WMM Playlist from July 31, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 31, 2019

Shaun Crowley & Peter Beatty Manor Fest 3 +
William & Doris Martin on George Washington Carver
and Dr. Carmaletta M. Williams of The Black Archives of Mid-America
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Tituss Burgess – “45 (feat. Daniel J. Watts)”
from: Saint Tituss – EP / Tituss Ink / July 26, 2019
[Tituss Burgess was born February 21, 1979. He is an American actor and singer. He has appeared in numerous Broadway musicals. He is best known for starring as Titus Andromedon on the Netflix comedy series Unbreakable Kimmy Schmidt (2015–2019), for which he has received four consecutive Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series nominations. Born and raised in Athens, Georgia, he attended Cedar Shoals High School where he was active in the theatre program. He graduated from the University of Georgia with a BA in music. He is openly gay. Burgess made his Broadway debut in the musical Good Vibrations as Eddie in 2005, and then appeared in Jersey Boys in 2005 as Hal Miller. He originated the role of “Sebastian the Crab” in the musical The Little Mermaid in 2007 and went on to the role of Nicely-Nicely Johnson, traditionally played by a white actor, in the revival of Guys and Dolls in 2009. He has also performed in several regional theater productions, including The Wiz and Jesus Christ Superstar. Burgess performed at the “Broadway for Obama” benefit concert held at the State Theatre Center for the Arts in Easton, Pennsylvania on October 20, 2008. He appeared in Season 5 of 30 Rock as D’Fwan, a member of Tracy Jordan’s wife’s entourage. He reprised the role in Season 6. “45” is the first track off Burgess’ first album in seven years, Saint Tituss. Described by the artist as his “deepest and most soul-searching” work to date. He told them.us “… given the political climate, I think it’s time to speak out. I fear for our country. I fear for how our country treats its citizens and I fear for how our citizens treat each other. It’s a larger problem than just legislation. I didn’t know how to respond, so I just started with art.”]

2. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber talented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More Info at: http://www.nanturner.bandcamp.com]

[Nan Turner & The One Nite Stands play Revolution Records 1830 Locust, KCMO, 4th Anniversary and 1st Friday Benefit for Wayside Waifs w/ JC & The Nuns, Approach, and Major Matt Mason USA]

3. John Moreland – “Lies I Chose To Believe”
from: Big Bad Luv / 4AD / May 5, 2017
[Tulsa, Oklahoma based singer-songwriter John Moreland was born June 22, 1985 in Longview, Texas. The son of Robert Lloyd Moreland and Connie May, Moreland’s father worked for Sunoco as an electrical engineer, and because of this job the family moved a lot. When he was a baby they moved to Northern Kentucky, across the river from Cincinnati, Ohio. Moreland credits his love for Cincinnati Reds to this time in Kentucky. When Moreland was 10 years old Moreland’s family moved from Boone County, Kentucky to Tulsa, Oklahoma and with the help of his father, started playing the guitar. When he was 12 he played with a kid he went to church with who wrote songs and inspired him to start writing songs “that made sense.” John grew up in a conservative Southern Baptist family. “From the time I was born up until about age 16, my entire worldview and all my opinions were pretty much solely influenced by the evangelical church. All the years since then have sort of been this slow process of figuring out where I stand now that I’m not an impressionable kid anymore. I feel like I’m done with that at this point, but it keeps showing up in songs. I guess that stuff stays in your psyche forever.” His “High on Tulsa Heat” was in our 115 Best Recordings of 2015.]

[John Moreland plays Knuckleheads Saloon 2715 Rochester St, KCMO, Friday, August 2, at 8:30 PM with special guest Caroline Spence.]

10:15

4. No Such Beast – “Drifter”
from: Drifter – Single / No Such Beast / June 17, 2019
[No Such Beast is a KC based Indie Folk 5-piece band with strings of bass, violin, banjo, guitar, & cello from: Abby Atwood, Adriana Williamson, Colton Pittman, and Olivia Atwood, and lead vocals from Issac Walker.]

[A few weeks ago I participated in an LGBTQ Storytelling Night at InterUrban ArtHouse in OP. Along with the stories was music from The Black Creatures, Hadiza., and Isaac Walker of No Such Beast.]

5. Miki P & The Swallowtails – “I Get Lost”
from: Swallowtail – EP / Miki P / August 2, 2019
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P & The Swallowtails play and EP Release Show on Friday, August 2, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Teri Quinn, and Ivy Roots]

10:22 – Underwriting

6. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” He expects to move more toward releasing singles rather than entire albums.]

[Stephonne Singleton plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Saturday, August 3, at 8:00 PM with Dan Jones and the Squids at 10:00 PM, and Taylor Smith Trio at Midnight.]

7. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. The band’s 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[Jason Isbell and The 400 Unit & Brandi Carlile with special guest The War and Treaty play the Providence Amphitheater, 633 N 130th St, Bonner Springs, KS. this Friday, August 2.]

William & Dori Martin and Dr. Carmaletta Williams on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

10:33 – Interview with William & Doris Martin and Carmaletta M. Williams, Ph. D.

William & Doris Martin from Joplin, Missouri who have have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885. William and Doris will have their exhibit at the The Black Archives of Mid-America, opening August 1.

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America

Also joining us is Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America, 1722 E. 17th Terrace, Kansas City, MO. She is an author and publisher and received her PhD in English at The University of Kansas. She also studied at UMKC and went to Southeast High School, in Kansas City, MO. Manages Williams Publishing Group,LLC

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

The Black Archives recently celebrated 45 years!

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

The mission of the Black Archives of Mid-America in Kansas City, Inc. is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region. Black Archives of Mid-America is an educational resource and provides access to its collections for research, exhibition and publication to honor our community heritage and to catalyze public awareness.

History & Founder of the Black Archives

The Black Archives of Mid America, Inc. was founded May 8th, 1974 by Horace M. Peterson III and initially located at 1821 Paseo in the old Paseo Y.M.C.A. building. In 1976, the Black Archives moved to 2033 Vine, old Firehouse No.11. The firehouse, located in Kansas City’s Historic 18th and Vine District, itself is representative of African American history in this region as it was home to the first Black fire company in Kansas City. It was built in 1931 as part of the Work’s Progress Administration period under President Franklin D. Roosevelt.

The Black Archives is a non-profit organization that serves the community by offering itself as an educational resource as well as a repository of every facet in African American culture; music, art , theater, education, military, medicine, sports, religion and community affairs. The Black Archives was expressly created to collect and preserve the history of African Americans in the Midwest. Beyond our original emphasis of research and critical examination, the Archives’ traveling exhibits personify the roles of African Americans and their plight to dispel negative images. Our interpretive and educational programs, research services and special projects have received overwhelming community support.

It was Peterson’s dream to see an invigorated 18th & Vine District that showcased the contributions of African Americans. His efforts became reality with the anticipated move of the Black Archives to a larger facility located in the heart of this Historic District. Other projects envisioned by Peterson include the KC Jazz Museum, the Negro Leagues Baseball Museum and the Gem Theater; all landmarks in the 18th & Vine District.

Events at Black Archives: Law 101 – Legal classes sponsored by Jackson County Bar Association and taught by judges & licensed attorneys. Classes are open to the public with light refreshments.

Wednesday, August 14 – 6:00pm – Jury Selection Process
Wednesday, September 11 – 6:00pm – Education Law
Wednesday, October 9, 2019 – 6:00pm – Family Law
_________________________________________________________________________

William & Doris Martin live in Joplin, MO. They wrote a book called Dreams and Adventures The Edwin Hubble Story.

William & Doris Martin show ing some of the sections of their George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

They have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

(Mark Manning Full Disclosure: “For 20 years I have served as the coordinator of the KCK Organic Teaching Gardens, a program completely grant funded that serves 1500 students in 4 elementary schools and 3 middle schools in the KCK school district. Included in the exhibit are many many photographs from our KCK Organic Teaching Gardens Doris and William have asked permission to include. With the Teaching Gardens program we conduct over 400 workshops each school year in 24 different classrooms. We are attempting to continue the teaching and legacy of George Washington Carver in our curriculum and workshops.”)

William and Doris discovered our program and our connections to Carver. I was thrilled to see how much of our program is featured in their wonderful and educational exhibit, which will be on display at the George Washington Carver National Monument. This exhibit will also be on display at the Black Archives of Mid America, in August of 2019.

George Washington Carver (1860s – January 5, 1943), was an agricultural scientist & inventor. He promoted alternative crops to cotton and methods to prevent soil depletion.

While a professor at Tuskegee Institute, Carver developed techniques to improve soils depleted by repeated plantings of cotton. He wanted poor farmers to grow alternative crops, such as peanuts and sweet potatoes, as a source of their own food and to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts. Although he spent years developing and promoting numerous products made from peanuts, none became commercially successful.

Apart from his work to improve the lives of farmers, Carver was also a leader in promoting environmentalism. He received numerous honors for his work, including the Spingarn Medal of the NAACP. In an era of very high racial polarization, his fame reached beyond the black community. He was widely praised in the white community for his achievements & talents. In 1941, Time magazine dubbed Carver a “[b]lack Leonardo”.

In 1896, Booker T. Washington, the first principal and president of the Tuskegee Institute (now Tuskegee University), invited Carver to head its Agriculture Department. Carver taught there for 47 years, developing the department into a strong research center and working with two additional college presidents during his tenure. He taught methods of crop rotation, introduced several alternative cash crops for farmers that would also improve the soil of areas heavily cultivated in cotton, initiated research into crop products, and taught generations of black students farming techniques for self-sufficiency.

Carver designed a mobile classroom to take education out to farmers. He called it a “Jesup wagon” after the New York financier and philanthropist Morris Ketchum Jesup, who provided funding to support the program.

To recruit Carver to Tuskegee, Washington gave him an above average salary and two rooms for his personal use, although both concessions were resented by some other faculty. Because he had earned a master’s in a scientific field from a “white” institution, some faculty perceived him as arrogant. Unmarried faculty members normally had to share rooms, with two to a room, in the spartan early days of the institute.

From 1915 to 1923, Carver concentrated on researching and experimenting with new uses for peanuts, sweet potatoes, soybeans, pecans, and other crops, as well as having his assistants research and compile existing uses. This work, and especially his speaking to a national conference of the Peanut Growers Association in 1920 and in testimony before Congress in 1921 to support passage of a tariff on imported peanuts, brought him wide publicity and increasing renown. In these years, he became one of the most well-known African Americans of his time.

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in KV around 1885. opens tomorrow, August 1.

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

10:54

3. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

[Ivory Blue plays Behind The Gate With Ivory Blue plays the “Behind the Gate” patio concert series to benefit “WestiNd Connection” Saturday at 6:30 PM, at 11100 E Winner Rd. Independence, MO.]

11:00 – Station ID

Shaun Crowley and Peter Beatty on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands.

Peter Beatty is Shaun’s bandmate in Momma’s Boy. They have been playing together since they were in Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick. All were friends while they were in high school at Saint James Academy. Peter studied at University of Kansas and along with Momma’s Boy Peter has also recently recently release his solo project R.I.Peter.

Shaun Crowley and Peter Beatty join us today to share music from Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Shaun Crowley and Peter Beatty thanks for being with us on Wednesday MidDay Medley

Bands playing Manor Fest 3 include: Paul Cherry, Mouton, Shy Boys, Dreamgirl, Momma’s Boy, Drugs & Attics, The Phlegms, Shady Bug, The Golden Fleece, The Sluts, Pale Tongue, The Cavves, The Wild Type, LK Ultra, Buckle Up Baby, Toughies, Chloe Jacobson, Scruffy & The Janitors, Chase The Horseman, Bambis, Mild Cats, FaceFace, R.I.Peter, Big Water, Mason Blaize, Forest Porridge, Khrystal., No Magic, Charlotte Bumgarner, BigFatCat, and Dylan Pyles

Day 1 – Westport – Thursday, August 1

Stage 1 – Mills Record Co (All Ages / will call station)
Sponsor : Struggle Pretty Productions
5:00 – 5:30 : Mason Blaize
5:45 – 6:15 : bigfatcat
6:30 – 7:00 : LK Ultra (LFK)

Stage 2 – Riot Room Patio (21 & up)
Sponsor : Melted Magazine (DC)
7:00 – 7:25 : Khrystal.
7:35 – 7:50 : The Cavves (Wichita)
8:00 – 8:25 : Shady Bug (STL)
8:35 – 9:00 : The Wild Type

Stage 3 – miniBar (21 & Up)
Sponsor : Oddities Prints
9:00 – 9:30 : Prude Boys (Detroit)
9:40 – 10:10 : Mouton (Fayetteville)
10:20 – 10:50 : Fullbloods
11:00 – 11:45 : Paul Cherry (Chicago)
*10:00 – 3:00 : DJ Strange Magic – downstairs*

11:07

10. Mouton – “Other Minds”
from: 7″ Split with Prahnas / Mouton / November 12, 2017
[Written by Pete Mouton, with Calvin Todd on lead guitar, Seth Goodwin on piano and Calvin Todd & Loren Leamy on background vocals. Recorded and Mixed by Pete Mouton. Mastered by Jason Kearbey. Remastered by Kalim Choudhury.]

[Mouton plays Manor Fest 3 August 1, at miniBar, 3810 Broadway with Prude Boys, Fullbloods, and Paul Cherry]

11. LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. Their EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra plays Manor Fest 3 August 1, at Mills Record Co 4045 Broadway, with Mason Blaize, and bigfatcat]

12. Paul Cherry – “This High”
from: Flavour / Feeltrip Records / March 31, 2018
[Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age in 2014. Despite being in the thick of the DIY scene with bands such as Twin Peaks and The Lemons, Paul has abandoned the all too familiar lo-fi rock sound of his first EP, “On Top”. The Cherry has completely reinvented himself and spent the last 2 years returning to his jazz roots on this upcoming LP, “Flavour”. Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Paul touches on millennial culture with references to texting and social media, giving a modern light-hearted twist to age old old themes of love lost, missed connections and polar political climates.]

[Paul Cherry plays Manor Fest 3 Thursday, Aug 1, at miniBar, 3810 Broadway w/ Prude Boys, Fullbloods, and Mouton]

11:18 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 2 – West Bottoms – Friday, August 2

Stage 1 – Blip Roasters (all ages stage / will call station)
Sponsor : Fine Dining Productions
5:00 – 5:30 : Faceface
5:45 – 6:15 : Buckle Up Baby (Springfield)
6:30 – 7:00 : Mild Cats

Stage 2 – Hickory Union Moto (21 & up)
Sponsor : I Heart Local Music
7:00 – 7:35 : Scruffy & the Janitors (St. Joe)
7:45 – 8:20 : The Golden Fleece (Peoria, IL)
8:30 – 9:05 : Drugs & Attics
9:15 – 9:50 : The Sluts (LFK)

Stage 3 – Colonial Club (21 & Up)
Sponsor : Tape Dad (Ark)
10:00 – 10:20 : Bambi’s (Fayetteville)
10:30 – 10:50 : Pale Tongue (LFK)
11:00 – 11:20 : The Phlegms (Fayetteville)
11:30 – 12:00 : Bigwater

11:25

13. Pale Tongue – “Fever Dreams”
from: Pale Tongue / Manor Records – Indigo Sun Records / October 5, 2018
[Pale Tongue began as the pet project of Carlos Calderon and Nick Fredrickson of The Appleseed Cast. Joined later by bassist James Thomblinson of Arc Flash, and Psychic Heat, and Evan Herd of Psychic Heat.”Pale Tongue” is eponymous band’s self-titled debut EP. Written and recorded at different times and places, this 6-track album is the culmination of Pale Tongue’s early processes, including a few newer additions in a sonic attempt to emulate their live experience for audiences. All songs written and performed by Pale Tongue. For this recording: Carlos Calderon on guitar, keyboards, & vocals; Nick Fredrickson on drums; and Tanner Spreer of Psychic Heat on bass. Engineered by Andy Fredrickson & Mitch Hewlett. Mixed & Mastered by Joel Coon.]

[Pale Tongue play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, The Phlegms, and Bigwater.]

14. The Phlegms – “rigid”
from: smile / The Phlegms / June 1, 2018
[Fayetteville, Arkansas based band The Phlegms is one of the most exciting bands to emerge from the local punk scene in the last few years. The band (Avery Lee, Grant Williams, Ethan Nash, and Peter McKitrick) is everything you want a punk band to be: sonically dynamic, lyrically powerful, and impossible to ignore. They’ve been the band to see at Backspace for a while now, and have shared the stage with heavyweights Protomartyr, and Shame. The band recently released a 6-song EP called Smile – available on Bandcamp, Spotify, and on cassette via Tape Dad. They were also awarded free recording time at East Hall Recording as part of the studio’s 15th Anniversary celebration.]

[The Phlegms play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, Pale Tongue, and Bigwater.]

15. Buckle Up Baby – “Dog”
from: Buckle Up Baby / Push Pull / March 27, 2019
[Springfield, Missouri based band with Bass & Vocals – Addie McKenzie on vocals and bass, Cole Simmons on guitar, Joe Wilson on drums, and Anna Redmond on keyboards. All songs written by Addie McKenzie. Recorded, mixed, and filled w/ magic by Joe Misterovich]

[Buckle Up Baby play Manor Fest 3, day 2, Friday, August 2, at Blip Roasters, 1101 Mulberry, KCMO, in the West Bottoms with FaceFace, and Mild Cats.]

11:35 – Underwriting

10:37 – Interview with Shaun Crowley and Peter Beatty

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 3 – Crossroads – Saturday, August 3

Stage 1 – Stray Cat Film Center (all ages / will call station)
Sponsor : Hear Queer
3:00 – 3:20 : Charlotte Bumgarner (Tulsa)
3:30 – 3:50 : R.I.Peter
4:00 – 4:25 : Forest Porridge (Denver)
4:35 – 5:00 : Chloe Jacobson

Stage 2 – Brewery Emperial ($5 donations, free all ages stage)
Sponsor : French Exit Records
5:00 – 5:30 : Chase the Horseman
5:40 – 6:10 : Toughies (LFK)
6:20 – 6:50 : No Magic (LFK)
7:00 – 7:30 : Dylan Pyles

Stage 3 – recordbar ($15 cover, 18 & Up)
Sponsor : Petri Productions / Shuttlecock Magazine
7:00 pm doors
8:00 – 8:45 : Momma’s Boy
9:00 – 9:45 : Dreamgirl
10:00 – 10:50 : Shy Boys
*after party at Brewery Emperial ft. DJ Tito Fuego*

11:43

16. R.I.Peter – “Lord of the Mountain”
from: R.I.Peter / Manor Records / July 5, 2019
[It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays Manor Fest 3, Saturday, August 3, in the Crossroads at Stray Cat Film Center, 1662 Broadway, with Charlotte Bumgarner (Tulsa), Forest Porridge (Denver), and Chloe Jacobson]

17. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Momma’s Boy and Dreamgirl]

11:56

18. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Shy Boys and Dreamgirl]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 7, we talk with Scott Hobart of Giants Chair, and Fally Afani calls in to share details about I Heart Local Music’s benefit for RAICES with, Making Movies, Maria the Mexican, Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford), Friday, August 16, at 6 PM at Liberty Hall 644 Massachusetts St, Lawrence, KS

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #796

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Wednesday MidDay Medley’s The 118 Best Recordings of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

The 118 Best Recordings of 2018

The 118 Best Recordings of 2018 are based on the playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music. In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

#1. Calvin Arsenia – Cantaloupe / Bullseye Records / September 15, 2018
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

#2. Bob & Una Walkenhorst – For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

#3. Mikal Shapiro – The Musical II / Mikal Shapiro / May 26, 2018
[The Musical II is the sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

#4. Madisen Ward and the Mama Bear – Radio Winners / Glassnote / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

#5. Amy Farrand & The Like – One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

#6. Emmaline Twist – Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

#7. Janelle Monáe – Dirty Computer / Wondaland Arts Sociaety – Bad Boy / April 27, 2018
[Nominated for a Grammy Award for Album of The Year, and Best Music Video for “Pynk.” Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

#8. Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

#9. CS Luxem – Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

#10. Monta At Odds – Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden. For this new EP the band collaborated with Taryn Blake Miller who records as Your Friend. Past supporting members of Monta At Odds include: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

#11. Mysterious Clouds – My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

#12. Jametatone – Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

#13. SSION – O / Dero Arcade / May 11, 2018
[SSION is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

#14. Under the Big Oak Tree – The Ark / DashGo / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).]

#15. Howard Iceberg & The Titanics – Netherlands / Howard Iceberg / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on bass, electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Haoward iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

#16. The War and Treaty – Healing Tide / Strong World Entertainment / Aug. 10, 2018
[Full length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

#17. Other Americans – Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes.]

#18. Cat Power – Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material.]

#19. U.S. Girls – In a Poem Unlimited / 4AD / February 16, 2018
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

#20. Meshell Ndegeocello – Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. This album follows “Comet, Come to Me”, her 11th studio album.]

#21. Marcus Lewis Big Band – Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

#22. Cowboy Junkies – All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

#23. Broken Arrows – Street Flowers / Intelligent Design / Aug. 3, 2018
[Guest Howard Iceberg sings lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. Album notes from Barry Lee: Broken Arrows started recording Street Flowers during the last months of 2017 and into the first of the year 2018. The band had road tested about half the songs in concert during the year, so they had a good starting point. Broken Arrows have four songwriters in the band, and they all wrote material for the record. Sessions for the basic tracks were done at Dave Storms’ studio, The Storms Cellar and the vocals and guitar tracks were finished at Cricket Palace, Mike Penner’s studio. Mike Mixed & Mastered and produced the album. About a third of the way through the sessions band member Barry Lee’s wife Caroline took a turn for the worse and his involvement lessened as he stayed with her to take care of her in her final days. The band recorded a couple of tracks, “Not Coming Back” and “Put Me Down” without Barry but refused to do any more recording until he was able to return. The first song Barry did after Carolyn died was “Recognize My Heart.” Barry was still in shock and you can hear it in his voice on that song. The album has gotten airplay on 102.7, Little Steven’s Underground Garage on Sirius XM and extensively on 90.1 FM KKFI. It was also favorably reviewed in Tuning Fork and in a national publication, Blurt. Early next year Broken Arrows will have a single release on Big Stir Records in L.A.. The photos on the album cover were taken by Barry Lee in and around Lawrence, Kansas. For some reason, there are lots of street flowers there. Broken Arrows are: Barry Lee on vocals, acoustic & electric guitars; Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar & vocals, John Chevalier on bass, acoustic guitar & vocals; and Dave Storms on drums, percussion & vocals.]

#24. Slights – Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is also the founder of Elk’s Pride Pictures, based in KCMO. More information at http://www.slightsband.com]

#25. Superchunk – What a Time to Be Alive / Merge / February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Masterin.]

#26. Amen Dunes – Freedom / Sacred Bones Records / March 30, 2018
[The 5th studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in NYC and Sunset Sound in LA.]

#27. Blood Orange – Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list.]

#28. Dirty Projectors – Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

#29. Parquet Courts – Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013.[1] Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

#30. Danielle Nicole – Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

#31. Grand Marquis – Brighter Days / King Forward Records / April 28, 2018
[KC based American Roots, Blues, & Prohibition Jazz band, formed in 1998 have released 7 albums, including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. The band is: Ben Ruth on upright bass, sousaphone, backing vocals; Chad Boydston on trumpet, backing vocals; Ryan Wurtz on electric and acoustic guitars; Trevor Turla on trombone, backing vocals; Fritz Hutchison on drums, backing vocals; Bryan Redmond on lead vocals, soprano, alto, tenor & baritone saxophones.]

#32. Carswell & Hope – Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

#33. Kadesh Flow – Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

#34. The Phantastics – Life of the Party EP / Kemet Creative / Aug. 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

#35. David Byrne – American Utopia / Todomundo – Nonesuch / March 9, 2018
[David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

#36. Chris Hazelton’s Boogaloo 7 – The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More info at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

#37. My Oh My! – The War Outside / My Oh My! / May 19, 2018
[My Oh My! is: Stephen Berry on guitars; Grant Buell on pianos, Organ, & Wurlitzer; Sarah Dolt, Stephanie Gaumé & Melissa Geffert on vocals; Jason Harper on bass guitar & tenor saxophone; Jacob Horpinjuk on drums & percussion; and A.M. Merker on lead vocals, guitar, and songwriting. Produced by My Oh My! and Joel Nanos, and recorded, engineered, and mixed by Joel Nanos at Element Recording Studios, and mastered by David Gaumé at Forest Sounds, North Hollywood, CA. More info at: http://www.myohmykc.com]

#38. Hi-Lux – Hi-Lux EP / Hi-Lux / February 1, 2018
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

#39. Eems – Dreems / Phillip Jackson / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

#40. Of Tree – How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

#41. Sara Morgan – Average Jane / River Delta Records / January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

#42. Dragon Inn 3 – Double Line / American Laundromat Records / Aug. 17, 2018
[Kansas City based nad formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

#43. Lucy Dacus – Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

#44. FACEFACE – MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with.Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the Kansas City based, 5-piece post-punk deathrock band Beelzebabes. All the while Ryan has also been nurturing a fourth collaboration called FACEFACE, an experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist. Paul is the voice of FACEFACE and featured in the FACEFACE video for their new song, “We Awesome,” all shot in one take from Celestial Pictures.]

#45. Soccer Mommy – Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

#46. Vigil & Thieves – Make Sure They Hear You / Vigil & Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

#47. The Get Up Kids – Kicker EP / Polyvinyl Record Co / June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.”[8] The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

#48. Amanda Fish – Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

#49. First Aid Kit – Ruins / Columbia / January 19, 2018
[4th full length album from Swedish folk duo of sisters: Klara (vocals/guitar) and Johanna Söderberg (vocals/keyboards/Autoharp/bass guitar). When performing live, the duo are accompanied by a drummer, a pedal steel guitarist and recently a keyboard player. They have now released four albums, two EPs and a handful of singles. In 2015 they were nominated for a Brit Award as one of the 5 best international groups. Sisters Johanna & Klara Söderberg are from Enskede, in the outskirts of Stockholm. Johanna was born Oct 31, 1990 and Klara on Jan 8, 1993. Their father was a member of the Swedish rock band Lolita Pop but he quit before Johanna was born and later became a teacher of history & religion. Their mother is a teacher of cinematography. From childhood, Klara & Johanna were eager singers by giving concerts using a jump rope as a pretend microphone. Klara’s first favorite songs were Judy Garland’s songs from The Wizard of Oz and Billie Holiday’s version of Gloomy Sunday, that she sang without much understanding of the English lyrics. Klara wrote her first song “Femton mil i min Barbiebil” when she was six. They both attended the International English school of Enskede. Klara applied for admission to a music school but she was not accepted. In 2005 when Klara was 12, a friend introduced her to the band Bright Eyes. This led her to country music stars such as Johnny Cash, Bob Dylan, Leonard Cohen, Carter family, Louvin Brothers, Townes Van Zandt, Gram Parsons and Emmylou Harris. The same year she received a guitar as a Christmas present and quickly learned to play it. Johanna enjoyed a wide range of music from Britney Spears to German Techno. However, it wasn’t until watching the film O Brother, Where Art Thou? and listening to the film’s soundtrack that she was inspired to sing “Down to the River to Pray” with sister, Klara. Fascinated by the result they started to sing together at home and then as street singers, in the Stockholm metro and in front of liquor stores. They came up with the name for their band simply by randomly opening a dictionary.Klara and Johanna also started to write and compose their own country-folk songs inspired by Devendra Banhart and CocoRosie, among others, without much influence from their parents who were more fond of Patti Smith, Velvet Underground and Pixies. Their father confessed later in a Swedish radio program that he was astonished and actually a little jealous of the ease his daughters had in producing top-notch music. The most important advice their father gave to them was to sing so loud that even somebody behind the wall could hear it.]

#50. Fantastic Negrito – Please Don’t Be Dead / Cooking Vinyl / June 15, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

#51. Scruffy & the Janitors – Modeling Is Hard / This Tall Records / March 2, 2018
[Saint Joseph, MO based trio formed by Steven Foster on vocals & bass, Teriq Newton on guitar & vocals, and Trevin Newton on drums. Scruffy & The Janitors have been described as creating working-class punk and catchy alt-rock. Scruffy & The Janitors have played at: SXSW, Middle Of the Map Fest, NXNE, and Lawrence Field Day Fest. They have also opened for:KONGOS, Kitten, J. Roddy Walston & the Business, Brick + Mortar, Radkey, Cheap Girls, Skaters, Bass Drum Of Death, Your Friend, Rev Gusto, and Dreamgirl.]

#52. Second Hand King – Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

#53. Angélique Kidjo – Remain In Light / Kravenworks / June 8, 2018
[Angélique Kidjo has partnered with producer Jeff Bhasker (Rihanna, Kanye West, Harry Styles, Bruno Mars, Drake, Jay-Z) to create Remain In Light – a new project that finds the Benin-born artist reclaiming rock for Africa, bringing Talking Heads’ landmark 1980 album full circle. The record is a track-by-track re-imagination of the original, considered to be one of the greatest albums of the ’80s and deeply influenced by music from West Africa, notably Fela Kuti’s afrobeat. With her version of Remain In Light, Angélique celebrates the genius of Talking Heads, Brian Eno and the touchstones that made the original so revered and injects it with her euphoric singing, explosive percussion, horn orchestrations, and select lyrics performed in languages from her home country. Remain In Light features appearances by Ezra Koenig of Vampire Weekend, Blood Orange, Tony Allen, Antibalas Horns, Angélique’s longtime guitarist Dominic James, and Magatte Sow (percussionist for the ‘Black Panther’ film score). On May 5, 2017, Kidjo presented her “Remain In Light” concert at Carnegie Hall. Her sold out performance was a reinvention of the iconic album by the rock band Talking Heads. The concert included special guest Nona Hendryx, Lionel Loueke, Antibalas, Jason Lindner and an unplanned duet with David Byrne on the song “Once In A Lifetime”. Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, known as Angélique Kidjo (born July 14, 1960), is a Grammy Award-winning Beninese singer-songwriter, actress and activist, noted for her diverse musical influences and creative music videos. Time magazine has called her “Africa’s premier diva”. The BBC included Kidjo in its list of the African continent’s 50 most iconic figures. The Guardian has listed her as one of its Top 100 Most Inspiring Women in the World and Kidjo is the first woman to be listed among “The 40 Most Powerful Celebrities In Africa” by Forbes magazine. The Daily Telegraph in London described her as “The undisputed queen of African music” during the 2012 Olympic Games River of Music Festival. In March 2013, NPR, National Public Radio in America, called her “Africa’s greatest living diva”. Kidjo is listed among the “2014 Most Influential Africans” by New African magazine and Jeune Afrique. Forbes Afrique put Kidjo on the cover of their “100 most influential women” issue in 2015. On June 6, 2013, Kidjo was elected vice-president of the Confédération Internationale des Sociétés d´Auteurs et Compositeurs (CISAC). She now resides in New York City, where she is an occasional contributor to the New York Times. Kidjo has received Honorary Doctorates from Yale University, Berklee College of Music and Middlebury College. She is the 2018 Harvard University Jazz Master In Residence. Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime”, Ravel’s Boléro, Jimi Hendrix’s “Voodoo Child” and the Rolling Stones’ “Gimme Shelter”, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, Carlos Santana, John Legend, Herbie Hancock, Josh Groban, Dr John, the Kronos Quartet and Cassandra Wilson. Kidjo’s hit songs include “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga”, and her version of “Malaika”. Her album Logozo is ranked number 37 in the Greatest Dance Albums of All Time list compiled by Vice Magazine’s Thump web site. Kidjo is fluent in 5 languages: Fon, French, Yorùbá, Gen (Mina), and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga.” “Malaika” is a song sung in the Swahili language. Kidjo often utilizes Benin’s traditional Zilin vocal technique and jazz vocalese. Kidjo is the recipient of the 2015 Crystal Award given by the World Economic Forum of Davos in Switzerland and has received the Ambassador Of Conscience Award from Amnesty International in 2016 She also is included in the exhibits at the National Museum of African American History that officially opened on Sept. 24, 2016 on the National Mall.]

#54. Mary Gauthier – Rifles and Rosary Beads / In The Black / Jan. 26, 2018
[Nominated for a Grammy Award for Best Folk Album. Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including NY Times, LA Times, Daily News, and Billboard Magazine.]

#55. Kian Byrne – Up & Down / Kian Bryne / July 11, 2018
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. You can learn more at: kianbyrnemusic.com]

#56. Yo La Tengo – There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

#57. Kississippi – Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

#58. Gully Boys – Not So Brave / Gully Boys / August 12, 2018
[Minneapolis, Minnesota based three piece all female band, with Kaytee Callahan on vocals & guitar, Natalie Klemond on bass/ & vocals, and Jazmyne McGill ~on drums & vocals. All songs written and performed by Kathy Callahan, Nadirah McGill, and Natalie Klemond. Recorded and mixed by Nick Tveitbakk at Pachyderm Studio. Mastered by Bruce Templeton. More info at http://www..gullyboys.bandcamp.com]

#59. The Big Iron – The Big Iron / The Big Iron / April 27, 2018
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

#60. Serene Fiend – Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

#61. Khrystal. – The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

#62. Salty – Dry Rub / Independent / November 21, 2018
[Salty was formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

#63. Blue False Indigo – More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

#64. Thee Devotion – Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

#65. Christine and The Queens – Chris / Because Music / September 21, 2018
[Chris is the second studio album by French singer Christine and the Queens, released in both English and French versions through Because Music. It was preceded by the release of two singles, each of which were released in both English and French versions: “Girlfriend” / “Damn, dis-moi”, featuring Dâm-Funk, and “Doesn’t Matter” / “Doesn’t Matter (Voleur de soleil)”. An English-language single, “5 Dollars”, was also released alongside an S&M-inspired video, followed by the French version of “La Marcheuse”. Héloïse Letissier (born 1 June 1988), known professionally as Christine and the Queens (or, as of 2017, simply Chris), is a French singer, songwriter and producer. Born in Nantes, France, Letissier studied theatre before forming her solo musical group Christine and the Queens. Letissier has been signed to the independent record label Because Music since 2012. Her work combines music, performance, art videos, drawings and photography.]

#66. The Project H – Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

#67. No Magic – In Cocoon / French Exit Records / November 9, 2018
[All songs written by Ben Sauder. Produced by Joel Martin. Mixed by Joel Martin and Ben Sauder. Mastered by Steve Squire. No Magic is Ben Sauder on guitars, keys, stairs, vocals, & auxiliary; Joel Martin on guitars, basses, keys, drums, vocals, patience; Heidi Gluck on bass, acoustic guitars, piano, slide guitar, vocals; and Jeff Stolz on drums and modelos. With: Leslie Butsch – Saxophone on “Backspin” and “San Francisco”. Kyle “Strings” Stringer – Bass on “While I Got You” and “Apart”. Brother Bobby Sauder – Bass on “Firefly”. Nicholas Stahl – Drums on “While I Got You”. Chris Luxem – Chorus Chant Vocals on “Smoke”. Garrett Marsh – Acoustic riff on “San Francisco”. Design and layout – Carl Smith. Cover photo – Ga Ji Ashlin Wang. Inside photo – Austin Pulliam.]

#68. They Call Me Sauce – Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, the hip hop community and with the collective NUBLVCKCITY. Last year Sauce released his EP Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. Throughout November and December he will be touring midwestern and southern cities with Mae C., Kartez Marcel, VP3, and Kadesh Flow. More info at: http://www.soundcloud.com/theycallmesauce%5D

#69. Heidi Phillips & Danny Krause – Honest I’m Fine / Heidi Phillips / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

#70. The Matchsellers – BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018
[3rd full length release from classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS.]

#71. HighWesthus – TAKOTSUBO: a love story / Datura Records / Oct. 24, 2018
[Written and produced and performed by HighWesthuss. HighWesthus was born in Chicago and is based in Kansas City. Last year Datura Records released The Trilogy. A set pf three releases that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng anf storytelling.]

#72. St. Vincent – MassEducation / Loma Vist-Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

#73. The Beths – Future Me Hates Me / Carpark Records / August 10, 2018
[The Beths are from Auckland, New Zealand. Elizabeth Stokes on lead vocals & guitar, Jonathan Pearce on guitar & vocals, Benjamin Sinclair on bass & vocals, Ivan Luketina-Johnston on drums & vocals. Their debut album on Carpark Records. Elizabeth Stokes previously worked in a folk band. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.” All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.”]

#74. Stephonne – Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

#75. The Fey – Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

#76. Dreamgirl – Dreamgirl / Dreamgirl /January 1, 2018
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

#77. Jake Wells – Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

#78. Daisy Buckët – Pansy / Independent / July 25, 2017
[Executive Producer: Spencer Brown & Amy Hull. Co-Producer: Michael Wood. Album Concept & Design: Brandon Shelton. Photography: Vixen Pin-Up Photography. All tracks recorded at Sound 81 Productions, Kansas City, Missouri. Mixing & Engineering: Justin Wilson. The album of 10 tracks include five tracks recorded with Jeff Freling of Victor & Penny with Erin McGrane and the Loose Change Orchestra. There are also two tracks recorded with the KC psychedelic glam rock band The Philistines, with Kimmie Queen, Cody Wyoming on backing vocals, Cody Wyoming on guitar, Steve Gardels on drums, Rod Peal on guitar, Josh Mobley on piano, Barry Kidd on bass. There are two original songs written for this album. This past year Daisy has performed with the Sacramento Gay Men’s Chorus, shows in Ohio, Connecticut, and New York at the historic Duplex Cabaret, and Puerto Vallarta, Mexico. Spencer Brown is a professional actor, singer, spokesmodel, super hero, and has appeared at The Unicorn Theatre, Late Night Theatre, The KC Fringe, Union Station, The Folly Theatre, Off Center Theatre, Just Off Broadway Theatre. Since 2008 Spencer has toured internationally and recorded several albums as a member of the acclaimed The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet. Most recently they were seen on Watch What Happens Live! With Andy Cohen.]

#79. Yanna the Supa Flowa – The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[Formerly KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

#80. Duncan Burnett – The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

#81. Doby Watson – Family Mattress Deluxe / Error Records / February 23, 2018
[Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Songs written by Doby Watson featuring Adamah, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com.]

#82. tUnE-yArDs – I can feel you creep into my private life / 4AD / January 19, 2018
[4th album from the music project of New England native Merrill Garbus (born March 4, 1979). Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll. Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire & drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2006, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives. The first Tune-Yards album, BiRd-BrAiNs was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”]

#83. John Keck – Out In The Cold – 12th Street Singles / John Keck / May 1, 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. About “Missouri Queen” John Keck wrote: “This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass.’”More at: http://www.johnlkeck.com]

#84. Joan Baez – Whistle Down the Wind / Razor & Tie Recordings / March 2, 2018
[Whitsle Down The Wind is the 31st album release from Joan Chandos Baez born January 9, 1941, her first studio album in almost a decade. The album features songs written by such composers as Tom Waits, Josh Ritter and Mary Chapin Carpenter. Joe Henry produced the album. Joan Baez is a singer, songwriter, musician, and activist whose contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years,is fluent in Spanish and English, and has recorded songs in at least six other languages. Although regarded as a folk singer, her music has diversified since the counterculture era of the 1960s, and encompasses genres such as folk rock, pop, country and gospel music. She was one of the first major artists to record the songs of Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Baez also performed fourteen songs at the 1969 Woodstock Festival and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment. Baez was inducted into the Rock and Roll Hall of Fame on April 7, 2017.]

#85. Chess Club – Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.]

#86. Warm Bodies – Warm Bodies / Lumpy Records / February 27, 2018
[Pitchfork’s April 8, 2018 review: Olivia Gibb’s messy, experimental garage rock sounds unhinged and strangely human on Warm Bodies’ debut. Come for the unnerving body horror, stay for the fiery guitar solos. // While some wonder who’s going to make rock’n’roll wild again, Warm Bodies’ Olivia Gibb is barking like a dog out here. The Kansas City, Missouri artist is effortlessly wild. When she sings, she jumps in and out of cartoonish shrieks. Her bug-eyed and immensely expressive live performances would make John Waters proud. If you visit her website, you can buy some ceramic clown nightmares. Punk’s underground has always been flush with fringe characters—Warm Bodies share a label with noxious weirdos Lumpy and the Dumpers, for example—but Gibb stands out from the heap. On Warm Bodies’ messy and muscular debut album, you can find her screaming about her eyes which have fallen out of their sockets. // “My Face Fell Off” is a minute-long blast of surrealist speed punk, so while Gibb screams for help in locating her face, her bandmates come in frenzied. Drummer Gabe Coppage crashes forward at a turbulent clip while Ian Teeple keeps pace, rattling out power chords and guitar solos. This exact sort of noisy punk maelstrom has been the band’s calling card for a couple years now. The song originally appeared on Warm Bodies’ 2016 demo, and while the two versions are similar, you can hear just how much they’ve leveled up. On Warm Bodies, they’re faster, the recording quality is less scuzzy, and most pressingly, Gibb sounds far more unhinged than she did on her relatively more reserved early recordings. // Take “Something Weird Is Eating Me,” a song that addresses the more uncomfortable truths of the human body. After alluding broadly to a “mess” under her clothes, she gets extremely specific: “A burning lump full of yellow gunk/And I’m itchy itchy itchy itchy,” her voice oozing the discomfort that the song’s lyrics so directly imply. Later, when Gibb shouts about her sexual encounter with real-life plane hijacker D.B. Cooper, Teeple sets the stage with a clattering, rapid-fire hook. This is the band’s secret formula: Gibb whips up fever dreams with her singular voice and Teeple grounds everything with earworms and sick guitar solos. // Across its 20 minutes, Warm Bodies isn’t strictly a wall-to-wall shredfest. It’s an album bookended by electronics, opening with the tense swell of warped synths and finishing with the pulse of crackling, ethereal noise. Then there’s “Stinky dUMBOMix,” a song that’s all synthesizers, drum machines, whistles, and handclaps. It’s only a minute long, but it’s a crucial moment that places the music beyond garage punk and into the context of low-key experimentation. // With that handful of left-field sonic tics, Warm Bodies lean fully into the psychedelia that powers Gibb’s lyrics: melted faces, gnarly rashes, dog cosplay, and fucking a never-been-caught skydiving thief. Chaos is an intrinsic part of their DNA, which means more relatable, day-to-day subjects adopt a funhouse-mirror approach. “Psychic Connection” is a love song that’s both surreal and knowable—Gibb breaks down the unspoken “mind control” shorthand you have with the person you love. Then there’s “I Need a Doctor,” where Teeple’s woozy guitar and the call-and-response of “I need a doctor! (She needs a doctor!)” invoke sick-day queasiness. On an album of hysterical vocals and high-speed guitar work, Warm Bodies is riveting because of how human it is—its joy, rage, infatuations, and yes, literal boils.]

#87. Anna Calvi – Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanising in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterise any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian vision.”]

#88. The Internet – Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

#89. The Breeders – All Nerve / 4AD / March 2, 2018
[The band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

#90. Sona – Sona EP 2 / Something Sounds Weird / September 14, 2018
[Sona began as the love child of husband and wife Brian and Jenna Goodman. Add Bobby Reeves on drums makes this alternative indie rock shoegaze post-punkLawrence Kansas based band a “power trio.” The EP was recorded at Fire & Ice Studios Baldwin, KS and was engineered/mixed by Steve Squire and mastered by Duane Trower with all songs written by SONA.]

#91. Miki P – Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Festival. More info at: http://www.mikipmusic.com]

#92. Noname – Room 25 / Noname / September 14, 2018
[Debut album from Fatimah Nyeema Warner who was born September 18, 1991, and is better known by her stage name Noname. She is an American rapper and poet. Warner is from the Bronzeville neighborhood of Chicago, Illinois, where she began rapping and performing slam poetry in 2010. In 2013, she gained wider recognition following her appearance on the track “Lost” from Chance the Rapper’s popular mixtape Acid Rap. Noname released her debut mixtape, Telefone, on July 31, 2016, to widespread critical acclaim. Noname grew up in the Bronzeville neighborhood of Chicago. She was raised by her grandparents; as a teenager, she listened to blues musicians Buddy Guy and Howlin’ Wolf, and spent time in her mother’s bookstore. She first started writing poetry after taking a creative writing class in high school. As a teen, she spent time in the YOUMedia project—a space for young artists to create and network—then based in the Harold Washington Library. There, she befriended many local talents, including Chance the Rapper. Noname’s interest in poetry led her to compete in local open mics and slam poetry competitions; she placed third in Chicago’s annual Louder than a Bomb competition. Noname gradually turned her talents to freestyle rapping with friends, collaborating with many local Chicago artists including Chance the Rapper, Saba, Mick Jenkins, and Ramaj Eroc. Recorded in about a month’s time, the album chronicles the two years since the release of Telefone, most notably her move from Chicago to Los Angeles and an intense, short-lived relationship. On the experience, she compared her maturity on Room 25 to Telefone, saying “Telefone was a very PG record because I was very PG. I just hadn’t had sex.” Unlike Telefone, Room 25 was created due to a financial obligation. Noname said in an interview, “It came to a point where it was, like, I needed to make an album because I need to pay my rent. I could’ve done another Telefone tour, but I can’t play those songs anymore. Like, I could, but I physically hate it because I’ve just been playing them for so long.” Noname paid for the entire album herself using money from touring and guest appearances on Chance the Rapper projects.]

#93. The UK’s – American Way of Death – EP / The UK’s / November 17, 2018
[Kansas City based band formed in July 2010 with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, Tarquin Eugene Kellough on drums. This EP is their follow up release to their 2016 debut album “Bad Seed”, featuring their single “The Poison Squad” released in March of 2018 and four more tracks. More info at: http://www.theuksband.com]

#94. Sunny War – With the Sun / Org Music – Hen House Studios / Feb. 2, 2018
[“Los Angeles-based singer, songwriter and guitarist Sunny War (née Sydney Lyndella Ward) was born to a single mom in Nashville. She had what’s she’s described as a nomadic childhood, moving around from Michigan, Colorado, and living on the streets of San Francisco. Now in her mid-20s, War settled down in Los Angeles as a teenager, and became known for her street playing in Venice Beach. War is a fantastic guitar player. She learned her plucking style by playing “Blackbird” by The Beatles, and by falling in love with the blues. “I feel like I am a blues guitarist, but I don’t think I’m a blues artist,” she says. “I only use the scales and techniques that I know, and the only time I was trained in music was on blues guitar. I really love Elizabeth Cotten and Mississippi John Hurt,” says War.” – from NPR Music]

#95. Cris Williamson – Motherland / Wolf Moon Records / November 14, 2017
[Produced by Julie Wolf. Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with The Changer and the Changed: A Record of the Times (Olivia Records, 1975) Ann Powere of NPR Music writes: “Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. ” The Cris piece from NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017): “I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music) From http://www.smithsonianmag.com – Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16. When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”]

#96. Adrianne Lenker – abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

#97. Those Far Out Arrows – Part Time Lizards / High Dive Records / Nov. 2, 2018
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White & Evan Keelan-White wbo perform with Derek Levasseur & Tanner Rogerson. Recorded & mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska music writer Tim McMahan said, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

#98. Cat Dail – Fight For Love / Lucky Magnet Records / April 6, 2018
[Singer-songwriter, multi-instrumentalist, & producer Cat Dail, lives some of the time in NYC and some of the time in Chesterfield, NH. She’s released 5 albums on her label Lucky Magnet Records. Cat has been active in the Indie rock scene since the 1990s, leading her NYC band, Cat played a residency at the Bitter End, and most colleges and clubs from Vermont to Virginia, Colorado to California. More info at: http://www.catdail.com]

#99. Superorganism – Superorganism / Domino Records / March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

#100. Car Seat Headrest – Twin Fantasy / Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes. Car Seat Headrest is currently on tour in the Northwest, and after a May 8 show in Brooklyn, the band travels to Europe for dates in May and then will be back touring the state through June and July.]

#101. Joan As Policewoman – Damned Devotion / Play It Again Sam / Feb. 9, 2018
[Joan As Police Woman, is Joan Wasser, born July 26, 1970), she is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. “Tell Me,” is the first single from the new album. Joan Wasser talked about its plea for openness and intimacy, “I am always wanting more intimate dialogue,” she says. “Fear of being vulnerable, future tripping and feelings of shame, paranoia and jealousy get in the way. You got to separate now what’s real, what’s not real – stop using jealousy (not real) as a way to avoid having to clarify and tell me what you really want (real). Why don’t we try trusting each other enough to be fully transparent? What is there to lose?”]

#102. The Sexy Accident – Chamcakes Babypagne / Jesse kates / Sept. 8, 2018
[Chamcakes Babypagne is a selection of songs from The Sexy Accident’s sixth full-length album, Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians. All songs written by Jesse Kates / Halaster Music [ASCAP] except You’ve Got To Ride Your Bicycle Ha Ha Ha by Jonas Kates. Mastering by Mike Nolte at Eureka.The Sexy Accident is a pop band from Kansas City. They’ve released over 70 songs on six albums and four EPs. Their September 23, 2016 album, Chanpagne Babycakes included 12 songs produced by Seattle legend Steve Fisk, and a game deck of 45 cards designed by Gavin Snider. The current line up consist of: Jesse Kates on guitar & vocals, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keys.]

#103. Oh Dear Oh My – ASHDLA’ / Oh Dear Oh My / July 11, 2018
[KC synth/drum duo, is made up of Rani & Curt. This is their 2nd release. They’ve been playing locally for 3 years. This EP Ashdla’ is named for the Navajo word for Five. There are five tracks on their EP, as Curt is himself Navajo. Oh Dear Oh My tend toward dark & dancy but can’t seem to commit to a single rock genre.]

#104. Wade D. Brown – From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

#105. Foxing – Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

#106. Erin Eades – Diary / Erin Eades / October 19, 2018
[Debut EP from Erin Eades on acoustic guitar, cigar box guitar, vocals; Lucas Parker on electric guitar, bass (tracks 1, 2, 4, 5); Kenny Carter on bass (track 3); Colby Earlywine on drums; Jamie Malone on background vocals; Jay Vern on piano, B3 organ. Erin Eades is a singer-songwriter in Kansas City, MO. Originally from the mountain state of West Virginia, Eades began making music at the age of 12, when out of boredom her father handed her a 1950’s Gibson that had been stored away, waiting for someone to play. It wasn’t long before she began writing songs, recording her first album at age 17 as part of the duo Special Guest. After a more than decade-long hiatus from music, Eades began playing music again after moving to Kansas City and began her solo career in 2015. She has since played dozens of venues in the Kansas City area, won the 2016 HRC Kansas City Battle of the Bands Acoustic Stage, and has started to play more regionally, sharing her heartfelt lyrics, classic melodies, and percussive guitar style with audiences in the Midwest. Her music is genuine, and shares bits of her story, drawing from experiences that many find relatable. Influenced by the strong female singer-songwriters she listened to growing up, including Joni Mitchell, Carole King, and Jewel, she followed their lead and added her own tinges of twang, angst, and blues. Eades released her debut single, “Looking From the Bottom” in 2017.]

#107. Timbers – Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

#108. Bernice – Puff: In the Air Without a Shape / Arts & Crafts / May 25, 2018
[Toronto-based experimental soul-pop group includes; robin dann, thom gill, dan fortin, felicity williams, and phil melanson. “Puff: In the air without a shape,” is that band’s airy, minimalist follow up to their 2017 kaleidoscopic maximalist EP. Puff was produced by Grammy Award-winner Shawn Everett). Reminiscent of recent records by Feist and Frank Ocean where soulful vocal melodies take the lead over sparse, airy arrangements, Bernice’s new album attempts to reproduce the playful intimacy of the band’s live show.]

#109. Femi Kuti – One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

#110. Melody’s Echo Chamber – Bon Voyage / Fat Possum Records / June 16, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012.]

#111. Noah Davis – Magic – EP / Noah Davis / April 7, 2018
[For Noah, the love of music began at a young age while his father played old gospel and blues albums. Noah recalls his late father explaining the meanings of songs by bands such as Cream, CCR, Curtis Mayfield, The Beatles, Bob Dylan and Neil Young. A multiracial kid whose parents both loved rock and soul. Noah’s parents introduced him to the Ed Sullivan Show. Noah came to realize early in his life that music is NOT about color, but about the heart and soul. Jimi Hendrix’s concept of the musical church made a lasting impression on Noah who took it to heart and fully embraced these ideals, demonstrating that music should not just entertain but speak to and heal, hearts, minds, and souls. Noah Davis released his debut full length album “100%” on March 4, 2016. Noah Davis is releasing a new EP called “A Simple Gospel” on December 8, 2018. More information at http://www.noahdavidmusic.com]

#112. Helen Gillet – Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]

#113. Stacy Busch – 3-Song EP / Stacy Busch / July, 2018
[Stacy says these songs “were written for the Outskrts LBTQ Festival and performed live with live dancers. They are meant to be anthem-like in their themes of coming together as a community.” 28 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

#114. Eggs on Mars – Mama Pancake / Eggs On Mars / November 9, 2018
[KC based 3-piece, lo-fi, psych-surf-garage rock band with Brad Smith on guitars, vocals & keyboards; Justin Longmeyer on bass; and Mason Potter on drums & percussion. Mama Pancake was recorded May through September of 2018. Recorded, mixed, and mastered by Rodd Fenton. All songs by Eggs on Mars.]

#115. Digital Leather – Headache Heaven / Digital Leather / January 23, 2018
[14th album and 21 song digital release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink.]

#116. Tunde Olaniran – Stranger / Magic Wheel / October 5, 2018
[Second full length album from Flint Michigan based Tunde Olaniran. In 2014, Olaniran released his first EP titled Yung Archetype (see: Jungian archetypes). Olaniran released his first full-length album in 2015 titled Transgressor. NPR’s Stephen Thompson notes, Olaniran, “presides over a bighearted sound and style that revolve around spirited statements of affirmation, a sprawling artistic palette and the pursuit of boldness in every sense of the word… It all adds up to a finely calibrated mix of purpose and playfulness, executed to stylish perfection.”]

#117. Tash Sultana – Flow State / Lonely Lands Records – Mom + Pop / August 31, 2018
[Natasha “Tash” Sultana was born June 15, 1995. She is an Australian singer-songwriter and multi-instrumentalist. Described as a “one-woman band who brings new meaning to the concept of multi-tasking”. Half Australian and half Maltese, Sultana was born and grew up in Melbourne. She received a guitar from her grandfather when she was three, and has played ever since. She now can play over 10 instruments including guitar, bass, trumpet, flute, percussion and saxophone. Sultana’s teenage years were troubled. A self-described drug addict, she developed drug-induced psychosis when she was 17, and had to undergo several months of therapy to recover. Unable to find regular work, she turned to busking on the streets of Melbourne to get by.]

#118. Marc Ribot – Songs of Resistance 1942-2018 / -Anti Records / Sept. 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Tune into Wednesdays, 10 to Noon on 90.1 FM KKFI

WMM Playlist from Dec. 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 26, 2018

The 118 Best Recordings of 2018
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. (#29) Parquet Courts – “Almost Had to Start a Fight / In and Out of Patience
from: Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013. Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

3. (#28) Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

4. (#27) Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list.]

5. (#26) Amen Dunes – “Blue Rose”
from: Freedom / Sacred Bones Records / March 30, 2018
[The fifth studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in NYC and Sunset Sound in LA.]

6. (#25) Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

7. (#24) Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

8. (#23) Broken Arrows – “Not Coming Back”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Guest Howard Iceberg sings lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. Album notes from Barry Lee: Broken Arrows started recording Street Flowers during the last months of 2017 and into the first of the year 2018. The band had road tested about half the songs in concert during the year, so they had a good starting point. Broken Arrows have four songwriters in the band, and they all wrote material for the record. Sessions for the basic tracks were done at Dave Storms’ studio, The Storms Cellar and the vocals and guitar tracks were finished at Cricket Palace, Mike Penner’s studio. Mike Mixed & Mastered and produced the album. About a third of the way through the sessions band member Barry Lee’s wife Caroline took a turn for the worse and his involvement lessened as he stayed with her to take care of her in her final days. The band recorded a couple of tracks, “Not Coming Back” and “Put Me Down” without Barry but refused to do any more recording until he was able to return. The first song Barry did after Carolyn died was “Recognize My Heart.” Barry was still in shock and you can hear it in his voice on that song. The album has gotten airplay on 102.7, Little Steven’s Underground Garage on Sirius XM and extensively on 90.1 FM KKFI. It was also favorably reviewed in Tuning Fork and in a national publication, Blurt. Early next year Broken Arrows will have a single release on Big Stir Records in L.A.. The photos on the album cover were taken by Barry Lee in and around Lawrence, Kansas. For some reason, there are lots of street flowers there. Broken Arrows are: Barry Lee on vocals, acoustic & electric guitars; Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar & vocals, John Chevalier on bass, acoustic guitar & vocals; and Dave Storms on drums, percussion & vocals.]

10:29 – Underwriting

9. (#22) Cowboy Junkies – “The Things We Do To Each Other”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

10. (#21) Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

11. (#20) Meshell Ndegeocello – “Tender Love”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. This album follows “Comet, Come to Me”, her 11th studio album. “Tender Love” is a song by Force MDs from their second album Chillin’ (1985). Written and produced by Jimmy Jam and Terry Lewis, the tune appeared in the film Krush Groove (1985), and was featured on the film’s soundtrack. Although primarily known as a pre-new jack swing/old school hip hop band, the Force MDs introduced themselves to a whole new audience with this song. Not only did the song reach number 4 on the R&B charts (where the group had already amassed a steady string of minor hits), but it also became a crossover hit, cracking the top ten on the Billboard Hot 100 in the spring of 1986, becoming the group’s only single to date to break the Pop top 40. On the Adult Contemporary chart, the song peaked at number 2. The song was also a hit in the United Kingdom, reaching number 23 in the UK Singles Chart. The tune was a major contributing factor to Jam & Lewis’ winning a Grammy Award for Producer of the Year in 1986.]

12. (#19) U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 2018
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

13. (#18) Cat Power – “You Get”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material.]

14. (#17) Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes.]

11:00 – Station ID

15. (#16) The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

16. (#15) Howard Iceberg & The Titanics – “With Or Without You”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Haoward iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

17. (#14) Under the Big Oak Tree – “Dear Brother”
from: The Ark / DashGo / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

18. (#13) SSION – “Comeback”
from: O / Dero Arcade / May 11, 2018
[“Comeback” was the first single from SSION’s LP, O. SSION (pronounced “shun”) is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

19. (#12) Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

20. (#11) Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

21. (#10) Monta At Odds – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden. For this new EP the band collaborated with Taryn Blake Miller who records as Your Friend. Past supporting members of Monta At Odds include: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

22. (#9) CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxe

11:27 – Underwriting

23. (#8) Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

24. (#7) Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Nominated for a Grammy Award for Album of The Year, and Best Music Video for “Pynk.” Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

[Janelle Monáe played Starlight Theatre, Saturday, October 13 as part of Open Spaces KC, with The Marcus Lewis Big Band with Kemet The Phantom and Kadesh Flow.]

25. (#6) Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

26. (#5) Amy Farrand & The Like – “Scared to Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

27. (#4) Madisen Ward and the Mama Bear – “Walk in The Park”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

28. (#3) Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

29. (#2) Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play The Gospel Lounge at Knuckleheads, Thursday, Dec 27, at 8:00 PM]

30. (#1) Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special New Year’s Eve Show at The Truman, 601 E. Truman Rd, KCMO, Monday, December 31 with Making Movies performing the entire talking Heads album Remain In Light after midnight.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, January 2, 2019, Wednesday MidDay Medley celebrates Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. We’ll feature music from all six of Iris DeMent’s full length recordings, plus her additional work with artists such as her husband – Greg Brown, and also: John Prine, John Emmylou Harris, and others.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #766

Wednesday MidDay Medley presents The 118 Best Recordings of 2018 (Part 4 of 4)

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 26, 2018

The 118 Best Recordings of 2018
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

Tune into 90.1 FM, Wednesdays in December, as we present our 4-week series: The 118 Best Recordings of 2018 packing 8-hours of radio with music that represent: The 118 of Best Recordings of 2018!

This Wednesday, we’ll count down #29 to #1 with representative tracks from: Emmaline Twist, Bob & Una Walkenhorst, Slights, Calvin Arsenia, Shy Boys, Madisen Ward and the Mama Bear, Mikal Shapiro, Amy Farrand and The Like, Janelle Monae, Monta At Odds, Howard Iceberg & The Titanics, Ssion, Jametatone, Mysterious Clouds, CS Luxem, Marcus Lewis Big Band, Under The Big Oak Tree, Other Americans, Broken Arrows, The War and Treaty, Cowboy Junkies, Meshell Ndegeocello, Blood Orange, U.S. Girls, Cat Power, Superchunk, Amen Dunes, Dirty Projectors, and Parquet Courts.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #766

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

Wednesday MidDay Medley presents Shy Boys + Heidi Lynne Gluck + Keaton Conrad + Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

Mark plays New & MidCoastal Releases from: Shy Boys, Heidi Lynne Gluck, Keaton Conrad, Under the Big Oak Tree, Mikal Shapiro, The Philistines, The Hollow Ends, The War and Treaty, Kyle Nachtigal, and Soccer Mommy.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

At 10:30 we talk with Shy Boys on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone (J Ashley Miller), and Blastocyst. More info at: http://www.shyboys.website

Keaton Conrad

At 11:00, KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. Keaton Conrad has just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16. More information at http://www.keatonconradmusic.com

Heidi Lynne Gluck

At 11:30, Lawrence based musician Heidi Lynne Gluck shares her new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Heidi’s original song, “Party Line,” is on side A, with a side B cover of Camper Van Beethoven’s, ”Good Guys and Bad Guys.” Both tracks were produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas.The racks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Heidi Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO. Heidi plays Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas with Jess Williamson, and CS Luxem. More info at http://www.heidilynnegluck.com

Too Much Rick – Single Series

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #744

Wednesday MidDay Medley

Wednesday MidDay Medley presents Tim Finn + KC Fringe + Moms Demand Action

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

Mark plays New & MidCoastal Releases from: Miles Bonny, Payge Turner, The Fey, Brandon Draper, Emmaline Twist, Belle & The Vertigo Waves, Howard Iceberg & The Titanics, Shapiro Brothers, The Hermanos Brothers, Benjamin Clementine, Courtney Barnett, Vacationer, and The War and Treaty. We’ll also play: Patsy Cline, Michael Jackson, and The Beatles.

At 10:30 Mark talks with Cheryl Kimmi, Executive Producer of KC Creates about the 14 Annual KC Fringe Festival, July 19 through 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For more information you can visit: http://www.KCFringe.org

At 11:00, Local music critic Tim Finn, formerly with The Kansas City Star, joins us to share details about A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org/node/24299/register

Howard Iceberg

At 11:30, Mark talks with Kansas City musician Howard Iceberg, and Pranav Nanda, High School Social Studies Teacher at Teach For America and Education Outreach Lead for Moms Demand Action for Gun Senses in America. Howard and Pranav will share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org, http://www.howardicebergandthetitanics.bandcamp.com, http://www.shapirobrothersmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #743

Wednesday MidDay Medley

WMM Playlist from February 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 7, 2018

Music from the Folk Alliance International Conference
+ Instant Karma + Julia Othmer + Hedwig And The Angry Inch

10:00 – Artists playing Official Showcases at 2018 Folk Alliance International Conference, February 14, 15, 16, and 17 at the Westin Crown Center. More info at http://www.folk.org.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Steve Poltz – “Hey God I’ll Trade You Donald Trump for Leonard Cohen”
from: Hey God I’ll Trade You Donald Trump for Leonard Cohen – Single / 98 Pounder / Feb 7, 2017
[Steve Poltz (born February 19, 1960) is a Canadian singer-songwriter and guitarist. He is a founding member of the indie-rock band The Rugburns and is best known for his collaborations with singer Jewel, especially the 1996 single, “You Were Meant for Me” which reached number 2 in the US. Poltz was born in Halifax, Nova Scotia, Canada and later immigrated with his family to Pasadena, California, then to Palm Springs, California. He attended the University of San Diego, where he received a degree in political science, he met guitarist Robert Driscoll and The Rugburns were formed. Poltz and his bandmates developed a local and national cult following by playing coffeehouses and bars. While performing dates at the Innerchange Coffeehouse in San Diego, he formed a relationship with Jewel, frequently opening for her on tours, co-writing songs, and appearing in her music video for “You Were Meant For Me.”In 1998, Poltz released his first solo album, One Left Shoe, for Mercury Records. A disagreement in the artistic direction of his material led to him leaving the label and forming his own company, 98 Pounder Records. Five years later, he recorded Chinese Vacation, an album heavily influenced by the events of September 11 and the murder of one of his closest friends. During a radio interview and performance on the Dave, Shelly, and Chainsaw radio program, he performed a “male” version of “You Were Meant For Me”. During the bridge, he went on a 5-minute rant on David Cassidy and assorted stories in Las Vegas, including one that led to the album name “One Left Shoe”. Poltz also performed the song on the Bob and Tom Show and included the Cassidy story during the bridge.]

[Steve Poltz plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 9:00 pm, on Benton’s 20th Floor.]

3. Crys Matthews – “Battle Hymn for an Army of Lovers”
from: Battle Hymn for an Army of Lovers EP / Crys Matthews / August 4, 2017
[Crys Matthews is from Herndon, Virgina. In August, 2017 she simultaneously released both a new full-length album, The Imagineers and an EP, Battle Hymn For An Army Of Lovers. These collections showcase two sides of Matthews’ dynamic songwriting; The Imagineers is a selection of thoughtful songs about love and life while Battle Hymn For An Army Of Lovers tackles social justice themes. Songs from both projects have already garnered accolades such as being selected as a finalist for the NewSong Music Competition, and winning the People’s Music Network’s Social Justice Songs contest at the Northeast Regional Folk Alliance. Matthews sings about hope, love, perseverance and justice with an ease and candor that one might expect from a southeastern North Carolina native whose mother happens to be a preacher. Equally at home in an acoustic listening room as she is on stage at large music festivals, Matthews has quickly gathered a loyal following playing such prestigious venues and festivals as The Birchmere, The Hamilton, BMI’s Island Hopper Songwriter Festival, the 40th Michigan Womyn’s Music Festival, Folk Alliance International, 30A Songwriters Festival, Northeast Regional Folk Alliance and many more.]

[Crys Matthews plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 7:45 pm, in Brookside Room.]

4. Madisen Ward & the Mama Bear – “Whole Lotta Problems”
from: Skeleton Crew / Glassnote Entertainment Group / May 19, 2015
[Debut full length from Madisen Ward and Ruth Ward, who both play guitar, and sing harmonizing as son and mom. They have skyrocketed out of Kansas City, garnering international acclaim, and new fans from all over the world. We first played their music on this radio show in early May of 2013 after our mutual friend Joel Nanos of Element Recording sent us a copy of their independent EP, “We Burned The Cane Field.” Madisen Ward and The Mama Bear opened for BB King at The Midland, on October 2014. 96.5’s The Buzz’s Lazlo Gieger saw them and was blown away. He contacted his friend, Daniel Glass, founder of Glassnote Records who traveled to Kansas City to meet with Madisen and Ruth. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing shows together, playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was our most played record of 2015 and was #1 on our 115 Best Recordings of 2015. Madisen Ward and the Mama Bear are currently working on their 2nd album.]

[Madisen Ward and The Mama Bear plays an Official Showcase at Folk Alliance International Conference, Friday, Feb 16, at 8:15 pm, in Shawnee Mission Room.]

5. The War and Treaty – “Down The River”
from: Down The River / Strong World Entertainment / July 21, 2017
[Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, bass lines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ]

[The War and Treaty plays an Official Showcase at Folk Alliance International Conference, Friday, Feb 16, at 9:00 pm, in Washington Park Plaza.]

6. Mary Gauthier – “The War After the War”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays a Rebels and Renagades Showcase at Knuckleheads, 2715 Rochester, KCMO, Thursday, Feb 15, at 4:00 PM to 11:00 PM, dedicated to the memory of Louis Jay Meyers]

[Mary Gauthier plays an Official Showcase at Folk Alliance International Conference, Thursday, Feb 15, at 9:45 pm, in Shawnee Mission Room.]

7. Darling West – “After My Time”
from: While I Was Asleep / Jansen Records / February 16, 2018
[Three piece Americana/Country/Folk band from Oslo, Norway. Since the release of their second album, “Vinyl and a Heartache”, they have played concerts all over the world, been listed on the biggest radio channels in Norway and appeared on the Top 100 Country charts in the US, streamed more than three million times on Spotify, booked to the biggest festivals in Norway and Americanafest in Nashville and won a Norwegian Grammy. The band has unveiled two singles from the album they plan to release in early 2018.]

[Darling West plays an Official Showcase at Folk Alliance International Conference, Sat, Feb 17, at 9:15 pm, in Liberty Room.]

10:30 – Underwriting

10:32 – Instant Karma

8. Instant Karma – “Make Me A Man”
from: Trying To Find My Mind / Independent / July 22, 2017
[Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering.]

[Instant Karma plays The Brick, at 1727 McGee, on Friday, Feb 9, at 9 PM, w/ Wild Eye, and Akkilles.]

[Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes.]

10:35 – Interview with Colby Bales & Branden Moser

Julia Othmer, Branden Moser, and Colby Bales on the February 7, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Colby Bales & Branden Moser are members of the Kansas City 4-piece band, Instant Karma. Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles. Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes. More info at: http://www.instantkarmakc.com

Colby Bales & Branden Moser, thanks for being with us on Wednesday MidDay Medley

Instant Karma with Colby Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass and keyboards, & Zach Harris on drums. Now with back up singers

Colby Bales and Cody Calhoun met in High School. They have been playing music together for 5 years. They became friends after forming the band,

Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

Instant Karma is recording new music that will be released as a 7 inch 45 rpm Single to be released through Sunflower Soul Records in collaboration with Chris Hazelton. The band shared one the sides from the new single live in our 90.1 FM Studios.

10:43

9. Instant Karma – “Shine On” (LIVE)
from: New song to be released as a 7” Single through Sunflower Soul Records
[Colby Bales on vocals & guitar, Branden Moser on harmony vocals.]

Instant Karma! is a 4 piece psych/soul rock band from Kansas City, MO. Their influences range from The Black Keys to Syl Johnson to the Wu Tang Clan.

Steven Ervay wrote for PlayistPlay: “This dynamic group mixes everything you love about soul, funk, and rock to create their unique peppy sound. The songs carry a palpable groove to them, accentuated by frontman Colby Bales’ smooth voice and the charming call and responses of the female backup singers.”

Instant Karma! has recently collaborated with other Kansas City musical artists: Erica Joy, Duncan Burnett on “Wiseman,” and Andrew Foshee.

Colby Bales & Branden Moser are also the co-founders of Groove King Records.

Instant Karma! will be playing The MidCoast Takeover, and will open for Durand Jones & The Indications, at recordBar, 1520 Grand, Sunday, April 8, at 7:00 PM.

10:54

10. Instant Karma – “Trying to Find My Mind”
from: Trying To Find My Mind / Independent / July 22, 2017
[Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering.]

[Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles.]

[Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes.]

11:00 – Station ID

11. Julia Othmer – “Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / 6/30/17
[One several new singles released from Julia Othmer, as part of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester St, Fri, Feb 9, at 7:30 pm.]

[Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.]

11:04 – Interview with Julia Othmer

Julia Othmer

Julia Othmer is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Friday, February 9, at 7:30 pm. Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born in Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City.

Julia has lived in New York, Boston, Philadelphia, and Colorado

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

11:25

12. Julia Othmer – “Purple and Gray”
from: Purple and Gray – Single / Julia Othmer & James Lundie / Sept. 29, 2017
[One several new singles released from Julia Othmer, as part of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester St, Fri, Feb 9, at 7:30 pm.]

[Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.]

11:29 – Underwriting

11:31 – Hedwig & The Angry Inch

Justin Carter-Van Pelt and Katie Gilchrist of Hedwig and the Angry Inch, running thru Feb. 17 at the Arts Asylum, 1000 E 9th, KCMO.

13. Hedwig & The Angry Inch – “Tear Me Down”
from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001
[Hedwig and the Angry Inch is a 2001 American musical comedy-drama film written, adapted, and directed by John Cameron Mitchell, who also portrayed the title role, reprising his performance from the original production. Based on Mitchell’s and Stephen Trask’s stage musical of the same name, the film follows a fictional rock band fronted by an East German transgender singer who survives a botched sex change operation. Hedwig subsequently develops a relationship with a younger man, Tommy, becoming his mentor and musical collaborator, only to have Tommy steal her music and move on without her. The film follows Hedwig and her backing band, the Angry Inch, as they shadow Tommy’s tour, while exploring Hedwig’s past and complex gender identity. The musical has developed a devoted cult following. Despite largely positive reviews from critics and audiences, the film was a box office bomb, grossing only $3.6 million from an estimated $6 million budget. In 2001, the film won the Best Director and Audience Awards at the Sundance Film Festival as well as Best Directorial Debut from the National Board of Review, the Gotham Awards, and the Los Angeles Film Critics Association. Mitchell received a Golden Globe nomination for Best Actor and the Premiere magazine Performance of the Year Award. Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a genderqueer East German singer, Hedwig Robinson. The story draws on Mitchell’s life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. The musical opened Off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a London West End production, and it has been produced throughout the world in hundreds of stage productions. In 2014, the show saw its first Broadway incarnation, opening that April at the Belasco Theatre and winning the year’s Tony Award for Best Revival of a Musical. The production closed on September 13, 2015. A national tour of the show began at San Francisco’s Golden Gate Theatre in October 2016 before closing at the Kennedy Center in July 2017. The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell’s family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story’s protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC’s drag-punk club Squeezebox, where Trask headed the house band and Mitchell’s boyfriend, Jack Steeb, played bass. They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox’s roster of drag performers who performed rock covers. The setlists of Hedwig’s first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig’s story: Fleetwood Mac’s “Oh Well”; Television’s “See No Evil”; Wreckless Eric’s “Whole Wide World”; Yoko Ono’s “Death of Samantha”; Pere Ubu’s “Non-Alignment Pact”; Cher’s “Half Breed”; David Bowie’s “Boys Keep Swinging”; Mott the Hoople’s “All the Young Dudes”; and the Velvet Underground’s “Femme Fatale.” A German glam rendition of Debby Boone’s “You Light Up My Life” once served as the musical’s finale. Mitchell’s second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig’s trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998. Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. “She’s more than a woman or a man,” he has said. “She’s a gender of one and that is accidentally so beautiful.”]

11:35 – Interview with Justin Carter-Van Pelt and Katie Gilchrist

Katie Gilchrist, Justin Carter-Van Pelt, and Julia Othmer on the February 7, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Hedwig and the Angry Inch, is currently running through February 17 at the Arts Asylum, 1000 E 9th, KCMO. Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds. Katie Gilchrist as Yitzhak brings her rock star vocals to this production, written by John Cameron Mitchell and Stephen Trask and the winner of four Tony Awards, including Best Musical Revival. This KC production is presented by the Egads! Theatre in association with Arts Asylum and was directed by Vanessa Severo.

Justin Carter-Van Pelt and Katie Gilchrist Thanks for being with us on WMM

Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds.

Justin Carter-Van Pelt grew up in Lee’s Summitt, Missouri. He received his BFA in Musical Theatre at Southwest Missouri State University Lives in New York, New York Married Alex Carter-Van Pelsince October 12, 2017

Justin has done many shows in Kansas City including The Unicorn Theatre, Late Night Theatre, Eubank Productions, and bar Natasha you were one of the the founders of

Katie Gilchrist went to Archbishop O’hara High School, she studied English/Theatre/Music at Saint Mary College, and studied at UMKC. She lives and works non-stop as a professional actress in Kansas City, and her resume is incredible: KC Rep, Unicorn Theatre The Living Room Theatre, Amy Farrand & The Like. She is Artistic Director at Kansas City Irish Theatre, Artist, Manager and Co-Owner at Bohemian Cult Revival, part of the Girls Troupe at Late Night Theatre, Manager and performer at The Pearl KC, Performer at KC Strips

The music of “Hedwig” is “steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop.”

Songs from the show:

“Tear Me Down” – Hedwig with Yitzhak
“The Origin of Love” – Hedwig
“Sugar Daddy” – Hedwig with Yitzhak
“Angry Inch” – Hedwig
“Wig in a Box” – Hedwig
“Wicked Little Town” – Hedwig
“The Long Grift” – Yitzhak/Skszp
“Hedwig’s Lament” – Hedwig
“Exquisite Corpse” – Hedwig with Yitzhak
“Wicked Little Town (Reprise)” – Hedwig as Tommy
“Midnight Radio” – Hedwig

1998 Off Broadway Debut
2001 Independent Film
2014 Broadway Revival

The universality of Hedwig And The Angry Inch is demonstrated in the fact that there have been professional productions of “Hedwig” all over the world: Austria, Brazil, Canada, Czech Republic, Berlin, Milan, Thailand, Turkey, The Netherlands, Mexico, Puerto Rico, Frankfurt, Edinburgh,

EGADS! THEATRE COMPANY with THE ARTS ASYLUM PRESENT
HEDWIG AND THE ANGRY INCH // January 31 – February 17, 2018

Text by John Cameron Mitchell // Music & Lyrics by Stephen Trask

Starring Justin Carter-Van Pelt and Katie Gilchrist.

Director Vanessa Severo, known best to Kansas City audiences as an actress, is no stranger to the piece having played the role of Yitzhak. This time she takes the reins; “Hedwig and the Angry Inch is a fully immersive production which brings the elements of rock ‘n’ roll, philosophy, and face melting harmonies together.”

The Angry Inch band: Richie St. John, Sean Hogge, Mark Johnson and Felix Dukes.

“The concept of the stage production is that the audience is watching genderqueer rock singer Hedwig Robinson’s musical act as she follows rockstar Tommy Gnosis’s (much more successful) tour around the country. Occasionally Hedwig opens a door onstage to listen to Gnosis’s concert, which is playing in an adjoining venue. Gnosis is recovering from an incident that nearly ruined his career, having crashed his car into a school bus while high and receiving oral sex from none other than Hedwig herself. Capitalizing on her notoriety from the incident, Hedwig determines to tell the audience her story (“Tear Me Down”).”

“She is aided and hindered by her assistant, back-up singer and husband, Yitzhak. A Jewish drag queen from Zagreb, Yitzhak has an unhealthy, codependent relationship with Hedwig. She verbally abuses him throughout the evening, and it becomes clear that she is threatened by his natural talent, which eclipses her own. She describes how she agreed to marry him only after extracting a promise from him to never perform as a woman again, and he bitterly resents her treatment of him. (To further the musical’s theme of blurred gender lines, Yitzhak is played by a female actress.)”

Winner of four Tony Awards, including Best Musical Revival, Hedwig and the Angry Inch is thrillingly progressive and thoroughly entertaining.

Egads! Theatre Company (the evolution of Eubank Productions) fosters emerging theatre professionals, produces theatre entertainment that is relevant and/or outlandish, and provides Kansas City audiences with quality productions as a stimulating outlet.

Hedwig and the Angry Inch, is currently running through February 17 at the Arts Asylum, 1000 E 9th, KCMO, presented by the Egads! Theatre in association with Arts Asylum

More info at: http://www.egadstheatre.com or hedwigkc.com

11:56

14. Hedwig and the Angry Inch – Original Brdwy Cast – “Exquisite Corpse”
from: Hedwig and the Angry Inch (Orig. Brdwy Cast Rec) / Hedwig Brdwy Co. / June 11, 2014
[Neil Patrick Harris starred in the first Broadway production at the Belasco Theatre, which began previews on March 29, 2014, and officially opened on April 22, 2014. Harris stayed in the production through August 17, 2014. The director was Michael Mayer with musical staging by Spencer Liff. Lena Hall played Yitzhak, Hedwig’s husband, until April 2015. This production won several Tony awards, including Best Revival of a Musical, Best Lead Actor in a Musical (Harris) and Best Featured Actress in a musical (Hall). It was also nominated for Best Costume Design for a Musical (Arianne Phillips), who also did the costumes for the original 2001 film. After Harris departed the production, Andrew Rannells took over the role of Hedwig on August 20, 2014, followed by Michael C. Hall, who played Hedwig from October 16, 2014, through January 18, 2015. The production then featured co-creator John Cameron Mitchell, who returned to the role from January 21 to April 26, 2015. Darren Criss took over the role of Hedwig on April 29 and played until July 19, 2015. Taye Diggs assumed the role on July 22, 2015, and performed through the production’s end on September 13, 2015. After Lena Hall left the production on April 4, 2015, Rebecca Naomi Jones took over as Yitzhak on April 14, 2015, following a week-long stint with Shannon Conley in the role.The Broadway production closed on September 13, 2015, after 22 previews and 507 regular performances. This version of the musical updates the story to modern day and has Hedwig performing on the abandoned set of Hurt Locker: The Musical, which closed the prior evening midway through its first performance. Hedwig explains that because it closed so quickly, she was able to convince one of the producers to allow her to use what would have been an otherwise empty and unused stage. Faux Playbills for the musical are littered throughout the theater and discuss various elements of the musical, which Hedwig occasionally mentions offhand throughout the musical. Director Michael Mayer stated that they came up with the idea for Hurt Locker: The Musical as a way to explain Hedwig’s presence in a Broadway theater. It was also used as a way to update the script to modern day as well as explain how Hedwig would be able to use such stage settings. Various newspapers have commented favorably on the faux Playbills, both an element of the musical and as a piece separate from the musical itself.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 14 we spin more music from artists playing Folk Alliance International Conference. Plus Victor & Penny join us LIVE in the 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #720

Wednesday MidDay Medley features Music from Folk Alliance International + Instant Karma + Julia Othmer + Hedwig And The Angry Inch

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 7, 2018

Music from the Folk Alliance International Conference
+ Instant Karma + Julia Othmer + Hedwig And The Angry Inc
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Mark plays songs from musical artists playing Official Showcases at the upcoming 2018 Folk Alliance International Conference, February 14, 15, 16, and 17 at the Westin Crown Center. We’ll hear tracks from: Crys Matthews, Madisen Ward and the Mama Bear, The War and Treaty, Mary Gauthier, Steve Poltz, and Darling West. More info at http://www.folk.org

Instant Karma

At 10:30 members of the band Instant Karma join us to share new music. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.” Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles. Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes. More info at: http://www.instantkarmakc.com

Julia Othmer

At 11:00 Mark talks with Julia Othmer who is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Friday, February 9, at 7:30 pm. Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center. More info at http://www.juliaothmer.com.

Justin Carter-Van Pelt and Katie Gilchrist of Hedwig and the Angry Inch, running thru Feb. 17 at the Arts Asylum, 1000 E 9th, KCMO.

At 11:30 Justin Carter-Van Pelt and Katie Gilchrist share details of Hedwig and the Angry Inch, running through February 17 at the Arts Asylum, 1000 E 9th, KCMO. Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds. Katie Gilchrist as Yitzhak brings her rock star vocals to this production, written by John Cameron Mitchell and Stephen Trask and the winner of four Tony Awards, including Best Musical Revival. This KC production is presented by the Egads! Theatre in association with Arts Asylum and was directed by Vanessa Severo. More info at: http://www.egadstheatre.com or hedwigkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #720