WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

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WMM Playlist from April 4, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 4, 2018

New & MidCoastal Releases + Ten Thousand One
+ OLIVIA FOX + Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Cavern of Anti-Matter – “Make Out Fade Out”
from: Hormone Lemonade / Duophonic / March 23, 2018
[Cavern Of Anti-Matter was formed by Stereolab mainman Tim Gane, now Berlin-based and collaborating with original Stereolab drummer Joe Dilworth, and synth wizard Holger Zapf. This is their third album proper following 2016’s Void Beats / Invocation Trex, and Blood-Drums, their 2013 debut album.]

3. Mysterious Clouds – “Road To The Sun featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the critically acclaimed band Monta At Odds. The Mysterious Clouds “Clear Reflection” was also included on the Haymakers Records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play Davey’s Uptown, 3401 Main, Friday, April 6, at 9:00 PM with The Philistines, VEHICLES, and Human Host]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a Kansas City based, “chickenshack” and “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica and vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, and vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion. The song “Shake it Up” is about Ferguson. Thee Devotion will be our guest on WMM on April 18.]

[Thee Devotion play an Album Release Show on Saturday, April 7, at 9:30 at The Ship, 1217 Union, West Bottoms, with special guests DJ Lady J, and DJ Deep Groove.]

5. Billie Eilish – “bitches broken hearts”
from: bitches broken hearts – Single / Darkroom Interscope Records / March 30, 2018
[16 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

[Billie Eilish plays recordBar, 1520 Grand, TONIGHT, April 4 the show is SOLD OUT.]

6. Margo May – “Trust A Fool”
from: I’m Not Coming Home / Double Shift Music / July 19, 2015
[Written by and performed by Margo May. Recorded live and Mixed by Tim J. Harte in Kansas City, Mo.(motherrussiaindustries.com) Mastered by Cory Shultz. Doby Watson is featured on guitar. Margo May grew up in Kansas City. She has been writing songs since she was 15. She has worked as an actor at The Coterie Theatre. She studied liberal arts and english at University of Missouri – Kansas City. Margo made her national network television debut in the 2010 season of American Idol. Her debut recording “Summerof” was one of our favorite recordings of 2010 and has received critical acclaim. She was the winner of the 2010 Pitch Music Award for Best Emerging Act. Margo has played all over KC, Portland, Oregon, Austin, Texas. Margo has released several albums af her own original music as well as several collaborations and remixes.]

[Margo May plays Revolution Records, 1830 Locust. on First friday, April 6, at 7:00 pm with Joseph Warren & The Wanderlust Revival at 8:00pm, and Fathers at 9:00 pm.]

7. Noah Davis – “Love Me”
from: Magic EP / Noah David / April 3, 2018
[Kansas City based musician, Noah Davis was inspired by his father’s old gospel and blues albums. Noah grew up as a multiracial kid whose parents loved both Rock and Rhythm & Blues, helping Noah discover that music was not about color, but about heart and soul. Noah also credits Jimi Hendrix’s concept of the “musical church” as an ultimate influence in the healing capabilities of music. Last year Noah Davis released his full length album 100% on March 4, 2016.]

[Noah Davis Band play an EP Release Show, Friday, April 6 at 6:30 pm at Gallery 504, 504 East 18th Street, Suite 103 in the Crossroads with DFK.]

8. Martian! Martian! Martian! – “Runner”
from: Runner / Martian! Martian! Martian! / January 1, 2018
[M!M!M! is a newly formed three-piece garage pop band from Kansas City formed by Nick McKenna on bass & vocals, Alex Yoffie on guitar, and Nick Robertson on drums.]

[Martian! Martian! Martian! play miniBar, 3810 Broadway, Friday, April 6, at 9:00 pm with Mene Mene, and The Atomic 50’s]

10:30 – Underwriting

9. Ten Thousand One – “Control”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

[Ten Thousand One play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. ]

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview w/ Austin Williams, Brian Shackleton, David Capell of Ten Thousand One

The Kansas City based band Ten Thousand One was formed in 2006 by best friends: Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. The band released their self-titled debut album on October 30, 2012. In 2015 they won Song of the Year, from The Midwest Music Awards for “Control” the title track of their second album, released May 5, 2015. After being chosen to play RockFest in 2016, Ten Thousand One have recently been asked to play Rocklahoma 2018, May 25-27. Ten Thousand One also play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. Joinings us today are three of the members of Ten Thousand One.

Austin Williams, Brian Shackleton & David Capell, Thanks for being with us on WMM.

Since 2006 the band has held weekly practices every Sunday morning, in Brian Shackelton’s basement, which is also the inspiration for the band’s name because his street address is 10001.

10:44

10. Ten Thousand One – “The Letter”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

Ten Thousand One have watched each other get married, have kids, graduate from college, and grad school, create businesses, but through it all they have always carved out time for the band, for that weekly rehearsal, to play music together.

The band has received critical praise for their live performances, and the band’s mix of “alternative to thrash, hardcore to blast beat metal, even dirty blues thrown in.” Their Facebook page refers to: metal riffs and punk beats. They currently see their music as developing a “Southern Rock” sound.

Ten Thousand One were chosen to play RockFest in 2016, the year Disturbed and Seether played the fest. They were part of a contest held by 98.9 The Rock and due to the number of votes registered in their support from fans they were asked to be involved. Each member was thrilled to be on stage at Liberty Memorial.

Ten Thousand One have recently been asked to play Rocklahoma 2018, May 25-27 that will have over 75,000 fans attending this 11th annual event. The event happens just outside Tulsa, OK and is a three-day camping festival that will feature music on three stages, as well as a campground stage to keep the music going all night long. Some of the bands in the line up include: Godsmack, Poison, Cheap Trick, The Cult, Vince Neil, Stone Temple Pilots, Clutch, The Used, Machine Gun Kelly, Candlebox, and Andrew W.K.

Ten Thousand One is a Kansas City/Raytown based band. It all started in Raytown. Raytown is also the home of the fictional TV Comedy, “Mama’s Family.”

Ten Thousand One lead singer, Austin Williams, is a UMKC doctoral student seeking an Interdisciplinary Ph.D. in American History and Educational Leadership, Policy, and Foundations. Austin is collaborating with UMKC’s Gay and Lesbian Archive of Mid America (GLAMA) and the Kansas City LGBT Film Festival, he is currently working on an oral history project, Responding to AIDS: Kansas City (1981-1995), and a documentary film, The Ordinance. His research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

Austin Williams, Brian Shackleton & Dustin Reed Thanks for being with us on WMM.

10:56:30

11. Ten Thousand One – “On Our Own”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

[Ten Thousand One play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. ]

Aubrey Callahan, Tiffany Smith, and Lauren Flynn, of OLIVIA FOX meet Austin Williams, Brian Shackleton, and David Capell of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:00 – Station ID

12. Olivia Fox – “Utah”
from: Utah – Single / OLIVIA FOX / Febrary 16, 2018

Aubrey Callahan, Lauren Flynn, and Tiffany Smith of OLIVIA FOX on the April 4, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

11:04 – Interview with Lauren Flynn, Aubrey Callahan and Tiffany Smith

Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the Kansas City band, OLIVIA FOX who released their self titled debut EP, on June 2, 2017. OLIVIA FOX followed that up with two new singles: “Slow Motion” released December 14, 2017, and “Utah” released February 16, 2018. OLIVIA FOX call their sound Folk/Pop and it’s a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.

OLIVIA FOX play the Homegrown Buzz Music Showcase, Saturday, April 7, on the Kansas City Live! Block, in the Power and Light District, 1330 Grand Blvd. St. KCMO, with: Hembree, Brandon Phillips and The Condition, The Noise FM, Fathers, Mess, Y God Y, The Dear Misses, Faintheart, Hot Suede, and Keaton Conrad. More info at http://www.weareoliviafox.com

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

I met the women of Olivia Fox at Folk Alliance International in the hospitality room of the KC Collective Showcase.

OLIVIA FOX is a relatively new band, they been together for a little over a year and a half now, and were all brought together through their manager David “DJ” Lee.

David “DJ” Lee is also the manager for Second Hand King and Tour Manager for Madisen Ward and the Mama Bear.

Aubrey Callahan, Lauren Flynn, and Tiffany Smith with Manager – DJ Lee of OLIVIA FOX on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lauren Flynn, Aubrey Callahan and Tiffany Smith talked about how they ended up with the name OLIVIA FOX, after days and days of searching and talking about names.

Mark shared that his impression of the name is, “strong, creative and dashing women.”

Mark also referenced OLIVIA as the name of the first all women run record label, Olivia Records, a collective founded in 1973 to record and market women’s music. It was the brainchild of ten lesbian-feminists living in Washington, D.C. who wanted to create a feminist organization with an economic base. In 1973, the collective put out a 45 with Meg Christian on one side and Cris Williamson on the other. Without making themselves dependent on any high-profile person, they made $12,000 with that 45, enough to put out singer Meg Christian’s first record, and soon after, Cris Williamson’s groundbreaking album, The Changer and the Changed, in 1975. During a radio interview in Washington, D.C. in 1973, Williamson suggested that a record label aimed at gay women would be a good idea. The independent label Olivia Records was founded the next day. Olivia Records release of Williamson’s The Changer and the Changed became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies, which would make it a gold album, although it has not been certified as such by the RIAA. (That does not disprove the sales estimate, however. Albums are not certified automatically; a record company must request certification and pay for an audit.)”

“Utah” was released February 16, 2018, after “Slow Motion” that was released December 14, 2017, and after their self titled debut EP, OLIVIA FOX came out June 2, 2017. For the recordings the band has been working with Tyler Banks who engineered, mixed and mastered the recording and co-produced the music with David DJ Lee. Tyler also played Drums, Keys, and Programming

Lauren has been the primary songwriter for these first recordings, and also has worked with DJ Lee on the vocal arrangements.

OLIVIA FOX just recently recorded a live acoustic version of their song “Woodpanels and Wine” for their tiny desk contest entry.

OLIVIA FOX performed “Wood Panels & Wine” live in our 90.1 FM Studios.

11:13

13. Olivia Fox – “Wood Panels And Wine” (LIVE)
also available on Olivia Fox – EP / OLIVIA FOX / June 2, 2017

Wood Panels & Wine

It’s a cold dark place
They’ll never see my face
They’ll never hear a word I say
You like it that way

They’ll never find me out
I got myself locked down
All my intentions hit the ground
You got me so strung out

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

Breathe it in it just feels right
Focus on a faded line
You got me all in my mind
Until the well runs dry

It’s like you got a gun and you
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

Oooh

What you so confused about
Why you always bring me down
You got some nerve to call me out
But, I know your secret

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead
Leave me for dead

Oooh

Written by Lauren Flynn BMI

Lauren Flynn, Aubrey Callahan and Tiffany Smith all grew up in the Kansas City Metro area. All are multi-instrumentalists.

Lauren Flynn plays piano, guitar, and mandoshe. She is a songwriter and grew in Independence, Missouri. Prior to Olivia Fox Lauren had been performing as a solo artist as L.A. Price. She has talked about how as a solo artist she was craving harmonies, and string arrangements, and Olivia Fox has brought this into her life.

Aubrey Callahan sings, plays keyboards, synthesizers, and guitar for Olivia Fox. She is also an award winning Kansas City based wedding photographer with Aubrey Erin Photography. She studied photography at University of Central Missouri and the University of Central Lancashire (UCLan). Aubrey grew up in Liberty, Missouri. You can learn more at: http://www.aubreyerinphoto.com and http://www.kcvintagewedding.com

Tiffany Smith along with singing, playing violin and guitar, and creating the band’s string arrangements, is also a Registered Nurse at Outpatient Mental Health. She grew up in the Blue Springs area. She found out about being in OLIVA FOX the same day you graduated form Nursing School.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

OLIVIA FOX play the Homegrown Buzz Music Showcase, Saturday, April 7, on the Kansas City Live! Block, in the Power and Light District, 1330 Grand Blvd. St. KCMO, with: Hembree, Brandon Phillips and The Condition, The Noise FM, Fathers, Mess, Y God Y, The Dear Misses, Faintheart, Hot Suede, and Keaton Conrad. More info at http://www.weareoliviafox.com

11:26:30

14. Olivia Fox – “Play The Game”
from: Olivia Fox – EP / OLIVIA FOX / June 2, 2017

11:30 – Underwriting

Sean Prudden, Ryan Wilks, and Tim J Harte of Here Where You Wish on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:32 – Interview with Ryan Wilks, Sean Prudden and Tim J. Harte

Ryan Wilks

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Also joining us is Sean Prudden who joined Ryan in creating the giant altar. Sean is a musician, performance artist, artist, builder of altars, designer, carpenter, future voice over artist and radio announcer.

Tim J Harte

Tim J Harte

Tim J. Harte is a musician, composer, co-founder of the Kansas City record label, Mother Russia Industries. He makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium that had scenery designed and built by Sean Prudden.

Ryan Wilks, Sean Prudden, and Tim J. Harte, thanks for being with us again on Wednesday MidDay Medley

Renowned artist Ari Fish is creating a transformative temple-like labyrinth entry-way for Here Where You Wish. Ari Fish is an artist based out of the middle west of the United States of America. Her work focuses on ideas of transcendental experience for the benefit of the human condition. Fish’s most recent work consists of multi media constructions of temporary temples, meditative video work and sound, and intuitive prayer-driven sigil drawings. Fish has exhibited her work both nationally and internationally; showing in Italy, Germany, Japan, and Canada, She is a recipient of the prestigious Charlotte Street Foundation Visual Artist Award of Kansas City, Missouri, as well as an Arts KC Inspiration Grant recipient. Ari Fish received her BFA with an emphasis in Ceramics from the Kansas City Art Institute where she was awarded the Top Twelve Competitive Scholarship to study. Fish is currently the Academic and Career Advisor, as well as the Continuing Education Instructor for college bound high school students at the Kansas City Art Institute. She is the artist in residence at KSHB Studios, Kansas City, Missouri.

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object.

Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar. The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space. Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks, Sean Prudden and Tim J. Harte, thanks for being with us again on WMM

Here Where You Wish, is an immersive public installation opening at the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, at 5:30 pm.

More info at: http://www.wilkspainting.com http://www.arifish.com

11:55

15. The Philistines – “Get Inside”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Michelle Bacon on bass & vocals, Josh Mobley on keyboard, Steve Gardels on drums. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering. .]

[The Philistines play Davey’s Uptown, 3401 Main, Friday, April 6, at 9:00 PM with Mysterious Clouds, VEHICLES, and Human Host]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 11, Doby Watson plays LIVE in our 90.1 FM Studios; we talk with members of Witch Jail about their new album, Music For Magic Moments, and Kadesh Flow aka Ryan Jamaal Davis joins us to share music from his new EP Room Service.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #728

WMM Playlist from August 2, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 2, 2017

More New & MidCoastal Releases +
Chase The Horseman & KD Kuro aka Kwame D. Boateng
+ Aaron Rhodes & Shuttlecock Music Showcase 004

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Schwervon! – “Wrap Around”
from: Low Blow / Olive Juice Music / February 1, 2009
[Recorded by ET in Greenpoint Brooklyn. Mixed at Olive Juice Studios, NYC. Kansas City based 2 piece rock band, that tours all over the USA and Europe. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years before moving to KC. Their music and their live shows are exceptional. Generally at their live shows at one point in the show, Matt will read an original poem, written for the evening, while Nan steps out from behind the drums to performs an interpretive dance inspired, in the moment, by Matt’s poem. Matt also performs and records as Major Matt Mason USA , Nan also performs and records as, Nan and The One Nite Stands. Easily this is one of my all time favorite bands!!!]

[Schwervon! play Records With Merritt, 1614 Westport Rd, TONIGHT!, Wednesday, August 2, at 8:00 PM with When Particles Collide (from Maine), and Moe A. Barria.]

[Schwervon! play a Tour Kick Off Show at Californos in Westport August 26, w/ Abandoned Bells, Folkicide Duo.]

[Schwervon! play a 7″ Release Show! – Saturday, September 23, at 10:00 PM at Replay Lounge]

3. Japanese Breakfast – “Road Head”
from: Soft Sounds from Another Planet / Dead Oceans Records / July 14, 2017
[Japanese Breakfast is the solo musical project of Michelle Zauner of Little Big League. Under the alias, Zauner has released two studio albums: Psychopomp (2016) and Soft Sounds from Another Planet (2017). Prior to her solo project, Michelle Zauner fronted Post Post, an indie pop band with students from Bryn Mawr and Haverford Colleges, then started the Philadelphian emo band Little Big League. Zauner fronted the band between 2011 and 2014, before returning to her hometown of Eugene, Oregon in 2013. Zauner made the trek back home in the wake of her mother being diagnosed with cancer.While at home, tending her family in Oregon, Zauner began recording solo music. Zauner described the project as having much more to say following Tropical Jinx, the 2014 studio album by Little Big League. Originally, Zauner had begun to record early samples of music as a self-meditative and “instant-gratification” feeling.[3] Two years later, the solo project itself eventually became the work of Psychopomp the debut album by Japanese Breakfast. The name of the band, according to Zauner is a juxtaposition of Asian exoticism and American culture. Despite the name, Zauner is not of Japanese descent, but Korean descent.Zauner described the debut album as quite “dark and heavy-handed”, although she had a desire to make the music, urgent and “sonically upbeat.” On June 23, 2016, the Japanese Breakfast project was signed to the Dead Oceans label.]

4. Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent two years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves.” ]

[Keaton Conrad plays recordBar, Thur, Aug 3, at 7:00 PM with Cudo, Late Nite Cavalry, Joy Camp.]

[Keaton Conrad plays Riot Room, Tuesday, August 8, at 8:00 PM opening for: The Scars Heal In Time, City of the Weak, with Late Nite Cavalry.]

[Keaton Conrad and Late Night Cavalry play the VFW Post 846, 8804 Grant Avenue, Overland park, Kansas, Saturday, August 12, at 6:00 PM.]

[Keaton Conrad also plays the 4th annual PorchFest KC.]

5. Hi-Lux – “Don’t Blame Me”
from: Don’t Blame Me- Single / Hi-Lux / June 16, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More information at: http://www.hi-lux.bandcamp.com]

[Julia Haile collaborated w/ Barclay Martin at KKFI Collaborations Live!, June 30, The Folly Theatre]

[Hi-Lux plays Stockyards Brewing Co., 1600 Genessee, Tuesday, August 8, at 7:00 PM, with Calvin Arsenia, for Stockyard Sounds hosted by KCUR 89.3 FM]

10:18 – Underwriting

6. Instant Karma – “Bet On Me”
from: Trying To Find My Mind / Independent / July 22, 2017
[Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering.]

[Instant Karma play Riot Room, Saturday, August 5, at 8:00 pm, with Vela, and Fallopian Fire.]

[Instant Karma play The Botteneck, in Lawrence, Tuesday, August 8, at 8:00 PM, opening for Super Doppler, with Wild Eye.]

7. American Slim – “Irreplaceable”
from: Irreplaceable / American Slim / March 31, 2017
[Debut full length album and follow up to their 2015 EP of original music from KC based 4-piece band formed in 2012 by Nathan Jurries on guitar; Patrick Newland on piano, tenor saxophone, bass, & vocals; Jacob Newland on guitar, bass, & vocals; and Mikala Petillo on vocals & drums. Their sound is a mix of rock, funk, blues, and americana and all members play multiple instruments, including ukulele, and banjo.]

[American Slim play Martin City Brewing Co. 500 East 135th St., KCMO, Friday, Aug. 4, 8:30 PM]

[American Slim play American Legion Post 58, 2607 MO-92, Smithville, MO, Sat., Aug. 5, 7:00 PM]

8. Chase the Horseman – “U Martyr U”
from: from new recordings / Chase the Horseman / July 2017
[Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase the Horseman plays Bottleneck, 737 New Hampshire St, Lawrence, Fri, Aug. 18, at 8:00 PM]

10:33 – Interview with Chase the Horseman & Kwame Boateng aka KC Kuro

Chase the Horseman & Kwame Boateng aka KC Kuro with 2-month baby boy Mars, on the August 2, 2017 edition of Wednesday MidDay Medley.

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.

We just heard a new recording from Chase the Horseman “U Martyr U”

Chase the Horseman plays plays Bottleneck, 737 New Hampshire St, Lawrence, Fri, Aug. 18, at 8:00 PM.

Chase the Horseman thank you for being with us on WMM.

Last time you were on the show was on June 7 and we talked bout your work composing music for films and your musical work in various bands, and your collaborative work with other music artists.

chasethehorseman.bandcamp.com

Bandography

The Cherry Tree Parade – writer, performer 2007-2008 – Self Titled E.P. 2009
*The Low End – performer, producer, mixer, engineer 2009-2010 – House Fire E.P. 2009
Lower 48 Single 2010
*The Heat Index – producer, engineer, mixer 2010 – Horsehead E.P. 2010
*The Vowels – mixer/performer 2011 – Alligator Pear L.P. 2011
*Fake Natives – producer, performer, mixer, engineer 2011 – Self Titled L.P. 2011
*Towers – writer, performer, engineer, mixer, producer 2010-Present – For Whatever We Were & What Will Never Be L.P. 2012
*Clairaudients – guitar, keyboards, aux-percussion, vocals, writer 2013-

*Teri Quinn – Producer, engineer, performer – Moons and Meltdowns E.P. 2016
*Narkalark – Producer/Engineer – Narkalark Ep II released November 18, 2016
*Molly McGlaughlin – Producer/Engineer – A Beautiful Dying 2017

Chase the Hoarseman plays Bottleneck in Lawrence on Friday, August 18, at 8:00 pm.

Recently Chase finished working on the debut album from Kwame Boateng.

KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper. He was born in Arlington, Virginia, and graduated from Olathe South High School in 2008. After attending Coffeyville Community College Kwame as KD Kuro started his rap career in 2012 and has been cultivating and refining his sound over the course of the last 5 years. Kwame grew up with musical influences like N.E.R.D and Missy Elliot that helped to mold the music he creates. His debut album is called “Good/Luck” and it was just released yesterday, August 1, and was co-produced by Chase the Horseman and Nathan “Geesace” Gisecke. “Good/Luck” was years in the making and Kwame is ready for Kansas City and hopefully the world to hear what he is all about.

Kwame Boateng thanks for being with us on Wednesday MidDay Medley

The new album was co-produced by Nathan Giesecke “Geesace” and Dan Smith, of the Lawrence hip hop trio, Ebony Tusks. Kwame has performed with them stage.

10:40

9. KD Kuro –”JULES (feat. Domineko & Chase the Horseman (radio edit)”
from: Good-Luck / Kwame Boateng / August 1, 2017
[This track was produced by Chase the Horseman. KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper.]

Good/Luck (track listing):

1. Good/Luck (Prod. Chase The Horseman) 02:36
2. JULES FT. Domineko And Chase The Horseman (Prod. Chase The Horseman) 04:01
3. Forest Of Death (Prod. Geesace) 03:21
4. JAGAN (Prod. ITHINKITBBP) 04:34
5. HFIL (Prod. Dan Smith) 02:24
6. Avery’s Bad Dream (Prod. Chase The Horseman) 01:06
7. Visitor Q (Prod. Dan Smith) 04:06
8. LSD (Prod. Geesace) 02:46
9. VICTORY! (Prod. Geesace) 02:54
10. Purple Ghost Ft. Geesace (prod. Geesace) 02:42
11. Moon/Drop (Prod. Chase The Horseman) 04:19

Kwame Boateng KD Kuro and Chase the Horseman, thanks for being with us on WMM.

KD Kuro’s debut album, “Good/Luck” is available at: http://www.kwamekuro.bandcamp.com

Chase the Horseman plays Bottleneck in Lawrence on Friday, August 18, at 8:00 pm.

10:51

10. KD Kuro – “Forest Of Death”
from: Good-Luck / Kwame Boateng / August 1, 2017
[This track was produced by Nathan Giesecke “Geesace.” KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper.]

10:55

11. Salar Rajabnik – “Ain’t Got No Time”
from: Black & White World / Salar Rajabnik / June 9, 2017
[Produced By: Salar Rajabnik. Engineered By: David Wright at Cherrybox Studios & RCA Studio B in Nashville, Tennessee. Mixed By: David Wright. Mastered By: Joshua Stuebe. Art Direction & Design: Kristøpher Martin of Arcane Path. Photography: Samon Rajabnik. Vocals, Electric, Acoustic, Baritone & 12 String Guitars, Piano, Drums & Percussion: Salar Rajabnik. Bass Guitar: Ben Garner. Keyboards, Organ, Piano & Percussion: Johnny Gentile. Fender Rhodes on “I Don’t Want To Wake Up”: Warren Pash. Additional Background Vocals: Leah Korbin. Special thanks to Noam Chomsky for graciously allowing use of his words in “Black & White World.” Black & White World is dedicated to those with the courage to speak truth to power. All Songs Written & Arranged By: Salar Rajabnik / BMI / 2017. Salar Rajabnik is a product of time spent in lots of seemingly contrasting places. Born in the Atlanta area, he was immersed in the world of southern American roots music. The strong Persian cultural influence of his father, an Iranian immigrant, was just as evident at a young age. This was strengthened by time ispent living in Iran. From the beginning this unexpected amalgamation of cultures began to create the foundation that would define him as a musician and person. A move to Kansas City at the age of 12 prompted Salar to pick up his first instrument, the bass guitar. Between the clubs, streets, festivals, churches, basements, bars, arenas, schools, & studios, playing bass, drums, or guitar, he took every opportunity to play that he could. While his influences seem conflicting on the surface level the underlying and unifying principles and themes are strong. Whether he was dancing to Persian music with his family in Iran, learning Motown basslines in his room while his friends listened to boy bands, or jamming in the historic 18th & Vine district with jazz veterans till sunrise, for Salar it’s always been about playing with heart, soul, and honesty. Salar has set out to venerate those who have and continue to respect the gift of music and it’s important role in life, regardless of any classification or style. After years of playing in bands and as a live & studio musician Salar relocated to Nashville, Tennessee & formed a backing band in 2014 & released a debut EP, both dubbed “Moon Age”. Leaving Nashville as a homebase & the Moon Age moniker behind, Salar recently relocated back to Kansas City to release his full length album.]

11:00 – Station ID

12. Salty – “Hello Paradise”
from: Preservation Blues / Independent / February 8, 2017
[Salty is formerly know as Lil Toughies. Formed in early 2016 with Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synthesizers & sound terror, Andy Erdrich on bass, Ethan “macho man” Savage on drums. Recorded by Jonathan Brokaw. Mixed by Tim Harte and Jonathan Brokaw. Mastered by Tim Harte. all lyrics by Jonathan Brokaw. The current line up includes: Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synth & sound terror, Ethan “macho man” Savage on drums, Jesslay Huh on bass & texture. More info at http://www.saltykcmo.bandcamp.com ]

[Salty play Revolution Records 2-Year Anniversary Party, Friday, August 4, at 6:00 PM with Deco Auto, Witch Jail, Black Market translation, Hip Shot Killer, and Drugs and Attics.]

13. Tim York – “Want You”
from: Only Human [EP] / Tim York / November 18, 2015
[Kansas City based, Tim York is a singer-songwriter who has been playing since the age of 12.. He has previously released two full-length solo albums prior to his 6-song EP Only Human,.Tim York on vocals, arrangements, guitars, and producer. Oscar Rivas on engineering, guitars, mixing/mastering, and producer.]

[Tim York plays The Riot Room, 4048 Broadway, TONIGHT, Wednesday, August 2, at 8:00 PM, opening for Warbly Jets and YUM.]

14. Great Grandpa – “Teen Challenge”
from: Plastic Cough / Double Double Whammy / July 7, 2017
[Recorded at Hall of Justice, Electric Wall, and Tastefully Loud by Dylan Wall in Seattle, WA. Additional recording at The Wormhole, Goodwin House, and Cat Parrie’s apartment by Pat Goodwin and Dylan Hanwright. Mixed by John Goodmanson. Mastered by Paul Gold of Salt Mastering. Great Grandpa began in Seattle in 2014 when guitarist & vocalist Patrick Goodwin recruited bassist Carrie Miller, drummer Cam LaFlam, and vocalist Alex Menne to form a humble rock band. Inspired by the pop-sensible alternative rock of the 90’s, and offset by a mutual love for noise and math rock, the group set forth to write and record their first EP. During recording, guitarist Dylan Hanwright joined the group, solidifying the lineup. Great Grandpa began performing in the Seattle area in late 2014, frequenting the city’s DIY venues. In March of 2015, their debut EP Can Opener was released on Broken World Media. The EP was met with considerable praise, and has been described as “warm, slightly off-kilter grunge pop”, and “knotty, twisted, and warm rock music that’s as melodically satisfying as it is, at times, confounding.” Great Grandpa began writing their debut LP soon after, and found themselves touring the western US and performing extensively in the Seattle area. Written in 2015 and 2016, Great Grandpa’s debut LP Plastic Cough continues to explore the sonic territory visited in Can Opener, exhibiting infectious melodies across a range of backdrops, from quiet bedroom-pop to explosive, anthemic rock.]

10:12 – Underwriting

15. The Black Mariah Theater – “Honey Stop”
from: Black Hearts / The Black Mariah Theater / November 30, 2016
[First single from debut EP featuring all original songs. Recorded in 2016 at Element Recording Studio. The Black Mariah Theater is made up of twin sisters Sophia Motta on vocals and guitar, and Analiese Motta on drums. A Kansas city-based duo, The Black Mariah Theater’s sound has been described as “eclectic.” Mixing jazzy guitar tones with funky drum beats and angsty lyrics, old jazz comes into the modern world. Anyone with a broken heart and a bit of an attitude can relate to our songs. Influenced by the likes of Billie Holiday, The Black Keys, The Cold War Kids, The Kills, and Chet Baker. More information at: http://www.theblackmrihtheater.bandcamp.com]

[The Black Mariah Theatre play First Friday at Josey Records Fri, Aug. 4, at 7:00 w/ Elisa Cox, Vela.]

[The Black Mariah Theater play The Rino, 314 Armout Blvd, North Kansas City, Friday, August 25, at 8:00 PM with Black Stacey.]

[The Black Mariah Theatre play 90.1 FM’s Crossroads Music Festival, Saturday, September 9.]

16. Heidi Lynne Gluck – “Sadness is Psychedelic”
from: Pony Show / Lotuspool Records / August 26, 2016
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist originally from the middle of Canada. After transplanting herself from the plains of Manitoba to the midwestern United States, Heidi quickly became an in-demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others.]

[Heidi Lynne Gluck plays recordBar, 1520 Grand, on Friday, August 4, with Katy Guillen & The Girls, and The AM Trio.]

17. David Bowie – “Rebel Rebel”
from: Cracked Actor (Live) [Los Angeles ’74] / Jones Tintoretto / April 22, 2017
[Cracked Actor (Live Los Angeles ’74) is a live album by David Bowie. It was released posthumously as a Record Store Day release on 22 April 2017 through Parlophone record label. Produced by Bowie and mixed by Tony Visconti, it was recorded on the Diamond Dogs Tour in September 1974, some material from which appeared in the BBC documentary Cracked Actor.The full show spans across five sides of vinyl, with the sixth featuring an etching of Bowie. The album differs from the first Bowie live album, David Live, recorded on the same tour. It features a different and more R&B-oriented lineup, including long time collaborators Earl Slick and Carlos Alomar, as well as, backing singer Luther Vandross. The setlist also includes material recorded for The Gouster, an album which later would turn into Young Americans.] Pitchfork wrote: “This live album is culled from a show late in David’s Bowie’s 1974 tour. It’s heavy on material from Diamond Dogs and Aladdin Sane and finds a drug-addled Bowie in a moment of transition.”]

18. Deadeye – “Nothin’ At All”
from: Deadeye / Jones Tintoretto / July 31, 2016
[Produced by Deadeye. Live take studio sessions from Pittsburg, Kansas based band formed by: Meg McCoy on vocals, guitar & violin; Jenna McCarty on vocals & banjo; Jennifer Murphy on saxophone & vocals; and Taylor Rea on percussion, with A. Sheppard on bass. Recorded and mixed by Rob Nold of Rob Nold Audio in Raytown, MO. Deadeye crafts their love of folk, bluegrass, rock, and country into a homemade, heel-stomping musical blend. The group builds their songs with reverence to the Americana music that rings memories of times long-passed in the Midwest. More information at: http://www.deadeyeband.com.]

[Deadeye play the KC Zine Con at Josey Records, Saturday, August 5, with The New Baboons, Black Market Translation, Gay Girl Cowboy, and Black Creatures.]

11:30 – Interview with Aaron Rhodes

Aaron Rhodes of Shuttlecock Music Magazine on the August 2, 2017 edition of Wednesday MidDay Medley.

Aaron Rhodes is a freelance contributing writer at The Pitch Kansas City. And, owner and Editor-in-chief, of Shuttlecock Music Magazine, that he launched in 2015, to feature in-depth coverage of new and VERY emerging music from Kansas City and the surrounding areas. He is the former Editor-in-chief at The Campus Ledger, the student newspaper for Johnson County Community College, where he studied journalism. Aaron graduated from Olathe East High School in 2015 and is based in Kansas City Missouri. Aaron returns to Wednesday MidDay Medley for his third time this year to share music and information about the Shuttlecock Music Showcase 004, Friday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO. featuring: Throat Breach, Iddy Vice, Solomon, and Tommy Strauser. This is an All Ages show. More info at: http://www.shuttlecockmusic.com

Aaron Rhodes Thanks for being with us on Wednesday MidDay Medley.

Shuttlecock Music Magazine features concert reviews, photo galleries, interviews, streams of new releases, and updates on the 816 Music Break podcast.

@ShuttlecockMag on Twitter and Instagram
Facebook.com/ShuttlecockMag
http://www.shuttlecockmusic.com

11:35

19. Throat Breach – “Maggot Dance”
from: Helpless / Throat Breach / July 8, 2017
[Throat breach is essentially a recording project of artist and musician Ian Turpin on guitar & vocals, with Frazier Krohn on drums. Formerly known as Napalm Meth. Described as; “Boiling, tar soaked, sludgy grindcore from KC.” Since May 14, 2016 (14 months) Ian has released 2 albums, 5 EPs, 7 singles, 46 songs.]

[Throat Breach play Shuttlecock Music Showcase 004, Friday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO with Iddy Vice, Solomon, and Tommy Strauser.]

Throat Breach Discography (with track listing):

Helpless – album – released July 8, 2017
Atomic Meltdown 01:04
Maggot Dance 00:53
11.1 Fucking Billion 00:27
Bush Doctor 00:47
Slaves Wrapped In Chains 00:12
Giving Up Creative Control 00:20
The Keloid Diet 01:33
Frat Boy 00:34
Interlude 01:36
Battered In Oil, Fried In Blood 06:02

Impotent God – EP – released June 10, 201
Impotent God 02:32
Pig Swatter 00:56
Doctor / Lawyer 00:51
Vacancy 00:39

You Sit There And Watch – Single – released May 13, 2017

Atomic Meltdown – Single – Released May 4, 2017

Starve – Single – Released April 27, 2017

Live Short and Suffer – Single – Released April 23, 2017

Prison Birth – EP – Released April 13, 2017
Prison Birth 00:46
Heavy Breathing 00:20
AAA 00:34

Payment – EP – Released March 27, 2017
Payment 00:46
Thick 00:31

Orgy of Sycophants – Single – Released March 2, 2017

2016

Hopeless – Album – released December 17, 2016
Killing Field 01:52
Cremated Remains 00:44
Hallucinihilism 00:57
Bludgeoning 02:35
Graveyard 00:55
Skinned and Tongueless 00:48
Lifeslayer 01:03
11 Fucking Billion 00:23
Rats 00:42
Blood Blessed 03:09

Necrotank – Single – Released October 18, 2016

Emetic Terror – EP – Released September 25, 2016
Blackest Vomit 00:57
Only The Most Rotten 00:33
Total Experimental Dismemberment 00:59
Charred and Unidentified 00:27
Misanthropic Masturbation 00:39
Pipe 01:04

Nuissance – Single – Released September 14, 2016

Gutter – EP – Released July 15, 2016
Gutter 02:03
Aggregate 02:48

EP – Ep – Released May 11, 2016
Emaciated 01:54
Crushed 01:44
Whipped 01:32
Beaten 00:54
Slammed 04:04

11:40

20. Tommy Strauser – “I Want More”
from: hypernormal / Tommy Strauser / April 26, 2017
[Tommy Strauser graduated from De Soto High School in 2011, and the University of Kansas in 2015.]

[Tommy Strauser play Shuttlecock Music Showcase 004, Friday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO with Iddy Vice, Solomon, and Throat Breach.]

We are talking with Aaron Rhodes Editor-in-chief, of Shuttlecock Music Magazine, that he launched in 2015, to feature in-depth coverage of new and VERY emerging music from Kansas City and the surrounding areas. Shuttlecock Music Magazine features concert reviews, photo galleries, interviews, streams of new releases, and updates on the 816 Music Break podcast. http://www.shuttlecockmusic.com

Aaron Rhodes wrote in the July 8 issue of The Pitch that, “Iddy Vice is a Kansas City rapper with a distinctive appreciation for grime — Britain’s most successful hip-hop movement. Vice’s debut EP, Christflow, contains the hurried flows and slick production made popular by artists like Skepta and Jme.” Aron also wrote in Shuttlecock Muaic Magazine: “Iddy Vice is a problem. The young and highly capable Kansas City rapper released a small handful of impressive singles over the course of 2016, but without much warning, just dropped his EP in its final days. “Christflow” is six songs long and not one is worth skipping.”

11:48

21. Iddy Vice – “Hell Of A Time (Radio Edit)”
from: CHRISTFLOW [EP] / Iddy Vice / December 28, 2016

[Iddy Vice plays Shuttlecock Music Showcase 004, Friday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO with Tommy Strauser, Solomon, and Throat Breach.]

We are talking with Aaron Rhodes Editor-in-chief, of Shuttlecock Music Magazine, that he launched in 2015, to feature in-depth coverage of new and VERY emerging music from Kansas City and the surrounding areas. Aaron Rhodes, Thanks for being with us on Wednesday MidDay Medley.

11:56

22. Solomon – “Shoot My Shot (Radio Edit)”
from: Shoot My Shot – Single / Solomon / July 2, 2017
[Solomon is 23 year old Kansas City based rapper, Jerry Alexander who is originally from St. Louis, Missouri]

[Solomon plays Shuttlecock Music Showcase 004, Friday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO with Tommy Strauser, Iddy Vice, and Throat Breach.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 9, we play more New & MidCoastal Releases

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #693