WMM Playlist from February 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback, Anna Selle & Bandwaggn

Marion Merritt

Marion Merritt returns as our special “Guest Producer.” For almost 15 years now, Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Bevis Frond – “Lead On
from: We’re Your Friends Man / Fire Records / December 7, 2018
[26th studio album from The Bevis Frond, a British musical group whose range covers hard edge to melancholy vintage indie rock to poetic, “classic-rock” songcraft. Nick Saloman is the band’s frontman and songwriter. They have recorded many singles and albums on various independent labels since 1987. Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12″ single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else. He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they’d been selling the album quite briskly. Saloman’s desire was to “record the kind of music I’d like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.” Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies. In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.]

4. Baxter Dury, Delilah Holliday & Etienne de Crécy – “Walk Away”
from: B.E.D / Pias America / October 26, 2018
[Debut recordings of collaborative trio of French producer Etienne de Crécy on electronic textures, with vocalist Baxter Dury’s and singer Delilah Holliday (of London band Skinny Girl Diet). Baxter Dury told the press, “Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It’s an unlikely mix that works because its short, simple and honest.”]

5. Big Wild – “6’s to 9’s (feat. Rationale)”
from: Superdream / Counter Records / February 1, 2019
[Debut album from Big Wild who is Jackson Stell, an electronic DJ, producer, composer, and engineer. Stell was born in Lancaster, Massachusetts. Stell set out on his own tour in Spring 2017, hitting 27 dates around America. Rational is Matthew Cameron Brotzel, a Canadian hip-hop artist from Saskatoon, Saskatchewan. On March 30, 2010, RationaL released his debut single “Cocaine Cowboy” from his debut album, The BirthWrite LP. The song garnered a 2010 Sphere of Hip-Hop award for “Song of the Year”, co-winning the honor alongside 2011 Juno Award winner and fellow Canadian rapper, Shad (“Rose Garden”). July 17, 2012 the rapper released The BirthWrite LP under his own independent imprint, Ear RationaL Music. The album featured guest appearances from Quannum Projects recording artist Pigeon John, former Rawkus Records artist and member of The Procussions, Mr. J. Medeiros, Relic, Theory Hazit and Ohmega Watts. In the fall of 2007, RationaL began the writing and recording process for his debut album, The BirthWrite LP. The album charted as high as #2 on the !earshot hip-hop charts. Although The BirthWrite LP is officially considered RationaL’s debut album, there was a free promotional album released on July 20, 2010 entitled Hard Labor: The BirthWrite Prequel that circulated locally and was made available online. The BirthWrite LP is most notable for the award-winning lead single “Cocaine Cowboy”. On July 23, 2013, RationaL reached an exclusive agreement with the Toronto Blue Jays and Major League Baseball to release his new single, “A Swing and a Belt”, dedicated to the late Hall of Fame voice of the Blue Jays, Tom Cheek. Cheek called a Major League record 4,306 consecutive games for 28 straight seasons on the Toronto Blue Jays Radio Network from April 7, 1977 to June 2, 2004. Produced by Imperial, “A Swing and a Belt” received high-praise from former World Series hero Joe Carter. Former Jays manager and current Sportsnet play-by-play man Buck Martinez also raved about the song. Martinez stated, “RationaL has captured everything that Tom Cheek was in regards to baseball. He had his passion, he understood his love of the game, he understood all the great moments in Tom Cheek’s broadcasting career. He weaves them into “A Swing and a Belt” in such a way that it brings back so many memories for fans, baseball people and media people that really captures the essence of Tom Cheek’s career with the Blue Jays. I don’t think it could have been done any better.”[citation needed] In addition, Sportsnet aired a clip of the song during the Blue Jays game versus the Houston Astros on July 27, 2013. “A Swing and a Belt” is also the lead single from RationaL’s upcoming album entitled Hell or High Water, scheduled for release soon on Ear RationaL Music. Confirmed collaborators for the record thus far include Mr. J. Medeiros, Factor, Imperial, Josh Palmer and Juno Award-winning producer and emcee, Relic.]

6. Kristen Hersh – “Lax”
from: Possible Dust Clouds / Fire Records / October 5, 2018
[The 11th solo album from Martha Kristin Hersh was born August 7, 1966, in Atlanta, Georgia. She moved to Newport, Rhode Island when she was six years old. Her father was a professor at Salve Regina University in Newport and her mother a special educational needs teacher. She was interested in music at an early age and wanted to learn guitar chords so her father gave her a guitar when she was nine. Her parents separated when Hersh was 11 and her mother married the father of her best friend Tanya Donelly. Hersh talked Donelly into starting a band, then called The Muses when they were 14. Throwing Muses was formed in 1981 when Hersh and Donelly were freshmen in high school. Friends from school, including Elaine Adamedes, Becca Blumen, Leslie Langston and David Narcizo, were part of the group with Narcizo becoming a long-term member. Hersh initially wrote and sang most of Throwing Muses’ songs, often in changing tempos. Donelly also contributed songs and lead vocals. Hersh attended Salve Regina University, majoring in archetypal psychology and philosophy, and the Rhode Island School of Design, but dropped out shortly before graduating to establish the band in Boston, Massachusetts, where they had been playing on weekends. While at Salve, Hersh befriended film actress Betty Hutton, who was attending the school in her 60s; Hutton also attended several early Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on the British label, and released their first EP Chains Changed in 1986. Two releases followed, The Fat Skier and the album House Tornado. The 4AD Throwing Muses biography describes its sound at the time as “… joining the dots between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns.” For the Throwing Muses 1986 UK tour, the Boston-based Pixies, embarking on their first European tour, was the opening band. The band signed a U.S. deal with Sire/Reprise Records in 1987 and began touring the U.S. and Europe while recording albums, with Hersh writing most of the songs. The band became a trio when Donelly left the group after 1991’s The Real Ramona. In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. After receiving some airplay and major media coverage for the Throwing Muses album University in 1995, Hersh moved to Rykodisc for the band’s 1996 album, Limbo, and released her solo album, Strange Angels in 1998. To better control her career and the distribution of her recorded material, she created the ThrowingMusic label with then-husband and manager Billy O’Connell in 1996. This enabled her to co-release some of her projects, including an ongoing download-subscription service called Works in Progress (WIP) for releases available through the label’s website. Hersh continued to offer her solo releases online, releasing “Sky Motel” in 1999. By the mid-90s, David Narcizo became Throwing Muses’ permanent drummer, still playing in the band whenever they tour. Throwing Muses functions as a noncommercial musical enterprise, focusing on touring over record sales and airplay. In a 2014 interview, Hersh stated, “As far as I’m concerned, music is not a commodity. It’s something that people have earned by being human. They have a right to hear it, and a right to share it, as they always have in churches and parties. That’s how music happens. Hersh has said her parents’ album collections, featuring Patti Smith, the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, The Clash, Steve Miller, The Beatles, Philip Glass, and traditional music all influenced her when she was growing up. Among her early contemporary musical influences are The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hüsker Dü, Velvet Underground, R.E.M., and X. Hersh was married to her former manager Billy O’Connell for 25 years until they divorced in 2013. She has four sons. Hersh has talked openly about her bouts with mental illness and its role in her musical process. A car accident at age 16 while she was riding her bicycle gave her a double concussion that affected the way she heard sounds. She described it as hearing ambient sounds continuously and “…the sounds would alter their sonic vocabulary until I was hearing syllables, and drums. And then all these words would come.” She’s stated that hearing “pieces of songs” in her mind compelled her to take the pieces apart and craft songs from them. She also claims that she doesn’t remember writing her early songs—that “they wrote her.” She’s had more than one diagnosis (and misdiagnoses) for her condition, including schizophrenic disorder, bipolar disorder, and most recently post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing (EMDR) therapy.]

7. Kristen Hersh – “No Shade in Shadow”
from: Possible Dust Clouds / Fire Records / October 5, 2018

10:32 – Underwriting

8. Antena – “Camino del So”
from: Antena: Camino del Sol / Numero / 2019
[Originally released in September, 1982] [Antena: Camino Del Sol is the second compilation album by The Numero Group (NUM002), based on a mini-album originally released in September 1982. It features tracks by French-Belgian trio Antena who were then signed to Belgian label Les Disques Du Crepuscule. Antena featured Isabelle Antena, a pseudonym for Isabelle Powaga, who is a cult figure known for her song “Say I Believe In It.” The re-release contains re-mastered tracks, B-sides and two previously unreleased songs.]

9. Boogarins – “Onda Negra”
from: Lá Vem a Morte / OAR / June 9, 2017
[Boogarins are a Brazilian psychedelic rock band formed in 2013 by Dinho Almeida (vocals, rhythm guitar) and Benke Ferraz (solo guitar). Later they were joined by Hans Castro (drums) and Raphael Vaz (bass guitar), forming a four-piece. In 2014, Ynaiã Benthroldo replaced Hans as drummer. Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013. A second album followed in 2015. The band took their name from a jasmine flower in Brazil. On June 7, 2017, the band’s third album Lá Vem a Morte was released on YouTube as a surprise for the fans. It was elected the 9th best Brazilian album of 2017 by the Brazilian edition of Rolling Stone. They have a new album titled Sombrou Dúvida to be released in 2019]

10. Sharon Van Etten – “I Told You Everything (Edited)”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

11. Hand Habits – “placeholder”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

10:59 – Station ID

12. Cass McCombs – “I Followed the River South to What”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

13. M. Ward – “Shark”
from: What a Wonderful Industry / M. Ward Records / June 8, 2018
[Matthew Stephen “M.” Ward was born October 4, 1973 and raised in Ventura County, California. He moved to Portland, Oregon after college. Growing up, Ward taught himself songs by The Beatles on his brother’s guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens. M. ward is a singer-songwriter and guitarist who is known for his folk and blues-inspired Americana analog recordings. He has released nine albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. More info at: http://www.mwardmusic.com]

14. The Glands- “Lovetown”
from: The Glands / Capricorn Records / 2018
[Originally released on August 1, 2000 on New West Records][The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in 2000 on Capricorn Records and reissued on Velocette Records in August 2001. The Glands’ unique sounds recalled a variety of influences, including the Kinks, the Who, and The Rolling Stones. The song “Livin’ Was Easy” was featured in the DVD Let America Laugh by comedian David Cross. The band reunited for a brief east coast tour in late 2011, playing several dates with Yo La Tengo. Ross Shapiro, singer, guitarist, and founding member of The Glands, died in March 2016 following a battle with an illness.]

15. The Glands – “I Can See My House from Here”
from: The Glands / Capricorn Records / 2018 [original – Aug. 1, 2000 on New West Records]

16. Lucy Dacus – “Night Shift”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”]

17. boygenius – “Me & My Dog”
from: bygenius / Matador / October 26, 2018
[indie rock supergroup formed by Julien Baker, Phoebe Bridgers, & Lucy Dacus. Their self-titled debut EP was written and recorded in four days at Sound City Studios in Los Angeles. In November 2018, Baker and Bridgers hit the road in North America for a co-headline tour, with Dacus opening. Each artist played her own individual set of tunes. The tour kicked off at Nashville’s Ryman Auditorium on November 4th, and traveled through the Northeast, Midwest, and West Coast, culminating at The Wiltern in LA on November 30.]

18. Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

11:37 – Underwriting

11:39 – Interview with Ada Brumback & Anna Selle

Ada Brumback & Anna Selle of Bandwaggn Kansas City on the February 13, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar, bass, and some keyboards in the band, Chase The Horseman. Ada Brumback used to play drums in the band Bedroom Wounds. Ada has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson.

Anna Selle is editor and founder of HearQueer, an online and print publication that amplifies queer voices in music. The first issue was launched June 30, 2017, and Anna is getting ready to release issue #4 this spring. Anna also serves s staff photographer for Playlistplay. She studied Art History at Truman State University. Anna is one of the co-founders of Bandwaggn. More info at: http://www.hear-queer.com

Ada Brumback and Anna Selle join us today to talk about Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

Ada Brumback and Anna Selle thank you for being with us on Wednesday MidDay Medley

Their first fundraiser: Valentine’s Day Formal: A Benefit for Bandwaggn, February 15, at Stray Cat Film Center has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

Bandwaggn’s mission “…is to create a youth-centered arts and social justice organization, creating a Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.”

The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Bandwaggn’s goal is to host at least 20 kids at the camp June 2020.

Bandwaggn strives to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes they hope to see include community building and empowerment among our youth participants.

Bandwaggn sees a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.” It’s our goal to become a member of the national Girls Rock Camp Alliance https://www.girlsrockcampalliance.org/

Valentine’s Day Formal: A Benefit for Bandwaggn, originally scheduled for Friday, February 15, at Stray Cat Film Center, has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

11:56

19. Mercury Rev – “Big Boss Man”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 20, Claire Adams joins us to talk about her show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, with string quartet, Rewound, performing Adams’ original songs as arranged by Peter Lawless with special guest Alyssa Murray opening the night. ALSO…Frank Alvarez joins is to talk about the new record store Sister Anne’s – Records and Coffee that he has opened with Jim Oshel at 901 East 31st Street, KCMO named after Anne Winter who owned Recycled Sounds a record store where they both worked. ALSO next week, Wick Thomas joins us to share details about A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #773

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WMM is Spinning Records With Marion Merritt + Ada Brumback & Bandwaggn

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback & Bandwaggn

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: The Bevis Frond, Baxter Dury, Delilah Holliday & Etienne de Crécy, Big Wild, Kristin Hersh, Antena, Boogarins, Sharon Van Etten, Hand Habits, Cass McCombs, M. Ward, The Glands, Lucy Dacus, boygenius, Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers, Throbbing Gristle, The Daktaris, Mulatu Astatke, and more!

At 11:30 Mark and Marion talk with Ada Brumback about Valentine’s Day Formal: A Benefit for Bandwaggn, Friday, February 15, at 7:00 PM, at Stray Cat Film Center, 1662 Broadway Blvd, KCMO. This is the first official fundraiser for Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #773

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM presents Betse Ellis, Marion Merritt, Keaton Conrad & Todd Albright

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

Mark plays The MidCoast Sound from: The Philistines, Calvin Arsenia, Bob & Una Walkenhorst, The Buhs, Akkilles, Kat King, Hembree, Stacy Busch, Betse Ellis, Keaton Conrad, Digital Leather, Todd Albright, and Motherfolk.

Betse Ellis

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke returns to Wednesday MidDay Medley for the entire show as our special guest co-host.

Marion Merritt

Marion Merritt, longtime contributor to Wednesday MidDay Medley, and founder of Records With Merritt, also joins us as special co-host with Betse to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

Keaton Conrad

At 10:35, Mark talks with Kansas City recording artist, Keaton Conrad who has been regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Friday, February 1.

Todd Albright

At 11:15 we talk with Third Man Records recording artist, Todd Albright a Detroit, Michigan based, twelve-string finger-style guitarist who specializes in country blues. Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly. Todd’s history playing the blues reaches over 25 years. Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. Todd Albright plays Records with Merritt, 1614 Westport Rd, KCMO, on Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #772

WMM’s Playlist from November 21, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 21, 2018

2018 – The Year in Music
with: Tim Finn, Marion Merritt, Chris Haghirian, & Fally Afani

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

Today we take a look at 2018: The Year in Music with 4 special guests who’ll share their Favorite Musical Releases of 2018. Guests include: Tim Finn of In Kansas City Magazine, Marion Merritt of Records With Merritt, Chris Haghirian of Eight One Sixty on 90.9 The Bridge, and Fally Afani of I Heart Local Music.

Tim Finn of In Kansas City Magazine

10:06 – Interview with Tim Finn

Tim Finn is Music Writer for In Kansas City Magazine. Tim is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4:00 PM and 5:00 PM on 90.9 The Bridge with Jon Hart.

Tim Finn’s Favorite Musical Releases of 2018

#5. Calvin Arsenia – Cantaloupe/ Bullseye Records / September 15, 2018

2. Calvin Arsenia – “Toxic”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays The Truman December 31 with Making Movies.]

#4. Mikal Shapiro – The Musical II / Mikal Shapiro / May 26, 2018

3. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro will be performing vocals for the MONTA AT ODDS Argentum Dreams RECORD RELEASE in a special ‘One Performance Only’ show on Saturday, December 1, at 8:00 PM, at recordBar, 1520 Grand Boulevard, with SHANA FALANA [NYC}, MIKAL SHAPIRO & “The Musical” Band / with live video projections from VJDN8]

#3. Bob & Una Walkenhorst – For Tomorrow / Bat Records / October 12, 2018

4. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play RSD Black Friday Nov. 23, at 2:00 PM, at Vinyl Renaissance & Audio 7932 Sante Fe Dr, Overland Park]

#2 Madisen Ward and The Mama Bear – Radio Winners EP / Glassnote / July 27, 2018

5. Madisen Ward and the Mama Bear – “Childhood Goodbye”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover, of a classic track reinterpreted, in their own incredibly beautiful performance of two voices and two guitars, in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear have just returned home from the road with The Record Company with shows in NYC, Philadelphia, Portland Maine, Charlotte, Atlanta, Birmingham, Austin, Dallas, Albuquerque, Phoenix, Tucson, San Diego, Los Angeles, Las Vegas, and Denver.]

#1. Amy Farrand and The Like – One / Amy Farrand / April 28, 2018

6. Amy Farrand and The Like – “Sweet Thing”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

10:30 – Underwriting

Marion Merritt of Records With Merritt

10:32 – Interview with Marion Merritt

For nearly 15 years Marion Merritt has been sharing her musical discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt’s Favorite Musical Releases of 2018

#5 – Blood Orange / Domino Recording Co. / August 24, 2018

7. Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes, was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list]

#4. Cowboy Junkies – All That Reckoning / Latent Records / July 13, 2018

8. Cowboy Junkies – “All That Reckoning, Pt. 1”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

#3. Tash Sultana – Flow State / Lonely Lands Records – Mom + Pop / August 31, 2018

9. Tash Sultana – “Big Smoke”
from: Flow State / Lonely Lands Records – Mom + Pop / August 31, 2018
[Natasha “Tash” Sultana was born June 15, 1995. She is an Australian singer-songwriter and multi-instrumentalist. Described as a “one-woman band who brings new meaning to the concept of multi-tasking”. Half Australian and half Maltese, Sultana was born and grew up in Melbourne. She received a guitar from her grandfather when she was three, and has played ever since. She now can play over 10 instruments including guitar, bass, trumpet, flute, percussion and saxophone. Sultana’s teenage years were troubled. A self-described drug addict, she developed drug-induced psychosis when she was 17, and had to undergo several months of therapy to recover. Unable to find regular work, she turned to busking on the streets of Melbourne to get by.]

#2. Fantastic Negrito – Please Don’t Be Dead / Blackball Universe / June 15, 2018

10. Fantastic Negrito – “A Letter To Fear”
from: Please Don’t Be Dead / Blackball Universe – Cooking Vinyl / June 15, 2018
[Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

#1. R+R=Now – Collagically Speaking / Blue Note Records / June 15, 2018

11. R+R=NOW – “The Night In Question (feat. Terry Crews)”
from: Collagically Speaking (feat. Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah, Derrick Hodge, Taylor McFerrin & Justin Tyson) Blue Note / June 15, 2018
[Reflect+Respond=Now, a supergroup featuring Robert Glasper on keybords, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synthesizer, Justin Tyson on drums, and Terrace Martin on synth and vocoder. Motivated by their ethos to “reflect and respond,” forward-thinking jazz supergroup R+R=Now makes an ambitious, socially conscious blend of post-bop jazz, electronic-tinged fusion, avant-garde improvisational music, and hip-hop-influenced funk. Led by acclaimed pianist Robert Glasper, the group came together while he was working on Nina Revisited, a companion album released in conjunction with the 2015 Nina Simone documentary What Happened, Miss Simone?]

11:00 – Station ID

Chris Haghirian of Eight One Sixty on 90.1 The Bridge

11:00 – Interview with Chris Haghirian

Chris Haghirian has worked for The KC Star for 19 years and helped launch INK in April of 2008 where he puts together music promotions, and organizes music at, Boulevardia, The Plaza Art Fair, and Wednesday “Winsday” home game concerts at Kauffman Stadium for the Kansas City Royals. Chris hosts Star Sessions Live every Monday at Noon on Facebook Live. With Nathan Reusch of The Record Machine, Chris makes The Middle of The Map Fest happen each year, and Chris gets to share his amazing passion for the Kansas City music scene as host, with Sarah Bradshaw, of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge.

Chris Haghirian’s Favorite Musical Releases of 2017

#5. Cat Power – Wanderer / Domino Recording Co / October 5, 2018

12. Cat Power – “Woman feat. Lana Del Rey (Single Version)”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

#4. Christine and The Queens – Chris / Because Music / September 21, 2018

13. Christine and The Queens – “Doesn’t Matter”
from: Chris / Because Music / September 21, 2018
[Chris is the second studio album by French singer Christine and the Queens, released in both English and French versions through Because Music. It was preceded by the release of two singles, each of which were released in both English and French versions: “Girlfriend” / “Damn, dis-moi”, featuring Dâm-Funk, and “Doesn’t Matter” / “Doesn’t Matter (Voleur de soleil)”. An English-language single, “5 Dollars”, was also released alongside an S&M-inspired video, followed by the French version of “La Marcheuse”. Héloïse Letissier (born 1 June 1988), known professionally as Christine and the Queens (or, as of 2017, simply Chris), is a French singer, songwriter and producer. Born in Nantes, France, Letissier studied theatre before forming her solo musical group Christine and the Queens. Letissier has been signed to the independent record label Because Music since 2012. Her work combines music, performance, art videos, drawings and photography.]

#3. Dragon Inn 3 – Double Line / American Laundromat / August 17, 2018

14. Dragon Inn 3 – “Club Sauce”
from: Double Line / American Laundromat Records / August 17, 2018
[Kansas City based and formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

#2. Bob & Una Walkenhorst – For Tomorrow / Bat Records / October 12, 2018

15. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play RSD Black Friday Nov. 23, at 2:00 PM, at Vinyl Renaissance & Audio 7932 Sante Fe Dr, Overland Park]

#1. Lady Gaga & Bradley Cooper – A Star Is Born Soundtrack / Interscope / Oct. 5, 2018

16. Lady Gaga & Bradley Cooper – “Shallow”
from: A Star Is Born Soundtrack / Interscope / October 5, 2018
[A Star Is Born is a 2018 American musical romantic drama film produced and directed by Bradley Cooper (in his directorial debut) and written by Eric Roth, Cooper and Will Fetters. A remake of the 1937 film of the same name, it stars Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, and Sam Elliott, and follows a hard-drinking musician (Cooper) who discovers and falls in love with a young singer (Gaga). It marks the fourth remake of the original 1937 film, after the 1954 musical, the 1976 rock musical and the 2013 Bollywood romance film. After seeing him perform at Desert Trip festival, Cooper approached Lukas Nelson (son of country music singer Willie Nelson) and asked him to help work on the film. Nelson agreed and wrote several songs, which he sent to the producers. Nelson subsequently met Lady Gaga and began writing songs with her and she, in turn, provided backing vocals on two tracks on his self-titled 2017 album. The soundtrack, performed by Gaga and Cooper, was released on October 5, 2018, by Interscope Records. The studio announced that the album “features 19 songs in a wide range of musical styles + 15 dialogue tracks that will take you on a journey that mirrors the experience of seeing the film.”.]

11:29 – Underwriting

Fally Afani of I Heart Local Music

10:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 17 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local and touring musicians and where she is the founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. More information at: http://www.iheartlocalmusic.com

11:33 – Fally Afani’s Favorite Musical Releases of 2018

#5. Khrystal – “The Awkward Muva / Khrystal / July 13, 2018

17. Khrystal. – “Some People”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on November 7, 2017 ]

#4. Pale Tongue – Pale Tongue EP / Manor Records / October 5, 2018

18. Pale Tongue – “King in Yellow”
from: Pale Tongue EP / Manor Records / October 5, 2018
[Lawrence based 3-piece band formed by Carlos Calderon and Nick Fredrickson of The Appleseed Cast and bassist James Thomblinson of Arc Flash, and Psychic Heat. The trio has molded their ripping ‘dungeon rock’ sound into a fierce torrent of fuzz and fury, bending and merging gritty acidic psych-punk with hypnogogic dreamscapes, crafting a realm of experience dripping in cosmic horror and heady awe. Engineered by Mitch Hewlett. Mix and Mastered by Joel Coon.]

#3. Sona – Sona EP2 / Spounds Wierd Records / September 14, 2018

19. Sona – “Pop Song”
from: Sona EP 2 / Something Sounds Weird Records / September 14, 2018
[Sona began as the love child of husband and wife Brian and Jenna Goodman. Add Bobby Reeves on drums makes this alternative indie rock shoegaze post-punkLawrence Kansas based band a “power trio.” The EP was recorded at Fire & Ice Studios Baldwin, KS and was engineered/mixed by Steve Squire and mastered by Duane Trower with all songs written by SONA ©2018 Something Sounds Weird Records]

#4. Serene Fiend – Sowing Dischord / DK Records / July 27, 2018

20. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

#1 CS Luxem – Symptoms / Whatever Forever / February 17, 2018

21. CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

Fally’s Honorable Mentions:
Brass and Boujee – “All Day”
Bummer – “Reefer Sadness” off Holy Terror
HighWesthus – “Fangs” off TAKOTSUBO: a love story
The Phantastics – “Life of the Party” off of Life of the Party EP
Duncan Burnett – “Black Boy Joy” off The Almighty
Calvin Arsenia – “Tip Toe” or “Toxic” off Cantaloupe

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on November 28, Wednesday MidDay Medley presents our Top 25 Singles of 2018 (These are stand alone single releases of 2018 that are not included on any EPs or full length album releases.)

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #761

Wednesday MidDay Medley with Tim Finn + Marion Merritt + Chris Haghirian + Fally Afani

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 21, 2018

2018 – The Year in Music
with: Tim Finn, Marion Merritt, Chris Haghirian, & Fally Afani

Mark welcomes four special guests who share their Favorite Musical Releases of 2018. Guests include: Tim Finn – Music Writer for In Kansas City Magazine, Marion Merritt – owner of Records With Merritt, Chris Haghirian – of The Kansas City Star and Host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – Founder & Editor of I Heart Local Music.

We’ll hear representative tracks from: Calvin Arsenia, Bob & Una Walkenhorst, Mikal Shapiro, Madisen Ward and The Mama Bear, Amy Farrand and The Like, Khrystal, Pale Tongue, Sona, Serene Fiend, CS Luxem, Dragon Inn 3, Cat Power, Tash Sultana, Christine and the Queens, Lady Gaga & Bradley Cooper, Blood Orange, Cowboy Junkies, Fantastic Negrito, and R+R=Now.

NEXT WEEK, On November 28, Wednesday MidDay Medley presents our Top 25 Singles of 2018 (These are stand alone single releases of 2018 that are not included on any EPs or full length album releases.)

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #761

WMM Playlist from October 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2017

Betse Ellis + Marion Merritt
+ Jennifer Owen of Owen Cox Dance Group
+ Jake Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Cuee – “Honey feat. Micha Anne [radio edit]”
from: “Honey”- Single / Cuee / November 27, 2017
[Cuee is a Chicago rap artist currently in Lawrence. Fally Afani writes in I Heart Local Music: Your 2017 local queer anthem is here, and we are screaming. Cuee’s “Honey” features local trans songstress Micha Anne, and it’s blasting confidence all over our speakers. LISTEN TO US. This is the track you put on when you’re gussying up for a night of raging on the Replay dance floor. In the song, Micha encourages us to “work it out,” “get sexy now,” and just “slay.” Then, Cuee (always the charmer) pops in, proudly proclaims “I’m brown skinned, I like action” and that she could “pull your girl without askin’.” We’re already a hot mess. 2017 has been such a shit year and we need this unapologetic happiness right now. Together, Cuee and Micha Anne are looking good and slaying. They are our guiding lights in dark times, and we are going to sissy that walk when we follow them into the new frontier. If this is the future of music, sign us up. We are here for it.]

[Cuee plays Replay Lounge, 946 Mass. St, LFK, on Saturday, October 20 with Khrystal., Mae C, and DJ Kate Furst.]

3. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

10:08 – Pledge Break #1

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. Last year their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Ollie’s Local, 3044 Gillham Rd., KCMO, tomorrow night, 7:00 to 10:00 PM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re nonprofit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and call 888-931-0901 and donate to keep us alive!

YOU are the reason we are able to stay alive.

90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, in the last year, Wednesday MidDay Medley has interviewed 200 guests:

Radkey, Ted Riederer, Shy Boys, Emmaline Twist, Howard Iceberg, Cody Critcheloe, Bach Aria Soloists, Calvin Arsenia, Tim Finn, Stephonne Singletone, Prisca Jebet Kendagor, Nathan Bowman, Holly Near, Of Tree, Michelle Bacon, Krystle Warren, Cris Williamson, Ivory Blue, Jesse Kates, Sterling Witt, Kristy Stremel, Summer Osborne, Sarah McCracken, Una Walkenhorst, Thee Devotion, Abandoned Bells, Amy Farrand, Barry Lee, Lisa McKenzie, Chase The Horseman, Keaton Conrad, Sid Sowder, Heidi Lynne Gluck, CJ Janovy, Aaron Rhodes, Fally Afani, Liz Jeans, Pranav Nanda, Cat Dail, Savannah Rodgers, Stuart Hinds, Lea Hopkins, Austin Williams, Jamie Rich, Philip Hooser, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Marquis, Nico Gray, Cheryl Kimmi, Chris Haghirian, Nathan Ruesch, Megan Slankard, Justin Van Pelt, Elizabeth Suh Lane, Beau Bledsoe, Jeff Harshbarger, Jen Harris, Laurel Parks, Ben Parks, Spencer Brown, CS Luxem, Red Kate, Olivia Fox, Doby Watson, Kadesh Flow, David Wayne Reed, Shaun Crowley, Nick Carswell, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Steve Tulipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Ryan Lee Toms, Paul S. Nyakatura, Joesph Warren Wheeler, Summerland, Blake Berglund, Belle Plaine, Joe Stanziola, Chris McCoy, Wick Thomas, Josh Morgan, Simon Huntley, Mike Dillon, Ethan Eckert, Cody Calhoun, Cole Bales, AM Merker, Stephen Berry, Sarah Dolt, L. Ron Drunkard, Natalie Patrick-Knox, Theresa Scott, Johnny Hamil, Chris Tady, John Keck, Chris Teasley, Davin Watne, Ten Thousand One, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Betse Ellis, Clarke Wyatt, Ron Megee, Joelle St.Pierre, Nan Turner, Matthew Roth, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Jen Appell, Steve Gardels, Cynthia Hardeman, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Scott Hrabko, Jonathan Brokaw, David Weeda, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Maria Cuevas, Garrett Nordstrom, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl, Stephanie Bankston, Brook Worlledge, Heather Andrews, Chad Meise, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Alan Winkler, Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Jamie Searle, Patrick Alexander, and more.

10:15 – DNA Harmonies

4. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play the Forever Fest, Friday, October 19, at 5:00 PM, at The Yard in North Lawrence, 512 Locust Street, with CS Luxem, and Mourning Ritual.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play Vinyl Renaissance, at 7932 Sante Fe Drive, Overland Park, KS., Thursday, October 18, over the lunch hour at from 12:00 Noon to 1:00 PM.]

6. Madisen Ward and the Mama Bear – “Walk in The Park”
from: The Radio Winners – EP / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear are currently out on the road with The Record Company with shows tomorrow in NYC, Friday in Boston, Saturday in Phiadelphia, Monday in Portland Maine, and continuing to Charlotte, Atlanta, Birmingham, Austin, Dallas, Albuquerque, Phoenix, Tucson, San Diego, Los Angeles, Las Vegas, and Denver through November 13.]

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro and the band that made The Musical II plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Emmaline Twist, and Teri Quinn.]

10:25 – Pledge Break #2

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard from Mikal Shapiro, Madisen Ward and The Mama Bear, Bob & Una Walkenhorst, and Shy Boys. We not only play their latest music but we let you know where you can see and hear these artists live in Kansas City and around the country. We also offer information about when the music was released, who contributed to the recordings and information about these artists. Our detailed playlists are posted on our Wednesday MidDay Medley Facebook page, on our Twitter page, and our playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org. Wednesday MidDay Medley was the very first radio show to play Shy Boys and Madisen Ward and The Mama Bear, Mikal Shapiro, and the new Bob & Una Walkenhorst record. Long before they were played on other stations, we were the very first to let people know about their music, right here on this little ole radio show.

WMM Plays New & MidCoastal Releases. Timothy Finn former music writer for the Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

10:32 – Underwriting

Betse Ellis and Jennifer Owen on the October 17, 2018 edition of Wednesday MidDay Medley.

10:34 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

“Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre

Jennifer Owen joins us to share details about, “Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with performance on Saturday, October 20, at 8:00 PM, and Sunday, October 21, at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., Overland Park, Kansas.

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs.

Owen/Cox Dance Group’s mission is to bring exciting new music and dance collaborations to Kansas City, partners with soprano Victoria Bo-ero on Morena, a world premiere music and dance work. Featuring the secular music traditionally sung by Jewish, Muslim, and Christian women. These songs from the Sephardic, Arabic, and Armenian cultures have a rich history of being passed from one woman to another since the medieval era. Curated by Victoria Botero and choreographed by Jennifer Owen, this program connects across time and faith, exploring themes of love, family, and loss.

“I am thrilled to present this collaborative performance with Victoria Botero,” said Jennifer Owen, Owen/Cox Dance Group Artistic Director. “It’s a re-markable gift for a choreographer to be able to create new dance works to music with such a rich tradition. Don’t miss this powerful event paring live music and dance!”

Musicians:
Victoria Botero, Soprano, Kristee Haney, Mezzo-Soprano, Trilla Ray Carter, Cello

And featuring the Sharq Ensemble: Karim Nagi, Percussion and Aboud Agha, Oud

Dancers:
Yazzmeen Ladler (Ailey II), Christopher Page-Sanders (Cleo Parker Robinson Dance)
Demetrius McClendon (Deeply Rooted), Terra Liu (State Street Ballet)
Marlayna Locklear (Ailey II), Megan Buckley (Verb Ballets), and Martell Ruffin (Ailey II)

There are only two performance on Sat., Oct. 20 at 8:00 PM, and Sun, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., OPKS. For info: http://www.owencoxdance.org

Owen/Cox Dance Group 2018 – 2019 Season

New Dance Partners – 4 world premieres commissioned by JCCC – Sept. 21-22, at Yardley Hall, JCCC

Morena with soprano Victoria Botero – October 20-21, 2018 at Polsky Theatre, JCCC

For the Love of Dance – Annual Fundraiser – November 18, 2018

What Keeps Mankind Alive – music by Kurt Weill and Bertolt Brecht
February 1-3, 2019 – MTH Theatre, Crown Center

Strung Through Time w/ violinist Elizabeth Suh Lane – June 8-9, 2019, at White Recital Hall, UMKC

10:44

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group presents, “Morena” a collaboration with soprano Victoria Botero and ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Sat, Oct. 20 at 8:00 PM, and Sun,, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts ,at Johnson County Community College, 12345 College Blvd. Overland Park, Kansas

10:45

8. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton plays Pianos, 158 Ludlow Street, in NYC, on Sunday, October 28, at 7:00 PM with Tales of Joy, New Alone, Ava Sophia and Paola Bennet.]

9. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

10:52 – Pledge Break #3

We just heard Krystle Warren. Mark Manning was the very first to play Krystle’s music on the radio and on KKFI. He first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark wanted recorded music of Krystle’s that could be played on the radio. Solomon Dorsey, Krystle’s Paseo Academy classmate and longtime friend and collaborator, invited Mark to a party where Krystle and her band were playing with Solomon on bass, in a very smoke filled apartment packed with area college students, at a huge party during a winter snow storm, in a building near Community Christian Church where Solomon lived. There had been a power outage because of the snowstorm, except Solomon’s apartment still had power. Mark waited over 2 hours, to be given a 2 song demo CD that contained Krystle’s first recorded music. The CD including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but maintains contact with her hometown of Kansas City. In the last year Krystle released her critically acclaimed album, “Three The Hard Way” which was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, long before it was released. Krystle even came on the show months before the release, to share music that was the inspiration for the recording.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. Call 888-931-0901. You can also visit us at http://www.kkfi.org

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI – Commercials. We are non-commercial! We do not clutter the airwaves with commercials trying to sell you something. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio, but No Commercials!

KKFI has no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. We are the opposite of this. There is a human being on the other end of the phone line anytime you call.

We are The Voice of The Community

90.1 offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Time, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

Call: 888-931-0901 or visit: http://www.kkfi.org — Become a sustaining member!

10:59 – Station ID

10. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Mikal Shapiro and the band that made The Musical II and Teri Quinn.]

11. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

[Amy Farrand & The Like play the Brick Saturday, October 20, at 8:00 pm, with Molly Gene]

[Amy Farrand & The Like play Replay in Lawrence on Sunday, Oct. 21, at 5:00 pm, with the Vedettes]

[Amy Farrand & The Like play a Fundraiser for Sharice Davids for US Congress, Thursday, Oct. 25, at 8:00 pm, at recordBar, with Emmaline Twist, Mikal Shapiro and band, and Teri Quinn.]

[Sister Mary Rotten Crotch plays recordBar Wed, Oct 31, 9:00 pm with Bob Log III, Molly Gene.]

11:05 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

What does 90.1 FM KKFI Kansas City Community Radio means to YOU?

Where can you find out about what is happening in your community? Where can you find weekly locally focused specific information and news about the following collective communities or issues: LGBTQIA, Urban Affairs, Worker’s Rights, The Environment, The Kansas City Visual and Literary Arts, The Performing Arts, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk? The answer is KKFI 90.1 FM Kansas City Community Radio. The Voice of The Community

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

12. Jake Wells – “Water, Pt. 2”
from: Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT.]

Jake Wells photo by Alec Matlock. Jake Wells plays recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT

11:15 – Interview with Jake Wells

Last week the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. This year Jake released his debut EP Orange and Blue. Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Last Tuesday night, October 9, we saw Jake sing on NBC’s The Voice, in the blind audition for celebrity musicians: Adam Levine, Jennifer Hudson, Blake Shelton and Kelly Clarkson. We watched Jake’s family backstage waiting with anticipation for one of the “coaches” to turn around. At the last moment of his song, Adam Levine turned his chair, making Jake a member of his team, and moving him to the next stage of the competition – The battle rounds.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style. Jake is one of five childen, He has two sisters and two brothers and he is the middle child.

He studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. Jake has release other singles and this year Jake released his debut EP, Orange and Blue.

Jake Wells with Dorothy Hawkins on the October 17, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake’s band includes: Tyler Beyer, Jordan Thompson, and Elliott Holt

11:26

Jake Wells, thanks for being with us on Wednesday MidDay Medley.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT. More information at http://www.jakewellsmusic.com

11:27

12. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar, Mon. Oct 22, at 7:00 PM, w/ Jake Wells and Duncan Burnett x RIOT.]

[Calvin Arsenia plays Making Movies: Once In A Lifetime at The Truman, on Mon, Dec 31, 9:00 PM.]

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

[Duncan Burnett X RIOT plays recordBar, Mon. Oct. 22, at 7:00 PM, w/ Jake Wells, Calvin Arsenia.]

11:32 – Underwriting

11:34 – Pledge Break #5

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

90.1 FM KKFI – Kansas City Community Radio offers loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation, The MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, InterUrban ArtHouse, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, American Jazz Museum, Never Records, KC Fringe Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

15. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

11:49 – Pledge Break #6

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Call 888-931-0901 // Visit: http://www.kkfi.org // Become a Sustaining Member!

Donations of $5.00 per month or moe enable you to attend the 2018 Sustainer Concert (for New & Existing Sustainers) with Cubanisms & The Sextet, Thursday, November 29, 5:00 to 9:00 PM, at recordBar, 1520 Grand, KCMO

11:56

17. FACEFACE – “We Awesome (radio edit)”
from: MMmm / FACEFACE / Digital release Feb. 15, 2018 / Physical release June 15, 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

[FACEFACE play a Spooktacular house warming, 2103 Central Avenue, Kansas City, KS, on Saturday, October 27, at 9:00 pm, with It’s Me Ross, Dead Vinyl, and Momma’s Boy.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 24, it will be a full moon and we will be welcoming Brenton Cook, Dedric Moore and Steve Tulipana who join us to share details about The Outer Reaches Festival, Friday, October 26 and Saturday, October 27, at recordBar with: Freight Train Rabbit Killer; Heaven’s Gateway Drugs (Fort Wayne, IN); Mysterious Clouds; Abandoned Bells; The Guillotine Choir; JC & the Nuns (Lawrence, KS); Lesser Pleasures (Lawrence, KS); New Obsessions; Lava Dreams, Cave (Chicago, IL); Sound of Ceres (Brooklyn, NY); J Fernandez (Chicago, IL); Death Bells (Sydney, Australia); Lace (Houston, TX); Black Givre (Montréal, Québec); and Kee Avil (Montréal, Québec).

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #756

WMM Playlist from Oct. 10, 2018

Holly Near photo by Irene Young

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 10, 2018

Spinning Records With Marion Merritt
+ Holly Near

10:00

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Tunde Mabadu – “Amupara Ko Ma Dara”
from: Viva Disco / Mr. Bongo / July 27, 2018 [Reissue]
[Viva Disco one was of two albums that Mabadu recorded as Tunde Mabadu & His Sunrise during the 1970s, the second of which was called Bisu. By this time, Mabadu was “already a fanciful and continental saxophonist of any language,” shares Femi Ewetade in Viva Disco‘s liner notes. Originally released on Afrodisia – and fetching upwards of £500+ – Viva Disco’s euphorically funky, horn-filled six tracks have been remastered for this new reissue.]

4. Femi Kuti – “One People One World”
from: One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

5. Still Corners – “In the Middle of the Night”
from: Slow Air / Wrecking Light / August 17, 2018
[Still Corners are a London-based dream pop/synthpop musical project consisting of songwriter/producer Greg Hughes and vocalist Tessa Murray. Still Corners self-released their debut EP, Remember Pepper?, on 13 June 2008, followed by a 7″ single, “Don’t Fall in Love”, released by UK label The Great Pop Supplement on 30 August 2010. The duo signed with record label Sub Pop in 2011 and issued their first full-length debut, Creatures of an Hour, to favourable reviews. In October 2012, the band released a new single, “Fireflies”, which was named “Best New Track” by Pitchfork. In February 2013, Still Corners announced that their second album, Strange Pleasures, would be released on Sub Pop in May 2013. The second single, “Berlin Lovers”, received widespread coverage.[6]On 29 June 2016, the band announced the 16 September release of their third album, Dead Blue, on their own Wrecking Light Records label; Still Corners also shared the video for the album’s first single, “Lost Boys.]

6. Cowboy Junkies – “All That Reckoning, Pt. 1”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

7. Cowboy Junkies – “All That Reckoning, Pt. 2”
from: All That Reckoning / Latent Records / July 13, 2018

10:32 – Underwriting

8. Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list]

9. Bosley – “I Just Can’t Stand It”
from: Unreal Fire / Bosley Music / June 15, 2018
[Bosley Brown is the soulful alter-ego of American singer, songwriter and producer Thomas Mayer. Bosley has performed alongside Sharon Jones and the Dapkings, Galactic, Dr. Dog, and many other contemporary rock/soul acts. His music has been featured in series on HBO, Comedy Central and in several feature films. With the release of his debut album Honey Pig in 2011, Bosley was born. Honey Pig showcased a talent for pop songwriting and a stylistic range from early James Brown to Waits-ian jazz ballads, all channeled through Mayer’s dynamic and powerful voice. Adopting a 70’s Soul Review format, Bosley began touring and performing with an immaculately dressed 9-10 piece band complete with a horn section and choreographed back up singers. The music and band were gaining popularity, but as the party raged on, behind the scene things for Mayer were on a personal decline. In 2012, Thomas came clean about a decade long struggle with Alcohol and drug addiction. After taking time off to seek treatment, he reassembled a new band and began writing and performing again. Seeing a second chance for a life beyond the grip of addiction, Mayer embraced sobriety and dedicated himself back to his music career. The result of these struggles was 2015’s deeply personal and hysterically fun follow up album, The Dirty Dogs Radio Show. TDDRS serves as a personal testament to loving the party and knowing it can’t last. Bosley’s 3rd album, Unreal Fire dances between the old and the new taking the vintage sounds of Stax and Motown and combining it with contemporary Pop appeal. UF is at once an tribute to the bygone days of analog recording and a retrospection of the music of that era. Recorded meticulously live in analog, Bosley delivers the best synthesis to date of his unique knack for danceable, melodic pop and heartfelt human experience. \]

10. Ural Thomas & the Pain – “Slow Down”
from: The Right Time / Tender Loving / September 26, 2018
[If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR. It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.” In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records. In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall). One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.” A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.” Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?]

11. Spiritualized – “The Morning After”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018
[Spiritualized are an English space rock band formed in 1990 in Rugby, Warwickshire by Jason Pierce (often known as J. Spaceman), formerly of Spacemen 3. The membership of Spiritualized has changed from album to album, with Pierce—who writes, composes and sings all of the band’s material—being the only constant member. Spiritualized have released eight studio albums. The best known and most critically acclaimed of these is 1997’s Ladies and Gentlemen We Are Floating in Space, which NME magazine named as their Album of the Year, beating other critically acclaimed albums such as Radiohead’s OK Computer and The Verve’s Urban Hymns.]

12. Spiritualized – “The Prize”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018

11:01- Station ID

13. Cat Power – “Stay”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

14. Adrianne Lenker – “symbol”
from: abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

15. The Holydrug Couple – “I’ll Only Say This”
from: Hyper Super Mega / Sacred Bones / September 14, 2018
[The Holydrug Couple is a psychedelic rock duo from Santiago, Chile. The Holydrug Couple began in 2008. They released their first album in 2011 titled Awe via BYM Records. Shortly after the release, the band caught the attention of Sacred Bones Records, who signed the band to their label. Later that year, the band released an EP titled Ancient Land. In 2013, the band released their second full-length album and major label debut, Noctuary via Sacred Bones. In 2014, the band released a 7″, with Everyone Knows All on the A side and Quetzal on the B side. In 2015, The Holydrug Couple released their third full-length album (second on their label) titled Moonlust on May 12. In 2016, the band released their fourth full-length album (second on their chilean label BYM Records) titled Soundtrack for Pantanal. Band members include: Ives Sepúlveda (Vocals, Guitar, Bass, Keys) and Manuel Parra (Drums) In the studio: Ives Sepúlveda (Vocals, Guitar, Bass, Keys, Drums, Production, Engineering) Manuel Parra (Drums). Studio albums include: Awe (2011, BYM); Noctuary (2013, Sacred Bones); Noctuary Demos (2013, BYM); Moonlust (2015, Sacred Bones); Moonlust Demos (2016, BYM); Soundtrack for Pantanal (2016, BYM); and Hyper Super Mega (2018, Sacred Bones).]

16. Anemone – “Why Do I Worry”
from: Silver Star / Music On Vinyl / August 31, 2018
[Debut album. Raw and psychedelic soundscapes, Madchester grooves and nineties Pop songs, Anemone started combining these elements in the spring of 2017. The band from Rotterdam played dozens of shows in their first year and recorded their debut album ‘Silver Star’ in August with Patrick Delabie, who also recorded the first The Afterveins LP of frontman Xander van Dijck. Beside the Afterveins, band members also played in The Medics and Moon Tapes. In the record collections of the band members, you’ll find some nice albums of The Brian Jones Town Massacre/Oasis and during live shows you can hear people whisper about the Smiths.]

17. Waxahatchee – “Singer’s No Star”
from: Great Thunder – EP / Merge / September 7, 2018
[Waxahatchee is an American indie music project, formed in 2010 by American singer-songwriter Katie Crutchfield, previously a member of P.S. Eliot. The band is named after Waxahatchee Creek, in Alabama. Originally an acoustic solo project, her recordings tend to now involve a backing band and the music has increasingly more often been performed in this way. Crutchfield, as Waxahatchee, has released 4 albums to date; American Weekend (2012), Cerulean Salt (2013), Ivy Tripp (2015), and Out in the Storm (2017).]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:29 – Underwriting

18. Holly Near – “Are You Kidding Me”
from: 2018 / Calico Tracks Music / June 29, 2018

Holly Near photo by Irene Young

11:34 – Interview with Holly Near

Earlier this month a new documentary film about Holly Near‘s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival. On June 29th, legendary singer songwriter, actress, teacher and activist – Holly Near released her 31st album, titled “2018.” Born in Ukiah, CA in 1949, Holly started performing at the age of 8, then acting and soing in school plays and musicals and studiing theatre at UCLA. She built her performing career with acting parts on 1970s television shows like Mod Squad, Room 222, All in The Family, and The Partridge Family as well as work in motion pictures. In 1970 she was a cast member of the Broadway musical Hair. Following the Kent State shootings in May of that year, the entire cast staged a silent vigil in protest.

In 1971, Holly Near joined the Free The Army tour, an anti-Vietnam War road show organized by antiwar activist Fred Gardner, Jane Fonda and Donald Sutherland. In 1972, Holly was one of the first women to create an independent record company Redwood Records. Often cited as one of the founders of the Women’s Music movement, Holly led the way for outspoken women in the music world, and worked for peace and multicultural consciousness. Throughout her long career Holly has continued working in film, stage, and music where she has collaborated with: Pete Seeger, Ronnie Gilbert, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reason, Bonnie Raitt, Jackson Browne, Joan Baez, Phil Ochs, Harry Belafonte, Cris Williamson, and many others. This Sunday, October 14, 7:00 PM, Willow Productions presents Holly Near w/ Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO.

Holly Near Thanks for being with us on WMM

Holly Near’s new record “2018” is a direct response to the times we are currently living through: including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. Her career as a musician has been intrinsically woven into the fabric of our times, the Vietnam War, Kent State, Women’s Equality, Safe Energy, the rights of LGBTQ people.

On Sunday night at All Souls Unitarian Universalist Church She will be performing with Jan Martinelli on electric and acoustic bass and Tammy Hall on keyboards. Both of these musicians play with her on “2018,” and have collaborated with her on past projects.

Holly Near’s professional career began in 1969 with a part on the television show The Mod Squad, followed by appearances in other shows, such as Room 222, All in the Family, and The Partridge Family. She also appeared in films such as Kurt Vonnegut’s Slaughterhouse-Five, Minnie and Moskowitz, and had a prominent role in the 1991 film Dogfight.

In 1970, Near was a cast member of the Broadway musical Hair. On May 4, Ohio National Guard opened fire on unarmed Kent State students protesting the bombing of Cambodia by the United States Military forces. The 28 guardsmen fired over 67 rounds, killing four and injuring nine. Following the Kent State shootings, the entire cast of Hair staged a silent vigil in protest. Holly wrote the song, “It Could Have Been Me” (released on A Live Album, in 1974), was her heartfelt response to the shootings.

In 1971, Holly Near joined the FTA (Free The Army) Tour, an anti-Vietnam War road show of music, comedy, and plays that performed for soldiers, many of whom were resisting war and racism from within the military. The tour was organized by antiwar activist Fred Gardner and actors Jane Fonda and Donald Sutherland. Near was only 21 and the youngest member of the troupe.

In 1972, Near founded an independent record label called Redwood Records to produce and promote music by “politically conscious artists from around the world”. She was one of the first women to found an independent record company. Near’s record company went out of business in the mid-1990s due to financial difficulties.

In 1978 Holly Near wrote, “Singing For Our Lives” in the immediate wake of the assignation of openly gay San Francisco Board of Supervisors Member Harvey Milk, and Mayor George Moscone on November 27, 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). The hymn was also performed by Quaker Friends in an episode of the TV series Six Feet Under.

Elizabeth Anderson wrote: It urges us to follow Harvey’s imploring words: “Gay brothers and sisters, you must come out.” Kansas City’s Heartland Men’s Chorus sang this song two years ago.

Lee Hartman wrote: “Singing for Our Lives, written by Holly Near as she attended Harvey Milk’s memorial, was the most moving moment of the evening and even more so in retrospect. Audience members, at least those from my vantage point in the balcony, stood and joined in the singing of this unofficial anthem of the LGBTQ movement. Many held their loved ones closer and most were teary eyed. Rightfully, HMC reportedly repeated this piece at the (Pulse Orlando shootings) vigil following its Sunday performance.”

During her long career in folk and protest music, Holly Near has worked with a wide array of musicians, including Ronnie Gilbert, Pete Seeger, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reagon, Bonnie Raitt, Jackson Browne, Meg (Shambhavi) Christian, Cris Williamson, Linda Tillery, Joan Baez, Phil Ochs, Harry Belafonte, and many others, as well as the Chilean exile group Inti-Illimani.

Near has been recognized for her work for social change, including honors from the ACLU, the National Lawyers Guild, the National Organization for Women, NARAS, Ms. Magazine (Woman of the Year), and the Legends of Women’s Music Award. In 1989 Holly Near received a Dr of Humane Letters at World College West in California.

Holly Near (born June 6, 1949 in Ukiah, California) is an American singer-songwriter, actress, teacher, and activist. Holly Near was raised on a ranch in Potter Valley, California. She was eight years old when she first performed publicly, and she auditioned for Columbia Records when she was ten. She sang in all the high school musicals, talent shows and often was invited by local service groups to sing at their gatherings. Groups like the Soroptimist Club, Lions Club, and Garden Club. Her senior year she played Eliza Doolittle in Ukiah High School production of My Fair Lady. In the summer Holly attended performing arts camps such as Perry-Mansfield in Colorado and Ramblerny Performing Arts where she studied with jazz musicians Phil and Chan Woods and modern dancer/choreographer Joyce Trisler.

After starting high school in 1963, Holly Near began singing with three boys who called themselves the Freedom Singers, a folk group modeled after the Kingston Trio. When Holly joined, they began to sound more like The Weavers, three male voices and one female. Near learned later of the original Freedom Singers who sang as part of the Civil Rights Movement. Unbeknownst to her, Holly would soon meet one of the founding members of that group, Dr. Bernice Johnson Reagon, an artist who would be a great influence for the next 40 + years. She would also meet and work with the female singer in The Weavers, Ronnie Gilbert.

After high school, Near enrolled in the Theatre Arts program at UCLA; her freshman year she got the lead in the UCLA production of Guys and Dolls playing soprano Sarah Brown. Because Near was trained in a lower range she got nodules on her vocal chords and had to leave the show. She entered in to a long period of silence until her voice healed. After one year, she left UCLA and began to work in film and television as well as with anti war groups such as Another Mother for Peace.

She was briefly a member of the musical comedy troupe, “First National Nothing”, and appeared on the troupe’s only album, If You Sit Real Still and Hold My Hand, You Will Hear Absolutely Nothing (Columbia Records – LP C 30006).

Near wrote an autobiography in the early nineties called Fire in the Rain, Singer in the Storm. Later, with her sister Timothy, Near co-wrote a one-woman show based on the stories in the book. The show was presented at The San Jose Rep and in Los Angeles at The Mark Taper Forum, as well as productions in San Francisco and off Broadway in NYC. In April 2004, Holly performed at the March for Women’s Lives in Washington, DC where she sang “We Are Gentle Angry People” and “Fired Up” a capella.

The following year, Near was named among the “1000 Women for the Nobel Peace Prize”. Near continues an active tour schedule and as of 2012 had a discography of 29 albums. She is still active as a performer and composer, and she has begun issuing CDs available through her website that include tracks from her out-of-print albums.

Holly Near was named an Honoree for National Women’s History Month for 2015. She continues performing concerts, music festivals & rallies. Near hosted many of the tributes to both Pete Seeger & Ronnie Gilbert, members of the seminal folk group The Weavers.

Holly has been an honored guest at several of the GALA Gatherings, a conference of GLBTQ choirs and choruses. In her work with the choruses she focuses on diction, drama, and understanding the intention of the lyric. She also appears as a soloist with several of the choruses and many of her songs have been arranged for choral singing.

In 2018, Holly released a new recording called, 2018 reflecting some of the issues of the day including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. In October of 2018, a documentary film about Near’s life and work made by award winning director Jim Brown premiered at the Mill Valley Film Festival and received standing ovations and high acclaim.

As a result of her travels in the Pacific with the FTA show, Near became a feminist, linking international feminism and anti-war activism. In 1976, Near came out as a lesbian and began a 3-year relationship with musician Meg Christian. Near was probably the first out lesbian to be interviewed in People Magazine. She added LGBT issues to her international peace work as she continued to present social change music around the world and at home. Although Holly was one of the most visible artists in the lesbian community, she was also becoming aware that “monogamous” defined her sexuality more than any other title.

Near is dedicated to the rights of LGBTQ+ communities and works to create a cultural forum for diversity. Near writes, “For many, sexual identity and/or gender identity is the primary door through which they walk. It is what politicized them. It is what feeds their emotional and spiritual perspectives. I totally honor this. Even though sexual preference is maybe 5th or 10th on my personal list of priorities now, I will always work for all of us to have self determination over our bodies, our identities, our relationship choices.”

Near spent a year traveling across the US camping out of her car and staying with friends. She went to Argentina and Chile to study & write. She currently rents a 1 bedroom apartment in Sonoma County, Ca. and she spends time in NYC. She drives a 2003 VW. “auntie” & “grandma” to several young people even though Near never had children.

Holly Near Discography

Hang in There, Redwood Records (1973) (support of the people of Vietnam)
A Live Album, Redwood Records (1975)
You Can Know All I AM, Redwood Records (1976)
Imagine My Surprise, Redwood Records (1978) (with Meg Christian)
Fire in the Rain, Redwood Records (1981) produced by June Millington
Speed of Light, Redwood Records (1982)
Journeys, Redwood Records (1983)
Lifeline, Redwood Records (1983) (with Ronnie Gilbert)
Watch Out!, Redwood Records (1984) (with John McCutcheon and Trapezoid)
Sing to Me the Dream, Redwood Records (1984) (with Inti Illimani)
HARP, Redwood Records (1985) (w/ Pete Seeger, Ronnie Gilbert & Arlo Guthrie)
Singing With You, Redwood Records (1987) (with Ronnie Gilbert)
Don’t Hold Back, Redwood Records (1987)
Sky Dances, Redwood Records (1989)
Singer in the Storm, Chameleon Music Group (1990) (with Ronnie Gilbert)
Musical Highlights, Redwood Records/Calico tracks (1993) (Fire in the Rain written by Holly Near & Timothy Near)
This Train Still Runs, Abbe Alice Music (1996) (with Ronnie Gilbert)
With a Song in My Heart, Calico Tracks Music (1997) (songs of 30s & 40s)
Edge, Calico Tracks Music (2000)
Cris & Holly, HC Recordings (2003) (w/Cris Williamson, pianist John Bucchino)
Show Up, Calico Tracks Music (2006)
Sing to Me the Dream, Calico Tracks Music (2008) (historic live recording of 1984 Peace in the Americas Tour w/ Inti Illimani)
We Came to Sing, Calico Tracks Music (2009) (with emma’s revolution)
Peace Becomes You, Calico Tracks Music (2012)
2018, Calico Tracks Music (2018)

Holly Near Filmography

Angel, Angel, Down We Go (1969), Tara Nicole Steele
The Magic Garden of Stanley Sweetheart (1970), Fran
The Todd Killings (1971), Norma
Minnie and Moskowitz (1971), Irish
F.T.A. (1972), Herself
Slaughterhouse-Five (1972), Barbara Pilgrim
The Weavers: Wasn’t That a Time! (1982), Herself (documentary interview)
Women of Summer (1985), Herself (documentary; performance at reunion)
Dogfight (1991), Rose Sr.
Heartwood (1998), Lucille Burris
Holly Near Singing For Our Lives (2018) Herself (documentary by Jim Brown)
Television movies[edit]
Mr. and Mrs. Cop (1974), Mrs. Salmon

Holly Near TV appearances

The Bold Ones: The Senator, Sylvia – in the episode “Power Play” (1970)
Room 222, Esther – in the episode “The Lincoln Story” (1970)
All in the Family, Mona – in the episode “Gloria Has a Belly Full” (1971)
The Partridge Family, Phyllis – in the episode “The Selling of the Partridges” (1973)
L.A. Law, Lucille Skerritt – in the episode “Spleen It to Me, Lucy” (1991)

Earlier this month a new documentary film about Holly Near’s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival.

Holly Near, Thanks for being with us on WMM

Holly Near with Jan Martinelli & Tammy Hall / photo by Irene Young

Willow Productions presents Holly Near with Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, on Sunday, October 14, at 7:00 PM. Tickets at http://www.brownpapertickets.com

19. Holly Near – “Singing For Our Lives”
from And Still We Sing: The Outspoken Collection / Calico Tracks Music / Sept 17, 2002
[Written in the immediate wake of Harvey Milk’s assassination in 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). It was also performed by Quaker Friends in an episode of the TV series Six Feet Under.]

20. Leela James – “A Change Is Gonna Come”
from: A Change Is Gonna Come / Warner Brothers – WEA / 2005
[Ms. James first burst onto the scene with her 2006 debut album A Change is Gonna Come, introducing audiences to her considerable vocal chops and garnering nominations for Outstanding New Artist at the NAACP Image Awards and Best R&B/Soul or Rap New Artist of 2008 at the Soul Train Music Awards. James has gone on to record three subsequent albums including My Soul, which reached #7 on the Billboard Hot R&B/Hip Hop Albums Chart and #37 on the Billboard 200 chart, and earned acclaim from critics for her songwriting skills. Fall For You has similarly climbed the charts, its single by the same name reaching the top 15 on the Urban AC charts in 2014/15.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 17, Jennifer Owen of Owen Cox Dance Ensemble joins us to share information about their latest production, “Morena” with soprano Victoria Botero October 20 – 21 at Polsky Theatre at Johnson County Community College. Also Jake Wells joins us to share information about his show at recordBar, Monday October 22 with Calvin Arsenia & Duncan Burnett. Plus Marion Merritt and Betse Ellis join me as Guest Co-Hosts for our Fall Fund Drive to encourage you our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #755

WMM Playlist from October 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 3, 2018

Of Tree + Sterling Witt + Aaron Rhodes

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. The National – “Fake Empire (Live in Brussels)”
from: Boxer (Live in Brussels) / 4AD / July 13, 2018
[Recorded in Brussels on November 9, 2017, the recording of the band’s show – which saw them perform their 2007 album The Boxer in its entirety.‘Boxer (Live In Brussels)’ came out as an exclusive vinyl LP as part of Record Store Day 2018. The National were formed in Cincinnati, Ohio, in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time.]

[The National play Starlight Theatre, Sunday, October 7, at 6:00 PM, with Alvvays.]

3. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releasing debut albums. Special guest Storm Circus will open the evening.]

4. Janelle Monáe — “Americans”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

[Janelle Monáe plays Starlight Theatre, Saturday, October 13 as part of Open Spaces KC, with Sankofa Danzafro at 4:30. The McFadden Brothers at 6:00 pm, the Marcus Lewis Big Band with Kemet The Phantom and Kadesh Flow at 7:30, and Janelle Monae at 9:15 pm.]

5. Cat Power – “Woman feat. Lana Del Rey (Single Version)”
from: Woman – Single / Domino Recording Co / August 16, 2018
[From Wanderer the tenth studio album by Cat Power, released on October 5, 2018, through Domino. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

6. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play Mercy Seat, 210 East 16th, Friday, October 5 at 8:00 pm, with Electric Lungs, and Strawbilly for First Friday, in the alleyway at Mercy Seat Tattoo..]

[Emmaline Twist play a Benefit for Sharice Davids, Oct. 25, at recordBar w/ Amy Farrand & The Like.]

7. Jon Batiste – “Don’t Stop”
from: Hollywood Africans / Naht Jona – Verve / September 28, 2018
[First single from the debut solo album pof Jon Batiste who has released most of his albus as part of his band Stay Human. Jon Batiste (born November 11, 1986) is an American musician, bandleader and TV personality. He has recorded and performed with artists in various genres of music (Stevie Wonder, Prince, Willie Nelson, Lenny Kravitz, Ed Sheeran, and Mavis Staples), released recordings consistently since 2005 and performed in more than 40 countries. Batiste regularly tours with his band Stay Human,[3] and appears with them nightly as Bandleader and Musical Director on The Late Show with Stephen Colbert.[4] Batiste also serves as the Music Director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem. Jon Batiste was born in Kenner, Louisiana, into a long line of musicians, including Lionel Batiste and Harold Battiste. At the age of 8, he played percussion and drums with his family’s band, the Batiste Brothers Band. At his mother’s suggestion, he switched to piano at the age of 11. Jon developed his piano skills by taking classical music lessons and transcribing songs from video games such as Street Fighter Alpha, Final Fantasy VII and Sonic the Hedgehog. At 17, Batiste released Times in New Orleans. He attended the New Orleans Center for Creative Arts with Trombone Shorty and graduated in 2004 before going on to receive a bachelor’s and master’s degree from the Juilliard School. While at Juilliard, he released his second album Live in New York: At the Rubin Museum of Art, and by the end of 2006, had been a featured performer in South Africa, London, Lisbon, Spain, Paris and the United States. In 2007, Batiste made his debut at the Concertgebouw in Amsterdam at the age of 20, both producing and performing his own show. He conducted music clinics, classes and workshops throughout Netherlands in inner city schools and underprivileged neighborhoods. He was invited back to Carnegie Hall to produce and perform in his own show including six young musicians from the Netherlands. The performance concluded with a finale he composed for choir, jazz combo and orchestral instruments. In the year following, Batiste released a number of music projects including Social Music (2013) which spent over a month at the top of the Billboard and iTunes jazz charts, “The Late Show EP” (2016) with Stay Human and a holiday album “Christmas with Jon Batiste” (2016). In 2017, he released the singles “Ohio” with Leon Bridges and Gary Clark Jr. as well as “Battle Hymn of the Republic” for The Atlantic. Leading up to the Hollywood Africans release, Batiste completed a Summer Festival tour across the U.S. with The Dap-Kings.Batiste’s notable career performances include a tribute to Chuck Berry and Fats Domino during the 60th annual Grammy Awards (performing alongside Gary Clark Jr.), the Kennedy Center Honors in tribute to Carmen De Lavallade, the Concert for Peace and Justice in Montgomery, Alabama as well as the National Anthem at the 2017 NBA All Star Game and Opening Night of the 2017 US Open. He has curated the Global Citizen Advocacy Concert with Tom Morello and the Louis Armstrong Wonderful World Festival in Queens, N.Y.]

10:30 – Underwriting

8. Of Tree – “How Does It Feel”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual AlbumRelease Show. Storm Circus will open the evening.]

Laurel and Benjamin Parks of the KC based band Of Tree on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI

10:36 – Interview with Benjamin and Laurel Parks.

Of Tree is a KC based alt-folk band created by husband and wife duo, Benjamin and Laurel Parks. Benjamin as a widely celebrated painter; Laurel as a classically trained violinist turned fiddler – they fuse together musically as Of Tree. Their music draws from each of their individual life experiences having to do with themes of loss, wandering, and spirituality. Following their 2017 EP “Sorry, We’re Chosen,” Of Tree is releasing their first full length album, “How Does It Feel?” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Benjamin and Laurel Parks, thanks for being with us today on WMM.

Your EP, Sorry We’re Chosen, was one of WMM’s 117 Best Recordings of 2017, and while we were in love with those songs and your sound from that EP, those songs are like a bud that has broken open and blossomed into a giant flower that is the new album, How Does it Feel.

On the new record Ben is sharing the vocals with Laurel is singing lead on several tracks

“How Does It Feel” was recorded at the new Shadow Scape Records in Kansas City.

Of Tree — a minimalist electronic folk group from Kansas City, Missouri made up of Benjamin Parks on guitar & vocals; Laurel Morgan Parks on violin, fiddle, & vocals; and John Bersuch on percussion; and Scott Freeman on bass.

The band writes that the music we write is dynamic –we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.

Of Tree has been actively writing music for this project since the summer of 2016. Both Ben and Laurel write the songs together. As a married couple its been quite a road for them to be able work through music together without taking things too personally, but the magic happened when music started pouring out of us and we were able just allow it to happen.

Both Benjamin and Laurel come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. They also deal with themes of finding new footing in life, moving beyond the past and letting go. They write that this album is all about healing on a very personal level.

The songs Ben writes express life experience beyond the limits of vocabulary to open the lid to feelings of loss, redemption and deranged hope. The timbre of his voice is low, soft and uniquely intimate. His lyrics are haunting and searching.

Laurel writes: Musically, I (Laurel), am very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros.

John Bersuch, our drummer, has been playing with us since November of 2016. He adds tasteful beats to our music and also enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Lately he’s been our dedicated one handed drummer as he recently broke his wrist. We couldn’t be happier being able to play with such a good friend of ours!

We would like for the recording of our first full album to take place at Shadowscape Records here in Kansas City. We are excited to work with the sound engineers and producers there who have a beautiful studio with the latest technology and recording equipment (and a nice piano!) Both the producers there have their thumbs on the pulse of the music industry as it is now which is very important to us for the launching and marketing of our music once the album is completed. Also, the strings sound really great in their studio. (Sold!)

10:44

9. Of Tree – “What You’ve Got”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual Album Release Show. Storm Circus will open the evening.]

10:48 – Interview with Benjamin and Laurel Parks.

Of Tree

We are talking with Benjamin and Laurel Parks about their band Of Tree and their first full length album, “How Does It Feel” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Benjamin and Laurel Parks, thanks for being with us today on WMM.

Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo.

Laurel Parks also plays in The Wires, and In The Pines

John Bersuch is in Bacon Shoe, RLT, and many others.

For their upcoming recordbar show they will be projecting images from film maker Lisa Marie Evans.

Benjamin and Laurel Parks, thanks for being with us today on WMM.

More info at: http://www.oftreemusic.com

10:56

10. Of Tree – “Oakheart”
from: How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT.]

[Of Tree plays recordBar, 1520 Grand, Friday October 12, at 7:00 with Bob & Una Walkenhorst for a Dual AlbumRelease Show. Storm Circus will open the evening.]

Sterling Witt with Laurel & Ben Parks of the band Of Tree on the October 3, 2018 edition of Wednesday MidDay Medley on @KKFI 90.1 FM.

11:00 – Station ID

11:00 – Interview with Sterling Witt

Kansas City based artist and musician – Sterling Witt who’ll play live in our 90.1 FM studios. For nearly 10 years Sterling has hosted Art Farm Festivals at his studios and home galleries in Freeman, Missouri. Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri. Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Sterling Witt, thanks for being with us today on WMM.

Sterling Witt is an artist and musician. He lives in Missouri. He splits his time between the East Crossroads of KC and the Art Farm near Freeman, MO (about 45 min south of KC).

More information at: http://www.sterlingwitt.com http://www.sterlingwittmuseum.com

The Art Farm is an isolated oasis in the country designed for making art and music. We do not have Internet or TV.

Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. SqueezeBox Theatre – Fouded January 1, 2018. 1519 Oak St., KCMO

Call (816) 872-2948. A new mixed-use theatre designed with producers and performers in mind. We feature raw cedar walls, wooden bar serving the best of regional spirits, mosaic installations in the bathrooms, raised stage, green room, new audio and sound equipment.

Sterling has recently written a scary stories book for children, titled: Something’s Awry Ting Tong and Other Terrifying Tales.

The book is not published yet, Sterling is still working out the details of how it will be released. However he came prepared to play two songs live that are adapted from stories in the book.

11:07

11. Sterling Witt – “Werewolf” (LIVE)
from: Something’s Awry Ting Tong and Other Terrifying Tales / Sterling Witt

Sterling Witt playing live on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:15

12. Sterling Witt – “Yara-Ma-Yha-Who” (LIVE)
from: Something’s Awry Ting Tong and Other Terrifying Tales / Sterling Witt

11:18 – Interview with Sterling Witt

Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Sterling Witt on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois

Witt’s last album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri

Rebel Rebelling is the new song Sterling and his bandmates recorded with Never Records directly to vinyl on September 26, part of Open Spaces KC.

The musicians who play on Rebel Rebelling are: Christopher Oppenhuis on Drums & Kitten Adventure Boggs on Bass.

NYC artist & musician Ted Riederer of Never Records was on our September 19 show.

Never Records is a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Sterling Witt Thanks for being with us on WMM

11:25

11. Sterling Witt – “Rebel Rebelling”
from: Redel Rebelling – Single / Never Records / September 26, 2018
[Since 2004 Sterling Witt has released 5 full length albums and on 8-song EP. Witt’s latest album, Satyagraha as produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first Museum show at the Albrecht-Kemper Museum, in Saint Joseph Missouri.]

Sterling Witt

[Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, Saturday, October 6, at 7:30 PM. More information at http://www.sterlingwitt.com]

11:28 – Underwriting

11:30 – Interview with Aaron Rhodes

Aaron Rhodes on the October 3, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

21 year old Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch. Aaron Rhodes joins us to share music from Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Aaron also shares tracks from KC’s Warm Bodies and Omaha’s Bib. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock Music Magazine was launched in 2015 and is dedicated to featuring in-depth coverage of new and exciting music emerging from Kansas City and the surrounding areas. In their three years online, they’ve conducted several artists’ first interviews, hosted multiple shows, and posted concert reviews, photo galleries, videos, and new music write-ups. They’ve also co-hosted a Middle Of The Map Fest showcase, and printed two year-in-review photo zines. The blog is where punk rock, hip-hop, and everything in-between lives in Kansas City.

Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Best known for his ’90s mixtapes, “Runnin-N-Gunnin” and “Ashes 2 Ashes, Dust 2 Dust” the One Man Gang is back in action on his new “Back from the Dead Tour.” Tommy Wright III has collaborated with 2Chainz, Lil Jon & Gansta Boo, and Three 6 Mafia.

11:35

12. Tommy Wright III – “Meet Yo Maker”
from: Ashes 2 Ashes, Dust 2 Dust / Street Smart Records / 1994
[Memphis based indie gnsta rapper.]

[Tommy Wright III plays recordBar, 1520 Grand, Ave. Oct. 28, 7:00 PM with Warm Bodies and others]

11:41 – Interview with Aaron Rhodes

We are talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Warm Bodies will be opening for Tommy Wright III

11:45

13. Warm Bodies – “Something Weird is Eating Me”
from: Warm Bodies / Lumpy Records / February 27, 2018

Pitchfork’s April 8, 2018 7.7 review:

Olivia Gibb’s messy, experimental garage rock sounds unhinged and strangely human on Warm Bodies’ debut. Come for the unnerving body horror, stay for the fiery guitar solos.

While some wonder who’s going to make rock’n’roll wild again, Warm Bodies’ Olivia Gibb is barking like a dog out here. The Kansas City, Missouri artist is effortlessly wild. When she sings, she jumps in and out of cartoonish shrieks. Her bug-eyed and immensely expressive live performances would make John Waters proud. If you visit her website, you can buy some ceramic clown nightmares. Punk’s underground has always been flush with fringe characters—Warm Bodies share a label with noxious weirdos Lumpy and the Dumpers, for example—but Gibb stands out from the heap. On Warm Bodies’ messy and muscular debut album, you can find her screaming about her eyes which have fallen out of their sockets.

“My Face Fell Off” is a minute-long blast of surrealist speed punk, so while Gibb screams for help in locating her face, her bandmates come in frenzied. Drummer Gabe Coppage crashes forward at a turbulent clip while Ian Teeple keeps pace, rattling out power chords and guitar solos. This exact sort of noisy punk maelstrom has been the band’s calling card for a couple years now. The song originally appeared on Warm Bodies’ 2016 demo, and while the two versions are similar, you can hear just how much they’ve leveled up. On Warm Bodies, they’re faster, the recording quality is less scuzzy, and most pressingly, Gibb sounds far more unhinged than she did on her relatively more reserved early recordings.

Take “Something Weird Is Eating Me,” a song that addresses the more uncomfortable truths of the human body. After alluding broadly to a “mess” under her clothes, she gets extremely specific: “A burning lump full of yellow gunk/And I’m itchy itchy itchy itchy,” her voice oozing the discomfort that the song’s lyrics so directly imply. Later, when Gibb shouts about her sexual encounter with real-life plane hijacker D.B. Cooper, Teeple sets the stage with a clattering, rapid-fire hook. This is the band’s secret formula: Gibb whips up fever dreams with her singular voice and Teeple grounds everything with earworms and sick guitar solos.

Across its 20 minutes, Warm Bodies isn’t strictly a wall-to-wall shredfest. It’s an album bookended by electronics, opening with the tense swell of warped synths and finishing with the pulse of crackling, ethereal noise. Then there’s “Stinky dUMBOMix,” a song that’s all synthesizers, drum machines, whistles, and handclaps. It’s only a minute long, but it’s a crucial moment that places the music beyond garage punk and into the context of low-key experimentation.

With that handful of left-field sonic tics, Warm Bodies lean fully into the psychedelia that powers Gibb’s lyrics: melted faces, gnarly rashes, dog cosplay, and fucking a never-been-caught skydiving thief. Chaos is an intrinsic part of their DNA, which means more relatable, day-to-day subjects adopt a funhouse-mirror approach. “Psychic Connection” is a love song that’s both surreal and knowable—Gibb breaks down the unspoken “mind control” shorthand you have with the person you love. Then there’s “I Need a Doctor,” where Teeple’s woozy guitar and the call-and-response of “I need a doctor! (She needs a doctor!)” invoke sick-day queasiness. On an album of hysterical vocals and high-speed guitar work, Warm Bodies is riveting because of how human it is—its joy, rage, infatuations, and yes, literal boils..]

[Warm Bodies open for Tommy Wright III at recordBar, 1520 Grand,, Ave. Oct. 28, 7:00 PM and Bib]

11:47 – Interview with Aaron Rhodes

We are talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM.

Aaron Rhodes thanks for being with us on WMM.

One of Aaron’s current favorite punk bands is Bib from Omaha, Nebraska. Bib has played several shows in Kansas City over the last year. Bib was just signed to play in the Tommy Wright II show at recordBar.

Aaron Rhodes thanks for being with us on WMM

11:50

14. Bib – “Pressure II”
from: Moshpit – EP / Pop Wig Records / December 1, 2017
[Four-piece hardcore group from Omaha, Nebraska, and their sludgy but rapid style has me hooked. The band recently released an excellent EP, called MOSHPIT, on Maryland punk label Pop Wig. Physical copies available @ http://www.popwigrecords.com Engineered and mixed by Matt Castore at A Harder Commune Studio in Saint Paul, Minnesota – July 2017. Mastered by Will Killingsworth at Dead Air Studios in Western Mass – July 2017.]

[Bib opens for Tommy Wright III at recordBar, 1520 Grand,, Ave. Oct. 28, 7:00 PM with Warm Bodies]

15. Joe Strummer and The Mescaleros – “Johnny Appleseed”
from: Joe Strummer 001 / Casbah Productions – Ignition Records / September 28, 2018
[Originally released on Joe Strummer and The Mescaleros 2nd album, Global A Go-Go / Hellcat Records / July 24, 2001, displaying trademark genre-melding folk-rock and Strummer’s unique lyrical style.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October 10, Marion Merritt returns as our Special Guest Producer playing selections from: Adrianne Lenker, Cat Power, Femi Kuti, Blood Orange, Mark Lanegan and Duke Garwood, Bosley, Tash Sultana, Spiritualize, Still Corners and more. Plus Mark talks with legendary singer songwriter Holly Near who plays All Souls Unitarian Universalist Church, Sunday, October 14, at 7:00 PM with Jan Martinelli and Tammy Hall.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #754

WMM Playlist from August 8, 2018

Una Walkenhorst photo by Mike Schwabauer

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 8, 2018

Spinning Records With Marion Merritt
+ Una Walkenhorst

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. R+R=NOW – “The Night In Question (feat. Terry Crews)”
from: Collagically Speaking (feat. Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah, Derrick Hodge, Taylor McFerrin & Justin Tyson) Blue Note / June 15, 2018
[Reflect+Respond=Now, a supergroup featuring Robert Glasper on keybords, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synthesizer, Justin Tyson on drums, and Terrace Martin on synth and vocoder. Motivated by their ethos to “reflect and respond,” forward-thinking jazz supergroup R+R=Now makes an ambitious, socially conscious blend of post-bop jazz, electronic-tinged fusion, avant-garde improvisational music, and hip-hop-influenced funk. Led by acclaimed pianist Robert Glasper, the group came together while he was working on Nina Revisited, a companion album released in conjunction with the 2015 Nina Simone documentary What Happened, Miss Simone?]

4. Kamasi Washington – “Street Fighter Mas”
from: Heaven and Earth / Young Turks / June 22, 2018
[Kamasi Washington was born in Los Angeles, California, on February 2, 1981 to musical parents and educators, and was raised in Inglewood, California. He is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA’s Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People’s Orchestra and Raphael Saadiq. Washington ventured into big band music when he joined the Gerald Wilson Orchestra for their 2006 album In My Time. Washington played saxophone on Kendrick Lamar’s To Pimp a Butterfly. His debut solo recording, The Epic, was released in May 2015 to critical acclaim. His second studio album, Heaven and Earth, was released in June 2018, with a companion EP titled The Choice released a week later.]

5. Bernice – “Glue”
from: Puff: In the Air Without a Shape / Arts & Crafts / May 25, 2018
[Toronto-based experimental soul-pop group includes; robin dann, thom gill, dan fortin, felicity williams, and phil melanson. “Puff: In the air without a shape,” is that band’s airy, minimalist follow up to their 2017 kaleidoscopic maximalist EP. Puff was produced by Grammy Award-winner Shawn Everett). Reminiscent of recent records by Feist and Frank Ocean where soulful vocal melodies take the lead over sparse, airy arrangements, Bernice’s new album attempts to reproduce the playful intimacy of the band’s live show.]

6. Belle and Sebastian – “Fickle Season”
from: How To Solve Our Human Problems (Parts 1-3) / Merge / February 16, 2018
[A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president’s ambassador, not the current one’s). Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious ‘The Same Star’, which marries Belle and Sebastian’s melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). “We’d met Leo in February of 2016, and I’d say that meeting and the recording of ‘I’ll Be Your Pilot’ were the first tangible steps of this EP project,” Martin says. “We didn’t have a stack of songs to play him, but we liked him and he became a part of the plan from that point – and when I’d got to a point with ‘The Same Star’ where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked ‘Leo’ coming up. It’s not a song we’d labored over playing for months – it fell together quite quickly thanks in large part to Bob’s [Bobby Kildea, guitarist] enthusiasm and Stuart’s willingness to dismember an old song and repurpose the break, so that it wasn’t just the same three chords over and over and over.” There’s one big reason why 15 songs are coming out on three EPs, rather than one album. “We’d made a couple of LPs, Tigermilk and If You’re Feeling Sinister, within the space of six months,” Murdoch says, remembering the early days of the band’s career, and how that fed into their decision-making this time.- from amazon.com]

10:28 – Underwriting

7. The Internet – “Roll (Burbank Funk)”
from: Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

8. Fantastic Negrito – “A Letter To Fear”
from: Please Don’t Be Dead / Blackball Universe – Cooking Vinyl / June 15, 2018
[Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

9. Black Rebel Motorcycle Club – “Haunt”
from: Wrong Creatures / Abstrat Dragon – Cobraside – BMG – Vagrant / January 12, 2018
[Rock band from San Francisco, California with: Peter Hayes (on vocals, guitar, harmonica; Robert Levon Been on vocals, bass, guitar; and Leah Shapiro on drums. Former drummer Nick Jago left the band in 2008 to focus on his solo project. They have released eight studio albums: B.R.M.C. (2001), Take Them On, On Your Own (2003), Howl (2005), Baby 81 (2007), The Effects of 333 (2008), Beat the Devil’s Tattoo (2010), Specter at the Feast (2013) and Wrong Creatures (2018), as well as several EPs, and live albums. The band was formed in 1998, originally called The Elements. After discovering that another band had the same name, the members changed the name to Black Rebel Motorcycle Club, after Marlon Brando’s motorcycle gang in the 1953 film The Wild One.]

10. Emily Otis – “drunk and anxious”
from: Poor Traits / Self Released / February 12, 2017
[Singer songriter Emily Otis is originally from Cedar Falls, Iowa who is now based in Kansas City. She calls herself. “mildly abrasive, musically eclectic and wistfully sarcastic.” “Poor Traits” is a audio-biographical work about my loveless experiences. The album is a collection of actual songs and found recordings. “Poor Traits” features the talents of Amy Wonderlin, Graham Howland, Michael Bowman, and George Patti. Recorded at Rama Studios Waterloo IA & “The White House” Cedar Falls IA. Mixed by Emily Otis. All songs written by Emily Otis except “Bad Romance”]

11. Super Elcados – “Tambourine Party”
from: Togetherness Is Always a Good Venture (Tambourine Party, Vol. 2) / EMI / July 6, 1976 Reissued on Mr. Bongo / 2018
[Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.]

12. The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[The Souljazz Orchestra is a Canadian musical group based in Ottawa that has toured Canada, the United States and Europe. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. The band has six members: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor, to name a few.” According to AllMusic, the band’s “overtly political 2006 single “Mista President,” off second album Freedom No Go Die (Do Right!), really increased their audience, [as it was] voted to the number nine spot in the 2006 Top 30 of BBC DJ Gilles Peterson’s Worldwide programme. In 2012, the band completed two US tours that included stops in cities such as Boston, New York City, Philadelphia, Washington DC, and Chicago. Their Resistance album release tour of Europe, all October/November 2015, sees them among others in London, Liverpool, Zurich, Paris, Lyon, Milan, Barcelona, Madrid, Berlin, Cologne, Vienna, Prague, Athens, Marseille.]

11:00 – Station I.D.

13. Hand Habits – “Actress”
from: Wildly Idle (Humble Before the Void) / Woodsist / February 10, 2017
[“Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles – it is appropriate that this album was recorded by Meg herself – for Meg, who has an acute ear for detail, has touched every corner, has seen every vision ’til its end. Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you – a bath, and Meg’s whisper has made its way inside you. Like many bedroom-debuts before it (Microphones, Jessica Pratt, Little Wings, Grouper) let this be the first of many to come, for Meg has music in her touch – and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; ‘hold you like a flower, hold you like an hour glass’.”- Kevin Morby”]

14. Vive la Void – “Red Rider”
from: Vive la Void / Sacred Bones / May 4, 2018
[Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo’s substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics. “The lyrics were a way of reckoning with my own memories and also of trying to process my reactions to the human situation,” Yamada explains. “I wanted the voice to have a kind of ghostly quality, to emerge from and recede back into the song, or to pass over it like weather. It’s one of many layers of sound, which are meant to blend together in such a way that on one listen you might hear one thing, and on another listen you might hear something else, so the music seems to change even as it stays the same.” Yamada has spent the last decade as a working musician, moving between semi-permanent home bases whenever she isn’t living in a tour van. In some ways, then, it feels inevitable that Vive la Void became a meditation on the strange rhythms of long-term touring, constant relocation, and the accompanying stream of brief but compelling encounters. It’s a testament to her empathy and creativity that these songs feel both specific and universal, familiar yet tantalizingly unknowable. “I feel like the movement of life in the sphere of consciousness is this process of trace-leaving,” Yamada reflects. “Wherever we go, whomever we interact with, whatever we touch, we leave and absorb these invisible traces, this residue of memory that lingers. I wanted the sonic textures of this record to explore that state of being there and not there, of something being with you but not tangible.”]

15. Ty Segall & White Fence – “Room Connector”
from: Joy / Drag City / July 20, 2018
[From Paste Magazine (July 18, 2018): Another month, another Ty Segall album. As noted in Paste earlier this year, the king of California psych/garage/punk-rock is arguably THEE most prolific major musician working right now, and the level of quality he achieves across his releases is incredibly high. The guy is quickly putting together an all-timer of a catalog. The newest entry in said catalog is Segall’s second collaborative album with veteran Los Angeles psych-pop experimenter White Fence, aka Tim Presley, formerly of The Nerve Agents and Darker My Love, and more recently Cate Le Bon’s partner in DRINKS. The two men joined forces in 2012 to produce a fun and fuzzed-out collection of songs called Hair, a “glorious mess of an album” we said way back when. Joy is a little more messy but almost as glorious. With track times mostly clocking in under 120 seconds, it’s a series of quick hits that are warped but relentlessly tuneful, like a Beatles LP that’s spent a blazing hot afternoon lying on a busy freeway. As songwriters, Segall and Presley complement each other nicely: Segall certainly knows his way around a catchy tune, but Presley’s a more natural melodicist, and while Presley definitely has his own rough edge, Segall’s a prodigious shredder. Wonder Twin Powers, activate! Form of…a fucked-up pop song! Highlights on Joy include “Body Behavior,” a pulsing acoustic rocker that snakes in the verses and sparkles in the chorus; “Other Way,” a dead-eyed noise excavation that feels like it fell off the Incesticide tree of influence; and “A Nod,” another rhythmic strummer that may just boast the prettiest melody on the album. There are other great songs here: the occasionally jazzy “Good Boy,” the beautiful and Neil Young-ish “My Friend,” and the propulsive “Do Your Hair,” which is powered by a bouncy bass line and uses its 95 seconds with impressive efficiency. The opposite is true for a couple of tracks that show up near the end of the album, “She Is Gold” and “Tommy’s Place,” two silly and/or stoney studio experiments that go nowhere, really. Joy would’ve been a tighter overall package if they’d been cut. With Segall, though, it’s worth hearing a couple of clunkers if it means he’ll keep making music at his preferred dizzying pace, because his hit-to-miss ratio is so high. And collaborating with Presley doesn’t dent that ratio. In fact, it brings out good things in both men. Here’s hoping their next album isn’t another six years away.

16. Ty Segall & White Fence – “Body Behavior”
from: Joy / Drag City / July 20, 2018

17. J.M. Black – “Lipstick (Shout)”
from: France chébran: French Boogie (1982 – 1989), Vol. 2 / Serendip Lab / May 25, 2018
[For fans of boogie in its Stateside form—think Kashif, Mtume, and the sprawling SOLAR Records oeuvre of producer Leon Sylvers III–Chébran Volume 2 offers both the comfort of the familiar and the thrill of the exotic. The brassy synthesizer tone on songs like “Heidi Bled Noum,” originally released by Shams Dinn in 1987, could just as easily have come out of Minneapolis circa 1983; and the Francophone flows on rap tracks like Phil Barney’s “Funk Rap,” JM Black’s “Lipstick,” and Alfio Scandurra’s “Qu’est Ce Qui Ne Va Pas?” demonstrate that even if the South Bronx was far away, the fruits of its culture had reached as far as Paris and Marseilles. But the songs collected here are more than just novel variations on American sounds; at their most intriguing, they reflect the unique cultural makeup of post-colonial France. Boogie, of course, grew out of the cross-pollinations between African American funk and European synthpop; the Gallic variety, with its roots in French immigrant communities, incorporated even further-flung influences from Africa and the Middle East. The aforementioned Dinn, born Mohammed Ben Bouchta, performs in Arabic, as do many of the other artists on the compilation; “Propriété Privée” singer Sammy Massamba hails from the Congo; the proto-electro “Ettika” was recorded by a group of Franco-Arab women of the same name. Chébran is rife with such intercontinental couplings and fascinating stylistic mutations, and the later chronological focus of this second volume opens up even more possibilities, with frequent forays into hip-hop and pure electronic music. It’s easy to picture Afro-French B-boys popping and locking to “Porquoi Tant de Haine,” the 1988 closing track by MC Joel Ferrati; or to Ethnie’s 1986 “De Chagrin en Chagrin,” which pairs a funky live hip-hop arrangement with an Arabic call-and-response chorus. Like most compilations of its ilk, Chébran’s sampling of international dance obscurities holds immediate appeal for DJs and other crate-digging connoisseurs of rare grooves. But there’s also an intrinsic value to hearing post-disco sounds defamiliarized and recontextualized in this way. A nebulous, short-lived genre even in its American form, boogie is often overlooked as a stopgap between disco proper and its sleeker, more mechanized offshoots, such as electro, house and techno. The hybrid formulations on Chébran Volume 2 offer a glimpse of the style’s unexploited possibilities, its adaptability into alternative cultures and contexts. More prosaically, but just as importantly, they also offer 17 monster grooves for lovers of synth-driven funk. – Zachary Hoskins Spectrum Culture, (June 20, 2018)]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

Marion and Una

11:30 – Underwriting

11:32 – Interview with Una Walkenhorst

Una Walkenhorst photo by Mike Schwabauer

Following the release of her debut album “Scars” in 2014, Una Walkenhorst immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Gilded Palace Radio wrote that Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)”. Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

25 year old, Kansas City based singer/songwriter Una Walkenhorst joins us on Wednesday MidDay Medley to play a few songs live in our 90.1 FM Studios and talk with us about Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una Walkenhorst Thanks for being with us on WMM

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York

After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half.

Una wanted to make it as a musician, on her own terms without help from her father.

Una Walkenhorst is the youngest daughter to dad Bob Walkenhorst, a founding member of The Rainmakers, which had a string of national and international hits in the 1980s and 90s.

Una told KCUR FM that her father was one of the people who made her love music. But having a famous father was sometimes challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says.

Una has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12.

Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

More information at: https://unawalkenhorst.bandcamp.com

10:39

18. Una Walkenhorst – “Pretty Face” (LIVE) 

Una says that this is a love song to Eugene Oregon. This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar.

The Midwest Innocence Project (MIP) is a not-for-profit corporation dedicated to the investigation, litigation, and exoneration of wrongfully convicted men and women in our five-state region. Recent studies conservatively estimate that between 2% and 5% of all inmates in America are innocent of the crimes for which they were convicted, with some estimates reaching up to 7%. This means that somewhere between 2,000 and 7,000 moms, dads, sons, and daughters in Missouri, Kansas, Iowa, Nebraska, and Arkansas are locked behind bars this very moment for crimes they did not commit.

After a conviction, it takes roughly seven to ten years for an innocent person to be exonerated, and the process is very expensive. As of May 2017, the 349 men and women across the country who have been exonerated through DNA served an average of 14 years in prison. The MIP staff, along with our Board of Directors, Advisory Board, Next Gen Board, and volunteers, works diligently to give freedom back to those whom the legal system has failed. Thanks to our partnerships with law schools at the University of Missouri in Kansas City and Columbia and the University of Kansas, our presence in the classroom gives us the opportunity to teach the next generation of lawyers and investigators how to identify and prevent these injustices.

The Midwest Innocence Project was founded in 2001 through the UMKC School of Law and is part of the national Innocence Network. In addition to our university partnerships, we also work in conjunction with the Nebraska Innocence Project, and Iowa Public Defender’s Wrongful Conviction Division. Read more about our partners here. We are based in Kansas City, Missouri.

More information at: http://www.mip.org

Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una tells us the Blue False Indigo will have their own Album Release Show on September 8.

Una Walkenhorst is working on her second solo album to follow up on Scars (released in 2014). She says that her previous album was lighter, but for her second album she is older, and in a different place, and plans to focus on heavier topics including mental illness and depression.

Una told KCUR FM, “It can be very stigmatizing and people don’t want to talk about it a lot, but I feel that it’s very important thing to talk about. So quite few songs in my next album will touch upon mental illness, and what it’s like to live with anxiety and depression.”

10:49

19. Una Walkenhorst – “Middle Man” (LIVE) 

This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

11:57

20. Una Walkenhorst – “What You Left Behind”
from: SCARS / Una Walkenhorst / July 1, 2014
[Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)” (Gilded Palace Radio) as she weaves stories of genuine human experience. More information at: https://unawalkenhorst.bandcamp.com/%5D

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 15, Chase The Horseman joins us in our first hour and in our second hour Kristie Stremel & Summer Osborne will play live in our 90.1 FM Studios

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #746

Una Walkenhorst photo by Mike Schwabauer