WMM Playlist from Nov. 13, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2019

Una Walkenhorst & Chase The Horseman
+ OLIVIA FOX + Hadiza.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Wilco – “Everybody Hides”
from: Ode to Joy / dBpm Records / October 4, 2019
[Wilco is an American alternative rock band based in Chicago, Illinois. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo following singer Jay Farrar’s departure. Wilco’s lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004, the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released eleven studio albums, a live double album, and four collaborations: three with Billy Bragg and one with The Minus 5. Wilco’s music has been inspired by a wide variety of artists and styles, including Bill Fay, The Beatles and Television, and has in turn influenced music by a number of modern alternative rock acts. The band continued in the alternative country style of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music, including elements of alternative rock and classic pop. Wilco’s musical style has evolved from a 1990s country rock sound to a current “eclectic indie rock collective that touches on many eras and genres.”[Wilco garnered media attention for their fourth album, Yankee Hotel Foxtrot (2001), and the controversy surrounding it. After the recording sessions were complete, Reprise Records rejected the album and dismissed Wilco from the label. As part of a buy-out deal, Reprise gave Wilco the rights to the album for free. After streaming Foxtrot on its website, Wilco sold the album to Nonesuch Records in 2002. Both record labels are subsidiaries of Warner Music Group, leading one critic to say the album showed “how screwed up the music business is in the early twenty-first century.” Yankee Hotel Foxtrot is Wilco’s most successful release to date, selling over 670,000 copies. Wilco won two Grammy Awards for their fifth studio album, 2004’s A Ghost Is Born, including Best Alternative Music Album. Wilco released their ninth studio album, Star Wars, in July 2015, and in September 2016 released their tenth studio album, Schmilco, followed finally by their eleventh studio album, Ode to Joy, in October 2019.]

[Wilco plays their Ode To Joy Tour Show at The Midland, 1228 Main St., KCMO on Sunday, November 17, at 7:30 PM with Yuomo & Markus.]

3. Akkilles- “By Myself”
from: By Myself – Single / David Bennett / November 1, 2019
[Akkilles is the music project of David Bennett. I make music under Akkilles. He also helps other people make music. For this recording: David Bennett on guitars, David Bennett & Ian Thompson on keyboards, David Bennetton bass, David Bennett on synthesizer, David Bennett on vocals, Bryan Koehler on drums. Mixed and edited by David Bennett. Mastered by Dedric Moore. Artwork by Matt Schmitz. Recorded at: Aorist Studios in Kansas City. This one of three single Akkilles has released this year. “Meet in the Middle” was released October 25, 2019. “Feelin’ My Self” was released February 1, 2019. Akkilles released the critically acclaimed debut record “Something You’d Say” on July 2, 2013.]

[Akkilles plays Davey’s Uptown Rambler’s Club, 3402 Main, KCMO, on Saturday, December 14, at 8:00 PM with Gods Unwanted Children, sMallTaves, and RUBEO.]

4. The Moose – “Through The Rainbow”
from: Through the Rainbow / Bell-Bottom Trees – Single / The Moose / November 10, 2019
The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019.]

[The Moose play a Singles Release Show at recordBar, 1520 Grand Blvd, KCMO, Friday, November 15, at 7:00 PM with Hannah Norris and the Band, and Miki P and the Swallowtails.]

5. Dan Jones and The Squids – “I’ve Got Time For You”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Reception and gathering for Heart Rays: Graphics and Paintings by Dan Jones is Saturday, November 16, 5:00 to 7:00 pm, at FM Music Vintage Sounds, 206 E. 18th Ave, NKC. Dan will play some acoustic songs and FM Sounds will play Squids new album “We Live In A World That Is Out Of This World.”]

10:20 – Underwriting

6. True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions play an EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with The Black Creatures, Dream Girl, and Hadiza.]

7. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with Dream Girl, and Hadiza.]

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

8. Hadiza. – “Cousins”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza. plays the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Sat, November 30, at 9:00 PM with Dream Girl, and The Black Creatures.]

Hadiza. photo Captured by Meanz Chan / Lighting by John Hennessey Baker

10:34 – Interview with Hadiza.

Last December 29, 2018, Hadiza. released her EP Gone, and now she is back with a new 10 song, full-length album called, Shadow Weight, which continues to showcase her deeply moving voice and piano, that she considers her primary “tools” that she uses to get through…to herself. Born in Iowa City, Iowa, she has lived in Bushwick, and Atlanta. Hadiza. worked in for corporate America in the New York Finance District. For many years she studied the piano, while keeping her singing voice private. Eventually as she writes, she made the jump into her new life of composing, singing, writing, collaborating and presenting what she calls a blend of soul, classical, blues and folk. Since relocating to Kansas City from her hometown of Iowa City, she has been slowly carving out her place in the scene as a solo artist and as lead vocalist and lyricist for the experimental electronic duo Collidescope a band formed with Madi Mclaughlin.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza, thanks for being with us on WMM.

Hadiza. writes:

“It is possible to change the past. Not through false or omitted histories and not with time machines to put you there (at least not in 3d). No, you must jump.”

“Piano, voice, composition and melody, these are the primary tools she wields to get through to…herself. Tools summoning words to assist in the recursively unfolding Undertaking; to confront and embrace hers and her family’s shadows. She angles lenses available to her; neo-colonialism, romantic rejection, overbearing anxiety, and the maddening oscillations (often overlaps) of invisibility and hyper-visibility, directing the sun’s rays to illuminate.”

“Jumping timelines in Bushwick, Atlanta, Iowa City (birthplace) and now Kansas City as a keyboardist, background singer, lead vocalist and band leader, this is a journey of many entry points. What was first a coping mechanism to maintain sanity in the distinctly other-izing world of the New York Finance District version of Corporate America soon sparked the drive to study the complexities of her voice; building upon a foundation formed from middle school choir, a private love for singing, and years of training in piano.”

“When this all started, Hadiza’s timeline was one within which she acted as an element to other projects and was more than content labeling any pursuit of music a ‘hobby’. Time did what it does best in presenting more and more opportunities to jump, with each jump higher than the last. That first jump though? It was rough. Now, she composes, sings, writes, plays, refines, collaborates, shares, repeat in no particular order. The result has been an eclectic blend of soul, classical, jazz, blues and folk. Hadiza writes songs for herself first. She doesn’t expect you to relate or embrace her, but when a stranger takes something from her words, her singing, her melodies and is compelled to share, it is confirmation to keep jumping and to never look back.”

Official track list: Shadow Weight

1. Cousins
2. Narcissus
3. Abort
4. Reactions!
5. Lazy Eyes
6. Dear…(Family Song)
7. Cotton
8. Airport Funeral/Babylon Dreams
9. Sleep Paralysis
10. Elmina

Hadiza released her EP “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Monroe.

Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano.

Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy.

If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.

10:55

Hadiza, thanks for being with us on WMM.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:56

9. Hadiza. – “Reactions!”
from: Shadow Weight / Hadiza. / November 22, 2019

11:00 – Station ID

10. Olivia Fox – “Carbon”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

Aubrey Callahan, Hadiza., Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

11. Hadiza. – “Dear…(Family Song)”
from: Shadow Weight / Hadiza. / November 22, 2019

11:08 – Interview with Lauren Flynn, Aubrey Callahan and Tiffany Smith

The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs.

OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.

OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.

OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

More info at http://www.weareoliviafox.com

Aubrey Callahan, Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

OLIVIA FOX were last on WMM on April 4, 2018

OLIVIA FOX were all brought together through their manager David “DJ” Lee.

This year Lauren had a baby boy, Aubrey got married, and Tiffany adopted a new doggie

OLIVIA FOX

Carbon was Produced by Tyler Banks. Co-Produced by David “DJ” Lee. All Songs written by Lauren Flynn, BMI, Except “Blame” written by Lauren Flynn and David “DJ” Lee. All Vocals by OVFX. Additional vocals on “Not Going Down” by Kianna Alarid, Jessica Paige, Jo Mackenzie, Kat King, Nicki White, Natalie Norman, and Crystal Rose.

All drums, synths and programming by Tyler Banks. All Violin by Tiffany Smith and Acoustic guitars by Lauren Flynn. Acoustic guitars on “Across the Water” and “Carbon” by Katy Guillen. Acoustic guitars on “Easy” and “Utah” by Josh Johnson. Piano on “Little Bird” and “Elevator Doors” by Jess Hughes. Album artwork: Chet Flynn.

Copyright and Production 2019. OLIVIA FOX Records. All rights reserved.

11:13

12. Olivia Fox – “Across The Water”
from: Carbon / OLIVIA FOX / August 23, 2019

11:17

OLIVIA FOX

We are talking to Kansas City musicians: Lauren Flynn, Aubrey Callahan and Tiffany Smith who make up the Kansas City band, OLIVIA FOX.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

Lauren Flynn plays piano, guitar, mandolin, bass. Lauren grew in Independence, Missouri and prior to Olivia Fox had been performing solo artist playing as L.A. Price.

Aubrey Callahan sings, plays keyboards, synthesizers, guitar in Olivia Fox and is also an award winning Kansas City based wedding photographer with Aubrey Erin Photography. She studied photography at University of Central Missouri and the University of Central Lancashire (UCLan). Aubrey You grew up in Liberty, Missouri. More information at:
http://www.aubreyerinphoto.com http://www.kcvintagewedding.com

Tiffany Smith sings, plays violin and guitar, and creates many of the band’s string arrangements. Tiffany is also a Registered Nurse at Outpatient Mental Health. She grew up in the Blue Springs area.

11:25

13. Olivia Fox – “Empty”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

[OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.]

[OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.]

11:29 – Underwriting

Una Walkenhorst, Chase Horseman, Tiffany Smith, Lauren Flynn, and Aubrey Callahan on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

14. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:35 – Interview with Una Walkenhorst & Chase The Horseman

Following the release of her debut album “Scars” in 2014, Una Walkenhorst loading up her 97 Honda Civic, and spent a year traveling across North America playing bars and open mics, and booking her own gigs. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. In the last 23 months, 26 year old,, Una has played The Folly, Boulevardia, Crossroads Music Fest, Middle of The Map Fest, opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest;, and has helped to produce shows to benefit The Innocence Project, and MOCSA. Last year In Una released the album “For Tomorrow” with her father Bob Walkenhorst, taking turns as songwriters with 5 from Una, interwoven with 5 from Bob, written individually, and recorded together, in shared musical DNA harmonies, that can be heard in family bands like The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.

Una Walkenhorst thank you for beibg with us on Wednesday MidDay Medley

Chase The Horseman

Also with us is our friend, Chase the Horseman, who is one of the hardest working guys in the music business. Chase The Horseman is a band, a film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over nearly 40 films and has released multiple singles and recordings a solo artist. As a musician and producer Chase has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner, and many more. Recently Chase released his latest EP “Disinformation Blues.”

Chase Horseman thank you for being with us on Wednesday MidDay Medley

Una Walkenhorst and Chase the Horseman join us to share music and news of their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC. More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music.

Una toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.”

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York. After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half. Una wanted to make it as a musician, on her own terms without help from her father. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. More info at: http://www.unawalkenhorst.bandcamp.com

Whoa Dakota is Jesse Ott.

On her first full length album, Patterns, Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electro pop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere.

Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk- Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.

10:43

15. Whoa Dakota – “Patterns”
from: Patterns / Whoa Dakota / September 15, 2017
[Debut length album, Patterns, from Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electropop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere. Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk ala Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.]

[Whoa Dakota plays The Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM with Una Walkenhorst and Chase the Horseman.]

Una Walkenhorst and Chase Horseman on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:47 – Interview with Una Walkenhorst & Chase The Horseman

We are talking with Una Walkenhorst and Chase the Horseman about their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thurs. Nov. 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC.

Una Walkenhorst is currently working on her new EP due to be released soon. She is also getting set to release the first single and video from the EP, “People in The Paper.”

11:53

Una Walkenhorst and Chase Horseman, Thanks for being with us on WMM

More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

11:56:48

16. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horsemn released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, November 20, we welcome Tim Finn – Music writer for IN Kansas City, Marion Merritt – owner of Records With Merritt, Chris Haghirian – from Ink and KC Star and host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – founder of I Heart Local Music who all join us to share their favorite releases of 2019.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #811

Wednesday MidDay Medley presents Olivia Fox + Una Walkenhorst & Chase The Horseman + Hadiza.

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2019

Una Walkenhorst & Chase The Horseman
+ OLIVIA FOX + Hadiza.

Mark plays more New & MidCoastal releases from: True Lions, OLIVIA FOX, Dan Jones and The Squids, Chase the Horseman, The Moose, The Black Creatures, Akkilles, Hadiza., Bob & Una Walkenhorst, Whoa Dakota and Wilco.

Hadiza. photo Captured by Meanz Chan / Lighting by John Hennessey Baker

At 10:30 singer, songwriter and pianist Hadiza. joins us to share her new 10-track album, “Shadow Weight.” Since relocating to Kansas City from her hometown of Iowa City, she has been slowly carving out her place in the scene as a solo artist and as lead vocalist and lyricist for the experimental electronic duo Collidescope a band formed with Madi Mclaughlin. Hadiza’s sound is a blend of blues, classical, jazz, soul and folk. Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures. And, Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater. More info is at: http://www.hadizaisnothere.bandcamp.com

OLIVIA FOX

At 11:00 Mark talks with Lauren Flynn, Aubrey Callahan and Tiffany Smith who are the Kansas City trio, OLIVIA FOX who recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads. OLIVIA FOX play Kauffman Center for the Performing Arts on Monday, 1601 Broadway Blvd, November 25, at 7:00 PM with Yes You Are, in a special concert for members of the Kauffman Center for the Performing Arts. AND, OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA with The Spring Standards. More info at http://www.weareoliviafox.com

At 11:30 Una Walkenhorst and Chase the Horseman join us to share music and news of their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. Recently Chase released his latest EP “Disinformation Blues.” Una Walkenhorst is an indie folk singer/songwriter who has opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest; and toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.” Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC. More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #811

WMM Playlist from October 16, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2019

Krystle Warren, Brad Cox of Owen/Cox Dance Group
+ More Favorite MidCoastal Releases of 2019
+ Betse Ellis + Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Phillips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play OA2 EP Release w/ Emmaline Twist, Sat, Oct 19, 9:PM, miniBar, 3810 Brdway.]

10:04 – Fall Fund Drive w/ Special Guest Co-Hosts: Betse Ellis & Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also a member of the Short Round Stringband, the 5-piece band that released a 14-track album this year called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her patrner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

10:12

Calvin Arsenia

4. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019
Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Heart of the Matter, Sat, Oct 19 at 7 PM at Trinity United Methodist Church 620 E. Armour Blvd, KCMO, The final in Trinity’s series celebrating 100 years on Armour Blvd.]

4. Madisen Ward and the Mama Bear – “Back to the North”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear, recently played The High Watt, Nashville, Saturday, October 12, and Levitt Shell, Memphis, Sunday, October 13.]

10:20 – Pledge Break #2 – [7 Minutes]

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Calvin Arsenia and Madisen Ward and The Mama Bear. Wednesday MidDay Medley was the first radio show to ever play their music. Calvin has been a guest on WMM 15 times and MadisenWard and the Mama Bear have been on the show 8 times. We not only play the music but we let you know where to see these artists perform live in KC and around the country. We offer information about when the music was released, who contributed to the recordings and information about these artists. Our playlists are posted on http://www.kkfi.org, http://www.spinitron.com, http://www.facebook.com/WednesdayMidDayMedleyon90.1FM, https://twitter.com/MarkTManning, and playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org.

10:27 – Underwriting

Krystle Warren

5. Krystle Warren & The Faculty – “Tuesday Morning”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

Brad Cox, Krystle Warren, and Jonathan Anderson on the October 16, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Krystle Warren, Brad Cox and Jonathan Anderson

Krystle Warren, Brad Cox and Jonathan Anderson join us to talk about the world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at The Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being withus on WMM

Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty. Krystle’s most recent release, Three The Hard Way was co-producing by Ben Kane (D’Angelo) and was #1 on WMM’s 117 Best Recordings of 2017.

Brad Cox

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Jonathan Anderson is a freelance professional musician who lives in San Francisco. He played keyboards on the 2012 double album “Love Songs”. He has played with Krystle in multiple live concerts including her Sunday, October 6, 2013 concert on the City Stage of The Power & Light District in Kansas City a band that also included Brad Cox, Jeff Harshbarger and Mike Stover.

Krystle Warren, Brad Cox, and Jonathan Anderson thanks for being with us on WMM

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” on Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

10:42

6. Krystle Warren & The Faculty – “Fool Me Once”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012]

10:45 – Pledge Break #3

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard Krystle Warren. KKFI and Mark Manning were some of the very first to play Krystle’s music on the radio. Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours during a winter snow storm, at a huge party where Krystle played with her band including her longtime friend Solomon Dorsey on bass. The show was a benefit show, in a packed, smoke filled apartment, near Community Christian Church across the hall from where Solomon lived. When the show was over Solomon gave Mark a 2-song demo CD, that contained some of Krystle Warren & The Faculty’s ‘s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was one of the first radio shows to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording.

Now, more than ever, Independent, Community Media is important for our world Along with our stellar National Public Affairs shows like Democracy Now, we offer programs specifically produced for the LGBTQIA collective communities, Women’s issues, Native American news and culture, Middle Eastern music and information, latino programming, African American public affairs and community news, labor and worker’s unions, our prison population and justice system, environmental programming, visual and literary arts, and performing arts.

We are The Voice of The Community – 90.1 offers 102 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 147 hours each week of locally produced handcrafted programs.

You we not find this kind of representative diversity anywhere else on your radio dial. or from any singular source on your computer. It is very special. It needs to be nourished and kept alive.

10:52

7. Krystle Warren & The Faculty – “Forever Is a Long Time”
from: Love Songs: A Time You May Embrace (Love Songs- A Time to Refrain from Embracing) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:56 – Station ID

10:56 – More Interview with Krystle Warren & Jonathan Anderson

Krystle Warren, Brad Cox, and Jonathan Anderson join us to talk about the world premiere of Owen/Cox Dance Group: Love Songs featuring new original choreography by Jennifer C. Owen, brought to life by the amazing dance company of Owen/Cox, to all 24 songs from Krystle’s critically acclaimed double album “Love Songs,” performed LIVE by Krystle Warren, with a 12 piece band of many of Kansas City’s very best musicians.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

Love Songs: “A Time You May Embrace” and “A Time to Refrain from Embracing” is a double album recording, of songs written by Krystle Warren (12 songs on each album) from a 13-day session in Brooklyn, where she recorded 24 songs live with 27 musicians including her band, The Faculty, alongside choirs, horn and string sections.

The world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” is Saturday, October 19, at 8:00 PM and Sunday, October 20, at 2:00 PM, at Polsky Theatre at Carlsen Center at Johnson County Community College, 12345 College Blvd, OPKS. For more info you can contact: http://www.owencoxdance.org

11:07

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

11:10 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:17

The Black Creatures

9. The Black Creatures – “wretched (it goes)”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Lincoln Marshall, and Neak]

10. Lincoln Marshall – “Falling Up”
from: Wisdom / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray. Additional keyboards & atmosphere by Asterales, guitar by Ross Williams, horns by Miles Bonny, live drums & percussion by Aikido Bray. Artwork, Photography & Layout Design By: The Art My Life Imitates

[Lincoln Marshall play Minibar, 3810 Broadway Blvd, KCMO Wednesday, October 16, at 9:00 PM, with Domineko, Black Creatures, and Neak]

11. Stacy Busch – “When / Time”
from: When / Time – Single / Stacy Busch / October 3, 2019
[“When/Time” is the flagship piece for a new collaboration between Stacy Busch, Andi Meyer, Sascha Groschang and J.J. Pearse coming next spring. Stacy will be performing this live along with an all new set on October 17, at 8:00 pm at Westport Coffee House at my show called “She Shed.” I’ll also be performing this song at the ArtsKC Awards Luncheon in February. 30 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch is presenting “She Shed” Thursday, October 17, at 8:00 pm at Westport Coffee House, 4010 Pennsylvania, KCMO, Featuring J.J. Pearse and pieces written by Kalli Siringas. This is a No Divide KC production. All proceeds will go towards No Divide KC and our 2020 programming.]

11:27 – Underwriting

11:29 – Pledge Break #5

Our Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

We offer loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Records With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music,

11:36

Mike McCoy

12. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

Short Round Stringband

13. Short Round Stringband – “The One I Love is Gone”
from: Ain’t No Part of Nothin’ / Short Round Stringband / July 19, 2019
[From the debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience.]

[Short Round Stringband play Pilgrim’s Progression Dance Weekend, Friday, November 15th, 7:00 PM, East Lawrence Recreation Center, 1245 E 15th St, Lawrence, KS]

[Betse & Clarke Return to Open Range Concerts, Sunday, November 3, at 3:00 PM in Paola, Kansas]

[Betse & Clarke play an Old Time Party, Wed, Nov. 6, 7:00 PM, at The Ship, 1217 Union Ave, KCMO.]

Making Movies

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies are currently on an extensive US Tour with shows all through October and November bringing the band back home to KC for another special New Year’s Eve show at The Truman 601 E. Truman Road, KCMO, Tuesday, December 31, 2019 at 9:00 PM. More info at: http://www.mkngmvs.com]

11:47 – Pledge Break #6

Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You! Thank you to everyone who called in!

11:55

Thighmaster

15. Thighmaster – “Aerobicise”
from: Aerobicise – Single / High Dive Records / August 9, 2019
[Debut single from Thighmaster a Lawrence, Kansas based band formed by Maxfield Yoder (formerly of the bands: Dean Monkey & the Dropouts, Plains) on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Thighmaster recently signed with KC based label High Dive Records. The band is resurrecting the song-writing demons that have long haunted Mayfield Yoder. Thighmaster truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. “Aerobicise” was Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 23 – Marion Merritt returns as Guest Producer with more sonic discoveries and information from her musically-encyclodedic-brain. Also joining us is musician, singer, songwriter, producer, Shawn Stewart, and artist, actor, designer, performance artist, Late Night Theatre alum, Jon “Piggy” Cupit.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #807

WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

WMM Playlist from August 28, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 28, 2019

Enrique Chi & Making Movies’ Carnival
+ Danielle Jones & Tim O’Connor of LA Jones

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Soultru – “Must Be”
from: Must Be – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays the MOTM Film Presents: with NuBlvckCity, and Duncan Burnett at The Rino, 314 Armour Rd, NKC, Saturday, August 31 at 7:00 PM as part of Middle of the Map Film Festival that start TONIGHT August 28, and runs through September 4 at Screenland Armour, 408 Armour Rd, NKC. More info at: http://www.middleofthemapfest.com]

3. Seratones – “Gotta Get to Know Ya”
from: Power / New West Records / August 23, 2019
[Seratones are from Shreveport, Louisiana and include: AJ Haynes on vocals & guitar; Adam Davis on bass & backup vocals; Jesse Gabriel on drums, percussion, vibraphone & backup vocals; Tyran Coker on keyboards, piano, synth, guitar & backup vocals; Travis Stewart on guitar & backup vocals, and Matt Combs on strings. Produced by Bradley Shultz – A Small House Production. Additional Production on “Crossfire” by Chris Sunday. Recorded by Jeremy Ferguson at Battle Tapes Recording, Nashville, TN. Mixed by Claudius Mittendorfer. Mastered by Adam Grover at Sterling, Nashville, TN]

4. Purple Mountains – “My Happiness is Gone”
from: Purple Mountains / Drag City Records / July 12, 2019
[Purple Mountains was an American indie rock project formed by musician and poet David Berman. The project debuted in May 2019, over a decade after the dissolution of Berman’s previous group Silver Jews. An eponymous album was released in July 2019. The album was recorded primarily in Chicago and produced by Jarvis Taveniere and Jeremy Earl of the band Woods. The project’s name is a mondegreen of the lyric “Purple mountain majesties” from “America the Beautiful”. The project was presumably dissolved upon Berman’s death on August 7, 2019. Berman returned to music in 2018, co-producing Yonatan Gat’s critically acclaimed album Universalists. On December 12, 2018, former Pavement and Silver Jews member Bob Nastanovich revealed on his podcast Three Songs that David Berman would release new music in 2019 under the name Purple Mountains, which was also the name of Berman’s blog. Although, his blog was also titled Menthol Mountains at times. On May 10, 2019, Berman released his first music in over a decade, a single entitled “All My Happiness Is Gone” on vinyl by Drag City, using the moniker Purple Mountains. The single included two remixes of the song, “All My Happiness Is Wrong” by Noah Count and “All My Happiness Is Long” by Mark Nevers featuring clipped recordings of Dave Cloud, and also indicated that a full-length album was a “couple months away.” It also credited Berman, Jeremy Earl and Jarvis Taveniere of Woods, Aaron Neveu and songwriter Anna St. Louis. The single was released digitally on May 17, 2019 with the announcement of a full-length album. The eponymous debut album, accompanied by a US tour, was released on July 12, 2019. “Darkness and Cold” was released as the album’s second single on June 11, 2019. “Margaritas at the Mall” was released as the album’s third and final single on June 28, 2019. A remix of “All My Happiness Is Gone” by Australian electronic music group The Avalanches, who Berman has collaborated with in the past, was commissioned by him, but a licensing issue prevented their version from being released. A few reviews: David Berman is back from his post-Silver Jews void and moving Purple Mountains onto our fruited cultural plain. His iconic literary lyrics sit astride immaculate country-rock tunes, evoking jukebox-ready disaffection with twists of pathos, comedy and tragedy – an indie poet laureate at false dusk! Stop the world! Purple Mountains’ inaugural voyage launches with a five-alarm weep-rocker – and total self-destruction never sounded so good. Amid sumptuous mellotron strings n’ galloping tom-toms, David Berman’s stone-cold account of middle age’s wild unkindnesses takes on a positively heroic glow.]

4. Hannah Norris & the Band – “Ego Death”
from: Ego Death – Single / Hannah Norris & the Band / October 30, 2018
[Lawrence / Hays Kansas based Hannah Norris, on lead vocals & guitar, Kenny Singleton on drums and Matt Mozier on bass. Recorded in September 2018 at Fire & Ice Studios, and engineered by Steve Squire.]

[Hannah Norris & the Band play The Bottleneck, 737 New Hampshire St., Lawrence, KS. Saturday, August 31, at 8:00 PM with The Una Walkenhorst Trio, & Teri Quinn – This show will also be celebrating the 6th month anniversary of our Survivors’ Stories: Stand Against Sexual Violence event, which all three acts were involved in. “Stand Against Sexual Violence” will be available wot proceeds benefiting MOCSA, the Metropolitan Organization to Counter Sexual Assault.]

[Hannah Norris & the Band play the 15th Annual Crossroads Music Fest, Saturday, September 7, 2019]

5. The Nude Party – “Water On Mars”
from: The Nude Party / New West Records / July 6, 2018
[All songs written and composed by The Nude Party. Lyrics by Christopher Patton Magee. Produced by Oakley Munson. Recorded by Matthew Cullen at Dreamland Recording Studios in Woodstock, NY. Mastered by Scott Craggs at Old Colony Mastering in Boston, MA. The members came together in the freshman dormitories of Appalachian State University in Boone, North Carolina in 2012. Patton Magee (lead vocals, guitar), and later Austin Brose (percussion, vocals), linked up with childhood friends Connor Mikita (drums) and Alec Castillo (bass guitar, vocals), and stepbrothers Shaun Couture (lead guitar, vocals) and Don Merrill (organ/piano, vocals). The following summer, with the shimmer of The Kinks, Velvet Underground, and other still-unsurpassed classic rock masterpieces as their soundtrack, the young men moved into a lake house outside of town, began acquiring and learning to play instruments, and jamming on rudimentary riffs. Friends came by the lake house to swim and canoe and party and soon ritual nudity was a part of the festivities. When the fall semester came around the friends moved into a house in Boone and the jamming continued in the basement on a nightly basis. During this time the Dionysian Adamite sextet began developing a following as the house band at a notorious Boone party palace referred to as the 505 House. The bare honesty of their performances was contagious and their audience also started partying au naturel. While these traditions may appear risqué to the casual observer, the band explains, “These weren’t orgies, they weren’t sexual even. It was just kind of a wild exhibitionism that we felt gave us freedom.” ]

[The Nude Party play Knuckleheads Saloon, 2715 Rochester St, KCMO on Sunday, September 1, at 8:00 PM, with Pinky Pinky.]

6. Ceremony – “In the Spirit World Now”
from: In the Spirit World Now / Relapse Records / August 23, 2019
[Rohnert Park, California based band, CEREMONY were formed in 2005. They make their Relapse Records debut with their highly ambitious new album, ‘In the Spirit World Now’! The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer’s most compelling and infectious records. “In the Spirit World Now” is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now” is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.]

7. The Sluts – “Break Their Heart”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play Riot Room, at 4048 Broadway, on Friday, August 30, at 8:00 PM with Mild Cats and The Typing Pool.]

10:30 – Underwriting

9. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

Danielle Jones and Tom O’Connor on the August 28, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:34 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band formed in 2016. LA Jones in 2016. after a string of singles they released their debut EP Bring Me Back Down this past Spring, and played an EP Release Show, at The Rino. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.

L A Jones play Camp Leavenworth Festival, Saturday, September 21.

Danielle Jones has worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools. Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015. She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Danielle Jones is engaged to Tim O’Connor

Tim O’Connor has worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School. Tim O’Connor studied at Kansas State University from 2011 to 2016. Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.
Bring Me Back Down was engineered at Soundworks Recording Studio.

Last time Danielle and Tim were here was just before LA Jones played recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves.

New Single: “Behind The Times”

10:41

10. L A Jones – “Behind The Times”
from: Behind The Times – Single / L A Jones / September 4, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, the band has now grown to feature a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

L A Jones

10:46 – Interview with Danielle Jones & Tim O’Connor

LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band includes a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists.

Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones includes:
Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

More information at http://www.officiallajones.com

10:53

11. L A Jones – “Switch”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

12. The Milk Carton Kids – “Younger Years”
from: All the Things That I Did and All the Things That I Didn’t Do / Anti / JUne 29, 2018
[The Milk Carton Kids are an American indie folk duo from Eagle Rock, California, United States, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who began making music together in early 2011. The band has recorded and released five albums: Retrospect, Prologue, The Ash & Clay, Monterey, and All the Things That I Did and All the Things That I Didn’t Do. They are noted for releasing their first two albums for free. Pitchfork writes about their new album: “Pattengale and Ryan have loosened their restrictions, inviting a cast of session pros that includes Wilco’s Pat Sansone to add splashes of piano, strings, and thumping drums to their songs. The additions are often subtle—conceptually, they have more in common with Beach House’s quiet amalgamation of synth tones than with Bob Dylan going electric—but they have an outsized impact on the group’s dynamics. These songs continue the world-weary narratives of earlier tracks like “Michigan” and “Years Gone By,” albeit with heightened urgency: Pattengale overcame a cancer diagnosis and the dissolution of a long-term relationship before recording got underway. Paradoxically, though, the album crackles with newfound levity and muscle.”]

[The Milk Carton Kids play Knuckleheads Saloon 2715 Rochester, TONIGHT, Aug 28, 8:00 PM]

11:00 – Station ID

13. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob and Una Walkenhorst at Light Up The Lawn, Hosted by Carlsen Center at Johnson County Community College and Nerman Museum of Contemporary Art on Friday, August 30, at 8:30 PM at Nerman Museum of Contemporary Art 12345 College Blvd, Overland Park, KS.]

14. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform]

[Hadiza plays An Evening with Hadiza. Friday, August 30, at 7 PM at Gaslight Gardens, 317 N 2nd St, Lawrence, Ks]

[Hadiza. plays The 15th annual Crossroads Muic Fest, Saturday, September 7, 2019]

15. Timbers – “I Could Be The One”
from: Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

[Timbers play The Stockyards Brewing Company, on Sunday, September 1, at 3:00 PM]

16. Erin Keller – “Moonlight in Vermont”
from: Distracted / Erin Keller / May 9, 2016
[KC based vocalist Erin Keller is originally from Waukee, Iowa. She was born in August, in 1980. Erin has been singing on a professional level for 25 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. In April Erin released her new album, “Distracted,” and has been playing live shows while also being upfront and honest about her recent cancer diagnosis where she has received multiple rounds of chemo treatments. Erin Keller wrote the song “Distracted” and recorded her songs with Chad Meise. Immediatedly after the album was released Erin diagnosed with liver cancer and began treatments, while also going through a divorce, and moving to a new home. During her chemo treatments Erin continued performing and producing shows, keeping an incredible sense of humor and strenght through such a difficult period. She has successfully completed multiple round of chemo.]

[Erin Keller & the Love Basement play The Ship, 1217 Union, KCMO, tomorrow August 29, 9:00 PM. It’s Charlie Parker’s Birthday and also Erin Keller’s Birthday! Steve Lambert on saxophones & flute, Nick Howell on trumpet & tambourine, Arnold Young on drums & percussion, Brian Steever on drums & percussion, Jason Emmond on bass, Andrew Ouellette on keyboards.]

17. Like A Tiger – “Home Movies”
from: Home Movies / Like A Tiger / January 18, 2019
[Pete Marten on guitar & loops, KR Azad on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte. Like A Tiger began playing together in early 2018 and draws on influences of rock, jazz, and electronic music. The band presents a refreshing take on instrumental rock, using live looping and exploring effects, textures, and timbres. Members Pete Marten, John O’Keefe, and Krishnaswami Ramachandran Azad recorded their debut album Home Movies in September of 2018.]

[Like A Tiger play miniBar, 3810 Broadway, Sat, August 31, 9:00 PM w/The Sexy Accident and Miki P.]

18. Barnaby Bright – “Just The Same”
from: Barnaby Bright / Shortest Night Music / June 21 , 2019
[Brooklyn-based indie folk rock duo Barnaby Bright, have garnered high accolades for their lyrically captivating and impeccably balanced songwriting and sound. Finalists in the New York Song Circle Contest for two years in a row, Barnaby Bright was awarded the Grand Prize, winners in November 2010 for their song, “Don’t Look Down.” Formed in 2009, Barnaby Bright is Becky Bliss on lead vocals, harmonium, Keyboards, & Ukulele ; and Nathan Bliss on guitar, vocals, loops, and banjo. Both classically-trained, the duo has made some cool Americana records, lived in Brooklyn, Nashville and Kansas, toured coast to coast, run out of money, toured Europe, run out of money again, won high-falutin’ prizes for songwriting in New York, generally not argued, done benefit shows for prestigious US AAA radio stations, given away 200k+ tracks on Amazon, played Lincoln Center & NPR’s Mountain Stage, eaten copious amounts of vegetarian food, attracted 19k+ listeners a month on Spotify and opened for Norah Jones & the Lumineers. “This is Life,” was co-produced with Cason Cooley (Ingrid Michaelson, Matt Kearney) and speaks to where they’ve been, who they are, what they want and where they’re going. It’s smart pop with an authentic Americana stamp, not the other way round. Somewhere in there they got married, but they’d rather not talk about that.]

[Barnaby Bright play the Kansas City Songwriter Series, at Kemper Museum of Contemporary Art, Thursday, August 29, 5:00 PM to 7:00 PM, curated by KC Trumpeter Hermon Mehari. More info at: http://www.kemperart.org]

11:30 – Underwriting

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com]

11:34 – Interview with Enrique Chi

Enrique Chi is lead singer & co-founder of the KC based and internationally known band Making Movies. Enrique joins us to talk about Making Movies critically acclaimed new album, ameri’kana. Enrique is also here to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO, featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi, thanks for being with us again on WMM.

Last time Enrique here was just before your intimate solo show “From the River to the Delta” on July 18, in Carl Butler’s Gospel Lounge a Knuckleheads. Accompanied by special guests the Altoro Sisters, and John Kizlarmut. Malek Looney, Rebel Song Academy Alumni opened the show with a mini set.

Making Movies Carnaval, will be Saturday, Sept 7, at 8:00 PM at Knucklehead’s Saloon.

ameri’kana, the highly anticipated album from Making Movies and Rubén Blades, is out today. It’s an album that is as striking musically as it is narratively. It’s the power of collaboration across generations/languages/borders- it’s a call to action.

The album is a collaboration with none other than Rubén Blades. The collaboration began at the 2017 Latin Grammys, when Blades said he wanted to work with Making Movies, setting into motion their first collaboration, No Te Calles, a calling to all artists and the general public to speak out against corruption. Inspired by the poetry of Blades on “No Te Calles” Making Movies entered the studio and dreamed up ameri’kana, an “oldies” station from the future, where the injustices sung about are long gone. The album features artists that align with speaking out against divisions, corruption, and injustices, with the hope that in the future those ills will be a memory. Steve Berlin of Los Lobos signed on to produce the album, his third time working with the group, along with co-producer Ben Yonas and together helmed the sessions that brought the featured cast of ameri’kana: Flor De Toloache, David Hidalgo of Los Lobos, Asdru Sierrra of Ozomatli, Frankie Negrón, and Las Cafeteras. Blades offered himself as a guide and resource to the band during the process, and appears on three tracks of the record, including one co-penned by Lou Reed.

“For the first time in our journey we have aimed at a focused message to stand up against the political corruption and injustices that are plaguing our beautiful continent, Abya Yala.” said Enrique Chi, guitarist & frontman of Making Movies. “We are all accomplices in it and we must be accomplices in the solution which begins with raising our voices.”

The album’s genre-breaking sound pulls from Latin music as well as rock’n’roll, which Making Movies attests are one and the same: without the influence of Latin music in North America, jazz and blues would have never been born, nor would its successor rock’n’roll. ameri’kana marks the band’s sound and mantra: “ROCK’N’ROLL IS LATIN MUSIC,” they are as inseparable as the continent itself.

Making Movies is currently celebrating the release on a tour across the U.S. and Panama. Rubén Blades and Making Movies will share the stage for the first time at the Auditorio Nacional in Mexico City on November 20th.

Upon the release of this album I Am Another You, (May 26, 2017). Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.”

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

11:42

20. Making Movies & Las Cafeteras – “Montańa”
from: Montańa – Single. / 3/2 Records / June 8, 2018
[Las Cafeteras’ album “Tastes Like L.A.” (released April 14, 2017) was part of WMM’s 117 Best Recordings of 2017. They call themselves a Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

Enrique Chi

11:44 – Interview with Enrique Chi

Enrique Chi, lead singer & co-founder of the KC based and internationally known band Making Movies is here with us in our 90.1 FM Studios to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCM, featuring Las Cafeteras from Los Angeles, who we just heard in a collaboration with Making Movies.

Enrique Chi, thanks for being with us again on WMM.

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members.

Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi thanks for being on WMM.

21. ÉSSO – “La Calle”
from: Juntos / Esso Afrojam Funkbeat / September 8, 2017
[ESSO’s second full length album on their own “Sonic Octopus Records” brings a more concise and focused approach for the diverse multi-faceted band. “Juntos” is a step forward in the arrangement and definition of this Chicago based collective. “ESSO might just be the band the country needs in these dark days of the Trump presidency.” -Agúzate.org (Sept 2017) Esso Afrojam Funkbeat is a large conglomeration with a rich guest list, mixing upbeat salsa on pieces like “Baila” and “Mariposa Negra” to hip hop tunes such as “Mi Gente” and the electric grooved “Cumbia Del Encanto.” Some folk guitar and lovely voice by Diana Mosquera create a rich atmosphere on “Cumbia Triste” and folk driven flute from Matthew Davis teams with indie moods on “Stone Eagle.” Traditional sounds with Millennial hearts – JazzWeekly (November 2017) “Music is an amazing thing. You don’t have to understand any of the lyrics of a song to be moved by the melody and the rhythm. Juntos, the latest album from Esso Afrojam Funkbeat is a great testament to this phenomenon. Even if you don’t understand a word of Spanish, you’re likely to find yourself moving when you listen to it.” – AXS (Sept 2017) All songs performed by ¡ESSO! Afrojam Funkbeat. Armando Pérez recorded + mixed = produced at Belmont Electric Studios, Chicago IL. Rollin Weary mastered at IV Labs, Chicago IL. Mark Ettinger, piano recorded at the Lethe Lounge, NYC. AfroQbano beats, Patrick’s piano, and Jess’ batá drums recorded at Ekibo’s, Chicago IL. Aaron Feder, guitar recorded at Alma Studios, Barcelona, Spain. Music and lyrics by Armando Pérez except for: additional music and lyrics on “Mariposa Negra, Cumbia Triste, Sangre” by Diana Mosquera. “Mi Gente” music and verse by Kevin Miller. “Homenaje” lyrics are traditional Yoruban Chants. Programmed beats on “Meet Me Out, Piramides, Stone Eagle” by AfroQbano. Rhymes and spoken word poems written by all emcees respectively Poetas mexicanos invitados por Syncretik Productions. Sonic Octopus Recordings Copyright 2017 Fantasy Bunker Publications ASCAP.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 4, Madisen Ward, of Madisen Ward and the Mama Bear join us with KKFI Development Director Bill Sundahl to share all the details and play music from the 15th annual Crossroads Music Festival, featuring 30 bands in 6 venues with Day parties and Drumlines More information at CMFKC.COM

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #800

WMM Playlist from August 7, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 7, 2019

New & MidCoastal Releases + Giants Chair
+ Fally Afani & RAICES Benefit

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

Enrique Chi

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).]

4. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play The Bottleneck, 737 New Hampshire St, Lawrence, KS., Wednesday, August 7, at 8:00 PM, with You Bred Raptors?, and HMPH!]

5. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays recordBar, 1520 Grand, Sat, Aug 10, 8:PM, w/ Beau Jennings & The Tigers, Blue False Indigo]

6. Ivy Roots – “Appreciate (feat. Eddie Moore)”
from: Love Art Growth – EP / Ivy Roots Music / June 5, 2019
[New EP release from natie KC singer songwriter, who plays piano & guitar, and produces beats. This is a follow up to her 2016 full-length debut “Bad Intuition” released April 14, 2016. Ivy Roots has a style that ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. She has performed at Lincoln Center in NYC, Crossroads Music Fest, and with film & performance. Written & produced by Ivy. Info: http://www.itsjustivy.com]

[Ivy Roots plays miniBar, 3810 Broadway, KCMO, Tonight, Aug. 7, at 9:00 PM w/ Sister Ivy, Ant Lab]

[Ivy Roots plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thurs, Aug. 8, at 7:00 PM w/ Khrystal., Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

7. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently graduated from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[Mae C plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Khrystal., Ivy Roots, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

8. Khrystal. – “Alchemist (featuring Duncan Burnett)”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

[Khyrstal. plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Ivy Roots, Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

10:31 – Underwriting

9. The Creighton Organization featuring: Jimmy Dykes – “Goin To New Orleans”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / (David Ford) / 2009
[The Creighton Organization is a Jazz band from Kansas City, Missouri with Dave Creighton on keys]

[The Creighton Organization plays The Ship, 1217 Union, KCMO – TONIGHT, Aug. 7, at 8:00 PM]

Short Round Stringband

10. Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nuthin’ / Short Round Stringband / July 19, 2019
[Debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in between all of that, you’ll laugh at their madcap humor.]

[Short Round Stringband play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Sunday, August 11, at 7:00 PM, with The Tillers, and Lauren Morrow]

[Short Round Stringband play Olathe Public Library, 201 E Park, Olathe, KS., Tues, Aug. 13, at 7 PM]

11. Calvin Arsenia – “Back To You”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions to be released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe. Patrick Sprehe of Center Cut Records tells us that Calvin has been in California and the West Coast for much the past month. Calvin attended the Pride Parade in San Francisca and had a successful show at Hotel Utah. Center Cut reunited the musicians fromLA Sessions for a big show at The Mint in Los Angeles, Starline Social Club in Oakland, and a couple of events in Healdsburg. Calvin also played Oregon Country Fair with Quixotic and as a solo artist. alvin also played SoFar Sounds/xFinity radio show at the Tonga Room in San Francisco and is attending the first Billboard Pride Summit in LA on Thursday. Then he is off to Boulder for a couple of nights before returning to KC to finish the video for Back To You.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

12. Ada Lea – “Wild Heart”
from: What We Say In Private / Saddle Creek / July 19, 2019
[Montreal, Quebec-based musician Ada Lea is also a painter and visual artist, and traces of her many creative abilities run throughout her debut album. To her, music and visual art are different vessels for communicating similar ideas. Ada Lea’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Whether it’s creating music or art, “It’s a world that I can build around me and sit inside,” she says. Through all her work, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.]

13. Florist – “As Alone”
from: Emily Alone / Double Double Whammy / July 26, 2019
[Florist is an American indie pop band from Brooklyn, New Yorkformed in 2013 with the release of a six-track EP titled We Have Been This Way Forever. Florist recorded another six-song EP, titled 6 days of songs, in May 2014, after lead vocalist Emily Sprague was severely injured in a hit-and-run while riding her bicycle. In October 2015, Florist released another EP titled Holdly on Double Double Whammy. Also in 2015, the band was listed on Stereogum’s “50 Best New Bands Of 2015” list. The band was also featured as one of Stereogum’s “Band To Watch” in 2015. In January 2016, Florist released their debut studio album titled The Birds Outside Sang on Double Double Whammy. The album was listed at number 34 on Noisey’s “100 Best Albums of 2016” list. Band members include: Emily Sprague, Rick Spataro, Jonnie Baker, and Felix Walworth. Sprague is an avid modular synthesizer collector and has made a number of YouTube videos showcasing her equipment. She self-released her debut solo album Water Memory, an ambient album composed with these instruments, in December 2017 with a follow-up album “Mount Vision” released in September 2018. In 2019, Beyonce used an instrumental portion of Florist track “Thank You” from their 2016 release The Birds Outside Sang in her Netflix concert movie Homecoming. Florist’s latest album, Emily Alone, was released was granted “Best New Music” by Pitchfork.]

14. Jay Som – “Super Bike”
from: Anak Ko / Polyvinyl Records / August 23, 2019
[9 song releaze and follow up to her debut. from http://www.jaysom.bandcamp.com: Everybody Works released by Polyvinyl Records on March 10, 2017 was the first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

[Jay Som plays The Granada Theatre, 1020 Massachusetts, Lawrence KS., Tuesday, October 15, at 7:00 PM with Gia Margaret, and Boy Scouts. All Ages.]

11:01 – Station ID

15. Giants Chair – “Ghost Love”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Giants Chair

11:04 – Interview with Scott Hobart

Singer-songwriter / guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released two new songs and are working on material for their 3rd studio album. Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:14

16. Giants Chair – “Kids Running”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works. ]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

11:17 – More Interview with Scott Hobart

We are talking with Singer-songwriter / guitarist Scott Hobart is a multi-talented artist.

Scott’s Notes:

GIANTS CHAIR started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, CAULFIELD RECORDS of Lincoln, NE.

We made two full-length LP albums and another 7” for CAULFIELD and toured the U.S. twice – once with fellow KC indie band, BOYS LIFE – before going on “unofficial hiatus” in 1997 when we each went off to pursue other projects, including my own focus on straight-forward, hard country / honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, we had done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the 2nd album with back in ‘96. He offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

We recorded the album with Duane at his new studio (WEIGHTS AND MEASURES SOUND LAB) this past winter – and here it is! It’s currently available everywhere digitally but we’re also currently working on the real, official, vinyl release as we speak.

Why this album now? At first it was kind of a “Why not? We’re still all here.” And “Can we make up some new songs that we like?” – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting “journey” to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:26

17. Giants Chair – “Time Lapse Shadows”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Fally Afani

11:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene.

Fally Afani joins us to share details about A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

RAICES is a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees. Ticket sales will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

I Heart Local Music believes in equality and human rights, and is therefore appalled at the treatment of immigrants in the concentration camps at the border. More information at: http://www.iheartlocalmusic.com

On Friday, August 16th, the community of Lawrence, Kansas, will gather at the largest venue in Lawrence to stand in solidarity with immigrants.

I Heart Local Music, a music publication based out of Lawrence, is throwing a fundraiser on Friday, August 16th, for RAICES, a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees.

Sales from the tickets ($10) will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services. They can be purchased at Liberty Hall, 644 Massachusetts, or here.

The night will feature musical performances by: • Making Movies • Maria The Mexican • Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford)

There will also have a raffle to help benefit RAICES, with prizes donated by: KANbucha ACME Lawrence High Dive Records Eleven Productions Presents Mammoth The Granada Theater Vinland Valley Nursery

For all media inquiries, please contact:

I HEART LOCAL MUSIC Fally Afani | contact@iheartlocalmusic.com

MAKING MOVIES Ben Yonas | ben@yonasmedia.com

Last year Latinx rock’n’rollers and activists, Making Movies, partnered with RAICES to bring awareness to the family separation and detention crisis at the US border, creating a #ReuniteEveryChild T-shirt and hosting “Rally For RAICES” concerts in Chicago and New York that raised funds toward the cause. The band was last seen in Lawrence, KS, during Live on Mass alongside homegrown favorites The Get Up Kids.

In 2019 Making Movies released their third album ameri’kana and its apparent why Rolling Stone says, “this band is breaking down walls in the United States.” Collaborating with legends Los Lobos, Rubén Blades, and the late Lou Reed has NPR Music placing ameri’kana on its Best Music of 2019.

Rubén Blades joined forces with the Making Movies to release three singles on ameri’kana: No Te Calles, Cómo Perdonar (ft. Flor De Toloache) and Delilah a song co-written by Blades and Lou Reed. Grammy.com called Delilah an “epic musical collaboration brought together by the topic of immigration” and NPR Music placed “No Te Calles: on its Best Music of 2019 (so far).

The band has toured extensively, appearing with the likes of Arcade Fire, Los Lobos, Hurray For the Riff Raff, Bomba Estereo, Galactic, Jesse & Joy, Flor De Toloache, Thievery Corporation and will be joining Rubén Blades for some tour dates fall 2019.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

11:42

18. Making Movies – “No Te Calles (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser for RAICES, Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

19. Maria The Mexican – “Carried Away”
rom: South Of The Border Moonlight / Independent / March 11, 2016
[Follow up to their Oct. 2013 debut full length, Moon Colored Jade. Influenced by traditional Mariachi music, Maria The Mexican is a hybrid of Mexican folklore and Rock. For over ten years, Teresa and Maria Elena Cuevas have performed with Marachi Estrella founded by their grandmother Teresa Cuevas in 1970. As one of the first all female mariachi bands in the country, Maria Teresa Alonzo Cuevas is a pioneer in the Hispanic musical community. Her band flourished in the 80s but was struck by tragedy when four of the seven members were killed in the Hyatt Skywalk collapse in 1981. Once Teresa recovered she began teaching her grandchildren Mariachi music. In 2000, Teresa and Maria began exploring other genres of music while simultaneously co-directing Mariachi Estrella. Today the fusion of Maria The Mexican is mixed with a touch of blues, soul, funk, and rock n’ roll enhanced by the musical knowledge and sounds of Garrett Nordstrom]

[Maria The Mexican play A Fundraiser for RAICES, Friday, Aug 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Making Movies, Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

11:47 – Underwriting

20. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play plays miniBar, 3810 Broadway, Monday, Aug. 12 w/ Voodoo Gearshift and Joy Subtraction]

11:55

21. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 14, Marion Merritt of Records With Merritt returns as Guest Producer with musical discoveries and information from her musically encyclopedic brain. Also next week, Ivory Blue joins us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #797

WMM Playlist from July 31, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 31, 2019

Shaun Crowley & Peter Beatty Manor Fest 3 +
William & Doris Martin on George Washington Carver
and Dr. Carmaletta M. Williams of The Black Archives of Mid-America
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Tituss Burgess – “45 (feat. Daniel J. Watts)”
from: Saint Tituss – EP / Tituss Ink / July 26, 2019
[Tituss Burgess was born February 21, 1979. He is an American actor and singer. He has appeared in numerous Broadway musicals. He is best known for starring as Titus Andromedon on the Netflix comedy series Unbreakable Kimmy Schmidt (2015–2019), for which he has received four consecutive Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series nominations. Born and raised in Athens, Georgia, he attended Cedar Shoals High School where he was active in the theatre program. He graduated from the University of Georgia with a BA in music. He is openly gay. Burgess made his Broadway debut in the musical Good Vibrations as Eddie in 2005, and then appeared in Jersey Boys in 2005 as Hal Miller. He originated the role of “Sebastian the Crab” in the musical The Little Mermaid in 2007 and went on to the role of Nicely-Nicely Johnson, traditionally played by a white actor, in the revival of Guys and Dolls in 2009. He has also performed in several regional theater productions, including The Wiz and Jesus Christ Superstar. Burgess performed at the “Broadway for Obama” benefit concert held at the State Theatre Center for the Arts in Easton, Pennsylvania on October 20, 2008. He appeared in Season 5 of 30 Rock as D’Fwan, a member of Tracy Jordan’s wife’s entourage. He reprised the role in Season 6. “45” is the first track off Burgess’ first album in seven years, Saint Tituss. Described by the artist as his “deepest and most soul-searching” work to date. He told them.us “… given the political climate, I think it’s time to speak out. I fear for our country. I fear for how our country treats its citizens and I fear for how our citizens treat each other. It’s a larger problem than just legislation. I didn’t know how to respond, so I just started with art.”]

2. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber talented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More Info at: http://www.nanturner.bandcamp.com]

[Nan Turner & The One Nite Stands play Revolution Records 1830 Locust, KCMO, 4th Anniversary and 1st Friday Benefit for Wayside Waifs w/ JC & The Nuns, Approach, and Major Matt Mason USA]

3. John Moreland – “Lies I Chose To Believe”
from: Big Bad Luv / 4AD / May 5, 2017
[Tulsa, Oklahoma based singer-songwriter John Moreland was born June 22, 1985 in Longview, Texas. The son of Robert Lloyd Moreland and Connie May, Moreland’s father worked for Sunoco as an electrical engineer, and because of this job the family moved a lot. When he was a baby they moved to Northern Kentucky, across the river from Cincinnati, Ohio. Moreland credits his love for Cincinnati Reds to this time in Kentucky. When Moreland was 10 years old Moreland’s family moved from Boone County, Kentucky to Tulsa, Oklahoma and with the help of his father, started playing the guitar. When he was 12 he played with a kid he went to church with who wrote songs and inspired him to start writing songs “that made sense.” John grew up in a conservative Southern Baptist family. “From the time I was born up until about age 16, my entire worldview and all my opinions were pretty much solely influenced by the evangelical church. All the years since then have sort of been this slow process of figuring out where I stand now that I’m not an impressionable kid anymore. I feel like I’m done with that at this point, but it keeps showing up in songs. I guess that stuff stays in your psyche forever.” His “High on Tulsa Heat” was in our 115 Best Recordings of 2015.]

[John Moreland plays Knuckleheads Saloon 2715 Rochester St, KCMO, Friday, August 2, at 8:30 PM with special guest Caroline Spence.]

10:15

4. No Such Beast – “Drifter”
from: Drifter – Single / No Such Beast / June 17, 2019
[No Such Beast is a KC based Indie Folk 5-piece band with strings of bass, violin, banjo, guitar, & cello from: Abby Atwood, Adriana Williamson, Colton Pittman, and Olivia Atwood, and lead vocals from Issac Walker.]

[A few weeks ago I participated in an LGBTQ Storytelling Night at InterUrban ArtHouse in OP. Along with the stories was music from The Black Creatures, Hadiza., and Isaac Walker of No Such Beast.]

5. Miki P & The Swallowtails – “I Get Lost”
from: Swallowtail – EP / Miki P / August 2, 2019
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P & The Swallowtails play and EP Release Show on Friday, August 2, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Teri Quinn, and Ivy Roots]

10:22 – Underwriting

6. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” He expects to move more toward releasing singles rather than entire albums.]

[Stephonne Singleton plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Saturday, August 3, at 8:00 PM with Dan Jones and the Squids at 10:00 PM, and Taylor Smith Trio at Midnight.]

7. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. The band’s 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[Jason Isbell and The 400 Unit & Brandi Carlile with special guest The War and Treaty play the Providence Amphitheater, 633 N 130th St, Bonner Springs, KS. this Friday, August 2.]

William & Dori Martin and Dr. Carmaletta Williams on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

10:33 – Interview with William & Doris Martin and Carmaletta M. Williams, Ph. D.

William & Doris Martin from Joplin, Missouri who have have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885. William and Doris will have their exhibit at the The Black Archives of Mid-America, opening August 1.

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America

Also joining us is Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America, 1722 E. 17th Terrace, Kansas City, MO. She is an author and publisher and received her PhD in English at The University of Kansas. She also studied at UMKC and went to Southeast High School, in Kansas City, MO. Manages Williams Publishing Group,LLC

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

The Black Archives recently celebrated 45 years!

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

The mission of the Black Archives of Mid-America in Kansas City, Inc. is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region. Black Archives of Mid-America is an educational resource and provides access to its collections for research, exhibition and publication to honor our community heritage and to catalyze public awareness.

History & Founder of the Black Archives

The Black Archives of Mid America, Inc. was founded May 8th, 1974 by Horace M. Peterson III and initially located at 1821 Paseo in the old Paseo Y.M.C.A. building. In 1976, the Black Archives moved to 2033 Vine, old Firehouse No.11. The firehouse, located in Kansas City’s Historic 18th and Vine District, itself is representative of African American history in this region as it was home to the first Black fire company in Kansas City. It was built in 1931 as part of the Work’s Progress Administration period under President Franklin D. Roosevelt.

The Black Archives is a non-profit organization that serves the community by offering itself as an educational resource as well as a repository of every facet in African American culture; music, art , theater, education, military, medicine, sports, religion and community affairs. The Black Archives was expressly created to collect and preserve the history of African Americans in the Midwest. Beyond our original emphasis of research and critical examination, the Archives’ traveling exhibits personify the roles of African Americans and their plight to dispel negative images. Our interpretive and educational programs, research services and special projects have received overwhelming community support.

It was Peterson’s dream to see an invigorated 18th & Vine District that showcased the contributions of African Americans. His efforts became reality with the anticipated move of the Black Archives to a larger facility located in the heart of this Historic District. Other projects envisioned by Peterson include the KC Jazz Museum, the Negro Leagues Baseball Museum and the Gem Theater; all landmarks in the 18th & Vine District.

Events at Black Archives: Law 101 – Legal classes sponsored by Jackson County Bar Association and taught by judges & licensed attorneys. Classes are open to the public with light refreshments.

Wednesday, August 14 – 6:00pm – Jury Selection Process
Wednesday, September 11 – 6:00pm – Education Law
Wednesday, October 9, 2019 – 6:00pm – Family Law
_________________________________________________________________________

William & Doris Martin live in Joplin, MO. They wrote a book called Dreams and Adventures The Edwin Hubble Story.

William & Doris Martin show ing some of the sections of their George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

They have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

(Mark Manning Full Disclosure: “For 20 years I have served as the coordinator of the KCK Organic Teaching Gardens, a program completely grant funded that serves 1500 students in 4 elementary schools and 3 middle schools in the KCK school district. Included in the exhibit are many many photographs from our KCK Organic Teaching Gardens Doris and William have asked permission to include. With the Teaching Gardens program we conduct over 400 workshops each school year in 24 different classrooms. We are attempting to continue the teaching and legacy of George Washington Carver in our curriculum and workshops.”)

William and Doris discovered our program and our connections to Carver. I was thrilled to see how much of our program is featured in their wonderful and educational exhibit, which will be on display at the George Washington Carver National Monument. This exhibit will also be on display at the Black Archives of Mid America, in August of 2019.

George Washington Carver (1860s – January 5, 1943), was an agricultural scientist & inventor. He promoted alternative crops to cotton and methods to prevent soil depletion.

While a professor at Tuskegee Institute, Carver developed techniques to improve soils depleted by repeated plantings of cotton. He wanted poor farmers to grow alternative crops, such as peanuts and sweet potatoes, as a source of their own food and to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts. Although he spent years developing and promoting numerous products made from peanuts, none became commercially successful.

Apart from his work to improve the lives of farmers, Carver was also a leader in promoting environmentalism. He received numerous honors for his work, including the Spingarn Medal of the NAACP. In an era of very high racial polarization, his fame reached beyond the black community. He was widely praised in the white community for his achievements & talents. In 1941, Time magazine dubbed Carver a “[b]lack Leonardo”.

In 1896, Booker T. Washington, the first principal and president of the Tuskegee Institute (now Tuskegee University), invited Carver to head its Agriculture Department. Carver taught there for 47 years, developing the department into a strong research center and working with two additional college presidents during his tenure. He taught methods of crop rotation, introduced several alternative cash crops for farmers that would also improve the soil of areas heavily cultivated in cotton, initiated research into crop products, and taught generations of black students farming techniques for self-sufficiency.

Carver designed a mobile classroom to take education out to farmers. He called it a “Jesup wagon” after the New York financier and philanthropist Morris Ketchum Jesup, who provided funding to support the program.

To recruit Carver to Tuskegee, Washington gave him an above average salary and two rooms for his personal use, although both concessions were resented by some other faculty. Because he had earned a master’s in a scientific field from a “white” institution, some faculty perceived him as arrogant. Unmarried faculty members normally had to share rooms, with two to a room, in the spartan early days of the institute.

From 1915 to 1923, Carver concentrated on researching and experimenting with new uses for peanuts, sweet potatoes, soybeans, pecans, and other crops, as well as having his assistants research and compile existing uses. This work, and especially his speaking to a national conference of the Peanut Growers Association in 1920 and in testimony before Congress in 1921 to support passage of a tariff on imported peanuts, brought him wide publicity and increasing renown. In these years, he became one of the most well-known African Americans of his time.

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in KV around 1885. opens tomorrow, August 1.

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

10:54

3. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

[Ivory Blue plays Behind The Gate With Ivory Blue plays the “Behind the Gate” patio concert series to benefit “WestiNd Connection” Saturday at 6:30 PM, at 11100 E Winner Rd. Independence, MO.]

11:00 – Station ID

Shaun Crowley and Peter Beatty on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands.

Peter Beatty is Shaun’s bandmate in Momma’s Boy. They have been playing together since they were in Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick. All were friends while they were in high school at Saint James Academy. Peter studied at University of Kansas and along with Momma’s Boy Peter has also recently recently release his solo project R.I.Peter.

Shaun Crowley and Peter Beatty join us today to share music from Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Shaun Crowley and Peter Beatty thanks for being with us on Wednesday MidDay Medley

Bands playing Manor Fest 3 include: Paul Cherry, Mouton, Shy Boys, Dreamgirl, Momma’s Boy, Drugs & Attics, The Phlegms, Shady Bug, The Golden Fleece, The Sluts, Pale Tongue, The Cavves, The Wild Type, LK Ultra, Buckle Up Baby, Toughies, Chloe Jacobson, Scruffy & The Janitors, Chase The Horseman, Bambis, Mild Cats, FaceFace, R.I.Peter, Big Water, Mason Blaize, Forest Porridge, Khrystal., No Magic, Charlotte Bumgarner, BigFatCat, and Dylan Pyles

Day 1 – Westport – Thursday, August 1

Stage 1 – Mills Record Co (All Ages / will call station)
Sponsor : Struggle Pretty Productions
5:00 – 5:30 : Mason Blaize
5:45 – 6:15 : bigfatcat
6:30 – 7:00 : LK Ultra (LFK)

Stage 2 – Riot Room Patio (21 & up)
Sponsor : Melted Magazine (DC)
7:00 – 7:25 : Khrystal.
7:35 – 7:50 : The Cavves (Wichita)
8:00 – 8:25 : Shady Bug (STL)
8:35 – 9:00 : The Wild Type

Stage 3 – miniBar (21 & Up)
Sponsor : Oddities Prints
9:00 – 9:30 : Prude Boys (Detroit)
9:40 – 10:10 : Mouton (Fayetteville)
10:20 – 10:50 : Fullbloods
11:00 – 11:45 : Paul Cherry (Chicago)
*10:00 – 3:00 : DJ Strange Magic – downstairs*

11:07

10. Mouton – “Other Minds”
from: 7″ Split with Prahnas / Mouton / November 12, 2017
[Written by Pete Mouton, with Calvin Todd on lead guitar, Seth Goodwin on piano and Calvin Todd & Loren Leamy on background vocals. Recorded and Mixed by Pete Mouton. Mastered by Jason Kearbey. Remastered by Kalim Choudhury.]

[Mouton plays Manor Fest 3 August 1, at miniBar, 3810 Broadway with Prude Boys, Fullbloods, and Paul Cherry]

11. LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. Their EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra plays Manor Fest 3 August 1, at Mills Record Co 4045 Broadway, with Mason Blaize, and bigfatcat]

12. Paul Cherry – “This High”
from: Flavour / Feeltrip Records / March 31, 2018
[Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age in 2014. Despite being in the thick of the DIY scene with bands such as Twin Peaks and The Lemons, Paul has abandoned the all too familiar lo-fi rock sound of his first EP, “On Top”. The Cherry has completely reinvented himself and spent the last 2 years returning to his jazz roots on this upcoming LP, “Flavour”. Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Paul touches on millennial culture with references to texting and social media, giving a modern light-hearted twist to age old old themes of love lost, missed connections and polar political climates.]

[Paul Cherry plays Manor Fest 3 Thursday, Aug 1, at miniBar, 3810 Broadway w/ Prude Boys, Fullbloods, and Mouton]

11:18 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 2 – West Bottoms – Friday, August 2

Stage 1 – Blip Roasters (all ages stage / will call station)
Sponsor : Fine Dining Productions
5:00 – 5:30 : Faceface
5:45 – 6:15 : Buckle Up Baby (Springfield)
6:30 – 7:00 : Mild Cats

Stage 2 – Hickory Union Moto (21 & up)
Sponsor : I Heart Local Music
7:00 – 7:35 : Scruffy & the Janitors (St. Joe)
7:45 – 8:20 : The Golden Fleece (Peoria, IL)
8:30 – 9:05 : Drugs & Attics
9:15 – 9:50 : The Sluts (LFK)

Stage 3 – Colonial Club (21 & Up)
Sponsor : Tape Dad (Ark)
10:00 – 10:20 : Bambi’s (Fayetteville)
10:30 – 10:50 : Pale Tongue (LFK)
11:00 – 11:20 : The Phlegms (Fayetteville)
11:30 – 12:00 : Bigwater

11:25

13. Pale Tongue – “Fever Dreams”
from: Pale Tongue / Manor Records – Indigo Sun Records / October 5, 2018
[Pale Tongue began as the pet project of Carlos Calderon and Nick Fredrickson of The Appleseed Cast. Joined later by bassist James Thomblinson of Arc Flash, and Psychic Heat, and Evan Herd of Psychic Heat.”Pale Tongue” is eponymous band’s self-titled debut EP. Written and recorded at different times and places, this 6-track album is the culmination of Pale Tongue’s early processes, including a few newer additions in a sonic attempt to emulate their live experience for audiences. All songs written and performed by Pale Tongue. For this recording: Carlos Calderon on guitar, keyboards, & vocals; Nick Fredrickson on drums; and Tanner Spreer of Psychic Heat on bass. Engineered by Andy Fredrickson & Mitch Hewlett. Mixed & Mastered by Joel Coon.]

[Pale Tongue play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, The Phlegms, and Bigwater.]

14. The Phlegms – “rigid”
from: smile / The Phlegms / June 1, 2018
[Fayetteville, Arkansas based band The Phlegms is one of the most exciting bands to emerge from the local punk scene in the last few years. The band (Avery Lee, Grant Williams, Ethan Nash, and Peter McKitrick) is everything you want a punk band to be: sonically dynamic, lyrically powerful, and impossible to ignore. They’ve been the band to see at Backspace for a while now, and have shared the stage with heavyweights Protomartyr, and Shame. The band recently released a 6-song EP called Smile – available on Bandcamp, Spotify, and on cassette via Tape Dad. They were also awarded free recording time at East Hall Recording as part of the studio’s 15th Anniversary celebration.]

[The Phlegms play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, Pale Tongue, and Bigwater.]

15. Buckle Up Baby – “Dog”
from: Buckle Up Baby / Push Pull / March 27, 2019
[Springfield, Missouri based band with Bass & Vocals – Addie McKenzie on vocals and bass, Cole Simmons on guitar, Joe Wilson on drums, and Anna Redmond on keyboards. All songs written by Addie McKenzie. Recorded, mixed, and filled w/ magic by Joe Misterovich]

[Buckle Up Baby play Manor Fest 3, day 2, Friday, August 2, at Blip Roasters, 1101 Mulberry, KCMO, in the West Bottoms with FaceFace, and Mild Cats.]

11:35 – Underwriting

10:37 – Interview with Shaun Crowley and Peter Beatty

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 3 – Crossroads – Saturday, August 3

Stage 1 – Stray Cat Film Center (all ages / will call station)
Sponsor : Hear Queer
3:00 – 3:20 : Charlotte Bumgarner (Tulsa)
3:30 – 3:50 : R.I.Peter
4:00 – 4:25 : Forest Porridge (Denver)
4:35 – 5:00 : Chloe Jacobson

Stage 2 – Brewery Emperial ($5 donations, free all ages stage)
Sponsor : French Exit Records
5:00 – 5:30 : Chase the Horseman
5:40 – 6:10 : Toughies (LFK)
6:20 – 6:50 : No Magic (LFK)
7:00 – 7:30 : Dylan Pyles

Stage 3 – recordbar ($15 cover, 18 & Up)
Sponsor : Petri Productions / Shuttlecock Magazine
7:00 pm doors
8:00 – 8:45 : Momma’s Boy
9:00 – 9:45 : Dreamgirl
10:00 – 10:50 : Shy Boys
*after party at Brewery Emperial ft. DJ Tito Fuego*

11:43

16. R.I.Peter – “Lord of the Mountain”
from: R.I.Peter / Manor Records / July 5, 2019
[It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays Manor Fest 3, Saturday, August 3, in the Crossroads at Stray Cat Film Center, 1662 Broadway, with Charlotte Bumgarner (Tulsa), Forest Porridge (Denver), and Chloe Jacobson]

17. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Momma’s Boy and Dreamgirl]

11:56

18. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Shy Boys and Dreamgirl]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 7, we talk with Scott Hobart of Giants Chair, and Fally Afani calls in to share details about I Heart Local Music’s benefit for RAICES with, Making Movies, Maria the Mexican, Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford), Friday, August 16, at 6 PM at Liberty Hall 644 Massachusetts St, Lawrence, KS

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #796

WMM Playlist from July 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Chase The Horseman

2. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase Horseman plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM w/Nan Turner]

Chase Horseman & Nan Turner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:04 – Interview with Nan Turner and Chase Horseman

Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Her new EP is called For Champs and Losers, Version 2 and was Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman.

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Nan Turner and Chase Horseman are playing a Double EP Release Party at miniBar, 3810 Broadway, KCMO, Friday, July 12, at 9:00 PM with Breaka Dawn & LosCauz.

Nan Turner and Chase Horseman thanks for being with us on WMM.

Chase the Horseman’s new EP is called Disinformation Blues.

Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase Horseman helped produce and record and played on Nan’s new EP.

Nan Turner

Nan wrote on facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber-talented in his own right and he’s releasing an EP called Disinformation Blues on July 12, as well. He and Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks and brought the songs to life in the way they needed but I didn’t know they needed (just MORE one nite stands I’m adding to the crew ha ha)!”

Chase has been out of town premiering new music he created for film.

Frida the dog help in the production.

http://chasethehorseman.bandcamp.com

http://nanturner.bandcamp.com

10:15

Nan Turner

3. Nan Turner – “Strong”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums on tracks 1, 2, and 4. Chase Horseman plays bass on tracks 1, 2, and 4.]

[Nan Turner plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM with Chase Horseman]

John Mark Aladeen & Jade Osborne on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:19 – Interview with Jade Osborne & John Mark Aladeen

Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

John Mark Aladeen Studied at Stratford Career Institute for relaxation therapies, the School of Metaphysics in Springfield, Missouri, and The International Center for Reiki Training in Southfield, Michigan. He is a multi-instrumentals who has played with the critically acclaimed Dub Sutra. He has also performs at Kansas City Renaissance Festival.

Jade Osborne and John Mark Aladeen join us to share details about “The Shift Show” running July 19 through July 27 for the 15th annual KC Fringe Festival at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO.

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Both Mark and Jade work at Aquarius.

Jade recently preformed in a special outdoor event INTER RELATION >SHIP at Washington Square Park with Calvin Arsenia and John Baker as part of her “Fifty Shows of Jade.”

Jade was the person that introduced Calvin to WMM listeners on the radio on July 20, 2011 when she brought Calvin with her as one of the composers for her Voler Theives of Flight show for KC Fringe that was produced in the Kansas City Ballet Todd Bolender Dance Space.

There was an altar constructed during INTER RELATION >SHIP with Calvin Arsenia and John Baker a few weeks ago. Jade is recreating and extending the voices and memories into the next performance, The SHIFT SHOW.

Jade writes: “Rituals breathe life into my story. Constructing an altar…The deliberate placement of meaningful items is meditative and brings my mind peace and purpose.”

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

Five performances! At Union Station City Stage.
7/19 @ 7:30p
7/21 @ 3:00p
7/23 @ 6:00p
7/26 @ 9:00p
7/27 @ 4:30p

Tickets with Fringe button.
http://kc-fringe.ticketleap.com/the-shift-show

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Jade Osborne’s KC Fringe production “The Shift Show” is running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. http://www.kcfringe.org

10:33 – Underwriting

Chris Hudson & Chad Brothers

10:35 – Interview with Chris Hudson & Chad Brothers

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. released April 23, 2019

from: https://chrishudson.bandcamp.com

“Premonition Scenes” is a great duo collaboration of two of Kansas City’s finest musicians.. Chris Hudson(Gullywasher) and Chad Brothers(Old Sound, Shapiro Brothers, Super Massive Blackholes) came together in the spring 2018 and started recording Chris’s EMO Americana original solo songs when they decided to combine forces and put some excellent guitar work around Chris’s lyrics, music and vocals, the trade off guitar work between them is unbelievable interwoven stuff, capturing a one of kind performance, All recorded live in Chad’s home studio.

Chris Hudson: Guitar, Vocal’s and SongWriting Chad Brothers: Guitar, Engineering, Mixing and Production.

Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass.

http://www.gullywasher.com

10:41

4. Chris Hudson and Chad Brothers– “No Getting Over” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Chris Hudson on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Hudson a Kansas City Native. He is a classical guitarist, guitarist, musician, composer, multi-instrumentalist, singer songwriter, teacher and visual artist. Chris is a member of the band Gullywasher.

Chad Brothers on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chad Brothers is a native of Winfield Kansas. He is a veteran of the Kansas City and Lawrence music scene, and a frequent collaborator with Mikal Shapiro (his wife), Scotty Stanton, Alexis Barclay, and many others.

Upcoming Shows:

Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 11, at 9:00 PM.

Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

Chris Hudson’s band Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes.

Chris Hudson with the Gullywasher Duo plays Hook Gallery on Friday, July 19 at 8:00PM.

Chris Hudson plays Ollie’s Local, 3044 Gillham Rd., for Saturday Storytellers, on August 3, at 5:00 PM with Melissa Weinman.

Chris Hudson plays Songbird Sundays with John Keck at The Mockingbird Lounge, 204 Orchard St. KCK, Sunday August 11, at 8:00 PM.

Gullywasher plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO on Friday August 1, at 8:00 PM with Calamity Cubes! and Big Cedar Fever.

10:54

5. Chris Hudson and Chad Brothers– “We Wake” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers thanks for being with us on WMM.

11:00 – Station ID

6. Blue False Indigo – “Letter”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity and The Moose. Sponsored by Mid-Continent Public Library and The Record Machine.]

7. The Moose – “Everyday Low Price”
from: Live Sessions Single / The Record Machine / July 13, 2019
This song is also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

The Moose

11:06 – Interview with The Moose and Nathan Reusch of TRM

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, are members of the band The Moose an alternative band from Lee’s Summit, formed in 2016.

The Moose and Nathan Reusch are to share details about What’s Next KC, Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

The Moose is an alternative band from Lee’s Summit, Missouri: a suburb of Kansas City.

Originally formed by Jake Hilger, Alex Huffman, and Tyler Frey in the summer of 2016, they were later completed with the additions of Emma Klein in August 2016.

The Moose began as a psychedelic, neo-rock band in the summer of 2016.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Hilger on keyboard, synths, guitar and vocals
Alex Huffman on bass and vocals
Tyler Frey on guitar and vocals
Emma Klein on percussion & vocals

Tyler, humored the idea after a choir show at their high school just outside of Kansas City, Missouri. Their plan went into full effect after the addition of Emma Klein (percussion and vocals). The group built their headquarters in Klein’s basement, hiding the cement walls with posters of their influencers: The Beatles, Tame Impala, and Electric Light Orchestra; and textile sheets separating their studio from their main base.

After many rumors of The Moose becoming an official band, the members spontaneously decided to have a Halloween Bash— costumes required— and unwarrantedly advertised so with posters all over their high school. Completely filling the backyard of Tozier’s house, fans all dressed up and singing classic rock covers with their new favorite band.

Because of the positive feedback from the Halloween bash, The Moose released their first single in February 2017, “New Kind Of Love,” which brought the band 15,000 listens and multiple bar shows with their name as the headliner.

The Moose’s success heightened after their performance at Battle of the Bands in Kansas City— winning first place and a cash prize. And once Frey— the oldest in the group— graduated from high school, summer kicked off, the band started taking their careers more officially.

In August of that year, The Moose released their first self-titled EP overflowing with classic psychedelic rock, and alternative sounds. The band did not receive as much support they originally began with but still sustained their local fan base, enabling them to continue bar shows and other small events.

After Middle of the Map Fest, and a concert at the recordBar in Kansas City, senior year was winding down for the rest of the band members. Parker Tozier who had joined the with Emma Klein in 2016, decided to pursue his aspirations at an out-of-state college, dropping the band from five to four.

The Moose released their debut album “The First Real Encounter” in December of 2018 on the winter solstice of 2018. They now prepare for a tour of the Midwest in the springtim

http://www.musicofthemoose.com

With backgrounds in choir, jazz band, and years of playing, each member implements their own unique touch to each track. The Moose’s “sound” includes ingredients of a funky alternative- pop/synth-rock genre, with heavy influences from neo-psychedelic bands k.

The Moose has played numerous shows and locations, such as: the recordBar, Llywelyn’s Pub, The Roxy, Aftershock, 825 Studios, and The Nelson-Atkins Museum,

The Moose won 2017 Shuttlerock: Teen Battle of the Bands at The Nelson-Atkins Museum. Winning the Battle of the Bands later gained them a spot on the Middle of the Map Festival Lineup, where artists such as Lewis Delmar, Jason Isbell, and De La Soul headlined.

Nathan Reusch, Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, thanks for being with us on WMM.

11:23

8. The Moose – “Exclusive”
from: Live Sessions Single / The Record Machine / July 13, 2019
also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:28 – Underwriting

Daniel Glascock and Joel Bonner of Serene Fiend on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Friday, July 19, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Joel Bonner & Daniel Glascock thanks for being on WMM.

I Heart Local Music writes: “In the ever-evolving attempt to bring electronic music back into Lawrence’s scene, another musician has switched gears– this time leaning towards a more industrial sound.”

I Heart Local Music continues “It comes from an unlikely source. Serene Fiend is the latest project from Joel Bonner, the man who’s been bringing animated live shows and rockabilly licks to Lawrence over the past year with his band The Boot Stompers. It’s unsurprising that his buzzing and provocative guitar style carries over to this project, though he’s piled it on with a lot more synths and electronic beats.”

11:37

Serene Fiend

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel BonnerI Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” ]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Chase Horseman, Nan Turner, Daniel Glascock and Joel Bonner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.”

Joel Bonner, & Daniel Glascock of Serene Fiend thanks for being on WMM.

Unto Myself lyrics:

I’m not afraid to die, I’m just afraid of loss
My strength means nothing if I’m not tough enough
I am an effigy – new possibility
I must be decimated to be built back up

And I will die unto myself
And I will try to heal myself
All for you

Sacrosanct as our romance, I will keep what I am
But the bee hive swarming in my head will be calm instead
I’ll come as you want me, I’ll be everything
The heart wants what it wants and I want to make me better
(to make us better)

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

And when it all comes crashing down
I just want to lose myself in you

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

The heart wants what it wants and I want to make me better

Earlier this year Joel Bonner released “Environ” by Serene Fiend, released May 14, 2019 – an ambient project written and recorded in one day across three three-hour blocks of time, hence the track titles.

1. Morning 15:08
2. Afternoon 08:48
3. Evening 08:12

Joel Bonner & Daniel Glascock of Serene Fiend, please stand by.

11:55

10. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / Vitality Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 17, we talk with the band L A Jones. Enrique Javier Chi of Making Movies drops by for a chat about his show at Knuckleheads, Betse Ellis and Clarke Wyatt and members of Short Round Stringband join us live in our 90.1 FM Studios, and Fally Afani shares music from Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #794

Wednesday MidDay Medley presents Nan Turner & Chase Horseman + Jade Osborne + Serene Fiend + The Moose + Chris Hudson & Chad Brothers + Nathan Reusch

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

Mark spins New & MidCoastal Releases from: Serene Fiend, Nan Turner, Chase the Horseman, The Moose, Chris Hudson & Chad Brothers, and Black Mariah Theater.

Chase The Horseman

At 10:00 Mark talks with Nan Turner and Chase Horseman who share songs from their new EP’s that they are releasing in a Double EP Release Party at miniBar, Friday, July 12, at 9:00 PM. Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase the Horseman’s new EP is called Disinformation Blues.

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

At 10:15 Jade Osborne shares details about her KC Fringe production “The Shift Show” running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. Tickets at: https://kc-fringe.ticketleap.com/the-shift-show/ Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

Chris Hudson & Chad Brothers

At 10:35 Mark talks with Chris Hudson & Chad Brothers about their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences. Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass. http://www.gullywasher.com Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes. Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

The Moose

At 11:00 Mark talks with The Moose and Nathan Reusch of The Record Machine. The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018. What’s Next KC, is Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lee’s Summit, MO. This is a free, all ages, family friendly event featuring live performances by: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. What’s Next KC is sponsored by Mid-Continent Public Library and The Record Machine.

Joel Bonner

At 11:30 Joel Bonner and his Serene Fiend live bandmates Sam Piper & Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies”. Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with free and “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #794

WMM Playlist from June 26, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2019

Bill Sundahl & Collaborations Live! at The Folly
+ The Volker Brothers + Dick Von Dyke +
Belle & The Vertigo Waves

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play recordBar, 1520 Grand, Fri, June 28, 9:30 PM w/ Inner Altar, & Godzillionaire]

Photo by Gordon Parks


3. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

Raye Zaragoza

4. Raye Zaragoza – “Fight For You (Live)”
from: Raye Zaragoza Live at Rockwood Music Hall – EP / Raye Zaragoza / Jan. 25, 2019
[Raye Zaragoza was born and raised in Manhattan and moved to LA at the age of fourteen. Her mother is an immigrant from Japan and her father is of Mexican and Native American heritage. At age 6, Raye sang “You Can’t Get A Man with a Gun” from Annie Get Your Gun on national television when her father was playing Chief Sitting Bull on Broadway. She became involved in school musicals, started playing guitar at age 12, and started writing songs in her late teens. Zaragoza released her debut EP Heroine in 2015. She started to gain national attention in 2016 with the song “In The River,” protesting the Dakota Access Pipeline. Raye and her brother made a video for “In The River” that included facts about Standing Rock and it received 100,000 views overnight. The song was awarded the Global Music Awards’ 2017 Heretic Award for Protest/Activist Music and the Honesty Oscars’ award for Best Song. In 2017, she independently released her debut album Fight For You. Multiple songs on Fight For You address the Dakota Access Pipeline. “Driving to Standing Rock” portrays the power of protest, specifically of the NoDAPL movement. The song “American Dream” was written in reaction to Donald Trump’s election. The album also includes love songs and songs about NYC. She cites Joni Mitchell, Carole King, and Joan Baez, as influences.]

[Raye Zaragoza plays KC Folk Fest, Sun, June 30, 4:00 at Guadalupe Centers, 1015 Cesar E Chavez Ave, w/ a “Here’s to the Roots” showcase at 4:00 feat. Regina del Carmen, Sisters Havilah & Kenese, & Danny Cox, at 5:00 Raye Zaragoza. at 6:00 Quique Escamilla, at 7:00 Violet and the Undercurrents. Produced by Folk Alliance International. For more info: kcfolkfest.org.]

Volker Brothers

5. Volker Brothers – “Turn It Up”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play EP Release Show Thurs, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:17 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Missouri Rep. David George joins us to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

David George thanks for being with us again on WMM.

Volker Brothers EP Wrecking Ball, Release Show w/ Erin Eades is Thurs, June 27, 8 PM, in Carl Butler’s Gospel Lounge at Knuckleheads Saloon 2715 Rochester, KCMO.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Upcoming Shows:

Sat, July 6, 7:00 David George & Christine Broxterman play Homer’s Coffee House OPKS

Friday, July 19, at 7:00 PM, David George Band at Crossroads KC

Monday, August 5, at recordBar with DRUNKEN PRAYER

Sunday, Sept. 8, 6:00 PM at recorder w/ Corey Phillips and the Band of Light

Volker Brothers Biography: The word “Volker” comes from the Germanic word “Fulc” meaning people. It is also the name of a neighborhood in KCwhere Erik Voeks & David George met. Volker Brothers are an acoustic duo that share lead vocals & background harmonies influenced by the likes of The Everly Brothers, Simon & Garfunkel, The Eagles, Tom Petty, and Elvis Costello to Crowded House, XTC, and The Beatles.

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

Erik Voeks recently released full length album So The Wind Won’t Blow It Away in 2017 on Hanky Panky Records, a label based in Bilbao, Spain. It is the highly anticipated follow up to his 1993 album, Sandbox (Rockville Records) “A pervasively melodic collection of power-pop – a lost masterpiece” (Fresh Air KCUR). This doesn’t mean Voeks wasn’t busy. He has been a very in demand bassist in the Midwest and tours in Europe.

David George also had a recent release — three EP’s over a twelve month period. Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. He also toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno).

Volker Brothers have just finished recording and are releasing their first studio recording, a 5 song EP entitled Wrecking Ball. It’ll be available online digitally & physical copies at shows on June 28, 2019. The album was recorded w/ Duane Trower at Weights & Measures Soundlabs featuring a full band accompanying Volker Brother’s signature sound.

http://www.volkerbrothers.com

10:29

6. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play an EP Release Show Thur, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:33 – Underwriting

7. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Jessica Paige plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

10:38 – Interview with Bill Sundahl

90.1 FM KKFI’s Bill Sundahl joins us to talk about KKFI Collaborations Live!, Sat, June 29, at 8:00 PM at The Folly Theatre, 300 West 12th St. bringing together 13 never before seen performances on the historic Folly Stage. This event is a fundraiser for KKFI 90.1FM Kansas City Community Radio.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley.

Collaborations Live! includes: Quixotic Performers, Maria Cuevas (of Maria the Mexican), The Wires, Jessica Paige, Mark Lowrey, Rick Kloog, Kelly Hunt, Traditional Music Society, Fanny and Ryan Head, Ceili at the Crossroads, SugEasy, VJDN8, and Casey Key.

Show begins with 2 songs, then one artist exits, and a 2nd collaborator joins to perform 2 more songs, and then one exits and is joined by another for 2 more songs.

KKFI Collaborations Live! – 13 Unique Performances – Saturday, June 29th, 2019

6:00pm VIP Reception – Stakeholders Room at Folly w/ complimentary food & libations and a chance to mingle with Artists and KKFI Hosts.

7:15pm Artists Panel – Collaboration in the Digital Age

8:00pm – Musical relay of performances by the regions finest artists.

Collaborations Live! is bringing together 10 first time ever performances to the historic Folly Stage. The show will begin with two songs, then one of the artists will exit the stage and a second collaborator will join the remaining artist on stage. They will perform two songs, then one will leave and be joined by another artist for two more songs. This musical relay is not a race to the finish, but rather a coming together of community.

This event is a Fundraiser for KKFI 90.1FM Kansas City Community Radio.

Ticketing is handled by Folly Theater /// http://www.follytheater.org /// Info at http://www.kkfi.org

11:57

8. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

11:00 – Station ID

9. Earle Hagen – “The Dick Van Dyke Show”
from: All-Time Top 100 TV Themes / TVT Records / 2005
[Theme song for The Dick Van Dyke Show an American television sitcom that initially aired on CBS from October 3, 1961, to June 1, 1966, with a total of 158 half-hour episodes spanning five seasons. The show’s theme was by Earle Hagen, who also wrote many other TV series themes, including those for The Danny Thomas Show, The Andy Griffith Show, Gomer Pyle, USMC, I Spy, and The Mod Squad.]

Dick Von Dyke

11:01 – Interview with Dick Von Dyke

Dick Von Dyke first put on the ‘stache in a galaxy far far away called Lawrence, Kansas, and quickly realized his passion for cross-dressing and debauchery. Moving to St. Louis opened up a whole new realm of opportunities including co-producing the weekly all-king revue, MANic Monday. Last May, Dick was crowned King of Pride St. Louis and later also placed 1st-alternate for Mister Oklahoma. Dick Von Dyke hosts and produces The Dick Von Dyke Show every Thursday at 10:00 PM, at Missie B’s, 805 West 39th Street, KCMO. Dick Von Dyke presents Night of a Thousand Dicks,on Friday, June 28, at 8:00 PM at Missie B’s.

Dick Von Dyke thanks for being with us on Wednesday MidDay Medley.

Dick Von Dyke has been a male impersonator since 2014 starting in Lwrence, KS.

Named King of Pride St. Louis Pride in 2018.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.

Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

Dick Von Dyke

Dick Von Dyke

A few weeks ago, Dick Von Dyke performed at Des Moines Pride and when he got back to his hotel, his Jeep had been broken into. He admittedly left a lot in my car. But the perps stole *so much* of his stuff including drag accessories, his class ring, all his tips from the weekend, and his laptop. By stealing it he lost every mix he’d ever made for drag. And his ability to make new ones. Drag is his livelihood and to have all of those accessories and mixes stolen was a devastating blow to his career…but he keeps telling himself they must’ve needed it more than he did.

So to try and make the best of a bad situation, on June 28th he is having a benefit show entitled “Night of a Thousand Dicks.” These lovely entertainers who don’t typically perform as kings have volunteered to do so for one night in order to try and help him get back on my feet.

With one-night-only king performances by:

Annie Cherry
Heidi Banks
Lavender Skye
Lily Juju Beach
Monica Blowinsky
Sheila Tackü
Sylvia Wrath/Billie Eyelash
special appearance by Kody Von Du

Drag King Scene in KC

Dick Von Dyke and Helen Proctor on the June 26, 2019 edition of Wednesday MidDay Medley on KKFI.

Dick Von Dyke thanks for being with us on WMM.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.
Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

11:15

10. Quixotic & Calvin Arsenia – “Experience”
from: Goddess – EP / Quixotic / May 17, 2019
[Quixotic is an innovative performance art collective that fuses imagination with technology, dance, projection #mapping and live music to create fully-immersive, #multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Calvin Arsenia plays the Let’s Upstage Cancer Benefit Gala for St. Jude’s Friday, June 28 at 5:30 at The Abbott, 1901 Cherry St., Kansas City]

[Calvin Arsenia plays the Hotel Utah Saloon, 500 4th Street, San Francisco on Sunday, June 30, at 8:00 PM with Ember Valley, Dolphin Midwivesm and Saloli]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE August 22 through August 24 at 8:00 PM at recordBar 1520 Grand Boulevard, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Anothermaxwell

11. anothermaxwell – “Where I Stand”
from: Being – EP / anothermaxwell / June 30, 2019
[Written & Performed, Produced, Engineered, Mixed, and Cover art created by by anothermaxwell. anothermaxwell, is Shenita Hughley who studied music at Avila Collegei and graduated from Raytown South High School in 2012. anothermaxwell is a versatile singer-songwriter & producer, who reinvents new sounds by bending tR&B, Pop, Funk and Electronica, genres to form a unique sound not easily categorized.]

[Anothermaxwell & Stacy Busch play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

12. Stacy Busch – “Through and Through”
from: Music from “Mass” / Stacy Busch / February 9, 2019
[29 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Originally from Bloomfield Hills, Michigan, Stacy is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-KC and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.] [This music was composed and original performed when Stacy Busch presented, Mass: Live Performance and Art Gallery, Saturday, February 9, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly.]

[Stacy Busch & Anothermaxwell play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

11:27 – Underwriting

13. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Strange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays a ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans, and Belle & The Vertigo Waves]

Belle & The Vertigo Waves

14. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

[Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

11:35 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves join us to talk about their new single “Fear Or Faith.” Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS. More information at: http://www.thevertigowaves.com

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves includes: Belle Loux on lead vocals, Jeremiah Scott on bass, and John Loux on guitar.

The band’s debut full length album”Aligned” was released on October 6, 2017. The album was influenced by The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves played Middle of The Map Fest last year.

Belle & The Vertigo Waves played Boulevardia this year.

Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when Loux was just 15 or 16 and had only played them as a solo artist — with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the [full band] sound so much.”

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play Riot Room July 11. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves on the June 26, 2-19 edition of Wednesday MidDay Medley on KKFI.

More information at: http://www.thevertigowaves.com

11:56

15. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 3 Jacklyn Bell joins us live in our 90.1 FM Studios. We talk with members of the new band Heavy Grams. Nathan Reusch returns with members of the band Nublvckcity, to share details about The Record Machne’s big event What’s Next KC, on Saturday, July 13 at Legacy Amphitheatre, 901 NE Blustem Drive, Lee’s Summit, Missouri with Nublvckcity, The Moose and Blue False Indigo. And we’re joined by members of the band Radial Red.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #792