WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

Advertisements

Wednesday MidDay Medley presents Julia Other + Jocelyn Olivia Nixon + Brenton Cook & Steve Tulipana of Outer Reaches Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

Mark plays music from the 8th annual Outer Reaches Fest, with tracks from: Lumerians, Unicorns in the Snow, Be/Non, Thunder Jackson, BCR, FaceFace, and Monta At Odds. We’ll also play new music from Pretend Friend who play the 5th annual PorchFest KC. And we’ll spin music from Julia Othmer, The Creepy Jingles, and Angel Olsen.

Julia Othmer

At 10:15 Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie, a UK musician and producer who married Julia after the completion of “Sound.” Music writer Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.” Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown. Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

The Creepy Jingles

At 10:33 Mark talks with Jocelyn Olivia Nixin, lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records. The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes. The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat. The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky. More info at: http://www.highdiverecords.bandcamp.com

At 11:00 Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) and has a ticket price of $15. Advanced ticket options are available at http://www.therecordbar.com. More Info: http://www.outerreachesfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from July 31, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 31, 2019

Shaun Crowley & Peter Beatty Manor Fest 3 +
William & Doris Martin on George Washington Carver
and Dr. Carmaletta M. Williams of The Black Archives of Mid-America
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Tituss Burgess – “45 (feat. Daniel J. Watts)”
from: Saint Tituss – EP / Tituss Ink / July 26, 2019
[Tituss Burgess was born February 21, 1979. He is an American actor and singer. He has appeared in numerous Broadway musicals. He is best known for starring as Titus Andromedon on the Netflix comedy series Unbreakable Kimmy Schmidt (2015–2019), for which he has received four consecutive Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series nominations. Born and raised in Athens, Georgia, he attended Cedar Shoals High School where he was active in the theatre program. He graduated from the University of Georgia with a BA in music. He is openly gay. Burgess made his Broadway debut in the musical Good Vibrations as Eddie in 2005, and then appeared in Jersey Boys in 2005 as Hal Miller. He originated the role of “Sebastian the Crab” in the musical The Little Mermaid in 2007 and went on to the role of Nicely-Nicely Johnson, traditionally played by a white actor, in the revival of Guys and Dolls in 2009. He has also performed in several regional theater productions, including The Wiz and Jesus Christ Superstar. Burgess performed at the “Broadway for Obama” benefit concert held at the State Theatre Center for the Arts in Easton, Pennsylvania on October 20, 2008. He appeared in Season 5 of 30 Rock as D’Fwan, a member of Tracy Jordan’s wife’s entourage. He reprised the role in Season 6. “45” is the first track off Burgess’ first album in seven years, Saint Tituss. Described by the artist as his “deepest and most soul-searching” work to date. He told them.us “… given the political climate, I think it’s time to speak out. I fear for our country. I fear for how our country treats its citizens and I fear for how our citizens treat each other. It’s a larger problem than just legislation. I didn’t know how to respond, so I just started with art.”]

2. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber talented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More Info at: http://www.nanturner.bandcamp.com]

[Nan Turner & The One Nite Stands play Revolution Records 1830 Locust, KCMO, 4th Anniversary and 1st Friday Benefit for Wayside Waifs w/ JC & The Nuns, Approach, and Major Matt Mason USA]

3. John Moreland – “Lies I Chose To Believe”
from: Big Bad Luv / 4AD / May 5, 2017
[Tulsa, Oklahoma based singer-songwriter John Moreland was born June 22, 1985 in Longview, Texas. The son of Robert Lloyd Moreland and Connie May, Moreland’s father worked for Sunoco as an electrical engineer, and because of this job the family moved a lot. When he was a baby they moved to Northern Kentucky, across the river from Cincinnati, Ohio. Moreland credits his love for Cincinnati Reds to this time in Kentucky. When Moreland was 10 years old Moreland’s family moved from Boone County, Kentucky to Tulsa, Oklahoma and with the help of his father, started playing the guitar. When he was 12 he played with a kid he went to church with who wrote songs and inspired him to start writing songs “that made sense.” John grew up in a conservative Southern Baptist family. “From the time I was born up until about age 16, my entire worldview and all my opinions were pretty much solely influenced by the evangelical church. All the years since then have sort of been this slow process of figuring out where I stand now that I’m not an impressionable kid anymore. I feel like I’m done with that at this point, but it keeps showing up in songs. I guess that stuff stays in your psyche forever.” His “High on Tulsa Heat” was in our 115 Best Recordings of 2015.]

[John Moreland plays Knuckleheads Saloon 2715 Rochester St, KCMO, Friday, August 2, at 8:30 PM with special guest Caroline Spence.]

10:15

4. No Such Beast – “Drifter”
from: Drifter – Single / No Such Beast / June 17, 2019
[No Such Beast is a KC based Indie Folk 5-piece band with strings of bass, violin, banjo, guitar, & cello from: Abby Atwood, Adriana Williamson, Colton Pittman, and Olivia Atwood, and lead vocals from Issac Walker.]

[A few weeks ago I participated in an LGBTQ Storytelling Night at InterUrban ArtHouse in OP. Along with the stories was music from The Black Creatures, Hadiza., and Isaac Walker of No Such Beast.]

5. Miki P & The Swallowtails – “I Get Lost”
from: Swallowtail – EP / Miki P / August 2, 2019
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P & The Swallowtails play and EP Release Show on Friday, August 2, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Teri Quinn, and Ivy Roots]

10:22 – Underwriting

6. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” He expects to move more toward releasing singles rather than entire albums.]

[Stephonne Singleton plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Saturday, August 3, at 8:00 PM with Dan Jones and the Squids at 10:00 PM, and Taylor Smith Trio at Midnight.]

7. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. The band’s 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[Jason Isbell and The 400 Unit & Brandi Carlile with special guest The War and Treaty play the Providence Amphitheater, 633 N 130th St, Bonner Springs, KS. this Friday, August 2.]

William & Dori Martin and Dr. Carmaletta Williams on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

10:33 – Interview with William & Doris Martin and Carmaletta M. Williams, Ph. D.

William & Doris Martin from Joplin, Missouri who have have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885. William and Doris will have their exhibit at the The Black Archives of Mid-America, opening August 1.

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America

Also joining us is Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America, 1722 E. 17th Terrace, Kansas City, MO. She is an author and publisher and received her PhD in English at The University of Kansas. She also studied at UMKC and went to Southeast High School, in Kansas City, MO. Manages Williams Publishing Group,LLC

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

The Black Archives recently celebrated 45 years!

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

The mission of the Black Archives of Mid-America in Kansas City, Inc. is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region. Black Archives of Mid-America is an educational resource and provides access to its collections for research, exhibition and publication to honor our community heritage and to catalyze public awareness.

History & Founder of the Black Archives

The Black Archives of Mid America, Inc. was founded May 8th, 1974 by Horace M. Peterson III and initially located at 1821 Paseo in the old Paseo Y.M.C.A. building. In 1976, the Black Archives moved to 2033 Vine, old Firehouse No.11. The firehouse, located in Kansas City’s Historic 18th and Vine District, itself is representative of African American history in this region as it was home to the first Black fire company in Kansas City. It was built in 1931 as part of the Work’s Progress Administration period under President Franklin D. Roosevelt.

The Black Archives is a non-profit organization that serves the community by offering itself as an educational resource as well as a repository of every facet in African American culture; music, art , theater, education, military, medicine, sports, religion and community affairs. The Black Archives was expressly created to collect and preserve the history of African Americans in the Midwest. Beyond our original emphasis of research and critical examination, the Archives’ traveling exhibits personify the roles of African Americans and their plight to dispel negative images. Our interpretive and educational programs, research services and special projects have received overwhelming community support.

It was Peterson’s dream to see an invigorated 18th & Vine District that showcased the contributions of African Americans. His efforts became reality with the anticipated move of the Black Archives to a larger facility located in the heart of this Historic District. Other projects envisioned by Peterson include the KC Jazz Museum, the Negro Leagues Baseball Museum and the Gem Theater; all landmarks in the 18th & Vine District.

Events at Black Archives: Law 101 – Legal classes sponsored by Jackson County Bar Association and taught by judges & licensed attorneys. Classes are open to the public with light refreshments.

Wednesday, August 14 – 6:00pm – Jury Selection Process
Wednesday, September 11 – 6:00pm – Education Law
Wednesday, October 9, 2019 – 6:00pm – Family Law
_________________________________________________________________________

William & Doris Martin live in Joplin, MO. They wrote a book called Dreams and Adventures The Edwin Hubble Story.

William & Doris Martin show ing some of the sections of their George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

They have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

(Mark Manning Full Disclosure: “For 20 years I have served as the coordinator of the KCK Organic Teaching Gardens, a program completely grant funded that serves 1500 students in 4 elementary schools and 3 middle schools in the KCK school district. Included in the exhibit are many many photographs from our KCK Organic Teaching Gardens Doris and William have asked permission to include. With the Teaching Gardens program we conduct over 400 workshops each school year in 24 different classrooms. We are attempting to continue the teaching and legacy of George Washington Carver in our curriculum and workshops.”)

William and Doris discovered our program and our connections to Carver. I was thrilled to see how much of our program is featured in their wonderful and educational exhibit, which will be on display at the George Washington Carver National Monument. This exhibit will also be on display at the Black Archives of Mid America, in August of 2019.

George Washington Carver (1860s – January 5, 1943), was an agricultural scientist & inventor. He promoted alternative crops to cotton and methods to prevent soil depletion.

While a professor at Tuskegee Institute, Carver developed techniques to improve soils depleted by repeated plantings of cotton. He wanted poor farmers to grow alternative crops, such as peanuts and sweet potatoes, as a source of their own food and to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts. Although he spent years developing and promoting numerous products made from peanuts, none became commercially successful.

Apart from his work to improve the lives of farmers, Carver was also a leader in promoting environmentalism. He received numerous honors for his work, including the Spingarn Medal of the NAACP. In an era of very high racial polarization, his fame reached beyond the black community. He was widely praised in the white community for his achievements & talents. In 1941, Time magazine dubbed Carver a “[b]lack Leonardo”.

In 1896, Booker T. Washington, the first principal and president of the Tuskegee Institute (now Tuskegee University), invited Carver to head its Agriculture Department. Carver taught there for 47 years, developing the department into a strong research center and working with two additional college presidents during his tenure. He taught methods of crop rotation, introduced several alternative cash crops for farmers that would also improve the soil of areas heavily cultivated in cotton, initiated research into crop products, and taught generations of black students farming techniques for self-sufficiency.

Carver designed a mobile classroom to take education out to farmers. He called it a “Jesup wagon” after the New York financier and philanthropist Morris Ketchum Jesup, who provided funding to support the program.

To recruit Carver to Tuskegee, Washington gave him an above average salary and two rooms for his personal use, although both concessions were resented by some other faculty. Because he had earned a master’s in a scientific field from a “white” institution, some faculty perceived him as arrogant. Unmarried faculty members normally had to share rooms, with two to a room, in the spartan early days of the institute.

From 1915 to 1923, Carver concentrated on researching and experimenting with new uses for peanuts, sweet potatoes, soybeans, pecans, and other crops, as well as having his assistants research and compile existing uses. This work, and especially his speaking to a national conference of the Peanut Growers Association in 1920 and in testimony before Congress in 1921 to support passage of a tariff on imported peanuts, brought him wide publicity and increasing renown. In these years, he became one of the most well-known African Americans of his time.

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in KV around 1885. opens tomorrow, August 1.

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

10:54

3. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

[Ivory Blue plays Behind The Gate With Ivory Blue plays the “Behind the Gate” patio concert series to benefit “WestiNd Connection” Saturday at 6:30 PM, at 11100 E Winner Rd. Independence, MO.]

11:00 – Station ID

Shaun Crowley and Peter Beatty on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands.

Peter Beatty is Shaun’s bandmate in Momma’s Boy. They have been playing together since they were in Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick. All were friends while they were in high school at Saint James Academy. Peter studied at University of Kansas and along with Momma’s Boy Peter has also recently recently release his solo project R.I.Peter.

Shaun Crowley and Peter Beatty join us today to share music from Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Shaun Crowley and Peter Beatty thanks for being with us on Wednesday MidDay Medley

Bands playing Manor Fest 3 include: Paul Cherry, Mouton, Shy Boys, Dreamgirl, Momma’s Boy, Drugs & Attics, The Phlegms, Shady Bug, The Golden Fleece, The Sluts, Pale Tongue, The Cavves, The Wild Type, LK Ultra, Buckle Up Baby, Toughies, Chloe Jacobson, Scruffy & The Janitors, Chase The Horseman, Bambis, Mild Cats, FaceFace, R.I.Peter, Big Water, Mason Blaize, Forest Porridge, Khrystal., No Magic, Charlotte Bumgarner, BigFatCat, and Dylan Pyles

Day 1 – Westport – Thursday, August 1

Stage 1 – Mills Record Co (All Ages / will call station)
Sponsor : Struggle Pretty Productions
5:00 – 5:30 : Mason Blaize
5:45 – 6:15 : bigfatcat
6:30 – 7:00 : LK Ultra (LFK)

Stage 2 – Riot Room Patio (21 & up)
Sponsor : Melted Magazine (DC)
7:00 – 7:25 : Khrystal.
7:35 – 7:50 : The Cavves (Wichita)
8:00 – 8:25 : Shady Bug (STL)
8:35 – 9:00 : The Wild Type

Stage 3 – miniBar (21 & Up)
Sponsor : Oddities Prints
9:00 – 9:30 : Prude Boys (Detroit)
9:40 – 10:10 : Mouton (Fayetteville)
10:20 – 10:50 : Fullbloods
11:00 – 11:45 : Paul Cherry (Chicago)
*10:00 – 3:00 : DJ Strange Magic – downstairs*

11:07

10. Mouton – “Other Minds”
from: 7″ Split with Prahnas / Mouton / November 12, 2017
[Written by Pete Mouton, with Calvin Todd on lead guitar, Seth Goodwin on piano and Calvin Todd & Loren Leamy on background vocals. Recorded and Mixed by Pete Mouton. Mastered by Jason Kearbey. Remastered by Kalim Choudhury.]

[Mouton plays Manor Fest 3 August 1, at miniBar, 3810 Broadway with Prude Boys, Fullbloods, and Paul Cherry]

11. LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. Their EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra plays Manor Fest 3 August 1, at Mills Record Co 4045 Broadway, with Mason Blaize, and bigfatcat]

12. Paul Cherry – “This High”
from: Flavour / Feeltrip Records / March 31, 2018
[Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age in 2014. Despite being in the thick of the DIY scene with bands such as Twin Peaks and The Lemons, Paul has abandoned the all too familiar lo-fi rock sound of his first EP, “On Top”. The Cherry has completely reinvented himself and spent the last 2 years returning to his jazz roots on this upcoming LP, “Flavour”. Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Paul touches on millennial culture with references to texting and social media, giving a modern light-hearted twist to age old old themes of love lost, missed connections and polar political climates.]

[Paul Cherry plays Manor Fest 3 Thursday, Aug 1, at miniBar, 3810 Broadway w/ Prude Boys, Fullbloods, and Mouton]

11:18 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 2 – West Bottoms – Friday, August 2

Stage 1 – Blip Roasters (all ages stage / will call station)
Sponsor : Fine Dining Productions
5:00 – 5:30 : Faceface
5:45 – 6:15 : Buckle Up Baby (Springfield)
6:30 – 7:00 : Mild Cats

Stage 2 – Hickory Union Moto (21 & up)
Sponsor : I Heart Local Music
7:00 – 7:35 : Scruffy & the Janitors (St. Joe)
7:45 – 8:20 : The Golden Fleece (Peoria, IL)
8:30 – 9:05 : Drugs & Attics
9:15 – 9:50 : The Sluts (LFK)

Stage 3 – Colonial Club (21 & Up)
Sponsor : Tape Dad (Ark)
10:00 – 10:20 : Bambi’s (Fayetteville)
10:30 – 10:50 : Pale Tongue (LFK)
11:00 – 11:20 : The Phlegms (Fayetteville)
11:30 – 12:00 : Bigwater

11:25

13. Pale Tongue – “Fever Dreams”
from: Pale Tongue / Manor Records – Indigo Sun Records / October 5, 2018
[Pale Tongue began as the pet project of Carlos Calderon and Nick Fredrickson of The Appleseed Cast. Joined later by bassist James Thomblinson of Arc Flash, and Psychic Heat, and Evan Herd of Psychic Heat.”Pale Tongue” is eponymous band’s self-titled debut EP. Written and recorded at different times and places, this 6-track album is the culmination of Pale Tongue’s early processes, including a few newer additions in a sonic attempt to emulate their live experience for audiences. All songs written and performed by Pale Tongue. For this recording: Carlos Calderon on guitar, keyboards, & vocals; Nick Fredrickson on drums; and Tanner Spreer of Psychic Heat on bass. Engineered by Andy Fredrickson & Mitch Hewlett. Mixed & Mastered by Joel Coon.]

[Pale Tongue play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, The Phlegms, and Bigwater.]

14. The Phlegms – “rigid”
from: smile / The Phlegms / June 1, 2018
[Fayetteville, Arkansas based band The Phlegms is one of the most exciting bands to emerge from the local punk scene in the last few years. The band (Avery Lee, Grant Williams, Ethan Nash, and Peter McKitrick) is everything you want a punk band to be: sonically dynamic, lyrically powerful, and impossible to ignore. They’ve been the band to see at Backspace for a while now, and have shared the stage with heavyweights Protomartyr, and Shame. The band recently released a 6-song EP called Smile – available on Bandcamp, Spotify, and on cassette via Tape Dad. They were also awarded free recording time at East Hall Recording as part of the studio’s 15th Anniversary celebration.]

[The Phlegms play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, Pale Tongue, and Bigwater.]

15. Buckle Up Baby – “Dog”
from: Buckle Up Baby / Push Pull / March 27, 2019
[Springfield, Missouri based band with Bass & Vocals – Addie McKenzie on vocals and bass, Cole Simmons on guitar, Joe Wilson on drums, and Anna Redmond on keyboards. All songs written by Addie McKenzie. Recorded, mixed, and filled w/ magic by Joe Misterovich]

[Buckle Up Baby play Manor Fest 3, day 2, Friday, August 2, at Blip Roasters, 1101 Mulberry, KCMO, in the West Bottoms with FaceFace, and Mild Cats.]

11:35 – Underwriting

10:37 – Interview with Shaun Crowley and Peter Beatty

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 3 – Crossroads – Saturday, August 3

Stage 1 – Stray Cat Film Center (all ages / will call station)
Sponsor : Hear Queer
3:00 – 3:20 : Charlotte Bumgarner (Tulsa)
3:30 – 3:50 : R.I.Peter
4:00 – 4:25 : Forest Porridge (Denver)
4:35 – 5:00 : Chloe Jacobson

Stage 2 – Brewery Emperial ($5 donations, free all ages stage)
Sponsor : French Exit Records
5:00 – 5:30 : Chase the Horseman
5:40 – 6:10 : Toughies (LFK)
6:20 – 6:50 : No Magic (LFK)
7:00 – 7:30 : Dylan Pyles

Stage 3 – recordbar ($15 cover, 18 & Up)
Sponsor : Petri Productions / Shuttlecock Magazine
7:00 pm doors
8:00 – 8:45 : Momma’s Boy
9:00 – 9:45 : Dreamgirl
10:00 – 10:50 : Shy Boys
*after party at Brewery Emperial ft. DJ Tito Fuego*

11:43

16. R.I.Peter – “Lord of the Mountain”
from: R.I.Peter / Manor Records / July 5, 2019
[It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays Manor Fest 3, Saturday, August 3, in the Crossroads at Stray Cat Film Center, 1662 Broadway, with Charlotte Bumgarner (Tulsa), Forest Porridge (Denver), and Chloe Jacobson]

17. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Momma’s Boy and Dreamgirl]

11:56

18. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Shy Boys and Dreamgirl]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 7, we talk with Scott Hobart of Giants Chair, and Fally Afani calls in to share details about I Heart Local Music’s benefit for RAICES with, Making Movies, Maria the Mexican, Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford), Friday, August 16, at 6 PM at Liberty Hall 644 Massachusetts St, Lawrence, KS

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #796