WMM Playlist from August 21, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Clairo – “Impossible”
from: Immunity / Fader / August 2, 2019
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts. Her fame escalated after releasing “Pretty Girl” in 2017, a lo-fi-produced song that attracted over 35 million views on YouTube. She credited her sudden popularity to the website’s algorithm system. Claire was born in Atlanta, Georgia, the daughter of marketing executive Geoff Cottrill. According to her, “Pretty Girl” was inspired by 1980s pop music, and that although she was tagged with the “bedroom pop” label, it was not her intention to make that style of music. After the popularity of “Pretty Girl”, Clairo signed a record contract with Fader. Clairo’s father, Geoff Cottrill, formerly held top positions at Procter & Gamble, Coca-Cola, Starbucks, Converse, and MusiCares a philanthropic organization associated with the Grammy Awards. Between 2015 and 2017, he was president of American operations at MullenLowe Lintas Group. Claire began recording covers at the age of 13 and taught herself guitar from Internet tutorials. During this time, MTV contacted her to record a song to be used as background music for one of their shows, but the song was never used. Under the names Clairo and DJ Baby Benz, she began posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on SoundCloud. She also maintained a YouTube channel where she would post covers and short films. In 2017, she began attending Syracuse University. Clairo’s “Pretty Girl” was recorded for an indie rock compilation benefiting the Transgender Law Center. According to her, she recorded the track “using the resources around me which were pretty shitty. I used like a little keyboard that I had and I was really into ’80s pop music — my mom is obsessed with it — so it kind of inspired me to do something like that.” The video also became popular on vaporwave-centric Facebook groups. Another video that was uploaded to YouTube a month earlier, “Flamin Hot Cheetos”, garnered 3 million views by July 2018. The success of “Pretty Girl” led to interest from major labels such as Capitol, RCA, and Columbia. Clairo signed a 12-song record contract with Fader Label. According to The New York Times, this was made possible by her father’s connection to Jon Cohen, co-founder of The Fader and an executive at the publication’s marketing agency, Cornerstone. He signed Clairo to the magazine’s associated record label. Clairo is managed by Mike Ahern and Jimmy Bui. “The whole ‘do-it-yourself’ attitude is everything that I’m about. […] I think it’s really important to be genuine and authentic with everything you do.” —Claire Cottrill, 2017 interview with Fader. In October 2017, an article about Clairo was published by Fader, in which she stated that she was most inspired by Brockhampton, and cited their “do-it-yourself ‘attitude'” as her ethos. Some online communities criticized her comments as disingenuous, arguing that her professional career was borne from nepotism, and thus she should not be considered a true DIY musician. They accused her of being an “industry plant”, in other words, an artist who has backing from the music industry to advance or kick-start their careers, but are deceptively presented as an independent start-up. Such discussion appeared mostly on Reddit. One of the widely shared posts lamented that, although the user enjoyed her music and thought she was an “inspiring” songwriter, they could not fathom why none of her articles and interviews acknowledged her father’s significant industry connections. Clairo described the “industry plant” accusation as sexist and denied that there was “a man behind my success”. The Ringer contributor Lindsay Zoladz commented that it would have likely been more difficult for Clairo to get a record contract without her father’s connections, and that “it is impossible to imagine Clairo’s success in a Gen X world, so vital is the internet to her appeal.” On May 25, 2018, Fader Label released Clairo’s debut record, titled Diary 001. In her review for Pitchfork, Fader contributor Sasha Geffen wrote that the EP ought to subside the “legions of naysayers who dismissed her as a one-hit fluke or an industry plant.” By then, “Pretty Girl” had amassed more than 15 million views on YouTube. A piece written by Joe Coscarelli of The New York Times said that the work: “bridges both worlds, building on the coy, understated bedroom pop of ‘Pretty Girl’ and ‘Flamin Hot Cheetos’ toward sturdier numbers like ‘4EVER’ and ‘B.O.M.D.'”. That same month, she announced a headlining tour throughout North America, opening for Dua Lipa on multiple dates. Her July performance at the Bowery Ballroom in New York was a sold-out show. In October 2018, she performed at Lollapalooza. She is scheduled to perform at Coachella 2019.]

[Clairo plays Middle of The Map Fest, Friday, October. 4 at Crossroads KC, 417 E. 18th St. KCMO with Snail Mail, and others]

3. Sleater-Kinney – “The Future Is Here”
from: The Center Won’t Hold / Mom+Pop Records / August 15, 2019
[9th studio album from Sleater-Kinney, formed in early 1994 in Olympia, Washington, by Corin Tucker and Carrie Brownstein. The group’s name is derived from Sleater Kinney Road, Interstate 5 exit number 108 in Lacey, Washington, the location of one of their early practice spaces. Tucker was formerly in the influential riot grrrl band Heavens to Betsy, while Brownstein was formerly in the queercore band Excuse 17. They often played at gigs together and formed Sleater-Kinney as a side-project from their respective bands. When Heavens to Betsy and Excuse 17 disbanded, Sleater-Kinney became their primary focus. Janet Weiss of Quasi is the band’s longest lasting and final drummer, until after this was released when she announced she was leaving the band. Sleater-Kinney has had other drummers, including Lora Macfarlane, Misty Farrell, and Toni Gogin. Upon Tucker’s graduation from The Evergreen State College (where Brownstein remained a student for three more years), she and then-girlfriend Brownstein took a trip to Australia in early 1994. Their last day there, they stayed up all night recording what would become their self-titled debut album. It was released the following spring. They followed this with Call the Doctor (1996) and Dig Me Out (1997), and became critical darlings. The lineup features: Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (for this record on drums).]

Photo by Gordon Parks

4. Mavis Staples – “We Get By (feat. Ben Harper)”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

[The 780’s Series presents A Conversation with Mavis Staples, Wednesday, August 21, 2019 at 6:00 PM at Liberty Hall, 644 Massachusetts St, Lawrence, KS]

10:16 – Underwriting

5. Ensemble Iberica – “Chan Chan”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Ensemble Iberica presents “Taste of Cuba”, Friday, August 23, at 7:00 PM at The Culinary Center of Kansas City, 7920 Santa Fe Dr, Overland Park, KS. with members of the band Cubanisms.]

6. Mike McCoy’s Trompe-l’œil – “Believe in the Trees and Bees”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[“Believe in the Trees and Bees” was chosen by Rob Thomas be part of the soundtrack for “Veronica Mars” on Hulu. Rob Thomas is a producer of that show. Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

Mike McCoy

DJ Timmy Tilton

10:33 – Interview with Mike McCoy (with an assist from DJ Timmy Tilton)

Mike McCoy grew up in Hutchinson, Kansas. In the early 1990s his band Cher U.K. filled venues in Kansas City playing with popular themes in punk rock music. Mike McCoy, now lives in Austin Texas and plays in his band Mike McCoy’s Trompe-l’œil. Mike has also played in the bands The Service Industry and The American People. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.

Mike McCoy thanks for being with us on Wednesday MidDay Medley.

Mike’s new band is called: Mike McCoy’s Trompe-l’œil Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy.

The new album s called Eyein’ Lies from Mike McCoy’s Trompe-l’œil.

Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs.

A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world.

Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer
expanding his solo repertoire and he hopes to wrap up the year with a new record.

A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble.

McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good.

He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.

The latest versions of Cher UK in Kansas City consisted of: Mike McCoy Guitar & Vox, Mark Reynolds – Bass, Bernie Dugan – Drums

The band was originally called Cher. First recordings on cassette, the band went through several line-up changes and the band’s name changed to Cher UK and got a record deal with Red Decible Records from Minneapolis.

In 2004 Mike founded the North vs. South Music Festival, as a bi-annual, bi-polar music festival designed to showcase independent rock along the I-35 corridor.

Mike McCoy, Thanks for being with us on Wednesday MidDay Medley.

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

10:50

7. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

8. Olivia Fox – “Blame”
from: Carbon / OLIVIA FOX / August 23, 2019
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.]

[Olivia Fox play an Album Release Show on Saturday, August 24, at 8:00 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with Crystal Rose and Nicki White.]

11:00 – Station ID

Robert Castillo and Tim Tilton on the August 21, 2019 edition of Wednesday MidDay Medley

9. The Sextet – “To Be Determined (feat. J.F. Letters, Miki P, & Adee Dancy)”
from: Among Friends / ARC / September 15 , 2019
[First Single (released May 10, 2019) from The Sextet’s upcoming album Among Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

Robert Castillo on the August 21, 2019 edition Wednesday Midday Medley on KKFI, 90.1 FM.

11:08 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley
We just heard the first single, released May 10, “To Be Determined” featuring J.F. Letters.

Later we will play “Moving On (feat. Poet Jen Harris)” released July 19

and also: My Funny Valentine (feat. Calvin Arsenia & Miki P)”

Along with J.F. Letters, Calvin Arsenia, Poet Jen Harris, and Miki P other collaborators include: Jose Faus, Sean Branagan, Fritz Hutchinson, and Eddie Moore.

Among Friends is being released through are label ARC (Chris Burnett).

More information at: http://www.thesextetjazz.com

Robert Castillo also plays with Miki P and The Swallotails, Calvin Arsenia, SUNU, KCKCC Jazz Choir, North Kansas City OBG.

Robert Castillo has collaborated with Tim Harte, Lauren Krum, Dirty Force Brass Band, and Charles Williams,

Robert Castillo is from Kansas City. He went to Northgate Middle School and North Kansas City High School.

He learned piano in 2nd grade, violin in 4th grade, cello in 6th grade, bass in 7th grade. He played in the high school jazz band,

When he was 18 he moved to Chicago and took classes in Jazz Studies at North Central College.

In the Spring of 2014 Robert Castillo moved to rural Oregon where he enrolled in the Americore program and put himself in “Service to America.” He was placed in Fossil Oregon where he worked as a K- 8 grade Music Teacher, (28 students total).

It was during his free time in Oregon that The Sextet began as a band.

Robert Castillo is married to Kathryn Castillo. They have been married for 4 years, and have been together for 10 years.

Robert Castillo is also a painter and his works have been featured at PT’s Coffee, Mattie Rhodes, and InterUrban ArtHouse. He works in watercolor, oils, and acrylics.

Robert Castillo was a graduate of Artist Inc. He was in the same class as Jen Harris.

11:19

10. The Sextet – “Moving On (feat. Poet Jen Harris)”
from: Among Friends / ARC / September 15 , 2019
[Second Single (released July 19, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

The Sextet’s upcoming album “Among Friends”

11:27 – Interview with Robert Castillo

Musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley

Robert Castillo is assistant director of programming for Art As Mentorship.

Later this week, Robert Castillo (from Aug 23 – Sept 2), can be found at: blob
The Dump, 7:00 @ Center Plaza c/o BRCPO, Burning Man, Gerlach, NV 89412

The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass,

The most recent single from The Sextet and their new album Among Friends is “My Funny Valentine (feat. Calvin Arsenia & Miki P)” with collaborators from Sean Brannigan, Fritz Hutchinson, and Eddie Moore giving the song an Afro-Beat treatment.

Robert Castillo, thanks for being with us on Wednesday Midday Medley.

More information at: http://www.thesextetjazz.com

11. The Sextet –”My Funny Valentine (feat. Calvin Arsenia & Miki P)”
from: Among Friends / ARC / September 15, 2019
[Third Single (released August 16, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

10:46 – Underwriting

12. Oso Oso –”dig”
from: basking in the glow / Triple Crown Records / August 16 , 2019
[Oso Oso calls themselves a “music thing from Longbeach, New York. Triple Crown Records offers: Oso Oso is the latest project of Jade Lilitri out of Long Beach, New York. After a couple of early records, the band self-released their first fully realized album The Yunahon Mixtape on Bandcamp in early 2017. Despite this low key release, the album quickly gained traction across the scene, winning over both fans and critics with it’s diverse, recognizable knack for memorable choruses and instantly relatable lyrics.]

[Oso Oso plays The Rino, 314 Armour Rd, NKC, Sunday, September 15, at 7:00 PM with The Sidekicks and Future Teens.]

11:55

One of our favorite area bands is Under The Big Oak Tree, an Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. We have played music from all three of their albums. Band member Simon Fink who was on WMM on June 5, sharing music from his beautiful book/CD release LULLABIES TIL DAWN that he recorded with The Wires, writes:

Dear friends of Under the Big Oak Tree,

With some sadness I must report that UBOT is going on hiatus for the foreseeable future. I’m taking a job beginning next month that will have me commuting out of state for the next year.

We have booked a night at Unplugged—Friday, August 23, 8—10pm to celebrate seven amazing years of Under the Big Oak Tree and to get one last chance to be on stage all together before I head out. Please join us!

Thank you for all your love and support over the past several years.

Yours,

Simon Fink

13. Under The Big Oak Tree – “Stars Songs Faces (After Sandburg)”
from: Local Honey / Mudstomp Records / January 22, 2016
[Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. More info at: http://www.UnderTheBigOakTree.net/ Under The Big Oak Tree play multiple showcases at this year’s Folk Alliance International, including The MudStomp Records Fri, Feb 19.]

[Under The Big Oak Tree play a farewell (for Now) Show!, Friday, August 23, at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, Missouri.]

11:59:30

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 28, members of the area band L A Jones join us to share their new single to be released September 4. Also Enrique Chi will be with to talk about Making Movies Carnival, September 7, at Knuckleheads.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

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WMM presents Mike McCoy’s Trompe L’oeil + Robert Castillo & The Sextet

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

Mark spins New & MidCoastal Releases from: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter.

Mike McCoy

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs. There may be special guests, stories and fun. KKFI’s DJ Timmy Tilton will also join us for this segment.

The Sextet: (L to R) Max Levy, Robert Castillo, Trevor Turla, Nik D. Douglas, Joseph Tesoro and Forrest Fowler

The Sextet’s upcoming album “Among Friends”

At 11:00 Mark welcomes musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show. More information at: http://www.thesextetjazz.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

WMM Playlist from August 14, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 14, 2019

Spinning Records With Marion Merritt
+ Ivory Blue

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 15 years now Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. LSD – “Thunderclouds (feat. Sia, Diplo & Labrinth)”
from: Thunderclouds (feat. Sia, Diplo & Labrinth) – Single / Records LLC/Columbia / 2018

4. Bleached – “Hard to Kill”
from: Don’t You Think You’ve Had Enough? / Dead Oceans / 2019

5. Death in Vegas – “Girls”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

6. Death in Vegas – “Scorpio Rising (Radio Edit)”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

7. Khruangbin – “Cómo Me Quieres”
from: Con Todo El Mundo / Dead Oceans / 2018

8. Khruangbin – “Mary Always”
from: Hasta El Cielo (Con Todo El Mundo In Dub) / Dead Oceans / 2019

10:33 – Underwriting

9. Death And Vanilla – “Let’s Never Leave Here”
from: Are You a Dreamer? / Fire Records / 2019

10. Crumb – “Nina”
from: Jinx / Crumb / 2019

11. Black Pumas – “Black Moon Rising”
from: Black Pumas / ATO / 2019

12. Brownout – “Louder Than a Bomb”
from: Fear of a Brown Planet / Fat Beats / 2018

10:58 – Station ID

13. Jesca Hoop – “Free of the Feeling”
from: Stonechild / Memphis Industries / 2019

14. Madison Cunningham – “Pin It Down”
from: Who Are You Now / Verve / 2019

15. Doctor Bionic – “Emptiness & Fulfillment”
from: Reaching the Unknown, Ch. 2 / Chiefdom Records / 2019

16. Frankie Knuckles, Director’s Cut & Eric Kupper – “The Whistle Song (Re-Directed)”
from: The Director’s Cut Collection / Def Mix-So Sure / 2019

17. Bedouine – “Echo Park”
from: Bird Songs of a Killjoy / Spacebomb / 2019

18. Florist – “Time Is a Dark Feeling”
from: Emily Alone / Double Double Whammy / 2019

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

11:28 – Underwriting

Ivory Blue and Marion Merritt on the August 14, 2019 edition of Wednesday MidDay Medley on KKFI.

19. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:34 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released June 15, 2018.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on August 29, 2018, prior to that Ivory was with us on June 28, 2017. Between these dates Ivory went on a musical journey competing in the first ever, neXt2Rock, going through name changes, and learning that big record labels and area and regional music competitions and the people who organize them don’t always have the artists best interests in mind.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios with Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drum.

Ivory Blue

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivopry Black plays the Kauffman Stadium, July 1, Royals home game.

Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:46

20. Ivory Blue – “Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

More information at http://www.ivorybluemusic.com

11:56

21. Ivory Blue – “A Good Answer”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:59:30

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 21 Mark spins: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter. At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy’s Trompe L’oeil Q & A Jam, is Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave,KCMO. At 11:00 Robert Castillo shares singles from The Sextet‘s upcoming album “Among Friends.” The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #798

WMM Playlist from August 7, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 7, 2019

New & MidCoastal Releases + Giants Chair
+ Fally Afani & RAICES Benefit

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

Enrique Chi

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).]

4. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play The Bottleneck, 737 New Hampshire St, Lawrence, KS., Wednesday, August 7, at 8:00 PM, with You Bred Raptors?, and HMPH!]

5. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays recordBar, 1520 Grand, Sat, Aug 10, 8:PM, w/ Beau Jennings & The Tigers, Blue False Indigo]

6. Ivy Roots – “Appreciate (feat. Eddie Moore)”
from: Love Art Growth – EP / Ivy Roots Music / June 5, 2019
[New EP release from natie KC singer songwriter, who plays piano & guitar, and produces beats. This is a follow up to her 2016 full-length debut “Bad Intuition” released April 14, 2016. Ivy Roots has a style that ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. She has performed at Lincoln Center in NYC, Crossroads Music Fest, and with film & performance. Written & produced by Ivy. Info: http://www.itsjustivy.com]

[Ivy Roots plays miniBar, 3810 Broadway, KCMO, Tonight, Aug. 7, at 9:00 PM w/ Sister Ivy, Ant Lab]

[Ivy Roots plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thurs, Aug. 8, at 7:00 PM w/ Khrystal., Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

7. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently graduated from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[Mae C plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Khrystal., Ivy Roots, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

8. Khrystal. – “Alchemist (featuring Duncan Burnett)”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

[Khyrstal. plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Ivy Roots, Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

10:31 – Underwriting

9. The Creighton Organization featuring: Jimmy Dykes – “Goin To New Orleans”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / (David Ford) / 2009
[The Creighton Organization is a Jazz band from Kansas City, Missouri with Dave Creighton on keys]

[The Creighton Organization plays The Ship, 1217 Union, KCMO – TONIGHT, Aug. 7, at 8:00 PM]

Short Round Stringband

10. Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nuthin’ / Short Round Stringband / July 19, 2019
[Debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in between all of that, you’ll laugh at their madcap humor.]

[Short Round Stringband play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Sunday, August 11, at 7:00 PM, with The Tillers, and Lauren Morrow]

[Short Round Stringband play Olathe Public Library, 201 E Park, Olathe, KS., Tues, Aug. 13, at 7 PM]

11. Calvin Arsenia – “Back To You”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions to be released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe. Patrick Sprehe of Center Cut Records tells us that Calvin has been in California and the West Coast for much the past month. Calvin attended the Pride Parade in San Francisca and had a successful show at Hotel Utah. Center Cut reunited the musicians fromLA Sessions for a big show at The Mint in Los Angeles, Starline Social Club in Oakland, and a couple of events in Healdsburg. Calvin also played Oregon Country Fair with Quixotic and as a solo artist. alvin also played SoFar Sounds/xFinity radio show at the Tonga Room in San Francisco and is attending the first Billboard Pride Summit in LA on Thursday. Then he is off to Boulder for a couple of nights before returning to KC to finish the video for Back To You.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

12. Ada Lea – “Wild Heart”
from: What We Say In Private / Saddle Creek / July 19, 2019
[Montreal, Quebec-based musician Ada Lea is also a painter and visual artist, and traces of her many creative abilities run throughout her debut album. To her, music and visual art are different vessels for communicating similar ideas. Ada Lea’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Whether it’s creating music or art, “It’s a world that I can build around me and sit inside,” she says. Through all her work, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.]

13. Florist – “As Alone”
from: Emily Alone / Double Double Whammy / July 26, 2019
[Florist is an American indie pop band from Brooklyn, New Yorkformed in 2013 with the release of a six-track EP titled We Have Been This Way Forever. Florist recorded another six-song EP, titled 6 days of songs, in May 2014, after lead vocalist Emily Sprague was severely injured in a hit-and-run while riding her bicycle. In October 2015, Florist released another EP titled Holdly on Double Double Whammy. Also in 2015, the band was listed on Stereogum’s “50 Best New Bands Of 2015” list. The band was also featured as one of Stereogum’s “Band To Watch” in 2015. In January 2016, Florist released their debut studio album titled The Birds Outside Sang on Double Double Whammy. The album was listed at number 34 on Noisey’s “100 Best Albums of 2016” list. Band members include: Emily Sprague, Rick Spataro, Jonnie Baker, and Felix Walworth. Sprague is an avid modular synthesizer collector and has made a number of YouTube videos showcasing her equipment. She self-released her debut solo album Water Memory, an ambient album composed with these instruments, in December 2017 with a follow-up album “Mount Vision” released in September 2018. In 2019, Beyonce used an instrumental portion of Florist track “Thank You” from their 2016 release The Birds Outside Sang in her Netflix concert movie Homecoming. Florist’s latest album, Emily Alone, was released was granted “Best New Music” by Pitchfork.]

14. Jay Som – “Super Bike”
from: Anak Ko / Polyvinyl Records / August 23, 2019
[9 song releaze and follow up to her debut. from http://www.jaysom.bandcamp.com: Everybody Works released by Polyvinyl Records on March 10, 2017 was the first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

[Jay Som plays The Granada Theatre, 1020 Massachusetts, Lawrence KS., Tuesday, October 15, at 7:00 PM with Gia Margaret, and Boy Scouts. All Ages.]

11:01 – Station ID

15. Giants Chair – “Ghost Love”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Giants Chair

11:04 – Interview with Scott Hobart

Singer-songwriter / guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released two new songs and are working on material for their 3rd studio album. Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:14

16. Giants Chair – “Kids Running”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works. ]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

11:17 – More Interview with Scott Hobart

We are talking with Singer-songwriter / guitarist Scott Hobart is a multi-talented artist.

Scott’s Notes:

GIANTS CHAIR started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, CAULFIELD RECORDS of Lincoln, NE.

We made two full-length LP albums and another 7” for CAULFIELD and toured the U.S. twice – once with fellow KC indie band, BOYS LIFE – before going on “unofficial hiatus” in 1997 when we each went off to pursue other projects, including my own focus on straight-forward, hard country / honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, we had done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the 2nd album with back in ‘96. He offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

We recorded the album with Duane at his new studio (WEIGHTS AND MEASURES SOUND LAB) this past winter – and here it is! It’s currently available everywhere digitally but we’re also currently working on the real, official, vinyl release as we speak.

Why this album now? At first it was kind of a “Why not? We’re still all here.” And “Can we make up some new songs that we like?” – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting “journey” to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:26

17. Giants Chair – “Time Lapse Shadows”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Fally Afani

11:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene.

Fally Afani joins us to share details about A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

RAICES is a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees. Ticket sales will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

I Heart Local Music believes in equality and human rights, and is therefore appalled at the treatment of immigrants in the concentration camps at the border. More information at: http://www.iheartlocalmusic.com

On Friday, August 16th, the community of Lawrence, Kansas, will gather at the largest venue in Lawrence to stand in solidarity with immigrants.

I Heart Local Music, a music publication based out of Lawrence, is throwing a fundraiser on Friday, August 16th, for RAICES, a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees.

Sales from the tickets ($10) will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services. They can be purchased at Liberty Hall, 644 Massachusetts, or here.

The night will feature musical performances by: • Making Movies • Maria The Mexican • Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford)

There will also have a raffle to help benefit RAICES, with prizes donated by: KANbucha ACME Lawrence High Dive Records Eleven Productions Presents Mammoth The Granada Theater Vinland Valley Nursery

For all media inquiries, please contact:

I HEART LOCAL MUSIC Fally Afani | contact@iheartlocalmusic.com

MAKING MOVIES Ben Yonas | ben@yonasmedia.com

Last year Latinx rock’n’rollers and activists, Making Movies, partnered with RAICES to bring awareness to the family separation and detention crisis at the US border, creating a #ReuniteEveryChild T-shirt and hosting “Rally For RAICES” concerts in Chicago and New York that raised funds toward the cause. The band was last seen in Lawrence, KS, during Live on Mass alongside homegrown favorites The Get Up Kids.

In 2019 Making Movies released their third album ameri’kana and its apparent why Rolling Stone says, “this band is breaking down walls in the United States.” Collaborating with legends Los Lobos, Rubén Blades, and the late Lou Reed has NPR Music placing ameri’kana on its Best Music of 2019.

Rubén Blades joined forces with the Making Movies to release three singles on ameri’kana: No Te Calles, Cómo Perdonar (ft. Flor De Toloache) and Delilah a song co-written by Blades and Lou Reed. Grammy.com called Delilah an “epic musical collaboration brought together by the topic of immigration” and NPR Music placed “No Te Calles: on its Best Music of 2019 (so far).

The band has toured extensively, appearing with the likes of Arcade Fire, Los Lobos, Hurray For the Riff Raff, Bomba Estereo, Galactic, Jesse & Joy, Flor De Toloache, Thievery Corporation and will be joining Rubén Blades for some tour dates fall 2019.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

11:42

18. Making Movies – “No Te Calles (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser for RAICES, Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

19. Maria The Mexican – “Carried Away”
rom: South Of The Border Moonlight / Independent / March 11, 2016
[Follow up to their Oct. 2013 debut full length, Moon Colored Jade. Influenced by traditional Mariachi music, Maria The Mexican is a hybrid of Mexican folklore and Rock. For over ten years, Teresa and Maria Elena Cuevas have performed with Marachi Estrella founded by their grandmother Teresa Cuevas in 1970. As one of the first all female mariachi bands in the country, Maria Teresa Alonzo Cuevas is a pioneer in the Hispanic musical community. Her band flourished in the 80s but was struck by tragedy when four of the seven members were killed in the Hyatt Skywalk collapse in 1981. Once Teresa recovered she began teaching her grandchildren Mariachi music. In 2000, Teresa and Maria began exploring other genres of music while simultaneously co-directing Mariachi Estrella. Today the fusion of Maria The Mexican is mixed with a touch of blues, soul, funk, and rock n’ roll enhanced by the musical knowledge and sounds of Garrett Nordstrom]

[Maria The Mexican play A Fundraiser for RAICES, Friday, Aug 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Making Movies, Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

11:47 – Underwriting

20. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play plays miniBar, 3810 Broadway, Monday, Aug. 12 w/ Voodoo Gearshift and Joy Subtraction]

11:55

21. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 14, Marion Merritt of Records With Merritt returns as Guest Producer with musical discoveries and information from her musically encyclopedic brain. Also next week, Ivory Blue joins us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #797

WMM Playlist from June 26, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2019

Bill Sundahl & Collaborations Live! at The Folly
+ The Volker Brothers + Dick Von Dyke +
Belle & The Vertigo Waves

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play recordBar, 1520 Grand, Fri, June 28, 9:30 PM w/ Inner Altar, & Godzillionaire]

Photo by Gordon Parks


3. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

Raye Zaragoza

4. Raye Zaragoza – “Fight For You (Live)”
from: Raye Zaragoza Live at Rockwood Music Hall – EP / Raye Zaragoza / Jan. 25, 2019
[Raye Zaragoza was born and raised in Manhattan and moved to LA at the age of fourteen. Her mother is an immigrant from Japan and her father is of Mexican and Native American heritage. At age 6, Raye sang “You Can’t Get A Man with a Gun” from Annie Get Your Gun on national television when her father was playing Chief Sitting Bull on Broadway. She became involved in school musicals, started playing guitar at age 12, and started writing songs in her late teens. Zaragoza released her debut EP Heroine in 2015. She started to gain national attention in 2016 with the song “In The River,” protesting the Dakota Access Pipeline. Raye and her brother made a video for “In The River” that included facts about Standing Rock and it received 100,000 views overnight. The song was awarded the Global Music Awards’ 2017 Heretic Award for Protest/Activist Music and the Honesty Oscars’ award for Best Song. In 2017, she independently released her debut album Fight For You. Multiple songs on Fight For You address the Dakota Access Pipeline. “Driving to Standing Rock” portrays the power of protest, specifically of the NoDAPL movement. The song “American Dream” was written in reaction to Donald Trump’s election. The album also includes love songs and songs about NYC. She cites Joni Mitchell, Carole King, and Joan Baez, as influences.]

[Raye Zaragoza plays KC Folk Fest, Sun, June 30, 4:00 at Guadalupe Centers, 1015 Cesar E Chavez Ave, w/ a “Here’s to the Roots” showcase at 4:00 feat. Regina del Carmen, Sisters Havilah & Kenese, & Danny Cox, at 5:00 Raye Zaragoza. at 6:00 Quique Escamilla, at 7:00 Violet and the Undercurrents. Produced by Folk Alliance International. For more info: kcfolkfest.org.]

Volker Brothers

5. Volker Brothers – “Turn It Up”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play EP Release Show Thurs, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:17 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Missouri Rep. David George joins us to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

David George thanks for being with us again on WMM.

Volker Brothers EP Wrecking Ball, Release Show w/ Erin Eades is Thurs, June 27, 8 PM, in Carl Butler’s Gospel Lounge at Knuckleheads Saloon 2715 Rochester, KCMO.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Upcoming Shows:

Sat, July 6, 7:00 David George & Christine Broxterman play Homer’s Coffee House OPKS

Friday, July 19, at 7:00 PM, David George Band at Crossroads KC

Monday, August 5, at recordBar with DRUNKEN PRAYER

Sunday, Sept. 8, 6:00 PM at recorder w/ Corey Phillips and the Band of Light

Volker Brothers Biography: The word “Volker” comes from the Germanic word “Fulc” meaning people. It is also the name of a neighborhood in KCwhere Erik Voeks & David George met. Volker Brothers are an acoustic duo that share lead vocals & background harmonies influenced by the likes of The Everly Brothers, Simon & Garfunkel, The Eagles, Tom Petty, and Elvis Costello to Crowded House, XTC, and The Beatles.

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

Erik Voeks recently released full length album So The Wind Won’t Blow It Away in 2017 on Hanky Panky Records, a label based in Bilbao, Spain. It is the highly anticipated follow up to his 1993 album, Sandbox (Rockville Records) “A pervasively melodic collection of power-pop – a lost masterpiece” (Fresh Air KCUR). This doesn’t mean Voeks wasn’t busy. He has been a very in demand bassist in the Midwest and tours in Europe.

David George also had a recent release — three EP’s over a twelve month period. Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. He also toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno).

Volker Brothers have just finished recording and are releasing their first studio recording, a 5 song EP entitled Wrecking Ball. It’ll be available online digitally & physical copies at shows on June 28, 2019. The album was recorded w/ Duane Trower at Weights & Measures Soundlabs featuring a full band accompanying Volker Brother’s signature sound.

http://www.volkerbrothers.com

10:29

6. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play an EP Release Show Thur, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:33 – Underwriting

7. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Jessica Paige plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

10:38 – Interview with Bill Sundahl

90.1 FM KKFI’s Bill Sundahl joins us to talk about KKFI Collaborations Live!, Sat, June 29, at 8:00 PM at The Folly Theatre, 300 West 12th St. bringing together 13 never before seen performances on the historic Folly Stage. This event is a fundraiser for KKFI 90.1FM Kansas City Community Radio.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley.

Collaborations Live! includes: Quixotic Performers, Maria Cuevas (of Maria the Mexican), The Wires, Jessica Paige, Mark Lowrey, Rick Kloog, Kelly Hunt, Traditional Music Society, Fanny and Ryan Head, Ceili at the Crossroads, SugEasy, VJDN8, and Casey Key.

Show begins with 2 songs, then one artist exits, and a 2nd collaborator joins to perform 2 more songs, and then one exits and is joined by another for 2 more songs.

KKFI Collaborations Live! – 13 Unique Performances – Saturday, June 29th, 2019

6:00pm VIP Reception – Stakeholders Room at Folly w/ complimentary food & libations and a chance to mingle with Artists and KKFI Hosts.

7:15pm Artists Panel – Collaboration in the Digital Age

8:00pm – Musical relay of performances by the regions finest artists.

Collaborations Live! is bringing together 10 first time ever performances to the historic Folly Stage. The show will begin with two songs, then one of the artists will exit the stage and a second collaborator will join the remaining artist on stage. They will perform two songs, then one will leave and be joined by another artist for two more songs. This musical relay is not a race to the finish, but rather a coming together of community.

This event is a Fundraiser for KKFI 90.1FM Kansas City Community Radio.

Ticketing is handled by Folly Theater /// http://www.follytheater.org /// Info at http://www.kkfi.org

11:57

8. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

11:00 – Station ID

9. Earle Hagen – “The Dick Van Dyke Show”
from: All-Time Top 100 TV Themes / TVT Records / 2005
[Theme song for The Dick Van Dyke Show an American television sitcom that initially aired on CBS from October 3, 1961, to June 1, 1966, with a total of 158 half-hour episodes spanning five seasons. The show’s theme was by Earle Hagen, who also wrote many other TV series themes, including those for The Danny Thomas Show, The Andy Griffith Show, Gomer Pyle, USMC, I Spy, and The Mod Squad.]

Dick Von Dyke

11:01 – Interview with Dick Von Dyke

Dick Von Dyke first put on the ‘stache in a galaxy far far away called Lawrence, Kansas, and quickly realized his passion for cross-dressing and debauchery. Moving to St. Louis opened up a whole new realm of opportunities including co-producing the weekly all-king revue, MANic Monday. Last May, Dick was crowned King of Pride St. Louis and later also placed 1st-alternate for Mister Oklahoma. Dick Von Dyke hosts and produces The Dick Von Dyke Show every Thursday at 10:00 PM, at Missie B’s, 805 West 39th Street, KCMO. Dick Von Dyke presents Night of a Thousand Dicks,on Friday, June 28, at 8:00 PM at Missie B’s.

Dick Von Dyke thanks for being with us on Wednesday MidDay Medley.

Dick Von Dyke has been a male impersonator since 2014 starting in Lwrence, KS.

Named King of Pride St. Louis Pride in 2018.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.

Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

Dick Von Dyke

Dick Von Dyke

A few weeks ago, Dick Von Dyke performed at Des Moines Pride and when he got back to his hotel, his Jeep had been broken into. He admittedly left a lot in my car. But the perps stole *so much* of his stuff including drag accessories, his class ring, all his tips from the weekend, and his laptop. By stealing it he lost every mix he’d ever made for drag. And his ability to make new ones. Drag is his livelihood and to have all of those accessories and mixes stolen was a devastating blow to his career…but he keeps telling himself they must’ve needed it more than he did.

So to try and make the best of a bad situation, on June 28th he is having a benefit show entitled “Night of a Thousand Dicks.” These lovely entertainers who don’t typically perform as kings have volunteered to do so for one night in order to try and help him get back on my feet.

With one-night-only king performances by:

Annie Cherry
Heidi Banks
Lavender Skye
Lily Juju Beach
Monica Blowinsky
Sheila Tackü
Sylvia Wrath/Billie Eyelash
special appearance by Kody Von Du

Drag King Scene in KC

Dick Von Dyke and Helen Proctor on the June 26, 2019 edition of Wednesday MidDay Medley on KKFI.

Dick Von Dyke thanks for being with us on WMM.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.
Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

11:15

10. Quixotic & Calvin Arsenia – “Experience”
from: Goddess – EP / Quixotic / May 17, 2019
[Quixotic is an innovative performance art collective that fuses imagination with technology, dance, projection #mapping and live music to create fully-immersive, #multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Calvin Arsenia plays the Let’s Upstage Cancer Benefit Gala for St. Jude’s Friday, June 28 at 5:30 at The Abbott, 1901 Cherry St., Kansas City]

[Calvin Arsenia plays the Hotel Utah Saloon, 500 4th Street, San Francisco on Sunday, June 30, at 8:00 PM with Ember Valley, Dolphin Midwivesm and Saloli]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE August 22 through August 24 at 8:00 PM at recordBar 1520 Grand Boulevard, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Anothermaxwell

11. anothermaxwell – “Where I Stand”
from: Being – EP / anothermaxwell / June 30, 2019
[Written & Performed, Produced, Engineered, Mixed, and Cover art created by by anothermaxwell. anothermaxwell, is Shenita Hughley who studied music at Avila Collegei and graduated from Raytown South High School in 2012. anothermaxwell is a versatile singer-songwriter & producer, who reinvents new sounds by bending tR&B, Pop, Funk and Electronica, genres to form a unique sound not easily categorized.]

[Anothermaxwell & Stacy Busch play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

12. Stacy Busch – “Through and Through”
from: Music from “Mass” / Stacy Busch / February 9, 2019
[29 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Originally from Bloomfield Hills, Michigan, Stacy is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-KC and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.] [This music was composed and original performed when Stacy Busch presented, Mass: Live Performance and Art Gallery, Saturday, February 9, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly.]

[Stacy Busch & Anothermaxwell play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

11:27 – Underwriting

13. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Strange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays a ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans, and Belle & The Vertigo Waves]

Belle & The Vertigo Waves

14. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

[Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

11:35 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves join us to talk about their new single “Fear Or Faith.” Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS. More information at: http://www.thevertigowaves.com

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves includes: Belle Loux on lead vocals, Jeremiah Scott on bass, and John Loux on guitar.

The band’s debut full length album”Aligned” was released on October 6, 2017. The album was influenced by The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves played Middle of The Map Fest last year.

Belle & The Vertigo Waves played Boulevardia this year.

Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when Loux was just 15 or 16 and had only played them as a solo artist — with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the [full band] sound so much.”

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play Riot Room July 11. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves on the June 26, 2-19 edition of Wednesday MidDay Medley on KKFI.

More information at: http://www.thevertigowaves.com

11:56

15. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 3 Jacklyn Bell joins us live in our 90.1 FM Studios. We talk with members of the new band Heavy Grams. Nathan Reusch returns with members of the band Nublvckcity, to share details about The Record Machne’s big event What’s Next KC, on Saturday, July 13 at Legacy Amphitheatre, 901 NE Blustem Drive, Lee’s Summit, Missouri with Nublvckcity, The Moose and Blue False Indigo. And we’re joined by members of the band Radial Red.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #792