WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

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Wednesday MidDay Medley’s Halloween with Béla, Boris, & Bette + Apocalypse Meow 11

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

On Halloween Mark plays New & MidCoastal & “Haunted Recordings” from: Hot Suede, Chase The Horseman, Jametatone, Jason Beers, AKA Dundeon Master, St. Vincent, Thom Yorke, Snoop Dogg, Kraftwerk, Laurie Anderson, Nina Simone, Sonic Youth, Madonna, Siouxsie & The Banshees, The Misfits, The Velvet Underground, Screaming Jay Hawkins, Michel Rubini & Denny Jaeger, William Stromberg & Moscow Symphony Orchestra, Kenneth Alwyn, Bette Davis, Cesar Davila-Irizarry & Charlie Clouser, Bobby “Boris” Pickett & The Crypt-Kickers, Donald Trump, and The Jimi Shawndi Band.

Portions of our show will co-hosted by Béla Lugosi, Boris Karloff, and Bette Davis as played by our special guest star, Michael McQuary.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.” Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world. Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts. Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.” He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC. Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds. Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

At 11:40 we talk with Sondra Freeman of Midwest Music Foundation about the 11th annual Apocalypse Meow benefit concert on Friday, Nov. 2 and Saturday, Nov. 3. The annual concert is MMF’s primary fundraiser for Abby’s Fund For Musicians’ Health Care. It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee. The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door. More information about Apocalypse Meow 11 and MMF can be found at midwestmusicfoundation.org.

Michael McQuary as Bette Davis by Paul Andrews Photography
Michael McQuary as Boris Karloff by M.R. King Images

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

WMM Playlist from October 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2017

Betse Ellis + Marion Merritt
+ Jennifer Owen of Owen Cox Dance Group
+ Jake Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Cuee – “Honey feat. Micha Anne [radio edit]”
from: “Honey”- Single / Cuee / November 27, 2017
[Cuee is a Chicago rap artist currently in Lawrence. Fally Afani writes in I Heart Local Music: Your 2017 local queer anthem is here, and we are screaming. Cuee’s “Honey” features local trans songstress Micha Anne, and it’s blasting confidence all over our speakers. LISTEN TO US. This is the track you put on when you’re gussying up for a night of raging on the Replay dance floor. In the song, Micha encourages us to “work it out,” “get sexy now,” and just “slay.” Then, Cuee (always the charmer) pops in, proudly proclaims “I’m brown skinned, I like action” and that she could “pull your girl without askin’.” We’re already a hot mess. 2017 has been such a shit year and we need this unapologetic happiness right now. Together, Cuee and Micha Anne are looking good and slaying. They are our guiding lights in dark times, and we are going to sissy that walk when we follow them into the new frontier. If this is the future of music, sign us up. We are here for it.]

[Cuee plays Replay Lounge, 946 Mass. St, LFK, on Saturday, October 20 with Khrystal., Mae C, and DJ Kate Furst.]

3. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

10:08 – Pledge Break #1

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. Last year their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Ollie’s Local, 3044 Gillham Rd., KCMO, tomorrow night, 7:00 to 10:00 PM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re nonprofit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and call 888-931-0901 and donate to keep us alive!

YOU are the reason we are able to stay alive.

90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, in the last year, Wednesday MidDay Medley has interviewed 200 guests:

Radkey, Ted Riederer, Shy Boys, Emmaline Twist, Howard Iceberg, Cody Critcheloe, Bach Aria Soloists, Calvin Arsenia, Tim Finn, Stephonne Singletone, Prisca Jebet Kendagor, Nathan Bowman, Holly Near, Of Tree, Michelle Bacon, Krystle Warren, Cris Williamson, Ivory Blue, Jesse Kates, Sterling Witt, Kristy Stremel, Summer Osborne, Sarah McCracken, Una Walkenhorst, Thee Devotion, Abandoned Bells, Amy Farrand, Barry Lee, Lisa McKenzie, Chase The Horseman, Keaton Conrad, Sid Sowder, Heidi Lynne Gluck, CJ Janovy, Aaron Rhodes, Fally Afani, Liz Jeans, Pranav Nanda, Cat Dail, Savannah Rodgers, Stuart Hinds, Lea Hopkins, Austin Williams, Jamie Rich, Philip Hooser, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Marquis, Nico Gray, Cheryl Kimmi, Chris Haghirian, Nathan Ruesch, Megan Slankard, Justin Van Pelt, Elizabeth Suh Lane, Beau Bledsoe, Jeff Harshbarger, Jen Harris, Laurel Parks, Ben Parks, Spencer Brown, CS Luxem, Red Kate, Olivia Fox, Doby Watson, Kadesh Flow, David Wayne Reed, Shaun Crowley, Nick Carswell, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Steve Tulipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Ryan Lee Toms, Paul S. Nyakatura, Joesph Warren Wheeler, Summerland, Blake Berglund, Belle Plaine, Joe Stanziola, Chris McCoy, Wick Thomas, Josh Morgan, Simon Huntley, Mike Dillon, Ethan Eckert, Cody Calhoun, Cole Bales, AM Merker, Stephen Berry, Sarah Dolt, L. Ron Drunkard, Natalie Patrick-Knox, Theresa Scott, Johnny Hamil, Chris Tady, John Keck, Chris Teasley, Davin Watne, Ten Thousand One, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Betse Ellis, Clarke Wyatt, Ron Megee, Joelle St.Pierre, Nan Turner, Matthew Roth, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Jen Appell, Steve Gardels, Cynthia Hardeman, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Scott Hrabko, Jonathan Brokaw, David Weeda, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Maria Cuevas, Garrett Nordstrom, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl, Stephanie Bankston, Brook Worlledge, Heather Andrews, Chad Meise, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Alan Winkler, Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Jamie Searle, Patrick Alexander, and more.

10:15 – DNA Harmonies

4. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play the Forever Fest, Friday, October 19, at 5:00 PM, at The Yard in North Lawrence, 512 Locust Street, with CS Luxem, and Mourning Ritual.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play Vinyl Renaissance, at 7932 Sante Fe Drive, Overland Park, KS., Thursday, October 18, over the lunch hour at from 12:00 Noon to 1:00 PM.]

6. Madisen Ward and the Mama Bear – “Walk in The Park”
from: The Radio Winners – EP / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear are currently out on the road with The Record Company with shows tomorrow in NYC, Friday in Boston, Saturday in Phiadelphia, Monday in Portland Maine, and continuing to Charlotte, Atlanta, Birmingham, Austin, Dallas, Albuquerque, Phoenix, Tucson, San Diego, Los Angeles, Las Vegas, and Denver through November 13.]

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro and the band that made The Musical II plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Emmaline Twist, and Teri Quinn.]

10:25 – Pledge Break #2

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard from Mikal Shapiro, Madisen Ward and The Mama Bear, Bob & Una Walkenhorst, and Shy Boys. We not only play their latest music but we let you know where you can see and hear these artists live in Kansas City and around the country. We also offer information about when the music was released, who contributed to the recordings and information about these artists. Our detailed playlists are posted on our Wednesday MidDay Medley Facebook page, on our Twitter page, and our playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org. Wednesday MidDay Medley was the very first radio show to play Shy Boys and Madisen Ward and The Mama Bear, Mikal Shapiro, and the new Bob & Una Walkenhorst record. Long before they were played on other stations, we were the very first to let people know about their music, right here on this little ole radio show.

WMM Plays New & MidCoastal Releases. Timothy Finn former music writer for the Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

10:32 – Underwriting

Betse Ellis and Jennifer Owen on the October 17, 2018 edition of Wednesday MidDay Medley.

10:34 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

“Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre

Jennifer Owen joins us to share details about, “Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with performance on Saturday, October 20, at 8:00 PM, and Sunday, October 21, at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., Overland Park, Kansas.

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs.

Owen/Cox Dance Group’s mission is to bring exciting new music and dance collaborations to Kansas City, partners with soprano Victoria Bo-ero on Morena, a world premiere music and dance work. Featuring the secular music traditionally sung by Jewish, Muslim, and Christian women. These songs from the Sephardic, Arabic, and Armenian cultures have a rich history of being passed from one woman to another since the medieval era. Curated by Victoria Botero and choreographed by Jennifer Owen, this program connects across time and faith, exploring themes of love, family, and loss.

“I am thrilled to present this collaborative performance with Victoria Botero,” said Jennifer Owen, Owen/Cox Dance Group Artistic Director. “It’s a re-markable gift for a choreographer to be able to create new dance works to music with such a rich tradition. Don’t miss this powerful event paring live music and dance!”

Musicians:
Victoria Botero, Soprano, Kristee Haney, Mezzo-Soprano, Trilla Ray Carter, Cello

And featuring the Sharq Ensemble: Karim Nagi, Percussion and Aboud Agha, Oud

Dancers:
Yazzmeen Ladler (Ailey II), Christopher Page-Sanders (Cleo Parker Robinson Dance)
Demetrius McClendon (Deeply Rooted), Terra Liu (State Street Ballet)
Marlayna Locklear (Ailey II), Megan Buckley (Verb Ballets), and Martell Ruffin (Ailey II)

There are only two performance on Sat., Oct. 20 at 8:00 PM, and Sun, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., OPKS. For info: http://www.owencoxdance.org

Owen/Cox Dance Group 2018 – 2019 Season

New Dance Partners – 4 world premieres commissioned by JCCC – Sept. 21-22, at Yardley Hall, JCCC

Morena with soprano Victoria Botero – October 20-21, 2018 at Polsky Theatre, JCCC

For the Love of Dance – Annual Fundraiser – November 18, 2018

What Keeps Mankind Alive – music by Kurt Weill and Bertolt Brecht
February 1-3, 2019 – MTH Theatre, Crown Center

Strung Through Time w/ violinist Elizabeth Suh Lane – June 8-9, 2019, at White Recital Hall, UMKC

10:44

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group presents, “Morena” a collaboration with soprano Victoria Botero and ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Sat, Oct. 20 at 8:00 PM, and Sun,, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts ,at Johnson County Community College, 12345 College Blvd. Overland Park, Kansas

10:45

8. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton plays Pianos, 158 Ludlow Street, in NYC, on Sunday, October 28, at 7:00 PM with Tales of Joy, New Alone, Ava Sophia and Paola Bennet.]

9. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

10:52 – Pledge Break #3

We just heard Krystle Warren. Mark Manning was the very first to play Krystle’s music on the radio and on KKFI. He first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark wanted recorded music of Krystle’s that could be played on the radio. Solomon Dorsey, Krystle’s Paseo Academy classmate and longtime friend and collaborator, invited Mark to a party where Krystle and her band were playing with Solomon on bass, in a very smoke filled apartment packed with area college students, at a huge party during a winter snow storm, in a building near Community Christian Church where Solomon lived. There had been a power outage because of the snowstorm, except Solomon’s apartment still had power. Mark waited over 2 hours, to be given a 2 song demo CD that contained Krystle’s first recorded music. The CD including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but maintains contact with her hometown of Kansas City. In the last year Krystle released her critically acclaimed album, “Three The Hard Way” which was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, long before it was released. Krystle even came on the show months before the release, to share music that was the inspiration for the recording.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. Call 888-931-0901. You can also visit us at http://www.kkfi.org

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI – Commercials. We are non-commercial! We do not clutter the airwaves with commercials trying to sell you something. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio, but No Commercials!

KKFI has no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. We are the opposite of this. There is a human being on the other end of the phone line anytime you call.

We are The Voice of The Community

90.1 offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Time, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

Call: 888-931-0901 or visit: http://www.kkfi.org — Become a sustaining member!

10:59 – Station ID

10. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Mikal Shapiro and the band that made The Musical II and Teri Quinn.]

11. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

[Amy Farrand & The Like play the Brick Saturday, October 20, at 8:00 pm, with Molly Gene]

[Amy Farrand & The Like play Replay in Lawrence on Sunday, Oct. 21, at 5:00 pm, with the Vedettes]

[Amy Farrand & The Like play a Fundraiser for Sharice Davids for US Congress, Thursday, Oct. 25, at 8:00 pm, at recordBar, with Emmaline Twist, Mikal Shapiro and band, and Teri Quinn.]

[Sister Mary Rotten Crotch plays recordBar Wed, Oct 31, 9:00 pm with Bob Log III, Molly Gene.]

11:05 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

What does 90.1 FM KKFI Kansas City Community Radio means to YOU?

Where can you find out about what is happening in your community? Where can you find weekly locally focused specific information and news about the following collective communities or issues: LGBTQIA, Urban Affairs, Worker’s Rights, The Environment, The Kansas City Visual and Literary Arts, The Performing Arts, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk? The answer is KKFI 90.1 FM Kansas City Community Radio. The Voice of The Community

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

12. Jake Wells – “Water, Pt. 2”
from: Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT.]

Jake Wells photo by Alec Matlock. Jake Wells plays recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT

11:15 – Interview with Jake Wells

Last week the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. This year Jake released his debut EP Orange and Blue. Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Last Tuesday night, October 9, we saw Jake sing on NBC’s The Voice, in the blind audition for celebrity musicians: Adam Levine, Jennifer Hudson, Blake Shelton and Kelly Clarkson. We watched Jake’s family backstage waiting with anticipation for one of the “coaches” to turn around. At the last moment of his song, Adam Levine turned his chair, making Jake a member of his team, and moving him to the next stage of the competition – The battle rounds.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style. Jake is one of five childen, He has two sisters and two brothers and he is the middle child.

He studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. Jake has release other singles and this year Jake released his debut EP, Orange and Blue.

Jake Wells with Dorothy Hawkins on the October 17, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake’s band includes: Tyler Beyer, Jordan Thompson, and Elliott Holt

11:26

Jake Wells, thanks for being with us on Wednesday MidDay Medley.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT. More information at http://www.jakewellsmusic.com

11:27

12. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar, Mon. Oct 22, at 7:00 PM, w/ Jake Wells and Duncan Burnett x RIOT.]

[Calvin Arsenia plays Making Movies: Once In A Lifetime at The Truman, on Mon, Dec 31, 9:00 PM.]

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

[Duncan Burnett X RIOT plays recordBar, Mon. Oct. 22, at 7:00 PM, w/ Jake Wells, Calvin Arsenia.]

11:32 – Underwriting

11:34 – Pledge Break #5

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

90.1 FM KKFI – Kansas City Community Radio offers loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation, The MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, InterUrban ArtHouse, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, American Jazz Museum, Never Records, KC Fringe Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

15. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

11:49 – Pledge Break #6

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Call 888-931-0901 // Visit: http://www.kkfi.org // Become a Sustaining Member!

Donations of $5.00 per month or moe enable you to attend the 2018 Sustainer Concert (for New & Existing Sustainers) with Cubanisms & The Sextet, Thursday, November 29, 5:00 to 9:00 PM, at recordBar, 1520 Grand, KCMO

11:56

17. FACEFACE – “We Awesome (radio edit)”
from: MMmm / FACEFACE / Digital release Feb. 15, 2018 / Physical release June 15, 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

[FACEFACE play a Spooktacular house warming, 2103 Central Avenue, Kansas City, KS, on Saturday, October 27, at 9:00 pm, with It’s Me Ross, Dead Vinyl, and Momma’s Boy.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 24, it will be a full moon and we will be welcoming Brenton Cook, Dedric Moore and Steve Tulipana who join us to share details about The Outer Reaches Festival, Friday, October 26 and Saturday, October 27, at recordBar with: Freight Train Rabbit Killer; Heaven’s Gateway Drugs (Fort Wayne, IN); Mysterious Clouds; Abandoned Bells; The Guillotine Choir; JC & the Nuns (Lawrence, KS); Lesser Pleasures (Lawrence, KS); New Obsessions; Lava Dreams, Cave (Chicago, IL); Sound of Ceres (Brooklyn, NY); J Fernandez (Chicago, IL); Death Bells (Sydney, Australia); Lace (Houston, TX); Black Givre (Montréal, Québec); and Kee Avil (Montréal, Québec).

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #756

WMM Playlist from August 1, 2018

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 1, 2018

Calvin Arsenia in Concert on the Radio!
+ Writer & Journalist C.J. Janovy

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.

10:05 – Interview with Bill Sundahl

14th Annual Crossroads Music Fest is September 8, 2018

Bill Sundahl is founder of Crossroads Music Festival and has been coming on this radio program for the last 14 years to share information about the music and venues and collaborations associated with Crossroads Music Festival – one of the longest running music festivals in Kansas City. Bill is also 90.1 FM KKFI’s Development Director, where he is constantly in motion, working to keep Community Radio alive! Bill joins us as to share details about participating artists, and special features, of this year’s CMF, on Saturday, September 8.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

Since it’s inception in 2005, CMF has featured over hundreds of bands and attracted thousands of people to the Crossroads Arts District in Kansas City.

THE 2018 CMF LINEUP INCLUDES:

RADKEY & QUIXOTIC PERFORMERS – HEMBREE – HI LUX – BRANDON PHILLIPS & THE CONDITION – CUBANISMS – EEMS – GAMELAN GENTA KASTURI – GRAND MARQUIS – TAYLOR SMITH BAND – BCR – MY OH MY! – VOGTS SISTERS – VOLKER BROTHERS – FOUR SCORE – SUMMER OSBOURNE – COWTOWN COUNTRY CLUB – SUPERMASSIVE BLACK HOLES – CADILLAC FLAMBE – VI TRAN BAND – CHAD ELLIOTT !!! MORE TO BE ADDED SOON !!!

The 14th annual Crossroads Music Fest is Saturday, September 8.

For more information you can go to: http://www.cmfkc.com or http://www.kkfi.org

10:10 – Underwriting

10:12 – Interview with Calvin Arsenia

Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and released the EPs, Moments, Prose. Last year Calvin released his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.

Calvin Arsenia, thanks for being with us on WMM.

Calvin was our most played artist of 2017, and his release Castastrophe was in our Top Three of WMM’s The 117 Best Recordings of 2017.

Calvin has been traveling a lot this year. He participated in Escape to Create in Seaside Florida during the month of January. He has traveled to Australia, Gothenburg Sweden, Edinburgh Scotland. Calvin has spent time in Los Angeles recording songs for a new vinyl EP called “The L.A. Sessions,” that will be coming out on Bullseye Records sometime next year.

Calvin has also been working on his new full length album, Cantaloupe, and a special KC Release on September 15.

And Calvin And Simon Huntley are getting ready to go back on tour to Edinburgh, to Fringe By the Sea.

This year Calvin Arsenia was signed to the new Kansas City based music label, Bullseye Records started by Jim Andrews and Patrick Sprehe.

10:16

3. Calvin Arsenia – “Bleu” (LIVE)
also available on Calvin Arsenia’s EP Moments, released April 9, 2014

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:22

4. Calvin Arsenia – “Dance in The Rain”
from: “Dance in The Rain” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

5. Calvin Arsenia – “Jesus Loves Me”
from: “Jesus Loves Me” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

10:33

6. Calvin Arsenia – “Lullaby” w/ Sara Morgan
from: “Lullaby – Single / (Unreleased Track) / from February 22, 2006
[16 year old Calvin Arsenia & 17 year old Sara Morgan collaborated on music in the same church.]

10:37

7. Calvin Arsenia – “86”
from: Moments [EP] / Independent / April 9, 2014
[Calvin Arsenia was 24 when he released this EP after returning home to Kansas City after living and performing in Edinburgh, Scotland. Calvin works as a songwriter, composer, lyricist, producer, and engineer. Calvin Arsenia played live on Wednesday MidDay Medley on October 22. 2014.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:46

8. Calvin Arsenia – “Reflection #3” (LIVE)
Calvin Arsenia performing a harp instrumental of a piece that was originally improvised from a show in Edinburg that Calvin recorded o his cell phone and later transposed for a friend this year who asked him to recreate the piece for a performance.

Calvin Arsenia recently performed in a staged musical called “After Persephone” that was part of the KC Fringe Festival and was performed at Arts Asylum. All of the performances were sold out.

10:56

One of Calvin’s influences is Bjork

9. Bjork – “Generous Palmstroke”
from: Vespertine Live / One Little Indian / June 1, 2004

11:00 – Station ID

11:00 – Interview with C.J. Janovy

C.J. Janovy photo by: John Janovy, Jr.

Writer and journalist C.J. Janovy joins us to discuss her new book, No Place Like Home – Lessons in Activism from LGBT Kansas, from University Press of Kansas. C.J. Janovy currently oversees digital content for 89.3 FM KCUR, Kansas City’s NPR affiliate, where C.J, has also reported on arts and culture. C.J. Janovy also served as Editor of The Pitch Weekly for over a decade. C.J. Janovy received her English Degree from the University of California at Berkeley, and her Masters Degree in creative writing from Boston University.

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm, at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy thanks for being with us on WMM.

Full disclosure: I’ve known C.J, Janovy since 1990 when she wrote a piece about Big Bang Buffet and The Spoken Word at Cafe Lulu for The New Times, one of Kansas City’s weekly newspapers of the 1990s. Many of the writers of The New Times migrated to The Pitch Weekly where C.J. served as Editor for over a decade. At one point The Pitch was owned by The Village Voice Media, and specialized in advocacy journalism.

C.J. transitioned from print media to radio when she began reporting for KCUR 89.3 FM. C.J. reported on arts and now oversees digital content at http://www.kcur.org

No Place Like Home – Lessons in Activism from LGBT Kansas

This book, No Place Like Home – Lessons in Activism from LGBT Kansas, is a gift. A gift to all of the people who have fought for equality in Kansas.

C.J. Janovy writes that this project began on June 26, 2013. The day of the U.S. Supreme Court ruled by a 5-to-4 vote that the U.S. Constitution guarantees a right to same-sex marriage.

C.J. Janovy spent over 3 years doing research for this book.

In her forward, C.J. mentions other books written about struggles for LGBTQIA Equality, in other states, realizing that the story of Kansas LGBTQIA activists needed to be told.

C.J. also refers to Frank L. Baum’s the Wonderful Wizard of Oz, published in 1900. The 1939 film version, starring Judy Garland has become a huge metaphor and symbolic piece for Gay folk everywhere.

Traveling through the story of LGBTQIA Equality in Kansas, C.J. shares the story of how Kansas has become more socially conservative from the mid 1970s to today.

This book comes out the same year as the Austin Williams documentary film, The Ordinance Project, which tells the story of how, “at the height of the AIDS crisis, the City Council of Kansas City, Missouri debated whether or not to amend its Civil Rights Ordinance to prevent discrimination against lesbians, gays, bisexuals, and people with HIV/AIDS. It quickly became the most highly contested piece of legislation in Kansas City’s history, galvanizing both supporters and opponents while exposing a social divide that is still felt today.” It eventually passed in 1993, after a three year struggle. That story parallels the stories in No Place Like Home, with similar ordinances eventually passing in Manhattan, Salina and Hutchinson, Kansas.

You can find more information at: http://www.cjjanovy.com where C.J. has posted a piece about Lea Hopkins, who is featured in The Ordinance Project.

No Place Like Home – Lessons in Activism from LGBT Kansas deals with Marriage Equality, housing and employment discrimination, Transgender rights, The Christian Right.

No Place Like Home – Lessons in Activism from LGBT Kansas features profiles of: Tiffany Muller, Sandra Stenzel, Diane Silver, Bruce Ney, Christopher Renner, Tom Witt, Bruce McKinney, Pat Munz, Kristi Parker, Stephanie Mott, LuAnn Kahl, Anne Mitchell, Lindy Duree, Tanya Jantz, Kristie Stremel, Isaac Unruh, Charlie Snook, Alley Stoughton, Cora Holt, Jonathan Mertz, Lukus Ebert, Sandra Meade, Kevin Stilley, and many others. These profiles are part of the action of this book, these activists all continually standing up for a more equal and fair world in which to live.

In her book, No Place Like Home – Lessons in Activism from LGBT Kansas, author C.J. Janovy gives special thanks to librarians: Tami Albin of The University of Kansas’s Under the Rainbow: Oral Histories of Gay, Lesbian, Transgender, Intersex and Queer People in Kansas, and Stuart Hinds of GLAMA The Gay and Lesbian Archives of Mid-America at The University of Missouri-Kansas City

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:24 – Underwriting

11:26 – Interview with Calvin Arsenia & Simon Huntley

Calvin Arsenia plays an album release show at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with Krystle Warren and others, presented by Bullseye Records. More information at: http://www.calvinarsenia.com

Also with us is: Simon Huntley who is a lighting designer, drummer, percussionist, engineer. He works as head percussionist with Quixotic. He serves as head lighting technician at The Folly Theatre. Simon will be traveling again with Calvin throughout Europe on an upcoming tour, starting tomorrow.

Calvin Arsenia, Simon Huntley, thanks for being with us on WMM.

11:28

J. Ashley Miller and Simon Huntley are the producers of Calvin’s new album, Cantaloupe, recorded at various recording studios around Kansas City

10. Jametatone – “Shadow Projecting”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

11:32

11. Calvin Arsenia – ” Poseidon” (Live)
Calvin Arsenia on harp and vocals, Simon Huntey on percussion
also available on Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

11:40

Calvin was recently signed by Bullseye Records a new record label formed in Kansas City by Jim Andrews and Patrick Sprehe.

12. Calvin Arsenia – “Don’t Explain”
from: L.A. Sessions / Bullseye Records / expected Spring 2019
[Written by jazz singer Billie Holiday & Arthur Herzog Jr. Billie wrote “Don’t Explain” after her husband, Jimmy Monroe, came home one night with lipstick traces on his collar. Recorded by Holiday in 1944.]

11:45

13. Calvin Arsenia – “Equally”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

Calvin Arsenia also plays The Mark Music Show 2.6 An Evening With Calvin Arsenia, hosted by The MARK and St. Mark Hope and Peace Lutheran, Saturday, September 29 at 7:30 PM at St. Mark Hope and Peace Lutheran, 3800 Troost Ave, KCMO

11:48

14. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from Cantaloupe]

More information at http://www.calvinarsenia.com

11:56:30

15. Calvin Arsenia – “Tip Toe (Radio Edit)”
from: Caviar EP/ Calvin Arsenia / December 5, 2017
[Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe. Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Calvin released Live at Greenwood Social Hall from his June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. In the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris, in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. Calvin is a graduate of Artist INC.]

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 8, Marion Merritt returns as our Special Guest Producer. Marion will share tracks from: R+R Now, Kamasi Washington, Bernice, Black Rebel Motorcycle Club, Super Elcados, Ty Segall and White Fence, J.M. Black and more. Also next week, we’ll talk with Kansas City based singer songwriter, Una Walkenhorst who plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20 at 7:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Instant Karma, and Blue False Indigo.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #745

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

Wednesday MidDay Medley presents Shy Boys + Heidi Lynne Gluck + Keaton Conrad + Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

Mark plays New & MidCoastal Releases from: Shy Boys, Heidi Lynne Gluck, Keaton Conrad, Under the Big Oak Tree, Mikal Shapiro, The Philistines, The Hollow Ends, The War and Treaty, Kyle Nachtigal, and Soccer Mommy.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

At 10:30 we talk with Shy Boys on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone (J Ashley Miller), and Blastocyst. More info at: http://www.shyboys.website

Keaton Conrad

At 11:00, KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. Keaton Conrad has just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16. More information at http://www.keatonconradmusic.com

Heidi Lynne Gluck

At 11:30, Lawrence based musician Heidi Lynne Gluck shares her new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Heidi’s original song, “Party Line,” is on side A, with a side B cover of Camper Van Beethoven’s, ”Good Guys and Bad Guys.” Both tracks were produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas.The racks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Heidi Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO. Heidi plays Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas with Jess Williamson, and CS Luxem. More info at http://www.heidilynnegluck.com

Too Much Rick – Single Series

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #744

Wednesday MidDay Medley

WMM Playlist from June 6, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 6, 2018

The MidCoast Sound + Second Hand King
+ Belle Plaine, Blake Berglund & Nadia Piotrowsky +
Marion Merritt & Jolle St. Pierre

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme song]

2. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

3. David Byrne – “Gasoline and Dirty Sheets”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with Talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for The Performing Arts, Thursday, June 7, at 7:30 PM.]

10:07 – Pledge Break #1

Marion Merritt

But first, Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first tour when they played One Block West, in 1978. For 14 years she has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. More at: recordswithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Joelle St. Pierre

Also with us is Joelle St. Pierre, a friend of the show, a friend of mine since the early 1990s, and a huge friend to 90.1 FM KKFI. Joelle is a 90.1 FM Super Volunteer, helping with KKFI’s special events, the Crossroads Music Festival, The Spring Dance, Folk Alliance International, and answering phones for our On-Air-Fund Drives. Joelle stepped out of the crowd of our beautiful listening audience, to not only donate financially to KKFI, but also give her time and energy to help keep this rare treasure of the airwaves alive. Despite all of her hours given to community radio, like so many of our hardest working volunteers, she is not often found behind the microphone, so today is special.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt, and Joelle St. Pierre, join us for our Spring Fund Drive Show, to encourage our listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio, “The Voice of The Community.”

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and donate to keep us alive! YOU are the reason we are able to stay alive.

10:16

Yanna the Supa Flowa at I Heart Local Music presents Pride for The Masses at Jackpot Music Hall (6/9/18)

4. Supa Flowa – “The Wu”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

[Yanna the supa flowa plays the I Heart Local Music Presents: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Cuee.]

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:21 – Underwriting

10:23 – Pledge Break #2

WMM Plays New & MidCoastal Releases. Timothy Finn of Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

Why do listeners need to support of this one-of-a-kind, programming?
Because 90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, WMM interviews nearly 200 guests each year:

Michelle Bacon, Krystle Warren, Katy Guillen, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Mrquis, Megan Slankard, Justin Van Pelt, Amy Farrand, Jen Harris, Spencer Brown, CS Luxem, Red Kaye, Olivia Fox, Howard Iceberg, Doby Watson, Kadesh Flow, Bach Aria Soloists, Cris Williamson, David Wayne Reed, Mikal Shapiro, Calvin Arsenia, Shoun Crowley, Nick Carswell, Cody Critcheloe, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Cat Dail, Thee Devotion, Steve Tullipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Eckert, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Chad Meise, Chris Haghirian, Nathan Reusch, Aaron Rhodes, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Tim Finn, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:30

6. Second Hand King – “Go So Wrong”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Second Hand King has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

10:33 – Interview with Joe Stanziola

Joe Stanziola on the June 6, 2018 edition of Wednesday MidDay Medley on 90.1 FM.

Joe Stanziola performs and records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song, “The Joker Went Wild” by Brian Hyland. Joe’s been exploring the connections between Doo Wop and Hip Hop since he released his The Santa Sangre EP in 2011. Joe followed that up with five more albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016). Joe is set to release his 6th full length album, Frankie when Second Hand King & The Lovers play a “FRANKIE” album release show, Saturday, June 9 at 7:00 PM, at recordBar, 1520 Grand, with Black Mariah Theater, Rockababyrock & Tyler Banks, along with Dj Peter Anthony.

Joe Stanziola thank you for being with us on WMM.

First off, a Doo-Wop Tutorial from Wikipedia.org:

Doo-Wop – origins: Rhythm and blues harmony vocal groups a cappella negro spirituals barbershop music gospel ballads blues jump blues swing

Doo Wop – Derivative forms: Beach music beat Brill Building pop rock power pop soul vocal surf

Doo-wop is a genre of rhythm and blues music that was developed in African-American communities in the East Coast of the United States in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented styles of the time. Singer Bill Kenny is often called the “Godfather of Doo-wop” for his introducing the “top and bottom” format which featured a high tenor singing the lead and a bass singer reciting the lyrics in the middle of the song. Doo-wop features vocal group harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation, and simple music and lyrics

From the outset, singers gathered on street corners, and in subways, generally in groups of three to six. They sang a cappella arrangements, and used wordless onomatopeia to mimic instruments since instruments were little used: the bass singing “bom-bom-bom”, a guitar rendered as “shang-a-lang” and brass riffs as “dooooo -wop-wop”. For instance, “Count Every Star” by The Ravens (1950), includes vocalizations imitating the “doomph, doomph” plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music. Radio, gramophone, and cinema inspired imitation in many U.S. cities.

The late 1940s and early 1950s brought the so-called “bird groups”; The Swallows, the Ravens, The Orioles, The Penguins, The Crows, The Flamingos, The Blue Jays, The Cardinals, and The Larks. A number of band names are also drawn from cars (The Edsels, The Cadillacs, The Fleetwoods, The Impalas, and Little Anthony and the Imperials). The Orioles helped develop the doo-wop sound with their hits “It’s Too Soon to Know” (1948) and “Crying in the Chapel” (1953). Doo-wop scored 1951 R&B chart hits such as “Sixty Minute Man” by Billy Ward and His Dominoes, “Where Are You?” by The Mello-Moods, “The Glory of Love” by The Five Keys, “Shouldn’t I Know” by The Cardinals, “I Will Wait” by the Four Buddies, and “Will You Be Mine”, by The Swallows.

The term “doo-wop” first appeared in print in 1961 in The Chicago Defender; fans of the music coined the term during the height of a vocal harmony resurgence. The phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested “doo-wop(p) was already in use [before me] to categorize the music in California.”

The first record to use the syllables “doo-wop” in the refrain was the 1955 hit “When You Dance” by The Turbans (Herald Records H-458). Previously, the backing vocal “doo-wop” is heard in The Delta Rhythm Boys’ 1945 recording of “Just A-Sittin’ And A-Rockin”, The Clovers’ 1953 release “Good Lovin'” (Atlantic Records 1000) and in the chorus of Carlyle Dundee & The Dunde

1958 also saw the rise of Italian American doo-wop groups. Like African-Americans, the Italian Americans generally attended church, where they gained singing experience, and lived in urban neighborhoods, where they would sing on street corners. By the late 1950s, Italian American street corner doo-wop groups were seen in cities such as New York, especially the Bronx and Brooklyn. Some of the Italian American groups with national chart hits included: Dion and the Belmonts, in 1958, with “I Wonder Why”, and Top #5 hits “Teenager in Love” and “Where or When”; The Four Seasons; The Capris with “There’s a Moon Out Tonight”, in 1960; The Earls; The Chimes; The Demensions; The Elegants; The Mystics; The Duprees; Vito & the Salutations; The Gaylords; Johnny Maestro & the Brooklyn Bridge; The Regents; Nino and the Ebb Tides; The Del-Satins; The Videls; most of the members of The Passions; and The Chaperones. Other Italian American groups included Randy & the Rainbows, who charted with their Top #10 1963 single “Denise”.

The contribution of Hispanics is often overlooked. Early, especially in U.S. East Coast cities, Puerto Ricans were lead singers in some groups with black and white members, including The Crests, Frankie Lymon and the Teenagers, the Five Discs and the Tune Weavers. “Racially integrated” groups with both black and white performers, included The Del-Vikings, who hit big in 1957 with “Come Go With Me” and “Whispering Bells”; The Crests, whose “16 Candles” appeared in 1958, and The Impalas, whose “Sorry (I Ran All the Way Home)” was a hit in 1959. All-white doo-wop groups were also appearing: The Mello-Kings’ 1956 “Tonight, Tonight” and The Diamonds’ chart-topping “Little Darlin'” in 1957, The Skyliners’ 1959 “Since I Don’t Have You” and 1960 “This I Swear”, The Tokens’ 1961 “Tonight I Fell In Love” and “I Love My Baby”, all saw success.

Female doo wop singers were unusual in the early days. Lillian Leach, lead singer of the Mellows from 1953 to 1958, helped pave the way for women and is often cited as an influence by later performers.

The peak of doo-wop might have been in the early 1960s with the most notable hits being Dion’s “Runaround Sue”, “The Wanderer”, “Lovers Who Wander” and “Ruby Baby” and The Marcels’ “Blue Moon”. There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. A few years later, the genre reached the self-referential stage, with songs about the singers (“Mr. Bass Man” by Johnny Cymbal) and the songwriters (“Who Put the Bomp?” by Barry Mann), in 1961. Other important groups, including The Coasters, The Drifters, The Midnighters, and The Platters, helped link the doo-wop style to the mainstream, and to the future sound of soul music. The style is heard in the music of The Miracles, particularly in their early hits such as “Got A Job” (an answer song to “Get a Job”), “Bad Girl”, “Who’s Loving You”, “(You Can) Depend on Me”, and “Ooo Baby Baby”. The style is also heard in the early days of The Famous Flames, led by James Brown; the group recorded several doo-wop hits, including “Please, Please, Please”, “Bewildered”, “I Don’t Mind”, and their hit cover of The “5” Royales’ “Think all entering the Top#10, as well as R&B Number #1 Try Me

Doo-wop’s influence continued in soul, pop, and rock groups of the 1960s, including The Four Seasons, girl groups, and vocal surf music performers such as Jan and Dean and the Beach Boys. In the Beach Boys’ case, the doo-wop influence is evident in early hits such as “Surfin'” and “Surfer Girl”, and in albums recorded within their psychedelic era, during which the group experimented and innovated with the human voice as an instrument[15] in a self-described effort to “expand modern vocal harmony”.

As with most American popular music genres of the time, doo-wop’s mainstream popularity was decimated by the British Invasion of the mid-1960s

Joe Stanziola grew up in Kansas.

At the Age of 16 he first heard Tupac, it changed his life.

Born December 19, 1989 his parents wrote him a rap upon his birth.

Joe says that “At my core, I am a rapper.”

Joe confesses to be “a little bit of a loner.”

Joe didn’t like school.

In his search to find himself Joe discovered doo-wop with the Gene Chandler song “Duke of Earl”

Joe has listened to so much doo-wop it is now just part of him, he has no choice. Doo-wop is his “guiding light.”

Joe is now working with a band.

Frankie is a “coming out” moment.

Second Hand King

10:47

7. Second Hand King – “The King of Broken Hearts”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

8. Joni Mitchell – “You Turn Me On I’m A Radio”
from: For The Roses / Asylum / November 1972
[Joni Mitchell originally wrote the song in response to her record label’s desire for her to write a hit song. Mitchell reveals her purpose on lines such as, “And I’m sending you out this signal here, I hope you can pick it up loud and clear”. She believed that including words in the song about radio themes would convince stations to play the recording. The song was recorded in preparation for Mitchell’s upcoming fifth studio album in Hollywood, California, United States at A&M Studios. Although Graham Nash, David Crosby, and Neil Young all contributed to the recording session for the song, only the harmonica piece performed by Graham Nash was included on the official release. “You Turn Me On, I’m a Radio” was released as a single in November 1972 via Asylum Records. The song became Mitchell’s first top-ten hit in Canada, reaching the tenth position on the RPM Top Singles chart. Additionally, the single became her first top-forty hit in the United States, reaching number twenty-five on the Billboard Hot 100. Outside North America, “You Turn Me On, I’m a Radio” peaked within the top-forty on the Australian Kent Music Report chart. The single was included on Mitchell’s fifth studio effort For the Roses, which was issued in November 1972. Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.”]

10:53 – Pledge Break #3

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and lLiterary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI!

No Commercials. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio. But No Commercials

No automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created someone who programs the robot. We are the opposite of this.

We are The Voice of The Community

90.1 offers 104 different radio programs. 82 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?
We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 12 years.

11:00 – Station ID

9. CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

[CS Luxem plays 8th Street Tap Room in Lawrence, KS. on Friday, June 8 at 6:30 with LaGuerre, Miwi La Lupa, and Nik Freitas.]

[CS Luxem plays Decade, 920 Delaware St. Lawrence, KS. Monday, June 11, at 7:PM with Curt Oren, Dan English, and Morning Ritual.]

9. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays The Westport Saloon, 4112 Pennsylvania, Tonight, 9:PM, with Wonky Tonk.]

9. Howard Iceberg & The Titanics – “My Love For You Is Real”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek.]

11:07 – Pledge Break #4

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:14

12. Belle Plaine – “Golden Ring (feat. Megan Nash) – Single”
from: Malice, Mercy, Grief and Wrath / Belle Plaine / To Be Peleased Soon
[Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54. Belle’s reverence for artists who defy categorization has led her to create a brand of roots music that combines vintage blues and swing tones of the 1940s with classic country styles made popular in the heyday of the Grand Ole Opry. In 2015 she appeared as a guest vocalist on Colter Wall’s breakthrough debut album, Imaginary Appalachia. In 2016 she performed her work with the Regina Symphony Orchestra. She comtributed as a songwriter and harmony-vocalist on Blake Berglund’s 2017 album, Realms.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:17 – Interview with Belle Plaine, Blake Berglund & Nadia Piotrowsky

Blake Berglund, Belle Plaine, and Nadia Piotrowsky on the June 6, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kansas raised, Oklahoma based, Nadia Piotrowsky who performs as summerland, joins us today and she has brought along her singer-songwriter friends from Saskatchewan, Canada, Belle Plaine and Blake Berglund who have been embraced by the Red Dirt and Americana communities as evidenced by a slot at this year’s Tumbleweed Festival in La Cygne, KS, and an eight date tour along side summerland that includes Kansas City. American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak St, KCMO, on Friday, June 8, at 8:00 pm.

Belle Plaine, Blake Berglund & Nadia Piotrowsky, Thanks for being with us on WMM.

Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54.

We just heard “Golden Ring,” the first single from her upcoming LP Malice, Mercy, Grief and Wrath and is in collaboration with fellow Saskatchewanian, Megan Nash. True to Plaine’s genre-bending style, the song pairs a surf-era baritone guitar to an Everly Brothers inspired harmony.

Belle Plaine, Blake Berglund have split their time in the last year between Canada and the Appalachians promoting Berglund’s 2017 release, Realms, and have been direct support for Colter Wall, Tyler Childers, The Dead South, Jason Eady and Dwight Yoakam.

Plaine appeared on Colter Wall’s Imaginary Appalachia (2015) and serves up a hybrid of American music: her mix of folk, country, jazz and blues was showcased at Folk Alliance International in February 2017 and at Americana Fest in September 2017 to a full house at Nashville’s 12th and Porter.

Blake Berglund & Belle Plaine

TOUR DATES

Fri. June 8 – Kansas City, MO SqueezeBox Theatre^

Sat. June 9 – Ottawa, KS House Concert^

Sun. June 10 – Tulsa, OK Tulsa Tough Cry Baby Hill VIP Part presented by Vox Pop^

Mon. June 11 – Stillwater, OK Modella Art Gallery^

Tue. June 12 – Okemah, OK Rocky Road Tavern^

Wed. June 13 – Norman, OK Red Brick Bar^

Thu. June 14 – Stillwater, OK Summer on the Plaza at Oklahoma State University^

Fri. June 15 – La Cygne, KS Tumbleweed Festival

Sun. June 17 – Kansas City, MO Ollie’s Local

^with summerland

summerland

11:22

13. summerland (Nadia Piotrowsky) – “Kentucky”
from: Fourth Street Session / Nadia Piotrowsky /
[Oklahoma based singer songwriter Nadia Piotrowsky performs as summerland. Post-college adventures in Nashville, bumps and bruises from jobs and relationships, and a move to Los Angeles in the last couple of years have inspired the melodies and lyrics that now pour out of her. Her folk-rock tales are accompanied by the sounds and rhythms of the guitar that she learned to play while sitting on the porch of her college home in Manhattan, Kansas. Various music projects with friends have led to her current project “Summerland,” which is Nadia’s first official lead role in her own musical story. Standing on the stage with her own band, made up of various talented friends from L.A.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:24

NEWEST VIDEO,“GOLDEN RING”: https://www.youtube.com/watch?v=kwAgaqvnze0

Website:http://belleplainemusic.com/
Facebook:https://www.facebook.com/belleplaine
Twitter:https://twitter.com/Belle_Plaine
Instagram:https://www.instagram.com/blackpowderbelle/
Soundcloud:https://soundcloud.com/belleplaine
Spotify:https://open.spotify.com/artist/5bCjjNx0wXytkKko9jlaLl
YouTube:https://www.youtube.com/user/BellePlaineMusic

BLAKE BERGUND LINKS

NEWEST VIDEO, “MOOSE MOUNTAIN”: https://www.youtube.com/watch?v=PImDzid_cLE
Website:http://blakeberglund.com/
Facebook:https://www.facebook.com/blakeberglund
Twitter:https://twitter.com/blakeberglund
Instagram:https://www.instagram.com/blakeberglund/
Soundcloud:https://soundcloud.com/blakeberglund/sets/blake-berglund-realms
Spotify: https://open.spotify.com/artist/3WEBMhfeVkjS6jR0EQwVq0
YouTube:https://www.youtube.com/user/blakeberglund

Berglund’s album, Realms, has carved out its place among critics. Beatroute Magazine called it “the most ambitious Canadian country record of 2017 and should certainly be regarded as one of the best,” where popular online blog, Bandsintown says “Berglund’s psychedelic country is changing the game.” Realms applies the story arc of the hero’s journey to a good ol’ boy character – the listener follows the Everyman from ignorance to enlightenment, and eventually to reincarnation. Berglund has released four videos that compliment this storyline, the latest being the stunning “Moose Mountain” where Berglund appears amidst his homeland’s eautiful scenery on horseback enjoying a tightly rolled doobie.

11:30

15. Blake Berglund – “Crooked Old Earth”
from: Realms / Oceanman Records / September 1, 2017
[Blake Berglund’s fresh style of country music is unpredictable, intelligent, genuine, and a pleasant surprise, given his hard-rock/pseudo metal background. His grassroots approach has earned him a reputation as ‘the guy who sold 10,000 CDs door-to-door.” Raised in the Moose Mountains deep in Saskatchewan’s south east corner, Berglund took his early childhood responsibilities of tending to 200 head of horses as the education needed to base his music career around hard work and cultivating relationships. Berglund’s album was released through his independently owned and operated, Oceanman Records. Described as an allegorical concept record about the ‘breadth of the human experience’, the ten track album explores spiritual based themes, alternative beliefs, and universal truths. Inspired by the teachings, observations and research of Thomas P. Fusco, Dr. Rick Strassman, and authors Joseph Campbell and C.S. Lewis, Realms follows an ancient story-telling archetype and is riddled with patterns, puzzles and nuances. Berglund is self-managed and booked. He’s gained supporters world-wide based on his work ethic, out of the box marketing and unique musical style.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:34 – Underwriting

11:36 – Pledge Break #5

We offer loads and loads of information about what is going on in the community. We shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, and political action scene.

In just this past year, we’ve featured segments on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:43

15. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

16. Kadesh Flow – “FYI”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays The Riot Room, 4048 Broadway, Saturday, June 30, at 2:00 to 5:00 PM with Kemet the Phantom and the Phantastics.]

11:50 – Pledge Break #6

Why listeners need to support of this one-of-a-kind, programming.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my friend introducing me to all kinds of new & local music, as well as news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 5 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

11:56

17. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play the 2018 Smoky Hill River Festival, Thursday, June 7, at 4:00 pm, in Salina Kansas in Oakdale Park.]


11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 13, we present part 2 of our series of Our Favorite Releases of 2018 …So Far and 10 more bands and representative tracks to play. Also next week, we’ll talk with Joseph Warren Wheeler of the Wanderlust Revival and the guys from FaceFace return to the show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #737

WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

Wednesday MidDay Medley presents Doby Watson + Witch Jail + Kadesh Flow

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

Mark plays more New & MidCoastal Releases from: The Get Up Kids, Doby Watson, Kadesh Flow, Witch Jail, Mac Lethal, Shy Boys, Calvin Arsenia, Jametatone, Bobby Watson featuring Glenn North, Kississippi, and Beach House.

Doby Watson

At 10:30 Singer-Songwriter Doby Watson plays live in our 90.1 FM Studios. Doby has just released his new EP, Family Mattress Deluxe, written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the Swearengin, Watson & May EP in 2016. More info at: http://www.dobywatson.bandcamp.com

Witch Jail

At 11:00 Mark talks with members of the KC based post-exotic, death-pop band, Witch Jail. Witch Jail was formed in 2013, and the band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on drums, and A. Ghost. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13. Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Kadesh Flow

At 11:30 Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

WMM’s The 117 Best Recordings of 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

The 117 Best Recordings of 2017

The 117 Best Recordings of 2017 are based on the playlists of this little ole radio show. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music. In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases. It’s all good!

1. Krystle Warren – Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2016 Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnson County Community College. For this record Krystle decided to play every instrument and perform all vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage ’70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows this year.]

2. Making Movies – I Am Another You / Making Movies / May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Making Movies kicked off their 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, singer-songwriter in Making Movies describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.] [Making Movies played I Am Another You Experience at Knuckleheads, Saturday, December 2, at 8 PM at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Making Movies, The Elders, Jim Suptic (of the Get Up Kids), Bob Walkenhorst (of The Rainmakers), The Nace Brothers, Anthony Ladesich (The Hardship Letters), Hi-Lux, Wick (of Wick and the Tricks), Rory Cameron (of the Whiffs), and Quixotic.]

3. Calvin Arsenia – Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin recently returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC. ] [Calvin Arsenia played Big Bang Buffet’s “Black Sheep Rising,” Tuesday, April 11, at 8:00 at The Buffalo Room. A benefit for 90.1 FM KKFI featuring Ron Megee, Lisa Cordes, Jon “Piggy” Cupit, The Sleazebeats, Kristie Stremel, Jen Harris, Maria Vasquez Boyd, Jen Appell, Bill Belzer, Charlie Colborne, Mark Manning, Susan Cedarquis-Brewington, BJ McBride, Michael McQuary, Janet Henry, Ryan Wilks, and Nico Gray.] [Calvin Arsenia was on WMM on Feb. 15, April 12, Sept. 20, and Oct. 25 and we’ve played his music on 17 shows this year.]

4. Katy Guillen & The Girls – Remember What You Knew Before / KG&G / Nov 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8.]

5. Mysterious Clouds – Panic on the Non Meridian / Haymaker Records / May 26, 2017
[For this release the band writes: “Crazy times call for crazy music. Panic is a reflection of the turmoil in our hearts, minds, and country. Sometimes you have to embrace the wild times to get a clear mental picture of how to make thing better.” Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. The brothers are also founders of the critically acclaimed band Monta At Odds. Mysterious Clouds also releaxed the EP, Clear Reflection, February 3, 2017. Their song “Clear Reflection” was also include ion the Haymakers records compilation, Fairgounds Vol. 2 Released March 24, 2017.] [Mysterious Clouds played Outer Reaches Fest, Friday Sept. 29, at recordBar.] [Dedric Moore joined us on WMM on September 27.]

6. Kemet the Phantom – The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.] [Kemet The Phantom played Brass & Boujee, October 6, at Ruins Pub, with Marcus Lewis presenting, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble] [Kemet joined us on WMM on October 4.]

7. Andrew Foshee – Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com] [Andrew Foshee joined us on WMM on November 1.]

8. Berwanger – Berwanger and The Star Invaders / Berwanger / October 28, 2017
[Recorded in Norman, OK at Blackwatch Studios. This record features musicians from The Anniversary, Pink, Cher, Limbeck, the Flaming Lips, & Broncho. Josh wrote the songs for this record after witnessing UFO’s on family vacation 2 years ago. The songs for this record can almost make a trilogy collection including his 2 previous records, and bridge the gap nicely between his earlier bands, The Anniversary and The Only Children. Josh Berwanger on guitar & vocals, Ricky Salthouse on guitar & vocals, Eva Gardner on bass, Jonny Phillip on drums & cymbals & percussion, Matt Duckworth on percussion, and Penny Pitchlynn on backing vocals. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released the EP Demonios November 11, 2016.]

9. Samantha Fish – Belle of The West / Ruf Records / November 3, 2017
[Samantha Fish’s second full-length release within eight months, and her sixth since debuting in 2009. Produced by Luther Dickinson. Growing up in Kansas City, Samantha Fish switched from drums to guitar at the tender age of 15. She spent much of her time in local watering holes listening to visiting blues bands. Samantha caught the attention of Ruf Records who released her album, Girls with Guitars, which found her co-billed with Cassie Taylor and Dani Wilde. That led to her forming her own trio and recording three more albums, Runaway (2011), Black Wind Howlin’ (2013) and Wild Heart (2015). She was awarded, Best Artist Debut at the 2012 Blues Music Awards in Memphis. In March of 2017 Fish released: Chills & Fever, where she traveled to Detroit to collaborate with members of the Detroit Cobras, a band popular in the Midwest punk/blues scene. The collaboration included Joe Mazzola on guitar, Steve Nawara on bass, Kenny Tudrick with Bob Mervak on keys, and Mark Levron and Travis Blotsky on trumpet and saxophone. The band covers songs from Jackie DeShannon, Jerry Ragavoy, Bert Berns and Allen Toussaint while also revisiting some earlier demos she cut along with producer Bobby Harlow.]

10. Scott Hrabko & The Rabbits – Summer / Scott Hrabko / June 23, 2017
[3rd full length album release and follow up to his 2015 release Biscuits and Gravity. Scott Hrabko on vocals & guitar; Marco Pascolini on pedal steel, lap steel, and baritone guitar; Fred Wickham on lead guitar; Josh Arnold on bass & vocals; and Tim Higgins on drums, with guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and accordian, and Kevin Dolan on mandolin. Recorded in part and mixed in full by Paul Malinowski at Massive Sound. Singer-songwriter Scott Hrabko has played with Kansas City’s oldest garage band, The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the 1990s he performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. Scott Hrabko’s 2014 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making.]
[Scott Hrabko & The Rabbits played a CD Release Show, Friday, June 23 at 7:00 PM at The Brick.] [Scott Hrabko joined us on WMM on June 14.]

11. Sharon Jones & The Dap-Kings – Soul of a Woman / Daptone / Nov. 17, 2017
[6th and last studio album. In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, then released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007), I Learned the Hard Way (2010), and Give the People What They Want (2014). They are seen by many as the spearhead of a revival of soul and funk.]

12. Truckstop Honeymoon – Big Things and Little Things / S. & M. West / Jan 6, 2017
[Katie West & Mike West are based in Lawrence, KS, and were relocated here after Hurricane Katrina and the devastation of their home. Hollering with all their hearts over a five string banjo and a doghouse bass, Truckstop Honeymoon live the life they sing about. Touring across three continents with four kids and a truck load of songs, Katie and Mike West tell stories about the strangeness of everyday life. Their music combines elements of bluegrass, music hall jazz and straight up rock’n’roll. Vaudevillian wit and showmanship spike their energetic live shows, while the fearless honesty of their songs touches the hearts of listners around the world. In eleven years Truckstop Honeymoon have released eight CDs and a full length documentary film on Baton Rouge label, Squirrel Records. They perform at International folk festivals, rock clubs, neighborhood bars, house concerts and hay barns from Nebraska to Tasmania. Truckstop Honeymoon’s story begins in New Orleans, where Katie played wash-tub bass and blues piano in the streets of the French Quarter. There she met Mike, who slung a banjo and sold his CDs to tourists as a curative for hangovers and small mindedness. After a court house wedding, they hit the road together. They spent their wedding night in a truckstop somewhere between Lafayette and the Atchafalaya Swamp, where Truckstop Honeymoon was born. More info at: http://www.truckstophoneymoon.com.]

13. LCD Soundsystem – american dream / DFA – Columbia / September 1, 2017
[4th studio album by American rock band LCD Soundsystem, released on September 1, 2017 through DFA and Columbia. It was first announced on January 5, 2016, the day after it was revealed that the band was reuniting after a disbandment lasting nearly five years. It is the band’s first album in seven years, following This Is Happening (2010). Prior to release, LCD Soundsystem performed at large music festivals as well as smaller shows to promote their reunion. “Call the Police” and “American Dream” were released together as the album’s lead single on May 5, 2017, and “Tonite” was released as the second single on August 16, 2017. The album received widespread acclaim from music critics. The album performed well commercially and became the band’s first number-one album in the United States.]

14. Emmaline Twist – Dissimulation 1 EP / Emmaline Twist / October 23, 2017
[Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project have released “Dissimulation 1” : four songs in digital format, their first since last year’s release of “Vega” b/w “Moon Eyes”. Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone Guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering, these four songs showcase the dark and driving nature of the Emmaline Twist sound, complete with all the mood and texture that the band has crafted through their live performances. Matched with compelling cover-art created by Amy Abshier, “Dissimulation 1” is perfect for nighttime drives, cloudy skies, and battle cries. More info at: https://emmalinetwist.bandcamp.com/%5D

15. The Roseline – Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com] [The Roseline played an Album Release Show, TOctober 5, at The Brick, with Chase the Horseman, and Justin Klaas.]

16. Moses Sumney – Aromanticism / Jagjaguwar / September 22, 2017
[Debut studio full length album by American singer-songwriter Moses Sumney. It is a concept album about “lovelessness as a sonic dreamscape” that “seeks to interrogate the idea that romance is normative and necessary.” The record was written and produced by Sumney, with assistance from numerous musicians. Moses Frimpong Sumney was born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20.[1] He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

17. Hermon Mehari – Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com] [Hermon Mehari featuring Peter Schlamb played the 1900 Building, at 1900 Shawnee Mission Parkway, April 19.]

18. The xx – I See You / Young Turks Recordings / January 13, 2017
[3rd studio album by indie pop band The xx, formed in 2005 in Wandsworth, London. Members met whilst studying at Elliott School, the same school that produced Hot Chip, Burial, Four Tet, and Pierce Brosnan. Oliver Sim and Romy Madley Croft started the band as a duo when they were 15 with Jamie Smith joining in 2006. I See You is the follow-up to their sophomore album Coexist, and is their first release in more than four years. Produced by Rodaidh McDonald and Jamie xx, who released his solo debut In Colour, May 2015. The band has stated that the record has a more distinctive sound and a more positive, open and “expansive” concept than the previous two albums.][The xx played Starlight Theatre Oct 3, with Perfume Genius.]

19. Momma’s Boy – Liquid Courage EP / Independent / February 25, 2017
[Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass. Recorded at Element Recording Studios with Joel Nanos. First known for throwing house shows at The Shawnee Manor with local and national acts including Hinds and Glass Animals, Momma’s Boy is leaving the basement to spread their tunes across the Midwest.] [Momma’s Boy released their debut EP, February 25, at 7:00 PM at The Tank Room, with Rachel Mallin and The Wild Type, and Scruffy & the Janitors.] [Momma’s Boy joined us on WMM on February 22.]

20. Jay Som – Everybody Works / Polyvinyl Records / March 10, 2017
[from http://www.jaysom.bandcamp.com: The proper album as Jay Som, Melina Duterte, 22. If last year’s aptly named, Turn Into Compilation showcased a fuzz-loving artist in flux, chronicling her mission to master bedroom recording, then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever, writing, recording, playing, & producing every sound beyond a few backing vocal, but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, & weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems & goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

21. Perfume Genius – No Shape / Matador / May 5, 2017
[1st single from 4th album . Perfume Genius, is the stage name for Seattle-based solo artist Mike Hadreas who was born in the suburbs of Seattle, Washington. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher,and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. No Shape was produced by Blake Mills (Fiona Apple. John Legend, Alabama Shakes). The album was praised by critics. Pitchfork awarded it an 8.8 and named it “Best New Album”, deeming it “his most realized album yet, a tender and transcendental protest record of love and devotion.” The Guardian commented that “No Shape sounds like a unique talent coming into full bloom.”] [Perfume Genius played Starlight Theatre, October 10, opening for The xx]

22. Valerie June – The Order of Time / June Time – Concord Music / March 10, 2017
[Valerie June Hockett (born January 10, 1982), known as Valerie June, is an Americana singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. June was the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father. As a teenager, her first job was with her father – a promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack – helping him hang posters in town. June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended she began working as a solo artist, combining blues, gospel and Appalachian folk, in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. After self-releasing three albums, her debut album as a signed artist, Pushin’ Against a Stone, was released in the UK and Europe through Sunday Best Recordings on May 6, 2013, and through Concord Music Group in August 2013. The album includes several songs co-written with Dan Auerbach of The Black Keys, who co-produced it with Kevin Augunas. The album was so titled to commemorate the story of her life. June said “I feel I’ve spent my life pushing against a stone. And the jobs I’ve had have been fitting for getting a true feel for how the traditional artists I loved came home after a hard day to sit on the porch and play tunes until bedtime.” The record includes performances by Booker T. Jones, who co-wrote one of the songs contained on the album.]

23. Julien Baker – Turn Out The Lights / Matador / October 27, 2017
[2nd solo release from Julien Rose Baker, born Sept 29, 1995. She is a singer & guitarist from Memphis, TN. She released her debut studio album, Sprained Ankle, in 2015. In 2010, Baker cofounded a band called The Star Killers, which renamed itself Forrister in 2015. During her freshman year at MTSU, Baker began writing songs on her own, often in the university practice rooms late at night. With a friend, Michael Hegner, she recorded an EP at Spacebomb Studios, self-released in the winter of 2014 on Bandcamp which became the studio album Sprained Ankle, in October 2015. Sprained Ankle topped many 2015 end-of-the-year lists and its success led to features in The New Yorker and The New York Times. On March 7, 2016 she performed on an NPR Music Tiny Desk Concert where she referenced a new song called Sad Song #11, later released as “Funeral Pyre” with “Distant Solar Systems” as the b-side. Baker has opened for Death Cab for Cutie, Conor Oberst, The Decemberists, Belle & Sebastian, and Paramore. In 2017 she signed to Matador Records. Turn Out the Lights, was recorded at TN’s Ardent Studios with help from Sorority Noise’s Cameron Boucher.]

24. Mess – heartswithholes EP / Mess / August 12, 2017
[KC based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. Recorded in Edwardsville, Illinois at Bird Cloud Recording. Production & recording by Ryan Wasoba. Mastering by Joel Hatstat in Athens, GA.] [Mess played Crossroads Music Fest, Sept. 9 on KCPT Stage at The Living Room.]

25. The Country Duo – Live At Sun Studio EP / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has desonged multiple album covers and sleve designs including the new Victor & Penny 7″ Single.] [The Country Duo joined us on WMM on November 15.]

26. Betse & Clarke – Tunes We Like / Betse & Clarke / September 13, 2017
[Released only in analog on cassette featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections played by the Brushy Creek String Band, with Brett Hodges on guitar and Alex Mallett on bass. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass. “Tunes We Like” was produced as the first in a series of instrumental recordings. Released at the Walnut Valley Music Festival in Winfield, Kansas, Sept 2017, and represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format. Recorded by Wyatt live with no overdubs at home in KCMO, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”] [B & C played live on WMM Oct 4.]

27. Broken Social Scene – Hug of Thunder / Arts & Crafts / July 7, 2017
[Hug of Thunder is the 5th studio album by Toronto, Ontario based, indie rock musical collective Broken Social Scene that was formed in 1999 and continues 15 members. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett. The group’s sound combines elements of all of its members’ respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.After declaring a hiatus in September 2011, Broken Social Scene performed at the Field Trip Arts & Crafts Music Festival in 2013 and a couple of festivals in 2015, the latter of which prompted band members Kevin Drew, Brendan Canning, Charles Spearin, Justin Peroff, and Andrew Whiteman to discuss recording new material. “When we’re working, we understand that there will be a lot more input, so we leave space in the music as we’re writing it,” Spearin said. “We would send out invitations for all the usual crew, and say, ‘Hey, we’re doing this again. Would you be interested in being part of this?'” In the end, 18 musicians were credited on Hug of Thunder. During sessions for the album, Leslie Feist conceived the idea for the title track, her first lead vocal on a Broken Social Scene song since 2006. Drew explained that the title represents “exactly who we are. That is our show. We’re trying to create that hug of thunder. That sound. That embrace amongst the chaos.”]

28. The Magnetic Fields – 50 Song Memoir / Nonesuch Records / March 10, 2017
[50 Song Memoir is the eleventh studio album by American indie pop band The Magnetic Fields. 50 Song Memoir is an autobiographical concept album that chronicles the first 50 years of songwriter Stephin Merritt’s life, with one song for each year that he has lived. Stephin Merritt began recording on his 50th birthday on February 9, 2015. The album was produced by Merritt with additional production by Thomas Bartlett and Charles Newman. Merritt sings on all fifty tracks and plays more than one hundred instruments throughout. 50 Song Memoir is available in five-LP and five-CD editions that include an interview by Daniel Handler and facsimile handwritten lyrics by Stephin Merritt, and as a bound book. The fully staged live shows in support of 50 Song Memoir are directed by José Zayas. The Magnetic Fields have been expanded to include an additional three musicians for the tour, with each of the seven playing seven different instruments. On the tour the band play the entirety of 50 Song Memoir in two halves across two nights at each venue.]

29. Jason Isbell and the 400 Unit – The Nashville Sound / Southestern / June 16, 2017
[Michael Jason Isbell was born February 1, 1979 and is a singer-songwriter & guitarist from Green Hill, Alabama, two miles from the Alabama/Tennessee state line. He is best known for his solo career, his work with the band The 400 Unit, and as a former member of Drive-By Truckers, from 2001 to 2007. He has won two Grammy Awards. This is the 6th studio album by Jason Isbell, credited with the 400 Unit. It was produced by Dave Cobb, who also produced Isbell’s previous two records: 2013’s Southeastern and 2015’s Something More Than Free. The Nashville Sound was nominated for Best Americana Album in the 2018 Grammy Awards. The 400 Unit, is primarily made up of musicians from the Muscle Shoals, Alabama, area: Sadler Vaden on guitar, backup vocals; Jimbo Hart on bass, backup vocals; Derry DeBorja on keyboard, accordion, backup vocals; Chad Gamble on drums, backup vocals; Amanda Shires on fiddle, backup vocals. “The 400 Unit” is a colloquial name for the psychiatric ward of Florence, Alabama’s Eliza Coffee Memorial Hospital, which is now named the Behavioral Health Center, and is located on the hospital’s first floor. It was originally called the 400 unit because it was in a separate building from the main building’s 3-story hospital. After renovation in the 1980s, the name was changed. Isbell married singer-songwriter and violinist Amanda Shires, with whom he’d worked on and off for a decade, in February 2013, two days after they finished Southeastern. Musician Todd Snider married them. The couple had a baby girl, Mercy Rose, on September 1, 2015. Isbell has lived in Nashville, Tennessee, since 2011. He is an Atlanta Braves fan and a Democrat. In November of 2017 Isbell was asked on Twitter “Why do we have to inject politics in every aspect of our life can’t we just enjoy the music and the football games?” He responded “Until you are the one being treated unfairly, that’s easy to say.”]

30. Sampha – Process / Young Turks Recordings / February 3, 2017
[Sampha Sisay was born November 16, 1988. He performs under the mononym Sampha. He is a British singer, songwriter and record producer from Morden, South London, United Kingdom. Sampha is known widely for his collaborative work with SBTRKT, Jessie Ware, Drake, Kanye West, Solange and others. Sampha has released two solo EPs: Sundanza (2010) and Dual (2013). Sampha’s debut album, Process, won the 2017 Mercury Prize.]

31. Of Tree – Sorry We’re Chosen EP / Of Tree / June 1, 2017
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.][Of Tree joined us on WMM on May 24]

32. KD Kuro – Good-Luck / Kwame Boateng / August 1, 2017
[This track was produced by Chase the Horseman. KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper. He was born in Arlington, Virginia, and graduated from Olathe South High School in 2008. After attending Coffeyville Community College Kwame as KD Kuro started his rap career in 2012 and has been cultivating and refining his sound over the course of the last 5 years. Kwame grew up with musical influences like N.E.R.D and Missy Elliot that helped to mold the music he creates. His debut album was co-produced by Chase the Horseman and Nathan “Geesace” Gisecke. KD Kuro’s debut album is available at: http://www.kwamekuro.bandcamp.com] [KD Kuro Kwame Boateng & Chase The Horseman joined us live on WMM on Aug 2.]

33. Lovergurl – The President is a Sex Offender EP / Lovergurl / May 19, 2017
[The Kansas City based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 25 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from Yhe B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 25. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.] [Lovergurl joined us live on WMM on May 17.]

34. The Whiffs – Take A Whiff / High Dive Records / March 1, 2017
[Kansas City based power pop 4-piece band featuring members of Conquerors, Wet Ones, and Nubiles. Zach Campbell on bass & vocals, Rory Cameron on guitar & vocals, Nic Allred on guitar & vocals, Jake Cardwell on drums. Recorded and mixed by Vincent Lawhon at Element Studios, Kansas City, MO] [The Whiffs played The Riot Room, Thursday, July 21, with The Coathangers, and Residuals.]

35. St. Vincent – MASSEDUCTION / Loma Vista – Concord / October 13. 2017
[5th studio album from St. Vincent who is also known as Anne Erin “Annie” Clark who was born September 28, 1982. Masseduction has been described as the “culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe.” Clark has stated that the album focuses on themes of power, sex, drugs, sadness, imperiled relationships and death. In a press release, she stated: “every record I make has an archetype. Strange Mercy was Housewives on Pills. St. Vincent was Near-Future Cult Leader. Masseduction is different, it’s pretty first person. You can’t fact-check it, but if you want to know about my life, listen to this record.” Annie Clark was born in Tulsa, Oklahoma. Her mother is a social worker turned administrator for a non-profit organization and her stepfather works in the tax business. Clark’s parents divorced when she was three years old, and she moved to Dallas, Texas when she was seven years old with her mother and two older sisters. Her father lives in Tulsa. Clark was raised Roman Catholic and Unitarian Universalist. From her parents’ blended families, Clark has eight siblings: four brothers and four sisters. She began playing the guitar at the age of 12 and, as a teenager, worked as a roadie for her uncle and aunt, Tuck Andress and Patti Cathcart, of the guitar-vocal jazz duo Tuck & Patti. After studying at Berklee College of Music for three years, she began her music career as a member of the Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009) and Strange Mercy (2011). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, self-titled St. Vincent, was released on February 25, 2014 and was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.][St. Vincent played The Uptown Theatre, Nov 19.]

36. Kevin Morby – City Music / Dead Oceans / June 16, 2017
[4th release from Kevin Robert Morby born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His last album Singing Saw was one of our 116 Best Recordings of 2016] [Kevin Morby played The Madrid, September 14, opening for The Mountain Goats.]

37. Jametatone – Empty Bliss EP / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.][Jametatone played The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

38. Instant Karma – Trying To Find My Mind EP / Independent / July 22, 2017
[Instant Karma! is a 4 piece psych/soul rock band from Kansas City, MO. Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering. Colby Bales and Cody Calhoun met in High School. They have been playing music together for 5 years. Thet became friends after forming the band. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.” Instant Karma’s influences range from The Black Keys to Syl Johnson to the Wu Tang Clan. Instant Karma played an EP Release Show, Saturday, July 22, at Revolution Records. Instant Karma played Lawrence Field Day Fest, Thursday, July 13.] [Members of the band joined us live on WMM on July 12.]

39. Broken Arrows – Extended Play EP / Broken Arrows / March 18, 2017
[KC/Lawrence based 5-piece band, formed by Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar, keyboards & vocals; John Chevalier on bass guitar & vocals; Barry Lee on guitar & vocals; and Dave Storms on drums. Broken Arrows got together to play a Neil Young Tribute at Davey’s Uptown in 2015. They received such a positive reaction and enjoyed playing together so they decided to continue as a band. This song was written by Mike Penner who also sings lead vocals. Both John Chevalier and Dave Storms were previously in The Waspmen. Both have played extensively with many different bands in the Kansas City area. Mike Penner and Bill Ryan were previously in the KC power pop band, Honeywagen. Barry Lee had only played music very few times in public prior to the formation of this band. This is his first band. Mike Penner, Bill Ryan and John Chevalier are the principle songwriters for the band. They play mostly original material and some obscure covers.] [Broken Arrows premiered their debut EP, “Extended Play” with a Special Release show, March 18, at Records With Merritt.] [Broken Arrows joined us live on the WMM on March 15]

40. Phoebe Bridgers – Stranger in the Alps / Dead Oceans / Sept. 22, 2017
[Phoebe Bridgers was born August 17, 1994, and is from Los Angeles, California. Bridgers released her major label debut 7″ on Ryan Adams record label, PAX AM. In early 2016, Bridgers supported Julien Baker on her 2016 East Coast tour. Bridgers is a graduate of Los Angeles County High School for the Arts. In 2014 she was featured in a commercial for the Apple iPhone singing a cover of “Gigantic” by the Pixies. In June 2017, Phoebe Bridgers signed to Dead Oceans. The Alps was produced by Tony Berg and Ethan Gruska.]

41. David George – Here I Go Again EP / David George / April 14, 2017
[First of 3 seperate releases from David George in 2017. Produced by David George. Engineered & Mixed by Pat Tomek. Mastered by Duane Trower at Weights & Measures Soundlabs. Photography & cover designed by Paul Andrews. David George on vocals, acoustic guitars; Erik Voeks on acoustic guitar, bass, vocals; Ben Byard on bass, mandolin, vocals; Mike Stover on pedal steel. Strings on “Live Love Lost” arranged by CJ Vanston & Adam Liebreich-Johnsen. Christine Broxterman on cello, violin. Ben Byard on violin; Joe Donley on upright bass. All songs written by David George. David released his 2nd EP, Won’t Let Go, on October 13. Recorded at Weights & Measures. Recorded, Mixed, & Mastered by Duane Trower. David George on vocals & guitar, Mike Stover on pedal steel, David Luther, Erik Voeks, Ben Byard & Camry Ivory on harmony vocals. David George also released the single “Can’t Fight Love” on April 7, 2017 benefiting the ACLU. Recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi, w/ David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4) , Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals , Gordon gilges on dulcimer & vocals , Kristina Ning on upright bass & vocals , Matt Cathlina on upright bass & vocals, Nathan Showalter n piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals, Dave Tanner on vocals. Also this year David George and Erik Voeks performed together or multiple shows as The Volker Brothers. More info: http://www.davidgeorgeband.com]

42. Run With It – How To Start A Fire EP / Run With It / March 24, 2017
[The Kansas City based band Run With it includes Miguel Caraballo on lead vocals & guitar, Ben Byard on bass & vocals, and Daniel Cole on drums, The power trio are known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band stays very busy touring, and recording. How To Start A Fire, recorded with producer Josh Gleave. Miguel Carabello was born June 11, 1980 and is originally from Junction City, Kansas. Ben Byard grew up in El Dorado Kansas, and plays in David George and A Crooked Mile. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Run With It have played all over the world including western Ukraine in Khitar. More information at: http://www.runwithitband.com][Run With It joined us live on WMM on March 22.]

43. Erica Joy – Erica Joy, Introduction EP / Independent / February 3, 2017
[26 year old Kansas City based singer songwriter was Born April 8, 1991, and grew up in Springfield Missouri and ent to Kickapoo High, graduating in 2009. Erica Joy graduated from UMKC in 2013. In 2015 her first single “Fun to Hold You” was released and remained in Homegrown Buzz’s rotation for over a year. EJ then released a full EP titled “Introduction” on February 3rd 2017 at Record Bar. For this recording Erica Joy on vocals, Britt Wild on lead guitar, Khitam Jabr on acoustic guitar,. Recorded and produced by Kyle Ward at Counterpoint Studio. This year Erica Joy also played Middle of The Map Fest, she was part of the HearQueer Issuue 001 launch, she has a new band, and is writing and recording new music with Colby Bales (of lead guitarits Instant Karma) Zach Harris (drummer of Instant Karma) and Branden Moser (bassist with Instant Karma) More information at: http://www.ericajoymusic.com,] [Erica Joy played an intimate theatre show, October 1st, at 7:00 PM, at Westport Coffeehouse Theatre debuting new songs, and playing new backing band – Colby Bales, Zach Harris, and Branden Moser. More at: http://www.ericajoymusic.com] [Erica Joy joined us live on WMM on September 13.]

44. The Sluts – Only One / The Sluts / May 25, 2017
[New 5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

45. Beck – Colors / Fonograf – Capitol / October 13, 2017
[13th studio album from Beck Hansen, born July 8, 1970. Colors was recorded at co-executive producer Greg Kurstin’s LA studio, with Beck & Kurstin playing nearly every instrument themselves. Beck rose to fame in the early 1990s with his sonically experimental and lo-fi style, and became known for creating musical collages of wide genre styles. Today, he musically encompasses folk, funk, soul, hip hop, electronic, alt rock, country, and psychedelia. He has released 13 studio albums (3 of which were independently released), as well as several non-album singles and a book of sheet music.] [At the height of his first hit single “Loser” fame, on April 13, 1994, Beck played Kansas City’s Rhumba Box 1012 McGee. The Rhumba Box lasted from the summer of 1993 to the spring of 1994. Prior to The Rhumba Box, 1012 Megee was home to Human Observation Lab. In 1987 a group of UMKC students called Stimulus and Response took over the defunct gay bath house, Club Bath, at 1012 McGee and opened The Human Observation Lab. At night, this downtown neighborhood was basically deserted except for the old bus station, a few dive bars, and street prostitution. The Lab’s proprietors rehabbed the building into a two story live/work space that evolved into a legendary live performance venue. Gorilla Theatre, Eyes Wide Open, Mongol Beach Party, The Cocktails, and DJ Ray Velasquez are just a few of the off-the-wall performers that evolved out of this underground venue.]

46. The New Pornographers – Whiteout Conditions / Concord Music / January 27, 2017
[Seventh album from Canadian indie rock band formed in 1997 in Vancouver, British Columbia. Presented as a musical collective of singer-songwriters and musicians from multiple projects, the band’s seven studio albums have all received critical acclaim for their use of multiple vocalists and elements of power pop incorporated into their music. The album features: Carl Newman on vocals & guitar, Neko Case on vocals, John Collins –on bass, Blaine Thurier on keyboards & synthesizer, Todd Fancey on lead guitar, Kathryn Calder on vocals, keyboards & guitar, and Joe Seiders on drums & vocals. This is the first album not to feature either longtime drummer Kurt Dahle or singer-songwriter Dan Bejar.]

47. Curtis Harding – Face Your Fear / Anti / October 27, 2017
[Curtis Harding is an American soul singer, born in Saginaw, Michigan. Raised as a Mennonite, Harding’s family had no home until they settled in Atlanta, Georgia, when he was 14. Harding’s father, a mechanic, and his mother Dorothy, a gospel singer, took Harding and his five siblings around the United States in a van, stopping at churches. While his mother performed, Harding grew up playing music, though he originally wanted to play professional sports. In the early 2000s, Harding was part of the hip-hop group Proseed. He rapped on and co-wrote CeeLo Green’s 2002 album Cee-Lo Green and His Perfect Imperfections along with several Proseed members. He toured with Green as a backing singer on the Smokin’ Grooves Tour in 2002 alongside Outkast, Cypress Hill, Lauryn Hill, and The Roots. Harding spent time working with groups in Atlanta before moving to Toronto for a year. A year later, he “came back to record with some friends in my living room.” From these sessions came his debut album, Soul Power, on the indie label Burger Records, released May 6, 2014. He spent two weeks recording the album. Randy Michael composed the music on the single “Keep on Shining”, and Jason Reynolds co-wrote “Heaven’s on the Other Side” with Harding.He formed the band Night Sun with two Black Lips members, guitarist Cole Alexander and drummer Joe Bradley. His second album, Face Your Fear, was recorded at Danger Mouse’s 30th Century Studio in New York City. “Wednesday Morning Atonement” is the opening single. Harding will appear in Sundance TV’s period drama series Hap and Leonard. He will portray two characters: L.C. Soothe and his grandson, Bobby Joe. Harding describes his genre as “slop ‘n’ soul”, a combination of gospel, punk, psych rock, and blues. He has said that his influences include Albert King, the Everly Brothers, and Ronnie Dyson.]

48. Mad Libby – Locks Unlocked EP / Mad Libby / March 4, 2017
[Kansas City based Power Punk 4-piece band formed by: Jennifer Roswold on lead vocals & guitar, Rob Adams on lead guitar, Dana E Scott on drums & backup vocals, and Jessica White on bass & backup vocals.][Mad Libby played 90.1 FM’s Crossroads Music Festival, Sept 9, ay 7:15 at The Brick, 1727 McGee.]

49. Jackie Shane – Jackie Shane: Any Other Way / Numero Group / October 20, 2017
[Jackie Shane was born May 15, 1940. She is an American former soul and rhythm and blues singer, who was most prominent in the local music scene of Toronto, Ontario, Canada in the 1960s. She is originally from Nashville, Tennessee. In 1960, Shane moved to Montreal, Quebec, where saxophonist King Herbert Whitaker invited a young Shane along to watch the popular band Frank Motley and his Motley Crew at the Esquire Show Bar. Shane, who showed up in a bright red dress and her hair done up, sat down near the front. When Motley said, “Get that kid up here and let’s see what they can do,” pianist Curley Bridges invited her up onstage for the next set, where she performed songs by Ray Charles and Bobby “Blue” Bland. She was soon the band’s lead vocalist, and relocated to Toronto with them in late 1961. She sometimes returned to the United States to perform shows in Nashville, Boston, and Los Angeles. A fan mythology linked her to Little Richard, including claims that she had been Richard’s backing vocalist before moving to Canada or even that she was Richard’s cousin, although no verification of either claim has ever been found and no evidence exists that Shane ever made either claim herself. Music critic Carl Wilson has concluded that, while in reality Shane had deep and identifiable roots in the traditions of the Southern US Chitlin’ Circuit, the mythology emerged because that scene’s traditions were not known to Torontonians in the 1960s, and thus Little Richard was the only antecedent for Shane’s style that most of her local fan base could identify. Throughout her active musical career and for many years thereafter, Shane was written about by nearly all sources as a man who performed in drag. The few sources that actually sought out her own words on the matter of her own gender identification were more ambiguous, however; she identified herself as male in two early quotes to the Toronto Star, but more often appeared to simply dodge questions about her gender altogether. Her identity as a trans woman was not confirmed on the record by a media outlet until 2017. CBC Radio’s Inside the Music aired a documentary feature, “I Got Mine: The Story of Jackie Shane”, in 2010. At the time, nobody involved in the documentary had been able to determine whether Shane was still living; she was subsequently found still alive in Nashville.Footage of Shane in performance also appeared in Bruce McDonald’s 2011 documentary television series Yonge Street: Toronto Rock & Roll Stories. Jackie Shane Live was reissued in 2011 on Vintage Music as Live at the Sapphire Tavern, although the reissue was labelled as being from 1963 (the date of the original live performance) instead of 1967 (the release date of the album). The reissue also included Shane’s performances from Honkin’ at Midnight as bonus tracks. A compilation album of the studio singles and rarities, Soul Singles Classics, was released the same year. In 2015, the Polaris Music Prize committee shortlisted Jackie Shane Live as one of the nominees for the 1960s-1970s component of its inaugural Heritage Award to honor classic Canadian albums. It was shortlisted for the prize again in 2016 and 2017. In 2017, a group of Toronto writers published the essay anthology Any Other Way: How Toronto Got Queer, a history of LGBT culture in Toronto; in addition to taking its title from Shane’s 1962 single, the book includes an essay devoted specifically to Shane. In the summer of 2017, the reissue label Numero Group announced that they would be releasing a double-LP/CD compilation of Shane’s music, Any Other Way, on October 20, 2017. The album marks the first time since her final single in 1969 that Shane has been directly involved in the production and release of a reissue of her music.]

50. Hurray For The Riff Raff – The Navigator / ATO Records / March 10, 2017
[Hurray for the Riff Raff is an American folk-blues and Americana band from New Orleans, Louisiana formed by lead singer and songwriter Alynda Segarra. Segarra was raised by her aunt Nereida in the Bronx where she developed an early appreciation for doo-wop and Motown. She is of Puerto Rican descent. Her mother was former New York City Deputy Mayor Ninfa Segarra. Segarra became a regular attendee of hardcore punk shows at ABC No Rio when she was young. She left her home in the Bronx at age 17, spending time crossing North America, hopping freight trains. During this time, around 2007, Segarra became a part of the Dead Man Street Orchestra, a band that was documented in a photo essay by Time Magazine in 2007. After two self-released albums, 2008’s It Don’t Mean I Don’t Love You and 2010’s Young Blood Blues, Hurray for the Riff Raff released a self-titled CD composed of Segarra’s favorite songs from those records on Loose Music in Europe on March 21, 2011. Tracks from the band’s debut release received airplay on BBC Radio 2 and BBC 6 Music. In February 2011, the band were featured in an article in The Times, based around the HBO TV series, Treme, with their track “Daniella” being listed in their selection of New Orleans’ essential songs. In May 2012, Hurray for the Riff Raff released Look Out Mama on their own label, Born to Win Records. Loose Music released Look Out Mama in Europe on August 20, 2012. The album was recorded in Nashville, Tennessee at The Bomb Shelter Studios and produced by Andrija Tokic (Alabama Shakes).In February 2014, Hurray for the Riff Raff had their ATO Records debut, Small Town Heroes. The record features original songs written or co-written by Segarra, and features fiddler Yosi Perlstein, keyboard player Casey McAllister, and two members of The Deslondes: Sam Doores on guitar and Dan Cutler on bass.]

51. Japanese Breakfast – Soft Sounds from Another Planet / Dead Oceans / July 14, 2017
[Japanese Breakfast is the solo musical project of Michelle Zauner of Little Big League. Under the alias, Zauner has released two studio albums: Psychopomp (2016) and Soft Sounds from Another Planet (2017). Prior to her solo project, Michelle Zauner fronted Post Post, an indie pop band with students from Bryn Mawr and Haverford Colleges, then started the Philadelphian emo band Little Big League. Zauner fronted the band between 2011 and 2014, before returning to her hometown of Eugene, Oregon in 2013. Zauner made the trek back home in the wake of her mother being diagnosed with cancer.While at home, tending her family in Oregon, Zauner began recording solo music. Zauner described the project as having much more to say following Tropical Jinx, the 2014 studio album by Little Big League. Originally, Zauner had begun to record early samples of music as a self-meditative and “instant-gratification” feeling.[3] Two years later, the solo project itself eventually became the work of Psychopomp the debut album by Japanese Breakfast. The name of the band, according to Zauner is a juxtaposition of Asian exoticism and American culture. Despite the name, Zauner is not of Japanese descent, but Korean descent.Zauner described the debut album as quite “dark and heavy-handed”, although she had a desire to make the music, urgent and “sonically upbeat.” On June 23, 2016, the Japanese Breakfast project was signed to the Dead Oceans label.]

52. Nature Boys – 3LP / Mandible Records / April 28, 2017
[Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals, Evan Malone on drums. Nature Boys started playing together in Kansas City, MO in September of 2009. They had their first show at Dave’s Stagecoach Inn and then left for their first tour in January of 2010. They’ve released all three of their abums and one single on vinyl. Nature Boys spend most of their time on the road,. The band played 31 shows throughout Europe in June and July of 2017.]

53. Erin Keller – Distracted / Erin Keller / May 9, 2017
[KC based vocalist Erin Keller is originally from Waukee, Iowa. She was born in August, in 1980. Erin has been singing on a professional level for 25 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. In April Erin released her new album, “Distracted,” and has been playing live shows while also being upfront and honest about her recent cancer diagnosis where she has received multiple rounds of chemo treatments. Erin Keller wrote the song “Distracted” and recorded her songs with Chad Meise. Immediatedly after the album was released Erin diagnosed with liver cancer and began treatments, while also going through a divorce, and moving to a new home. Throughour her chemo treatments Erin continued performing and producing shows, keeping an incredible sense of humor and strenght through such a difficult period. She has successfully completed multiple round of chemo and the cancer is gone form her body, although she is currently recovering in the hospital from compliations for surgery. We wish her well and send her all our love.] [Erin joined us live on the show on August 16.]

54. Eems – Rocket Ship EP / Independent / August 11, 2017
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.] [EEMS plays the Crossroads Music Fest, Saturday, Sept 9, at MOD Gallery, 1809 McGee.]

55. Diet Cig – Swear I’m Good At This / Father Daughter Records / April 7, 2017
[Pop-punk duo Alex Luciano on vocals & guitar, Noah Bowman on drums met at a house show in New Paltz, New York, in the summer of 2014. Bowman’s old band, Earl Boykins, was playing at the house show, where Luciano needed a cigarette lighter. She interrupted the band’s set to ask Bowman for one, but he gave her a bottle of wine instead. Afterwards, Luciano got his number and told him she’d make a music video for him. The next day, Bowman tattooed a daisy on Luciano’s foot and by August 2014, the pair were making music together. They officially named their act Diet Cig in September 2014. Luciano and Bowman confirmed. Swear I’m Good At This was produced, engineered and mixed by Christopher Daly at Salvation Recording Co. in New Paltz, NY with additional recording at Atomic Sound in New York City, and additional engineering by Travis DeJong and Dakota Bowman. It was mastered by Jamal Ruhe at West West Side.]

56. Khrystal. – Quarter Century Living / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Late this year, Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017. [Khrystal. played Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Sauce, Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

57. The National – Sleep Well Beast / 4AD / September 8, 2017
[Sleep Well Beast is the 7th studio album by The National, an American indie rock band from Cincinnati, Ohio, formed in 1999. Currently based in Brooklyn, the band consists of Matt Berninger (vocals), Aaron Dessner (guitar, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards.]

58. Sheer Mag – Need To Feel Your Love / WILSUN RC / July 14, 2017
[Sheer Mag is an American rock band from Philadelphia, Pennsylvania, formed in 2014. Members include: Tina Halladay, Kyle Seely, Hart Seely, Matt Palmer, Ian Dykstra With a combination of 1970s rock and punk ethos, the band has continued to gather attention and has released three 7-inch EPs as of March 2016. In January 2015, Rolling Stone featured the band as one of “10 New Artists You Need To Know”, describing them as “a gang of punks with a not-so-secret love of Seventies classic rock.”Four of five band members attended the State University of New York at Purchase. In 2016, the band was part of the Coachella 2016 line-up and performed on Late Night with Seth Myers. On May 10, 2017, Sheer Mag released “Need To Feel Your Love,” the first track off their first full-length record, Need To Feel Your Love.] [Sheer Mag played The Bottleneck, in Lawrence, KS, with Laffing Gas, The Whiffs, and Nancy Boys]

59. Pink Royal – Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

60. Soul Revival – Back to Love EP / Soul Revival / June 2, 2017
[Debut EP from R & B – Soul duo, Soul Revival, KCK based producer, and musician and keyboard player, Desmond Mason is originally from Los Angeles. He went to Southeast High school and studied History and Higher Education at UMKC. Desmond has worked at Park University, and the American Jazz Museum. Desmond is a versatile performer and composer, who describes his music as “firmly rooted in KC Kazz, R & B, gospel, and hip-hop music and strives to be something that the audience can feel in their spirit.” Derick Cunigan is a singer, songwriter who is originally from St. Louis, Missouri. He studied broadcasting at Northwest Missouri State University. He has worked for KMBC, Steel City Media and KBEQ, KFKF, KCTV5. More info at http://www.soulrevivalmusic.com]

61. Hembree – Had It All EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

62. Black Stacey – Electric Chariot / Sharaden Staten / June 2 2017
[Black Stacey is Sharaden Staten, a Missouri native, whose music brings the spirit of “Electric Church” to the Midwest. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

63. Claire Adams – Waiting for The Winds to Change / KG&G Records / October 22, 2017
[1st single from 5-song EP, featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

64. The MGDs – Somos Como Somos EP / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

65. Via Luna – Wilt EP / Via Luna / April 28, 2017
[3rd EP release in 3 years form the KC based Instrumental Post Rock / Math Rock band, with Gregory Baker on guitar, Christopher Gordon on guitar, Mike McDonough on drums, and Blain Bridges on bass.] [Via Luna played an EP Release Show for Wilt, April 28, at Californos, with Le Grand, Riala, and Parents.]

66. Laura Marling – Semper Femina / More Alarming Records / March 10, 2017
[6th studio album from Laura Beatrice Marling was born February 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her second album I Speak Because I Can, and her fourth album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, and 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in Los Angeles, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]

67. Pageant Boys – Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.] [Pageant Boys played Crossroads Music Fest, Sat, Sept. 9 .]

68. Las Cafeteras – Tastes Like L.A. / Las Cafeteas / April 14, 2017
[Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

69. Big Thief – Capacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.] [Big Thief played The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

70. Pieta Brown – Postcards / Lustre Records / March 10, 2017
[Postcards features a number of Brown’s musical friends, including Calexico, Bon Iver, Mark Knopfler and the Pines. She compiled the album by writing simple acoustic demos of what would become the album’s songs, sending them to the musicians that make up Postcards‘ roster of guests, and having those artists finish the tracks. Brown and her collaborators never worked in the same room, which lent the album its distance-implying title. Released on Brown’s new, in her words, “underground label” Lustre Records. Pieta Brown was born in 1973 in Iowa City, Iowa. Her early upbringing was in Iowa. There, Brown was exposed to traditional and rural folk music through her father, singer songwriter Greg Brown. Brown spent her childhood living in 17 different residences between Iowa and Alabama. While living with her mother in Alabama, Brown began writing poetry and composing instrumental songs on piano. As a musician and singer-songwriter she has released five albums and four EPs. Collaborator Bo Ramsey produced her 2002 debut record, Pieta Brown and co-produced her 2005 album In the Cool, which was named one of the year’s best by Amazon. Her next album Remember The Sun was released in 2007 and was cited as one of the year’s best in a The Wall Street Journal article. After the release of her next album, One and All, Brown joined Mark Knopfler’s North American tour, had a string of performance dates with John Prine, participated in a full orchestral show with Brandi Carlile, and embarked on her own performance tour in Australia. Brown’s 2009 EP, Shimmer was produced by Don Was after hearing her on his car radio in a live solo performance. In addition to Mark Knopfler, John Prine and Brandi Carlile, Brown has shared stages with JJ Cale, Emmylou Harris, Richard Thompson, Ani DiFranco, Calexico, Neko Case, Mason Jennings, Shawn Mullins, Carrie Rodriguez and Jim Lauderdale. She has performed at festivals throughout North America including Bonnaroo, Mountain Jam, Edmonton Folk Music Festival and more. Her national radio credits include performances on eTown and Mountain Stage. Brown is married to guitarist and producer, Bo Ramsey.]

71. The Good Hearts – A Beginner’s Guide to The Good Hearts / TGHs / May 21, 2017
[The Good Hearts are a 4-piece soulful folk-pop group with an emphasis on strings and warming hearts. Their unique brand of folk music is led by singer songwriter, Nicole Cain with powerful vocals & acoustic guitar, Shannon O’Shea on violin & background vocals, Anna Cook on cello & background vocals, and Aaron Derington on percussion. This Kansas City based group are described as “folk pop with touches of old country and soul thrown in.” The Good Hearts have played the Plaza Art Fair, The Folk Music Festival, and Boulevardia. The Good Hearts are currently working on their new debut album full length with Kristie Stremel serving as producer. More info at: http://www.thegoodheartsmusic.bandcamp.com] [The Good Hearts played the Wednesday MidDay Medley 90.1 KKFI Day Party at Middle of The Map Fest, May 6.]

72. The Safes – Tasty Waves / Hidden Volume Records / September 8, 2017
[The Safes are Frankie O’Malley on vocals, guitars, drums, piano, Wurlitzer, vibes, bells; Patrick O’Malley on vocals, guitars; Dex Fontaine on drums; Curt Schmelz on bass. The record includes special guest musicians: Siobhan Hunter on violins, Dominique DiValerio on french horn, and Ben Levin-O’Leary on trumpet. Produced, Recorded, Mixed by Patrick O’Malley. Recorded, Mixed by Brian Deck. Mixed by Frankie O’Malley. Recorded at IV Lab and StudiO’Malley. Mixed at StudiO’Malley and at Brian Deck’s home studio
Mastered by Josh Bonati at Bonati Mastering. Assistant Engineer at IV Lab – Shane Hendrickson. Photograph: Andrew Ballantyne. All songs written by Frankie O’Malley, except “Streets and Sanitation”: lyrics written by Frankie and music written by Patrick & Frankie. http://www.thesafes.com.] [The Safes played Crossroads Music Festival, September 9 at 10:00 at The Brick on the Do816 Stage.]

73. Joon Moon – Moonshine Corner / Kwaiden Records / September 29, 2017
[First full length album from band formed in 2014 in Montmartre area of Paris. This follows the June 2017 release of their EP Tiger, their April 2016 EP, Call Me, and their October 2015 EP Chess. Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retromodern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipation.]

74. Mavis Staples – If All I Was Was Black / Anti / November 17, 2017
[16th studio solo album from gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Livin’ on a High Note was produced by M. Ward the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. The album was written and produced by Jeff Tweedy. Staples said the album “brings us all together as a people. That’s what I hope to do. You can’t stop me. You can’t break me. I’m too loving. These songs are going to change the world.” Tweedy described the message of the album: “I’ve always thought of art as a political statement in and of itself-that it was enough to be on the side of creation and not destruction. But there is something that feels complicit at this moment in time about not facing what is happening in this country head on.]

75. Sky Smeed – Lunker Bass / Sky Smeed / February 1, 2017
[Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

76. Adult Mom – Soft Spots / Tiny Engines / May 19, 2017
[Adult Mom began as the solo project of Stephanie Knipe in a Purchase College dorm room in 2012. Honesty and intimacy form as Knipe writes clever pop songs that offer a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth. Soft Spots, the project’s sophomore LP, is an exploration into the physical and emotional acts of opening up, the vulnerability that produces love, and then ache. Knipe shares with us their process of learning how to cradle and understand their own softness without finality, a story without an end.]

77. Nick Siegel – Awake from The Golden State / Nick Siegel / August 25, 2017
[2nd single from the debut EP from Nick Siegel who writes: “I write aggressive piano rock music. I strike the 88 keys because one of them must be the key to your heart (oh the charm!). I grew up playing music in Chicago and moved to Kansas City in 2010 when I joined The Casket Lottery. Now venturing on my own, I’m excited to release a new record that will knock your clothes off. Book me, like me, come out and see me and I’ll introduce you to a fine mix of fast fingers, great hair and awkward banter. I’m Nick Siegel. I’m the piano rock you need in your life.”]

78. The Como Mamas – Move Upstairs / Daptone Records / May 19, 2017
[2nd full length album from one of the The newer addition to the Daptone Family. tThe Como Mamas are three lifelong Gospel singers from the small town of Como Mississippi. On their debut album, the critically acclaimed album ‘Get an Understanding’ from 2013, there are only three instruments – The powerful, raspy voice of Ester Mae Smith, the deep soothing voice of Angela Taylor, and the energetic, spirited vocals of Della Daniels. The harmonies they create are so powerful, musical accompaniment is not missed. In December of 2015, The Como Mamas took their first trip from their home in Como, Mississippi up to Harlem, New York to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date.]

79. Dirty Projectors – Dirty Projectors / Domino Recording Co. / February 21, 2017
[2nd single from the 8th album, of the band and the follow up to Swing Lo Magellan, from 2012. Dirty Projectors are an American musical group, consisting of David Longstreth on vocals & guitar, Amber Coffman on vocals & guitar, Haley Dekle on vocals, Nat Baldwin on bass, Olga Bell on vocals & keyboards, and Michael Johnson on drums.]

80. Mount Eerie – A Crow Looked At Me / P.W. Elverum & Sun / March 24, 2017
[8th studio album from Mount Eerie, the musical project of Anacortes, Washington-based songwriter and producer Phil Elverum. Elverum (formerly of The Microphones) is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie’s releases have been issued on Elverum’s label P.W. Elverum & Sun, Ltd., and feature inventive and highly detailed packaging with his own artwork. Elverum married Canadian artist and musician Geneviève Gosselin in 2003 shortly after meeting her. The two dated long-distance briefly before Geneviève moved to Washington to live with Phil. She recorded under the names Woelv and Ô Paon. Besides occasionally singing on each other’s records and playing in one another’s backing bands live, the couple did not collaborate artistically. The two did not want either of their artistic outputs to interfere with the other’s so they kept relatively quiet about their marriage. Occasionally one would mention that he or she was married, but not say who they were married to. In 2015, Geneviève was diagnosed with inoperable pancreatic cancer following the birth of the couple’s first child. After running out of funds to pay for Geneviève’s cancer treatments the two turned to the world and asked for their support through way of a GoFundMe page; an unexpected decision from the usually reclusive couple. On July 10, 2016, Geneviève died in the company of her husband and parents. The album’s release comes in wake of the passing of Elverum’s wife, Geneviève Castrée. On January 5, 2017, Elverum announced that he will “re-enter the world,” go on tour, and release a new album. The first single from A Crow Looked at Me, “Real Death”, was released on P.W. Elverum & Sun, Ltd.’s SoundCloud page on January 18, 2017, to widespread acclaim, netting the “Best New Track” distinction from Pitchfork. Paste wrote that in “Real Death”, “[t]he music gives Elverum all the room he needs to not so much sing, but document.”]

81. Keaton Conrad – Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ] [Keaton Conrad played the 4th annual PorchFest KC.]

82. The Weather Station – The Weather Station / Paradise of Bachelors / October 6, 2017
[4th full length release from The Weather Station, a Canadian band, based in Toronto, fronted by Tamara Lindeman, formed in 2006. Band members have changed over the years, but now includes Lindeman, with Ben Whiteley on bass, Adrian Cook on pedal steel, and Ian Kehoe on drums.]

83. Wick & The Tricks – Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

84. Truck Stop Love – Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, Jim Crego on vocals & guitar. 25 years ago Truck Stop Love made their first recordings. These are previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist & sound engineer Kliph Scurlock remastered the songs from the original analog & digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers.] [Truck Stop Love played an Album Release & Reunion, (their first in 13 years), Nov. 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

85. Salar Rajabnik – Black & White World / Salar Rajabnik / June 9, 2017
[Produced By: Salar Rajabnik. Engineered By: David Wright at Cherrybox Studios & RCA Studio B in Nashville, Tennessee. Mixed By: David Wright. Mastered By: Joshua Stuebe . Art Direction & Design: Kristøpher Martin of Arcane Path. Photography: Samon Rajabnik. Vocals, Electric, Acoustic, Baritone & 12 String Guitars, Piano, Drums & Percussion: Salar Rajabnik. Bass Guitar: Ben Garner. Keyboards, Organ, Piano & Percussion: Johnny Gentile. Fender Rhodes on “I Don’t Want To Wake Up”: Warren Pash. Additional Background Vocals: Leah Korbin. Special thanks to Noam Chomsky for graciously allowing use of his words in “Black & White World.” Black & White World is dedicated to those with the courage to speak truth to power. All Songs Written & Arranged By: Salar Rajabnik / BMI / 2017. Salar Rajabnik is a product of time spent in lots of seemingly contrasting places. Born in the Atlanta area, he was immersed in the world of southern American roots music. The strong Persian cultural influence of his father, an Iranian immigrant, was just as evident at a young age. This was strengthened by time ispent living in Iran. From the beginning this unexpected amalgamation of cultures began to create the foundation that would define him as a musician and person. A move to Kansas City at the age of 12 prompted Salar to pick up his first instrument, the bass guitar. Between the clubs, streets, festivals, churches, basements, bars, arenas, schools, & studios, playing bass, drums, or guitar, he took every opportunity to play that he could. While his influences seem conflicting on the surface level the underlying and unifying principles and themes are strong. Whether he was dancing to Persian music with his family in Iran, learning Motown basslines in his room while his friends listened to boy bands, or jamming in the historic 18th & Vine district with jazz veterans till sunrise, for Salar it’s always been about playing with heart, soul, and honesty. Salar has set out to venerate those who have and continue to respect the gift of music and it’s important role in life, regardless of any classification or style. After years of playing in bands and as a live & studio musician Salar relocated to Nashville, Tennessee & formed a backing band in 2014 & released a debut EP, both dubbed “Moon Age”. Leaving Nashville as a homebase & the Moon Age moniker behind, Salar recently relocated back to Kansas City to release his full length album.]

86. This Is the Kit – Moonshine Freeze / Rough Trade / July 7, 2017
[4th album from This Is the Kit, the alias of British musician Kate Stables, who is based in Bristol and Paris. This is The Kit formed in 2003. This Is the Kit perform regularly in various configurations from duo to quintet. The core members are Stables on vocals, guitar and banjo, and Jesse D Vernon on violin, guitar, bass and percussion. However, Stables is the only constant, and they are often joined onstage by The Liftmen, Rozi Plain, and other musicians of their acquaintance throughout the UK and Europe.]

87. The Souljazz Orchestra – Under Burning Skies / Strut Records / September 22, 2017
[8th album from Canadian six member band based in Ottawa. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. Members include: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor.” ]

88. Salty – Preservation Blues / Salty / February 8, 2017
[Salty is formerly know as Lil Toughies. Formed in early 2016 with Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synthesizers & sound terror, Andy Erdrich on bass, Ethan “macho man” Savage on drums. Recorded by Jonathan Brokaw. Mixed by Tim Harte and Jonathan Brokaw. Mastered by Tim Harte. all lyrics by Jonathan Brokaw. The current line up includes: Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synth & sound terror, Ethan “macho man” Savage on drums, Jesslay Huh on bass & texture. More info at http://www.saltykcmo.bandcamp.com ] [Salty played two Preservation Blues, Album Release Shows: Friday, April 28, at Mills Record Company, and Saturday, April 29, at Blind Tiger]

89. The War On Drugs – A Deeper Understanding / Atlantic / August 25, 2017
[The 4th studio album from Philadelphia, Pennsylvania, band formed in 2005. The band consists of Adam Granduciel (vocals, guitar), David Hartley (bass), Robbie Bennett (keyboards), Charlie Hall (drums), Jon Natchez (saxophone, keyboards) and Anthony LaMarca (guitar). Founded by close collaborators Granduciel and Kurt Vile, The War on Drugs released their debut studio album, Wagonwheel Blues, in 2008. Vile departed shortly after its release to focus on his solo career. The band’s second studio album Slave Ambient was released in 2011 to favorable reviews and extensive touring. Written and recorded following extensive touring and a period of loneliness and depression for primary songwriter Granduciel, the band’s third album, Lost in the Dream, was released in 2014 to widespread critical acclaim and increased exposure. Previous collaborator Charlie Hall joined the band as its full-time drummer during the recording process, with saxophonist Jon Natchez and additional guitarist Anthony LaMarca accompanying the band for its world tour.]

90. Deerhoof – Mountain Moves / Joyful Noise / September 8, 2017
[Pitchfork went so far as to label Deerhoof as “the best band in the world.” From their humble beginnings as an obscure San Francisco noise act, they’ve become one of indie music’s most influential bands with their ecstatic and unruly take on pop. Formed in San Francisco in 1994. Deerhoof currently consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Initially performing improvised noise punk, Deerhoof became widely renowned and influential in the 2000s through prodigious and self-produced creative output combining “noise, sugary [pop] melodies, and an experimental spirit into utterly distinctive music”. They have released 14 studio albums since 1997. Their live shows are characterized by minimal gear, maximal volume, and surrealist banter.][Deerhoof played Outer Reaches Fest, at recordBar, Friday, September 29.]

91. Sauce – Summer Sauce / Sauce / July 28, 2017
[Kansas City native Hip-Hop artist Sauce is also known as Royce Handy. “Summer Sauce” is his 3rd original release, it features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. He has released over 9 professional projects including a collaboration EP. He sold out his 2013 release party at 7th Heaven, landed on a billboard chart, has featured on various hip-hop blogs, and his anti- violence hit “Gunshots” has been featured on Hot 103 Jamz, 95.3 FM, 90.1 FM. Recently, he organized his first regional tour that included St. Louis, Tulsa, Oklahoma, Salina, Kansas and many other Kansas City metro venues.]

92. Arc Flash – Carbon Copy/ High Dive Records / March 31, 2017
[Debut full length from Arc Flash. James Thomblison on lead vocals & guitar, and Mark Osman on drums & percussion. Music by Arc Flash. Mixed by Joel Martin & Arc Flash. Mastered by Mike Nolte. Album art by Tanner Spreer. Carbon Copy on CD & vinyl on High Dive Records and cassette on Whatever Forever. http://www.highdiverecords.com]

93. Approach – Elegant Knock / Datura Records / January 20, 2017
[Lawrence based Sean Hunt is Approach. Sequenced, Produced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lawrence. Sean Hunt writes: “Elegant Knock” started out as a beat album named after a production night I throw in Lawrence. It turned into a 10 track album that pays respect to a sound and vibe that I loved in High School. It isn’t a throwback project on some I wish it was 96′ ish, it’s a “why aren’t we still freaking these sounds now” thang. My original concept was flipped when I dug out my old Ensoniq EPS 16+ and started funking around. The next thing I knew I was making an album I wanted to rap on. I did all of the production on the EPS (everything and it’s was headache) and made a few mixing edits on the Ensoniq ASR-10 (mainly stereo pans). I pushed myself to use the tools of yesteryear to capture the feeling I was seeking out (it was a pain in the ass and I lost a ton of beats in the process). I loved every second of it though. I feel like it’s the perfect bridge between my Lincoln Marshall project with Milkdrop and my album “Antique Mall” (coming out soon).]

94. The Ants – Golden Submarine / Beyond Records / October 13, 2017
[The Ants 10th release and their 8th full length album. Band member Chad Bryan says thet “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. http://www.killtheants.com] [The Ants played a KC Release show at Holy Cow, Nov 12.]

95. The Hearers – Five Seasons / The Hearers / September 6, 2017
[Third full length release from KC/Seattle/San Diego/Lawrence based band, made up of Darren Welch on bass, vocals, 12-string, keys; Marc Tweed on guitar, vocals, synth; David Moore on guitar, vocals, Hammond; Chris Braun on piano, cello, Hammond, ukulele, flute, vocals; Jay Kakert on harmonica, glockenspiel; Jeff Doom on electric guitar; Eric Mardis on pedal steel, banjo; Rob Veitch on drums, percussion, concert bass drum; Michael Walker on trombone, monotron, horn arrangements. With Additional horns from: Rich Wheeler on tenor sax, C melody sax; Brett Jackson on baritone sax; Nick Howell on trumpet. Recorded, mixed and mastered by David Moore at Merriam Shoals. Additional recording by Marc Tweed at SexDungeon Studio.][The Hearers played Outer Reaches Fest, at recordBar, Sat, September 30]

96. The Life and Times – The Life and Times / Slimstyle Records / April 28, 2017
[5th full length studio album, and 10th release from KC based indie band formed in 2002. Current members include: Allen Epley, Eric Abert, and Chris Metcalf. Past members include: Rob Smith, John Meredith, and Mike Meyers. Band has toured with: The Appleseed Cast, Murder by Death, Pelican, Mono, Sparta, Pinback, Engine Down, and William Elliott Whitmore.]

97. Aimee Mann – Mental Illness / Aimee Mann – SuperEgo Records / March 31, 2017
[9th solo studio release from Aimee Mann who was born September 8, 1960 and is a rock singer, singer-songwriter, bassist & guitarist. She was the bassist and a vocalist for the band ‘Til Tuesday during the 1980s and since then has primarily performed as a solo musician. She is married to Michael Penn. In 1999, Mann recorded original material for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned both Academy Award and Grammy Award nominations for the song “Save Me”. She negotiated a contract release from David Geffen and founded her own label, SuperEgo Records.]

98. Ariel Pink – Dedicated To Bobby Jameson / Kemado Records / September 15, 2017
[11th studio album LA’s prodigal songwriting son Ariel Pink. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.” Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.” Ariel Pink started as a visual artist before becoming a recording artist in the late ‘90s while attending Cal Arts. Drawing on iconoclasts and trailblazers like the Shaggs, the Cure, the Velvet Underground, Destroy All Monsters, Cabaret Voltaire, and R. Stevie Moore, Pink set himself to redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.” More info at: http://www.ariel-pink.com.]

99. Judith Owen – Somebody’s Child / Twanky Records / March 3, 2017
[11th studio album from Welsh born singer songwriter and co-founder of Twanky Records with her husband, Harry Shearer. This albums follows her 10th release “Ebb & Flow.” It features three of the four members of “The Section”: Leland Sklar on bass, Russell Kunkel on drums and Waddy Wachtel on guitar.] [Judith Owen played The Uptown Theatre, Friday, March 24, at 8:00 PM with legendary bassist Leland Sklar, in her band, opening for Bryan Ferry.]

100. HighWesthus – The Trilogy (Part I, II, III) / Datura / August 26, 2017
[Written, produced, performed by HighWesthus, and mixed & mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinois. Now based in Kansas City, in October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all 3 parts as one 29 song collection. HighWesthus is a freelance multimedia artist. He graduated from the KC Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illustration, animation, graphic design, video editing, sound editing, music producing, writing and storytelling.]

101. Sudan Archives – Sudan Archives / Stones Throw Records / July 14, 2017
[Self titled debut EP from LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

102. Nancy and Beth – Nancy and Beth / Herpursef / April 7, 2017
[“Please Mr, Jailer” was written by Wynona Carr (August 23, 1923 – May 11, 1976) an African-American gospel, R&B and rock and roll singer-songwriter, who recorded as Sister Wynona Carr when performing gospel material. Carr’s contralto vocals have a sensual, husky quality which made her eventual switch to R&B and rock & roll seem a logical choice in retrospect. Carr’s gospel recordings are very much influenced by Sister Rosetta Tharpe, incorporating blues and jazz stylings and R&.B. Her early R&B material (for which she is probably best remembered now) was often uptempo, rock & roll-styled and similar in sound to fellow R&B/rock & roll artists on the Specialty roster like Little Richard, Lloyd Price and Larry Williams, with a strong New Orleans-style backbeat and a rich, warm production. Her final Specialty sessions, conducted by Sonny Bono in 1959, cut down on the rock & roll influences. Both Carr’s gospel and R&B recordings went largely unappreciated during the time they were released, but found a new audience when Specialty Records released two CDs, covering Carr’s entire output on the label.Megan Mullally and Stephanie Hunt met in Austin Texas while filming the independent movie Somebody Up There Likes Me. The minute the two started singing together they realized they had something special. They formed the band Nancy and Beth in 2012. formed the band Nancy and Beth in 2012. They went on tour in March 2013. They are set to release their debut album just before a North American tour. Actress, singer, Emmy and Golden Globe Awards winner, MEGAN MULLALLY (Karen on NBC’s Will & Grace, Children’s Hospital, Party Down) . STEPHANIE HUNT (Friday Night Lights, Californication and How To Live With Your Parents For the Rest of Your Life). [Nancy and Beth played an Official Showcase at Folk Alliance International Conference, February 15.] [Megan Mullally presented awards for the Best of 2016 Album, Song, and Artist of the Year, at the International Folk Music Awards, February 15, 2017 at the Westin Hotel in KC.]

103. Cindy Wilson – Change / Kill Rock Stars / December 1, 2017
[Cindy Wilson’s solo debut arrives in time to celebrate the singer’s 40th anniversary in the musical spotlight. CHANGE began for Wilson nearly a decade ago upon her part-time return to her hometown of Athens, GA. She first encountered local musician Ryan Monahan when his Beatles tribute band was hired to play her son’s birthday party – “One of the best parties ever,” says Wilson. The veteran vocalist and talented young musician began teaming up for gigs, beginning with R.E.M.’s star-studded 30th anniversary event. “Ryan and drummer Lemuel Hayes and I put together a few songs and it was fantastic,” Wilson says. “That started our own musical relationship.” Wilson and her new bandmates continued performing together, first playing classic garage and psychedelic covers but ultimately deciding to create new music all their own. They hit the studio in 2014, with local producer-musician Suny Lyons manning the board. The songs and sonic concepts flowed like the Broad River, leading Wilson to invite Lyons to join her fast developing combo. “We went to Suny’s studio to kick around ideas and see if we can do anything interesting,” Wilson says. “We wanted to see how our styles would blend. He comes from a totally different place than I do but I was great. It also became immediately clear we had to bring Suny in to be part of the band, he also had wonderful ideas. I had a really great team.” Backed by her gifted collaborators, Wilson developed a distinctive sound rooted in her long history of kaleidoscopic pop reinvention. Earlier this year Cindy released a pair of EPs, SUNRISE and SUPERNATURAL with both acclaimed by PopMatters for possessing “an undeniable sense of adventure.” Produced by Lyons at The Space Station in Athens, melding future pop, disco drama, American standards, electronica, and more into her own distinctive creative vision. “Our sound is both consistent and still evolving,” Wilson says. “These ingredients come together from left field to create something really interesting.” Further album highlights include a pair of unexpected covers: a widescreen orchestral rendition of New Colony Six’s soft rock classic, “Things I’d Like to Say,” and “Brother,” written and originally performed by Athens’ own beloved Oh-OK. “We played a show, Athens musicians playing songs by other Athens bands,” Wilson says. “We did an R.E.M. song, a Pylon song, and ‘Brother’ by Oh-OK, which turned out so great we decided it had to be on record. It hits you over the head; it’s an interesting texture. It brings the album home I think.A veteran of one of pop’s most consistently entertaining live acts, Wilson is heralding CHANGE with an unprecedented multimedia concert tour. Merging conceptual structure, unique visuals, and kicked off in March with SXSW, Wilson and her bandmates are touring the US (in a van, it should be mentioned). “The show is totally different from anything I’ve done before,” Wilson says. “It has an incredible flow, from beginning to end. The great thing about touring a show like this is you can solve problems and tweak things as you go along.” “Everyone has other bands, other jobs,” Wilson says. “I’ve got the B-52s’ fortieth anniversary, there’s a lot going on with that. At the same time, I’m very committed to this record and continuing to perform with these guys. We’re trying to go into the studio at least once a month, to continue working creatively and keep the songs coming. We’re still experimenting, still growing, but it retains a certain sound. I feel very comfortable in this band. I’m loving it.” Cynthia “Cindy” Leigh Wilson was born February 28, 1957. She is a singer, and is one of the lead vocalists, songwriter and a founding member of new wave rock band The B-52s. The B-52’s were formed when Wilson (who was born in Athens, Georgia), alongside her older brother and guitarist Ricky, organist and vocalist Kate Pierson, drummer and percussionist Keith Strickland, and vocalist Fred Schneider played an impromptu musical jam session after sharing a tropical Flaming Volcano drink at a local Chinese restaurant. They later played their first concert in 1977 at a Valentine’s Day party for their friends. Wilson and the others broke into the music world with their campy, ’60s retro band. Their 1979 debut album The B-52’s, yielded the hit singles “Rock Lobster” and “Planet Claire” and launched the band into stardom. On April 21, 1985, Wilson married Keith Bennett, a successful advertiser who was a longtime friend of the band and Ricky’s guitar tech on tour. Ricky died later that year, leaving her devastated. Wilson took a sabbatical from the band in 1990 to concentrate on raising a family, during which time The B-52’s recorded and released the album Good Stuff as a trio of Pierson, Schneider and Strickland. During the live tour to promote the Good Stuff album in 1992 and 1993, Julee Cruise sang as a replacement for Wilson. Wilson rejoined The B-52’s in 1994. In 1998 she took part in recordings from which two new songs were selected to be included along with the band’s hit singles on the album Time Capsule: Songs for a Future Generation. Wilson then took maternity leave in 1999 (being replaced on tour by Gail Ann Dorsey), later rejoining the band in 2001 for regular touring of their greatest hits. The B-52’s completed the album Funplex in 2007 and it was released in March 2008. Wilson co-wrote every song on the album with the three other band members. In all, she has co-written much of the band’s back catalogue, including “Dance This Mess Around”, “Private Idaho” and all of the Cosmic Thing album including hit singles “Love Shack” and “Roam”. Wilson’s vocal efforts include the typical B-52’s “call-and-response” vocals with Schneider and/or Pierson, as well as her harmonies with Pierson on the band’s all-female songs such as “Roam”, “52 Girls”, “Cake”, “Legal Tender”, “Summer of Love” and “Juliet of the Spirits”. One of the band’s signature elements is the setup between the three vocalists. However, Wilson sings the greatest number of solo performances in the band, especially on their earlier albums. Examples of Cindy’s solo vocal performances in The B-52’s include “Hero Worship”, “Loveland”, “Nip It in the Bud”, “Girl from Ipanema Goes to Greenland”, “Ain’t It a Shame”, “She Brakes for Rainbows” and the live favorite “Give Me Back My Man”. Wilson is the band’s bongosero, playing the bongos in regular live favorites “Planet Claire”, “Mesopotamia”, “Pump” and “Party Out of Bounds” as well as other songs such as “6060-842” and “Big Bird”.] [The B-52s played The Uptown, Oct 22. Cindy Wilson played Riot Room, Nov. 17.]

104. Mene Mene – Stone, Steel, and Spark – EP / Mene Mene / September 9, 2017
[Their Bandcamp page described the band as: “Kansas City based Indie Alt Rock with some piano, some drums, and a whole lot of repressed feelings.” Written & performed by Brad Feagen & Alec Stockman.]

105. Looming – Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

106. Ivy – Bad Intuition / Ivy / April 14, 2016
[Debut recording from Kansas City native singer songwriter, who plays piano and guitar, and produces beats. Her style ranges from R & B, Neo Soul, Hip Hop, Acoustic, and Pop. She has performed on stage at Lincoln Center in NYC, regional Festivals, Los Angeles, and collaborates with film and performance. Written and produced by Ivy. More info at http://www.itsjustivy.com] [Ivy played Crossroads Music Fest, Sat, Sept 9.]

107. The Dear Misses – Just Let Go / The Dear Misses / February 28, 2017
[This is The Dear Misses first full length album. “Just Let Go” was written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More info at: http://www.reverbnation.com/thedearmisses%5D

108. Violent Bear – Post Everything / Violent Bear / March 24, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesisers. Violent Bear also released multiple single tracks this year.] [Violent Bear played PorchFest KC on Saturday, October 14.]

109. Westerners – Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

110. Bobby Sauder – Dark Empire Fairgrounds / Whatever Forever / Feb 24, 2017
[Debut solo release from Bobby Sauder of the Lawrence Kansas based band Karma Vision and cofounder of Whatever Forever Records. After the birth of his first child, Sauder found himself putting on a lot of folk and country records to help keep the volume down around the house. The influence of musicians like Townes Van Zant, Emmylou Harris, and The Band influenced his songwriting. All the songs were writtenon a guitar that only had 5 strings. Music and lyrics by Bobby Sauder (except “Josie Darner” written by Carey Scott and “Will You Bury Me?” written by Jamie Lacore). Produced by Bobby Sauder and Ross Williams. Engineered by Ross Williams. Mixed by Ross Williams and Bobby Sauder. Mastered by Brian Miller. Drums on tracks 1,3,5,6 played by Mark Osman Organ on track 7 played by Ben Sauder. Lyrics Collaborator on tracks 3 and 4 is Carey Scott. Track 2 co-engineered by Brad Girard. Recorded in Lawrence, Kansas.]

111. Golden Groves – Recess EP / Golden Groves / July 7, 2017
[Second EP from KC based 4-piece band: Isaac Hodges on vocals & guitar, Dylan Nelson on lead guitar, Max Kmeck on bass, Andrew Lewis on drums. All songs written & recorded by Golden Groves, Produced & mixed by Jim Barnes. Mastering by PNW Mastering. More info at: http://www.goldengrovesmusic.com] [Golden Groves played an EP Release show on Friday, July 7, at 8:00 PM, at The Riot Room, 4048 Broadway St, KCMO, with Westside Royal, Shadow Rabbits, and Sleeptalk from L.A.]

112. JohnnySuperColossal – Doors in the Wall / HearYou Music / Oct 27, 2017
[JohnnySuperColossal is the musical project of KC based Shawn Stewart who is originally from Chicago.]

113. Combo Los Yogas – Cañabrava Música / Vampisoul – Discos Fuentes / Feb 10, 2017
[Vampi Soul re-issue of an obscure 1968 Discos Fuentes gem Cañabrava by Combo Los Yogas, a short-lived early Colombian salsa band from Medellín directed and arranged by Aníbal José Ángel Echeverri, the famous antioqueño keyboardist known as Aníbal Ángel or simply Anán. Employing Barranquilla native Johnny Moré as his lead vocalist and a full combo with trumpet, trombone, congas and timbales, Los Yogas recorded a fantastic collection of cover tunes in the guaguancó, son, guajira, descarga, and cha-cha-chá rhythms. The sound is very raw and hard, something that makes this obscure 1968 Discos Fuentes record a sought-after collector’s item. Thanks to the inherent quality and execution of its repertoire, “Cañabrava” provides a wonderful snapshot of the influences and early development of the genre of salsa in 1960s Colombia.]

114. The Ovaries-eez – Moon Birth / Whatever Forever / January 6, 2017
[Lawrence band’s 2nd full length. Recorded, mixed, & mastered by Dual Diamonds on Whatever Forever. Guitar & vocals by Monica George & Johni Lacore & Amber Hansen on vocals, Jim Martin on Instrumentation, Brett Grady on viola. Songs by Johni Lacore, Amber Hansen, Monica George.]

115. Ramy Essam – Letter to the UN Security Council / Ramy Essam / 2016
[Ramy Essam was born in 1987, in Mansoura, Egypt. He is an Egyptian musician, best known for his appearances in Tahrir Square in Cairo during the Egyptian Revolution of 2011. His song Irhal, in which then Egyptian president Hosni Mubarak was urged to resign, gained great popularity among the demonstrators. It became internationally known through YouTube, and is referred to as the anthem of the revolution. In 2011, it was selected by Time Out as the third-most world-changing song of all time. He currently sings hard rock songs, one of the few singers in Egypt to sing rock. Ramy also expressed his mourning of the revolution’s martyrs on Facebook. On 9 March 2011, when the Egyptian Army forcibly cleared the square, he was arrested and tortured. In October 2014, Essam was offered safe city residence for two years by the Malmö Municipality of Sweden. He is the first musician who has been offered this by Malmö but two writers have been offered it before. In addition to the residence permit, he also gets accommodation. He describes his situation as an artist in Egypt as “terrible” and is happy he can come to Sweden to study. Essam says it will be the first time he has the chance to study music, that he will keep make music and be an ambassador of the Egyptian revolution. Essam was featured on the 2014 compilation Songs from a Stolen Spring that paired Western musicians with artists from the Arab Spring, Essam’s “Bread, Freedom” was meshed with Mighty Sam McClain’s performance of “If I Can Dream”. This year Ramy Essam released the single “The Camp” with PJ Harvey. ] [Ramy Essam played Folk Alliance International conference where he received the 2017 Spirt of Folk Award.]

116. Ani DiFranco – Binary / Righteous Babe / June 9, 2017
[20th studio album from Ani DiFranco, who was born Angela Maria DiFranco on September 23, 1970. She is a singer, multi-instrumentalist, poet, songwriter and businesswoman. She is a feminist icon. Although DiFranco’s music has been classified as folk rock and alternative rock she has added punk, funk, hip hop and jazz influences. DiFranco created her own record label, Righteous Babe, giving her significant creative freedom. DiFranco supports many social and political movements by performing benefit concerts, appearing on benefit albums and speaking at rallies. Through the Righteous Babe Foundation DiFranco has backed grassroots cultural and political organizations supporting causes including abortion rights to gay visibility. She counts famed American folk singer and songwriter Pete Seeger among her mentors.] [Ani DiFranco attended Folk Alliance International’s 2017 conference to deliver a special presentation on Friday, February 17.]

117. The Coathangers – Parasite EP / Suicide Squeeze Records / May 5, 2017
[All female punk quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco. The band formed in 2006 as a joke. After playing a house show, they were asked to open for The Hiss on the strength of their performance. The name “Coathangers” refers to a method of self-induced abortion and was chosen for its irreverent vulgarity; all of the band’s members are pro-choice]

Our list is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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