WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

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WMM Playlist from September 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 26, 2018

New & MidCoastal Releases
+ Prisca Jebet Kendagor, Nathan Bowman & Kansas City Public Theatre

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Chuck Prophet – “I Bow Down and Pray to Every Woman I See”
from: No Other Love / New West Records / June 18, 2002
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 14 solo albums. Prophet co-wrote all the songs on Alejandro Escovedo’s Real Animal, to which he also contributed guitar and vocals. The LP was recorded in Lexington, Kentucky and produced by noted producer Tony Visconti.]

Krystle Warren at Mutual Musicians Foundation Saturday, September 15, 2018

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which is a different version of this song that was also part of Nezbeat’s collaborative release, “From The Huge Silence,” from 2005, and “Born in The Fall” of which a different acoustic version can be found as a bonus track on the Japanese CD release of 2017’s “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

4. Ida McBeth – “Who is She (And What is She to You)?”
from: Special Request / Ida McBeth / 1998
[This full length album came out between Ida’s 1992 release, “A Gift of Song” and her 2006 release, “Live on The Vine” her forth release. Born in Kansas City Kansasm by the age of five she knew wanted to be a singer. She is a Kansas City legend! Ida McBeth has been a fixture on the Kansas City music scene for more than forty years, getting her first professional job before she even was out of high school.Ida was provided early exposure to a variety of talented vocalists by her mother. These singers included such greats as Nancy Wilson, Arthur Prysock, Nat King Cole, Bill Withers, Gladys Knight and Sarah Vaughan. “Who Is He (And What Is He to You)?” is a track from Bill Withers’ 1972 album, Still Bill. The music was written by Withers along with Stan McKenny, who wrote the lyrics. In 1996, Meshell Ndegeocello recorded the song for her Peace Beyond Passion CD on Madonna’s label Maverick Records. Meshell’s version was her only number one on the US dance charts as a solo artist. Her version also peaked at #34 on the soul chart.]

[American Jazz Museum presents Ida McBeth at Blue Room Jazz Club, 1600 E 18th St. Kansas City, MO, Saturday, September 29, from 8:30 to 12:00]

5. Meshell Ndegeocello – “Sometimes It Snows in April”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Sometimes It Snows in April” was originally recorded by Prince. It was included on his eighth studio album Parade (1986), and within the accompanying film Under the Cherry Moon (1986). Prince wrote and produced the song, along with Wendy & Lisa who provided additional lyrics for the composition. The song’s narrator recounts memories of Christopher Tracy, Prince’s character from Under the Cherry Moon, and how Tracy’s passing affected the narrator; it also expresses their desire to hopefully rejoin Tracy in heaven. “Sometimes It Snows in April” received significant attention after Prince’s death on April 21, 2016, exactly 31 years after its recording date,]

6. Prince – “Mary Don’t You Weep (Piano & A Microphone 1983 Version)”
from: Piano & A Microphone 1983 / NPG Records – Warner Bros. / September 21, 2018
[Piano and a Microphone 1983 is a posthumous studio album by Prince. It is the first album released by the Prince estate with material from his archive, the Vault. The album was discovered in Prince’s Vault at Paisley Park as a single cassette tape. The music was recorded in one take with no backing band, just Prince at the piano, at his Kiowa Trail home studio in Chanhassen, Minnesota.It includes alternate versions of previously released and yet-to-be released songs, cover versions, and sketches of songs. The New York Times called it “a glimpse of a notoriously private artist doing his mysterious work.” “Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again becomes popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy” In 2018, a recording of the song done by Prince in 1983 was released as the first track from Piano and a Microphone 1983 and was used in the Spike Lee movie BlacKkKlansman. Prince’s albums discography consists of thirty-nine studio albums (including five soundtrack albums), three live albums, seven compilation albums, seventeen video albums, and twelve extended plays.]

10:29 – Underwriting

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Nathan Bowman & Prisca Jebet Kendagor

theatre artist, musician, and Park University Instructor – Nathan Bowman who with his wife, Elizabeth Bettendorf Bowman, are co-founders of Kansas City Public Theatre a not-for-profit company providing access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. Their first show of this season is a FREE script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

Nathan Bowman, thanks for being with us today on Wednesday MidDay Medley.

Prisca Jebet Kendagor began writing plays when she was 12 years old. It was for a sixth grade writing project. After close to two decades she hasn’t looked back. Kendagor’s work has been featured at the Lawrence Arts Center, Fishtank Theatre, and the Buffalo Room. She achieved recent success with “Seven and Ten” when she self-produced it as a staged reading in Kansas City and St. Louis and she made a triumphant return to the Kansas City Fringe Festival in 2018 with her play “Adulting: A Parody” which won Best of Venue, and placed third out of ten on the Best of Fringe list. Kendagor has also had the delight and pleasure of serving as a mentor/teacher with The Coterie Theatre in their “Reach The Write Minds” playwriting workshops.

Prisca Jebet Kendagor, thanks for being with us today on Wednesday MidDay Medley.

Co-founded November 30, 2017 by Elizabeth Bettendorf Bowman and Nathan Bowman, Kansas City Public Theatre, a not-for-profit company, provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops.

Kansas City Public Theatre’s script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s Stained on Monday, October 1st at the Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri. This Theatre Lab is for mature audiences.

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Prisca Jebet Kendagor (PRIS-kuh KEN-duh-gor) is an Actress/Teacher at Coterie Theatre; an Actress at Trike Theatre; a Teacher at Kansas City Black Rep Theatre.

She lives in Kansas City, Missouri and is from Lawrence, Kansas

About Stained: Tamera is a playwright. A successful one at that. An extremely disorganized, scatterbrained, successful playwright…who is mending a broken heart.. What’s the best way to mend a broken heart? Hire a struggling actor to prostitute himself to you that’s how. Hey, women have sexual needs too. With a performance dead line staring her down, an unfinished script, Kenzie her manager and producer keeping her on task, and an un dealt with love life from which she gains inspiration from, Tamera must take the time to get real and honest if her come back play is going to be as big of a success as everyone believes it is….plus there’s her F#@k Boy.

The Cast!

Kyle is grateful to be involved in another of Prisca’s new plays. He joined AEA in Dec of last year and he was most recently seen in ‘And Then There Were None’ for KCAT in the fall of 2017. You can see him next in ‘Of Mice And Men’ on the Copaken Stage at the KC Rep Theater starting October 18th.

Chioma Anyanwu is excited to make her 2nd appearance with KC Public Theatre in her 2nd reading of Stained! A Columbia, MO native, she has called KC home for 10 years and just completed her MFA in Acting this Spring at UMKC. You can find her again at the Unicorn Theatre this December in The Wolves.

Emmy Panzica is pleased to once again bring the fierce words of Kenzie to life in Prisca Jebet Kendagor’s “Stained”. You can see Panzica as Corella and Lola in the Metropolitan Ensemble Theatre’s production of Horton Foote’s Orphan’s Home Cycle running October 25th – November 18th. Previous credits include: The Crucible (Equity Actors Readers Theatre), “Kiss & Tail” (The Living Room Theatre with the KC Zoo), Along the Line (Fishtank Theatre),The Ironing Man (KC Melting Pot Theatre), and William Inge Festival Play Labs 2017 & 2018 (Kokopelli Theatre Company). In her spare time Emmy likes to go on walks with her husband and dogs, read books on the couch with the cat, and watch documentaries.

KC Public Theatre – Theatre Lab at the Uptown Arts Bar! – Every first Monday of the month, Kansas City Public Theatre presents staged readings of local playwrights and small-scale performance art which reflects the unique history and concerns of the Kansas City community. Experience the development of new work and support area artists as they put new ideas to the stage! All events are FREE and open to the public.

TO SUBMIT: Send your project idea/play and headshot to kcpublictheatre@gmail.com with the subject “Theatre Lab.” All performances should be 60-90min in length.

Nathan Bowman is Producing Artistic Director for Kansas City Public Theatre
(November 30, 2017 to present)
Nathan Bowman is a Graduate Teaching Assistant at The University of Kansas
(August 2013 to present) Lawrence, Kansas
Nathan Bowman is a Stage Carpenter at Kansas City Repertory Theatre
(2011 to present) Kansas City, Missouri
Nathan Bowman is an Instructor at Park University, Parkville, Missouri
Nathan Bowman is a Singer/Guitarist at Attic Light, Kansas City, Missouri
http://www.atticlightmusic.com / http://www.facebook.com/atticlightkc / http://www.twitter.com/atticlightmusic

EDUCATION
University of Kansas Studied Ph.D. in Drama & Theatre · Ph.D. Theatre · Lawrence, KS
University of Kansas – Jul 2013 to May 2015 · Religious Studies MA · Lawrence, KS
Northwest Missouri State University Class of 2011 · Theatre & Philosophy · Maryville, MO
Excelsior Springs High, Class of 2007 · Excelsior Springs, Missouri

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Bowman, Prisca Jebet Kendagor, thanks for being with us today on WMM.

Their first show of this Kansas City Public Theatre’s new season is a script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

10:45 – Four Artists Playing the 1st Annual NKC Music Fest

1st Annual NKC Music Fest
Saturday, September 29
29 Bands / 8 Venues
Info: http://www.NKCFest.com

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays the FM Music Vintage Sounds Stage at 206 East 18th Avenue in North Kansas City at 3:00 pm for The NKC Music Fest, Saturday, September 29th.]

8. The Big Iron – “I Disagree”
from: The Big Iron / The Big Iron / May 30, 2014
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

[The Big Iron plays Velo Garage & Tap House, 1403 Swift Street in North Kansas City at 9:30 pm, for The NKC Music Fest, Saturday, September 29th.]

9. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[New music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia; bass/vocals: Tracy Flowers; drums: Pat Tomek. All songs written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. Recorded in November 2016]

[Deco Auto plays Davey’s Uptown TONIGHT, Wednesday, September 26, at 10:00 pm with Vela, Bird Girls, and North By North.]

[Deco Auto plays The Rino, 314 Armour Rd. in North Kansas City at 7:00 pm, for The NKC Music Fest, Saturday, September 29th.]

10. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Kadesh Flow plays Chicken N Pickle, 1761 Burlington Street, North Kansas City at 6:00 pm, for The NKC Music Fest, Saturday, September 29th.]

11:00 – Station ID

11. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes.]

[Car Seat Headrest plays Crossroads KC, 417 East 18th, KCMO, Friday, September 28, at 7:00 PM.]

12. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

[Kississippi plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Foxing, & Ratboys.]

13. Foxing – “Nearer My God”
from: Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

[Foxing plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Ratboys & Kississippi.]

14. Island – “The Day I Die”
from: Feels Like Air / French Kiss Records / April 6, 2018
[Debut album from London based band made up of: Rollo Doherty, Jack Raeder, James Wolfe, and Toby Richards. The band is currently on a North American tour.]

[Island plays recordBar, 1520 Grand Ave, KCMO, Friday, September 28, at 8:00 pm]

15. Tyto Alba – “Shadow Monster”
from: Shadow Monster – Single / Tyto Alba / September 19, 2018
[Denver, Colorado based indie-rock/dream-pop band consisting of four friends making music together. Tyto Alba is fronted by singer/songwriter Melanie Steinway, on vocals and guitar, a tattooist and illustrator by day. Her folk background melds with indie, shoegaze and dream-pop influences for a distinctly lush and dreamy sound. Matt Rossi on guitar, Danny Dimarchi on bass & hype man, and Andrew Beir on drums. Tyto Alba has self-released two EPs and a handful of singles and is currently working on their debut full-length with Mighty Fine Productions.]

[Tyto Alba plays miniBar, TONIGHT, Wed, Sept 26, 9:00 PM w/ North By North, Toughies, & Akkilles]

[Tyto Alba plays Replay on Lawrence Thursday, Sept. 27, at 10:00 PM with La Guerre and Maybe Not]

16. Pale Tongue – “King in Yellow”
from: King In Yellow – Single / Manor Records / September 21, 2018
[The band’s upcoming self titled EP will be released on October 5. Lawrence based 3-piece band formed by Carlos Calderon and Nick Fredrickson of The Appleseed Cast and bassist James Thomblinson of Arc Flash, and Psychic Heat. The trio has molded their ripping ‘dungeon rock’ sound into a fierce torrent of fuzz and fury, bending and merging gritty acidic psych-punk with hypnogogic dreamscapes, crafting a realm of experience dripping in cosmic horror and heady awe. Engineered by Mitch Hewlett. Mix and Mastered by Joel Coon.]

[Pale Tongue play an EP Release Show, Friday, October 5, at 9:00 pm, at miniBar, 3810 Broadway, KCMO with HMPH, and Drugs & Attics.]

[Pale Tongue play an EP Release Show, Saturday, October 6, at 9:00 pm, at Haunted Kitchen with Y god Y, and FACEFACE.]

17. Death Cab for Cutie – “Gold Rush”
from: Thank you for Today / Atlantic Recording Corporation / August 17, 2018
[The ninth studio album from indie rock band Death Cab for Cutie. The album was produced by Rich Costey, who returns after collaborating with the band on their eighth album, Kintsugi. It is the first Death Cab for Cutie release to not feature Chris Walla since the band’s first album, You Can Play These Songs with Chords. The album also marks the first time guitarist/keyboardists Dave Depper and Zac Rae have appeared on a Death Cab for Cutie album, after making their debut recording with the band on the 2016 single “Million Dollar Loan”. The album was announced on June 13, 2018, along with the release of its first single, “Gold Rush”. The band also announced a tour to support the album’s release, beginning in fall 2018. Two further singles were released from the album prior to its release: “I Dreamt We Spoke Again” and “Autumn Love”. “Gold Rush” originated as a demo that the band planned to discard, but was revisited at the suggestion of producer Rich Costey and combined with another demo.[1] The song was written by lead vocalist and guitarist Ben Gibbard as “a requiem for a skyline”, inspired by the rapid changes to Seattle’s Capitol Hill neighborhood, where Gibbard had lived for 20 years and some areas were “almost unrecognizable” due to the influx of workers for companies like Amazon. The song uses a sample from “Mind Train”, a song from Yoko Ono’s 1971 album Fly. The song is in the key of F major and has a BPM of 80. The music video for “Gold Rush”, directed by Alex Southam, features Gibbard walking down a city street, observing passersby as their outfits change to a modern style. The video ends with Gibbard stopped by a swarm of people distracted by their smartphones. Death Cab for Cutie performed the song on the June 21, 2018, episode of The Late Show with Stephen Colbert.]

[Death Cab For Cutie play The Midland Theatre, 1228 Main Street, on Tuesday, October 2, at 7:00 PM, with Charly Bliss.]

18. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

Calvin Arsenia plays The Gem Theatre Saturday, September 15, 2018.

19. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar on October 22 with Jake Wells]

11:40 – Underwriting

20. David George – “Lesson Of Love (feat. Shanna Jones)”
from: Lesson Of Love – EP / David George / February 23, 2018
[The third of three EP’s to be release over one year! This album features David George and his full band included a 3-pc horn section. All songs written by David George. Except “And She Knows” David George & Eason Pritchard. Horns on track Lesson of Love & And She Knows arranged by Bob Malone. Horns on all other tracks arranged by Ryan Heinlein. David George – Vocals, Acoustic & Electric Guitars. Ben Byard – Bass & Vocals. Pat Tomek – Drums. Giuliano Mingucci – Drums. Mike Stover – Pedal Steel Guitar, John Johnson – Lead Guitar. Bob Malone – Organ. Nate Nall – Trumpet. Ian Corbett – Baritone Sax. Kyle Hall – Trombone. Anthony Ritchie – Trombone. Stuart Ashley – Sax. David Luther – Vocals. Erik Voeks – Vocals. Camry Ivory – Vocals. Shanna Jones – Vocals. Produced by David George, Engineered and Mixed by Pat Tomek – Largely Studios, Mastered by Duane Trower – Weights & Measures Soundlabs/KCMO. With Erik Voeks, David George also released the EP Volker Brothers in June 2018.]

[David George Band plays The Riot Room, Saturday, September 29, at 4:00 pm with Edison Lights.]

21. Lyn Sherr – “She Lived” by Lucille Clifton
from: Poetic License 100 Poems-100 Performers / GPR Records / March 5, 2013
[Lucille Clifton was born Thelma Lucille Sayles, in Depew, New York on June 27, 1936 in Depew, New York she died on February 13, 2010 in Baltimore, Maryland. Lucille Clifton (born) grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo. She was an American poet, writer, and educator from Buffalo, New York. From 1979 to 1985 she was Poet Laureate of Maryland. Clifton was a finalist twice for the Pulitzer Prize for poetry. In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University of Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children together, which included four daughters (Sidney, Fredrica, Gillian, and Alexia) and two sons (Channing and Graham). Lucille worked as a claims clerk in the New York State Division of Employment, Buffalo (1958–60), and as literature assistant in the Office of Education in Washington, D.C. (1960–71). Writer Ishmael Reed introduced Lucille to Clifton while he was organizing the Buffalo Community Drama Workshop. Fred and Lucille Clifton starred in the group’s version of The Glass Menagerie, which was called “poetic and sensitive” by the Buffalo Evening News. In 1966, Reed took some of Clifton’s poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year’s ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University. In 1984, her husband died of cancer. From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary’s College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.]

22. Lucy Wainwright Roche – “Heroin”
from: Heroin – Single / Lucy Wainwright Roche – Tone Tree Music / June 1, 2018
[one of three new singles released from Lucy this year in anticipation of her new album Little Beast. Lucy Wainwright Roche was born December 16, 1981. She is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, make up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy didn’t see her father much during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose late mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of Sloan Wainwright. Roche was born and raised in Greenwich Village, New York City. She attended PS 41 in Manhattan and high school at Saint Ann’s School in Brooklyn, New York, graduating in 1999. She then attended Oberlin College in Ohio, graduating in 2003 with a degree in creative writing. In 2006 Roche received her master’s degree in general education from Bank Street College of Education in Manhattan. She currently resides in Brooklyn. Roche initially chose to bypass the family career choice of music in order to teach elementary school in Durham, NC and New York City for several years. In 2007, she made the decision to pursue a career in music full-time.]

[Lucy Wainwright Roche plays KC Crossroads, Sun, Sept. 30, 8:00 PM, opening for the Indigo Girls.]

23. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play recordBar, Saturday, September 29, at 8:00 PM with CHaCO! and Tracer Heights.]

24. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleeve designs including the new Victor & Penny 7″ Single.]

[The Country Duo play Stockyard Sundays, Sunday, September 30, at 3:00 pm. at Stockyards Brewing Co. at 1600 Genessee Street, Suite 100, KCMO.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October , we play more New & Local Releases and welcome special guests: Of Tree, Sterling Witt, and Aaron Rhodes.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #753