WMM Playlist from June 26, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2019

Bill Sundahl & Collaborations Live! at The Folly
+ The Volker Brothers + Dick Von Dyke +
Belle & The Vertigo Waves

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play recordBar, 1520 Grand, Fri, June 28, 9:30 PM w/ Inner Altar, & Godzillionaire]

Photo by Gordon Parks


3. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

Raye Zaragoza

4. Raye Zaragoza – “Fight For You (Live)”
from: Raye Zaragoza Live at Rockwood Music Hall – EP / Raye Zaragoza / Jan. 25, 2019
[Raye Zaragoza was born and raised in Manhattan and moved to LA at the age of fourteen. Her mother is an immigrant from Japan and her father is of Mexican and Native American heritage. At age 6, Raye sang “You Can’t Get A Man with a Gun” from Annie Get Your Gun on national television when her father was playing Chief Sitting Bull on Broadway. She became involved in school musicals, started playing guitar at age 12, and started writing songs in her late teens. Zaragoza released her debut EP Heroine in 2015. She started to gain national attention in 2016 with the song “In The River,” protesting the Dakota Access Pipeline. Raye and her brother made a video for “In The River” that included facts about Standing Rock and it received 100,000 views overnight. The song was awarded the Global Music Awards’ 2017 Heretic Award for Protest/Activist Music and the Honesty Oscars’ award for Best Song. In 2017, she independently released her debut album Fight For You. Multiple songs on Fight For You address the Dakota Access Pipeline. “Driving to Standing Rock” portrays the power of protest, specifically of the NoDAPL movement. The song “American Dream” was written in reaction to Donald Trump’s election. The album also includes love songs and songs about NYC. She cites Joni Mitchell, Carole King, and Joan Baez, as influences.]

[Raye Zaragoza plays KC Folk Fest, Sun, June 30, 4:00 at Guadalupe Centers, 1015 Cesar E Chavez Ave, w/ a “Here’s to the Roots” showcase at 4:00 feat. Regina del Carmen, Sisters Havilah & Kenese, & Danny Cox, at 5:00 Raye Zaragoza. at 6:00 Quique Escamilla, at 7:00 Violet and the Undercurrents. Produced by Folk Alliance International. For more info: kcfolkfest.org.]

Volker Brothers

5. Volker Brothers – “Turn It Up”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play EP Release Show Thurs, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:17 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Missouri Rep. David George joins us to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

David George thanks for being with us again on WMM.

Volker Brothers EP Wrecking Ball, Release Show w/ Erin Eades is Thurs, June 27, 8 PM, in Carl Butler’s Gospel Lounge at Knuckleheads Saloon 2715 Rochester, KCMO.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Upcoming Shows:

Sat, July 6, 7:00 David George & Christine Broxterman play Homer’s Coffee House OPKS

Friday, July 19, at 7:00 PM, David George Band at Crossroads KC

Monday, August 5, at recordBar with DRUNKEN PRAYER

Sunday, Sept. 8, 6:00 PM at recorder w/ Corey Phillips and the Band of Light

Volker Brothers Biography: The word “Volker” comes from the Germanic word “Fulc” meaning people. It is also the name of a neighborhood in KCwhere Erik Voeks & David George met. Volker Brothers are an acoustic duo that share lead vocals & background harmonies influenced by the likes of The Everly Brothers, Simon & Garfunkel, The Eagles, Tom Petty, and Elvis Costello to Crowded House, XTC, and The Beatles.

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

Erik Voeks recently released full length album So The Wind Won’t Blow It Away in 2017 on Hanky Panky Records, a label based in Bilbao, Spain. It is the highly anticipated follow up to his 1993 album, Sandbox (Rockville Records) “A pervasively melodic collection of power-pop – a lost masterpiece” (Fresh Air KCUR). This doesn’t mean Voeks wasn’t busy. He has been a very in demand bassist in the Midwest and tours in Europe.

David George also had a recent release — three EP’s over a twelve month period. Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. He also toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno).

Volker Brothers have just finished recording and are releasing their first studio recording, a 5 song EP entitled Wrecking Ball. It’ll be available online digitally & physical copies at shows on June 28, 2019. The album was recorded w/ Duane Trower at Weights & Measures Soundlabs featuring a full band accompanying Volker Brother’s signature sound.

http://www.volkerbrothers.com

10:29

6. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass.]

[Volker Brothers Play an EP Release Show Thur, June 27, 7:30 in The Gospel Lounge at Kunckleheads.]

10:33 – Underwriting

7. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Jessica Paige plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

10:38 – Interview with Bill Sundahl

90.1 FM KKFI’s Bill Sundahl joins us to talk about KKFI Collaborations Live!, Sat, June 29, at 8:00 PM at The Folly Theatre, 300 West 12th St. bringing together 13 never before seen performances on the historic Folly Stage. This event is a fundraiser for KKFI 90.1FM Kansas City Community Radio.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley.

Collaborations Live! includes: Quixotic Performers, Maria Cuevas (of Maria the Mexican), The Wires, Jessica Paige, Mark Lowrey, Rick Kloog, Kelly Hunt, Traditional Music Society, Fanny and Ryan Head, Ceili at the Crossroads, SugEasy, VJDN8, and Casey Key.

Show begins with 2 songs, then one artist exits, and a 2nd collaborator joins to perform 2 more songs, and then one exits and is joined by another for 2 more songs.

KKFI Collaborations Live! – 13 Unique Performances – Saturday, June 29th, 2019

6:00pm VIP Reception – Stakeholders Room at Folly w/ complimentary food & libations and a chance to mingle with Artists and KKFI Hosts.

7:15pm Artists Panel – Collaboration in the Digital Age

8:00pm – Musical relay of performances by the regions finest artists.

Collaborations Live! is bringing together 10 first time ever performances to the historic Folly Stage. The show will begin with two songs, then one of the artists will exit the stage and a second collaborator will join the remaining artist on stage. They will perform two songs, then one will leave and be joined by another artist for two more songs. This musical relay is not a race to the finish, but rather a coming together of community.

This event is a Fundraiser for KKFI 90.1FM Kansas City Community Radio.

Ticketing is handled by Folly Theater /// http://www.follytheater.org /// Info at http://www.kkfi.org

11:57

8. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Rare Bird Records / May 17, 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays KKFI Collaborations Live!, Sat, July 29, 8:00 PM at The Folly Theatre, 300 West 12th St,. A fundraiser for KKFI 90.1FM Kansas City Community Radio. / http://www.follytheatre.org]

11:00 – Station ID

9. Earle Hagen – “The Dick Van Dyke Show”
from: All-Time Top 100 TV Themes / TVT Records / 2005
[Theme song for The Dick Van Dyke Show an American television sitcom that initially aired on CBS from October 3, 1961, to June 1, 1966, with a total of 158 half-hour episodes spanning five seasons. The show’s theme was by Earle Hagen, who also wrote many other TV series themes, including those for The Danny Thomas Show, The Andy Griffith Show, Gomer Pyle, USMC, I Spy, and The Mod Squad.]

Dick Von Dyke

11:01 – Interview with Dick Von Dyke

Dick Von Dyke first put on the ‘stache in a galaxy far far away called Lawrence, Kansas, and quickly realized his passion for cross-dressing and debauchery. Moving to St. Louis opened up a whole new realm of opportunities including co-producing the weekly all-king revue, MANic Monday. Last May, Dick was crowned King of Pride St. Louis and later also placed 1st-alternate for Mister Oklahoma. Dick Von Dyke hosts and produces The Dick Von Dyke Show every Thursday at 10:00 PM, at Missie B’s, 805 West 39th Street, KCMO. Dick Von Dyke presents Night of a Thousand Dicks,on Friday, June 28, at 8:00 PM at Missie B’s.

Dick Von Dyke thanks for being with us on Wednesday MidDay Medley.

Dick Von Dyke has been a male impersonator since 2014 starting in Lwrence, KS.

Named King of Pride St. Louis Pride in 2018.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.

Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

Dick Von Dyke

Dick Von Dyke

A few weeks ago, Dick Von Dyke performed at Des Moines Pride and when he got back to his hotel, his Jeep had been broken into. He admittedly left a lot in my car. But the perps stole *so much* of his stuff including drag accessories, his class ring, all his tips from the weekend, and his laptop. By stealing it he lost every mix he’d ever made for drag. And his ability to make new ones. Drag is his livelihood and to have all of those accessories and mixes stolen was a devastating blow to his career…but he keeps telling himself they must’ve needed it more than he did.

So to try and make the best of a bad situation, on June 28th he is having a benefit show entitled “Night of a Thousand Dicks.” These lovely entertainers who don’t typically perform as kings have volunteered to do so for one night in order to try and help him get back on my feet.

With one-night-only king performances by:

Annie Cherry
Heidi Banks
Lavender Skye
Lily Juju Beach
Monica Blowinsky
Sheila Tackü
Sylvia Wrath/Billie Eyelash
special appearance by Kody Von Du

Drag King Scene in KC

Dick Von Dyke and Helen Proctor on the June 26, 2019 edition of Wednesday MidDay Medley on KKFI.

Dick Von Dyke thanks for being with us on WMM.

The Dick Von Dyke Show every Thurs, 10:00 PM, at Missie B’s, 805 West 39th St, KCMO.
Dick Von Dyke presents Night of a Thousand Dicks, Fri, June 28, 8:00 PM at Missie B’s.

11:15

10. Quixotic & Calvin Arsenia – “Experience”
from: Goddess – EP / Quixotic / May 17, 2019
[Quixotic is an innovative performance art collective that fuses imagination with technology, dance, projection #mapping and live music to create fully-immersive, #multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Calvin Arsenia plays the Let’s Upstage Cancer Benefit Gala for St. Jude’s Friday, June 28 at 5:30 at The Abbott, 1901 Cherry St., Kansas City]

[Calvin Arsenia plays the Hotel Utah Saloon, 500 4th Street, San Francisco on Sunday, June 30, at 8:00 PM with Ember Valley, Dolphin Midwivesm and Saloli]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE August 22 through August 24 at 8:00 PM at recordBar 1520 Grand Boulevard, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Anothermaxwell

11. anothermaxwell – “Where I Stand”
from: Being – EP / anothermaxwell / June 30, 2019
[Written & Performed, Produced, Engineered, Mixed, and Cover art created by by anothermaxwell. anothermaxwell, is Shenita Hughley who studied music at Avila Collegei and graduated from Raytown South High School in 2012. anothermaxwell is a versatile singer-songwriter & producer, who reinvents new sounds by bending tR&B, Pop, Funk and Electronica, genres to form a unique sound not easily categorized.]

[Anothermaxwell & Stacy Busch play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

12. Stacy Busch – “Through and Through”
from: Music from “Mass” / Stacy Busch / February 9, 2019
[29 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Originally from Bloomfield Hills, Michigan, Stacy is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-KC and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.] [This music was composed and original performed when Stacy Busch presented, Mass: Live Performance and Art Gallery, Saturday, February 9, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly.]

[Stacy Busch & Anothermaxwell play miniBar, 3810 Broadway, Thursday, June 27 at 9:00 PM]

11:27 – Underwriting

13. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Strange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays a ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans, and Belle & The Vertigo Waves]

Belle & The Vertigo Waves

14. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

[Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

11:35 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves join us to talk about their new single “Fear Or Faith.” Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar. Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS. More information at: http://www.thevertigowaves.com

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves includes: Belle Loux on lead vocals, Jeremiah Scott on bass, and John Loux on guitar.

The band’s debut full length album”Aligned” was released on October 6, 2017. The album was influenced by The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves played Middle of The Map Fest last year.

Belle & The Vertigo Waves played Boulevardia this year.

Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when Loux was just 15 or 16 and had only played them as a solo artist — with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the [full band] sound so much.”

Belle Loux, Jeremiah Scott, John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play Riot Room July 11. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves on the June 26, 2-19 edition of Wednesday MidDay Medley on KKFI.

More information at: http://www.thevertigowaves.com

11:56

15. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 3 Jacklyn Bell joins us live in our 90.1 FM Studios. We talk with members of the new band Heavy Grams. Nathan Reusch returns with members of the band Nublvckcity, to share details about The Record Machne’s big event What’s Next KC, on Saturday, July 13 at Legacy Amphitheatre, 901 NE Blustem Drive, Lee’s Summit, Missouri with Nublvckcity, The Moose and Blue False Indigo. And we’re joined by members of the band Radial Red.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #792

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Wednesday MidDay Medley welcomes Bill Sundahl & KKFI Collaborations Live! + Belle & The Vertigo Waves + David George + Dick Von Dyke

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2019

Bill Sundahl & Collaborations Live! at The Folly
+ The Volker Brothers + Dick Von Dyke +
Belle & The Vertigo Waves

Raye Zaragoza

Anothermaxwell

Mark spins New & MidCoastal Releases from: Berwanger, The Philistines, Belle & The Vertigo Waves, Quixotic & Calvin Arsenia, Volker Brothers, Stacy Busch, Anothermaxwell, Jessica Paige, Raye Zaragoza, Mavis Staples, and more!

Volker Brothers

At 10:15 David George shares new music from Volker Brothers new EP Wrecking Ball, to be released on June 28. This is the second EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers. The new Volker Brothers EP was recorded at Weights and Measures Sound Lab with engineer Duane Trower, with Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass. Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

At 10:35 Bill Sundahl shares details about Collaborations Live!, Saturday, June 29, at 8:00 PM at The Folly Theatre, 300 West 12th St, KCMO. Collaborations Live! brings together 13 never before seen performances on the historic Folly Stage. The show begins with two songs, then one artists exits the stage and a second collaborator joins the remaining artist to perform two more songs, and then one leaves and is joined by another artist for two more songs. Collaborations Live! includes: Quixotic Performers, Maria Cuevas (of Maria the Mexican), The Wires, Jessica Paige, Mark Lowrey, Rick Kloog, Kelly Hunt, Traditional Music Society, Fanny and Ryan Head, Ceili at the Crossroads, SugEasy, VJDN8, and Casey Key. This event is a Fundraiser for KKFI 90.1FM Kansas City Community Radio. More info at http://www.kkfi.org and http://www.follytheatre.org

Dick Von Dyke

At 11:00 Mark talks with Dick Von Dyke who hosts and produces The Dick & Dyke Show every Thursday at 10:00 PM, at Missie B’s, 805 West 39th Street, KCMO. Dick Von Dyke has been a male impersonator since 2014 and was named King of Pride St. Louis Pride in 2018. Dick Von Dyke presents Night of a Thousand Dicks, featuring Annie Cherry, Heidi Banks, Lavender Skye, Lily Juju Bech, Monica Blowinsky, Sheila Tackü, Sylvia Wrath/Billie Eyelash, with a special appearance by Kody Von Du, on Friday, June 28, at 8:00 PM at Missie B’s.

Belle & The Vertigo Waves

At 11:30 Belle & The Vertigo Waves join us to share their new single “Fear Or Faith.” Members include Belle Loux on lead vocals, Jeremiah Scott on bass, John Loux on guitar, and Jared Madden on guitar. Belle & The Vertigo Waves play the Berwanger ‘Watching A Garden Die’ Album Release Show on Thursday, June 27, at 7:00 PM at The Rino, 314 Armour Rd, North Kansas City with Other Americans. Belle & The Vertigo Waves play The Bottleneck, 737 New Hampshire St, Lawrence, KS on Saturday, June 29, at 8:00 PM opening for Second Hand King with Thames. Belle & The Vertigo Waves play a Single Release Party, Saturday, July 13, at 10:00 PM with Emmaline Twist at Replay Lounge, 946 Massachusetts St, Lawrence, KS. More information at: http://www.thevertigowaves.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #792

WMM Playlist from June 19, 2019

Rod Parks

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 19, 2019

The Sound & Vision of Rod Parks

Rod Parks is owner of Retro Inferno. He serves on the board of directors for Owen Cox Dance Group and he is a long-time supporter of area artists and musicians. Rod lives in the Bruce Goff “Nicol House” commissioned by Jim & Betty Nicol in 1964, where Rod hosts fundraisers and house concerts. Rod Parks grew up in Smithville, Missouri, and started playing drums when he was 11. Rod graduated from the University of Missouri in Columbia with a bachelor’s degree in marketing education and completed master’s degrees in education in 1993. Throughout these years Rod played drums in bands, worked in the grocery store business, and taught high school for ten years. Rod was accepted into the UMKC doctoral program in counseling psychology, and finished coursework for the PhD in 1996. Rod started buying mid-century modern furniture in the mid 1990s. In 1998, Rod opened his first store at 1712 Main, and in 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard.

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Julian Lage – “The Ramble”
from: Modern Lore / Mack Avenue Records / February 2, 2018
[Julian Lage (/lahj/) was born December 25, 1987 in Santa Rosa, California. He is an American guitarist and composer. A child prodigy, Lage was the subject of the 1996 short documentary film Jules at Eight. At 12, Lage performed at the 2000 Grammy Awards. At 15, Lage became a faculty member at the Stanford Jazz Workshop at Stanford University. Classically trained at the San Francisco Conservatory of Music, Lage has studied at Sonoma State University and the Ali Akbar College of Music. He graduated from the Berklee College of Music in 2008. On March 24, 2009 Lage released his debut album Sounding Point on EmArcy Records, to favorable reviews. It was nominated for the 2010 Grammy Award Best Contemporary Jazz Album. Lage’s second album, titled Gladwell was released April 26, 2011, to positive reviews. On March 2, 2015, Lage released his first solo acoustic album entitled World’s Fair, and on March 11, 2016, he released his fourth album as a leader, Arclight. As of 2018, Lage’s trio features bassist Scott Colley and drummer Kenny Wollesen. Lage also has duo projects with guitarists Chris Eldridge, Gyan Riley and Nels Cline. For the 2017 guitar duo album Mount Royal, Lage and Eldridge received a Grammy nomination for Best Contemporary Instrumental Album.]

10:10

3. John Zorn – “Merkaba (performed by Gnostic Trio (Bill Frisell on guitar, Kenny Wollesen on vibes, Carol Emanuel on harp)”
from: Masada Book Three – The Book Beri’ah CD 7 Netzach – Gnostic Trio / TZADIK / 2018
[The Book Beri’ah—the final 92 compositions that complete the 25-year Masada legacy in a beautiful limited edition box set of 11 CDs! written by John Zorn).John Zorn was born September 2, 1953, and is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as “one of our most important composers”. Zorn established himself within the New York City downtown music movement in the mid-1970s, performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987 and Naked City in 1990. After spending almost a decade travelling between Japan and the US, he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s. Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.]

10:17 – Interview with Rod Parks

Rod got his first good drum kit at 12, and then another when he was 15 that he still has (and others). Rod played in bands in his teens and then not again until he was in his 30’s.

10:23

4. Brad Mehldau – “When It Rains”
from: Largo / Warner records / August 13, 2002
[Bradford Alexander Mehldau (/ˈmɛlˌdaʊ/) was born August 23, 1970 in Jacksonville, Florida. He is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, and toured and recorded while still a student. He was a member of saxophonist Joshua Redman’s Quartet with bassist Christian McBride and drummer Brian Blade in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released a dozen albums under the pianist’s name. Since the early 2000s Mehldau has experimented with other musical formats in addition to trio and solo piano. Largo, released in 2002, contains electronics and input from rock and classical musicians; later examples include touring and recording with guitarist Pat Metheny, writing and playing song cycles for classical singers Renée Fleming and Anne Sofie von Otter, composing orchestral pieces for 2009’s Highway Rider, and playing electronic keyboard instruments in a duo with drummer Mark Guiliana. Aspects of pop, rock, and classical music, including German Romanticism, have been absorbed into Mehldau’s writing and playing. Through his use of some traditional elements of jazz without being restricted by them, simultaneous playing of different melodies in separate hands, and incorporation of pop and rock pieces, Mehldau has influenced musicians in and beyond jazz in their approaches to writing, playing, and choice of repertoire. More info at: http://www.bradmehldau.com]

10:30 – Underwriting

10:32 – Interview with Rod Parks

Rod joined the family business managing grocery stores in Smithville, 1981 to 1986.

10:38

5. Ralph Towner, Jan Garbarek, Eberhard Weber & Jon Christensen – “Piscean Dance”
from: Solstice / ECM Records GmbH / January 1, 1975
[Solstice is an album by the American guitarist Ralph Towner that was released on the ECM label in 1975. It features Ralph Towner on 12-string and classical guitar & piano; Jan Garbarek on tenor and soprano saxophone & flute; Eberhard Weber on bass & cello, and Jon Christensen on drums & percussion. The 1977 album, Solstice/Sound and Shadows, was released by Towner on ECM with the same quartet. Allmusic awarded the album with 4.5 stars and its review by Michael G. Nastos states: “Of the many excellent recordings he has offered, Solstice is Towner’s crowning achievement as a leader fronting this definitive grouping of ECM stablemates who absolutely define the label’s sound for the time frame, and for all time”. All compositions by Ralph Towner except “Sand” by Eberhard Weber.]

10:43 – Interview with Rod Parks

Rod Parks Graduated High School 1975 and then went to MU in Columbia. Rod majored in Marketing Education. He coordinated a marketing education program in Versailles MO. from 1979 to 1981. After Rod worked in the Grocery business in Smithville, he taught school again from 1988 to 1998. Rod moved to Brookside in 1993 when I got into the UMKC Doctoral program in Counseling Psychology. Rod completed Masters and Ed Specialist degrees from 1990 to 1993.

10:49

6. Jakob Bro, Palle Mikkelborg, Thomas Morgan & Jon Christensen – “Lyskaster”
from: Returnings / ECM Records GmbH / March 23, 2018

Jakob Bro was born April 11, 1978. He is a Danish guitarist and composer. Bro leads a trio with Joey Baron and Thomas Morgan. In the fall of 2016 the trio released the album Streams (ECM). Bro also works with Palle Mikkelborg and Bro/Knak, a collaboration with the Danish electronica producer Thomas Knak. Bro is a former member of the Paul Motian Band (Garden of Eden, ECM, 2006) and a member of Tomasz Stanko’s Dark Eyes Quintet (Dark Eyes, ECM, 2009). Bro has worked with Paul Bley, Chris Cheek, Andrew D’Angelo, Bill Frisell, George Garzone, Lee Konitz, Thomas Morgan, Paul Motian, Oscar Noriega, Kurt Rosenwinkel, Chris Speed, Ben Street, Mark Turner, David Virelles, and Kenny Wheeler.

Palle Mikkelborg was born March 6, 1941. He is a Danish jazz trumpeter, composer, arranger and record producer. He started playing professionally in 1960, and has since been a dominant figure on the Danish and international progressive jazz scene. He has released several solo records, and recorded with various co-founded groups, as well as appearing as sideman or arranger on numerous international records. Notable international collaborations include appearances with the Gil Evans Big Band, the George Russell Big Band, Gary Peacock, Jan Garbarek, and Miles Davis, for whom he composed and produced the 1985 (released 1989) record Aura. In 2001 he was awarded the Nordic Council Music Prize.

Thomas Morgan was born August 14, 1981 in Hayward, California. He is an American jazz musician (upright bass, cello) in contemporary jazz. Morgan began playing the cello at 7, eventually switching to upright-bass at 14. In 2003 he received his bachelor’s degree in Music from the Manhattan School of Music, where he studied with Harvie Swartz and Garry Diall. He has also studied briefly with Ray Brown and Peter Herbert. Morgan has worked with David Binney, Steve Coleman, Joey Baron, Josh Roseman, Brad Shepik, Steve Cardenas, Timuçin Şahin, Kenny Wollesen, Gerald Cleaver, Adam Rogers and Kenny Werner.[2] He has also collaborated with Jakob Bro, Dan Tepfer, Jim Black, John Abercrombie, and Masabumi Kikuchi, and he has performed with the Sylvie Courvoisier-Mark Feldman Quartet. Morgan was featured prominently on the 2017 ECM album Small Town in a duet setting with guitarist Bill Frisell. The album documents a 2016 live performance at the Village Vanguard. In 2014, Morgan’s own trio, featuring a keyboardist and drummer, was reviewed by jazz critic Ben Ratliff in the New York Times.

Jon Ivar Christensen was born March 20, 1943 in Oslo, Norway. He is a Norwegian jazz drummer. He is married to actress, minister, and theater director Ellen Horn, and is the father of singer and actress Emilie Stoesen Christensen. In the late 1960s Christensen played alongside Jan Garbarek on several recordings by the composer George Russell. He also was a central participant in the Jazz band, Masqualero, with Arild Andersen, and they reappeared in 2003 for his 60th anniversary. He appears on many recordings on the ECM label with such artists as Keith Jarrett, Jan Garbarek, Terje Rypdal, Bobo Stenson, Eberhard Weber, Ralph Towner, Barre Phillips, Arild Andersen, Enrico Rava, John Abercrombie, Michael Mantler, Miroslav Vitous, Rainer Brüninghaus, Charles Lloyd, Dino Saluzzi and Tomasz Stanko. He, along with Jan Garbarek and Palle Danielsson, was a member of the legendary Keith Jarrett “European Quartet” of the 1970s which produced five excellent jazz recordings on ECM Records.

10:54 – Interview with Rod Parks

Rod Parks happened upon an estate sale while furnishing his Brookside house and started buying 50’s-60’s Mid-century modern stuff. People would come over and say it was cool, so he started trusting his eye and researching designers etc.

Rod started buying and selling furnishings. His garage and basement became full, so he started filling storage lockers, and then warehouse floors. Rod finished the coursework for the PhD in ’96. And then Rod resigned from teaching in 1998 and opened Retro Inferno in June of that year having accumulated a warehouse full of stuff.

11:00 – Station ID

7, Cymande– “Listen”
from: Renegades of Funk / Alaska Records / June 7, 2005
[Best of anthology from Cymande (See-man-day) was a British funk group that released several albums in the early 1970s and reunited in 2014 with a European tour and a new album released in 2015. The group was formed by Steve Scipio and Patrick Patterson in 1971 in London, England, along with musicians from Guyana, Jamaica and Saint Vincent. The name Cymande is derived from a calypso word for dove, symbolizing peace and love. The group developed a subtle and complex, deep funk style influenced by calypso rhythms, jazz, African music, American soul and UK rock of the time. By the mid-1970s the band members were going their separate ways, and the group disbanded in 1974. It was not until 20 years later that they reaped any financial rewards, as their music became a popular source for samplers. Cymande’s original albums are still widely sought-after by DJs and funk aficionados. Perhaps the band’s best known recording is the soulful dance floor filler called “Bra”, which was later sampled by the American hip-hop group De La Soul and used as a breakbeat record by Kool Herc and Grandmaster Flash. Cymande was accidentally discovered by English producer John Schroeder in a Soho, London club where they were rehearsing. He was there to see a rock band but the gig had been cancelled, and he stumbled upon these West Indian musicians. He soon signed the band and recorded their initial single “The Message.” The single was released by Janus Records, a division of Chess Records. The track reached #20 on the US Billboard R&B chart. This set the stage for Cymande’s self-titled release in 1972. Cymande traveled to New York after the success of the first album, and began a tour of the US with Al Green. They also shared a few bills with the Latin funk ensemble Mandrill. They played a few important venues, including The Apollo, and played a gig on Soul Train. The band released three LPs for Janus. However, their final album, Promised Heights, was not released in the US, where Cymande had achieved their initial success. Promised Heights included “Brothers on the Slide”, “The Recluse” and “Promised Heights”. The tracks “Brothers on the Slide” and “Bra” also were staples of the rare groove scene that developed in London and New York nightclubs during the 1980s.]
Cymande Discography

1972 – Cymande
1973 – Second Time Round
1974 – Promised Heights
1981 – Arrival
1999 – The Message (compilation)
2000 – The Soul of Rasta (compilation)
2003 – The Best of Cymande (compilation)
2003 – Nyah-Rock (compilation)
2004 – Renegades of Funk (best of anthology)
2007 – Promised Heights (reissue compilation)
2015 – A Simple Act of Faith

11:05 – Interview with Rod Parks (Retro Inferno)

Rod resigned from teaching in ’98 and opened Retro Inferno in June 1998 at 1712 Main.

In March 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard.

11:11

8. The Jim Campilongo Trio – “Cock ‘n Bull Story (feat. Nels Cline)” [Live]
from: Live at Rockwood Music Hall Nyc / Bully Cat Music / November 13, 2017
[Jim Campilongo was born July 8, 1958. He is a New York guitarist from San Francisco and a member of The Little Willies with Norah Jones. Campilongo plays a Fender Custom Shop Campilongo Signature Fender Telecaster. He employs a hybrid right-hand technique that involves the use of both a plectrum and his fingers. He holds a mandolin pick between his thumb and forefinger while plucking with his middle and third fingers. He is a teacher and a contributing editor for Guitar Player magazine. Campilongo was born in South San Francisco, California. When he was nine, he discovered the Beatles and Jimi Hendrix. He became interested in improvisation, saying in one interview, “I knew I liked improvisation and long musical journeys…so I used to buy albums based exclusively on how long the tracks were…That’s how I discovered John Coltrane Live in Japan, John McLaughlin Devotion, a couple of different Cream albums.” Campilongo’s career began in the mid-1970s. He studied guitar in San Francisco with Bunnie Gregoire, who taught him to embrace many genres of music, including the work of jazz guitarist George Van Eps and country singer John Denver. He used green stamps to buy his first guitar. During high school, he played with his friend and drummer Ken Owen, and when he was seventeen he began performing with local bands. One of Campilongo’s biggest influences at the time was blues guitarist Roy Buchanan. His recording career started in San Francisco in 1996 when he formed Jim Campilongo and the 10 Gallon Cats. After several years, he left the group and recorded Table for One in 1998. He has played with Al Anderson, Bright Eyes, Cake, J. J. Cale, Steve Cardenas, Burning Man, Chris Cheek, Nels Cline, Patrick Stewart, Charlie Hunter, Adam Levy, Sunny Ozell, David Rawlings, Peter Rowan, Teddy Thompson, Martha Wainwright, and Gillian Welch.]

10:22 – Interview with Rod Parks

Rod Parks lives in the Bruce Goff “Nicol House”, commissioned by Jim and Betty Nicol in 1964. It’s his third house. His has moved each time within 10 blocks of each house, moving not for more space, but moving for the architecture of each place.

Bruce Alonzo Goff was born June 8, 1904 and died August 4, 1982. He was an American architect, distinguished by his organic, eclectic, and often flamboyant designs for houses and other buildings in Oklahoma and elsewhere.

A 1951 Life Magazine article stated that Goff was “one of the few US architects whom Frank Lloyd Wright considers creative…scorns houses that are ‘boxes with little holes.”

Bruce Goff’s father, Corliss, the youngest of seven children born to a builder in Cameron, Missouri, who learned to be a watch repairman at an early age, and moved to Wakeeney, Kansas, where he opened his own watch repair business. One day a young schoolteacher named *** came in to have own watch repaired. Romance blossomed quickly and the two were married in 1903 at the home of her parents in Ellis, Kansas. Soon after marriage, the couple moved to the farm town of Alton, Kansas, where their son, Bruce, was born.

Life was still very difficult for the Goffs in Alton, so they moved south to what would become Tulsa, Oklahoma, (but was then Indian Territory.) At the end of the first summer, they moved to Henrietta, where Bruce’s sister was born in 1906. Then they moved to Skiatook and Hominy, where he saw the Indians in ceremonial dress, and was very impressed with their patterns and color. He started school in Skiatook, where he was fascinated by a picture of the Mormon Temple in Salt Lake City, his first real exposure to architecture, other than frontier structures. Later, after moving to Hominy, he began drawing fanciful pictures of such buildings on wrapping paper.

Golf’s family decided in 1913 to relocate to Denver, Colorado, where the father expected that his fortunes would change for the better. First, Corliss went ahead of the mother and children who stayed with her relatives in Ellis, Kansas. He bought a watch shop and opened for business. Meanwhile Bruce, displaying the talent of an artistic prodigy, learned to paint from nature [b] At the end of the summer, 1913, Corliss sent for the family to rejoin him in Denver. The economy did not favor his efforts, and Bruce later remembered going to bed hungry many nights, because his father could not afford enough food for the family. After a year and a half of constant struggle, Corliss realized that his fortune was not going to change there.

Goff’s parents decided to move back to Tulsa in 1915. Corliss had given up on the watchmaking business and became a grocery equipment salesman. Bruce was largely self-educated and displayed a great talent for drawing. He enrolled in the 6th Grade at Lincoln Elementary School, where his first art teacher, a Miss Brown, strongly supported his individualistic artistic expression.[2], p. 18. [c] His father apprenticed him at age twelve to the Tulsa architectural firm of Rush, Endacott and Rush.[d] Goff’s employers were impressed with his talent; they soon gave him responsibility for designing houses and small commercial projects. One of his earliest designs that was actually built was a house at 1732 South Yorktown Avenue in Tulsa’s Yorktown Historical District; another was the 1920 McGregor House, at 1401 South Quaker Street in what is now known as the Cherry Street District. This house was added to the National Register of Historic Places in 2014.[2], p. 29-30. During this period, his work was heavily influenced through his correspondence with Wright and with Louis Sullivan, both of whom had encouraged him to practice architecture with Rush, Endacott and Rush instead of enrolling in Massachusetts Institute of Technology; they felt the formal education would stifle his creativity. Goff was made a firm partner in 1930.[3] He and his high-school art teacher Adah Robinson are co-credited with the design of Tulsa’s Boston Avenue Methodist Church, one of the finest examples of Art Deco architecture in the United States. Goff designed the Tulsa Club, downtown Tulsa’s historic landmark, in 1927.

Chicago period – In 1934 Goff moved to Chicago and began teaching part-time at the Academy of Fine Arts. He designed several Chicago-area residences and went to work for the manufacturer of “Vitrolite”, an architectural sheet glass introduced during the 1930s.

Military experience – In March 1942, three months after the Japanese Navy attacked Pearl Harbor. Goff enlisted in the U.S. Navy, Naval Construction Branch (“Seabees”). Called to active duty in July 1942, he underwent basic training, at first in Rhode Island and then at Gulfport, Mississippi. After graduating in September, he was promoted to Chief Petty Officer (CPO) and posted to Dutch Harbor, Alaska, where he spent 18 months. His design assignments were strictly conventional (e.g., a club house, a mess hall, an officers’ club), limited by military regulations, availability of materials, cost, schedules, etc.)

In March 1944, CPO Goff was ordered to report to Camp Parks, a naval complex in Dublin, California east of Oakland, for rehabilitation and reassignment (R & R). A senior officer, Admiral Reeves, who was familiar with Goff’s work in Alaska, had Goff assigned to the base operations staff. Goff would remain there until he was discharged from the Navy in July 1945

In 1943, the Marine command had ordered a project to enlarge some service facilities for men stationed there and their civilian visitors (families). The project included remodeling eight existing buildings and constructing the newly-approved McCann Memorial Chapel. Captain James Wilson, Chief Engineering Officer of the base, assigned CPO Goff the job of designing all of the projects. He reminded Goff that the same restrictions he had experienced in Alaska would apply here.

The chapel employed two surplus warehouse-type Quonset huts, each 40 feet (12 m) by 100 feet (30 m) and laid end-to-end, as the basic enclosure. A pylon, on which was mounted a two-sided cross, penetrated the hut wall behind the altar. Since the chapel had to be multi-denominational, one side of the cross (designated “Protestant”) was unadorned. The reverse side of the cross (“Catholic”) was adorned with a crucifix. For Jewish services, the cross could be concealed by the tablets of Moses.

According to Nicolaides, the Camp Parks chapel was purchased in 1956, as surplus military property and rebuilt in San Lorenzo, California., No more has been published about the building.

Post-war period – He also obtained a teaching position with the School of Architecture at the University of Oklahoma in 1942. Despite being largely self-taught, Goff was named chairman of the school in 1943. This was his most productive period. In his private practice, Goff built a large number of residences in the American Midwest, developing his singular style of organic architecture that was client- and site-specific.

In 1955, Goff, who was homosexual, was accused of “endangering the morals of a minor”, as homosexuality was not socially acceptable in Oklahoma in 1955. As a result of the unproven claims, he was forced to resign from his position at the University of Oklahoma. Historians and writers have expressed their belief that Goff was politically forced from his position specifically for being homosexual.

In 1955, Goff relocated his studio to the Price Tower in Bartlesville, Oklahoma, which had been designed by his mentor Frank Lloyd Wright. There he continued to produce novel designs, and also spent considerable time traveling and lecturing. Articles about his ideas and designs appeared frequently in professional magazines, such as Progressive Architecture, Art in America and Architectural Forum. In 1960–1961 he had Arthur Dyson as an apprentice in his office and from 1958-1960 Harvey Ferrero also apprenticed with him.

Bavinger House – Goff’s accumulated design portfolio of 500 projects (about one quarter of them built) demonstrates a restless, sped-up evolution through conventional styles and forms at a young age, through the Prairie Style of his heroes and correspondents Frank Lloyd Wright and Louis Sullivan, then into original design. Finding inspiration in sources as varied as Antoni Gaudi, Balinese music, Claude Debussy, Japanese ukiyo-e prints, and seashells, Goff’s mature work had no precedent and he has few heirs other than his former assistant, New Mexico architect Bart Prince, and former student, Herb Greene.[12] His contemporaries primarily followed tight functionalistic floorplans with flat roofs and no ornament. Goff’s idiosyncratic floorplans, attention to spatial effect, and use of recycled and/or unconventional materials such as gilded zebrawood, cellophane strips, cake pans, glass cullet, Quonset Hut ribs, ashtrays, and white turkey feathers, challenge conventional distinctions between order and disorder.

Many of Goff’s designs are on display at the Modern Wing at the Art Institute of Chicago.

In 2002 director Heinz Emigholz produced the documentary film Goff in the Desert which depicts 62 of Bruce Goff’s buildings. He also used imagery from this movie for the music video Celtic Ghosts of German band Kreidler.

Goff was active from 1920s til his death, with posthumous projects completed by associates. His works were considered for listing on the U.S. National Register of Historic Places.

The following are selected major works:

1926: Boston Avenue Methodist Church, Tulsa, Oklahoma
1927: Page Warehouse, Tulsa (demolished)
1928: Riverside Studio, Tulsa, Oklahoma
1938: Turzak House, Chicago, Illinois
1947: Ledbetter House, Norman, Oklahoma
1948: Bachman House, Chicago, Illinois
1950: Bavinger House, Norman, Oklahoma (demolished in 2016)
1955: John Frank House, Sapulpa, Oklahoma
1968: Glen Mitchell House, Dodge City, Kansas
1970: Glen Harder House, Mountain Lake, Minnesota
1978: Pavilion for Japanese Art at the Los Angeles County Museum of Art, LA California

Goff’s contributions to the history of 20th-century architecture are widely praised. His extant archive—including architectural drawings, paintings, musical compositions, photographs, project files, and personal and professional papers—is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.

Bruce Goff’s headstone, designed by his student Grant Gustafson. His Bavinger House was awarded the Twenty-five Year Award from the American Institute of Architects in 1987, and Boston Ave Methodist Church was designated a National Historic Landmark in 1999.

Death – Goff died in Tyler, Texas, on August 4, 1982. His cremated remains are interred in Graceland Cemetery, Chicago, Illinois, with a marker designed by Grant Gustafson (one of Goff’s students) that incorporates a glass cullet fragment salvaged from the ruins of the Joe D. Price House and Studio.

11:28

9. Ceramic Dog – “Muslim Jewish Resistance (feat. Marc Ribot)”
from: TYRU Still Here? (feat. Marc Ribot) / Northern Spy / April 27, 2018
[Allmusic awarded the album 4½ stars out of 5 with Matt Collar stating, “the pugilistic, stylistically expansive third album from Ceramic Dog, guitarist/singer Ribot’s punk-infused trio with bassist/singer Shahzad Ismaily and drummer/singer Ches Smith. Grounded by Ribot’s mutative, buzzy guitar lines and the band’s taut, often humorous lyrics piping with literate rage, YRU Still Here? has the feel of an ’80s hardcore punk 7″ recorded on a four-track over an intense few hours. While the band’s dissonant, MC5-esque brand of punk, improvisational jazz, and avant-garde rock has always evinced a kind of leftist artistic ire, it’s never been as overtly politically and socially minded as it is here”. PopMatters’ John Garratt rated the album 8 out of 10, saying, “Ceramic Dog slammed their collective hand onto a truly volatile moment to capture some appropriately volatile music. In a time when nationalism seems to be far too en vouge for comfort, you can always count on certain voices being raised (shouted?). Ribot was one of those voices before, and there’s no way he’s going to shut up now. … the album’s undercurrent muddies the water just enough to remind the listener that Marc Ribot and Ceramic Dog will never take the easy way out, even during the best of times. Sometimes, that’s how you stumble upon a future classic”. Marc Ribot was born May 21, 1954. He is an American guitarist and composer. His work has touched on many styles, including no wave, free jazz, rock, and Cuban music. Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn. Ribot was born in Newark, New Jersey. He grew up in the Montrose section of South Orange, the son of a noted physician. He has worked extensively as a session guitarist. He has performed and recorded with Tom Waits, Caetano Veloso, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Sam Phillips, Elvis Costello, Tift Merritt, Allen Ginsberg, Foetus, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Vinicio Capossela, Alain Bashung, McCoy Tyner, Elton John, Madeleine Peyroux, Marianne Faithfull, Diana Krall, Mike Patton, Stormin’ Norman & Suzy Williams, Neko Case, Joe Henry, Allen Toussaint, Ikue Mori and others. IN 2018 Ribot also released Songs of Resistance 1948 – 2018, assembling a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” ]

11:33 – Underwriting

11:35 – Interview with Rod Parks

Rod is a music fan and supporter of artists. He hosts receptions and house concerts in his Bruce Goff house. He hosts Art shows at Retro Inferno.

11:41

10. John Zorn – “A Void”
from: Insurrection / Tzadik / April 20, 2018
[John Zorn was born September 2, 1953, and is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as “one of our most important composers”. Zorn established himself within the New York City downtown music movement in the mid-1970s, performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987 and Naked City in 1990. After spending almost a decade travelling between Japan and the US, he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s. Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.]

11:47 – Interview with Rod Parks

Rod has an extensive art collection and music collection.

11:55

11. Gyan Riley – “Inner Smile”
from: Sprig / National Sawdust Tracks / March 39, 2018
[Gyan Riley (was born 1i 977). He is an American guitarist and composer. He is a son of minimalist composer Terry Riley. They frequently collaborate, including a tour in Europe in September 2016. Gyan Riley studied at San Francisco Conservatory of Music. He released his solo album Stream of Gratitude in 2013 on John Zorn’s Tzadik Records. He also performed with Zakir Hussain, Dawn Upshaw, San Francisco Symphony among others. In 2015, he released Nayive Eviyan, a collaboration with Czech violinist Iva Bittová..]

12. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on June 26 Bill Sundahl joins us to talk over the details about KKFI Collaborations at The Folly Theatre, Saturday, June 29. We will also talks with Dick Von Dyke who host The Dick & Dyke Show every Thursday at 10:00 PM at Missie B’s and presents Night of a Thousand Dicks, Friday, June 28, at 8:00 PM at Missie B’s. Also next week the band Belle & The Vertigo Waves join us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #791

WMM Playlist from October 24, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 24, 2017

Music From 2018 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana
+ Davin Watne and Funk The Vote

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The Record Machine release a single of this song on May 18, 2018 as part of their What’s Next: KC Sessions, but we prefer this recorded version.]

[Belle & The Vertigo Waves play a Very Vertigo Waves Halloween Show, Fri, Oct 26, at 8:00 PM at The Brick, 1727 McGee St, w/ Mene Mene, Rachel Mallin & The Wild Type and Vik G Trio at The Brick.]

3. The Phantastics – “Heartbreaker”
from: Like of the Party – EP / Kenet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantastics play the I Heart Local Music Presents: The Black & White Ball! Saturday, October 27, at 9:00 PM, at The Bottleneck, 7732 New Hampshire St., Lawrence, KS with HighWesthus]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

[Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip. ]

10:15 – Interview with Davin Watne

Artist, musician and educator – Davin Watne is a professor at UMKC where he teaches painting and drawing. He is a practicing artist that exhibits nationally, internationally and locally. Davin also plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions who released their latest album Chapel on vinyl, on April 7, 2018

Davin Watne joins us to share information about Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms). Thee Devotion will perform live along with DJ Lady J, and DJ Felt Tip.

Davin Watne thanks for being with us on Wednesday MidDay Medley.

Funk The Vote, Sat, Nov 3, 10:PM at The Ship, 1217 Union Ave. KCMO (West Bottoms).

DJ Lady J, and DJ Felt Tip will be spinning from their collection of rare and special soul 7″ singles.

Area political action organizations including: WOLF-PAC Missouri, New Approach Missouri, 350 KC, and the ACLU.

Thee Devotion started in January 1, 2008, with our drummer Keith Patterson and You. You formed Thee Devotion out of the ashes of our first band together called Emma Feel.

“Shake it Up” was written about Ferguson, Missouri.

Chapel is the band’s 2nd record produced by Bill Honan who played piano & moog.

All songs written by Thee Devotion.

The Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

10:27

Davin Watne thanks for being with us again on Wednesday MidDay Medley.

Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip.

10:28 – Underwriting

10:30 – Music from Outer Reaches Fest at recordBar – Fri & Sat, Oct. 26 & 27

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:33 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

Steve Tulipana, Brenton Cook, and Dedric Moore

Outer Reaches was originally called KC Psych Fest and started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City. While still very much in the psychedelic realm, the Outer Reaches Fest has grown to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music, that is adventurous and mind expanding. The Fest endeavors to emphasize musical acts experimenting and pushing boundaries.

2018 Outer Reaches Fest, is happening this weekend, Friday, October 26, and Saturday, October 27, at recordBar, 1520 Grand Ave, KCMO featuring 16 bands, including six bands from Kansas City, two bands from Lawrence, Kansas, a band from KCK, and bands from Brooklyn New York, and Fort Wayne Indiana, two bands from Chicago Illinois, two bands from Montreal Quebec, and a band from Sydney Australia.

Joining us to share music and information about Outer Reaches 2018 are three guys who together make Outer Reaches happen each year: Brenton Cook, Dedric Moore, and Steve Tulipana.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve helped launch recordBar’s 7″ Single Series, releasing limited edition singles from Victor and Penny and Emmaline Twist on recordBar’s own label: Eat.Hear. Records. Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

We just heard Mysterious Clouds who are part of the big Friday night line up:

Friday, October 26,
features:
Freight Train Rabbit Killer (KCMO),
Heaven’s Gateway Drugs (Fort Wayne, IN),
Mysterious Clouds (KCK),
Abandoned Bells (KCMO),
The Guillotine Choir (KCMO),
JC & the Nuns (Lawrence, KS),
Lesser Pleasures (Lawrence, KS),
New Obsessions (KCMO), and
Lava Dreams (KCMO).

10:40

6. Freight Train Rabbit Killer – “Shake Em” (7″ Vinyl)
from: Shake Em – 7″ Single / Haymaker Records / October 27, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:46 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

We hear talk that there will be an interactive Giant Rabbit on stage with Freight Train Rabbit Killer.

This year Outer Reaches is part of Open Spaces KC – Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

More info: http://www.outerreachesfest.com/

Friday night, October 26, features three area bands: The Guillotine Choir (KCMO), Lesser Pleasures (Lawrence, KS), and New Obsessions (KCMO), that are so new they are currently in the studios with their music, and have plans to release their debut recordings in the next few months.

10:51

8. Heaven’s Gateway Drugs – “Copper Hill”
from: Rubber Nun / dizzybird Records LLC / September 9, 2016
[Heaven’s Gateway Drugs is a counterculture cult rock band hailing from Fort Wayne, Indiana, a rust belt city best known for its abundance of churches and strip clubs. Despite being born in a location that couldn’t be farther from a psychedelic epicenter, Heaven’s Gateway Drugs creates a unique combination of freakbeat, west coast psych, mod, and eastern drone to create a sound that is just at home today as it was in 1968. This description only addresses part of the total experience that is Heaven’s Gateway Drugs. The group is led by Ben Carr, an enigmatic, psychedelic Pied Piper of sorts who entrances audiences with his movements and urges those in attendance to become one with the band. Remember always, “you are Heaven’s Gateway Drugs.”.]

[Heaven’s Gateway Drugs play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. JC & The Nuns – “Psych Burns”
from: Jeez – EP / Independent / September 28, 2017
[Lawrence badsed 4-piece band with JC onlead vocals, Sister Spirit on bass, Sister Hazel on guitar, Sister Sister on percussion. Recorded and mixed at Lawrence Public Library August 2017]

[JC & the Nuns play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:59 – Station ID

8. Lava Dreams – “SWEET SWEET”
from: SWEET SWEET – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams play Outer Reaches Fest, Friday, October 26 at recordbar.]

Dedric Moore, Mark Manning, Steve Tulipana, and Brenton Cook talk about Outer Reaches Fest.

11:03 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

Outer Reaches 2018 is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales from the event. Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

Sponsors for this year’s fest include KKFI 90.1 FM, Records with Merritt, 7th Heaven, KTBG 90.9FM The Bridge, Bullseye Records, Boulevard Brewing Company, Lagunitas Brewing Company, XO Blackwater, Josey Records, It’s a Beautiful Day, Seen Merch, Haymaker Records, Kosmic City, and Print Time.

Saturday, October 27
features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

Friday Tickets are $15 (Day of Show), $12 (Advance). Saturday Tickets are $20 (Day of Show), $15 (Advance). Two-Day Ticket available at: $25 (Advance).

For ticket information visit: http://www.therecordbar.com.

The Fest has grown organically, growing too big for FOKL, the arts/performance space in Kansas City, Kan., that hosted the first two KC Psych Fests.

In 2014 the fest moved to recordBar. Outer Reaches feels like a really great fit at recordbar. Steve’s experience booking bands adds to his collaboration with Dedric and Brenton in organizing the line up. recordBar, 1520 Grand, in the Crossroads

11:08

11. CAVE – “San’ Yago”
from: Allways / Drag City / October 29, 2015
[Chicago based 5-piece band made up of: Jeremy Freeze, Rob Frye, Rex McMurry, Cooper Crain, Dan Browning “]

[CAVE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 27]

12. J Fernandez – “Unwind”
from: Occasional Din / Joyful Noise Recordings / November 9, 2018
[First single from Chicago Illinois based musician J Fernandez started as the eponymous home recording project of Arkansas born Justin Fernandez, who came to Chicago in 2008 to work for map company Rand McNally. After three EPs, his 2015 debut LP ‘Many Levels of Laughter’ attracted high praise from the music press – including 8/10s from UNCUT and NME, plus end of year nods from Under The Radar and Brooklyn Vegan (who called it “one of 2015’s most underrated albums”). That year also saw him share the stage with the likes of Unknown Mortal Orchestra, Alvvays, Mitski, and Ezra Furman.s,

[J Fernandez plays Outer Reaches Fest, at recordBar, Sat, October 27]

11:17 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Festival this Friday and Saturday night at recordBar, 1520 Grand Avenue, in the Crossroads. More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

Saturday, October 27 features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

11:22

13. Sound of Ceres –”Humoria”
from: The Twin / Joyful Noise Recordings / October 6, 2017
[.Karen and Ryan Hover, having completed a Perfect Triumvirate of Candy Claws albums, formed Sound of Ceres in 2014 as a duo in collaboration with members of the Apples in Stereo and the Drums. While Candy Claws explored terrestrial realms such as the ocean, the forest, and the Mesozoic, Sound of Ceres expands to contemplate all of space and time, and the human place within it.]

[Sound of Ceres play Outer Reaches Fest, at recordBar, Sat, October 27.]

14. Death Bells – “Only You”
from: Standing at the Edge of the World / Burning House-Funeral Party / Sept 29, 2017
[Sydney Australia based band, with Maurice Santiago, Rimas Veselis, David Gauci, Aron Postolovic, Sam Shepherd ant William Canning]

[Death Bells play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:29 – Underwriting

11:31 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

Second Stage Sponsor:
KKFI 90.1 FM

Video / VJ Sponsors:
Records with Merritt
7th Heaven
KKFI 90.1 FM
KKFI Crossroads Music Fest 2018

Additional Sponsors:

KC Neighborhood Tourist Development Fund
Midwest Music Foundation
90.9 The Bridge
Open Spaces KC
Boulevard Brewing Company
Lagunitas Brewing Co
XO Blackwater
Josey Records Kansas City
recordBar
It’s a Beautiful Day
Sound 81 Productions
Seen Merch
Haymaker Records
Bullseye Records
Kosmic City
Print Time

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:36 – Montreal Solo Projects

15. Kee Avil – “Sponge”
from: Kee Avil – EP / Black Bough Records / March 15, 2018
[Kee Avil is a solo song project based in Montreal, QC. It combines guitar, voice and electronics into song forms that stagger between structure and improvisation. Kee Avil evolved from playing the guitar with broken cymbals and drumsticks into creating strange beats glued together by samples of screws dropped into crystal bowls. All music by Kee Avil. Mixing by Zach Scholes. Mastering: Sponge and by Harris Newman, and Zach Schole.]

[Kee Avil plays Outer Reaches Fest, at recordBar, Sat, October 27.]

16. Black Givre – “Collusion I”
from: Errance et mépris / Burning House – Funeral party / October 16, 2018
[Montreal, Québec based Black Givre is Samuel Bobony (drum & electronic). Recorded live in front of small audience at Studio Concrete by Zach Scholes. Mixed & Produced by Samuel Bobony & Olivier Fairfield. Mastering by Philippe. Black Givre is Samuel Bobony solo project. A sound artist who creates explosive pieces which combines drum, sampling, field recording and synthesizer. Also member of Avec le Soleil Sortant de Sa Bouche (Constellation Records) & Héliodrome (Endemik Music).]

[Black Givre play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:43 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:48

17. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 22, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala.]

[Jorge Arana Trio play Outer Reaches Fest, at recordBar, Sat, Oct. 27.]

11:51 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Outer Reaches FEST at recordBar on Friday & Saturday, October 26 & 27.

Friday, October 26
Freight Train Rabbit Killer
Heaven’s Gateway Drugs (Fort Wayne, IN)
Mysterious Clouds
Abandoned Bells
The Guillotine Choir
JC & the Nuns (Lawrence, KS)
Lesser Pleasures (Lawrence, KS)
New Obsessions
Lava Dreams

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More info: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:56

18. Monta At Odds – “Argentum Dreams (feat. Your Friend)”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from KCK based band formed by brothers Dedric and Delaney Moore.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on October 31, we brig you a special Halloween Show with Bela Lugosi, Boris Karloff and Bette Davis — plus an interview with Michael McQuary Man of 1001 Faces.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #757

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
____________________________________________________________________________

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

WMM Playlist from July 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Helen Gillet – “I Live Off You”
from: Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.

3. The Dear Misses – “All The Same”
from: All The Same – Single / Independent / June 19, 2018
[In early 2017 The Dear Misses releasd their first full length album, “Just Let Go,” written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band is made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. More information at: http://www.reverbnation.com/thedearmisses%5D

[The Dear Misses play The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, for the Vigil & Thieves “Make Sure They Hear You” Album Release Party, along with the bands Mess, Life Coach, and of course Vigil & Thieves.]

4. Belle & The Vertigo Waves – “Don’t Come Back”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play The Rino, 314 Armour Rd, North Kansas City, THursday, July 12, at 7:00 pm, with Carry Illinois, and Rachel Mallen.]

[Belle and The Vertigo Waves play Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, on Saturday, July 14 at 8:00 PM with The Monolithic, L.A. Jones, and Mene Mene.]

5. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play the I Love KC Music Birthday Show, Friday, July 13, at Californio’s with The Philistines and Temp Tats.]

6. Andrea von Kampen – “Boots of Spanish Leather (Live)”
from: Boots of Spanish Leather (Live) – Single / Andrea von Kampen / January 15, 2018
[Lincoln, Nebraska based singer songwriter with over 5 million Spotify streams Andrea von Kampen has quickly established herself in the recording studio and on the road. Her deft guitar work and intuitive song construction display striking maturity, and her effortless vocal delivery has been praised by Hear Nebraska as “soulful and worn-in.” Andrea has shared the stage with Tall Heights, Esme Patterson, Gregory Alan Isakov, Dead Man Winter, John Moreland, Dead Horses, Gaelyn Lea, and more. She was featured as a finalist in NPR’s Tiny Desk Contest, and won Eddie’s Attic Open Mic Night in Decatur, GA. Her recent midwest tour included a live session at Audiotree in Chicago. The resulting recording is now available wherever music is sold and streamed, alongside Andrea’s studio EPs “Desdemona” and “Another Day.”]

[Andrea von Kampen plays recordBar, 1520 Grand Ave, on Friday, July 13, at 7:00 PM with Calvin Arsenia and Of Tree]

7. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / Expected July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine).I n 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to)Stay” is set to be released on July 20th, 2018. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ]

[Keaton Conrad plays The Dubliner, 170 East 14th Street, Downtown, on Friday, July 13.]

10:30 – Interview with Liz Jeans

Liz Jeans on the July 11, 2018 edition of Wednesday MidDay Medley on KKFI.

Liz Jeans received her Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

Liz Jeans, thanks for being with us on Wednesday MidDay Medley

Liz’s first love was movement and dance, as a choreographer, dancer and teacher. She received her MA in dance from the University of Oregon, in Eugene, Oregon where she developed a Dance Program for the Community Center for the Performing Arts and co-directed POWERS & JEANS DANCE ENSEMBLE.

After a short debut in LA, she began an international escapade starting in Baghdad, during the Iran/Iraq war. She then moved to Paris where she danced at the historic Moulin Rouge. Liz also danced with Soho Productions in Tokyo and at the Friedreichstadt Palast in East Berlin while the Wall was still a very real aspect of German life.

In 1988, she returned to the US and taught dance in the Visual Performing Arts School for 7 years and in 2001 developed a dance program at St. Teresa’s Academy.

Liz combined her arts with the healing arts in 1997 and became a licensed massage therapist. She received her massage training from Mueller College in San Diego, CA.

Liz writes, “With my background in movement and body awareness as a dance educator, I know that if my body doesn’t feel good, I don’t feel good, that listening to my body is the first step to healing, and that taking care of my body is taking care of me. I know the importance of freedom of movement. Massage is an excellent step to creating a sense of well-being.”

In 2011, Liz expanded her repertoire to include animals, as they innately exude unconditional love, the core element of healing. Because they have no filters, their feedback is informative and useful in developing a stronger practice for both people and animals. Plus…. there are the benefits of unadulterated appreciation. She received her certification and began an internship at State Line Animal Hospital, where she continues to practice animal massage. Her clients include dogs and cats.

Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage.

A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

10:45 – Underwriting

8. Westerners – “Dog Years”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Brian Robertson. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, CS Luxem.]

[The Westerners play Lawrence Field Day Fest, Thursday, Juy 19, at 11:45 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

9. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering.. Matched with compelling cover-art created by Amy Abshier. Emmaline Twist joins us on WMM on August 22.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

10. Lincoln Marshall – “Brave”
from: Wake / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lovely Lawrence, Kansas. Artwork, Layout and Design By: The Art My Life Imitates Equipment Used: ASR-10. Approach aka Sean Hunt reports that is is a collection of songs we recorded during the creation of “Weight/Water” albums. “Milk & I revisited these songs and felt like they are strong enough to release. We are in the final stages of finishing our new album “Wisdom” and wanted to give you a little something in the meantime.”

[Lincoln Marshall play Lawrence Field Day Fest, Saturday, July 21, at 12:30 am, at Replay Lounge, 946 Massachusetts Street, Lawrence, Kansas.]

11:00 – Station ID

11:00 – Fally Afani Guest Producer

Wednesday MidDay Medley is celebrating the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records. http://iheartlocalmusic.com/2018/06/18/i-heart-local-music-announces-field-day-fest-lineup-2/

Fally Afani on the July 11, 2018 edition Wednesday MidDay Medley on KKFI.

Fally Afani, is Editor & Founder of I Heart Local Music and she joins us for our entire second hour as Guest Producer to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

Fally Afani, thank you for being with us in Wednesday MidDay Medley.

11. Khrystal. – “Black Girl Magic”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 8:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / Expected July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” You can preview the new single from Sowing Discord here: https://youtu.be/nGdafcUz3Zw%5D

[Serene Fiend plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 10:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Serene Fiend plays an ALBUM Release Friday, July 27 at 9:00 PM, at Jackpot Music Hall, 943 Massachusetts St, Lawrence, Kansas, with The Philistines]

13. The Sluts – “Only One”
from: Only One / The Sluts / May 25, 2017
[5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

[The Sluts play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

14. Bruiser Queen – “Sugar High”
from: Heavy High / Bruiser Queen / November 10, 2017
[St. Louis based Garage Pop Rock N Roll duo Bruiser Queen blend 21st Century punk stomp with 60’s girl group shimmy. Morgan Nusbaum’s vocals & guitar arrive on stage like a Riot Grrrl but bop to the beat of Jason Potter’s huge, dark drumming.]

[Bruiser Queen plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 9:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

15. Young Mvchetes – “Maniq (Radio Edit)”
from: The Week / Young Mvchetes / April 7, 2018
[Rap duo from Topeka Kansas. All tracks were recorded in a week. A;; tracks were written by Young Mvchetes. All track were produced, mixed, and mastered by Young Mvchetes and Devon Hanna, with additional guitars by MAADCXMMANDER ON “Maniq.” 99.9% of shredding performed by Devon Hanna.]

[Young Mvchetes play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 12:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

11:27 – Underwriting

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.][Duncan Burnett (Black Boy Joy, just released: http://iheartlocalmusic.com/2018/05/08/album-review-duncan-burnett-the-almighty-ep/%5D

[Duncan Burnett plays Lawrence Field Day Fest, Thursday, July 19, at 8: 00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

17. HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. He is now based in Kansas City. In October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all three parts as one 29 song collection. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.][HighWesthus – http://iheartlocalmusic.com/2017/08/17/drop-everything-and-see-highwesthus/%5D

[HighWesthus plays Lawrence Field Day Fest, Thursday, July 19, at 12:00 am, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

18. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play Lawrence Field Day Fest,, Saturday, July 21, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

19. Chess Club – “Thick”
from: Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.][Chess Club – http://iheartlocalmusic.com/2018/06/26/album-review-chess-club-hit-the-ball/%5D

[Chess Club play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 6:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

20. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece punk band from Kansas City. On this recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & The Tricks play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 8:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

21. Red Kate – “Iraqi Girl”
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals. Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com. //// Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book. /// Both tracks were recorded at Weight and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callander Printing in Kansas City, KS][http://iheartlocalmusic.com/2018/03/12/review-red-kate-iraqi-girlamerican-zone-singles/]

[Red Kate plays Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 10:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 18 we talk with organizers of this years Kansas City Fringe Festival, Plus Tim Finn joins us on the day before he presents, “A Look Back at Rockville: Great Moments in Kansas City Concerts” at The Kansas City Public Library – Plaza Branch, Thursday, July 19 at 6:30 PM. Plus, we’ll tlk with organizers of Mom’s Demand Action for Gun Sense benefit featuring: Howard Iceberg at Wednesday, July 25 at 7 PM , at The Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #742

Lawrence Field Day Fest 2018
TENTATIVE SCHEDULE – SUBJECT TO CHANGE

THURSDAY 7/19

The Bottleneck
7:00 LK Ultra
8:00 Duncan Burnett
9:00 Hannah Norris and The Band
10:00 Deco Auto
11:00 The Dead Girls
12:00 High Westus

The 8th Street Taproom
9:15 Hot Suede
10:15 Cuee
11:15 Breakadawn
12:15 The Harrisonics

The Replay Lounge
8:30 Asterales
9:30 Second Hand King
10:30 Annalibera (Des Moines)
11:30 Stitch 81 Classic
12:30 Salty

The Jackpot
7:45 They Call Me Sauce
8:45 Cuddle Puddle
9:45 The Travel Guide
10:45 The Uncouth
11:45 Westerners
12:45 Domineko

FRIDAY 7/20

The Replay Lounge Early
5:00 Something and The Whatever’s
6:00 TBA
7:00 The Windermeres
8:00 Tire Fire

The Replay Lounge Late
9:30 Approach
10:30 Blackheart Saviors
11:30 The Architects
12:30 Headlight Rivals

The Jackpot Music Hall
I Heart Local Music Showcase (order subject to change)
8:15 Khrystal
9:15 Bruiser Queen
10:15 Serene Fiend
11:15 The Sluts
12:15 Young Mvchetes

The Bottleneck
6:15 Even The Girl
7:15 Our Lives Yesterday
8:15 Bearblood
9:15 The Soiled Doves
10:15 Sheven
11:15 Godzillionaire
12:15 Hyborian

SATURDAY 7/21

The Replay Lounge Early
5:00 The Goodbye Sort
6:00 Nick Siegel and Band
7:00 Shoebox Money
8:00 Broken Arrows

The Replay Lounge Late
9:30 Metawatt and TRS-One
10:30 Momma’s Boy
11:30 The Ghoulies
12:30 Lincoln Marshall

The Jackpot Music Hall Early
3:30 Life Coach
4:30 Baby D
5:30 TBA

The Jackpot Music Hall Late
7:15 The Blackbird Fields
8:15 Philosophy Of Lions
9:15 Feng$hui
10:15 Louiz Rip
11:15 Vigil and Thieves
12:15 Vibralux

The Bottleneck
Black Site Records Showcase
6:00 Chess Club
7:00 Emmaline Twist
8:00 Wick and The Tricks
9:00 Rich Yarges and The Pop Mechanics
10:00 Red Kate
11:00 Truck Stop Love
12:30 Stiff Middle Fingers

Wednesday MidDay Medley

Wednesday MidDay Medley welcomes Fally Afani & Lawrence Field Day Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

Wednesday MidDay Medley celebrates the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records.

We’ll play music from: Khrystal., The Sluts, Duncan Burnett, Bruiser Queen, HighWesthus, Wick & The Tricks, Chess Club, Red Kate, Young Mvchetes, Lincoln Marshall and Westerners, plus radio premieres of tracks from Serene Fiend, Vigil And Thieves, and Emmaline Twist. We’ll also play New & MidCoastal Releases from Belle & The Vertigo Waves, Amy Farrand & The Like, The Dear Misses, Helen Gillet, Keaton Conrad, and Andrea von Kampen.

At 10:30 Mark talks with Liz Jeans who received her Bachelor’s of Science degree in Education and a Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded The Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. The Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

At 11:00, Fally Afani, Editor & Founder of I Heart Local Music joins us for our entire second hour to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #742

Wednesday MidDay Medley