WMM Playlist from April 8, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New Singles from musician and songwriter Peter Beatty plays in the band Momma’s Boy, who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays a “Cruis’n” / “Rising Sun” – Cassingle Release – Streaming Live Concert, Friday, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram, etc.]

3 Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

4. Nick Siegel – “Let’s Blouse”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel plays a “For You, Dear, Anything” EP Release – Streaming Live Performance on Friday, April 10 at 7:00 PM on Facebook Live.]

5. Lyra Pramuk – “Mirror”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. The Abracadabras – “Give Me Your Name”
from: Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with John Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals. Richard Gintowt wrote about The Abracadabras for the October 9, 2008 edition of The Pitch: Be Still, Be Cool is …an avalanche of tunes inspired by alternative rock, Britpop, ’60s psychedelia, hippie folk, and swampy Southern blues. Regardless of what labels or managers get behind it (or not), Be Still, Be Cool sounds like a big-time record — not the annoying Fall Out Boy sort but rather the well-rounded Supergrass variety. Recorded with producer Mike Crawford at his upstart studio, The Impossible Box, the album showcases a breadth of recording techniques from one-take numbers to the sort of trickery that has informed albums since Sgt. Pepper’s. Each track is stacked with harmonies, guitar overdubs and vintage keyboards. “We threw the whole kitchen sink into it,” lead singer John Nixon says. “Mike added a lot of great X factors to tracks. He’d dial up perfect guitar and keyboard tones.” Nixon says the group intended to stack the front of the record with pop songs and then let it “slowly unveil itself as something else.” The song “Deep” is a mellow acoustic number in the vein of CSN&Y, while “Show Me the Sunrise, Callie Anne” summons the campfire country-rock of the Rolling Stones’ Sticky Fingers. Such detours complement infectious two-minute singles like “C’mon and Get It!” and “An Argument.” “We’re enthusiasts of the art of order and timing,” Collin Rausch says. “One of my favorite things to do is take classic rock records and rearrange them to see if I can make them better.” This Friday’s album-release party at the Riot Room should offer a sense of vindication after a long summer. The frustrating events unfolded in July, when a prospective label fell out of the loop and manager Harley Sears also exited the picture. Sears, who also worked with KC bands Lovers in Transit and the Rich Boys, relocated to New York City in May. He says the decision to part ways with the Abracadabras was “amicable and necessary” due to other commitments. “I enjoyed the time we spent together,” Sears says. “Their new album was a labor of love, and the end result was a true work of art.” However amicable the split was, the Abracadabras couldn’t help but feel a bit bummed. “We went from almost being signed and having a manager and possibly moving to nothing,” Rausch says. “No matter how hard you try to stay grounded, you get your hopes up.” Adds guitarist Bobby Topaz (real name: Wayne Hutcherson): “It was like the rug was pulled out from under us. There was a week where we all sitting around scratching our heads like, ‘What’s next?’” The events motivated the group to self-release Be Still, Be Cool. They began unveiling tracks on their MySpace page a couple of months ago, leading up to a free release of the album this week. Rather than invest in hard copies, the band is handing out cards with free download codes. They also plan to make the entire album available for download via MySpace. “I think in the long term it’ll be better to give it away,” Nixon says. “The point is that we’re not big, and we’re not making money now anyways, so we may as well try to get people to come to shows.” Nixon is also adamant about downsizing the group’s reputation for dressing up at shows, preferring to redirect the focus toward the music. “It became more of a thing to talk about what we were wearing than what we were doing,” he says. “[Making the record] was a long and frustrating journey, so we had to do things to entertain ourselves and the audience in the meantime. I think we all like making music more than putting on shiny jackets and making sure our hair is pretty. We like that, too, obviously”.]

10:25 – Underwriting

7. L A Jones – “Blonde”
from: Blonde – Single / L A Jones / March 1, 2020
[New single from LA Jones, from Kansas City. Formed in 2016 by Danielle Jones and Tim O’Connor, the band has now grown to feature a three piece horn section, keys, bass, & drums. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. After a string of singles they released their debut EP Bring Me Back Down last year. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim joined us last fall to premiere their single, “Behind The Times”. Danielle and Tim are back today to talk about the newest L A Jones single, “Blonde.”

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

Danielle Jones I Tim O’Connor of L A Jones

L A Jones includes:

Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Last year L A Jones played the Plaza Art Fair, on September 20, on the INK Live Stage, and they played Camp Leavenworth Festival, September 21.

Danielle Jones currently works for The Pet Project. She has previously worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Last year Danielle Jones married Tim O’Connor

Tim O’Connor has previously worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

For info about the new L A Jones single, “Blonde.” you can visit: http://www.officiallajones.com

10:42

8. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones were formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

9. Parade – “North/South”
from: Mend Melodies / Parade / March 1, 2020
[Parade calls their music “genre fluid.” The band is based in KC, with Seth Props on guitar, Claire Monroe on guitar, and Patrick Sanders on bass guitar. Seth who writes and produces most of their music also plays in the band Stary with Adam Stary and Marisa Tejeda. Parade released (Solo Demos) on August 20, 2019. Parade released the 13-song, self titled Parade on, September 2, 2019. Parade released the 13-track Mend Melodies on March 1, 2020, and recently the 13-track, Quarantine Demos on March 31, 2020]

10. Yves Tumor – “Identity Trade”
from: Heaven To a Tortured Mind / Warp Records / April 2, 2020
[4th album from Sean Bowie, best known by the recording alias Yves Tumor, is an American producer of experimental electronic music, born in Miami, Florida and currently based in Turin, Italy. Raised in Knoxville, Tennessee, Tumor started making music at age 17 as an outlet away from “dull, conservative surroundings.” They taught themself to play drums, bass, guitar, and keyboards. Describing their experience growing up in Tennessee as unpleasant, they moved at age 20 to San Diego, and after college to Los Angeles, where they met Mykki Blanco in 2012, with whom they later toured for two and a half years throughout Europe and Asia.In the early 2010s, Tumor recorded as Teams, and made music which AllMusic described as “post-chillwave”. They debuted their Yves Tumor project in 2015 with an EP for Berlin’s experimental club label Janus, and another one for Blanco’s label, Dogfood MG. That same year, they self-released their first album, When Man Fails You (which would later be re-released by Apothecary Compositions on April 29, 2016). In September 2016, Tumor signed with PAN Records and released its label debut, Serpent Music. They had worked on the album for three years after moving to Leipzig, Germany. The album was recorded between Miami, Leipzig, Los Angeles and Berlin. In Pitchfork’s review of the album, critic Andy Beta compared Tumor’s musical style to James Ferraro and Dean Blunt, and noted their use of “unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape”. In September 2017, Tumor released a compilation album titled Experiencing the Deposit of Faith for free. Later that week, it was revealed through a tour announcement that Tumor had signed to Warp Records. Following the announcement, they embarked on a tour with a new audiovisual show. In September 2018, Tumor released their Warp debut, Safe in the Hands of Love, with no prior announcement. It was preceded by the singles “Noid” on July 24, “Licking an Orchid” featuring James K on August 29, and “Lifetime” on September 3. The album received universal acclaim from music critics. Pitchfork’s Jayson Greene stated in their review that the album “dwarfs everything the artist has released by several orders of magnitude. The leap is so audacious it’s disorienting.” Tumor’s fourth album, Heaven to a Tortured Mind, was released on April 3, 2020, preceded on March 3 by the single “Kerosene” featuring Diana Gordon. Alexis Petridis, reviewing the album for The Guardian, awarded it Album of the Week, describing it as “extraordinary: experimental, capable of any genre, with an internal logic powering its shifts in mood. Tumor has cited Throbbing Gristle as a major influence, saying: “There’s something about their music, like the hypnotic trance vibes, that really influenced me.]

11. The Black Creatures – “Elements”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

12. Sudan Archives – “Confessions”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

11:00 – Station ID

13. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:04 – Interview with Brenton Cook & Brodie Rush

Brenton Cook of Haymaker Records on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Brenton Cook , thanks or being with us on Wednesday MidDay Medley

Brodie Rush of Be/Non on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s 2009 release, A Mountain of Yeses. The new release is called, A Valley of No: The Alternative A Mountain of Yeses. And it is being released today, through Haymaker Records.

Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses which is being made available TODAY

Be/Non circa 2008-2009

Originally released May 12, 2009, “A Mountain of Yeses” was made by:
Brodie Rush on everything, vocals, guitar, bass, drums, keyboards;
Ben Ruth on bass guitar;
Ryan Shank on drums & percussion,
Jeremiah James on guitar, Moog & Vocals.

Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. “

11:14

14. Be/Non – “Travel”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:17 – More Interview with Brenton Cook & Brodie Rush

We are talking with Brenton Cook & Brodie Rush about Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net

Director of Animation & Motion Graphics at Crush Media

A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Brenton Cook & Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Haymaker Records is releasing Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net http://www.crushmediakc.com http://www.brodierush.com

11:27

15. Be/Non – “Assention”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:29 – Underwriting

Rosé Perez

16. Rosé Perez – “Megan’s Wedding”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.]

11:35 – Interview with Carrie Wallen, 2007 Balquier, & Lina Žemaitė

Carrie Anne Wallen of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Carrie Anne Wallen is a multi media performance artist, She plays guitar and keyboards, and writes music. Carrie is currently a Charlotte Street Studio Resident working in illustration, 90’s glitch art inspired collage, audio/visual performance art, installations and musical satirization of the toxicities of contemporary culture. Carrie Anne writes irreverent songs that are based on factual information mixed with dark humor. Her performance art uses theater, digital data corruption, interactive video and costumes in a musical satirization of social injustice, gender roles and the prescriptive capitalist agenda. The majority of her work is collaborative. Carrie Anne’s focus is to inspire cheerfulness, inclusivity and resistance.Carrie was previously in pop-goth band, Ricki Wallen. In 2017 she received a bachelor’s degree in urban planning from Missouri State University.

Carrie Wallen, thanks for being with us on WMM.

2007 Balquier of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

2007 Balquier, is also known as Whorxata. They are a multi-disciplined artist creating works in converging media, music production, and video work. Their work as Dj Whorxata (hor-chata) involves blending and mixing varieties of dance and club music to create a queer-inclusive, body positive, sex positive space. 2007 plays bass and drums in Rosé Perez.

2007 Balquier, thanks for being with us on WMM.

Lina Žemaitė of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lina Zemaite is a Kansas City based multi instrumentalist, performance artist, and composer. Lina is the drummer for acclaimed girl pop group Rosé Perez. She is also the saxophonist and clarinetist for experimental jazz group HANNAH, as well as a vocalist for industrial act Killus.

Lina Žemaitė, thanks for being with us on WMM.

Rosé Perez join us to talk about their debut release, Born in A Bag, the band’s Split EP with post punk band / multi media project, Period BOMB, released on October 23, 2019.

Rosé Perez

Rosé Perez is:
Carrie Wallen on guitar & keyboards,
2007 Balquier on bass & drums,
Lina Žemaitė on drums & bass.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone J. Ashley Miller at The Infoaming Vortex.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

11:49

17. Rosé Perez – “Placenta Agenda”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex..]

18. John Prine – “Illegal Smile”
from: John Prine / Atlantic / 1971
[John Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. A member of Chicago’s folk revival, he was discovered by Kris Kristofferson (although Prine himself credited film critic Roger Ebert[2]), resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice.Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, and songs which recollect melancholy tales from his life. // John Prine is the début album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Prine was offered a recording contract by Jerry Wexler of Atlantic Records after the record executive saw the singer perform several of his own songs at a Kris Kristofferson show at the Bitter End. The song “Paradise” was recorded at A&R Studios in New York (with Prine’s brother Dave and good friend Steve Goodman as sidemen) but the remaining cuts were recorded at American Sound Studios in Memphis. Produced by Arif Mardin, who had previously collaborated with the likes of Aretha Franklin and King Curtis, Prine found his new studio surroundings intimidating. In the Great Days: The John Prine Anthology liner notes he admits, “I was terrified. I went straight from playing by myself, still learning how to sing, to playing with Elvis Presley’s rhythm section.” Initially, the musicians at American, accustomed to playing heavily rhythmic material and funky grooves, were thrown by Prine and his songs. As recounted in Eddie Huffman’s biography John Prine: In Spite of Himself, percussionist Hayward Bishop later recalled, “There was no evidence of groove whatever, and I was hungry for groove. Prine came off like a folk poet. This guy was really nasally, he didn’t have any tone to his voice, and all his songs were in the same key! I thought, ‘This is gonna be like milking a dag-blasted dog!’”]

19. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play a Live Stream Concert on Saturday, April 11, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 15 we will be presenting more New & MidCoastal Releases. We will also talk with Jesse Kates of The Sexy Accident, Mikala Petillo of Miki P and the Swallowtails, and Jenna Rae of Lost Cowgirl Records

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #832

WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819

WMM Celebrates David Bowie!

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

David Bowie’s Birthday is January 8! Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

WMM presents our Tribute to David Bowie, featuring short stories about David Bowie from some of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray. We’ll feature selected songs from David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama, Nile Rodgers and two bands with KC connections: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about the Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Mulberry Room, 1321 W. 13th St., Kansas City. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

At 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #819