WMM Playlist from Oct. 7, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 7, 2020

Ebony Tusks + Maya Coppola of Ondist
+ Joe Sears of Page 7

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Freedom Affair – “Move On”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson. “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3. True Lions – “Origins (Tennis cover)”
from: Like A Lamb (Covers) / True Lions / April 20, 2020
[Multi-instrumentalist femme DIY super collective from Kansas City. Like A Lamb (Covers) is an EP collection of 4 songs: “Pressure To Party” (Julia Jacklin cover), “I’d Rather Dance With You” (Kings of Convenience cover), Archie, Marry Me” (Alvvays cover), and “Origins” (Tennis cover). Recorded in Strawberry Hill, Kansas City, KS., during mandatory self-quarantine. All songs performed by True Lions. Produced and recorded by Alison Hawkins and Fritz Hutchison. Mixing/Mastering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins: piano, guitar, violin, synth, percussion, vocals. Fritz Hutchison: drums/percussion, guitar, bass, synth, vocals. Featuring “Falcon” the chicken. Along with Like A Lamb, True Lions also released Thermal in June (demos) on February 29, 2020. Also recorded in Strawberry Hill, Kansas City, KS. All songs written by True Lions. truelionsmusic@gmail.com. Tracking Engineering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins on lead vocals, guitar, piano, synth, percussion. Fritz Hutchison on vocals, guitar, bass, synth, drums/percussion. Daniel Cox on vocals, saxophone, percussion. Late last year on November 29, 2019 True Lions released their Second EP You’re Not Invited with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP “Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with Fritz Hutchison, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

4. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life-long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.“Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz Hutchison.]

[Fritz Hutchison plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with True Lions, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

5. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

6. Beverly Glenn-Copeland – “La Vita”
from: Transmissions: The Music of Beverly Glenn-Copeland / Transgressive Records / Sept. 25, 2020 [“There are three challenges in my life. The first is being black in a white culture. The second is being transgendered in a hetero-normative culture. The third is being an artist in a business culture” – Glenn-Copeland // Transmissions: The Music of Beverly Glenn-Copeland – A career retrospective release featuring music released over the last 50 years. “La Vita” was first released on Primal Prayer album under the moniker Phynix in 2004. Produced by John Herberman. Mixed by Composers Music Production. Additional vocals on La Vita by Maggie Dace Hollis. Electric Bass on This Side of Grace by Scott Alexander. Recorded at Composers Music Production studio in Toronto, ON. All tracks re-mastered by Guy Davie at Electric Mastering. Artwork of The Raven by Evelyn Wolff. Graphic design and layout by Traianos Pakioufakis. // Born into a family all of whom were very musical, essentially studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He went on to study classical music and then after a few years of concertizing he suddenly felt called to write music that would weave all the different musical cultures he had come to love. // Beverly Glenn-Copeland is a singer and songwriter who was born in Philadelphia, but has spent most of his life and career in Canada. He is a trans man. Glenn-Copeland began publicly identifying as trans in 2002. // In 1961, Glenn-Copeland became one of the first black students to study at McGill University in Montreal. // Glenn-Copeland started his career as a folk singer incorporating jazz, classical, and blues elements. He also performed on albums by Ken Friesen, Bruce Cockburn, Gene Murtynec, Bob Disalle, and Kathryn Moses, and was a writer on Sesame Street. He spent twenty-five years entertaining children as a regular actor on Canadian children’s television show Mr. Dressup. // His 1986 electronic album, Keyboard Fantasies, recorded using equipment including a Yamaha DX7 and a Roland TR-707, was rediscovered and given further attention in the 2010s. Before his gender transition was made public, the album was selected as one of the 70 greatest recordings by women by The Stranger. Keyboard Fantasies: The Beverly Glenn-Copeland Story, a documentary directed by Posy Dixon, was released in 2019. // Planned 2020 international tours to Australia, the United Kingdom, and other European destinations were re-scheduled to 2021 due to the COVID-19 pandemic. A fundraising campaign was then started to help Glenn-Copeland and his wife after the loss of their house that resulted from these changes; the campaign raised over $90,000.00.]

10:25 – Underwriting

7. Ondist – “Die A Little”
from: “Die A Little” – Single / Bikiniwax Records / October 2, 2020
[Latest musical release from the band Ondist. This song will be on their upcoming full length album. So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and NYC, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

8. Ondist – “Gather Up The World”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

Maya Coppola of Ondist

10:33 – Interview with Maya Coppola

Maya Coppola is a singer, songwriter, musician and producer with the band Ondist. We just heard her singing lead on “Gather Up The World” and the new single “Die a Little” So far, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and “Die a Little” will be part of their third album release in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The members of Ondist Corbin Dooley, Nick Poortman, and Maya Coppola originate from Arkansas, New Zealand, and New York, but you all got together in Los Angeles. How did the band form?

The album, No Coincidence was released on June 12, and Electricity on August 14, and with a third album release in November. Most bands put out a new album once a yar or once every two years, was it the pandemic of COVID-19 and the closing of music venues that had anyting to do with releasing so many new recordings in one year?

Ondist recorded music in sessions in Malibu, Dallas, Kansas City, and Las Vegas, as the band writes to bring “environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope.”

Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recently Corbin with Ondist has been traveling around the country, recording songs.

Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. And with vocalist Jillian Riscoe.

From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Maya Coppola grew up as one of five children in Long Island, New York. Coppola’s family was headed by her African-American mother and Italian father, did not fit in, and she and her family were picked on. Her mother, a teacher, was the primary income earner, while her carpenter father was often out of work and refused to earn an income from his art.

Coppola grew up surrounded by music, as her father is a jazz musician, her mother plays bass, and all of her siblings are musicians as well. Including hwer sister recording artist and actress Imani Coppola.

Maya Love Coppola released her soulful solo debut album, How Coyote Stole Fire, on September 18, 2012. It was produced by fellow multi-instrumentalist Robert “Chicken” Burke (The Duke & the King). On this debut album she mixes classic pop melodicism, slippery funk, and edgy rock, weaving tales borne of hard-won experience, as a lover, a beloved, and citizen of a world given to both beauty and chaos. Coppola’s remarkably versatile voice is whisper-soft one moment, confiding and tender, then brazen and dizzyingly powerful the next, elemental like the “Summer Wind” she sings of in the first track, carrying listeners to a distant shore, a boudoir, or the dance floor. Through it all, she and Burke wrap everything in uncommonly lush harmony, part Beach Boys, part P-Funk All Stars.

Although this was her solo debut, Maya Love Coppola had been working toward “How Coyote Stole Fire” for quite some time.

Born into a hyper-musical family of six kids, all whom play at least one instrument (Maya plays guitar, piano, and cello), she grew up biracial (black mom, Italian dad) and poor in a Long Island town with its own KKK chapter. As her middle name suggests, when faced with cruelty, she says she learned to “kill ‘em with kindness.”

Before long she made her way to NYC clubs The Village Gate, Tatou, and many others, singing everything from jazz standards to Abba, fronting bands Wish and Elemental, making ends meet by waitressing and modeling.

Marriage and motherhood took her to Woodstock, NY, where Coppola divorced and devoted time to raising a daughter and designing jewelry, recording songs along the way.

Nothing clicked musically until she aligned with producer Robert “Chicken” Burke, of The Duke & The King, Toshi Reagon, and many others. After producing The Duke & The King’s 2009 CD Nothing Gold Can Stay (“the most tasteful record of the year,” The Guardian) Chicken’s skills were ripe for the picking and he and Coppola, with a little help from P-Funk’s Michael “Clip” Payne, crafted a sonic adventure packed into eight cuts,
an old-school album with an arc, but grounded in radio-ready songs rife with fun, celebration, experience, and most of all, love.

Maya Coppola is also the owner of Jewels By Maya.

Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The newest Ondist release, their single, “Die a Little” will be part of their third album release in November. Ondist released the album, No Coincidence on June 12, and Electricity. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. More info at http://www.ondistmusic.com

10:50

9. Ondist – “So Fragile”
from: Electricity / Bikiniwax Records / June 12, 2020
[This year, Ondist has released two albums, No Coincidence on June 12, and Electricity on Aug. 14, and their third album is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

10. The Greeting Committee – “This is It”
from: Greenline Grows KC-Benefit for The Greenline Initiative / Una Walkenhorst / 10-2-2020
[On Friday, August 28, 2020 The Greeting Committee played live for the Greenline Grows KC – A Benefit for The Greenline Initiative, that streamed LIVE on Facebook & YouTube with: Radkey Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro. This was rom that night. The Greeting Committee released their critically acclaimed EP, I’m Afraid I’m Not Angry on Harvest Records on October 17, 2019. Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, & Pierce Turcotte. I’m Afraid I’m Not Angry was a follow up to their Oct. 26, 2018 full length release “This Is It.” The band released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

11. The Get Up Kids – “Brakelines”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music.]

[The Get Up Kids play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Fri, Oct. 10, at 7:00 PM for a recordBar fundraiser. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership w/ recordBar, Voltaire, and Moxie Catering.]

11:00 – Station ID

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

12. Ebony Tusks – “Bloodletting”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Martinez Hillard and Daniel B Smith of Ebony Tusks on the October 7, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:04 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

You all were last on the show back on February 19, 2020 when we featured the releaseof your single HDF released February 7, 2020. That seems like a lifetime ago.

Originally the album was going to follow the single, with a Spring release, but it is now Fall, can you share some of the challenges of releasing a new album during a pandemic?

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step. With newly released music hitting the web just minutes ago, EBONY TUSKS spoke with Vivid Seats about “HDF,” the state of hip-hop and their plans to conquer the new decade.

Martinez Hillard told Vivid Seats: “ I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel works the United Way of Douglass County. He helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2018: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an new intensity.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype are just a small fraction. With that said, the three of us are always having conversations about how other genres influence us personally. Post-rock, post-hardcore, industrial, indie rock, and electronic all factor in. Our tastes evolve naturally and we follow accordingly.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

Heal Thyself on High Dive Records will be released on Nov. 6, 2020. All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner.

Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska.

IK’s vocals on “Gang Signs” engineered by Derek Montgomery.

Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas.
Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox.

All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. Album insert photography by Ailecia Ruscin and LeRoy Pristach.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:15

13. Ebony Tusks – “Schuyler”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:18 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, who join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.
Martinez Hillard was part of the popular band Cowboy Indian Bear (2008-2014). Cowboy Indian Bear was formed as a trio in 2008 with Beau Bruns, Martinez Hilliard and CJ Calhoun. They started practicing in Joshua Browning’s church/studio in Williamstown, KS. They were three dudes who had just moved from their hometown of Topeka to, what in our eyes, was our very own local music mecca: Lawrence, KS. We were flush with plans and ideas for our music. Over the course of almost six years, the three of us, along with Katlyn Conroy who joined the band in 2010, and Danny Bowersox, who came in to the band in 2013 worked hard and were able to accomplish so much.

Martinez Hillard started Ebony Tusks. Danny Bowersox helped form the band Spirit is the Spirit. Katlyn Conroy has released multiple EPs and Album releases as La Guerre. CJ Calhoun created the musical project Bonzo Madrid.

Fally Afani wrote in the October 14, 2014 edition of I heart Local Music: “Watching CJ Calhoun, Marty Hillard, Katlyn Conroy, and Beau Bruns single-handedly transform the attitude in the scene may have been the biggest gift the (mostly) Topeka transplants brought to Lawrence. At a time when the scene was hostile, frigid, and cliquey, Cowboy Indian Bear put on their best manners and welcomed everyone with open arms. Often times at shows early in their careers, they greeted every single patron who walked through their door. // That attitude was infectious, and you can bet it spread across the Lawrence music scene. // One by one, we saw more bands associated with this act change their behavior. This allowed more music fans to feel at ease, and actually feel drawn to live shows. Once audiences felt a welcoming atmosphere at Cowboy Indian Bear’s shows, they eventually shared the sentiment with other bands.”

Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others.

Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places

Heal Thyself was tracked and mixed from January 2016 – May 2019 by George Henry Valyer IV at Rundown Studios in Topeka, KS and MalaMUTE Studios in East Lawrence, KS. It was mastered in July 2019 by Mike Nolte at Eureka Mastering in Portland, OR.

The album cover was created by Justin Bergin and shot by Rachel Lock. The layout was created by Marty Hillard with assistance from Tanner Spreer. Insert photos were shot by LeRoy Pristach and Ailecia Ruscin.

The official video for “Bloodletting” released October 2, 2020 is now available on Instagram, YouTube, Facebook, and Twitter courtesy of Austin Glassco.

Bloodletting written and performed by EBONY TUSKS. Video created by Austin Glassco.

Engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas.
Mastered by Mike Nolte at Eureka Mastering, Portland, Oregon.
High Dive Records / Intelligent Sound©️. All rights reserved.

“Bloodletting” lyrics:

I’m well acquainted with harbored resentment / the bitter feelings inaudibly rendered / through gritted teeth we’ve been volatile, indiscreet in our comments / is this release or an audit of weapons? / mother in heaven knows I once kept an arsenal in me / cannon fixed and aimed at those who so often would tempt me / best believe I was a beast with it, awful and petty / bleed for an audience just to feed all this bottomless envy / and I felt it in my core from rock bottom to ceiling / knew when to quit but didn’t know just what stopping would mean / a light I withheld when I was supposed to be conscious, a beacon / I was supposed to have conquered these demons / you were supposed to see G-d in this heathen / most days I can’t even argue with reason / but a part of me has flown away in departure for kingdom

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

am I to be a vessel? Am I to lead discussion? / am I to cauterize the wound? am I to leave it ruptured? / am I considered damaged goods not having been discovered / at the bottom of a dream deferred and cavernous in hunger? / am I to plummet farther? am I my father’s witness? / am I the courage in his blood, a prophecy delivered? / am I believed to be an author if the script was written / long before the moment I felt chosen for the mission given?

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

Chris Hagirian of Eight On Sixty on 90.1 The Bridge wrote:

“I’ve never heard music that has made me feel so many contrasting things at the same time. The music and the sound beneath it are overwhelming on an all-new level. It’s like audio vertigo, in the best of ways, with blasts of sound flying at you from every angle. The loudness of the music and resonance of the lyrics truthfully replicates their powerful live performance in a way I could have never predicted. The message in the songs fills you with rage and at the same time overwhelms you nearly to tears.

This is hard-listening music with no apology and like so much great art, Heal Thyself is hard to digest. Ebony Tusks has given us a piece of transposing art, music that we need right now, as hard-working people struggle and fight for what’s right and elected officials sit back and let the country burn.

Listen to Bloodletting. In one breath you’ll want to burn something down and in another, you’ll want to hug everyone you’ve ever met. Thank you to Martinez, Geese and Daniel for this gift, and cheers to High Dive Records for putting it out. “

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:25

14. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:28 – Underwriting

15. Page 7 – “Not A Free Country”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

Joe Sears of Page 7

11:34 – Interview with Joe Sears

Joe Sears is lead singer of the Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7. The band was formed in 2014 and also includes: Ryan Hensley, Mike McFarland, Mike Walker, Brad Eldridge, Dan Pem Chris Leopold and Anthony Case. Page 7 just released their new 3-song EP Rise Up, on October 6, 2020. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com

Joe Sears Thank you for being with us on Wednesday MidDay Medley

“Not A Free Country”
“Rise Up”
“Right Side”

Page 7 was formed in Lawrence, Kansas in 2014

Joe Sears on lead vocals
Ryan “Rhyno” Hensley on drums;
Anthony Case on bass, and backing vocals;
Mike MacFarland on guitar & backing vocals;
Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals;
Dan Pem on saxophone, and backing vocals;
Mike Walker on trombone, and backing vocals.

Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10.

Joe Sears is a Montessori Guide at Raintree Montessori School in Lawrence, Kansas

Joe Sears was a Substitute Teacher at Maplewood Richmond Heights School District in St. Louis, starting in August 6, 1996 until Present

Joe Sears was a Therapist Aide at St. Louis Children’s Hospital, starting in August 6, 1995

In reporting about Page 7 performing at Live on Mass for I Heart Local Music, Fally Afani wrote: “Page 7, however, ultimately brought the party thanks to their infectious energy and genre-spanning sound. With Page 7, you get a little soul, a little funk, and everything in between. Though they touch on several genres, it’s when they dive into ska that they’re at their best, likely because this is one of the finest horn sections in the area. They’re subtle, smooth, and simply sublime (a perfect blend for any mid-Summer street party).”

In a few minutes we are gong to play: “Rise Up” and “Right Side”

Joe Sears Thank you for being with us on Wednesday MidDay Medley

The Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7 have just released their new 3-song EP Rise Up, on October 6, 2020. More info at: https://page7reggae.wixsite.com

11:47

16. Page 7 – “Rise Up”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

17. Page 7 – “The Right Side”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D.%5D

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Oct. 14, we talk with Mike McCoy of Cher UK and Mike McCoy’s Trompe-l’œil . Mike McCoy will be performing live for a Cher UK 30th Anniversary Show with Dan Jones and the Squids and Schwervon. Friday, October 16 at Lemonade Park. Also next week we welcome Calvin Arsenia who joins us to talk about “Summer in Hindsight” The West 18th Street Fashion Show Film premiering Friday, October 16 at the BLVD Drive In.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #858

WMM Playlist from July 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 22, 2020

Kansas City Syzygy + New & MidCoastal Releases

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s theme]

2. Palace Intrigue – “Recurring feat. Wennely Q”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[3-piece Kansas City based band, who write: “we believe in love, no race, no religion, no color, no hate…no genre. We make music for everyone.” Over the past two years the band has created and recorded 40 songs that are all posted on their SoundCloud page: https://soundcloud.com/user-870661143 . . French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Comp is 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Julianna Barwick – “Healing Is A Miracle”
from: Healing Is A Miracle / Ninja Tune / July 10, 2020
[From her BandCamp page: “Healing Is A Miracle” is a record built on improvisation and a close affinity to a couple of trusted items of gear, from which she spins engrossing, expansive universes. Additionally, Barwick draws on the input of three collaborators with whom she has nurtured deep friendships with over the years: Jónsi (Sigur Rós), Nosaj Thing and Mary Lattimore; who each gently nudge out at the edges of her organically-evolved sound. // Recorded in the wake of a seismic shift in her life following a move from New York—where she had lived for 16 years—to L.A. where she is now based, the title of the record came to her after thinking about how the human body heals itself, of the miraculous processes we pay little attention to: “You cut your hand, it looks pretty bad, and two weeks later it looks like it never happened… That’s kind of amazing, you know?” It’s a sentiment that feels particularly apt for the moment. From there, she conceived of the record’s simple statement title, ran it past a couple of friends, and it was settled. Like with the record itself, and all of her work, it’s about following her gut, and seeing where it takes her. // “Healing Is A Miracle” began life in spring of last year, when Barwick sat down with her vocal looping set-up and began sketching out some ideas for new solo material. “It had been so long since I had done that,” she recalls, “making something for myself, just for the love of it… it was emotional, because I was recording music that was just from the heart, that wasn’t for an ‘assignment’ or project… it brought me to tears a little”. // Part of the joy also came from a small but significant switch up to her recording process: the addition of some studio monitors—a birthday gift from Jónsi and Alex (Somers)—having previously recorded all of her music on headphones. “The first song I remember making with those was the first song on the album, Inspirit.” she explains, “When I added the bass I really felt it in my body, you know, in a way you just wouldn’t with headphones… it was kind of euphoric and fun. I got really excited about making the record in that moment, and I think that really had an impact on the sounds I ended up making.” // Excitement too came from the chance to work with three dream collaborators. Her connection to Jónsi began via producer Alex Somers, when Barwick flew to Reykjavík to record some sessions with him for her 2013 record “Nepenthe”, a trip which would begin a long-standing affinity with Iceland and the people she connected with there. “I think he has the best voice in the world,” she says, “and hearing my voice with Jonsi’s is one of the joys of my life.” Nosaj Thing—the highly respected electronic producer and stalwart of the LA scene who has worked with the likes of Kendric Lamar—had gotten in touch to express his affection for her 2011 album “The Magic Place”, and they’d since been trying to find a way to work together. Barwick and Lattimore had struck up a friendship over many years performing live together, and had moved to LA around the same time. Finding herself in the same city as all three for the first time, it felt natural to include them in her process, and added to the feeling of newness, support and friendship she had while producing the record. // Beyond her records, Barwick’s impressive live shows have gained incredible praise over the years from the likes of The Guardian—who described her performance as “exquisite in its eloquence, reflection and compassion” —The New York Times, NPR, and more. She has also supported and performed with Bon Iver, Grouper, Explosions in the Sky, Sigur Rós, Sharon Van Etten, Angel Olsen, Perfume Genius, Mas Ysa, and Nat Baldwin. // Barwick has additionally been involved in some head-turning collaborations over the years. In 2015 she took part in The Flaming Lips’s Carnegie Hall show, performing music from their reimagining of “Sergeant Pepper’s Lonely Hearts Club Band”, alongside Phillip Glass, Debbie Harry, Laurie Anderson and Patti Smith. That same year she was invited to play two shows with Yoko Ono, one at MoMA (“my favorite thing ever”) and one in Central Park. In 2012 she released a collaborative album with Helado Negro as OMBRE, and has also released a collaborative single with Rafael Anton Isarri, on the super-limited Thesis label, and most recently, the “Command Synthesis” EP, on RVNG Intl. sub-label Commend There, which employed AI to build five tracks that responded to the airborne environment outside a hotel room. In 2019 she teamed up with Doug Aitken on his nomadic art project, and created stunning performances in the Massachusett wilderness. // The album’s artwork was shot in Iceland by Joel Kazuo Knoernschild and is taken from a series of aerial films shot by drone above the country’s breathtaking coastline, which also make up the video for ‘Inspirit’.]

4. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28. The Black Creatures are Jade Green & Xavier Martin who will be our guests on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

5. Betse & Clarke – “Farewell Trion”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

6. Funkadelic – “Can You Get To That”
from: Maggot Brain / Westbound Records / July 12, 1972
[Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross, Billy Nelson, and Tiki Fulwood left the band for various reasons. The album charted in the R&B Top 20. Today, it is perhaps best known for its 10-minute title track, performed by guitarist Eddie Hazel. In 2003, Rolling Stone included Maggot Brain on its list of the 500 Greatest Albums of All Time. Pitchfork named it the 17th best album of the 1970s.Funkadelic was an American band formed in Detroit in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Relative to its sister act, Funkadelic pursued a heavier, psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978). The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments[7] while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in 1967, then added guitarist Tawl Ross and drummer Tiki Fulwood. The name “Funkadelic” was coined by Nelson after the band relocated to Detroit. By 1968, because of a dispute with Revilot, the record company that owned “The Parliaments” name, the ensemble began playing under the name Funkadelic. // As Funkadelic, the group signed to Westbound in 1968. Around this time, the group’s music evolved from soul and doo wop into a harder guitar-driven mix of psychedelic rock, soul and funk, much influenced by the popular musical (and political) movements of the time. Jimi Hendrix and Sly Stone were major inspirations.[9] This style later evolved into a tighter guitar and horns-based funk (circa 1971-75), which subsequently, during the height of Parliament-Funkadelic success (circa 1976-81), added elements of R&B and electronic music, with fewer psychedelic rock elements. The band made their first live television performance on Say Brother in October 7, 1969. They played a jam with songs “Into My Own Thing”, “What Is Soul?”, “(I Wanna) Testify”, “I Was Made to Love Her” (Stevie Wonder cover), “Friday Night, August 14th” and “Music for My Mother”. // The group’s self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson, and Ross. The recording also included the rest of the Parliaments singers (still uncredited due to contractual concerns), several uncredited session musicians then employed by Motown, as well as Ray Monette (of Rare Earth) and future P-Funk mainstay Bernie Worrell. // Bernie Worrell was officially credited starting with Funkadelic’s second album, 1970’s Free Your Mind… and Your Ass Will Follow, thus beginning a long working relationship between Worrell and Clinton. The album Maggot Brain followed in 1971. The first three Funkadelic albums displayed strong psychedelic influences (not least in terms of production) and limited commercial potential, despite containing many songs that stayed in the band’s set list for several years and would influence many future funk, rock, and hip hop artists. // After the release of Maggot Brain, the Funkadelic lineup was expanded greatly. Tawl Ross was unavailable after experiencing either a bad LSD trip or a speed overdose, while Billy Bass Nelson and Eddie Hazel quit due to financial concerns. From this point, many more musicians and singers would be added during Funkadelic’s (and Parliament’s) history, including the recruitment of several members of James Brown’s backing band, The JB’s in 1972 – most notably Bootsy Collins and the Horny Horns. Bootsy and his brother Catfish Collins were recruited by Clinton to replace the departed Nelson and Hazel. Bootsy in particular became a major contributor to the P-Funk sound. In 1972, this new line-up released the politically charged double album America Eats Its Young. The lineup stabilized a bit with the album Cosmic Slop in 1973, featuring major contributions from recently added singer-guitarist Garry Shider. After first leaving the band, Eddie Hazel spent a year in jail after assaulting an airline stewardess and air marshal while under the influence of PCP, then he returned to make major contributions to the 1974 album Standing on the Verge of Getting It On. Hazel only contributed to P-Funk sporadically thereafter. // George Clinton revived Parliament in 1974 and signed that act to Casablanca Records. Parliament and Funkadelic featured mostly the same stable of personnel but operated concurrently under two names. At first, Parliament was designated as a more mainstream funk ensemble dominated by soulful vocals and horn arrangements, while Funkadelic was designated as a more experimental and freestyle guitar-based funk band. The ensemble usually toured under the combined name Parliament-Funkadelic or simply P-Funk (which also became the catch-all term for George Clinton’s rapidly growing stable of funk artists). // in 1975 Michael Hampton, a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums. Funkadelic left Westbound in 1976 and moved to Warner Brothers. Their first album for Warner was Hardcore Jollies in 1976. Just before leaving Westbound, Clinton provided that label with a collection of recently recorded outtakes, which Westbound released as the album Tales of Kidd Funkadelic. That album did significantly better commercially than Hardcore Jollies and included “Undisco Kidd”, an R&B Top 30 single. In 1977, Westbound capitalized further by releasing the anthology The Best of the Early Years.// As Parliament began achieving significant mainstream success in the 1975-1978 period, Funkadelic recorded and released its most successful and influential album, One Nation Under a Groove in 1978, adding former Ohio Players keyboardist Walter “Junie” Morrison and reflecting a more melodic dance-based sound. The title track spent six weeks at #1 on the R&B charts, around the time that Parliament was enjoying the #1 R&B singles “Flash Light” and “Aqua Boogie”. Uncle Jam Wants You in 1979 continued Funkadelic’s new more electronic sound production. The album contains the fifteen-minute “(Not Just) Knee Deep” featuring former Spinners lead singer Philippé Wynne, an edited version of which topped the R&B charts. The final official Funkadelic album, The Electric Spanking of War Babies, was released in 1981. The release was originally a double-album project, but it was reduced to a single disc under pressure from Warner Brothers. Some of the deleted tracks would appear on future P-Funk releases, most notably the 1982 hit single “Atomic Dog” which appeared on the first George Clinton solo album. // Meanwhile, the album Connections & Disconnections (re-issued on CD as Who’s a Funkadelic) was released under the name Funkadelic in 1981. The album was recorded by former Funkadelic members and original Parliaments Fuzzy Haskins, Calvin Simon, and Grady Thomas, who had left P-Funk in 1977 after disagreements with George Clinton’s management practices. This LP, notable for its heavy use of Thomas “Pae-dog” McEvoy’s jazz horn, contains the track called “You’ll Like It Too”, which came a very popular breakbeat source for the Hip hop community in the 80s. Former band member, drummer Jerome Brailey, released the album Mutiny on the Mamaship, by his new band Mutiny. // In the early 1980s, with legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup at Parliament’s record label, George Clinton dissolved Parliament and Funkadelic as recording and touring entities. However, many of the musicians in later versions of the two groups remained employed by Clinton. Clinton continued to release new albums regularly, sometimes under his own name and sometimes under the name George Clinton & the P-Funk All-Stars. In the mid-1980s, the last Funkadelic album By Way Of The Drum was recorded by Clinton with P-Funk personnel and many electronic devices. The album was rejected by its record label and did not see official release in America until it appeared as a reissue in 2007. It features a cover of “Sunshine Of Your Love” by Cream. The album did not receive any publicity, but still received favorable reviews. // Clinton continued his P-Funk collective in the 1990s and 2000s, with a revolving stable of musicians, some of whom remain from the classic lineups of Funkadelic and Parliament. The rock-oriented sound of Funkadelic has diminished, as Clinton has moved towards more of an R&B and hip hop sound. In 1997 the group was inducted into the Rock and Roll Hall of Fame.]

7. LyMerrick – “Runaway”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[“Lay Me Down” was released February 8, 2019 and was part of WMM’s 39 Favorite Singles of 2019. In 2019 and 2018 LyMerrick released six singles and was a featured voice on two other single releases. LyMerrick also released a single in 2016. LyMerrick was born in North Carolina but grew up in KCMO since the age of 8. LyMerrick grew up listening to all types of music ranging from gospel, rap, r&b, to classic rock and metal. LyMerrick started singing in the church choir and continued singing in elementary, middle and high school choirs. After high school LyMerrick began to record remixes and eventually began to make originals which led me his collaborations with “nightSHIFT” the label that released his music.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

8. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s A Mountain of Yeses, was originally released May 12, 2009, was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

10:29 – Underwriting

7. Lonnie Holley – “Like Hell Broke Away”
from: National Freedom / Jagjaguar / July 3, 2020
[4th release from Lonnie Bradley Holley, sometimes known as The Sand Man (born February 10, 1950 in Birmingham, Alabama during the Jim Crow era), is an African-American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. He was born the 7th of 27 children during the Jim Crow era and claims to have been traded for a bottle of whiskey when he was four. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Born the 7th of 27 children, Holley claims to have been traded for a bottle of whiskey when he was four. Before beginning his career, he spent time digging graves and picking cotton. He claims to have been pronounced brain-dead after being hit by a car. He became a father at 15 and now has 15 children. Holley also worked as a short-order cook at Disney World. He also did time at a notorious juvenile facility, the Alabama Industrial School for Negro Children in Mount Meigs. // Holley began his artistic life in 1979 by carving tombstones for his sister’s two children, who died in a house fire. He used blocks of a soft sandstone-like byproduct of metal casting which was discarded in piles by a foundry near his sister’s house. He believes that divine intervention led him to the material and inspired his artwork. Inspired to create, Holley made other carvings and assembled them in his yard along with various found objects. In 1981, he brought a few examples of his sandstone carvings to Birmingham Museum of Art director Richard Murray. The BMA displayed some of those pieces immediately and Murray introduced him to the organizers of the 1981 exhibition “More Than Land and Sky: Art from Appalachia” at the Smithsonian American Art Museum. Soon his work was being acquired by other institutions, such as the American Folk Art Museum in New York and the High Museum of Art in Atlanta. His work has also been displayed at the White House. // Holley also became a popular guest at children’s art events, bringing blocks of the foundry stone for children to carve. He gets special pleasure from sharing his experience of learning to love oneself through creative activity. // By the mid-1980s his work had diversified to include paintings and recycled found-object sculptures. His yard and adjacent abandoned lots near his home became an immersive art environment that was celebrated by visitors from the art world, but threatened by scrap-metal scavengers and eventually, by the expansion of the Birmingham International Airport. In late 1996 Holley was notified that his hilltop property near the airport would be condemned.[3] He rejected the airport authority’s offer to buy the property at the market rate of $14,000, knowing that his site-specific installation had personal and artistic value he demanded $250,000. The dispute went to probate court and in 1997 a settlement was reached and the airport authority paid $165,700 to move Holley’s family and work to a larger property in Harpersville, Alabama. // Holley’s first major retrospective, Do We Think Too Much? I Don’t Think We Can Ever Stop: Lonnie Holley, A Twenty-Five Year Survey, was organized by the Birmingham Museum of Art and traveled in 2003 to the Ikon Gallery in Birmingham, England. From May 2003 to May 2004, Holley created a “sprawling, sculptural environment” in the lower sculpture garden at the Birmingham Museum of Art as part of their “Perspectives” series of site-specific installations. The creation of the work was documented in the film “The Sandman’s Garden” by Arthur Crenshaw and in photographs by Alice Faye “Sister” Love. // Holley installed sculptural work for the exhibition Groundstory: Tales from the shade of the South, at Agnes Scott College of Decatur, Georgia, which ran at the Dalton Gallery from September 28 to November 17, 2012. That same year, he released his debut album Just Before Music, followed by Keeping a Record of It the following year. In September 2018, he released his third album MITH on Jagjaguwar.]

10. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New 3-song release from Various Blonde. KC based experimental, rock, pop, & funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, & vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM Doors, w/ YUM and Redder Moon. – Voltaire and recordBar present a Summer Concert Series at the newly created outdoor space, LeMonad(e) Park. Only 100 tickets are available each night. VIP-Tickets allow for up to 6 guests with full table service, no waiting in bar. OPEN SEATING at eight foot tables, 4 person maximum. General Admission is Standing Room Only (you may bring your own chair). Tables & benches are distanced per KCMO Health Department regulations (actually, a little further). Food and beverage will be served by Voltaire utilizing their on-line ordering and packaged to-go by a Voltaire employee practicing Covid-19 safety procedures. If you are not at a VIP table you will pick up your order at the bar. Please distance 6 feet when queuing.]

11. The Jimi Hendrix Experience – “Manic Depression”
from: Are You Experienced? / Reprise / August 23, 1967 U.S. [May 12, 1967 U.K.]
[Are You Experienced is the debut studio album by the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. The album features Jimi Hendrix’s innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. // By mid-1966, Hendrix was struggling to earn a living playing the R&B circuit as a backing guitarist. After being referred to Chas Chandler, who was leaving the Animals and interested in managing and producing artists, Hendrix was signed to a management and production contract with Chandler and ex-Animals manager Michael Jeffery. Chandler brought Hendrix to London and began recruiting members for a band, the Jimi Hendrix Experience, designed to showcase the guitarist’s talents. // In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who’s managers Kit Lambert and Chris Stamp. Are You Experienced and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in 16 recording sessions at three London locations, including De Lane Lea Studios, CBS Studios, and Olympic Studios. // Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. The album was issued in the US on August 23 by Reprise Records, where it reached number five on the US Billboard Top LPs, remaining on the chart for 106 weeks, 27 of those in the Top 40. The album also spent 70 weeks on the US Billboard Hot R&B LPs chart, where it peaked at number 10. The US version contained some of Hendrix’s best known songs, including the Experience’s first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: “Purple Haze”, “Hey Joe”, and “The Wind Cries Mary”.]

12. The Guillotine Choir – “In The Daylight”
from: “In The Daylight” – Single / The Guillotine Choir / July 15, 2020
[Second single this year from The Guillotine Choir who released their debut, “What Tomorrow Brings” on April 29, 2020. We premiered that track on our April 29, 2020 edition of WMM. The Guillotine Choir is an electronic rock band and the musical side project of Kimmie Queen and Cody Wyoming of The Philistines, and Justin Muschinske of The Widows Ride. Invoking the imagery of a late night journey through a cold war Berlin, the synthesizers sizzle and crash and beat against the wall, as the music searches for signs of light and freedom across dark urban landscapes. Cody Wyoming is also a guitarist with The Pedaljets. Cody went to Park Hill High and lives in Kansas City, Missouri with Kimmie Queen who he has been in a relationship with for 15 years. Cody grew up in Enid, Oklahoma.]

13. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

14. Hotel Leo – “Overflow”
from: Matters / ropedog records / May 29, 2020
[Hotel Leo is the musical project of Stephen Roper a Kansas City based engineer and musician. Prior to the release of the Matters album, Hotel Leo released the singles “Our Love” on April 24, 2020, and “Diamond” on April 20, 2020. The band released their debut 4-song self titled EP Hotel Leo on October 14, 2016 with songs written by Stephen Roper. Mastered by Nathan Moody at Obsidian Sound. Album photography by Scott Roper. Album art design by Taylor Dunn.]

15. Ben Gibbard – “Life in Quarantine”
from: Life in Quarantine – Single / Barsuk Records / March 27, 2020
[The Seattle-based Death Cab for Cutie front man unveiled the new song in a video as part of local alt-weekly The Stranger’s A Message to the City series, noting “I know this is a really f—ed up and scary time for everybody, including myself, and I know that we’re all trying to figure out what to do to make it better or alleviate the suffering of someone else.” Net proceeds from the digital release of the new home-studio recording will be donated to Seattle-area relief organizations, including homelessness-support services non-profit Aurora Commons, a welcoming space for unhoused Seattle residents to rest, prepare a meal, connect to resources, and collectively create a healthy and vibrant community. Benjamin Gibbard was born August 11, 1976. He is an American singer, songwriter and guitarist. He is best known as the lead vocalist and guitarist of the indie rock band Death Cab for Cutie, with which he has recorded nine studio albums, and as one half of the electronica act the Postal Service. Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I’m Gone (2009), with Jay Farrar, known for his work with Son Volt and formerly Uncle Tupelo. // Gibbard was born to Allen and Margaret (Flach) Gibbard in Bremerton, Washington. His father was in the Navy and his family moved around the country, including spending time in Northern Virginia before returning back to Washington. Gibbard spent his early life there during the grunge music explosion of the early 1990s. He graduated from Olympic High School in Bremerton in 1994, and studied environmental chemistry at Western Washington University. He was raised Roman Catholic and referred to himself as an “indoctrinated Catholic even though I haven’t been to church of my own volition in 10 or 15 years now.” While performing guitar in the band Pinwheel in 1996, Gibbard recorded a demo cassette under the moniker Death Cab for Cutie, titled You Can Play These Songs with Chords (1997). After receiving a positive response to the material, Gibbard expanded the project into a full band, with the addition of guitarist Chris Walla, bassist Nick Harmer and drummer Nathan Good. The following year, the band released its debut album, Something About Airplanes (1998), on Barsuk Records, and released its follow-up, We Have the Facts and We’re Voting Yes, in 2000.]

11:00 – Station ID

16. Miki P – “Don’t Lose Your Hope”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019 The Swallowtails include: Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. The band’s members having classical music degrees, and jazz degrees. Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

11:03 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share music and details about the KC Syzygy compilation of original tracks from over 25 KC based musicians who came together electronically to contribute musical recordings created during the shutdown of the world in the spring of 2020. The production was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com

The album is available at http://www.kcsyzygy.bandcamp.com

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

“Kansas City Syzygy” a compilation of original tracks with over 25 KC based musicians who came together electronically to contribute. All of this music was created during the shutdown of the world in the Spring of 2020.

“Syzygy” is a term used in astronomy and defined as “connected or corresponding events.” Designer JC Franco states “like planets or stars aligning, so did our lives.”

The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months.

The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.

Musicians Include: Miki P, Kemet Coleman, Trevor Turla, Calvin Arsenia, Johnny Hamil, Jeff Harshbarger, Larkin Sanders, Chris Crabtree, Audrey Chopin, Robert Castillo, J Ashley Miller, John Kizilermut, Nik Douglas, Mikal Shapiro, Kadesh Flow, Tim J Harte, We the People, Chico Sierra, Terri Quinn, Adee Dancy, Seth Andrew
Davis, Chad Brothers, Matt Richey, Rob Rice, and Coleen Dieker.

Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo

11:10

17. Rob Rice & the Devil’s Threesome – “Serial Lover”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Lead singer songwriter Rob Rice told us that “’Serial Lover’ is based on a conversation he had with a dear friend around relationships, specifically monogamous vs. polyamorous, and opening our eyes to learn more about the others experience. This song is one of 6 that Rob is working to finish up this summer and release later this year under the album name ‘And The Devil’s Threesome’. This is a collection of six original songs Rob has composed and recorded that features a female and additional male accompaniment to showcase (hence the Devil’s Threesome…) Here is a sample of the first four tracks and the names of artists/musicians who have collaborated on this project 1. “Tiny Window” with Calvin Arsenia (Harp and Vocals) and Ezgi Karakus (Cello); 2. “There’s A Devil Inside Me” with Landon Hambright (Upright and Vocals) and Rachael Feeley (Vocals); 3. “Thinking of Another” with Teri Quinn (Clarinet and Vocals) and Stephen Roper (Drums, Electronics and Vocals); And 4. “Serial Lover” with Coleen Dieker (Violin and Vocals) and Robert Castillo (Upright Bass and Vocals). Rob Rice is finalizing the last two tracks and we are working to have rob on WMM when he is ready for the release. /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com.]

13. GAV7D (Johnny Hamil & Jeff Harshbarger & Sylvain Rabbath) – “Eastwood Stayed Skinny Travolta Got Fat (Pt. II)”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Johnny Hamil told us that this “was the last track he wrote and recorded while in Paris before the lockdown. Johnny has been going to Paris every year to study and to record. This year he was recording the GAV7D – Video game Solo Bass record with Sylvain Rabbath. This song is Johnny’s love of 1980s metal shred so he broke out some old school chops to compose the song….it is a solo bass record so why not? While recording the song Jeff Harshbarger called Johnny and said he wasn’t going to come to Paris as planned, due to the virus. Johnny told him everything was fine in Paris and he should come… something that Johnny now really regrets saying, however it was fine at the time. Johnny’s trip was wonderful as always and we were making this wonderful song. So Jeff did come and we were finishing the track so Johnny just put Jeff in the vocal booth to make sonic the hedgehog type sounds and sing the ending “Parisian scooter death ride” lyrics. Jeff sang five part harmonies in just a few tales! It was another example how amazing he is. Also the keyboards on this track are amazing as well. Sylvain Rabbath recently acquired a new analog keyboard, to add to his collection of hundreds of keyboards. This keyboard from the 1980s has a lot of a “Miami Vice” sound. In regard to the “Parisian scooter death ride” story, in order to get to and from the studio it is easier to ride on Sylvain’s scooter as taking his car takes too much time in a city like Paris. Since Sylvain was born and raised in Paris, he goes through cars, alleys, gutters, sidewalks, and it’s terrifying! Thus Johnny feels like you will never know the true Paris until you have had that experience. If you listen closely enough at the end fade out you will hear the shrieking vocals. Jeff Harshbarger had to stay with Johnny for a month due to mandatory quarantine for travelers. Johnny and Jeff did a few online shows during that time. They played a duet version of this tune. It was the first time Johnny was able to perform with another musician and it was such a blessing! Johnny felt this heavy weight be lifted off of himself. Both shows are still on Johnny’s Facebook pages and got shared quite a bit. As Johnny is finishing up the entire album this track stands out, so Johnny is glad it is the first song to formally get released. Johnny will be releasing the last two GAV7D albums this year as they are done. They both got delayed from the pandemic. The Exotica Freejazz Record is really just another amazing journey that includes musicians: Mark Southerland, Annie Elliot, Amado Espinoza, Chris Fugitt, Arny Young, Tina Billberry, Clarke Wyatt, Julia Othmer, and so many more. // /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Shay Estes & Trio All – “Under The Milky Way feat. Jeff Harshbarger”
From: Despite Your Destination / Independent / 2009
[Shay Estes and Trio ALL — ALL being an acronym for the last names of players Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on bass. Lowrey told INK that they, “We’re trying to cross over into the realm of modern jazz by writing arrangements of songs that aren’t staples in jazz repertoire.” The album title comes from the lyrics of “Under the Milky Way,” originally by new wave band The Church. That track was the first arrangement Estes and Lowrey worked on together in 2004, and features guest vocals from Jeff Harshbarger.]

11:35 – Underwriting

20. Bijuu – “Body222”
from: WEEP NOT / Bijuu / April 17, 2020
[4-song EP from Kansas City based producer and vocalist who specializes in electronic maximalist pop music. Bijuu released the singles “Wet Blood” May 7, 2018, and “Mushygoo” April 20, 2018. There are a multitude of other tracks at Bijuu’s Soundcloud page.]

21. MARCOTTE – “History”
from: History / MARCOTTE / October 1, 2019
[For singer-songwriter duo Jordan and Sasha, soul is the term that most embodies the emotional transparency they commit to in the music they compose and perform together as MARCOTTE. The duo met in Kansas City, MO in 2013. They quickly discovered that collaboration came naturally and what they could do together surpassed any success they were able to achieve separately. Sasha and Jordan partnered together to create and perform original songs for their friends’ weddings –music that honestly and affectionately communicated the love story of the bride and groom. Soon finding their own love story in the midst, the pair has successfully translated that same honesty and affection to the art they create together. Though the stages and audience have grown in size and number as MARCOTTE continues to experience acclaim, the Pop-R&B duo has been able to keep the intimacy and clarity they’re known for while performing for live audiences.]

[Marcotte play ULAH Live Sessions Hosted by You Found Music on Thursday July 23, 7:00 PM to 9:00 PM at ULAH, 4707 Rainbow Blvd., Westwood, KS. Limited seating for 12. Doors at 7:00, show at 7:30. Social distancing measures will be in place. Masks will be required upon entry, and while moving about the store. Ticket information at http://www.eventbrite.com/e/ulaj-live-sessions-marcotte-tickets%5D

22. D’Angelo & The Vanguard – “1000 Deaths”
from: Black Messiah / RCA – Sony / December 15, 2014
[Black Messiah is the third studio album by American singer, songwriter, and multi-instrumentalist D’Angelo, credited to D’Angelo and the Vanguard. It was released on December 15, 2014, by RCA Records, bringing an end to his 14-year hiatus that followed his 2000 album Voodoo. The album was produced and mostly written by D’Angelo, who collaborated with musicians such as percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove. He pursued a largely analog and murky funk sound for the record, lending it comparisons to the 1971 Sly & the Family Stone album There’s a Riot Goin’ On. Black Messiah was among 2014’s most highly anticipated albums and was released to widespread critical acclaim, later being ranked as one of the year’s best albums. The album debuted at number five on the US Billboard charts and number one on the US Top R&B/Hip-Hop Albums, selling over 117,000 units in its first week. Black Messiah was promoted with the release of the single “Really Love” and a tour called The Second Coming. // D’Angelo’s subsequent solo work was extensively delayed.Production for a full-length follow-up to Voodoo was stagnant, as he was working on and off mostly by himself during 2002. D’Angelo attempted to play every instrument for the project, striving for complete creative control similar to that of Prince. Russell Elevado described the resulting material as “Parliament/Funkadelic meets the Beatles meets Prince, and the whole time there’s this Jimi Hendrix energy”. However, those who previewed its songs found it to be unfinished. In the years that followed, D’Angelo’s personal problems worsened, descending to drug and alcohol addiction. In January 2005 he was arrested and charged with possession of marijuana and cocaine. Various mugshots began circulating around the time, showing the singer looking overweight and unhealthy, in stark contrast to the muscular D’Angelo seen in promotion for Voodoo. In September 2005, a week after being sentenced on the drug charges, he was involved in a car accident, and was rumoured to be critically injured. However, a week after the crash a statement was issued by D’Angelo’s attorney stating that he was fine continuing to say “He is anxious to finish the recording of his soul masterpiece that the world has patiently awaited. // No more was revealed on the new album until 2007, when Questlove, D’Angelo’s drummer and producer, leaked an unfinished track on Triple J Radio in Australia. Entitled “Really Love”, the track was an acoustic flavored jam with a laid back swing feel. The leak apparently soured relations between the two. In 2009, D’Angelo’s then-new manager Lindsay Guion, revealed plans for a new album, including collaborations with artists including Prince, Kanye West, Busta Rhymes, and John Mayer, and a summer tour, saying “He’s able to smile again and he’s ready to connect [with fans], he’s coming back. And he looks great, by the way.” As with the previous year, no tour or album materialized. In early February 2010, a new track called “1000 Deaths” appeared on the Internet, but was swiftly removed due to a copyright claim by Michael Archer, D’Angelo’s legal name. The song seemed unfinished, and it is unclear how recent the material actually is, as the same song was mentioned in the same interview (see above) with Russell Elevado, in 2007. Around the same time, an article began to circulate on the Internet, which seemed to be an apparent review of ‘James River’, with detailed descriptions of individual songs, track listing, and segments of lyrics. This caused much discussion regarding the authenticity of the article, or whether it was an elaborate hoax. // In January 2011, Russell Elevado updated the status of the album development on his website and stated that “Pino Palladino and James Gadson have joined D’Angelo […] in New York City to finish cutting tracks for the upcoming album (yes, “THE” upcoming album!). We are officially making our way to finishing this record! I don’t need to tell everyone that this will be an amazing album. D’Angelo fans will be extremely happy to know, the wait will be over soon and it will surely be a future classic” Russell Elevado updated the status of the album again on his own website. “Since my last post I have continued sessions with D’Angelo. We’ve just finished up 5 months of recording. D has been doing vocals and guitars and we’ve had Pino Palladino back in for some more bass tracks. Also ?uestlove came in to jam with D and Pino. They’ve finally reunited after 7 or 8 years (lost track how long really). We’re taking a few months break while I take care of some other projects that have been on the back burner.” // In December 2011 Questlove said the album was 97% done and that D’Angelo was “finishing his lyrics now.” He went on to compare the album to a “black version of Smile – at best, it will go down in the Smile/There’s a Riot Goin’ On/Miles Davis’ On the Corner category. That’s what I’m hoping for. There’s stuff on there I was amazed at, like new music patches I’ve never heard before. I’d ask him, “What kind of keyboard is that?” I thought it was some old vintage thing. But he builds his own patches. One song we worked on called “Charade” has this trombone patch that he re-EQ’d and then put through an envelope filter and then added a vibraphone noise on top and made a whole new patch out of it. He’s the only person I know that takes a Herbie Hancock approach, or Malcolm Cecil and Robert Margouleff—the two musician/engineers who programmed all of Stevie Wonder’s genius-period stuff—approach. That’s the last time I ever heard of somebody building patches. We’ll see if history is kind to it.” In 2012, D’Angelo returned to performing live with his Occupy Music Tour and prepared his third studio album, whose recording had D’Angelo return to Electric Lady Studios. // Michael Eugene Archer (born February 11, 1974), better known by his stage name D’Angelo (pronounced di-Angelo), is an American singer, songwriter, multi-instrumentalist and record producer. D’Angelo is associated with the neo soul movement, along with artists like Erykah Badu, Lauryn Hill, Maxwell, and collaborator Angie Stone. // Born in Richmond, Virginia, the son of a Pentecostal minister, D’Angelo taught himself piano as a child. At eighteen, he won the amateur talent competition at Harlem’s Apollo Theater three weeks in a row. After a brief affiliation with hip-hop group I.D.U., his first major success came in 1994 as the co-writer and co-producer of the song “U Will Know”. // His debut solo album, Brown Sugar (1995), received positive reviews and sold over two million copies. His next album, Voodoo (2000), debuted at number one on the US Billboard 200. Its lead single “Untitled (How Does It Feel)”, entered the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won Best R&B Album. D’Angelo was hailed as the next Marvin Gaye by GQ in 2014. // Following this period, D’Angelo became more than uncomfortable with his growing status as a sex symbol. This was followed by numerous personal struggles including alcoholism, and a fourteen-year long musical hiatus. D’Angelo released his third studio album, Black Messiah, in December 2014. The album was met with critical acclaim and fared well on music charts, peaking at number five on the US Billboard 200. D’Angelo also contributed to the soundtrack for the 2018 video game Red Dead Redemption 2, performing the song “Unshaken”.]

23. Daniel Gum – “Tired Saint”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 29, singer songwriter activist Una Walkenhorst joins us to talk about her 2020 EP Woman Of The Year. We will also share more tracks from the new Kansas City Syzygy compilations, and even more from the French Exit Records compilation release Black Lives Matter.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #847

WMM presents Robert Castillo & Kansas City Syzygy + Black Lives Matter Compilation

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 22, 2020

Robert Castillo & Kansas City Syzygy
+ New & MidCoastal Releases

We play New & MidCoastal Releases from: The Black Creatures, Rob Rice & The Devil’s Threesome, Miki P, Marcotte, Betse & Clarke, LyMerrick, The Guillotine Choir, Fritz Hutchison, Daniel Gum, Various Blonde, Johnny Hamil & Jeff Harshbarger, Palace Intrigue, Hotel Leo, Be/Non, Shay Estes, Julianna Barwick, Bijuu, Lonnie Holley, D’Angelo & The Vangaurd, The Jimi Hendrix Experience, and Funkadelic.

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

We will feature tracks from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

We also continue featuring tracks from French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. http://www.frenchexitrecords.bandcamp.com

Robert Castillo

At 11:00 Mark welcomes musician & band leader Robert Castillo, who shares music and information about Kansas City Syzygy a compilation of original tracks with over 25 KC based musicians who came together electronically to contribute. All of this music was created during the shutdown of the world in the Spring of 2020. The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci. All proceeds will be donated to KC Tenants, a local nonprofit. The album was released on July 17, 2020 and is available at http://www.kcsyzygy.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #847

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far (Part 1) + Oh Dear Oh My

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 17, 2020

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far
+ Oh Dear Oh My

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

Pedaljets

2. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Mike Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Katy Guillen

3. Katy Guillen & The Drive – “No Control”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

Ebony Tusks

4. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / February 7, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Una Walkenhorst

5. Una Walkenhorst – “Pretty Face”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[2nd single. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

Radkey

6. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

Ivory Blue

7. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Blackstarkids

8. BLACKSTARKIDS – “Sounds Like Fun”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

10:29 – Underwriting

9. Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

10. Saint Sé – “In/Out (feat. Allison Gliesman)”
from: In/Out (feat. Allison Gliesman) – Single / Benjiman Lucas Music / May 22, 2020
[Debut Single from Saint Sé. Written by: Lucas Carpenter & Allison Gliesman. Vocals by: Allison Gliesman. Music Produced by: Lucas Carpenter. Additional Production by: Zach Thomas. Mixed/Mastered by: Mark Francis Buergler. Visualizer created by Andy Thies.]

Miss Boating

11. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

Quiet Takes

12. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018.. Quiet Takes has new music coming in 2020.] [Sarah Magill was on WMM on May 13.]

Hermon Mehari

13. Hermon Mehari – “A Conversation With My Uncle”
from: A Change For The Dreamlike / Hermon Mehari / June 5, 2020
[Hermon writes: “I spent “le confinement” creating this album in a barn in the French countryside. Like many people during this period, I wasn’t able to think much about the future, only the present and the past. These songs are therefore personal journal entries, versions and visions of my wishes, fantasies and memories. Together they create a kind of modern mixtape of dreams, in every sense of the word, in which my trumpet, all alone in that barn, is a vulnerable presence, virtually and masterly supported by some of my closest musical collaborators around the world.” Follow up to his debut solo release Bleu, from 2017. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He has played with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons, Mikal Shapiro, Krystle Warren. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com ]

14. Miki P and The Swallowtails – “I”
from: I – Single / Miki P / February 13, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

Fritz Hutchison

15. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

16. Lava Dreams – “Good Energy”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

11:00 – Station ID

17. Oh Dear Oh My – “Marching”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

OH DEAR OH MY

11:03 – Interview with Rani & Curt of Oh Dear Oh My

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020. The Kansas City based dance-rock-duo is made up of Rani and Curt. They’ve been playing locally for over five years. This new release is the follow-up to their 2018 release, ASHDLA’ named for the Navajo word for five. The EP had 5 tracks and band member Curt is himself Navajo. Fueled by anxiety and excess energy, dynamic duo Oh Dear Oh My rocks! Curt pounds spicy, far-out beats on his drums, while Rani keeps pace with sweet 80’s synthesizer sounds. The end result is a little dark, a little dancey, and a little funny.

From Oh Dear Oh My were have Rani, thanks for being with us on WMM.

Curt and Rani met in Lawrence. Both had played on previous bands. A friend thought they had a lot in common, so he invited them to meet up.

The band was originally called Cupcake, but when the duo discovered that a band in St. Joe had this name Curt suggested they become Oh Dear Oh My.

Curt grew up in the Navajo community in Arizona. He came to Lawrence, Kansas originally to go to Haskell University.

Rani works at a hospital in health care and research.

Curt and Rani have been playing in Kansas City for five years,

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020.

More information at http://www.OhDearOhMy.Bandcamp.com

11:15

18. Oh Dear Oh My – “Soak Your Head”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

19. Sterling Witt – “Hag-Ridden”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. http://www.SterlingWitt.com ]

Nan Turner on the June 3, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

20. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22, 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat ongGuitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

21. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

22. Brandon Phillips & The Condition – “Contrition”
from: “Contrition” – Single / Brandon Phillips & The Condition / June 16, 2020
[The first release of the band’s Summer Singles 2020 Series. Brandon Phillips , Adam Phillips , Brent Kastler , Mike Alexander , Julie Berndsen , Julia Haile , and Nathan Showalter. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Mixed by Brandon Phillips. Art by Jud Kite. Follow up to their April 13, 2019 Too Much Rock release, “Angel Say No” / “People Talk” 7” single release. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast along with other musicians from other bands.]

11:29 – Underwriting

Betse & Clarke

23. Betse & Clarke – “We Can Get Across”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

24. Howard Iceberg & The Titanics – “Bottle of Rye” [Betse Ellis on lead vocals]
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals. Follow up to Howard’s 2017/2018 release Netherland’s his Jazz infused album recorded with Rich Hill, Bryan Hicks , Doug Auwarter and others. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

25. Howard Iceberg & The Titanics – “A Jukebox in a Bar”
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals.]

Sam Wells

26. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com]

The Republic Tigers

27. The Republic Tigers – “Trust Fall”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

28. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

29. The MGDs – “Tomorrow Comes Soon”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

30. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 24 we present (part two) of WMM’s Favorite MidCoastal Releases of 2020…So Far. We’ll hear from The Sluts, Misha Roberts, City Pets, Ingrid Ingram, Broken Hearts Syndrome, Hi-Lux, Adam Scott York, Ivy Roots, The Roseline, Amy Marcus, Jake Wells, They Call Me Sauce featuring Mae C, Monta At Odds, R.I. Peter, Belle And The Vertigo Waves, Koney, The Guillotine Choir, Jo Mackenzie, Soultru, jordana, DeMaur, Stacy Busch, Nick Siegel, and Kadesh Flow. Plus we will talk with musician, composer, activist Stacy Busch.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #842

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 17, 2020

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far
+ Oh Dear Oh My

Mark plays (Part 1) of WMM’s 50 Favorite MidCoastal Releases of 2020…So Far. This week we’ll spin tracks from: Una Walkenhorst, Blackstarkids, Fullbloods, Hermon Mehari, Pedaljets, Ebony Tusks, Ivory Blue, Radkey, Saint Sé, Sam Wells, The Republic Tigers, The Freedom Affair, Nan & the One Nite Stands, Oh Dear Oh My, Katy Guillen & The Drive, Fritz Hutchison, Quiet Takes, Miss Boating, Miki P & The Swallowtails, Brandon Phillips & The Condition, Betse & Clarke, Sterling Witt, Lava Dreams, MGDs, and Howard Iceberg & The Titanics.

OH DEAR OH MY

At 11:00 we will talk with members of the band, Oh Dear Oh My who released their third EP ELECTRONERVES on May 6, 2020. The Kansas City based dance-rock-duo is made up of Rani and Curt. They’ve been playing locally for over five years. This new release is the follow up to their 2018 release, ASHDLA’ named for the Navajo word for five. The EP had 5 tracks and band member Curt is himself Navajo. Fueled by anxiety and excess energy, dynamic duo Oh Dear Oh My rocks! Curt pounds spicy, far-out beats on his drums, while Rani keeps pace with sweet 80’s synthesizer sounds. The end result is a little dark, a little dancey, and a little funny.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #842

WMM Playlist from May 13, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 13, 2020

New & MidCoastal Releases
+ Chris Haghirian + Sarah Magill +
Enrique Chi + Sam Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

3. Kevin Morby – “Gift Horse”
from: Gift Horse / I Was on Time – Single / Dead Oceans / March 3, 2020
[Newest single from Kevin Robert Morby born April 2, 1988. Kevin Morby released his critically acclaimed 5th album, Oh My God on April 29, 2019. This was a follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Oh My God was #5 on WMM 119 Best recording of 2019. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album, City Music was in WMM’s The 118 Best Recordings of 2018.]

[Kevin Morby plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

4. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. His full length album Catastrophe on February 14, 2017, His EP Caviar in Novenber 2017. Calvin’s 2018 national debut, Cantaloupe, was released on September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. ]

[Calvin Arsenia plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

5. The Get Up Kids – “Lou Barlow”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from—it’s definitely a celebration of the fact that we still get to do this.” ]

[The Get Up Kids plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

Chris Haghirian on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:15 – Interview with Chris Haghirian

Chris Haghirian has worked for The KC Star for over 20 years and helped launch INK in April of 2008. Chris puts together music promotions, and organizes music for, Boulevardia, The Plaza Art Fair, and concerts at Kauffman Stadium. With Nathan Reusch of The Record Machine, Chris makes The Middle of The Map Fest happen each year, and Chris gets to share his amazing passion for the KC music community as host of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge, just a few clicks up the dial..

Chris Haghirian joins us to talk about KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM, celebrating KC musicians in the area and around the world! This will benefit Midwest Music Foundation, featuring: Kevin Morby, Katie Crutchfield of Waxahatchee, Matt Pryor of The Get Up Kids, Addie & Brandon of The Greeting Committee, The Elders, Krystle Warren, Bob & Una Walkenhorst, Quixotic, Radkey, Danielle Nicole Band, Hembree, Calvin Arsenia, Yes You Are, Enrique Chi of Making, Movies, Kawehi, Katy Guillen & The Drive, Samantha Fish, Beau Bledsoe & Aidan Bledsoe, Victor & Penny, Hermon Mehari, Fritz Hutchison.

Chris Haghirian thanks for being with us on WMM.

Talk about making the most of your time in Quarantine….

KC Bands Together • A Livestream Concert Event • May 15 & 16 Friday, May 15th; 8:30-11PM and Saturday, May 16th; 8:30-11PM

LIVESTREAM LOCATIONS
• fb.com/MidwestMusicFoundation/live
• fb.com/909thebridge/live
• vb.com/youfoundmusic
• kcbandstogether.com

KC BANDS TOGETHER is a FREE celebration of Kansas City, from Kansas City musicians. Lots of them still live here, some will be joining us from around the world! It’s a celebration of our music and culture! We hope you can tune in and watch.

The event is a fundraiser for Midwest Music Foundation, an organization that’s been dedicated to uniting and empowering the Kansas City area music community for the last 12 years by providing health care assistance, education and other resources to working musicians.

This event is meant to be a spirit-raiser. Tune in and find some relief & joy in the music.

The event will feature music from…

• KEVIN MORBY
• Katie Crutchfield of Waxahatchee
• Addie & Brandon of The Greeting Committee
• The Elders
• Krystle Warren
• Quixotic
• Radkey
• Matt Pryor of The Get Up Kids
• Danielle Nicole Band
• Hembree
• Calvin Arsenia
• Enrique Chi of Making Movies
• Kawehi
• Katy Guillen and The Drive
• Victor & Penny
• Hermon Mehari
• Fritz Hutchison Music Music Music
• Samantha Fish
• Bob & Una Walkenhorst
• Beau & Aiden Bledsoe
• Yes You Are

In Friday, May 22, KCPT – 19 will air a one hour special of this event.

The event wouldn’t be possible without the amazing people at 90.9 The Bridge, KCPT – Kansas City PBS, You Found Music, Propaganda3, Will Gregory Public Relations, Tito’s Handmade Vodka, Boulevard Brewing Company, iWerx, an Enterprise and Entrepreneurial Development Center, Center Cut Records, Price Brothers Management Company, Old Shawnee Pizza-Shawnee, Seen Merch and so many great people too.

Acts and introducers:
Mayor – start of show
Billy Brimblecom of Steps of Faith – Hembree
Jason Sudeikis – Matt Pryor of The Get Up Kids
Mark Manning of 90.1 KKFI – Krystle Warren
Adam Roberts of Screenland – Radkey
Michael and Christina Corvino of Corvino – Hermon Mehari
Katie of The Strawberry Swing – Calvin Arsenia
Aengus Finnan of Folk Alliance – Victor & Penny
Jon Stephens of Friends of the River KC – Shane and Simon with Quixotic
Julián Zugazagoitia of The Nelson – Enrique Chi of Making Movies
Lauren Conaway of InnovateHER – Kawehi
Tori Fugate of KC Pet Project – Katy Guillen and the Drive
Judy Mills of Mills Record Company – Addie and Brandon of The Greeting Committee
Tim Finn of The Bridge and InKC – Samantha Fish (JUST ADDED)
Chuck Haddix – Danielle and Brandon of The Danielle Nicole Band

Chris Haghirian, Thank you fir being with us on WMM.

KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM, celebrating KC musicians in the area and around the world to benefit Midwest Music Foundation, Livestreams: http://www.kcbandstogether.com. fb.com/MidwestMusicFoundation/live and fb.com/909thebridge/live and

10:27

Krystle Warren

6. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

10:30 – Underwriting

Quiet Takes

7. Quiet Takes – “More”
from: More / Quiet Takes / released as Quiet Takes on April 14, 2020
[Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, bass & programming by David Bennett. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s.

Sarah Magill on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:35 – Interview with Sarah Magill

Kansas City based musician Sarah Magill joins us to share information about her new sonic adventure, Quiet Takes, an on-going collaborative project with a rotating cast of friends. Quiet Takes has just released the new single, “Wanted” with vocals & keyboard by Sarah Magill and produced by David Bennett. More info at http://www.quiettakes.com

Sarah Magill Thanks for being with us on Wednesday MidDay Medley

Quiet Takes was most recently called MYRY.

The first EP, MYRY’s “AHEM.” was release in 2018.

During these stay-at-home days of COVID-19 Sarah is creating solo works.

In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective.

Music & Lyrics by Sarah Magill. Produced by David Bennett.

Vocals & keyboards by Sarah Magill, guitars, bass & programming by David Bennett.

Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson

Quiet Takes has just released the new single, “Wanted” with vocals & keyboard by Sarah Magill and produced by David Bennett. More info at http://www.quiettakes.com

Sarah Magill talks about Quiet Takes on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:48

8. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018. Quiet Takes has new music coming in 2020.] [Sarah Magill will be on WMM on May 13.]

9. Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com]

[Hermon Mehari plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

10. Betty Davis – “They Say I’m Different”
from: They Say I’m Different / Just Sunshine / 1974 [2007 re-release Light in The Attic]
[The second studio album by Betty Davis. The Wire (magazine) placed They Say I’m Different in their list of “100 Records That Set the World on Fire (While No One Was Listening).” Betty Davis was born July 26, 1945. She is an American funk and soul singer. She is a performer who was known for her memorable and noteworthy live performances. Born in 1945 according to most sources (though she claims 1944), Betty Mabry grew up in Durham, North Carolina, and just outside Pittsboro. On her grandmother’s farm in Reidsville, North Carolina, she listened to B.B. King, Jimmy Reed, and Elmore James and other blues musicians. One of the first songs she wrote, at the age of 12, was called “I’m Going to Bake That Cake of Love.” Also at that age, her family moved to Pittsburgh. Aged 16, Betty left Pittsburgh for New York City, enrolling at the Fashion Institute of Technology while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour. In her time in New York, she met several musicians including Jimi Hendrix and Sly Stone. The seeds of her musical career were planted through her friendship with soul singer Lou Courtney, who produced her first single, “The Cellar” with simple, catchy lyrics like, “Where you going fellas, so fly? / I’m going to the Cellar, my oh my / What you going to do there / We’re going to boogaloo there.” The single was a local jam for the Cellar. Yet her first professional gig was not until she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Betty Mabry was focusing on her modeling career. She was successful as a model but felt bored by the work. According to Oliver Wang’s They Say I’m Different liner notes, she said, “I didn’t like modeling because you didn’t need brains to do it. It’s only going to last as long as you look good.” In 2017, a documentary was released entitled Betty: They Say I’m Different. As a model in 1966, Betty first met jazz musician Miles Davis who was 19 years her senior at a concert. At the time he was separated from his first wife, dancer Frances Davis, and he was dating actress Cicely Tyson. Betty began dating Miles in early 1968, and they were married in September 1968. In just one year of marriage, she influenced him greatly by introducing him to the fashions and the new popular music trends of the era. In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) includes a song named after her and her photo on the front cover. In his autobiography, Miles said Betty was “too young and wild,” and accused her of having an affair with Jimi Hendrix, which hastened the end of their marriage. Betty denied the affair stating, “I was so angry with Miles when he wrote that. It was disrespectful to Jimi and to me. Miles and I broke up because of his violent temper.” After accusing her of adultery, he filed for divorce in 1969. Miles told Jet magazine at the time that the divorce was obtained on a “temperament” charge. He added, “I’m just not the kind of cat to be married.” Hendrix and Miles remained close, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. The origin of the album’s title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends. In fact, it is said that he originally wanted to call the album Witches Brew—it was Betty who convinced him to change it. Davis briefly dated musician Eric Clapton; she refused to collaborate with him. In 1975, Davis’ lover Robert Palmer helped her facilitate a deal with Island Records. She released her album Nasty Gal shortly after.]

11:00 – Station ID

11. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

Enrique Chi on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:05 – Interview with Enrique Chi

Enrique Chi of Making Movies an international band known for its Latinx activism formed in KC in 2009. Making Movies include elements of rock, cumbia, psychedelia, American roots, son cubano, and spoken word in their sound. The band was nominated for a 2019 Latin Grammy for their collaboration with Ruben Blades on “No Te Calles”, featured on their new album, ameri’kana. We will talk with Enrique about the band’s new single, “Everybody Wants To Rule The World,” and their music education non-profit, Art As Mentorship. Enrique is wrapping up a six-week online songwriting series, The Rebel Song Academy, featuring members of Los Lobos, Chicano Batman and Flor De Toloache. Enrique Chi will be part of KC Bands Together – A Livestream Concert May 15 & 16. More info at: http://www.mkngmvs.com

Enrique Chi, Thanks for being with us on Wednesday MidDay Medley

How are you doing during this COVID-19 pandemic?

The band was nominated for a 2019 Latin Grammy for their collaboration with Ruben Blades on “No Te Calles”, featured on their new album, ameri’kana.

The band’s new single, “Everybody Wants To Rule The World”

The band’s music education non-profit, Art As Mentorship.

Enrique Chi

Enrique is wrapping up a six-week online songwriting series, The Rebel Song Academy, featuring members of Los Lobos, Chicano Batman and Flor De Toloache.

Enrique Chi will be part of KC Bands Together – A Livestream Concert May 15 & 16.

Enrique Chi, Thanks for being with us on Wednesday MidDay Medley

The band’s new single, “Everybody Wants To Rule The World” is out everywhere.

Enrique Chi play KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM

More info at: http://www.mkngmvs.com

11:18

12. Making Movies – “Everybody Wants To Rule The World”
from: “Everybody Wants To Rule The World” – Single / 3/2 Recordings / March 20, 2020
[New Single from KC based 4-piece band and made up of : Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico.

[Enrique Chi plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

13. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

14. Jo MacKenzie – “Lose My Face”
from: “Lose My Face” – Single / Jo Mackenzie / released April 24, 2020
[Newest single from 16 year old, Kansas City based singer songwriter, Jo MacKenzie. Written, Recorded and Produced by Jo MacKenzie. Jo MacKenzie released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019 and the single “Suicide season”February 1, 2020 More info at http://www.jomackenzie.com]

11:30 – Underwriting

15. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[New single. Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between.]

Sam Wells on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Sam Wells

Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com

Sam Wells thanks for being with us on Wednesday MidDay Medley.

Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.”

These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken”, that is planned be released in August, 2020.

Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is brining her music to the greater KC area, in many venues, and now in live stream shows.

Sam Wells

Sam’s first EP, “Not Too Broken”, that is planned be released in August, 2020. More information at: http://www.whoissamwells.com

11:48

16. Sam Wells – “Lesson Learned”
from: “Lesson Learned” – Single / Sam Wells / June 21, 2019
[Debut single. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between.]

17. Waxahatchee – “Fire”
from: Saint Cloud / Merge Records / March 27, 2020
[All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

[Katie Crutchfield plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 20 we will play more New & MidCoastal Releases. PLUS, Paul Malinowski joins us to talk about the new release from Shiner. AND, we talk with Anson the Ornery about the new “DJ Daniel the Cat” release. In addition: Andrew Morris gives us a call to chat about his new solo release, “One Fine, Sweet & Sunny Day.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #837

WMM Playlist from March 25, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 25, 2020

New & MidCoastal Releases +
Fritz Hutchison + Colin Halliburton
+ Jennifer Owen of Owen/Cox Dance Group

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Labelle – “Sunshine (Woke Me Up This Morning)”
from: Something Silver / Warner Archives / 1997
[orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash. Written and composed by Nona Hendryx. This release was their first and only for RCA Records, and was critically raved due to the songs that songwriter and member Nona Hendryx composed. The album is also notable for being the first album released following lead singer Patti LaBelle giving birth to her only child, son Zuri Edwards (she recorded the album while still pregnant with Zuri). Despite RCA releasing the Stevie Wonder composition, “Open Your Heart”, the album failed to become a success. In spite of its initial failure, the album has gone on to become a cult classic and is considered a revolutionary album because few female groups talked so openly about social issues and other topics. Wonder was uncredited due to contractual reasons – the production credit was listed as “Vicki Wickham and friend”. Musicians on this track included members out of a Philadelphia-based band, Buff, and others from a Latin-black band from Queens called Harlem River Drive. Several of them would morph to become Labelle’s road band, including guitarist, Eddie Martinez.]

3. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full length debut album, from Michael Trotter Jr & Tanya Blount-Trotter from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

4. Bob & Una Walkenhorst – “Any Given Day”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst present a Facebook LIVE Benefit for Mike Kelly’s Westsider Staff on Sun., Mar. 29 at 3:00 PM. You can find the broadcast at the Bob & Una Walkenhorst Facebook Page.]

5. Charlotte Dos Santos – “Josef”
from: Harvest Time – EP / Because Music / March 13, 2020
[Charlotte Hall Dos Santos was born in 1990, in Oslo, Norway. She is a Brazilian-Norwegian jazz singer, composer, and arranger, currently based in Berlin. Dos Santos grew up in Bærum with a Norwegian mother and Brazilian father. She attended jazz studies at the Berklee College of Music in Boston, Massachusetts (2013–16), where she earned a Bachelor of Music in Contemporary Writing and Production, and Vocal Jazz Performance. Her music mixes “South-American traditions, jazz, neo soul, and tasty beats, with music history samples in a colorful way“. Dos Santos released her solo EP Cleo in 2017 on the label Fresh Selects. The EP was received positively in Norwegian media. Whilst Dos Santos spent her life in four different countries over three years, her debut project ‘Cleo’ EP took shape ending up functioning as a diary for the Brazilian-Norwegian composer, producer and vocalist. The metamorphosis of womanhood, falling in and out of love, betrayal, self realization and the passion for uplifting female musicians of color are all ideologies behind the restless musician’s 10 track EP. The character Cleo was created whilst Dos Santos studied Flamenco and Mediterranean music in Valencia, Spain. Cleo is a medieval deity, a moorish goddess that represents all women inspiring from Dos Santos lineage of strong women. She represents courage, independence, femininity, royalty and power only settling for success. She’s received recognition from Outkast’s Big Boi, Gilles Peterson, Pitchfork and Bandcamp. NyMag and The Cut, and was a nominee of the Norwegian Grammy Awards “Spellemannsprisen” in 2018.]

6. Scott Hrabko & The Rabbits – “Dog In The Backyard”
from: Dog In The Backyard – Single / Scott Hrabko / April 3, 2020
[Scott Hrabko’s new single, will be available online April 3, 2020. For this single the Rabbits were Scott Hrabko on vocals & guitar, Jason Beers on bass, and Chris Hudson on lead guitar. This single is a follow-up to Scott Hrabko & The Rabbits single “Pretty Good Day” was released on November 2, 2019. On February 14, 2019 Scott Hrabko released the EP Smash Hits From A Parallel Universe with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrako & The Rabbits released “Summer” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg.]

7. Jo MacKenzie – “Suicide Season”
from: “Suicide Season” – Single / Jo Mackenzie / February 1, 2020
[Newest single from 16 year old, Kansas City based singer songwriter, Jo MacKenzie, who released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019. More info at http://www.jomackenzie.com]

10:30 – Underwriting

Jennifer Owen on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

10:32 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group. In accordance with the current COVID-19 local and international protocol, Owen/Cox Dance Group is postponing their upcoming U.S. State Diplomacy Tour in Ukraine. They are organizing to reschedule this tremendous opportunity as soon as possible. At this time, Owen/Cox Dance Group is looking forward with their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. More info at: http://www.owencoxdance.org

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

Jen Owen’s husband and partner is Brad Cox, who is also the founder of The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. AND, Brad Cox Octet–an eight-piece ensemble made up of 2 saxophonists, 2 bass players, 2 drummers, and 2 keyboardists.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

When we scheduled this interview weeks ago Jennifer Owen was going to be sharing the details about Owen/Cox Dance Group’s upcoming U.S. State Diplomacy Tour in Ukraine. In accordance with the current COVID-19 local & international protocol, Owen/Cox Dance Group is postponing this trip until later.

Owen/Cox Dance Group is also having postpone their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. Info at: http://www.owencoxdance.org

Congratulations again, to the entire company for last Fall’s world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” October 19 & 20 at Polsky Theatre at Carlsen Center at Johnson County Community College.

Jennifer Owen of Owen/Cox Dance Group

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

For more information about Owen/Cox Dance Group you can visit: http://www.owencoxdance.org

10:45

8. U.S. Girls – “4 American Dollars”
from: Heavy Light / 4AD / March 6, 2020
[7th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. Heavy Light is a follow up to 2018 “In a Poem Unlimited” and is her third release on 4AD Records.]

9. David Byrne – “I Zimbra”
from: American Utopia on Broadway: Original Cast Recording / Nonesuch / Oct. 18, 2019
[We saw this show from the front row at the Kauffman Center for the Performing Arts on June 7, 2018. Following a sold-out world tour, the acclaimed theatrical concert had a highly successful run at Broadway’s intimate Hudson Theatre for a limited engagement. DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” (Billboard) and marks a major cultural milestone in the worlds of music and theater. Pitchfork reviewed American Utopia on Broadway, writing that Bryne, “… remains an artist to be grateful for—same as he ever was.” Innovative pop/rock icon David Byrne (Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe. Together with production consultant Alex Timbers and choreographer Annie-B Parson (his collaborators on Here Lies Love), Byrne and ensemble deliver “a marvel of staging and motion” (Chicago Tribune) that’s as surprisingly poignant as it is supremely funky. Don’t miss this “thought-provoking example of the power of live music” (Forbes). “The boisterous ensemble surrounding Byrne is able to capture and amplify already-iconic moments in his catalog. Their Afropop drum grooves nod to My Life in the Bush of Ghosts, Byrne’s landmark 1981 collaboration with Brian Eno, while their guileless twitches of choreography and playful melodrama point back, once more, to Stop Making Sense. When they stomp in methodical marching band moves—including that rotating spiral that high school music nerds know all too well—they evoke the live show for Love This Giant, Byrne’s 2012 joint record with St. Vincent, only far more euphoric. Their greatest moment may well be their gauzy inversion of Remain in Light opener “Born Under Punches (The Heat Goes On)”: Nimble in the melodies and forceful in the percussion, their version is even more thrilling than the original.” (Pitchfork).]

10. Kevin Morby – “Gift Horse”
from: Gift Horse / I Was on Time – Single / Dead Oceans / April 29, 2019
[Newest single from Kevin Robert Morby born April 2, 1988. Kevin Morby released his critically acclaimed 5th album, Oh My God on April 29, 2019. This was a follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Oh My God was #5 on WMM 119 Best recording of 2019. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album, City Music was in WMM’s The 118 Best Recordings of 2018.]

11:00 – Station ID

11. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:04 – Interview with Fritz Hutchison

Musician and singer songwriter Fritz Hutchison joins us to talk about his debut solo album “Wide Wild Acres.” Multi-instrumentalist Fritz Hutchison is a life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. On guitar he’s played with: J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia. After more than a decade of lending an ear and a hand to other music makers, Fritz is launching his own solo career as a singer-songwriter. His new album is being released through Center Cut Records.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Congratulations on the new music and the new album!

Mark talked about first meeting Fritz while he was a drummer and member of She’s A Keeper. Fritz was still in high school. Fritz has had such an interesting musical journey playing with Freight Train Rabbit Killer, Grand Marquis, J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia.

It was through his relationship playing with Calvin Arsenia that Frotz met the founders of Center Cut Records who sighed him as their second artist, after Calvin.

“Wide Wild Acres,” was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

We just heard “Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz.

The first single from the new album is “Stationary” with a music video that was directed beautifully by Miki P (Mikala Petillo) whre she shot Fritz playing various instruments from the song and then films the projection of Fritz playing with-in these projections.

“Stationary” also features Ian Teeple on bass, and again Fritz on everything else.

11:11

12. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison

11:13 – More Interview with Fritz Hutchison

We are talking with musician and singer songwriter Fritz Hutchison about his debut solo album, “Wide Wild Acres,” released through Center Cut Records. All songs written, arranged, and performed by Fritz Hutchison.

The lyrics in “Wide Wild Acres” reference Fritz’ dad Pete, and his mom, who had seven children. Fritz has an older sister, and five siblings younger than him.

Multi-instrumentalist Fritz Hutchison was born May 27, 1991. He is 29 years old. Fritz is a life long resident of Kansas City.

Although Fritz plays guitar, piano, and other instruments, he first started o drums.

Wide Wild Acres was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

Mastered by Collin Jordan at The Boiler Room in Chicago.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Wide Wild Acres is being released on Center Cut Records on March 27, 2020 More info at: http://www.centercutrecords.com

11:20

13. Fritz Hutchison – “Police Dogs” (Radio Edit)
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. “Currach Mòr” recorded by Ross Brown at Escape Pod Audio. Mastered by Collin Jordan at The Boiler Room in Chicagor.]

14. BLACKSTARKIDS – “Dirty Dancing”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

15. Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

11:29 – Underwriting

16. The Roseline – “Counting Sheep”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.

Colin Haliburton on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:35 – Interview with Colin Halliburton

Lawrence based musician Colin Halliburton joins us to talk about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005. This is the band’s 6th release and it includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO. More info at: http://www.roselinemusic.com.

Colin Halliburton, thanks for being with us on WMM.

Congratulations on the new album, it is very beautiful, including a very fine vinyl release.

The album cover is a rendering of a sky full of giant clouds, and a tornado reaching down through the sky, with the words GOOD / GRIEF embossed in the upper center of the image. It’s beautiful and troubling at the same time.

The songs on GOOD / GRIEF were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline) Ehren Starks, as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar,

AND, guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

11:42

17. The Roseline – “Better To The Bone”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

Colin Halliburton

11:46 – More Interview with Colin Halliburton

We are talking with Lawrence based musician Colin Halliburton about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005.

Colin Halliburton, thanks for being with us on WMM.

The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO.

The Roseline were set to play an Album Release show at Replay Lounge in Lawrence, Friday, April 3 at 9:00 PM. AND, The Roseline were set play a Kansas City Album Release show at Mike Kelly’s Westsider, Saturday, April 4. – But these shows were cancelled.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar, with guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

The Roseline has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. They have had the good fortune of getting sync placements in hit television shows like ABC’s Nashville and Resurrection as well as USA’s Queen of the South. They have been featured in/on NPR, Pop Matters, No Depression, and The Bluegrass Situation. They have had two records debut in the top five on the Euro Americana Chart. Spring 2020 tour dates as well as all other info can be found at: roselinemusic.com.

The band’s release includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline). Ehren Starks was also a big part of The Roseline and your best friend, can you talk about is friendship and how it inspired the record.

Ehren Starks was also part of the band Other Americans, and when They were on the show last year Brandon Taylor Phillips talked about what a great loss it was after Ehren’s death, that he was such a big part of the creation of their early songs.

Colin Halliburton, thanks for being with us on Wednesday MidDay Medley

The Roseline’s new album is called GOOD / GRIEF. More info at: http://www.roselinemusic.com.

18. The Roseline – “Song For Ehren”
from: GOOD / GRIEF / Alt Country Club / to be released April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 1, we talk with Charlie Colborne about his new band Miss Boating and their new EP “The Vhargon Sidestep.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #830