WMM Playlist from January 9, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. James Murphy – “Golden Years”
from: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.][“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

3. Col. Chris Hadfield – “Space Oddity”
from: Space Sessions: Songs From a Tin Can / Chris Hadfield / October 9, 2015
[The video has had over 27,000,000 views on YouTube. The performance was the subject of a piece by Glenn Fleishman in The Economist on 22 May 2013 analyzing the legal implications of publicly performing a copyrighted work of music while in earth orbit. The song is the only one of Bowie’s for which Bowie did not own the copyright. Bowie’s publisher granted Hadfield a license to the song for only one year. Due to the expiry of the one year license, the official video was taken offline on May 13, 2014, despite Bowie’s explicit wishes that the publisher grant Hadfield a license at no charge to record the song and produce the video. Following a period of negotiations, the video was restored to YouTube on November 2, 2014 with a two-year license agreement in place.]

In May of 2013, Canadian astronaut Chris Hadfield, commander of Expedition 35 to the International Space Station, recorded a video of “Space Oddity” while on board the space station. This was the first music video ever shot in space. The lyrics were slightly changed to reflect Hadfield’s imminent return from his final mission. Hadfield announced the video on Twitter, writing, “With deference to the genius of David Bowie, here’s Space Oddity, recorded on board the Station. A last glimpse of the World.” Bowie responded to the video, tweeting back to Hadfield, “Hallo Spaceboy”.

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a way through, was influenced by Bowie.

Bowie’s death, three years ago, in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, for those of us who felt left out.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. I’m Mark Manning. Today we Celebrate David Bowie with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth. We started with James Murphy and Chris Hadfield

And into this mix of original songs and covers, we’ll feature short stories about David Bowie, from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

Our first story comes from band leader, musician, and director, Cody Wyoming, lead guitarist, singer, and founder of the Kansas City band, The Philistines, who released their debut full length album, “The Backbone of Night” on May 27, 2016 and was #1 on WMM’s 116 Best Recordings of 2016.

4. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

5. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

6. Jesse Bartmess’ Bowie Story – “Changes in my 4-year old ears”
recorded by Mark Manning, Saturday, February 27, 2016

7. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

8. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

9. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.

10:30 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specially for the band to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel, in London, in front of the band’s lead singer, Ian Hunter.

During the year that saw the recording, and release, of two of rock music’s most important albums, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immedately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of glam rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play the rare, previously unreleased track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie and Mick Ronson, from the incredible year of 1972.

10. Lou Reed – “Take A Walk on The Wild Side”
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Marion Merritt grew up in Los Angeles and St. Louis and used to sing the lyrics to David Bowie’s “We Are The Dead,” at her family reunions, when she was just a kid. Marion is creator of Records With Merritt, a small, independent, minority owned business. Marion is keeping the tradition of, female-owned, independent record stores, on Westport Rd., alive. Here is Marion’s story…

11. Marion Merritt’s Bowie Story – “Strange Scary Bowie”
recorded by Mark Manning, Monday, February 22, 2016

12. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next story, about Bowie, comes from one of Bowie’s biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds. Ben will also be performing with The Band That Fell To Earth, Saturday, January19 as a special guest.

13. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

14. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

1977 was another big year for the 30 year old David Bowie. He released the first two albums of his “Berlin Trilogy” Low and Heroes, recording with longtime friend and producer Tony Visconti, and collaborating with musician Brian Eno.

Low came from the creative energy of Bowie’s previous album Station to Station, and music he had intended for the soundtrack to he film The Man Who Fell to Earth. When Bowie presented his material to Nicolas Roeg, the director decided that it wasn’t suitable. Elements from these pieces were incorporated into Low instead. The album’s cover, like Station to Station, is a photographic still from “The Man Who Fell To Earth.”

As a recovering cocaine addict, Bowie’s songwriting on Low dealt with difficult issues. Visconti contended that the title was partly a reference to Bowie’s “low” moods during the album’s writing and recording. Bowie said, “There’s oodles of pain in the Low album. That was my first attempt to kick cocaine, so that was an awful lot of pain.” Bowie and Iggy Pop went to Berlin together to try to kick their drug habit. Bowie said “And I moved to Berlin to do it. I moved out of the coke center of the world, Los Angeles, where Station to Station was recorded, into the smack center of the world, Berlin”.

Heroes was Bowie’s 12th studio album also released in 1977. The second installment of his Berlin Trilogy with Brian Eno .”Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the Berlin Trilogy, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.”

11:00 – Station ID

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM KKFI – Kansas City Community Radio,

15. Ian Johnson’s Bowie Story – “My Dad Tim”
recorded by Mark Manning Sunday, February 13, 2016

16. David Bowie – “Heroes” (Single Version)
from: Heroes / RCA / October 14, 1977
[Twelfth studio album by David Bowie, released in 1977. The second installment of his Berlin Trilogy with Brian Eno – the other releases being Low and Lodger – “Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the three albums, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known, and the song has received lasting critical acclaim and is continually mentioned as one of the greatest songs of all time. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolised by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.” Earlier in 1977, Kraftwerk had name-checked Bowie on the title track of Trans-Europe Express, and he again paid tribute to his Krautrock influences: the title is a nod to the track “Hero” on the album Neu! ’75 by the German band Neu! – whose guitarist Michael Rother had originally been approached to play on the album – while “V-2 Schneider” is inspired by and named after Kraftwerk’s Florian Schneider.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

19. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

19. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

11:15 – Interview with Michelle Bacon

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums, bass, and sings harmony vocals. Over the last several years she performed and recorded music with, Other Americans, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum. Their annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests.

Guest vocalists for Friday, Jan. 18:

Julia Haile who performs solo and with neo-soul/funk group Hi-Lux.

Rachel Mallin songwriter, multi-instrumentalist, leader of Rachel Mallin & The Wild Type.

Michael Tipton who fronts the Talking Heads tribute band, Found A Job!

Wick Thomas activist and educator who leads the glam punk band Wick & The Tricks.

Guest vocalists for Saturday, Jan. 19

Ben Grimes – musician, writer, filmmaker, leader of Soft Reeds and The Golden Republic. He works in TV production on It’s Always Sunny in Philadelphia and Baskets.

Madisen Ward of Madisen Ward and the Mama Bear, “The Radio Winners” received accolades from NPR, the AP and was in the Top 5 of WMM’s 118 Best Recordings of 2018

Slim Hanson singer/songwriter, founding member of the Hellcat Trio and Grand Marquis. He now leads the honky tonk country band Slim Hanson and the Poor Choices.

Miki P is a songwriter and multi-instrumentalist, she was in American Slim, and recently released her debut solo album, “Dome of Swallows.”

Jeff Harshbarger is a bassist, composer, teacher, radio show host on KKFU, and has performed with jazz, rock, tango and avant-garde collectives including Bach Aria Soloists, Krystle Warren, and The People’s Liberation Big Band of Greater Kansas City.

A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater KC area.

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

11:32 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

To study Bowies albums to to learn about the many guitarists and producers who worked with Bowie including on of the most influential guitarist of modern music…Nile Rodgers.

19. Nile Rodgers talks about making “Lets Dance”

20. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

21. Krystle Warren’s Bowie Story – “Always be genuine in your expression”

22. David Bowie – “Without You” (Single Version)
from: Let’s Dance / EMI / April 14, 1983

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. He was a working artist. He was always working, always creating, always studying, always interested in how it could be put together.. Bowie inspired multiple generations of people with his beautiful catalog of song.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Jesse Bartmess, Nico Gray, Marion Merritt, Ben Grimes, Ian Johnson, Michelle Bacon, Krystle Warren, and Barry Lee, who we will hear from in just a few moments.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, on January 8, 2016, Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

23. Barry Lee’s Bowie Story –”i wasn’t always a fan”

24. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, Jan 16, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #768

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Wednesday MidDay Medley Celebrates David Bowie

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

David Bowie’s death in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made music for those of us who felt left out. Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

Wednesday MidDay Medley presents our Tribute to David Bowie, featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

We’ll feature selected songs from, and representing, some of David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for other artists, including: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama Col. Chris Hadfield, Nile Rodgers and James Murphy and two bands with Kansas City connections: Soft Reeds, and The Band That Fell To Earth.

At 11:15, we welcome musician and writer, Michelle Bacon who joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO, featuring: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone, with American Sign Language interpretation from Peige Turner and video projections from XO Blackwater. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #768

WMM Playlist from September 5, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2018

Radkey + Music from the 14th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

10:00

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Katy Guillen and The Girls – “The Load”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8.]

[Katy Guillen plays Crossroads Music Fest, Saturday, Sept 8, at 4:00 PM, at Brewery Emperial Day Party, 1829 Grand Ave. (All Ages)]

Bill Sundahl

10:04 – Interview with Bill Sundahl

Bill Sundahl is the founder of Crossroads Music Festival. He has been coming on this radio program for 14 years now sharing information about the music and venues and collaborations associated with CMF. Bill is 90.1 FM KKFI’s Development Director, where he is constantly in motion working to keep Community Radio alive! Bill joins us to share details about participating artists, and venues and special features of this year’s festival.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

Lead Bank Presents the 14th Annual – KKFI Crossroads Music Fest
Saturday, September 8, 11:00am to 2:00am
Diverse Music on 8 Stages, Including 37 Bands, 15 hours of music, All in 3 Blocks
(6 All Ages Stages)

________________________________________________________________________________

11:00 to 5:00pm – Midwest Music Foundation Free Musicians’ Health Care Clinic,
at The Exchange at Lead Bank, 1801 Main
[Check ups, Referrals, Hearing, Mammograms, and More]- (Free Event)

Midwest Music Foundation along with The RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow-up opportunities.
More info at http://www.cmfkc.com.
________________________________________________________________________________

11:00 to 5:00pm – The 5th Annual MixMaster Music Conference at CMF /
Musicians Professional Development Seminar ($15.00 admission)
at The Exchange at Lead Bank, 1801 Main, 4th floor – Silly Goose Records (All Ages)

Industry Panels | Radio & Media Networking | Demo Dip | Speed Dating & more

MixMaster Music Conference is a music community event that brings local artists and music industry professionals together to share information, connect, collaborate, and showcase some of the best talent that the Kansas City region has to offer. Now entering its fifth year, MXM2018 is an established and valuable event for the local music industry with the goal or reaching more audiences and industry across the Kansas City region.

Tickets $15 includes lunch for first 50 participants. Free to CMF performers!
_____________________________________________________________________________________

11:00 to 5:00pm – Day Parties at Brewery Emperial & Josey Records – (Free Event)

Brewery Emperial Day Party, 1829 Grand Ave. (All Ages)
Noon to 12:45 – Gullywasher
1:00 to 2:00 – Turlach & Eddie
2:20 to 3:30 – Scotch Hollow
4:00 to 5:00 – Katy Guillen

Josey Records Day Party, 1814 Oak (All Ages)
12:30 to 1:15 – Minor Rewind
1:45 to 2:30 – Noah Davis & Co.
3:00 to 3:45 – Jo
4:14 to 5:00 – Turkey Bone & Full Count
______________________________________________________________________________

6:00 to 7:00pm – City of Drums – CMF Kick Off Party,
Lead Bank Parking Lot, 1801 Main – (Free Event)

6:00 to 6:15 – Broadway Drill Team
6:15 to 6:30 – Marching Falcons
6:30 to 6:45 – Willie Arthur Smith’s Marching Cobras
6:45 to 7:00 – All 3 Drum lines performing together!
7:00pm to 2:00am — 14th Annual Crossroads Music Fest
_______________________________________________________________________________

recordBar, 1520 Grand – Lead Bank Stage (18+)
7:00 to 8:00 – Gamelan Genta Kasturi
8:30 to 9:30 – Cubanisms
10:00 to 11:15 – Hembree
11:45 to 1:00 – Radkey with Quixotic Performers

10:11

3. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh..]

[Hembree plays Crossroads Music Fest, Saturday, Sept 8, at 10:00 PM, at recordBar]

14th annual Crossroads Music Fest, Saturday, Sept. 8. Get advance tickets: http://www.cmfkc.com.

Collection, 1532 Grand – Boveri Reality Stage (All Ages)
7:00 to 7:45 – Four Score
8:15 to 9:00 – EEMS
9:30 to 10:30 – My Oh My!
11:00 to 12:00 – Sauce

The Brick, 1727 McGee – Community Lending of America Stage (21+)
7:15 to 8:00 – Cowtown Country Club
8:30 to 9:30 – Vi Tran Band
10:00 to 11:00 – Grand Marquis
11:30 to 12:30 – Cadillac Flambe
1:00 to 2:00 – Supermassive Black Holes

10:20

4. Eems – “Make Up On Your Scars”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays Crossroads Music Fest, Sat, Sept 8, at 8:15 PM, at Collection 1532 Grand]

5. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City based Hip-Hop artist Sauce is back with his 3rd original release, “Summer Sauce.” It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. Royce Sauce Handy]

[Sauce plays Crossroads Music Fest, Sat, Sept 8, at 11:00 PM, at Collection 1532 Grand]

6. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018
[KC based American Roots, Blues, & Prohibition Jazz band, formed in 1998 have released 7 albums, including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. The band is: Ben Ruth on upright bass, sousaphone, backing vocals; Chad Boydston on trumpet, backing vocals; Ryan Wurtz on electric and acoustic guitars; Trevor Turla on trombone, backing vocals; Fritz Hutchison on drums, backing vocals; Bryan Redmond on lead vocals, soprano, alto, tenor & baritone saxophones.]

[Grand Marquis play Crossroads Music Fest, Saturday, Sept 8, at 10:00 PM, at The Brick, 1727 McGee]

10:30 – Underwriting

Today we’re featuring music from bands participating in the 14th annual Crossroads Music Fest, on Saturday, September 8, featuring nearly 38 bands, 15 hours of music programming, on 8 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com.

Bill Sundahl, founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director was our guest for the entire show.

Mod Gallery, 1809 McGee – Kissick Construction Stage (All Ages)
7:00 to 7:45 – Summer Osborne
8:15 to 9:00 – Taylor Smith Band
9:30 to 10:15 – BCR
10:45 to 11:30 – Brandon Phillips & The Condition
12”00 to 1:00 – Ayllu

10:37

7. Summer Osborne – “Grace”
from: As I Am / Summer Osborne / June 30, 2013
[St. Louis based singer songwriter has been performing on stage since the age of four. She has been performing her original music since 2005, releasing 8 full-length albums and an EP. Since 2009, Summer has been constantly on tour playing Pridefests in St. Louis, Vancouver, Columbia, Memphis, Springfield, Lexington, Belleville. Summer is a champion of the KC HRC Battle of The Babes – Acoustic Stage. Summer has shared the stage with The Indigo Girls, God-Des and She, Tiffany, Jen Foster, Sugarbeach, The Cliks, Crystal Waters, Betty, Martha Wash, RJ Helton, Jennifer Holliday, Kimberley Locke, Tret Fure, and Shannon Curtis.]

[Summer Osborne plays Crossroads Music Fest, Sat, Sept 8, at 7:00 PM, at Mod Gallery, 1809 McGee]

8. Brandon Phillips and The Condition – “Whatever”
from: Whatever – Single / Gran Calavera / May 16, 2018
[Brandon Phillips on vocals, Adam Phillips on drums, Zach Phillips on bass,and Julie Berndsen (formerly of the Latenight Callers) on backup vocals.]

[Brandon Phillips and The Condition plays Crossroads Music Fest, Sat, Sept 8, at 10:45 PM, at Mod Gallery, 1809 McGee]

Normal Human, 1815 McGee – KCPT Stage Hosted by Tasty Brew (All Ages)
7:00 to 8:00 – Vogts Sisters
8:15 to 9:15 – Volker Brothers
9:30 to 10:30 – Chad Elliott
10:45 to 12:00 – Rural Grit

Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)
7:00 to 8:00 – Sunu
8:20 to 9:20 – Hi-Lux
9:40 to 10:40 – Freedom Affair
11:00 to 12;00 – Instant Karma

Hilliard Gallery, 1820 McGee – Lead Band VIP Venue (All Ages)
8:00 to 8:20 – Krystle Warren
10:00 to 10:20 – Surprise Collaborations

10:53

9. Hi-Lux – “Dance With My Baby”
from: Dance With My Baby – Single b/w Don’t Blame Me / Sunflower Soul / January 5, 2018
[7″ Vinyl 45 rpm single released by Sunflower Soul. In February the band released a 6 song EP contains several new songs with some previously released singles. Julia Haile told us the songs demonstrate the different influences of each member, from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Crossroads Music Fest, Sat, Sept 8, at 8:20 PM, at Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)]

10. Instant Karma – “Give Me Freedom”
from: Give Me Freedom – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals. Info at: http://www.instantkarmakc.com]

[Instant Karma plays Crossroads Music Fest, Sat, Sept 8, at 11:00 PM, at Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)]

11:00 – Station ID

11. Radkey – “Basement”
from: Basement – Single / the Century Family / July 31, 2018

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM with Quixotic performers, at recordBar]

Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey

11:03 – Interview with Isaiah Radke, Dee Radke and Solomon Radke

Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm.

Isaiah Radke, Dee Radke and Solomon Radke thanks for being with us on WMM.

We just heard “Basement” one of several singles that band is releasing this year. The band has said that with these new songs the band is trying to be more personal to let the audience know more about who you are. You’ve said the band has gained more life experiences.

It has been fascinating watching Radkey grow up before our very eyes and continue to grow as musicians and as a band.

Based on our MidDay Medley playlists, we first played Radkey on: August 1, 2012
Radkey – “Little Man” from: Irrationally Yours – EP / Radkey/ March 29, 2011
__________________________________________________________________________________

2012 was a big year for the band

Radkey was nominated for a Pitch Music Award for Best Emerging Act and played at The Pitch Music Showcase, at The Riot Room.

Radkey’s first chance to play Afropunk Fest in 2011 was cancelled due to Hurricane Irene. The band would then return to Brooklyn to play Afropunk Festival in Brooklyn, New York on August 25-26, with Erykah Badu, Janelle Monae, Spank Rock, Das Racist, Toshi Reagon

On Sept 25, 2012 the trio tracked the single and video, “Cat & Mouse,” for Wreckroom Records.

Radkey’s shows at SXSW 2012 attracted the attention of New York Times reporter Jim McKinley.
___________________________________________________________________________________

2013 was an even bigger year for the band

In 2013 Radkey was in our Top Ten of our 113 Best Recordings of 2013 with two EP releases: Devil Fruit – EP and Cat & Mouse – EP

(7.) Radkey – Devil Fruit – EP / Little Man Records / October 14, 2013
Radkey – Cat & Mouse – EP / Wreckroom / June 4, 2013

The band had their first Daytrotter session January 30, 2013.

April 18, 2013, Radkey released “Spirals” & “N.I.G.G.A. (Not Okay)” on Replay Records single 7″

Following SXSW 2013, radio producer for Zane Lowe introduces the music to Zane’s program; Zane Lowe debuts 2 tracks – “Spirals” and “Cat & Mouse” on his show May 2, 2013.

On June 4, 2013 Radkey released their Cat & Mouse EP on Wreckroom Records.

Radkey was invited to play at Download Festival in the UK – Summer 2013.
While in Europe the band attracted critical press with NME, both in print and online.

Radkey recorded their second EP, Devil Fruit, with Joel Nanos at Element Recording Studios in Kansas City, Missouri. The EP was mixed by Rory Attwell (Palma Violets, The Vaccines).

The band hit the road for their United States tour in support of NAAM.

Radkey’s Single “Romance Dawn” was released September 16, 2013 on Little Man Records

On September 24, 2013 Radkey’s video, Romance Dawn, made it’s debut on NME. The video was directed by Shaun Hamontree (MK12 design crew, video for Common ‘Go’, Jack White & Alicia Keys ‘Another Way to Die’, Title design for Quantum of Solace, The Kite Runner and Stranger than Fiction)

On October 1, 2013 Radkey played Later with Jools Holland performing “Out Here in My Head.”

The trio continued touring in late 2013 in support of Drenge, Black Joe Lewis, and Red Fang.

Following the tour, the band recorded their single, “Feed My Brain,” and the track, “Digging the Grave,” with Justin Mantooth at Westend Studio, KC, MO – mixed by Ross Orton.

In 2013 we played these songs from the band:

Cat & Mouse – Cat & Mouse – EP Rock
Out Here in My Head – Cat & Mouse – EP
Pretty Things – Cat & Mouse – EP
Little Man – Devil Fruit – EP
Overwhelmed – Devil Fruit – EP
We’re Going Down – Irrationally Yours – EP
______________________________________________________________________

2014

On February 11, 2014 Radkey released their single “Feed My Brain”

In early 2014 Radkey was featured in a print edition of NME.

On July 23 Radkey played The Pitch Music Showcase

In fall of 2014 Radkey went on tour with Rise Against and Touché Amoré
____________________________________________________________________

2015

In 2015 Radkey was in our Top Ten of the 115 Best Recordings of 2015

(6.) Radkey – “Love Spills”
from: Dark Black Makeup / Strange Loop Records / August 21, 2015

The band toured in Europe and North America through 2015

We played:
Dark Black Makeup – Dark Black Makeup
Love Spills – Dark Black Makeup
Glore – Dark Black Makeup

“Dark Black Makeup” Reached no. 23 on Billboard Mainstream Rock Chart.
_______________________________________________________________________

2016

On Sept. 16, 2016 Radkey played Crossroads Music Fest for the first time (at recordBar).

Radkey signed with a new record label to release, Delicious Rock Noise on November 11, 2016 on Another Century Records

The band predominantly toured North America through 2016

We were playing:
Radkey – “Dark Black Makeup” and “Teen Titans Theme” from Delicious Rock Noise
__________________________________________________________________________

2017

The band played at Rock on the Range Festival in Columbus, Ohio in May 2017
__________________________________________________________________________

2018

Radkey released 4 Singles

“Not Smart” / January 19, 2018 / Red Music (Sony)
“You Can’t Judge a Book By the Cover” / January 22, 2018 / Red Music (Sony)
“Basement” / July 13, 2018 / The Century Family
“St. Elwood / August 24, 2018 / The Century Family

Radkey were part of a National MasterCard advertising campaign on digital billboards in NYC with headlines: “Thrashers Misfits Dreamers” and “Start Something Priceless.” They were featured in a national television commercial aired during the Grammy Awards, that brought them to the attention of Jack White who asked the band to tour with him.

After CMF the band goes back on the road throughout the United States.

In December the band goes back into the studio with “Bill” Stevenson record producer and the drummer, main songwriter, of the California punk rock group Descendents
_______________________________________________________________________

Radkey

Radkey on Wikipedia:

Radkey consists of three home-schooled brothers from St. Joseph, Missouri. Isaiah Radke (bass), Solomon Radke (drums), and Dee Radke (lead vocals and guitar) who formed their family-titled band in 2010, and played their first show in 2011 when they opened for Fishbone. With their dad, Matt Radke, as their manager, they have since played with the likes of Jack White, The Offspring, Descendents, Local H, Black Joe Lewis, Titus Andronicus and performed at festivals like SXSW, Riot Fest, Afropunk, Japan’s Punkspring the U.K.’s Download Festival, and Coachella Valley Music and Arts Festival. They have released two EPs since their inception: 2012’s Cat & Mouse with Adrian Grenier’s Wreckroom Records and 2013’s Devil Fruit on Little Man Records. The band worked with Ross Orton (Arctic Monkeys, Drenge) to release their latest single, “Feed My Brain” and the team released their debut LP Dark Black Makeup in August 2015. The music video for their song “Glore” was featured near the ending of the episode “Shapes” of Off the Air on Adult Swim. Their debut album was re-released in 2016 under a new name, ‘Delicious Rock Noise’ and featuring two bonus tracks.
________________________________________________________________________________________

Radkey’s new single “St. Elwood” is inspired by dad & manager Matt Radke, and is about St. Joe.

11:13

12. Radkey – “St. Elwood”
from: “St. Elwood” – Single / the Century Family / August 24, 2018.]

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM w/ Quixotic performers, at recordBar ]

Isaiah Radke, Dee Radke and Solomon Radke of the internationally acclaimed band Radkey join us live in our 90.1 FM studios to talk about their set Saturday night at recordBar with Quixotic Performers, as part of the 14th Annual Crossroads Music Fest.

Radkey grew up in a little pink house in St. Joseph, MO. Homeschooled. Bored with nothing to do but listen to their Father’s records. Radkey was formed in 2010. The family moved to KC several years ago. Steve Tulipana was a big help to the band.

After CMF the band goes back on the road throughout the United States.

Radkey Tour:

Sat, SEP 08 – The Record Bar – Kansas City, MO
Wed, OCT 17 – Paradise Rock Club – Boston, MA
Thu, OCT 18 – Irving Plaza – New York, NY
Fri, OCT 19 – Stone Pony – Asbury Park, NJ
Sat, OCT 20 – Black Cat – Washington, DC
Sun, OCT 21- Theatre of Living Arts – Philadelphia, PA
Thu, OCT 25 – Gothic Theatre – Englewood, CO
Sat, OCT 27 – House of Blues Las Vegas – Las Vegas, NV
Sun, OCT 28 – Marquee Theatre – Tempe, AZ
Wed, OCT 31 – The Regency Ballroom – San Francisco, CA
Thu, NOV 01 – Catalyst – Santa Cruz, CA
Fri, NOV 02 – Fonda Theatre – Los Angeles, CA
Thu, NOV 15 – Rialto Theatre – Tucson, AZ
Fri, NOV 16 – Sunshine Theater – Albuquerque, NM
Sat, NOV 17 – Cain’s Ballroom – Tulsa, OK

In 2019

Jan 21, 2019 – Paradiso Kleine Zaal – Amsterdam, Netherlands
Feb 04, 2019 – VEGA – Musikkens Hus, Lille VEGA – København V, Denmark
Feb 06, 2019 – Nalen – Klubb – Stockholm, Sweden

Isaiah Radke (bass & vocals), Solomon Radke (drums), and Dee Radke (lead vocals and guitar)

Isaiah Radke, Dee Radke and Solomon Radke thanks for being with us on WMM.

Radkey plays Crossroads Music Fest, September 8, at 11:45 PM, at recordBar, 1520 Grand, with Quixotic performers. http://www.cmfkc.com / http://www.radkey.net

Radkey

11:26

13. Radkey – “Love Spills”
from: Delicious Rock Noise / Another Century – The Century Family / November 11, 2016
[Second full length album from Radkey, originally from St. Joesph, Missouri, now based in Kansas City.]

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM w/ Quixotic performers, at recordBar ]

11:30 – Underwriting

Today we’re featuring music from bands participating in the 14th annual Crossroads Music Fest, on Saturday, September 8, featuring nearly 38 bands, 15 hours of music programming, on 8 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com.

Bill Sundahl, 90.1 FM KKFI’s Development Director is with us.

Lead Bank Presents the 14th Annual – KKFI Crossroads Music Fest
Saturday, September 8, 11:00am to 2:00am
Diverse Music on 8 Stages, Including 37 Bands, 15 hours of music, All in 3 Blocks

11:00 to 5:00pm – MixMaster Music Conference at CMF /
Musicians Professional Development Seminar ($15.00 admission)
at The Exchange at Lead Bank, 1801 Main, 4th floor – Silly Goose Records (All Ages)

11:00 to 5:00pm – Midwest Music Foundation Free Musicians’ Health Care Clinic,
at The Exchange at Lead Bank, 1801 Main
[Check ups, Referrals, Hearing, Mammograms, and More]- (Free Event)

7:00pm to 2:00am — 14th Annual Crossroads Music Fest

recordBar, 1520 Grand – Lead Bank Stage (18+)
7:00 to 8:00 – Gamelan Genta Kasturi
8:30 to 9:30 – Cubanisms
10:00 to 11:15 – Hembree
11:45 to 1:00 – Radkey with Quixotic Performers

Normal Human, 1815 McGee – KCPT Stage Hosted by Tasty Brew (All Ages)
DJ Diana Linn hosts this stage.
7:00 to 8:00 – Vogts Sisters
8:15 to 9:15 – Volker Brothers
9:30 to 10:30 – Chad Elliott
10:45 to 12:00 – Rural Grit

11:39

14. Cubanisms – “Inolvidable”
from: Acento Cubano / Michael Patrick McClintock / October 3, 2017
[Formed in July 2016 with Michael McClintock as Musical Director and on Cuban tres, Fedra Cooper Barrera on vocals, Bruno Bessa on vocals, John Currey on percussion, Robert Beasley on percussion, Forest Stewart on bass, Miko Spears on percussion, and James Issac on woodwind instruments.]

[Cubanisms plays Crossroads Music Fest, Sept 8 at 8:30PM at recordBar, 1520 Grand ]

15. The Vogts Sisters – “Prove Me Wrong”
from: Broken Ties / The Vogts Sisters / May 1, 2018 [Maggie Vogts on acoustic guitar, fiddle, main & harmony vocals; Abigail Vogts on acoustic guitar, mandolin, main & harmony vocals. Kansas duo singing Sweet Sister Harmony ~ Americana, Folk, Singer-songwriting. We’ve been performing since May 2012 when we entered a singing contest at Katy Days, a local festival in Parsons, KS. Since then we’ve performed on stages at festivals, in auditoriums and theatres, and in more than a few coffee houses. “Broken Ties” is their 4th album following “Homeward’ in 2016, “My Own Dixie’ in 2015, and Old Time Voise in 2014.]

[The Vogts Sisters plays Crossroads Music Fest, Sept 8 at 7:00PM at Normal Human, 1815 McGee ]

The 14th annual Crossroads Music Fest, on Saturday, September 8, featuring 37 bands, on 8 stages, all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

11:51

16. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia. The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays an Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 w/ special guest Krystle Warren & others, presented by Bullseye Records.]

Krystle Warren

17. Krystle Warren & The Faculty – “Forever Is a Long Time”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays the 14th Annual Crossroads Music Fest at Hilliard Gallery, 1820 McGee – Lead Band VIP Venue]

[Krystle Warren plays Calvin Arsenia’s Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 with special guests, presented by Bullseye Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 12, Krystle Warren returns!!! Also, Jesse Kates of The Sexy Accident joins us to share details about the band’s Champagne Babycakes Remix release. Also next week James Andrews and Patrick Sprehe, co-founders of a brand new Kansas City based record label called Bullseye Records join us live in our 90.1 FM Studios to talk about the Calvin Arsenia Album Release Show for his new record, Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #750

Wednesday MidDay Medley presents Radkey + Music from the 14th Annual Crossroads Music Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2018

Radkey + Music from the 14th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

Wednesday MidDay Medley features music from bands participating in the KKFI’s 14th annual Crossroads Music Fest, presented Lead Bank, on Saturday, September 8, featuring 37 bands, on 8 stages, 15 hours of music programming, all within 3 blocks in Kansas City’s Crossroads Arts & Music District. Mark spins tracks from: Katy Guillen and The Girls, Hembree, Radkey, Sauce, Eems, Grand Marquis, Summer Osborne, Brandon Phillips and The Condition, Hi-Lux, Instant Karma, Cubanisms, and The Vogts Sisters. We’ll also play music from Calvin Arsenia and Krystle Warren.

Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey

At 11:00 Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey join us live in our 90.1 FM studios. Radkey plays Crossroads Music Fest, September 8 at 11:45 PM, at recordBar, with Quixotic Performers. Radkey was formed in 2010 in St. Joseph, Missouri where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings, “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016, plus two EPs and several new singles, and were recently part of a MasterCard advertising campaign on digital billboards in New York City that brought them to the attention of Jack White who asked the band to toured with him. After CMF Radkey goes on the road throughout the United States and will play shows in Amsterdam and Stockholm in early 2019.

Bill Sundahl

Bill Sundahl, 90.1 FM KKFI’s Development Director joins Mark as co-host for the entire show to share details about participating artists, venues, and special features of the 14th Annual Crossroads Music Fest including the Midwest Music Foundation Free Musicians’ Health Care Clinic, at Lead Bank, 1801 Main with Check ups, Referrals, Hearing, and Mammograms. CMF also presents MixMaster Music Conference – Musicians Professional Development Seminar at The Exchange at Lead Bank, 1801 Main, 4th floor. Both events happen from 11:00 PM to 5:00 PM. For more information, or to get advance tickets you can visit: http://www.cmfkc.com.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #750

WMM Playlist from January 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 3, 2018

Tributes to Iris DeMent & David Bowie
+ Michelle Bacon & Katy Guillen of The Band That Fell To Earth

In our 1st hour, we celebrated the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. We started the show with a song originally from that album called, “Let The Mystery Be” that was lovingly covered by her husband, the great folk singer songwriter – Greg Brown. “Let The Mystery Be” has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, and it was the theme song for the second season of The Leftovers.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Full disclosure, I love Iris DeMent. I’ve seen her live, in-concert, over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home-cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to iris on her birthday, each year, with this radio show.

3. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

10:12 – Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music, but in her teenage years, she discovered other music through the radio: country, folk, and R&B, and the music of Loretta Lynn, Merle Haggard, Johnny Cash, Bob Dylan, and Joni Mitchell.

4. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

5. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000
[Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

6. Johnny Cash – “Ring of Fire”
from: 16 Biggets Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

7. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000 [Originally recorded October, 1971. ]

8. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear & was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

10:26 – Underwriting

10:28 – Collaborations with Iris Dement

9. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris] [Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

10. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

10:34

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice, that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record John Prine wrote the liner notes. [Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records”

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Debut studio album. In 1995, her song “Our Town” was played in the closing moments of the last episode of CBS TV series Northern Exposure. “Let the Mystery Be” became theme for the 2nd season of The Leftovers.]

10:40 – Greg Brown

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donated her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was know all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most respected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa. Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

12. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

13. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in KC. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

10:51

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

14. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015 [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Iris released her 5th album, “Sing The Delta” in 2012, to glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was #1 on WMM’s 112 Best Recordings of 2012. And Because we have lost so many great folks in 2016, I find it fitting to end this hour long tribute with “Go On Ahead and Go Home” from Iris DeMent’s album, Sing the Delta. Happy Birthday Iris DeMent. We love you!

15. Iris DeMent – “Go on Ahead and Go Home”
from: Sing The Delta / Flariella / Oct. 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

11:00 – Station ID

Wednesday MidDay Medley Celebrates Bowie

16. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

17. James Murphy – “Golden Years”
rom: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.] [“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

David Bowie seemed to be from another world. I thought he was immortal. His art kept coming. His influence so vast. He was a guide. So much of my journey, as a queer kid finding my way in the world, was influenced by Bowie.

David Bowie was born January 8, 1947. In school he studied art, music, and design before embarking on a music career in 1963. Over a span of 5 decades, he sold over 140 million records and released 27 studio albums, if count Tin Machine, which you should. His career is notable for his reinvention, his pushing of the boundaries of gender, art and music. He was the first to create a concert tour that was a big as a broadway touring show. He was also an actor in many influencial films including: The Man Who Fell to Earth, The Hunger, Merry Christmas Mr. Lawrence, Basquiat, and 20 other films. He also played John Merrick in The Elephant Man on Broadway. He influenced multiple generations with his music, films, music videos, and concert tours.

Bowie was a gateway to other discoveries: The Velvet Underground, Lou Reed, T-Rex, Iggy Pop, Andy Warhol, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Kraftwerk, Mick Ronson, Tony Visconti, Klaus Nomi, Bauhaus, Gender Expression, and much more.

A year ago on January 10, 2016, two days after he released his 25th solo album, Blackstar, on his 69th birthday, David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. David Bowie’s death sent shock waves of grief across the world.

For his song, “Sweet Thing,” Bowie first used the William S. Burroughs’ “cut-up style” of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th album, released May 24, 1974.

11:07

18. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

11:10

David Bowie’s song ”Lazarus” was released on December 17, 2015, making it the second single from his twenty-fifth studio album “Blackstar”, as well as his last single released before his death on January 10, 2016. The track is used in Bowie’s off-Broadway musical of the same name. “Lazarus” was Bowie’s first top 40 hit single on the Billboard Hot 100 in more than 28 years. According to Bowie’s producer Tony Visconti, the lyrics and video of “Lazarus” were intended to be a self-epitaph, a commentary on Bowie’s own impending death. In November 2015 during the week of shooting for the Lazarus video, doctors reportedly informed Bowie the cancer was terminal and that they were ending treatment. The video features Bowie, appearing with a bandage and buttons sewn over his eyes, lying on a deathbed and finishes with Bowie retreating into a dark wardrobe. In the scenes featuring the wardrobe, Bowie is wearing a diagonally striped suit referencing the back cover of the 1991 CD reissue of the Station to Station album, where he is pictured sitting on the floor drawing the kabbalistic Tree of Life.

11:11

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

[The Band Who Fell To Earth – A Tribute to David Bowie, is Saturday, January 6, at 8:00 PM, at recordBar, 1520 Main St.]

Katy Guillen & Michelle Bacon of The Band that Fell To Earth, on the January 3, 2018 edition o f Wednesday MidDay Medley on KKFI 90.1 FM.

10:18 – Interview with Michelle Bacon & Katy Guillen

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. Last year she also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Katy Guillen is known as one of Kansas City premiere musicians and the lead singer and guitarist for the critically acclaimed blues influenced roots rock trio, Katy Guilen and the Girls, formed in September of 2012. On November 11 Katy Guillen and The Girls released their newest full length release, “Remember What You Knew Before.” a collection of reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls debut album, and from theoir 2016 “Heavy Days” with one new song.

Katy Guillen, thank you for being with us on Wednesday MidDay Medley.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.
The thir annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Core members:

Alex Alexander – guitar
Michelle Bacon – bass
Nathan Corsi – vocals/guitar
Kyle Dahlquist – keys
Katy Guillen – guitar
Steve Tulipana – vocals
Stephanie Williams – drums

2017-18 auxiliary members:

Christine Broxterman – cello
Havilah Bruders – backing vocals
Betse Ellis – violin (2016-18)
Camry Ivory – backing vocals
Matt Ronan – percussion
Rich Wheeler – saxophone (2016-18)

10:26

20. David Bowie – “Boys Keep Swinging”
from: Lodger / RCA / May 18, 1979
[Written by David Bowie. It was released as a single from the album Lodger on April 27, 1979. During the Lodger recording sessions, Bowie had wanted to capture a garage band style for the track, and agreed with Brian Eno that the best way to achieve this sound was to get the band to swap instruments after this was ‘suggested’ by Eno’s deck of ‘Oblique Strategies’ cards which supplied the suggestion “Reverse Roles”. Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass. RCA decided against releasing the single in the US, choosing “Look Back in Anger” instead. Bowie performed the track with a puppet body special effect on Saturday Night Live on December 15, 1979, joined by Klaus Nomi and Joey Arias as backing singers. During the broadcast NBC censors muted the lines “life’s a pop o’the cherry” and “other boys check you out”, but failed to notice the puppet’s bouncing phallus at the close of the song. It was performed only during one tour, the 1995 Outside Tour. Interviewed in 2000, Bowie said the following about the song: “I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonization of gender.”]

10:29

We are talking with Michelle Bacon & Katy Guillen about The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon & Katy Guillen, thanks for being with us on Wednesday MidDay Medley

“Bowie is a reminder that art and music and life are about adaptation, change and exploration,” said Steve Tulipana, one of the group’s lead vocalists.

Production crew:
American Sign Language interpretation: E. Peige Turner
Video projections: Steve Gardels (XO Blackwater)
Sound engineer: Mark “Buzz” Collins
Lighting: Canyon McClung

Last year, on the second annual show on January 7, 2017, at recordBar, the sold-out raised nearly $1000 that was donated to the AIDS Service Foundation of Greater Kansas City.

10:35

Michelle Bacon & Katy Guillen thanks for being with us on Wednesay MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie 2017, Saturday, January 6, at doors open at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

10:37

21. David Bowie – “John, I’m Only Dancing”
from: John. I’m Only Dancing – Single / RCA / April , 1973 (sax version)
[“John, I’m Only Dancing” is a single by David Bowie, released in two versions — entirely different recordings, but carrying the same catalogue number — in September 1972 and April 1973. Bowie later re-worked the song into the disco-influenced “John, I’m Only Dancing (Again),” recorded in 1974, but unreleased until 1979. The song is widely believed to be concerned with a gay relationship, the narrator informing his boyfriend not to worry about the girl he’s with because he’s “only dancing” with her. Bowie had been ‘out’ as bisexual since an interview with Melody Maker in January 1972, and the subject matter did not affect the single’s radio airplay in the UK, where it and the earlier “Starman” became his first back-to-back hits. However, the original video directed by Mick Rock, featuring androgynous dancers from Lindsay Kemp’s mime troupe, was banned by Top of the Pops. The single was not released in America, being judged too risqué by RCA and did not officially appear stateside until it was finally issued on the compilation Changesonebowie in 1976. While the hook (“John, I’m only dancing / She turns me on / But I’m only dancing”) has long been considered a gay tease, author Nicholas Pegg asserts that the song’s narrator “could just as easily be a straight man reassuring the girl’s lover”. Alternatively, it has been suggested that Bowie wrote the song in response to a derogatory comment made by John Lennon about Bowie’s cross-dressing. Musically in a light R&B style, the track was recorded on June 26, 1972, released as a single, and then re-recorded on January 20, 1973 during the Aladdin Sane sessions, in a slightly different arrangement featuring Ken Fordham on saxophone. Often called the “sax version”, the second recording was issued as a single in April 1973 with exactly the same catalogue number as the first release, causing difficulties for collectors. Generally held to be superior to the original cut, the sax reworking also appeared on early pressings of Changesonebowie before it was replaced with the original single version. In 1974, a completely reworked funk-influenced version was recorded as “John, I’m Only Dancing (Again)”, made during the sessions for the album Young Americans. Released in December 1979, the re-recording featured a much more funk-influenced take on the track, and has some similarities with the song “Stay” recorded for the Station to Station album in 1976. Originally running at 6:57, the track was cut for a 7″ single release, but the full version was issued on 12″ vinyl – the first Bowie single to have a regular 12″ release in the UK. For the B-side, the original version of “John, I’m Only Dancing” was remixed. After the relative disappointment of the singles from Lodger on the charts, the single gave Bowie some greater degree of mainstream exposure during a period when his work was increasingly being perceived as esoteric and experimental. The long 12″ version was included as a bonus track on the 1991 Rykodisk/EMI remaster CD of Young Americans, on the 2007 collectors edition of the album, and on The Best of David Bowie 1974/1979. The 7″ single version was not released on CD until 2016’s Who Can I Be Now? (1974-1976).]

10:40

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

22. Krystle Warren’s Bowie Story – “Always be genuine in your expression”
recorded by Krystle Warren in Paris, February 2016

10:42

Our next story, about Bowie, comes from one of his biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, from the 1977 album Low, of the Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

23. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

10:47

24. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

10:52 – Underwriting

We end the show with one of my favorite Bowie songs, from one of my favorite Bowie albums, from 1971’s, Hunky Dory, here’s “Kooks.”

The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

25. David Bowie – “Kooks”
from: Hunky Dory / RCA / June 11, 2002
[“Kooks” is a song written by David Bowie, which appears on his 1971 album Hunky Dory. Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on 30 May 1971 when he got the news of the arrival of his son. British indie band The Kooks named themselves after the song. Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic’s Stephen Thomas Erlewine as having “a kaleidoscopic array of pop styles, tied together only by Bowie’s sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class”. The album has received critical acclaim since its release, and is regarded as one of Bowie’s best works. Time chose it as part of their “100 best albums of all time” list in January 2010, with journalist Josh Tyrangiel praising Bowie’s “earthbound ambition to be a boho poet with prodigal style”. The style of the album cover, designed by George Underwood, was influenced by a Marlene Dietrich photo book that Bowie took with him to the photo shoot. With new bass player Trevor Bolder replacing Tony Visconti, Hunky Dory was the first production featuring all the members of the band that would become known the following year as Ziggy Stardust’s Spiders From Mars. Also debuting with Bowie, in Visconti’s place as producer, was another key contributor to the Ziggy phase, Ken Scott. The album’s sleeve would bear the credit “Produced by Ken Scott (assisted by the actor)”. The “actor” was Bowie himself, whose “pet conceit”, in the words of NME critics Roy Carr and Charles Shaar Murray, was “to think of himself as an actor”.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, Jan 10, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #715

WMM Playlist from December 13, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 13, 2017

The 117 Best Recordings of 2017
(Part 2 of 4)

Wednesday MidDay Medley presents part-two, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (87.) The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[8th album from Canadian six member band based in Ottawa. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. Members include: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor.”]

3. (86.) This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / July 7, 2017
[4th album from This Is the Kit, the alias of British musician Kate Stables, who is based in Bristol and Paris. This is The Kit formed in 2003. This Is the Kit perform regularly in various configurations from duo to quintet. The core members are Stables on vocals, guitar and banjo, and Jesse D Vernon on violin, guitar, bass and percussion. However, Stables is the only constant, and they are often joined onstage by The Liftmen, Rozi Plain, and other musicians of their acquaintance throughout the UK and Europe.]

4. (85.) Salar Rajabnik – “A to Z”
from: Black & White World / Salar Rajabnik / June 9, 2017
[Produced By: Salar Rajabnik. Engineered By: David Wright at Cherrybox Studios & RCA Studio B in Nashville, Tennessee. Mixed By: David Wright. Mastered By: Joshua Stuebe . Art Direction & Design: Kristøpher Martin of Arcane Path. Photography: Samon Rajabnik. Vocals, Electric, Acoustic, Baritone & 12 String Guitars, Piano, Drums & Percussion: Salar Rajabnik. Bass Guitar: Ben Garner. Keyboards, Organ, Piano & Percussion: Johnny Gentile. Fender Rhodes on “I Don’t Want To Wake Up”: Warren Pash. Additional Background Vocals: Leah Korbin. Special thanks to Noam Chomsky for graciously allowing use of his words in “Black & White World.” Black & White World is dedicated to those with the courage to speak truth to power. All Songs Written & Arranged By: Salar Rajabnik / BMI / 2017. Salar Rajabnik is a product of time spent in lots of seemingly contrasting places. Born in the Atlanta area, he was immersed in the world of southern American roots music. The strong Persian cultural influence of his father, an Iranian immigrant, was just as evident at a young age. This was strengthened by time ispent living in Iran. From the beginning this unexpected amalgamation of cultures began to create the foundation that would define him as a musician and person. A move to Kansas City at the age of 12 prompted Salar to pick up his first instrument, the bass guitar. Between the clubs, streets, festivals, churches, basements, bars, arenas, schools, & studios, playing bass, drums, or guitar, he took every opportunity to play that he could. While his influences seem conflicting on the surface level the underlying and unifying principles and themes are strong. Whether he was dancing to Persian music with his family in Iran, learning Motown basslines in his room while his friends listened to boy bands, or jamming in the historic 18th & Vine district with jazz veterans till sunrise, for Salar it’s always been about playing with heart, soul, and honesty. Salar has set out to venerate those who have and continue to respect the gift of music and it’s important role in life, regardless of any classification or style. After years of playing in bands and as a live & studio musician Salar relocated to Nashville, Tennessee & formed a backing band in 2014 & released a debut EP, both dubbed “Moon Age”. Leaving Nashville as a homebase & the Moon Age moniker behind, Salar recently relocated back to Kansas City to release his full length album.]

5. (84.) Truck Stop Love – “Tommy”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, Jim Crego on vocals & guitar. 25 years ago Truck Stop Love made their first recordings. These are previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist & sound engineer Kliph Scurlock remastered the songs from the original analog & digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers.] [Truck Stop Love played an Album Release & Reunion, (their first in 13 years), Nov. 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

6. (83.) Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play Prohibition Hall, Sat, Dec 30, w/Alice Sweet Alice, Heart of Flesh, & Oh Dear Oh My.]

7. (82.) The Weather Station – “Thirty (Edited)”
from: The Weather Station / Paradise of Bachelors / October 6, 2017
[4th full length release from The Weather Station, a Canadian band, based in Toronto, fronted by Tamara Lindeman, formed in 2006. Band members have changed over the years, but now includes Lindeman, with Ben Whiteley on bass, Adrian Cook on pedal steel, and Ian Kehoe on drums.]

8. (81.) Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ] [Keaton Conrad played the 4th annual PorchFest KC.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Fri, Dec. 22, at 7:00 PM with Late Nite Cavalry, and MikiP.]

10:29 – Underwriting

9. (80.) Mount Eerie– “Real Death”
from: A Crow Looked At Me / P.W. Elverum & Sun / March 24, 2017
[8th studio album from Mount Eerie, the musical project of Anacortes, Washington-based songwriter and producer Phil Elverum. Elverum (formerly of The Microphones) is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie’s releases have been issued on Elverum’s label P.W. Elverum & Sun, Ltd., and feature inventive and highly detailed packaging with his own artwork. Elverum married Canadian artist and musician Geneviève Gosselin in 2003 shortly after meeting her. The two dated long-distance briefly before Geneviève moved to Washington to live with Phil. She recorded under the names Woelv and Ô Paon. Besides occasionally singing on each other’s records and playing in one another’s backing bands live, the couple did not collaborate artistically. The two did not want either of their artistic outputs to interfere with the other’s so they kept relatively quiet about their marriage. Occasionally one would mention that he or she was married, but not say who they were married to. In 2015, Geneviève was diagnosed with inoperable pancreatic cancer following the birth of the couple’s first child. After running out of funds to pay for Geneviève’s cancer treatments the two turned to the world and asked for their support through way of a GoFundMe page; an unexpected decision from the usually reclusive couple. On July 10, 2016, Geneviève died in the company of her husband and parents. The album’s release comes in wake of the passing of Elverum’s wife, Geneviève Castrée. On January 5, 2017, Elverum announced that he will “re-enter the world,” go on tour, and release a new album. The first single from A Crow Looked at Me, “Real Death”, was released on P.W. Elverum & Sun, Ltd.’s SoundCloud page on January 18, 2017, to widespread acclaim, netting the “Best New Track” distinction from Pitchfork. Paste wrote that in “Real Death”, “[t]he music gives Elverum all the room he needs to not so much sing, but document.”]

10. (79.) Dirty Projectors – “Little Bubble (Edit)”
from: Dirty Projectors / Domino Recording Co. / February 21, 2017
[2nd single from the 8th album, of the band and the follow up to Swing Lo Magellan, from 2012. Dirty Projectors are an American musical group, consisting of David Longstreth on vocals & guitar, Amber Coffman on vocals & guitar, Haley Dekle on vocals, Nat Baldwin on bass, Olga Bell on vocals & keyboards, and Michael Johnson on drums.]

11. (78.) The Como Mamas – “Move Upstairs”
from: Move Upstairs / Daptone Records / May 19, 2017
[2nd full length album from one of the The newer addition to the Daptone Family. tThe Como Mamas are three lifelong Gospel singers from the small town of Como Mississippi. On their debut album, the critically acclaimed album ‘Get an Understanding’ from 2013, there are only three instruments – The powerful, raspy voice of Ester Mae Smith, the deep soothing voice of Angela Taylor, and the energetic, spirited vocals of Della Daniels. The harmonies they create are so powerful, musical accompaniment is not missed. In December of 2015, The Como Mamas took their first trip from their home in Como, Mississippi up to Harlem, New York to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date.]

12. (77.) Nick Siegel – “Slum By The Sea”
from: Awake from The Golden State / Nick Siegel / August 25, 2017
[2nd single from the debut EP from Nick Siegel who writes: “I write aggressive piano rock music. I strike the 88 keys because one of them must be the key to your heart (oh the charm!). I grew up playing music in Chicago and moved to Kansas City in 2010 when I joined The Casket Lottery. Now venturing on my own, I’m excited to release a new record that will knock your clothes off. Book me, like me, come out and see me and I’ll introduce you to a fine mix of fast fingers, great hair and awkward banter. I’m Nick Siegel. I’m the piano rock you need in your life.”]

[Nick Siegel plays The Riot Room, Fri, Dec. 22, at 8:00, with Search and Seizure, Y U M, The Hillary Watts Riot, Brave the Spirit.]

13. (76.) Adult Mom – “Tenderness”
from: Soft Spots / Tiny Engines / May 19, 2017
[Adult Mom began as the solo project of Stephanie Knipe in a Purchase College dorm room in 2012. Honesty and intimacy form as Knipe writes clever pop songs that offer a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth. Soft Spots, the project’s sophomore LP, is an exploration into the physical and emotional acts of opening up, the vulnerability that produces love, and then ache. Knipe shares with us their process of learning how to cradle and understand their own softness without finality, a story without an end.]

14. (75.) Sky Smeed – “Lunker Bass”
from: Lunker Bass / Sky Smeed / February 1, 2017
[Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Gospel Lounge at Knuckleheads, 2715 Rochester St. Saturday, Dec. 23]

15. (74.) Mavis Staples – “If All I Was Was Black”
from: If All I Was Was Black / Anti / November 17, 2017
[16th studio solo album from gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Livin’ on a High Note was produced by M. Ward the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. The album was written and produced by Jeff Tweedy. Staples said the album “brings us all together as a people. That’s what I hope to do. You can’t stop me. You can’t break me. I’m too loving. These songs are going to change the world.” Tweedy described the message of the album: “I’ve always thought of art as a political statement in and of itself-that it was enough to be on the side of creation and not destruction. But there is something that feels complicit at this moment in time about not facing what is happening in this country head on.]

16. (73.) Joon Moon – “Tiger (Radio Edit)”
from: Moonshine Corner / Kwaiden Records / September 29, 2017
[First full length album from band formed in 2014 in Montmartre area of Paris. This follows the June 2017 release of their EP Tiger, their April 2016 EP, Call Me, and their October 2015 EP Chess. Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retromodern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipation.]

11:00 – Station ID

17. (72.) The Safes – “Hometown”
from: Tasty Waves / Hidden Volume Records / September 8, 2017
[The Safes are Frankie O’Malley on vocals, guitars, drums, piano, Wurlitzer, vibes, bells; Patrick O’Malley on vocals, guitars; Dex Fontaine on drums; Curt Schmelz on bass. The record includes special guest musicians:
Siobhan Hunter on violins, Dominique DiValerio on french horn, and Ben Levin-O’Leary on trumpet. Produced, Recorded, Mixed by Patrick O’Malley. Recorded, Mixed by Brian Deck. Mixed by Frankie O’Malley. Recorded at IV Lab and StudiO’Malley. Mixed at StudiO’Malley and at Brian Deck’s home studio. Mastered by Josh Bonati at Bonati Mastering. Assistant Engineer at IV Lab – Shane Hendrickson. Photograph: Andrew Ballantyne. All songs written by Frankie O’Malley, except “Streets and Sanitation”: lyrics written by Frankie and music written by Patrick & Frankie. http://www.thesafes.com.] [The Safes play Crossroads Music Festival, September 9 at 10:00 at The Brick on the Do816 Stage.]

18. (71.) The Good Hearts – “Sinking Boat”
from: A Beginner’s Guide to The Good Hearts / The Good Hearts / May 21, 2017
[The Good Hearts are a 4-piece soulful folk-pop group with an emphasis on strings and warming hearts. Their unique brand of folk music is led by singer songwriter, Nicole Cain with powerful vocals & acoustic guitar, Shannon O’Shea on violin & background vocals, Anna Cook on cello & background vocals, and Aaron Derington on percussion. This Kansas City based group are described as “folk pop with touches of old country and soul thrown in.” The Good Hearts have played the Plaza Art Fair, The Folk Music Festival, and Boulevardia. More info at: http://www.thegoodheartsmusic.bandcamp.com] [The Good Hearts played the Wednesday MidDay Medley 90.1 KKFI Day Party at Middle of The Map Fest, Saturday, May 6, ]

[The Good Hearts are currently working on their new debut album full length with Kristie Stremel serving as producer.]

19. (70.) Pieta Brown – “Street Tracker”
from: Postcards / Lustre Records / March 10, 2017
[Postcards features a number of Brown’s musical friends, including Calexico, Bon Iver, Mark Knopfler and the Pines. She compiled the album by writing simple acoustic demos of what would become the album’s songs, sending them to the musicians that make up Postcards‘ roster of guests, and having those artists finish the tracks. Brown and her collaborators never worked in the same room, which lent the album its distance-implying title. Released on Brown’s new, in her words, “underground label” Lustre Records. Pieta Brown was born in 1973 in Iowa City, Iowa. Her early upbringing was in Iowa. There, Brown was exposed to traditional and rural folk music through her father, singer songwriter Greg Brown. Brown spent her childhood living in 17 different residences between Iowa and Alabama. While living with her mother in Alabama, Brown began writing poetry and composing instrumental songs on piano. As a musician and singer-songwriter she has released five albums and four EPs. Collaborator Bo Ramsey produced her 2002 debut record, Pieta Brown and co-produced her 2005 album In the Cool, which was named one of the year’s best by Amazon. Her next album Remember The Sun was released in 2007 and was cited as one of the year’s best in a The Wall Street Journal article. After the release of her next album, One and All, Brown joined Mark Knopfler’s North American tour, had a string of performance dates with John Prine, participated in a full orchestral show with Brandi Carlile, and embarked on her own performance tour in Australia. Brown’s 2009 EP, Shimmer was produced by Don Was after hearing her on his car radio in a live solo performance. In addition to Mark Knopfler, John Prine and Brandi Carlile, Brown has shared stages with JJ Cale, Emmylou Harris, Richard Thompson, Ani DiFranco, Calexico, Neko Case, Mason Jennings, Shawn Mullins, Carrie Rodriguez and Jim Lauderdale. She has performed at festivals throughout North America including Bonnaroo, Mountain Jam, Edmonton Folk Music Festival and more. Her national radio credits include performances on eTown and Mountain Stage. Brown is married to guitarist and producer, Bo Ramsey.]

20. (69.) Big Thief – “Black Diamonds”
from: Capacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.] [Big Thief played The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

21. (68.) Las Cafeteras – “If I Was President”
from: Tastes Like L.A. / Las Cafeteas / April 14, 2017
[Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

22. (67.) Pageant Boys – “Last Rites”
from: Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.] [Pageant Boys played Crossroads Music Fest, Sat, Sept. 9 .]

[Pageant Boys play the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordbar 1520 Grand, with Calvin Arsenia, Mysterious Clouds, Sinple, Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

23. (66.) Laura Marling – “Next Time”
from: Semper Femina / More Alarming Records / March 10, 2017
[6th studio album from Laura Beatrice Marling was born February 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her second album I Speak Because I Can, and her fourth album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, and 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in Los Angeles, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]

11:29 – Underwriting

24. (65.) Via Luna – “Upstairs Neighbor”
from: Wilt / Via Luna / April 28, 2017
[3rd EP release in 3 years form the KC based Instrumental Post Rock / Math Rock band, with Gregory Baker on guitar, Christopher Gordon on guitar, Mike McDonough on drums, and Blain Bridges on bass.] [Via Luna played an EP Release Show for Wilt, April 28, at Californos, with Le Grand, Riala, and Parents.]

25. (64.) The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play The Riot Room, Sat, Dec. 30, at 8:00 PM with Pink Royal, Dylan James Guthrie, and Sara Nicole Glass.]

26. (63.) Claire Adams – “Boom”
from: Waiting for The Winds to Change / KG&G Records / October 22, 2017
[1st single from 5-song EP, featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Katy Guillen & The Girls play B.B.’s Lawnside BarB-Q, 1205 E. 85th Street, on Friday, Dec. 15]

27. (62.) Black Stacey – “Electric Woman”
from: Electric Chariot / Sharaden Staten / June 2 2017
[Black Stacey is Sharaden Staten, a Missouri native, whose music brings the spirit of “Electric Church” to the Midwest. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

[Black Stacey plays Davey’s Uptown Friday, January 12, with Gypsy Rose Frequency, and Oxykitten.]

28. (61.) Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

29. (60.) Soul Revival – “Comeback”
from: Back to Love – EP / Soul Revival / June 2, 2017 [Debut EP from R & B – Soul duo, Soul Revival, KCK based producer, and musician and keyboard player, Desmond Mason is originally from Los Angeles. He went to Southeast High school and studied History and Higher Education at UMKC. Desmond has worked at Park University, and the American Jazz Museum. Desmond is a versatile performer and composer, who desribes his music as “firmly rooted in KC Kazz, R & B, gospel, and hip-hop music and strives to be something that the audience can feel in their spirit.” Derick Cunigan is a singer, songwriter who is originally from St. Louis, Missouri. He studied broadcasting at Northwest Missouri State University. He has worked for KMBC, Steel City Media and KBEQ, KFKF, KCTV5. More info at http://www.soulrevivalmusic.com]

30. (59.) Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal play The Riot Room, Sat, Dec. 30, at 8:00 PM with The MGDs, Dylan James Guthrie, and Sara Nicole Glass.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Please tune into Wednesday MidDay Medley throughout December as we present our 4-week special: The 117 Best Recordings of 2017 on December 20th, and 27th.

Next week, December 20, 10-Noon, we continue with part 3 of our 4 week series, The 117 Best Recordings of 2017, we’ll count down #58 through #30, and we’ll hear representative tracks from: The Whiffs, Instant Karma!, Eems, Jametatone, Lovergurl, Run With It, Mad Libby, The Sluts, KD Kuro, Erica Joy, Of Tree, Khrystal, Erin Keller, Nature Boys, David George, Broken Arrows, Kevin Morby, Sheer Mag, Curtis Harding, Japanese Breakfast, Sampha, Beck, Diet Cig, Jackie Shane, Phoebe Bridgers, The New Pornographers, Hurray For The Riff Raff, The National, and St. Vincent

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #712

WMM Playlist from November 8, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 8, 2017

Spinning Records With Marion Merritt
+ Katy Guillen and the Girls

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Sharon Jones & The Dap-Kings – “Matter of Time”
from: Soul of a Woman / Daptone Records / 2017

4. Zara McFarlane – “Fussin’ and Fightin'”
from: Arise / Brownswood / 2017

5. Lizz Wright – “Seems I’m Never Tired Lovin’ You”
from: Grace / Concord Records / 2017

6. Miguel De Deus – “Black Soul Brothers”
from: Black Soul Brothers / Groovie Records / 2017

7. Pucho And The Latin Soul Brothers – ” Got Myself a Good Man”
from: Jungle Fire! / Beat Goes Public / 2009 – Jungle Fire 2017

10:30 – Underwriting

8. ODESZA – “A Moment Apart”
from: A Moment Apart / Counter Records / 2017

9. ODESZA – “Just a Memory (feat. Regina Spektor)”
from: A Moment Apart / Counter Records / 2017

10. Don Drummond – “The Shock”
from: Don Cosmic / Studio One / 2017

11. Mista Savona-“El Cuarto De Tula (feat. Maikel Ante, El Medico & Turbulence)”
from: Havana Meets Kingston / VP Records / 2017

12. Mavis Staples-“Wish I Had Answered (feat. North Mississippi Allstars)”
from: Take Me To the River (Music From the Motion Picture) / Fantasy Records 2014 / Egba 2017

13. Terrence Howard & Hi Rhythm Section – “Walk Away”
from: Take Me To the River (Music From the Motion Picture) / Fantasy Records 2014 / Egba 2017

11:02 – Station ID

14. Moses Sumney – “Don’t Bother Calling”
from: Aromanticism / Jagjaguwar / 2017

15. Curtis Harding – “Wednesday Morning Atonement”
from: Face Your Fear / Anti / 2017

16. Weather Station – “Thirty (Edited)”
from: Weather Station / Paradise Bachelors / 2017

17. Phoebe Bridgers – “Smoke Signals”
from: Stranger in the Alps / Dead Oceans / 2017

18. Kelly Lee Owens – “Arthur”
from: Kelly Lee Owens / Smalltown Supersound / 2017

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

11:29 – Underwriting

19. Katy Guillen and The Girls – “Waiting Till the Day”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

[Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night.]

11:35 – Interview with Katy Guillen and Claire Adams

Claire Adams & Katy Guillen on the November 8, 2017 edition of Wednesday MidDay Medley.

Katy Guillen and Claire Adams of Katy Guillen and the Girls joined us to share music from their new full length release, “Remember What You Knew Before.” Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.

Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

Katy Guillen and Claire Adams thank you for being with us on Wednesday MidDay Medley.

“Remember What You Knew Before” was Produced by Lennon Bone

Songs were recorded in their home with multiple instruments including guitars loaned to Katy from her former teacher, Beau Bledsoe.

The new album contains reinterpretation and new versions of 3 songs previously released on last year’s “Heavy Days” album, 4 songs from Katy Guillen & The Girls debut album, from 2014, and 3 songs from 2012’s full length album, Katy & Go-Go.

“If You were Gone” was recorded by Joel Nanos at Element Recording.

A few weeks ago we played the song “Boom” from the 5-song EP, Waiting for The Winds to Change, released, October 22, from Claire Adams, featuring new recordings of original songs by Claire Adams, with Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com

11:44

20. Katy Guillen and The Girls – “BiWi”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

Katy Guillen, Claire Adams, Stephanie Williams play nearly 100 shows a year. In October 2016 they bought a van to tour with and have already put over 50,000 miles on the van.

Stephanie Williams has been a crucial part of The Band That Fell To Earth and the annual Tribute to David Bowie, organized by Michelle Bacon, coming back in January at recordBar for the third year.

Katy Guillen, Claire Adams, thank you for being with us on Wednesday MidDay Medley.

11:57

21. Katy Guillen and The Girls – “Humbucker”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

[Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 15, The Country DuoKasey Rausch & Marco Pascolini join us LIVE in our 90.1 FM Studios. Plus we’ll talk with members of Truck Stop Love who join us to talk about their new LP, Can’t Hear It: 1991-1994, a collection of three songs from their debut cassette release of 25 years ago plus 8 more previously unreleased demo tracks released on vinyl through Black Site Records. Truck Stop Love play a KC Reunion / and Album Release show, Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle. Also next week we’ll talk with Chase the Horseman who has a new songle out. And, Victor & Penny – Jeff Freling & Erin McGrane join us to share music and information about their new 7-inch release with RecordBar’s new label EAT.HEAR. RECORDS and the Label Launch and Release Party for Victor & Penny, November 15 at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #707

Wednesday MidDay Medley Spins Records With Merritt + Katy Guillen & The Girls

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 8, 2017

Spinning Records With Marion Merritt
+ Katy Guillen and the Girls

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Sharon Jones & The Dap-Kings, Zara McFarlane, Lizz Wright, Miguel De Deus, Pucho And The Latin Soul Brothers, ODESZA, Regina Spektor, Don Drummond\, Mista Savona, Mavis Staples, Terrence Howard & Hi Rhythm Section, Moses Sumney, Curtis Harding, Weather Station, Phoebe Bridgers, Kelly Lee Owens, Mulatu Astatke & The Heliocentrics, and The Souljazz Orchestra. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Katy Guillen and the Girls

At 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, “Remember What You Knew Before.” Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums. Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #707

WMM Playlist from July 17, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 17, 2013

Local & New Releases + Crystal Boson
+ Alicia Solombrino & Beautiful Bodies
+ Claire & The Crowded Stage

1. Parquet Courts – “Stoned and Starving”
from: Light Up Gold / What’s Your Rupture? / Jan. 14, 2013
[American punk rock band based in Brooklyn, New York, that formed in late 2010. The band consists of Andrew Savage (lead vocals, guitar), Austin Brown (guitar), Sean Yeaton (bass), and Andrew’s brother Max Savage (drums). The band released their debut album, American Specialties, on a limited cassette release (later released on LP by Play Pinball! Records). This was followed by the full length album, Light Up Gold, which was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013. Light Up Gold received acclaim in both the DIY underground and mainstream rock press.]

2. The Jinxed – “The Loon”
from: The Loon – Digital 7″ / Sharp County Records / June 4, 2013
[The Jinxed are: Bobby Topaz: Vocals, Guitar; Jon Ulasien: Drums, Guitar, Bass, Vocals, Piano, Synth; Bo McCall: Guitar ; Lennon Bone: Trumpet. “The Loon” was written by Jon Ulasien. The b-side of the digital 7″ is, “Say To Me” written by Bobby Topaz and Jon Ulasien. Produced by Jon Ulasien. Jon Ulasien and Bo McCall are from the KC based band Antennas Up. Sharp County Records was started by Lennon Bone, drummer from the band Ha Ha Tonka.]

3. Beautiful Bodies – “Animal”
from: Battles [EP] / Independent / July 20, 2013
[Indie/rock band from Kansas City that mixes elements of punk, dance, new wave, and rock. Fronted by the magnetic – and at times, mischievous – Alicia Solombrino on VOCALS; Thomas Becker on GUITAR & BACKUP VOX; Luis Arana on BASS;. The band has received comparisons to Blondie, the Yeah Yeah Yeahs, the Runaways and Metric. More info at thebeautifulbodies.com]

[Beautiful Bodies CD Release Show, for their EP “Battles” is Saturday, July 20 at The Riot Room with Strive and Grenadina. Beautiful Bodies are also on tour with the Vans Warped Tour 2013, playing KC, Tuesday, at Cricket/Sandstone Amphitheater. More information at thebeautifulbodies.com. ]

11:15 – Underwriting

4. Beautiful Bodies – “Invincible”
from: Battles [EP] / Independent / July 20, 2013
[Indie/rock band from Kansas City that mixes elements of punk, dance, new wave, and rock. Fronted by the magnetic – and at times, mischievous – Alicia Solombrino on VOCALS; Thomas Becker on GUITAR & BACKUP VOX; Luis Arana on BASS; Aaron Crawford on DRUMS. The band has received comparisons to Blondie, the Yeah Yeah Yeahs, the Runaways and Metric. More info at thebeautifulbodies.com]

10:18 – Interview with Alicia Solombrino and Thomas Becker of Beautiful Bodies

Alicia Solombrino and Thomas Becker of Beautiful Bodies

Alicia Solombrino and Thomas Becker of Beautiful Bodies

The Kansas City based Beautiful Bodies have been compared to Blondie, the Yeah Yeah Yeahs, and the Runaways. Fronted by the playful and charismatic Alicia Solombrino on Lead Vocals; with Thomas Becker on Guitar & Back-up Vocals; Luis Arana on Bass, Beautiful Bodies have been playing live since 2005 and have shared the stage with Nine Inch Nails, Smashing Pumpkins, the Yeah Yeah Yeahs, My Chemical Romance, and Cake. Beautiful Bodies CD Release Show, for their EP “Battles” is Saturday, July 20 at The Riot Room with Strive and Grenadina. Beautiful Bodies are also on tour with the Vans Warped Tour 2013, playing KC, Tuesday, at Cricket/Sandstone Amphitheater. More information at thebeautifulbodies.com.

Beautiful Bodies were just nominated for “Best Live Act” from the Pitch Music Awards.

Beautiful Bodies CD Release Show, for their EP “Battles” is Sat, July 20 at The Riot Room.

Songs for Battles were recorded in LA with multi-platinum selling producer John Feldmann who has worked with The Used, Panic at the Disco, Good Charlotte, and Neon Trees.

Beautiful Bodies:
Alicia Solombrino on Lead Vocals
Thomas Becker on Guitar & Back-up Vocals
Luis Arana on Bass

Alicia Solombrino was born and raised in Kansas City and Alicia explained that moment when she knew that she wanted to be a performer. It was when she was in kindergarten. “I saw Madonna on the (1990) MTV (Video Music) Awards performing Vogue,” she said.

Along with being lead singer, Alicia is also known as a videographer, director, photographer, promotions manager, and web designer, she has been able to put her talents to use in many different ways and with many different venues working with many bands including The Republic Tigers and Alacartoona.

Guitarist Thomas Becker, is a Harvard Law graduate. he has been working representing victims of a Bolivian massacre in a civil lawsuit against the country’s former president.

Beautiful Bodies have been playing and touring since 2005, sharing the stage with bands such as Nine Inch Nails, Smashing Pumpkins, the Yeah Yeah Yeahs, Shiny Toy Guns, My Chemical Romance, Cake, Har Mar Superstar. What are your favorite experiences?

The Vans Warped Tour 2013 will take the band to: San Diego, Pomoma, Ventura, Kansas City, St. Louis, Atlanta, Tampa, West palm Beach, Orlando, Charlotte, Cincinnati, Milwaukee, Dallas, San Antonia, Houston

Beautiful Bodies CD Release Show, for their EP “Battles” is Saturday, July 20 at The Riot Room with Strive and Grenadina. Beautiful Bodies are also on tour with the Vans Warped Tour 2013, playing KC, Tuesday, at Cricket/Sandstone Amphitheater. More information at thebeautifulbodies.com.

10:32

5. Janelle Monae – “Dance Apocalyptic”
from: The Electric Lady / Bad Boy Records / September 10, 2013
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records.]

10:36 – Interview with Crystal Boson

Poet, Writer, Teacher, Scholar, Crystal Boson, is a PhD student in American Studies at the University of Kansas. Crystal holds both a B.A and M.A in English Literature, from the University of Missouri and Texas A&M University. Crystal’s recent poetry collection: “The Queer Texas Prayerbook,” was released by Seven Kitchens Press, Her previous work has been published in Callaloo, Pank, the Black Bottom, and in an anthology of Queer Midwestern Writers. She also has a chapbook, “The Icarus Series’ , with Seven Kitchens Press. Crystal currently lives in Lawrence Kansas, with her macbook, a basil plant named Lazarus and her cat, Delphina Jenkins Boson-Lease III.

Crystal Boson is currently living in Lawrence, working on her PhD at the University of Kansas.

One of the subjects Crystal is researching and studying is Hoodoo.

(from wikipedia) “Also known as conjure, and “Voodoo” (which strictly speaking is different in many ways) is a traditional African-American folk spirituality that developed from a number of West African, Native American, and European spiritual traditions. Hoodoo has some spiritual principles and practices similar to spiritual folkways in Haitian, Cuban, Jamaican, and New Orleans traditions. Hoodoo seems to have evolved in the Mississippi Delta where the concentration of slaves had been dense. Hoodoo then spread throughout the Southeast as well as North along the Mississippi as African Americans left the Delta beginning in the 1930s.”

Prior to KU this Crystal received her Masters Degree from Texas A&M. Texas A&M is located in College Station, Texas. Crystal talked about how living in College Station, Texas, and the source material for her book of poetry, “The Queer Texas Prayerbook” published by Seven Kitchens Press.

While living there she was stopped for “driving while black” 98 times in four years.

Crystal is now working on new poems for a series called: Kansas Up South.

Crystal read several poems for her new collection.

In Missouri and Kansas, and perhaps in our entire country, our society doesn’t really like to discuss issue of race and our countries history of slavery and discrimination. Crystal never shys away from dealing with these themes in her original works.

This past Saturday evening the verdict came from the jury in Sanford, Florida, and George Zimmerman was found not guilty of charges, after he killed unarmed, 17 year-old Trayvon Martin, who was walking home to his dad’s house. The judge would not allow the issue of race to be part of the trial, but cases like these always seem to crack open the truth about where people really stand on issues of race. Crystal described her own observations about this trial and verdict.

Being identified as Lesbian, Queer, African American, Female, these identities have historically been used to hold a person back, to deny them equality, even offer that person violence and hate. Crystal has been writing about her own experiences, and her own first hand racial profiling experiences.

Claire Adams, Katy Guillen, Teri Quinn, Crystal Boson, and Megan Lease in the Green Room at 90.1 FM KKFI.

Claire Adams, Katy Guillen, Teri Quinn, Crystal Boson, and Megan Lease in the Green Room at 90.1 FM KKFI.

10:52

6. Mavis Staples – “I Like the Things About Me”
from: One True Vine / Anti Records / June 21, 2013 [Staple’s 13th studio album, 2nd collaboration with record producer and Wilco frontman Jeff Tweedy. Their 2010 collaboration, “You Are Not Alone” won a Grammy in the category of Best Americana Album. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

7. Michael Franti & Spearhead – “I’m Alive (Life Sounds Like)”
from: All People (Deluxe) / Boo Boo Wax – Capitol / July 30, 2013
[Michael Franti was born April 21, 1966. He is an American poet, musician, and composer. He is the creator and lead vocalist of Michael Franti & Spearhead, a band that blends hip hop with a variety of other styles including funk, reggae, jazz, folk, and rock. He is also an outspoken supporter for a wide spectrum of peace and social justice issues.]

[Michael Franti plays Starlight Theatre on Saturday, July 20, at 7:00 PM.]

11:00

8. Daughn Gibson – “Mad Ocean”
from: Me Moan / Sub Pop / July 9, 2013
[Carlisle, Pennsylvania based singer/songwriter, was formerly the drummer for the band Pearls and Brass. His debut solo album “All Hell” received such critical acclaim that Sub Pop records signed Gibson.]

9. Me Like Bees – “Naked Trees”
from: The Ides / LoveWay Records / July 9, 2013
[indie/alternative rock band from Joplin, Missouri consisting of: Pete Burton (lead guitar), Asher Poindexter (bass), Luke Sheafer (vocals/guitar), and Tim Cote on drums. Formed in May of 2009, the group has developed their sound with influences from bands such as Modest Mouse, Arcade Fire and The White Stripes.
More info at: melikebees.com.]

[Me Like Bees play for their Full Length Debut Release at The Riot Room on Friday, July 19, with Antennas Up, and Abandon Kansas at The Riot Room.]

10. Erik Voeks – “Hester A. Fish”
from: Finulu [EP] / Independent / April 29, 2013
[Written by Erik Voeks. Produced by Patrick Hawley & Erik Voeks., Mixed & mastered by Adam Schmitt, Drums, piano, pump organ: Patrick Hawley, Steel guitar: Mike Stover, Trumpet: Ryan Oldham, Handclaps: Coleen Voeks & Mary Hawley, Field recordings: Coleen Voeks. Everything else recorded at Sandusky Sound Co. by EV.]

[Erik Voeks plays the Uptown Arts Bar, Saturday, July 20 at 7:00 opening for The Depth and The Whisper. Erik joins Albert Bickley, Dave Tanner, and Kelsey Cook of The Depth and The Whisper on lead guitar, for this show, and he joins the band on tour in a string of out-of-town shows, including the band’s return to New York City and shows in Des Moines, Chicago, Canton, Boston, and Cincinnati.]

11. Tenderness Wilderness – “Morning Light”
from: Tribes / Independent / April 13, 2012
[Omaha based band: Mikey Kelly (guitar, vocals, bass, samples), Pat Kelly (guitar, vocals, bass, samples), Kevin Kelly (drums) , Ben Volkman (guitar, bass), Matt Hames (Gravity, Anna Louise vocals), Aly Peeler (Anna Louise vocals). “Tribes” was recorded at home. Mastering by Rick Carson @ Make Believe Studio.]

[Tenderness Wilderness play the recordBar, Saturday, July 20 opening for Claire & The Crowded Stage with Appropriate Grammar and Aly Peeler.]

11:15 – Interview with Claire Adams, Katy Guillen, and Teri Quinn

Katy Guillen, Claire Adams, and Teri Quinn of Claire & The Crowded Stage

Katy Guillen, Claire Adams, and Teri Quinn of Claire & The Crowded Stage

Kansas City based singer, songwriter, and musician, Claire Adams, is an integral part of multiple area bands including: Claire & The Crowded Stage, Appropriate Grammar, Hidden Pictures, The Katy Guillen Trio, and Quirk & Ruckus. Claire Adams grew up in Topeka and went to college in Nashville. Claire & The Crowded Stage is set to release their third EP, “Nightside of Day” with a special EP Release Show, this Saturday, July 20 at 9:00 pm, at the recordBar, 1020 Westport Road in Kansas City, Missouri, with special guests: Tenderness Wilderness, Appropriate Grammar, and Aly Peeler.

We talked again with Claire about how one of the reasons she ended up being in so many bands, and in the middle of a crowded stage, is because when she first moved to KC three years ago she wanted to make friends.

Claire grew up in a small farming town in Kansas, went to High School in Topeka, went to college in Nashville. You lived in Nashville for 7 years before coming to KC.

Among members of Claire & The Crowded Stage, many other bands are represented including: The B’Dinas (Peter, Katy, Katelyn), Dream Wolf (Katelyn, Brent), The Katy Guillen Trio (Katy, Stephanie, Claire), Quick & Ruckus (Katy, Claire), Genessee (Jerod), Appropriate Grammar (Claire), Hidden Pictures (Claire), The Cave Girls (Stephanie), I Found A Job (Peter), with all of you switching around on keyboards, bass, drums, guitar, lead vocals. How many bands can one person be a part of before losong control?

11:22

12. Claire & the Crowded Stage – “Kamakazee”
from: Night Side of Day / Independent / July 20, 2013

The song “Night Side of Day” was Performed LIVE by half of The Crowded Stage: Claire Adams, Katy Guillen, Peter Lawless, & Teri Quinn, back on March 27 on this show.

Claire, Katy and Teri talked about how the new EP is more representative to the real sound of “The Crowded Stage.”

Claire & The Crowded Stage is:
Claire Adams – Vocals, Ukelele, Guitar
Katelyn Boone – Bass & Keys
Peter Lawless – Accordion & Saxaphone
Meredith McGrade – Electric Guitar
Katy Guillen – Electric Guitar
Stephanie Williams – Drums
Jerod Rivers – Drums
Brent Jamison – Keys
Teri Quinn – Clarinet, Guitar

11:32

13. Claire & the Crowded Stage – “I Saw It All”
from: Night Side of Day / Independent / July 20, 2013

Claire & The Crowded Stage is set to release their third EP, “Nightside of Day” with a special EP Release Show, Saturday, July 20 at 9:00 pm, at the recordBar, 1020 Westport Road in Kansas City, Missouri, with special guests: Tenderness Wilderness, Appropriate Grammar, and Aly Peeler. More info at: claireandthecrowdedstage.bandcamp.com

11:38 – Underwriting

11:39

14. La Guerre – “Ontario Lake”
from: The Three / The Record Machine / May 7, 2013
[La Guerre is french for The War. La Guerre is Katlyn Conroy a singer songwriter, based in Lawrence, Kansas and is also a member of Cowboy Indian Bear. Her Transformations Tour comes to KC Thursday Night.]

[La Guerre plays the Riot Room, Thursday July 18, with The Blackbird Revue, and Monster.]

15. Piney Gir – “Outta Sight”
from: Geronimo! / Highline Records / October 2, 2012
[Piney Gir is Angela Penhaligon a musician and singer, born in Kansas and now based in London, England. This is her 5th album.]

16. Ecstatics – “Hearts Change”
from: 1,000 Years Of Ecstatics / Independent / January 1, 2013
[Brooklyn based duo made up of: Matthew Dunehoo (formerly of Doris Henson and Baby Teardrops) and Lillie Jayne (aka Admiral Grey). Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Preliminary mixing by Duane Trower at Weights and Measures Soundlab. Further & final mixing by Erik Schuiten at Headroom Audio in New York City. Mastering for vinyl by Paul Gold at Salt Mastering in Brooklyn, NY. Mastering for digital by Al Houghton and Mike Crehore at Dubway Studios in NYC. ]

[Ecstatics play the recordBar, Thursday, July 18 with Parallels and Akkilles.]

17. Trampled Under Foot – “Bad Bad Feeling”
from: Badlands / Concord Music group – Telarc Records / July 9, 2013
[“Trampled Under Foot” is a song by English rock group Led Zeppelin, featured on their 1975 album Physical Graffiti. The lyrics were inspired by blues musician Robert Johnson’s 1936 “Terraplane Blues.” Trampled Under Foot is also one of Kansas Cities hottest blues bands consisting of siblings: Nick Schnebelen on Guitar & Vocals; Danielle Schnebelen on Bass & Vocals, and Kris Schnebelen on Drums & Vocals. Trampled Under Foot is the winner of the 2012 Pitch Music Award for Best Blues Band. More info at: tufkc.com]

[Trampled Under Foot play a special Album Release Show at Knuckleheads, on Friday, July 19.]

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #482

WMM Playlist from Dec. 12 – The 112 Best Recordings of 2012 (Part 2)

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 12, 2012

The 112 Best Recordings of 2012
(Part 2 of 4)

Part-2, of our 4-week special: The 112 Best Recordings of 2012. Based on the playlists of Wednesday MidDay Medley. In 2012 we’ve played over 700 of New & Local Releases, we’ve presented dozens of LIVE in-studio performances from area performers, and we’ve interviewed over 150 local and national guests. 70% of the recordings on our list were locally produced. It’s all good! Tune into 90.1 FM, Wednesdays in December, 19th and 26th, we’ll play music that represents: The 112 of Best Recordings of 2012!

1. (84.) Black Moth Super Rainbow – “Windshield Smasher”
from: Cobra Juicy / Rad Cult / October 22, 2012
[5th, and some say finest, album to date from the psychedelic-electronic-experimental band from Pittsburgh. Their sound is characterized by their use of analog electronic instruments including the vocoder, Rhodes piano, Novatron. Little is known about band members who’re all something of an enigma, keeping their true identities hidden behind monikers like: Tobacco, Bullsmear, The Seven Fields of Aphelion Fields. One critic described their music this way: “Imagine that disco put on a blonde wig, a denim jacket, and roller-skates; then proceeded to do a considerable quantity of acid and dance around in the abandoned roller rink in your hometown.”]

2. (83.) Gemini Revolution – “Other Side of Yesterday”
from: Gemini Revolution / Upstairs Recordings / September 20, 2012
[This year they also released: EPs: “Informal Revolution” “Sizuka.” Gemini Revolution is: Dedric Moore, Delaney Moore, Mika Tayana. They were asked to perform at this year’s Pop Montreal Festival in September 20. Upstairs Recordings of Vancouver, Canada, released their full-length debut to coincide with the festival.]

3. (82.) Alt-J – “Fitzpleasure”
from: An Awesome Wave / Infectious Records / September 18, 2012
[Debut, and Winner of The 2012 British Mercury Prize. Pronounced “alt-J”, the delta sign is created when you hold down the alt key on your computer keyboard and punch ‘J’ on a Mac computer. The symbol has a deeper meaning. The band explains that, “in mathematical equations it’s used to show change.” Gwil, Joe Newman [guitar/vocals], Gus Unger-Hamilton [keyboards] and Thom Green [drums] met at Leeds University in 2007.]

[Alt-J plays The Midland Theatre Sun, Dec. 16 w/ Passion Pit, Blondfire, Heroes & Villains, Churchill.]

10:14

4. (81.) Folkicide – “Power To The People”
from: The Genocide is Mean EP / Independent / August 18, 2012
[Follow up to “Devotional Hymns From the Church of the Darwinian Snuff Film.” Folkicide is the outlet for Kansas City songwriter Burnie Booth’s vision of constructive pessimism that he hopes in time will be recognized as a new acoustical genre fully devoted to the documentation of the delightful futility of existence. Folkicide continues their pessimistic exploration into the decaying frame of Western Civilization. Most of the music was recorded on May 11, 2012, by Chubby Smith, at his magical tractor shed, in Perry, Kansas. Folkicide also released, “Folkicide’s Night at The Opera,” this year. Recorded April through August, 2012, mostly in Folkicide’s basement. Engineered and Mastered by David Moore at Merriam Shoals Studios. All songs were originally written by Queen members, then strategically deconstructed by Folkicide Mercury without disrespect or irony because he truly loves Queen (pre-Hot Space) and Night at The Opera in particular.]

5. (80.) Gossip – “Move in The Right Direction”
from: A Joyful Noise / Columbia Records a division of Sony Records / May 11, 2012
[Formed in 1999 in Olympia, Washington with vocalist Beth Ditto, guitarist Nathan “Brace Paine” Howdeshell and drummer Kathy Mendonca. All 3 were originally from Searcy, Arkansas; Mendonca moved to Olympia to attend Evergreen State College and Howdeshell and Ditto followed. Drummer Kathy Mendonca left the band to pursue a career as a midwife. Established punk drummer Hannah Blilie joined to replace her.]

6. (79.) The Clementines – “Fair Trade”
from: The Clementines / Independent / August 18, 2012
[We first met The Clementines as a duo Tim Jenkins & Nicole Springer when they played LIVE on our April 25 show. Since then they’ve added Stephanie Williams on Drums, and Travis Earndshaw on Bass. Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religious or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education. But I’ve never been in a committed band before this one.” Nicole told David Hudnall of The Pitch: that her vision for the Clementines was initially inspired by the Irish folk duo the Swell Season. “I had just seen them in concert before I put up that ad,” Springer says. “They’re just so passionate, and I wanted to do something that had that much soul in it. It’s the same reason I like Aretha or the Gossip.” Tim Jenkins grew up in KC. Studied at UMKC. He has been playing music for over 10 years. He is a fan of “geek rock, like ’70s prog stuff.” “I usually bring in a song,” Springer says, “and Tim will tweak it and add solos and sometimes a riff — he helps complete it.” More info at: reverbnation.com/theclementinesnicoleandtim]

[The Clementines play The Brick, on Fri, Dec. 21 w/ Monarchs, Root & Stem, and The Summit Show.]

7. (78.) Michael Kiwanuka – “I’m Getting Ready”
from: Home Again / Polydor / May 1 2012
[24-year old British soul musician has been compared to Bill Withers, Randy Newman, and Otis Redding, he grew up in North London, the son of Ugandan parents who had escaped the Amin regime.]

10:29 – Underwriting

10:31

8. (77.) Helen Gillet – “Carolina”
from: Helen Gillet / Independent / June 8, 2012
[Recorded by Chad Meise in Kansas City, MO. Photography by Zack Smith; Graphic Design by Kourtney Keller, Mastered by John Fishback (New Orleans); Produced, Composed and Performed by Helen Gillet. A familiar face in New Orleans’ experimental jazz scene. Her first New Orleans-recorded album, “Running of the Bells,” was released last year. Helen Gillet’s new album has been compared to intensity and grace of John Cale and the recordings of the Velvet Underground and Nick Drake. Hellen Gillet was part ow WE and art/performance/installation created last year by Jane Gotch and Mark Southerland who often welcomes Gillet to KC for live shows with is band Snuff Jazz.]

9. (76.) Katy & Go Go – “Funny Place”
from: When I Get Away / Independent / April 19, 2012
[Katy & Go-Go is vocalist and guitarist Katy Guillen (of The B’Dinas) and drummer extraordinaire Go-Go Ray (of Mike Dillon’s Go-Go Jungle, Samantha Fish, John Velghe). They hit the KC stages in January of 2011, securing a steady monthly gig at The Brick’s Rhythm, Roots, & Soul Saturday Matinee. Nominated for a Pitch Music Award for Best Blues Band. Band leader, Katy Guillen has told us that Go-Go is on the road for an indefinite amount of time. Before he left to tour the country and Europe he replaced himself with an awesome drummer: Kelsey Cook, and Tim Braun of Good Foot has joined the band on bass.]

[The Katy Guillen Trio plays The Brick on Sat. Dec. 22 with Appropriate Grammar, and Drew Black and The Dirty Electric.]

[Katy Guillen plays the recordBar, Saturday night, Dec. 15 with the Pedaljets , and John Velghe & The Prodigal Sons.]

[The Pedaljets 7″ single release Give-Away to the 3rd caller…816-931-5534]

10. (75.) Forrest Whitlow – “Judd’s Ephemera (Green)”
from: Ghosts From The Old Country (Double Album) / eternal return music / November 9, 2012
[“When all the trees have been cut down, when all the animals have been hunted, when all the waters are polluted, when all the air is unsafe to breathe, only then will you discover… you cannot eat money.” -Native American prophecy. Originally from Greensburg, Kentucky, Forrest Whitlow is now based in Kansas City, KS. 90.1 FM”s Signal To Noise host Barry Lee describes Forrest Whitlow as, “David Lynch meets Neil Young.” This is Forrest’s ninth studio album. Produced by Forrest Whitlow with Pat Tomek. Recorded, mixed and mastered at Largely Studios, Kansas City, Missouri by Pat Tomek. One of many recordings on our “112 Best…” that was produce by Pat Tomek. For the recording: Forrest Whitlow – acoustic guitar, vocals, harmonica, banjo, whistles, ambient, nasal wind. Rick Gray – electric guitars, pedal and lap steel, and mandolin. Todd Wiseman – bass, and additional vocals. Mike “D.J. Clem” Stover – upright bass. Pat Tomek – drums and percussion. More info at Forrestwhitlow.com]

10:45

11. (74.) Power and Light – “Earthly Schemes”
from: Power and Light [EP] / Independent / January 14, 2012
[A collaboration between: Nathan Readey (production) and Andrew Connor (songs, vocals). Andrew Connor saw the potential of Readey’s work and because of the success of Kansas City based bands like Ssion, he wanted to encourage Readey by allowing him to remix and release several new Ghosty songs, before Ghosty released them in their own new album. Nominated for a Pitch Music Award for Best Electronic Band.]

12. (73.) Laura Spiegel – “A Folk Study”
from: The Expanding Universe / Unseen Worlds / September 25, 2012
[Classic 1980 debut album by composer and computer music pioneer Laurie Spiegel. The album is reissued here for the first time in a massively expanded two-CD set, containing all four original album tracks plus an additional 15 tracks from the same period, nearly all previously unreleased! Chicago born composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. Spiegel was seen by some as a pioneer of the New York, new-music scene. Spiegel’s piece “Sediment” was used in the “cornucopia scene” of the 2012 movie The Hunger Games.]

13. (72.) White Girl – “Setting Fire”
from: White Girl Vol. Two [EP] / Independent / Oct. 5, 2012
[White Girl is the brain child of Martin Bush, a dance infused pop romp through eternal fields of post punk grasses and rolling new wave hills. He is joined by Marc Pepperman (the Republic Tigers), Nick Organ (Beautiful Bodies, Various Blonde), Skyler McClun, and Matt Epstein.]

14. (71.) Antennas Up – “Coming On”
from: The Awkward Phase / Plastic Artifice / April 24, 2012
[Formed in KC in 2008. The band has played South By Southwest and over 30 Universities and toured w/ Girl Talk, Electric Six, Flogging Molly, Matt & Kim, Ha Ha Tonka, and Company Of Thieves. Kyle Akers – Lead Vocals/Bass; Bo McCall – Guitar/Vocals; The Ryantist – Drums/Vocals; Jonny Universe – Guitar/Keys/Vocals]

[Antennas Up play the recordBar Sat. Dec. 29 with Not a Planet, and In Back of a Black Car.]

11:00

15. (70.) She’s A Keeper – “Headless King”
from: Live From Midwestern [EP] / Independent / March 12, 2012
[All songs written by She’s A Keeper, 2012, Recorded live at the Midwestern Musical Co. in Kansas City, MO. (midwesternmusic.com) Engineered by Dave Guame, Matt Kesler, & Cody Wyoming. Mixed and mastered by Steve Phillips. Band photo by Emmett Merrill. Design by Eric Lindquist.] [5-piece band from Kansas City, includes: Fritz Hutchison – vocals, banjo, percussion; Zac Jurden – vocals, guitar; Colin Nelson – vocals, guitar; Elliott Phillips – bass, mandolin; Kate Sopcich – cello, keyboard. She’s A Keeper has just recently recorded their first music video in promotion of a live EP recorded at Midwestern Musical Co. in KC. The band is currently working on a second full-length album.]

[She’s A Keeper play The Midland Theatre, this Saturday night, Dec. 15, with Grouplove, Of Monsters And Men, The Joy Formidable, and Elle King. (The show is very sold out.)]

11:06

16. (69.) The Sleazebeats – “Goosesteppin’ Nazis”
from: The Sleazebeats / Independent / Jan. 1, 2012
[Charlie Colborne – keyboards, guitar, vocals; Bill Belzer – drums; Jeff Harshbarger – bass; Recorded at More Famouser Studios w/ Mike Nolte engineer, mixing, mastering the recordings. The Sleazebeats have played Live on the show on several occassions.]

17. (68.) Cher UK – “Little Blue Soldier”
from: Little Blue Soldier / Independent / October 20, 2012
[Founded in 1990 by Mike McCoy who grew up in Hutchinson, Kansas. Cher U.K. filled venues in Kansas City playing punk rock music. Mike McCoy, now lives in Austin Texas and fronts his band the Service Industry. Mike is the founder of The North vs. South Music Festival. Cher UK reunited to play the Middle of the Map Festival in April. While in KC Mike McCoy gathered up several musicians to record a new Cher UK EP. Mike McCoy Guitar & Vox, Mark Reynolds – Bass, Bernie Dugan – Drums. Mike McCoy, Mark Reynolds, Bernie Dugan, Lyle Wells of Cher UK & Matt Kesler of The Pedaljets joined us live on Wednesday MidDay Medley on October 17 to talk about their CD Release show at Davey’s Uptown, October 20.]

18. (67.) Eyelit – “Dying Old”
from: The Woe Dies / Independent / June 22, 2012
[Their song “Motionless” is on Midwestern Audio Vol. 1. Formed in Saint Joseph, MO, in 2008 by Austin (songwriter) and Dansare (voice). They released their first EP “Elephant” in early 2010. “The Woe Dies” was inspired by Bob Dylan, Iron & Wine, and Bright Eyes.]

11:15

19. (66.) Bobby Womack – “Please Forgive My Heart”
from: The Bravest Man in The Universe / XL Records / June 8, 2012
[First album of new material in over 13 years. Earlier this year, the 68-year-old Bobby Womack was released from the hospital following a successful recovery from pneumonia. The Rock and Roll Hall of Fame inductee has also been battling cancer and was scheduled to undergo surgery this year and looks forward to touring in support of his album.]

20. (65.) Thom Hoskins – “Still Feeling Bronze”
from: Still Feeling Bronze [EP] / Independent / April 7, 2012
[Former lead singer and guitarist for The Buffalo Saints, singer-songwriter Thommy Hoskins has just released his new solo EP. Thom was our guest on Wednesday MidDay Medley on July 11, where he performed LIVE.]

21. (64.) Alacartoona – “Drowning All My Sorrows”
from: Fantoche / Money Wolf Music / September 14, 2012
[We broadcast the radio premiere of this song on our September 12 Wednesday MidDay Medley. This album is one of four new Money Wolf Music releases on our list. Alacartoona includes: Ruby Falls – vocals/guitar, Providence Forge – bass/vocals, Overton Wooldridge – accordion/vocals, Billings Marland – drums/percussion]

[Alacartoona play Californos on Saturday, Dec. 22 at 8:00pm]

10:29 – Underwriting

11:30

22. (63.) Dolls On Fire – “GFY (300 Hands)”
from: Ladies and Gentleman… / Independent / November 13, 2012
[Second single from debut album, recorded, produced, mixed, and mastered by Dolls on Fire at Atzero Studios in Lee’s Summit, MO. Dolls On Fire include: Zach Hodson, Rachel Jaggard, Michelle Bacon, and Mark Johnson. All songs were written by Zach Hodson, except “Minotaur,” which was written by, Hodson/Jaggard/Johnson. Michelle Bacon joined us on November 7, on Wednesday MidDay Medley.]

23. (62.) Erik Voeks – “There’s A Light (That Always Goes Out)”
from: Free Range [EP] / Independent / March 30, 2012
[Produced by E. Voeks, Patrick Hawley and Troy Van Horn. Drums and percussion by Patrick Hawley. Steel guitar by Mike Stover. Other instruments and voices by Erik Voeks. All songs written by Erik Voeks. Drums and percussion recorded by Joe Thebeau @ Victory Over Gravity Productions. Steel Guitar recorded by Mike Stover @ The Stoverdome. Everything else recorded by E.Voeks @ Sandusky Sound Co.]

24. (61.) Organic Proof – “Follow Your Heart”
from: Johan [EP] / Independent / February 21, 2012
[Acoustic song-writing project of multi-instrumentalist Brandon Draper, along with Barclay Martin and Rick Willoughby. Johan was inspired by the writings of Brandon’s 4th great grandfather Johan Augustin Pihl, a Swedish Immigrant that settled in the Kansas Plains in 1860. On Nov. 12 Organic Proof released a new single track called “Simple” at organicproof.bandcamp.com. Rick Willoughby works with Quixotic and he also plays with The Snow Globes, with Barclay Martin, and he joined us LIVE on Wednesday MidDay Medley, on November 21, with Victor & Penny, another KC based band where Rick plays bass.]

25. (60.) Eleni Mandell – “The Future”
from: I Can See The Future / Yep Roc / July 10, 2012
[We interviewed Eleni Mandell for a second time. Her recent tour and musical release came from the legendary indie singer songwriter who seemed happier than we’ve ever seen her before. The music created while she was pregnant, was, after the birth of her twins, released with an extensive tour in support of the new music. We talked with Eleni on our August 1 Wednesday MidDay Medley, about touring with the babies, her ex boyfriend that she hired as her nanny, and the inspiration for the new songs. Eleni Mandell played Davey’s Uptown Ramblers Club, on Aug 4, with Mikal Shapiro and Ruddy Swain.]

11:45

26. (61.) The Magnetic Fields – “Andrew in Drag”
from: Love at The Bottom of The Sea / Merge Records / March 6, 2012
[The band’s 10th full-length album is their first release of new material with Merge since 1999’s highly acclaimed 69 Love Songs. After putting out their “synth-free trilogy,” The Magnetic Fields are returning to their signature mix of synth and acoustic sounds. Merritt notes about the new album that “Most of the synthesizers on the record didn’t exist when we were last using synthesizers.” The Magnetic Fields went on a North American tour and the closest they got to KC was: IOWA CITY, Iowa, March 28, at the Englert Theatre. More info at houseoftomorrow.com website for The Magnetic Fields]

27. (58.) Regina Spektor – “Don’t Leave Me (Ne me quitte pas)”
from: What We Saw From The Cheap Seats / Sire / May 25 , 2012
[6th studio album from Russian–American alternative singer-songwriter Regina Spektor. Recorded in Los Angeles during the summer of 2011, the album is a collection of new material along with the very first studio recordings of several of Spektor’s older live songs. The album’s second single, “Don’t Leave Me (Ne me quitte pas)” is a song originally from Spektor’s 2002 album Songs. One of our first phone interviews ever on WMM, Regina Spektor played Kansas City at The Music Hall November 7]

28. (57.) The xx – “Angels”
from: Coexist / The Young Turks / September 11, 2012
[English indie pop band, formed in London in 2008. The group released their debut album, xx in August 2009. In 2010, the band won the Mercury Music Prize for their debut album. The band met while studying at Elliott School, the same school that produced Hot Chip, and Four Tet. Oliver Sim and Romy Madley-Croft started the band as a duo when they were 15. Guitarist Baria Qureshi joined once they began performing in 2005, with Jamie Smith joining a year after.]

11:59:30

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #451