WMM’s 50 Favorite MidCoastal Releases of 2020…So Far (Part 1) + Oh Dear Oh My

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 17, 2020

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far
+ Oh Dear Oh My

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

Pedaljets

2. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Mike Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Katy Guillen

3. Katy Guillen & The Drive – “No Control”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

Ebony Tusks

4. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / February 7, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Una Walkenhorst

5. Una Walkenhorst – “Pretty Face”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[2nd single. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

Radkey

6. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

Ivory Blue

7. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Blackstarkids

8. BLACKSTARKIDS – “Sounds Like Fun”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

10:29 – Underwriting

9. Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

10. Saint Sé – “In/Out (feat. Allison Gliesman)”
from: In/Out (feat. Allison Gliesman) – Single / Benjiman Lucas Music / May 22, 2020
[Debut Single from Saint Sé. Written by: Lucas Carpenter & Allison Gliesman. Vocals by: Allison Gliesman. Music Produced by: Lucas Carpenter. Additional Production by: Zach Thomas. Mixed/Mastered by: Mark Francis Buergler. Visualizer created by Andy Thies.]

Miss Boating

11. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

Quiet Takes

12. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018.. Quiet Takes has new music coming in 2020.] [Sarah Magill was on WMM on May 13.]

Hermon Mehari

13. Hermon Mehari – “A Conversation With My Uncle”
from: A Change For The Dreamlike / Hermon Mehari / June 5, 2020
[Hermon writes: “I spent “le confinement” creating this album in a barn in the French countryside. Like many people during this period, I wasn’t able to think much about the future, only the present and the past. These songs are therefore personal journal entries, versions and visions of my wishes, fantasies and memories. Together they create a kind of modern mixtape of dreams, in every sense of the word, in which my trumpet, all alone in that barn, is a vulnerable presence, virtually and masterly supported by some of my closest musical collaborators around the world.” Follow up to his debut solo release Bleu, from 2017. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He has played with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons, Mikal Shapiro, Krystle Warren. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com ]

14. Miki P and The Swallowtails – “I”
from: I – Single / Miki P / February 13, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

Fritz Hutchison

15. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

16. Lava Dreams – “Good Energy”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

11:00 – Station ID

17. Oh Dear Oh My – “Marching”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

OH DEAR OH MY

11:03 – Interview with Rani & Curt of Oh Dear Oh My

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020. The Kansas City based dance-rock-duo is made up of Rani and Curt. They’ve been playing locally for over five years. This new release is the follow-up to their 2018 release, ASHDLA’ named for the Navajo word for five. The EP had 5 tracks and band member Curt is himself Navajo. Fueled by anxiety and excess energy, dynamic duo Oh Dear Oh My rocks! Curt pounds spicy, far-out beats on his drums, while Rani keeps pace with sweet 80’s synthesizer sounds. The end result is a little dark, a little dancey, and a little funny.

From Oh Dear Oh My were have Rani, thanks for being with us on WMM.

Curt and Rani met in Lawrence. Both had played on previous bands. A friend thought they had a lot in common, so he invited them to meet up.

The band was originally called Cupcake, but when the duo discovered that a band in St. Joe had this name Curt suggested they become Oh Dear Oh My.

Curt grew up in the Navajo community in Arizona. He came to Lawrence, Kansas originally to go to Haskell University.

Rani works at a hospital in health care and research.

Curt and Rani have been playing in Kansas City for five years,

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020.

More information at http://www.OhDearOhMy.Bandcamp.com

11:15

18. Oh Dear Oh My – “Soak Your Head”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

19. Sterling Witt – “Hag-Ridden”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. http://www.SterlingWitt.com ]

Nan Turner on the June 3, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

20. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22, 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat ongGuitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

21. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

22. Brandon Phillips & The Condition – “Contrition”
from: “Contrition” – Single / Brandon Phillips & The Condition / June 16, 2020
[The first release of the band’s Summer Singles 2020 Series. Brandon Phillips , Adam Phillips , Brent Kastler , Mike Alexander , Julie Berndsen , Julia Haile , and Nathan Showalter. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Mixed by Brandon Phillips. Art by Jud Kite. Follow up to their April 13, 2019 Too Much Rock release, “Angel Say No” / “People Talk” 7” single release. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast along with other musicians from other bands.]

11:29 – Underwriting

Betse & Clarke

23. Betse & Clarke – “We Can Get Across”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

24. Howard Iceberg & The Titanics – “Bottle of Rye” [Betse Ellis on lead vocals]
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals. Follow up to Howard’s 2017/2018 release Netherland’s his Jazz infused album recorded with Rich Hill, Bryan Hicks , Doug Auwarter and others. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

25. Howard Iceberg & The Titanics – “A Jukebox in a Bar”
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals.]

Sam Wells

26. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com]

The Republic Tigers

27. The Republic Tigers – “Trust Fall”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

28. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

29. The MGDs – “Tomorrow Comes Soon”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

30. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 24 we present (part two) of WMM’s Favorite MidCoastal Releases of 2020…So Far. We’ll hear from The Sluts, Misha Roberts, City Pets, Ingrid Ingram, Broken Hearts Syndrome, Hi-Lux, Adam Scott York, Ivy Roots, The Roseline, Amy Marcus, Jake Wells, They Call Me Sauce featuring Mae C, Monta At Odds, R.I. Peter, Belle And The Vertigo Waves, Koney, The Guillotine Choir, Jo Mackenzie, Soultru, jordana, DeMaur, Stacy Busch, Nick Siegel, and Kadesh Flow. Plus we will talk with musician, composer, activist Stacy Busch.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #842

WMM Playlist from June 10, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Witt

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” WMM features music of and inspired by The Civil Rights and Black Lives Matter Movement.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s Adopted Theme Song]

2. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / February 13, 2001
[Song written by Bernice Johnson Reagon, one of the founders of Sweet Honey in The Rock. Boycott is a critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:06 – 2020 Spring Fund Drive Edition Pledge Break #1

Guest Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also part of the Short Round Stringband, the 5-piece band that last year released a 14-track album called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West in 1978. For 16 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding, and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique mission an, 24-7 programming. 90.1 FM KKFI is celebrating our 32nd year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. It only takes a few minutes. Call 888-931-0901. You can also visit us at http://www.kkfi.org, or call 888-931-0901 to support Kansas City Community Radio 90.1 FM.

Last year on WMM conducted 127 interviews, with 209 special guests.

10:14 – Music Of The Movement

3. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

4. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005 [written by Woody Guthrie.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

10:24 – Pledge Break #2

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

10:32 – Underwriting

10:34 – Music Of The Movement

5. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Aug. 28, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

6. Krystle Warren – “Move!”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:44 – Pledge Break #3

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

Thank you to: Elizabeth Mayer, K.C. Compton, John Long, Garth Matthes, Matt Kesler, Kathi Callahan Welch, Jack Phillips, Joel Nanos

10:52 – Music Of The Movement

7. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays RADKEY LIVE AND LOUD – LIVE STREAMING FROM RECORDBAR’S STAGE, Friday, June 12, 2020 at 8 PM – 10 PM, recordBar, 1520 Grand Boulevard, KCMO. The stream will be free on Facebook Live, IG Live and youtube. We are requesting donations through this page. We’ll be back open in late July. Stay safe, stay healthy.]

8. Hi-Lux – “Revolution”
from: Revolution / Get What You Give – Single / The Record Machine / March 6, 2020
[This KC based band is lead by singer Julia Haile, with Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings) but also claims a spotlight of its own in the musical world. After a string os single releases, including one on 7” vinyl through Sunflower Soul Records, followed by the release of their self-titled EP, Hi-Lux has introduced an eclectic and impressive collection of songs to give the world a small taste of what’s to come. Hi-Lux is on a journey of musical discovery, mixing old and new to create something unique.]

9. Sterling Witt – “Werewolf”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:00 – Station ID

11:00 – Interview with Sterling Witt

KC based artist & musician Sterling Witt who joins us to share music and information about his new recording, “Something’s Awry” – twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing and editing into a new book that relates to the album. ”Something’s Awry: Ting Tong and Other Terrifying Tales,” features art work by Witt. More info at: http://www.sterlingwitt.com

Sterling Witt Thank you for being with us on Wednesday MidDay Medley

Sterling Witt is an artist and musician. He lives in Missouri at the Art Farm near Freeman, MO (about 45 min south of KC).

Something’s Awry – Produced by Sterling Witt – Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri.

Sterling Witt – vocals, guitar, Kitten A. Boggs – bass, vocals , Evan Verploegh – drums

Grand River Records, PO BOX 193, Freeman MO 64746

http://www.SterlingWitt.com http://www.GrandRiverRecords.com

“Originality is a hard thing to come by these days; and not a word we use lightly, but it has to be said – Sterling Witt is IT.” -Indie Music Magazine

Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri.

Sterling Witt Discography

April 2020 – Something’s Awry
Oct 2015 – Satyagraha
Oct 2012 – Sterling Loves U
Aug 2009 – Shadows & Secrets
Aug 2006 – Sea Things
Oct 2004 – Self Portrait
Jan 2009 – Skeleton

Sterling told Nick Spack of The Pitch KC, “I’m in the final stages of writing and editing a book right now that relates to my album,” Witt says. “The album has 12 songs and the book has 24 stories and poems. Half of those stories I turned into songs to make the album Something’s Awry. – I was still writing the stories—half of which turned out to be poems that rhyme,” Witt continues. “All those poems sounded like they could be songs to me and my first thought was to keep the words to the songs in the same order as the poems, so that the story could be understood from listening to the song.”

Witt says that Something’s Awry, the album, can be thought of as being like an amped up audio book, with all the musical arrangements dictated by the words: “There are many oddities in the music and vocal melodies that happen just once. Maintaining the stories was the only rule I gave myself while turning them into songs: The words made me do it.”

The Art Farm is an isolated oasis in the country designed for making art and music. Sterling does not have Internet or TV.

Since 2004 Sterling Witt has released six full-length albums and one 8-song EP, along with several singles. Witt’s last album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois

Sterling Witt Thanks for being with us on WMM

Sterling Witt’s Something’s Awry is available now at sterlingwitt.bandcamp.com, with vinyl and compact disc versions coming later this year.

11:12

10. Sterling Witt – “Kelpie”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:15 – Pledge Break #4

This is WMM’s Spring Fund Drive Show with Marion Merritt & Betse Ellis.

Thank you to: Jennifer C. Owen, Joyce Downing, Bob Walkenhorst, Katherine Torbett, Matt Richey, Jon Cupit, Joelle St. Pierre, Kieth Clark, Jan Kohl

Earlier in the show we heard Krystle Warren. We were the first to play her music on the radio. Mark interviewed Krystle on KKFI in early 2002. During a winter snow storm, at a huge party where Krystle played with longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment, near Community Christian Church, Mark waited hours for a 2 song demo, that contained a song called “Chanel #5.” Krystle has since gone on to tour all over the world, but maintains contact with her hometown of KC. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. WMM was the first to play tracks from Krystle’s album.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:23 – Music Of The Movement

11. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967
[The Staple Singers were an American gospel, soul and R&B singing group. Roebuck “Pops” Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the group with his children Cleotha (April 11, 1934 – February 21, 2013),[Pervis (b. 1935), and Mavis (b. 1939). Yvonne (October 23, 1937 – April 10, 2018) replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”. While the family name is Staples, the group used “Staple” commercially. // First child to Roebuck “Pops” Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi in 1934. Two years later, Roebuck moved his family from Mississippi to Chicago. Roebuck and Oceola’s children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago. Roebuck worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck’s brother, the Rev. Chester Staples, was pastor.[6] They signed their first professional contract in 1952. During their early career, they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their “Uncloudy Day” and “Will the Circle Be Unbroken?” were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. “Uncloudy Day” was an early influence on Bob Dylan, who said of it in 2015, “It was the most mysterious thing I’d ever heard… I’d think about them even at my school desk…Mavis looked to be about the same age as me in her picture (on the cover of “Uncloudy Day”)…Her singing just knocked me out…And Mavis was a great singer—deep and mysterious. And even at the young age, I felt that life itself was a mystery.” // The Staples move to Epic saw a run of albums, including the live in-church Freedom Highway album produced by Billy Sherrill; the title track of which was a civil rights movement protest song penned by Pops Staples. It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with “Why (Am I Treated So Bad)” and “For What It’s Worth” (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper—Soul Folk in Action and We’ll Get Over, Pervis returning for them. After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself with engineer/musician Terry Manning at Memphis’s Ardent Studios, moving in a more funk and soul direction. // “For most of this decade, Roebuck Staples—born December 12, 1915, about two weeks after Frank Sinatra—has been the oldest performer with direct access to the hit parade by some twenty-five years, so here’s your chance to mind your elders. It’s Mavis’s lowdown, occasionally undefined growl that dominates, of course; you should hear how secular she gets with an O.V. Wright blues that got buried on The Staple Swingers. But Pops’s unassuming moralism sets the tone and his guitar assures the flow.” —The Best of the Staples Singers review in Christgau’s Record Guide: Rock Albums of the Seventies (1981) // The Staple Singers’ first Stax hit was “Heavy Makes You Happy (Sha-Na-Boom-Boom)” in early 1971. Their late 1971 recording of “Respect Yourself”, written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B chart and No. 12 on the Billboard Hot 100. Both hits sold over one million copies and were each awarded a gold disc by the RIAA. The song’s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972, “I’ll Take You There” topped both Billboard charts. In 1973, “If You’re Ready (Come Go With Me)” reached No. 9 on the Hot 100 and No. 1 on the R&B chart. // After Stax’s 1975 bankruptcy, The Staple Singers signed to Curtis Mayfield’s label, Curtom Records, and released “Let’s Do It Again”, produced by Mayfield; the song became their second No. 1 pop hit in the U.S., and the album was also successful. In 1976, they collaborated with The Band for their film The Last Waltz, performing on the song “The Weight” (which The Staple Singers had previously covered on their first Stax album). However, they were not able to regain their momentum, releasing only occasional minor hits. The 1984 album Turning Point featured a cover of the Talking Heads’ “Slippery People” (it reached the Top 5 on the Dance chart). In 1994, they again performed the song “The Weight” with country music artist Marty Stuart for MCA Nashville’s Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song “Respect Yourself” was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994. // In 1999, The Staple Singers were inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award. Cleotha Staples died in Chicago on February 21, 2013, at the age of 78, after suffering from Alzheimer’s disease for over a decade. Mavis Staples has continued to carry on the family tradition and continues to add her vocal talents to both the projects of other artists and her own solo ventures. She appeared at Glastonbury in 2015, and her 2016 album Livin’ on a High Note includes a simple acoustic version of a Martin Luther King sermon in the track “MLK Song”. Yvonne Staples died on April 10, 2018 at the age of 80.]

12. Mavis Staples – “Eyes On The Prize”
from: We’ll Never Turn Back / Anti / April 24, 2007
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recordedin the run up to the Presidential election of Barrack Obama. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s. We’ll Never Turn Back is the seventh studio album by American gospel and soul singer Mavis Staples. Recorded in 2007 and produced by roots rock and blues musician Ry Cooder, it is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s. Upon its release, We’ll Never Turn Back received positive reviews from most music critics. It was also named one of the best albums of 2007 by several music writers and publications. “Keep Your Eyes on the Prize” is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, “Gospel Plow,” also known as “Hold On,” “Keep Your Hand on the Plow,” and various permutations thereof. An early reference to the older song, “Gospel Plow,” is in Alan Lomax’s 1949 book “Our Singing Country.” The book references a 1937 recording by Elihu Trusty of Paintsville, Kentucky, which is in the Library of Congress (Ref No .1397 A1). Lomax’s references for Gospel Plow cite two earlier works. The first is from English Folk Songs from the Southern Appalachians published in 1917, indicating that Gospel Plow dates from at least the early twentieth century. The second reference is to a 1928 book, American Negro Folk-Songs, which shows an African-American heritage for the original song. The lyrics to the modern Civil Rights version of the song, “Keep Your Eyes on the Prize” are often attributed to Alice Wine from Johns Island, South Carolina. Mrs. Wine was a member of the Moving Star Hall and The Progressive Club on Johns Island. The book Ain’t You Got the Right to the Tree of Life by Guy and Candie Carawan. documents songs of the Moving Star Hall and the lives of African Americans on Johns Island in the early sixties. It is doubtful that Mrs. Wine actually composed the lyrics herself. More likely she had heard the revised refrain and variations on the verses of the older song from the congregation at the praise hall. The leading “Paul and Silas” stanzas in the modern “Keep Your Eyes on the Prize” lyrics were already present in some versions of the older “Keep Your Hand on the Plow.” Our Singing Country[1] shows these lyrics were already in use in 1949 and before. Odetta used them in her 1960 Carnegie Hall appearance and recording. Mrs Wine is credited by Candie Carawan only with having passed onto Guy Carawan the revision of the title from “Keep Your Hand on the Plow” to “Keep Your Eyes on the Prize.” Lyrics for traditional American folk songs and African-American spirituals are often changed, improvised and traded between songs by different artists and at different performances. This was and is especially true in the call and response of African American religious music. For example, Mahalia Jackson, in her 1958 performance of “Keep Your Hand on the Plow”, begins with the couplet “Mary had three links of chain, Every link bearin’ Jesus name.” Bob Dylan also sings these lyrics in his upbeat version of “Gospel Plow.” Carl Sandburg, in his 1927 book The American Songbag,[7] attributes these lyrics to yet another song entirely, “Mary Wore Three Links of Chain.” Modern choral arrangements of this song sound entirely different from either the Eyes-Prize or Hand-Plow songs.[8] Both Sandberg in the preface to his book and folk singer Pete Seeger in the opening remarks to his Carnegie Hall performance of “Keep Your Eyes on the Prize” note the malleability of American and African-American folk music. No one artist can be historically credited with “Keep Your Eyes on the Prize.]

11:30 – Underwriting

11:32 – Pledge Break #5

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to: Joy Baker, Marcia Pomeroy, Pat Abts, Charlie Colborne, Rhonda Lyne, Deloris Jankovich, Nancy Nicolay, Natasha Derakhshanian, Elaine Meizlich, Necia Gamby, Kimberly DeVries, Leo Wetherill, Mike McCoy, Jon D. Barnhart, Claire McDaniels, William Smith, Mike Walker, Fran Stanton

WMM offers loads and loads of information about what is going on in the community. Not only do we interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Recoprds With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music.

11:39 – Music Of The Movement

13. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

14. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

11:46 – Pledge Break #6

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to all who donated. Over 63 people donated and we raised, $3723.00.

11:53 – Music Of The Movement

15. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 17 we’ll play from 25 area bands & artists as we feature: Our Favorite MidCoastal Releases of 2020 …So far! We’ll hear from Una Walkenhorst, Blackstarkids, The Republic Tigers, Ivory Blue, Ebony Tusks, Fritz Hutchison, Katy Guillen & The Drive, Hermon Mehari, Betse & Clarke, Fullbloods, Sam Wells, Pedaljets, Miki P & The Swallowtails, Radkey, Saint Sé, David Burchfield, The Freedom Affair, Sterling Witt, Quiet Takes, Miss Boating, Hi-Lux, Brandon Phillips & The Condition, MGDs, Nan + The One Nite Stands, Plus, we’ll talk with members of the band Oh Dear Oh My.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #841

WMM presents: Music Of The Movement

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Wit
t

Mark features “Music Of The Movement.” We’ll spin tracks of and inspired by The Civil Rights & Black Lives Matter Movement. Mark plays songs from: Krystle Warren, Hi-Lux, The Freedom Affair, Radkey, Bobby Watson & The I Have A Dream Project featuring Glenn North, Mavis Staples, The Staple Singers, Sharon Jones & The Dap-Kings, Sweet Honey In The Rock, Aaron Neville, Lamar Campbell And Spirit Of Praise, Billy Porter, Tramine Hawkins, Ella Mitchell, Pete Seeger, and Solomon Burke.

One of WMM’s longtime (14-years) contributors, Marion Merritt of Records With Merritt, a minority owned business in KCMO, joins us as our special guest co-host. We also welcome Betse Ellis, critically acclaimed fiddler, singer, songwriter, and one half of Betse & Clarke who joins us as special guest co-host. Betse & Marion will encourage our listeners to call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Spring Fund Drive Show.

At 11:00 AM, KC based artist & musician Sterling Witt joins us to share music and information about his new recording, “Something’s Awry” twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing in a new book called, ”Something’s Awry: Ting Tong and Other Terrifying Tales,” featuring art work by Witt. More info at: http://www.sterlingwitt.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #841

WMM Playlist from Feb. 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 12, 2020

The Pedaljets!!!
+ New & MidCoastal Releases
+ Betse Ellis & Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Katy Guillen & The Drive – “Willingly”
from: Dream Girl [EP] / Katy Guillen / to be released on: March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen & The Drive play Feb 14 in St Petersburg, FL; Feb 15 in Tampa, FL; Feb 16 in Goodland, FL; Feb 18 – 22 for Keeping the Blues Alive at Sea VI. Katy Guillen will be on WMM on March 18.]

10:05 – WMM Winter Fund with co-hosts: Marion Merritt & Betse Ellis.

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also part of the Short Round Stringband, the 5-piece band that last year released a 14-track album called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West in 1978. For 16 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding, and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

10:12

3. Kian Byrne – “All The Love”
from: All The Love – Single / Kian Bryne / February 7, 2020
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. This single will be part of a full length album Kian is releasing in March. This is a follow-up to Kian Byrne’s solo EP “Up & Down” (released July 11, 2018) that was #55 on WMM’ 118 Best recordings of 2018. You can learn more at: kianbyrnemusic.com]

4. The Black Creatures – “the fall & winter (radio edit)”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[Black Creatures play miniBar, 3810 Broadway Rd, KCMO, Monday, February 24, 2020 at 9:00 PM with King Ropes, and True Lions]

[Black Creatures play a “Leap Year Party with The Black Creatures, in The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, Saturday, February 29, at 9:00 PM with DJ Scotty Wu & special guests.]

[Black Creatures play miniBar, 3810 Broadway BLVD, KCMO, on Monday, March 16, at 9:00 PM opening for Wyatt Waddell with Eddie Moore.]

[Black Creatures play MidCoast Takeover at The Shangri La in Austin Texas, on Wednesday, March 18 at 12:00 PM. Hosted by Midwest Music Foundation.]

10:20 – Pledge Break #2

We just heard The Black Creatures. Xavier Martin and Jade Green are The Black Creatures. Their album “Wild Echoes” was #2 on WMM’s 119 Best Recordings of 2019. Wednesday MidDay Medley was one of the first radio shows to play their music on the air. The Black Creatures appeared on our show on September 25, 2019. We not only play the music but we let you know where to see these artists perform live in KC and around the country. We offer information about when the music was released, who contributed to the recordings and information about these artists. Our playlists are posted on our Wednesday MidDay Medley Facebook page, our Twitter page, and playlists dating back for the last 9 years are available at http://www.wednesdaymiddaymedley.org. WMM was the very first to play Madisen Ward and the Mama Bear, Calvin Arsenia, Shy Boys and Ivory Blue.

10:27 – Underwriting

5. Broken Heart Syndrome – “Hard To Be Boring”
from: Hard To Be Boring – Single / Olive Juice Music / February 14, 2020
[Kansas City based supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. This is the thrid single release from th band and ia follow up to their Setember 13, 2019 release of Dolly (and other unfinished business) is the second official Broken Heart Syndrome. ]

[Broken Heart Syndrome play the Broken Hearts Ball at The Rino, 314 Armour Rd, North Kansas City, on Friday, February 14, at 7:00 PM with The UK’s, and Mene Mene.]

6. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in KC, by Chase Horseman. Mastered by Alan Douches at West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. My guitar and I got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before, but also I didn’t know I was going to record this EP, so you know. I had the luxury of working with Chase Horseman every week or two, giving myself time to add and rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is ubertalented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More info at: http://www.nanturner.bandcamp.com]

[Nan Turner’s band: Nan & the One Nite Stands play Records with Merritt, 1614 Westport Rd, KCMO, Saturday, February 15, at 8:00 PM with Charlie Upchurch (comedy), Causing FX (Daniel Robinson, formerly Los Cauz), and Breaka Dawn (of The Bad Ideas).]

10:36 – Pledge Break #3

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! No commercials, no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. KKFI is the opposite of a robot. There is always a human being on the other end of the phone line anytime you call. We are “The Voice of The Community” – 90.1 offers 102 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 147 hours each week of locally produced handcrafted programs. You will not find this kind of representative diversity anywhere else on your radio dial, or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

10:43

7. The Roseline – “Better to the Bone”
from: GOOD / GRIEF / King Forward Records / to be released April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The songs were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality. Beyond simply the lyrics, they have added sonic textures that have not previously been explored, thanks to the addition of guitarist Bradley McKellip, bassist Colin Jones, and keyboardist and vocalist Heidi Gluck. Drummer Jim Piller and guitarist Kris Losure have returned as solid mainstays of the band. Guest appearances from lap steel player Mike Stover, pianist Dan Loftus, and vocalist Chase Horseman widen the sonic spectrum even further. The album was recorded, engineered and produced by Joel Nanos at Element Recording Studios in KCMO. The new album follows the September 29, 2017 release “Blood,” and the June 19, 2015 album, “Townie.” The band has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. More info at; http://www.roselinemusic.com.]

[The Roseline play an Album Release show at Replay Lounge in Lawrence, Friday, April 3 at 9:00 PM]

[The Roseline play a Kansas City Album Release show at Mike Kelly’s Westsider, Saturday, April 4.]

Krystle Warren

8. Krystle Warren & The Faculty – “Tuesday Mornings”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

9. Thighmaster – “Dick Simmons”
from: Between The Knees And Squeeze / High Dive Records / January 10, 2020
[Thighmaster is a Lawrence, Kansas based band formed by Maxfield Yoder (formerly of the bands: Dean Monkey & the Dropouts, Plains) on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Thighmaster recently signed with KC based label High Dive Records. The band is resurrecting the song-writing demons that have long haunted Mayfield Yoder. Thighmaster truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster.]

[Thighmaster plays Replay Lounge, 946 Massachusetts, Lawrence, KS, on Fri., Feb. 14, at 10:00 PM, w/ Greg Wheeler & the Polygamist Mall Cops (from Des Moines), Y Pony (members of The Ovaries-eez).]

10:53 – Pledge Break #5

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:00 – Station ID

10. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

Cody Wyoming, Mike Allmayer, and Matt Kesler of Pedaljets on the February 12, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:04 – Interview with Mike Allmayer, Matt Kesler, & Cody Wyoming

The Pedaljets join us live in our 90.1 FM Studios to talk with us about their new album, “Twist The Lens,” be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Pedaljets, play an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids. More info at: http://www.thepedaljets.com

Mike Allmayer, Matt Kesler, & Cody Wyoming thanks for being with us on Wednesday MidDay Medley

Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

Once hailed as “Kansas City’s answer to The Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own.

After releasing two LPs, 1988’s “Today Today” and 1989’s “Pedaljets,” the band split up.

After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland.

Kesler owned and operated the KC vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more.

The Pedaljets couldn’t stay apart forever though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform..

20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years.

6 years later, “Twist The Lens” their 4th full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

11:13

11. Pedaljets – “Twist The Lens”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

The Pedaljets
Photo by Paul Andrews

11:17 – Interview with Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming

The Pedaljets join us live in our 90.1 FM Studios to talk with us about their new album, “Twist The Lens,” be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Mike Allmayer, Matt Kesler, & Cody Wyoming thanks for being with us on Wednesday MidDay Medley

11:26

12. Pedaljets – “The Fader”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

11:29 – Underwriting

11:31 – Pledge Break #5

In just this past year on WMM we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Records With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more.

11:38

13. The Black Mariah Theater – “Patron Saint”
from: Patron Saint – Single / The Black Mariah Theater / December 6, 2019
[Follow up to their November 2019 single “Got No Luck.” The Black Mariah Theatre released their debut EP “Black Hearts” On July 22, 2017. The Black Mariah Theater is made up of twin sisters Sophia Motta on vocals and guitar, and Analiese Motta on drums. Their genre-bending funky drum beats, jazzy guitar tones, and tell-it-like-it-is lyrics create a rock n roll show perfect for anyone who’s had a bad day, a lonely night or a broken heart. A Kansas City-based duo, The Black Mariah Theater’s sound has been described as “eclectic.” Mixing jazzy guitar tones with funky drum beats and angsty lyrics, old jazz comes into the modern world. Influenced by the likes of Billie Holiday, The Black Keys, The Cold War Kids, The Kills, and Chet Baker. More information at: http://www.theblackmariahtheater.bandcamp.com]

[The Black Mariah Theater play a Record Release, at Knuckleheads Saloon, 2715 Rochester St, KCMO on Friday, February 14, at 8:00 PM with Chase The Horseman, And Nathan Corsi Band.]

14. Millage Gilbert w/ The Creighton Organization – “Nothin’ I Can Do” (CD #14) (5:02)
from: I Heard It On 18th Street II / Independent / 2009
[Living legend, Millage Gilbert in 77 years old and has deep roots in Kansas City and Mississippi. Born in Jackson, MS, he grew up watching such legends as John Lee Hooker, Little Milton, and Howlin Wolf. At 17, he joined Elmore James’ band. A KC resident since 1962, Gilbert has performed with Little Hatch and Sonny Kenner, and has performed in Europe. He told an interviewer: “I was born in Madison County, Mississippi, near Tougaloo, south of Ridgeland, north of the city of Jackson, Mississippi, May 24, 1938 [Ed. Note – His birth certificate states May 25, 1938, but Gilbert insists he was born on May 24, 1938.] My mother was born Dora Scott in Clarksdale, Mississippi. I was grown up from a family of 14. I’m the 12th child, the baby son. Now I’m the only boy left living. My father was the seventh son in his family and I’m his seventh son. The Gilberts were always known for playing guitar. Hopefully my boys will take it a little further.”]

[Millage Gilbert Knuckleheads 2715 Rochester St, KCMO, Thursday, February 13, at 7:00 PM, with Stormcellar: Millage Gilbert, Danny Cox, and others! (Free Show)]

11:47 – Pledge Break #6

I love that I can tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without commercials. It is radio brought to YOU by people who create radio shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. http://www.kkfi.org – Become a sustaining member!

Marion Merritt, Betse Ellis, Thank You!

Thank you to everyone who called in!

11:56

15. Gang of Four – “Natural’s Not In It”
from: Entertainment / EMI – Warner Brothers / September 25, 1979
[Debut album from Gang of Four, an English post-punk band, formed in 1976 in Leeds. The original members were singer Jon King, guitarist Andy Gill, bass guitarist Dave Allen and drummer Hugo Burnham. There have been many different line-ups including, among other notable musicians, Sara Lee, Mark Heaney and Gail Ann Dorsey. After a brief lull in the 1980s, different constellations of the band recorded two studio albums in the 1990s. Between 2004 and 2006 the original line-up was reunited; Gill was the only remaining original member prior to his death on 1 February 2020. The band plays a stripped-down mix of punk rock, funk and dub, with a lyrical emphasis on the social and political ills of society. Gang of Four are widely considered one of the leading bands of the late 1970s/early 1980s post-punk movement. Their debut album, Entertainment!, was ranked as fifth greatest punk album of all time and at Number 483 in Rolling Stone’s 500 Greatest Albums of All Time. The album was listed by Pitchfork Media as the 8th best album of the 1970s. Their early 80s albums (Songs of the Free and Hard) found them softening some of their more jarring qualities, and drifting towards dance-punk and disco. David Fricke of Rolling Stone described Gang of Four as “probably the best politically motivated band in rock & roll.” In 2011 we played from “Content” Gang Of Four’s 7th full-length album released January 25, 2011 on Yep Roc and their first studio record in 16 years from the punk-funk, post-punk agitators, formed in 1977. They went on to release more: What Happens Next (Metropolis/Membran, 2015) and Happy Now (Gill Music Ltd, 2019).] [Andrew James Dalrymple Gill was born January 1, 1956 and died February 1, 2020. He was a British musician and record producer. He was the lead guitarist for the British rock band Gang of Four, which he co-founded in 1976. Gill was known for his jagged style of guitar on albums such as Entertainment! (1979) and Solid Gold (1981) and hit singles such as “At Home He’s a Tourist,” “Damaged Goods,” “Anthrax,” “What We All Want” and “I Love a Man in a Uniform”. In addition to his work with Gang of Four, Gill was also a record producer, and produced or co-produced all of the band’s albums. He also produced albums for artists such as the Red Hot Chili Peppers, the Jesus Lizard, the Stranglers, the Futureheads, Michael Hutchence, Killing Joke, Polysics, Fight Like Apes, Therapy? and the Young Knives. Gill was born in Manchester, England, UK, on 1 January 1956. Gill was married to Catherine Mayer, a journalist and the co-founder of the Women’s Equality Party. Gill was often confused with The Independent’s music critic, also named Andy Gill. Gill’s death was announced by Gang of Four on February 1, 2020. He was 64. A band’s spokesperson told the New York Times the cause of death was pneumonia.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 19 – Marion Merritt returns as Guest Producer with more sonic discoveries and information from her musically encyclopedic brain. Also joining us is the Lawrence based band: Ebony Tusks with new music on High Dive Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #824

Wednesday MidDay Medley presents The Pedaljets + Betse Ellis + Marion Merritt

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 12, 2020

The Pedaljets!!!
+ New & MidCoastal Releases
+ Betse Ellis & Marion Merrit
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Mark plays more New & MidCoastal Releases from: Katy Guillen & The Drive, The Pedaljets, The Roseline, The Black Creatures, Thighmaster, Broken Heart Syndrome, The Black Mariah Theatre, Kian Byrne, Krystle Warren, Millage Gilbert, and Nan Turner. We’ll also play Gang of Four.

The Pedaljets
Photo by Paul Andrews

At 11:00 Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming of The Pedaljets share their new album, “Twist The Lens,” to be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer. Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

The Pedaljets, play an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids. More info at wwwthepedaljets.com.

Marion Merritt
Betse Ellis

Mark also welcomes Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke who joins us for the entire show as our special guest co-host. We also welcome Marion Merritt, longtime contributor to Wednesday MidDay Medley, and proprietor of Records With Merritt, who also joins us as co-host. Betse & Marion will help to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

The Pedaljets photo by Paul Andrews

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #824

WMM Playlist from: Feb. 5, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Jametatone – “Is That What You Like? (feat. Calvin Arsenia)”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays recordBar, 1520 Grand, KCMO, Wednesday, Feb. 12, at 7:00 PM w/ ARQuesta Del SolSoul and Collidescope.]

3. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Wise Blood KC, at 300 Westport Rd, KCMO, on Friday, February 7 at 6:00 PM, with Charlotte B, and Ramona & The Phantoms.]

[True Lions play Stockyard Sounds with SoulTru, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

[True Lions play The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, on Tuesday, February 11, at 9:00 PM with Frankie Valet (STL), Chloe Jacobson, and Tellum.]

4. Vincent Herring, Bobby Watson & Gary Bartz – “These Foolish Things”
from: Bird at 100 / Smoke Session Records / November 29, 2019
[August 29, 2020 will mark the 100th anniversary of the birth of Charlie Parker. Alto saxophonists and three of modern jazz’s most acclaimed voices: Vincent Herring, Bobby Watson, and Gary Bartz backed by a rhythm section that includes: pianist David Kikoski, bassist Yasushi Nakamura, and drummer Carl Allen shared the stage at Smoke Jazz Club in New York in August 2019, for shows celebrating what would have been the honoree’s 99th birthday. On Bird at 100, Herring, Watson, and Bartz revisit standards Bird transformed to blazing bebop numbers and also sharing new compositions written with Charlie Parker’s legacy in mind. Watson’s ballad-turn on “These Foolish Things” offers a master class in phrasing and articulation, and Kikoski is given plenty of room to stretch out a big, warm blanket of a solo. Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas]

[Bobby Watson plays Searching for Charlie Parker w/ Logan Richardson & Bobby Watson on Thursday, February 6, at 9:00 PM, at The Ship, 1217 Union Avenue during Black History Month, At 9:00 PM: Music is Your Own Experience – Featuring Polish Jazz Artists., At 10:00 PM: Sanctified Rhythm – Featuring Bobby Watson. At 11:00 PM: No Boundaries to Art – Featuring Logan Richardson’s blues PEOPLE. At 12:00 AM: Just Play the Music – Featuring Five Saxophonists.]

10:20 – Underwriting

5. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM with Momma’s Boy, Stary, and Shady Bug.]

[The Creepy Jingles play Replay Lounge, 946 Massachusetts, Lawrence, KS. on Saturday, Feb. 8, at 10:00 PM with Serene Fiend, and JC & The Nuns.]

6. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

Belle Loux and John Loux on the February 5, 2020, edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves joined us last summer to share their single “Fear Or Faith.” Belle & The Vertigo Waves are back on the show to share details about their show “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata. More information at: http://www.thevertigowaves.com

Belle Loux and John Loux, thanks for being on WMM.

Belle Loux is lead singer for Belle & The Vertigo Waves. John Loux is lead guitarist

Belle Loux is 22 years old. She has been writing music and fronting this band since she was 18 years old.

Early influences were: The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves have played Middle of The Map Fest, Plaza Art Fair, Boulevardia and most venues across the KC metro.

The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.”

The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. After “Aligned” that band has gone through an evolution of sound and players. Belle Loux and John Loux have continued as founding members.

At various times, the group has included two of the “Aligned” musicians, including bassist Jeremiah Scott, plus the more recent additions of Elliott Holt on drums and Zach Nielsen on guitar.

Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves hope to release a new EP, and a new video later this year.

Belle Loux, & John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

More information at: http://www.thevertigowaves.com

10:46

7. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in KCMO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

8. Misha Roberts – “Exposed”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

[The Freedom Affair play The Ship, 1217 Union Avenue, KCMO (West Bottoms) TONIGHT Wednesday, February 5, at 9:00 PM]

9. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full-length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on their final album, “Nobody’s Happy” from 2004, with Tom on vocals, Ike Sheldon on piano, Phil Wade on guitar. The track was recorded as a surprise for Betse.]

[Betse Ellis plays Sunday Service at Stockyards Brewing Co. on Sunday, February 9, at 2:00 PM at Stockyards Brewing Co. 1600 Gennessee St. KCMO with 3 Trails West and Bill Dye.]

11:00 – Station ID

Marty Thomas

10. Marty Thomas – “We Belong”
from: Slow Dancing With A Boy / Broadway Records / December 6, 2019
[Originally from Trenton, Missouri where he graduted from Trenton High School in 1997.As a child he famously won Ed McMahon’s Junior Star Search over then-unknown Britney Spears. As an adult, Marty Thomas created a name for himself on Broadway in Xanadu, Wicked and The Secret Garden, on television’s Grace & Frankie, and has been a staple of the New York City nightlife for well over a decade. With his sophomore album “Slow Dancing With a Boy”, Marty takes his rightful place among the vocal icons that have long inspired him. Produced by Jamey Ray, this album explores the music of a young closeted mans coming of age memories, and dares to question the possibility of having lived those memories honestly and openly. Fusing pop and musical theatre music with a song stack that runs the gamut of Vanessa Williams to Les Miserables, this album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore. “We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.]

[Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com]

Marty Thomas

11:05 – Interview with Marty Thomas

Originally from Trenton, Missouri, where he graduated from Trenton High School in 1997. While in middle school, in 1992, Marty Thomas beat out a then-unknown Britney Spears to win Ed McMahon’s “Junior Star Search” competition. At that time Marty Thomas was already a veteran of Broadway, as a cast member of “The Secret Garden” in 1991. As an adult, Marty Thomas created a name for himself on Broadway in the musicals “Xanadu,” and “Wicked,” and Off Broadway in “Pageant – The Musical.” He has appeared on television’s Grace & Frankie, and in several films. Marty Thomas has been nominated for a Grammy Award, and has appeared on MTV, VH1, 20/20. and The Tony Awards. Marty Thomas released his second solo album, “Slow Dancing With A Boy,” on Broadway Records, on December 6, 2019. The new album “explores the music of a young closeted man’s coming-of-age memories, and dares to question the possibility of having lived those memories honestly and openly.”

Marty Thomas will bring his “Slow Dancing with a Boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Trenton, Missouri is a town of about 6,000 people about an hour and a half north of Kansas City. It is near the halfway point between Kansas City and Des Moines, Iowa in Interstate 35 North.

Slow Dancing With A Boy explores the music of a young closeted man’s coming of age memories. What was your “Coming Out” process like? And how did your childhood experiences of being on Broadway and on television affect your ‘coming out”?

Of the 12 album tracks on the new album, you recommended that we play “We Belong.”

Album Tracks:

1. Slow Dance
2. As (written by Stevie Wonder)
3. Dancing On My Own All By Myself
4. Dreamlover (featuring Jamey Ray and Rachel Potter)
5. Crazy For You (written by John Bettis and Jon Lind for Madonna)
6. Remember Me This Way
7. Show Me Heaven (written by Maria McKee, Eric Rackin, Jay Rifkin)
8. Seventh Grade [Save the Best For Last / Everything I Do] (featuring Mykal Kilgore)
9. I Want You to Need Me (written by Diane Warren for Celine Dion)
10. Someone to Fall Back On
11. We Belong (written by Eric Lowen and Dan Navarro for Pat Benatar)
12. Somewhere (composed by Leonard Bernstein / lyrics by Stephen Sondheim)

“We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.

This album was born of the epiphany that the artists coming of age years were not his own. He traded them to his church, his family and the deeply troubling belief that he wasn’t worthy of honest love. Convinced if he told enough lies and believed them that he could fit in and have a happy life by pleasing everyone around him but himself. Obviously, the truth is always king and will always find the light eventually.

‘Slow Dancing With A Boy’, is a collection of music from Thomas’ middle school, high school and college years rearranged, reclaimed and placed firmly in the light. It’s a second chance to live truthfully and make music honestly.

Slow Dancing With A Boy was officially released on Broadway Records on December 6, 2019 and is available on all digital and streaming platforms.

Marty takes his rightful place among the vocal icons that have long inspired him.
Produced by Jamey Ray.

This album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore.

The album reached #19 on the iTunes pop charts and has received rave critical reviews. Physical copies will be available for sale the night of the concert.

Xanadu – for this musical your work as a skater was put to great use. Can you talk about this musical? Ventriloquism and 30 minute lips in 18 minutes

11:19

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Marty Thomas brings his “Slow Dancing with a Boy” tour, to Kansas City, this Friday, February 7, at 8:00 PM at Music Theatre Kansas City, 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

11:19- Underwriting

11. Suzannah Johannes – “Hanging On”
from: Suzannah Johannes EP / Range Life Records / September 2, 2008
[Recorded by Steve Squire, with additional recording by Mike Nolte. Mixed by Mike Nolte at More Famouser. Mastered by Roger Seibel at SAE. Artwork by Pre Sense Form. Released by Range Life Records. For this track: Josh Adams on drums & percussion , Dave Wetzel on guitar, Steve Swyers on guitar, Mike Nolte on bass, and Suzannah Johannes on vocals. Suzannah Johannes is a singer and songwriter living in Lawrence, KS. She has performed with David Wetzel (Ghosty), Steve Swyers (Say My Name), Jeff Stoltz (Drakkar Sauna), and Dustin Kinsey (New Amsterdams).]

[Suzannah Johannes plays the Myers Hotel Bar, 220 South Main, Tonganoxie, KS. on Friday, February 7, at 8:00 PM with the band Sidehug.]

12. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

[Kadesh Flow plays Kansas Cith Bier Company, 310 West 79th St., KCMO, on Fri., Feb. 7, at 7:00 PM]

13. The MGDs – “Let Me In”
from: Let Me In – Single / The MGDs / Feb. 5, 2020 (Unreleased)
[Damon Parker sent me this new song from the MGDs which will be on their upcoming album “Midtown” to be released later this spring. Midtown will be the follow-up to the band’s 3rd studio release, their November 4, 2017 release, Somos Como Somos. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand Blvd., KCMO with Verbose, and Jesus Loves The Atom Bomb.]

11:30 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us to share details about Midwest Music Foundation’s Annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. Midwest Music Foundation presents the 11th annual MidCoast Takeover, a 4-day, 2-stage KC-focused showcase, March 18 through 21, at Shangri La, hosting over 40 bands at the nation’s largest music festival in Austin, Texas.

Sondra Freeman joins us to share info about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at recordBar, 1

7:00 pm – Doors open
8:00 pm – Verbose
9:00 pm – Jesus Loves the Atom Bomb
10:00 pm – The MGDs

The Midwest Music Foundation is proud to present the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in KC and throughout the Midwest.

These fundraiser shows help us raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

Huge thanks to our sponsors: Boulevard Brewing Company, Seen Merch, Nebraska Exposed, Eastern Afternoon, recordBar, The Brick, Shangri La, City Rent A Truck,
XO Blackwater, Rad’s FX LLC, and CM2 Audio.

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singler of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and her husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pau health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opeing a j]hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Midwest Music Foundation – http://www.midwestmusicfoundation.org

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director rhonda@midwestmusicfound.org
Sondra Freeman, Director of Promotions and Artist Relations
Michelle Bacon, Editor
Canyon McClung, Production Specialist
Brenton Cook, Promotions Specialist
Christopher Tate, Technical Officer, Website Specialist

Midwest Music Foundation Board

Scott Easterday, President, Website, Musician
Chris Meck, Vice President, Musician and CM2 Audio
Garrett Nordstrom, Treasurer, Musician and Birdsway Productions
Ellen Sherman, Secretary, Chair of Marketing
Eric Barton, General Counsel
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Medical Center
Bryant Miller, JD, Chair of Development
Vi Tran, Musician and The Buffalo Room
Camry Ivory, Musician
Amber Hulet, Volunteer Coordinator, Social Media

Other Midwest Music Foundation Events:

MidCoast Takeover #2 is March 7

JayRock 15, on Friday, February 28, at 6:00 PM at Uptown Theater, 3700 Broadway Rd, KCMO. Hosted by JayDoc Free Clinic, featuring Yes You Are, Third Degree of Kansas City, and Everett the Grey!

The headliner of JayRock 15 is Yes You Are. They are a local pop band whose first single debuted on Pepsi’s Superbowl 51 commercial as well as being featured in Bad Moms amongst other FX and MTV shows. Vocalist Kiarra Alarid has been a guest at Coachella amongst other musical festivals and have appeared on Sesame Street and Sesame Street.

JayRock 15 will be opened by Everett the Grey, a band including a fellow second year medical student Alex Hill. The second opener of the night will be Third Degree of Kansas City, a group who describes their sound as classic and eclectic rock ‘n’ roll. Third Degree is made up of some of KUMC’s finest faculty members: Pete DiPasco, Dianne Durham, Beth Levant, Ken McCarson, and Peter Smith.

10:44

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

More info at: http://www.midwestmusicfoundation.org

11:45

14. Verbose – “The Victim”
from: Idle Hour at Barto’s / Verbose / November 8, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Jesus Loves The Atom Bomb, and The MGDs. ]

15. Trixie Mattel – “Malibu”
from: Barbara / PEG Records / February 7, 2020
[Trixie Mattel is the stage name of Brian Michael Firkus, an American singer, actor, drag queen and recognized “Skinny Legend.” Trixie is the winner of “RuPaul’s Drag Race All Stars” season 3 (originally competing on season 7). He is also a Billboard Heatseekers #1 charting recording artist (One Stone, 2018), a wildly successful theater touring act, and one half of a comic duo on Viceland (“The Trixie and Katya Show”) and on YouTube (“UNHhhh”). In 2019, Trixie worked the festival circuit as the subject of a bio documentary, “Trixie Mattel: Moving Parts.” Trixie Mattel is managed by Producer Entertainment Group and online at twww.rixiemattel.com or @trixiemattel.]

[Trixie Mattel plays The Truman, 601 East Truman Rd, KCMO, Tuesday, Feb. 11, At 8:00 PM.]

16. Soultru – “Must Be”
from: “Must Be” – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays play Stockyard Sounds with True Lions, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 12The Pedaljets join us live in our 90.1 FM Studios to share music from their new album, “Twist The Lens.”

Also next week, special co-hosts Betse Ellis and Marion Merritt join us for our Winter Fund Drive Show encouraging YOU, our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #823

WMM presents: Belle & The Vertigo Waves + Marty Thomas + Sondra Freeman

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: The MGDs, Jametatone and Calvin Arsenia, Kadesh Flow, The Creepy Jingles, Misha Roberts, Soultru, Belle & The Vertigo Waves, Betse Ellis, Marty Thomas, Verbose, True Lions, Suzannah Johannes, Trixie Mattel, and Vincent Herring, Bobby Watson & Gary Bartz.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves.

At 10:30 members of the Kansas City based glam rock band, Belle and The Vertigo Waves join us live in our 90.1 FM studios, to share details about their upcoming show, “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

Marty Thomas

At 11:00 Mark talks with Broadway, film and television actor Marty Thomas who has appeared in Xanadu, Wicked, and The Secret Garden, and on television’s “Grace & Frankie.” Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

At 11:30 Sondra Freeman of Midwest Music Foundation joins us to share information about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1020 Grand Blvd., KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs. Midwest Music Foundation presents the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in Kansas City and throughout the Midwest. http://www.midwestmusicfoundation.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #823

WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819

WMM Playlist from October 16, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2019

Krystle Warren, Brad Cox of Owen/Cox Dance Group
+ More Favorite MidCoastal Releases of 2019
+ Betse Ellis + Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Phillips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play OA2 EP Release w/ Emmaline Twist, Sat, Oct 19, 9:PM, miniBar, 3810 Brdway.]

10:04 – Fall Fund Drive w/ Special Guest Co-Hosts: Betse Ellis & Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also a member of the Short Round Stringband, the 5-piece band that released a 14-track album this year called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her patrner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

10:12

Calvin Arsenia

4. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019
Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Heart of the Matter, Sat, Oct 19 at 7 PM at Trinity United Methodist Church 620 E. Armour Blvd, KCMO, The final in Trinity’s series celebrating 100 years on Armour Blvd.]

4. Madisen Ward and the Mama Bear – “Back to the North”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear, recently played The High Watt, Nashville, Saturday, October 12, and Levitt Shell, Memphis, Sunday, October 13.]

10:20 – Pledge Break #2 – [7 Minutes]

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Calvin Arsenia and Madisen Ward and The Mama Bear. Wednesday MidDay Medley was the first radio show to ever play their music. Calvin has been a guest on WMM 15 times and MadisenWard and the Mama Bear have been on the show 8 times. We not only play the music but we let you know where to see these artists perform live in KC and around the country. We offer information about when the music was released, who contributed to the recordings and information about these artists. Our playlists are posted on http://www.kkfi.org, http://www.spinitron.com, http://www.facebook.com/WednesdayMidDayMedleyon90.1FM, https://twitter.com/MarkTManning, and playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org.

10:27 – Underwriting

Krystle Warren

5. Krystle Warren & The Faculty – “Tuesday Morning”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

Brad Cox, Krystle Warren, and Jonathan Anderson on the October 16, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Krystle Warren, Brad Cox and Jonathan Anderson

Krystle Warren, Brad Cox and Jonathan Anderson join us to talk about the world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at The Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being withus on WMM

Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty. Krystle’s most recent release, Three The Hard Way was co-producing by Ben Kane (D’Angelo) and was #1 on WMM’s 117 Best Recordings of 2017.

Brad Cox

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Jonathan Anderson is a freelance professional musician who lives in San Francisco. He played keyboards on the 2012 double album “Love Songs”. He has played with Krystle in multiple live concerts including her Sunday, October 6, 2013 concert on the City Stage of The Power & Light District in Kansas City a band that also included Brad Cox, Jeff Harshbarger and Mike Stover.

Krystle Warren, Brad Cox, and Jonathan Anderson thanks for being with us on WMM

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” on Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

10:42

6. Krystle Warren & The Faculty – “Fool Me Once”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012]

10:45 – Pledge Break #3

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Krystle Warren. KKFI and Mark Manning were some of the very first to play Krystle’s music on the radio. Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours during a winter snow storm, at a huge party where Krystle played with her band including her longtime friend Solomon Dorsey on bass. The show was a benefit show, in a packed, smoke filled apartment, near Community Christian Church across the hall from where Solomon lived. When the show was over Solomon gave Mark a 2-song demo CD, that contained some of Krystle Warren & The Faculty’s ‘s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was one of the first radio shows to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording.

Now, more than ever, Independent, Community Media is important for our world Along with our stellar National Public Affairs shows like Democracy Now, we offer programs specifically produced for the LGBTQIA collective communities, Women’s issues, Native American news and culture, Middle Eastern music and information, latino programming, African American public affairs and community news, labor and worker’s unions, our prison population and justice system, environmental programming, visual and literary arts, and performing arts.

We are The Voice of The Community – 90.1 offers 102 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 147 hours each week of locally produced handcrafted programs.

You we not find this kind of representative diversity anywhere else on your radio dial. or from any singular source on your computer. It is very special. It needs to be nourished and kept alive.

10:52

7. Krystle Warren & The Faculty – “Forever Is a Long Time”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:56 – Station ID

10:56 – More Interview with Krystle Warren & Jonathan Anderson

Krystle Warren, Brad Cox, and Jonathan Anderson join us to talk about the world premiere of Owen/Cox Dance Group: Love Songs featuring new original choreography by Jennifer C. Owen, brought to life by the amazing dance company of Owen/Cox, to all 24 songs from Krystle’s critically acclaimed double album “Love Songs,” performed LIVE by Krystle Warren, with a 12 piece band of many of Kansas City’s very best musicians.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

Love Songs: “A Time You May Embrace” and “A Time to Refrain from Embracing” is a double album recording, of songs written by Krystle Warren (12 songs on each album) from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty, alongside choirs, horn and string sections.

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” is Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

11:07

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

11:10 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:17

The Black Creatures

9. The Black Creatures – “wretched (it goes)”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Lincoln Marshall, and Neak]

10. Lincoln Marshall – “Falling Up”
from: Wisdom / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray. Additional keyboards & atmosphere by Asterales, guitar by Ross Williams, horns by Miles Bonny, live drums & percussion by Aikido Bray. Artwork, Photography & Layout Design By: The Art My Life Imitates

[Lincoln Marshall play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Black Creatures, and Neak]

11. Stacy Busch – “When / Time”
from: When / Time – Single / Stacy Busch / October 3, 2019
[“When/Time” is the flagship piece for a new collaboration between Stacy Busch, Andi Meyer, Sascha Groschang and J.J. Pearse coming next spring. Stacy will be performing this live along with an all new set on October 17, at 8:00 pm at Westport Coffee House at my show called “She Shed.” I’ll also be performing this song at the ArtsKC Awards Luncheon in February. 30 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch is presenting “She Shed” Thursday, October 17, at 8:00 pm at Westport Coffee House, 4010 Pennsylvania, KCMO, Featuring J.J. Pearse and pieces written by Kalli Siringas. This is a No Divide KC production. All proceeds will go towards No Divide KC and our 2020 programming.]

11:27 – Underwriting

11:29 – Pledge Break #5

Our Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

We offer loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Records With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music,

11:36

Mike McCoy

12. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

Short Round Stringband

13. Short Round Stringband – “The One I Love is Gone”
from: Ain’t No Part of Nothin’ / Short Round Stringband / July 19, 2019
[From the debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience.]

[Short Round Stringband play Pilgrim’s Progression Dance Weekend, Friday, November 15th, 7:00 PM, East Lawrence Recreation Center, 1245 E 15th St, Lawrence, KS]

[Betse & Clarke Return to Open Range Concerts, Sunday, November 3, at 3:00 PM in Paola, Kansas]

[Betse & Clarke play an Old Time Party, Wed, Nov. 6, 7:00 PM, at The Ship, 1217 Union Ave, KCMO.]

Making Movies

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies are currently on an extensive US Tour with shows all through October and November bringing the band back home to KC for another special New Year’s Eve show at The Truman 601 E. Truman Road, KCMO, Tuesday, December 31, 2019 at 9:00 PM. More info at: http://www.mkngmvs.com]

11:47 – Pledge Break #6

Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You! Thank you to everyone who called in!

11:55

Thighmaster

15. Thighmaster – “Aerobicise”
from: Aerobicise – Single / High Dive Records / August 9, 2019
[Debut single from Thighmaster a Lawrence, Kansas based band formed by Maxfield Yoder (formerly of the bands: Dean Monkey & the Dropouts, Plains) on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Thighmaster recently signed with KC based label High Dive Records. The band is resurrecting the song-writing demons that have long haunted Mayfield Yoder. Thighmaster truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. “Aerobicise” was Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 23 – Marion Merritt returns as Guest Producer with more sonic discoveries and information from her musically-encyclodedic-brain. Also joining us is musician, singer, songwriter, producer, Shawn Stewart, and artist, actor, designer, performance artist, Late Night Theatre alum, Jon “Piggy” Cupit.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #807

WMM presents Krystle Warren & Brad Cox + Betse Ellis + Marion Merritt

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2019

Krystle Warren, Brad Cox of Owen/Cox Dance Group
+ More Favorite MidCoastal Releases of 2019
+ Betse Ellis + Marion Merritt

Mark spins tracks from 10 more of our favorite MidCoastal Releases of 2019: Lincoln Marshall, The Black Creatures, Calvin Arsenia, Madisen Ward and the Mama Bear, Other Americans, Making Movies, Mike McCoy’s Trompe-l’œil, Stacy Busch, Short Round String Band, and Thighmaster. We’ll also feature multiple tracks from Krystle Warren‘s 24-song, double vinyl album, “Love Songs – A Time You May Embrace and A Time To Refrain From Embracing” which was recently named one of the best records of the decade.

At 10:30, Krystle Warren and Brad Cox join us to share details and music about the world premiere of the Owen/Cox Dance Group: Love Songs featuring original choreography set to a live musical performance of Krystle’s acclaimed double album, “Love Songs” performed by Krystle and a full band led by Brad. The performances are Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at The Polsky Theatre at Carlsen Center for the Performing Arts, at Johnson County Community College, 12345 College Blvd, OPKS. For more information you can contact: http://www.owencoxdance.org

Betse Ellis

Marion Merritt

Mark also welcomes Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke who joins us for the entire show as our special guest co-host. We also welcome Marion Merritt, longtime contributor to Wednesday MidDay Medley, and proprietor of Records With Merritt, who also joins us as co-host. Betse & Marion will help to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Fall Fund Drive Show.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #807