednesday Morning Atonement” is the opening single. Harding describes his genre as “slop ‘n’ soul”, a combination of gospel, punk, psych rock, and blues. He has said that his influences include Albert King, the Everly Brothers, and Ronnie Dyson.]

89 Billie Marten – Dog Eared / Fiction Records / July 18, 2025

[Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]

90. Florist – “Jellywish / Double Double Whammy / April 4, 2025

[“Have Heaven” was the first single from Florist’s album. Jellywish. // “Jellywish is billed as an exercise in imagining a world where magic is a daily companion, possibility is everywhere, and asking the difficult questions is rewarding.” – PITCHFORK // “Sprague’s gossamer vocals float atop a soft wash of hypnotic acoustic guitar strums—which sound almost harp-like—as effortlessly graceful as leaves skimming the top of a pond.” – PASTE // With their new album, New York minimalist folk quartet Florist invite listeners to question everything — to imagine a world where magic, surrealism, and the supernatural are our companions in day-to-day life. Jellywish, due April 4th on Double Double Whammy, dares to present a realm of possibility and imagination in a time that feels evermore prescriptive, limiting, and awful. // On Jellywish, Florist explores life’s big questions without offering silver linings, morals, or definitive answers. Instead, the band asks perhaps the most difficult of questions: Is it possible to break free from our ingrained thought cycles and pedestrian way of life? That, Florist posits, may be the only way to be truly happy, fulfilled, and free. // Singer, guitarist, and principal songwriter Emily Sprague says that the record is purposely complicated. “It’s a gentle delivery of something that is really chaotic, confusing, and multifaceted,” she explains. “It has this technicolor that’s inspired by our world and also fantasy elements that we can use to escape our world.” The album’s lead single “Have Heaven,” released today alongside a music video made by animator Kohana Wilson, is a perfect example of this cosmic alchemy the band conjures on Jellywish. // “We enter an observational fever dream about floating through liminal space between lifetimes, individual perceptions. There is reflection on our connectedness in joy and suffering through the wish for a peaceful place for our spirits to live and land,” Sprague explains. “‘Have Heaven’ establishes the world of the album to be not quite always lucid, but rather a perspective that is blended into the worlds of the magic and death realms swirling around us. The chorus is a chant that pleads for a better symbiosis between these worlds, and between our earthly forms trying to survive alongside each other, bound to the systems we must exist within.” // Jellywish is an exercise in multidimensional world building. The album’s panoramic cover art, which looks like something out of a Henry Darger volume, wraps the music in a collage of color that presents as science fiction-adjacent, hinting at something mysterious, fantastical, and mythological. Inside the album’s jacket, however, are tender and catchy sonic meditations on life’s most knotty subjects: life, death, earth, reality, relationships, joy, and pain. Taken together, Florist offers an acute sense of the band at this moment, one that worries about the world and its place in it. In contrast, it also presents an alternative to the doldrums of day-to-day life, and the necessary suggestion that very different things may be true at the same time. // With Jellywish, Florist offers a complex album in a time that is anything but simple. In mining the chaos and wonder of physical and spiritual worlds, the band holds a mirror to itself to the great benefit of all. It tells us that we are not alone, and challenges us to believe in magic.]

91. Land Lion – Hymns For End Times / Drag City Records / November 5, 2025

[Land Lion band make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Music For End Times is the band’s debut album release. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Last year Land Lion released three singles: “Ribs” on Jan. 26, “Honey Do” on June 9, and “Townie Song” on July 25, 2024. Land Lion played Boulevardia June 14, 2025.]

92. Water From Your Eyes – It’s A Beautiful Place / Matador / August 22, 2025

[Songwriter Nate Amos, and front person Rachel Brown are Water from Your Eyes. It’s a Beautiful Place is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.The album is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.]

93. Flora From Kansas – Homesick – EP / Melodic / March 14, 2025

[17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ] [Flora From Kansas played Boulevardia, Saturday, June 14,]

94. The Royal Chief – Fire – EP / Sovereign Sound / July 10, 2025

[New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com] [The Royal Chief will played the 21st Annual Crossroads Music Fest, Sept. 6, at 8:30pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Friendly Thieves , The Royal Chief, Jelly Rose, and Stranded in The City.]

95. Annahstasia – Tether / drink sum wtr / June 13, 2025

[Annahstasia Enuke, known monomously as Annahstasia, is an American soul musician from Los Angeles. Annahstasia released her debut EP Revival in 2023. Annahstasia released her second EP, Surface Tension, in 2024. Annahstasia released her debut album, Tether, in 2025 to critical acclaim, including the “Best New Music” designation from Pitchfork. // Annahstasia was also featured in the music video for Kendrick Lamar and SZA’s song “Luther”, portraying the love interest. / From Bandcamp: “My career has been a lesson in patience,” says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated. The rising troubadour’s proximity to love — for and from others, in society at large, and deeply within herself — guides the spirit of her soulful, poetic folk songcraft. Love is the elemental constant, alongside her distinctly resonant voice, shading the singer-songwriter’s music since her earliest self-taught recordings, back when a 17-year-old Annahstasia Enuke was discovered and propelled into the pressures of an industry that nearly stifled her greatest strengths. Artistic resilience, gratitude, and dedication to process have yielded Tether, Annahstasia’s full-length debut on art-forward indie label drink sum wtr, a collection of beaming torch songs, orchestral hymns, and astral anthems that feel lived-in, drawn from the human experience and the spectrum of love. // Annahstasia assembled the pieces of Tether slowly and with deep intention; she’s carried these songs with her on the road, sang them for friends and strangers, and evolved them over time alongside her personal revelations. “The song is written, and then I have to live with it and see if I really believe what I’m saying,” she explains. She brought material to sessions at the storied Valentine Studios in Los Angeles, joined by producers Jason Lader (ANOHNI and the Johnsons, Frank Ocean, Lana Del Rey), Andrew Lappin (Cassandra Jenkins, L’Rain, Luna Li), Aaron Liao (Liv.e, Moses Sumney, Raveena) and a range of accomplished musicians, including featured guests aja monet and Obongjayar. The recording became instinctual, done only in live takes to capture the feeling of the room, the community of the music. The sequencing was just as essential; she arrived at a flow with shifting energies and poignant arcs. The instrumentation swells, at times understated and others supremely lush, and through each arrangement, Annahstasia’s voice rings true, open-hearted, and free. “I’ve come into the power of my voice as a medium,” she says. “As a tool of expression, I am able to shape the emotional space around me.” // Lyrically, Annahstasia embraces the nuance of poetry, inviting listeners to engage in words laced with meaning, whether ruminations on romance or social constructs. She sees the opener “Be Kind” more as a poem than a song, “a reflection upon the beauty of the mundane and the grandeur of everyday life…a reminder to myself and others to be kind to each other.” The track’s minimalist atmosphere picks up where 2024’s Surface Tension EP left off, with her vocals left bare and up-front, exploring the capacity of her gift with newfound latitude as strums, strings, and keys enter the frame. // The palette expands for “Villian,” welcoming drums, brass, and horns into a sweeping nod to healing. “We are all made of both shadow and light. From some angle, we have all been the villain of the story,” she adds, suggesting that often, the only way to move on is through understanding that “we are all trying our best, negotiating survival.” At its triumphant peak, above gospel-like shouts, she delivers the reprise with a smile: “Take it / Take it back / This dull knife of memory / I still hear your voice inside my head / Says that I’m the villain of the story.” // Album centerpiece “Slow” emerges from a chance connection with London-based Nigerian musician Steven Umoh, aka Obongjayar. After exchanging DMs, Obongjayar came to one of her shows, and the two artists talked for hours afterward; “he was like a lost brother,” she says. Later, they wrote and demoed the track in the living room of her Airbnb in London, where they huddled around a single ribbon microphone. “I’m just playing the guitar, and our eyes are locked; it was very sensual and intense.” Emboldened by one another, their voices orbit and coalesce, trading verses on the signals the universe sends us (“I heard it on the wind / To go slow”), harmonizing the last stanzas (“What’s the worst that can happen / If we just let it happen”). Without proper album plans at the time, the song sat for a while; then, in another cosmic chance, Obongjayar happened to be in town during the Tether sessions. Annahstasia reflects, “It was a beautiful experience to have us all in the room. The artistry, the moment, a real acceptance of African art where these two Nigerian musicians are coming together and making something very tender and pretty outside genre expectations.” // Later, Annahstasia finds a kindred spirit in aja monet, the NY-based surrealist blues poet and her new labelmate, who lends stunning prose and voice to “All is. Will Be. As it Was.” Given only the prompt of “open air,” monet wrote the lines on the ride to the studio. Together with Annahstasia on guitar and Ashley Fulton on piano, they captured the piece in its purest form as if bottling a breeze. // Annahstasia described the EP prelude to this culminating set as a “romantic war,” and the artist truly thrives amidst and after drama. She taps into a punk sensibility for “Silk and Velvet” — “I’d say it’s punk in the sense that it is really dry, really stark and selectively dissonant.” A clashing of cello and piano mirror pointed lyrics about “living with the hypocrisy of having revolutionary ideologies but consumerist tendencies.” The tension comes full circle on “Believer,” a song she’s been trying to get right for years, now finally recorded in the right place with the right people. Nearly every instrument on Tether returns in full force; towering percussion, jagged guitar lines, and howling singers encircle Annahstasia at the mic as she enters a fantasy of rock stardom. “I love how in making a record, you get to make a film and pick which direction to take it. Now I have this version that I blast in my headphones, play air guitar, and pretend I’m performing it for 100,000 people.”]

96. honeybee – midtown girl – EP / good luck / June 6, 2025

[New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 with The Highwater, and Jass.][Honeybee played Arts on Broadway, 3550 Broadway Blvd, KCMO, July 25, ith Virgo, and 24 Hour Video]

97. Lorna Kay – Lorna Kay – EP / Town & Country / September 19, 2025

[Lauren Krum solo project with Mike Stover. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.] [Lorna K plays Honky Tonk Tuesdays at The Ship.]

98. Neko Case – Neon Grey Midnight Green / Anti / September 26, 2025

[Neon Grey Midnight Green is the eighth studio album by American singer-songwriter Neko Case, released by record label Anti- on September 26, 2025. Her first entirely self-produced album, it marks her follow-up to Hell-On. She has described it as being “for and about musicians, a love letter and a testimony.” // From October 2025 to January 2026, Case will be touring North America with John Grant and Des Demonas in support of the album. // Neko Richelle Case (/ˈniːkoʊ ˈkeɪs/ NEE-koh KAYSS;[2] born September 8, 1970) is an American singer-songwriter and member of the Canadian indie rock group the New Pornographers. Case’s singing voice has been described by contemporaries and critics as a “flamethrower”, “a powerhouse [which] seems like it might level buildings,” “a 120-mph fastball,” and a “vocal tornado”. Critics also note her idiosyncratic, “cryptic,”[8] “imagistic” lyrics, and credit her as a significant figure in the early 21st-century American revival of the tenor guitar. Case’s body of work has spanned and drawn on a range of traditions including country, folk, art rock, indie rock, and pop and is frequently described as defying or avoiding easy generic classification. // Born in Alexandria, Virginia, Case is the only child of James Bamford Case. Case’s maternal family surname was originally Shevchenko; her great-aunt was the professional wrestler Ella Waldek. Her father, a Vietnam veteran serving in the United States Air Force, was based in Virginia at the time of her birth. Case’s parents, who were teenagers when they had her, are of Ukrainian ancestry. Her parents divorced when Case began school. In her memoir, Case indicated that she was told that her mother died of cancer when she was in the second grade, but only two years later, she was told that this was not correct. After that, her mother flitted in and out of her life, and eventually Case cut ties with her mother for good. As she writes in the book, she had a revelation: “Perhaps her mother had never been sick at all.” // Case’s family relocated several times during her childhood due to her stepfather’s work as an archaeologist. She lived in Western Massachusetts, Vermont, Oregon and Washington. She considers Tacoma, Washington to be her hometown. // Case left home and was legally emancipated at age 15. By the age of 18 she was performing as a drummer for the Del Logs and the Propanes, playing in venues including a punk club called the Community World Theater. // In 1994, Case moved to Vancouver, British Columbia, to attend the Emily Carr Institute of Art and Design, completing her studies 1998. While in Vancouver, she played drums in several local bands, including the Del Logs, the Propanes, the Weasels, Cub, and Maow. These bands were, for the most part, local punk groups. Case said of the vibrant Vancouver punk rock scene at that time, “A lot of women wanted to play music because they were inspired, because it was an incredibly good time for music in the Northwest. There was a lot of clubs, a lot of bands, a lot of people coming through, a lot of all-ages stuff—it was a very exciting time to live there.” // In 1998, she left Canada for Seattle, Washington. Before going, Case recorded vocals for a few songs that ended up on Mass Romantic, the New Pornographers’ first album. Her lead vocals on songs like “Letter from an Occupant” are straightforward, full-volume power-pop performances, shedding any country elements. Released on November 28, 2000, Mass Romantic became a surprise success. Although the band was originally conceived as a side project for its members, the New Pornographers remain a prominent presence in the indie rock world, having released their ninth album in 2023. // In addition to recording with the New Pornographers, Case collaborates with other Canadian musicians, including the Sadies and Carolyn Mark, and has recorded material by several noted Canadian songwriters, in particular on her 2001 EP Canadian Amp. As a result, she is also considered a significant figure in Canadian music—both CBC Radio 3 and the Society of Composers, Authors and Music Publishers of Canada have referred to Case as an “honourary Canadian”. In 2018 Case performed at the Vancouver Folk Music Festival. // Case embraced country music on her 1997 album, The Virginian. The album contained original compositions as well as covers of songs by Ernest Tubb, Loretta Lynn and the 1974 Queen song “Misfire”. When the album was released, critics compared Case to honky-tonk singers like Lynn and Patsy Cline, and to rockabilly pioneer Wanda Jackson, particularly in her vocal timbre. // On February 22, 2000, Case released her second solo album, Furnace Room Lullaby. The album introduced the country noir elements that have defined Case’s subsequent solo career. That tone was evident even from the cover photo, featuring Case sprawled out corpse-like on a concrete floor. // Case sometimes tours with Canadian singer and songwriter Carolyn Mark as the Corn Sisters. One of their performances, at Seattle’s Hattie’s Hat restaurant in Ballard, was recorded and released as an album, The Other Women, on November 28, 2000. // In October 1999, around the time Furnace Room Lullaby was released, Case left Seattle for Chicago because she felt that Seattle was no longer hospitable to its local artists.// Case’s first work in Chicago was an eight-song EP that she recorded in her kitchen. Canadian Amp, her first recording without Her Boyfriends, was released on her own Lady Pilot label in 2001. She wrote two of the tracks, with the remaining six being covers, including Neil Young’s “Dreaming Man” and Hank Williams’ “Alone and Forsaken”. Four of the covers were written by Canadian artists. The EP was initially available only at Case’s live shows and directly from Mint Records’ website, but it eventually saw wider release. // Case also recorded her third full-length album, Blacklisted, while living in Chicago. // In April 2003, Case was voted the “Sexiest Babe of Indie Rock” in a Playboy.com internet poll, receiving 32% of the vote. Playboy asked her to pose nude for the magazine, but she declined their offer. She told Entertainment Weekly that…”I didn’t want to be the girl who posed in Playboy and then—by the way—made some music. I would be really fucking irritated if after a show somebody came up to me and handed me some naked picture of myself and wanted me to sign it instead of my CD.” // Case recorded and toured for several years as Neko Case & Her Boyfriends before performing solely under her name. Albums released as Neko Case & Her Boyfriends include The Virginian (1997) and Furnace Room Lullaby (2000). She primarily performed her own material, but also performed and recorded cover versions of songs by artists such as My Morning Jacket, Harry Nilsson, Loretta Lynn, Tom Waits, Nick Lowe, Buffy Sainte-Marie, Scott Walker, Randy Newman, Queen, Bob Dylan, Neil Young, Sparks and Hank Williams. // The 2010 New Pornographers album Together features Case as lead vocalist on “Crash Years” and “My Shepherd.” The 2014 album Brill Bruisers features Case as lead vocalist on “Champions of Red Wine” and “Marching Orders.” The 2017 album Whiteout Conditions features Case as lead vocalist on “Play Money” and “This is the World of the Theater.” // In 2016, Neko Case, k.d. lang, and Laura Veirs announced the case/lang/veirs project, with an album released in June 2016. // Case recorded her third full-length album, Blacklisted, in Tucson, Arizona. It was the first full-length album credited to Case alone, without Her Boyfriends, and was released on Bloodshot Records on August 20, 2002. Some believe the title Blacklisted alludes to Case being banned for life from the Grand Ole Opry because she took her shirt off during a performance on August 4, 2001, at one of their outdoors “Opry Plaza” concerts, though Case herself has denied this. Asked about the incident in 2004, Case said “I had heatstroke. People would love it to be a ‘fuck you’ punk thing. But it was actually a physical ailment thing.” // Case’s face in 2009 Most of the album’s fourteen songs are originals; the exceptions being covers of “Running Out of Fools”, previously a hit for Aretha Franklin, and “Look for Me (I’ll Be Around)” previously performed by Sarah Vaughan. Blacklisted finds Case even deeper in a “country noir” mood, and was described by critics as lush, bleak, and atmospheric. Case cited filmmaker David Lynch, composer Angelo Badalamenti, and Neil Young’s soundtrack to the film Dead Man as influences. “I hope I can comfort people a bit—maybe show people that making music is fun and accessible to them as well. I’m not out to become Faith Hill, I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video with me in it. I would like to reach a larger audience and see the state of music change in favor of musicians and music fans in my lifetime. I care very much about that.” // In April 2004, Case played several shows with longtime collaborators the Sadies in Chicago and Toronto. These shows were recorded and released as a live album, The Tigers Have Spoken, by Anti Records in October 2004. // Fox Confessor Brings the Flood was released on March 7, 2006. The album was recorded primarily in Tucson, over the course of two years as Case worked on the live The Tigers Have Spoken and continued to play with the New Pornographers. Critics hailed the record not only for Case’s trademark vocals but also her use of stark imagery and non-standard song structures. Fox Confessor Brings the Flood wound up on many “Best of 2006” lists, such as No.1 on the Amazon.com music editors’ picks and No. 2 on NPR’s All Songs Considered. The album debuted at No. 54 on the Billboard 200 albums chart. It contains Case’s most autobiographical song, “Hold On, Hold On”. Case said: “the song is actually about me. It’s not metaphorical about other people. It’s not little pieces of my life made into a story about someone else or someone fictitious.” // “Hold On, Hold On” has since been covered by Marianne Faithfull on her 2009 album Easy Come, Easy Go. It was used over an episode of The Killing (Season 1 Episode 6) before the final credits, and in the 2015 film One More Time. “John Saw That Number” was used in the snowboarding movie “City. Park City”. // Case’s next album, Middle Cyclone, was released on March 3, 2009. In advance of a U.S. and European tour, Case appeared as a musical guest on The Tonight Show with Jay Leno. Later in 2009 she also appeared on Late Show with David Letterman, The Tonight Show with Conan O’Brien and Late Night with Jimmy Fallon. Amazon.com rated Middle Cyclone the number one album of 2009.[49] Middle Cyclone debuted at No. 3 on the Billboard charts in its first week of release, making it Case’s first album ever to reach the top ten in the United States. // At the time of its release, no other record from an independent record company had debuted at a higher position in 2009. She toured extensively to promote Middle Cyclone with dates in North America, Europe, and Australia, as well as a performance at Lollapalooza 2009 in Grant Park, Chicago. // The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You. // In June 2013, Case announced a new album, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, which was released on September 3. // In early March, 2018, Case released a teaser for an album titled Hell-On, her first solo work in almost five years. The teaser featured Case lying down singing a song of the same name while snakes move around her. The album was released on June 1, 2018. // On November 13, 2015, Case released a compilation vinyl box set containing eight of her solo albums. The set contains her first six studio albums, including the first vinyl pressing of The Virginian, as well as a live album. // On April 19, 2022, Case released Wild Creatures, described as “digital-only, career retrospective”. The album was released on CD, double vinyl, and MP3. It contains 22 tracks from Case’s discography, plus one new song, “Oh, Shadowless”.]

99. Lonnie Fisher – The Onion’s Tale / Lonnie Fisher / October 3, 2025

[From this album, “Zero One Zero” was recorded with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

100. Talia Keyes – From The Ashes / Midtopia / May 30, 2025

[She/They // An electrifying, genre-defying firebrand, Salt Lake City sensation Talia Keys blasts back with the seven-song From The Ashes, releasing May 2025 via Wichita, Kansas-based label Midtopia. Another courageous chapter in a career full of defiant documents, Talia’s latest ambitious solo offering deals potent doses of her patented searing songcraft. // Backed by members of The Love, the veteran singer/songwriter confidently explores fresh characters and fertile topography – while still digging into knowledge of self, paying tribute to heroes, and addressing our increasingly-fractured society. Styled in syrupy neo-soul, first single “Matchstick” is an intensely personal homage to dearly-departed activist/artist Psarah Johnson; second drop “Glowin’ Golden” a buoyantly-countrified bop. From the Ashes reveals a liberating batch, unveiling untapped wells of urgency, diversity, sensuality, and consciousness from the ever-evolving Keys’ canon. // With an assertive maturity, the alluring “Matchstick” seduces upon first listen, energetically landing squarely between the existential bedroom pop of Anna Moss and Say She She’s sultry nocturnal soul. Reverberating Wurlitzer, jazzy guitar phrasings, minimalist rimshot-snares, the vintage vibe is enhanced by scintillating background harmonies and an intoxicating earworm chorus. The stirring track was inspired by Johnson’s impactful social justice work; “Let your matchstick burn” resonates far deeper than merely a poetic turn-of-phrase. // “Psarah Johnson was a visionary artist, activist and bad ass singer.” recalls Keys. “She created a one-woman play – “Matchstick Theory” – about being a disabled woman in this unforgiving world. How she burns her energy, and sometimes it doesn’t come back. But when you burn bright like Psarah did, it lights the way for so many of us.” // In 2023, Talia Keys was drafted as direct tour support for Grammy-winning Lukas Nelson & Promise of the Real, a fortuitous opportunity and budding professional relationship that would facilitate her performing to enthusiastic new audiences all over the U.S. Appropriately, From The Ashes second single “Glowin’ Golden” mines a similar slice of salt-of-the-earth Americana. Atop proper guitar pickin’ and warm Hammond organ swells, this rootsy, Gospelized joint shuffles on the snare and struts with subtle swagger. A profound vocalist who blends verve, angst and attitude, on “Glowin’ Golden” Ms. Keys cribs a page from both Beyonce and the late Ray Charles, taking the R&B lane en route to more traditional country roads. // The contemplative 90’s alt-rock of “Sky Is Falling” flirts with shoegaze psychedelia, hip-hop syncopation and lyrical alliteration. A spirited, bluesy number that cycles through melancholic resignation, suffocating fears, hopeful dreams, and reverting to regret, Keys’ earnest purge is boosted by stunning strings courtesy of Sav Madigan and Katie Larson (The Accidentals). From the Ashes’ narrative arc is complimented by an effective production aesthetic that nods toward the groundbreaking Lilith Fair-era. Like so many heroines who paved the way, Keys sings of navigating struggles that plague our cultural climate, embodying allyship and resistance, song after rebel song. // Talia Keys laid a loyal local foundation in Salt Lake City clubs for over fifteen years, and later made her bones on national tours and festivals. Keys’ ethos and convictions, as well as a trademark fire n’ brimstone stage presence, are an amalgam of her journey, identity, influences; a new twist on the rock n’ roll troubadour singing songs of life’s complexities, struggles, and ultimately, the triumphs. // In 2024, Keys released an emotional standalone single “Need You To Care”, which followed a series of dynamite covers including “Seven Nation Army” (The White Stripes), “I Put A Spell On You” (Screamin’ Jay Hawkins), and “Sweet Dreams” (The Eurythmics). Resonant and raw, 2022’s LP Lessons saw Keys emerge from the pandemic chaos recharged and reborn, leaning into intestinal strength and resilience with more clarity and focus in her compositions. With typically-provocative lyrics dotting the kaleidoscopic album, the biting barbs addressed her own space and place as a queer woman in today’s divided America. In 2018, Talia teamed up with stellar backing ensemble The Love to deliver the demonstrative We’re Here, an iridescent and impactful collection that put Talia’s style and substance on the national radar. // A nascent artist with wide ears and big dreams, Talia Keys released a smattering of solo efforts early in her career; 2015’s Fool’s Gold EP, the live-looping adventures of Gemini Mind (2014), and debut Soak Your Meat In This (2012). Before breaking out on her own musical trip, Keys assumed numerous roles in the seminal funk-jam syndicate Marinade, with whom she logged six years of shenanigans from 2009-2015. -B. Getz March 2025] [Talia Keyes played the 21st Annual Crossroads Music Fest, Sept. 6, at 5:30pm, on the Midtopia Stage with Linea Frontera, Osezua, The Whips , Jesus Christ Taxi Driver, and Rudy Love & The Encore.]

101. Oddisee – En Route – EP / Mello Music Group / May 30, 2025

[Amir Mohamed el Khalifa (born on February 24, 1985), better known by his stage name Oddisee, is a rapper and record producer from Washington, D.C. He is one third of the hip hop trio Diamond District. He was also part of the Low Budget Crew. He is based in Brooklyn, New York. // Oddisee was born to an African-American mother and a Sudanese father, at Howard University Hospital in Washington, D.C. He was raised by his stepmother (who was also Sudanese) and father. He grew up in Silver Spring, Maryland, as well as Prince George’s County, Maryland. He moved back to Washington, D.C. after high school. // In 2010, Oddisee released Traveling Man on Mello Music Group. His Odd Spring mixtape was listed on the Washington Post’s Best Local Hip-Hop mixtapes of 2010. In 2011, Oddisee released Rock Creek Park, which was ranked as a Mixtape of the Week by Stereogum. Odd Seasons, a collection of EPs released throughout the previous 12 months, was also released that year. // In 2012, he released a studio album, People Hear What They See. The Beauty in All, his first instrumental release since Rock Creek Park, was released in 2013. In that year, he also released Tangible Dream. In 2015, he released The Good Fight. In 2016, he released an EP, Alwasta, and a mixtape, The Odd Tape. In 2017, he released a studio album, The Iceberg, as well as a live album, Beneath the Surface. // Oddisee was originally influenced by Black American jazz traditions and the Golden Age of hip-hop from his older American cousins. Oddisee was primarily influenced by Black American musical traditions. Growing up next door to Parliament Funkadelic’s bass player Gary Shider in P.G. County, Maryland left a deep musical impact on the young Oddisee. He is also influenced by gospel music and the vocal harmonizing traditions of his Black American heritage. In an interview with NPR, he explained why he was influenced by early East Coast emcees such as Eric B. & Rakim, De La Soul, and A Tribe Called Quest. He stated that these rappers don’t talk about drugs or murder, and he could relate more to their lyrics.] [Oddisee played recordBar 1520 Grand Blvd, KCMO, on October 3, at 8:00pm with Approach and Negro Scoe]

102. HuDost – The Monkey in the Crown / Open Sesame Music / June 6, 2025

[HuDost’s new album, features a collection of songs that have already begun to captivate listeners, including the fiery Fire of Eden, the introspective Sol Searcher (Light Upon the Water), and the call for change in Acting Out the Outrage. These songs set the tone for the full album, which explores themes of societal breakdown, personal transformation, and collective healing. Tracks like Broken Down in America, Take It Back, and Nothing Left grapple with disillusionment, while Shine On (Knick of Time) and Mercy offer hope and reconciliation. Each song is a testament to HuDost’s unique sound—raw, authentic, and deeply connected to the human experience. // HuDost were delighted to be joined by a slew of amazing musicians on this album including drummer Chris Powell as well as SistaStrings, who both play with Brandi Carlile. They are also joined by the Jars of Clay guys; Charlie Lowell on keys, Matthew Odmark doing various magical things and two new songs written with Dan Haseltine. Singer Rachael Davis joins on a few songs with her beautiful distinctive harmonies and Kai Welch (Abigail Washburn/Kacey Musgraves/The Fray) plays on accordion & horns. Long time HuDost alumni Anit Ghosh adds his gypsy world touch on a couple of tracks. Matt Nelson contributes astonishing string arrangements. Last but not least, HuDost’s ‘5th Member’ Dan Walters, the only other person besides Moksha and JW that has played on every single record over the past 20 years, on bass! // THE MONKEY IN THE CROWN is more than just a collection of songs; it’s a journey into the complexities of identity, transformation, and choice. From the hopeful Shine On (Knick of Time) to the paradoxical Child of Children, the album invites listeners to explore the tension between illusion and truth, the sacred and the profane, the personal and the collective. It’s a call to action, to change, and to embrace our shared humanity, no matter the form it takes. // This album also marks a significant milestone for HuDost—celebrating 20 years as a band, a couple, and a family. For two decades, the partnership of Moksha Sommer and Jemal Wade Hines has produced music that is deeply rooted in their experiences as activists, parents, and musicians. Their journey has been one of artistic evolution and social engagement, building a devoted global fanbase through their powerful lyrics and genre-blurring sound. HuDost’s live performances continue to inspire, proving that music can not only entertain but also catalyze change.] [HuDost played Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Thursday May 29 at 7:00pm with Calvin Arsenia. Info at: http://www.hudost.com]

103. Cymande – Renascence / BMG / January 31, 2025

[Legendary British band Cymande release their highly anticipated new album, Renascence, via BMG. // Cymande (pronounced /sɪˈmɑːndeɪ/ sih-MAHN-day) are a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for “dove”, which symbolises peace and love;[2] “Dove” is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called “nyah-rock”.[3][4][5] The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s. Their most recent album Renascence was released in January 2025. // A true return to form and jewel in the crown of their iconic discography, Renascence picks up where their 1974 album Promised Heights left off – a spiritual and sonic follow-up, bringing a fresh modern edge to their iconic sound, which remains foundational to early hip-hop and funk scenes in the United States and UK. Renascence tells the story of a band that never fully got its due back in the day; but are back to take the crown by remaining true to themselves – politically aware, and spiritually positive with infectious grooves. // “Chasing An Empty Dream,” the first track on Renascence, beckons you back into the world of Cymande with an unforgettable grizzly bassline hook – as is their way – addictive percussion, global rhythms inspired by their diasporic origins, layered horns and a powerful message for the world. // Their new album, Renascence is a true return to form and jewel in the crown of their iconic discography and picks up where their 1974 album Promised Heights left off – a spiritual and sonic follow-up, bringing a fresh modern edge to their iconic sound, which remains foundational to early hip-hop and funk scenes in the United States and UK. Renascence tells the story of a band that never fully got its due back in the day, but are back to take the crown by remaining true to themselves – politically aware, and spiritually positive with infectious grooves. // Last year, Cymande’s unique story was told on the on big screen for the first time in the UK (via BFI) and in cinemas around the world (via Abramorama) with Getting It Back: The Story Of Cymande (Directed by award winning director Tim Mackenzie-Smith). This empowering and thought-provoking documentary shows the band’s depth of influence across decades and features interviews with Mark Ronson, Laura Lee and Mark Speer (Khruangbin), DJ Maseo (De La Soul), Jazzie B (Soul II Soul), Cut Chemist, Jim James (My Morning Jacket), Louie Vega, Kool DJ Red Alert, and so many others. Directed by Tim Mackenzie-Smith, the film debuted at SXSW in 2022 and has now traveled the world twice over. // As Total Film said in their review of the documentary ‘Tim Mackenzie-Smith’s joyous doc offers some Searching for Sugar Man-style reappraisal // Cymande (pronounced /sɪˈmɑːndeɪ/ sih-MAHN-day) are a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for “dove”, which symbolises peace and love; “Dove” is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called “nyah-rock”. The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s] Their most recent album Renascence was released in January 2025.]

104. Paul Jesse – Cycles / Fowl Mouth / August 14, 2025

[Cycles is the sophomore album from Lawrence, KS-based singer Paul Jesse. The album was written and produced by Paul Jesse. Cycles was engineered and co-produced by Deegan Poores, with additional production from Zach Craig, Justin Roach & Hannah Davis. The album is full of cascading synths, soulful vocals, and emotionally transformative subjects. The 9-track Pop record releases on August 15th, with a hometown release show the night before on August 14, at The Bottleneck. The day of the album release, Paul and his team leave for their very first tour, hitting Milwaukee, Chicago, Nashville, Memphis & St Louis, spreading the word across the midwest. To top it all off, Paul secured a feature from NYC-based artist Deem Spencer on the track “Open the Door”, very much a full circle moment for Paul and his second album, “Cycles”. More info at http://www.pauljessemusic.com]

105. Kai McGarry – Scarlett / Kai McGarry / August 1, 2025

[This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

106. S.G. Goodman – Planting By The Signs / Slough Water Records / June 20, 2025

[S.G. Goodman is an American folk and country singer-songwriter from Hickman, Kentucky. She has released three studio albums, Old Time Feeling in 2020, Teeth Marks in 2022, and Planting by the Signs in 2025, and received the 2023 Emerging Artist of the Year award at the Americana Music Association Awards. // Goodman was raised in Hickman, Kentucky. The Southern Baptist church played a central role in her childhood in Kentucky saying she went to church 3 times a week with her family. Goodman began performing by singing in church. Her father was a farmer. She has played rhythm guitar since she was 15 and been driving since she was 7 which is illegal under Kentucky state law. Her favourite guitar to use are Guild Starfires due to their humbuckers. // Goodman moved to Murray, Kentucky in 2007 to attend Murray State University, where she studied philosophy. // Prior to her solo career, Goodman started the music project The Savage Radley with drummer Stephen Montgomery, releasing their first and only album Kudzu with Slough Water Records. // Her debut solo album, Old Time Feeling, was co-produced by Jim James of My Morning Jacket. The album has been described as Americana, folk, country, and rock. She is signed to Verve Forecast Records. Tyler Childers covered “Space and Time” from Old Time Feeling on his album Rustin’ in the Rain. “Space and Time” was also covered by Devonté Hynes and Mereba for the soundtrack to the 2022 film, Master Gardener. // In 2021, as a solo artist, she was among other things part of the Newport Folk Festival in July. // In June 2022, Goodman released her second album, Teeth Marks, on Verve Forecast. She usually plays with her guitar tuned down a whole step, though some songs on the record were played in this tuning with a capo. The fifth track on the album, “If You Were Someone I Loved” deals with the opioid crisis. Because her debut album was released during the COVID-19 pandemic, Goodman did not headline a tour for the album. As such, her tour for Teeth Marks was her first solo tour. // Goodman released her third studio album, Planting by the Signs, on June 20, 2025, via Slough Water Records and Thirty Tigers in LP, CD and digital formats. // Goodman lives in Murray, Kentucky. Studio albums: Old Time Feeling (2020), Teeth Marks (2022), and Planting by the Signs.]

107. Julie Bennett Hume – The Lorelei / Julie Bennett Hume / February 9, 2025

[4 years in the making, “The Lorelei” was produced by Chad Brothers and includes musicians: Chad Brothers, Marco Pascolini, Brandon Day, Scotch Hollow, Mark Montgomery, and Ernest James. // Julie Bennett Hume has been playing and writing music for over 35 years in the Lawrence/KC area. She has played and sung in various ensembles including a blues trio, an Afro-Cuban ensemble, various string bands, a Cajun ensemble and folk/Americana duos and ensembles. Her music shows a strong Cajun, Old-time and Blues influence with a nod to some of her favorite songwriters such as Stephen Stills, Maggie Roche and Gillian Welch. Julie has released four CD’s of original music including “Late Bloomer” in 2017, “Vinegar” in 2019, “Songs of Latter Days” in 2021 with the Multiverse and “The Lorelei” coming in February of 2025. The title track of “The Lorelei” is based on the poem of the same name by the German poet Heinrich Heine and revisits the theme of the dangerous siren. Songs deal with politics, family dynamics, love and loss. Julie is also a High School teacher who teaches German in public schools. Julie also works in radio, recently serving as producer and host of the KKFI program “River City Chautauqua“. She is currently serves as host and Producer of She Talklk Wha? a women’s focused Public Affairs on 90.1 FM KKFI Saturdays at 3:00pm.www.juliebennetthume.com]

108. Lee Walter Redding – Student Loan Forgiveness Program – EP / Lee Walter Redding / July 18, 2025

[Lee Walter Redding released the single “All My Text Messages Are Verification Codes” on July 11, 2025. Lee Walter Redding released the single “It Should Be Ours” on February 24, 2025. // On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

109. Mister Water Wet – Things Gone and Things Still Here / Soda Gong / Oct. 31, 2025

[from misterwaterwet.bandcamp.com: Mister Water Wet returns to Soda Gong with “Things Gone and Things Here Still,” an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu’s work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alumni Memotone and K. Freund, into the fold. // The result is an album that feels both broader and more intimate, with live instrumentation such as piano, strings, and reeds woven into MWW’s signature lattice of hand percussion, production sleights, and slippery time signatures. Acoustic and electronic textures bend toward each other like plants angling for the same light: bowed strings blur into vaporous pads, brushed drums scatter under riffing guitars, a horn phrase lingers in the same space as a cracked cassette loop. // A tension between decay and presence – the “things gone” and the “things here still” – runs throughout the record. At times, the music evokes a chamber session refracted through waterlogged tape; at others, it recalls the afterimage of a hip-hop instrumental slowed into an oneiric haze. In the world of MWW, memory functions less as nostalgia and more as a living fabric – mutable and resonant. “Things Gone and Things Here Still” finds Iggy Romeu at his most expansive, offering up a generous record of open spaces and porous boundaries. ?/ Arranged and produced by Iggy Romeu. Mastered by Kassian Troyer. Art/design by Alex McCullough and Felix Luke]

110. Brad Mehldau – Ride Into The Sun / Nonesuch Records / August 29, 2025

[Brad Mehldau’s Ride into the Sun, Featuring the Music of Elliott Smith, out August 29 on Nonesuch Records, features performances by Daniel Rossen (of Grizzly Bear), Matt Chamberlain, Chris Thile, John Davis, andFelix Moseholm plus a chamber orchestra conducted by Dan Coleman // “Brad Mehldau is one of the most influential and acclaimed jazz pianists alive today. His many recordings feature a wide range of jazz and American popular song standards, but he is also known to interpret music that lies outside the typical jazz catalogue.” —NPR, Fresh Air // “Mehldau has forged a singular style that has not only enhanced jazz’s musical vocabulary but modernised it too.” —Mojo // “Brad Mehldau is arguably the greatest working jazz pianist. Top five, for sure.” —New Yorker // Nonesuch Records announces pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith—to be released on August 29, 2025. // Featured musicians include singer/guitarist Daniel Rossen (Grizzly Bear); singer/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio, Samara Joy) and John Davis (who also engineered and mixed the album); drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman); and a chamber orchestra led by Dan Coleman, who also conducted on Mehldau’s 2010 album Highway Rider. // Ride into the Sun’s ten Elliott Smith songs are complemented by four Mehldau compositions that he says are “inspired by, and reflect, Smith’s oeuvre.” Also included are interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, who Mehldau says, “I look at in some ways as sort of Smith’s visionary godfather.” // Recalling how he first got to know Smith and his music, which has been a regular part of his repertoire for years, Mehldau said that after years living in New York, he moved to Los Angeles “and there was this wonderful scene of singer-songwriters that was congregating at a club called Largo. That included Elliott but it also included artists like Rufus Wainwright, Fiona Apple. And then other musicians who had been around for a while would come down every Friday night to sit in on a gig that was led by Jon Brion. I played behind Elliott on his own tunes with Jon. It felt to me like a kind of renaissance in songwriting that flourished for a number of years.”
// “Elliott Smith masterfully rendered the dark/light admix not in the least through his distinct harmony,” Mehldau continues. “Specifically, he had a way of combining major and minor modes that was all his own. You hear that on the unique, captivating chord progression that he introduced on ‘Tomorrow Tomorrow’ for just a moment before the last verse of the song. I use it, extending it for my piano solo here. This kind of minor-major gambit has a long pedigree, and my own associations as a listener include the music of Schubert and Brahms, among others. // “‘Ride into the sun’ is a beautiful point in the lyric of one of the songs that we play, ‘Colorbars,’” Mehldau says. “Elliott Smith says in the original song, ‘Everyone wants me to ride into the sun.’ When I listen to music, I have a feeling that I can be in communion with somebody who is no longer in this earthly realm, like he is here. And as far as ‘riding into the sun,’ it’s maybe more of a perpetual riding into the sun with him. I don’t know… There’s something mystical there.” // Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent 21 releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases were After Bach II and Après Fauré, both released in May 2024. The albums both feature compositions by their namesake composers as well as music Mehldau wrote that was inspired by them. // Other recent recordings for the label include a solo album Mehldau recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the his interpretations of 9 songs by John Lennon & Paul McCartney and one by George Harrison.Mehldau’s memoir, Formation: Building a Personal Canon, Part I, was published in 2023.] [Brad Mehldau played the Kauffman Center for The Performing Arts, 1601 Broadway Blvd. KCMO on Thursday, October 9, 2025 at 7:30pm with Christian McBride.]

111. Chalis O’Neal – The Influence / Chalis O’Neal / May 30, 2025

[Chalis O’Neal on sax with collaborators. Saxophonist Ernest Melton, keyboardist Desmond Mason, bassist Nsikoh Bébé Làlà and drummer Jaylen Ward. Musician and performer Chalis O’Neal released his debut album, FLIRTING on November 15, 2021. Chalis picked up the trumpet at the age of eleven and began studying music at Paseo Academy of Fine and Performing Arts. Chalis majored in Jazz Studies with a minor in Classical Trumpet under the direction of Jazz legend Bobby Watson at the University of Missouri Kansas City. O’Neal’s eclectic style ranges from jazz venues to theatre work with the New Theatre Restaurant performing and acting in the The Buddy Holly Story. O’Neal also has burlesque experience with Quixotic Cirque Nouveau. Chalis is also the lead trumpeter for the Afro futuristic band, Arquesta Del SolSoul. O’Neal has performed with Bobby Watson, Harold O’Neal, Tivon Pennicott, Marcus Strickland, Lisa Henry, and David Basse. // Chalis O’Neal is the youngest brother of Harold Mujahid O’Neal who was born March 27, 1981, and is an American pianist, composer, record producer, public speaker, dancer, and storyteller. He has recorded and performed with artists in a variety of musical genres (U2, Lupe Fiasco, Busta Rhymes, Damien Rice, Aloe Blacc, and Jay Z). O’Neal has been profiled and featured in numerous publications and programs including Forbes, NPR’s All Things Considered, Fortune, Studio 360, and the 92Y, with The New York Times comparing him to Duke Ellington, Kenny Kirkland, and Maurice Ravel. He is considered to be of this generation’s greatest pianists and composers. O’Neal has been awarded fellowship to the Royal Society of the Arts, with the Patron being Her Majesty Queen Elizabeth II, and recently played a role as a creative expert for the Academy Award winning Pixar film, Soul. // Harold O’Neal was born in Arusha, Tanzania, and raised in Kansas City, Missouri. His great-grandfather, Ollie Harold Pennington, was a jazz pianist and composer for silent film in Kansas City, where his grandmother walked to school with Charlie Parker. O’Neal began playing the piano by ear at age four on his father’s miniature keyboard. He found his earliest inspirations in the music of Tom and Jerry, Looney Tunes, and Disney. While growing up, he spent a considerable amount of time with his grandmother exploring various creative outlets, before eventually becoming a pianist. Having spent much of his youth living in the projects (Public Housing) and surviving near-death experiences, he credits music with saving his life. O’Neal attended the Paseo Academy Of Fine And Performing Arts, with classmates Logan Richardson, Lil’ Ronnie, and Brian Kennedy, where he began his jazz piano studies while being mentored by Ahmad Alaadeen. He studied classical piano and composition with Margie Cameron-Jarrett, whose musical lineage can be traced back to Franz Liszt. // O’Neal began working with musical luminaries from a young age – touring with Bobby Watson when he was 19 after studying composition at the Berklee College of Music. He then went on to the Manhattan School of Music, to study with Kenny Barron. It was there where he met the great American jazz pianist and composer, Andrew Hill, with whom he soon became the apprentice of. Mr. Hill was an apprentice of prolific composer Paul Hindemith. Following Andrew Hill’s advice, O’Neal left the Manhattan School of Music to replace pianist Jason Moran in the influential band, the Greg Osby 4, making his major-label debut recording for Blue Note Records at the age of 21. In 2004, O’Neal premiered a jazz quartet featuring Greg Osby, Jeff “Tain” Watts, and Matt Brewer. // In the following years, O’Neal released a number of critically acclaimed albums including — “Charlie’s Suite” (2006), which was a compilation of his family’s legacy, “Whirling Mantis” (2010) with a jazz quartet, and a solo piano album “Marvelous Fantasy” (2011) on Smalls Records. He then partnered with Ski Beats and Damon Dash, after being signed to Universal Music Group as a songwriter and producer, to release the albums 24 Hour Karate School 2 (2011), Twilight (2012), and Cam’Ron And Vado’s Blu Tops (2012). In 2012, O’Neal formed a partnership with producers Lil Ronnie and Jerry Wonda working with many Pop and R&B artists (Miguel, Akon, Melissa Ethridge, Raphael Saadiq, French Montana). In 2013, he released the album “Man on the Street” featuring a jazz quartet as well as solo piano for BluRoc, an at the time incarnation of Rocafella Records distributed by Def Jam Records. // O’Neal worked as a composer for a featurette and the documentaries of the 2015 Disney film Tomorrowland produced by Academy Award winning filmmaker Anthony Giacchino, which starred George Clooney and Britt Robertson. The film was directed by Brad Bird with the film-score being composed by Michael Giacchino. His solo piano album “Piano Cinema” was released in May 2018, with “Sam and Sam” serving as the lead single. Following the album release, O’Neal completed a spring tour across the U.S. with The Blk Shp with Pixar as a partner. Recently, at the suggestion of Ed Catmull, O’Neal played a role with the filmmakers (Pete Docter, Dana Murray, Kemp Powers) as a creative expert in the development of Pixar’s Soul. // As a keynote speaker and storyteller, O’Neal has been featured at Google, The World Economic Forum, TEDX, Hatch Experience, C2 Montréal, Blk Shp Power Shift, and many other leading platforms.// In 2019, O’Neal was among the 100 international individuals selected to be a Gates Foundation Goalkeeper. Goalkeepers (Gates Foundation) is an initiative of the Bill and Melinda Gates Foundation. Its aim is to bring together leaders from around the world to accelerate progress toward achieving the United Nation’s Sustainable Development Goals (SDG). Invitations are issued to global leaders and aspiring personalities who have been personally selected by the board. Previous attendees include Barack Obama, Emmanuel Macron, Amina J. Mohammed, Erna Solberg, Malala Yousafzai, and Trevor Noah.// In 2019, O’Neal was awarded fellowship to the Aspen Institute’s Aspen Ideas Festival, a week-long event held in Aspen, Colorado in the United States. The Aspen Ideas Festival program of events includes discussions, seminars, panels, and tutorials from journalists, designers, innovators, politicians, diplomats, presidents, judges, musicians, artists, and writers. Topics covered during the festival include global politics and economics, U.S. Policy, the environment, technology, science, health, education, the arts, and economic issues. // In 2019, O’Neal was awarded fellowship to the Royal Society of the Arts. Founded in 1754 by William Shipley, it was granted a Royal Charter in 1847, and the right to use the term “Royal” in its name by King Edward VII in 1908. Notable past fellows include Charles Dickens, Benjamin Franklin, Stephen Hawking, Karl Marx, Adam Smith, Nelson Mandela, David Attenborough, William Hogarth, John Diefenbaker, and Tim Berners-Lee. Today, the RSA has fellows elected from 80 countries worldwide.// NPR All Things Considered: The Yule Log (TV program), Pianist Harold O’Neal and Bill Cosby’s Christmas story On December 25, 2011, O’Neal was featured along with Bill Cosby for the Christmas Day edition of NPR’s All Things Considered, with O’Neal being hosted and interviewed by Guy Raz. // Electric Burma On June 18, 2012, O’Neal performed with U2, Lupe Fiasco, Bob Geldof, Damien Rice, Angelique Kidjo and many other major artists for the presentation of Amnesty International’s prestigious ‘Ambassador of Conscience’ Award to Aung San Suu Kyi. The award was originally announced from the stage when U2 played Croke Park in July 2009 – while the Burmese Nobel Peace Prize recipient was still under house arrest in Burma. // Global Citizen: World on Stage On 22 September 2016, O’Neal performed with Aloe Blacc and Maya Jupiter for The Global Citizen Festival’s The World on Stage, a night curated by Tom Morello and Jon Batiste. The evening was dedicated to several prominent speakers who addressed various causes—such as education, the refugee crisis, gender equality, poverty, hunger, and much more—and the presentation of the inaugural George Harrison Global Citizen award, presented by Paul Simon to Olivia and Dhani Harrison (George’s widow and son). // On December 4, 2018, Herbie Hancock received the prestigious Benjamin Franklin Medal (Royal Society of Arts) from the Royal Society for the Arts at the Annenberg Center for the Performing Arts in Philadelphia, Pennsylvania—being recognized for his long lifetime of creative achievements and humanitarian efforts. The 264-year-old Royal Society for the Arts, based in London, includes Franklin as a founding fellow and initiated the Benjamin Franklin medal in 1956 to honor people who transcend their vocation to generally benefit mankind. The ceremony featured bassist Christian McBride and pianist O’Neal as guest star performers, each musically representing the electric and acoustic side of Hancock’s legacy. // In 2009, O’Neal appeared as an actor in Jay Z’s music video for the hit record Young Forever, from his multi-platinum album The Blueprint 3. In 2010, he was cast in the HBO television series Boardwalk Empire, portraying James P. Johnson. He was also featured in MTV’s Sucker Free. // Chalis O’Neal is the nephew of Felix Lindsey “Pete” O’Neal, Jr. (born 1940), was the chairman of the Kansas City chapter of the Black Panther Party in the late 1960s. He led implementation of many free programs, such as providing free breakfast to children around the city. // O’Neal had trouble with authority figures in high school and dropped out. Soon afterwards, he joined the military, following the steps of his father. Once done with service, he moved to Stockton, California, where in 1959 he was sentenced to 9 months in jail for theft. He escaped from jail after 3 months, traveling back to Kansas City, MO. In 1961, law enforcement caught him and he was sent back to California to serve his remaining sentence. // After completing his sentence, the felony should have been cleared as indicated by Californian law, but it was not. This significantly hindered his chances for employment. // On October 30, 1969, he was arrested again for the transporting of a gun across state lines (under a law that went into effect just two weeks prior to his arrest). A year later a court convicted him and in October 1970, he was sentenced to four years in prison. O’Neal jumped his bail and fled to Algeria, where a number of other Black Panther Party members had also absconded to in the face of imprisonment in the United States. This group became known as the “International Section” of the Black Panther Party, and was centered around Eldridge and Kathleen Cleaver. A year later O’Neal moved on to Tanzania, motivated to immigrate there as the then President of Tanzania, Julius Nyerere, was both a Pan-Africanist and Socialist. O’Neal has remained in Tanzania ever since. // Together with his wife, Charlotte Hill O’Neal, he is the co-founder of the United African Alliance Community Center (UAACC) in the village of Imbaseni, near the northern city of Arusha, Tanzania. The UAACC is a center focusing on healing the community by providing a diverse array of free art, music, film and other classes to members of the community. The UAACC also serves as a hostel for people travelling through the area—offering several “huts” with bunk beds. The center has been frequented by several celebrities, American politicians, study abroad programs, students, documentary film makers, and artists. Pete and Charlotte provide numerous jobs to locals of the community and the center is entirely run by local Tanzanians. // O’Neal’s family still resides in the Kansas City area. He is a third cousin to US Representative Emmanuel Cleaver. Since 1991, Cleaver and others have unsuccessfully attempted to obtain a pardon for O’Neal, and took the issue to both President Bill Clinton and President Barack Obama. Both declined to pardon O’Neal. // His life and exile in Tanzania is the subject of the PBS documentary ‘A Panther in Africa’, by Aaron Matthews, and a book ‘Black Panther in Exile: The Pete O’Neal Story’ by Pete’s attorney, Paul J. Magnarella. Chalis O’Neal joined us LIVE on WMM on October 20, 2021.]

112. Rude Cousin –Rude Cousin / Rude Cousin / September 25, 2025

[Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.][Rude Cousin played an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave.]

113. Deerhoof – Noble and God Like in Ruin / Joyful Noise Recordings / April 25, 2025

[For a band that seems to thrive on collapse, it’s simply amazing that this US/Japanese quartet is now celebrating their 31st year. Though Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth—and if you think that’s hyperbole, you haven’t spent enough time listening to Deerhoof —the furiously inventive quartet releases new albums on the schedule of a young band still hungry for its first break. As Noble and Godlike in Ruin reaffirms, each one discovers some previously unknown combination of candy-coated hard-rock riffs and free-jazz percussive freakouts, sideways J-pop hooks and fearsome dissonance, trenchant social commentary and surrealist humor. This music is joyful and foreboding, cybernetic and deeply human, carrying an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. Fronting it all is Satomi Matsuzaki’s inimitable alto, whose plainspoken calm can seem strangely outside of the band’s maelstrom. Deerhoof is defined by such paradoxes. // Written, played, recorded and mixed by: Satomi Matsuzaki, Ed Rodriguez, John Dieterich, and Greg Saunier, Except “Under Rats” by:Deerhoof and Saul Williams. Band and face photos by: Satoru Eguchi. Face collage by: Satomi. // Deerhoof are an American independent music group formed in San Francisco in 1994. They currently consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine “noise, sugary melodies, and an experimental spirit into utterly distinctive music” (AllMusic). // They have released eighteen studio albums since 1997. Their most recent album, Actually, You Can, was released on October 22, 2021. // Deerhoof were formed in San Francisco in 1994 as Rob Fisk’s improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later. They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival. Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof’s singer only a week later, opening for Caroliner. Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape. // Deerhoof’s style has been described as indie rock, noise pop, punk rock, and “experimental pop mired in a pure punk sense of adventure”. AllMusic characterizes them as “highly revered indie rockers … who play fractured, whimsical noise pop with an avant-garde edge”, while MaineToday describes them as “the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll”. // According to Noisey, Deerhoof formed as a “minimal noise improv” act before shifting to “pop-infused noise-punk”. According to AllMusic, their early releases “had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts … [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s.” Impose writes that since “their beginnings as a noise punk band … [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could’ve never imagined … [and] ultimately [proving] that punk can fit into an artistic world.” According to the Los Angeles Philharmonic, they made “some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock’s most renowned and influential groups … too ‘pop’ for ‘noise,’ and too ‘noise’ for ‘pop.'” For The Guardian, their breakthrough after many albums of “elliptical art-pop” came with Friend Opportunity, which showcased “a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. … [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world. Deerhoof also experiment with contemporary classical music. // The band has been appreciated by and/or influential to other artists, notably David Bowie, Radiohead, Questlove, St. Vincent, Foo Fighters, Dirty Projectors, Tune-Yards, Stereolab, Henry Rollins, Sleigh Bells, and of Montreal. Deerhoof’s songs are covered often by other artists, notably Phil Lesh, Los Campesinos!, Marco Benevento, David Bazan, and classical composer Marcos Balter.][Deerhoof played the Play Loud Fest celebrating 20 years of recordBar, on Sept. 27 on the Lemonade Park Stage, with Frogpond, and Paris Williams.]

114. Gigi Perez – At the Beach, in Every Life / Outahere / April 25, 2025

[Gigi Perez has announced her debut full-length album. The record is called At the Beach, In Every Life and is due out April 25. It includes Perez’s breakout single, “Sailor Song.” // “This is the album I needed to listen to when I was twenty years old following the passing of my older sister, Celene,” Perez says. “It’s taken years to process, and seeing how it’s colored everything in my life, it feels like a flag down in the sand at a checkpoint rather than a destination. And there was water everywhere for miles, and a girl met me there every time. I have been loved through my grief.” // Perez will launch a U.S. headlining tour April 23 in New York City. Her 2025 schedule also includes dates opening for Hozier and Mumford & Sons.Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”.]

115. T.A. Rell – Love Pages: Pt. 1 – EP / T.A.P. OUT Music / March 27, 2025

[Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others.]

116. Yukimi – For You / Ninja Tune / March 28, 2025

[Debut solo album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon. “Peace Reign” was the first single. A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi. Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin. Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]

117. Yuno – ” Blest / Sub Pop Records / May 16, 2025

[Debut album from Yuno. All songs on Blest were written and performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, & guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta. // Yuno was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music. // “The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater, famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?'” // Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno. // In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand. // “He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.” // That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings. // By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!” // As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician. //Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.]

118. Keelon Vann – T H I R D (•) / Keelon Vann / May 23, 2025

[Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]

119. Hotline TNT – Raspberry Moon / Third Man Records / June 20, 2025

[Hotline TNT is an American rock band from New York City. The band is fronted by singer and guitarist Will Anderson, who writes and records all of their music and performs live with a rotating lineup of musicians. Their style is characterized by Anderson’s wall-of-sound layering of distorted guitars and is often described as shoegaze. Hotline TNT have released three full-length albums, Nineteen in Love (2021), Cartwheel (2023) and Raspberry Moon (2025). // Prior to the formation of Hotline TNT, Will Anderson was previously a member of a number of small indie rock bands, such as Happy Diving and Crazy Bugs. He most notably moved on to the Vancouver-based duo “Weed”, where he released three studio albums between 2011 and 2017. Upon spending most of his twenties in local rock bands, he began to feel burned out, wondering if he should quit and focus on other aspects of his life. Additionally, his parents divorce and his pursuit of his Master’s Degree in education took away from his focus on music. However, every time he began to seriously consider the change, he still found himself tinkering around with guitar riffs in his free time, unable to step away from music. In 2018, he decided to form his a new musical group, Hotline TNT. He established Hotline TNT as a band; he would be the sole constant member, while working with a rotating collection of other band members. Anderson refuses to disclose the meaning of the band’s name; he states that he and the original band members he worked with made a vow not to publicly disclose it. // A series of EPs were recorded and released by Anderson between 2018 and 2019: Cool If I Crash, Fireman’s Carry, and Go Around Me. Moving into 2020, Anderson had secured a tour as the opener for indie musician Snail Mail, but the breakout of the COVID-19 pandemic cancelled the plans. Instead, Anderson would work on recording a song called “Stampede” for a local COVID charity compilation release, and with all of the downtime that came with the pandemic, proceeded to record the band’s debut studio album, Nineteen in Love. The album was recorded entirely in GarageBand, without using any guitar amps or drum sets. The album was released in late 2021; initially exclusively on YouTube as one long video, where individual tracks could not be chosen. This was done both as a statement on how music streaming services were hurting the industry, and as a way to force listeners to play the entire album rather than just single songs. Anderson conceded it led to mixed results; it helped create a dedicated fanbase, but generally did not help with finding new listeners, and was eventually made more widely available. The band toured extensively in support of the album the following year, alongside self-releasing another EP, When You Find Out. // While touring in 2022 with Island of Love, the band became in contact with reps with their record label, Jack White’s Third Man Records, who expressed interest. Upon the conclusion of the tour, and another one with Snail Mail, the band started getting approached by other record labels as well. Anderson was initially apprehensive to signing to a record label; he was used to more of a do it yourself work ethic, and was sensitive to accusations of “selling out” that often come with it. However, he was eventually persuaded, largely upon learning that Sheer Mag, a band he was both friends with and respected musically, was also signing with Third Man. Anderson met with the label, who responded favorably to the demos he was working on. Upon learning that they would also offer him the most creative freedom in his music, and a path that would allow him to focus his efforts entirely towards his music, he eventually signed to the label. // Prior to signing the label, Anderson had already completed some amount of work on a second studio album. Some songs, such as “Protocol” and “History Channel”, were complete enough to enter regular rotation on the band’s live setlists. Others were written entirely in the studio. Leading up to their second album, the band released another EP in April 2023, Spring Disco, which included a song left off the second album, “If We Keep Hanging Out”. In November 2023, the band released their second full-length album Cartwheel. Cartwheel was named “Best of the Week” from Paste magazine, and also received “Best New Music” distinction from Pitchfork. The band plans on spending much of 2024 touring in support of Cartwheel, including shows in North America, Europe, and Japan. Anderson states that he has also has already started early work on a third studio album, which will be the first to feature a live drummer rather than a drum machine. He aims to record it in between the band’s busy touring schedule. // In July 2024, the band released a remix EP titled Somersault. The five song release featured electronic-leaning remixes from five separate artists – They Are Gutting a Body of Water, DJ Sabrina the Teenage DJ, Poisonfrog, Downstairs J, and Car Culture. In November 2024, the band released an expanded version of their compilation album Trilogy, which collected many of the songs off of their earlier EP releases, bundled with 2 previously unreleased songs from the era. // In April 2025, the band announced the name of their third studio album, Raspberry Moon, and its release date, June 20, 2025. // Hotline TNT’s music has commonly been described as shoegaze, alternative rock and noise pop. Much of the band’s music involves a dense wall of sound of distorted guitar. Anderson records and layers the guitar himself in the studio, and then recreates the sound live with a three guitar approach done by himself and two touring guitarists. Anderson writes all the lyrics, which generally are themed about interpersonal relationships of his, both romantic and platonic. He commonly drops names in songs, something he believe help make song more memorable and relatable, though he concedes he generally changes names to protect the anonymity of the song’s subjects. // Despite commonly being labeled as shoegaze by critics, Anderson noted that many music fans dispute whether the band falls into the genre, something he feels indifferent about. Anderson said of the shoegaze label: “I think ‘shoegaze’ is now kind of similar to what the word ‘indie’ became like 10, 20 years ago. It doesn’t describe a genre anymore. It’s more of a large umbrella for guitar-based music, or music with distorted guitars. Sometimes they’re kind of bendy or going in and out of tune a little bit. Sometimes the vocals have a little more reverb, but that doesn’t describe Hotline necessarily…It’s just the way language works and trends work. To go back to the beginning, I had a pretty typical journey myself of hearing Loveless by My Bloody Valentine when I was in 10th grade. It had a pretty big effect on me, as it did with many other people. A couple of years after that, I started making my own music and that was one of the big influences on it.” // Contrary to many shoegaze and guitar-based bands, Anderson places little emphasis on his guitar set up and gear. He describes the band as “anti-gear” – they don’t use guitar pedals, and place no emphasis on what guitar amps used.” // Band members: Will Anderson on vocals, guitars (2018–present); Lucky Hunter on guitars (2024–present); Haylen Trammel on bass (2024–present); and Mike Ralston on drums (2023–present)]

120. Jenny Hval – Iris Silver Mist / 4AD / May 2, 2025

[Jenny Hval was born July 11, 1980, in Oslo, Norway. She is a Norwegian musician, singer, songwriter, lyricist and writer. // Iris Silver Mist is the ninth solo studio album by Jenny. Musically, Iris Silver Mist is as an experimental and art pop recording. Iris Silver Mist is named after a fragrance created by perfumer Maurice Roucel for the French brand Serge Lutens. // During the early months of the 2020 COVID-19 pandemic, Norwegian musician Jenny Hval revisited a teenage fascination with perfume. This sensory interest gradually evolved into a new creative framework, as scent became a substitute for the intimacy and immediacy of live music. Central to this shift was the fragrance Iris Silver Mist by Maurice Roucel for the French perfume house Serge Lutens. Hval described the scent as evoking the sensation of being “close to ghosts”, and its themes of transformation and ephemeral presence would later inform the album that took its name. Hval announced their ninth album, Iris Silver Mist. Many of the tracks on Iris Silver Mist were initially introduced during Hval’s 2024 live performance series I Want To Be a Machine. // Jenny Hval has released nine albums under her own name – two under the moniker Rockettothesky. In 2015, Hval released her fifth studio album, Apocalypse, girl, to widespread critical acclaim. The following year, she released Blood Bitch (which was part of WMM’s 117 Best Recordings of 2017), a concept album influenced by vampires, menstruation and 1970s horror films. Blood Bitch has been described as “an investigation of blood,” Blood Bitch is a concept album which draws parallels between a fictional time-travelling vampire, named Orlando, and Hval’s own experiences touring her previous studio album, Apocalypse, girl. The album’s lyrical content is also influenced by 1970s horror and exploitation films and Virginia Woolf.]

Note: The text in this list is a collage and “cut & paste” of information from artist’s websites, press releases, event info, wikipedia, social media pages, BandCamp, liner notes, and where noted. It is meant to share as much info we could scrape together for each week’s playlist.

Wednesday MidDay Medley – Wednesdays 10 to Noon on 90.1 FM KKFI – Kansas City Community Radio – 22 years – Produced, Engineered, Hosted by a community activist and volunteer – LIVE – All Genre – Free Form – Local…Area…MidCoastal Releases – New Releases – New National Releases – Guest Producers – Festival Features – Musical Tributes – Interviews – yes lots of Interviews with musicians, artists, performers, writers, record labels, radio people, record store owners, music nerds, organizers! Wednesday MidDay Medley is a service to the community. WMM is not about ego or ownership. WMM’s objective is a commitment to telling the story of our area musical community – a commitment to equality in representations of voices both masculine and femme, and in between, and on the spectrum, the rainbow (which includes all), proudly spotlighting trans and queer, and punk sensibilities, and original voices. While each week we break open New MidCoastal Releases, we do have a special place in our heart for Big Mama Thornton, Little Richard, Nina Simone, Joni Mitchell, Marvin Gaye, Aretha Franklin, Herbie Hancock, John Lennon, Paul McCartney, George Harrison, Ringo Star, Mavis Staples, David Bowie, The Velvet Underground, Kraftwerk, Patti Smith, Sylvester, Karen Carpenter, Prince, John Prine, The Cure, Iris DeMent, Krystle Warren, LaBelle, Curtis Mayfield, Brian Eno, Laurie Anderson, Radiohead, Kim Gordon, Brian Jonestown Massacre, and more.

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Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 3, 2025

Michelle Bacon’s Favorite Releases of 2025 +
Wednesday MidDay Medley’s Favorite 15 Singles of 2025

10:00 – Top 15 of WMM’s Favorite 50 Singles of 2025.

In our first hour we count down WMM’s Favorite 15 Singles of 2025. In 2025 there were over 1675 local releases in Albums, EPs, & Singles…that we know of. Every week we have culled from these releases to bring you our show that features New & MidCoastal Release. Artists that live here in the MidCoastal area. 2025 was a year loaded with over hundreds of single releases. The tracks we are featuring today are WMM’s Top 15 of our 50 Favorite Singles of 2025. Our complete list can be found at http://www.wednesdaymiddaymedley.org

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. (#15.) Marmoppes – “4×10 = 75″
   from: “4×10 = 75” – single / Big Nip Records / June 25, 2025
   [The band premiered this single when they played live on our show on June 25, 2025. Since the Spring of 2024 Marmoppes have released six new singles. “Lightbulb” on October 1, 2025 / “4×10” = 75 – June 25, 2025 / “Nos” – March 23, 2025 (Big Nip Records) / “Gyatt Time” – Sept. 20, 2024 / “Yr Chemical” – April 28, 2024 / “Butterfly” – March 17, 2024 / “Cerulean Blue Truffle Pig” – September 5, 2023. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. // Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio. // J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show. // Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels. // Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest release his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. //More info at: https://linktr.ee/marmoppes%5D

3.(#14.) Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!”
from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025
[Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ]

4. (#13.) LyMerrick – “Medicine”
   from: “Medicine” – Single / LyMerrick / October 3, 2025
   [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released the singles: “Broadway” with Ikey Suave feat. TOP MEECH; Ephemeral”- EP on October 1, 2024; Singles: “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwalker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Song” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled debut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]

5. (#12.) Run With It – “X2myY”
   from: “X2myY” – Single / Run With It / November 12, 2025
   [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // Run With It is on a new path dropping one new song a month and are fully self-producing as well. in October they released the single, “Darkest Days.” // In 2024 Run With It released their the singles: “Ghost Like You” on September 13, 2024; “Nightwatch” on August 21, 2024; and “It’s Not Over (feat. The Royal Chief) on April 10, 2024. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on February 12, 2025 and October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 201, recorded with producer Josh Gleave. // http://www.runwithitband.com]

6. (#11.) Stephonne – “Worship at the Chappell”
   from: “Worship at the Chappell” – Single / Glory Blue Music / August 15, 2025
   [Co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne is an Alternative/Genrequeer singer-songwriter, cultural producer, and generative performing artist from Kansas City, MO. They synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases since 2015. Bold new 2025 singles and videos continue to push boundaries! New experiences, both sonic and visual, await us from the upcoming sophomore LP, STEPHONNE. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think its Gonna Be Alright” I April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. // Stephonne was on WMMon Sept 10, 2025 before his run in RENT playing Angel for Music Theatre Heritage. More info at: http://www.stephonne.com]

7. (#10.) Keo & Them – “Eyesore”
   from: “Eyesore” – Single / Midtopia / March 14, 2025
   [The new single marks a sonic departure from previous Keo & Them releases, something bandleader Keo notes is by design and a welcome change from previous material from the group. // Keo & Them released their single “Fire”on March 15, 2024. // Keo & Them released their 7-track album, THIS TIME AROUND on October 28, 2023. // When Neo-soul meets funk, meets R&B, meets pop, meets hip hop & even rock sometimes. Keo & Them released the single “Fool Me Once” on October 6, 2023 on Midtopia. Leo & Them released the three song single “Don’t Say” with “Be Still” and “Money Grooves (feat. Greg Spero)” on June 2, 2023 on Midtopia. And earlier “Money Grooves (feat. Greg Spero)” was release by itself on March 2, 2023. For Wichita-based, Texas-raised singer/songwriter Keo, making music is as much about the one creates and the songs one writes as it is about making deeper connections with the other people partaking in an artistic journey. From the unique flavors, perspectives, and performances they each contribute, Keo finds the “Them” that brings her project Keo & Them full circle. // First formed and conceptualized by Keo in 2018, the collective consists of Keo and a revolving door of musicians and collaborators, each of whose contributions would leave an indelible mark on the project’s ever-adapting sound that merges the worlds of 70’s pop and R&B with the moody glow of contemporary neo-soul and beyond. For Keo, the project’s sole constant member, the fluid line-up allowed her to become immersed and acquainted with a Wichita music scene she was completely new to and overwhelmed by. Through meeting, jamming, and performing with the Kansas town’s tight-knit and eclectic music scene in which Keo found something akin to a family. More info at: https://linktr.ee/keoandthem [Keo & Them played Outer Reaches Fest, on Sat, Oct. 14 at recordBar.]

8. (#9.) They’re Theirs – “Midland Empire”
   from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
   [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.] [They’re Theirs played the Play Loud Fest Thurs, Sept. 25 for the Pre-Party on the recordBar Main Stage with Post Sex Nachos, and Malek Azrael & The Vibes at 1520 Grand Boulevard, KCMO.]

10:27 – Underwriting

9. (#8.) Lava Dreams – “Thirsty”
   from: “Thirsty” – Single / Lava Dreams / September 12, 2025
   [Written by Lava Dreams and Spencer Hoad and produced by Spencer Hoad. Lava Dreams (she/they) is a queer, multidisciplinary artist, performer, and songwriter based in Kansas City, Missouri – who’s been writing music for as long as they can remember. / Flourishing dreamy vocals, vulnerable lyrics, and visceral rhythms- hooking listeners through catchy melodies and electric performances – Lava Dreams is quickly becoming a striking figure in the Alternative Pop scene. / Her 2020 project “GOOD ENERGY + FOCUS,” was praised by 909 The Bridge as one of the best EPs of that year. Since then, Lava has written and released a series of evolving singles – the latest of which is an alternative pop-rock anthem called YOUR WARRIOR. She directed and starred in the music video that accompanied its release. / Lava Dreams is dedicated to writing songs that lift the spirit and connect to the soul. Lava Dreams released the single, “Thrill Ride” on July 1, 2022. Lava Dreams released the single “Driver” on May 24, 2024. Lava Dreams released the single “Your Warrior” on August 9, 2024. You can listen to Lava Dreams everywhere you stream music. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Lava Dreams (Julia Hamilton) is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. More Info at: LavaDreamsMusic.com] [Lava Dreams played Apocalypse Meow 18, Saturday, November 1, at recordBar, with: Steddy P, Betse & Clarke (Electric), and Nathan Corsi & My Atomic Daydream.]

10. (#7.) The Whips – “Together in Agony”
    from: “Together in Agony”- Single / Midtopia Records / November 14, 2025
    [From Music-News.com: Kansas City-based rock band The Whips – featuring singer-keyboardist Max Cooper (fresh from a four-chair turn on NBC’s The Voice and a spot on Team Michael Bublé), guitarist and co-vocalist Max Indiveri, bassist Quinn Cosgrove, and drummer Miles Patterson – return with “Together in Agony,” out now. The single previews a new slate of material the band will roll out with Wichita’s independent label Midtopia early next year. // Written by Indiveri and recorded in the band’s 10×10 bedroom studio, “Together in Agony” lives in the tension between comfort and self-respect – “the kind of relationship you know is breaking,” he says, “but you’re still in it because you’re scared to start over.” The track builds from quiet reflection to a cathartic climax, mirroring that internal tug-of-war. It’s an early glimpse of a band coming into its voice, unafraid to sit in the feeling and let the lyric breathe.If you know The Whips from the internet, that tracks. Early on, they were the kids ripping through call-and-response solo battles and left-turn funk covers that exploded on TikTok and Instagram. One clip meant for friends woke up to a million views; another hit five million. What started as a handful of posts between college classes turned into a full-blown community of fans who connected with the band’s mix of humor, skill, and heart. The growth was real, but so was the risk of being seen as “the TikTok band.” They leaned into what felt authentic instead – community, curiosity, and the joy of playing without pretense. Those same fans now show up in person, singing along and hanging after shows like it’s a reunion with old friends. // The group’s story goes back to a Kansas City school bus, where Cosgrove and Patterson decided to start a band. Indiveri joined with a songwriter’s ear and a sharp melodic sensibility, and an Instagram search led to Cooper, whose recent Voice run (four chairs, Team Michael Bublé) has given the band an extra spotlight without shifting its center of gravity. Through it all, The Whips have remained what they were from the start – four friends figuring life out in real time and writing songs that capture the process. // “Together in Agony” marks the start of a new chapter for The Whips – one defined by honesty, self-production, and a growing sense of creative independence. The band plans to release more music with Midtopia early next year as part of a slate of projects highlighting emerging Midwestern artists under the label’s Buy Before You Stream initiative, which gives fans a physical connection to new music before it hits streaming platforms.// The Whips released their 12 track debut album HOW TO HOLD A GRUDGE on Lotuspool Records on September 1, 2023, Recorded with Audio Engineer Chris Cosgrove. the album features an array of their favorite local musicians guest in various tracks including: Malek Azrael, Anna Duntz, Atomic Blonde, Die Jane, Tre’ Mutava, Lymerrick & Lucy Brock. // The Whips released their EP STARDUST & MOTOR OIL on Midtopia Records on August 2, 2024. It was part of WMM’s 120 Best Recordings of 2024. The Whips released their single, “Begin Again”on February 2, 2024. The Whips released their single, “As Long As You Want Me” on March 8, 2024. The Whips released their 6-track Debut EP, NEVER CHANGE, OR DO on August 20, 2021 on Draft Crew Records. The Whips released multiple singles in 2021. // More info at: ww.thewhipsband.com]

11. (#6.) Lucy Gray – “Purple Skies”
    from: “Purple Skies” – Single / Lucy Gray / July 25, 2025
    [Music & Lyrics by Lucy Gray Hamilton. Vocals, Ukulele by Lucy Gray Hamilton. Bass, Guitar & keyboards by Gregory Gagnon. // Lucy Gray released the single “Sixteen and Happy” on May 24, 2024. Produced by Gregory Gagnon- ShapeNote Studios & Robert Rebeck- Westend Recording Studios (Kansas City, MO). This recording was made possible by the Heartland Song Network and Gregory Gagnon of ShapeNote Studios. // ‘sixteen & happy” for me is a lot of things. It’s being sad on your birthday. It’s how crushing it can be when someone you were once so close with isn’t around anymore. It reveals how hard it is to acknowledge true feelings and how it can take time to express them. My deepest gratitude to Heartland Song Network and Greg Gagnon at ShapeNote Studios for making this recording possible!” – Lucy Gray // SONGWRITER, COMPOSER, MULTI-INSTRUMENTALIST – Lucy Gray grew up performing on festival stages from the young age of 7 while studying classical & fiddle style violin. By the age of 9 she was performing her own original songs leading her to 4 awards for songwriting & composition, invitations to speak at events, repeated radio spins, tv appearances & most recently a grant to record her latest single! ]

12. (#5.) Shy Boys – “Upperclassmen”
    from: “Upperclassmen” – Single / Polyvinyl Record Co. / September 16, 2025
    [Written by Collin Rausch. Engineered by Ross Brown. Mixed by Ross Brown. Mastered by Mike Nolte
    Recorded in Kansas City, KS.With additional vocals by Sadie Rausch. From Polyvinyl Record Co. “The energetic single, “Upperclassmen,” is a freewheeling anthem for the underdog that rides high upon bright jangle-pop verses, and charming vocal harmonies led by the commanding falsetto of singer / guitarist Collin Rausch. // Capturing Shy Boys’ ever so gentle punk proclivities, “Upperclassmen” is charged with nimble guitars that evoke the early 80s spirit of South Bay SST bands like Minutemen and Descendents. // Meanwhile, Kansas City artist Diyana Shipp’s beautifully detailed cover illustration of two leaping ‘letter-jacket jocks’ (who will undoubtedly “kick your ass”) calls to mind the iconic pen and ink contrast work of Raymond Pettibon. // Saved by the bell, yet again, “Upperclassmen” gets in and out quicker than you can make it to homeroom. “ // Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Members of Shy Boys represent the bands: The ACBs, Ghosty, The I’ms, Fullbloods , and Koney. The group formed shortly after Collin Rausch, Kyle Rausch and Konnor Ervin became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. Soon the band became a 5-piece. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. Shy Boys release Bell House on Polyvinyl Records on August 3, 2018. Shy Boys released their third album Talk Loud on Polyvinyl Record Co. on September 25, 2020. More info at: http://www.shyboys.com]

13. (#4.) REVISER – “DEAD EYES”
    from: “DEAD EYES” – Single / REVISER / October 16, 2025
    [“DEAD EYES” is Goth-Pop. A musical bit of sour bubblegum in the vein of the poppier side of The Cure, with guitars at the forefront spilling melancholy melodies that chime and angle around a dancey drum machine, a catchy bass-line, and moody organs for good measure. Lyrically, “DEAD EYES” is an anti-love-letter, a tale of a long-suffering narrator realizing the mistreatment they’ve endured as a result of their abuser’s lack of a soul…// Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Tones on Tail, REVISER sounds complimentary to such contemporaries as Actors, House of Harm, and Traitrs. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. // REVISER is: Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, and Dawn Don (of The Bad Ideas) singing with Krysztof. This is the 5th single from REVISER who released”CELESTINE” on February 28, 2025, “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.] [Re:vis:er opened for Lene Lovich, the Post-Punk/New Wave icon who could count John Lennon and Frank Zappa among her fans, is set to return to the US for the first time in 18 years with a show at recordBar, 1510 Grand Blvd KCMO., next week on Wednesday, November 5, 2025]

14. (#3.) Ivory Blue – “Echo”
    from: “Echo” – Single / IVORY BLUE / September 5, 2025
    [What IVORY BLUE says: “Echo” is about the energy in the world and how we get back what we put into it. The theme came to me when I was in the hospital, listening to stories from all kinds of people who were there. Our situations were different, but we were part of the same community striving for the love and connection we all deserve. I wanted this song to capture the echoes of our actions, our struggles, and our hopes all returning to use like a gift from above.” // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Mirrors” on August 1, 2025. //IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]

15. (#2.) Various Blonde – “Silent Partner”
    from: “Silent Partner” – Single / Various Blonde / April 11, 2025
    [One of three new singles released in the last few months from Various Blonde. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]

16 (#1.) Kemet Coleman –”Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version]

from: Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version] –Single / Kemet Creative (Vine Street Records) / October 24, 2025
[Nearly a decade after “Get Out” helped launch KC’s streetcar, Kemet Coleman returns with “Stay In Yo Lane”—the bold, brass-fueled anthem for KC’s $600M Main Street Extension. // The KC Streetcar teamed up local musician, artist and business owner, Kemet Coleman, to create an original song and music video to celebrate the opening of the KC Streetcar Main Street Extension. // The original song and video, “Stay in Your Lane,” premiered during the KC Streetcar Main Street Grand Opening Celebration on Friday, October 24, at the Plaza Transit Stop. Later that same day, Kemet Coleman performed the song live for the first time at the Community Celebration at the UMKC Streetcar Stop. The high-energy performance capped off a full day of festivities marking the 3.5-mile extension of the streetcar route from downtown Kansas City to UMKC. // The track features an all-star lineup of Kansas City talent, including Brass & Boujee (Marcus Lewis Big Band), vocals by Kadesh Flow (Ryan Davis) and Kimology (Kim Newsome), with Grammy-nominated producer Dominique Sanders on bass and Robert Tribbett III on keys and organ. Coleman served as executive producer of the project. // The music video, filmed by Sensei Brands, showcases Kansas City’s culture, landmarks, and community — from the heart of downtown to UMKC — celebrating the people who make the city move. Both the song and video were officially released on October 24 in conjunction with the Main Street Extension grand opening. // Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A UMKC alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. In 2020 Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 KC-based musicians in the middle of the map of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home. Kemet Coleman released, BLACK IS BEAUTIFUL on Aug. 1, 2020. Kenet Coleman released the single “Eyes On The Street” on May 21, 2021.] [The Phantastics released their single “All That Fine”on May 6, 2022. The Phantastics are an 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Kimology on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the KC Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]

10:59:37 – Station ID

You just heard the Top 15 of WMM’s 50 Favorite Singles of 2025. For the complete list check http://www.WednesdayMidDayMedley.org of WMM’s 50 Favorite Singles of 2024.

NEXT WEEK we begin our 4-week, annual special: WMM’s 120 Best Recordings of 2025. Our celebration of the music of 2025 based on the playlists of this little ole radio show. Tune in December 10th, 17th, 24th, and 31st. Eight hours packed full of 120 musical recordings representing outstanding albums and EP released from Kansas City and the world. In 2025 we’ve played hundreds of New & MidCoastal Releases. We conducted over 175 interviews with 159 special guests.

11:00 – Michelle Bacon’s Favorite Musical Recordings of 2025.

Michelle Bacon is Content Manager at90.9 The Bridge, where she shines a light on musicians & events. Michelle has written for KC Options Magazine, The KC Star, Deli Magazine, andFolk Alliance Int. Her stories and interviews on area and national musical acts help define the musical community of Kansas City. Michelle plays drums in the band Frogpond, and plays bass & drums in many other bands. Michelle is also the leader of The Band That Fell To Earth who will be celebrating the music of David Bowie with a “Super Group” of KC’s finest musicians organized and led by Michelle for two weekends in January – January 16 & 17. and 23 & 24 at recordBar. Michelle shares her Favorite Musical Recordings of 2025.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

In 2025 there were over 1675 local releases in Albums, EPs, & Singles…that we know of.

17. (#10.) Julia Haile – “You Weren’t Around”
    from: EP / Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. On November 5 we played “Keep It Comin’” a track that offered a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]

18. (#9.) Danielle Ate the Sandwich – “Not Easy To Do”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

19. (#8.) Claire Adams – “Passenger Seat”
    from: Passenger Seat / Claire Adams / May 2, 2025
    [New 11-track album Recorded at Rio Verde in Guadalajara, Jalisco with Additional recording at Maniax Studios GDL and Weights + Measures KCMO. Mixed and Mastered by Duane Trower at Weights + Measures. Claire Adams on bass, rhythm guitar, vocals; Abraham Villaseñor on lead guitar, rhythm guitar, vocals; Jean Pierre Chaurand on drums; Christian Jiménez on keyboards; Carmen Aguilar on violin; Allysa Bell Jackson on viola; Mike Stover on pedal steel, Juan Carlos Chaurand on percussion; Stephanie Williams on percussion. // Claire Adams lives in Guadalajara, Jalisco, Mexico but still gets back to Kansas City often to work on musical projects and see family and friends. // Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. // Picking up guitar as a teenager, Adams was immediately drawn to songwriting. Her penchant for wordplay and melody led her to Nashville to study, write and perform, sparking an interest in traveling, touring and working in collaborative environments. // Upon returning closer to home in 2010, Adams set up shop in Kansas City, Missouri, and Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, pianist Alyssa Murray, Steve Gardels. // On April 2, 2024 Claiere Adams released the EP Words of Love with Claire Adams on vocals, bass; Daniel Dissmore on trumpet; Fritz Hutchison on drums; Jackie Myers on piano; Trevor Turla on trombone; Abraham Villaseñor on guitar. // Recorded, mixed and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Additional recording by Odin Parada at Rec4 Studios, GDL. // Musically curious and multifaceted, Claire Adams is dedicated to collaborating, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, and in a trio featuring pianist Alyssa Murray. // Claire Adams Alyssa Murray and Steve Gardels released the EP Easy Match on November 1, 2023. Easy Match contains 5 songs. // Claire Adams released “It’s All in Fun” – Single on June 30, 2023. Claire Adams told Michelle Bacon at The Bridge, “”I wrote the string arrangement in the summer of 2021 and we went in to record it this past spring,” Adams said. “I’ve had the happiness of working with Alyssa Bell (viola) and Carmen Dieker (violin) for several years now, mostly playing my songs as arranged by others and I wanted to give a try to arranging a song myself.” “I feel like having an understanding of everyone else’s styles and strengths gives me a sense of direction and focus on what can otherwise be a really abstract craft,” she said. On bass, she, Guillen and Williams comprised the acclaimed trio Katy Guillen & The Girls for seven years, while she has consistently been working with Murray in the years to follow. The four of them got to work with Duane Trower, who has recorded and engineered the majority of Adams‘ solo songs. // Claire Adams released “If It Isn’t Right (Alyssa Murray Remix)” on April 15, 2022 Claire Adams wrote to us saying, “Alyssa Murray made a super cool remix of one of the songs off the last album and I wanted to share it with you. The song is ‘If It Isn’t Right’ and also features the Rewound string trio and an arrangement by Peter Lawless. Alyssa really made it her own and gave it a whole new spin, she’s amazing!” Here are the full credits: Vocals: Claire Adams, Alyssa Murray, Fritz Hutchison. Synths and Beats: Alyssa Murray. Cello: Ezgi Karakus. Viola: Alyssa Bell. Violin: Carmen Dieker. String Arrangement: Peter Lawless. Mixed and Mastered by Duane Trower at Weights + Measures Soundlab. Cover Art by Cassie Allen. ‘If It Isn’t Right’ written by Claire Adams. This song was originally on Claire’s acclaimed album YOU KNOW I KNOW YOU originally released April 24, 2020. // Claire Adams released her album YOU KNOW I KNOW YOU April 24, 2020. Lost in the COVID 19 of 2020. The album was properly given a “release show” and put out on CD in 2021. 10 songs all written by Claire Adams. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals. // Claire Adams released: Words of Love EP on Feb. 5, 2021 – Recorded and Produced by Claire Adams at Casa 34 in Guadalajara, Jalisco. Mixed and Mastered by Duane Trower at Weights + Measures in Kansas City, MO. Cover Photo by Hugo Parasol. ‘So This Is Love’ written by Mack David, Al Hoffman, and Jerry Livingston. ‘Pocketful Of Rainbows’ written by Ben Weisman, ‘Till There Was You’ written by Meredith Wilson. “Words of Love” written by Claire Adams. ‘Calico Skies’ written by Paul McCartney. // Claire Adams released the EP Moras under the moniker, Mismo Sismo (same earthquake) on July 21, 2021. Claire Adams wrote and recorded this EP at home during the first months of the COVID-19 quarantine. The three songs are meant to be played all together but also stand alone. Mismo Sismo is a collaboration with photographer Hugo Parasol.// Claire played guitar on True Lions album THE FEMPIRE STRIKES BACK. In 2020 Clairplayed with the band Ondist for their three full length albums, No Coincidence on June 12, and Electricity on Aug. 14, and Mise en Place on Nov. 13, 2020 with songs recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Claire also participated in Katy Guillen and The Girls Reunion shows in summer of 20. More info at: https://claireadams.bandcamp.com%5D [Claire Adams plays BB’s Lawnside BBQ, on Friday, December 12 with Mike Stover, Michelle Bacon and Alyssa Murray.]

20. (#7.) TheBabeGabe X The Human – “Futuristic Lovers”
    from: HONEYPOP / Seven Rings Media / March 5, 2025 (HONEYPOP RELOADED Aug. 8, 2025)
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.”]

21. (#6.) HAILES – “Angels”
    from: FIVE (EP) / Magic Mango Music / September 29, 2025
    [Debut EP from KC based R&B artist HAILES. After graduating from Blue Valley West High School and briefly attending college, Hailes spent two years in the U.S. tour of The Wizard of Oz before moving to New York in 2017 to continue her acting career. COVID-19 shut down theatre and HAILES turned her energies toward writing music. When Broadway came back to life, HAILES returned to theatre and joined the Hadestown Broadway Tour for three years. While on tour Hailes continued writing music. // The music on her debut EP FIVE came from her time attending a writing camp in Austin, Texas. // HAILES told Cameron Castaldi of KJHK “On the road, I always had my recording equipment, so in every hotel that we got to, I would set up my little studio and write sporadically throughout the week.” // After living in New York City for the last seven years, R&B artist, songwriter, and actress Hailes is back home in Kansas City. She had her first concert in Kansas City on August 5, 2025 at The Blue Room. / More info at:www.hailes.komi.io/.]

11:27 – Underwriting

22. (#5.) Liney Blu – “If I Were A Cowboy”
    from: Scout / Liney Blu / October 24, 2025
    [Kansas City singer songwriter Liney Blu writes from a unique place of personal experience and identity. They vividly show us how vulnerability is strength and require us to see love, frustration, disappointment and humor through lenses we may not have considered. Every song finds Liney passionately and sometimes bravely exploring a broader, more inclusive understanding of the human experience while letting us into some sacred personal spaces to do so. And while many listeners are just finding Liney Blu, she set out on her path as a songwriter and artist as a teenager. // At age 17 as Caroline Blubaugh she released a first EP titled “Green” which featured the single “San Francisco” that quickly saw 185K Spotify streams. In 2023 as Liney Blu, came a 2nd EP, “Pennsylvania St.” with bandmates bassist Renee Huey and drummer Jones Goldman. “Pennsylvania St.” is an introspective, sometimes raw, indie pop rock/folk synthesis built on innovative arrangements relentlessly pushed along by Liney’s deep, resonant vocal, subtly insistent delivery and very personal passion. // New music building on the release of “Pennsylvania St.” is in the works. Liney Blu can be heard in venues around the Kansas City/Lawrence area with an expanded show schedule planned for 2024. More infoo at: http://www.lineyblu.com] [Liney Blu played an Album Release Show on Friday, November 21, 2025 at 9:00pm at The Ship 1221 Union Ave, KCMO West Bottoms, with Jolson & The Fear of Snakes, and Alex May & Friends.]

23. (#4.) Big Fat Cow – “Yellow Belly Boy”
    from: “Garbage In, Garbage Out / Big Fat Cow / September 26, 2025
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com][BIG FAT COW played a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade! Were on WMM on Sept. 10, 2025]

[Big Fat Cow play Warehouse on Broadway, 3951 Broadway Boulevard, KCMO, on Friday, December 5, 2025 at 7:00pm who along with Madisen Ward are opening for Me Like Bees.]

24. (#3.) The Freedom Affair – “Get My Share”
from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
[Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

25. (#2.) Kat King – “I Might Like It”
from: Merry Go Rounds – EP / Kat King / September 12, 2025
[Kat King released the single “It’s In a Dream” on July 11, 2025. // Kat King released the single “Somersaults”on May 2, 2025. // Kat King released the single “I Might Like It” through Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. // Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

26. (#1) Snocaps – “Heathcliff”
    from: Snocaps / Anti / October 31, 2025
    [Snocaps is the debut full-length album from American indie rock band Snocaps, consisting of Katie and Allison Crutchfield, joined by multi-instrumentalist MJ Lenderman and producer Brad Cook. The album was surprise-released on October 31, 2025.[2][3] The album was named one of the “11 New Albums You Should Listen To Now” by Pitchfork upon its release. // The Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot. It also marks Allison Crutchfield’s first new music in seven years, following the release of the fourth Swearin’ album Fall Into the Sun in 2018. In a post to her Substack newsletter, Katie Crutchfield noted that she and Alison had initially broached the idea of a new project in 2023, prior to the release of the Waxahatchee album Tigers Blood. She wrote that the sisters were interested in “making something akin to what we made when we were younger” with “no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.” The album was recorded with Cook and Lenderman over the course of a week, with Katie describing the experience as “realigning with the earliest, purest versions of our music-making selves”. // All tracks are written by Katie Crutchfield and Alison Crutchfield.]

27. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Michelle Bacon, is Content Manager at 90.9 The Bridge, where she shines a light on musicians & events. Michelle has written for KC Options Magazine, The KC Star, Deli Magazine, and Folk Alliance Int. Her stories and interviews on area and national musical acts help define the musical community of Kansas City. Michelle plays drums in the band Frogpond, and plays bass & drums in many other bands. Michelle is also the leader of The Band That Fell To Earth who will present the 10th Annual multi-day Tribute to Davie Bowie in January at recordBar. Michelle is sharing her Favorite Recordings of 2025.

Michelle Bacon thanks for being with us on Wednesday MidDay Medley

NEXT WEEK on Wednesday, December 10 we begin the first week of our 4-week, annual special: WMM’s 120 Best Recordings of 2025. This is our celebration of the music of 2025 based on the playlists of this little ole radio show. Tune into Wednesday MidDay Medley throughout December for our 4-week series on December 10th, 17th, 24th, and 31st. Eight hours packed full of 120 musical recordings representing outstanding albums and EP released from Kansas City and the world. In 2025 we’ve played hundreds of New & MidCoastal Releases. We conducted over 175 interviews with 159 special guests.

The text in this playlist is a collage and “cut & paste” of information from artist’s websites, press releases, event info, wikipedia, social media pages, BandCamp, liner notes, and where noted.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley
http://www.bandcamp.com/wednesdaymiddaymedley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Thanks for listening

Show #1124

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 24, 2025

Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

Mark plays more New & MidCoastal Releases from 10 artists/bands playing Play Loud! The 20th Anniversary Celebration of recordBar including: Roman Numerals, Emmaline Twist, Madisen Ward and The Mama Bear, Making Movies, Approach, Juliette Frost, Dan Jones and the Squids, The Royal Chief, They’re Theirs, and Deerhoof. We will also play tracks from Nan Turner, Amy Steinberg, and Til Willis & Erratic Cowboy.

Play Loud Fest will be a four-day celebration of 20 years of recordBar, with 45 musical acts, at recordBar 1520 Grand Boulevard, KCMO, September 25-28, 2025, and around recordBar including: Kobi Q, The Belfry, and Lemonade Park. recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherriil, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights. In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue. More at: http://www.therecordbar.com

At 10:30 Nan Turner talks about her new single “Primetime,” her show at Gigantic Records, and the progress on her Tonya Harding musical. The singer-songwriter-drummer-actress-dancer’s music has been described as “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan has been called the “Lucy Ricardo of Indie Rock.” Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com

At 11:00 Mark talks with Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She has two chihuahuas, Ru and Tiki and three cats: Poppy, Baby cat and Sebastian. She lives with her partner in Asheville, North Carolina. Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS. More info at http://www.amysteinberg.net

At 11:30 Til Willis shares details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy is Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. With Steve Faceman on backup vocals for the record. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Saturday, October 4, at 7:00pm. Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Thursday, October 18 at 8:00pm.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1114