WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

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WMM presents Claire Adams + Frank Alvarez + Wick Thomas

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

Mark plays more New & MidCoastal Releases from: Shy Boys, Vedettes, Mess, Calvin Arsenia, Mae C, Kasey Rausch, Claire Adams & The Classical Revolution, Wick & The Tricks, The Uncouth, Red Kate, Lenny Lashley’s Gang Of One, Mavis Staples, Laurie Spiegel, Mercury Rev featuring Rachell Goswell, and Queen.

At 10:30 Claire Adams joins us to talk about her new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she will perform with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Rewound is Carmen Dieker violin, Alyssa Bell viola, and Ezgi Karakus cello. Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. Special guest Alyssa Murray opens the show. More information at: http://www.claireadamsmusic.com

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

At 11:00 Frank Alvarez joins us to talk about Sister Anne’s – Records and Coffee, the new record store Frank opened with business partner and friend James Oshel at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. More information at: http://www.sisterannes.com

At 11:30 Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #774

WMM Playlist from September 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 26, 2018

New & MidCoastal Releases
+ Prisca Jebet Kendagor, Nathan Bowman & Kansas City Public Theatre

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Chuck Prophet – “I Bow Down and Pray to Every Woman I See”
from: No Other Love / New West Records / June 18, 2002
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 14 solo albums. Prophet co-wrote all the songs on Alejandro Escovedo’s Real Animal, to which he also contributed guitar and vocals. The LP was recorded in Lexington, Kentucky and produced by noted producer Tony Visconti.]

Krystle Warren at Mutual Musicians Foundation Saturday, September 15, 2018

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which is a different version of this song that was also part of Nezbeat’s collaborative release, “From The Huge Silence,” from 2005, and “Born in The Fall” of which a different acoustic version can be found as a bonus track on the Japanese CD release of 2017’s “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

4. Ida McBeth – “Who is She (And What is She to You)?”
from: Special Request / Ida McBeth / 1998
[This full length album came out between Ida’s 1992 release, “A Gift of Song” and her 2006 release, “Live on The Vine” her forth release. Born in Kansas City Kansasm by the age of five she knew wanted to be a singer. She is a Kansas City legend! Ida McBeth has been a fixture on the Kansas City music scene for more than forty years, getting her first professional job before she even was out of high school.Ida was provided early exposure to a variety of talented vocalists by her mother. These singers included such greats as Nancy Wilson, Arthur Prysock, Nat King Cole, Bill Withers, Gladys Knight and Sarah Vaughan. “Who Is He (And What Is He to You)?” is a track from Bill Withers’ 1972 album, Still Bill. The music was written by Withers along with Stan McKenny, who wrote the lyrics. In 1996, Meshell Ndegeocello recorded the song for her Peace Beyond Passion CD on Madonna’s label Maverick Records. Meshell’s version was her only number one on the US dance charts as a solo artist. Her version also peaked at #34 on the soul chart.]

[American Jazz Museum presents Ida McBeth at Blue Room Jazz Club, 1600 E 18th St. Kansas City, MO, Saturday, September 29, from 8:30 to 12:00]

5. Meshell Ndegeocello – “Sometimes It Snows in April”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Sometimes It Snows in April” was originally recorded by Prince. It was included on his eighth studio album Parade (1986), and within the accompanying film Under the Cherry Moon (1986). Prince wrote and produced the song, along with Wendy & Lisa who provided additional lyrics for the composition. The song’s narrator recounts memories of Christopher Tracy, Prince’s character from Under the Cherry Moon, and how Tracy’s passing affected the narrator; it also expresses their desire to hopefully rejoin Tracy in heaven. “Sometimes It Snows in April” received significant attention after Prince’s death on April 21, 2016, exactly 31 years after its recording date,]

6. Prince – “Mary Don’t You Weep (Piano & A Microphone 1983 Version)”
from: Piano & A Microphone 1983 / NPG Records – Warner Bros. / September 21, 2018
[Piano and a Microphone 1983 is a posthumous studio album by Prince. It is the first album released by the Prince estate with material from his archive, the Vault. The album was discovered in Prince’s Vault at Paisley Park as a single cassette tape. The music was recorded in one take with no backing band, just Prince at the piano, at his Kiowa Trail home studio in Chanhassen, Minnesota.It includes alternate versions of previously released and yet-to-be released songs, cover versions, and sketches of songs. The New York Times called it “a glimpse of a notoriously private artist doing his mysterious work.” “Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again becomes popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy” In 2018, a recording of the song done by Prince in 1983 was released as the first track from Piano and a Microphone 1983 and was used in the Spike Lee movie BlacKkKlansman. Prince’s albums discography consists of thirty-nine studio albums (including five soundtrack albums), three live albums, seven compilation albums, seventeen video albums, and twelve extended plays.]

10:29 – Underwriting

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Nathan Bowman & Prisca Jebet Kendagor

theatre artist, musician, and Park University Instructor – Nathan Bowman who with his wife, Elizabeth Bettendorf Bowman, are co-founders of Kansas City Public Theatre a not-for-profit company providing access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. Their first show of this season is a FREE script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

Nathan Bowman, thanks for being with us today on Wednesday MidDay Medley.

Prisca Jebet Kendagor began writing plays when she was 12 years old. It was for a sixth grade writing project. After close to two decades she hasn’t looked back. Kendagor’s work has been featured at the Lawrence Arts Center, Fishtank Theatre, and the Buffalo Room. She achieved recent success with “Seven and Ten” when she self-produced it as a staged reading in Kansas City and St. Louis and she made a triumphant return to the Kansas City Fringe Festival in 2018 with her play “Adulting: A Parody” which won Best of Venue, and placed third out of ten on the Best of Fringe list. Kendagor has also had the delight and pleasure of serving as a mentor/teacher with The Coterie Theatre in their “Reach The Write Minds” playwriting workshops.

Prisca Jebet Kendagor, thanks for being with us today on Wednesday MidDay Medley.

Co-founded November 30, 2017 by Elizabeth Bettendorf Bowman and Nathan Bowman, Kansas City Public Theatre, a not-for-profit company, provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops.

Kansas City Public Theatre’s script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s Stained on Monday, October 1st at the Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri. This Theatre Lab is for mature audiences.

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Prisca Jebet Kendagor (PRIS-kuh KEN-duh-gor) is an Actress/Teacher at Coterie Theatre; an Actress at Trike Theatre; a Teacher at Kansas City Black Rep Theatre.

She lives in Kansas City, Missouri and is from Lawrence, Kansas

About Stained: Tamera is a playwright. A successful one at that. An extremely disorganized, scatterbrained, successful playwright…who is mending a broken heart.. What’s the best way to mend a broken heart? Hire a struggling actor to prostitute himself to you that’s how. Hey, women have sexual needs too. With a performance dead line staring her down, an unfinished script, Kenzie her manager and producer keeping her on task, and an un dealt with love life from which she gains inspiration from, Tamera must take the time to get real and honest if her come back play is going to be as big of a success as everyone believes it is….plus there’s her F#@k Boy.

The Cast!

Kyle is grateful to be involved in another of Prisca’s new plays. He joined AEA in Dec of last year and he was most recently seen in ‘And Then There Were None’ for KCAT in the fall of 2017. You can see him next in ‘Of Mice And Men’ on the Copaken Stage at the KC Rep Theater starting October 18th.

Chioma Anyanwu is excited to make her 2nd appearance with KC Public Theatre in her 2nd reading of Stained! A Columbia, MO native, she has called KC home for 10 years and just completed her MFA in Acting this Spring at UMKC. You can find her again at the Unicorn Theatre this December in The Wolves.

Emmy Panzica is pleased to once again bring the fierce words of Kenzie to life in Prisca Jebet Kendagor’s “Stained”. You can see Panzica as Corella and Lola in the Metropolitan Ensemble Theatre’s production of Horton Foote’s Orphan’s Home Cycle running October 25th – November 18th. Previous credits include: The Crucible (Equity Actors Readers Theatre), “Kiss & Tail” (The Living Room Theatre with the KC Zoo), Along the Line (Fishtank Theatre),The Ironing Man (KC Melting Pot Theatre), and William Inge Festival Play Labs 2017 & 2018 (Kokopelli Theatre Company). In her spare time Emmy likes to go on walks with her husband and dogs, read books on the couch with the cat, and watch documentaries.

KC Public Theatre – Theatre Lab at the Uptown Arts Bar! – Every first Monday of the month, Kansas City Public Theatre presents staged readings of local playwrights and small-scale performance art which reflects the unique history and concerns of the Kansas City community. Experience the development of new work and support area artists as they put new ideas to the stage! All events are FREE and open to the public.

TO SUBMIT: Send your project idea/play and headshot to kcpublictheatre@gmail.com with the subject “Theatre Lab.” All performances should be 60-90min in length.

Nathan Bowman is Producing Artistic Director for Kansas City Public Theatre
(November 30, 2017 to present)
Nathan Bowman is a Graduate Teaching Assistant at The University of Kansas
(August 2013 to present) Lawrence, Kansas
Nathan Bowman is a Stage Carpenter at Kansas City Repertory Theatre
(2011 to present) Kansas City, Missouri
Nathan Bowman is an Instructor at Park University, Parkville, Missouri
Nathan Bowman is a Singer/Guitarist at Attic Light, Kansas City, Missouri
http://www.atticlightmusic.com / http://www.facebook.com/atticlightkc / http://www.twitter.com/atticlightmusic

EDUCATION
University of Kansas Studied Ph.D. in Drama & Theatre · Ph.D. Theatre · Lawrence, KS
University of Kansas – Jul 2013 to May 2015 · Religious Studies MA · Lawrence, KS
Northwest Missouri State University Class of 2011 · Theatre & Philosophy · Maryville, MO
Excelsior Springs High, Class of 2007 · Excelsior Springs, Missouri

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Bowman, Prisca Jebet Kendagor, thanks for being with us today on WMM.

Their first show of this Kansas City Public Theatre’s new season is a script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

10:45 – Four Artists Playing the 1st Annual NKC Music Fest

1st Annual NKC Music Fest
Saturday, September 29
29 Bands / 8 Venues
Info: http://www.NKCFest.com

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays the FM Music Vintage Sounds Stage at 206 East 18th Avenue in North Kansas City at 3:00 pm for The NKC Music Fest, Saturday, September 29th.]

8. The Big Iron – “I Disagree”
from: The Big Iron / The Big Iron / May 30, 2014
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

[The Big Iron plays Velo Garage & Tap House, 1403 Swift Street in North Kansas City at 9:30 pm, for The NKC Music Fest, Saturday, September 29th.]

9. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[New music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia; bass/vocals: Tracy Flowers; drums: Pat Tomek. All songs written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. Recorded in November 2016]

[Deco Auto plays Davey’s Uptown TONIGHT, Wednesday, September 26, at 10:00 pm with Vela, Bird Girls, and North By North.]

[Deco Auto plays The Rino, 314 Armour Rd. in North Kansas City at 7:00 pm, for The NKC Music Fest, Saturday, September 29th.]

10. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Kadesh Flow plays Chicken N Pickle, 1761 Burlington Street, North Kansas City at 6:00 pm, for The NKC Music Fest, Saturday, September 29th.]

11:00 – Station ID

11. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes.]

[Car Seat Headrest plays Crossroads KC, 417 East 18th, KCMO, Friday, September 28, at 7:00 PM.]

12. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

[Kississippi plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Foxing, & Ratboys.]

13. Foxing – “Nearer My God”
from: Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

[Foxing plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Ratboys & Kississippi.]

14. Island – “The Day I Die”
from: Feels Like Air / French Kiss Records / April 6, 2018
[Debut album from London based band made up of: Rollo Doherty, Jack Raeder, James Wolfe, and Toby Richards. The band is currently on a North American tour.]

[Island plays recordBar, 1520 Grand Ave, KCMO, Friday, September 28, at 8:00 pm]

15. Tyto Alba – “Shadow Monster”
from: Shadow Monster – Single / Tyto Alba / September 19, 2018
[Denver, Colorado based indie-rock/dream-pop band consisting of four friends making music together. Tyto Alba is fronted by singer/songwriter Melanie Steinway, on vocals and guitar, a tattooist and illustrator by day. Her folk background melds with indie, shoegaze and dream-pop influences for a distinctly lush and dreamy sound. Matt Rossi on guitar, Danny Dimarchi on bass & hype man, and Andrew Beir on drums. Tyto Alba has self-released two EPs and a handful of singles and is currently working on their debut full-length with Mighty Fine Productions.]

[Tyto Alba plays miniBar, TONIGHT, Wed, Sept 26, 9:00 PM w/ North By North, Toughies, & Akkilles]

[Tyto Alba plays Replay on Lawrence Thursday, Sept. 27, at 10:00 PM with La Guerre and Maybe Not]

16. Pale Tongue – “King in Yellow”
from: King In Yellow – Single / Manor Records / September 21, 2018
[The band’s upcoming self titled EP will be released on October 5. Lawrence based 3-piece band formed by Carlos Calderon and Nick Fredrickson of The Appleseed Cast and bassist James Thomblinson of Arc Flash, and Psychic Heat. The trio has molded their ripping ‘dungeon rock’ sound into a fierce torrent of fuzz and fury, bending and merging gritty acidic psych-punk with hypnogogic dreamscapes, crafting a realm of experience dripping in cosmic horror and heady awe. Engineered by Mitch Hewlett. Mix and Mastered by Joel Coon.]

[Pale Tongue play an EP Release Show, Friday, October 5, at 9:00 pm, at miniBar, 3810 Broadway, KCMO with HMPH, and Drugs & Attics.]

[Pale Tongue play an EP Release Show, Saturday, October 6, at 9:00 pm, at Haunted Kitchen with Y god Y, and FACEFACE.]

17. Death Cab for Cutie – “Gold Rush”
from: Thank you for Today / Atlantic Recording Corporation / August 17, 2018
[The ninth studio album from indie rock band Death Cab for Cutie. The album was produced by Rich Costey, who returns after collaborating with the band on their eighth album, Kintsugi. It is the first Death Cab for Cutie release to not feature Chris Walla since the band’s first album, You Can Play These Songs with Chords. The album also marks the first time guitarist/keyboardists Dave Depper and Zac Rae have appeared on a Death Cab for Cutie album, after making their debut recording with the band on the 2016 single “Million Dollar Loan”. The album was announced on June 13, 2018, along with the release of its first single, “Gold Rush”. The band also announced a tour to support the album’s release, beginning in fall 2018. Two further singles were released from the album prior to its release: “I Dreamt We Spoke Again” and “Autumn Love”. “Gold Rush” originated as a demo that the band planned to discard, but was revisited at the suggestion of producer Rich Costey and combined with another demo.[1] The song was written by lead vocalist and guitarist Ben Gibbard as “a requiem for a skyline”, inspired by the rapid changes to Seattle’s Capitol Hill neighborhood, where Gibbard had lived for 20 years and some areas were “almost unrecognizable” due to the influx of workers for companies like Amazon. The song uses a sample from “Mind Train”, a song from Yoko Ono’s 1971 album Fly. The song is in the key of F major and has a BPM of 80. The music video for “Gold Rush”, directed by Alex Southam, features Gibbard walking down a city street, observing passersby as their outfits change to a modern style. The video ends with Gibbard stopped by a swarm of people distracted by their smartphones. Death Cab for Cutie performed the song on the June 21, 2018, episode of The Late Show with Stephen Colbert.]

[Death Cab For Cutie play The Midland Theatre, 1228 Main Street, on Tuesday, October 2, at 7:00 PM, with Charly Bliss.]

18. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

Calvin Arsenia plays The Gem Theatre Saturday, September 15, 2018.

19. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar on October 22 with Jake Wells]

11:40 – Underwriting

20. David George – “Lesson Of Love (feat. Shanna Jones)”
from: Lesson Of Love – EP / David George / February 23, 2018
[The third of three EP’s to be release over one year! This album features David George and his full band included a 3-pc horn section. All songs written by David George. Except “And She Knows” David George & Eason Pritchard. Horns on track Lesson of Love & And She Knows arranged by Bob Malone. Horns on all other tracks arranged by Ryan Heinlein. David George – Vocals, Acoustic & Electric Guitars. Ben Byard – Bass & Vocals. Pat Tomek – Drums. Giuliano Mingucci – Drums. Mike Stover – Pedal Steel Guitar, John Johnson – Lead Guitar. Bob Malone – Organ. Nate Nall – Trumpet. Ian Corbett – Baritone Sax. Kyle Hall – Trombone. Anthony Ritchie – Trombone. Stuart Ashley – Sax. David Luther – Vocals. Erik Voeks – Vocals. Camry Ivory – Vocals. Shanna Jones – Vocals. Produced by David George, Engineered and Mixed by Pat Tomek – Largely Studios, Mastered by Duane Trower – Weights & Measures Soundlabs/KCMO. With Erik Voeks, David George also released the EP Volker Brothers in June 2018.]

[David George Band plays The Riot Room, Saturday, September 29, at 4:00 pm with Edison Lights.]

21. Lyn Sherr – “She Lived” by Lucille Clifton
from: Poetic License 100 Poems-100 Performers / GPR Records / March 5, 2013
[Lucille Clifton was born Thelma Lucille Sayles, in Depew, New York on June 27, 1936 in Depew, New York she died on February 13, 2010 in Baltimore, Maryland. Lucille Clifton (born) grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo. She was an American poet, writer, and educator from Buffalo, New York. From 1979 to 1985 she was Poet Laureate of Maryland. Clifton was a finalist twice for the Pulitzer Prize for poetry. In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University of Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children together, which included four daughters (Sidney, Fredrica, Gillian, and Alexia) and two sons (Channing and Graham). Lucille worked as a claims clerk in the New York State Division of Employment, Buffalo (1958–60), and as literature assistant in the Office of Education in Washington, D.C. (1960–71). Writer Ishmael Reed introduced Lucille to Clifton while he was organizing the Buffalo Community Drama Workshop. Fred and Lucille Clifton starred in the group’s version of The Glass Menagerie, which was called “poetic and sensitive” by the Buffalo Evening News. In 1966, Reed took some of Clifton’s poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year’s ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University. In 1984, her husband died of cancer. From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary’s College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.]

22. Lucy Wainwright Roche – “Heroin”
from: Heroin – Single / Lucy Wainwright Roche – Tone Tree Music / June 1, 2018
[one of three new singles released from Lucy this year in anticipation of her new album Little Beast. Lucy Wainwright Roche was born December 16, 1981. She is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, make up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy didn’t see her father much during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose late mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of Sloan Wainwright. Roche was born and raised in Greenwich Village, New York City. She attended PS 41 in Manhattan and high school at Saint Ann’s School in Brooklyn, New York, graduating in 1999. She then attended Oberlin College in Ohio, graduating in 2003 with a degree in creative writing. In 2006 Roche received her master’s degree in general education from Bank Street College of Education in Manhattan. She currently resides in Brooklyn. Roche initially chose to bypass the family career choice of music in order to teach elementary school in Durham, NC and New York City for several years. In 2007, she made the decision to pursue a career in music full-time.]

[Lucy Wainwright Roche plays KC Crossroads, Sun, Sept. 30, 8:00 PM, opening for the Indigo Girls.]

23. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play recordBar, Saturday, September 29, at 8:00 PM with CHaCO! and Tracer Heights.]

24. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleeve designs including the new Victor & Penny 7″ Single.]

[The Country Duo play Stockyard Sundays, Sunday, September 30, at 3:00 pm. at Stockyards Brewing Co. at 1600 Genessee Street, Suite 100, KCMO.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October , we play more New & Local Releases and welcome special guests: Of Tree, Sterling Witt, and Aaron Rhodes.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #753

WMM Playlist from November 15, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 15, 2017

Victor & Penny + The Country Duo
+ Truck Stop Love + Chase the Horseman

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Lucas Oswald – “Dark On Us”
from: Whet / Cosmic Dreamer Music / September 1, 2017
[Lucas Oswald is a singer, songwriter, producer, multi-instrumentalist, recording engineer, homebody road-warrior, and lover of dogs, and international touring musician. He is currently on tour in the United Kingdom supporting Jesca Hoop, and also playing in her band. He is also a member of a member of Shearwater, and past member of the bands The Appleseed Cast, Old Canes, Hospital Ships, and Minus Story. More info at: http://www.lucasoswald.com]

3. Flying Lotus – “Massage Situation”
from: Reset – EP / WArp records / October 1, 2007
[Steven Ellison, born October 7, 1983, is an experimental multi-genre music producer, electronic musician, DJ, filmmaker, and rapper from LA, California. Flying Lotus has released 5 studio albums: 1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012) and You’re Dead! (2014) He has produced much of the bumper music on Cartoon Network’s Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd. He is the grand-nephew of the late jazz pianist Alice Coltrane, and her husband saxophonist John Coltrane. He is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross’s “Love Hangover” and Freda Payne’s “I Get High (On Your Memory)”, and is Alice Coltrane’s sister. McLeod has been called by one writer “the biggest influence on Ellison’s music”. Ellison attended LA’s Film School and Academy of Art University.]

[Flying Lotus in 3D with Seven Davis Jr and PBDY play the Arvest Bank Theatre at The Midland, 1228 Main Street, KCMO, TOMORROW NIGHT, Thursday, November 16, at 8:00 PM]

4. Angel Olson – “Only With You”
from: Phases / Jagjaguwar/ November 10, 2017
[Phases is a compilation or rare tracks, studio outtakes, studio tracks showing the range of Angel Olsen’s young career and evolution. Singer songwriter and musician Angel Olsen was born January 22, 1987 and grew up in St. Louis, Missouri. She currently lives in Asheville, North Carolina.She has recorded and toured as a backing singer with Bonnie “Prince” Billy and the Cairo Gang, before embarking on her own career. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago. After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on 17 February 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016.]

5. Victor & Penny – “Wake Up Early”
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new release, with a full band show, Wed, Nov. 15, at 7:00pm, at recordBar, 1520 Grand. Info at: http://www.victorandpenny.com and http://www.therecordbar.com]

10:17 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny. The duo were honored to represent Kansas City at a New York City press event as part the America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.” Victor & Penny have also performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s 2016 EDC Awards Luncheon, KC Union Station’s Centennial Celebration, and KC Mayor, Sly James’ 2015 State of the City Address.V&P are a four-time Official Showcase Artist for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last five years. In 2016 V&P released their 4th album, ‘Electricity.’ and after recently getting married, and traveling to Europe and Spain, Victor & Penny are back and are releasing their first ever vinyl 7-inch vinyl single though EAT.HEAR.RECORDS.

Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new 7″ vinyl release, with a full band show, TONIGHT (Wed, Nov. 15), at 7:00pm, at recordBar, 1520 Grand

Jeff Freling and Erin McGrane recently returned from Europe and Spain from their honeymoon. Two of the hardest working people in show business, they are performing at recordBar in celebration of your new single.

Celebrating the simultaneous launch of EAT. HEAR. RECORDS and the first release on the new label, Victor & Penny and their Loose Change Orchestra will play a full band show at the Record Bar, home of the new label.

The 7”/ 45rpm vinyl record by Victor & Penny offers a new sonic landscape from the band as they have expanded to include drums with local jazz drummer, Brian Steever. Mr. Steever will join the band for a portion of the special concert.

The Loose Change Orchestra with James Isaac on clarinet, soprano saxophone and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist.

EAT.HEAR.RECORDS. was created by Steve Tulipana and the team at recordBar.

Copies of the record will be available for purchase at the show. The songs will also be available digitally. Each quality vinyl record is highly collectible as only 500 copies will be pressed and no re-pressing will be offered. The limited run will be numbered and signed. EAT. HEAR. RECORDS plans to release a different artist each quarter on limited edition collectible vinyl.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Ms. McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter. The duo was married in May 2017 and recently returned from an extended overseas honeymoon in Spain and Portugal (Oct. 2017).

Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new 7″ vinyl release, with a full band show, TONIGHT (Wed, Nov. 15), at 7:00pm, at recordBar, 1520 Grand

10:30

6. Victor & Penny – “She Say She Knows”
from: She Say She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their new release, with a full band show, Wed, Nov. 15, at 7:00pm, at recordBar, 1520 Grand. Info at: http://www.victorandpenny.com and http://www.therecordbar.com]

10:34 – Underwriting

Marco Pascolini, Jeff Freling, Erin McGrane, and Kasey Rausch on the November 15, 2017 edition of Wednesday MidDay Medley.

7. The Country Duo – “The Crumbling Of My Heart”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

10:40 – Interview with Kasey Rausch and Marco Pasolini

Kasey Rausch is one of the first musicians to play live on Wednesday MidDay Medley. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas , and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM.

Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleave designs including the new Victor & Penny 7″ Single. On electric guitar and pedal steel he plays and tours with Kasey Rausch as The Country Duo.

The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

Bluegrass Goes Country w/ The Country Duo Benefit for Harvesters, Sunday, November 26 at 3 PM, at the Stockyards Brewing Co. 1600 Genessee St Ste 100, KCMO

After just a year of working together as a duo, 2016 found the two playing in Nashville at the Station Inn, recording at the legendary Sun Studio in Memphis, TN as well as being invited by Sun Studio to film the PBS Sun Studio Sessions. Airing on PBS stationsy.

The Country Duo

Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO

A passion for good ol’ country music, you’ll hear them play Rausch’s original tunes as well as the classics from Patsy to Merle, Gram to Emmylou

The Country Duo recently played Apocalypse Meow 10, November 3, at 7:00 PM, at Mills Record Company, w/ The Country Duo, Bohemian Cult Revival, and Headlight Rivals

The Country Duo is KC’s Kasey Rausch and Marco Pascolini. Armed with acoustic and electric guitars, a pedal steel, and a passion for good ol’ country music, you’ll hear them play Rausch’s original tunes as well as the classics from Patsy to Merle, Gram to Emmylou.

Kasey Rausch is co-producer of River Trade Radio

Marco Pascolini is a guitar legend be it an electric guitar or a pedal steel in his hands.

The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

10:56

8. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

11:00 – Station ID

9. Truck Stop Love – “Tommy”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, (Jim Crego on vocals & guitar.) Twenty-five years ago Truck Stop Love made their first recordings. These previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly and vinyl-only liner notes from Edward Skoog.]

[Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

11:04 – Interview with members of Truck Stop Love

Band Members:
Rich Yarges – vocals, guitar
Jim Crego – vocals, guitar
Matt Mozier – vocals, guitar
Brad Huhmann – vocals, bass
Eric Melin – on drums

Twenty-five years ago Truck Stop Love released their first recording – a cassette recorded by the band in the back room of Vital Vinyl, a local record store in Manhattan, Kansas. This weekend, the band will release three of those songs, plus 8 more previously unreleased demo tracks and never-before-heard recordings, on vinyl LP through Kansas City coop record label Black Site. Can’t Hear It: 1991-1994 captures the band’s Midwest rock twang at its most formative, and made Truck Stop Love the first-ever Manhattan-based band to sign to a major label , get featured on MTV, in Seventeen magazine, and tour nationally. Guitarist & vocalist Rich Yarges and drummer Eric Melin formed the band in 1990. Guitarist & vocalist Matt Mozier and bassist & vocalist Brad Huhmann joined Truck Stop Love in 1991. Jim Crego came on board a few years later. Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.

Joining us on in the studio are band members: Matt Mozier & Brad Huhmann
Joining us on the phone are: Rich Yarges & Jim Crego

From press materials from Black Site Records:

One of the key bands in the early 90s Midwest underground rock scene, Truck Stop Love made Midwestern country-fuzz pop/rock and played it loud

1991 to 1994 was the key formative period for Truck Stop Love. Those years were likely even more successful for bar owners and liquor stores across the United States. When the band wasn’t out playing their music from town to town, they were writing and recording it — or “drinking,” as other people might call it.

In the beginning, the band would record anywhere someone would allow them to set up their 4-track reel-to-reel machine.

Later, they would favor Red House Recording in Lawrence, Kansas and its engineer Ed Rose. During the time leading up to their 1995 release, How I Spent My Summer Vacation, they would write and record some 50 songs, most under the mind-freeing influence of Old Crow and Schaefer’s beer. From the stoney drone of “Townie” to the frenetic blast of “How I Spent My Summer Vacation” to the head-slamming psych-pop of “You Keep Searchin’,” Can’t Hear It: 1991-1994 is Truck Stop Love at its wildest, sweatiest, beer-soaked best.

To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly, Can’t Hear It:1991-1994 not only sounds good, it looks good too!

The album will be available Nov. 18 at area record stores. More info at http://www.black-site.org

To celebrate the release of the record, Truck Stop Love will play three reunion shows – their first in 13 years – November 16-18, 2017 in Manhattan, Kansas City, and Lawrence.

Thurs. Nov. 16 – Auntie Mae’s Parlor, Manhattan, KS – w/Red Kate and Chris Tolle

Fri. Nov. 17 – recordBar, Kansas City, MO – w/The Pedaljets, Red Kate, and Chris Tolle

Sat. Nov. 18 – The Bottleneck, Lawrence, KS – w/Red Kate and The Headlight Rivals

TRUCK STOP LOVE IS THREE F@#%ING WORDS

The early ’90s were a huge time for underground rock and roll. Everybody knows about “grunge” and the Seattle music explosion, but another movement was bubbling up around the same time in the Midwest, and it has proven to be just as influential on today’s music scene, if far less hyped.

Call it “No Depression”, Americana, Alt/Country, or whatever, but bands like Minneapolis’ The Jayhawks, St. Louis’ Uncle Tupelo, and other, smaller bands paved the way for artists like Ryan Adams and (insert hot-shit new country rock band here) to incorporate a little local twang into their punk rock ethos.

Long before it was cool to wear a trucker hat, a little band from Manhattan, Kan. called Truck Stop Love stopped drinking long enough (well, not really stopped) to record a 1993 self-titled EP and a 1995 full-length that, courtesy Los Angeles’ Scotti Bros/Backyard Records, slowly crept its way across the plains and into the stereos of America. And then those albums were played loud.

Guitarist/vocalist Rich Yarges and drummer Eric Melin formed the band in 1990, but it wasn’t until guitarist/vocalist Matt Mozier and bassist/vocalist Brad Huhmann joined Truck Stop Love in 1991, that the band solidified their aggressive, fuzzed-out rock sound. In the back room of a record store in Manhattan, TSL recorded a demo tape (yes, people used cassettes back then) that won them a spot in MTV’s national band competition, “Dodge’s Rockin’ Campus Bash.” A smashed guitar, a flat tire, and a many big hangovers followed.

Another well-received demo, recorded at Red House in Lawrence, garnered the attention of the College Music Journal, which gave it a glowing spotlight review that sent labels scurrying to the unlikely locale of Manhattan.

Ignoring the advice of their lawyer, Truck Stop Love signed with Scotti Brothers Records, a label best known for “Weird Al” Yankovic and Survivor. “We thought it would be a good idea because we heard they were run by the mob,” Melin explains. Truck Stop Love’s self-titled debut EP contains some of their best-loved tunes, including “Stagnation,” “River Mountain Love,” and “Townie.” The band hit the road hard after that in Hi-Tone, their 1954 Chevy school bus. The gas mileage was horrible, but it looked cool and it was big, allowing the members to be apart from each other whenever fights would break out.

The group covered “Listen To Her Heart” for You Got Lucky – A Tribute To Tom Petty and participated in the sold-out “Lucky” tribute concert at the House Of Blues in Los Angeles in January of 1995. The show was later seen by more than 3 million music fans when it aired on ABC’s late-night music show “In Concert.”

How I Spent My Summer Vacation is the album that defines Truck Stop Love for many in the Midwestern music scene. Produced at Memphis’ legendary Ardent Studios by Big Star drummer Jody Stephens and Jeff Powell (Afghan Whigs, Primal Scream), the album is a dizzying mix of TSL’s wide influences. Drenched with loud guitars and a twist of country, the album features a dozen songs that range from the subtle country yearnings of “Whiskey Waltz,” to the catchy hooks of “Other Stars,” and the in-your-face fury of “You Owe.” The raw emotions of small-town boredom and angst are evident on hard-rocking tracks like “Bitter Boy,” “Benny” and the title cut “How I Spent My Summer Vacation.” Rounding out the record are the bittersweet “Carolina’s Eyes,” and a hidden, thirteenth track – an acoustic duet between Stephens and guitarist/vocalist Mozier.

A great sounding record and an expensive video weren’t enough for the label to push four unpolished Kansas scrubs into the national spotlight, and, despite college radio airplay and the support of commercial Lawrence giant, KLZR (R.I.P.), the album didn’t catch on with the pre-TRL crowd. After a typical drunken fight (“Beatles or Stones?”) between band members escalated into a wrestling match on a concrete back porch, Mozier left the band, and the remaining members soldiered on.

Mozier’s replacement was Jim Crego, formerly of the Minneapolis powerhouse God’s Favorite Band. Truck Stop Love’s new focus was on a tighter, more focused pop sensibility. Crego brought his melodic chops into play immediately as the band recorded a split 7-inch with Lawrence rockers Action Man, and three tracks for various compilation CDs. More touring, more drinking, and a new demo with Ed Rose at Red House came next. The new material was some of the best stuff TSL had recorded, but Scotti Brothers’ experiment in the post-Nirvana alternative explosion had ended, and so had the band.

Aside from a string of three notoriously rowdy reunion gigs in 2004, it would seem the band had finally called it quits. But early in 2017, possibly after a few too many (no one will admit, or can remember), the band felt it was finally time to get the their material online for the next generation to hear (and before their generation’s CD players all stopped working). Not interested in angering their former mafia bosses, they decided to focus on the 50+ songs they had recorded themselves. Resurrecting those tunes from hibernation, however, would require special skills and high technology. Fortunately, longtime friend of the band, Kliph Scurlock, had both the skills AND the technology needed to remaster the songs back to life.

When Huhmann’s former band mates in Red Kate, founders of the Black Site record label cooperative, got wind of what Truck Stop Love was up to, they knew they had to put out a record. They were struck by the urgency and intensity of the recordings, especially in this age of over-produced, digitally perfect “rock.” After a couple beers and repeated assurances that Black Site was not in any way “connected,” Truck Stop Love’s second full-length LP, Can’t Hear It: 1991-1994, was born. From the stoney drone of “Townie” to the frenetic blast of “How I Spent My Summer Vacation” to the headslamming psych-pop of “You Keep Searchin’,” this is Truck Stop Love at its wildest, sweatiest, beer-soaked best.

Rich Yarges, Matt Mozier, Brad Huhmann and Jim Credo thanks for being on WMM

To celebrate the release of the record, Can’t Hear It: 1991-1994, on Black Site Records, Truck Stop Love will play three reunion shows – their first in 13 years – November 16-18, 2017 in Manhattan, Kansas City, and Lawrence.

Thurs. Nov. 16 – Auntie Mae’s Parlor, Manhattan, KS – w/Red Kate and Chris Tolle
Fri. Nov. 17 – recordBar, Kansas City, MO – w/The Pedaljets, Red Kate, and Chris Tolle
Sat. Nov. 18 – The Bottleneck, Lawrence, KS – w/Red Kate and The Headlight Rivals

11:22

10. Truck Stop Love – “Townie”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, (Jim Crego on vocals & guitar). Twenty-five years ago Truck Stop Love made their first recordings. These previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist and sound engineer Kliph Scurlock remastered the songs from the original analog and digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers. With art and design from Commercial Artisan’s Jon Sholly and vinyl-only liner notes from Edward Skoog.]

[Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

11. JohnnySuperColossal – “She Culture”
from: Doors in the Wall / HearYou Music / October 27, 2017
[JohnnySuperColossal is the musical project of KC based Shawn Stewart who is originally from Chicago.]

11:32 – Underwriting

12. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

11:36 – Interview with Chase the Horseman

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

The song “RIPchord” is the first single released by Chase the Horseman from a new recording project he has been working on for this year.

Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox.

Chase the Horseman just returned from Mexico City where he attended the premiere of a new film project where he composed music for the score of the film series.

Chase the Horseman lists his influences as: Brian Eno, St. Vincent, A Tribe Called Quest, Grizzly Bear, Feist, and James Blake.

In February Chase released a digital album of 16 songs called Covers & Others, with for ACLU.

Last time Chase was on the radio show, he brought KD Kuro aka Kwame Boateng who he helped to produce his solo album. Earlier Chase was on the show with Teri Ann Quinn who he helped in her debut EP recording of Moons and Meltdowns, as producer, engineer, performer.

Chase also perform at Middle of The Map Fest a few years ago with Heidi Lynne Gluck at our Wednesday Midday Medley Day Party. A lot of Chase’s work is in collaboration with other artists.

More info: chasethehorseman.bandcamp.com

Bandography:
The Cherry Tree Parade – writer, performer 2007-2008 – Self Titled E.P. 2009
*The Low End – performer, producer, mixer, engineer 2009-2010 – House Fire E.P. 2009
Lower 48 Single 2010
*The Heat Index – producer, engineer, mixer 2010 – Horsehead E.P. 2010
*The Vowels – mixer/performer 2011 – Alligator Pear L.P. 2011
*Fake Natives – producer, performer, mixer, engineer 2011 – Self Titled L.P. 2011
*Towers – writer, performer, engineer, mixer, producer 2010-Present – For Whatever We Were & What Will Never Be L.P. 2012
*Clairaudients – guitar, keyboards, aux-percussion, vocals, writer 2013-
*Teri Quinn – Producer, engineer, performer – Moons and Meltdowns E.P. 2016
*Narkalark – Producer/Engineer – Narkalark Ep II released November 18, 2016
*Molly McGlaughlin – Producer/Engineer – A Beautiful Dying 2017

11:49

13. Chase The Horseman– “Theme”
from:Theme / Chase the Horseman / unreleased
[Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

14. Cris Williamson – “I Never Meant To Hurt You”
from: Motherland / Wold Moon Records / November 14, 2017
[30 release from Cris Williamson. Written by Laura Nyro. Cris Williamson is an American feminist singer-songwriter, who achieved fame as a recording artist, and who was a pioneer as a visible lesbian political activist, during a time when few who were not connected to the Lesbian community were aware of Gay and Lesbian issues. Williamson’s music and insight has served as a catalyst for change in the creation of women-owned record companies in the 1970s. Using her musical talents, networking with other lesbian artists of musical quality, and her willingness to represent those who did not yet feel safe in speaking for themselves, Williamson is remembered by many in the LGBT community for her contributions, both artistically, and politically, and continues to be a role model for a younger generation hoping to address concerns and obtain recognition for achievements specific to people who have historically been ignored. Williamson was born in 1947 in Deadwood, South Dakota, although her family moved to Colorado and Wyoming when she was still young. Her musical idol at the time was Judy Collins, and Williamson developed a musical style and sound that was similar to that of Collins. She released her first album, The Artistry of Cris Williamson in 1964, when she was sixteen. She became a local musical sensation in Sheridan, Wyoming, releasing two following LPs afterward. Williamson graduated from the University of Denver. She supported herself initially as a schoolteacher, while at the same time collaborating with other women who were also singer-songwriters and performing artists, and began to network with Holly Near, Meg Christian, and Margie Adam, all musicians who became women artists of stature, forming an entirely new genre of music, primarily about and for women. During a radio interview in Washington, D.C. in 1973, Williamson suggested that a record label aimed at gay women would be a good idea. The independent label Olivia Records was founded the next day. Olivia Records released Williamson’s The Changer and the Changed (1975), which became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies, which would make it a gold album, although it has not been certified as such by the RIAA. (That does not disprove the sales estimate, however. Albums are not certified automatically; a record company must request certification and pay for an audit.)” Williamson went on to record more than a dozen more albums with Olivia Records, then after its demise formed her own label, Wolf Moon Records. This helped to set the pace for other recording artists who found it difficult to work with the major record labels.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 22, we play our Top Ten Favorite Singles of 2017. In our second hour Michelle Bacon joins us with het Top Ten Favorite releases of 2017.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #708

Wednesday MidDay Medley presents: Victor & Penny + The Country Duo + Truck Stop Love + Chase The Horseman

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 15, 2017

Victor & Penny + The Country Duo
+ Truck Stop Love + Chase the Horsema
n

Mark plays New & MidCoastal Releases from Truck Stop Love, The Country Duo, Victor & Penny, Chase The Horseman, Flying Lotus, Lucas Oswald, JohnnySuperColossal, The Old Son, Angel Olson, and Cris Williamson.

Victor & Penny

At 10:15 Victor & Penny, aka Jeff Freling & Erin McGrane, join us to share music from their first vinyl release on the new EAT.HEAR.RECORDS. The vinyl-only label was started by Steve Tulipana and the team at recordBar. The release features two new songs recorded by Duane Trower at Weights & Measures Soundlab. Victor & Penny and their Loose Change Orchestra with special guest Brian Steever celebrate the launch of EAT. HEAR. RECORDS and their inaugural release, with a full band show, Wednesday, November 15, at 7:00pm, at recordBar, 1520 Grand. More info at: http://www.victorandpenny.com and http://www.therecordbar.com

The Country Duo

At 10:35, The Country Duo joins us LIVE in our 90.1 FM Studios to share songs from their debut EP, Live At Sun Studio, released September 1, 2017. The Country duo is: Kasey Rausch on vocals & acoustic guitar and Marco Pascolini on on pedal steel & baritone guitars. They recorded their EP at Sun Studio, in Memphis, Tennessee for the PBS television program, Sun Studio Sessions. The Country Duo play “Tonights the Night 2017 – The Music of Neil Young,” Wednesday, November 22 at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO with KC Bankroll, Broken Arrows, Volker brothers, Scott Stanton & Friends, Two Headed Cow, and Neal Wolahan & Friends. This is a benefit for 90.1 FM KKFI.

At 11:00 Mark welcomes members of Truck Stop Love who 25 years ago released their first recording – a cassette recorded by the band in the back room of a record store in Manhattan, Kansas. The week the band is releasing three of those songs, plus 8 more previously unreleased demo tracks and never-before-heard recordings on vinyl LP through the KC coop record label, Black Site. Guitarist & vocalist Rich Yarges and drummer Eric Melin formed the band in 1990. Guitarist & vocalist Matt Mozier and bassist & vocalist Brad Huhmann joined Truck Stop Love in 1991. Jim Crego came on board a few years later. Truck Stop Love play an Album Release Show and Reunion, (their first in 13 years), Friday, November 17 at recordBar with Pedaljets, Red Kate and Chris Tolle. More information at: http://www.black-site.org.

Chase The Horseman

At 11:30 Kansas City based Chase The Horseman joins us to share his latest single release, “RIPchord,” produced by Joel Nanos & Chase The Horseman at Element Recording with Fritz Hutchinson and Heidi Lynne Gluck. Chase The Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician and/or producer has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more. More info at http://www.chasethehorseman.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #708

WMM Playlist from August 7, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 7, 2013

Marion Merritt’s Musical Discoveries + Carsie Blanton

Guest producer Marion Merritt joined us to share information from her musically-encyclopedic-brain. Marion Merritt is the co-creator of the blog: a2-m3.com providing info about: Music, Film, Art, Books, TV, Technology, with links, downloads, and articles.

1. Dimitri From Paris – “Prologue”

2. Matias Aguayo – “Una Fiesta Diferente”
from: The Visitor / Comeme Records / June 24, 2013
[3rd album from DJ Matias Aguayo is inspired from his years of touring and creates internationally flavored sounds, implementing his voice and using percussion, performing live with “the district union” a band that provides a powerful rhythm section.]

3. Matias Aguayo – “Rollerskate”
from: Rollerskate – Single / Kompakt Records / October 5, 2009

10:16

4. T-Model Ford – “Ask Her for Water”
from: Bad Man / Big Legal Mess Publishing / September 10, 2010

5. T-Model Ford – “Bad Man”
from: Bad Man / Big Legal Mess Publishing / September 10, 2010
[James Lewis Carter Ford (c.early 1920s – July 16, 2013). An American blues musician, using the name T-Model Ford, he was nable to remember his exact date of birth, he began his musical career in his early 70s, and recorded for the Fat Possum label, then switched to Alive Naturalsound Records. His musical style combined the rawness of Delta blues with Chicago blues & juke joint blues styles. According to records, Ford’s year of birth was between 1921 – 1925, though his record company gave his age as 94, suggesting a birth in 1918 – 1919. Starting with an abusive father who had permanently injured him at eleven, Ford lived his entire life in a distressed and violent environment, towards which he was quite indifferent. Ford, an illiterate, worked in various blue collar jobs as early as his preteen years, such as plowing fields, working at a sawmill, and later in life becoming a lumber company foreman and then a truck driver. At this time, Ford was sentenced to ten years on a chain gang for murder. Allegedly, Ford was able to reduce his sentence to two years. He spent many of his years following his release in conflicts with law enforcement. Ford lived in Greenville, Mississippi and for a time wrote an advice column for Arthur magazine. Reportedly, he had twenty six children. According to music writer Will Hodgkinson, who met and interviewed Ford for his book Guitar Man, Ford took up the guitar when his fifth wife left him and gave him a guitar as a leaving present. Ford trained himself without being able to read music or guitar tabs. Hodgkinson observed that Ford could not explain his technique. He simply worked out a way of playing that sounded like the guitarists he admired — Muddy Waters and Howlin’ Wolf. Ford toured juke joints and other venues, for a while opening for Buddy Guy. In 1995, he was discovered by Matthew Johnson of Fat Possum Records, under which he released five albums from 1997 to 2008

10:22 – Underwriting

10:24

6. Anna von Hausswolff – “Mountains Crave”
from: Ceremony / Other Music Recording / July 9, 2013
[2nd album from Gothenburg, Sweden, based musician Anna Michaela Ebba Electra von Hausswolff (born Sept. 6, 1986). A singer, pianist, songwriter. She released her debut single, “Track of Time”, Feb. 5, 2010, followed by her critically acclaimed debut album Singing from the Grave. In March 2010 she toured Brazil with Taken by Trees. In 2011 she opened for Lykke Li and also for M.Ward. Hausswolff is noted for her expressive voice and her live performances, and is sometimes compared to Kate Bush. Hausswolff used to be a student of architecture at Chalmers University of Technology. She is the daughter of sound artist Carl Michael von Hausswolff.]

7. David Lynch & Lykke Li – “I’m Waiting Here (Bonus Track)”
from: The Big Dream / Sacred Bones / July 2, 2013
[2nd album from David Keith Lynch (born January 20, 1946). An American filmmaker, television director, visual artist, musician and occasional actor, Lynch is known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed “Lynchian”, a style characterized by its dream imagery and meticulous sound design. Born to a middle-class family in Missoula, Montana, Lynch spent his childhood traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was critically acclaimed. Next, Lynch created his own television series with Mark Frost, the highly popular murder mystery Twin Peaks (1990–1991); he also created a cinematic prequel, Twin Peaks: Fire Walk with Me (1992), a road movie, Wild at Heart (1990), and a family film, The Straight Story (1999), in the same period. Turning further towards surrealist filmmaking, three of his subsequent films operated on “dream logic”, non-linear narrative structures: Lost Highway (1997), Mulholland Drive (2001) and Inland Empire (2006). Meanwhile, Lynch embraced the internet as a medium, producing several web-based shows, such as the animation Dumbland (2002) and the surreal sitcom Rabbits (2002). Allmovie called him “the Renaissance man of modern American filmmaking”, while the success of his films has led to him being labelled “the first popular Surrealist.]

10:40

8. The Three O’Clock – “Jet Fighter”
from: The Hidden World Revealed / Omnivore Records / June 25, 2013
[Alternative rock group associated with the Los Angeles 1980s Paisley Underground scene. Lead singer and bassist Michael Quercio is credited with coining the term “Paisley Underground” to describe a subset of the 1980s L.A. music scene which included bands such as Dream Syndicate, Rain Parade, Green on Red, and the Bangles. After 25 years of turning down reunion offers, The Three O’Clock finally reformed after being presented with a chance to play at the 2013 Coachella festival. Three quarters of the “Classic” line-up, Michael Quercio (vocals/bass), Louis Gutierrez (guitars) & Danny Benair (drums) – were joined by new recruit Adam Merrin (keyboards). The group played both weekends of the Coachella festival, and also played on Conan on April 10, 2013. They later embarked on a mini-tour, and released several archival recordings that same year. The final show was at Fingerprints record store in Long Beach California on June 24, 2013.]

9. The Three O’Clock – “In My Own Time (Alternate Version)”
from: The Hidden World Revealed / Omnivore Records / June 25, 2013

10:47

10. Charlie Boyer and the Voyeurs – “I Watch You”
from: I Watch You – Single / Heavenly Records / October 15, 2012
[The Voyeurs are led by Charlie Boyer with Sam Davies, Samir Eskanda, Danny Stead and Ross Kristian completing the line-up. Produced and engineered by Edwyn Collins & Sebastian Lewsley. Recorded at West Heath Studios, London on the 12th and 13th of September 2012. charlieboyerandthevoyeurs.bandcamp.com]

11. Irma Thomas – “We Wont Be In Your Way Anymore”
from: In Between Tears (Remastered) / Alive Natural Sounds / 2013
[Original 1973] [born February 18, 1941, Ponchatoula, Louisiana, United States) is an American singer from New Orleans. She is known as the “Soul Queen of New Orleans”. Thomas is a contemporary of Aretha Franklin and Etta James, but never experienced their level of commercial success. In 2007, she won the Grammy Award for Best Contemporary Blues Album for After the Rain, her first Grammy in a career spanning over 50 years. Born Irma Lee, as a teen she sang with a Baptist church choir, auditioning for Specialty Records as a 13-year old. By the age of 19 she had been married twice and had four children. Keeping her second ex-husband’s surname, she worked as a waitress in New Orleans, occasionally singing with bandleader Tommy Ridgley, who helped her land a record deal with the local Ron label. Her first single, “(You Can Have My Husband but) Don’t Mess with My Man,” was released in spring 1960, and reached number 22 on the Billboard R&B chart.]

12. Irma Thomas – “In Between Tears”
from: In Between Tears (Remastered) / Alive Natural Sounds / 2013
[Original 1973]

11:00 – Station ID

13. Miles Davis – “Mademoiselle Mabry”
from: The Complete In A Silent Way Sessions / Sony / September 11, 2001

11:18 – Underwriting

14. Carsie Blanton – “Smoke Alarm”
from: Idiot Heart / Self Released / 2012

11:16 – Interview with Carsie Blanton

Kasey Rausch, Carsie Blanton, Mikal Shapiro, and Kaya Rausch-Santee

Kasey Rausch, Carsie Blanton, Mikal Shapiro, and Kaya Rausch-Santee

Carsie Blanton is a singer/songwriter based in New Orleans and Philadelphia. She plays classic American pop music. She’s toured with Paul Simon, the Wood Brothers, the Weepies, Shawn Colvin, Joan Osbourne, and Loudon Wainright III. Carsie Blanton plays Kansas City for the Mama Ra Haus Concert, hosted Mikal Shapiro and Kasey Rausch, TONIGHT, Wednesday, August 7, 6:00 pm – 10:00 pm, at 632 W. 39th Terrace, KCMO 64111. Alexandra Fetterman kicks off the music with a short opening set at 7:00 pm. Also joining us was the amazing Kasey Rausch and Mikal Shapiro.

Carsie’s song “Smoke Alarm” features the festive and rich musical culture of New Orleans. Carsie is originally from the Shenandoah Valley of Virginia, but New Orleans is a big influence on her music.

Carsie’s writes in her bio… “I didn’t go to school when I was a kid. Instead I ran around the farm and hunted salamanders and read books. I was raised on folk music by a house full of crazy people. When I was a teenager, I discovered Billie Holiday and Nina Simone, and I learned all of their songs. At sixteen, I moved away from home to join an artist colony in Oregon, where I learned to hitchhike and dumpster dive, and sang backups in a funk band. Then I moved to San Francisco, and then Philadelphia, and now I live in New Orleans, which is the most magical city in the world.”

Besides her music, Carsie also write a blog about sex: brighterthanabuoy.blogspot.com

Carsie writes: “Love is hard. Sex is fun. Life is messy. We’re all going to die. Our hearts are idiots, our wills are weak, we’re bumbling around fucking the wrong people and falling in love for the wrong reasons and pretending like we have all the time in the world to figure it out. My aim is to write songs that make you stop pretending, even if only for an instant. I want to wake you up to your brief, idiotic, miraculous life.”

Along with just releasing a new music video for her song “Smoke Alarm” and embarking on a new solo tour across the country, Carsie has also just launched a new Kickstarter campaign to raise funds to produce her new project: ‘Jazz Is for Everybody.’

You can learn more about Carsie Blanton at: carsieblanton.com.

15. Carsie Blanton – “Crazy He Calls Me” (LIVE)
a song Carsie is developing for her new “Jazz is For Everybody” project.

Carsie released Rude Remarks & Dirty Jokes, a 3-song EP, April 23, produced by Oliver Wood (The Wood Brothers). Carsie writes, “The 1st song is about a girl who killed her ex because he was an ass. The 2nd song is about somebody who accidentally falls in love with everyone she sleeps with. The 3rd song is about how people oughtta have a little backbone and say what they mean. The songs are about me, minus some details.”

Kasey Rausch and Mikal Shapiro are two KC based singer, songwriters, who perform together as Partners in Glory. Their longtime friendship also includes presenting House Concerts in Midtown backyards.

Mikal Shapiro

Mikal Shapiro

David Regnier

David Regnier

Mikal Shapiro is one of Kansas City’s true renaissance women, successfully working in film, music, performance, journalism, art, curating, puppetry, songwriting.

Carsie is playing a lot of House Concerts on this current tour, she spoke to our radio audience about playing a club, or hall, in comparison to playing a “House Concert.”

16. Carsie Blanton – “Chicken” (LIVE)
also available on: Idiot Heart / Self Released / 2012

Kasey Rausch & Friends play the Winfield Warm Up! Sunday, August 18, 2013
at 2:00pm to 10:00pm ay IBEW Local 124, 301 E 103rd Terr, KCMO a benefit for KKFI

Carsie Blanton plays Kansas City for the Mama Ra Haus Concert, hosted Mikal Shapiro and Kasey Rausch, Wednesday, August 7, 6:00 pm – 10:00 pm, at 632 W. 39th Terrace, KCMO 64111. Alexandra Fetterman kicks off the music w/ a short opening set at 7:00 pm. You can learn more about Carsie Blanton at: carsieblanton.com.

11:42

17. Carsie Blanton – “Together Too Long”
from: Idiot Heart / Self Released / 2012

11:45

18. Devo – “Auto Modown”
from: Hardcore, Vol. 1 / Devo Inc. / June 25, 2013

19. Devo – “Space Girl Blues”
from: Hardcore, Vol. 1 / Devo Inc. / June 25, 2013
[Hardcore documents DEVO’s beginning as pre-punk outcasts in the fertile Akron, Ohio underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with a radical philosophy of de-evolution. Brothers Mothersbaugh (Mark and Bob) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped-up an otherworldly brand of “devolved blues” that could hold its own alongside the beatnik groove of 15-60-75 (aka The Numbers Band) or the primal rock poetry of the Bizarros. Recorded on various 4-track machines and in tiny studios, basements, and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock n’ roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera, and DEVO’s long-running topic of choice: sex, or lack thereof.]

11:52

20. White Fence – “Chairs in The Dark”
from: Cyclops Reap / Castle Face Records / April 9, 2013

21. White Fence – “Mr. Adams”
from: White Fence / Woodsist / March 16, 2019

11:59:30

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #485

WMM Playlist from Jan. 2, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 2, 2013

The Rausch Haus Radio Show

Special Guest Producers & Guest Co-Hosts: Kasey Rausch & Kim Rausch McLaws

10:01 – Kasey & Kim talked about the Ford / Felts / Rausch / Delp Families

On their Mother’s Side

Great-Grandpa Riley Ford – He played the fiddle. He played at Parkville and Platte County barn dances regularly. Kasey now plays his 100+ year old fiddle.

Grandma Waunita Ford Felts (Riley’s daughter) – She played the piano & organ. She played at the USO dances, during the war.

Grandpa Ed Felts (Husband of Waunita) – He played the trombone. He played in his high school and in the US Army Band.

On their Father’s Side

Great-Grandpa Arley Delp – He played the banjo, and his sisters played guitar.

Grandma Vernice Delp Rausch (Arley’s daughter) – She played the trombone, piano, ukulele, and auto harp. She was a vocalist who led the chorus group, The Momettes.

10:10 – Music by Vernice Delp Rausch

1. Momettes – “Candy Man”
from: Home Recording on Cassette / Momettes with St. James Lutheran Choir / May 17, 1975

10:13 – Kasey & Kim talked about Grandpa Dean Rausch

2. Dean Rausch – “Dark Eyes”
from: Home Recording on Cassette
[Old Russian melody made popular in English speaking world by big band arrangements in the 1940s. Thank you to Gib Shell for information.]

3. Dean Rausch – “Dancing” (Unknown Title)
from: Home Recording on Cassette

4. Dean Rausch – “Malaguena”
from: Home Recording on Cassette
[Written by Ernesto Lecuona. Recorded by Chet Atkins in 1956. Thank you to Gib Shell for information.]

10:20 – Kasey & Kim talked about mountain dulcimers, building with Pop

5. Dean & Brad Rausch – “Unknown title”
from: Home Cassette Recordings / Jan. 1, 1983
[Dean Rausch on mountain dulcimer & Brad Rausch on mandolin]

10:24 – Underwriting

10:25 –Kasey & Kim talked about the 70’s & 80’s Rausch Haus

6. Dean Rausch – “My Mama Was a Cotton Picker”
from: Terry’s Home Recording on Cassette / Feb. 2, 1974
[Featuring Lou Botteberg on mandolin]

10:29 – Kasey & Kim talked about the Seven Rausch Sons of Dean and Vernice (This is Kim & Kasey’s Father’s generation)

7. Terry Rausch, Brad Rausch, Ronnie Abner – “Some of Shelley’s Blues”
from: Terry’s Home Recording on Cassette

8. Terry Rausch, Brad Rausch, Ronnie Abner – “Helplessly Hoping”
from: Terry’s Home Recording on Cassette

10:38 – Kasey & Kim & Dean talked about Greg Rausch, (Kim & Kasey’s Dad)

9. Greg Rausch – “Give Me All Your Money, Honey”
from: Home Recording on Cassette

10:41 – Kasey & Kim Introduced their Uncle Kent Rausch

10. Kent Rausch – “I’ve Known You for a Couple Months”
from: Home Recordings on Cassette

11. Kent Rausch – “Humphrey’s Access”
from: New recording from Kent who wrote and recorded all tracks

10:51 – Kasey & Kim talked about Rausch Bros & Winfield family, and Uncle Larry Ford & Uncle Terry Rausch

12. Bottom Dollar Band (w/Larry Ford & Terry Rausch) – “Truck Drivin’ Man”
from: The Bottom Dollar Band / Independent

11:00 – Station Identification

11:00 – Kasey & Kim talked about their mom, Linda Felts Rausch

13. Linda Rausch (with Kim & Kasey Rausch) – “Banks of the Ohio”
from: Home Recordings on iPhone

11:04 – Kasey & Kim talked about their Cousins

Austin Rausch – Mizzou Graduate/Marching band. Now Director at North Callaway HS Band in Kingdom City, MO. Student taught w/ Kent Rausch. Plays in Columbia Community Band.

Jarret Rausch – 13 years old – trombone – all star band (regionals), piano.

11:08 – Music by Kim & Kasey Rausch (Greg’s daughters)

15. Kim & Kasey Rausch – “Sweet Potatoes” (LIVE)

16. Kim & Kasey Rausch – “After You’ve Gone” (LIVE)

11:15 – Kasey & Kim introduced cousins Collin & Kyle Rausch (Kent’s sons), who play in the bands: Abracadabras, Shy Boys, and The ACB’s.

17. Shy Boys (Collin & Kyle Rausch, Konnor Ervin) – “Trim” (LIVE)

18. Shy Boys (Collin & Kyle Rausch, Konnor Ervin) – “Postcardd” (LIVE)

11:30 – Underwriting

11:32 – Kasey & Kim introduced cousin Ethan Ridings

19. Ethan Ridings – “All Along The Watchtower” (LIVE)

20. Ethan Ridings & Kasey Rausch – “103” (LIVE)

11:41 – Kim introduced her daughter, Natalie McLaws

21. Natalie McLaws with Aaron Hurtado – “Talking Bird” (LIVE)

11:52 – Closing Music from Grandpa Rausch

22. Dean Rausch – “Navajo Prayer/Amazing Grace”
from: Home Recording on Cassette / Aug. 25, 2001
[Dean Rausch – Cedar flute, Austin Rausch – Native drum. English/Navajo language]

11:59:30

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #454

WMM Playlist from October 17, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2012

Mike McCoy, Mark Reynolds, Bernie Dugan, Lyle Wells of Cher UK
& Matt Kesler of The Pedaljets
+ Andrew Erdrich of Sneaky Creeps

1. Todd Snider – “Conservative Christian, Right-Wing Republican,
Straight White, American Males”
from: East Nashville Skyline / Oh Boy! Records / July 20, 2004
[From Todd Snider’s 7th release of 2004. This year Todd’s 15th release: Agnostic Hyms & Stoner Fables, came out.]

[Todd Snider, plays Knuckleheads, Tuesday, October 23, with Amanda Shires.]

2. Kasey Rausch – “Live How You Love”
from: Live How You Love / Rausch House / July 1, 2007
[January 2 on WMM we’ll present “The Rausch House of Music” with Kasey and Kim Rausch, their daughters, and songs from the grandparents and cousins.]

[Kasey Rausch with Mikal Shariro perform as Partners in Glory, at The Brick, Thursday, October 18, with Victor and Penny.]

3. Iris DeMent – “Livin’ On The Inside”
from: Sing The Delta / Flariella / Oct. 2, 2012
[Iris Dement previewed many of her new songs when she was in concert with husband Greg Brown, last year for their 11-11-11 show at The Folly Theatre to benefit St. Mark Child and Family Development Center. Now those songs are part of her brand new release that includes a total of 12 new songs. It is her first full-length release of original songs since 1996. Iris was our guest on last week’s WMM.]

10:15

4. Dollar Fox – “The Letter”
from: Little Mother’s Things I Am Keeping / Money Wolf Music / Oct. 27, 2012
(This song is on the Midwestern Audio Vol. 1 compilation)
[Recorded by Patrick Meager at Fuzz Bomb. Produced by Meger and Dollar Fox. Mastered by Duane Trower at Weights & Measures Soundlab. 7th release from Money Wolf Music. Dollar Fox is Tommy Donoho, Justin Penney, Nick Dothage, Ethan Taylor, Ryan Watkins. Tommy Donoho will be with us next week on WMM.]

[Dollar Fox plays CODA, Friday, October 19 with The Peculiar Pretzelmen and The Latenight Callers.]

[Dollar Fox plays recordBar on Saturday, October 27 from 7:00 to 9:00 with a CD Release concert.]

5. The Cave Girls – “I Wanna See The Band”
from: The Cave Girls / Cave Out Records / Feb 4, 2012
[TCG played LIVE on our April 18 WMM. The Cave Girls (Robin Campbell, Sara Teasley, & Stephanie Williams) debut release was produced by Pat Tomek at Largely Studios in KC. The Cave Girls were recently named by The Pitch as Best Sexy Musicians.]

[The Cave Girls play recordBar on Saturday, October 20 with The Empty Spaces and Mad Spirits]

6. Pedaljets – “Tangled Up”
from: from their studio recordings / Independent / To be release in 2013
[KC’s very own Pedaljets have regrouped and now include respected sound engineer and producer Paul Malinowski who has replaced long time lead guitarist Phil Wade (of The Wilders). Malinowski joins drummer Rob Morrow, frontman Mike Allmayer and bassist Matt Kesler. The band is working on all new material in the first album of new Pedaljets songs, in over 20 years.]

[The Pedajets play Davey’s Uptown Ramblers Club on Sat, Oct. 20 w/ Cher UK and Hot Dog Skeletons]

7. Cher UK – “Peace, Love & Fun in The Sun”
from: Little Blue Soldier / Independent / October 20, 2012]

[Cher UK play Davey’s Uptown Ramblers Club on Sat, Oct. 20 w/ The Pedajets and Hot Dog Skeletons]

10:30 – Interview with Mike McCoy, Mark Reynolds, Bernie Dugan, Lyle Wells, and Matt Kesler

Mike McCoy, Matt Kesler, Bernie Dugan, Mark Reynolds, and Lyle Wells on the October 17, 2012 edition of WMM.

Mike McCoy grew up in Hutchinson, Kansas. In the early 1990s his band Cher U.K. filled venues in Kansas City with their their music playing with popular themes in punk rock music. Mike McCoy, now lives in Austin Texas and fronts his band the Service Industry. Mike is the founder of The North vs. South Music Festival. This Saturday night, October 20, Cher UK play Davey’s Uptown Ramblers Club on Sat, Oct. 20 w/ The Pedajets and Hot Dog Skeletons.

Mike McCoy, Mark Reynolds, talked about the early days of Cher UK and the local music scene.

The band was originally called Cher. Many of their first recordings were released on cassette, the band went through several line-up changes and the band’s name changed to Cher UK.

Mike McCoy talked about his love of metaphor in music and the inspirations Cher UK’s new songs for their new EP.

10:38

8. Cher UK – “Little Blue Soldier”
from: Little Blue Soldier / Independent / October 20, 2012

[Cher UK play Davey’s Uptown Ramblers Club on Sat, Oct. 20 w/ The Pedajets and Hot Dog Skeletons]

10:42

Mike McCoy talked about the contributions of Mike Stover on guitar for the new recordings and the musicianship of Kyle Dahlquist who contributed on horns.

In 2004 Mike McCoy founded the North vs. South Music Festival, as you call is a bi-annual, bi-polar music festival designed to showcase independent rock along the I-35 corridor. This festival has grown each year.

Matt Kessler discussed the new recordings of The Pedaljets and how the band will release a single in December and their new full length record on vinyl in 2013.

10:53

9. Cher UK – “Reagan VS. Nola”
from: Little Blue Soldier / Independent / October 20, 2012

[Cher UK play Davey’s Uptown Ramblers Club on Sat, Oct. 20 w/ The Pedajets and Hot Dog Skeletons]

10. The Grisly Hand – “Thinking About You”
from: Western Avenue / Independent / February 1, 2012
[Cover of Radiohead song. The band is working on a new full length recording.]

[The Grisly Hand play The Riot Room Tonight, Oct. 17, Hudson Falcons, and Clearway 51.]

[Lauren Krum plays the Take Five Coffee bar, 5336 West 151st Street, in Leawood KS. on October 27, Lauren will be joined by her Grisly Hand band mate Mike Stover (guitar), as well as TJ Martley (piano), Bryan McGuire (bass) and Matt Leifer (drums).]

11:00 – Guest Produers / Co-Hosts: Sneaky Creeps

Sneaky Creeps were originally formed by Artists: Max Crutcher, Andy Erdrich and Andy Davis, who met while attending to KCAI. Andy Davis moved away, making the Sneaky Creeps a duo of Max Crutcher on Drums and Yell/Talk, and Andrew Erdrich on Guitar and Yell/Talk. Sneaky Creeps EP, “The Thin Man Wigs Out” is available at: sneakycreeps.bandcamp.com.

Sneaky Creeps were last with us as Guest Produers / Co-Hosts, on WMM on June 13 when Max joined us live in the studio, and Andrew joined us by phone from Indianapolis, where he was working on an installation.

For today’s show Andrew Erdrich joined us live in the studio. Andrew is a graduate of The Kansas City Art Institute, who with Sean Starowitz, founded: BREAD! KC, an art project that celebrated their 2nd year of creating funding for local artists by hosting a dinner, where for a $10 donation, diners are served a bowl of fresh soup, fresh baked bread, and a ballot. Three different creative projects are presented, and diners vote for one to receive the money collected from the evening. In under a year, BREAD! KC has awarded over many thousands in micro-grants to area writers, gardeners, bands and artists. Andrew Erdrich has also been part of the Urban Culture Project and works at Vahalla Press.

For more info about Bread KC! – breadkc.wordpress.com

11:00

11. Beat Happening – “Tiger Trap”
from: You Turn Me On / K Records – Sub Pop / 1992
[indie pop and punk rock band formed in Olympia, Washington in 1982. Calvin Johnson, Heather Lewis and Bret Lunsford have been the band’s continual members. Beat Happening were early leaders in the American indie pop and lo-fi movements, noted for their use of primitive recording techniques, disregard for the technical aspects of musicianship. You Turn Me On is the 5th and last album, released in 1992. It is often considered as their best.]

12. Hamza El Din – Greeting Card”
from: Al Oud / Vanguard / 1965
[Born in the village of Toshka, in southern Egypt, he was originally trained to be an electrical engineer. After working in Cairo for the Egyptian national railroad, El Din changed direction and began to study music at the Cairo University, and traveled in Egypt on a government grant collecting folksongs. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States.]

13. Wevie Stonder – “Gamilnutbike”
from: Drawing On Other People’s Head / Skam / 2002
[ an absurdist electronic music collective.Their name is a spoonerism of the name of musician Stevie Wonder]

14. Poor Lord – “Another Fight”
from: Randomniscity / Independent Release / 2011
[Tulsa Oklahoma band]

11:19 – Underwriting

11:20

15. Gastr Del Sol – “Blues Subtitled No Sense Of Wonder”
from: Camoufleur / Drag City / 1998
[Chicago band consisting, for most of their career, of David Grubbs and Jim O’Rourke. Between 1993 and 1998 they put out seven albums. Grubbs, a former member of Squirrel Bait and Bastro, formed the band in Chicago in 1991. They released their first album, The Serpentine Similar, in 1993. This early lineup saw Grubbs joined by Bundy K. Brown and John McEntire, both members of Bastro’s final incarnation, on bass guitar and drums respectively. In 1994 Brown and McEntire left to join Tortoise and guitarist, composer and producer Jim O’Rourke joined.]

16. John Fahey – “Poor Boy”
from: Transfiguration of Blind Joe Death / Tacoma / 1965
[Born February 28, 1939 – Died February 22, 2001. American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitivism, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his sound. Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence with a turn towards the more explicitly avant-garde, and created a series of abstract paintings during the last years of his life. He died in 2001 due to complications from heart surgery. In 2003, he was ranked 35th in the Rolling Stone “The 100 Greatest Guitarists of All Time” list.]

17. Singer – “Please Tell the Justices We’re Fine”
from: Unhistories / Drag City / 2008

18. D. Vassalotti – “L’Ange De L’Assassinat”
from: Book of Ghosts / Vinyl Rites / 2012

19. Television – “Marquee Moon”
from: Marquee Moon / Elektra /1977
[American rock band, formed in New York City in 1973. They are best known for the album Marquee Moon, their debut studio album from 1977. They have been credited as highly influential on guitar based post-punk. Part of the early 1970s New York underground rock scene, with the Patti Smith Group, The Ramones, Blondie, Richard Hell and The Voidoids, and Talking Heads. In contrast to the Ramones’ rock ‘n’ roll minimalism, Television’s music was more complex and more technically proficient, defined by guitarists Tom Verlaine and Richard Lloyd. While critically acclaimed at the time of its release, the album failed to garner commercial success. Marquee Moon has since been cited by numerous publications as one of the greatest albums ever made.]

11:59:30

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #443

WMM Playlist from September 5, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2012

Kelly Barth + Bill Sundahl
& The 8th Annual Crossroads Music Fest!

1. Tame Impala – “That’s All For Everyone”
from: Just Tell Me That You Want Me – A Tribute to Fleetwood Mac / Hear Music / Aug. 13, 12
[Originally on Fleetwood Mac’s epic release of 1979, “Tusk.”]

2. Matthew Dear – “Earthforms”
from: Beams / Ghostly International / August 28, 2012
[Texas-born Dear moved to Michigan as a teenager, where he was inspired by the sound of Detroit Techno. Dear met Sam Valenti IV at a party while attending the University of Michigan, after which the two started the record label, Ghostly International, based on a shared love of electronic music.]

3. Deerhoof – “Zero Seconds Pause”
from: Breakup Song / Polyvinyl / September 4, 2012
[the 12th self-produced albums from the unpredictable noise band originally from San Francisco. Formed in 1994, Deerhoof has maintained that they never knew what kind of music they would create next, nor that they even had any idea what they were doing when they created it. The members of Deerhoof are: Satomi Matsuzaki, John Dieterich, Ed Rodriguez and Greg Saunier.]

10:14

4. The xx – “Angels”
rom: Coexist / The Young Turks / September 11, 2012
[First Single for their new release]
[English indie pop band, formed in London in 2008. The group released their debut album, xx in August 2009. In 2010, the band won the Mercury Music Prize for their debut album. The band met while studying at Elliott School, the same school that produced Hot Chip, and Four Tet. Oliver Sim and Romy Madley-Croft started the band as a duo when they were 15. Guitarist Baria Qureshi joined once they began performing in 2005, with Jamie Smith joining a year after.]

5. David Burchfield – “Have Tried”
from: The Beginning / Independent / 2011
[Produced, engineered, mixed and master by Mike Crawford at the Impossible Box in Kansas City, with David Burchfield on vocals & guitar; Leslie Hammer on banjo, fiddle and viola; Seth Jenkins on upright bass, Jeff Larison on pedal steel and dobro; Andy Michael on piano and accordian; and Devon Russell on vocals, choir.]

[David Burchfield and The Great Stop play recordBar, 1020 Westport Rd. Friday, Sept 7 w/ Gemini Revolution, and Mad Spirits.]

6. Johnny Cash – “Personal Jesus”
from: American IV: The Man Comes Around / American Recordings – Universal / Nov 5, 2002
[Originally recorded and written by Depeche Mode from their 1982 release “Violator.” This was from Cash’s 4th album in the American series, (and his 87th overall) This is the last album released before his death in 2003. Produced by Rick Rubin who asked ex-Red Hot Chili Peppers guitarist John Frusciante to re-work an acoustic version of Martin Gore’s song, which featured a simple acoustic riff that stripped down the song to a blues style. With backing vocal assistance from: Fiona Apple, Nick Cave, and Don Henley. American IV was the final Cash album released during his lifetime. It was also his first non-compilation album to go gold (selling over 500,000 copies) in thirty years. Additionally, the album won “Album of the Year” award at the 2003 CMA Awards. It was certified Gold on 4/24/2003 and Platinum on 11/21/2003 by the R.I.A.A.]

10:30 – Interview with Kelly Barth

Lawrence, Kansas, based writer, Kelly Barth was a fiction fellow in the University of Montana’s creative writing program and has received fellowships from the Missouri Arts Council and the Kansas Arts Commission. Her work has been published most recently by Coal City Review and Muse & Stone. Kelly Barth joins us today to discuss her funny and heartbreaking new memoir, “My Almost Certainly Real Imaginary Jesus,” from Arktoi Books, an imprint of Red Hen Press.

The official release of Kelly Barth’s new memoir, “My Almost Certainly Real Imaginary Jesus,” is Friday, September 7, 2012 at 7:00 p.m. at The Raven Book Store, 6 East 7th Street, in Lawrence, KS you can visit http://www.ravenbookstore.com or call (785) 749-3300.

7. Lullaby Players – “Personal Jesus”
from: Johnny Cash Lullaby Tribute / Cc Entertainment / April 29, 2008

10:56 – Underwriting

11:00

8. The Good Foot – “Bad Way”
from: Numeration / Bad Way (Split Single) 7″ Vinyl / Shipshape Records / Feb. 18, 2012
[7-piece, KC soul revue that is one of the most popular bands in the area. The band includes: Julia Haile, Adam Wagner, Tim Braun, Quentin Schmidt, David Conarroe, Nick Howell, and Nick Rowland. Known for their interpretations of the Motown & Stax songbook, as well as their own original compositions.]

11:05 – Interview with Bill Sundahl

Bill Sundahl is a musician and singer and songwriter who was part of the Pitch Music Award winning band It’s Over, and the critically acclaimed The Columns, and he also plays in the KC supergroup: The Starhaven Rounders. Bill Sundahl is the founder of Spice of Life Productions, creator of “The Donkey Show,” and founder and organizer of The Crossroads Music Festival, now in it’s 8th year. For 8 years now Bill has joined us in September, on the Wednesday MidDay Medley to talk about the Festival, the Crossroads, and the great bands from kansas City, Lawrence, Chicago and Wisconsin, that are participating.

The 8th Annual Crossroads Music Fest, is this Saturday, September 8, featuring 20 Bands on 4 stages: Crossroads KC at Grinders, Czar, The Brick, and the Midwestern Musical Co. In addition, there will be a Friday night “Pre-Party,” Friday, September 7, at Crossroads KC at Grinders, featuring: The Good Foot, The Grisly Hand, and a reunion of The Supernauts.

20 Bands on 4 stages:

Crossroads KC at Grinders, 18th & Locust, with: Hearts of Darkness, Makuza, and My Brothers & Sisters (7:00-1:00).

Czar, 1531 Grand, with: Cherokee Rock Rifle, The Atlantic, John Velghe & The Prodigal Sons, and Mikal Shapiro, Kasey Rausch, & Shane Ogren (7:00-3:00).

The Brick, 1727 McGee, with: Starhaven Rounders, Dead Voices, Victor & Penny, and Rural Grit All-Stars (7:00-3:00).

Midwestern Musical Co, 19th & Locust, with: Appropriate Grammar, Dim Peepers, The Hillary Watts Riot, and Thom Hoskins (7:00-1:00).

11:10 – Midwestern Musical Co, 19th & Locust,
Appropriate Grammar, Dim Peepers, The Hillary Watts Riot, Thom Hoskins (7:00-1:00).

9. The Hillary Watts Riot – “Tube Top”
from: A/S/L / Money Wolf Music / 2012
[Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney]

[The Hillary Watts Riot play Midwestern Musical Co, 19th & Locust, Sat. Sept 8, as part of CMFKC.]

10. Appropriate Grammar – “How do You Like Me Now”
from: Lies and Stories [EP] / Independent / Spring 2012
[Nick McKenna-Guitar/Vox, Alex Dunsford-Lead Guitar, Claire Adams-Bass/Vox, & Steve Gardels-Drums.]

[Appropriate Grammar play Midwestern Musical Co, 19th & Locust, Sat. Sept 8, as part of CMFKC.]

11:19 – Interview with Bill Sundahl

CMFKC is partnering with Midwest Musicians Foundation to raise funds for the musicians health care fund. MMF is organizing volunteers to staff the festival and share info on MMF’s mission. For info: MidwestMusicFound.org.

11:21 – Midwestern Musical Co, 19th & Locust, (continued)

11. Thom Hoskins – “Half of Eight”
from: Still Feeling Bronze [EP] / Independent / April, 2012
[Thom Hoskins played live on our July 11 show. He now plays solo and in the band Hidden Pictures]

[Thom Hoskins plays Midwestern Musical Co, 19th & Locust, Sat. Sept 8, as part of CMFKC.]

12. The Dim Peepers – “A Spirited Affair”
from: glass band mix / Independent / 2012 [From Wisconsin]

[The Dim Peepers play Midwestern Musical Co, 19th & Locust, Sat. Sept 8, as part of CMFKC.]

11:29 – Underwriting

11:30 – Interview with Bill Sundahl

The Festival also presents: LEGAL BOOTCAMP FOR MUSICIANS, curated by Kansas City Volunteer Lawyers & Accountants for the Arts, Saturday, September 8, 12:00pm – 5:00pm, at Czar.

11:33 – Czar, 1531 Grand,
Cherokee Rock Rifle, The Atlantic, John Velghe & The Prodigal Sons, and Mikal Shapiro, Kasey Rausch, & Shane Ogren (7:00-3:00).

15. The Atlantic – “Dixie Is Dead”
from: Dixie Is Dead [Single] / Independent / June 1, 2012
[indie four piece from Kansas City includes: Patrick Robinson (Vocals/Rhythm Guitar), Brandon Gardner (Lead Guitar/vocals), Eric Augustus Fain (Bass), and M. Blaire Geenens (Drums).]

[The Atlantic plays Czar, 1531 Grand, Sat. Sept 8, w/Mikal Shapiro & Shane Ogren as part of CMF.]

16. Kasey Rausch – “Grassroots”
from: Born Near The Water / Rausch House / 2007
[on September 19 we present The Rausch House of Music with Kasey and Kim Rausch, their daughters, and songs from the grandparents and cousins.]

[Kasey Rausch plays Czar, 1531 Grand, Sat. Sept 8, w/Mikal Shapiro & Shane Ogren as part of CMF.]

17. John Velghe & The Prodigal Sons – “Blood Line”
from: Don’t Let Me Stay / Lakeshore Records / March 13, 2012
[John Velghe – vox, guitars, keyboards. The Prodigal Sons: Mike Alexander – guitar, mandolin, backing vocals; Chris Wagner – bass, backing vocals; GoGo Ray – drum set; Hermon Mehari – trumpet; Sam Hughes – saxophone; Mike Walker – trombone. With: Kirsten Paludan – vocals; James Mitchell – cello; Whitney Williamson – violin; Catherine Root – violin. John Velghe was our guest on Mar. 21]

[John Velghe & The Prodigal Sons play Czar, 1531 Grand, Sat. Sept 8, as part of CMFKC.]

11:49 – The Brick, 1727 McGee,
Starhaven Rounders, Dead Voices, Victor & Penny, and Rural Grit All-Stars (7:00-3:00).

18. Dead Voices – “Dream Notes”
from: Studio Cut / Independent / 2010
[written by Dave Regnier formerly of the critically acclaimed band The Afterparty David formed the band with Jason Beers of The Brannock Device, Mike Stover and Marco Pascolini of Mr. Marco’s V7’s and Matt Richey of The Grisly Hand [Dead Voices also sometimes include: Lauren Krum]

[Dead Voices play The Brick, 1727 McGee, Sat. Sept 8, as part of CMFKC.]

The 8th Annual Crossroads Music Fest, is this Saturday, September 8, featuring 20 Bands on 4 stages: Crossroads KC at Grinders, Czar, The Brick, and the Midwestern Musical Co. In addition, there will be a Friday night “Pre-Party,” Friday, September 7, at Crossroads KC at Grinders, featuring: The Good Foot, The Grisly Hand, and a reunion of The Supernauts. For Festival info: CMRKC.com, facebook.com/cmfkc, twitter.com/cmfkc

11:57 – Crossroads KC at Grinders, 18th & Locust,
Hearts of Darkness, Makuza, and My Brothers & Sisters (7:00-1:00).

17. The Hearts of Darkness – “Come Forward”
from: Shelf Life / Shipshape Records / August 25, 2012
[The 15 piece ensemble welcomed 6 additional musicians to record “Shelf Life” their 2nd full-length release, 2 years in the making. Recorded live at the Cooler Studio in Kansas City, Kansas, with Chad Meise, and mastered by Collin Jordan at the Boiler Room in Chicago, using both vintage analog and modern digital technologies. The album will be released on CD and as a limited edition collectible vinyl LP at local music stores, and also available on iTunes. Contributing musicians to “Shelf Life” include: Bob Asher – Trumpet, Sean Branagan – drums and percussion, Rachel Christia – Vocals , Andrew Ford – Trombone, Brandy Gordon – Vocals, Richard Gumbel – Rhythm and Lead Guitar, Sam Hughes – Baritone Saxophone, Les Izmore – Vocals, Pete Leibert – Bass Guitar, Jolan Smith – Tenor Saxophone and Vocals, Miko Spears – Congas, Erica Townsend – Vocals, Ken Walker – Valve Trombone, Brad Williams – drums and percussion, Hermon Mehari – Trumpet, Shawn Hansen – Alto Saxophon, Phil Keegan – Bass Guita, Chris Meck – Rhythm Guita, Josh Mobley – Keyboards, Guitar, Alex Smith – Tenor Saxophone, Mark Vick – Rhythm Guitar.]

[The Hearts of Darkness play Crossroads KC at Grinders, 18th & Locust, with: Makuza, and My Brothers & Sisters (7:00-1:00) as part of CMF.]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #437

WMM Playlist from April 11, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2012

New & Local Releases + Char Daniels of LIKE ME Lighthouse
+ Nathan Reusch, Jerad Tomasino, Ross Brown, & Coleen Voeks

1. Vacationer – “Trip”
from: Gone / Downtown Records / March 20, 2012
[A side project of Body Language, a Brooklyn synth pop outfit known for their EP, Social Studies. Vacationer plays The Midland, April 17, with The Naked and The Famous, and Now, Now.]

2. Ruddy Swain – “There Goes My Love”
from: Ruddy Swain [EP] / Independent / November 13, 2011
[Ruddy Swain is David Regnier of Dead Voices and Lauren Krum of The Grisly Hand. Ruddy Swain plays The Riot Room Tomorrow, April 12, with Mountain Sprout, and Deen-O & The Eskimo Bros.]

3. Dead Voices – “Dream Notes”
from: Studio Cut / Independent / 2010
[written by Dave Regnier of The Afterparty, who w/ Jason Beers of The Brannock Device, Mike Stover of Mr. Marco’s V7’s and Matt Richey of The Columns make up Dead Voices, who also sometimes include: Lauren Krum and Marco Pascolini. Dead Voices will play Davey’s Uptown Rambler’s Club, this Friday, April 13 w/ The Blessed Broke and The Sawyers.]

10:14

We gave away 2 tickets to Byrd Production’s 13th Annual Laid Back Fund Raiser, this Sat, April 14, 7:00pm at Just Off Broadway Theatre, w/ Boulevard Beer, Moxie Catering, Brody’s Bakery, performances from Last Free Exit, Jay Cady, Rod Sipe & Matt Gurley, Patricia Rusconi, The Flock, Victor Dougherty, Poets: Jason Ryberg, Iris Appelquist & William Peck, Burlesque from: Goldie Goldstein as LuLu Xanadu, Yvette D’Sin, Kinsey Scale, Ruby Sunset & Cher D Blame. More info: byrdproductions.org

4. Appropriate Grammar – “Lady in Love”
from: Lies and Stories [EP] / Independent / Spring 2012
[Appropriate Grammar includes: Nick McKenna – Guitar/Vocals, Alex Dunsford – Lead Guitar, Claire Adams – Bass/Vocals, and Steve Gardels – Drums. Appropriate Grammar play the recordBar TONIGHT with Goldenboy and Martin Bush.]

5. Bobby Womack – “Please Forgive My Heart”
from: The Bravest Man in The Universe / XL Records / Summer, 2012
[First album of new material in over 13 years. Late last month, the 68-year-old Bobby Womack was released from the hospital following a successful recovery from pneumonia. The Rock and Roll Hall of Fame inductee has also been battling cancer is scheduled to undergo surgery later this year and looks forward to touring in support of his upcoming album.]

6. Chely Wright – “Like Me”
from: Lifted Off The Ground / Vangaurd – EMI Records / May 4, 2010
[Produced by Rodney Crowell. Chely Wright’s 7th album was released the same day Random House published her groundbreaking autobiography, Like Me. On the strength of her debut album in 1994, the Academy of Country Music named her Top New Female Vocalist in 1995. Her first Top 40 country hit came in 1997 with “Shut Up and Drive.” Two years later, her 4th album yielded her first #1 single, the title track, “Single White Female”. She has had more than 15 singles on the country charts, and has sold over 1,000,000 copies in the United States. In May 2010, Chely Wright became the first major country music performer to publicly come out as gay. She cited among her reasons for “coming out” a concern with bullying and hate crimes toward gays, particularly gay teenagers, and the damage to her life caused by “lying and hiding”.]

10:30 – Interview with Char Daniels

Char Daniels is Director of Operations for LIKEME Lighthouse, 3909 Main Street, Kansas City, MO, a project of the LIKEME Organization, a not-for-profit, 501 – C (3) charity founded by musician Chely Wright. The organization chose to open an LGBT Community Center in KC to provide a safe and welcoming place for the area LGBT community to meet and work together to promote equality. More info at: likemelighthouse.org.

Char Daniels talked about Chely Wright’s song “Like Me” from her album “Lifted Off The Ground.”

Char talked about how she became involved in working with LikeMe Lighthouse.

Chely Wright grew up in the Kansas City area.

The LikeMe Lighthouse is located in the same building at 90.1 FM and provides a safe and welcoming space where LGBT individuals and their families, as well as straight allies, can come for education, resources and to build a cohesive LGBT community in the Midwest. The Lighthouse will provide educational and social events to bring all individuals into the Lighthouse, as well as an outreach program to make the Midwest aware of the needs of the LGBT community. The LIKEME Lighthouse will serve as a voice for the LGBT community in the Midwest.

Hours: Monday – Saturday 11AM to 7PM, Sunday Noon to 6PM

The LiKE ME Lighthouse lobby.

Lighthouse comes fully equipped with resources, staff, counselors and a sense of community and safety. Within the Lighthouse, the Community Center provides resources on such topics as the coming out process, gender identity, bullying and other issues the LGBT community faces.

Char and Mark discussed the Grand Opening Weekend of the LikeMe Lighthouse that included sold out events featuring a documentary premiere and a concert featuring Kristie Stremel, Jennifer Knapp, Tracy Ryerson, Stamie Karakasidis, Hal Sparks, Chely Wright, Alan Cumming, Jeff Parshley, Adam Bouska and Thomas Roberts who all came to Kansas City to support the LIKEME Lighthouse.

Char discussed the facilities of The LikeMe Lighthouse that include a Gallery, Library, a Cyber Center, Meeting rooms, a Welcome Center, with more to come.

Already several groups are now using the LikeMe Lighthouse for their Events details

March 24, 2012 – 10:00AM – Cardio 101
March 25, 2012 -2:00PM – VOLUNTEER TRAINING
March 25, 2012 – 4:00PM – GLSEN of Greater Kansas City Chapter Meeting
March 28, 2012 – 6:30PM – Hear Me Out Toastmasters Meeting

LikeMe offers scholarships for area LGBT graduating seniors, who are heading off to college this fall. Applications are due May 31.

LikeMe Lighthouse is currently training new volunteers.

LIKEME Lighthouse, is located at 3909 Main Street, Kansas City, MO, a project of the LIKEME Organization, a not-for-profit, 501 – C (3) charity founded by musician Chely Wright.

Open Monday – Saturday: 11:00am to 7:00pm, Sunday: 12:00pm to 6:00pm.

Phone:(855) RULIKEME

More info at: likemelighthouse.org.

10:44 – Underwriting

10:45

7. Kasey Rausch – “Grassroots”
from: Born Near The Waters… / Rausch House / 2004
[Kasey Rausch can be seen in the short film: “Two Sisters” Directed by Anthony Ladesich, that is playing today at 4:30pm, at the AMC Main Street 6 downtown, as part of The Kansas City FilmFest. ]

[Kasey Rausch will play a solo set first, and then will pick up the doghouse bass and join Buttermilk Boys at RecordBar, Tuesday, April 17, 7:00pm to 9:00pm. in an All ages show.]

[Kasey Rausch, The Grisly Hand, AJ Finney, Grand Marquis, Expo ’70, and Troglodyte all perform at Earwaxx Records and More, 6410 N Oak, Saturday, April 21, 11:00am to 9:00pm for Earwaxx Records Record Store Day Celebration.]

8. Ghosty – “Let Me In”
from: GHOSTY / More Famouser Records / April 17, 2012
[Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release will be pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

[Ghosty celebrates the release of their 3rd full-length album (their 1st to be released on vinyl !!) w/ an instore performance at Vinyl Renaissance, 1415 West 39th Street, this Saturday April 14, at 3:00 PM.]

[Ghosty plays the recordBar, Sat, April 21, in a special album release show with Minden and ACBs]

9. Adam Lee & the Dead Horse Sound Company – “When The Spirit Moves Me”
from: When The Spirits Move Me / Independent / November 16, 2010
[Adam Lee & the Dead Horse Sound Co. play Davey’s Uptown tonight, w/ Mercer & Johnson, and JP Harris & the Tough Choices.]

10. Leon Russell – “Give Peace a Chance”
from: Leon Russell / The Right Stuff / Reissued 1995 (Originally released May 1970)
[Leon Russell plays KC this Friday, April 13, at 8:00 pm, at Knuckleheads, 2715 Rochester KCMO]

11:00 – Interview with Nathan Reusch, Jerad Tomasino & Ross Brown, & Coleen Shaw-Voeks

The 5th annual Record Store Day will take place on Sat, April 21. Record Store Day is an internationally celebrated day observed the 3rd Saturday of April each year. Its purpose is to celebrate the art of music. The day brings together fans, artists, and nearly 1000 independently owned record stores in the United States, along with hundreds of independent record stores across the world.

Joining us to talk about Record Store day are : Nathan Reusch of The Record Machine, Jerad Tomasino & Ross Brown of Golden Sound Records, & Coleen Shaw-Voeks of Vinyl Renaissance. We’ll play new music from: Akkilles, La Guerre, The Empty Spaces, Spirit Is The Spirit, Fullbloods, Millions of Boys, Baseball Project, The Sexy Accident, and Kimbra.

Coleen Shaw-Voeks has been working in record stores for over 15 years. She was formerly the owner of Need More Discs with her husband, musician Erik Voeks. Needmore Discs operated for 6 years in Shawnee, Kansas for 6 years before closing in August of 2009. Coleen is currently the manager at Vinyl Renaissance on West 39th Street in Kansas City. Coleen is also a distance runner and a running coach and prefer to spend my free time running through the woods.

Record Store Day was created for places just like Vinyl Renaissance.

Coleen brought in new music that will be released for Record Store Day.

11:04

11. Kimbra – “Settle Down”
from: Settle Down [EP] / Warner Bros. / Spring 2012
[From New Zealand, Kimbra will be joining Gotye on stage during his Saturday Night Live performance of “Somebody That I Used To Know” on April 14!]

11:08

Ross Brown & Jerad Tomasino are two of the founders (w/ Mat Shoare) of Golden Sound Records. Ross grew up in West rural Olathe. Jerad Tomasino moved around a lot growing up but spent some of his high school years living in Omaha. Jerad and Ross talked about their new Golden Sound Records, 12″ vinyl split release with The Record Machine, It is called “Secret Handshakes” and includes 6 tracks featuring Golden Sound Records artists and 6 tracks featuring The Record Machine artists, all created especially for Record Store Day!

Jerad Tomasino & Ross Brown brought in new music from Ross’s band Fullbloods, for us to feature.

11:10

12. Fullbloods – “Heavily Drugged”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12″ Vinyl Split Release) / Apr. 21, 2012

11:15

Nathan Reusch is co-founder and manager of The Record Machine, an Independent KC based record label, founded in 2003. With Chris Haghirian, Nathan is the co-mastermind, of The Middle of The Map Festival, held last weekend that included over 100 Bands, in 8 Venues, on 10 Stages, in 3 Days.

Nathan, reported that over 6000 people attended The Middle of The Map Festival this year.

Nathan brought in new music to feature.

11:17

13. Spirit is the Spirit – “Pillows”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12” Vinyl Split Release) / Apr. 21, 2012
[Folk-psychedelic-rock from Lawrence, Kansas. Austen Malone, Noah Compo, Wayne Zimmerman, Josh Landau, Brook Partain, Danny Bowersox. “a Lawrence band with a cosmic hippie vibe plus horns (trumpet, trombone), lots of percussion and supernal vocal harmonies”- Tim Finn]

11:23

Coleen Shaw-Voeks is currently the manager at Vinyl Renaissance on West 39th Street. She talked about the bands that will be playing at Vinyl Renaissance on April 21.

Record Store Day at Vinyl Renaissance on West 39th Street
These bands will perform (Starting at 1:00 PM): The Caves, Akkilles, The Empty Spaces, Max Justus, and The Sexy Accident

11:25

14. The Sexy Accident – “What’d We Do”
from: Ninja Ninja Fight Darth Vader / Independent / April 21, 2012
[The Sexy Accident will perform at Vinyl Renaissance on West 39th Street on Record Store Day, Saturday, April 21, in an all-ages, electric show. The Sexy Accident return to WMM on May 2]

11:29

Ross Brown & Jerad Tomasino founders of Golden Sound Records with Mat Shoare shared more music from Golden Sound Records and The Record Machine’s 12″ vinyl split release that includes a track from Mat’s band The Empty Spaces.

11:31

15. The Empty Spaces – “The 1960s Divorce Rate Blues”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12″ Vinyl Split Release) / Apr. 21, 2012

11:35- Underwriting

11:37

Nathan Reusch is co-founder and manager of The Record Machine, an Independent KC based record label, founded in 2003.

11:39

16. Akkilles – “She’s Alright”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12″ Vinyl Split Release) / Apr. 21, 2012

11:41

Coleen Shaw-Voeks Manager at Vinyl Renaissance on West 39th Street, talked about The Baseball Project.

11:43

17. The Baseball Project – “El Hombre”
from: Single Release / Euclid Records / 21, 2012

11:46

Ross Brown & Jerad Tomasino two of the founders (w/ Mat Shoare) played new music from Omaha based, Millions of Boys.
11:48

18. Millions of Boys – “Left For Dead”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12″ Vinyl Split Release) / Apr. 21, 2012

11:51

Nathan Reusch is co-founder and manager of The Record Machine, an Independent KC based record label, founded in 2003.

11:53

19. La Guerre – “23”
from: Secret Handshakes / Golden Sound Records + The Record Machine (12″ Vinyl Split Release) / Apr. 21, 2012

11:56

Record Store Day is April 21. For more info you can visit: recordstoreday.com, therecordmachine.net, goldensoundrecords.com, vinyl-renaissance.com.

Next week on Wed, April 18 – WMM participates in the 90.1 FM Band Auction with 4 amazing Kansas City bands appearing on our show: Molly Picture Club, Dollar Fox, Two Headed Cow, and The Cave Girls. Call in to bid on these great bands.

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM
kkfi.org

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Show #416