WMM presents Stephanie Carey + Amy Marcus + Jeff Harshbarger

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 4, 2019

New & MidCoastal Releases + Amy Marcus
+ Jeff Harshbarger & Purna Loka Ensemble +
Stephanie Carey of The Pitch KC

Mark plays New & MidCostal Releases from: Una Walkenhorst, BlackStarKids, Jake Wells, Ivory Blue, Brotha Newz, Crystal Rose, Knife Crime, GHOSTY, Rosé Perez, Amy Marcus, DeMaur, Purna Loka Ensemble, The Black Creatures, Claire Adams, and Elevator Division.

Stephanie Carey, Owner & Publisher of The Pitch Kansas City

At 10:30 Stephanie Carey, Owner & Publisher of The Pitch Kansas City talks with us about the alternative news publication’s monthly printed editions, digital content, and three decade history. Stephanie Carey’s career in journalism includes her work as a reporter for newspapers and radio, as well as serving as a sales manager for media software and consulting firm Second Street. Founded in 1980 in the basement of a Westport record shop, The Pitch is Kansas City’s source for progressive, independent, street-level coverage of news, arts, music, and culture. You can find issues at over 1,000 locations across the metro, and online at: http://www.thepitchkc.com

Amy Marcus

At 11:00 Mark welcomes KC based singer-songwriter, Amy Marcus who in January released her new single, “Sweater” and will premiere another new single on the show. Amy Marcus was born and raised in Kansas City. She has been writing songs since she was a child. In 2016 she released her debut 5-song EP “Brave” and followed that up with the single, “I Want More For My Daughters” in 2017. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and chef. Amy is currently working on a new EP set for release this year.

Purna Loka Ensemble

At 11:30 Jeff Harshbarger shares music from Purna Loka Ensemble‘s debut “Metaraga” released though Origin Records on January 17, 2020. Along with Purna Loka, Jeff Harshbarger has recorded and performed with: Jacob Fred Jazz Odyssey, Bobby Watson, Forever Tango, Milt Abel, Tango Lorca, Krystle Warren, Brad Cox, Ghosty, and The People’s Liberation Big Band. Jeff is a co-founder of Tzigane Music, an artist-run record label, and is the curator of Jeff Harshbarger Presents: An Alternative Jazz Series, promoting new improvised music in KC. Jeff has received The Kennedy Center’s Betty Carter Fellowship, the Steans Institute Fellowship, and the 2015 Charlotte Street Generative Performing Artist Award. Jeff hosts “Jazz Afternoon” on Wednesdays at 1:00 PM on 90.1 FM KKFI. More info at http://www.jeffharshbarger.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #827

WMM Playlist from Dec. 18, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 18, 2019

The 119 Best Recordings of 2019
(Part 3 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

All throughout December on the 4th, 11th, 18th, and today on the 25th, Wednesday MidDay Medley is presenting our 4-week series: The 119 Best Recordings of 2019. We’ve worked like holiday elves packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #60 through #31 on our list with representative tracks from: The Sextet, Violet and the Undercurrents, Other Americans, Yes You Are, Fathers, Akkilles, Volker Brothers, Ensemble Iberica, Simon Fink & The Wires, The Greeting Committee, The UK’s, Radar State, Headlight Rivals, OLIVIA FOX, Berwanger, Radkey, Hipshot Killer, Nan Turner, LK Ultra!, Florist, Hadiza., Shiny Jets, Our Native Daughters (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), Brittany Howard, Durand Jones & The Indications, Big Thief, Hand Habits, Cass McCombs, Michael Kiwanuka, and Yola.

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (60.) Fathers – “Natural Facts”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

3. (59.) Yola – “Faraway Look”
from: Walk Through Fire / Easy Eye Sound – Nonesuch Records / February 22, 2019
[Yolanda Quartey was born 1984. Known professionally as Yola. She is an English singer-songwriter, from Bristol, England. She became the lead singer of the band Phantom Limb, who released their first album in 2010. She also sang backing vocals for Massive Attack. Yola released her first EP, Orphan Offering, in 2016. In February 2019, she released her debut album Walk Through the Fire on Dan Auerbach’s Easy Eye Sound label, to much acclaim. AllMusic called it “an extraordinary record, one designed to be part of a grand musical tradition, and it contains enough emotion and imagination to earn its place within that lineage.”]

4. (58.) Akkilles – “Your Ghost”
from: Your Ghost / David Bennett / November 8, 2019
[Akkilles is the music project of David Bennett. He also helps other people make music. For this recording: All songs written & performed by David Bennett. All songs produced by David Bennett & Joel Nanos at Element Recording in Kansas City. Drums by Isaac Anderson. Bass by Nick Pick & David Bennett. All other instruments by David Bennett. Artwork by @mattschmitzillustration. David Bennet writes on Instagram that this release features, “Some new old tunes…” and that he “Wrote these tunes in 2013 and 2014, and that they were all recorded with Joel Nanos at Element Recording.” In 2019 Akkilles also released three singles with one of them appaering on the new EP. “Feelin’ My Self” was released February 1, 2019. “Meet in the Middle” was released October 25, 2019. “By Myself” was eleased Nov. 1, 2019 Akkilles released the critically acclaimed debut record “Something You’d Say” on July 2, 2013.]

5. (57.) Shiny Jets – “Aliens in the Mind”
from: EPs 1 & 2 / Shiny Jets / June 4, 2019
[On June 4 , 2019 Shiny Jets released EPs 1 & 2 on 12″ vinyl and also EPs 3 & 4 and a second 12″ vinyl. All songs written, recorded and mixed by Shiny Jets. Mastered by Carl Saff at Saff Studios. Shiny Jets is an experimental rock band formed in Chicago in 2004. The band began when drummer Tucker Slough encountered Singer/Guitarist Shanté Clair performing at a party thrown by a mutual friend in the Rogers Park area. The two struck up a friendship and began trying to incorporate Tucker’s drumming into Shanté’s existing solo project, The Maybe. Soon they began writing new songs and pushing their musical ideas further, incorporating looping pedals and other electronics until they had compiled a number of songs. Some time afterwards, Tucker moved back to his hometown of Kansas City and Shanté left Chicago to live in New York for a number of years. Around 2014, the two began working on new songs together, with Shanté writing songs that Tucker would then add drums parts to and send back via Dropbox. Within a short time the material they were creating began to take shape and discussions began about re-establishing the band. In March of 2015 Shanté packed up and moved to Kansas City to begin work on the project that would assume the moniker Shiny Jets. Incorporating songs written back in Chicago and those songs written long distance between New York and Kansas City, the two began adding layers of sampling and further experimentation with even more complex looping and arrangements. Currently Shiny Jets are currently based in Kansas City where the band rehearse, perform and record. More info at: http://www.shinyjetsmusic.com]

6. (56.) Ensemble Iberica – “Danza Del Hacha”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Ensemble Iberica presents “Cruzando” Friday, December 20, at 8:00 PM at St. Paul’s Episcopal Church, 11 E 40th St, KCMO. Cruzando (crossing) features music from before and after the European colonization of the New World. This innovative program explores the complex mixture of indigenous and European music, instruments from both Europe and South America.With Amado Espinoza on flutes, charango, percussion; Beau Bledsoe on guitars, Molly McLaughlin on vocals & flute, Brandon Draper on percussion; Coleen Dieker on violin; and Special Guest: Soukayna Jamali from Morocco.]

7. (55.) Simon Fink and The Wires – “Old Chairs”
from: Lullabies Till Dawn / Sinon Fink / June 8, 2019
[Simon Fink is a composer, songwriter, and multi-instrumentalist. His music has been called “delicate, intriguing, shadowy, (and) suddenly new” (NPR) and “refreshing” (The Kansas City Star). He brings a wide-ranging background and classically-trained ear to genres from opera to electronic music to the American folk song. His music has received honors from the Museum of Modern Art (NY), the Aspen Music Festival, the Academy of Arts and Letters, the MacDowell Colony, the Mellon Foundation, and the ASCAP Foundation. He currently writes and performs with the folk/bluegrass quartet Under the Big Oak Tree. Lullabies Till Dawn is an illustrated songbook with songs and narrative by Simon Borman Fink and art by Benjamin Parks. The accompanying CD features performances of the lullabies by Simon Fink with The Wires string duo (Laurel Morgan Parks and Sascha Groschang) and harmony vocals by Cheyenne Dorrell. ]

8. (54.) Durand Jones and The Indications– “Too Many Tears”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

9. (53.) The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee are opening for Mt. Joy at The Metro Chicago
3730 N Clark St, Chicago, Illinois, Monday, December 30, 2019 at 8:00 PM in a SOLD OUT SHOW]

[The Greeting Committee play The Uptown Theater 3700 Broadway Rd, KCMO on Saturday, January 11, 2020 at 8:00 PM with Samia.]

10:29 – Underwriting

10. (52.) Volker Brothers – “Turn It Up”
from: Wrecking Ball / Volker Brothers / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass. Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over, played on national television, has written a Christmas Musical about a Drag Queen, and has performed at The Missouri Repertory Theatre. David George also had a recent release — three EP’s over a twelve month period. Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. He also toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno). Erik Voeks recently released full length album So The Wind Won’t Blow It Away in 2017 on Hanky Panky Records, a label based in Bilbao, Spain. It is the highly anticipated follow up to his 1993 album, Sandbox (Rockville Records) “A pervasively melodic collection of power-pop – a lost masterpiece” (Fresh Air KCUR). This doesn’t mean Voeks wasn’t busy. He has been a very in demand bassist in the Midwest and tours in Europe. The word “Volker” comes from the Germanic word “Fulc” meaning people. It is also the name of a neighborhood in KC where Erik Voeks & David George met. Volker Brothers are an acoustic duo that share lead vocals & background harmonies influenced by the likes of The Everly Brothers, Simon & Garfunkel, The Eagles, Tom Petty, and Elvis Costello to Crowded House, XTC, and The Beatles. Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.More info at: http://www.volkerbrothers.com]

11. (51.) Radar State – “Strays”
from: Strays / Wiretap Records / January 11, 2019
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals.]

12. (50.) Brittany Howard – “Stay High”
from: Jaime / ATO Records / September 20, 2019
[Brittany Howard writes, “I wrote this record as a process of healing. Every song, I confront something within me or beyond me. Things that are hard or impossible to change, words and music to describe what I’m not good at conveying to those I love, or a name that hurts to be said: Jaime. // I dedicated the title of this record to my sister who passed away as a teenager. She was a musician too. I did this so her name would no longer bring me memories of sadness and as a way to thank her for passing on to me everything she loved: music, art, creativity. // But, the record is not about her. It’s about me. // It’s not as veiled as work I have done before. I’m pretty candid about myself and who I am and what I believe. Which, is why I needed to do it on my own. // I wrote and arranged a lot of these songs on my laptop using Logic. Shawn Everett helped me make them worthy of listening to and players like Nate Smith, Robert Glasper, Zac Cockrell, Lloyd Buchanan, Lavinia Meijer, Paul Horton, Rob Moose and Larry Goldings provided the musicianship that was needed to share them with you. // Some songs on this record are years old that were just sitting on my laptop, forgotten, waiting to come to life. Some of them I wrote in a tiny green house in Topanga, CA during a heatwave. // I was inspired by traveling across the United States. I saw many beautiful things and many heartbreaking things: poverty, loneliness, discouraged people, empty and poor towns. And of course the great swathes of natural, untouched lands. Huge pink mountains, seemingly endless lakes, soaring redwoods and yellow plains that stretch for thousands of acres. There were these long moments of silence in the car when I could sit and reflect. I wondered what it was I wanted for myself next. I suppose all I want is to help others feel a bit better about being. All I can offer are my own stories in hopes of not only being seen and understood, but also to learn to love my own self as if it were an act of resistance. // Resisting that annoying voice that exists in all of our heads that says we aren’t good enough, talented enough, beautiful enough, thin enough, rich enough or successful enough. The voice that amplifies when we turn on our TVs or scroll on our phones. // It’s empowering to me to see someone be unapologetically themselves when they don’t fit within those images. That’s what I want for myself next and that’s why I share with you, “Jaime”.”]

13. (49.) Headlight Rivals – “Stuck”
from: Mattson / Black Site Records / November 1, 2019
[Manhattan, Kansas based band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. With Pete Boulger on accessory percussion, Rich Mattson on backing vocals & slide guitar, Kate Trimmell on backing vocals, and Jeff Denney on all air guitars. All songs written by Headlight Rivals. Produced by Rich Mattson and Headlight Rivals. Digital mastering by Duane Trower at Weights and Measures Soundlab. Vinyl mastering by Chris Muth at Taloowa Corp. Photos by Carlos Salazar © 2019 Headlight Rivals. All Rights Reserved. The band previously released the EP Juliette on June 29, 2017. ]

14. (48.) Olivia Fox – “Across The Water”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

15. (47.) Berwanger – “Friday Night”
rom: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Strange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays The Night The Buzz Stole Xmas Night 3, Fri, Dec. 20, at 6:30pm, at The Midland Theatre, 1228 Main St, KCMO with Cold War Kids, Lovely The Band, and She Wants Revenge.]

16. (46.) The UK’s – “Freightliner”
from: Basement Mondays – EP / The UK’s / October 26, 2019
[Kansas City based 4-piece alternative/rock/punk/garage band with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, and Tarquin Eugene Kellough on drums. Last year The UK’s released, “American Way of Death” on November 17, 2018. This was a follow up release to their 2016 debut album “Bad Seed.”]

[The UK’s play the New Year’s Eve show at Colony KC, 312 Armour Rd, NKC, Tuesday, Dec. 31, 2019 at 8:00 PM with The UK’s at 9:00, The Way Way Back at 10:00, and Late Night Cavalry at 11:00 PM ]

17. (45.) Big Thief – “UFOF”
from: U.F.O.F. / 4AD / May 3, 2019
[Indie rock band with folk roots based in Brooklyn, New York. Adrianne Lenker on guitar & vocals, Buck Meek on guitar & backing vocals, Max Oleartchik on bass, and James Krivchenia on drums. All four members of Big Thief attended the Berklee College of Music, but only formed a group after each had graduated. The band’s first album, Masterpiece, was released on Saddle Creek Records on May 27, 2016. On April 4, 2017, Big Thief premiered a new single, “Mythological Beauty,” on NPR. The following day, the band released the single’s official video and confirmed that the song would appear on their next LP, Capacity. The full album was released on June 9 via Saddle Creek. In 2019, Big Thief released two albums and several singles. In the lead up to their third album, U.F.O.F., the band released three singles, ”U.F.O.F”, “Cattails”, and “Century.” The album was released on May 3, 2019. The band’s fourth album, Two Hands, was later released on October 11, 2019. Its release was preceded by the singles “Not” and “Forgotten Eyes.”.]

11:00 – Station ID

18. (44.) Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

19. (43.) Cass McCombs – “Absentee”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

20. (42.) Michael Kiwanuka – “Rolling”
from: KIWANUKA / Interscope Records / November 1, 2019
[Michael Samuel Kiwanuka (born 3 May 1987) is an English indie and folk rock singer-songwriter and record producer who is signed with Polydor Records. His 2012 debut album Home Again went gold in the United Kingdom and his second album, Love & Hate, debuted in 2016 at number one. He has been nominated for numerous honors, including the Brit Awards, MTV Europe Music Awards, Mercury Prize, BBC Music Awards. In January 2012, he won the BBC’s Sound of 2012. Born and raised in Muswell Hill, London, Kiwanuka is the son of Ugandan parents who escaped the Amin regime. He attended Fortismere School, leaving there in 2005 after completing his A-Levels. He went on to study at the School of Media, Arts and Design at the University of Westminster. Kiwanuka worked as a session guitarist, playing with Chipmunk and Bashy before working as a solo artist. His first proper gig was at The Oxford in Kentish Town at age 22. He came to the attention of Communion Records, which released his first two EPs, including his debut Tell Me A Tale on 13 June 2011. Kiwanuka supported Adele on her Adele Live 2011 tour, as well at her iTunes Festival 2011 gig, and played at the 2011 Hard Rock Calling. In 2011, he signed a deal with Polydor Records. He was included in the BBC’s Sound of 2012 poll and was named as the winner on 6 January 2012. In June 2012, he was illustrated in a BBC article regarding Spain vis-à-vis Uganda during the Eurozone crisis; his putative counterpart was actress Penélope Cruz. Kiwanuka released his debut studio album, Home Again, in 2012 to positive reviews from critics. The album peaked at number 4 in the UK and, as of 2012, has sold over 70,000 copies in the UK. In 2016, Kiwanuka released his follow-up to Home Again, Love & Hate. The album was a critical and commercial success, reaching a peak at number 1 on the UK albums chart. The album was produced by Danger Mouse and spawned several singles. The HiPipo Music Awards honoured Kiwanuka with the Best Global Act award for his Love & Hate album success and musical accomplishments since his 2012 debut album Home Again. Kiwanuka has acknowledged influences from musicians such as Jimi Hendrix, Bill Withers, Otis Redding,Jack Johnson, Pops Staples, The Band, Joni Mitchell, Bob Dylan, Eric Bibb, Tommy Sims, Wham!, Richie Havens and Funkadelic. He’s played with James Gadson, drummer for Bill Withers.]

21. (41.) Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber talented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More Info at: http://www.nanturner.bandcamp.com]

[Schwervon! plays The Brick, 1727 McGee St, KCMO, Saturday, December 28, at 9:00 PM, with The Black Creatures, and Casey Guest.]

22. (40.) Kill Vargas – “What We Don’t Know”
from: Laugh It Off / Kill Vargas / April 2,, 2019
[Wichita, Kansas based band with Logan Bush on drums, Austin Engler on bass, Griffin Bush on guitar & vocals, and Trent Gaddie on guitar]

[Kill Vargas play The 5th annual Jingle Jams Holiday Show at The Rino 314 Armour Rd, NKC, Saturday, December 28, 2019 at 7:00 PM with Kid Computer, Oxford Remedy, and Quasar.]

23. (39.) Radkey – “Basement”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the band released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays recordBar, 1520 Grand, KCMMO, Friday, December 20, at 8:00 PM, with The Many Colored Death (Columbia) and Hot Suede.]

24. (38.) LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. Their EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra play Revolution Records, 1830 Locust, KCMO, Fri, Jan 17, 2020 with Sarcasm, Benadrill, and Oxford Remedy.]

25. (37.) Florist – “Time is a Dark Feeling”
from: Emily Alone / Double Double Whammy / July 26, 2019
[Florist is an American indie pop band from Brooklyn, New Yorkformed in 2013 with the release of a six-track EP titled We Have Been This Way Forever. Florist recorded another six-song EP, titled 6 days of songs, in May 2014, after lead vocalist Emily Sprague was severely injured in a hit-and-run while riding her bicycle. In October 2015, Florist released another EP titled Holdly on Double Double Whammy. Also in 2015, the band was listed on Stereogum’s “50 Best New Bands Of 2015” list. The band was also featured as one of Stereogum’s “Band To Watch” in 2015. In January 2016, Florist released their debut studio album titled The Birds Outside Sang on Double Double Whammy. The album was listed at number 34 on Noisey’s “100 Best Albums of 2016” list. Band members include: Emily Sprague, Rick Spataro, Jonnie Baker, and Felix Walworth. Sprague is an avid modular synthesizer collector and has made a number of YouTube videos showcasing her equipment. She self-released her debut solo album Water Memory, an ambient album composed with these instruments, in December 2017 with a follow-up album “Mount Vision” released in September 2018. In 2019, Beyonce used an instrumental portion of Florist track “Thank You” from their 2016 release The Birds Outside Sang in her Netflix concert movie Homecoming. Florist’s latest album, Emily Alone, was released was granted “Best New Music” by Pitchfork.]

11:28 – Underwriting

26. (36.) Hadiza. – “Reactions!”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who is based in Kansas City. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza plays a Shadow Weight Release Ritual at miniBar, 3810 Broadway, KCMO on Saturday, January 25, at 9:00 PM with Babydoll, Les Izmore and the Gods, and The Black Creatures.]

27. (35.) Our Native Daughters – “Mama’s Cryin’ Long (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell)”
from: Songs of Our Native Daughters / Smithsonian Folkways Recordings / February 22, 2019
[Our native Daughters is: Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell (of Birds of Chicago). This song features all of their voices. Songs of Our Native Daughters’ gathers together kindred musicians in song and sisterhood to communicate with their forebears. Drawing on and reclaiming early minstrelsy and banjo music, these musicians reclaim, recast, and spotlight the often unheard and untold history of their ancestors, whose stories remain vital and alive today. The material on ‘Songs of Our Native Daughters’ — written and sung in various combinations — is inspired by New World slave narratives, discrimination and how it has shaped our American experience, as well as musicians such as Haitian troubadour Althiery Dorval and Mississippi Hill Country string player Sid Hemphill, and more. Rhiannon Giddens is the co-founder of the Grammy Award-winning string band Carolina Chocolate Drops, was awarded a 2017 MacArthur “Genius” Fellowship and won the 2016 Steve Martin Prize for Excellence in Bluegrass and Banjo. She has performed for President Barack Obama, appeared on The Late Show, Austin City Limits, CBS Sunday Morning, and has played a recurring role on the television drama Nashville in the role of Hallie Jordan, a young social worker with “the voice of an angel.” For her project with Our Native Daughters, Giddens brought together three other black female roots artists. “Gathering a group of fellow black female artists who had and have a lot to say, made it both highly collaborative and deeply personal to me,” she explains. “It felt like there were things we had been waiting to say our whole lives in our art; and to be able to say them in the presence of our sisters-in-song was sweet, indeed.” Their debut recording, Songs of Our Native Daughters, is a stunning thirteen-track album. Produced by Rhiannon Giddens and Dirk Powell. Engineered and mixed by Dirk Powell. Recorded at Cypress House Studio, Breaux Bridge, LA. Mastered by Emily Lazar at The Lodge NY. Assisted by Chris Allgood. Annotated by Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, Allison Russell, and Dirk Powell.]

28. (34.) Violet and The Undercurrents – “Never Meant to Let You Down”
from: The Captain / Violet Vonder Haar Music / March 1, 2019
[Columbia, Missouri based 4-piece band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents play the Byron Amps Holiday Party: A Benefit for True North at Rose Music Hall 1013 Park Ave, Columbia, MO., Thursday, December 19, at 7:00 PM – 11 PM with Jessy Johnsen Band, Rae Fitzgerald, and Ruth Acuff.]

29. (33.) Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play recordBar, 1520 Grand Blvd, KCMO, on Saturday, December 21, 2019 at 7:00 PM for 3 Deep Presents with Monta At Odds, Emmaline Twist, and Pageant Boys. 3 Deep – A Chromadepth 3D Concert, Presented by The Record Machine, Sound Machine KC and Kosmic City with visuals by XO Blackwater.]

30. (32.) Yes You Are – “Comet Bicycle”
from: Here’s To The Great Unknowns / Yes You Are / November 15, 2019
[Kianna Alarid on vocals, Jared White on rhythm guitar, Jacob Temeyer on guitars & keyboards, and Willie Jordan on bass. “We play black pop.” says Kianna Alarid, Yes You Are’s intense front woman, “It implies that there might be shadows lurking, even in the shiny places.” Listening to their upcoming album, it IS essentially pop, but they redefine the genre with each and every song. From gospel choirs to guitar-heavy rock to synth-covered dance rhythms, the mainstay (and mainstream friendly) sing-along hooks are what binds all of their work together. Alarid cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley, Of Montreal and CSS, playing venues around the world and hitting major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading, Leeds, Scotland’s T In The Park and Australia’s Splendor In The Grass as well as performing on Late Night with David Letterman and Sesame Street. You’ve probably already heard Yes You Are, as their first single debuted on Pepsi’s Superbowl 51 commercial, as has played over 15,000 times since, all over the world. The song was also featured in the hit movie Bad Moms, as well as FX’s Tyrant and MTV’s Scream. Yes You Are has shared the stage with the likes of K. Flay, Moon Taxi, Marion Hill, Lucius and Neon Trees.]

31.(31.) The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 25, we bring you part 3 of our 4-week special, the 119 Best Recordings of 2019. We will count down #30 to #1 with representative tracks from: Hembree, Mess, The Black Creatures, Making Movies, Calvin Arsenia, Madisen Ward and the Mama Bear, Hipshot Killer, Gav7d, The Sluts, The Creepy Jingles, Julia Othmer, Kelly Hunt, Kevin Morby, Dead Voices, The Get Up Kids, Samantha Fish, Scott Hrabko & The Rabbits, Short Round Stringband, Mike McCoy’s Trompe-l’œil, Mavis Staples, FKA twigs, Bon Iver, Solange, Lomelda, J.S. Ondara, Deerhunter, Helado Negro, The Highwomen, Black Belt Eagle Scout, and Cate Le Bon.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #816

WMM Playlist from Dec. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 11, 2019

The 119 Best Recordings of 2019
(Part 2 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We are packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #90 through #61 on our list with representative tracks from: Kemet The Phantom, Calvin Arsenia, The Nicole Springer Band, The Depth and The Whisper, The Wires, Approach, True Lions, The Butter Band, Sky Smeed, Miki P, Y god Y, Cuee, Chase The Horseman, Deco Auto, Lovergurl, Digital Leather, Blue False Indigo, Wonderfuzz, Billie Eilish, Rina Mushonga, Bill Callahan, Black Pumas, Better Oblivion Community Center, Ibibio Sound Machine, The National, Lambchop, Lee Fields and The Expressions, Amyl and The Sniffers, Lana Del Rey, and Jamila Woods.

10:00 AM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (90.) Billie Eilish – “bad guy”
from: When We All Fall Asleep, Where Do We Go? / Darkroom – Interscope / March 29, 2019
[17 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

3. (89.) Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

4. (88.) Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

5. (87.) Black Pumas – “Old Man”
from: Black Pumas / ATO / 2019
[Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019. They performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

6. (86.) Lovergurl – “The One About Moms”
from: Buzzkill – EP / Lovergurl / September 7, 2019
[Last release from Lovergurl who disbanded in September 2019 after the trio announced that their guitarist and vocalist, Heather Andrews was moving out of Kansas City to pursue her career in animation. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews was born and raised in Rhode Island. The band released multiple singles and two EPs.]

7. (85.) Deco Auto – “Turnaround”
from: Another Great Decision / Deco Auto / April 5, 2019
[Newest EP from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums. Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, and mixed and by Pat Tomek at Largely Studios, Kansas City, MO. Mastered by Gabe Fry at Kimura Studios. Produced by Steven Garcia and Pat Tomek. “Deco Auto is the perpetual opener, the also-rans, the nice-guys-finish-last band in the KC rock scene. Songwriter Steve Garcia is to blame, and he knows it. His songs straddle the line between power pop and pop punk — never casual enough for the former, nor saccharine enough for the latter.” ~ Too Much Rock]

8. (84.) Blue False Indigo – “Don’t Dream It’s Over”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follw up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums. “Don’t Dream It’s Over” is a song by the Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album. The song was written by band frontman Neil Finn, and released in October 1986 as the fourth single from the album.]

[Blue False Indigo play Cover Me, Kansas City, Tuesday, Dec. 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

10:29 – Underwriting

9. (83.) Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

10. (82.) Lana Del Rey – “Doin’ Time”
from: Norman Fucking Rockwell! / Polydor Records – Interscope Records / August 30, 2019
[Elizabeth Woolridge Grant was born June 21, 1985, and she is known professionally as Lana Del Rey, an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality; its themes of tragic romance, glamour, and melancholia; and it’s references to pop culture, particularly 1950s and 1960s Americana. Born in New York City and raised in Upstate New York, Del Rey returned to New York City in 2005 to begin her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey’s breakthrough came after the viral success of her debut single “Video Games” in 2011. She signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her only top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of “Summertime Sadness”, as well as the internationally successful singles “Blue Jeans”, “Born to Die”, and “National Anthem”. Del Rey released the Grammy-nominated EP, Paradise in 2012. The next year, Del Rey ventured into film as she wrote, directed and starred in the short music film, Tropico, and released “Young and Beautiful” for the film The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultra violence (2014), to critical success, topping the charts and spawning the single, “West Coast”. That same year, Del Rey recorded the eponymous theme for Big Eyes, which garnered her both Grammy and Golden Globe nominations. Shortly afterwards, Del Rey released the critically acclaimed Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album. Del Rey’s sixth studio album, Norman Fucking Rockwell, was released on August 30, 2019, to widespread acclaim. In 2019, Del Rey also released the commercially successful singles “Doin’ Time” and “Don’t Call Me Angel”, the latter being a trio with Ariana Grande and Miley Cyrus. As of 2019, Del Rey has sold over 5 million singles in the UK and has sold 5.5 million units in the US. Her YouTube and Vevo pages have combined lifetime views of 3.5 billion.]

11. (81.) Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

12. (80.) Y god Y – “Say”
from: Y god Y – EP / High Dive Records / April 5, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This was also their 4th single and part of their debut 5-song EP released on High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop.]

13. (79.) Calvin Arsenia – “Oh Marie [feat. J. Ashley Miller]”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, and The Black Creatures.]

14. (78.) Ibibio Sound Machine – “I Will Run”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

15. (77.) Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Bottleneck in Lawrence, Friday, December 13 with Opal Agafia.]

16. (76.) Lee Fields & The Expressions – “A Promise is a Promise”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).][Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

11:00 – Station ID

17. (75.) Amyl and The Sniffers – “Got You”
from: Amyl and The Sniffers / ATO Records / May 24, 2019
[Debut album from Melbourne, Australia based, 4-piece punk band fronted by singer Amy Taylor who explains of the song, “‘Got You’ is about that feeling you get when you first start seeing someone and you’re excited to see them, no matter what shit they got. You just see them at the pub and it feels like the most exciting thing in the world, like you’re so lucky they’re even there. It’s definitely one of the “sweetest” songs on the album, and less punky. It was kind of inspired by Split Enz.”]

18. (74.) Lambchop – “Everything for You”
from: This (Is What I Wanted to Tell You) / Merge Records / March 22, 2019
[Lambchop, originally from Nashville, was ever a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner. AllMusic referred to Lambchop as “arguably the most consistently brilliant and unique American group to emerge during the 1990s”. Initially indebted to traditional country, the music has subsequently moved through a range of influences including post-rock, soul and lounge music. Whatever the style, the characteristic mood of Lambchop’s music is evoked by Wagner’s distinctive songwriting: lyrically subtle and ambiguous, the vocals melodic but understated. Not so long ago, Lambchop had a famously sprawling line-up, toting a dozen or so members around the world and into the studio to document elliptical country-soul mutations. But in recent years, the band has become a more personal vehicle for Kurt Wagner. Anchored by him and framed by bassist Matt Swanson and Wagner’s incorrigibly grinning foil, the pianist Tony Crow, the Lambchop of this decade has become more pliant and adaptable, opening itself to unexpected collaborators that give Wagner’s thoughts and feelings the shape they need for each new album.]

19. (73.) Approach / “Rapper’s Delight”
from: Merely Minutes, In A Day / Datura Records / February 4, 2019
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Sean Hunt aka Approach is a Kansas emcee/producer who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000 that he helps curate the roster for. ]

[Lincoln Marshall play The Riot Room, 4048 Broadway, KCMO, Thursday, January 2, at 10:00 PM with Domineko, NuBlvckCity, and Black Radio.]

20. (72.) Cuee – “Broken Memories”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently received their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

21. (71.) The Depth and The Whisper – “Break Me”
from: The Waiting is the Hardest Part / The Depth and The Whisper / January 18, 2019
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, who now lives in New York has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

22. (70.) The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC based duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello). Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City. Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com The Wires joined us live on WMM on May 8, 2019.]

[The Wires are playing a series of Solstice concerts at various Mid-Continent Libraries around KC starting Monday, Dec. 16, at 6:30 PM at Mid-Continent Public Library (Riverside Branch), 2700 N.W. Vivion Rd, Riverside, MO. And continuing Thursday, Dec. 19, at 2:00 PM at Mid-Continent Public Library (Boardwalk Branch), 8656 N. Ambassador Drive, KCMO. and Friday, Dec. 20, at 3:30 PM at Mid-Continent Public Library (Parkville Branch), 8815 Tom Watson Pkwy, Parkville, MO.]

23. (69.) Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

24. (68.) Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year. Wonderfuzz released a second full length live album “Live With It” Nov. 8, 2019]

11:30 – Underwriting

25. (67.) Scott Stanton & The Butter Band – “Bicycle”
from: Crag-o-lea / Scott Stanton / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton one of KC’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed & mastered by James Albright. Scott Stanton (songwriter) on vocals & acoustic guitar; Chad Brothers on acoustic guitar & harmonies; Kasey Rausch on upright bass & harmonies & fiddle; Marco Pascolini on pedal steel guitar; Grady Keller on banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play Cover Me, Kansas City, Tuesday, December 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

26. (66.) Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[Music & lyrics by Chase Horseman. Recorded & Mixed by Joel Nanos & Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase the Horseman plays Stockyard Sounds at Stockyards Brewing Co.. 1600 Genessee, KCMO, on Monday, December 16, at 7:00 PM with Lava Dreams.]

[Chase the Horseman plays Replay Lounge, 946 Massachusetts St, Lawrence, KS. Saturday, January 4, 2020 at 10:00 PM with True Lions and Pala Zolo.]

27. (65.) The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com]

[Nicole Springer plays The Brick, on Saturday, December 14 with True Lions and Teri Quinn.]

28. (64.) Kemet the Phantom – “Electric (feat. Kadesh Flow)”
from: Electric Park / Kemet Creative / August 16, 2019
[Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy.
Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More info at: http://www.kemetthephantom.com.] [Kemet The Phantom plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.]

29. (63.) The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

30. (62.) Miki P – “I Get Lost [Feat. The Swallowtails]”
from: Swallowtail – EP / Miki P/ September 1, 2018
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

31. (61.) True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions plays The Brick, on Sat., Dec. 14 with Nicole Springer and Teri Quinn.]

[True Lions plays The RINO, on Sun., Dec. 29 with Chloe Jacobson, Other Suns, and Pealds.]

[True Lions play Replay Lounge, 946 Massachusetts St, Lawrence, KS. Sat., Jan. 4, 2020 at 10:00 PM with Chase The Horseman and Pala Zolo]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 18, we bring you part 3 of our 4-week special, the 119 Best Recordings of 2019. We will count down #60 to #31 with representative tracks from: The Sextet, Violet and the Undercurrents, Other Americans, Yes You Are, Fathers, Akkilles, Volker Brothers, Ensemble Iberica, Simon Fink & The Wires, The Greeting Committee, The UK’s, Radar State, Headlight Rivals, OLIVIA FOX, Berwanger, Radkey, Hipshot Killer, Nan Turner, LK Ultra!, Florist, Hadiza., Our Native Daughters (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), Brittany Howard, Durand Jones & The Indications, Big Thief, Hand Habits, Cass McCombs, Michael Kiwanuka, Christone “Kingfish” Ingram, and Yola.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #815

WMM Playlist from Nov. 13, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2019

Una Walkenhorst & Chase The Horseman
+ OLIVIA FOX + Hadiza.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Wilco – “Everybody Hides”
from: Ode to Joy / dBpm Records / October 4, 2019
[Wilco is an American alternative rock band based in Chicago, Illinois. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo following singer Jay Farrar’s departure. Wilco’s lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004, the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released eleven studio albums, a live double album, and four collaborations: three with Billy Bragg and one with The Minus 5. Wilco’s music has been inspired by a wide variety of artists and styles, including Bill Fay, The Beatles and Television, and has in turn influenced music by a number of modern alternative rock acts. The band continued in the alternative country style of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music, including elements of alternative rock and classic pop. Wilco’s musical style has evolved from a 1990s country rock sound to a current “eclectic indie rock collective that touches on many eras and genres.”[Wilco garnered media attention for their fourth album, Yankee Hotel Foxtrot (2001), and the controversy surrounding it. After the recording sessions were complete, Reprise Records rejected the album and dismissed Wilco from the label. As part of a buy-out deal, Reprise gave Wilco the rights to the album for free. After streaming Foxtrot on its website, Wilco sold the album to Nonesuch Records in 2002. Both record labels are subsidiaries of Warner Music Group, leading one critic to say the album showed “how screwed up the music business is in the early twenty-first century.” Yankee Hotel Foxtrot is Wilco’s most successful release to date, selling over 670,000 copies. Wilco won two Grammy Awards for their fifth studio album, 2004’s A Ghost Is Born, including Best Alternative Music Album. Wilco released their ninth studio album, Star Wars, in July 2015, and in September 2016 released their tenth studio album, Schmilco, followed finally by their eleventh studio album, Ode to Joy, in October 2019.]

[Wilco plays their Ode To Joy Tour Show at The Midland, 1228 Main St., KCMO on Sunday, November 17, at 7:30 PM with Yuomo & Markus.]

3. Akkilles- “By Myself”
from: By Myself – Single / David Bennett / November 1, 2019
[Akkilles is the music project of David Bennett. I make music under Akkilles. He also helps other people make music. For this recording: David Bennett on guitars, David Bennett & Ian Thompson on keyboards, David Bennetton bass, David Bennett on synthesizer, David Bennett on vocals, Bryan Koehler on drums. Mixed and edited by David Bennett. Mastered by Dedric Moore. Artwork by Matt Schmitz. Recorded at: Aorist Studios in Kansas City. This one of three single Akkilles has released this year. “Meet in the Middle” was released October 25, 2019. “Feelin’ My Self” was released February 1, 2019. Akkilles released the critically acclaimed debut record “Something You’d Say” on July 2, 2013.]

[Akkilles plays Davey’s Uptown Rambler’s Club, 3402 Main, KCMO, on Saturday, December 14, at 8:00 PM with Gods Unwanted Children, sMallTaves, and RUBEO.]

4. The Moose – “Through The Rainbow”
from: Through the Rainbow / Bell-Bottom Trees – Single / The Moose / November 10, 2019
The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019.]

[The Moose play a Singles Release Show at recordBar, 1520 Grand Blvd, KCMO, Friday, November 15, at 7:00 PM with Hannah Norris and the Band, and Miki P and the Swallowtails.]

5. Dan Jones and The Squids – “I’ve Got Time For You”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Reception and gathering for Heart Rays: Graphics and Paintings by Dan Jones is Saturday, November 16, 5:00 to 7:00 pm, at FM Music Vintage Sounds, 206 E. 18th Ave, NKC. Dan will play some acoustic songs and FM Sounds will play Squids new album “We Live In A World That Is Out Of This World.”]

10:20 – Underwriting

6. True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions play an EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with The Black Creatures, Dream Girl, and Hadiza.]

7. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[The Black Creatures play the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Saturday, November 30, at 9:00 PM with Dream Girl, and Hadiza.]

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

8. Hadiza. – “Cousins”
from: Shadow Weight / Hadiza. / November 22, 2019
[Hadiza released her Ep “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.]

[Hadiza. plays the True Lions EP Release Show for “Your Not Invited,” at Minibar, 3810 Broadway Blvd, KCMO, Sat, November 30, at 9:00 PM with Dream Girl, and The Black Creatures.]

Hadiza. photo Captured by Meanz Chan / Lighting by John Hennessey Baker

10:34 – Interview with Hadiza.

Last December 29, 2018, Hadiza. released her EP Gone, and now she is back with a new 10 song, full-length album called, Shadow Weight, which continues to showcase her deeply moving voice and piano, that she considers her primary “tools” that she uses to get through…to herself. Born in Iowa City, Iowa, she has lived in Bushwick, and Atlanta. Hadiza. worked in for corporate America in the New York Finance District. For many years she studied the piano, while keeping her singing voice private. Eventually as she writes, she made the jump into her new life of composing, singing, writing, collaborating and presenting what she calls a blend of soul, classical, blues and folk. Since relocating to Kansas City from her hometown of Iowa City, she has been slowly carving out her place in the scene as a solo artist and as lead vocalist and lyricist for the experimental electronic duo Collidescope a band formed with Madi Mclaughlin.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza, thanks for being with us on WMM.

Hadiza. writes:

“It is possible to change the past. Not through false or omitted histories and not with time machines to put you there (at least not in 3d). No, you must jump.”

“Piano, voice, composition and melody, these are the primary tools she wields to get through to…herself. Tools summoning words to assist in the recursively unfolding Undertaking; to confront and embrace hers and her family’s shadows. She angles lenses available to her; neo-colonialism, romantic rejection, overbearing anxiety, and the maddening oscillations (often overlaps) of invisibility and hyper-visibility, directing the sun’s rays to illuminate.”

“Jumping timelines in Bushwick, Atlanta, Iowa City (birthplace) and now Kansas City as a keyboardist, background singer, lead vocalist and band leader, this is a journey of many entry points. What was first a coping mechanism to maintain sanity in the distinctly other-izing world of the New York Finance District version of Corporate America soon sparked the drive to study the complexities of her voice; building upon a foundation formed from middle school choir, a private love for singing, and years of training in piano.”

“When this all started, Hadiza’s timeline was one within which she acted as an element to other projects and was more than content labeling any pursuit of music a ‘hobby’. Time did what it does best in presenting more and more opportunities to jump, with each jump higher than the last. That first jump though? It was rough. Now, she composes, sings, writes, plays, refines, collaborates, shares, repeat in no particular order. The result has been an eclectic blend of soul, classical, jazz, blues and folk. Hadiza writes songs for herself first. She doesn’t expect you to relate or embrace her, but when a stranger takes something from her words, her singing, her melodies and is compelled to share, it is confirmation to keep jumping and to never look back.”

Official track list: Shadow Weight

1. Cousins
2. Narcissus
3. Abort
4. Reactions!
5. Lazy Eyes
6. Dear…(Family Song)
7. Cotton
8. Airport Funeral/Babylon Dreams
9. Sleep Paralysis
10. Elmina

Hadiza released her EP “Gone” on December 29, 2018 with Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Monroe.

Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano.

Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy.

If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform.

10:55

Hadiza, thanks for being with us on WMM.

Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures.

Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater.

More info is at: http://www.hadizaisnothere.bandcamp.com

Hadiza. on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:56

9. Hadiza. – “Reactions!”
from: Shadow Weight / Hadiza. / November 22, 2019

11:00 – Station ID

10. Olivia Fox – “Carbon”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

Aubrey Callahan, Hadiza., Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

11. Hadiza. – “Dear…(Family Song)”
from: Shadow Weight / Hadiza. / November 22, 2019

11:08 – Interview with Lauren Flynn, Aubrey Callahan and Tiffany Smith

The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs.

OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.

OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.

OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

More info at http://www.weareoliviafox.com

Aubrey Callahan, Tiffany Smith, and Lauren Flynn on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

OLIVIA FOX were last on WMM on April 4, 2018

OLIVIA FOX were all brought together through their manager David “DJ” Lee.

This year Lauren had a baby boy, Aubrey got married, and Tiffany adopted a new doggie

OLIVIA FOX

Carbon was Produced by Tyler Banks. Co-Produced by David “DJ” Lee. All Songs written by Lauren Flynn, BMI, Except “Blame” written by Lauren Flynn and David “DJ” Lee. All Vocals by OVFX. Additional vocals on “Not Going Down” by Kianna Alarid, Jessica Paige, Jo Mackenzie, Kat King, Nicki White, Natalie Norman, and Crystal Rose.

All drums, synths and programming by Tyler Banks. All Violin by Tiffany Smith and Acoustic guitars by Lauren Flynn. Acoustic guitars on “Across the Water” and “Carbon” by Katy Guillen. Acoustic guitars on “Easy” and “Utah” by Josh Johnson. Piano on “Little Bird” and “Elevator Doors” by Jess Hughes. Album artwork: Chet Flynn.

Copyright and Production 2019. OLIVIA FOX Records. All rights reserved.

11:13

12. Olivia Fox – “Across The Water”
from: Carbon / OLIVIA FOX / August 23, 2019

11:17

OLIVIA FOX

We are talking to Kansas City musicians: Lauren Flynn, Aubrey Callahan and Tiffany Smith who make up the Kansas City band, OLIVIA FOX.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

Lauren Flynn plays piano, guitar, mandolin, bass. Lauren grew in Independence, Missouri and prior to Olivia Fox had been performing solo artist playing as L.A. Price.

Aubrey Callahan sings, plays keyboards, synthesizers, guitar in Olivia Fox and is also an award winning Kansas City based wedding photographer with Aubrey Erin Photography. She studied photography at University of Central Missouri and the University of Central Lancashire (UCLan). Aubrey You grew up in Liberty, Missouri. More information at:
http://www.aubreyerinphoto.com http://www.kcvintagewedding.com

Tiffany Smith sings, plays violin and guitar, and creates many of the band’s string arrangements. Tiffany is also a Registered Nurse at Outpatient Mental Health. She grew up in the Blue Springs area.

11:25

13. Olivia Fox – “Empty”
from: Carbon / OLIVIA FOX / August 23, 2019
[The Kansas City based band, OLIVIA FOX is Lauren Flynn, Aubrey Callahan and Tiffany Smith. The trio recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.]

[OLIVIA FOX play Kauffman Center for the Performing Arts, 1601 Broadway Blvd, Mon, Nov. 25, at 7:00 PM with Yes You Are, in a concert for members of the Kauffman Center for the Performing Arts.]

[OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA’s Thanksgiving Eve show w/ The Spring Standards.]

11:29 – Underwriting

Una Walkenhorst, Chase Horseman, Tiffany Smith, Lauren Flynn, and Aubrey Callahan on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

14. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:35 – Interview with Una Walkenhorst & Chase The Horseman

Following the release of her debut album “Scars” in 2014, Una Walkenhorst loading up her 97 Honda Civic, and spent a year traveling across North America playing bars and open mics, and booking her own gigs. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. In the last 23 months, 26 year old,, Una has played The Folly, Boulevardia, Crossroads Music Fest, Middle of The Map Fest, opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest;, and has helped to produce shows to benefit The Innocence Project, and MOCSA. Last year In Una released the album “For Tomorrow” with her father Bob Walkenhorst, taking turns as songwriters with 5 from Una, interwoven with 5 from Bob, written individually, and recorded together, in shared musical DNA harmonies, that can be heard in family bands like The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.

Una Walkenhorst thank you for beibg with us on Wednesday MidDay Medley

Chase The Horseman

Also with us is our friend, Chase the Horseman, who is one of the hardest working guys in the music business. Chase The Horseman is a band, a film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over nearly 40 films and has released multiple singles and recordings a solo artist. As a musician and producer Chase has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner, and many more. Recently Chase released his latest EP “Disinformation Blues.”

Chase Horseman thank you for being with us on Wednesday MidDay Medley

Una Walkenhorst and Chase the Horseman join us to share music and news of their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC. More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music.

Una toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.”

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York. After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half. Una wanted to make it as a musician, on her own terms without help from her father. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. More info at: http://www.unawalkenhorst.bandcamp.com

Whoa Dakota is Jesse Ott.

On her first full length album, Patterns, Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electro pop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere.

Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk- Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.

10:43

15. Whoa Dakota – “Patterns”
from: Patterns / Whoa Dakota / September 15, 2017
[Debut length album, Patterns, from Whoa Dakota (Jesse Ott) spins a web of lush indie pop, graceful melodies and ardent lyrics. Building on 2015’s debut EP, I’m a Liar, the Nashville-based artist expands the sonic landscape on her new LP to an amalgam of electropop and R&B. Rife with raw lyrical honesty and enchanting textures, Whoa Dakota’s sophomore effort, August 17, 2018, is destined to captivate listeners everywhere. Patterns bounces from 80s-influenced-pop reminiscent of HAIM to indie folk ala Jenny Lewis while artfully maintaining consistency. The debut single “Patterns” serves as a thesis for the entire album: a brazen examination of “self” that grapples with toxic cycles and emotional accountability through layers of pop melodies and powerhouse vocals. The record is as much about self-discovery as it is about creation of self.]

[Whoa Dakota plays The Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM with Una Walkenhorst and Chase the Horseman.]

Una Walkenhorst and Chase Horseman on the November 13, 2019 edition of Wednesday MidDay Medley on KKFI

10:47 – Interview with Una Walkenhorst & Chase The Horseman

We are talking with Una Walkenhorst and Chase the Horseman about their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thurs. Nov. 21, at 8:00 PM.

Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC.

Una Walkenhorst is currently working on her new EP due to be released soon. She is also getting set to release the first single and video from the EP, “People in The Paper.”

11:53

Una Walkenhorst and Chase Horseman, Thanks for being with us on WMM

More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

11:56:48

16. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horsemn released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, November 20, we welcome Tim Finn – Music writer for IN Kansas City, Marion Merritt – owner of Records With Merritt, Chris Haghirian – from Ink and KC Star and host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – founder of I Heart Local Music who all join us to share their favorite releases of 2019.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #811

Wednesday MidDay Medley presents Olivia Fox + Una Walkenhorst & Chase The Horseman + Hadiza.

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2019

Una Walkenhorst & Chase The Horseman
+ OLIVIA FOX + Hadiza.

Mark plays more New & MidCoastal releases from: True Lions, OLIVIA FOX, Dan Jones and The Squids, Chase the Horseman, The Moose, The Black Creatures, Akkilles, Hadiza., Bob & Una Walkenhorst, Whoa Dakota and Wilco.

Hadiza. photo Captured by Meanz Chan / Lighting by John Hennessey Baker

At 10:30 singer, songwriter and pianist Hadiza. joins us to share her new 10-track album, “Shadow Weight.” Since relocating to Kansas City from her hometown of Iowa City, she has been slowly carving out her place in the scene as a solo artist and as lead vocalist and lyricist for the experimental electronic duo Collidescope a band formed with Madi Mclaughlin. Hadiza’s sound is a blend of blues, classical, jazz, soul and folk. Hadiza. plays miniBar, 3810 Broadway KCMO, Saturday, November 30, at 9:00 PM with Dreamgirl, True Lions, and The Black Creatures. And, Hadiza. plays Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 6 at 6:00 PM, with Katie Sin (from Iowa), and The Black Mariah Theater. More info is at: http://www.hadizaisnothere.bandcamp.com

OLIVIA FOX

At 11:00 Mark talks with Lauren Flynn, Aubrey Callahan and Tiffany Smith who are the Kansas City trio, OLIVIA FOX who recently released their full length album “Carbon” on August 23, 2019. The band has previously released multiple singles and two EPs. OLIVIA FOX create music that is a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads. OLIVIA FOX play Kauffman Center for the Performing Arts on Monday, 1601 Broadway Blvd, November 25, at 7:00 PM with Yes You Are, in a special concert for members of the Kauffman Center for the Performing Arts. AND, OLIVIA FOX play recordBar, 1520 Grand Blvd, KCMO, Wednesday, November 27, at 7:00 PM opening for HA HA TONKA with The Spring Standards. More info at http://www.weareoliviafox.com

At 11:30 Una Walkenhorst and Chase the Horseman join us to share music and news of their upcoming show with Whoa Dakota at the Brick, 1727 McGee, KCMO on Thursday November 21, at 8:00 PM. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. Recently Chase released his latest EP “Disinformation Blues.” Una Walkenhorst is an indie folk singer/songwriter who has opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest; and toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.” Una Walkenhorst presents a Music Video Release with Brent Windler & Sex Ed, Saturday, December 7, at 7:00 PM, at The Rino, 314 Armour Rd, NKC. More info at wwwunawalkenhorst.com or http://www.chasethehorseman.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #811

WMM Playlist from Nov. 6, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 6, 2019

Cole Bales & Branden Moser & Chris Hazelton
+ Ivory Blue + Nicole Springer & Joy Baker

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The UK’s – “Freightliner”
from: Basement Mondays – EP / / October 26, 2019
[Kansas City based 4-piece alternative/rock/punk/garage band with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, and Tarquin Eugene Kellough on drums. Last year The UK’s released, “American Way of Death” on November 17, 2018. This was a follow up release to their 2016 debut album “Bad Seed.”]

[The UK’s play Davey’s Uptown Rambler’s Club 3402 Main St, KCMO, on Saturday, November 30, at 7:00 PM with The Sexy Accident, and Big Sun.]

3. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

4. Ensemble Iberica – “Danza Del Hacha”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Members of Ensemble Ibérica, Amado Espinoza Trio, Son Venezuela, Mundo Nouvo, Allyu, Maria The Mexican, Traditional Music Society, La Fonda All Stars and more combine forces into a 18-person supergroup to showcase the bright lights in the KC Latin music community. The Kansas City Latin Music Summitt is a benefit for KKFI and concert for all of 90.1 FM’s Sustaining Donors, at The Garage at Knuckleheads Saloon, 2715 Rochester, KCMO, Sat, Nov. 9, at 7:00 PM. Sponsored by Colombian Cultural Association. You can becoming a Monthly Sustaining donor at: http://www.kkfi.org/donate.%5D

5. Blue False Indigo – “Moon Dance”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follow up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums.]

6. Middlechild – “October 31st”
from: October 31st – Single / Oakwood Records / May 24, 2019
[Middlechild is the debut single from Kansas City, Missouri singer Middlechild, which is the Danzell Capers, formerly in the band Brother, who released a single called “Mobbin” that was included in a very fine compilation release series from our friends at The Record Machine called “How To Keep Dreaming: Vol. III,(2016), featuring 28 tracks from bands and artists from the KC, Lawrence, and surrounding areas.]

7. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play The Granada Theatre, 1020 Massachusetts St, Lawrence, KS, on Saturday, November 9, at 8:00 PM opening for Hippo Campus in a sold out show.]

8. Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year.]

[Wonderfuzz play a Album #2 Release Show, Thursday, November 7, at 8:00 Pm at The Riot Room, 4048 Broadway, KCMO with Second Hand King, and RE: 10]

10:29 – Underwriting

Chris Hazelton, Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Cole Bales & Branden Moser & Chris Stapleton

Cole Bales & Branden Moser, Kansas City based musicians who are known for their work with Instant Karma, The Freedom Affair, and Erica Joy join us to share music from Los Santos Caballeros a musical collaboration between their own Grove King Records and Sunflower Soul Records.

Chris Stapleton is known for his work with the Boogaloo 7. The Freedom Affair, and Sunflower Soul Records.

Colby Bales & Branden Moser & Chris Stapleton, thanks for being with us on WMM.

Instant Karma! was a 4-Piece rock band from KC blending elements of psych, soul, funk. and hip hop. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. Instant Karma bass player Branden Moser called the band, “a drug trip through the soul section of your local record store.”

The Instant Karma Discography:

Make Me a Man – Single – April 7, 2016
Three Little Flames – Single – May 22, 2016
Wait On Love – Single – May 22, 2016
Trying To Find My Mind EP – July 22, 2017
Give Me Freedom / Shine on – Single – May 11, 2018 (Sunflower Soul)
“Tell Me That You Love Me” – Single – June 22, 2019

On May 11, 2018, Instant Karma released “Give Me Freedom” a single with “Shine On” on Sunflower Soul Records. It was recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose.

On June 22, 2019 Instant Karma released their last single “Tell Me That You Love Me” with Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. And with Caitlin Walker and Grace Sakoulas Griffin-Spain on background vocals. Mastered by Zach Harris

Instant Karma played their last live show on Saturday, June 22, 2019 at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. After their last show the band killed off their name, Instant Karma and persona and have been reinventing themselves with a new sound and direction. More info at: http://www.instantkarmakc.com

While members of Instant Karma were reinventing their band, in 2018, Chris Hazelton invited Cole Bales & Branden Moser into another project called The Freedom Affair, created through SunFlower Soul Records and including members of The Boogaloo 7, Instant Karma and three of the KC area’s leading vocalists. Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.

On April 13, 2019 The Freedom Affair released their debut single “Rise Up” as part of a 3 LP compilation titled, Soul Slabs Vol. 2, from Colemine Records. “Soul Slabs Vol. 2” was a Record Store Day Exclusive Release.

Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

While all of his was happening, Cole Bales & Branden Moser were working on forming their own label, Grove King Records. The two called upon Chris Hazelton and Sunflower Soul Records for help. Cole Bales and Branden Moser shared with Chris Hazelton their musical conception, “Los Santos Caballeros” a couple of years ago. Their inspiration centered around the idea that the musical tracks were are part of a soundtrack to a fictional film called “Chico is the Man” a film that harkens back to the exploitation films of the 1970’s like “Super Fly”, “Dolemite,” and “Black Caesar.” Side A of the 7″ single is the chase sequence of the “film.” Side B the introduction to the villain of the story.

This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.

10:36

9. Los Santos Caballeros – “The Chase (Side A)”
from: The Chase / The Walk – Single / Sunflower Soul – Groove King / Nov 8, 2019
[Engineering by Justin Mantooth & Chris Hazelton, Mixing by Chris Hazelton, Branden Moser on guitar, Colby Bales on bass, Zach Dodson on drums, Nick Howell on trumpet, Brett Jackson on saxophone, Chris Hazelton on organ for “Side B”, Pat Conway on congas & Timbales for “Side A”.]

[This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.]

[The Freedom Affair play The Ship on Wednesday, Nov. 27, the night before Thanksgiving]

Chris Hazelton, Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:39 – More Interview with Cole Bales & Branden Moser & Chris Stapleton

Cole Bales & Branden Moser, Kansas City based musicians who are known for their work with Instant Karma, The Freedom Affair, and Erica Joy join us to share music from Los Santos Caballeros a musical collaboration between their own Grove King Records and Sunflower Soul Records.

Chris Stapleton is known for his work with The Boogaloo 7, Chris Stapleton Trio, The Freedom Affair, and Sunflower Soul Records.

Colby Bales & Branden Moser & Chris Stapleton, thanks for being with us on WMM.

Here is a list of all the players on the record:

Engineering: Justin Mantooth & Chris Hazelton
Bass: Colby Bales
Drums: Zach Dodson
Trumpet: Nick Howell
Saxophone: Brett Jackson
Organ: Chris Hazelton (Side B)
Congas & Timbales: Pat Conway (Side A)
Mixing: Chris Hazelton
Guitar: Branden Moser

Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:46

10 Los Santos Caballeros – “The Walk (Side B)”
from: The Chase / The Walk – Single / Sunflower Soul – Groove King / Nov 8, 2019
[This is a collaboration between Chris Hazelton’s Sunflower Soul and Groove King Records.]

[This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.]

[The Freedom Affair play The Ship on Wednesday, Nov. 27, the night before Thanksgiving]

11. LyMerrick – “Lay Me Down”
from: Lay Me Down – Single / nightSHIFT Radio / February 8, 2019
[One of three singles released by LyMerrick this year. LyMwrrick released six singles last year, and was a featured voice on two other single releases in 2018. LyMerrick also released a single in 2016. LyMerrick was born in North Carolina but grew up in Kansas City, Missouri since moving here at the age of 8 years old. LyMrrick grew up listening to all types of music ranging from gospel, rap, r&b, to classic rock and metal. LyMerrick started singing in the church choir and continued singing in elementary, Middle and High School choirs. After High School LyMerrick began to record remixes and eventually began to making original music which led to his collaborations with “nightSHIFT”.]

12. Oxford Remedy – “Fake”
from: “Fake” – Single / Oxford Remedy / February 23, 2019
[Lawrence/Kansas City 3-piece band, formed in June 2016. Members include: Sydney Aldridge, Kate McKown, and Grace McKown. Oxford Remedy released their single “Vending Machine” on January 12, 2019. More info at http://www.oxfordremedy.com]

[Oxford Remedy play the Bandwaggn Showcase, Saturday, November 9, at 7:00 PM, at The Rino, 314 Armour Rd, NKC, with Miki P and the Swallowtails, Helkat and Lily B, Moonflower. All proceeds go to Bandwaggn Kansas City, your youth-centered empowerment/music camp for gender expansive kids/teens and girls!]

13. Mr. Golden Sun – “Flyover Country”
from: Central States – EP / Matt Hamer / December 1, 2018
[Mr. Golden Sun is the songwriting project of Matt Hamer. He lives in KCMO, with his wife and two children. He finds inspiration in the people, culture, and landscape of the American Midwest, and loves the sound of old drums, analog synthesizers, woody acoustic guitars, and alliteration. Matt Hamer who wrote all of the songs on the EP. EP credits include: Matt hamer on vocals, guitar, keyboards, programming, and bass; Ryan Shaw on drums & percussion, Jonathon Smith on keyboards, Joey Panella on bass; Bethany Slack on vocals; Nathan Wilhoit on piano, Mixing by Sean Lea, mastering by TW Walsh, engineering by Michael Collins.]

11:00 – Station ID

14. Ivory Blue – “A Good Answer”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:03 – Interview with Ivory Blue

Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in early 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize o

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivory Black plays the Kauffman Stadium, July 1, Royals home game.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

11:12

Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

15. Ivory Blue – “A Raging Reality” (LIVE)
This is an older song from Ivory’s songbook of original compositions,

11:16 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue who is currently in the studio putting together a new EP for release in early 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize o

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 9 years Ivory came out as “Non-Binary Transgender.”

Ivory Blue has been one of our most frequent guests and has played the Wednesday MidDay Medley / KKFI Day Party for the Middle of The Map Fest at The Brick.

Ivory Blue recently play The Listening Room at InterUrban ArtHouse

Ivory Blue, thanks for being with us on Wednesday MidDay Medley

More information at: http://www.ivorybluemusic.com or Facebook/ivorybluemusic

Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:22

16. Ivory Blue – “Elite Dream Land” (LIVE)
This a new song Ivory is currently working in for the new album due in 2020

11:29 – Underwriting

Nicole Springer

11:31 – Interview with Nicole Springer & Joy Baker

Nicole Springer debuts her brand new single and EP “Willing” on Wednesday MidDay Medley. Artist Joy Baker joins us to talk about InterUrban ArtHouse and the Listening Room Series. Nicole Springer will play live for her EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sunday, November 10, at 7:00 PM.

Nicole Springer, Thanks for being with us on Wednesday MidDay Medley to share the debut her new single, “Purposes” on Wednesday MidDay Medley.

11:31

17. The Nicole Springer Band – “Purposes”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. More info at http://www.nicolespringersings.com .]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer will play an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sun, Nov 10, at 7:00 PM.]

Joy Baker, Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:35 – Interview with Nicole Springer & Joy Baker

Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. As founder of The Clementines and The Good Hearts, Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award.

Nicole Springer thanks for being with us on Wednesday MidDay Medley.

Also with us is, Artist Joy Baker who organizes shows for The Listening Room at InterUrban ArtHouse where she is also has a studio.

Joy Baker thanks for being with us on Wednesday MidDay Medley.

Band Members include: Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums.

Nicole Springer lives in KC. Nicole Springer has a big amazing voice; once you hear it, you cannot ignore it. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. She is founder of the bands: The Clementines, and The Good Hearts. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues.

Nicole Spring was last on WMM on April 10, 2019 to debut her single “Hell”

We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins. They played LIVE on our April 25, 2012 show. At one point the band became a 4-piece with Stephanie Williams on drums, and Travis Earndshaw on bass.

Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO.

Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religous or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education.”

10:43

18. Nicole Springer – “Come Clean” (LIVE)
also available on “Willing” / Nicole Springer / November 10, 2019
[More info at http://www.nicolespringersings.com]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer plays an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sunday, November 10, at 7:00 PM.]

10:47 – More Interview with Nicole Springer & Joy Baker

Nicole Springer on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We’re talking with Nicole Springer a singer-songwriter + multi-instrumentalist from KC. She was the founder of critically acclaimed + award wining local groups, The Clementines, The Good Hearts, Nikki and the Rooftop Punch, Heart Machine. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects.

Nicole is currently on the cover of Camp Kansas City Magazine in a feature artice written by John Long. In the article Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician.

Nicole is married to Bethany Cain and has recently found new confidence in her music ad in telling her own story of her life. Nicole Springer is parent to a cat and pup. She is also proud wife, sister, & aunt.

Besides her own songs, Nicole Springer loves singing covers from the 1980’s – 1990’s. Artists Nicole Springer likes: Janis Joplin / Judy Garland / Beach Boys / Beatles / Broadway / The Supremes / Dixie Chicks / Haim / Tegan and Sara / 80’s pop /

Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. She describes her sound as pop-folk but additional influences such as gospel, soul, and Motown find their way into the mix. With her sometimes big, always emotional vocals, Nicole performs each heartfelt song with a raw emotionality that aims to move people and free herself.

Nicole’s awards include: 2014 Pitch Music Award Winner: Folk Ensemble with The Clementines as lead singer, songwriter, and rhythm guitarist. And a 2014 Project Backstage Award: Best Americana Group with The Clementines as lead singer, songwriter, and rhythm guitarist

Nicole Springer thanks for being with us on Wednesday MidDay Medley

More info at: http://www.nicolespringersings.com / http://www.facebook.com/nicolespringersing

11:56

19. The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums.]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer plays an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sun, Nov 10, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on November 13 – We welcome Kansas City based musician, singer songwriter, Hadiza. We’ll also talk with the 3-member Kansas City band, Olivia Fox, and Una Walkenhorst shares details abut her upcoming show with Whoa Dakota.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #810

WMM Playlist from Sept. 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupa
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Lee Fields & The Expressions – “It Rains Love”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).]

[Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

3. Broken Heart Syndrome – “Dolly (and other unfinished business)”
from: Dolly (and other unfinished business) – Single / Broken Heart Syndrome / Sept, 13, 2019
[Kansas City bsed supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. Dolly (and other unfinished business) is the second official Broken Heart Syndrome release. Matthew Roth writes, “This track was inspired by the autobiography of Dolly Parton. Many years ago, while I was still living in New York, I took part in a very ambitious singer-songwriter night that is put on by my friend Susan Hwang, called the Bushwick Book Club. It’s still going on, as far as I know. Basically, you read a book and then you write a song about it. The book was Dolly Parton’s: My Life and Other Unfinished Business. I was having a hard time tracking down a copy of the book and luckily my friend Diane Cluck just so happened to have it on tape. It was an actual cassette tape. So, yeah turns out Dolly Parton had a pretty amazing life. It was great to hear her voice telling her own story. There were several points where I felt very moved and even connected to her story. I tried to take some of those parts and channel them as inspiration for the lyrics. It’s like a little secret message from me to her. I don’t think most people would be able to tell what the song is about if I didn’t tell them. I’m pretty positive that she’ll probably never hear it but it’s a really fun way to write a song.”]

[Broken Heart Syndrome plays Revolution Records 1830 Locust KCMO, Wednesday, September 18, at 7:30 PM with Golden Shoulders (from Nevada City, CA) on tour in support of their new album.]

4. Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company]

[Dylan Pyles plays a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

[Dylan Pyles will be our guest on Wednesday MidDay Medley next week on September 25]

10:18

5. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]
[NuBlvckCity play Lincoln Calling 2019, Downtown Lincoln NE, 1412 O St, TONIGHT, Sept. 18.]

[NuBlvckCity play 2019 Plaza Art Fair, Saturday Zeptember, 21 at 6:20 on the Ink Magazine Music Stage at Ward Parkway and Pennsylvania, KCMO]

[NuBlvckCity play Troostapalooza, Saturday, September 21, at 3000 Troost Ave, KCMO with Hi-Lux, The Black Creatures, The Freedom Affair, The Phantastics, and more ]

[NuBlvckCity play The Granada Theatre, 1020 Massachusettes, St., Lawrence, KS., Monday, September 23, at 7:00 PM opening for Phony Ppl/]

6. The Black Tones – “Ghetto Spaceship”
from: Cobain & Cornbread / Chauty & Chauto Records / April 12, 2019
[The Black Tones are like a mixture of Kurt Cobain and cornbread. Consisting of founders/twin siblings Eva Walker on guitar/vocals and Cedric Walker on drums, the blues and punk-based dynamo continuously project subversion, power and the potential for something new on stage. Born and raised in Seattle WA, they credit their family’s New Orleans roots as an influence on their music and writing. During the past year, the band’s name has been on the tongue of nearly everyone who follows the richness of Seattle music. In 2018, the group opened for Death Cab for Cutie at the historic Paramount Theater during its 90th Anniversary celebration; became the most played band on KEXP (on the 50th anniversary of Martin Luther King’s assassination) with their song, “The Key of Black (They Want Us Dead)”; and performed at countless summer festivals from Doe Bay to the Capitol Hill Block Party. The Black Tones have also shared stages with standout groups like Thunderpussy, Tacocat, Delvon Lamarr Organ Trio and We Were Promised Jetpacks.The Black Tones have made appearances on Band In Seattle and The Spud Goodman Show, as well as having music licensed to the independent film “The Noise Made by People”. They have received praise from the Seattle Public Library system, The Stranger and AfroPunk. The band’s debut record Cobain & Cornbread, recorded with famed Seattle producer Jack Endino.]

7. Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band for thie recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. The current line up includes: Wick Trick on vocals, Chris Stallion on guitar, & backing vocals, George Valiant on drums, Promise Clutter on bass, Young Noah on guitar & backing vocals and the band has a new soingle called “Mastermind” that was released on July 10, 2019. In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).]

[Wick & The Tricks play The Rino 314 Armour Rd, NKC, Thursday, September 19, at 7:00 PM with The Black Feathers (from Denver) and Belle & The Vertigo Waves.]

[Wick & The Tricks play The Bottleneck, 737 New Hampshire St. Lawrence, KS., Saturday, Sept. 21, at 7:00 PM, opening for Radkey, with The Sluts and The Many Colored Death.]

8. Red Kate – “You Don’t Speak For Me”
from: unamerican activities / Black Site Records / April 2, 2016
[Fro this recording: L. Ron Drunkard on bass & vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar & vocals, Desmond Poirier on guitar & vocals. (After this release Shaun Hamontree joined band on guitar.) Produced by Red Kate. Recorded at Weights & Measures Soundlab, KCMO, w/ Duane Trower doing recording, mixing and digital mastering engineering. Roger Seibel on vinyl mastering at SAE Mastering, Phoenix, AZ. Shaun Hamontree created cover art. Pressed at Quality Record Pressings, Salina, KS.]

[Red Kate plays The Brick’s 20th Anniversary on Friday, September 20 with Captured By Robots!]

10:30 – Underwriting

9. JAENKI – “Bolt”
from: Every Human – EP / Jaenki / November 23, 2018
[Jaenki is the new musical project from The Republic Tigers lead singer, Kenn Jankowski now with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.]

[Jaenki plays 3 Deep – Chromadepth 3D Concert, Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand with Pala Zolo, Flaural, Triptides, Monta At Odds (Dub Set), and Live Visuals by VJDN8 ]

Dedric Moore and Nathan Reusch on the Sept. 18, 2019 edition of Wednesday MidDay Medley on KKFI.

10:36 – Interview with Dedric Moore and Nathan Reusch

Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records.

Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest.

Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Jaenki from their most recent EP Every Human that came out so late in 2018 we consider it a 2019 release.

Jaenki is the musical project from The Republic Tigers lead singer, Kenn Jankowski

Jaenki has gome through some personnel changes: with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.

11:43

19. Pala Zolo – “Up Northern”
rom Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

11:47

We are talking with Dedric Moore & Nathan Reusch about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Pala Zolo the instrumental electronic project of Lawrence, KS musician Eric Davis the keyboard player in rock band Hembree (Thirty Tigers, Oread Records). .In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy.

The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions.

In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences.

On Saturday night, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

10:53

11. Monta At Odds feat. Your Friend – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.] [MONTA AT ODDS played the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, PALA ZOLO w/ Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

[Monta At Odds play 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Fri., Sept. 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Live Visuals by VJDN8.]

The Band That Fell To Earth at Lawrence Arts Center Saturday, September 21, 2019.

12. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018
[Curated by musician/writer Michelle Bacon to pay homage to David Bowie while showcasing talent across Kansas City’s vast musical spectrum. With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show. This was from the second year of the annual performances with: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keyboards, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone.]

[The Band That Fell To Earth play The Lawrence Arts Center, 940 New Hampshire St., Lawrence KS., Saturday, Sept. 21, at 7:30 PM featuring many Lawrence area rock and rollers in guest singing roles.]

11:00 – Station ID –

13. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre.

Calvin Arsenia at recordBar, Thursday, September 19, 2019.

Now Calvin is set to put out his newest Center Cut Records release LA Sessions, with a LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM.

Calvin Arsenia, thanks for being with us on WMM.

We just heard the 1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers.

From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.”

He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’”

LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy.

Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band.

More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album.

Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.

11:13

14. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019

11:17

Calvin Arsenia on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. More info at More info at http://www.centercutrecords.com http://www.calvinarsenia.com

10:26

15. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Cavia, and the full length debut, Catastrophe.Standing at 6 foot 7 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

11:30 – Underwriting

Calvin Arsenia, Rigby Summer, and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

11:32 – Interview with Rigby Summer and Ed Dupas

Singer songwriters Rigby Summer and Ed Dupas travel all over the country to play their original songs and sometimes they get to play on the same bill. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Rigby Summer and Ed Dupas join us today to play live in our 90.1 FM Studios.

Ed Dupas

Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in.

Rigby Summer

Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee.

Rigby Summer and Ed Dupas thanks for being with us on WMM

ED DUPAS – WELL WORN WIDE AWAKE MUSIC

Americana singer-songwriter Ed Dupas’ lived-in melodies unwind with reflective lyrics and speak to the current state of the human condition, soothing where possible, agitating where necessary, and seeking change where appropriate. Ed Dupas creates and shares well-worn wide-awake music.

THE LONESOME SIDE OF TOWN – Ed Dupas’ 3rd studio album features 11 new songs! When all is said and done, The Lonesome Side Of Town is a collection of songs that bear witness to a time of tremendous personal change in my life. Its songs testify to both the steadfastness of love, as well as its departure. Hopefully, the record serves to communicate the lessons, the struggle, and the beauty to be found in all of it.

The Lonesome Side of Town was conceived in a small church in Greenville, Michigan. Having been constructed in the 1880’s, the building found new life as a recording studio when it was purchased by my friend and fellow musician, Chris Ranney. In August of 2018, Chris and I spent a day tracking drums in the church with producer Michael Crittenden and drummer Rob Avsharian. Rob’s playing was solid and artful as ever, and he proved himself a good sport when our creative wanderings gave way to bossa nova beats and vinyl LPs on drum heads. As night fell, a line of storms approached the town, and we had no choice but to call the session. It was enough, we’d gotten the drum tracks we needed in a single day. We also captured the character of the church, who’s color permeates and shapes the entire record.

Ed Dupas 2nd album was released in spring of 2017, Tennessee Night, is the result of three days tracking with producer Michael Crittenden at Mackinaw Harvest Studios in Grand Rapids, MI. The heart of the record was recorded live in July of 2016 in the midst of a summer heatwave. The album features Rob Avsharian on drums, James Simonson on bass, Drew Howard on Steel/electric guitar, Chris Ranney on Piano, and Michael Crittenden doing a little of everything. Also featured on the album are singer-songwriter Judy Banker (Heading Home Again), Tara Cleveland (Some Things), and Cole Hansen (Everything Is In Bloom, Promised Land, and Tennessee Night.)

Ed Dupas first album: A GOOD AMERICAN LIFE was named as one of the best country albums of 2015 by The Telegraph-UK, this debut record was independently released late May, 2015. A Good American Life was recorded/produced in Grand Rapids, MI by Michael Crittenden.

“Sonically, the album consistently retains a dusky hue, reminiscent of Nebraska-era Springsteen or early Red House Painters. Ed’s music is essentially acoustic at its core; the recordings include some accompaniment complete with flourishes of overdriven, midwestern guitar shapes and pedal steel over top spare and sure drumming, while the occasional harmonica embellishes the quintessentially American folk sense of these tunes. Ed’s baritone vocals retain an easy, warm, and melodic tone, his lyrics refreshingly well articulated with just a touch of sardonic wit beneath the heartfelt and at times aching delivery.” -National Country Review

” … Songs that could or should have come from the pens of Springsteen, Kristofferson or more recently Sturgill Simpson….” – No Depression

SEP 19 THU – The Blue Door – Oklahoma City, OK,
SEP 22 SUN – Old Town Tavern – Ann Arbor, MI,
OCT 11 FRI – Noggin Room Pub – Petoskey, MI,
OCT 12 SAT – Trinity House Theatre w/ Judy Banker – Livonia, MI,
OCT 18 FRI – Westside Bowl – Youngstown, OH,
OCT 19 SAT – Taffys of Eaton – Eaton, OH,
OCT 25 FRI – Cambria – Nashville, TN,
OCT 26 SAT – Lowell Arts – Lowell, MI,
NOV 14 THU – Duke’s Indy – Indianapolis, IN,

More info at: http://www.eddupas.com

11:41

Ed Dupas plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

16. Ed Dupas – “Both Hands on The Wheel” (LIVE)
also available on: The Lonesome Side of Town / Road trip Songs / 2019

11:45 – Interview with Rigby Summer and Ed Dupas

Rigby Summer and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Rigby Summer and Ed Dupas who play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the show after Carl’s band kicks off the night.

Rigby Summer and Ed Dupas thanks for being with us on WMM.

Rigby Summer is an emerging, Oklahoma-based songwriter. She weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater. Those cross-country moves and life-changes put music on the back burner in recent years, but she’s now come into her own, giving these songs new life.

While her influences range from Mary Chapin Carpenter to The Frames, Sia Furler to Johnny Cash, her sound often draws comparisons to Ingrid Michaelson and Peggy Lee–a little modern, a little old-fashioned, always earnest.

In 2017, after a five-year hiatus from performing music, she founded the monday@modella songwriter pop-up, and started sharpening her musical teeth, slowly carving a niche for herself in the Oklahoma scene. Recent honors include Honorable Mention in the 2017 Woody Guthrie Festival Songwriting Contest and invitations to join Norman Music Festival 2018, Bob Childers’ Gypsy Café 2018 and Women of Woodyfest 2018.

Meanwhile, Nadia credits the songs themselves for her return to the stage. “When I see the audience’s reaction to a lyric I’ve been given, I realize this isn’t about me. It’s about the songs and the power of words to connect us. I decided I had an obligation to bring these songs into the world.”

Influences
a good up-bringing.
midwestern winters.
jazz in the night.
three quiet years of listening in nashville.
winfield.
quarter-life angst.
an imaginary boyfriend.
hotel cafe.
malibu sunsets.

SEP 18 7:30pm Knuckleheads Saloon Kansas City, MO with Ed Dupas
SEP 19, 7:30pm The Blue Door – Oklahoma City, OK with Ed Dupas
SEP 21, 12:00pm – Ten Sleep Brewing Company, Ten Sleep, WY US
SEP 24, 6:00pm AC Hotel – Oklahoma City, OK
SEP 26, 6:00pm – Prairie to Palette – Ponca City, OK
SEP 27, 8:00pm Zannotti’s Wine Bar – Stillwater, OK
SEP 28, 2:00pm – Alumniati Tail Gate Stillwater, OK
OCT 08, 6:00pm – AC Hotel Oklahoma City, OK
OCT 10, 6:00pm – George’s Stables – Stillwater, OK
OCT 24, 3:00pm – FARM-Folk Alliance Region Midwest – Grand Rapids, MI
OCT 25, 9:00am – FARM-Folk Alliance Region Midwest Grand Rapids, MI
OCT 26, 9:00am, FARM-Folk Alliance Region Midwest Grand Rapids, MI

11:50

Rigby Summer plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

17. Rigby Summer – “Buy My A Piano” (LIVE) (4:00)
original piece written and perormed by Jen Harris from Curses & Charms

Rigby Summer and Ed Dupas thanks for being with us on WMM

Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night.

More info at: http://www.eddupas.com or http://www.thisissummerland.com

11:56

18. Joan Shelley – “The Fading”
from: Like The River Loves The Sea / No Quarter Records / August 30, 2019
[Joan Shelley was born in 1985,. She is a songwriter and singer from Louisville, KY. She draws inspiration from traditional and traditionally-minded performers from her native Kentucky, as well as those from Ireland, Scotland, and England, but she’s not a folksinger. Her disposition aligns more closely with that of, say, Roger Miller, Dolly Parton, or her fellow Kentuckian Tom T. Hall, who once explained—simply, succinctly, in a song—“I Witness Life.” Since the 2015 release of her fourth album Over and Even, Shelley has crossed the country and toured Europe several times as a headlining artist, joined by guitarist Nathan Salsburg and sharing shows with the likes of Jake Xerxes Fussell, Bonnie “Prince” Billy, Doug Paisley, Daniel Martin Moore, the Other Years, and Michael Hurley. She has opened for Wilco, Chris Smither, Andrew Bird, and Richard Thompson. Jeff Tweedy produced her 2017 record “Joan Shelley” at The Loft in Chicago. She’ll be familiar to readers of guitar-centric magazines for having appeared, in the same season, on the covers of Fretboard Journal and Acoustic Guitar. Her latest album, “Like the River Loves the Sea,” was released to wide acclaim in Uncut magazine, Rolling Stone, Pitchfork, Mojo, and Q magazine. Her second album, Ginko, and third album Farthest Field (with Daniel Martin Moore) were released in 2012 on Ol Kentuck. In 2014, Shelley released her fourth album, Electric Ursa, on No Quarter Records. In 2015, Shelley released her fifth album, Over and Even, on No Quarter. In 2017, Shelley released her eponymous sixth album. Her seventh album, Like the River Loves the Sea, was released in 2019. ]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on September 25 – Clint Hoffmeier, Matt Tady, and Katelyn B. Jamison the hosts of the popular Wednesday Night Drinking Practice Podcast join us to share details about their “This or That live game show!, Thursday, September 26, at 7:00 PM at Phosphor Studio in the Crossroads Arts District at 1730 Broadway, KCMO. Also next week Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his Popular Songs for the Heart, Manor Records release. And…Ian Griggs & Brad Buckner of the band Tiki Brawlers join us to share their latest music and info on their upcoming show Sunday, September 29 at The Riot Room with The Toasters. PLUS, we talk with Jade Green & Xavier Martin of The Black Creatures.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #803

WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

WMM Playlist from June 26, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2019

Bill Sundahl & Collaborations Live! at The Folly
+ The Volker Brothers + Dick Von Dyke +
Belle & The Vertigo Waves

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play recordBar, 1520 Grand, Fri, June 28, 9:30 PM w/ Inner Altar, & Godzillionaire]

Photo by Gordon Parks


3. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

Raye Zaragoza

4. Raye Zaragoza – “Fight For You (Live)”
from: Raye Zaragoza Live at Rockwood Music Hall – EP / Raye Zaragoza / Jan. 25, 2019
[Raye Zaragoza was born and raised in Manhattan and moved to LA at the age of fourteen. Her mother is an immigrant from Japan and her father is of Mexican and Native American heritage. At age 6, Raye sang “You Can’t Get A Man with a Gun” from Annie Get Your Gun on national television when her father was playing Chief Sitting Bull on Broadway. She became involved in school musicals, started playing guitar at age 12, and started writing songs in her late teens. Zaragoza released her debut EP Heroine in 2015. She started to gain national attention in 2016 with the song “In The River,” protesting the Dakota Access Pipeline. Raye and her brother made a video for “In The River” that included facts about Standing Rock and it received 100,000 views overnight. The song was awarded the Global Music Awards’ 2017 Heretic Award for Protest/Activist Music and the Honesty Oscars’ award for Best Song. In 2017, she independently released her debut album Fight For You. Multiple songs on Fight For You address the Dakota Access Pipeline. “Driving to Standing Rock” portrays the power of protest, specifically of the NoDAPL movement. The song “American Dream” was written in reaction to Donald Trump’s election. The album also includes love songs and songs about NYC. She cites Joni Mitchell, Carole King, and Joan Baez, as influences.]

[Raye Zaragoza plays KC Folk Fest, Sun, June 30, 4:00 at Guadalupe Centers, 1015 Cesar E Chavez Ave, w/ a “Here’s to the Roots” showcase at 4:00 feat. Regina del Carmen, Sisters Havilah & Kenese, & Danny Cox, at 5:00 Raye Zaragoza. at 6:00 Quique Escamilla, at 7:00 Violet and the Undercurrents. Produced by Folk Alliance International. For more info: kcfolkfest.org.]

Volker Brothers

5. Volker Brothers – “Turn It Up”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play EP Release Show Thurs, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:17 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Missouri Rep. David George joins us to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

David George thanks for being with us again on WMM.

Volker Brothers EP Wrecking Ball, Release Show w/ Erin Eades is Thurs, June 27, 8 PM, in Carl Butler’s Gospel Lounge at Knuckleheads Saloon 2715 Rochester, KCMO.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Upcoming Shows:

Sat, July 6, 7:00 David George & Christine Broxterman play Homer’s Coffee House OPKS

Friday, July 19, at 7:00 PM, David George Band at Crossroads KC

Monday, August 5, at recordBar with DRUNKEN PRAYER

Sunday, Sept. 8, 6:00 PM at recorder w/ Corey Phillips and the Band of Light

Volker Brothers Biography: The word “Volker” comes from the Germanic word “Fulc” meaning people. It is also the name of a neighborhood in KCwhere Erik Voeks & David George met. Volker Brothers are an acoustic duo that share lead vocals & background harmonies influenced by the likes of The Everly Brothers, Simon & Garfunkel, The Eagles, Tom Petty, and Elvis Costello to Crowded House, XTC, and The Beatles.

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

Erik Voeks recently released full length album So The Wind Won’t Blow It Away in 2017 on Hanky Panky Records, a label based in Bilbao, Spain. It is the highly anticipated follow up to his 1993 album, Sandbox (Rockville Records) “A pervasively melodic collection of power-pop – a lost masterpiece” (Fresh Air KCUR). This doesn’t mean Voeks wasn’t busy. He has been a very in demand bassist in the Midwest and tours in Europe.

David George also had a recent release — three EP’s over a twelve month period. Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. He also toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno).

Volker Brothers have just finished recording and are releasing their first studio recording, a 5 song EP entitled Wrecking Ball. It’ll be available online digitally & physical copies at shows on June 28, 2019. The album was recorded w/ Duane Trower at Weights & Measures Soundlabs featuring a full band accompanying Volker Brother’s signature sound.

http://www.volkerbrothers.com

10:29

6. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play an EP Release Show Thur, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:33 – Underwriting

7. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Jessica Paige plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

10:38 – Interview with Bill Sundahl

90.1 FM KKFI’s Bill Sundahl joins us to talk about KKFI Collaborations Live!, Sat, June 29, at 8:00 PM at The Folly Theatre, 300 West 12th St. bringing together 13 never before seen performances on the historic Folly Stage. This event is a fundraiser for KKFI 90.1FM Kansas City Community Radio.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley.

Collaborations Live! includes: Quixotic Performers, Maria Cuevas (of Maria the Mexican), The Wires, Jessica Paige, Mark Lowrey, Rick Kloog, Kelly Hunt, Traditional Music Society, Fanny and Ryan Head, Ceili at the Crossroads, SugEasy, VJDN8, and Casey Key.

Show begins with 2 songs, then one artist exits, and a 2nd collaborator joins to perform 2 more songs, and then one exits and is joined by another for 2 more songs.

KKFI Collaborations Live! – 13 Unique Performances – Saturday, June 29th, 2019

6:00pm VIP Reception – Stakeholders Room at Folly w/ complimentary food & libations and a chance to mingle with Artists and KKFI Hosts.

7:15pm Artists Panel – Collaboration in the Digital Age

8:00pm – Musical relay of performances by the regions finest artists.

Collaborations Live! is bringing together 10 first time ever performances to the historic Folly Stage. The show will begin with two songs, then one of the artists will exit the stage and a second collaborator will join the remaining artist on stage. They will perform two songs, then one will leave and be joined by another artist for two more songs. This musical relay is not a race to the finish, but rather a coming together of community.

This event is a Fundraiser for KKFI 90.1FM Kansas City Community Radio.

Ticketing is handled by Folly Theater /// http://www.follytheater.org /// Info at http://www.kkfi.org

11:57

8. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

11:00 – Station ID

9. Earle Hagen – “The Dick Van Dyke Show”
from: All-Time Top 100 TV Themes / TVT Records / 2005
[Theme song for The Dick Van Dyke Show an American television sitcom that initially aired on CBS from October 3, 1961, to June 1, 1966, with a total of 158 half-hour episodes spanning five seasons. The show’s theme was by Earle Hagen, who also wrote many other TV series themes, including those for The Danny Thomas Show, The Andy Griffith Show, Gomer Pyle, USMC, I Spy, and The Mod Squad.]

Dick Von Dyke

11:01 – Interview with Dick Von Dyke

Dick Von Dyke first put on the ‘stache in a galaxy far far away called Lawrence, Kansas, and quickly realized his passion for cross-dressing and debauchery. Moving to St. Louis opened up a whole new realm of opportunities including co-producing the weekly all-king revue, MANic Monday. Last May, Dick was crowned King of Pride St. Louis and later also placed 1st-alternate for Mister Oklahoma. Dick Von Dyke hosts and produces The Dick Von Dyke Show every Thursday at 10:00 PM, at Missie B’s, 805 West 39th Street, KCMO. Dick Von Dyke presents Night of a Thousand Dicks,on Friday, June 28, at 8:00 PM at Missie B’s.

Dick Von Dyke thanks for being with us on Wednesday MidDay Medley.

Dick Von Dyke has been a male impersonator since 2014 starting in Lwrence, KS.

Named King of Pride St. Louis Pride in 2018.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.

Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

Dick Von Dyke

Dick Von Dyke

A few weeks ago, Dick Von Dyke performed at Des Moines Pride and when he got back to his hotel, his Jeep had been broken into. He admittedly left a lot in my car. But the perps stole *so much* of his stuff including drag accessories, his class ring, all his tips from the weekend, and his laptop. By stealing it he lost every mix he’d ever made for drag. And his ability to make new ones. Drag is his livelihood and to have all of those accessories and mixes stolen was a devastating blow to his career…but he keeps telling himself they must’ve needed it more than he did.

So to try and make the best of a bad situation, on June 28th he is having a benefit show entitled “Night of a Thousand Dicks.” These lovely entertainers who don’t typically perform as kings have volunteered to do so for one night in order to try and help him get back on my feet.

With one-night-only king performances by:

Annie Cherry
Heidi Banks
Lavender Skye
Lily Juju Beach
Monica Blowinsky
Sheila Tackü
Sylvia Wrath/Billie Eyelash
special appearance by Kody Von Du

Drag King Scene in KC

Dick Von Dyke and Helen Proctor on the June 26, 2019 edition of Wednesday MidDay Medley on KKFI.

Dick Von Dyke thanks for being with us on WMM.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.
Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

11:15

10. Quixotic & Calvin Arsenia – “Experience”
from: Goddess – EP / Quixotic / May 17, 2019
[Quixotic is an innovative performance art collective that fuses imagination with technology, dance, projection #mapping and live music to create fully-immersive, #multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Calvin Arsenia plays the Let’s Upstage Cancer Benefit Gala for St. Jude’s Friday, June 28 at 5:30 at The Abbott, 1901 Cherry St., Kansas City]

[Calvin Arsenia plays the Hotel Utah Saloon, 500 4th Street, San Francisco on Sunday, June 30, at 8:00 PM with Ember Valley, Dolphin Midwivesm and Saloli]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE August 22 through August 24 at 8:00 PM at recordBar 1520 Grand Boulevard, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Anothermaxwell

11. anothermaxwell – “Where I Stand”
from: Being – EP / anothermaxwell / June 30, 2019
[Written & Performed, Produced, Engineered, Mixed, and Cover art created by by anothermaxwell. anothermaxwell, is Shenita Hughley who studied music at Avila Collegei and graduated from Raytown South High School in 2012. anothermaxwell is a versatile singer-songwriter & producer, who reinvents new sounds by bending tR&B, Pop, Funk and Electronica, genres to form a unique sound not easily categorized.]

[Anothermaxwell & Stacy Busch play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

12. Stacy Busch – “Through and Through”
from: Music from “Mass” / Stacy Busch / February 9, 2019
[29 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Originally from Bloomfield Hills, Michigan, Stacy is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-KC and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.] [This music was composed and original performed when Stacy Busch presented, Mass: Live Performance and Art Gallery, Saturday, February 9, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly.]

[Stacy Busch & Anothermaxwell play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

11:27 – Underwriting

13. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Strange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays a ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans, and Belle & The Vertigo Waves]

Belle & The Vertigo Waves

14. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

[Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

11:35 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves join us to talk about their new single “Fear Or Faith.” Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS. More information at: http://www.thevertigowaves.com

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves includes: Belle Loux on lead vocals, Jeremiah Scott on bass, and John Loux on guitar.

The band’s debut full length album”Aligned” was released on October 6, 2017. The album was influenced by The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves played Middle of The Map Fest last year.

Belle & The Vertigo Waves played Boulevardia this year.

Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when Loux was just 15 or 16 and had only played them as a solo artist — with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the [full band] sound so much.”

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play Riot Room July 11. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves on the June 26, 2-19 edition of Wednesday MidDay Medley on KKFI.

More information at: http://www.thevertigowaves.com

11:56

15. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 3 Jacklyn Bell joins us live in our 90.1 FM Studios. We talk with members of the new band Heavy Grams. Nathan Reusch returns with members of the band Nublvckcity, to share details about The Record Machne’s big event What’s Next KC, on Saturday, July 13 at Legacy Amphitheatre, 901 NE Blustem Drive, Lee’s Summit, Missouri with Nublvckcity, The Moose and Blue False Indigo. And we’re joined by members of the band Radial Red.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #792

WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785