WMM Playlist from April 3, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 3, 2019

Brandon Phillips and The Condition & Too Much Rock
+ Victor & Penny + Aaron Rhodes & Shuttlecock Music
+ Sondra Freeman & Midwest Music Foundation

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack to All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme song]

2. Black Moth Super Rainbow – “Baby’s In The Void”
from: Panic Bloom / Rad Cult Records / May 4, 2018
[American experimental electronic band from Pittsburgh, Pennsylvania. They have released 6 albums, 7 EPs, and 4 singles. The project is currently composed of frontman, singer, and songwriter Tobacco whose vocals are altered via a vocoder; keyboardist The Seven Fields of Aphelion, who often performs with a classic monosynth; drummer Iffernaut; guitarist Ryan Graveface; and bassist Pony Driver. Former members include keyboardist Father Hummingbird, who typically recorded with a polysynth, and Power Pill Fist on bass. Black Moth Super Rainbow’s music contains elements of psychedelia, folk, electronica, pop, and rock. Their sound is characterized by analog electronic instruments including the vocoder, Rhodes piano and Novatron.]

[Black Moth Super Rainbow play The Granada Theater, 1020 Massachusetts St, Lawrence, on Friday April 5, at 7:00 with with special guests: Steve Hauschildt, and High Tides]

3. Durand Jones and The Indications– “Too Many Tears”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sat. April 6, at 7:00 with Ginger Root]

4. Kyle Reid & the Low Swinging Chariots – “Shot of Whiskey”
from: Alright, Here We Go… / Kyle Reid & the Low Swinging Chariots / September 9, 2014
[Debut recording from the 6-piece band from Norman, Oklahoma who play swing, gypsy jazz, and jazz. The band includes: Kyle Reid on guitar and vocals; John Calvin III on guitar, David Leach on trombone; Kevin Stringfellow on trumpet; Johnny Carlton on bass; Steve Boaz on drums.]

[Kyle Reid and The Low Swingin’ Chariots with Victor & Penny and The Loose Change Orchestra play Californos, 4124 Pennsylvania Ave, KCMO, on Saturday, April 6, at 7:00 PM]

Victor & Penny

5. Victor & Penny – “She Say She Knows”
from: She Says She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. Vinyl-only label EAT.HEAR.RECORDS was started by Steve Tulipana & team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and The Loose Change Orchestra with Kyle Reid and The Low Swingin’ Chariots play Californos, 4124 Pennsylvania Ave, KCMO, on Saturday, April 6, at 7:00 PM]

Jeff Freling on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:18 – Interview with Jeff Freling

Formed in 2010, Victor & Penny are Erin McGrane on ukulele & vocals and Jeff Freling on guitar, & vocals. Victor & Penny have toured all over country and have performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s Awards Luncheon, KC Union Station’s Centennial Celebration, KC Mayor, Sly James’ 2015 State of the City Address, representing Kansas City at a New York City press event for America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.”

Victor & Penny were named “Best Folk Ensemble 2015” by the PITCH; “Standout Concert of the Year” by the Joplin Globe; and are a four-time Official Showcase Artist for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last seven years. In 2016 Victor & Penny released their 4th album, ‘Electricity.’

Guitar virtuoso and one half of Victor & Penny, Jeff Freling is here in the studio to share details about the upcoming concert on Saturday, April 6, at 7:00 PM, at Californos, 4124 Pennsylvania Ave, KCMO when Victor & Penny with their full band The Loose Change Orchestra join forces with Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots, for an night of high-energy swing, jazz, gypsy, original tunes, lots of laughs, and room for dancing.

Jeff Freling thank you for being with us on WMM.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Jeff Freling was one of the members of Mongol Beach Party

After Kansas City Jeff moved to Chicago and lived there for 17 years where he played in multiple bands and was part of the critically acclaimed Blue Man Group band.

In 2017 Victor & Penny got married.

On Daisy Buckët/Spencer Brown’s 2018 debut record “Pansy” Jeff Freling not only oversaw making half of the album’s songs happen, {“Stars are Blind,” “Long, Long Time,” “What Makes a Man,” “I’ll Be With You in Apple Blossom Time,” “Hot Nuts”) but was also integral in the mixing process and lending his extra ears. Song credits include V&P band members: Jeff Freling on guitar; Brian Steever on drums; Rick Willoughby on bass; Ken Lovern on organ; James Isaac on tenor saxophone, and Erin McGrand on ukulele and background vocals.

Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots have been friends with Victor & Penny and have met up on the road and at multiple Folk Alliance International events

Victor & Penny’s last full length album was the acclaimed, “Electricity” released in March 2016. “Electricity” debuted on the Folk Radio DJ charts at #12 with the #3 song. “Electricity” crackles and sparks with joy and regret; truths and dares; love and love gone wrong all set to a score of vibrant, rhythmic swing and virtuosic musicianship. Electricity is the culmination of 160,000 miles, 5 years and nearly 1,000 performances and is a testament to the incomparable vivacity of Victor & Penny’s live show, with newly added sophistication and rich instrumentation.

“Electricity” was Produced by Grammy Award winning Producer/Engineer Mitch Dane, and recorded at Sputnik Sound in Nashville, TN.

Electricity features Victor and Penny’s find band, The Loose Change Orchestra (LCO). The LCO’s rich, resonate sound is created by virtuoso reeds player James Isaac on clarinet, soprano saxophone, and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist. Supplemental instrumentation includes accordion, violin, saw, mandolin, piano, and Hammond B3.

Jeff Freling thank you for being with us on WMM.

Victor & Penny with their full band The Loose Change Orchestra join forces with Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots on Saturday, April 6, at 7:00 PM, at Californos, 4124 Pennsylvania Ave, KCMO, for an night of high-energy swing, jazz, gypsy, original tunes, lots of laughs, and room for dancing.

More information at: http://www.victorandpenny.com or http://www.kylereidmusic.com

10:31

6. Victor & Penny – “Moon Over Bourbon Street”
from: Electricity / Victor & Penny / November 16, 2016
[Written by Sting, inspired by the Anne Rice novel Interview With The Vampire.]

10:36 – Underwriting

7. The Coathangers – “Step Back”
from: The Devil You Know / Suicide Squeeze Records / March 8, 2019
[All female punk group quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco.]

[The Coathangers play recordBar, 1520 Grand Boulevard, KCMO, on Sunday, April 7, at 8:00 PM, with Big Bite and Wet Tropics.]

Jeff Freling and Sondra Freeman on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us right now to talk about Midwest Music Foundation’s inaugural Strike A Match Donation Drive, that started om Monday, April 1 and runs through Saturday, April 6, helping culminating with a Free Musicians’ Health Care Clinic at The Buffalo Room, 817 Westport Road, from noon to 5:00 pm.

Sondra Freeman thanks for being with us on Wednesday MidDay Medley

Midwest Music Foundation is in the midst of its inaugural Donation Drive, that started on Monday, April 1. The Strike A Match Donation Drive commences with a goal of $6000 to help local working musicians gain access to health care and valuable career resources.

How To Donate: Venmo: https://venmo.com/midwestmusicfoundation

On Saturday, April 6, the donation drive culminates with a Free Musicians’ Health Care Clinic at The Buffalo Room (817 Westport Road, behind Westport Flea Market), Saturday, April 6, from 12:00pm to 5:00 pm.

The Midwest Music Foundation along with the RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness/smoking cessation programs, opportunities to discuss heath conditions/concerns and arrange follow up visits.

Colon Cancer screening FIT test kits will be provided to those that qualify (anyone 50-75 years old who are not up to date with colon screening) through a generous grant from the Colon Cancer Coalition. Get Your Rear in Gear – Kansas City will be on site with more information and the infamous #stolencolon will be there!

Truman Medical Center (www.trumed.org) will also be at the clinic from 12-3. Truman Medical Centers is an academic health center providing accessible, state-of-the-art quality healthcare to our community regardless of the ability to pay. They will supply information on health coverage for uninsured patients.

Bill Rogers, Physical Therapist, Orthopedic and Geriatric Clinical Specialist will be available to consult and help triage musculoskeletal problems.

There will also be representatives from Narcotics Anonymous (http://www.kansascityna.org/) on hand with information.

Priority will be given to musicians/music industry personnel, but the clinic is open to anyone.

In addition, the Midwest Music Foundation is providing custom earplugs to the first 20 qualified musicians/music industry personnel to apply. Impressions will be done by AudioGirl Consulting. (These slots are currently filled, but sign up for our waiting list or info on future opportunities).

Contact rhonda@midwestmusicfound.org for more information and to schedule an appointment. Appointments are highly recommended, but walk-ins will be accepted as time permits. Or, just stop by to check out the event and have lunch with us.

Clinic made possible by funding from Jackson County Outside Agencies. With additional support from KKFI 90.1 FM , 90.9 The Bridge , and Folk Alliance International (all will have free promo materials at the event).

Donations will be accepted and MMF merchandise will be available for sale, as this is our final day of our #strikeamatch Donation Drive.
https://www.facebook.com/events/253964785510021/

Sondra Freeman thanks for being with us on Wednesday MidDay Medley

More info and full list of sponsors at: https://midwestmusicfoundation.org/donationdrive/

10:54

8. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin ]

[Hadiza plays: Experiments in Afrofuturism, at miniBar, 810 Broadway, KCMO, on Fri, April 5 at 9:00 PM with Eems at 10:30 PM, Reverend Doctor at 11:30 PM, and The Black Creatures at 12:30 AM.]

11:00 – Station ID

Sid Sowder and Brandon Phillips on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:00 – Interview with Brandon Phillips and Sid Sowder

Brandon, Zach, & Adam Phillips come from an artistic family. Their father was a jazz musician, playwright, and actor and their mother an art teacher. The brothers started by playing AC/DC covers, but moved on to original songs and a broader range of influences. In 1991 they formed their first band and a 14-year-old Brandon led his younger brothers Zach & Adam into a seedy bar in KC to play their first gig to the small crowd of locals. In 1997 the brother’s a ska and rock & roll band, The Gadjits, released their debut album, Da Gravy on Yo’ Grits, on their own JoCo Ska label. They went on record five full length albums on Hellcat Records, Thick Records and an unreleased album for RCA Records. They appeared on The Vans Warped Tour, and supported the Skatallites, Rancid, and Let’s Go Bowling on the road.

In 2004 The Gadjits ended and the brothers formed a new band called The Architects who have released six full length albums and two EPs, including The Border Wars graphic novel/EP series, on which they worked with illustrator Mallory Dorn.

In the past three years the brothers have branched of into multiple musical and recording projects including Other Americans with Julie Berndsen (formerly of the Latenight Callers) on lead vocals, Radar State where Adam plays drums, and Brandon Phillips and The Condition with Brandon on vocals, Adam on drums, Zach on bass, former Gadjit member Ehren Starks on keyboard, Rachel Mallin (of Rachel Mallin & the Wild Type) on guitar, and Julie Berndsen on backup vocals. This ensemble changes based on availability of all involved.

Brandon Phillips thanks for being with us on Wednesday MidDay Medley to share the newest Too Much Rock single from Brandon Phillips & The Condition.

Also joining us is Sid Sowder, founder of the Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate, Heidi Lynne Gluck, have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

Sid Sowder, thanks for being with us on Wednesday MidDay Medley

Brandon Phillips & The Condition

Kansas City, Missouri bubblegum-soul champions Brandon Phillips and The Condition emerge from a long winters hibernation with a platinum –wrapped pouch of big league power pop that swings for the fences.

The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019.

Brandon Phillips and The Condition “People Talk” Too Much Rock Single Series 009

On the A-side, “People Talk”– Brandon Phillips and the Condition simply do what they do with understated flex. Take a melody reminiscent of a sixties girl-group, bolt it to a boppy, eighties backbeat and then get to hanging all the accouterments and accessories of power-pop-soul on it like aftermarket chrome on a Lambretta scooter.

11:10

9. Brandon Phillips & The Condition – “People Talk” [Vinyl]
from: People Talk- Single b/w “Angel Say No” / Too Much Rock / April 13, 2019
[The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019. ]

[Brandon Phillips & The Condition play recordBar at 1520 Grand Boulevard, KCMO, on Friday, April 5, at 9:30 PM with The Sluts, and Dead Voices.]

[Brandon Phillips & The Condition also play Record Store Day at Mills Record Company, Saturday, April 13, at 3:00 PM at Mills Record Company, 4045 Broadway Blvd, KCMO. ]

Sid Sowder, Sondra freeman, and Brandon Phillips on the April 3, 2019 edition Wednesday MidDay Medley on KKFI 90.1 FM.

11:14 – Interview with Brandon Phillips and Sid Sowder

We are talking with Brandon Phillips and Sid Sowder about the newest Too Much Rock single from Brandon Phillips & The Condition.

OFFICIAL RELEASE PARTY: Record Store Day, Saturday 4/13 at Mills Records, KCMO

Kansas City, Missouri bubblegum-soul champions Brandon Phillips and The Condition emerge from a long winters hibernation with a platinum –wrapped pouch of big league power pop that swings for the fences.

Power pop is like a secret religion” says Brandon Phillips.

“Once you’ve been indoctrinated, you can see its themes and values bubbling up through the best rock and roll of every era.” …Get saved.

Sid’s outlook on upcoming shows:
4/3 Laura Jane Grace @ Riot Room
4/5 BP+TC @ recordBar
4/6 Durand Jones @ recordBar
4/7 Coathangers @ recordBar
4/12 Swervedriver @ Liberty Hall
5/1 Pedro The Lion @ recordBar
5/2 Interpol @ Midland
5/6 Pup @ Granada
5/9 Deertick @ Knuckleheads
5/10 Neko Case @ Uptown
5/10 Psychedelic Furs @ Truman
5/15 Johnny Marr @ Voodoo Lounge
5/25 Taco Cat @ recordBar 6/1 Lion’s Law @ Brick
7/5 Bill Callahan @ LFK Library
7/6 Head and the Heart @ Starlight

Visit Too Much Rock Here: https://toomuchrock.com

Catch BP+C live and follow them here:
FB: @BrandonPhillipsandtheCondition
TW: @brandonpandthec
IG: @brandonphillipsandthecondition
Spotify: https://open.spotify.com/artist/4A3oyiayWBVo2782jX2VvB

The B-side of this vinyl-only, limited-run record is a hand selected cover of Tommy Tutone’s “Angel Say No”– as near a perfect power-pop deep-cut as one is likely to find in even the dustiest record bin in it’s original version, here re-amplified by a crack rhythm section and wedded to the Ronettes-worshiping vocal style for which BP+C are known.

Brandon Phillips & Sid Sowder thanks for being with us on WMM

11:23

10. Brandon Phillips & The Condition – “Angel Say No” [Vinyl]
from: “Angel Say No” B Side Single of “People Talk” / Too Much Rock / April 13, 2019
[The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019. ]

[Brandon Phillips & The Condition play recordBar at 1520 Grand Boulevard, KCMO, on Friday, April 5, at 9:30 PM with The Sluts, and Dead Voices.]

[Brandon Phillips & The Condition also play Record Store Day at Mills Record Company, Saturday, April 13, at 3:00 PM at 4045 Broadway Blvd, KCMO. ]

11. Dead Voices – “Some Kind Of Fame”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 Debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

[Dead Voices play Westport Saloon, Saturday March 2 from midnight to 2:00 AM]

11:29 – Underwriting

12. DJ Lucas – “Scared The Cook (Radio Edit)”
from: Big Bleep Music Vol. 3 / Dark World Records / February 28, 2019
[DJ Lucas is a rapper from Amherst, Massachusetts. He grew up in a converted mill from the 1700s, where he and his friends – some of whom would later become a part of his Dark World collective – took breaks from practicing in emo bands to play basketball. Even before the time Minor Threat’s frontman (Ian MacKaye) told Lucas what to name his band, Lucas seemed to have a sense that music had a future for him.]

[DJ Lucas plays White Schoolhouse 1510 N. 3rd Street, Lawrence, KS., Friday, April 26 at 7:00 PM, with Ricky Roosevelt & Alccalh, Speed, and Whorxata.]

Aaron Rhodes on the April 3, 2019 edition Wednesday MidDay Medley on KKFI 990.1 FM.

11:33 – Interview with Aaron Rhodes

Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch, and http://www.Bridge909.org Aaron Rhodes joins us to share music and details for several upcoming Shuttlecock Music Shows.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock Music Magazine was launched in 2015, and is dedicated to featuring in-depth coverage of new and exciting music emerging from Kansas City and the surrounding areas. In our three years online, they’ve conducted several artists’ first interviews, hosted shows with lineups nobody else can pull off, and posted more concert reviews, photo galleries, videos, and new music write-ups than we can count. They’ve also co-hosted a Middle Of The Map Fest showcase, printed two year-in-review photo zines, and been shit-talked by bar punks, music elitists, and other dorks all across this beautiful town. They’re proud to be the blog where punk rock, hip-hop, and everything in-between lives in Kansas City.

Shuttlecock MusicMagazine and UN/TUCK present:

UN/TUCK is a Queer/ Trans electronic collective. Curators and Founders include: Mazzy Mann, Zoey Shopmaker, and Lorelei Dav

Friday, April 19, at 10:00 PM. at 1819 Vine Street, KCMO featuring Amira Wang, Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo…. Late Nite In The Jazz District – featuring:

Amira Wang (Urging you to use ya back – hip-hop)

Vice Grip (Doing the lord’s work – hardcore punk)
https://vicegrip444.bandcamp.com/album/the-lords-work

MX.MRS (Clowning just for you – electronic/experimental)
https://untuckcollective.bandcamp.com/album/pagliacci

Close Qrtrs (What online presence – electronic)

Sister Zo (Out the cocoon – electronic/hip-hop)

Aaron Rhodes interviewed Amira Wang for Shuttlecock Podcast.

11:40

13. Amira Wang- “Use Ya Back (Clean)”
from: Rap Game Ragu / Amira Wang / October 28, 2018
[Amira Wang is a Kansas City rapper/videographer/podcaster and a self-proclaimed “culture chemist.” After years of rapping in her car and for her friends in private, she’s released her first EP, “Rap Game Ragu.”.]

[Amira Wang plays at 1819 Vine Street, KCMO, Friday, April 19, at 10:00 PM. with Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo.s.]

Aaron Rhodes

11:43 – Interview with Aaron Rhodes

We’re talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch, and http://www.Bridge909.org Aaron Rhodes joins us to share music and details for several upcoming Shuttlecock Music Shows.

Monday, April 15, at 8:00 PM at Farewell Transmission, 6515 Stadium Drive, KCMO featuring Show Me The Body (from New York), Spine, Bath Consolidated, and Killus.

Friday, April 19, at 10:00 PM. at 1819 Vine Street, KCMO featuring Amira Wang, Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo.

Friday, April 26 at White Schoolhouse in Lawrence, KS. featuring DJ Lucas with Ricky Roosevelt & Alccalh and Whorxata.

Aaron Rhodes thanks for being with us on WMM.

11:50

14. Show Me the Body – “Madonna Rocket”
from: Dog Whistle / Loma Vista Recordings – Concord Music / March 29, 2019
[Show Me the Body is an American hardcore punk band formed in New York City in 2009. They released “Yellow Kidney” independently in 2015 followed by the “SMTB” EP released via the Letter Racer Collective that same year. After signing with Loma Vista and releasing their debut album “Body War” in 2016, SMTB began touring the US and Europe. Upon returning home the band began a collaborative mixtape project called “Corpus 1” released in 2017. The mixtape featured a broad range of artists and friends who SMTB felt were comrades and innovators, marking the beginning of a community effort spearheaded by SMTB known as Corpus. In the same year, SMTB released a two song Ep called “Challenge Coin”, recorded at Electric Lady Land not far from where the band originated. Between the fall of 2018 and the beginning of 2019 SMTB produced and recorded three projects. All projects; “Grudge 2” by Dreamcrusher, “Machines Smoke” by Tripp Jones, and “Enemy” by Dog Breath, were released via Corpus. In 2019 SMTB presents their sophomore album, “Dog Whistle,” produced by Chris Coady, Show Me The Body, and Gabriel Millman (original drummer and in-house producer). Dog Whistle was written in Long Island City, Queens and recorded in Los Angeles California in the summer of 2018.]

[Show Me the Body plays Farewell Transmission, 6515 Stadium Drive, KCMO, Monday, April 15, at 8:00 PM with Spine, Bath Consolidated, and Killus.]

15. The Wild Reeds – “Telepathic Mail”
from: Cheers / Dualtone Music Group / March 8, 2019
[The Wild Reeds are a 5-piece American indie folk band formed in 2009 in Los Angeles, California by Kinsey Lee, Mackenzie Howe, Sharon Silva, Nick Jones, and Nick Phapiseth. The Wild Reeds released their first full-length album in 2014 titled Blind and Brave. In 2017, The Wild Reeds released their second full-length album titled The World We Built via Dualtone Records. The band released their third album, Cheers, in 2019.]

[The Wild Reeds and Una Walkenhorst play recordBar, 1520 Broadway, TONIGHT, April 3, at 8 PM.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on April 10 we have another Action Packed show with Promise Clutter from Revolution Records talking about Record Store Day, + Nicole Springer debuts her brand new single, Jen Harris, with Teri Quinn and Joy Baker, talk about Curses & Charms at InterUrban ArtHouse on April 14, AND Stephonne Singleton joins us to share his new single release!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #780

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WMM presents: Victor & Penny + Sondra Freeman + Brandon Phillips & The Condition + Too Much Rock + Aaron Rhodes & Shuttlecock Music Magazine

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 3, 2019

Brandon Phillips and The Condition & Too Much Rock
+ Victor & Penny + Aaron Rhodes & Shuttlecock Music
+ Sondra Freeman & Midwest Music Foundation

Mark spins New & MidCoastal Releases from: Victor & Penny, Brandon Phillips & The Condition, Dead Voices, Hadiza, Show Me The Body, DJ Lucas, Amira Wang, Durand Jones & The Indications, The Coathangers, The Wild Reeds, and Black Moth Super Rainbow.

Victor & Penny

At 10:15 Erin McGrane and Jeff Freling join us to share details about their upcoming Victor & Penny concert on Saturday, April 6, at 7:00 PM, with Kyle Reid at Californos, 4124 Pennsylvania Ave, KCMO. Victor & Penny along with their full band The Loose Change Orchestra join forces with Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots for an night of high-energy swing, jazz, gypsy, original tunes, lots of laughs, and room for dancing. More information at: http://www.victorandpenny.com or http://www.kylereidmusic.com

At 10:35 Sondra Freeman talks about Midwest Music Foundation’s inaugural Strike A Match Donation Drive, Monday, April 1 through Saturday, April 6, helping local working musicians gain access to health care and career resources. The drive culminates April 6, with a Free Musicians’ Health Care Clinic at The Buffalo Room, 817 Westport Road, from noon to 5:00 pm. In partnership with the RockDocs (a collaboration of the University of Kansas and the Community Health Council of Wyandotte County) this clinic will provide musicians with health information, screenings, wellness, smoking cessation programs, and arrange follow-up visits. More info at: http://www.midwestmusicfoundation.org

Brandon Phillips & The Condition

At 11:00 Brandon Phillips & Adam Phillips drop in to share the newest Too Much Rock single from Brandon Phillips & The Condition. Also joining is Sid Sowder founder of the Too Much Rock Singles Series, a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies. Info at: http://www.toomuchrock.com. Brandon Phillips & The Condition play recordBar at 1520 Grand Boulevard, KCMO, on Friday, April 5, at 9:30 PM with The Sluts, and Dead Voices. Brandon Phillips & The Condition also play Record Store Day at Mills Record Company, Saturday, April 13, at 3:00 PM at Mills Record Company, 4045 Broadway Blvd, KCMO.

Aaron Rhodes

At 11:30 Mark talks with Aaron Rhodes, founder and editor of Shuttlecock Music Magazine, about three upcoming Shuttlecock Music Showcase events: Monday, April 15, at 8:00 PM at Farewell Transmission, 6515 Stadium Drive, KCMO featuring Show Me The Body (from New York), Spine, Bath Consolidated, and Killus. Friday, April 19, at 10:00 PM. at 1819 Vine Street, KCMO featuring Amira Wang, Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo. Friday, April 26 at White Schoolhouse in Lawrence, KS. featuring DJ Lucas with Ricky Roosevelt & Alccalh and Whorxata.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #780

WMM Playlist from March 27, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 27, 2019

Savanna Howland & Stevie Ervay of Playlistplay
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme song]

2. Rolling Blackouts Coastal Fever – “In The Capital”
from: In The Capital – Single / Sub Pop / February 27, 2018
[Follow up to their debut full-length album Hope Downs from june 15, 2018. Rolling Blackouts Coastal Fever is an Australian indie rock band formed in Melbourne in 2013 by singer-guitarists Fran Keaney, Tom Russo & Joe White. The band’s five members are Keaney, his cousin Joe White, Tom Russo, his brother Joe Russo on bass guitar, and Marcel Tussie on drums. Their debut EP, Talk Tight, was released in 2016 on Ivy League Records. It was followed by their second EP, the French Press, which was mixed by Doug Boehm and released in 2017 on Sub Pop Records. Robert Christgau gave Talk Tight an A grade, writing that “If you like the [guitar] effect—and why not, it’s beautiful—you’ll gravitate to it on sound alone. But what I’m loving at least as much is lyrics that suit the bright white male culture the sound implies.” He also compared the band’s sound to that of the Go-Betweens, a comparison that has also been made by critics like Stephen Deusner.]

3. Mess – “Dead Space”
from: “Dead Space”‘ – Single / Mess / March 22, 2019
[Second single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, witchhazel. SOLD OUT!]

4. SASAMI – “Not The Time”
from: SASAMI / Domino Recording / March 8, 2019
[Sasami Ashworth, is known mononymously as Sasami (stylized as SASAMI). She graduated from the Eastman School of Music in 2012. She scored and made orchestral arrangements for films, commercials and studio albums, and worked as a music teacher in Los Angeles, where she is currently based and makes music. In 2015, she joined the American rock band Cherry Glazerr with whom she played synths and toured for two and a half years before announcing her departure in January 2018 to pursue her solo musical career. On April 3, 2018, Sasami shared her first solo track “Callous” on SoundCloud, which Pitchfork awarded with their “Best New Track” label. On October 9, Domino Recording Company announced that Sasami had signed to their label, and officially released “Callous” alongside a new song titled “Not the Time”, premiered by The Fader, who called Sasami “rock’s next big thing.” Sasami stated, “I wrote both of these songs on tour on a guitar on my iPad with GarageBand plugins and Moog 15 app sounds and then re-recorded them in the studio onto tape with really great tones. So it’s kind of like emotionally scribbling a letter on a tear and snot-stained napkin and then re-writing it on fancy papyrus paper to make it look like you have your shit together.”[4] The songs were released on a 7” vinyl on October 26. Throughout 2018, Sasami toured with various musicians, including Baths, No Joy, King Tuff, Mitski, Soccer Mommy, Snail Mail and Menace Beach.]

5. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

Black Stacey

6. Black Stacey – “Tell Me Don’t Want You”
from: Tell Me Don’t Want You – Single (unmastered) / Sharaden Staten / Released in Spring
[Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

7. Celeste & Gotts Street Park – “Lately”
from: Lately – EP / Both Sides Records – Polydor Records / March 22, 2019
[Celeste Waite is 24. She was born in Los Angeles, California. She left L.A. when she was three years old. With her my mother she moved to an area just on the outskirts of London, and then to Brighton when she was five years old. Brighton is an hour away from London on the train. Celeste told Interview Magazine in 2017, “It’s funny, because it’s such a good place to grow up when you’re a teenager because it is quite safe, really, so you can do all of that underage clubbing and go out when you’re 16. But by the time you get to 20, or even 18, you want more. It feels like quite a small place once you’ve lived here for a while, but the good thing about it is I’ve always felt free to just create and do what I want. There’s not real pressure to fit in and be something that you’re not. It’s always that you could do what you wanted to, in a good way.” She went on to say,”I think I really want to move to London, mainly because now I want to spend time in the studio more and I have, over the last few years, been traveling back and forth to London. I’ve made groups of friends there, so it feels like the natural thing to want to be there. But I think Brighton is always a place that I’ll come back to because it does feel really nice sometimes; when you’ve been feeling shitty then you come back and you can be near the ocean. There’s not a time of day where everyone’s rushing around because it’s not that kind of place.]

10:29 – Underwriting

The Freedom Affair

8. The Freedom Affair – “Rise Up”
from: Soul Slabs Vol. 2 / Colemine Records / April 13, 2019
[The Freedom Affair has been selected to be part of Colemine Records new 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive Release. The Freedom Affair is a new project of Chris Hazelton of SunFlower Soul Records and Chris Hazelton’s Boogaloo 7. The new band includes member of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.]

[Paula Saunders and Desmond Mason play the Indigo Hour in the American Jazz Museum Blue Room Jazz Club, at 1600 E 18th Street, KCMO, Friday, March 29, at 5:00 pm, the Indigo Hour features the best Kansas City R&B and Neo-Soul acts every Friday night from 5:30 pm – 7:30 pm.]

[The Freedom Affair play Lucia Beer Garden + Grill, 1016 Massachusetts Street, Lawrence, KS, Saturday, March 30 at 10;00 PM with Dylan Guthrie & The Good Time Guys]

[The Freedom Affair plays SoundMachineKC, Sat, May 4, at 8:00 PM, w/ Soultru, & Duncan Burnett.]

Kadesh Flow

9. Kadesh Flow – “Party Thoughts (Radio Edit) (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

[The Deshtet plays Ca Va, 4149 Pennsylvania, KCMO, Thurs, Mar 28, at 9:00 – 11:00 PM. The Deshtet includes Ryan Jamaal Davis aka Kadesh Flow w/ Peter Schlamb, Matt Villinger, & Zach Morrow.]

10. The Butter Band – “Bicycle”
from: Crag-o-lea / The Dear Misses / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton. Scott is one of Kansas City’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed and mastered by James Albright. Scott Stanton & The Butter Band is: Scott Stanton – songwriter, vocals, acoustic guitar; Chad Brothers – acoustic guitar, harmonies; Kasey Rausch – upright bass, harmonies, fiddle; Marco Pascolini – pedal steel guitar; Grady Keller – banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play and Album Release Show, Friday, April 12, at 7:00 PM at The Buffalo Room, 817 Westport Rd, KCMO. Kicking off the night will be collaborations with members of Shapiro Brothers, The Country Duo and River Trade Radio founders Kasey Rausch Music & Mikal Shapiro Music (a/k/a Partners in Glory!)]

11. Nilüfer Yanya – “In Your Head”
from: Miss Universe / ATO Records / March 22, 2019
[Debut album from British musical artist, Nilüfer Yanya who was born in 1996, the daughter of two visual artists. Yanya grew up in Chelsea, London. Growing up with her father’s Turkish music and her mother’s classical music playing at home, she soon gravitated to guitar rock and learned how to play the instrument at age 12. Informally starting her musical career with demos uploaded to SoundCloud in 2014, she turned down an offer to join a girl group produced by Louis Tomlinson of One Direction and focused on developing her own music instead.[1] Her first EP, “Small Crimes/Keep on Calling”, was released in 2016. Her second EP, “Plant Feed”, was released in 2017, followed by “Do You Like Pain?” in 2018. Miss Universe has received wide critical acclaim, with critics noting her ability to bounce back and forth between musical and lyrical styles, shifting between “gimlet-eyed composure and cataclysmic panic”. Yanya’s music has been described as nervous and restless, combining influences from indie rock to soul, jazz, and trip hop. A Stereogum review called her voice “malleable and endlessly expressive.]

12. Y god Y – “Say”
from: Say- Single / High Dive Records / February 15, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This is their 4th single and part of their upcoming debut 5-song EP to be released April 5, 2019, and on their new label High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop.]

[Y god Y play the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH MONTA AT ODDS, LA GUERRE, and PALA ZOLO with Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

13. Monta At Odds – “Argentum Dreams”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

[MONTA AT ODDS play the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, and PALA ZOLO with Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

14. Katy Guillen & The Girls – “Heavy Days”
from: Heavy Days / VizzTone Label Group and KG&G Records / June 24, 2016
[Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums. Recorded at Weights and Measures Soundlab with their longtime engineer Duane Trower, the band supplemented guitar, vocal and percussive layers; auxiliary instrumentation from blues pianist Mike “Shinetop” Sedovic (Danielle Nicole Band) and jazz trombonist Ryan Heinlein (The Project H); production from Paul Malinowski; and mastering at Black Lab Mastering in Louisville, Kentucky. Katy Guillen & the Girls hometown release of “Heavy Days” on May 21 at Knuckleheads.]

[Katy Guillen & Stephanie Williams play the Gospel Lounge, at Knuckleheads Saloon, 2715 Rochester St, KCMO, Friday, April 12, at 9:00 PM]

11:00 – Station ID

15. Miya Folick – “Thingamajig”
from: Premonitions / A Terrible Records – Interscope Release / October 26, 2018
[Los Angeles based musical artist writes: “Premonitions begins with “Thingamajig” — something you can’t quite recall the name of, but you know exactly what it means and what it feels like. Like the pull of desire that comes with not quite remembering fully. The magnetism of something just on the tip of your tongue. I wanted the album to feel like that thing. // I think a lot about about memory-making as an act of creation, the words we use to describe a memory give shape to and sometimes mutate the memory itself. I believe that the way we choose to describe the events of our lives is not only a means of creative fulfillment, but an absolutely vital part of creating the world we want to live in. When we are dishonest in the present, we create a dishonest future. When we are honest in the present, we create a more honest future. I wanted this album to be the vehicle for a hopeful, truthful, generous, and loving world. I tried not to posture or pretend. I wrote about my life as I’ve seen it and how I’d like to see it, as both memory and premonition. // The producers, Justin Raisen and Yves Rothman, and I spent months collecting organic sounds to fill the world of this record. We threw away everything that felt false and tried to keep the soul of each song alive. I hope Premonitions gives you comfort and joy. I hope it feels like all the mysterious details of your lives, all your massive and mundane glories. I hope it reminds you that there is beauty in the details. Rainbows in your sprinklers. Drinking water from a hose. The way it felt to make a friend for the first time. Locking yourself in a bathroom to avoid everyone. Dancing until your shins burn. Leaving your phone in an Uber and making your best friend drive you an hour away to knock on a stranger’s door after locating it on Find My Phone. Losing a friend. Losing yourself. Remembering.”]

11:04 – Interview with Savanna Howland & Stevie Ervay

Stevie Ervay and Savanna Howland on the March 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Savanna Howland & Stevie Ervay are joining us on our 90.1 FM Studios here at 39th and Main Street. Savanna Howland started Playlistplay in 2015 with husband Nick Howland. Savanna is also the co-creator of gstlst.com. With 25 music festivals under her belt in the past two years and 86 shows attended in 2018, she is constantly searching for hidden gems in local music scenes around the world.

Savanna Howland thanks for being with us on Wednesday MidDay Medley

Stevie Ervay Lives in Kansas City, Missouri. He studied Communications/Public Relations at Park University. He serves as Digital Content Manager & Editor at Playlistplay. Steven also works for gstlst.com, he is co-director at Sofar Sounds Kansas City, he also works as a Promoter & Booker at The Rino promoting shows under the moniker of Fine Dining Productions.

Stevie Ervay thanks for being with us on Wednesday MidDay Medley

Savanna Howland started Playlistplay in 2015 with husband Nick Howland.
The site came out of the playlists Savanna and Nick shared with each other. Sending playlist back and forth as they were dating and eventually got married. They created a website for fun but is was so well received from others that it grew into a business

Savanna is also the co-creator of gstlst.com as sister site to Playlistplay. Savanna has been going to music festivals around the country and discovered that there are over 400 big music festivals happening annually. with Stevie’s help they created a database with all of these festivals and created a place to link them together.

Savanna is also co-Creator of Bands and Bowls that focuses on food and music.

Savanna also works at Refinery Room and has studied at Paul Mitchell The School

http://www.playlistplay.com features Discovery Playlists offering a chance for viewers to find their new favorite songs as well as discover new tracks from their favorite artists.

Along with Playlists the site also features Liner Notes and Features

11:14

16. Hop Along – “How Simple”
from: Bark Your Head Off, Dog / Saddle Creek / April 6, 2019
[Written over the course of 2016 and 2017 and recorded in the summer of the latter year by Frances Quinlan (songwriter/vocalist/rhythm guitar), Tyler Long (bass), Joe Reinhart (guitar), and Mark Quinlan (drums), Bark Your Head Off, Dog addresses disappointment, particularly in man’s misuse of power, and relates accounts from the periphery — one’s attempts to retreat from the lengthening shadows of tyrants, both historical and everyday. It considers what it’s like to cast off longheld and misguided perceptions, yet without the assurance of knowing what new ones will replace them. Much like on Hop Along’s first and second records, Get Disowned and Painted Shut, Quinlan seeks in real time to work through these issues. // Throughout the album, one gets the sense that Quinlan is wandering in the thicket of a forest—a state of being that will feel familiar to longtime listeners—and on this outing, she hasn’t left a trail of breadcrumbs behind her. The album’s artwork, which Quinlan painted herself, invites the listener into that forest, as well. “There is a terror in getting lost,” she says, “the woods are at the same time beautiful and horrifying.” This curious wandering gives the album, both lyrically and musically, a heightened dimensionality. // Bark Your Head Off, Dog is, without question, Hop Along’s most dynamic and textured record yet. Self-produced and recorded at The Headroom in Philadelphia by Reinhart and Kyle Pulley, Bark Your Head Off, Dog features the familiar sounds that have always made the band allergic to genre: grunge, folk, punk, and power pop all appear, with inspiration from ELO to Elvis Costello to ‘70s girl group vocal arrangements. This time around, they’ve added strings, more intricate rhythms, lush harmonies (featuring Thin Lips’ Chrissy Tashjian), along with a momentary visit with a vocoder. In more than one place, Mark Quinlan drums like he’s at a disco with Built to Spill. // Most significantly, Bark Your Head Off, Dog shows the band at its strongest and most cohesive. Hop Along (which originally began as Quinlan’s solo project under the moniker Hop Along, Queen Ansleis) has never sounded so deliberate, so balanced. “So strange to be shaped by such strange men” is a line that repeats on more than one song on the album. “I’ve been thinking about that a lot. That I just deferred to men throughout my life,” Quinlan says. “But by thinking you’re powerless, you’re really robbing yourself. I’m at a point in my life where I’m saying instead, ‘Well, what can I do?’” // Produced by Joe Reinhart and Hop Along // Written by Frances Quinlan and Hop Along (ASCAP) // Engineered by Kyle Pulley and Joe Reinhart at The Headroom in Philadelphia with Assistants Pat Quigley Ethan Farmer Ben Weiss // Mixed and Mastered by Ryan Schwabe .]

11:18 – Interview with Savanna Howland & Stevie Ervay

Savanna Howland and Steven Ervay

Savanna Howland started Playlistplay in 2015 with husband Nick Howland. Savanna is also the co-creator of gstlst.com. With 25 music festivals under her belt in the past two years and 86 shows attended in 2018, she is constantly searching for hidden gems in local music scenes around the world.

Steven Ervay serves as Digital Content Manager & Editor at Playlistplay. Steven also works for gstlst.com, he is co-director at Sofar Sounds Kansas City, he also works as a Promoter & Booker at The Rino promoting shows under the moniker of Fine Dining Productions.

gstlst.com // http://www.playlistplay.com

Savanna Howland & Stevie Ervay, thanks for being with us on Wednesday MidDay Medley

11:27

17. Superorganism – “Reflections On The Screen”
from: Superorganism / Domino Records / March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

11:31 – Underwriting

18. Jaclyn Bell – “Wanna Be Mine”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based Jaclyn Bell is releasing her new EP, Wanna Be Mine as a follow up to her 2018 EP “Memories.” Jaclyn Bell studied at Berklee College of Music. She also studied Audio Engineering/Music Production at Recording Radio Film Connection]

[Jaclyn Bell plus a Record Release Show, tomorrow, March 28, at 7:00 PM, The Rino, 314 Armour Rd, North Kansas City, MO with Tonks (NJ), Oh Dear Oh My]

19. L A Jones – “Addicted”
from: Addicted – Single / L A Jones / June 30, 2018
[LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[LA Jones, play and Album Release Show, Sunday, March 31, at 7:00 PM at The Rino, 314 Armour Rd, North KCMO with Matt Cook Collective, Lovergurl, and Dreamhouse.]

Hipshot Killer

20. Hipshot Killer – “Hearts Like Ours”
from: All This Time is Ours / Hipshot Killer / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

[Hipshot Killer, play an “All This Time is Ours” LP release show, Saturday, March 30, 2019 at 9:00 PM at miniBar 3810 Broadway Rd, KCMO with Midlife from Springfield MO and KC’s own Arson Class.]

21. The Ultra Sounds – “Snow”
from: Maiden Mars | The Ultrasounds Split EP / The Ultrasounds / April 20, 2017
[Sludgy garage pop from Winona, MN Comprised of three chicks and one dude who, surprisingly, is not the drummer—The Ultrasounds fashion a wall of noisy guitars and feedback juxtaposed with frail but poignant melodies. It’s an indie, post-punk, and sludge amalgam for all except tasteless squares. Band Members include: Megan Hanson on guitar & vocals, Courtney Guenveur on bass, Amber Fletcher on drums, and Todd Hanson on guitar & vocals.]

[The Ultra Sounds plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, VidCo Kult, and Kill Vargas.]

22. VidCo Kult – “Ernest Goes To Branson”
from: Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in Kansas City, Missouri. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

[VidCo Kult plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, and Kill Vargas.]

23. Busey – “Cat Butt”
from: Cat butt – Single (b/w of Good Boy) / Butt Horn Records / March 15, 2019
[Power slop from Minneapolis. Band Members include: Montana Dan, Skokie Jones, Jesse Berndt, Young Ryan, and Jonny Po. Written and Performed by BUSEY. Recorded/mixed by John Peters at Future Condos .]

[Busey plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, VidCo Kult, Ultrasounds, and Kill Vargas.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on April 3 we have an Action Packed show with Victor & Penny, Sondra Freeman of Midwest Music Foundation, Brandon and Adam Phillips sharing the new Too Much Rock Single Series featuring Brandon Phillips & The Condition, and Aaron Rhodes of Shuttlecock Music Magazine.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #779

WMM Playlist from February 27, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 27, 2019

New & MidCoastal Releases
+ Julia Othmer + Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[The first single released from the band’s new 10-song album called, The Captain, to be released March 1. This Columbia, Missouri based 4-piece band is anchored by the intrepid songwriting of Violet Vonder Haar on lead vocals & guitar; with Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. Violet Vonder Haar was raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community. Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents play an In-Store Album Release show Saturday, March 2, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO.]

3. Dead Voices – “Passing Through”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 Debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

[Dead Voices play Westport Saloon, Saturday March 2 from midnight to 2:00 AM]

4. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play MidCoast Takeover Fundraiser #3 with Dan Jones and The Squids, and (the)medicine theory, Saturday, March 2, at 9:00 PM, at The Brick, 1727 McGee St, KCMO]

10:15 – Survivors’ Stories: Stand Against Sexual Violence

In this next set we feature three artists who are participating in a special show tomorrow night, on Thursday, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. The show is called: Survivors’ Stories: Stand Against Sexual Violence. Proceeds will benefit MOCSA, The Metropolitan Organization to Counter Sexual Assault.

The evening will consist of a curated lineup of performers sharing songs, poetry, and other performance art pieces that touch on their experience with sexual violence or harassment. Along with providing a safe space where survivors can connect and access services they may need, this is a chance for those who have not dealt with sexual violence to further understand what it means to be a survivor.

Performers include: Una Walkenhorst, Erin McGrane, Poet Jen Harris, Madison Mae Parker, Kat King, Maggie Cargill, Hannah Norris, Olivia Sloan, and Taylor Scholle. Organizer Una Walkenhorst shared with us a few pieces that will be performed live. We’ll hear the song “2017” from Lawrence based singer songwriter Kat King, a spoken word piece from Poet Jen Harris, and “On The Outside” written by Una Walkenhorst from the album, For Tomorrow, from Bob & Una Walkenhorst.

5. Kat King – “2017”
from: 2017 – Single / Kat King / November 18, 2018
[Lawrence Kansas based singer songwriter Kat King released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. About this song Kat wrote: “It’s been over a year since I’ve released new music. This past year + has been a whirlwind of self-reflection, anger, and change. Sometimes I get really sick of writing heart break songs (because how many of us can keep writing the same feelings, just in different words?). I had the honor of playing a New Years Eve show to welcome in 2018 and in the midst of the political chaos I thought, why not challenge myself to write about something bigger than being sad. Music has always been a device of encouraging change. I don’t want to spend the time or energy giving more attention to the leaders who I find incredibly disappointing, but rather to those who’ve been passionate and brave enough to speak out. I’m so tired of looking past inhumane actions in the name of being loyal to a side. I wrote this song because I needed to reflect about my own shame but I also needed to remind myself that there are lights of hope, people brave enough to address the bullshit and put their livelihood at stake in the name of change. I wish I were that brave but instead I’m releasing this song as a first step, inspired by 2017 which unfortunately is still relevant on our way into 2019, in honor of those who are. And it still feels scary. Enjoy and stay tuned for more songs to be released in the near future – heartbreak songs, of course. “]

[Kat King plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

6. Jen Harris – “When You Die (feat. Eman Chalshotori)”
from: Flaunting Her Mediocrity / Jen Harris / October 9, 2016
[Poet Jen Harris is a professional public speaker, spoken word poet, activist, published author, founder and former host of Kansas City Poetry Slam. Harris graduated Cum Laude from the University of Missouri-Kansas City in May 2015 with a Bachelor of Liberal Arts, emphases in Communication Studies, English Language and Literature. She is the recipient of the 2015 UMKC Jim Wanser Pride Award for outstanding LGBT community activism in Kansas City. Additionally, she was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards, is the recipient of The Pitch Magazine’s Top 3 Poets in Kansas City award 2014-2016, winning the coveted title in 2017, the same week that she gave her TED Talk at the University of Kansas, “Spoken Word Poetry Saved My Life,” Spoken Word Poetry as a form of mental health advocacy, and is the 2009 ACP Kansas Journalist of the Year. Her first book of poetry, Slammed, released via Spartan Press Feb. 27, 2016 to a sold out audience.]

[Jen Harris plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

7. Bob & Una Walkenhorst – “On The Outside”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Una Walkenhorst plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

10:30 – Underwriting

Julia Othmer

8. Julia Othmer -“Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / February 2019
[One of several new singles released from Julia Othmer leading up to the release of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from a US and UK tour opening for The Alarm.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm.]

11:36 – Interview with Julia Othmer

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play Knuckleheads, at 2715 Rochester Street, tomorrow night, Thursday, February 28, at 8:30 pm.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, sand in Colorado

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of sevrl award winning books. Julia’s father is Arthur Othmer

Julia first started playing piano in first grade.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie from London, United Kingdon

Julia Othmer just recently finished touring and opening for The Alarm in US show and shows in the United Kingdom.

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm. With with Johnny Hamil on bass, Chris Tady on guitar, and John Floyd Whitaker on drums! with special guests: Coleen Dieker on violin and Calvin Arsenia on electric harp.

11:52

9. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[From Julia Othmer’s upcoming full length release “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”]

10. Remy Styrk – “Winter/Summer”
from: “Winter/Summer” – Single / Remy Sryrk / February 28, 2019
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. About this new single Remy tells us “It represents the two major seasons and personifies them to create a feeling of trust, anger, love, uncertainty, inspiration and comfort. I wanted them to be applicable to many people’s situations in life, no matter who they are or what they believe in. This song is about universal feelings that connect us as one and value our ability to feel and express.” Last year Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

Julia Othmer and Nico Gray on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:00 – Station ID

Nico Gray on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico has worked as a professional actor, a performance artist, a writer, and is currently a marketing and advertising consultant for several not-for-profit companies in Kansas City. Nico grew up in Kansas City but has lived in Chicago, New York and Marseille. For WMM Nico Gray has co-hosted several of our on-air fund drive shows. He participated in our special Glam Rock show, our special 700th show, and his writing and voice has been featured in our Bowie Tribute Shows. Today is his 7th appearance as Guest Producer from over the past four years.

Nico Gray welcome back to Wednesday MidDay Medley.

11. Baby Huey & The Baby Sitters – “California Dreamin'”
from: The Baby Huey Story – The Living Legend / Water Music / 1971 [City Hall 2013]
[Baby Huey & the Babysitters was a soul band hailing from Gary, Indiana. The band, founded in 1963, was the idea of organist / trumpeter Melvyn Jones and guitarist Johnny Ross. James Ramey was their front man, and he adopted the stage name of “Baby Huey” (after the cartoon/comic book character Baby Huey). They were well known on the club scene in Chicago. By 1970, most of the original Babysitter members had left and had been replaced by new personnel. Melvyn Jones was one of the last original founding members to leave. Ramey died on October 28, 1970. He was in the midst of recording the band’s debut album for the Curtom label. The album that was released posthumously only featured some songs by the Babysitters. The rest were with Curtom session musicians. The Babysitters re-formed, briefly, to play at Ramey’s funeral. Manager Marv Stuart would later take some former members, including Dave Cook, to form Goliath with Chaka Khan.]

12. Paul McCartney – “Get Enough”
from: Get Enough- Single / Capitol / January 1, 2019
[A surprise release with no promotion from McCartney or his label prior to its release. The song is a non-album track and does not appear on his Egypt Station studio album standard (or Target) version but will appear (only) on the “Traveller’s Edition” box set version of the album (a strictly limited Deluxe edition of 3,000 copies to be released on May 10, 2019. The song was co-written and produced with McCartney by Ryan Tedder and Zach Skelton and was one of three songs McCartney produced with Tedder during the recording of his album Egypt Station including “Fuh You” and “Nothing for Free”. “Get Enough” is a piano ballad that features heavy use of Auto-Tune to alter McCartney’s voice. McCartney was originally concerned about the possible backlash of using Auto-Tune, but decided to use it based on The Beatles willingness to embrace new production techniques. The release of the song marked 2019 as the 59th consecutive year (since 1961) either The Beatles, or a member of that group, has released a single or an album during the calendar year.]

13. Yma Sumac — “Medicine Man”`
from: Miracles / London / January 1, 1972
[Sept .10, 1923 – Nov. 1, 2008. She was a Peruvian–American coloratura soprano. In the 1950s, she was one of the most famous exponents of exotica music. Sumac became an international success based on her extreme vocal range. She had six-and-a-half octaves according to some reports, but other reports (and recordings) document four-and-a-half at the peak of her singing career. In one live recording of “Chuncho”, she sings a range of over four and a half octaves, from B2 to G♯7. She was able to sing notes in the low baritone register as well as notes above the range of an ordinary soprano and notes in the whistle register. Both low and high extremes can be heard in the song “Chuncho (The Forest Creatures)” (1953). She was also apparently able to sing in a remarkable “double voice”. In 1954, classical composer Virgil Thomson described Sumac’s voice as “very low and warm, very high and birdlike”, noting that her range “is very close to five octaves, but is in no way inhuman or outlandish in sound.” In 2012, audio recording restoration expert John H. Haley favorably compared Sumac’s tone to opera singers Isabella Colbran, Maria Malibran, and Pauline Viardot. He described Sumac’s voice as not having the “bright penetrating peal of a true coloratura soprano”, but having in its place “an alluring sweet darkness … virtually unique in our time.]

14. Art d’Ecco — “Dark Days (Revisited)”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music]

15. Jackie Shane – “Any Other Way”
from: Jackie Shane: Any Other Way / Numero Group / October 20, 2017
[Jackie Shane was born May 15, 1940. She is an American former soul and rhythm and blues singer, who was most prominent in the local music scene of Toronto, Ontario, Canada in the 1960s. She is originally from Nashville, Tennessee. In 1960, Shane moved to Montreal, Quebec, where saxophonist King Herbert Whitaker invited a young Shane along to watch the popular band Frank Motley and his Motley Crew at the Esquire Show Bar. Shane, who showed up in a bright red dress and her hair done up, sat down near the front. When Motley said, “Get that kid up here and let’s see what they can do,” pianist Curley Bridges invited her up onstage for the next set, where she performed songs by Ray Charles and Bobby “Blue” Bland. She was soon the band’s lead vocalist, and relocated to Toronto with them in late 1961. She sometimes returned to the United States to perform shows in Nashville, Boston, and Los Angeles. A fan mythology linked her to Little Richard, including claims that she had been Richard’s backing vocalist before moving to Canada or even that she was Richard’s cousin, although no verification of either claim has ever been found and no evidence exists that Shane ever made either claim herself. Music critic Carl Wilson has concluded that, while in reality Shane had deep and identifiable roots in the traditions of the Southern US Chitlin’ Circuit, the mythology emerged because that scene’s traditions were not known to Torontonians in the 1960s, and thus Little Richard was the only antecedent for Shane’s style that most of her local fan base could identify. Throughout her active musical career and for many years thereafter, Shane was written about by nearly all sources as a man who performed in drag. The few sources that actually sought out her own words on the matter of her own gender identification were more ambiguous, however; she identified herself as male in two early quotes to the Toronto Star, but more often appeared to simply dodge questions about her gender altogether. Her identity as a trans woman was not confirmed on the record by a media outlet until 2017. CBC Radio’s Inside the Music aired a documentary feature, “I Got Mine: The Story of Jackie Shane”, in 2010. At the time, nobody involved in the documentary had been able to determine whether Shane was still living; she was subsequently found still alive in Nashville.Footage of Shane in performance also appeared in Bruce McDonald’s 2011 documentary television series Yonge Street: Toronto Rock & Roll Stories. Jackie Shane Live was reissued in 2011 on Vintage Music as Live at the Sapphire Tavern, although the reissue was labelled as being from 1963 (the date of the original live performance) instead of 1967 (the release date of the album). The reissue also included Shane’s performances from Honkin’ at Midnight as bonus tracks. A compilation album of the studio singles and rarities, Soul Singles Classics, was released the same year. In 2015, the Polaris Music Prize committee shortlisted Jackie Shane Live as one of the nominees for the 1960s-1970s component of its inaugural Heritage Award to honor classic Canadian albums. It was shortlisted for the prize again in 2016 and 2017. In 2017, a group of Toronto writers published the essay anthology Any Other Way: How Toronto Got Queer, a history of LGBT culture in Toronto; in addition to taking its title from Shane’s 1962 single, the book includes an essay devoted specifically to Shane. In the summer of 2017, the reissue label Numero Group announced that they would be releasing a double-LP/CD compilation of Shane’s music, Any Other Way, on October 20, 2017. The album marks the first time since her final single in 1969 that Shane has been directly involved in the production and release of a reissue of her music.]

16. Super Borgou de Parakou — “Baba L’oke Ba’wagbe”
from: African Scream Contest 2 – Benin 1963 – 1980/ Analog Africa / May 18, 2018
[A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally well drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favorite blues or soul or funk or punk sampler you might care to mention. // Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasure trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor” would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation. // The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to “search and destroy” enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou. // Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills – his training with the KGB – highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them. // Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. // Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large – alongside Lokonon André – in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the turntables that would play the products of his Bond villain-acronymed pressing plant SATEL, a factory that would revolutionise the music industry in the whole region. // The scene documented here couldn’t have been born anywhere else but in the Benin Republic , and the prime reason for that is Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration. // One especially irascible Vodoun-adept was Antoine Dougbe, who styled himself “The devil’s prime minister” while turning ancestral rhythms into satanically alluring modern beats. As Orchestre Poly-Rythmo songwriter Pynasco has observed sagely, “Evil is not elsewhere, evil extends into the house”. And African Scream Contest II is a gloriously cinematic road-trip through an undiscovered realm of music lore whose familiarity is every bit as thrilling as its otherness. – Written by Ben Thomson, March 2018]

11:34 – Underwriting

17. Shad – “The Fool Pt. 1 (Get It Got It Good)”
from: A Short Story About A War / Secret City / October 26, 2018
[Shad is a Juno Award winning rapper and 3-time Polaris Music Prize shortlist nominee from London, Ontario. His 4 full-length albums have been recognized for their sharp lyrics and soulful arrangements.]

18. Jeen – “Shallow”
from: Gift Shop / Red Brick Songs / 2018
[Jeen Obrien is from Canada. Her self produced songs have been sought after for use in commercials (Google, Panasonic, Estée Lauder, Kraft, BlackBerry, KIA, Rogers, MasterCard) as well as movies and television programs (Cook Off, Republic of Doyle, Instant Star, Ruby Gloom, Degrassi, Killjoys, Hockey Wives, Workin’ Moms, MTV Catfish, MTV Are You the One). In addition to her solo work Jeen has written songs for many recording artists and is a member of Cookie Duster with Brendan Canning of Broken Social Scene.]

19. Emma Louise – “Wish You Well”
from: Lilac Everything / Henry’s Castle Pty / September 14, 2018
[3rd studio album from Emma Louise Lobb, who was born in July 1991, she grew up in Cairns, from Queensland Australia. Louise issued a five-track extended play, Autumn Tongues, in 2008. It was recorded with Mark Myers at Pegasus Studios, Cairns. She moved from Cairns to Brisbane in early 2010 where she initially worked as an events manager. In the following year described her influences, “My biggest musical role models are Missy Higgins, Josh Pyke, Sarah Blasko and Lior. Missy Higgins really inspired me to start writing music.” Louise released another EP, Full Hearts and Empty Rooms, in April 2011 and one of its four tracks, “Jungle”, received high rotation on the national youth radio, Triple J. The EP reached the ARIA Singles Chart top 100. During that year she toured in support of Boy & Bear. She was nominated for the 2011 J Award in the Unearthed talent contest for artist of the year. On the Triple J Hottest 100, 2011, “Jungle” was listed at No. 23 by the station’s listeners in its on line poll. American DJ and producer MK remixed Wankelmut’s version as “My Head Is a Jungle [MK Remix]”, in 2014, which reached No. 1 in the iTunes Electronic Charts and No. 2 in the United Kingdom. Also in that year, international fashion house Yves Saint Laurent used Louise’s “Jungle” in their worldwide advertising campaign for Black Opium perfume. She appeared in an advertising campaign for South Australian Tourism Commission. The ad has her singing a version of the INXS song, “Never Tear Us Apart”. She collaborated with Australian electronic duo, Flight Facilities, featuring on their single, “Two Bodies” (September 2014), which reached the ARIA top 100 and was placed at No. 39 on Triple J Hottest 100, 2014. In 2015 Louise was the opening act for English singer, Sam Smith, on the Oceania leg of his In the Lonely Hour Tour. She was also the main support on Smith’s second Australian tour, during November–December of that year. She issued her second solo album, Supercry, on 11 July 2016, which reached No. 14. She was featured on another single by Flight Facilities, “Arty Boy” (2017).]

20. Emma Louise – “Falling Apart”
from: Lilac Everything / Henry’s Castle Pty / September 14, 2018

21. Art d’Ecco — “Nobody’s Home”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 6 Mark welcomes special guests Cody Wyoming & Rod Peal of The Philistines who share two new singles the band is getting ready to release! Plus Kenneth Storz and members of Fathers share tracks from their upcoming debut EP High Horses and play live in our 90.1 FM Studios! And Britt Adair of Josey Records Kansas City and The Bad Ideas joins us to talk about music, records, in-stores, and Record Store Day! PLUS, we play new music from The Freedom Affair, Mene Mene, Songs of Our Native Daughters with Rhiannon Giddens, Leyla McCalla, Amythyst Kiah, and Aspasia Allison Russell (of Birds of Chicago), Scott Hrabko & The Rabbits, The Black Creatures, Emmaline Twist, and more.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #775

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM presents: Chloe Jacobson + Kadesh Flow + Headlight Rivals + Verbose

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

Wednesday MidDay Medley plays New & MdCoastal Releases from: Katy Guillen & The Girls, Appropriate Grammar, Madisen Ward and the Mama Bear, Chloe Jacobson, Jessica Paige, Headlight Rivals, Kadesh Flow, Verbose, and Thin Lips. We will also play a classic from Bauhaus.

Headlight Rivals

Verbose

At 10:30 Logan Glasgow of the Joplin, Missouri based band – Verbose, and Eric Kleiner of the Manhattan, Kansas based band – Headlight Rivals join us to talk about their new musical releases, playing Austin during SXSW, and their involvement playing in The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar,1520 Grand Avenue, KCMO. More information at http://www.weareverbose.com http://www.headlightrivals.com http://www.midwestmusicfoundation.org

Chloe Jacobson

At 11:00 Kansas City based singer songwriter Chloe Jacobson joins us to play live in our 90.1 FM Studios. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her debut album, “Frozen Fruit” was just released on Manor Records, January 19 in a release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. More info at: http://www.chloejacobson.online

Kadesh Flow

At 11:30 Kadesh Flow joins us to share music from his new EP Otaku Moods, to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is Ryan Jamaal Davis, a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee. Kadesh Flow released his last EP The Room Service on March 30, 2018.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #770

WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

Wednesday MidDay Medley’s Halloween with Béla, Boris, & Bette + Apocalypse Meow 11

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

On Halloween Mark plays New & MidCoastal & “Haunted Recordings” from: Hot Suede, Chase The Horseman, Jametatone, Jason Beers, AKA Dundeon Master, St. Vincent, Thom Yorke, Snoop Dogg, Kraftwerk, Laurie Anderson, Nina Simone, Sonic Youth, Madonna, Siouxsie & The Banshees, The Misfits, The Velvet Underground, Screaming Jay Hawkins, Michel Rubini & Denny Jaeger, William Stromberg & Moscow Symphony Orchestra, Kenneth Alwyn, Bette Davis, Cesar Davila-Irizarry & Charlie Clouser, Bobby “Boris” Pickett & The Crypt-Kickers, Donald Trump, and The Jimi Shawndi Band.

Portions of our show will co-hosted by Béla Lugosi, Boris Karloff, and Bette Davis as played by our special guest star, Michael McQuary.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.” Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world. Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts. Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.” He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC. Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds. Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

At 11:40 we talk with Sondra Freeman of Midwest Music Foundation about the 11th annual Apocalypse Meow benefit concert on Friday, Nov. 2 and Saturday, Nov. 3. The annual concert is MMF’s primary fundraiser for Abby’s Fund For Musicians’ Health Care. It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee. The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door. More information about Apocalypse Meow 11 and MMF can be found at midwestmusicfoundation.org.

Michael McQuary as Bette Davis by Paul Andrews Photography
Michael McQuary as Boris Karloff by M.R. King Images

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

WMM Playlist from October 24, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 24, 2017

Music From 2018 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana
+ Davin Watne and Funk The Vote

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The Record Machine release a single of this song on May 18, 2018 as part of their What’s Next: KC Sessions, but we prefer this recorded version.]

[Belle & The Vertigo Waves play a Very Vertigo Waves Halloween Show, Fri, Oct 26, at 8:00 PM at The Brick, 1727 McGee St, w/ Mene Mene, Rachel Mallin & The Wild Type and Vik G Trio at The Brick.]

3. The Phantastics – “Heartbreaker”
from: Like of the Party – EP / Kenet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantastics play the I Heart Local Music Presents: The Black & White Ball! Saturday, October 27, at 9:00 PM, at The Bottleneck, 7732 New Hampshire St., Lawrence, KS with HighWesthus]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

[Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip. ]

10:15 – Interview with Davin Watne

Artist, musician and educator – Davin Watne is a professor at UMKC where he teaches painting and drawing. He is a practicing artist that exhibits nationally, internationally and locally. Davin also plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions who released their latest album Chapel on vinyl, on April 7, 2018

Davin Watne joins us to share information about Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms). Thee Devotion will perform live along with DJ Lady J, and DJ Felt Tip.

Davin Watne thanks for being with us on Wednesday MidDay Medley.

Funk The Vote, Sat, Nov 3, 10:PM at The Ship, 1217 Union Ave. KCMO (West Bottoms).

DJ Lady J, and DJ Felt Tip will be spinning from their collection of rare and special soul 7″ singles.

Area political action organizations including: WOLF-PAC Missouri, New Approach Missouri, 350 KC, and the ACLU.

Thee Devotion started in January 1, 2008, with our drummer Keith Patterson and You. You formed Thee Devotion out of the ashes of our first band together called Emma Feel.

“Shake it Up” was written about Ferguson, Missouri.

Chapel is the band’s 2nd record produced by Bill Honan who played piano & moog.

All songs written by Thee Devotion.

The Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

10:27

Davin Watne thanks for being with us again on Wednesday MidDay Medley.

Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip.

10:28 – Underwriting

10:30 – Music from Outer Reaches Fest at recordBar – Fri & Sat, Oct. 26 & 27

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:33 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

Steve Tulipana, Brenton Cook, and Dedric Moore

Outer Reaches was originally called KC Psych Fest and started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City. While still very much in the psychedelic realm, the Outer Reaches Fest has grown to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music, that is adventurous and mind expanding. The Fest endeavors to emphasize musical acts experimenting and pushing boundaries.

2018 Outer Reaches Fest, is happening this weekend, Friday, October 26, and Saturday, October 27, at recordBar, 1520 Grand Ave, KCMO featuring 16 bands, including six bands from Kansas City, two bands from Lawrence, Kansas, a band from KCK, and bands from Brooklyn New York, and Fort Wayne Indiana, two bands from Chicago Illinois, two bands from Montreal Quebec, and a band from Sydney Australia.

Joining us to share music and information about Outer Reaches 2018 are three guys who together make Outer Reaches happen each year: Brenton Cook, Dedric Moore, and Steve Tulipana.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve helped launch recordBar’s 7″ Single Series, releasing limited edition singles from Victor and Penny and Emmaline Twist on recordBar’s own label: Eat.Hear. Records. Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

We just heard Mysterious Clouds who are part of the big Friday night line up:

Friday, October 26,
features:
Freight Train Rabbit Killer (KCMO),
Heaven’s Gateway Drugs (Fort Wayne, IN),
Mysterious Clouds (KCK),
Abandoned Bells (KCMO),
The Guillotine Choir (KCMO),
JC & the Nuns (Lawrence, KS),
Lesser Pleasures (Lawrence, KS),
New Obsessions (KCMO), and
Lava Dreams (KCMO).

10:40

6. Freight Train Rabbit Killer – “Shake Em” (7″ Vinyl)
from: Shake Em – 7″ Single / Haymaker Records / October 27, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:46 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

We hear talk that there will be an interactive Giant Rabbit on stage with Freight Train Rabbit Killer.

This year Outer Reaches is part of Open Spaces KC – Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

More info: http://www.outerreachesfest.com/

Friday night, October 26, features three area bands: The Guillotine Choir (KCMO), Lesser Pleasures (Lawrence, KS), and New Obsessions (KCMO), that are so new they are currently in the studios with their music, and have plans to release their debut recordings in the next few months.

10:51

8. Heaven’s Gateway Drugs – “Copper Hill”
from: Rubber Nun / dizzybird Records LLC / September 9, 2016
[Heaven’s Gateway Drugs is a counterculture cult rock band hailing from Fort Wayne, Indiana, a rust belt city best known for its abundance of churches and strip clubs. Despite being born in a location that couldn’t be farther from a psychedelic epicenter, Heaven’s Gateway Drugs creates a unique combination of freakbeat, west coast psych, mod, and eastern drone to create a sound that is just at home today as it was in 1968. This description only addresses part of the total experience that is Heaven’s Gateway Drugs. The group is led by Ben Carr, an enigmatic, psychedelic Pied Piper of sorts who entrances audiences with his movements and urges those in attendance to become one with the band. Remember always, “you are Heaven’s Gateway Drugs.”.]

[Heaven’s Gateway Drugs play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. JC & The Nuns – “Psych Burns”
from: Jeez – EP / Independent / September 28, 2017
[Lawrence badsed 4-piece band with JC onlead vocals, Sister Spirit on bass, Sister Hazel on guitar, Sister Sister on percussion. Recorded and mixed at Lawrence Public Library August 2017]

[JC & the Nuns play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:59 – Station ID

8. Lava Dreams – “SWEET SWEET”
from: SWEET SWEET – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams play Outer Reaches Fest, Friday, October 26 at recordbar.]

Dedric Moore, Mark Manning, Steve Tulipana, and Brenton Cook talk about Outer Reaches Fest.

11:03 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

Outer Reaches 2018 is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales from the event. Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

Sponsors for this year’s fest include KKFI 90.1 FM, Records with Merritt, 7th Heaven, KTBG 90.9FM The Bridge, Bullseye Records, Boulevard Brewing Company, Lagunitas Brewing Company, XO Blackwater, Josey Records, It’s a Beautiful Day, Seen Merch, Haymaker Records, Kosmic City, and Print Time.

Saturday, October 27
features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

Friday Tickets are $15 (Day of Show), $12 (Advance). Saturday Tickets are $20 (Day of Show), $15 (Advance). Two-Day Ticket available at: $25 (Advance).

For ticket information visit: http://www.therecordbar.com.

The Fest has grown organically, growing too big for FOKL, the arts/performance space in Kansas City, Kan., that hosted the first two KC Psych Fests.

In 2014 the fest moved to recordBar. Outer Reaches feels like a really great fit at recordbar. Steve’s experience booking bands adds to his collaboration with Dedric and Brenton in organizing the line up. recordBar, 1520 Grand, in the Crossroads

11:08

11. CAVE – “San’ Yago”
from: Allways / Drag City / October 29, 2015
[Chicago based 5-piece band made up of: Jeremy Freeze, Rob Frye, Rex McMurry, Cooper Crain, Dan Browning “]

[CAVE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 27]

12. J Fernandez – “Unwind”
from: Occasional Din / Joyful Noise Recordings / November 9, 2018
[First single from Chicago Illinois based musician J Fernandez started as the eponymous home recording project of Arkansas born Justin Fernandez, who came to Chicago in 2008 to work for map company Rand McNally. After three EPs, his 2015 debut LP ‘Many Levels of Laughter’ attracted high praise from the music press – including 8/10s from UNCUT and NME, plus end of year nods from Under The Radar and Brooklyn Vegan (who called it “one of 2015’s most underrated albums”). That year also saw him share the stage with the likes of Unknown Mortal Orchestra, Alvvays, Mitski, and Ezra Furman.s,

[J Fernandez plays Outer Reaches Fest, at recordBar, Sat, October 27]

11:17 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Festival this Friday and Saturday night at recordBar, 1520 Grand Avenue, in the Crossroads. More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

Saturday, October 27 features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

11:22

13. Sound of Ceres –”Humoria”
from: The Twin / Joyful Noise Recordings / October 6, 2017
[.Karen and Ryan Hover, having completed a Perfect Triumvirate of Candy Claws albums, formed Sound of Ceres in 2014 as a duo in collaboration with members of the Apples in Stereo and the Drums. While Candy Claws explored terrestrial realms such as the ocean, the forest, and the Mesozoic, Sound of Ceres expands to contemplate all of space and time, and the human place within it.]

[Sound of Ceres play Outer Reaches Fest, at recordBar, Sat, October 27.]

14. Death Bells – “Only You”
from: Standing at the Edge of the World / Burning House-Funeral Party / Sept 29, 2017
[Sydney Australia based band, with Maurice Santiago, Rimas Veselis, David Gauci, Aron Postolovic, Sam Shepherd ant William Canning]

[Death Bells play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:29 – Underwriting

11:31 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

Second Stage Sponsor:
KKFI 90.1 FM

Video / VJ Sponsors:
Records with Merritt
7th Heaven
KKFI 90.1 FM
KKFI Crossroads Music Fest 2018

Additional Sponsors:

KC Neighborhood Tourist Development Fund
Midwest Music Foundation
90.9 The Bridge
Open Spaces KC
Boulevard Brewing Company
Lagunitas Brewing Co
XO Blackwater
Josey Records Kansas City
recordBar
It’s a Beautiful Day
Sound 81 Productions
Seen Merch
Haymaker Records
Bullseye Records
Kosmic City
Print Time

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:36 – Montreal Solo Projects

15. Kee Avil – “Sponge”
from: Kee Avil – EP / Black Bough Records / March 15, 2018
[Kee Avil is a solo song project based in Montreal, QC. It combines guitar, voice and electronics into song forms that stagger between structure and improvisation. Kee Avil evolved from playing the guitar with broken cymbals and drumsticks into creating strange beats glued together by samples of screws dropped into crystal bowls. All music by Kee Avil. Mixing by Zach Scholes. Mastering: Sponge and by Harris Newman, and Zach Schole.]

[Kee Avil plays Outer Reaches Fest, at recordBar, Sat, October 27.]

16. Black Givre – “Collusion I”
from: Errance et mépris / Burning House – Funeral party / October 16, 2018
[Montreal, Québec based Black Givre is Samuel Bobony (drum & electronic). Recorded live in front of small audience at Studio Concrete by Zach Scholes. Mixed & Produced by Samuel Bobony & Olivier Fairfield. Mastering by Philippe. Black Givre is Samuel Bobony solo project. A sound artist who creates explosive pieces which combines drum, sampling, field recording and synthesizer. Also member of Avec le Soleil Sortant de Sa Bouche (Constellation Records) & Héliodrome (Endemik Music).]

[Black Givre play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:43 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:48

17. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 22, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala.]

[Jorge Arana Trio play Outer Reaches Fest, at recordBar, Sat, Oct. 27.]

11:51 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Outer Reaches FEST at recordBar on Friday & Saturday, October 26 & 27.

Friday, October 26
Freight Train Rabbit Killer
Heaven’s Gateway Drugs (Fort Wayne, IN)
Mysterious Clouds
Abandoned Bells
The Guillotine Choir
JC & the Nuns (Lawrence, KS)
Lesser Pleasures (Lawrence, KS)
New Obsessions
Lava Dreams

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More info: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:56

18. Monta At Odds – “Argentum Dreams (feat. Your Friend)”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from KCK based band formed by brothers Dedric and Delaney Moore.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on October 31, we brig you a special Halloween Show with Bela Lugosi, Boris Karloff and Bette Davis — plus an interview with Michael McQuary Man of 1001 Faces.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #757

Wednesday MidDay Medley presents Radkey + Music from the 14th Annual Crossroads Music Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2018

Radkey + Music from the 14th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

Wednesday MidDay Medley features music from bands participating in the KKFI’s 14th annual Crossroads Music Fest, presented Lead Bank, on Saturday, September 8, featuring 37 bands, on 8 stages, 15 hours of music programming, all within 3 blocks in Kansas City’s Crossroads Arts & Music District. Mark spins tracks from: Katy Guillen and The Girls, Hembree, Radkey, Sauce, Eems, Grand Marquis, Summer Osborne, Brandon Phillips and The Condition, Hi-Lux, Instant Karma, Cubanisms, and The Vogts Sisters. We’ll also play music from Calvin Arsenia and Krystle Warren.

Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey

At 11:00 Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey join us live in our 90.1 FM studios. Radkey plays Crossroads Music Fest, September 8 at 11:45 PM, at recordBar, with Quixotic Performers. Radkey was formed in 2010 in St. Joseph, Missouri where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings, “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016, plus two EPs and several new singles, and were recently part of a MasterCard advertising campaign on digital billboards in New York City that brought them to the attention of Jack White who asked the band to toured with him. After CMF Radkey goes on the road throughout the United States and will play shows in Amsterdam and Stockholm in early 2019.

Bill Sundahl

Bill Sundahl, 90.1 FM KKFI’s Development Director joins Mark as co-host for the entire show to share details about participating artists, venues, and special features of the 14th Annual Crossroads Music Fest including the Midwest Music Foundation Free Musicians’ Health Care Clinic, at Lead Bank, 1801 Main with Check ups, Referrals, Hearing, and Mammograms. CMF also presents MixMaster Music Conference – Musicians Professional Development Seminar at The Exchange at Lead Bank, 1801 Main, 4th floor. Both events happen from 11:00 PM to 5:00 PM. For more information, or to get advance tickets you can visit: http://www.cmfkc.com.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #750