WMM presents Kianna & Jared White + Jocelyn Nixin + Jenna Rae + Max James

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 30, 2020

Kianna White, Jared White & Jocelyn Olivia Nixin
+ Max James & The Sound of Kansas City +
Jenna Rae & Unfit Wives

Mark plays New & MidCoastal Releases from: The Freedom Affair, Shy Boys, Heart Machine, Kianna White, Berwanger, Flutienastiness, Unfit Wives, Lee Walter Redding, The Creepy Jingles, Yes You Are, Calvin Arsenia, Quite Frankly, Tilly and The Wall, Anjimile, and The Shins.

Kianna White

At 10:30 Kianna White, Jared White and Jocelyn Olivia Nixin join us to share details about their upcoming concert, Friday, October 2, at 7:00 PM with Nathan Corsi Band and DJ Stevie Cruz, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. We’ll talk with Jocelyn Olivia Nixin about her band The Creepy Jingles and we’ll talk with Kianna & Jared White about their band Yes You Are and Kianna’s new solo single, “Homecoming Queen,” released last Friday, with a new video that she filmed, edited and conceived and created on iPhone 7, iMovie on MacBook Air with a little help from Snapchat, an oscillating fan and a flashlight.

Unfit Wives: Kahlen Mitchell on upright bass & vocals, Monica Greenwood on mandolin & vocals, Shannon O’Shea on fiddle & vocals, and Jenna Rae on guitar & vocals

At 11:00 Jenna Rae joins us to share details about Unfit Wives who play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot where Unfit Wives will bring their hard-driving bluegrass originals with hot licks, lyrics, and feisty four-part harmonies. Unfit Wives are: Jenna Rae on guitar & vocals, Shannon O’Shea on fiddle & vocals, Monica Greenwood on mandolin & vocals, and Kahlen Mitchell on upright bass & vocals. More info at http://www.unfitwives.com and http://www.thelostcowgirl.com

At 11:30 Max James talks about The Sound of Kansas City, Sunday, October 18, Noon to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, featuring: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Flutienastiness, Attic Light, and Emma Jo. DJs Ashton Martin, Maxx Grüv, Nick Davis, Danny Maloney, Dawna K, DJ Alex Reed, and DJ Stoww will be spinning tracks between each band set. Sound of KC is a socially-distanced festival, where your ticket gives you and three friends a 10’x10′ space to relax and listen to some of Kansas City’s finest performers. More information at: https://www.eventbrite.com/e/the-sound-of-kansas-city-tickets-119337159657?aff=ebdssbeac&fbclid=IwAR3vrv-ad1cu77plLb1aTNhPGHkXlWaqgSSLlGZwpR1WwaDOVYEyd1sWCo8

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #857

WMM presents Jesse Kates + Miki P + Jenna Rae

Jesse Kates Sketch by Jamie Pratt
The Sexy Accident Photo by Forester Michael

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 15, 2020

New & MidCoastal Releases + Miki P
+ Jesse Kates of The Sexy Accident +
Jenna Rae of Lost Cowgirl Records

Belle & The Vertigo Waves

Mark plays New & MidCostal Releases from: Belle & The Vertigo Waves, They Call Me Sauce with Love, Mae C., Una Walkenhorst, Jenna & Martin, The Sexy Accident, Lava Dreams, David Burchfield, Miki P & The Swallowtails, Jenna Rae, Joy Camp, Lillie Mae, Half Waif, Yazmin Lacey, and Lyra Pramuk.

Jesse Kates Sketch by Jamie Pratt

The Sexy Accident Photo by Forester Michael

At 10:30 Jesse Kates talks about his band, The Sexy Accident‘s 7th full length, Rabarbaro, to be released April 14, 2020 during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; with Steve Fisk on keyboards, and guest violinist Laurel Parks. More info at http://www.sexyaccident.com

Mikala Petillo

Miki P & The Swallowtails

At 11:00 Mark talks with musician, Miki P, aka Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. More info at: http://www.mikipmusic.com

Jenna Rae

Jenna & Martin

At 11:30 Jenna Rae talks about Lost Cowgirl Records. Jenna’s began playing tenor saxophone in the Pittsburg State University marching band. In between studying for nursing she started playing banjo and formed the folk band “Deadeye”. After four years of nursing, Jenna cut back on her hours to pursue music. In 2018 she founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume‘s album, “Vinegar,” and Elexa Dawson‘s album, “Music is Medicine.” In 2019, Jenna Rae on acoustic guitar, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin formed the bluegrass group Unfit Wives. On January 3, 2020, Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. More info at: http://www.thelostcowgirl.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #833

WMM Playlist from April 8, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New Singles from musician and songwriter Peter Beatty plays in the band Momma’s Boy, who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays a “Cruis’n” / “Rising Sun” – Cassingle Release – Streaming Live Concert, Friday, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram, etc.]

3 Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

4. Nick Siegel – “Let’s Blouse”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel plays a “For You, Dear, Anything” EP Release – Streaming Live Performance on Friday, April 10 at 7:00 PM on Facebook Live.]

5. Lyra Pramuk – “Mirror”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. The Abracadabras – “Give Me Your Name”
from: Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with John Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals. Richard Gintowt wrote about The Abracadabras for the October 9, 2008 edition of The Pitch: Be Still, Be Cool is …an avalanche of tunes inspired by alternative rock, Britpop, ’60s psychedelia, hippie folk, and swampy Southern blues. Regardless of what labels or managers get behind it (or not), Be Still, Be Cool sounds like a big-time record — not the annoying Fall Out Boy sort but rather the well-rounded Supergrass variety. Recorded with producer Mike Crawford at his upstart studio, The Impossible Box, the album showcases a breadth of recording techniques from one-take numbers to the sort of trickery that has informed albums since Sgt. Pepper’s. Each track is stacked with harmonies, guitar overdubs and vintage keyboards. “We threw the whole kitchen sink into it,” lead singer John Nixon says. “Mike added a lot of great X factors to tracks. He’d dial up perfect guitar and keyboard tones.” Nixon says the group intended to stack the front of the record with pop songs and then let it “slowly unveil itself as something else.” The song “Deep” is a mellow acoustic number in the vein of CSN&Y, while “Show Me the Sunrise, Callie Anne” summons the campfire country-rock of the Rolling Stones’ Sticky Fingers. Such detours complement infectious two-minute singles like “C’mon and Get It!” and “An Argument.” “We’re enthusiasts of the art of order and timing,” Collin Rausch says. “One of my favorite things to do is take classic rock records and rearrange them to see if I can make them better.” This Friday’s album-release party at the Riot Room should offer a sense of vindication after a long summer. The frustrating events unfolded in July, when a prospective label fell out of the loop and manager Harley Sears also exited the picture. Sears, who also worked with KC bands Lovers in Transit and the Rich Boys, relocated to New York City in May. He says the decision to part ways with the Abracadabras was “amicable and necessary” due to other commitments. “I enjoyed the time we spent together,” Sears says. “Their new album was a labor of love, and the end result was a true work of art.” However amicable the split was, the Abracadabras couldn’t help but feel a bit bummed. “We went from almost being signed and having a manager and possibly moving to nothing,” Rausch says. “No matter how hard you try to stay grounded, you get your hopes up.” Adds guitarist Bobby Topaz (real name: Wayne Hutcherson): “It was like the rug was pulled out from under us. There was a week where we all sitting around scratching our heads like, ‘What’s next?’” The events motivated the group to self-release Be Still, Be Cool. They began unveiling tracks on their MySpace page a couple of months ago, leading up to a free release of the album this week. Rather than invest in hard copies, the band is handing out cards with free download codes. They also plan to make the entire album available for download via MySpace. “I think in the long term it’ll be better to give it away,” Nixon says. “The point is that we’re not big, and we’re not making money now anyways, so we may as well try to get people to come to shows.” Nixon is also adamant about downsizing the group’s reputation for dressing up at shows, preferring to redirect the focus toward the music. “It became more of a thing to talk about what we were wearing than what we were doing,” he says. “[Making the record] was a long and frustrating journey, so we had to do things to entertain ourselves and the audience in the meantime. I think we all like making music more than putting on shiny jackets and making sure our hair is pretty. We like that, too, obviously”.]

10:25 – Underwriting

7. L A Jones – “Blonde”
from: Blonde – Single / L A Jones / March 1, 2020
[New single from LA Jones, from Kansas City. Formed in 2016 by Danielle Jones and Tim O’Connor, the band has now grown to feature a three piece horn section, keys, bass, & drums. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. After a string of singles they released their debut EP Bring Me Back Down last year. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim joined us last fall to premiere their single, “Behind The Times”. Danielle and Tim are back today to talk about the newest L A Jones single, “Blonde.”

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

Danielle Jones I Tim O’Connor of L A Jones

L A Jones includes:

Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Last year L A Jones played the Plaza Art Fair, on September 20, on the INK Live Stage, and they played Camp Leavenworth Festival, September 21.

Danielle Jones currently works for The Pet Project. She has previously worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Last year Danielle Jones married Tim O’Connor

Tim O’Connor has previously worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

For info about the new L A Jones single, “Blonde.” you can visit: http://www.officiallajones.com

10:42

8. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones were formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

9. Parade – “North/South”
from: Mend Melodies / Parade / March 1, 2020
[Parade calls their music “genre fluid.” The band is based in KC, with Seth Props on guitar, Claire Monroe on guitar, and Patrick Sanders on bass guitar. Seth who writes and produces most of their music also plays in the band Stary with Adam Stary and Marisa Tejeda. Parade released (Solo Demos) on August 20, 2019. Parade released the 13-song, self titled Parade on, September 2, 2019. Parade released the 13-track Mend Melodies on March 1, 2020, and recently the 13-track, Quarantine Demos on March 31, 2020]

10. Yves Tumor – “Identity Trade”
from: Heaven To a Tortured Mind / Warp Records / April 2, 2020
[4th album from Sean Bowie, best known by the recording alias Yves Tumor, is an American producer of experimental electronic music, born in Miami, Florida and currently based in Turin, Italy. Raised in Knoxville, Tennessee, Tumor started making music at age 17 as an outlet away from “dull, conservative surroundings.” They taught themself to play drums, bass, guitar, and keyboards. Describing their experience growing up in Tennessee as unpleasant, they moved at age 20 to San Diego, and after college to Los Angeles, where they met Mykki Blanco in 2012, with whom they later toured for two and a half years throughout Europe and Asia.In the early 2010s, Tumor recorded as Teams, and made music which AllMusic described as “post-chillwave”. They debuted their Yves Tumor project in 2015 with an EP for Berlin’s experimental club label Janus, and another one for Blanco’s label, Dogfood MG. That same year, they self-released their first album, When Man Fails You (which would later be re-released by Apothecary Compositions on April 29, 2016). In September 2016, Tumor signed with PAN Records and released its label debut, Serpent Music. They had worked on the album for three years after moving to Leipzig, Germany. The album was recorded between Miami, Leipzig, Los Angeles and Berlin. In Pitchfork’s review of the album, critic Andy Beta compared Tumor’s musical style to James Ferraro and Dean Blunt, and noted their use of “unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape”. In September 2017, Tumor released a compilation album titled Experiencing the Deposit of Faith for free. Later that week, it was revealed through a tour announcement that Tumor had signed to Warp Records. Following the announcement, they embarked on a tour with a new audiovisual show. In September 2018, Tumor released their Warp debut, Safe in the Hands of Love, with no prior announcement. It was preceded by the singles “Noid” on July 24, “Licking an Orchid” featuring James K on August 29, and “Lifetime” on September 3. The album received universal acclaim from music critics. Pitchfork’s Jayson Greene stated in their review that the album “dwarfs everything the artist has released by several orders of magnitude. The leap is so audacious it’s disorienting.” Tumor’s fourth album, Heaven to a Tortured Mind, was released on April 3, 2020, preceded on March 3 by the single “Kerosene” featuring Diana Gordon. Alexis Petridis, reviewing the album for The Guardian, awarded it Album of the Week, describing it as “extraordinary: experimental, capable of any genre, with an internal logic powering its shifts in mood. Tumor has cited Throbbing Gristle as a major influence, saying: “There’s something about their music, like the hypnotic trance vibes, that really influenced me.]

11. The Black Creatures – “Elements”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

12. Sudan Archives – “Confessions”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

11:00 – Station ID

13. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:04 – Interview with Brenton Cook & Brodie Rush

Brenton Cook of Haymaker Records on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Brenton Cook , thanks or being with us on Wednesday MidDay Medley

Brodie Rush of Be/Non on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s 2009 release, A Mountain of Yeses. The new release is called, A Valley of No: The Alternative A Mountain of Yeses. And it is being released today, through Haymaker Records.

Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses which is being made available TODAY

Be/Non circa 2008-2009

Originally released May 12, 2009, “A Mountain of Yeses” was made by:
Brodie Rush on everything, vocals, guitar, bass, drums, keyboards;
Ben Ruth on bass guitar;
Ryan Shank on drums & percussion,
Jeremiah James on guitar, Moog & Vocals.

Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. “

11:14

14. Be/Non – “Travel”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:17 – More Interview with Brenton Cook & Brodie Rush

We are talking with Brenton Cook & Brodie Rush about Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net

Director of Animation & Motion Graphics at Crush Media

A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Brenton Cook & Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Haymaker Records is releasing Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net http://www.crushmediakc.com http://www.brodierush.com

11:27

15. Be/Non – “Assention”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:29 – Underwriting

Rosé Perez

16. Rosé Perez – “Megan’s Wedding”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.]

11:35 – Interview with Carrie Wallen, 2007 Balquier, & Lina Žemaitė

Carrie Anne Wallen of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Carrie Anne Wallen is a multi media performance artist, She plays guitar and keyboards, and writes music. Carrie is currently a Charlotte Street Studio Resident working in illustration, 90’s glitch art inspired collage, audio/visual performance art, installations and musical satirization of the toxicities of contemporary culture. Carrie Anne writes irreverent songs that are based on factual information mixed with dark humor. Her performance art uses theater, digital data corruption, interactive video and costumes in a musical satirization of social injustice, gender roles and the prescriptive capitalist agenda. The majority of her work is collaborative. Carrie Anne’s focus is to inspire cheerfulness, inclusivity and resistance.Carrie was previously in pop-goth band, Ricki Wallen. In 2017 she received a bachelor’s degree in urban planning from Missouri State University.

Carrie Wallen, thanks for being with us on WMM.

2007 Balquier of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

2007 Balquier, is also known as Whorxata. They are a multi-disciplined artist creating works in converging media, music production, and video work. Their work as Dj Whorxata (hor-chata) involves blending and mixing varieties of dance and club music to create a queer-inclusive, body positive, sex positive space. 2007 plays bass and drums in Rosé Perez.

2007 Balquier, thanks for being with us on WMM.

Lina Žemaitė of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lina Zemaite is a Kansas City based multi instrumentalist, performance artist, and composer. Lina is the drummer for acclaimed girl pop group Rosé Perez. She is also the saxophonist and clarinetist for experimental jazz group HANNAH, as well as a vocalist for industrial act Killus.

Lina Žemaitė, thanks for being with us on WMM.

Rosé Perez join us to talk about their debut release, Born in A Bag, the band’s Split EP with post punk band / multi media project, Period BOMB, released on October 23, 2019.

Rosé Perez

Rosé Perez is:
Carrie Wallen on guitar & keyboards,
2007 Balquier on bass & drums,
Lina Žemaitė on drums & bass.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone J. Ashley Miller at The Infoaming Vortex.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

11:49

17. Rosé Perez – “Placenta Agenda”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex..]

18. John Prine – “Illegal Smile”
from: John Prine / Atlantic / 1971
[John Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. A member of Chicago’s folk revival, he was discovered by Kris Kristofferson (although Prine himself credited film critic Roger Ebert[2]), resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice.Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, and songs which recollect melancholy tales from his life. // John Prine is the début album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Prine was offered a recording contract by Jerry Wexler of Atlantic Records after the record executive saw the singer perform several of his own songs at a Kris Kristofferson show at the Bitter End. The song “Paradise” was recorded at A&R Studios in New York (with Prine’s brother Dave and good friend Steve Goodman as sidemen) but the remaining cuts were recorded at American Sound Studios in Memphis. Produced by Arif Mardin, who had previously collaborated with the likes of Aretha Franklin and King Curtis, Prine found his new studio surroundings intimidating. In the Great Days: The John Prine Anthology liner notes he admits, “I was terrified. I went straight from playing by myself, still learning how to sing, to playing with Elvis Presley’s rhythm section.” Initially, the musicians at American, accustomed to playing heavily rhythmic material and funky grooves, were thrown by Prine and his songs. As recounted in Eddie Huffman’s biography John Prine: In Spite of Himself, percussionist Hayward Bishop later recalled, “There was no evidence of groove whatever, and I was hungry for groove. Prine came off like a folk poet. This guy was really nasally, he didn’t have any tone to his voice, and all his songs were in the same key! I thought, ‘This is gonna be like milking a dag-blasted dog!’”]

19. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play a Live Stream Concert on Saturday, April 11, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 15 we will be presenting more New & MidCoastal Releases. We will also talk with Jesse Kates of The Sexy Accident, Mikala Petillo of Miki P and the Swallowtails, and Jenna Rae of Lost Cowgirl Records

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #832

WMM Playlist from February 14, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 14, 2018

Music from Folk Alliance International Conference
+ Victor & Penny + Don Simon & Lost Cowgirl Records Showcase
+ Megan Slankard & Summer Osborne

We spinned songs from musical artists playing Official and Private Showcases at the 2018 Folk Alliance International Conference, February 14 thru 17 at the Westin Crown Center. More info at http://www.folk.org.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. AHI – “Alive Again”
from: We Made It Through the Wreckage / Ahkinoah H Izarh / January 20, 2017
[Debut album from Brampton, Ontario, Canada indie-soul/alt-folk songwriter AHI (pronounced “eye”). From humble beginnings in Brampton, Ontario, AHI independently toured over 100,000 miles, through the vast woodlands of Canada and the neon lights of Nashville, to the Guggenheim Museum in New York, and eventually beyond the Atlantic to the brick lanes of London. Along the way, he has recorded with leading acoustic sessions across the UK and Europe, but none has been more viewed than a simple home video of his stunning rendition of Bob Marley’s ‘No Woman No Cry’, filmed in a London alleyway and accompanied by the sweet harmonies of his three-year-old daughter. The video caught the attention of the Marley family who featured it on the official BobMarley.com website and sent AHI a personalized note from Mrs. Rita Marley herself – an unparalleled experience for an artist who cites Bob Marley as his greatest musical inspiration. Soon after, AHI returned to find his Indie Soul EP (2014) was chosen one of CBC Radio One’s top 10 records of the year, and he has since been recognized and awarded by Folk Alliance International, Nashville Songwriters Association International, the Songwriters Association of Canada, and the Canada Council for the Arts, among others. For his debut full-length We Made It Through The Wreckage (2017), AHI has collaborated with CMA winning producer Eric Masse (Miranda Lambert) to create what Masse has called an entirely “new genre”, blending folk, soul and rock, and topping it off with a vocal performance to be expected from a seasoned powerhouse rather than an indie debut..]

[AHI plays an Official Showcase at Folk Alliance International Conference, Friday, February 16, at 6:00 pm, in Shawnee Mission Room, at Weston Crown Center.]

3. Ruthie Foster – “What Are You Listening To?”
from: Joy Comes Back / Stone Truth Music – Blue Corn Music / March 24, 2017
[Ruthie Cecelia Foster (born February 10, 1964) is an American singer-songwriter of blues and folk music. She mixes a wide palette of American song forms, from gospel and blues to jazz, folk and soul. She has often been compared to Bonnie Raitt and Aretha Franklin. Foster is from Gause, Texas and comes from a family of gospel singers. At the age of fourteen, Ruthie was a soloist in her hometown choir, and was certain that her future would revolve around music. After high school, Ruthie moved to Waco, Texas to attend community college, where her studies concentrated in music and audio engineering. She began fronting a blues band, learning how to command a stage in the bars of Texas. Hoping to travel and gain a wider world perspective, Foster joined the Navy, and soon her musical talents soon had her singing in the naval band Pride, that played pop and funk hits at recruitment drives in the southeastern United States. Following her tour of duty, Ruthie headed to New York City where she became a regular performer at various local folk venues. Atlantic Records got wind of Foster’s talent and offered her a recording deal, with the intent of cultivating her as a budding pop star, but Foster wasn’t interested in a pop career, preferring instead to explore the various strains of American roots music that had informed her childhood. When her mother fell ill in 1993, Foster left New York and her recording deal and returned to Texas to be with her family. She began working as a camera operator and production assistant at a television station in College Station, Texas while she cared for her mother, who passed in 1996. A year later in 1997, Foster self-released the album Full Circle, the success of which paved the way to a long relationship with the record label Blue Corn Music. Blue Corn released the follow up album Crossover in 1999, Runaway Soul in 2002, and Stages (featuring a series of live tracks) in 2004. Stages marked a turning point in Foster’s career, as the experience of a Ruthie Foster live show was able to be experienced by a wide audience. Foster’s next release was Heal Yourself in 2006, followed by the studio album The Phenomenal Ruthie Foster in 2008 (produced by Papa Mali), and The Truth According to Ruthie Foster (produced by Grammy-winning producer Chris Goldsmith), recorded at Ardent Studios in Memphis, in 2009, all released by Blue Corn Music. The Truth According to Ruthie Foster earned Ruthie a Grammy Award Nomination for Best Contemporary Blues Album. A second album of Foster’s live performances, Live At Antone’s (CD and DVD), was released in 2011. In 2012, Ruthie and Blue Corn released the studio album Let It Burn, which featured special guests The Blind Boys of Alabama, William Bell and the rhythm section of The Funky Meters, and was produced by Grammy-award winner John Chelew. Let It Burn earned Foster a second Grammy Nomination, this time for Best Blues Album, and was the vehicle for numerous Blues Music Awards won by Foster. Her most recent album, Joy Comes Back, was released by Blue Corn Music in 2017.]

[Ruthie Foster hosts the International Folk Music Awards Show, Wednesday, February 14, at 7:00 PM, at The Folly Theatre with guest performances and presentations by John Oates, Guy Davis, Giri and Uma Peters, Anais Mitchell, and others.]

[Ruthie Foster plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 10:00 pm, in Pershing East/West.]

10:11 – Underwriting

4. Victor & Penny – “Wake Up Early” (Vinyl)
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Written by Erin McGrane and Jeff Freling. Recorded mixed and mastered by Duane Trower at Weights & Measures Soundlab. Erin McGrane on ukulele & vocals, Jeff Freling guitar & vocals, featuring James Issac on clarinet & soprano sax, Kyle Dahlquist on trombone, glokenspiel & vocals, Jeff harshbarger on upright bass, and Brian Steever on drums. Sleve design by Marco Pascolini. EAT.HEAR.RECORDS. 1520 Grand Ave. KCMO 64108 http://www.therecordbar.com]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

Bill Sundahl, Erin McGrane & Jeff Freling on the February 14, 2018 edition of Wednesday MidDay Medley on KKFI.

10:16 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny. The duo were honored to represent Kansas City at a New York City press event as part the America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.” Victor & Penny have also performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s 2016 EDC Awards Luncheon, KC Union Station’s Centennial Celebration, and KC Mayor, Sly James’ 2015 State of the City Address.V&P are a four-time Official Showcase Artists for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last five years. In 2016 V&P released their 4th album, ‘Electricity.’ After recently getting married, Victor & Penny recently released their first ever vinyl 7-inch vinyl single though EAT.HEAR.RECORDS. Last night Victor & Penny and the Loose Change Orchestra joined famed composer & musician David Amram for David Amram: A Musical Life, interviewed by Chuck Haddix, at The Olathe Public Library.

Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center

Jeff Freling and Erin McGrane thank you for being with us on WMM.

Victor & Penny are a four-time Official Showcase Artists for Folk Alliance International Conference.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Erin McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter. The duo was married in May 2017 and recently returned from an extended overseas honeymoon in Spain and Portugal (Oct. 2017).

Celebrating the simultaneous launch of Victor & Penny were the first release on the new label, EAT. HEAR. RECORDS. The 7” 45rpm vinyl record by Victor & Penny offers a new sonic landscape from the band as they have expanded to include drums with local jazz drummer, Brian Steever. Mr. Steever will join the band for a portion of the special concert.

EAT. HEAR. RECORDS was founded by recordBar and Steve Tulipana.

10:23

6. Victor & Penny – “She Says She Knows”
from: She Says She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

10:27 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny, a Swing-infused folk-jazz rooted in the riff-driven Kansas City style, delivered with class, joy, and soaring musical improvisation.. The duo have released four full length albums and most recently a 7″ vinyl single. Kansas City is their home.

Victor & Penny are members of Folk Alliance International Member, and Midwest Music Foundation

Victor & Penny were named “Best Folk Ensemble 2015” by the PITCH; “Standout Concert of the Year” by the Joplin Globe; and are two-time Folk Alliance International official showcase artists. V&P and the LCO feature tight vocal harmonies, dazzling guitar work, red-hot horns and a fiery ukulele. This corset-tight quintet brings a modern Kansas City voice to their original tunes and prohibition era jazz with sterling musicianship. V&P and the LCO impress and delight with charm and hot licks and they are an “absolute rollicking blast.”

The group released a new full-length CD, “Electricity” (March 2016) which debuted on the Folk Radio DJ charts at #12 with the #3 song. “Electricity” crackles and sparks with joy and regret; truths and dares; love and love gone wrong all set to a score of vibrant, rhythmic swing and virtuosic musicianship. Electricity is the culmination of 160,000 miles, 5 years and nearly 1,000 performances and is a testament to the incomparable vivacity of Victor & Penny’s live show, with newly added sophistication and rich instrumentation.

Jeff Freling played for many years in the band for Blue Man Group, in Chicago. Erin McGrane starred on screen with George Clooney in the film “Up in the Air.” She was also in the cabaret troupe Alacartoona. Ms. McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter.

The Loose Change Orchestra:

Classically trained reeds virtuoso James Isaac fronts his own highly respected jazz quartet, The James Isaac Group and is a member of the People’s Liberation Big Band.

Bassist Rick Willoughby attended the UMKC Conservatory of Music and is a member of Quixotic, The Snow Globes and the Barclay Martin Ensemble.

Multi-instrumentalists Kyle Dahlquist (The Naughty Pines, Hardship Letters) rounds out the lineup with trombone, accordion and vocals.

For more information, please visit: http://www.victorandpenny.com

Awards: New folk-jazz album “Electricity” debuts on Folk Radio DJ chart as #12 album with #3 song (March 2016)
3-time Folk Alliance International Official Showcase Artists (2014, 2015, 2017)
SERFA Official Showcase (2016)
NERFA Official Quad Showcase Artist (2014)
“Best Folk Ensemble 2015” – PITCH (KC)
“Standout Concert of the Year 2014” – Joplin Globe

2014 Mid-America Arts Alliance Professional Development Grant Recipient (KCMO)
2013 Escape To Create Artist-in-Residence (Seaside, FL)
2009 ArtsKC Inspiration Grant Recipient (Kansas City, MO)
ArtistINC Fellow, Peer Facilitator and Workshop Presenter

Victor & Penny play Visit KC Annual Meeting at Kauffman Center for the Performing Arts, Tues, Feb 27, at 4:30pm

10:34

6. Victor & Penny – “You’re A Revelation”
from: Electricity / Victor & Penny / April 19, 2016
[Jeff Freling on guitar & vocals and Erin McGrane on ukulele & vocals. Produced by Grammy Award winning Producer/Engineer Mitch Dane, at Sputnik Sound in Nashville, TN, featuring Victor & Penny’s fine band, The Loose Change Orchestra with James Isaac on clarinet, soprano saxophone and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist.]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

7. The Accidentals – “Odyssey”
from: Odyssey / Sony Music Group / August 18, 2017
[The Accidentals are an American musical band, formed in Traverse City, Michigan, in 2012, by Savannah Buist and Katie Larson, joined by percussionist Michael Dause in 2014. The group features an eclectic blend of indie folk, pop, jazz, bluegrass, rock, classical, and other genres, utilizing a wide variety of instruments that reflect the group’s orchestral roots and electronic influences. As of 2017 they had released three full length albums and one EP. In March 2015, they performed at the South by Southwest music festival in Austin, Texas, which featured some 2,200 acts, and were named as one of the top breakout groups by Billboard staff. In 2015, the group contracted with Marshall Crenshaw and Stewart Lerman to produce four new albums, but upon the contract becoming renegotiable the following year, the band opted to continue releasing music independently. On January 9, 2017, the band announced that they were signed to Sony Masterworks via a feature in Local Spins, the album will feature multiple guest performers, including Jack White bassist Dominic John Davis, Jenny Conlee of The Decemberists, Keller Williams, Kaki King, Lily & Madeleine, and Carbon Leaf. Buist described Masterworks as “a family that gets us and our music, and wants to support that authentically”, while Larson added, “We feel like we can be truly who we are and they appreciate the honesty.” Masterworks is primarily a classical and jazz label, having previously signed such names as Yo-Yo Ma, Sonny Rollins, and Yanni, though it has recently expanded its reach with its signing of indie folk duo Tall Heights and acknowledgement of bluegrass on The Goat Rodeo Sessions. On August 18, 2017, the Accidentals embarked on tour throughout the United States and Canada to promote the album. The album received positive reviews from critics, including PopMatters, AllMusic, and Local Spins.]

[The Accidentals play an Official Showcase at Folk Alliance International Conference, Sat, Feb 17, at 7:30 pm, in Shawnee Mission Room.]

[The Accidentals play a Private Showcase at Folk Alliance International Conference, in The Lost Cowgirl Records Room 713, at The Weston Kansas City at Crown Center, Friday, February 16.]

10:42 – Interview with Don Simon

With over 40 live musical acts being presented during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center, in the Lost Cowgirl Records Private Showcase at Folk Alliance International Conference our next guest will be keeping some late hours starting tonight. Lost Cowgirl Records is based in Kansas City, Missouri and was formed on March 12, 2017 by musician and songwriter Jenna McCarty and Don Simon. Don Simon is an attorney, business advisor, father, educator, musician, and arts advocate. He serves on the Board of Directors at Folk Alliance Region Midwest (FARM), KC Volunteer Lawyers and Accountants for the Arts and, Midwest Music Foundation. He works as an Adjunct Instructor at UMKC, Northwest Missouri State University – Kansas City, and Avila University.

Don Simon Thanks for being with us on Wednesday MidDay Medley

Lost Cowgirl Records is based in Kansas City, Missouri and was formed on March 12, 2017 by musician and songwriter Jenna McCarty and Don Simon.

The Lost Cowgirl Records Room – Feb 14 at 10:30 PM to Feb 18 at 3 AM
Westin Crown Center, 1 E. Pershing, Kansas City, Missouri 64108

Room #713 – Schedule: Wednesday 2/14:

Shawna Caspi (Ontario, Canada)
Beth Marlin (San Francisco, CA)
Julia Othmer (Los Angeles, CA)
Eddie Crane (KC)
Hope Dunbar (Utica, NE)
Bob and Una Walkenhorst (KC)
Erin O’Dowd (Tulsa, OK)
Bill Scorzari (Huntington, NY)
The Summer Storms (KC)
MisterScotty – Music from Scott Stuewe (KC)
Luther Vincent (KC)

10:49

8. Hope Dunbar – “She Keeps Going”
from: Three Black Crows / Hope Dunbar / October 6, 2017
[Hope Dunbar’s music is rooted where and with whom she lives: in small town Utica, NE (population 800) with her husband and three kids. Between basketball games and PTA meetings, she finds time to write about women like her: complicated. Sometimes stretched thin and wanting more; sometimes singing liberation anthems and cracking jokes; always believing love is never too far out of reach. Hope’s debut EP “A Woman like Me” showcases her powerhouse vocals and her ukulele and guitar prowess with songs and style influenced by traditional country and folk.]

[Hope Dunbar plays a Private Showcase at Folk Alliance International Conference, in The Lost Cowgirl Records Room 713, at The Weston Kansas City at Crown Center, Tonight, Wednesday, Feb 14. ]

Don Simon Introduces Hope Dunbar, Wednesday, February 14, 2018 at Folk Alliance International.

10:53 – Inteview with Don Simon

We are talking with Don Simon the Lost Cowgirl Records Private Showcase at Folk Alliance International Conference presenting over 40 live musical acts during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center.

40 musical acts will be presented during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center.

Room #713 – Schedule:

2/15:
Jeff Brown (Chicago, IL)
The Nite Owls: Wyatt Brewer & Sarah Lynn (KC)
Jason Lee McKinney (Memphis, TN)
Run With It (KC)
Caroline Cotter (Portland, ME)
summerland (Stillwater, OK)
Jenna & Martin (KC)
Betsey Mae (Springfield, MO)
The Matchsellers (KC)
Rabble in Arms (KC)
Jacob Stanton (KC)

2/16:
Julie Bennett Hume (Lee’s Summit, MO)
Danielle Ate the Sandwich (Ft. Collins, CO)
The Accidentals (Traverse City, MI)
The Roseline (Lawrence, KS)
Danny Burns (Nashville, TN)
The Hardship Letters (KC)
Jessica Paige (KC)
Heather Styka (Chicago, IL)
Freight Train Rabbit Killer (KC)
Joy Zimmerman (KC)
Teri Quinn (KC)

2/17:
Chris Stephens – World Musician (Columbia, MO)
Alex Winters (Austin, TX)
The Vogts Sisters (Erie, KS)
Kelly Hunt (KC)
Under The Big Oak Tree (St. Joseph, MO)
Of Tree (KC)
Jenna Rae (KC)
Kyshona Music (Nashville, TN)
Mary Bragg (Nashville, TN)
Ladies’ Jam

More information at: http://www.lostcowgirlrecords.com

Lost Cowgirl Records Private Showcase at Folk Alliance International Conference presenting over 40 live musical acts during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center. More information at: http://www.lostcowgirlrecords.com

11:00 – Station ID

9. Yirrmal – “Blackfella Whitefella”
from: Deadly Hearts / Austrailian Broadcasting Corporation / June 30, 2017
[New gen Indigenous Australian artist Yirrmal Marika, from North-East Arnhem Land, has made a refreshing entrance into the music scene. Inspired by his Grandfather, Dr Yunupingu, former lead singer of Yothu Yindi, he fuses tradition and contemporary with class and passion. Yirrmal is an inspiring songwriter and guitarist with a beautiful voice, singing songs about his homeland and culture with feeling and depth beyond his years. Yirrmal is related to Dr G Yunupingu on his mother’s side, and his father, Witiyana Marika, was a singer and dancer in Yothu Yindi. He has extensive knowledge of traditional Yolngu “Manikay” songs, and he is also an excellent dancer and didgeridoo “yidaki” player. He is connecting a newfound sound and engaging the hearts of all who are lucky enough to hear him. Yirrmal has lived in Geelong for the past six years where he has been continuing his education and participating in the Marrma’ Rom Two Worlds Leadership Program. He aims to set an example for Indigenous youth and to be a strong, positive role-model for the next generation. Over the past 3 years Yirrmal has worked with song-writing mentors Neil Murray, Shane Howard and released his debut EP ‘Youngblood’ in November 2016. The release was followed by a short regional Victorian and interstate tour. Yirrmal is looking forward to working with more mentors in 2017 to write material for his first full-length album recording in 2018. Career highlights include performing at the Northern Territory NAIDOC Week concert and NAIDOC Ball, the National Indigenous Music Awards, Garma Festivals, New Zealand Music Festival and Singapore and Taipei Music Festivals with the Black Arm Band, Nannup Music Festival, BluesFest Touring Shows and Bluesfest Music Festival, Woodford Festival, the Port Fairy Folk Festival and he was the recipient of the 2017 Maton Class Act for Emerging Talent award. Yirrmal also received great reviews for his performance in the concert ‘1967: Songs in the Key of Yes’ marking the 50th anniversary of the Referendum. More information at: http://www.yirrmal.com]

[Yirrmal plays an Official Showcase at Folk Alliance International Conference at Friday, February 16, at 7:30 PM in Pershing North at Weston Crown Center.]

Yirrmal in a Private Showcase at Folk Alliance International, February 14, 2018

10. John Oates – “Arkansas”
from: Arkansas / PS Records / February 2, 2018
[John Oates is one half of the best-selling duo of all time, Hall & Oates, a member of the Rock and Roll Hall of Fame, and Songwriters Hall of Fame. His new album “Arkansas” which blends delta blues, ragtime and roots influences. John Oates was born in New York City, his family moved to a small town outside of Philadelphia, PA in the early 1950s – a move that would change the course of his life. John Oates met Daryl Hall while attending Temple University in Philadelphia, PA. The two began collaborating and playing music together, marking the beginning of their historic partnership. Since their formation in the early 70s, Daryl Hall & John Oates have gone on to record 21 albums, which have sold over 80 million units, making them the most successful duo in rock history. They have scored 10 #1 records, over 20 Top-40 hits, and have toured the world for decades. Their involvement in the original Live Aid concert and the groundbreaking We Are The World charity recording have further established them as legendary artists, who have personally and through their music, stood the test of time. in 2005 they were inducted into the American Songwriters Hall of Fame. In May of 2008, they were also presented the prestigious BMI Icon Award for their outstanding career achievement in songwriting. In April 2014, Hall & Oates was inducted into the Rock and Roll Hall of Fame. Since embarking on a long awaited solo career in 1999, John has recorded five solo albums: Phunk Shui, 100 Miles of Life, Mississippi Mile, a live album called The Bluesville Sessions, and Good Road To Follow, (which featured collaborations with Ryan Tedder of OneRepublic, Vince Gill, Nathan Chapman, Jim Lauderdale, and Jerry Douglas). Arkansas was originally inspired by the music and legacy of the legendary Mississippi John Hurt, the project grew to encompass other artists and styles that represent the dawn of American popular music. Stylistically diverse and eclectic, the collection features a full band that was put together specially to bring the full range and flavors of classic American musical styles to life. Oates crafted a number of original songs for the Arkansas album; selections actually inspired by the process of digging deep into the sonic soil of authentic roots music. “I really believe this is the most vital and satisfying solo project I’ve ever embarked upon,” Oates says of Arkansas. “Of all the music I have ever made with anyone, for me this album sits right up there.” John resides in Nashville, Tennessee with his wife Aimee.]

[John Oates plays an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 9:15 PM in Pershing East/West at Weston Crown Center.]

11. Black Umfolosi – “Umhlaba”
from: Umhlaba / 10th District Music / July 18, 2015
[From Bulawayo, Zimbabwe, this ensemble has been performing and recording music form 30 Years. Known as Zimbabwe’s greatest ambassadors, performing music inspired by the traditional song and dance of their native southern Africa. Black Umfolosi were formed in 1982 by school friends in Bulawayo, Zimbabwe, who named themselves after the Umfolozi Omnyama River in South Africa to where their ancestors can be traced. In 2011 The Black Umfolosi 5 continue to present their spectacular songs and dances thrilling audiences worldwide. Their performances are energy driven and completely engaging, mixing a great gentleness of spirit and song with an exuberance in dance. Their trademark harmonies mixed with intricate rhythms, clicking and clapping are highlighted during their brilliantly choreographed shows with a full range of movements from subtle to vibrant stomping and leaping! Their famous Gumboot Dances showcase the traditional styles and rituals of the South African mining regions and are a particular crowd pleaser.]

[Black Umfolosi play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 8:30 PM, in Century C, at Weston Kansas City Crown Center.]

12. The Mammals – “My Baby Drinks Water”
from: My Baby Drinks Water – Single / The Mammals / May 1, 2017
[Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the announcement of a new album in 2018. The 2017 lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”]

[The Mammals play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 9:45 PM, in Shawnee Mission Room at Weston Kansas City Crown Center.]

13. Radio Free Honduras – “Morena (feat. Steve Eisen)”
from: Radio Free Honduras / Radio Free Honduras / September 6, 2014
[Charlie Baran has lived a life of music. Before moving the the United States he was a founding member of the legendary Honduran musical group Banda Blanca, who’s song “Sopa de Caracol” became the #1 Billboard Top Latin Songs hit in 1992. Now a maintenance man at a Catholic grade school by day, Charlie has kept his musical flame glowing largely through acoustic solo performances around Chicago for the past ten years. Charlie Baran is a true virtuoso. No one sees him perform without recognizing the presence of a true master – an heir to a rich tradition of Honduran music, as well as a guitar slinging showman and a gifted songwriter whose skill transcends all genres. But throughout most of his career he has existed in the shadows – until the formation of Radio Free Honduras. Radio Free Honduras is a diverse collective of Chicago musicians, all united under one goal – supporting the artistry of Charlie Baran and bringing this tremendous talent into the spotlight where it belongs. Founded by Dan Abu-Absi, longtime guitarist for JT and the Clouds and Birds of Chicago, Radio Free Honduras plays mostly Baran originals, but their live shows often feature a wide variety of reimagined cover songs. This band provides Charlie with the wide musical pallet his talent (and songs) deserve. Abu-Absi has gathered a large, revolving collective of some of Chicago’s most talented musicians; lively percussion, eclectic instrumentation, and rich harmonies all provide the backdrop, allowing Charlie to do what he does best – stunning guitar work, tapping into what seems a limitless supply of energy and enthusiasm for music. Charlie Baran has lived a long and storied musical life – but very few are familiar with his side of the story. Radio Free Honduras has made it their mission to change that.]

[Radio Free Honduras play an Official Showcase at Folk Alliance International Conference at Friday, February 16, at 7:00 PM, in Liberty Room at Weston Kansas City Crown Center.]

14. Rosie & The Riveters – “Let ‘Em Talk”
from: Ms. Behave / Rosie & the Riveters / April 6, 2018
[Saskatoon, Saskatchewan trio formed by Alexis Normand, Farideh Olsen, and Allyson Reigh. Rosie & the Riveters never planned to get political. But opening a newspaper or watching the news these days made it impossible to see the status of women around the world and stay silent. The result is Ms. Behave – a collection of gritty, sultry, vintage-inspired folk anthems that paint a portrait of a woman’s voice in a man’s world. The band wrote most of the album in a cabin nestled in the woods in the dead of the Canadian winter. A quick read through song titles like “Gotta Get Paid”, “Let’em Talk” and “I Wanna Be King” gives an idea of what they have to say. While their single, “Ms. Behave” lays down a Bill-Withers-inspired groove and rejects the policing of women’s behavior, “I Believe You” sprung from the outrage and sorrow they felt after hearing the recent avalanche of stories of sexual assault. Produced by Joshua Van Tassel (Rose Cousins, Great Lake Swimmers), their sophomore album echoes Aretha Franklin’s demand for R-E-S-P-E-C-T. Rosie & the Riveters believe women are the world’s greatest untapped resource which is why they invest 20% of merchandise profits in microfinance initiatives through KIVA.org. They helped women like Alice in Kenya expand her horticulture farm and Maria in Ecuador purchase a sewing machine for her tailoring business. To date, they have contributed more than $8800 to over 175 projects around the world. More info at http://www.rosieandtheriveters.com.]

[Rosie & The Riveters play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 6:00 PM, in Benton’s 20th Floor, at Weston Kansas City Crown Center.]

11:26 – Underwriting

11:27 – Interview with Megan Slankard

San Francisco indie-alt-rocker Megan Slankard, is in Kansas City to play 10 different Private showcases during the 30th Annual Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne. After Folk Alliance, Megan gets back on the road with 16 more shows taking her to Wichita, Madison, and Chicago.

Megan Slankard, thanks for joining us again on Wednesday MidDay Medley.

KC Turner Presents at Folk Alliance International – Private Showcase Room # 714
Powered by Bose

~ Wednesday, Feb. 14 ~
10:30-11:10pm: Steve Poltz

Steve Poltz at Folk Alliance International, February 14, 2018


11:25-12:05am: The Mastersons / Matt The Electrician / Megan Slankard
12:20-1:05am: Honeysuckle / Grant Peeples
1:20-2:05am: Korby Lenker / Heather Styka / Tim Easton

~ Thursday, Feb. 15 ~
10:30-11:10pm: Evie Ladin & Keith Terry / Meshach Jackson / Mary Bragg
11:25-12:05am: Nels Andrews / Matt The Electrician / Peter Mulvey
12:20-1:05am: Megan Slankard / The Accidentals / Carrie Elkin
1:20-2:05am: Steve Poltz
2:20-3:05am: Ali Holder / Little Brave / Beth Marlin

~Friday, Feb. 16 ~
10:30-11:10pm – Bob Hillman / Caitlin Jemma / Beth Marlin
11:25-12:05am: Natalia Zukerman / Amber Rubarth / Rebecca Loebe
12:20-1:05am: Stephen Kellogg
1:20-2:05am: – Tim Easton / Ayleen O’Hanlon / Megan Slankard
2:20-3:05am: The Sea The Sea / Ismay / The Mastersons

~ Saturday, Feb. 17 ~
10:30-11:10pm: Jimbo Scott / Peter Mulvey / Danielle Ate The Sandwich
11:25-12:05am: Son of Town Hall / Megan Slankard / Robby Hecht
12:20-1:05am: Joe Purdy
1:20-2:05am: Anna Vogelzang / Julian Muller / Melissa Greener
2:20-3:05am: Anthony da Costa / John Blek / Jaimee Harris

11:37

15. Megan Slankard – “You Got This” (Live)
(a new song)

11:41 – Interview with Megan Slankard

San Francisco indie-alt-rocker Megan Slankard, is in Kansas City to play 10 different showcases during the 2018 Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne.

Megan Slankard, welcome back to Kansas City

Megan Slankard is also playing Folk Alliance International Private Showcases in:
Wisconsin Room #543
M Press Records Room #641
Combo Plate booking #652
Momentary Love MGMT #601

Megan Slankard is playing Bose demonstration shows:

Fri 2/16 – 1pm at Guitar Center 3911 Bolger Rd, Independence, Missouri
Fri 2/16 – 4pm at Guitar Center 6700 W 119th St, Overland Park, Kansas

Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, KS with Summer Osborne.

After Folk Alliance, Megan gets back on the road with 16 more shows taking her to Wichita, Madison, and Chicago.

Megan Slankard is playing Steve Poltz 9th Annual 50th B-Day Bash ft. The Rugburns, Saturday, February 24 at 9 PM at Belly Up, 143 S Cedros Ave Ste T, Solana Beach, California

Megan Slankard is in Kansas City to play 10 different showcases during the 2018 Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne. More info at: http://www.meganslankard.com

11:50

16. CS Luxem – “Symptoms”
from: Symptoms / Whatever Forever / February 17, 2018
[First full length from ACS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. More information at http://www.csluxem.bandcamp.com]

[CS Luxem plays an Album Release Show with Kawehi and Hush Machine at The Bottleneck! 737 New Hampshire St, Lawrence, Kansas on Saturday, February 17, at 8:00 PM]

17. Anais Mitchell – “Flowers” (Eurydice’s Song)
from: Hadestown / Righteous Babe Records / 2010
[born in 1981 Anais Mitchell grew up on a farm in Addison County, Vermont. She began writing songs at 17 and performing them during her school days, where she studied political science and languages. Her 2nd recording, “Hymns for the Exiled,” eventually reached the ears of Ani DiFranco, who signed Mitchell to her label, Righteous Babe Records. Anaïs Mitchell’s latest release comes in the form of a folk opera. Hadestown is the modern day interpretation of the ancient Greek myth of the poet Opheus and his doomed quest to rescue his wife Eurydice from the underworld. Hadestown began its existence in 2006 as a live “acoustic rock opera” that the Vermont-based singer/songwriter created in collaboration with director Ben t. Matchstick (Bread & Puppet Theater) and arranger / orchestrator Michael Chorney. After loading the sets and the 22-member cast of Vermont performers into a former circus bus and touring New England during “full-on winter,” it was time to rework a few songs. Next, Mitchell called upon a few fellow musicians to lend their voices to a recorded version—not a cast album, but a stand-alone, selcontained song cycle. The result is a veritable Who’s Who of modern indie folk/rock: Justin Vernon of Bon Iver plays Orpheus; Greg Brown is Hades; and Ani DiFranco plays Persephone. Also on hand in smaller roles are the Haden Triplets (Petra, Rachel, and Tanya) as the Fates and Ben Knox Miller of The Low Anthem as the Hermes, Mitchell herself sings the part of Eurydice.] [Hadestown became a 2016 stage musical adaptation of a 2010 folk opera concept album by the same name, written by Anaïs Mitchell. It premiered off-Broadway at New York Theatre Workshop on May 6, 2016 and ran through July 31. The show was developed for the stage and directed by Rachel Chavkin. Like the original concept album, Hadestown tells a version of the ancient Greek myth of Orpheus and Eurydice, where Orpheus journeys to the underworld to rescue his wife Eurydice. Music by Anaïs Mitchell, Michael Chorney, Todd Sickafoose, Lyrics by Anaïs Mitchell, Book by Anaïs Mitchell.]

[Anais Mitchell play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 9:00 PM, in Washington Park Place, at Weston Kansas City Crown Center.]

Anais Mitchell at Folk Alliance International, February 15, 2018

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 21 Marion Merritt of Records With Merritt returns as our special Guest Producer. Also Next week members of the band Red Kate and Sid Sowder join us to share the new Too Much Rock Single release.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #721