WMM Playlist from August 29, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Le
e

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Y god Y – “Tired”
from: Tired – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

[Y god Y play Replay in Lawrence Saturday, September 1, at 10:00 with The Fey, and Khrystal.]

[Y god Y play Sound Machine KC at recordBar, Tuesday, September 4, at 7:00 pm with Chad Valley, and Dreamgirl]

3. Kian Byrne – “Sing That Song”
from: Up & Down / Matador Records / March 16, 2018
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. You can learn more at: kianbyrnemusic.com]

[Kian Byrne plays KC Irish Fest on Saturday, September 1, at 5:00 pm.]

4. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

[Amy Farrand opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.]

Amy Farrand

10:15 – Interview with Amy Farrand

Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows, and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, TONIGHT, August 29 at 7:00 pm.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations to Amy for getting the gig to open for the pride of Leavenworth Kansas, and Kansas City Missouri, and the whole world …Melissa Etheridge.

Melissa Etheridge is celebrating the 25th Anniversary of, Yes I Am.

Amy Farrand and The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

Amy Farrand is a true veteran of the Kansas City music scene, playing with band since the 1980s early 1990s.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley.

Amy Farrand & opens for Melissa Etheridge, TONIGHT at Crossroads KC gates open at 7:00.

10:29 – Underwriting

Lisa Mckenzie and Amy Farrand on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:32 – Interview with Lisa Mckenzie, Ashlynn Gale and Alex Stoll

Kansas City based drummer Lisa Mckenzie, has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa joins us to talk about an adolescent program she coordinates at Clay-Platte Montessori School, a farm based school at 5901 NW Waukomis Drive, Kansas City, Missouri. This is a Montessori school that celebrates diversity and being a community, located on 10 acres of wooded property, complete with a meandering creek.

Lisa Mckenzie, thanks for being with us on Wednesday MidDay Medley

Ashlynn Gale, Lisa Mckenzie and Alex Stoll on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lisa brought with her two students from the school and farming program: Ashlynn Gale, 13 years, and Alex Stoll, 14 years.

The students have been selling their produce at the KCK Farmers Market.

Clay-Platte Montessori School is built on land that was once home to the Hopewell people, dating back to 2000 BC. CPMS middle school children have worked with a local archeologist to find artifacts that have helped to identify the native people and date the time of the inhabitance. The children have named and registered the site as 10 Acre Wood with the Archeology Society.

The mission of Clay-Platte Montessori School is to employ the philosophy and methods of Dr. Maria Montessori and educate young people to their fullest potential, instilling a deep sense of personal independence and responsibility to self, to others, and to our Earth.

Their purpose is to provide, through the Montessori philosophy and curriculum, an environment where each child will be free to function and develop individually, naturally and sequentially into the whole child that lies within, realizing the full potential of his/her innate talents.

Ashlynn Gale and Alex Stoll talked about raising chickens and goats. collecting eggs and milking the goats. Alex talked about pulling weeds and keeping the gardens maintained.

Lisa is a mom and with her husband has adopted 8 children. Lisa and her family live on a farm and raise horses and other animals.

Lisa is a drummer, gardener, traveler, hiker, equestrian, dog smoocher , parent, dreamer, thinker, life lover.

Lisa currently plays with Alex Abramovitz and His Swing’n Kansas City Jazz Band who won Best Local Band from The pitch Magazine Best of Kansas City (2017)

Current Full-Time Members include: Alex Abramovitz (founding member since 2008) on cornet, arrangements, & vocals; “Pretty” Ricky Cole on guitar & banjo (since 2014); Jeff Schwartz on bass & tuba (since 2017); and Lisa McKenzie on drums (Since 2017).

Lisa also plays in several side projects of Alex Abramovitz and His Swing’n Kansas City Jazz Band.

Lisa also plays in a blue grass band called Sycamore Grove, and in the band KC Bankroll.

Lisa Mckenzie studied Cultural Anthropology at UMKC, and graduated from Blue Springs Senior High

Lisa Mckenzie, Ashlynn Gale and Alex Stoll, thanks for being with us on WMM

10:45

5. Under the Big Oak Tree – “Daytime Moon”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO with Scott Stanton]

6. Fullbloods – “Money”
from: Mild West / High Dive Records / February 26, 2016
[2nd full length release from Fullbloods. On this album: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

[Fullbloods play Sound Machine KC, Thursday, September 30, at 7:00 at recordBar], with Suzannah Johannes, and Black Stacey.]

7. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Quintet plays American Jazz Museum, Friday, August 31, at 8:30 pm.]

11:02 – Station ID

Ivory Blue

11:02 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on June 28, 2017. Since then they have been on a journey.

Ivory competed in neXt2Rock and made it into the finals and played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush.

These were the comments from the judges:

Scott Borchetta: “ You exude artistry from the minute you step on that stage’

John Varvatos: “WOW, I’ve been waiting for the wow and you are the wow”

Gavin Rossdale: “You’re a true artist”

Desmond Child: “I love everything about you, you sing what you live, you’re fantastic”

Chris Lord-Alge: “Giving us the diamond in the rough we can only dream of, the foundations that’s built underneath it, that’s what music is made from”

Steve Jones: “ You’ve got a LOT of potential”

11:09

8. Ivory Black – “Ready Get Set”
from: Ready Get Set – Single / Big Machine Records – John Varvatos Records / June 15, 2018
[Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, Kauffman Stadium, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:18

Ivory Blue playing live on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

9. Ivory Blue – “Family Table” (LIVE)
a new song Ivory is currently working in for a new album

More info at: ivorybluemusic.com or Facebook/ivorybluemusic

Ivory has talked with us about how they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue say Ivory performing in a YouTube video and contacted them, flying them to KC, and adopting Ivory into the Van Lue family. During the past 8 years Ivory came out as Non-Binary Transgender

One of the resources for Ivory in this transition was Caroline Gibbs, co-founder of the Transgender Institute.

In an interview with The Pitch KC, Caroline Gibbs said, “Trans people have to live with being objectified a lot. It’s an ugly place to be, and nobody wants to live in that place. The fact that people would be willing to live openly in the face of all kinds of denigration tells me how compelling this urge to live out their true gender really is.”

Ivory has told us, “people see what they want to see.”

11:28

10. Ivory Blue – “Elite Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

More information at http://www.ivorybluemusic.com

11:30 – Underwriting

Barry Lee and Ivory Blue on the August 29, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. Broken Arrows – “For Love”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

[Broken Arrows play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Howard Iceberg & Chad Brothers, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

11:33 – Interview with Barry Lee

Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Tomorrow Night, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

Barry Lee Thanks for being with us on WMM

Barry please accept our sincere condolences on the loss of your friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, Caroline guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Caroline requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

11:41

12. Broken Arrows – “Recognize My Heart w/Howard Iceberg”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Written by Howard iceberg. Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90,1 FM. Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, a benefit for KKFI

11:56:36

13. The Hermanos Brothers – “Be My Baby (The Ronettes)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg and Chad Brothers. These songs were recorded in one day.]

[Howard Iceberg and Chad Brothers play Concert for Caroline, Thursday, August 30, at 7:30 pm, with special guest D. Clinton Thompson and Maria Anthony, Megan Hurt & Darrell Lea, Betse & Clarke, Jason Vivone & Sam Platt, The Starhaven Rounders, and Broken Arrows. This is a Benefit for KKFI, celebrating the life of Caroline Lee.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on September 5, Bill Sundahl joins us as co-host for our entire show as we present two hours of music featuring artists playing the 14th annual Crossroads Music Festival, Saturday, September 8. And we are visited in the studio by the band RADKEY!!! Go to http://www.kkfi.org for more information.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #749

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Wednesday MidDay Medley presents Amy Farrand + Lisa Mckenzie + Ivory Blue + Barry Lee

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Lee

Mark plays New & MidCoastal Releases from: Shy Boys, Amy Farrand & The Like, Broken Arrows, Under The Big Oak Tree, Marcus Lewis Big Band with Kadesh Flow, Kian Byrne, Ivory Blue, Howard Iceberg & Chad Brothers, Y god Y, and Fullbloods.

Amy Farrand

At 10:15 Musician Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, August 29 at 7:00 pm. Amy Farrand has been a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Lisa Mckenzie

At 10:35 Mark talks with Kansas City based drummer Lisa Mckenzie, who has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa Mckenzie is also a gardener, educator, and mom, and she joins us to talk about an adolescent program she coordinates at Clay Platte Montessori, a farm based school. The students have been selling their produce at the KCK Farmers Market.

Ivory Blue

At 11:00 Ivory Blue, joins us in our 90.1 FM Studios. Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records, released June 15, 2018. More info at: http://www.ivorybluemusic.com

Barry Lee

At 11:30, Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, on Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #749

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
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Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

Wednesday MidDay Medley presents Tim Finn + KC Fringe + Moms Demand Action

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

Mark plays New & MidCoastal Releases from: Miles Bonny, Payge Turner, The Fey, Brandon Draper, Emmaline Twist, Belle & The Vertigo Waves, Howard Iceberg & The Titanics, Shapiro Brothers, The Hermanos Brothers, Benjamin Clementine, Courtney Barnett, Vacationer, and The War and Treaty. We’ll also play: Patsy Cline, Michael Jackson, and The Beatles.

At 10:30 Mark talks with Cheryl Kimmi, Executive Producer of KC Creates about the 14 Annual KC Fringe Festival, July 19 through 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For more information you can visit: http://www.KCFringe.org

At 11:00, Local music critic Tim Finn, formerly with The Kansas City Star, joins us to share details about A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org/node/24299/register

Howard Iceberg

At 11:30, Mark talks with Kansas City musician Howard Iceberg, and Pranav Nanda, High School Social Studies Teacher at Teach For America and Education Outreach Lead for Moms Demand Action for Gun Senses in America. Howard and Pranav will share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org, http://www.howardicebergandthetitanics.bandcamp.com, http://www.shapirobrothersmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #743

Wednesday MidDay Medley

WMM Playlist from June 6, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 6, 2018

The MidCoast Sound + Second Hand King
+ Belle Plaine, Blake Berglund & Nadia Piotrowsky +
Marion Merritt & Jolle St. Pierre

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme song]

2. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

3. David Byrne – “Gasoline and Dirty Sheets”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with Talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for The Performing Arts, Thursday, June 7, at 7:30 PM.]

10:07 – Pledge Break #1

Marion Merritt

But first, Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first tour when they played One Block West, in 1978. For 14 years she has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. More at: recordswithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Joelle St. Pierre

Also with us is Joelle St. Pierre, a friend of the show, a friend of mine since the early 1990s, and a huge friend to 90.1 FM KKFI. Joelle is a 90.1 FM Super Volunteer, helping with KKFI’s special events, the Crossroads Music Festival, The Spring Dance, Folk Alliance International, and answering phones for our On-Air-Fund Drives. Joelle stepped out of the crowd of our beautiful listening audience, to not only donate financially to KKFI, but also give her time and energy to help keep this rare treasure of the airwaves alive. Despite all of her hours given to community radio, like so many of our hardest working volunteers, she is not often found behind the microphone, so today is special.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt, and Joelle St. Pierre, join us for our Spring Fund Drive Show, to encourage our listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio, “The Voice of The Community.”

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and donate to keep us alive! YOU are the reason we are able to stay alive.

10:16

Yanna the Supa Flowa at I Heart Local Music presents Pride for The Masses at Jackpot Music Hall (6/9/18)

4. Supa Flowa – “The Wu”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

[Yanna the supa flowa plays the I Heart Local Music Presents: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Cuee.]

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:21 – Underwriting

10:23 – Pledge Break #2

WMM Plays New & MidCoastal Releases. Timothy Finn of Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

Why do listeners need to support of this one-of-a-kind, programming?
Because 90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, WMM interviews nearly 200 guests each year:

Michelle Bacon, Krystle Warren, Katy Guillen, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Mrquis, Megan Slankard, Justin Van Pelt, Amy Farrand, Jen Harris, Spencer Brown, CS Luxem, Red Kaye, Olivia Fox, Howard Iceberg, Doby Watson, Kadesh Flow, Bach Aria Soloists, Cris Williamson, David Wayne Reed, Mikal Shapiro, Calvin Arsenia, Shoun Crowley, Nick Carswell, Cody Critcheloe, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Cat Dail, Thee Devotion, Steve Tullipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Eckert, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Chad Meise, Chris Haghirian, Nathan Reusch, Aaron Rhodes, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Tim Finn, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:30

6. Second Hand King – “Go So Wrong”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Second Hand King has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

10:33 – Interview with Joe Stanziola

Joe Stanziola on the June 6, 2018 edition of Wednesday MidDay Medley on 90.1 FM.

Joe Stanziola performs and records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song, “The Joker Went Wild” by Brian Hyland. Joe’s been exploring the connections between Doo Wop and Hip Hop since he released his The Santa Sangre EP in 2011. Joe followed that up with five more albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016). Joe is set to release his 6th full length album, Frankie when Second Hand King & The Lovers play a “FRANKIE” album release show, Saturday, June 9 at 7:00 PM, at recordBar, 1520 Grand, with Black Mariah Theater, Rockababyrock & Tyler Banks, along with Dj Peter Anthony.

Joe Stanziola thank you for being with us on WMM.

First off, a Doo-Wop Tutorial from Wikipedia.org:

Doo-Wop – origins: Rhythm and blues harmony vocal groups a cappella negro spirituals barbershop music gospel ballads blues jump blues swing

Doo Wop – Derivative forms: Beach music beat Brill Building pop rock power pop soul vocal surf

Doo-wop is a genre of rhythm and blues music that was developed in African-American communities in the East Coast of the United States in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented styles of the time. Singer Bill Kenny is often called the “Godfather of Doo-wop” for his introducing the “top and bottom” format which featured a high tenor singing the lead and a bass singer reciting the lyrics in the middle of the song. Doo-wop features vocal group harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation, and simple music and lyrics

From the outset, singers gathered on street corners, and in subways, generally in groups of three to six. They sang a cappella arrangements, and used wordless onomatopeia to mimic instruments since instruments were little used: the bass singing “bom-bom-bom”, a guitar rendered as “shang-a-lang” and brass riffs as “dooooo -wop-wop”. For instance, “Count Every Star” by The Ravens (1950), includes vocalizations imitating the “doomph, doomph” plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music. Radio, gramophone, and cinema inspired imitation in many U.S. cities.

The late 1940s and early 1950s brought the so-called “bird groups”; The Swallows, the Ravens, The Orioles, The Penguins, The Crows, The Flamingos, The Blue Jays, The Cardinals, and The Larks. A number of band names are also drawn from cars (The Edsels, The Cadillacs, The Fleetwoods, The Impalas, and Little Anthony and the Imperials). The Orioles helped develop the doo-wop sound with their hits “It’s Too Soon to Know” (1948) and “Crying in the Chapel” (1953). Doo-wop scored 1951 R&B chart hits such as “Sixty Minute Man” by Billy Ward and His Dominoes, “Where Are You?” by The Mello-Moods, “The Glory of Love” by The Five Keys, “Shouldn’t I Know” by The Cardinals, “I Will Wait” by the Four Buddies, and “Will You Be Mine”, by The Swallows.

The term “doo-wop” first appeared in print in 1961 in The Chicago Defender; fans of the music coined the term during the height of a vocal harmony resurgence. The phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested “doo-wop(p) was already in use [before me] to categorize the music in California.”

The first record to use the syllables “doo-wop” in the refrain was the 1955 hit “When You Dance” by The Turbans (Herald Records H-458). Previously, the backing vocal “doo-wop” is heard in The Delta Rhythm Boys’ 1945 recording of “Just A-Sittin’ And A-Rockin”, The Clovers’ 1953 release “Good Lovin'” (Atlantic Records 1000) and in the chorus of Carlyle Dundee & The Dunde

1958 also saw the rise of Italian American doo-wop groups. Like African-Americans, the Italian Americans generally attended church, where they gained singing experience, and lived in urban neighborhoods, where they would sing on street corners. By the late 1950s, Italian American street corner doo-wop groups were seen in cities such as New York, especially the Bronx and Brooklyn. Some of the Italian American groups with national chart hits included: Dion and the Belmonts, in 1958, with “I Wonder Why”, and Top #5 hits “Teenager in Love” and “Where or When”; The Four Seasons; The Capris with “There’s a Moon Out Tonight”, in 1960; The Earls; The Chimes; The Demensions; The Elegants; The Mystics; The Duprees; Vito & the Salutations; The Gaylords; Johnny Maestro & the Brooklyn Bridge; The Regents; Nino and the Ebb Tides; The Del-Satins; The Videls; most of the members of The Passions; and The Chaperones. Other Italian American groups included Randy & the Rainbows, who charted with their Top #10 1963 single “Denise”.

The contribution of Hispanics is often overlooked. Early, especially in U.S. East Coast cities, Puerto Ricans were lead singers in some groups with black and white members, including The Crests, Frankie Lymon and the Teenagers, the Five Discs and the Tune Weavers. “Racially integrated” groups with both black and white performers, included The Del-Vikings, who hit big in 1957 with “Come Go With Me” and “Whispering Bells”; The Crests, whose “16 Candles” appeared in 1958, and The Impalas, whose “Sorry (I Ran All the Way Home)” was a hit in 1959. All-white doo-wop groups were also appearing: The Mello-Kings’ 1956 “Tonight, Tonight” and The Diamonds’ chart-topping “Little Darlin'” in 1957, The Skyliners’ 1959 “Since I Don’t Have You” and 1960 “This I Swear”, The Tokens’ 1961 “Tonight I Fell In Love” and “I Love My Baby”, all saw success.

Female doo wop singers were unusual in the early days. Lillian Leach, lead singer of the Mellows from 1953 to 1958, helped pave the way for women and is often cited as an influence by later performers.

The peak of doo-wop might have been in the early 1960s with the most notable hits being Dion’s “Runaround Sue”, “The Wanderer”, “Lovers Who Wander” and “Ruby Baby” and The Marcels’ “Blue Moon”. There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. A few years later, the genre reached the self-referential stage, with songs about the singers (“Mr. Bass Man” by Johnny Cymbal) and the songwriters (“Who Put the Bomp?” by Barry Mann), in 1961. Other important groups, including The Coasters, The Drifters, The Midnighters, and The Platters, helped link the doo-wop style to the mainstream, and to the future sound of soul music. The style is heard in the music of The Miracles, particularly in their early hits such as “Got A Job” (an answer song to “Get a Job”), “Bad Girl”, “Who’s Loving You”, “(You Can) Depend on Me”, and “Ooo Baby Baby”. The style is also heard in the early days of The Famous Flames, led by James Brown; the group recorded several doo-wop hits, including “Please, Please, Please”, “Bewildered”, “I Don’t Mind”, and their hit cover of The “5” Royales’ “Think all entering the Top#10, as well as R&B Number #1 Try Me

Doo-wop’s influence continued in soul, pop, and rock groups of the 1960s, including The Four Seasons, girl groups, and vocal surf music performers such as Jan and Dean and the Beach Boys. In the Beach Boys’ case, the doo-wop influence is evident in early hits such as “Surfin'” and “Surfer Girl”, and in albums recorded within their psychedelic era, during which the group experimented and innovated with the human voice as an instrument[15] in a self-described effort to “expand modern vocal harmony”.

As with most American popular music genres of the time, doo-wop’s mainstream popularity was decimated by the British Invasion of the mid-1960s

Joe Stanziola grew up in Kansas.

At the Age of 16 he first heard Tupac, it changed his life.

Born December 19, 1989 his parents wrote him a rap upon his birth.

Joe says that “At my core, I am a rapper.”

Joe confesses to be “a little bit of a loner.”

Joe didn’t like school.

In his search to find himself Joe discovered doo-wop with the Gene Chandler song “Duke of Earl”

Joe has listened to so much doo-wop it is now just part of him, he has no choice. Doo-wop is his “guiding light.”

Joe is now working with a band.

Frankie is a “coming out” moment.

Second Hand King

10:47

7. Second Hand King – “The King of Broken Hearts”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

8. Joni Mitchell – “You Turn Me On I’m A Radio”
from: For The Roses / Asylum / November 1972
[Joni Mitchell originally wrote the song in response to her record label’s desire for her to write a hit song. Mitchell reveals her purpose on lines such as, “And I’m sending you out this signal here, I hope you can pick it up loud and clear”. She believed that including words in the song about radio themes would convince stations to play the recording. The song was recorded in preparation for Mitchell’s upcoming fifth studio album in Hollywood, California, United States at A&M Studios. Although Graham Nash, David Crosby, and Neil Young all contributed to the recording session for the song, only the harmonica piece performed by Graham Nash was included on the official release. “You Turn Me On, I’m a Radio” was released as a single in November 1972 via Asylum Records. The song became Mitchell’s first top-ten hit in Canada, reaching the tenth position on the RPM Top Singles chart. Additionally, the single became her first top-forty hit in the United States, reaching number twenty-five on the Billboard Hot 100. Outside North America, “You Turn Me On, I’m a Radio” peaked within the top-forty on the Australian Kent Music Report chart. The single was included on Mitchell’s fifth studio effort For the Roses, which was issued in November 1972. Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.”]

10:53 – Pledge Break #3

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and lLiterary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI!

No Commercials. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio. But No Commercials

No automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created someone who programs the robot. We are the opposite of this.

We are The Voice of The Community

90.1 offers 104 different radio programs. 82 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?
We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 12 years.

11:00 – Station ID

9. CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

[CS Luxem plays 8th Street Tap Room in Lawrence, KS. on Friday, June 8 at 6:30 with LaGuerre, Miwi La Lupa, and Nik Freitas.]

[CS Luxem plays Decade, 920 Delaware St. Lawrence, KS. Monday, June 11, at 7:PM with Curt Oren, Dan English, and Morning Ritual.]

9. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays The Westport Saloon, 4112 Pennsylvania, Tonight, 9:PM, with Wonky Tonk.]

9. Howard Iceberg & The Titanics – “My Love For You Is Real”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek.]

11:07 – Pledge Break #4

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:14

12. Belle Plaine – “Golden Ring (feat. Megan Nash) – Single”
from: Malice, Mercy, Grief and Wrath / Belle Plaine / To Be Peleased Soon
[Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54. Belle’s reverence for artists who defy categorization has led her to create a brand of roots music that combines vintage blues and swing tones of the 1940s with classic country styles made popular in the heyday of the Grand Ole Opry. In 2015 she appeared as a guest vocalist on Colter Wall’s breakthrough debut album, Imaginary Appalachia. In 2016 she performed her work with the Regina Symphony Orchestra. She comtributed as a songwriter and harmony-vocalist on Blake Berglund’s 2017 album, Realms.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:17 – Interview with Belle Plaine, Blake Berglund & Nadia Piotrowsky

Blake Berglund, Belle Plaine, and Nadia Piotrowsky on the June 6, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kansas raised, Oklahoma based, Nadia Piotrowsky who performs as summerland, joins us today and she has brought along her singer-songwriter friends from Saskatchewan, Canada, Belle Plaine and Blake Berglund who have been embraced by the Red Dirt and Americana communities as evidenced by a slot at this year’s Tumbleweed Festival in La Cygne, KS, and an eight date tour along side summerland that includes Kansas City. American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak St, KCMO, on Friday, June 8, at 8:00 pm.

Belle Plaine, Blake Berglund & Nadia Piotrowsky, Thanks for being with us on WMM.

Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54.

We just heard “Golden Ring,” the first single from her upcoming LP Malice, Mercy, Grief and Wrath and is in collaboration with fellow Saskatchewanian, Megan Nash. True to Plaine’s genre-bending style, the song pairs a surf-era baritone guitar to an Everly Brothers inspired harmony.

Belle Plaine, Blake Berglund have split their time in the last year between Canada and the Appalachians promoting Berglund’s 2017 release, Realms, and have been direct support for Colter Wall, Tyler Childers, The Dead South, Jason Eady and Dwight Yoakam.

Plaine appeared on Colter Wall’s Imaginary Appalachia (2015) and serves up a hybrid of American music: her mix of folk, country, jazz and blues was showcased at Folk Alliance International in February 2017 and at Americana Fest in September 2017 to a full house at Nashville’s 12th and Porter.

Blake Berglund & Belle Plaine

TOUR DATES

Fri. June 8 – Kansas City, MO SqueezeBox Theatre^

Sat. June 9 – Ottawa, KS House Concert^

Sun. June 10 – Tulsa, OK Tulsa Tough Cry Baby Hill VIP Part presented by Vox Pop^

Mon. June 11 – Stillwater, OK Modella Art Gallery^

Tue. June 12 – Okemah, OK Rocky Road Tavern^

Wed. June 13 – Norman, OK Red Brick Bar^

Thu. June 14 – Stillwater, OK Summer on the Plaza at Oklahoma State University^

Fri. June 15 – La Cygne, KS Tumbleweed Festival

Sun. June 17 – Kansas City, MO Ollie’s Local

^with summerland

summerland

11:22

13. summerland (Nadia Piotrowsky) – “Kentucky”
from: Fourth Street Session / Nadia Piotrowsky /
[Oklahoma based singer songwriter Nadia Piotrowsky performs as summerland. Post-college adventures in Nashville, bumps and bruises from jobs and relationships, and a move to Los Angeles in the last couple of years have inspired the melodies and lyrics that now pour out of her. Her folk-rock tales are accompanied by the sounds and rhythms of the guitar that she learned to play while sitting on the porch of her college home in Manhattan, Kansas. Various music projects with friends have led to her current project “Summerland,” which is Nadia’s first official lead role in her own musical story. Standing on the stage with her own band, made up of various talented friends from L.A.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:24

NEWEST VIDEO,“GOLDEN RING”: https://www.youtube.com/watch?v=kwAgaqvnze0

Website:http://belleplainemusic.com/
Facebook:https://www.facebook.com/belleplaine
Twitter:https://twitter.com/Belle_Plaine
Instagram:https://www.instagram.com/blackpowderbelle/
Soundcloud:https://soundcloud.com/belleplaine
Spotify:https://open.spotify.com/artist/5bCjjNx0wXytkKko9jlaLl
YouTube:https://www.youtube.com/user/BellePlaineMusic

BLAKE BERGUND LINKS

NEWEST VIDEO, “MOOSE MOUNTAIN”: https://www.youtube.com/watch?v=PImDzid_cLE
Website:http://blakeberglund.com/
Facebook:https://www.facebook.com/blakeberglund
Twitter:https://twitter.com/blakeberglund
Instagram:https://www.instagram.com/blakeberglund/
Soundcloud:https://soundcloud.com/blakeberglund/sets/blake-berglund-realms
Spotify: https://open.spotify.com/artist/3WEBMhfeVkjS6jR0EQwVq0
YouTube:https://www.youtube.com/user/blakeberglund

Berglund’s album, Realms, has carved out its place among critics. Beatroute Magazine called it “the most ambitious Canadian country record of 2017 and should certainly be regarded as one of the best,” where popular online blog, Bandsintown says “Berglund’s psychedelic country is changing the game.” Realms applies the story arc of the hero’s journey to a good ol’ boy character – the listener follows the Everyman from ignorance to enlightenment, and eventually to reincarnation. Berglund has released four videos that compliment this storyline, the latest being the stunning “Moose Mountain” where Berglund appears amidst his homeland’s eautiful scenery on horseback enjoying a tightly rolled doobie.

11:30

15. Blake Berglund – “Crooked Old Earth”
from: Realms / Oceanman Records / September 1, 2017
[Blake Berglund’s fresh style of country music is unpredictable, intelligent, genuine, and a pleasant surprise, given his hard-rock/pseudo metal background. His grassroots approach has earned him a reputation as ‘the guy who sold 10,000 CDs door-to-door.” Raised in the Moose Mountains deep in Saskatchewan’s south east corner, Berglund took his early childhood responsibilities of tending to 200 head of horses as the education needed to base his music career around hard work and cultivating relationships. Berglund’s album was released through his independently owned and operated, Oceanman Records. Described as an allegorical concept record about the ‘breadth of the human experience’, the ten track album explores spiritual based themes, alternative beliefs, and universal truths. Inspired by the teachings, observations and research of Thomas P. Fusco, Dr. Rick Strassman, and authors Joseph Campbell and C.S. Lewis, Realms follows an ancient story-telling archetype and is riddled with patterns, puzzles and nuances. Berglund is self-managed and booked. He’s gained supporters world-wide based on his work ethic, out of the box marketing and unique musical style.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:34 – Underwriting

11:36 – Pledge Break #5

We offer loads and loads of information about what is going on in the community. We shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, and political action scene.

In just this past year, we’ve featured segments on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:43

15. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

16. Kadesh Flow – “FYI”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays The Riot Room, 4048 Broadway, Saturday, June 30, at 2:00 to 5:00 PM with Kemet the Phantom and the Phantastics.]

11:50 – Pledge Break #6

Why listeners need to support of this one-of-a-kind, programming.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my friend introducing me to all kinds of new & local music, as well as news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 5 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

11:56

17. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play the 2018 Smoky Hill River Festival, Thursday, June 7, at 4:00 pm, in Salina Kansas in Oakdale Park.]


11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 13, we present part 2 of our series of Our Favorite Releases of 2018 …So Far and 10 more bands and representative tracks to play. Also next week, we’ll talk with Joseph Warren Wheeler of the Wanderlust Revival and the guys from FaceFace return to the show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #737

WMM Playlist from March 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Decemberists – “Severed”
from: I’ll Be Your Girl / Capitol Records / March 16, 2018
[8th studio album by indie rock band The Decemberists from Portland, Oregon. The band consists of Colin Meloy (lead vocals, guitar, principal songwriter), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards), Nate Query (bass), and John Moen (drums). Produced by John Congleton, the band experimented with new instrumentation during the album’s recording sessions, including several synth-based compositions inspired by New Order and Depeche Mode.]

[The Decemberists play The Uptown Theatre, Wednesday, May 23 with Eleanor Friedberger.]

3. MorMor – “Heaven’s Only Wishful”
from: Heaven’s Only Wishful – Single / Don’t Guess / February 2, 2018
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, and produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

4. Lucy Dacus – “Addictions”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

[Lucy Dacus plays Reverb Lounge in Omaha, NE, Monday, April 2, at 7:00 PM.]

5. Sinple – “SH-2 (SYSTEM SEGWAY)
from: Music For Machines Vol. 2 / Sinple / March 9, 2018
[Ambient Album Inspired by Brian Eno’s “Music for Airports.” Music for Machines: Written and Recorded by Sinple @ Moldy Basement. The Ambient, Darkwave, New Wave, R&B sounds of Sinple are created by KC based musician Jesse Bartmess on Synths, Drum Machine, and Vocals. Formed in 2011 and influenced by David Bowie, Kraftwerk, Gary Numan, Depeche Mode, Sade, Massive Attack, and Radiohead. Jesse Bartmess also plays keyboards in Rchel Mallin & the Wild Type. Info at: http://www.sinple.bandcamp.com/music%5D

[Today is the 30th Birthday of Jesse Bartmess who is hosting a skating Party, Friday night to celebrate.]

6. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal. plays the: I Heart Local Music Birthday Party Show at Jackpot in Lawrence, KS., with Bummer, and The Sluts on Friday, March 30, at 9:00 PM.]

7. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays Pax east in Boston, Mass, Thursday, April 5]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

8. Kid Computer – “Dive”
from: Dive – Single / Kid Computer / April 6, 2018
[A Kansas City based 4-piece band featuring Matt Gore, Christian Sanchez and George McMillian. The band is getting set to release two separate singles “Afterglow” and “Dive” on Friday.]

[Kid Computer play a Single Release Show, Friday, April 6, at 7:00 pm with The UK’s and Quasar, at The Rino, 314 Armour Rd, North Kansas City, MO]

10:30 – Underwriting

10:32 – Interview with Howard Iceberg & Rich Hill

Howard Iceberg & Rich Hill on the March 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”

Larry Kopitnik, for The Pitch writes, “Pianist-vocalist Rich Hill has a personal sound steeped in the rich jazz, blues and gospel traditions of his Kansas City hometown. His keyboard style is grounded in the long tradition of jazz piano from ragtime to stride, bebop and modern jazz. Depending on the song, he might play something that sounds like Fats Waller, then something with a kind of Bill Evans or Chick Corea feel, followed by a tune suggesting Ray Charles’ blues-tinged earthiness. His success entertaining audiences with his keyboard and vocal talents while maintaining a certain standard of artistry is a notable accomplishment proven by continued demand for bookings.”

Howard Iceberg and Rich Hill share music from Howard Iceberg & The Titanics’ new album, Netherlands. Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley.

On Netherlands Howard teamed with jazz artist Rich Hill on keys & backing vocals.
Other collaborating musicians include Jazz musicians: Bryan Hicks on stand up bass, electric bass and backing vocals; Charles Perkins on saxophone and flute; Gary Cardile on percussion; and Doug Auwarter on drums. All frequent collaborators with Rich Hill.

Other musicians bringing their talents to the album include: Dan Bliss on guitar, Betse Ellis on violin, Camry Ivory on vocals & backing vocals, Marco Pascolini on on baritone guitar & pedal steel, Phil Wade on dobro, Jeff Freling on guitar, and Chad Rex on guitar.

Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

The songs on Netherlands were written by Howard Iceberg

Pat Tomek at Largely Studios is part of Howard Iceberg’s long time recording project. Howard tells us that he has more than 4 albums worth of new songs in the works.

Pat Tomek is longtime member of The Titanics, drummer and member of legendary band The Rainmakers, and drummer in the band Deco Auto, that we played earlier in the show. Pat Tomek is also a recording engineer and producer who has worked with countless area bands and musicians and has been a primary partner and caretaker in the recording and production of Howard’s recording project of songs.

10:38

9. Howard Iceberg & The Titanics – “My Love For You Is Real” (CD #9) (2:16)
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals Rich Hill on piano, Bryan Hicks on stand-up bass, Gary Cardile on percussion, and Charles Perkins on sax. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg calls this album, “More songs from another time and place. This time around, a story album. Not mine, but that of spirits both close and far. Help from Durrell and Hemingway. The stories fleshed out by some of KC’s jazz cats, not to mention the usual suspects. I keep my eyes open and my mouth shut (heh heh). Imagining I am seeing the arc of love and the arc of life more clearly with the years. Waiting for a train.”

10:44

10. Howard Iceberg & The Titanics – “All In For You”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar, and Chad Rex on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg began performing in KC while in Law School. In the 1980s he was rubbing elbows with fellow area independent songwriters Scott Hrabko and Iris DeMent. At one point Howard was playing accordion in one of Scott Hrabko’s bands.

10:51

11. Howard Iceberg & The Titanics – “I Can’t Find You At All”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Care Beyond the Boulevard was conceived by Jaynell (KayKay) Assmann after she noted the number of homeless people coming into the hospital where she worked as a nurse. As soon as she became certified as a Nurse Practitioner, her first goal was to establish an outreach to the urban poor and especially the homeless. She worked as a volunteer at the Micah Ministry food kitchen and in 2016 while working at Family Health Care, KayKay developed Care Beyond the Boulevard. We see 10-25 people each session (most Monday evenings) and provide care for urgent and chronic health needs. In addition we go on the streets into homeless encampments, providing healthcare directly to the homeless one other night per week, seeing between 7-15 patients. Additional services are provided as necessary through Family Health Care’s Southwest Boulevard clinic. More info at: http://www.carebeyondtheboulevard.org

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley

Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

10:57

12. Howard Iceberg & The Titanics – “Rainy Rainy Day”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on piano & organ, Camry Ivory on harmony vocals. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

11:00 – Station ID

11:00 – Guest Producer Nico Gray

Nico Gray

13. Orchestral Manoeuvres In the Dark — “The New Stone Age”
from: Architecture & Morality / Dindisc-Virgin / November 8, 1981
[3rd studio album by British electronic music group Orchestral Manoeuvres in the Dark. English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their influential debut single, “Electricity”, in 1979, and gained popularity throughout Europe with the 1980 anti-war song “Enola Gay”. The band achieved broader recognition via their album Architecture & Morality (1981) hailed as the band’s seminal work, the album received critical acclaim and has appeared on various “best albums” lists; The Morning News named it the finest record of 1981, and “the blueprint for synth-pop”. The album also became a commercial success, selling over 4 million copies by 2007. The record spawned three international hit singles, which sold more than 8 million copies combined.Critic Hugo Lindgren wrote that OMD have cultivated a “legacy as musical innovators”. In February 2007 a Scotsman journalist said: “If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles.” In 2008, American publication The A.V. Club noted that McCluskey and Humphreys were “often labeled as the ‘Lennon-McCartney of synth-pop’.” In a 2008 piece on OMD, The Quietus magazine editor John Doran called them “the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles”, and asserted: “Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands ever.” Veteran BBC DJ Simon Mayo described OMD as “the fathers of electronic music in this country [the UK].”]

11:03

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico is a former theatre actor, performance artist, writer, and is currently a marketing and advertising consultant. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC.” For WMM Nico Gray has co-hosted three of our on-air fund drive shows. He participated in our special 700th show, his writing has been featured on three of our Bowie Tribute Shows, and today is his 6th appearance as Guest Producer from over the past three years.

Nico Gray welcome back to Wednesday MidDay Medley.

11:09

14. Annie Hart — “Hard to Be Still”
from: Impossible Accomplice/ Instant Records / 2017
[Annie Hart is a keyboardist, songwriter and vocalist. She primarily composes and performs in the band Au Revoir Simone. In 2017, she released a solo album entitled Impossible Accomplice. She has contributed vocals to other artists’ projects and appeared on the 2017 series of Twin Peaks. Annie Hart was born on Long Island, New York. She has been in other groups including Uninhabitable Mansions, featuring members of Clap Your Hands Say Yeah, and collaborated as a composer with French band Air for their soundtrack to Les Voyages Dans La Lune. In 2017, she began releasing music under her own name apart from Au Revoir Simone and embarked on a world tour. She has appeared on screen along with the other members of Au Revoir Simone in Episodes 4[8] and 9[9] of the 2017 series of Twin Peaks. Her song, “Hard To Be Still,” appeared on episode one of the Netflix series, Gypsy, starring Naomi Watts. Au Revoir Simone is an American dream pop/synth-pop band from Williamsburg, Brooklyn, New York, formed in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D’Angelo (vocals/drum machine/keyboard). The band’s name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton’s 1985 film Pee-wee’s Big Adventure.[1] The group’s musical inspirations were compared by the band’s European label, Moshi Moshi Records, to “a dutifully mined musical thrift store”; these diverse influences include Modest Mouse, Stereolab, the Mountain Goats, Louis Prima, Pavement, the Beach Boys, Björk, Broadcast, Belle & Sebastian, David Bowie, Bee Gees and Billie Holiday.]

15. Nina Simone — “Seems I’m Never Tired Lovin’ You”
from: Nina Simone and Piano! / RCA Victor / 1969
[Born Eunice Kathleen Waymon, on February 21, 1933 and died in France on April 21, 2003. Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist. She worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. “Simone said she later found out from an insider at Curtis that she was denied entry because she was black.” To fund her continuing musical education and become a classical pianist, she began playing in a small club in Atlantic City where she was also required to sing. She was approached by Bethlehem Records, and her rendition of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected her classical background into her music as much as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.]

11:17

16. Sabina — “Won’t Let You Break Me”
from: Toujours / Bar None Records / March 24, 2014
[The singer of avant-garde electro-punk outfit Brazilian Girls, Sabina Sciubba is a multi-lingual artist whose music transcends both space and time. Across no less than five different languages, her straight talking debut solo album Toujours is a compelling, intimate, narcotic dreamscape you might call The Parisienne Velvet Underground and Nico, with a surprising sense of humour. “I photographed myself naked, sitting on a closet, like a French dresser,” she laughs describing the DIY semi-animated video for the album’s title-track. Paying homage to Pythonesque surrealism it sees Sciubba riding a donkey whilst playing a ukulele, wearing nothing but a smile. “The actual photos are ridiculous. My older son was looking at me like, ‘oh no, she’s lost it’.” Equally adept at casting opinion as well as writing songs, Sciubba is a modern day heroine, skilled in the art of elegant seduction. Cut from the same rebellious cloth as other uncompromising femme fatales Patti Smith or Madonna, whilst channelling the visual impact of Grace Jones and Bjork (one billowing outfit appeared to be a ventilation shaft, made of crepe), she is a fearless woman, whose passion for speaking her mind – in German, Italian, French, Spanish, and English – only enhances her sophisticated lo-fi pop music. Born in Rome to German and Italian parents, raised in Munich and Nice, and discovered in Hamburg at age 19 by virtuoso guitarist Antonio Foricone before relocating to New York to lend her stunningly sultry vocals to Brazilian Girls (incidentally one girl – Sciubba – and no Brazilians), the new album was written on guitars in Paris and has found Sciubba reunited with Brazilian Girls producer Frederick Rubens.]

17. Jacqueline Taieb — “7 Heures Du Matin”
from: 7 Heures Du Matin – Single / Impact / 1967
[Jacqueline Taïeb was born November 9, 1948 in Tunis, French protectorate of Tunisia. She is a French singer and songwriter of Tunisian descent. She achieved her greatest success as a pop and yé-yé singer in France in the 1960s. Taïeb arrived in France from Tunisia with her parents at age eight. She began composing songs with her guitar at 12 and in 1966 was discovered by a talent scout while Taïeb was singing with friends. After arriving in Paris, she was signed to Impact Records and released the song “7 heures du matin” in 1967, which became her biggest French hit. She was subsequently voted Best Newcomer at the inaugural Midem music festival in Cannes for the song. The song was about a bored teenage girl who doesn’t wish to go to school that day and fantasizes about rock and roll stars such as The Who and Paul McCartney. In the early 1970s, Taïeb took a break from recording. In 1988, she penned the song “Ready to Follow You”, which became an international hit for American singer Dana Dawson. The single sold more than 500,000 copies, and the album sold 300,000 in France alone.]

11:28

18. Miley Cyrus — “Twinkle Song”
from: Saturday Night Live / October 6, 2015
[Originally recorded for her 5th studio album, Miley Cyrus & Her Dead Petz, which was independently released on SoundCloud on August 30, 2015. Opting for an album relying less on computerized elements than her previous release, Bangerz (2013), Cyrus began planning the project in 2013 before Bangerz was released. Work continued into 2014 and 2015, when she befriended and began collaborating with the Flaming Lips. Without previous promotion, Cyrus announced that Miley Cyrus & Her Dead Petz was available for free online streaming when she hosted the 2015 MTV Video Music Awards, released independently. Cyrus has promoted the album with music videos for “Dooo It!”, “Lighter” and “BB Talk”, performances of “Karen Don’t Be Sad” and “Twinkle Song” when she hosted Saturday Night Live, and the Milky Milky Milk Tour in November and December 2015. Miley Ray Cyrus was born Destiny Hope Cyrus on November 23, 1992. She is an American singer, songwriter, and actress. After playing minor roles in the television series Doc and the film Big Fish in her childhood, she became a teen idol starring as the character Miley Stewart on the Disney Channel television series Hannah Montana in 2006. Her father Billy Ray Cyrus also starred on the series, which aired for four seasons until 2011. Cyrus has earned five number-one and eleven top-ten albums on the US Billboard 200, including releases credited as both herself and Hannah Montana.]

19. David Bowie — “Sorrow”
from: Pin Ups / RCA Records / October 19, 1973
[7th studio album by David Bowie, containing cover versions of songs. Pin Ups entered the UK chart on November 3 1973 the same day as Bryan Ferry’s covers album These Foolish Things and stayed there for 21 weeks, peaking at No. 1. According to co-producer Ken Scott, the LP was originally conceived as “a complete opposite of [Bowie’s] other albums”, consisting of all cover songs except one original composition, and mainly turned towards the US market since “he wanted to do songs that weren’t known as well in the States as they were in England”, yet eventually the plan was dropped. Pin Ups was the first of two “1960s nostalgia” albums that Bowie had planned to release. The second, which was planned to be called “Bowie-ing Out,” would have contained Bowie covering his favorite American artists, but was never recorded. Bowie also apparently considered making a Pin Ups sequel: he had compiled a list of songs he wanted to cover, some of which showed up on his later releases of Heathen (2002) and Reality (2003). In the album booklet, Bowie, writing in his own hand, describes Pin Ups as: “These songs are among my favorites from the ’64–67′ period of London. / Most of the groups were playing the Ricky-Ticky-Scene club circuit. / Some are still with us. / Pretty Things, Them, Yardbirds, Syd’s Pink Floyd, Mojos, Who, Easybeats, Merseys, The Kinks. / Love-on ya!”The woman on the cover with Bowie is 1960s supermodel Twiggy in a photograph taken by her then-manager Justin de Villeneuve. It was shot in Paris for Vogue magazine, but at Bowie’s request was used for the album instead. “Sorrow” was originally recorded by The Merseys.]

11:35 – Underwriting

20. Bert Kaempfert — “Wonderland By Night”
from: Wonderland By Night – Single / Decca Records / August 1960
[“Wonderland by Night” (German title “Wunderland bei Nacht”) is a popular song by Bert Kaempfert that was a Billboard #1 hit for 3 weeks, starting Jan 9, 1961. Written by Klaus-Günter Neumann with English lyrics by Lincoln Chase. It was Kaempfert’s 1st hit with his orchestra. The song featured Charly Tabor on trumpet. The original version of “Wonderland by Night” also crossed over to the R&B chart where it peaked at number five. Another cover, recorded and released by Louis Prima, also charted in the same year, reaching #15 on the Billboard charts. Anita Bryant’s version, which included orchestrations by Lew Douglas, reached #18 on the US Pop Chart. Berthold Heinrich Kämpfert, (Oct. 16, 1923-June 21, 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, arranger, & songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including “Strangers in the Night” and “Moon Over Naples”. Kaempfert’s own first hit with his orchestra had been in 1960, “Wonderland by Night”. Wonderland by Night, which was recorded in July 1959, couldn’t get a hearing in Germany. Instead, Kaempfert brought the track to Decca Records in New York, who released it in America in 1959 (or fall 1960); with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert and Orchestra into international stars. Over the next few years, he revived such pop tunes as “Tenderly”, “Red Roses for a Blue Lady”, “Three O’Clock in the Morning”, and “Bye Bye Blues”, as well as composing pieces of his own, including “Spanish Eyes (Moon Over Naples)”, “Danke Schoen”, and “Wooden Heart”, which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley. For Kaempfert, little may have brought him more personal satisfaction than Nat King Cole recording his “L-O-V-E”. As a producer, Kaempfert also played a part in the rise of The Beatles when he signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides. He auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: “Ain’t She Sweet”, sung by rhythm guitarist John Lennon and the instrumental “Cry for a Shadow”, co-written by Lennon and lead guitarist George Harrison. Kaempfert’s recording of the Beatles, even as a backing band for Sheridan, provided an impetus to their subsequent success, even though none of the Kaempfert-recorded sides resembled the music for which they became famous. On October 28, 1961, a man walked into the music store owned by Brian Epstein to ask for a copy of “My Bonnie”, recorded by the Beatles (but, actually credited to Tony Sheridan). The store did not have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out, he personally followed up on it. This event led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records after getting clear of any contractual claim by Polydor. Jimi Hendrix included the melody of “Strangers in the Night” in his improvised guitar solo for his famous guitar-burning version of “Wild Thing” at the 1967 Monterey Pop Festival.]

11:41

21. Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Society – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.” The synth groove in “Make Me Feel” was played at one of Prince’s parties years prior to its inclusion in the single, as confirmed by Prince’s DJ, Lenka Paris.]

22. Jimmie Spheeris – “Open Up”
from: Original Tap Dancing Kid / Columbia / 1973
[2nd studio album from Jimmie Spheeris (Nov. 5, 1949-July 4, 1984). He was an American singer-songwriter who released 4 albums in the 1970s on Columbia and Epic Records. He was of Greek descent. He was brother of film director & producer Penelope Spheeris, and cousin of musician Chris Spheeris and film director Costa Gavras. Jimmie (James) Spheeris was born in Phenix City, Alabama, to Juanita ‘Gypsy’ and Andrew Spheeris, who owned and operated a traveling carnival called the Majick Empire. These childhood years of colorful transience were a major influence on later work, as evidenced in songs such as “Lost in the Midway” and “Decatur Street,” among others. Spheeris had two sisters, Penelope and Linda, and a brother, Andy. After his father was murdered by a “belligerent carnival-goer,” Gypsy Spheeris moved the family to San Diego, CA. The family eventually settled in Venice, California. Gypsy Spheeris tended bar at an establishment on Main Street called The Circle. Spheeris moved to NYC in the late 1960s to pursue and develop his songwriting career. The liner notes on his debut album credit friend and fellow songwriter Richie Havens, who introduced Spheeris to Columbia Records executive Clive Davis. Davis signed Spheeris to a 4 album recording contract and his debut album was released on Columbia. Spheeris’ 1971 debut album, Isle of View, garnered a devoted following and FM radio airplay, notably for the song “I am the Mercury.” His 1973 album, The Original Tap Dancing Kid, was followed by a period of extensive concert touring. Spheeris returned to the recording studio in 1975 with The Dragon is Dancing and released Ports of the Heart in 1976. After Ports of the Heart, Spheeris had no recording contract. Except for a 1980 single, “Hold Tight,” Spheeris released no new material through a major record label. Spheeris died at the age of 34 in Santa Monica, CA, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.[5] Hours before his death, Spheeris finished the self-titled album, Spheeris, which was produced by Paul Delph. This final album was not publicly released for 16 years. Delph would later record two of Spheeris’ songs for his final album A God That Can Dance.

11:47 – Original Spoken Word Piece by Nico Gray about his father Terry Edward Gray, 84, who passed away on March 7, 2018 in Harrisonville, Missouri, surrounded by his family.

11:57

23. Sinéad O’Connor — “Kyrié Eléison”
from: Faith and Courage / Atlantic / June 13, 2000
[5th full-length album by Irish singer Sinéad O’Connor. It was O’Connor’s first release in three years, her previous album being the greatest hits package So Far… The Best of Sinéad O’Connor in 1997, plus it was her first studio album in six years. O’Connor composed a majority of the tracks on Faith and Courage and production duties were shared by a variety of artists including Wyclef Jean, David A. Stewart, Brian Eno, Kevin “She’kspere” Briggs, Anne Preven and Scott Cutler among others. The album sold 1,000,000 copies worldwide and was certified gold in Australia in 2000. As of 2014, sales in the United States have exceeded 219,000 copies, according to Nielsen SoundScan. Magda Davitt was born Sinéad Marie Bernadette O’Connor December 8, 1966. She rose to fame in the late 1980s with her debut album The Lion and the Cobra. As Sinéad O’Connor, she achieved worldwide success in 1990 with a new arrangement of Prince’s song “Nothing Compares 2 U”. Since then, while maintaining her singing career, she has occasionally encountered controversy, partly due to her statements and gestures—such as her ordination as a priest despite being a woman with a Roman Catholic background—and her strongly expressed views on organised religion, women’s rights, war, and child abuse. In addition to her ten solo albums, her work includes many singles, songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. In 2017, O’Connor said that she had changed her legal name to Magda Davitt.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

Next week, on April 4 Austin Williams and his band Ten Thousand One join us live in our 90.1 FM studios. Also the band Olivia Fox will join us to share their new music, and Artist Ryan Wilks joins us to share the latest news about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

Wednesday MidDay Medley presents Howard Iceberg + Nico Gray

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

Mark plays more New & MidCoastal Releases from: Kadesh Flow, Howard Iceberg & The Titanics, Kid Computer, Sinple, Khrystal., MorMor, Lucy Dacus, and The Decemberists.

Howard Iceberg

At 10:30 Howard Iceberg shares music from his new album, Netherlands, prior to his Album Release show at The Ship, 1217 Union, in the West Bottoms, KCMO, on Thursday, March 29, 7:00 to 09:00 pm, with three sets of music and lotsa special guests. This show is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups. For Netherlands Howard Iceberg teamed up with jazz artists: Rich Hill, Bryan Hicks, and Gary Cradle, Dan Bliss, Betse Ellis, Charles Perkins, Camry Ivory, Marco Pascolini, Phil Wade, Jeff Freling, Chad Rex and more. Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

Nico Gray

At 11:00 Mark welcomes Nico Gray who joins us as a Guest Producer for our second hour. Nico is an area marketing specialist, writer and actor. He is a frequent contributor to Wednesday MidDay Medley. Nico will play tracks from: Orchestral Manoeuvres In the Dark, Annie Hart, Nina Simone, Sabina, Jacqueline Taieb, Miley Cyrus, David Bowie, Bert Kaempfert, Janelle Monáe, Jimmie Spheeris, Sinéad O’Connor, and INXS.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

WMM Playlist from March 21, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 21, 2018

New & MidCoastal Releases + CS Luxem
+ Guest Producer Brenton Cook

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Y god Y – “Tired”
from: Tired – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro pop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

[Y god Y play Granada Theatre, 1020 Mass. Lawrence, KS. Sat. April 28, 7:PM, opening for Hembree w/ Dreamgirl.]

[Y god Y play The Rino, 314 Armour Rd, North KC, Sat, May 5, w/ Digisaurus and Nublvckcity]

3. Westerners – “Dog Years”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Brian Robertson. Westerners signed to Kansas City independent label The Record Machine in 2015.]

[The Westerners play Replay 946 Mass. St. Lawrence, KS. Thirsday, March 22, at 10:00 PM, opening for Illuminati Hotties, (from LA), with Grim Repeater.]

[The Westerners play recordBar, 1520 Grand, Mon. March 26, 9:PM opening for Pujol w/ The Whiffs]

[The Westerners play Riot Room, 4048 Brdwy, Wed. April 4, 7:30 PM opening for Tancred w/ Mess]

4. Jim Button & the Beholders – “Paradise”
from: Paradise EP / High Dive Records / February 23. 2018
[Kansas City based 4-piece band formed in June 2017. Jim Button on lead vocals & guitar, Vincent Lawhon on guitar & bass, Jerad Meadows on drums & backup vocals, Bryan Koehler on backup vocals & percussion; with Ehren Starks on keyboards, organs, & mellotron. The EP was recorded & mixed by Vincent Lawhon at Element Recording Studio, Kansas City, MO. Mastered by Jim Button. Album artwork by Jim Button. All songs written by Jim Button (ASCAP). Performed by Jim Button & the Beholders. Songs published by Infinite Beholder Music (ASCAP). This is the second EP from Jim Button & the Beholders. The band released their debut EP,Time Never Lies EP on November 3, 2017. ]

[Jim Button & The Beholders play The Brick, 1727 McGee Street KCMO, on Friday, March 30, at 10:00 pm w? Fullbloods for the CS Luxem Album Release Show.]

10:11 – Interview with Christopher Luxem

CS Luxem

Lawrence Kansas based musician CS Luxem has just released his debut album SYMPTOMS through Whatever Forever. The album was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators. SYMPTOMS is the very first vinyl release for Whatever Forever and is their 40th release. CS Luxem plays The Brick, 1727 McGee Street KCMO, Friday, March 30, at 10:00 pm with Fullbloods, and Jim Button & The Beholders. More info at: http://www.whatevertapes.com

CS Luxem, thanks for being with us on Wednesday MidDay Medley

CS Luxem was born in Topeka, has lived in New York City, has toured all over the country and internationally, and is based in Lawrence, Kansas where he also works at Raven Book Store, 6 East 7th Street.

We were surprised to read that this was CS Luxem’s first full length album. He has been recording and releasing music since 2010. (Even as far back as 2005 if you count his early self produced DIY projects.) CS Luxem has been part of several various split releases with other touring artists, EP’s, singles, and collaborations with other bands including The Oils.

CS Luxem writes that Symptoms is about traveling, first loves, Chicago, New York City, dogs, feet, hands, the Oracle of Delphi, letting go, and getting out of your own way.

11:19

5. CS Luxem – “Let Me Go On” (LIVE)

Also Available on Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

The album was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators.

Engineer Joel Martin “sculpted” sounds as CS Luxem has always heard them in his head.

CS Luxem backing band is currently:
James Thomblison (also of Arc Flash)
Joel Martin (we were both in Your Friend briefly…he also is in Y god Y)
Mitchell Hewlett and Josh Hartranft (also in Westerners and MaceMouth)

10:25

6. CS Luxem – “Own Way” (LIVE)

Also available on Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

CS Luxem – SYMPTOMS

Album notes: CS Luxem’s debut album SYMPTOMS opens the listener to a Wes Andersen-esque surreality dealt to praise the everyday and psych out the suits we ought follow. Thoroughly studied in a spectrum of schools including Harry Nilsson, The Temptations and Arthur Russell, the album entices us all to be in our most natural state, of love, and of dance.

Album Notes: CS Luxem has been most places. He and his music are light even at their heaviest and heady even at their lightest. And it’s contagious! His distinct vocals and exuberant rhythms are the core of his sound. Whether it be his polished pop jewels or his deep tidal pools of synthesized noise, CS Luxem entrances and invigorates the spirit. Instrumentation ranges from solo vocals with acoustic guitar, to a looping and effects station with electric guitar, to a full rock band with synthesizer, bass and drums. The versatility empowers this performer to vibe as the ambient canvas of an upscale function, as the hope-bearing minstrel at a retirement home, as the dive bar ultra party, and definitely as the scenester’s favorite house show act.

10:35

7. CS Luxem – “Space”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

8. CS Luxem – “Heal Support”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

SYMPTOMS is the very first vinyl release for Whatever Forever and is their 40th release.

Rolf Petermann told us that founders of Whatever Forever have planted a 1 acre garden, which Bobby Sauder is managing! Still to come is a stage and pizza oven, which will harken back to their former house-venue called Pizza Power, where guests would bring toppings as well as donations for the bands.

10:43

9. CS Luxem – “Feed The Dogs” (LIVE)

Also available on Symptoms / Whatever Forever / February 17, 2018
[First full length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

CS Luxem, thanks for being with us on Wednesday MidDay Medley

CS Luxem plays The Brick, 1727 McGee Street KCMO, Friday, March 30, at 10:00 pm with Fullbloods, and Jim Button & The Beholders. More info at: http://www.whatevertapes.com

10:48 – Underwriting

8. Timbers – “Rosalee”
from: Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

[Timbers play an Album Release Show, Saturday, March 24, 8:PM, at The Westport Saloon, 4112 Pennsylvania, KCMO with The Coountry Duo, Cowtown Country Club, and Bob Kamler Band.]

9. The Black Lips – “Squatting in Heaven”
from: Satan’s Graffiti or God’s Art? / Vice Music / May 15, 2017
[8th studio album from Atlanta flower punk pioneers. Produced by Sean Lennon at his studio compound in upstate New York throughout 2016. During the recording the band isolated themselves from the outside world, infusing the album with a focused liveliness similar to the spirit that brought them together in the first place. On Satan’s graffiti or God’s art? founding members Cole Alexander and Jared Swilley teamed with former guitarist Jack Hines (who played in the group from 2002-2004) and recent additions Oakley Munson on drums and Zumi Rosow on saxophone. The album also features contributions by Saul Adamczewski of Fat White Family and guest vocals by Yoko Ono. Black Lips were born of DIY ethic, working their way from sweaty basement shows in Georgia to huge crowds at international music festivals (including a performance at Fun Fun Fun Fest that appears in Terrence Malick’s film Song to Song) to tours in such far flung locales as India, Jordan, Cyprus, Egypt, Lebanon, Iraqi Kurdistan, the United Arab Emirates, and many more.]

[The Black Lips play Voodoo Lounge at Harrah’s Casino North, One Riverboat Dr. KCMO, Wed. March 21, at 8:00 PM with The Black Angels.]

10. The Black Angels – “Death March”
from: Death Song / Partisan Records / April 21, 2017
[American psychedelic rock band from Austin, Texas. They have released four studio albums and one compilation album. Their name is derived from the Velvet Underground song “The Black Angel’s Death Song.” Current members include: Stephanie Bailey on drums, percussion, bass; Christian Bland – guitar, vocals, bass, drums; Alex Maas – vocals, bass, guitar, keyboards; Kyle Hunt on keyboards, percussion, bass, guitar; Jake Garcia on guitar, bass, vocals.]

[The Black Angels play Voodoo Lounge at Harrah’s Casino North, One Riverboat Dr. KCMO, Wed. March 21, at 8:00 PM with The Black Lips.]

11:00 – Station I.D.

11:00 – Guest Producer Brenton Cook

Brenton Cook

For our second hour our friend Brenton Cook joins us as a Guest Producer playing music from artists he witnessed at SXSW 2018 in Austin, Texas, this past week and weekend. Some of the bands Brenton will be featuring are: The Urban Renewal Project, Post Animal, Durand Jones and The Indications, The Rotten Mangos, Essaie Pas, Lou Rebecca, and Anna Burch. Brenton Cook is the curator at Outer Reaches, and owner of Haymaker Records a Kansas City based independent label he formed in 2014. Brenton Cook has also produced three extensive compilations of area music for the Midwest Music Foundation. More info at: http://www.haymakerrecords.net

Brenton Cook, Thanks for being with us on Wednesday MidDay Medley

11:03

13. Sego – “Whatever Forever”
from: Whatever Forever” – Single / Dine Alone Records / September 14, 2017
[Los Angeles based Sego is Spencer Petersen and Thomas Carroll. Both were birthed in the burgeoning Provo, Utah music scene. However, finding inspiration in the dissonance that the towering structures and bustling city offers over the mountains and relative quiet of Provo, both relocated to an old pasta factory in downtown LA. Through various projects together, both founding members uncovered their distinct sound: lazy, grungy guitars with digital overlays and refreshingly honest lyrics. The band’s debut album, Once Was Lost Now Just hanging Around, came out March 4, 2016 and surprises with angular guitars, complex arrangements and musings from an 80’s kid contemplating the void left from the misguided hope of our youth.]

11:07

14. Post Animal – “Special Moment”
from: When I Think of You in a Castle / Polyvinyl / Expected April 20, 2018
[Chicago-based Post Animal are a band of brothers. Though they formed in 2014 and just began touring in 2017, their affinity for slick riffs, pop hooks, and psychedelic tendencies join them in a bond much tighter than their years suggest. Initially formed when childhood friends, bassist Dalton Allison and guitarist Matt Williams, met keyboardist and guitarist Jake Hirshland, the band’s sound began to take shape when the three enlisted some more pals from both the Chicago music scene and through their time working at local burger joints. Rounding out the band’s lineup, Post Animal is completed by drummer Wesley Toledo and guitarists Javi Reyes and Joe Keery.]

11:13

15. The Rotten Mangos – “Take Care When the Wind Blows”
from: Couldn’t Find A Word / The Rotten Mangos / December 1, 2017
[McAllen, TX based 2-piece band of Cristian Sigler on drums, & Ramiro Verdooren on guitar & vocals]

11:16

16. Anna Burch – “With You Every Day”
from: Quit The Curse / Polyvinyl / February 2, 2018
[Debut Album of Detroit singer/songwriter Anna Burch, who is a veteran of the music scene from her years in the bands: Frontier Ruckus, and Failed Flowers. Burch’s fixation with music transitioned from a childhood of Disney and Carole King sing-alongs to more typically angsty teenage years spent covering Bright Eyes and Fiona Apple at open mic nights. By 18 she was deep into the lifestyle of the touring musician, juggling all the regular trials and changes of young life while on a schedule that would have her gone for months on end. After a few whirlwind years of this, exhausted and feeling a little lost, she stepped away from music completely to attend grad school in Chicago. This respite lasted until 2014 when she moved to Detroit and found herself starting work in earnest on solo songs she’d been making casual demos of for a year or so. “Writing songs that I actually liked for the first time gave me a feeling of accomplishment,” Burch said, “Like, I can do this too! But working with other musicians and hearing the songs go from sad singer/songwriter tunes to arranged pop songs gave me this giddy confidence that I’d never felt before.” Anna continues, “To me this album marks the end of an era of uncertainty. Writing songs about my emotional struggles helped me to work through some negative patterns in my personal life, while giving me the sense of creative agency I’d been searching for.”]

11:23

17. Hi-Lux – “Take Me Where You Are”
from: Hi-Lux – EP / Hi-Lux / February 1, 2018
[Originally released as a single on August 15, 2017. Now included in this 6 song EP. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays The Zoo Bar, 136 North 14th St., Lincoln, NE. Saturday, March 31, at 9:00 PM]

11:27 – Underwriting

11:29

18. The Urban Renewal Project – “Newsflash (feat. Elmer Demond)”
from: 21st Century Ghost / Fastrac Records – Resonance Records / September 15, 2017
[THE URBAN RENEWAL PROJECT is a dynamic young band out of Los Angeles, playing an original mix of pop, jazz, soul and hip-hop. Since 2010, the 15-piece ensemble has teamed up with singers and rappers to blend the hip-shaking grooves and deep pocket of today’s music with face-melting horn lines and fiery improvisation from big band jazz. Their signature sound has blown away audiences from New York’s Rockwood Music Hall to the San Jose Jazz Summerfest and beyond. Their debut release on Fastrac Records (a new division of Resonance Records, the acclaimed archival jazz label), 21st CENTURY GHOST, is a genre-bending meditation on isolation in the era of hyperconnectivity, with nine guest vocalists. The band includes: R.W. Enoch, Jr. — composer, arranger, tenor saxophone, Bb clarinet, fender rhodes, hammond m3, roland jd-xi, xylophone, editing; Brian Clements — soprano saxophone, piccolo, flute, Bb clarinet; David Wise — alto saxophone, flute; Matt Ballard — baritone saxophone, Bb clarinet, bass clarinet; Mitch Cooper — trumpet, flügelhorn; Elliot Deutsch — trumpet, flügelhorn; Brina Simon — trumpet, flügelhorn; Evan Mackey — trombone; Lindsay McMurray — trombone; Michael King — bass trombone; Tim Friedlander — acoustic guitar, electric guitar; Dustin Morgan — double bass, electric bass, fretless bass, vocals; Satoshi Kirisawa — drum set, congas, bongo, tambourine, shaker, zil. Special Guest Vocalists: Alex Nester, Elmer Demond, Camp Lo, Gavin Turek, Hugh Augustine, T.J. Wilkins, Amber Navran. Additional Musicians: Nic Sednew — trumpet (hide); Ramsey Hampton — trombone (armor love); Robert Todd, Jr. — bass trombone (hide); Marc Bolin — sousaphone (another day); Adam Wolf — horn; Lisa Mc Cormick — horn; Chris Wilson — horn; Max Otto — horn; Brandon Covelli — fender rhodes (here at night); Michael Deutsch — timpani; Daniel Castellaneta — congas, bells, wood blocks, clave, tambourine, shakers, triangle.]

11:35

19. Durand Jones and The Indications – “Make A Change”
from: Durand Jones & The Indications / Dead Oceans – Colemine Records / Sept. 8, 2016
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on our record label, Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sun, April 8, at 7:00 w/ Instant Karma]

11:40

20. Lou Rebecca – “Too Late (Everybody Died)”
from: Lou Rebecca – EP / HOLODECK Records / January 12, 2018
[Synthpop duo of: Lou Rebecca & Josh Mills, originally from Paris, France, currently residing in Austin, TX.]

11:45

21. Essaie Pas – “Futur Parlé”
from: New Path / DFA / March 16, 2018
[Emerging from Montreal’s sprawling electronic scene, the duo – Marie Davidson and Pierre Guerineau– feel completely free to express themselves, to sketch out hitherto unmapped musical regions. “Essaie Pas has always been about exploring new territories” explains Pierre. “From the very first tapes, to the last one. We don’t want to do the same thing over and over again, – we just need to keep it exciting and to challenge ourselves. Take those experiences, open new boxes and see what happens.” ‘New Path’ takes this one step further. The duo’s fifth album to date – and second on powerhouse label DFA Records –is loosely based on Philip K. Dick’s A Scanner Darkly, a classic of dystopian science fiction. “I read the book a long time ago, maybe 15 years ago, and it had a strong impression on me,” explains Pierre. “In our previous work we always looked to music as inspiration in our lives, but this time we felt the desire to try something different, that’s not based on ourselves but on someone else’s universe. It was going to be more conceptual, more political.” .]

11:48

22. Boy Harsher– “Westerners”
from: Country Girl (extended version) – EP / Boy Harsher / March 16, 2018
[Augustus Muller develops the underbelly of sound with minimal beats and grinding synths, where Jae Matthews whispers, screams and chants on top. Together, the music created is somewhere between industrial, drone and confessional storytelling. Muller and Matthews both have a strong background in film and their cinematic approach translates effectively in both their recordings and live performance. Boy Harsher started in early 2013 under the name Teen Dreamz. The project was based on short stories written and read by Matthews then live scored by Muller. As the project matured the instrumentals became more dance influenced and Matthews’ delivery became more dynamic and spontaneous. In January of 2014 Teen Dreamz took on the moniker Boy Harsher. Boy Harsher currently resides in Northampton, Massachusetts. ]

[Boy Harsher plays The Riot Room Patio, April 3, at 8:00 PM with Agony Machine]

11:56

23. Kraus – “Games”
from: Path / Terrible Records / March 9, 2018
[Will Kraus is an New York City based musician and member of the defunct band Weed.]

Brenton Cook, Thanks for being with us on Wednesday MidDay Medley

Brenton Cook is the curator at Outer Reaches, and will be back on the show on April 18. Haymaker Records a Kansas City based independent label he formed in 2014. Brenton Cook has also produced three extensive compilations of area music for the Midwest Music Foundation. More info at: http://www.haymakerrecords.net

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 28, Howard Iceberg joins us LIVE in our 90.1 FM Studios to share music from his new album, Netherlands. Plus, Nico Gray joins us as Guest Producer for our second hour.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #726

WMM Playlist from January 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 31, 2018

The MidCoast Sound and The Super Blue Blood Moon
+ Betse Ellis + Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. Chris Meck & The Guilty Birds – “Destination Revolution”
from: Destination Revolution – Single / Independent / January 20, 2017
[A new music video from the band featuring this song premiered January 20, 2017. Recorded by Chris Meck, down the rabbit hole at Whisker Gables, Kansas City, MO. Mastered by Chad Meise at Massive Sound Studios, Shawnee, KS. KC based trio with Chris Meck on lead guitar & vocals, Michelle Bacon on drums, and Calandra Ysquierdo on bass guitar & vocals. Chris Meck and The Guilty Birds released their debut full-length, It’s 4 A.M. Somewhere, on April 8, 2016]

[Chris Meck & The Guilty Birds play the MidCoast Takeover Fundraiser Part 2, at recordBar, 1520 Grand, Saturday, February 24, at 9:30 PM with Broken Arrows and Headlight Rivals to benefit MidCoast takeover organized by The Midwest Music Foundation.]

3. Sleeping At Last – “January 31, 2018: Super Blue Blood Moon”
from: January 31, 2018: Super Blue Blood Moon – Single / Asteroid B – 612 / Jan 28, 2018
[Musical project led by singer-songwriter & multi-instrumentalist Ryan O’Neal. The project initially began in Wheaton, Illinois as a 3-piece band with Ryan O’Neal as the lead singer and guitarist, his brother Chad O’Neal as the drummer, and Dan Perdue as the bassist. The band independently recorded their debut album, Capture in 2000, which they used to attract the attention of Smashing Pumpkins frontman Billy Corgan, who helped them get signed to a major record label Interscope Records. The band released their first and only major label album, Ghosts in 2003, before going independent again and releasing Keep No Score in 2006, and Storyboards in 2009. In the years following the release of their first four albums, both Chad O’Neal and Perdue would both leave the band to pursue other interests. Ryan O’Neal chose to retain the use of the band’s name for his solo work from that point on, but opted to focus on single songs and short EPs than any further traditional albums.]

10:05:30 – Intro

Early this morning of January 31, we have experienced a full moon, a total lunar eclipse, a blue moon and a super moon. All incredible, and even more exciting because they all happened at the same time. We just heard a new composition from Chicago musican and composer, Sleeping At Last, the musical project of Chad O’Neal, and his brand new song called, “January 31, 2018: Super Blue Blood Moon” written for this moment in time.

Today on this Super Blue Blood Moon day we bring you “The MidCoast Sound,” new and area musical releases from: Howard Iceberg & The Titanics, Calvin Arsenia, RUBEO, Krystle Warren, Bobby Watson, Khrystal., KD Kuro, Betse & Clarke, Sara Morgan, Rachel Mallin & The Wild Type, Victor & Penny, Truckstop Honeymoon, Chase the Horseman, Fathers, and Sara Swenson. We started w/ Chris Meck and The Guilty Birds,

And joining me for the entire show is Betse Ellis and Marion Merritt.

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and now is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016, and last year they released a new full length recording on cassette called Tunes We Like, part of WMM’s 117 Best Recordings of 2017.

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 14 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri, featurinh new vinyl releases, weekly in-store performances from young and upcoming bands, and last fall was the location for a wedding. More information at: http://www.recordwithmerritt.com

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. In just a few weeks 90.1 FM KKFI will be celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project.

YOU are the reason we are able to stay alive.

Along with all of the music, in the last 12 months, WMM has interviewed 200 guests: Kemet The Phantom, D Rashawn Gilmore, Steve Tullipana, Madisen Ward and the Mama Bear, Krystle Warren, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Calvin Arsenia, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Shortsweather, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Savage, Jesslay Huh, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Johnny Hamil, Chad Meise, Marco Pascolini, Mikal Shapiro, Chris Haghirian, Nathan Reusch, Ivory Black, Spencer Brown, Aaron Rhodes, The Sleazebeats (Charlie Colbourne, Bill Belzer), Jen Harris, Ryan Wilks, Jennifer Appell, Beth Marshall, Jon “Piggy” Cupit, Ron Megee, Calvin Arsenia, Janet Henry, Michael McQuary, Nico Gray, Red Kate (Shawn Saving, Shaun Hamontree), Raves Arey, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Brenton Cook, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, Shaun Crowly, Marion Merritt, John Craige, Megan Slankard, The Jellyman’s Daughter (Graham Coe, Emily Kelly, and Paul Gilbody), Jennifer McCartney, Autumn McCartney, Amy Marcus, Susanna Lee, Michelle Bacon, Kyle Dahlquist, Vanessa Severo, Amy Farrand, Tim Finn, Fally Afani, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Philip blue owl Hooser, Barry Lee, & Whitney Boyd, Simone Briand, Emma Carter, Mackenzie Goodwin, Vigthor Zophoniasson & Lauren Braton, Salar Rajabnick, Barbara Eubank, Samn Wright, Caitlin Jemma & Bart Budwig, Michael McQuary, David Wayne Reed, Barclay Martin, Rabbi Moti Rieber, Crystal Clayton, Howard Iceberg, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Promise Clutter, Chris Meck, Teri Quinn, Mirina Landry, Victor & Penny (Erin McGrane & Jeff Freling), Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:16

4. Howard Iceberg & The Titanics – “Walkin’ In Milwaukee”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on piano & harmony vocals, Bryan Hicks on stand-up bass & harmony vocals, Gary Cradle on percussion, Dan Bliss on guitar, and Betse Ellis on violin. Howard Iceberg calls this album, “More songs from another time and place. This time around, a story album. Not mine, but that of spirits both close and far. Help from Durrell and Hemingway. The stories fleshed out by some of KC’s jazz cats, not to mention the usual suspects. I keep my eyes open and my mouth shut (heh heh). Imagining I am seeing the arc of love and the arc of life more clearly with the years. Waiting for a train.” Howard Iceberg on vocal, guitar, harmony vocals; Rich Hill on piano, organ, electric piano, trombone, accordion, harmony vocals; Bryan Hicks on standup bass, electric bass, harmony vocals; Gary Cardile on percussion; Doug Auwarter on drums; Dan Bliss on guitar; Camry Ivory on vocals, harmony vocals; Charles Perkins on sax, flute; Betse Ellis on violin, Marco (Macro) Pascolini on baritone guitar, pedal steel; Phil Wade on dobro; Jeff (Jeff Eff) Freling on guitar; Chad Rex on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

[Howard Iceberg plays an Album Release show at The Ship, March 29. Proceeds to benefit Care Beyond the Boulevard a non-profit providing medical & social services to homeless and vulnerable groups.]

5. Betse & Clarke – “Highway Man”
from: Tunes We Like / Betse & Clarke / September 13, 2017
[Highway Man is from Bill (Willie) Bilyeu, part of a large musical Ozark family, that includes Mark Bilyeu, a good friend to Betse & Clarke. Betse learned this tune specially for an Ozark Heroes weekend the duo did with The Creek Rocks (comprised of Mark and his wife, Cindy Woolf). On the track Betse plays standard fiddle and Clarke plays guitar. Released only in analog on cassette featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections played by the Brushy Creek String Band, with Brett Hodges on guitar and Alex Mallett on bass. Produced as the first in a series of instrumental recordings. Betse & Clarke will continue this model, with plans to record on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format. Recorded by Wyatt live with no overdubs at home in KCMO, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. In 2016 Betse & Clarke released ”River Still Rise.”]

[Betse & Clarke will be performing Love Songs in Downtown St. Joe, with Under The Big Oak Tree, on Saturday, February 3, at 2:00 pm, at the Paradox Coffee & Theatre, 107 S. 6th Street, Saint Joseph, Missouri as part of the Handpicked seasonal concert series.]

[Betse & Clarke and Under The Big Oak Tree play The Brick, Mon, Feb 5, at 6pm for Rural Grit Happy Hour.]

[Betse & Clarke will also be instructors at the 2018 Louis Jay Meyers Music Camp, February 16, 17, and 18 at the Sheraton Kansas City Hotel at Crown Center as part of Folk Alliance International Conference. http://www.folk.org]

6. Victor & Penny – “Wake Up Early”
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Written by Erin McGrane and Jeff Freling. Recorded mixed and mastered by Duane Trower at Weights & Measures Soundlab. Erin McGrane on ukulele & vocals, Jeff Freling guitar & vocals, featuring James Issac on clarinet & soprano sax, Kyle Dahlquist on trombone, glokenspiel & vocals, Jeff harshbarger on upright bass, and Brian Steever on drums. Sleve design by Marco Pascolini. EAT.HEAR.RECORDS. 1520 Grand Ave. KCMO 64108 http://www.therecordbar.com]

[Victor & Penny and the Loose Change Orchestra play Swing Night at the Chesterfield, 1400 Main St, Kansas City, Missouri, Friday, February 2, at 8:30 Beginner Swing Dance lessons, 9:00 Victor & Penny]

[Victor & Penny and the Loose Change Orchestra will join famed composer and musician David Amram for David Amram: A Musical Life, interviewed by Chuck Haddix, Tuesday, February 13 at 7 PM, at The Olathe Public Library, 201 E Park St, Olathe, Kansas]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

7. Fathers – “Solamente”
from: “Solamente” – Single / Fathers / 2017
[One of 3 songs recorded from new 8-piece band, formed in 2017, Kenneth Storz on lead vocals, guitar, & keys; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, & percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers plays Sound Machine KC, Friday, February 16, at 7:00 pm, at recordBar, 1520 Grand, with Pink Royal, y god y, and The Fey (from Lincoln, Nebraska).]

We heard from Betse & Clarke in that last segment. Betse has been part of the KC Music Community for nearly 30 years now, and through most of those years she has made appearances on 90.1 FM as a musician. She has been a frequent guest on Wednesday MidDay Medley, River Trade Radio, and Signal to Noise with Barry Lee. She has emceed special KKFI fundraisers, and was the music director of Wednesday MidDay Medley’s LIVE stage version of A Story In A Song at the recordBar, and for the last 7 years she has been joining us during our on-air fund-drive shows to encourage our listeners to donate

Today’s show is our 719th consecutive weekly show. Last Fall we celebrated our 700th show, representing 1406 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists.

To say we’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 200 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 719 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves.

10:35 – Underwriting

8. Calvin Arsenia – “Back To You”
from: Caviar EP/ Calvin Arsenia / December 5, 2017
[Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On Februay 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe. Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Calvin released Live at Greenwood Social Hall from his June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. In the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin teaches music. Calvin is a graduate of Artist INC.]

[Calvin Arsenia will be playing back up for Sara Swenson, in her early show at recordBar, 1520 Grand, Saturday, February 3, at 5:00 pm, with Jake Wells opening.]

9. Sara Swenson – “In A Field”
from: Sara Swenson / Sara Swenson / September 12, 2008
[Critically acclaimed singer songwriter Sara Swenson has released some of our most played and favorite recordings of the last 10 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two Kansas City Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English and Journalism Teacher in Platte County High School, and left the Kansas City music scene, and she flew off to the United Kingdom, where she got married. In the Spring of 2014, Sara returned to Kansas City and performed for the Folk Alliance International Conference. On July 18, 2014 Sara released Runway Lights her 4th studio album that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions. Produced by Don Chaffer in Nashville.]

[Sara Swenson plays early show at recordBar, 1520 Grand, Sat, Feb 3, 5:00 pm, w/ Jake Wells opening.]

10. Truckstop Honeymoon – “Go Go Go”
from: Big Things and Little Things / S. West & M. West / January 6, 2017
[Katie West & Mike West are based in Lawrence, KS, and were relocated here after Hurricane Katrina and the devastation of their home. Hollering with all their hearts over a five string banjo and a doghouse bass, Truckstop Honeymoon live the life they sing about. Touring across three continents with four kids and a truck load of songs, Katie and Mike West tell stories about the strangeness of everyday life. Their music combines elements of bluegrass, music hall jazz and straight up rock’n’roll. Vaudevillian wit and showmanship spike their energetic live shows, while the fearless honesty of their songs touches the hearts of listners around the world. In eleven years Truckstop Honeymoon have released eight CDs and a full length documentary film on Baton Rouge label, Squirrel Records. They perform at International folk festivals, rock clubs, neighborhood bars, house concerts and hay barns from Nebraska to Tasmania. Truckstop Honeymoon’s story begins in New Orleans, where Katie played wash-tub bass and blues piano in the streets of the French Quarter. There she met Mike, who slung a banjo and sold his CDs to tourists as a curative for hangovers and small mindedness. After a court house wedding, they hit the road together. They spent their wedding night in a truckstop somewhere between Lafayette and the Atchafalaya Swamp, where Truckstop Honeymoon was born. More info at: http://www.truckstophoneymoon.com.]

[Truckstop Honeymoon play The Brick, 1727 McGee St., Kansas City, Saturday, February 3.]

We heard Calvin Arsenia, Sara Swenson, Mike and Katie West part of the Kansas City musical community of professional musicians who make their living making music, based in in Kansas City like our friend Betse Ellis, and also Kasey Rausch, who was one of the first musicians to play live on WMM almost 14 years ago. Kasey also co-hosts River Trade Radio with Mikal Shapiro, on Sunday Mornings at 9:00 Am on 90.1 FM KKFI. Kasey is one of many KC Professional Musicians, who take time away from their work and art to donate time to community radio as they host and produce some of KKFI’s finest radio programs, Including Jeff Hashbarger, Jason Vivone, Sam Wisman, Roger Wilder, Bob and Diana Suckiel, Gerald Dunn, Dwight Frizzell, Jessie Gilpin, Ernest James, and Mikal Shapiro.

We are The Voice of The Community

90.1 offers 104 different radio programs. 82 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio or television dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

10:56

11. KD Kuro – “JULES (feat. Domineko & Chase the Horseman (radio edit)”
from: Good-Luck / Kwame Boateng / August 1, 2017
[This track was produced by Chase the Horseman. KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper. He was born in Arlington, Virginia, and graduated from Olathe South High School in 2008. After attending Coffeyville Community College Kwame as KD Kuro started his rap career in 2012 and has been cultivating and refining his sound over the course of the last 5 years. Kwame grew up with musical influences like N.E.R.D and Missy Elliot that helped to mold the music he creates. His debut album was co-produced by Chase the Horseman and Nathan “Geesace” Gisecke. KD Kuro’s debut album is available at: http://www.kwamekuro.bandcamp.com] [KD Kuro Kwame Boateng & Chase The Horseman joined us live on WMM on Aug 2.]

[KD Kuro plays Three Headed Thursdays, at Replay Lounge, 946 Massachusetts St, Lawrence, Kansas, Thursday, February 1, at 10:00 PM with Khrystal., MetaWatt & TRS-One.]

11:00 – Station ID

12. Khrystal. – “dont be mad (free)”
from: The Glow Up / Khrystal. / September 1, 2017
[Produced & Written by Khrystal Coppage and Duncan Burnett. Follow up to Khrystal’s Debut EP From EP – Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g%5D

[Khrystal. plays Three Headed Thursdays, Replay Lounge, 946 Massachusetts St, Lawrence, Kansas, Thursday, February 1, at 10:00 PM with KD Kuro, MetaWatt & TRS-One.]

13. R U B E O – “XANAXIS”
from: XANAXIS – Single / R U B E O / October 17, 2017
[RUBEO is Joe Rubeo a Kansas City based Electronic Music Producer. Music and Lyrics by: RUBEO. Engineered and Produced by: Evan Bissel. RUBEO released the single “Another Life” on September 9, 2017. Joe Rubeo grew up in the Kansas City area. He went to Blue Valley Northeast High School, and studied Music and Theology at Manhattan Christian College. He also studied at Solar Energy International and works in the renewable energy field as a technician.]

[R U B E O plays The Rino, 314 Armour Rd, North Kansas City, Friday, February 2, at 7:00 PM, with Rachel Mallin & The Wild Type, and Brother Moses.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:14

14. Krystle Warren – “Move”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows last year.]

15. Bobby Watson – “The Guitarist ‘For Grant Green'”
from: Made in America / Smoke Sessions Records / April 21, 2017
[Grant Green was born in St. Louis, Missouri, June 6, 1935. He died January 31, 1979. Grant Green was an American jazz guitarist and composer. He first performed in a professional setting at the age of 13 as a member of a gospel music ensemble. His influences were Charlie Christian, Charlie Parker, Lester Young, and Jimmy Raney, he first played boogie-woogie before moving on to jazz. His first recordings in St. Louis were with tenor saxophonist Jimmy Forrest for the United label. The drummer in the band was Elvin Jones, later the powerhouse behind sax player John Coltrane. Green recorded with Elvin again in the early 1960s. Lou Donaldson discovered him playing in a bar in St. Louis. After touring together with Donaldson, Green arrived in New York around 1959–60. Recording prolifically and mainly for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable – perhaps more than any other guitarist.” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group with an organ and drummer. Apart from guitarist Charlie Christian, Green’s primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green’s playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although at his best he achieved a synthesis of this style with bop, he was essentially a blues guitarist and returned almost exclusively to this style in his later career. From Smoke Sessions Records on Made in America: Jazz great Bobby Watson celebrates some of the vital but less well-known contributions of African-Americans on Made in America, his first recording on Smoke Sessions Records. Saxophonist and composer Watson does his part to call attention to black pioneers in a variety of fields, from politics to pop culture, science to sports. These compositions are inspired by a few names that should be familiar to jazz fans, Sammy Davis, Jr., and Grant Green, but also by more obscure historic figures such as Wendell Pruitt, Butterfly McQueen, Major Taylor, Madam C.J. Walker, Isaac Murphy, Bass Reeves, and Dr. Mark Dean. Watson explains, “This project has been a history lesson for me and I hope it will be a history lesson for the listeners.” From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs, Kansas, and Kansas City, Kansas. He attended the University of Miami with fellow students Pat Metheny, Jaco Pastorius and Bruce Hornsby. After graduating in 1975, he moved to NYC and joined Art Blakey’s Jazz Messengers. He performed with the Messengers from 1977 to 1981. After the Jazz Messengers, Watson work with many notable musicians, including: drummers Max Roach and Louis Hayes, fellow saxophonists George Coleman and Branford Marsalis, multi-instrumentalist Sam Rivers and trumpeter Wynton Marsalis. In addition, Watson has served in a supporting role for a number of vocalists including: Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter, and Carmen Lundy, and has performed as a sideman with Carlos Santana, George Coleman, Rufus and Chaka Khan, Bob Belden and John Hicks. Later, in association with bassist Curtis Lundy and drummer Victor Lewis, Watson started the first edition of Horizon, an acoustic quintet modeled after the Jazz Messengers but with its own slightly more modern twist. In addition to his work as leader of Horizon, Watson also led a group known as the High court of Swing (a tribute to the music of Johnny Hodges), The Tailor-Made Big Band (16 pieces in all) and is a founding member of the 29th Street Saxophone Quartet, an all-horn, four-piece group with alto saxophonist Ed Jackson, tenor saxophonist Rich Rothenberg, and baritone saxophonist Jim Hartog. Watson also composed an original song for the soundtrack of Robert De Niro’s A Bronx Tale (1993). A resident of New York for most of his professional life, Watson served as a member of the adjunct faculty and taught private saxophone at William Patterson University from 1985 to 1986 and the Manhattan School of Music from 1996 to 1999. He is currently involved with the Thelonious Monk Institute’s yearly “Jazz in America” high school outreach program. In 2000, he was approached to return to his native midwestern surroundings on the Kansas-Missouri border. Watson was selected as the first William D. and Mary Grant/Missouri, Distinguished Professorship in Jazz Studies. The past seven years he has served as the director of jazz studies at the University of Missouri–Kansas City Conservatory of Music although he still manages to balance live engagements around the world with his teaching responsibilities. Watson’s ensembles at UMKC have garnered several awards and national recognition.]

[Bobby Watson plays Kansas City Jazz: From Basie to Bebop featuring BOBBY Watson, Fri, Feb 9, at 8 PM, at The Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Kansas City, Missouri hosted by American Jazz Museum and The Kansas City Symphony.]

11:25 – Underwriting

Kansas City Community Radio 90.1 FM offers loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, Crossroads Music Fest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Lawrence Field Day Fest, 31st & Brklyn, Kansas City Pride Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Crossroads Summer Block Party, Shelf Life, Kansans Against Campus Carry, Kansas Interfaith Action, Like Me Lighthouse, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:35

16. Akkilles – “Leave Your Love”
from: Something You’d Say / The Record Machine / July 2, 2013
[Debut full-length release from Akkilles, the experimental project of Kansas City based singer/songwriter David Bennett. Bennett started the project in the summer of 2011.]

[Akkilles plays The Brick, 1727 McGee, KCMO, Friday, Feb 9 at 9 PM, w/ Wild Eye, and Instant Karma.]

17. Rachel Mallin & The Wild Type – “Teenage Bodies”
from: Teenage Bodies – Single / Independent / September 13, 2017
[Indie synthpop from Kansas City based, 5-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards. “Teenage Bodies,” the latest single from Rachel Mallin & the Wild Type, shows a band solidifying its identity. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play The Rino, 314 Armour Rd, North Kansas City, Friday, February 2, at 7:00 PM, with Brother Moses, and RUBEO.]

18. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / October 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Ollie’s Local, Saturday, February 3, at 5:00 pm.]

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art-space, on your iPad, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

11:56

19. Sara Morgan – “Never Been to Nashville”
from: Average Jane / River Delta Records / January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

[Sara Morgan plays In-Store at Mills Record Company, 4045 Broadway, KCMO, Thurs, Feb 1 at 7:30]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 7, the band Instant Karma will play live in our 90.1 FM Studios, plus we’ll be playing music from artists playing the 2018 Folk Alliance International Conference, plus Julia Othmer joins us, and we’ll talk with cast members of Hedwig And The Angry Inch.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #719