WMM Playlist from Sept. 9, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 9, 2020

Bill Sundahl & the 16th Annual Crossroads Music Fest
+ Writer & Poet Steph Castor

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. Sally Haze – “Pavilion”
from: Pavilion – Single / The Record Machine / August 14, 2020
[Follow up to the band’s “All That Matters” – Single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.]

3. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson, “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

4. Krystle Warren – “Sunbeams”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

5. Aaron Alexander – “Worth It”
from: The Kushlov Effect Volume 1 / Aaron Alexander / August 23, 2020
[Follow up to Alexander’s previous release Memento Mori. Kansas City, Kansas based rapper and artist who graduated from Sumner High School and attended University of Missouri – Kansas City. Aaron Alexander recently collaborated with Google to showcase his music and Kansas City support. The collaboration with the tech giant comes eight years after Alexander, decided to pursue music professionally, cementing his mark as a national artist. Aaron told Kansascity.com: “It all kind of started off with poetry,” Alexander said of his beginnings. “I did poetry in like fifth grade. I kind of took a liking to it. Then I ended up getting a free laptop, so I started recording on Garageband, and it eventually turned into making projects and making music.” “I typically do have a theme with my music that I try to stick by, but this was, is, kind of a mood board of the last two years of my life,” Alexander said. “It’s a lot of frustration and heartbreak. It’s kind of like a roller coaster.” “Jazz is something that kind of inspires the way I do melodies,” Alexander said. “I just appreciate how loose and free-flowing it is, and I try to kind of do the same with my melodies. I mean, I grew up with it, so I think it’s pretty ingrained.” Other things Alexander uses as inspiration include anime, James Baldwin and Marvin Gaye. “I’ve been watching Marvin Gaye documentaries and listening to his music and kind of trying to cause a feeling the way he made a feeling throughout his music and his career, so I’m just trying to do the same for somebody else,” Alexander said. Brandon Williams, one of Alexander’s producers, attended Kansas City magnet school Sumner Academy of Arts and Sciences with him, which was the start of the pair working together. He said working with Alexander has helped him grow as a producer. “I like the dynamics that he brings to a song. It’s not from a monotone stance, and he tries to take different approaches with his music.” The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation. he effect has also been studied by psychologists and is well-known among modern film-makers. Alfred Hitchcock refers to the effect in his conversations with François Truffaut, using actor James Stewart as the example.]

6. Brent Windler – “Spanish Jasmine”
from: New Morning Howl / Big, Run, Fly, Kick, Show / September 4, 2020
[New single from upcoming full length release, Written by Brent Windler. Guitars & Vocals by Brent Windler, Synths & Programming by Nate Harold. Recorded at Courtesy Tone, Kansas City, MO. Engineered and Mixed by Ryan Benton and Mastered by Greg Beery at Merx Mastering Follow up to “Around The Bend” – Single released May 29, 2020. Brent Windler is a singer/songwriter based in Kansas City, Missouri. His songs display Powerpop leanings but still stay rooted in the Midwestern US creating a unique blend of melodic pop and Americana. Brent is also known for his work with The Casket Lottery, and Sons of Great Dane.]

7. Kelly Lee Owens – “Melt!”
from: Inner Song / Smalltown Supersound / August 28, 2020
[Second album from convention-blurring techno producer/musician Kelly Lee Owens. Inner Song follows the 2017 release of her much lauded self-titled debut, as well as remixes of St. Vincent and by Björk, last year’s “Let It Go / Omen” 12”, and her recent collaboration with Jon Hopkins on the one-off “Luminous Spaces.”]

10:28 – Underwriting

8. Howard Iceberg & The Titanics – “Bottle of Rye” [Featuring: Betse Ellis]
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals. Follow up to Howard’s 2017/2018 release Netherland’s his Jazz infused album recorded with Rich Hill, Bryan Hicks , Doug Auwarter and others. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

photo made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

10:33 – Interview with Steph Castor

Writer & Poet Steph Castor joins us live in our 90.1 FM Studios to share poems from her second full-length book of poetry, KEEP HER IN YOUR MOUTH just released and published by Thirty West Publishing House (Philadelphia, PA). Steph’s roots are in music, but she has an impressive history of poetry performance across the United States, including opening for Andrea Gibson on a sold out show at Czar Bar in January 2014, appearances in support of the Midwest Music Foundation and Midcoast Takeover events, founding the LFK Poetry Slam at The Granada Theatre in Lawrence, enjoying a beer with beat poet John Sinclair and the editor-in-chief of High Times Magazine at Mama’s Crow Bar in Portland, Maine while on tour with Vigil and Thieves. Steph Castor is also the writer of Bedroom Music (Stubborn Mule Press, 2019). Her past work can be found in Curve Magazine, Guitar Girl Magazine, Guitar World, Tattoo.com, and many more.

Steph Castor, Thanks for being with us on WMM.

Steph Castor is a writer and poet of two collections: Keep Her in Your Mouth (Thirty West Publishing, 2020) and Bedroom Music (Stubborn Mule Press, 2019)

Steph Castor lives in Kansas City, Missouri, and is originally from Santa Maria, California.

Steph Castor just recently became a contributing writer at The Pitch Kansas City.

Steph Castor has been nominated for “Best Poet/Spoken Word Artist” in The Pitch Kansas City The Best of Kansas City 2020, with Jen Harris.

Steph Castor on the Sept. 9, 2020 edition of Wednesday MidDay Medley on KKFI.

10:38 – Live Poem

For our WMM promo material we used a photo of Steph Castor photo made The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

Steph Castor is a Content Marketing Manager at Salt Rank November 18, 2019 to Present

Steph Castor is a Staff writer at Guitar Girl Magazine from March 21, 2018 to present where Steph interviews and writes about rad women on the music front. Steph Castor is also a contributing writer at Tattoo from May 2015 to present.

Steph Castor is a former Shop Manager at Goodfellas Tattoo Gallery from May 2019 to November 2019. Steph Castor is a former Bartender at Jackpot Music Hall, Lawrence, KS. from April 20, 2018 to August 2018.

Steph Castor Studied creative writing at The University of Kansas – (Also English language) from 2009 to 2012. Steph Castor Studied Poetry at Columbia College Chicago from 2008 to 2009. Steph Castor went to Lawrence High School.

Steph Castor on the Sept. 9, 2020 edition of Wednesday MidDay Medley on KKFI.

10:42 – Live Poem

Steph Castor is an open-minded musician, novice photographer, half-way decent chef, passionate foodie, avid adventurer, and other (usually) intriguing characters.

Castor spends most of her days in the local community darkroom, tearing up the Roanoke tennis courts with the hottest new queer Kansas City skate crew, or engaging in stimulating and satisfying brainstorm sessions with likeminded creative folks—often just for the rush.

Steph Castor, Thanks for being with us on WMM.

Steph Castor joins us live in our 90.1 FM Studios to share poems from her second full-length book of poetry, KEEP HER IN YOUR MOUTH just released and published by Thirty West Publishing House (Philadelphia, PA)

Steph Castor has been nominated for “Best Poet/Spoken Word Artist” in The Pitch Kansas City The Best of Kansas City 2020.

10:19

9. Lomelda – “Hannah Sun”
from: Hannah / Double Double Whammy / September 4, 2020
[Written by Hannah Read. Produced by Tommy Read & Hannah Read. Recorded in March 2019, July 2019 & February 2020 at Lazybones Studio in Silsbee, TX. And Mixed & mastered by Tommy Read. Performed by Hannah Read, Tommy Read, Andrew Hulett, Charlie Martin, Andrew Stevens, Zachary Daniel, Adan Carlo and Cody Green. Album artwork by T. Colantuono. Published by Double Double WhammyFollow up to 2019’s M for Empathy, released March 1, 2019. Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars.” Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

10. Sulu Moon – “Busted”
from: Too Late / Sulu Moon / August 31, 2020
[Trevor Turla on trombone & lead vocals, Michael Panelas on guitar, Jeramy Johnston on bass, Cade Pool on drums, Mikala Petillo on background vocals. Alex Garnett on vocal engineering. on guitar, engineered, mixed, and masteed by Michael Panelas. Josh Williams of 1000 Phases on artwork. Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays and sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, and LA Jones. He is the founder, lead singer and trombonist for the band Sulu Moon. More info at http://www.trevorturla.com // Earlier this year Trevor donated an earlier version of this track to the COVID-19 inspired compilation, Kansas City Syzygy, that contained music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. Proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

11. Adrianne Lenker – “anything”
from: songs / 4AD / October 23, 2020
[11-song follow up to her solo release abysskiss, released October 5, 2018 on Saddlecreek Records, and two Big Thief albums: U.F.O.F. May 3, 2019 on 4AD, and Two Hands October 11, 2019 on 4AD. Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

11:00 – Station ID

11:00 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen!
Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

What? A Virtual Event? Why did we doing this? …We applied for a Missouri Arts Council(MAC) grant back in the fall of 2019 for the 2020 festival. Their budget in early 2020 was slashed. The NTDF Grant we applied for was cancelled. We planned to not produce the festival without that needed support.

But Then…About a month ago we found out that the MAC Grant came through after all! So we decide that rather than turn down the money we would spend that money in the arts community in the KC Region. So with sponsors and the MAC grant, KKFI has been able to inject almost $10,000 into the decimated entertainment industry in our region.
How can this benefit KKFI? We decided to make it free to everyone in the area with a radio or internet connection and ask for gifts from those who love live music and KKFI.

With our Goal of $20,000 in donations to KKFI (our goal in our budget this year). So far we’ve raised $4,750 in gifts to be matched. We have a goal of $10,000 in matching donations and then we’ll work to get that matched between Sept. 9 and 16.

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s CMF.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, Connecting w/ Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. Info at: http://www.kkfi.org

2020 CMF Schedule: 4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio

11:06

12. Soul Servers feat Pugslee Atomz – “Move”
from: Crown Crafted Uno / One KC Radio / October 7, 2016
[16-track compilation produced for One Kansas City Radio that includes: Making Movies, Maria The Mexican, Eddie Moore, Miles Bonny, Conductor Williams and more. One of Kansas City, Missouri’s most popular underground Hip-Hop groups, Soul Servers is a breath of fresh air to a Hip-Hop genre in dire need of originality. Formed in 2001, the group strives to make sense of life’s daily grind using playful themes and thought-provoking lyrics. Composed of Smoov Confusion, Deuce Fontane, Lou Rip and DJ Yady, The Soul Servers also seek to add more positivity to an industry where negative is the norm. Full Service, the group’s debut album is an eclectic mix of 70’s funk, Classic R&B, Old School Hip-Hop and Rock ‘n’ Roll. Tracks like “Sick & Tired” and “HipHop on My Mind” shed light on the struggles of life and the woes of Hip-Hop, . while songs like “Think Twice” explore life’s confrontational side. Club tracks like “What’s Wrong?” also demonstrate Soul Servers ‘ commercial appeal. Since “Full Service” Soul Servers have stayed busy with live performances, collaborations, and smaller mixtape projects.]

[Soul Servers plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 4:00 PM Live from KONN 100.1 One KC Radio, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Reptil, and Soul Servers.]

11:10 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

Thanks to our 2020 CMF Sponsors for making this happen!
Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

2020 CMF Schedule: 4:45 PM – Ezgi Karakus — Live from 1900 Building

11:15

13. Ezgi Karakus – “Dok Zulfunu Meydana Gel (Arr. for Solo Cello)”
from: Dok Zulfunu Meydana Gel (Arr. for Solo Cello)-Single / Ezgi Karakus / April 3, 2019
[Turkish cellist, Ezgi Karakus began her cello education at the age of eleven with Prof. Caglayan Unal SUMER, and attended Dokuz Eylul University State Conservatory in her native Izmir, Turkey. While attending the conservatory she thrice won the concerto competition and before arriving in the U.S., joined several festivals including the Bremen Youth Symphony Orchestra in Bremen, Germany. Ezgi completed her Master of Arts at Marshall University under Dr. Solen Dikener’s mentorship, where she was awarded first price in the Belle and Lynum Jackson Balshaw Music Competition, and the Marshall University Concerto Competition. She gave the world premiere of the Suite for Violoncello and Live Electronics by Mark Zanter and performed for the Society of Composers, Inc. 2013 National Conference at the Ohio State University School of Music. She also performed with several orchestras including Dokuz Eylul Symphony, Ohio Valley Symphony, West Virginia Symphony, Medical Arts Symphony (acted principal), Spire Chamber Ensemble, Kansas City Jazz Orchestra, Topeka Symphony, The Symphony of Northwest Arkansas, Saint Joseph Symphony, Tulsa Symphony, and Kansas City Symphony. Ezgi completed her Doctor of Musical Arts in Cello Performance at the University of Missouri – Kansas City Conservatory of Music & Dance under Prof. Carter Enyeart, Mark Gibbs, and Micheal Mermagen. Additionally, she was chosen to perform for Yo-Yo Ma’s Master Class at the Kauffman Center of the Performing Arts on March 22, 2018. At this performance, Ezgi gave the world premiere of Dok Zulfunu Meydana Gel, a Turkish folk song which she arranged with composer Anil Altinsoy. Ezgi is currently co-director of Soundwave Academy, a Professor of Cello at Missouri Western State University, Emporia State University, a teaching artist at the Harmony Project Kansas City.]

[Ezgi Karakus & John Livingston plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 4:45 PM Live from 1900 Building, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Reptil, and Soul Servers.]

11:20 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s CMF.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, Connecting w/ Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. Info at: http://www.kkfi.org

2020 CMF Schedule: 5:30 PM – Reptil — Live from Massive Sound Studio

11:24

14. Reptil – “Tus Alas”
from: Alma Mia / Reptil / August 20, 2010
[A Kansas City, Kansas based bi-lingual quartet, that plays Mexican roots music that emerges from the band’s desire to express and share emotional overwhelming Rock and Roll. The band’s primary genre is Spanish Rock. The shows include a variation of their new songs, including their hit single “Besame”. The set lists are aimed to satisfy audiences who seek out new music and anyone who is nostalgic to pay tribute to Rock En Español. Members include: ALEJANDRO OLIVARES on guitar & vocals, RUBEN OLIVARES on bass guitar & vocals, LUIS C REYES on guitar, ANDRES RAMIREZ on drums and percussion.]

[Reptil plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 5:30 PM Live from Massive Sound Studio, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, with Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Laura Noble, Ezgi Karakus,, and Soul Servers.]

11:28 – Underwriting

11:30 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

10:00 PM – Thank You! See You Next Year!

2020 CMF Schedule: 6:15 PM – Laura Noble — Live from Record Bar

11:33

15. Laura Noble – “Love Ahora”
from: Love Ahora – Single / Noble Nation Records / July 10, 2020
[Kansas City based Dominican Republic singer Laura Noble has had the opportunity to perform cover and original songs in major cities including Queens & Manhattan, NY, Minneapolis, MN, Denver, CO, Fort Myers, FL, Denver, CO, Atlanta, GA, Baltimore, MD and others. She’s been performing with live bands for 10+ years at festivals, high budget weddings, and corporate events. She has done the National Anthem and God Bless America at major sporting games and events like the KC Royals, Sporting KC and MMA fight tournaments.]

[Laura Noble plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, 6:15 PM Live from recordBar, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

10:37 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI Crossroads Music Fest, presented by Community Lending of America, will be a bit different this year.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar
10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen! Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

2020 CMF Schedule:
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios

11:41

16. Julia Othmer – “Frickin Awesome”
from: Sound / Frickin Awesome Records / April 12, 2019
[Julia Othmer’s second album took three years to complete and was produced with James Lundie, who married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and studied at Columbia University in New York City. She moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” In the top 10 of WMM’s 119 Best Recordings of 2019]

[Julia Othmer plays KKFI’s 16th annual (Virtual) Crossroads Music Fest, Saturday, September 12, 7:00 PM Live from Sherman Oaks, California LIVESTREAM and LIVE BROADCAST, 4:00 PM to 10:00 PM, featuring Calvin Arsenia, The Royal Chief, Eddie Moore’s We The People, Laura Noble, Reptil, Ezgi Karakus & John Livingston, and Soul Servers.]

8. We The People – “Misunderstood”
from: Misunderstood – Single / Outer Circle Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

[We The People play KKFI’s 16th annual (Virtual) Crossroads Music Fest, 7:45 PM Live from Tribe Studios, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ Calvin Arsenia, The Royal Chief, Laura Noble, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

11:48 – Interview with Bill Sundahl

Joining us for our entire second hour as our special co-host is Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 16 years now sharing information about the music and collaborations associated with CMF. Bill is KKFI’s Development Director.

Bill Sundahl thanks for being with us again on WMM.

KKFI’s CMF, presented by Community Lending of America, will be a bit differentr.

Please join in the fun on Saturday, September 12, from 4:00 PM to 10:00 PM. Simultaneously, we will Live Broadcast on 90.1FM, Stream Audio at kkfi.org/listen and Live Stream Video at CMFKC.COM, KKFI Facebook Page, CMFKC Facebook Page along with other sponsors and venues.

2020 CMF Schedule:
4:00 PM – Soul Servers — Live from KONN 100.1 One KC Radio
4:45 PM – Ezgi Karakus — Live from 1900 Building
5:30 PM – Reptil — Live from Massive Sound Studio
6:15 PM – Laura Noble — Live from Record Bar
7:00 PM – Julia Othmer — Live from Sherman Oaks
7:45 PM – We The People — Live from Tribe Studios
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar
10:00 PM – Thank You! See You Next Year!

Thanks to our 2020 CMF Sponsors for making this happen! Community Lending of America, Missouri Arts Council, ArtsKC, Kissick Construction, 1900 Building, Boveri Realty Group, Accurate Superior Scale, Propaganda3, Midwest Music Foundation, The Bridge 90.9FM, Silly Goose Records, Emerald Dreams Labs and KC Heartland.

For Bill Sundahl & CMF & KKFI & WMM, I’m Mark Manning. Thanks for listening!

2020 CMF will be a Live Stream and Live Broadcast on KKFI 90.1FM and kkfi.org/listen.

2020 CMF Schedule:
8:30 PM – The Royal Chief — Live from Emerald Dreams Lab
9:15 PM – Calvin Arsenia — Live from Record Bar

11:55

18. Calvin Arsenia – “Headlights”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia play KKFI’s 16th annual (Virtual) Crossroads Music Fest, 9:15 PM Live from recordBar, Saturday, September 12, LIVESTREAM and LIVE BROADCAST, 4 PM to 10 PM, w/ The Royal Chief, Laura Noble, We The People, Julia Othmer, Reptil, Ezgi Karakus, Soul Servers.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 16 we’ll play more New & MidCoastal Releases. PLUS, Chris Hazelton joins us to share details about The Freedom Affair‘s debut album FREEDOM IS LOVE on Sunflower Soul Records. AND, art writer Blair Schulman joins us to talk about artist and Andy Warhol Superstar Brigid Berlin.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Steph Castor photo was made at The Lawrence Community Photo Studio owned by Jay Keim (Handmade Photography)

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #854

WMM Playlist from July 29, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 29, 2020

Una Walkenhorst & Greenline Grows KC
+ New & MidCoastal Releases

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

We continue to feature tracks from: Kansas City Syzygy, 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. And… from French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. http://www.frenchexitrecords.bandcamp.com

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Joy Division – “Transmission”
from: Permanent / London / June 1995
[Originally released on Factory Records in November 1979 on 7″ and re-released as a 12″ single with a different sleeve in December 1980. Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. Sumner and Hook formed the band after attending a Sex Pistols concert. While Joy Division’s first recordings were heavily influenced by early punk, they soon developed a sound and style that made them one of the pioneers of the post-punk movement. Their self-released 1978 debut EP An Ideal for Living drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979. Curtis suffered from personal problems including a failing marriage, depression, and epilepsy. As the band’s popularity grew, Curtis’s condition made it increasingly difficult for him to perform; he occasionally experienced seizures on stage. He killed himself on the eve of the band’s first US/Canada tour in May 1980, aged 23. Joy Division’s second and final album, Closer, was released two months later; it and the single “Love Will Tear Us Apart” became their highest charting releases. The remaining members regrouped as New Order. They were successful throughout the next decade, blending post-punk with electronic and dance music influences. Peter Hook & The Light tour and perform both Joy Division albums and their singles in lice concerts. On Saturday, April 25, 2015, Peter Hook & The Light played Middle of The Map Fest.]

3. Supreme Jubilees – “It’ll All Be Over”
from: It’ll All Be Over / Light in the Attic / Feb. 12, 2015 Reissue / Originally released in 1980
[If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time. A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over. Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.” Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take. After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did. A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.]

4. Shy Boys – “Trash”
from: Trash – Single / Polyvinyl Record Co. / August 3, 2018
[Follow up to last year’s single, Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

5. Trevor Turla – “Busted” [Featuring: Reginald Chapman]
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays and sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, and LA Jones. He is the founder, lead singer and trombonist for the band Sulu Moon. More info at http://www.trevorturla.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

6. Lianne La Havas – “Paper Thin”
from: Lianne La Havas / Warner Records UK / July 17, 2020
[Third studio album from Lianne La Hava born Lianne Charlotte Barnes (born 23 August 23, 1989). Lianne La Havas is a British singer and songwriter. Her career began after being introduced to various musicians, including singer Paloma Faith, for whom she sang backing vocals. In 2010, La Havas signed to Warner Bros. Records, spending two years developing her songwriting, before releasing any music. La Havas’ debut studio album, Is Your Love Big Enough? (2012), was released to positive reviews from critics and earned her a nomination for the BBC’s Sound of 2012 poll and awards for the iTunes Album of The Year 2012. La Havas was born and raised in London, England, to a Greek father and Jamaican mother. She was raised in Tooting and Streatham, spending the majority of her time with her grandparents after her parents separated. La Havas began singing at seven, and cites her parents’ diverse musical tastes as having the biggest influence on her music. Her father, an accomplished multi-instrumentalist, taught her the basics of guitar and piano. Lianne wrote her first song at the age of 11, but did not learn to play the guitar until she was 18 years old. Lianne sang in her school choir. She attended Norbury Manor Business and Enterprise College for Girls in Thornton Heath where she studied art A-level, and had planned to take an art foundation course before she decided to leave college to pursue a career in music full-time. Her birth name is Lianne Barnes, and her stage name is an adaptation of her Greek father Henry Vlahavas’ surname. She lives in London.]

Blackstarkids

7. BLACKSTARKIDS – “Urf Day”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Blackstarkids released their second album SURF through their own label Bedroon Records on Februart 28, 2020. BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,][French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

10:29 – Underwriting

8. Durand Jones & The Indications – “Never Heard ‘Em Say”
from: Never Hear ‘Em Say – Single / Dead Oceans / July 24, 2020
[Durand Jones & The Indications released their debut self titled album on May 16, 2018. The band released their second album, American Love Call, on March 7, 2019. Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records. The Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group.]

9. Patti Smith Group – “Ask The Angels”
[Dedicated to Tim Miller & Alistair McCartney on their Anniversary]
from: Radio Ethiopia / Arista / October, 1976
[“Ask the Angels” was written by Patti Smith and Ivan Král, and released as a third single from Patti Smith Group 1976 album Radio Ethiopia, the band’s second album. Radio Ethiopia was the follow-up record to Smith’s widely acclaimed debut Horses. In interviews surrounding the album’s release, Smith explained that she chose producer Jack Douglas in hopes of making the album a commercial success. The album was negatively received when it was released and Smith was attacked by critics for what they perceived to be laziness, self-indulgence and selling out. The title track of the album is one of Smith’s most notorious songs, almost legendary for appearing to be “10 minutes of noise”. Critics often described live renditions of the song as negative moments of Smith’s concerts. Patti herself spoke highly of the track and of how the lyrics refer to Arthur Rimbaud’s dying wishes. Arguments both for and against the song have been advanced by critics, fans and music listeners over whether the song truly is an example of the Patti Smith Group’s boundary-pushing or merely self-indulgence. Critics in negative reviews cited that Douglas’ production placed more emphasis on creating a heavy sound through numerous guitar parts which smothered Smith’s vocals and, at times, lamented that all of the album’s songs were originals of the group (Smith co-wrote much of the album with bassist Ivan Kral, the band member keenest for commercial success). “Ain’t It Strange” and “Distant Fingers”, the latter co-written with Smith’s long-time boyfriend Allen Lanier, had both been staples of the Group’s concerts long before the recording of Horses. The album’s cover photograph is by Judy Linn, the back of the album features a photo by Lynn Goldsmith. The album was dedicated to Arthur Rimbaud and Constantin Brâncuși. The back cover of the album bears the legend: “Free Wayne Kramer”, who at the time was incarcerated in Kentucky following his conviction for dealing cocaine. “Pissing in a River” was released as a single the same year. It was also featured in the 1980 movie Times Square. // Patricia Lee Smith was born December 30, 1946 at Grant Hospital of Chicago in Chicago to Beverly Smith, a jazz singer turned waitress, and Grant Smith, who worked as a machinist at a Honeywell plant. The family was of part Irish ancestry and Patti was the eldest of four children, with siblings Linda, Kimberly, and Todd. At the age of 4, Smith’s family moved from Chicago to Germantown, Philadelphia, before heading to Pitman, New Jersey and later to The Woodbury Gardens section of Deptford Township, New Jersey. At this early age Smith was exposed to her first records, including Shrimp Boats by Harry Belafonte, Patience and Prudence’s The Money Tree, and Another Side of Bob Dylan, which her mother gave to her. Smith graduated from Deptford Township High School in 1964 and went to work in a factory. She gave birth to her first child, a daughter, on April 26, 1967, and chose to place her for adoption. She is an American singer-songwriter, musician, author, and poet who became an influential component of the New York City punk rock movement with her 1975 debut album Horses. By 1974, Patti Smith was performing rock music, initially with guitarist, bassist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on guitar and bass, Jay Dee Daugherty on drums and Richard Sohl on piano. Kral was a refugee from Czechoslovakia who had moved to the United States in 1966 with his parents, who were diplomats. After the Warsaw Pact invasion of Czechoslovakia in 1968, he decided not to return. Financed by Sam Wagstaff, the band recorded a first single, “Hey Joe / Piss Factory”, in 1974. The A-side was a version of the rock standard with the addition of a spoken word piece about fugitive heiress Patty Hearst (“Patty Hearst, you’re standing there in front of the Symbionese Liberation Army flag with your legs spread, I was wondering were you gettin’ it every night from a black revolutionary man and his women …”). A court later heard that Hearst had been confined against her will, and had been repeatedly threatened with execution and raped. The B-side describes the helpless anger Smith had felt while working on a factory assembly line and the salvation she discovered in the form of a shoplifted book, the 19th century French poet Arthur Rimbaud’s Illuminations. In a 1996 interview which discusses artistic influences during her younger years, Smith said, “I had devoted so much of my girlish daydreams to Rimbaud. Rimbaud was like my boyfriend.” The Patti Smith Group was signed by Clive Davis of Arista Records, and in 1975 recorded their first album, Horses, produced by John Cale amid some tension. The album fused punk rock and spoken poetry and begins with a cover of Van Morrison’s “Gloria”, and Smith’s opening words: “Jesus died for somebody’s sins but not mine” (an excerpt from “Oath”, one of her early poems). The austere cover photograph by Mapplethorpe has become one of rock’s classic images. As the popularity of punk rock grew, Patti Smith Group toured the United States and Europe. The rawer sound of the group’s second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them regularly in concert. She has said that Radio Ethiopia was influenced by the band MC5. On January 23, 1977, while touring in support of Radio Ethiopia, Smith accidentally danced off a high stage in Tampa, Florida, and fell 15 feet into a concrete orchestra pit, breaking several neck vertebrae.The injury required a period of rest and an intensive round of physical therapy, during which time she was able to reassess, re-energize and reorganize her life. Patti Smith Group produced two further albums before the end of the 1970s. Easter (1978) was her most commercially successful record, containing the single “Because the Night” co-written with Bruce Springsteen. Wave (1979) was less successful, although the songs “Frederick” and “Dancing Barefoot” both received commercial airplay. Called the “punk poet laureate”, Smith fused rock and poetry in her work. Her most widely known song is “Because the Night”, which was co-written with Bruce Springsteen. It reached number 13 on the Billboard Hot 100 chart in 1978 and number five in the U.K. In 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. In 2007, she was inducted into the Rock and Roll Hall of Fame. On November 17, 2010, Smith won the National Book Award for her memoir Just Kids. The book fulfilled a promise she had made to her former long-time roommate and partner, Robert Mapplethorpe. She placed 47th in Rolling Stone magazine’s list of 100 Greatest Artists published in December 2010 and was also a recipient of the 2011 Polar Music Prize.]

10. Like A Tiger – “Firmament”
from: Music For Plants & Animals / Like A Tiger / May 15, 2020
[All songs written by Like A Tiger. Pete Marten on guitar & loops, Nik Douglas. on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte.Like A Tiger released their debut Home Movies on January 18, 2019, with Pete Marten on guitar & loops, KR Azad on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte. Like A Tiger began playing together in early 2018 and draws on influences of rock, jazz, and electronic music. The band presents a refreshing take on instrumental rock, using live looping and exploring effects, textures, and timbres.]

10:44 – Artists for Greenline Grows KC

11. Making Movies – “Everybody Wants To Rule The World”
from: “Everybody Wants To Rule The World”-Single/ 3/2 Recordings/ Mar. 20, 2020
[New Single from KC based 4-piece band and made up of : Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico.

[Radkey plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, at 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, and more!]

12. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro.]

13. Khrystal. – “You Again”
from: You Again – Single / Khrystal. / February 21, 2020
[Manor Records has announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles. On September 1m 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. Khrystal. Will be our guest on WMM on August 5!!!

[Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, and more!]

14. Remy Styrk – “A Green World”
from: Of My Own Design / Remy Sryrk / May 2, 2020
[21-year old musician and film composer Remy Styrk joined us on WMM on May 27, 2020. On the radio Mark talked about when he first heard of Remy Styrk when he was 13 years old and was part of a songwriting workshop / contest with Money Wolf Music (Kansas City record label) and Christian Hankel. Remy Styrk’s musical songs and compositions speak to his life, his birth, his adoption, a national tragedy that moved his family to the Kansas City area, and the loss of his mother. Remy Styrk talked with us about being born in Newark, New Jersey. His birth mother was a homeless heroin addict. He spent three weeks in the hospital as a new born baby fighting to stay alive. Remy was adopted by Tom and Deborah Styrkowicz in a semi-closed adoption. With his adopted family Remy lived outside New York City in Newark. When Remy was a toddler 9/11 happened and the Styrkowicz family moved away from the New York City area and Remy’s adopted father Tom got a job at Hallmark in Kansas City, Missouri. Tragedy struck again, after Remy’s family moved to the area and settled in Leawood, Kansas, Remy’s adopted mom Deborah suffered a sudden brain aneurysm and died. Tom Styrkowicz was forced to leave his job at Hallmark to take care of Remy and his older brother, and comfort them in this difficult time for their family. Tom Styrkowicz began to go back to one of his earlier passions of photography and found work as a photographer. Remy told Brock Wilbur at The Pitch Kansas City that Tom’s endeavors “set the tone for his kids. Push through everything. Never give up. Dedicate yourself to what you love and work towards it each and every day.” When Remy was six, he shared with his parents his desire to play music. His family supported him entirely. Remy talked about “being spoiled” by parents that gave him the equipment and instruments he needed to make his original music. Remy talked with us about his discovery of folk music and the ability to tell stories with music. Remy talked about music allowed him to express his feelings and write about his mother Deborah, and how much of his music deals with her and the loss of her in his life. Remy told Brock Wilbur of The Pitch Kansas City, “I grew up black in a predominately white school system,” Styrk says. “I felt like an outcast but it didn’t make me want to give up on who I was. It pushed me to work harder on being who I want to be. I won’t change for anyone.” Remy Styrk has played in a variety of genres of music learning about Kansas City Blues, playing in indie and rock groups, and composing for film. “Of My Own Design” is Remy Stork’s 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk Discography
“Of My Own Design” 9-Minute Interactive Album – May 2, 2020
CHIOU – Opening & Closing Tracks from documentary film – March 15, 2020
Particle Evolutions GTRS – 40 ONE SHOT custom royalty free sound samples – March 24, 2020
Pads and Drones – 40 ONE-SHOTS custom royalty free sound samples – January 3, 2020
“Over It” – Single – April 17, 2020
“Winter/Summer” – Single – February 27, 2019
“In Too Deep” – Single – June 13, 2018
Sunday – 5-song EP – January 25, 2018
“Feel So Old” – Single – November 10, 2017
“October” – Single – October 17, 2017
“17” – Single – September 1, 2017
Telling Stories Through The Basement Door – 11- song Album – August 12, 2015
(All music is available at http://www.remystyrk.bandcamp.com)

11:00 – Station ID

15. Una Walkenhorst – “Pretty Face”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[2nd single from the Woman of The Year EP. 26 year old Una Walkenhorst is a singer/songwriter from Kansas City. Recorded at Shadow Scape Records. All songs written & sung by Una Walkenhorst, who also played acoustic guitar. Production/piano/album photography/environmental sounds by Corey Martin. Engineering, mixing, and electric guitar by, Sean Lea, Mixing by Bob Walkenhorst. Mastering by Greg Beery at Merx Mastering. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging, “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to KC from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

11:04 – Interview with Una Walkenhorst

Una Walkenhorst shares details about, Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro. We will also talk with Una about her 2020 EP release Woman of The Year.

Una Walkenhorst thanks for being with us on Wednesday MidDay Medley

GREENLINE GROWS KC: A LIVESTREAM BENEFIT CONCERT FOR THE GREENLINE INITIATIVE on FRIDAY, AUGUST 28TH, 7:00 PM CST – STREAMING ON FACEBOOK & YOUTUBE

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

On August 28th – a date of significance throughout Black history

On August 28th, local artists and leaders will partner with 90.9 The Bridge, Midwest Music Foundation, Records with Merritt, Manor Records, Folk Alliance International, KKFI 90.1 FM, Butler C&D & Center Cut Records to help bring you a live-stream event, benefitting The Greenline Initiative.

The Greenline Initiative is a Black family-owned organization in Kansas City that uses crowdsourced funding to help historically marginalized and low income populations in our city buy and renovate the houses they rent. Operating out of Kansas City’s 3rd District, the initiative works to build permanent community and generational wealth in formerly redlined neighborhoods

The evening will be centered around Black stories & voices, and will highlight Black excellence throughout Kansas City. It will also include non-Black performers and local leaders who will speak on privilege, solidarity, and the importance of consistently lifting up our black community members.

Performances by: Radkey, The Greeting Committee, Khrystal., Cuee, Danny Cox + Bob Walkenhorst, Enrique Javier Chi of Making Movies + Las Hermanas Altoro

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana
11:12

16. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, at 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, and more!]

Una Walkenhorst on the July 29, 2020 edition pf Wednesday MidDay on KKFI 90.1 FM

11:14 – Interview with Una Walkenhorst

Una Walkenhorst is with us sharing details about, Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro. We will also talk with Una about her 2020 EP release Woman of The Year.

Una Walkenhorst thanks for being with us on Wednesday MidDay Medley

The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community and generational wealth in formerly redlined neighborhoods. More info at: http://www.thegreenlineinitiative.com

Performances by: Radkey, The Greeting Committee, Khrystal., Cuee, Danny Cox + Bob Walkenhorst, Enrique Javier Chi of Making Movies + Las Hermanas Altoro

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana

Following the release of her debut album “Scars” in 2014, Una Walkenhorst loaded up her 97 Honda Civic and spent a year traveling across North America playing bars and open mics, and booking her own gigs. Una Walkenhorst has lived in New Orleans, and Brooklyn, New York. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. In the last 2 and a half years, 26 year old, Una has played played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary, Boulevardia, Crossroads Music Fest, Middle of The Map Fest, opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest, and produced benefits for The Innocence Project, and MOCSA. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In 2018 Una released the album “For Tomorrow” with her father Bob Walkenhorst, taking turns as songwriters with 5 from Una, interwoven with 5 from Bob, written individually, and recorded together, in shared DNA harmonies, that heard in family bands like The Carter Family, Madisen Ward and the Mama Bear, Shy Boys. Una toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.” More info at: http://www.unawalkenhorst.bandcamp.com

Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley.

Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro.

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

Una Walkenhorst: she/her // http://www.unawalkenhorst.com // http://www.patreon.com/unawalkenhorst

11:24

17. Una Walkenhorst – “The Woman Who Owned Herself”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[3rd single from the Woman of The Year EP. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Recorded at Shadow Scape Records. All songs written & sung by Una Walkenhorst, who also played acoustic guitar. Production/piano/album photography/environmental sounds by Corey Martin. Engineering, mixing, and electric guitar by, Sean Lea, Mixing by Bob Walkenhorst. Mastering by Greg Beery at Merx Mastering. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging, “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to KC from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

11:29 – Underwriting

18. Krystle Warren – “Circles” [dedicated to Necia Gamby on her Birthday]
from: Circles / Because Music / March 13, 2009
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

19. Joan As Policewoman – “Out Of Time”
from: Cover Two / PIAS / May 1, 2020
[“Out of Time” is a song by Blur and was released as the lead single from their seventh album Think Tank in 2003 (see 2003 in British music). The song is a bass-driven track with minimal drums and acoustic guitar accompanied by eastern and orchestral flourishes. The faint gargling noises in the intro is part of a scene from Doctor Who. It reached number five in the UK Singles Chart. “Out of Time” was Blur’s first release in three years and also the band’s first release without guitarist Graham Coxon. Covers Two is a studio album of cover versions by American musician Joan As Police Woman. It was released on May 1, 2020 under PIAS Recordings. The album is the second cover version, with her release of “Cover” in 2009 being the first. Joan As Police Woman, is Joan Wasser, born July 26, 1970), she is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Joan’s last akbum, Damed Devotion, released Feb. 9, 2018, was part of WMM’s 118 Best Recordings of 2018.]

20. Skullcrusher – “Places/Plans”
from: Skullcrusher / Secretly Canadian / July 24, 2020
[Skullcrusher is the stage name of American musician Helen Ballentine. Ballentine was born and raised in upstate New York. Ballentine attended the Hackley School, graduating in 2013. Ballantine moved to Los Angeles to attend college, graduating from the University of Southern California with a degree in graphic design in 2017. Having played piano for most of her life, Ballentine decided to quit her job working at a gallery to pursue music full time. Upon the release of the single, Ballentine announced her debut self-titled EP, to be released on June 26. In 2019, Ballentine wrote her first song, Places/Plans, which was later released on April 21, 2020. Ballentine’s second song from the EP was released on May 27, 2020. Mark Beaumont in The Guardian described Skullcrusher’s sound as “Gorgeously gauzy alt-folk paeans haunted by the pale ghosts of pianos and acoustic guitars that drowned many years ago in a Laurel Canyon lagoon”, commenting that the band’s name suggests something altogether more violent.]

21. Pip Millett – “June”
from: Lost In June – EP / FOURS / April 10, 2020
[Manchester, England based musical artist. Calmness is the key to Pip’s music; a blissful fusion of R&B and soul that’s always full of feeling. Pip is determined to make music she insists will always be “chilled but emotional.” Whatever comes next, a generation caught in its feelings might just have a new soundtrack.]

22. Nico – “These Days”
from: Chelsea Girl / Verve / October 1967
[“These Days” is a song written by Jackson Browne and recorded by numerous artists. Browne wrote the song at age 16; its lyrics deal with loss and regret. It was first recorded by Nico in 1967 for her album Chelsea Girl and in 1970 by Tom Rush. Gregg Allman recorded a new arrangement of the song in 1973 on Laid Back, and Browne recorded the Allman arrangement on For Everyman the same year. “These Days” has also been recorded by Paul Westerberg, St. Vincent, Fountains of Wayne, Mates of State, David Allan Coe, Glen Campbell, and Drake. Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

23. Kemet Coleman – “The Virus” (Radio Edit)
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

24. Joy Division – “Love Will Tear Us Apart”
from: Permanent / London / June 1995
[“Love Will Tear Us Apart” is a song by English rock band Joy Division, released in June 1980. Its lyrics were inspired by lead singer Ian Curtis’ marriage problems and frame of mind before his suicide in May 1980.. Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. Sumner and Hook formed the band after attending a Sex Pistols concert. While Joy Division’s first recordings were heavily influenced by early punk, they soon developed a sound and style that made them one of the pioneers of the post-punk movement. Their self-released 1978 debut EP An Ideal for Living drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979. Curtis suffered from personal problems including a failing marriage, depression, and epilepsy. As the band’s popularity grew, Curtis’s condition made it increasingly difficult for him to perform; he occasionally experienced seizures on stage. He killed himself on the eve of the band’s first US/Canada tour in May 1980, aged 23. Joy Division’s second and final album, Closer, was released two months later; it and the single “Love Will Tear Us Apart” became their highest charting releases. The remaining members regrouped as New Order. They were successful throughout the next decade, blending post-punk with electronic and dance music influences. Peter Hook & The Light tour and perform both Joy Division albums and their singles in lice concerts. On Saturday, April 25, 2015, Peter Hook & The Light played Middle of The Map Fest.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, August 5, singer songwriter actress activist Khrystal. joins us to talk about her new single, “Magic” to be released August 7, 2020 through Manor Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #848

WMM Playlist from April 8, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New Singles from musician and songwriter Peter Beatty plays in the band Momma’s Boy, who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays a “Cruis’n” / “Rising Sun” – Cassingle Release – Streaming Live Concert, Friday, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram, etc.]

3 Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

4. Nick Siegel – “Let’s Blouse”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel plays a “For You, Dear, Anything” EP Release – Streaming Live Performance on Friday, April 10 at 7:00 PM on Facebook Live.]

5. Lyra Pramuk – “Mirror”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. The Abracadabras – “Give Me Your Name”
from: Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with John Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals. Richard Gintowt wrote about The Abracadabras for the October 9, 2008 edition of The Pitch: Be Still, Be Cool is …an avalanche of tunes inspired by alternative rock, Britpop, ’60s psychedelia, hippie folk, and swampy Southern blues. Regardless of what labels or managers get behind it (or not), Be Still, Be Cool sounds like a big-time record — not the annoying Fall Out Boy sort but rather the well-rounded Supergrass variety. Recorded with producer Mike Crawford at his upstart studio, The Impossible Box, the album showcases a breadth of recording techniques from one-take numbers to the sort of trickery that has informed albums since Sgt. Pepper’s. Each track is stacked with harmonies, guitar overdubs and vintage keyboards. “We threw the whole kitchen sink into it,” lead singer John Nixon says. “Mike added a lot of great X factors to tracks. He’d dial up perfect guitar and keyboard tones.” Nixon says the group intended to stack the front of the record with pop songs and then let it “slowly unveil itself as something else.” The song “Deep” is a mellow acoustic number in the vein of CSN&Y, while “Show Me the Sunrise, Callie Anne” summons the campfire country-rock of the Rolling Stones’ Sticky Fingers. Such detours complement infectious two-minute singles like “C’mon and Get It!” and “An Argument.” “We’re enthusiasts of the art of order and timing,” Collin Rausch says. “One of my favorite things to do is take classic rock records and rearrange them to see if I can make them better.” This Friday’s album-release party at the Riot Room should offer a sense of vindication after a long summer. The frustrating events unfolded in July, when a prospective label fell out of the loop and manager Harley Sears also exited the picture. Sears, who also worked with KC bands Lovers in Transit and the Rich Boys, relocated to New York City in May. He says the decision to part ways with the Abracadabras was “amicable and necessary” due to other commitments. “I enjoyed the time we spent together,” Sears says. “Their new album was a labor of love, and the end result was a true work of art.” However amicable the split was, the Abracadabras couldn’t help but feel a bit bummed. “We went from almost being signed and having a manager and possibly moving to nothing,” Rausch says. “No matter how hard you try to stay grounded, you get your hopes up.” Adds guitarist Bobby Topaz (real name: Wayne Hutcherson): “It was like the rug was pulled out from under us. There was a week where we all sitting around scratching our heads like, ‘What’s next?’” The events motivated the group to self-release Be Still, Be Cool. They began unveiling tracks on their MySpace page a couple of months ago, leading up to a free release of the album this week. Rather than invest in hard copies, the band is handing out cards with free download codes. They also plan to make the entire album available for download via MySpace. “I think in the long term it’ll be better to give it away,” Nixon says. “The point is that we’re not big, and we’re not making money now anyways, so we may as well try to get people to come to shows.” Nixon is also adamant about downsizing the group’s reputation for dressing up at shows, preferring to redirect the focus toward the music. “It became more of a thing to talk about what we were wearing than what we were doing,” he says. “[Making the record] was a long and frustrating journey, so we had to do things to entertain ourselves and the audience in the meantime. I think we all like making music more than putting on shiny jackets and making sure our hair is pretty. We like that, too, obviously”.]

10:25 – Underwriting

7. L A Jones – “Blonde”
from: Blonde – Single / L A Jones / March 1, 2020
[New single from LA Jones, from Kansas City. Formed in 2016 by Danielle Jones and Tim O’Connor, the band has now grown to feature a three piece horn section, keys, bass, & drums. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. After a string of singles they released their debut EP Bring Me Back Down last year. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim joined us last fall to premiere their single, “Behind The Times”. Danielle and Tim are back today to talk about the newest L A Jones single, “Blonde.”

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

Danielle Jones I Tim O’Connor of L A Jones

L A Jones includes:

Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Last year L A Jones played the Plaza Art Fair, on September 20, on the INK Live Stage, and they played Camp Leavenworth Festival, September 21.

Danielle Jones currently works for The Pet Project. She has previously worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Last year Danielle Jones married Tim O’Connor

Tim O’Connor has previously worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

For info about the new L A Jones single, “Blonde.” you can visit: http://www.officiallajones.com

10:42

8. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones were formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

9. Parade – “North/South”
from: Mend Melodies / Parade / March 1, 2020
[Parade calls their music “genre fluid.” The band is based in KC, with Seth Props on guitar, Claire Monroe on guitar, and Patrick Sanders on bass guitar. Seth who writes and produces most of their music also plays in the band Stary with Adam Stary and Marisa Tejeda. Parade released (Solo Demos) on August 20, 2019. Parade released the 13-song, self titled Parade on, September 2, 2019. Parade released the 13-track Mend Melodies on March 1, 2020, and recently the 13-track, Quarantine Demos on March 31, 2020]

10. Yves Tumor – “Identity Trade”
from: Heaven To a Tortured Mind / Warp Records / April 2, 2020
[4th album from Sean Bowie, best known by the recording alias Yves Tumor, is an American producer of experimental electronic music, born in Miami, Florida and currently based in Turin, Italy. Raised in Knoxville, Tennessee, Tumor started making music at age 17 as an outlet away from “dull, conservative surroundings.” They taught themself to play drums, bass, guitar, and keyboards. Describing their experience growing up in Tennessee as unpleasant, they moved at age 20 to San Diego, and after college to Los Angeles, where they met Mykki Blanco in 2012, with whom they later toured for two and a half years throughout Europe and Asia.In the early 2010s, Tumor recorded as Teams, and made music which AllMusic described as “post-chillwave”. They debuted their Yves Tumor project in 2015 with an EP for Berlin’s experimental club label Janus, and another one for Blanco’s label, Dogfood MG. That same year, they self-released their first album, When Man Fails You (which would later be re-released by Apothecary Compositions on April 29, 2016). In September 2016, Tumor signed with PAN Records and released its label debut, Serpent Music. They had worked on the album for three years after moving to Leipzig, Germany. The album was recorded between Miami, Leipzig, Los Angeles and Berlin. In Pitchfork’s review of the album, critic Andy Beta compared Tumor’s musical style to James Ferraro and Dean Blunt, and noted their use of “unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape”. In September 2017, Tumor released a compilation album titled Experiencing the Deposit of Faith for free. Later that week, it was revealed through a tour announcement that Tumor had signed to Warp Records. Following the announcement, they embarked on a tour with a new audiovisual show. In September 2018, Tumor released their Warp debut, Safe in the Hands of Love, with no prior announcement. It was preceded by the singles “Noid” on July 24, “Licking an Orchid” featuring James K on August 29, and “Lifetime” on September 3. The album received universal acclaim from music critics. Pitchfork’s Jayson Greene stated in their review that the album “dwarfs everything the artist has released by several orders of magnitude. The leap is so audacious it’s disorienting.” Tumor’s fourth album, Heaven to a Tortured Mind, was released on April 3, 2020, preceded on March 3 by the single “Kerosene” featuring Diana Gordon. Alexis Petridis, reviewing the album for The Guardian, awarded it Album of the Week, describing it as “extraordinary: experimental, capable of any genre, with an internal logic powering its shifts in mood. Tumor has cited Throbbing Gristle as a major influence, saying: “There’s something about their music, like the hypnotic trance vibes, that really influenced me.]

11. The Black Creatures – “Elements”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

12. Sudan Archives – “Confessions”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

11:00 – Station ID

13. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:04 – Interview with Brenton Cook & Brodie Rush

Brenton Cook of Haymaker Records on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Brenton Cook , thanks or being with us on Wednesday MidDay Medley

Brodie Rush of Be/Non on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s 2009 release, A Mountain of Yeses. The new release is called, A Valley of No: The Alternative A Mountain of Yeses. And it is being released today, through Haymaker Records.

Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses which is being made available TODAY

Be/Non circa 2008-2009

Originally released May 12, 2009, “A Mountain of Yeses” was made by:
Brodie Rush on everything, vocals, guitar, bass, drums, keyboards;
Ben Ruth on bass guitar;
Ryan Shank on drums & percussion,
Jeremiah James on guitar, Moog & Vocals.

Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. “

11:14

14. Be/Non – “Travel”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:17 – More Interview with Brenton Cook & Brodie Rush

We are talking with Brenton Cook & Brodie Rush about Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net

Director of Animation & Motion Graphics at Crush Media

A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Brenton Cook & Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Haymaker Records is releasing Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net http://www.crushmediakc.com http://www.brodierush.com

11:27

15. Be/Non – “Assention”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:29 – Underwriting

Rosé Perez

16. Rosé Perez – “Megan’s Wedding”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.]

11:35 – Interview with Carrie Wallen, 2007 Balquier, & Lina Žemaitė

Carrie Anne Wallen of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Carrie Anne Wallen is a multi media performance artist, She plays guitar and keyboards, and writes music. Carrie is currently a Charlotte Street Studio Resident working in illustration, 90’s glitch art inspired collage, audio/visual performance art, installations and musical satirization of the toxicities of contemporary culture. Carrie Anne writes irreverent songs that are based on factual information mixed with dark humor. Her performance art uses theater, digital data corruption, interactive video and costumes in a musical satirization of social injustice, gender roles and the prescriptive capitalist agenda. The majority of her work is collaborative. Carrie Anne’s focus is to inspire cheerfulness, inclusivity and resistance.Carrie was previously in pop-goth band, Ricki Wallen. In 2017 she received a bachelor’s degree in urban planning from Missouri State University.

Carrie Wallen, thanks for being with us on WMM.

2007 Balquier of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

2007 Balquier, is also known as Whorxata. They are a multi-disciplined artist creating works in converging media, music production, and video work. Their work as Dj Whorxata (hor-chata) involves blending and mixing varieties of dance and club music to create a queer-inclusive, body positive, sex positive space. 2007 plays bass and drums in Rosé Perez.

2007 Balquier, thanks for being with us on WMM.

Lina Žemaitė of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lina Zemaite is a Kansas City based multi instrumentalist, performance artist, and composer. Lina is the drummer for acclaimed girl pop group Rosé Perez. She is also the saxophonist and clarinetist for experimental jazz group HANNAH, as well as a vocalist for industrial act Killus.

Lina Žemaitė, thanks for being with us on WMM.

Rosé Perez join us to talk about their debut release, Born in A Bag, the band’s Split EP with post punk band / multi media project, Period BOMB, released on October 23, 2019.

Rosé Perez

Rosé Perez is:
Carrie Wallen on guitar & keyboards,
2007 Balquier on bass & drums,
Lina Žemaitė on drums & bass.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone J. Ashley Miller at The Infoaming Vortex.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

11:49

17. Rosé Perez – “Placenta Agenda”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex..]

18. John Prine – “Illegal Smile”
from: John Prine / Atlantic / 1971
[John Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. A member of Chicago’s folk revival, he was discovered by Kris Kristofferson (although Prine himself credited film critic Roger Ebert[2]), resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice.Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, and songs which recollect melancholy tales from his life. // John Prine is the début album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Prine was offered a recording contract by Jerry Wexler of Atlantic Records after the record executive saw the singer perform several of his own songs at a Kris Kristofferson show at the Bitter End. The song “Paradise” was recorded at A&R Studios in New York (with Prine’s brother Dave and good friend Steve Goodman as sidemen) but the remaining cuts were recorded at American Sound Studios in Memphis. Produced by Arif Mardin, who had previously collaborated with the likes of Aretha Franklin and King Curtis, Prine found his new studio surroundings intimidating. In the Great Days: The John Prine Anthology liner notes he admits, “I was terrified. I went straight from playing by myself, still learning how to sing, to playing with Elvis Presley’s rhythm section.” Initially, the musicians at American, accustomed to playing heavily rhythmic material and funky grooves, were thrown by Prine and his songs. As recounted in Eddie Huffman’s biography John Prine: In Spite of Himself, percussionist Hayward Bishop later recalled, “There was no evidence of groove whatever, and I was hungry for groove. Prine came off like a folk poet. This guy was really nasally, he didn’t have any tone to his voice, and all his songs were in the same key! I thought, ‘This is gonna be like milking a dag-blasted dog!’”]

19. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play a Live Stream Concert on Saturday, April 11, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 15 we will be presenting more New & MidCoastal Releases. We will also talk with Jesse Kates of The Sexy Accident, Mikala Petillo of Miki P and the Swallowtails, and Jenna Rae of Lost Cowgirl Records

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #832

WMM Playlist from August 21, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Clairo – “Impossible”
from: Immunity / Fader / August 2, 2019
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts. Her fame escalated after releasing “Pretty Girl” in 2017, a lo-fi-produced song that attracted over 35 million views on YouTube. She credited her sudden popularity to the website’s algorithm system. Claire was born in Atlanta, Georgia, the daughter of marketing executive Geoff Cottrill. According to her, “Pretty Girl” was inspired by 1980s pop music, and that although she was tagged with the “bedroom pop” label, it was not her intention to make that style of music. After the popularity of “Pretty Girl”, Clairo signed a record contract with Fader. Clairo’s father, Geoff Cottrill, formerly held top positions at Procter & Gamble, Coca-Cola, Starbucks, Converse, and MusiCares a philanthropic organization associated with the Grammy Awards. Between 2015 and 2017, he was president of American operations at MullenLowe Lintas Group. Claire began recording covers at the age of 13 and taught herself guitar from Internet tutorials. During this time, MTV contacted her to record a song to be used as background music for one of their shows, but the song was never used. Under the names Clairo and DJ Baby Benz, she began posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on SoundCloud. She also maintained a YouTube channel where she would post covers and short films. In 2017, she began attending Syracuse University. Clairo’s “Pretty Girl” was recorded for an indie rock compilation benefiting the Transgender Law Center. According to her, she recorded the track “using the resources around me which were pretty shitty. I used like a little keyboard that I had and I was really into ’80s pop music — my mom is obsessed with it — so it kind of inspired me to do something like that.” The video also became popular on vaporwave-centric Facebook groups. Another video that was uploaded to YouTube a month earlier, “Flamin Hot Cheetos”, garnered 3 million views by July 2018. The success of “Pretty Girl” led to interest from major labels such as Capitol, RCA, and Columbia. Clairo signed a 12-song record contract with Fader Label. According to The New York Times, this was made possible by her father’s connection to Jon Cohen, co-founder of The Fader and an executive at the publication’s marketing agency, Cornerstone. He signed Clairo to the magazine’s associated record label. Clairo is managed by Mike Ahern and Jimmy Bui. “The whole ‘do-it-yourself’ attitude is everything that I’m about. […] I think it’s really important to be genuine and authentic with everything you do.” —Claire Cottrill, 2017 interview with Fader. In October 2017, an article about Clairo was published by Fader, in which she stated that she was most inspired by Brockhampton, and cited their “do-it-yourself ‘attitude'” as her ethos. Some online communities criticized her comments as disingenuous, arguing that her professional career was borne from nepotism, and thus she should not be considered a true DIY musician. They accused her of being an “industry plant”, in other words, an artist who has backing from the music industry to advance or kick-start their careers, but are deceptively presented as an independent start-up. Such discussion appeared mostly on Reddit. One of the widely shared posts lamented that, although the user enjoyed her music and thought she was an “inspiring” songwriter, they could not fathom why none of her articles and interviews acknowledged her father’s significant industry connections. Clairo described the “industry plant” accusation as sexist and denied that there was “a man behind my success”. The Ringer contributor Lindsay Zoladz commented that it would have likely been more difficult for Clairo to get a record contract without her father’s connections, and that “it is impossible to imagine Clairo’s success in a Gen X world, so vital is the internet to her appeal.” On May 25, 2018, Fader Label released Clairo’s debut record, titled Diary 001. In her review for Pitchfork, Fader contributor Sasha Geffen wrote that the EP ought to subside the “legions of naysayers who dismissed her as a one-hit fluke or an industry plant.” By then, “Pretty Girl” had amassed more than 15 million views on YouTube. A piece written by Joe Coscarelli of The New York Times said that the work: “bridges both worlds, building on the coy, understated bedroom pop of ‘Pretty Girl’ and ‘Flamin Hot Cheetos’ toward sturdier numbers like ‘4EVER’ and ‘B.O.M.D.'”. That same month, she announced a headlining tour throughout North America, opening for Dua Lipa on multiple dates. Her July performance at the Bowery Ballroom in New York was a sold-out show. In October 2018, she performed at Lollapalooza. She is scheduled to perform at Coachella 2019.]

[Clairo plays Middle of The Map Fest, Friday, October. 4 at Crossroads KC, 417 E. 18th St. KCMO with Snail Mail, and others]

3. Sleater-Kinney – “The Future Is Here”
from: The Center Won’t Hold / Mom+Pop Records / August 15, 2019
[9th studio album from Sleater-Kinney, formed in early 1994 in Olympia, Washington, by Corin Tucker and Carrie Brownstein. The group’s name is derived from Sleater Kinney Road, Interstate 5 exit number 108 in Lacey, Washington, the location of one of their early practice spaces. Tucker was formerly in the influential riot grrrl band Heavens to Betsy, while Brownstein was formerly in the queercore band Excuse 17. They often played at gigs together and formed Sleater-Kinney as a side-project from their respective bands. When Heavens to Betsy and Excuse 17 disbanded, Sleater-Kinney became their primary focus. Janet Weiss of Quasi is the band’s longest lasting and final drummer, until after this was released when she announced she was leaving the band. Sleater-Kinney has had other drummers, including Lora Macfarlane, Misty Farrell, and Toni Gogin. Upon Tucker’s graduation from The Evergreen State College (where Brownstein remained a student for three more years), she and then-girlfriend Brownstein took a trip to Australia in early 1994. Their last day there, they stayed up all night recording what would become their self-titled debut album. It was released the following spring. They followed this with Call the Doctor (1996) and Dig Me Out (1997), and became critical darlings. The lineup features: Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (for this record on drums).]

Photo by Gordon Parks

4. Mavis Staples – “We Get By (feat. Ben Harper)”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

[The 780’s Series presents A Conversation with Mavis Staples, Wednesday, August 21, 2019 at 6:00 PM at Liberty Hall, 644 Massachusetts St, Lawrence, KS]

10:16 – Underwriting

5. Ensemble Iberica – “Chan Chan”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Ensemble Iberica presents “Taste of Cuba”, Friday, August 23, at 7:00 PM at The Culinary Center of Kansas City, 7920 Santa Fe Dr, Overland Park, KS. with members of the band Cubanisms.]

6. Mike McCoy’s Trompe-l’œil – “Believe in the Trees and Bees”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[“Believe in the Trees and Bees” was chosen by Rob Thomas be part of the soundtrack for “Veronica Mars” on Hulu. Rob Thomas is a producer of that show. Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

Mike McCoy

DJ Timmy Tilton

10:33 – Interview with Mike McCoy (with an assist from DJ Timmy Tilton)

Mike McCoy grew up in Hutchinson, Kansas. In the early 1990s his band Cher U.K. filled venues in Kansas City playing with popular themes in punk rock music. Mike McCoy, now lives in Austin Texas and plays in his band Mike McCoy’s Trompe-l’œil. Mike has also played in the bands The Service Industry and The American People. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.

Mike McCoy thanks for being with us on Wednesday MidDay Medley.

Mike’s new band is called: Mike McCoy’s Trompe-l’œil Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy.

The new album s called Eyein’ Lies from Mike McCoy’s Trompe-l’œil.

Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs.

A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world.

Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer
expanding his solo repertoire and he hopes to wrap up the year with a new record.

A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble.

McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good.

He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.

The latest versions of Cher UK in Kansas City consisted of: Mike McCoy Guitar & Vox, Mark Reynolds – Bass, Bernie Dugan – Drums

The band was originally called Cher. First recordings on cassette, the band went through several line-up changes and the band’s name changed to Cher UK and got a record deal with Red Decible Records from Minneapolis.

In 2004 Mike founded the North vs. South Music Festival, as a bi-annual, bi-polar music festival designed to showcase independent rock along the I-35 corridor.

Mike McCoy, Thanks for being with us on Wednesday MidDay Medley.

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

10:50

7. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

8. Olivia Fox – “Blame”
from: Carbon / OLIVIA FOX / August 23, 2019
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.]

[Olivia Fox play an Album Release Show on Saturday, August 24, at 8:00 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with Crystal Rose and Nicki White.]

11:00 – Station ID

Robert Castillo and Tim Tilton on the August 21, 2019 edition of Wednesday MidDay Medley

9. The Sextet – “To Be Determined (feat. J.F. Letters, Miki P, & Adee Dancy)”
from: Among Friends / ARC / September 15 , 2019
[First Single (released May 10, 2019) from The Sextet’s upcoming album Among Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

Robert Castillo on the August 21, 2019 edition Wednesday Midday Medley on KKFI, 90.1 FM.

11:08 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley
We just heard the first single, released May 10, “To Be Determined” featuring J.F. Letters.

Later we will play “Moving On (feat. Poet Jen Harris)” released July 19

and also: My Funny Valentine (feat. Calvin Arsenia & Miki P)”

Along with J.F. Letters, Calvin Arsenia, Poet Jen Harris, and Miki P other collaborators include: Jose Faus, Sean Branagan, Fritz Hutchinson, and Eddie Moore.

Among Friends is being released through are label ARC (Chris Burnett).

More information at: http://www.thesextetjazz.com

Robert Castillo also plays with Miki P and The Swallotails, Calvin Arsenia, SUNU, KCKCC Jazz Choir, North Kansas City OBG.

Robert Castillo has collaborated with Tim Harte, Lauren Krum, Dirty Force Brass Band, and Charles Williams,

Robert Castillo is from Kansas City. He went to Northgate Middle School and North Kansas City High School.

He learned piano in 2nd grade, violin in 4th grade, cello in 6th grade, bass in 7th grade. He played in the high school jazz band,

When he was 18 he moved to Chicago and took classes in Jazz Studies at North Central College.

In the Spring of 2014 Robert Castillo moved to rural Oregon where he enrolled in the Americore program and put himself in “Service to America.” He was placed in Fossil Oregon where he worked as a K- 8 grade Music Teacher, (28 students total).

It was during his free time in Oregon that The Sextet began as a band.

Robert Castillo is married to Kathryn Castillo. They have been married for 4 years, and have been together for 10 years.

Robert Castillo is also a painter and his works have been featured at PT’s Coffee, Mattie Rhodes, and InterUrban ArtHouse. He works in watercolor, oils, and acrylics.

Robert Castillo was a graduate of Artist Inc. He was in the same class as Jen Harris.

11:19

10. The Sextet – “Moving On (feat. Poet Jen Harris)”
from: Among Friends / ARC / September 15 , 2019
[Second Single (released July 19, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

The Sextet’s upcoming album “Among Friends”

11:27 – Interview with Robert Castillo

Musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley

Robert Castillo is assistant director of programming for Art As Mentorship.

Later this week, Robert Castillo (from Aug 23 – Sept 2), can be found at: blob
The Dump, 7:00 @ Center Plaza c/o BRCPO, Burning Man, Gerlach, NV 89412

The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass,

The most recent single from The Sextet and their new album Among Friends is “My Funny Valentine (feat. Calvin Arsenia & Miki P)” with collaborators from Sean Brannigan, Fritz Hutchinson, and Eddie Moore giving the song an Afro-Beat treatment.

Robert Castillo, thanks for being with us on Wednesday Midday Medley.

More information at: http://www.thesextetjazz.com

11. The Sextet –”My Funny Valentine (feat. Calvin Arsenia & Miki P)”
from: Among Friends / ARC / September 15, 2019
[Third Single (released August 16, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

10:46 – Underwriting

12. Oso Oso –”dig”
from: basking in the glow / Triple Crown Records / August 16 , 2019
[Oso Oso calls themselves a “music thing from Longbeach, New York. Triple Crown Records offers: Oso Oso is the latest project of Jade Lilitri out of Long Beach, New York. After a couple of early records, the band self-released their first fully realized album The Yunahon Mixtape on Bandcamp in early 2017. Despite this low key release, the album quickly gained traction across the scene, winning over both fans and critics with it’s diverse, recognizable knack for memorable choruses and instantly relatable lyrics.]

[Oso Oso plays The Rino, 314 Armour Rd, NKC, Sunday, September 15, at 7:00 PM with The Sidekicks and Future Teens.]

11:55

One of our favorite area bands is Under The Big Oak Tree, an Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. We have played music from all three of their albums. Band member Simon Fink who was on WMM on June 5, sharing music from his beautiful book/CD release LULLABIES TIL DAWN that he recorded with The Wires, writes:

Dear friends of Under the Big Oak Tree,

With some sadness I must report that UBOT is going on hiatus for the foreseeable future. I’m taking a job beginning next month that will have me commuting out of state for the next year.

We have booked a night at Unplugged—Friday, August 23, 8—10pm to celebrate seven amazing years of Under the Big Oak Tree and to get one last chance to be on stage all together before I head out. Please join us!

Thank you for all your love and support over the past several years.

Yours,

Simon Fink

13. Under The Big Oak Tree – “Stars Songs Faces (After Sandburg)”
from: Local Honey / Mudstomp Records / January 22, 2016
[Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. More info at: http://www.UnderTheBigOakTree.net/ Under The Big Oak Tree play multiple showcases at this year’s Folk Alliance International, including The MudStomp Records Fri, Feb 19.]

[Under The Big Oak Tree play a farewell (for Now) Show!, Friday, August 23, at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, Missouri.]

11:59:30

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 28, members of the area band L A Jones join us to share their new single to be released September 4. Also Enrique Chi will be with to talk about Making Movies Carnival, September 7, at Knuckleheads.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

WMM presents Mike McCoy’s Trompe L’oeil + Robert Castillo & The Sextet

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

Mark spins New & MidCoastal Releases from: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter.

Mike McCoy

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs. There may be special guests, stories and fun. KKFI’s DJ Timmy Tilton will also join us for this segment.

The Sextet: (L to R) Max Levy, Robert Castillo, Trevor Turla, Nik D. Douglas, Joseph Tesoro and Forrest Fowler

The Sextet’s upcoming album “Among Friends”

At 11:00 Mark welcomes musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show. More information at: http://www.thesextetjazz.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

WMM Playlist from July 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 17, 2019

Enrique Chi + Short Round String Band + LA Jones
+ Fally Afani & Music from Lawrence Field Day Fest

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves.]

Danielle Jones & Tim O’Connor of L A Jones on the July 17, 2019 edition of Wednesday MidDay Medley on KKFI.

10:05 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. after a string of singles they released their debut EP Bring Me Back Down this past Spring, and played an EP Release Show, at The Rino.

LA Jones play recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves. More information at http://www.officiallajones.com

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

Congratulations on the new EP, Bring Me Back Down.

L A Jones includes:
Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

L A Jones, the name is obviously named after lead singer Danielle Jones.

Danielle Jones has worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Danielle Jones is engaged to Tim O’Connor

Danielle Jones has a birthday on Friday, July 19

Tim O’Connor ha worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.
Bring Me Back Down was engineered at Soundworks Recording Studio.

LA Jones play recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves.

L A Jones plays Outreach International’s Summer Party, Friday, August 2, at 5:30 PM at 112 W 18th Street, KCMO with Back Alley Brass Band. 100% of proceeds directly support Outreach’s work alongside communities worldwide.

More information at http://www.officiallajones.com

Tim O’Connor & Danielle Jones of L A Jones

LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists.

10:14

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

LA Jones play recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves. More information at http://www.officiallajones.com

10:15

3. Making Movies – “No Te Calles (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays an intimate solo show, tomorrow night, Thursday, July 18, at Knuckleheads, 2715 Rochester Ave, KCMO, in Carl Butler’s Gospel Lounge.]

10:18 – Underwriting

Clarke Wyatt and Betse Ellis on the July 17, 2019 edition of Wednesday MidDay Medley on KKFI.

10:20 – Interview with Betse Ellis & Clarke Wyatt

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke.

Clarke Wyatt is a finger-style banjo player, drawing inspiration from great traditional and inventive banjoists of earlier decades such as Mike Seeger & John Hartford. His melodies match the fiddle, and also build rhythmic interest to embrace the music’s character. He also plays finger-style guitar, when it suits the musical style & texture.

Betse Ellis and Clarke Wyatt are also part of the Short Round Stringband! a 5-piece band that also includes: Kelly Wells & Ryan Spearman of The Aching Hearts from St. Louis, and with bassist Chris DeVictor of the Lawrence band Konza Swamp, The group is releasing their debut album, Ain’t No Part of Nuthin’ with an Album Release Concert, Saturday, July 20, 7:00 PM at Stockyards Brewing Co., 1600 Genessee, KCMO. More info at: http://www.shortroundstringband.com

Betse Ellis & Clarke Wyatt thanks for being with us on Wednesday MidDay Medley.

Ain’t No Part of Nuthin’ is a new 14-track Tribute To Bill Monroe record.

Short Round Stringband is a pan-Missouri band with a refreshing approach to old time music and is the coming together of two musical couples and a bassist with Kansas roots.

Short Round Stringband

The band members are:
Kelly Wells & Ryan Spearman (The Aching Hearts, St. Louis)
Betse Ellis & Clarke Wyatt (Betse & Clarke, Kansas City)
and Chris DeVictor (Konza Swamp and more)

With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in

I’ve known Betse since the late 1980s when she was going to school at UMKC and we did performance art at Cafe Lulu and Whistler’s Mother.

For more than five years now Betse has been volunteering for KKFI during our On-Air Fund Drive Shows to help raise money to keep community radio alive.

Betse Ellis & Clarke Wyatt thanks for being with us on WMM.

Short Round Stringband! are releasing their debut album, Ain’t No Part of Nuthin’ with an Album Release Concert, Saturday, July 20, 7:00 PM at Stockyards Brewing Co., 1600 Genessee, KCMO. More info at: http://www.shortroundstringband.com

Clarke Wyatt, Betse Ellis, and Enrique Chi on the July 17, 2019 edition of Wednesday MidDay Medley on KKFI.

10:41

4. Short Round Stringband – “Rabbit in a Log”
from: Ain’t No Part of Nuthin’ / Short Round Stringband / to be released July 19, 2019
[From the debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in between all of that, you’ll laugh at their madcap humor.]

[Short Round Stringband play an Album Release Concert, Saturday, July 20, 7:00 PM at Stockyards Brewing Co., 1600 Genessee , KCMO]

Enrique Chi

10:45 – Interview with Enrique Chi

Enrique Chi is lead singer & co-founder of the KC based and internationally known band Making Movies. Enrique will share details about an intimate show he is doing, tomorrow night, Thurs, July 18, at Knuckleheads, 2715 Rochester Ave, KCMO, in Carl Butler’s Gospel Lounge. The show is called, “From the River to the Delta.” Enrique will be exploring the connection between Afro-Latino music in the Caribbean and KC Jazz. Enrique’s band, Making Movies plays District Rhythms at the Live! Block, in the Power & Light District, Sunday, July 21, 6:00 PM with The Parranderos Latin Combo. And, the 2019 Making Movies Carnaval, is Saturday, Sept. 7, at 8:00 PM at Knucklehead’s Saloon.

Enrique Chi, thanks for being with us again on WMM.

Enrique Chi’s intimate solo show is tomorrow night, Thursday, July 18, at Knuckleheads, 2715 Rochester Ave, KCMO, in Carl Butler’s Gospel Lounge. The show is called “From the River to the Delta.” Enrique will be exploring the connection between Afro-Latino music in the Caribbean and Kansas City Jazz. Tickets at: http://www.knuckleheadskc.com.

Accompanied by special guests the Altoro Sisters, and John Kizlarmut. Malek Looney, Rebel Song Academy Alumni will open the show with a mini set.

Mireya Ramos of Flor De Toloache is in Kansas City to join Los Texmaniacs as part of Ensemble Iberica’s concert series. Both artists are GRAMMY winners and Los Texmaniacs are a Smithsonian Folkways artist. Juan-Carlos and Enrique Chi will be sitting in on a few songs. La Frontera – Mireya Ramos and Los Texmaniacs, July 16 and 17, MTH Theater (Crown Center) 2450 Grand Blvd #301, Kansas City, MO 64108.

Making Movies plays District Rhythms at the Live! Block in the Power and Light District on Sunday, July 21, at 6:00 PM with The Parranderos Latin Combo.

Making Movies Carnaval, will be Saturday, Sept 7, at 8:00 PM at Knucklehead’s Saloon.

From: http://www.mkngmvs.com

ameri’kana, the highly anticipated album from Making Movies and Rubén Blades, is out today. It’s an album that is as striking musically as it is narratively. It’s the power of collaboration across generations/languages/borders- it’s a call to action.

The album is a collaboration with none other than Rubén Blades. The collaboration began at the 2017 Latin Grammys, when Blades said he wanted to work with Making Movies, setting into motion their first collaboration, No Te Calles, a calling to all artists and the general public to speak out against corruption. Inspired by the poetry of Blades on “No Te Calles” Making Movies entered the studio and dreamed up ameri’kana, an “oldies” station from the future, where the injustices sung about are long gone. The album features artists that align with speaking out against divisions, corruption, and injustices, with the hope that in the future those ills will be a memory. Steve Berlin of Los Lobos signed on to produce the album, his third time working with the group, along with co-producer Ben Yonas and together helmed the sessions that brought the featured cast of ameri’kana: Flor De Toloache, David Hidalgo of Los Lobos, Asdru Sierrra of Ozomatli, Frankie Negrón, and Las Cafeteras. Blades offered himself as a guide and resource to the band during the process, and appears on three tracks of the record, including one co-penned by Lou Reed.

“For the first time in our journey we have aimed at a focused message to stand up against the political corruption and injustices that are plaguing our beautiful continent, Abya Yala.” said Enrique Chi, guitarist & frontman of Making Movies. “We are all accomplices in it and we must be accomplices in the solution which begins with raising our voices.”

The album’s genre-breaking sound pulls from Latin music as well as rock’n’roll, which Making Movies attests are one and the same: without the influence of Latin music in North America, jazz and blues would have never been born, nor would its successor rock’n’roll. ameri’kana marks the band’s sound and mantra: “ROCK’N’ROLL IS LATIN MUSIC,” they are as inseparable as the continent itself.

Making Movies is currently celebrating the release on a tour across the U.S. and Panama. Rubén Blades and Making Movies will share the stage for the first time at the Auditorio Nacional in Mexico City on November 20th.

Upon the release of this album I Am Another You, (May 26, 2017). Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.”

10:59

Enrique Chi, thanks for being with us again on WMM.

Enrique Chi’s intimate solo show is tomorrow night, Thursday, July 18, at 7:00 pm at Knuckleheads, 2715 Rochester Ave, KCMO, in Carl Butler’s Gospel Lounge.

Making Movies plays District Rhythms at the Live! Block in the Power and Light District on Sunday, July 21, at 6:00 PM with The Parranderos Latin Combo.

Making Movies Carnaval, will be Saturday, Sept 7, at 8:00 PM at Knucklehead’s Saloon.

11:00 – Station ID

Enrique Chi and Fally Afani on the July 17, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Fally Afani Guest Producer

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene.

Fally Afani joins us for our entire second hour to share music and information about Lawrence Field Day Fest, hosted by I Heart Local Music, Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with free and “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Fally Afani, thank you for being with us in Wednesday MidDay Medley.

Organizers worked to make lineup more manageable, accessible, and easier to see shows.

LFDF

Lawrence Field Day Fest 2019 Line up:

Kid Congo and The Pink Monkey Birds
The Midnight Devils
Vedettes
The Sluts
Young Mvchetes
The Band That Saved The World
Stiff Middle Fingers
Pale Tongue
Vibralux
Nublvckcity
Chess Club
JC & the Nuns
Oxford Remedy
Serene Fiend
The Sophomores
MILKWAVE
Collidescope
Iris Elke
Final Girl and the Monsters
Sutphin
Stary
FACEFACE
DJ Joey Chingasos

This year’s festival will be held at:

THE GRANADA – 1020 Massachusetts Street, Lawrence, KS 66044, (785) 842-1390
LUCIA BEER GARDEN + GRILL – 1016 Massachusetts St, Lawrence, KS 66044
THE BOTTLENECK – 737 New Hampshire Street, Lawrence, KS 66044, (785) 841-5483
WHITE SCHOOLHOUSE – 1510 N 3rd St., Lawrence, KS, (785) 550-5365

11:06

5. Vedettes – “Sick Of”
from: EPHEMERAL / Vedettes / March 1, 2019
[Five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas.This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Saturday, July 20, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11:10

We are talking with our special Guest Producer – Fally Afani, Editor and Founder of I Heart Local Music, about the 8th Annual Lawrence Field Day Fest, July 18, 19 and 20, in Downtown Lawrence, Kansas. More information at: http://www.iheartlocalmusic.com

Vedettes played A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.

Oxford Remedy is a new band.

11:15

6. Oxford Remedy – “Vending Machine”
from: “Vending Machine – Single / Oxford Remedy / January 12, 2019
[Lawrence/KC 3-piece band formed in June 2016. Members include: Sydney Aldridge, Kate McKown, and Grace McKown. More indo at http://www.oxfordremedy.com]

[Oxford Remedy play Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 8:45 at The Bottleneck, Lawrence, Kansas.]

11:19

We are talking with our special Guest Producer – Fally Afani, Editor and Founder of I Heart Local Music, about the 8th Annual Lawrence Field Day Fest, July 18, 19 and 20, in Downtown Lawrence, Kansas.

NuBlvckCity is a KC-based music collective with Mae C; They Call Me Sauce; Kartez Marcel and VP3.

Kartez Marcel (Addison), is a native of Kansas City, Missouri, he is a Hip-Hop artist, community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth.

VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production.

Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene.

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released his newest album Soul Food 4.

11:24

7. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective, members include (but not limited to) Mae C; They Call Me Sauce; Kartez Marcel. The collective represents positive vibes, creativity, showmanship, and community.]

[NuBlvckCity play Lawrence Field Day Fest, sponsored by I Heart Local Music, Saturday July 20, at Lucia Beer Garden + Grill – 1016 Massachusetts St, Lawrence, KS.]

11:28 – Underwriting

Fally Afani

11:30 – Interview with Fally Afani

I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music now publishes a quarterly print magazine edition. Our special Guest Producer – Fally Afani, Editor and Founder of I Heart Local Music, is here to sharemusic and information about the 8th Annual Lawrence Field Day Fest, July 18, 19 and 20, in Downtown Lawrence, Kansas. More information at: http://www.iheartlocalmusic.com

JC & The Nuns have a new EP out called, God Did Weed

11:35

8. JC & The Nuns – “Blaze The Lord”
from: God Did Weed/ Independent / June 1, 2019
[Lawrence based 4-piece band with JC on lead vocals, Sister Spirit on bass, Sister Hazel on guitar, Sister Sister on percussion. Recorded and mixed at Lawrence Public Library.]

[JC & the Nuns play Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas.]

Clarke Wyatt, Betse Ellis, Enrique Chi, and Fally Afani on the July 17, 2019 edition of Wednesday MidDay Medley on KKFI.

11:38 – Interview with Fally Afani

We are talking with our special Guest Producer – Fally Afani, Editor and Founder of I Heart Local Music, about the 8th Annual Lawrence Field Day Fest, July 18, 19 and 20, in Downtown Lawrence, Kansas.

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock joined us last week to debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

11:43

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

10:47 – Interview with Fally Afani

We are talking with our special Guest Producer – Fally Afani, Editor and Founder of I Heart Local Music, about the 8th Annual Lawrence Field Day Fest, July 18, 19 and 20, in Downtown Lawrence, Kansas.

Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”

Fally Afani, thanks for being on WMM.

For Wednesday MidDay Medley, I’m Mark Manning. Thanks for listening!

11:56:45

10. The Sluts – “Only One”
from: Only One / The Sluts / May 25, 2017
[5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. This year The Sluts released a new 6 song EP called Break Their Heart on February 12, 2019 that was Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios.]

[The Sluts play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 18, 19, and 2t, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 24, for the first time in 795 weeks we wont be here. We are being pre-empted by the Homelessness Marathon that will air from 9:00 AM after Democracy Now until 9:00 PM.

We’ll be back in two weeks on July 31 with Shaun Crowley who will share music from Manor Fest. We will also talk with William & Doris Martin and Dr. Carmaletta Williams, Director of the Black Archives of Mid America about a new exhibit opening at the Archives on August 1, detailing the life of George Washington Carver.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #795

WMM Playlist from April 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

Caroline Lee & Barry Lee

We lost one of our own at KKFI as Caroline Lee passed away early in the morning on Wednesday, April 18th, surrounded by her family. Caroline was married to Barry Lee. Together they have been a constant presence in the area music scene and on the radio. Caroline was an early volunteer and organizer for 90.1 FM. When the station went the air in 1988 Caroline hosted and produced “Watusi Rodeo,” (one of the first alternative country radio shows). When that program ended its run, she was often a guest-host on, Signal To Noise. Barry Lee will present a radio memorial for Caroline on May 4th at 9:00 pm. There will also be a concert at Knuckleheads Saloon in July in her memory.

In honor of Caroline’s passing I would love to play a song from Cris Williamson’s 2001 release “Ashes,” 12 original songs about transformation, love, and the Phoenix rising. Helping Cris with the vocals is her friend Bonnie Raitt.

10:01

2. Cris Williamson – “Cry Cry Cry”
from: Ashes / Wolf Moon Records / September 18, 2001
[Written by Cris Williamson. Produced by Teresa Trull. Lead vocals – Cris Williamson, piano – Bonnie Hayes, supporting vocals – Bonnie Raitt, string arrangments & keyboard – Frank Martin, violin – Jeremy Cohen.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

10:07

3. John Keck – “Dear Life”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on bass, drums, organ, & wurlitzer. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:11 – Interview with John Keck

John Keck on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck, thanks for being with us on Wednesday MidDay Medley

Out In The Cold – 12th Street Singles. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th St. in downtown KCMO.

Produced, engineered, & mixed by Chase Horseman at Element Recording Studios.

John Keck’s mom was a teacher.

Missouri Queen.

John’s words – This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass’”

10:20

4. John Keck – “Missouri Queen”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

10:22 – Interview with John Keck

John Keck

We are talking with Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.

John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

“Song For Mother”

John’s words – The last piece began after the shooting in Ferguson, MO. In following weeks I heard an interview with a woman who was protesting, I remember her saying “We’re just trying to keep our sons alive in the streets, don’t you understand, why can’t people understand”. Her voice stayed with me, haunting me as I watched and read about shooting after shooting. Eventually I dreamt a conversation with a mother who has been confronted all of her days with the death of their child. I woke up and sang this song to myself in the middle of the night. At first she is hesitant to say anything, but then can’t stop herself, going through grief, confusion, sadness, anger, frustration and finally feeling hopeless, pointless. The faint piano represents the child voice/spirit and the violin is speaking for the mother.

John’s words – Just before recording I spoke to the violinist, Shannon O’Shea, I told her what the song represented and asked her to play a solo with that represents the physical struggle when you’re sobbing so hard you can’t control your breath.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

10:30

4. John Keck – “Song For Mother”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on piano & pump organ. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:34 – Underwriting

6. Gamelan Genta Kasturi – “Sekar Jagat”
from: unreleased track “welcoming dance” / Gamelan Genta Kasturi /
[written by Patrick Alonzo Conway]

10:39 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Owen/Cox Dance Group, Mambo DeLeon, Chris Hazelton’s Boogaloo 7, Expassionates, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM.

Patrick Alonzo Conway thanks for being with us again on WMM.

Congratulations on KC’s Gamelan Genta Kasturi – 15th Anniversary!

The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika;

University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti;

and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics.

This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter.

To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

For over 15 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving Kansas City in 2006. He and his family maintain an active schedule performing, teaching and promoting Balinese Cultural Arts.

Gamelan Genta Kasturi have been Studio Residents as part of the Charlotte Street Foundation/Urban Culture Project Studio Residency Program.

Gamelan Genta Kasturi, premiered a large scale collaborative work in 2011 featuring his Patrick Alonzo Conway’s original composition Angels & Demons at Play through Urban Culture Project and ArtSounds.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the westernmost end of the Lesser Sunda Islands, lying between Java to the west and Lombok to the east. It is one of the country’s 34 provinces w/ the provincial capital at Denpasar towards the S. of the island.
Patrick Alonzo Conway went to Bali.

Kansas City’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. http://www.gamelangentakasturi.org

https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

10:57

7. Gamelan Genta Kasturi – “Samvartaka”
from: Rehearsal recording / Gamelan Genta Kasturi /
[Original composition written by Patrick Alonzo Conway for 20th aniversary of Charlotte Street Foundation.]

11:00 – Station ID

Grand Marquis

8. Grand Marquis – “Another Lover”
from: Brighter Days / King Forward Records / April 28, 2018

11:04 – Interview with Bryan Redmond and Ben Ruth

Grand Marquis were founded in 1998, over the last 20 years they have logged well over 2000 performances from Seattle to South Beach Miami playing their very own mix of American Roots, Blues, & Prohibition Jazz. They have now released 8 albums including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. Grand Marquis write powerful original songs and mix classic standards into their sets. Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums.

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth thanks for being with us on Wednesday MidDay Medley.

Grand Marquis are playing the Zoo Bar in Lincoln Nebraska, Friday, April 27.

“This band plays as if the joint was literally on fire.” Billtown Blues Association

“Completely infectious…it begs to be played loud, it begs to be danced to!” Boston Blues Review

“…moving the genre forward into the next century.” Graham Clarke, Blues Bytes

“Few bands have more fun or produce more joy in an audience while onstage.” Jason Harper, The Pitch

Accolades:

2013 International Blues Challenge Finalists: “Best Self-Produced CD”
2011 International Blues Challenge Finalists (The Blues Foundation)
2011 Best Blues Band – The Pitch (Kansas City, MO)
2010 Topeka Blues Society International Blues Challenge Champions
2007 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Local Band – The X Entertainment Magazine (Kansas City metro area)

11:12

9. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018

11:16 – More Interview with Bryan Redmond and Ben Ruth

Bryan Redmon and Ben Ruth of Grand Marquis on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Grand Marquis Discography:

“Brighter Days”2018
“Blues and Trouble” 2013
“The Sun Session” 2011
“Hold On To Me” 2010
“One More Day” 2007
“Grand Marquis” 2004
“Le Chant Du Diable Bleu” 2002
“Burlesk” 2000

The band has grown and evolved over the years.

Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter Days is the band’s 8th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth have kept this band alive and made all of this music while also growing families and raising kids.

Ben Ruth also plays in the bands: The Hardship Letters, Be/Non.

http://www.grandmarquis.net

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

11:23

10. Grand Marquis – “Many Rivers to Cross”
from: Brighter Days / King Forward Records / April 28, 2018

11:28 – Underwriting

11. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

11:34 – Interview with Cris Williamson

Cris Williamson

Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance! Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church , 4501 Walnut, on Saturday, April 28, at 7:00 pm.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

On Motherland we just heard the title track, a song Cris wrote. All of the other songs on the new record are written by her musical contemporaries of the past 50 years: Joni Mitchell, Eliza Gilkyson, Laura Nyro, Patty Griffin, Bob Dylan, Jackson Brown, James Taylor, Leonard Cohen & Jennifer Warnes. We’ve heard you cover songs from Joni Mitchell & James Taylor on earlier releases.

Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with her record – The Changer and the Changed: A Record of the Times (Olivia Records, 1975)

Cris Williamson

From NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

Cris Williamson

From http://www.smithsonianmag.com:
Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

It has been over 10 years since Cris Williamson has been back to Kansas City.
Cris will be playing at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm.

Cris is also doing a show in St. Louis on April 28, at MCC of St. Louis

http://www.criswilliamson.com

Never one to rest on her laurels, to which Cris replied laughing, “What Laurels?” In the last 17 years Cris have released 11 full length albums (a few of those were double albums). That works out to be a new album every year and half. Considering the process of writing, recording, mastering, raising the funds to produce and launch a new record, we asked Cris to share what she might be currently working on for the next release. She told us that she has a back log of new songs she has written and collected and from those songs she is working through what she may release next. She has been playing with the idea of releasing an album of American standards, but held back because so many other musicians have been doing this.

(Note: The laurels that are being referred to when someone is said to ‘rest on his laurels’ are the aromatically scented Laurus Nobilis trees or, more specifically, their leaves. The trees are known colloquially as Sweet Bay and are commonly grown as culinary or ornamental plants. Rest on his laurels. The origins of the phrase lie in ancient Greece, where laurel wreaths were symbols of victory and status.)

Throughout the last 15 years Cris Williamson has also conducted Songwriting Workshops.

This summer Cris will be traveling to Norway with Olivia Cruises, and returning to National Women’s Music Festival, and in the fall, attending Women’s Week in Provincetown.

11:55

12. Cris Williamson – “Woman”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

13. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 2, Marion Merritt of Records With Merritt, returns as our Guest Producer sharing musical discoveries and information from her encyclopedic brain. Also next week, Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS where Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #731

Wednesday MidDay Medley presents Grand Marquis + Cris Williamson + John Keck + Patrick Alonzo Conway & Gamelan Genta Kasturi + Purple Skunk Funk Band

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi
+ Purple Skunk Funk Band

Mark plays more New & MidCoastal Releases from: Grand Marquis, John Keck, Gamelan Genta Kasturi, Cris Williamson, and Yuno.

John Keck

At 10:05 John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO. More info at: http://www.johnlkeck.com

Gamelan Genta Kasturi

At 10:25 Patrick Alonzo Conway shares information about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika; University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti; and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics. This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter. To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

Purple Skunk Funk Band

At 10:45 Joe Athon and friends share stories about their 1990’s group, the Purple Skunk Funk Band who had their official last show on March 15, 1997 at Bodies Flip City. The band got back together 22 years later in 2016 and had so much fun that they’ve decided to have another special reunion show this Saturday, April 28, at Knuckleheads, 2715 Rochester Street, KCMO, with Beam & Eads.

Grand Marquis

At 11:00 members of Grand Marquis join us to share music from their new album, Brighter Days. Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter days is the band’s 7th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, 2715 Rochester Street, KCMO, on with Victor & Penny, and Brandon Phillips and The Condition. More info at: http://www.grandmarquis.net

Cris Williamson

At 11:30 Mark talks with legendary singer songwriter Cris Williamson who has just released her 31st album, Motherland. Cris Williamson’s groundbreaking album, The Changer and the Changed, released in 1975, became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies. Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, Saturday, April 28, at 7:00 pm. More information at https://www.brownpapertickets.com/event/3368089

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #731