WMM Playlist from Sept. 2, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is Allen Epley on voice, guitar, Rhodes; Josh Newton on guitar, Jason Gerken on drums, Cymbals; Paul Malinowski on bass. produced by Shiner. Recorded and mixed by Paul Malinowski at Massive Sound, Shawnee, Kansas. Additional recording by Allen Epley. Additional mixing by Josh Newton. Mastered by Mike Nolte at Eureka Mastering, Portland, OR. Art by Mike McKenney (@the_real_theory). Layout by Josh Newton Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.” The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.]

[SHINER plays a 15 Year Anniversary – Kickstarter Kick-Off Party with Heels and DJ Stevie Cruz on Friday September 4, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. recordBar is launching a Kickstarter campaign through their Lights On program, which is designed specially to help businesses find funding to weather the pandemic. This campaign will celebrate recordBar’s 15th year by offering rewards of limited edition merchandise, items from recordBar’s vast collection of memorabilia, future tickets and much more. To launch the campaign, an all-time favorite band, Shiner will perform. Tickets can be purchased through the Lemonade Park or recordBar website. This show will also be available via live-stream from the Kickstarter page. Tickets are limited to 75 and are available for $75 a piece, with assigned seating. Donations for the Day of Show Auction include prizes from: KC Royals, Midwest Music Foundation, Jack Daniels, Tito’s, Drunken Fiddles, The Record Machine, Ragazza, The Midland Theater, Josey Records, The Pairing, Boulevard Brewery, Manor Records, Jaykco Guitar Straps, Weights & Measures Recording Studio, Massive Sound Recording Studio, Records With Merritt, Messenger Coffee, Ibis Bakery. More info at: http://www.shiner.net / http://www.kickstarter.com/projects/recordbar/15-year-anniversary-recordbar-will-return%5D

[SHINER plays Night 2 of recordBar 15 Year Anniversary Party with The Whiffs and DJ Thundercutz on Sunday September 6, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

3. Daniel Gum – “Ruin Your Life”
from: Ruin Your Life – Single / Manor Records / September 4, 2020
[First single from Daniel Gum’s new album, Thirteen to be released later this fall on Manor Records. Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Sam Prekop – “Summer Places”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

5. Miki P and The Swallowtails – “Imperfect”
from: Right Where We Are / Miki P / August 21, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P (Mikala Petillo) started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

6. Paper Tongues – “Just Do It”
from: Just Do It – Single / Soundview Projects / August 5, 2020
[Paper Tongues are a musical hailing from Charlotte North Carolina. Aswan North grew up in Jacksonville, North Carolina and Danny Santell is originally from the Bronx, New York City, NY. The two combine forces to deliver an eclectic Rock & Hip Hop Sounds. Danny Santell now resides in Kansas City. Paper Tongues was once signed to AM Octone Records and was managed by Randy Jackson (American Idol/Journey). They left the label and got their masters back and are now truly independent recording artists!.]

7. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:30 – Underwriting

8. Sean Muldoon & Ashley Davis – “Perfectly Beautiful”
from: LightSongs / Dead Rabbit Records / January 14, 2020
[Think Joni Mitchell meets contemporary Celtic and you’ll get something like the creative force of Ashley Davis, an American singer-songwriter whose musical imagination invites the world into her eclectic sphere. Good Morning America, describes the Ashley Davis Band as “new music springing from ancient roots.” A culmination of the many influences that have inspired her over the years, Davis’s songwriting has captivated audiences on either side of the Atlantic. She has excelled in Celtic folk, Americana, and even electronic, proving she can turn any musical style into a spellbinding story. In the words of Academy Award winning composer Philip Glass, Ashley Davis has “as much musicality as anyone could wish for.” A native of Kansas and graduate of the University of Limerick’s World Music Centre, Ashley Davis writes music that lives between continents and speaks to two national traditions. Between her background in American roots and love of Celtic folk, Davis possesses a unique talent for conjoining ancient history with modern, intercultural interpretation. As a performer moving between Nashville, New York, the west of Ireland, and even the Isle of Man, where she served as Artist in Residence in 2006, Ashley has always applied her distinct Great Plains perspective to a range of genres and cultures, forging songs out of the moment when different minds and backgrounds meet. Given all the time she has spent traversing the Atlantic, it is unsurprising that Davis’s music exhibits an inherently ethereal and aqueous quality. Her songs seem to exist air bound above the ocean, merely waiting for the current to direct them toward shore..]

[Ashley Davis plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:34 – Interview with David Shaughnessy

What happens when you are in the middle of a pandemic and your annual celebrated and incredibly popular annual KC Irish Fest is scheduled for Labor Day Weekend. The result is: KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating, and also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.

David Shaughnessy works at Uptown Artist Group, an artist booking and management agency specializing in contemporary Celtic, World and Mainstream music. Their roster consists of Byrne and Kelly, Mundy, Ashley Davis, Runa, Red Hot Chilli Pipers, Dylan Walshe, Shane Hennessy, and Oscar Blue. David is also the founder of Shaughnessy & Associates Photography and he serves as Entertainment Director at Kansas City Irish Fest.

David Shaughnessy, Thanks for being with us on WMM.

Check out http://www.kcirishfest.com for a full listing of Fest Where You Are

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

Classic Irish hits & covers from house band Carswell & Hope with guest performances.

PERFORMING LIVE AT CROWN CENTER: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

VIRTUAL PERFORMANCES & INTERVIEWS: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

FEST WHERE YOU ARE BENEFIT CONCERT

Audiences can enjoy the benefit concert live, in-person at Crown Center, with physically distanced tables that seat up to six guests of your choice (and include a beverage package featuring Guinness, Boulevard Products, Miller Lite, wine and water.) Each table also receives a swag bag with gifts from all our Fest Where You Are partners including koozies, bandanas, glassware, and a KC Irish Fest branded mask! All tables are outside under the Crown Center Pavilion tent and spaced a minimum of 8-feet apart. Limited tables available. Tickets must be purchased by table and cannot be purchased individually. Must be 21+ to attend, and agree to these terms and conditions. All proceeds from this concert will be donated to the Kansas City Irish Fest Grant Fund and other non-profit organizations. info@kcirishfest.com
Purchase tickets for the in-person event at Crown Center here: https://bit.ly/3gT2dtu

FEST WHERE YOU ARE CONCERT LIVE FROM CROWN CENTER
WATCH VIRTUALLY VIA LIVESTREAM on KCIrishFest.com
SATURDAY, SEPTEMBER 5TH, 7-9PM

OTHER WAYS TO WATCH

KANSAS CITY IRISH CENTER
Kansas City Irish Center will have a limited number of tickets available for purchase, for a seat on their patio to watch a livestream broadcast of the concert outdoors on a large LED screen. Tickets are $25 and food and beverages will be available for purchase.Enjoy a pre-show with Ian & Kian Byrne.

KELLY’S WESTPORT INN
Kelly’s Westport Inn will be featuring the concert on their TV sets and will have reserved tables available for purchase. Tickets are $15 per person and you must reserve your table by August 20th. Tickets must be purchased by table and cannot be purchased individually. To reserve your table, email info@kellyswestportinn.com

Reservations begin at 7pm but you can stay as long as you like
Table sizes range from 2-20 people, but are limited
All tables are located in the back two rooms of Kelly’s
Ticket includes two drink tickets for Boulevard Wheat, Pale Ale or a Jameson cocktail

BROWNE’S IRISH MARKET
Browne’s Irish Marketplace will be streaming “KC Irish Fest Where you Are” on an LED screen in their large outdoor venue South of Brownes. It is perfect for your small group to be distanced from other small groups. Tickets are $20 and include one drink token. Enjoy a pre-show from the Jump 2-3’s beginning at 6 p.m. Additional food and beverages will be available for purchase.

CONROY’S PUBLIC HOUSE
Conroy’s will be streaming the concert live at their 47th street location. Reservations are required, please call (913) 296-7901 to make your reservation

THE DUBLINER
The Dubliner in the Power & Light District will be streaming the Fest Where You Are Concert at their restaurant. Food & Drink specials available. Reservations are recommended, but not required. Call (816) 268-4700 to make your reservation

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are activities including Whiskey Tastings, Virtual Workshops, Kids Activities and more.

SATURDAY, SEPT. 5.

10:00 am – MR. STINKY FEET VIRTUAL CONCERT & STORYTELLING
11:00 am – COOK IRISH BREAKFAST WITH KYLE FROM BOULEVARD
3:00 pm – SCONES WITH SHAUN BRADY
6:00 pm – JAMESON WHISKEY TASTING
4:00 pm- STONE LION PUPPETS LEPRECHAUN PUPPET WORKSHOP
8:00 pm – LIVE CONCERT AT CROWN CENTER

David Shaughnessy, Thanks for being with us on WMM.

Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

David Shaughnessy, Thanks for being with us on WMM.

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are

10:52

9. Calvin Arsenia – “Kansas City Baby”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artistsBorn in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine.com “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

[Calvin Arsenia plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10. Black Pumas – “Fast Car”
from: Black Pumas (Deluxe) / ATO / August 28, 2020
[From Rolling Stone: Black Pumas have released a new double album deluxe edition of the band’s debut album, out August 28th via ATO Records. This deluxe edition features live-in-studio version of their song “Confines” where Black Pumas are tapering back the quick soul skip of the original into a groove that still moves at a steady pace, but now boasts additional space for a cadre of background singers and a string quartet. This new arrangement suits Black Pumas, as both Eric Burton’s raw vocals and Adrian Quesada’s spitfire guitar still sound right at home amid the swelling strings. This version of “Confines” is one of three live-in-studio cuts on the deluxe edition, along with renditions of “Colors” and “Oct 33.” The record also features three previously unreleased originals, “I’m Ready,” “Red Rover” and “Black Cat,” plus a live version of “Know You Better,” recorded at the Austin club, C-Boys Heart and Soul. The deluxe edition, Black Pumas also feature four cover songs: their take on Tracy Chapman’s “Fast Car,” plus renditions of the Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes” and Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City.” // Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019 which was part of WMM’s 119 Best Recordings of 2019. Black Pumas performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

11:00 – Station ID

11. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Ivory Blue

11:04 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue caught our attention with the debut EP, Ready Get Set, released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue joins us on the phone to share the new single “Half a Life” to be released September 20, 2020. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Creating music in pandemic times.

Ivory Blue has been in the studio working on a new 10-song album, “Compound Love.”

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and The Kauffman Stadium, July 1, Royals home game.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and was welcomed into a new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.”

Ivory is one of our most frequent guests and sang “Elite Dreamland” live on our November 6, 2019 edition.

“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio.

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s new song “Half A Life” will be released September 20. Ivory’s full length 10-song album called “Compound Love” will be released later in 2020. More info at: http://www.ivorybluemusic.com

11:20

12. Ivory Blue – “Half A Life”
from: “Half A Life” – Single / Devin Robert Kesler / September 20, 2020
[“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family]

13. Lava Dreams – “See It Through”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Saturday Storytellers, Saturday, September 5, at 5:00 PM with Jessica Paige, at Ollie’s Local, 3044 Gillham Rd., in KCMO hosted by Don Simon on the first Saturday of each month.]

14. Shy Boys – “View From The Sky”
from: Talk Loud / Polyvinyl Record Co. / Expected September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020. and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

11:29 – Underwriting

15. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

[Nick Carswell is presenting MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

Nick Carswell

10:34 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick has also played bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. The virtual series begins this afternoon, September 2, at 4;00 to 5:30 PM offering COVID Check-in: Staying Well & Staying Creative with panelist Krystle Warren, Calvin Arsenia, Erin McGrane, Nick Carswell, and moderated by Mark Manning. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Last time Nick was on the show was over a year ago when he shared music and information about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.: Friday, May 10, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. The project was supported by an ArtsKC Inspiration Grant.

Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Classic Irish hits & covers from house band Carswell & Hope with guest performances from: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.With virtual performances and presentations from: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

11:49

16. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

17. Angel Olsen – “Whole New Mess”
from: Whole New Mess / Jagjaguwar / August 28, 2020
[5th studio album from Angel Olsen. Recorded by Olsen and engineer Michael Harris in a converted church, the album features tracks from her 2019 album, All Mirrors, arranged in a more intimate style. Whole New Mess was recorded over ten days in October 2018 with engineer Michael Harris. The pair worked in isolation in the town of Anacortes, Washington, recording in a converted Catholic church.[2] Olsen would use the church’s corridors to create a natural echo effect on her vocals. The album was recorded prior to Olsen’s 2019 studio album, All Mirrors, which features many of the same compositions in a different form: “When we made [Whole New Mess], I was still processing a lot of the songs, so for me, it’s harder to listen to this record than it is for me to listen to All Mirrors. When I recorded All Mirrors, other people had their hands in the pot, which separated me from the songs. I could get into them in a distant way. On Whole New Mess I’m feeling every feeling that they evoke.” The album was written following the collapse of a romantic relationship, with Olsen noting: “I was really depressed. I had no idea whether the songs were good. They were just about my life. I could have recorded them at home and kept them as demos, but I knew Michael [Harris] was someone I could be depressed in front of, who would help me to explore it in different ways. It was such an emotional process.” Angel Olsen was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 9, Bill Sundahl joins us to share details the Crossroads Music Fest presented virtually and over the radio on Saturday, September 9, with Calvin Arsenia, Laura Noble, We the People (feat. Eddie Moore), Julia Othmer, Ezgi Karakus & John Livingston, Soul Servers, and The Royal Chief. More info at: http://www.CMF.com

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Nick Carswell photo by John Knepper

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #853

WMM Playlist from August 26, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 26, 2020

Eliza Gilkyson + The Black Creatures + Kemet Coleman

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

Calvin Arsenia

2. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

3. Nubya Garcia – “Stand With Each Other”
from: SOURCE / Concord Jazz / August 21, 2020
[Nubya Nyasha Garcia was born in 1991. She is a British jazz musician, saxophonist, flautist, composer and bandleader. Garcia is the youngest of four siblings born in Camden Town, London to a Guyanese mother, a former civil servant, and a British Trinidadian film maker father. Garcia followed her older siblings to the local Saturday music centre at the age of 5, where she first learned the violin and later played the viola in the London Schools Symphony Orchestra (LSSO). Garcia has said her home life with her stepdad, a brass player with a vast collection of instruments, and her mother a keen collector of all genres of music from reggae and Latin to classical and soul, coupled with the music activities at school, Camden School for Girls, meant she was saturated with music of all genres. Garcia began learning the saxophone at the age of 10, with Vicky Wright until attaining ABRSM G8 distinction. She very early became a member of the Camden Jazz Band, directed by jazz pianist Nikki Yeoh, before joining the junior jazz program at the Royal Academy of Music. She also attended the workshops of Tomorrow’s Warriors under the direction of Gary Crosby. While still in High School, she received a scholarship for a five-week summer program at the Berklee College of Music in Boston. During her Gap Year she studied with former Jazz Messengers member, Jean Toussaint. In 2016 she graduated with Honours from the Trinity Laban Conservatoire of Music and Dance, in Jazz Performance. In 2017, Garcia released her debut album Nubya’s 5ive via the label Jazz re:freshed. That year, her Nubya Garcia Band was an opening act at Gilles Peterson’s Worldwide Festival in Sète; the following year she played at the NYC Winter Jazz Festival and the Jazzfest Berlin.In her 2018 EP When We Are, Garcia explored how electronics can be used in a live jazz environment; the EP was created as a result of the Steve Reid Innovation Award. She is also a member of the Nérija, a collective, and the band Maisha led by drummer Jake Long. In addition, she is a collaborator on albums by Makaya McCraven, Theon Cross, Moses Boyd, the Toshio Matsuura Group and Sons of Kemet to Shabaka Hutchings; contributions from her can be found on five tracks of Brownswoods We Out Here, a sampler album from the modern London jazz scene. Garcia tours internationally, in Europe, India, Australia, and North America. She regularly performs at Greenfield festivals in the UK including Love Supreme Jazz Festival. She has headlined sell-out shows at Ronnie Scott’s Jazz Club London. Garcia also has a burgeoning reputation as a DJ, with a hit monthly radio residency on NTS Radio since November 2017. Garcia was supposed to perform at the Glastonbury Festival, but the festival had to be cancelled due to the increasing concerns over the 2019–20 coronavirus pandemic.]

4. Bully – “You”
from: SUGAREGG / Sub Pop / Augut 21, 2020
[Bully is the solo project of guitarist and singer Alicia Bognanno. The American rock band formed in 2013 in Nashville. They signed to Columbia Records label Startime International and released their first album Feels Like in 2015, then moved to Sub Pop to release Losing in 2017. Their third album Sugaregg was released on August 21, 2020. What initially began as a three-piece band is now a solo project with accompanying members. Bully was founded by Rosemount, Minnesota native Alicia Bognanno, who earned a degree from Middle Tennessee State University in audio recording before getting an internship at Steve Albini’s Electrical Audio studios in Chicago. She started recording demos of her own material before relocating to Nashville, Tennessee, where she worked as an engineer at Battle Tapes Recording and The Stone Fox venue. She formed the band with Stewart Copeland on drums (not to be confused with the drummer for The Police). After self-releasing a limited cassette, the band’s first single proper, “Milkman”, was released in April 2014. They signed with Columbia Records label Startime International and released their debut album Feels Like in June 2015. Feels Like received generally positive reviews from critics. Laura Snapes of Pitchfork wrote, “The coarse Cobain head-scream of Bully singer, songwriter, and guitarist Alicia Bognanno is its own resuscitating jolt of protest… she spends much of Feels Like tearing down the house with her howl.” Losing, Bully’s second studio album, was released by Sub Pop on October 20, 2017. The album was recorded at Electrical Audio in Chicago. It was called less “grimier and sugar-slick” than Feels Like. On May 1, 2020, Bully released covers of Nirvana’s “About a Girl” and Orville Peck’s “Turn to Hate”. Of the “About a Girl” cover, Rolling Stone stated “Hearing the Nashville band cover Nirvana is almost too obvious—but, good God, is it glorious. Their spin on 1989’s ‘About a Girl’ strikes a perfect balance of raw and melodic, without ever sounding like the output of a cover band…Still, it’s not just a skilled copy of a classic.” As for her take on “Turn to Hate”, Stereogum wrote “A song that sounds incredible in Bully’s rocket-fueled garage rock style.” Paste concurred that “Bully’s rendition is possibly even better than the original with its incredibly anthemic chorus.” On June 11, 2020, Bully announced their third record Sugaregg, which was released by Sub Pop on August 21, 2020. Bognanno paid homage to Chumbawamba’s 1997 song “Tubthumping” when writing the single “Where to Start”, which was met with positive reception. On the album’s second single “Every Tradition”, Bognanno addresses society’s expectations for women, while also targeting a specific unnamed individual.]

5. The Moose – “Ultraviolet”
from: “Ultraviolet” – Single / The Moose / August 3, 2020
[The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose released the two song single “Through The Rainbow”/”Bell-Bottom Trees” on November10, 2019. The Moose joined us LIVE on WMM on July 10, 2019.]

6. Bright Eyes – “Marianna Trench”
from: Down in the Weeds, Where the World Once Was / Dead Oceans / August 21, 2020
[After being on a hiatus since their last performance on November 21, 2011 in Honolulu, Hawaii, Bright Eyes is back! Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. It consists of Oberst, multi-instrumentalist and producer Mike Mogis, arranger, composer and trumpet and piano player Nate Walcott, and a rotating line-up of collaborators drawn primarily from Omaha’s indie music scene. Between 1998 and 2011, the band’s albums were released through Saddle Creek Records, a Nebraska-based label founded by Justin Oberst (Conor’s brother) and Mogis. In January 2020, the band announced their return, having signed with Dead Oceans. In January 2020, Bright Eyes launched an Instagram page and teased a 2020 return. As of January 21, 2020 Bright Eyes have signed with Dead Oceans and are working on a new studio album. They released their first new song in 9 years – “Persona Non Grata” – on March 24. NME’s Luke Morgan Britton wrote of the track: “[A] dual sense of societal dystopia and inner turmoil collide and intertwine on the quietly poignant ‘Persona Non Grata’… [It] sees the band maintain the sage-like, cryptic feel of their latter-day records. Yet it also returns to the intimacy and immediacy of their early material.]

7. CHICKA – “U Should”
from: “U Should” – Single / Warner Records / August 7, 2020
[Chika was born, Jane Chika Oranika, on March 9, 1997 (age 23), on Montgomery, Alabama,. Known professionally as Chika (often stylized CHIKA), is an American rapper, model, and actress. She was featured in JoJo’s song “Sabotage” which reached number 18 on the Billboard US R&B Digital Downloads. In 2020, she was included on XXL’s 2020 Freshman Class. Because of her interest in music and slam poetry, she attended Booker T. Washington Magnet High School. She received an acceptance to Berklee College of Music, but due to tuition costs, she enrolled at the University of South Alabama instead. She dropped out after her first year to focus on a music career. Chika first gained widespread attention following an Instagram post from November 9, 2016, the day after the 2016 United States presidential election. In the video, she covers herself in pale foundation, saying “African-American? Never felt that, never heard of that, never tasted that, never smelled that”. Early in 2017, she created the #EgoChallenge, using the Beyoncé song of that title to promote body positivity and self-love. That year she also released a Pride-themed remix of Ed Sheeran’s “Shape of You” as well as a poetry EP. In 2018, Chika went viral for a freestyle addressed at Kanye West over West’s own “Jesus Walks” beat. The freestyle concerned West’s support for Donald Trump and caught the attention of Jada Pinkett Smith, Sean “Diddy” Combs, and Erykah Badu. She later released a freestyle dedicated to Nia Wilson. In August 2018, she featured on Rachel Crow’s single “Coulda Told Me”. Chika released her debut single, “No Squares”, in April 2019. The following month, at the invitation of guest host Lena Waithe, she performed the track and “Richey v. Alabama”, another of her songs, on Jimmy Kimmel Live!. The song dealt with the state of Alabama’s 2019 abortion bill and was named for a friend of Chika’s. That summer, she signed a deal with Warner Records. Chika released two more singles as a lead artist in 2019: “High Rises” and “Can’t Explain It” featuring Charlie Wilson. That year, she also featured on JoJo’s “Sabotage”, which reached number 18 on the Billboard US R&B Digital Downloads. In December 2019, Chika announced that she was working on an EP titled Industry Games. On January 23, 2020, Chika confirmed the title and posted snippets of music from the EP, telling followers the release was two months away. She released On August 11, 2020, Chika was included on XXL’s 2020 Freshman Class. Chika had a small role in the 2020 Netflix Original film called Project Power. In May 2019, Chika featured in a Calvin Klein #MyCalvins advertisement, also writing poetry for the brand’s S/S 2019 campaign. That same year, she participated in a Business of Fashion panel at Paris Fashion Week and posed for the December cover of Teen Vogue. She was recognized by Business of Fashion as one of the top 500 people shaping the fashion industry in 2019. Chika is the youngest of her Nigerian-American parents’ three daughters. She is of Igbo descent and was raised in the Pentecostal faith. Chika identifies as bisexual and addresses her sexuality in her music and videos. In her video for “Can’t Explain It”, she put a queer spin on A Different World, her favorite sitcom.]

10:29 – Underwriting

8. Eliza Gilkyson – “Peace In Our Hearts”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

Eliza Gilkyson

10:35 – Interview with Eliza Gilkyson

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson joins us to discuss her new album 2020, released April 10, 2020 on Red House Records. Eliza Gilkyson is a politically minded, poetically gifted singer-songwriter who has become one of the most respected musicians in folk and Americana music circles. The daughter of legendary songwriter Terry Gilkyson, Eliza entered the music world as a teenager, recording demos for her father. Since then she has released 20 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash.

Eliza Gilkyson, Thanks for being with us on WMM.

Congratulations on 2020. Eliza’s 20th solo album.

2020 was produced by Cisco Ryder Gilliland (Eliza’s son)

Eliza Gilkyson on acoustic guitar, national steel guitar, electric guitar, harmonica
Cisco Ryder Gilliand on drums, ,percussion, harmony vocals
Mike Hardwick on electric & acoustic guitars, slice guitar, pedal steel, dobro, 12-string
Chris Maresh on bass
Bukka Allen on Wurlitzer, Hammond Organ, Nord, Piano
Warren Hood on mandolin
Betty Soo on harmony vocals
Jaimee Harris vocal on “A Hard Rain’s A-Gonna Fall”
Wewim Choir of Austin

Recorded in Austin, TX

Dedicated to Eliza’s grandkids: Riley, Bellarosa, Santi, Rex, Benito

Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.

Gilkyson first recorded as a vocalist on demos and soundtracks produced by her father, who wrote several hits in the 1950s and early 1960s and is also known as a singer-composer for 1960s Disney films and an Academy Award nominee for “The Bare Necessities” from the 1967 animated film The Jungle Book.

She released Eliza ’69, her first album, in 1969 while raising a family in Santa Fe, New Mexico, and did not come out with her second, Love from the Heart, until ten years later. She moved to Austin, Texas in 1981 and released the commercial album Pilgrims before moving to Los Angeles in 1987.

After a brief stint in Los Angeles, she returned to New Mexico in the early 1990s, releasing several albums of original material. In 1993 she collaborated with New Age artist Andreas Vollenweider on his recording, Eolian Minstrel.

She has been with Red House Records since 2000, although she also worked on three albums independently, recording on her own label, Realiza Records.

In 2003 she was inducted into the Texas Music Hall of Fame.

Land of Milk and Honey, 2004 release on Red House Records, was Grammy nominated.

In 2005, she released Paradise Hotel with the song “Requiem” about the 2004 Indian Ocean earthquake and tsunami in December 2004. Coinciding with Hurricane Katrina’s devastation of the Gulf Coast region in August 2005, this song found its way to listeners as a song of prayer and comfort.

The same year she was recognized with 3 Austin Music Awards and 4 Folk Alliance Music Awards, one of which was for her song “Man of God” about the Bush administration.

In 2008, her album Beautiful World came out, again on Red House Records. The songs vary from pop to folk and points in-between, with songs ranging from intimate ballads to rallying cries against the imperialist machine.

She recently collaborated on a new album entitled Red Horse with two of her Red House Records label-mates John Gorka and Lucy Kaplansky.

In 2011, she came out with Roses at the End of Time, and in 2014 released The Nocturne Diaries which was Grammy nominated for best Folk Album. Both CDs were recorded at her home with the help of her son and co-producer Cisco Ryder.

She continues to tour about 150 dates per year in the United States and overseas, as well as hosting annual songwriting workshops near Taos, New Mexico.

Discography – Albums

1969 – Eliza ’69, Mont Clare Records (out of print)
1979 – Love from the Heart, as Lisa Gilkyson, Helios Records (out of print)
1982 – No Commercial Potential, as Lisa Gilkyson, Wind River Prod. (cassette/out of print)
1984 – Eliza Gilkyson / Mark Hallman, SouthCoast Records (EP – out of print)
1987 – Pilgrims, Gold Castle Records
1988 – Legends of Rainmaker, Gold Castle Records (out of print)
1992 – Through the Looking Glass, Private Music (out of print might be reissued in future)
1993 – Eolian Minstrel by Andreas Vollenweider, vocals, acoustic guitar, and lyrical co-author, although Gilkyson’s credit only appears in the liner notes, Capitol Records
1994 – Undressed, Realiza Records (out of print)
1997 – Redemption Road, Silverwave Records
1999 – Misfits, Realiza Records
2000 – Hard Times in Babylon, Red House Records
2001 – More Than a Song, w/ Ad Vanderveen & Iain Matthews, Perfect Pitch Productions
2002 – Lost and Found, Red House Records
2004 – Land of Milk and Honey, Red House Records
2005 – RetroSpecto, Realiza Records
2005 – Paradise Hotel, Red House Records
2007 – Your Town Tonight, Red House Records
2008 – Beautiful World, Red House Records
2010 – Red Horse with John Gorka and Lucy Kaplansky, Red House Records
2011 – Roses At The End Of Time, Red House Records
2014 – The Nocturne Diaries, Red House Records
2018 – Secularia, Red House Records
2020 – 2020, Red House Records

Many of us in Kansas City had the opportunity to see Eliza Gilkyson live at Folk Alliance International a few years back here in Kansas City.

Mark shares mutual friends with Eliza in Judy Werle and Cris Williamson

Eliza Gilkyson, Thanks for being with us on WMM.

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson relesed her 20th solo album this year called 2020, released April 10, 2020 on Red House Records.
More info at: http://www.elizagilkyson.com

10:52

9. Eliza Gilkyson – “One More Day”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

10. Nick Siegel – “New York Course Corrected”
from: “New York Course Corrected” – Single / Nick Siegel / September 4, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on his own as solo artist, Nick released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” was released April 10, 2020. This EP was the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s. “For You Dear, Anything: Act Two” comes out Halloween and this song is the first single from it. The project is a total of 3 EPs. It’s really just a record split in 3 parts.]

11:00 – Station ID

11. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” – Single / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” Feb. 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. Info at: http://www.centercutrecords.com]

11:04 – Interview with Jade Green & Xavier Martin

Jade Green & Xavier Martin of The Black Creatures join us to talk about their recent album Wild Echoes originally released September 30, 2019. This album landed at #2 on WMM’s 119 Best Recordings of 2019. Recently Center Cut Records signed The Black Creatures to their label and are re-releasing a newly remixed and remastered Wild Echoes on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

Congratulations on being signed to Center Cut Records

“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28.

Jade Green & Xavier Martin who were our guests on the September 25, 2019 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs).

Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page.

The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.

The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals.

Xavier Martin is DJ/Writer/Producer/Rapper/Singer at The Black Creatures
Jade Green performs with: Arquesta Del SolSoul. a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves: African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.” Members include Les Izmore, Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

The Black Creatures Discography

The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016.
The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.
The Black Creatures “Elements” – Single, February 14, 2018
The Black Creatures “Silver Tears” – Single, June 19, 2018
(with additional voices provided by AniMal (Ana Marcela Maldonado Morales), Barbara Solomon, Kassidee, Quaranta, Adres Va Cortas)
The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “Turn” – Single, October 30, 2019
The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019
The Black Creatures – “SHINE” – Single, December 11, 2019
The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020
The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020
The Black Creatures – “Arcade Love” – Single, February 5, 2020
The Black Creatures – “Run Up” – Single, February 19, 2020.
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “wretched (it goes)”- single Center Cut, July 17, 2020 [remastered]
The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut]

The Black Creatures at Lemonade Park in August 29, 2020

The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Xavier Martin and Jade Green performed with Calvin Arsenia for his album release show Thursday, September 19, 2019 at recordBar.

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

The newly remastered album Wild Echoes is being released on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

11:21

12. The Black Creatures – “Dumm”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com]

13. Eems – “Middle”
from: Middle – Single / Eems / May 4, 2020
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest. Eems released his EP Dreems on June 26, 2018. For Eems, a ukulele is a jumping off point that leads to an uncharted and often unpredictable world of sound and inspiration. Blending it with loops and effects to achieve a captivating blend of R&B and pop music, Eems has used his unique sounds, voice and sense of humor to reach crowds across the country. Eems has opened up for” Slick Rick The Ruler and GLC form Kanye West’s G.O.O.D music labe.]

[Eems plays the Crown Crated Music Series Saturday, August 29, 7:00 PM to 1 online on Facebook Live Hosted by One Kansas City Radio and Mid-Continent Public Library.]

11:29 – Underwriting

14. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Creative / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home.]

[The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube w/ Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

Kemet Coleman

11:35 – Interview with Kemet Coleman

Hip hop MC extraordinaire, Kemet Coleman joins us to share music and information about his new EP, Black is Beautiful and talk about his band The Phantastics who will play, Greenline Grows KC-Benefit for The Greenline Initiative, Friday, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube. Kemet Coleman is a Kansas City based musicians who calls himself an Urbanist. Kemet is lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet Coleman Thanks for being with us on Wednesday MidDay Medley

The Phantastics play, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020.

Although made to coincide with a beer release by Crane Brewing, it also cast a clear and honest trajectory for the musical identity of Kemet Coleman. On BLACK IS BEAUTIFUL, Kemet challenges racial injustice and bias as it relates to beauty, as the title suggests, but also socio-economic themes such as wealth creation from the perspective of a Black male during the most challenging times in modern history. Evoking the spirit of poetry, BLACK IS BEAUTIFUL’s soulful, electronic, kaleidoscope provides an experiential moment for the listener as Kemet’s cool yet energetic vocal delivery drives home a message of Black Power.

All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas.

Last year Kemet the Phantom released Electric Park on August 16, 2019. Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy. Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway.

Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.

Kemet Coleman, Thanks for being with us on Wednesday MidDay Medley

Kemet Coleman’s band The Phantastic plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce,The Phantastics and more!

More info at http://www.kemetcoleman.com

11:49

15. Kemet Coleman – “The Virus”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

16. Loren North – “Wake Me Up”
from: Wake Me Up – Single / Loren North / August 15, 2020
[As a little girl growing up in Cincinnati, Loren North couldnt get to sleep at night without her cassette player tucked in beside her. Now based in Los Angeles, the 22 year old singer/songwriter has channeled that lifelong love of music into a lushly textured and sweetly soulful breed of pop. With their indelible melodies and elegant electronic edge, Norths forthcoming music delves into delicate emotional terrain but radiates an irresistible bright energy. North grew up singing in the church and began playing piano at age six. At 14, after her family moved to LA for her and her brother, Austin, to pursue a career in acting, she soon realized her ultimate passion had always been and always will be to create music. While her brother has become a successful actor, Loren has focused solely on her music career while continuing to sing in church. From the beginning stages of her music career, simply posting covers on YouTube to developing her own music, Loren has enjoyed being involved in every element of production from arranging and recording to shooting and editing videos]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 2 , David Shaughnessy joins us to share details about KC Irish Fest. ALSO Ivory Blue joins us to premiere the new single “Half A Life.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Eliza Gilkyson photo bt Todd V Wolfson

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #852

WMM Playlist from August 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Scott Hrabko & The Rabbits – “Last Dance”
from: Last Dance EP / Scott Hrabko / August 7, 2020
[Scott Hrabko calls this new EP release a “bit of a departure …” Scott writes on his bandcamp page: “For some time now, ideas for dance/experimental rhythms have been knocking (in syncopation!) on the doors of my dreams, with a growing sense of urgency. Eventually I had no choice but to heed the call, so I got busy and recorded this EP. In this time of social distancing I played all of the Rabbit parts except as noted below, with my friends, Chris Tady (in person, pre-pandemic) and Jason Beers (via remote). My son, Sam Hrabko created the beautiful image on the cover. Chris Tady on lead guitar on “45 Spiders,” Jason Beers on slide guitar on “Last Dance,” all other sounds and utterances by Scott Hrabko. Produced by Scott Hrabko. Mastered by Mike Nolte at Eureka Mastering – Portland, OR. Earlier this year Scott Hrabko released the singles “Free” on August 7, and “Dog In The Backyard” on April 3, 2020. These singles followed the single “Pretty Good Day,” released November 2, 2019. Scott Hrabko released the EP Smash Hits From A Parallel Universe, on February 14, 2019, with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrabko & The Rabbits released the albums: “Summer,” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]

3. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Coleman / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman except for COLLECTION PLATE which is produced by Sharif Thomas. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home came together. More info at: http://www.kemetcoleman.com]

[Kemet Coleman and his band The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

4. Krystle Warren & The Faculty – “Climbing Out (feat. Teddy Thompson)”
from: Love Songs – A Time to Refrain from Embracing / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

5. Kris Delmhorst – “The Horses”
from: Long Day In The Milky Way / Kris Delmhorst / August 14, 2020
[Kris Delmhorst is an American singer-songwriter and musician. Originally from Brooklyn, New York, United States, she now lives in Western Massachusetts, is an active member of the Boston folk scene, and tours internationally. She has released nine full-length solo albums and two EPs on Signature Sounds Recordings. Delmhorst released Appetite, her first album, in 1998, the same year she was involved in producing the Respond compilation, a fundraiser for domestic violence groups. It included her song Weatherman. In 1999, she released a live album with The Vinal Avenue String Band, consisting of herself, Sean Staples, and Ry Cavanaugh. Her second solo album, Five Stories, was released in 2001 and was well received. In 2005, Delmhorst, Jeffrey Foucault, and Peter Mulvey released an album entitled Redbird. The trio released a live album in 2011. In 2006, Delmhorst took the words of poems by writers such as Lord Byron, George Eliot and Edna St. Vincent Millay, and set them to original music.[4] Delmhorst released Shotgun Singer in 2008, a collection of original recordings noted for its artistic vibe, instrumentation and alternative aesthetic, compared to previous recordings that focused more heavily on vocals and lyrics. In 2011, Delmhorst gathered instrumentalists and singers from across the Boston/Cambridge music scene, including The Cars’ keyboardist Greg Hawkes, to record a covers album dedicated to music by the new wave band The Cars. Delmhorst’s seventh album, Blood Test was released on Signature Sounds on May 13, 2014. It is her first of original music since her 2008 album Shotgun Singer. Delmhorst has recorded vocals, fiddle and cello on over 50 albums from artists such as Peter Wolf, Mary Gauthier, Chris Smither and Lori McKenna. Delmhorst is married to fellow singer/songwriter Jeffrey Foucault, with whom she had a daughter in 2008.[9] She occasionally performs as part of the collective Redbird with Foucault and Mulvey.]

6. Indigo Girls – “K.C. Girl”
from: Look Long / Rounder Records – Concord / April 24, 2020
[15th studio album by American folk rock duo Indigo Girls. The Indigo Girls recorded the album with previous collaborator John Reynolds. Tour dates were postponed due to the COVID-19 pandemic in the United States but the duo performed a series of weekly live-streamed concerts online to raise money for charity as well as promote this release. These events were accompanied by a question and answer session and audience requests for performances. They also performed at a virtual festival of musicians raising money for the United Nations Foundation on Mother’s Day, 2020. Indigo Girls are an American folk rock music duo from Atlanta, Georgia, consisting of Amy Ray and Emily Saliers. The two met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in Emory Village. They released a self-produced, full-length record album entitled Strange Fire in 1987, and contracted with a major record company in 1988. After releasing nine albums with major record labels from 1987 through 2007, they have now resumed self-producing albums with their own IG Recordings company. Outside of working on Indigo Girls–related projects, Ray has released solo albums and founded a non-profit organization that promotes independent musicians, while Saliers is an entrepreneur in the restaurant industry as well as a professional author; she also collaborates with her father, Don Saliers, in performing for special groups and causes. Saliers & Ray are both lesbians and active in political and environmental causes.]

7. Gemini Revolution – “Pure Air”
from: Supernova Remnant / Kosmic City Records / August 6, 2020
[Dedric Moore on synthesizer, bass, drum programming, dub guitar; Delaney Moore on synthesizer, Krystof Nemeth on baritone guitar on 4, 5, and 6; Mikal Shapiro on lead vocal on 6; Teri Quinn on backing vocal on 6; Alexander Thomas on drums on 6. An alternate timeline side of Monta at Odds. Gemini Revolution explores the dark ambient side of sonic space exploration digging deep into sounds from beyond slowly enveloping everything it comes into contact. Set your controls to the heart of the supernova. Gemini Revolution finds brothers Dedric and Delaney veering from their duties in Monta At Odds and into the uncharted star-field. Their album Supernova Remnant yields expansive results — kosmiche tones and analog textures blending into an intense brand of ambient extraction. Throughout Supernova Remnant, Gemini Revolution masterfully execute a push/pull effect with layers of sound, planting a feeling of time’s motion stuck in place. The opening “Slow Stars” sets up the project, inspired by a challenge from fellow 8Di’er San Mateo and morphing into a blossoming 17 minutes that surround in a sonically colorful haze. From there, Supernova Remnant tours the sizzling remains of celestial objects, with Dedric and Delaney’s intertwined instrumentation guiding the way. Krystof Nemeth, of darkwave band Emmaline Twist, supplies his remote ‘baritone guitar’ on a few key tracks. And drummer Alexander Thomas and vocalists Mikal Shapiro and Teri Quinn appear for the epic finale, “Children of Collisions.” Together the six tracks complete Gemini Revolution’s orbit, floating through the darkness as a cosmic whole. Listen as Supernova Remnant traces the distance of imagination. More info at http://www.kosmiccity.com]

8. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

10:29 – Underwriting

9. Soultru – “We”
from: “We” – Single / The Record Machine / January 31, 2020
[One of several singles Soultru has released this year incuding “Come & Gone” released April 10, 2020. Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019. More info at: http://www.soultrumusic.com]

Nathan Reusch

10:36 – Interview with Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. You can learn about all of their bands and more details at http://www.therecordmachine.co

Nathan Reusch joins us to share the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair.

Nathan Reusch, Thanks for being with us on WMM.

Current Record Machine Releases:

Soultru

Soultru – “Must Be” – single, released August 24, 2019. Soultru is Terrance Banks, a singer, songwriter, poet and emcee, and native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.

The Noise FM

The Noise FM – “Cooler Heads Prevail” / “Who’s Watching Who?” – single, released July 24, 2020. The Noise FM play melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembree.]

The Republic Tigers – Mind Over Matter, album, released June 5, 2020. Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.

Sally Haze

Sally Haze – “All That Matters” – single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.

Pala Zolo

Pala Zolo – “You Can’t” – single, released April 17, 2020. Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas.

The Fey

The Fey – “Tear It Off” – single, released August 7, 2020. The Fey is an Alternative R&B band, was formed by singer, songwriter, and producer Zach Watkins. While the infrastructure of the group’s style and sound is developed by Watkins, it is made complete by instrumentalists Michael Rogers (lead guitar), Ludwing Siebenhor (rhythm guitar), and John Fucinaro (bass). Evolved from the rock-soul project formally known as, AZP, and after years of arranging, composing, and performing under the former brand, Watkins felt destined to shape things back to his original design to produce modern music with a retro vibe. Since his jazz percussion studies at Berklee College of Music, Watkins has created music for and with artists of various genres, while crafting what he considers the ideal blend of sound and style that is now The Fey. This style holds true to the genres of pop and hip-hop with head-nodding breakbeats and hypnotizing bass lines that are the foundation of The Fey’s records. “Growing up, my father loaded the house with gospel and soul albums,” says Watkins, “but it was the culture of hip-hop that pulled me under its wing outside of the home. It was the best of both worlds.” Those classic soul and gospel tunes are where Watkins gives vocal credit. The Fey’s gripping connection between soulful-bluesy vox and modern-vintage instrumental continues to entice music enthusiasts of all sorts. With singles like “Contender” and “Tear It Off”, the band fervidly builds the strong rhythm section and surrounds Watkins’ expressive melodies with classic tones of guitar and synth, giving The Fey an edgy “rock star” aura. These anthem-esque vibes are funky, moody, and heavy, all under one roof. Lyrically, Watkins describes The Fey message as the voice of the underdogs, like “a stray wolf drifted away from the pack, embracing his own path through peaks and valleys.” Though the sensible ebb and flow of Zach’s personal life may set the band’s lyrical tone, The Fey is no underdog to a live performance. Rooted from numerous awards and achievements – six regionally recognized tours, including more than ten unofficial showcases at SXSW, as well as various performances for blog, radio, and television – The Fey has a reputation for rocking the stage. Since the release of their 2018 EP, Strawberry Lemonade, The Fey continues to make strides alongside their Kansas City-based indie record label, The Fey’s debut full-length LP, Palm Tree Shade, is to be released.

Nathan Reusch, Thanks for being with us on WMM.

10:45

10. The Fey – “Tear It Off (Radio Edit)”
from: Tear It Off- Single / The Record Machine / August 7, 2020
[New single that follows their last single, “Lost In My Head” released August 2, 2019, that followed the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. More info at http://www.therecordmachine.co]

Betse & Clarke

11. Betse & Clarke – “Who By Fire”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, original, traditional, fiddle, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

12. Jamila Woods – “SULA (Paperback)”
from: SULA (Paperback) – Single! / Jagjaguwar / August 6, 2020
[Woods has released a new song written under the premise of her 2019 album Legacy Legacy, this time inspired by the late Toni Morrison. “SULA (Paperback)” is based on Morrison’s 1974 novel of the same name, and honors both the author and her literary characters. Listen to it below. In a press release, Jamila Woods stated: “Sula was the first Toni Morisson novel I ever read and it inspired the first chapbook of poems I ever wrote. The novel shows the evolution of a friendship between two Black women and how they choose to navigate society’s strict gender roles and rules of respectability. On Sula, Toni Morrison wrote, “Living totally by the law and surrendering totally to it without questioning anything sometimes makes it impossible to know anything about yourself.” Last year Jamila Woods released her second album Legacy Legacy on May 10, 2019. and it was part of WMM 119 Best Recordings of 2019. From Pitchfork: “On LEGACY! LEGACY!, Woods celebrates 12 of her heroes, along with the cultural lineage they have created for her. Each track is named after a forebear, like a single lit candle to their altar. Several are immediately recognizable in their pop-culture ubiquity, including “EARTHA,” “BASQUIAT,” and “MILES.” Others are less known: “GIOVANNI” and “SONIA” nod to the poets Nikki Giovanni and Sonia Sanchez, who’ve written grandly and compassionately about women of color. For many tracks, Woods pored over past interviews with her subjects to further get into their minds; in some cases, they were artists she’s taught to her mentees at the literacy nonprofit Young Chicago Authors, where she is the Associate Artistic Director. (Ever the teacher, she is including a bibliography of her research in the album’s liner notes.)” from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

13. Duncan Burnett – “You Agree?”
from: One of Those Days – EP / R.I.O.T LLC / April 10, 2020
[Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Follow up to his 2018 EP The Almighty.]

11:00 – Station ID

Calvin Arsenia

14. Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names: Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Calvin Arsenia plays a Live Stream Event, Fri, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records.

Calvin released L.A. Sessions September 20, 2019 on Center Cut Records

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping and live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.] [Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.

A slice of Calvin’s Shows from 2019 to 2020…

[Calvin Arsenia played Tristian Griffin’s Palimpsest, Thur, June 13 at 7:00 PM & Fri, June 14 at 11:00 PM at Capsule, Charlotte Street Foundation’s new multi-room installation event space, 1664 Broadway Blvd, KCMO. the collaborative multi-media interactive art performance, features award-winning poet Glenn North, and original music by Calvin Arsenia and Pheenix Leeor]

[Calvin Arsenia appeared with The Mike Dillon Band opening for Rickie Lee Jones, Sun, June 16, at Crossroads KC, 417 E. 18th St, KCMO, 8:00 PM. Mike Dillon co-produced R.L.J. new KICKS.]

[Calvin Arsenia played INTER Relation>ship w/ Jade Osborne, Wed, June 19, 7:00 PM at Washington Square Park, 100 E. Pershing Rd, KCMO.]

[Calvin Arsenia played Briarfest, June 21, at Briar Cliff, 4100 N Mulberry Dr, KCMO.]

[Calvin played Crossroads Fashion Show]

[Calvin Arsenia played Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar]

[Calvin Arsenia played The Sextet Album Release for Among Friends, Sept 15, at recordBar]

[Calvin Arsenia played Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia played Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar with Fritz Hutchison, and The Black Creatures.]

[Calvin Arsenia played a New Year’s Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia played Olathe Indian Creek Library, Olathe, KS, on Sunday, January 5.]

[Calvin Arsenia opened for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

[Calvin Arsenia played Woody Guthrie Center, Oklahoma, February 21, 2020]

[Calvin Arsenia played Carpenter Square Theater, on Oklahoma City, February 23, 2020]

All of these shows ended in March at COVID-19 Quarantine began and music venues closed down. Calvin spent the first 2 months of Quarantine doing banjo and ukulele classes, live streaming shows, visual zoom gatherings.

Calvin Arsenia

We are talking with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

The Black Lives Matter Movement has had a great effect on Calvin Arsenia.

Calvin’s great, great, great grandmother Alice Gilliam Scott, was former slave who observed her 100th birthday.

11:14

15. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song

Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.

In 2020 Calvin was able to purchase a new harp

Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as i a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

11:25

16. Calvin Arsenia – “River”
from: all is calm / Calvin Arsenia. / December 13, 2019
[Step into Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from Kansas City and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than i had anticipated but I think you’ll enjoy it regardless. Most of you may not know that I actually do not own a harp. 😮The ones you’ve seen me play over the past ten years have all been on loan. Donations for this album will go towards the purchase of my very own orchestral harp.”

[Calvin Arsenia plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

11:30 – Underwriting

17. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences for his critically acclaimed releases and live performances. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Cuee

11:36 – Interview with Cuee

Originally from Chicago, Illinois, in the last five years 27 year old Lawrence based hip-hop artist Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee Thanks for being with us on Wednesday MidDay Medley

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Cuee is Mar’quis Wright

On August 4 Cuee announced on Facebook that “the judge approved (his) name change order…It’s official y’all…Mar‘Quis or ‘Quis for short (Kiese)”

27 year old Lawrence based hip-hop artist emcee, and educator. Cuee has gained fans over the last five years in Lawrence and Kansas City for his critically acclaimed musical releases and live performances.

On November 28, 2018 Cuee released the 10-track album Shameless.

Originally from Chicago, Illinois, where Cuee’s father still lives.

Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas where Cuee worked as a graduate assistant.

Cuee is also a recently graduate of Artist Inc.

Cuee has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper,

Cuee is currently working to release a new album titled, “Gospel.”

Follow Cuee @cueemusic everywhere | http://www.officialcuee.com .
IG: @cueemusic
Twitter: @cueemusic
SoundCloud: https://soundcloud.com/cueemusic

CUEE Thanks for being with us on Wednesday MidDay Medley

11:48

18. Cuee – “Who’s Back”
from: Who’s Back – Single / Cuee / August 12, 2020
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Black Light Animals “Playboys of The Western World”

19. Black Light Animals – “Halo”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with The Fey, and The Freedom Affair. More info at http://www.therecordmachine.co]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKCGo – Arts Calendar

Next week on Wednesday, August 19, Nico Gray joins us as Guest Producer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #850

WMM presents: Calvin Arsenia + Cuee + Nathan Reusch

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

Mark plays New & MidCoastal Releases from: Kemet Coleman, Calvin Arsenia, Scott Hrabko & The Rabbits, Cuee, The Fey, Black Light Animals, Mikal Shapiro & The Musical, Gemini Revolution, Krystle Warren and The Faculty, Betse & Clarke, Soultru, Kris Delmhorst, The Indigo Girls, and Jamila Woods.

Nathan Reusch

At 10:30 Nathan Reusch shares the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. More info at http://www.therecordmachine.co

Calvin Arsenia

At 11:00 Mark talks with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art. Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Cuee

At 11:30 Mark talks with Cuee, 27 year old Lawrence based hip-hop artist emcee, originally from Chicago, Illinois. In the last five years Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #850

WMM Playlist from July 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 22, 2020

Kansas City Syzygy + New & MidCoastal Releases

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s theme]

2. Palace Intrigue – “Recurring feat. Wennely Q”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[3-piece Kansas City based band, who write: “we believe in love, no race, no religion, no color, no hate…no genre. We make music for everyone.” Over the past two years the band has created and recorded 40 songs that are all posted on their SoundCloud page: https://soundcloud.com/user-870661143 . . French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Comp is 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Julianna Barwick – “Healing Is A Miracle”
from: Healing Is A Miracle / Ninja Tune / July 10, 2020
[From her BandCamp page: “Healing Is A Miracle” is a record built on improvisation and a close affinity to a couple of trusted items of gear, from which she spins engrossing, expansive universes. Additionally, Barwick draws on the input of three collaborators with whom she has nurtured deep friendships with over the years: Jónsi (Sigur Rós), Nosaj Thing and Mary Lattimore; who each gently nudge out at the edges of her organically-evolved sound. // Recorded in the wake of a seismic shift in her life following a move from New York—where she had lived for 16 years—to L.A. where she is now based, the title of the record came to her after thinking about how the human body heals itself, of the miraculous processes we pay little attention to: “You cut your hand, it looks pretty bad, and two weeks later it looks like it never happened… That’s kind of amazing, you know?” It’s a sentiment that feels particularly apt for the moment. From there, she conceived of the record’s simple statement title, ran it past a couple of friends, and it was settled. Like with the record itself, and all of her work, it’s about following her gut, and seeing where it takes her. // “Healing Is A Miracle” began life in spring of last year, when Barwick sat down with her vocal looping set-up and began sketching out some ideas for new solo material. “It had been so long since I had done that,” she recalls, “making something for myself, just for the love of it… it was emotional, because I was recording music that was just from the heart, that wasn’t for an ‘assignment’ or project… it brought me to tears a little”. // Part of the joy also came from a small but significant switch up to her recording process: the addition of some studio monitors—a birthday gift from Jónsi and Alex (Somers)—having previously recorded all of her music on headphones. “The first song I remember making with those was the first song on the album, Inspirit.” she explains, “When I added the bass I really felt it in my body, you know, in a way you just wouldn’t with headphones… it was kind of euphoric and fun. I got really excited about making the record in that moment, and I think that really had an impact on the sounds I ended up making.” // Excitement too came from the chance to work with three dream collaborators. Her connection to Jónsi began via producer Alex Somers, when Barwick flew to Reykjavík to record some sessions with him for her 2013 record “Nepenthe”, a trip which would begin a long-standing affinity with Iceland and the people she connected with there. “I think he has the best voice in the world,” she says, “and hearing my voice with Jonsi’s is one of the joys of my life.” Nosaj Thing—the highly respected electronic producer and stalwart of the LA scene who has worked with the likes of Kendric Lamar—had gotten in touch to express his affection for her 2011 album “The Magic Place”, and they’d since been trying to find a way to work together. Barwick and Lattimore had struck up a friendship over many years performing live together, and had moved to LA around the same time. Finding herself in the same city as all three for the first time, it felt natural to include them in her process, and added to the feeling of newness, support and friendship she had while producing the record. // Beyond her records, Barwick’s impressive live shows have gained incredible praise over the years from the likes of The Guardian—who described her performance as “exquisite in its eloquence, reflection and compassion” —The New York Times, NPR, and more. She has also supported and performed with Bon Iver, Grouper, Explosions in the Sky, Sigur Rós, Sharon Van Etten, Angel Olsen, Perfume Genius, Mas Ysa, and Nat Baldwin. // Barwick has additionally been involved in some head-turning collaborations over the years. In 2015 she took part in The Flaming Lips’s Carnegie Hall show, performing music from their reimagining of “Sergeant Pepper’s Lonely Hearts Club Band”, alongside Phillip Glass, Debbie Harry, Laurie Anderson and Patti Smith. That same year she was invited to play two shows with Yoko Ono, one at MoMA (“my favorite thing ever”) and one in Central Park. In 2012 she released a collaborative album with Helado Negro as OMBRE, and has also released a collaborative single with Rafael Anton Isarri, on the super-limited Thesis label, and most recently, the “Command Synthesis” EP, on RVNG Intl. sub-label Commend There, which employed AI to build five tracks that responded to the airborne environment outside a hotel room. In 2019 she teamed up with Doug Aitken on his nomadic art project, and created stunning performances in the Massachusett wilderness. // The album’s artwork was shot in Iceland by Joel Kazuo Knoernschild and is taken from a series of aerial films shot by drone above the country’s breathtaking coastline, which also make up the video for ‘Inspirit’.]

4. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28. The Black Creatures are Jade Green & Xavier Martin who will be our guests on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

5. Betse & Clarke – “Farewell Trion”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

6. Funkadelic – “Can You Get To That”
from: Maggot Brain / Westbound Records / July 12, 1972
[Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross, Billy Nelson, and Tiki Fulwood left the band for various reasons. The album charted in the R&B Top 20. Today, it is perhaps best known for its 10-minute title track, performed by guitarist Eddie Hazel. In 2003, Rolling Stone included Maggot Brain on its list of the 500 Greatest Albums of All Time. Pitchfork named it the 17th best album of the 1970s.Funkadelic was an American band formed in Detroit in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Relative to its sister act, Funkadelic pursued a heavier, psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978). The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments[7] while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in 1967, then added guitarist Tawl Ross and drummer Tiki Fulwood. The name “Funkadelic” was coined by Nelson after the band relocated to Detroit. By 1968, because of a dispute with Revilot, the record company that owned “The Parliaments” name, the ensemble began playing under the name Funkadelic. // As Funkadelic, the group signed to Westbound in 1968. Around this time, the group’s music evolved from soul and doo wop into a harder guitar-driven mix of psychedelic rock, soul and funk, much influenced by the popular musical (and political) movements of the time. Jimi Hendrix and Sly Stone were major inspirations.[9] This style later evolved into a tighter guitar and horns-based funk (circa 1971-75), which subsequently, during the height of Parliament-Funkadelic success (circa 1976-81), added elements of R&B and electronic music, with fewer psychedelic rock elements. The band made their first live television performance on Say Brother in October 7, 1969. They played a jam with songs “Into My Own Thing”, “What Is Soul?”, “(I Wanna) Testify”, “I Was Made to Love Her” (Stevie Wonder cover), “Friday Night, August 14th” and “Music for My Mother”. // The group’s self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson, and Ross. The recording also included the rest of the Parliaments singers (still uncredited due to contractual concerns), several uncredited session musicians then employed by Motown, as well as Ray Monette (of Rare Earth) and future P-Funk mainstay Bernie Worrell. // Bernie Worrell was officially credited starting with Funkadelic’s second album, 1970’s Free Your Mind… and Your Ass Will Follow, thus beginning a long working relationship between Worrell and Clinton. The album Maggot Brain followed in 1971. The first three Funkadelic albums displayed strong psychedelic influences (not least in terms of production) and limited commercial potential, despite containing many songs that stayed in the band’s set list for several years and would influence many future funk, rock, and hip hop artists. // After the release of Maggot Brain, the Funkadelic lineup was expanded greatly. Tawl Ross was unavailable after experiencing either a bad LSD trip or a speed overdose, while Billy Bass Nelson and Eddie Hazel quit due to financial concerns. From this point, many more musicians and singers would be added during Funkadelic’s (and Parliament’s) history, including the recruitment of several members of James Brown’s backing band, The JB’s in 1972 – most notably Bootsy Collins and the Horny Horns. Bootsy and his brother Catfish Collins were recruited by Clinton to replace the departed Nelson and Hazel. Bootsy in particular became a major contributor to the P-Funk sound. In 1972, this new line-up released the politically charged double album America Eats Its Young. The lineup stabilized a bit with the album Cosmic Slop in 1973, featuring major contributions from recently added singer-guitarist Garry Shider. After first leaving the band, Eddie Hazel spent a year in jail after assaulting an airline stewardess and air marshal while under the influence of PCP, then he returned to make major contributions to the 1974 album Standing on the Verge of Getting It On. Hazel only contributed to P-Funk sporadically thereafter. // George Clinton revived Parliament in 1974 and signed that act to Casablanca Records. Parliament and Funkadelic featured mostly the same stable of personnel but operated concurrently under two names. At first, Parliament was designated as a more mainstream funk ensemble dominated by soulful vocals and horn arrangements, while Funkadelic was designated as a more experimental and freestyle guitar-based funk band. The ensemble usually toured under the combined name Parliament-Funkadelic or simply P-Funk (which also became the catch-all term for George Clinton’s rapidly growing stable of funk artists). // in 1975 Michael Hampton, a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums. Funkadelic left Westbound in 1976 and moved to Warner Brothers. Their first album for Warner was Hardcore Jollies in 1976. Just before leaving Westbound, Clinton provided that label with a collection of recently recorded outtakes, which Westbound released as the album Tales of Kidd Funkadelic. That album did significantly better commercially than Hardcore Jollies and included “Undisco Kidd”, an R&B Top 30 single. In 1977, Westbound capitalized further by releasing the anthology The Best of the Early Years.// As Parliament began achieving significant mainstream success in the 1975-1978 period, Funkadelic recorded and released its most successful and influential album, One Nation Under a Groove in 1978, adding former Ohio Players keyboardist Walter “Junie” Morrison and reflecting a more melodic dance-based sound. The title track spent six weeks at #1 on the R&B charts, around the time that Parliament was enjoying the #1 R&B singles “Flash Light” and “Aqua Boogie”. Uncle Jam Wants You in 1979 continued Funkadelic’s new more electronic sound production. The album contains the fifteen-minute “(Not Just) Knee Deep” featuring former Spinners lead singer Philippé Wynne, an edited version of which topped the R&B charts. The final official Funkadelic album, The Electric Spanking of War Babies, was released in 1981. The release was originally a double-album project, but it was reduced to a single disc under pressure from Warner Brothers. Some of the deleted tracks would appear on future P-Funk releases, most notably the 1982 hit single “Atomic Dog” which appeared on the first George Clinton solo album. // Meanwhile, the album Connections & Disconnections (re-issued on CD as Who’s a Funkadelic) was released under the name Funkadelic in 1981. The album was recorded by former Funkadelic members and original Parliaments Fuzzy Haskins, Calvin Simon, and Grady Thomas, who had left P-Funk in 1977 after disagreements with George Clinton’s management practices. This LP, notable for its heavy use of Thomas “Pae-dog” McEvoy’s jazz horn, contains the track called “You’ll Like It Too”, which came a very popular breakbeat source for the Hip hop community in the 80s. Former band member, drummer Jerome Brailey, released the album Mutiny on the Mamaship, by his new band Mutiny. // In the early 1980s, with legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup at Parliament’s record label, George Clinton dissolved Parliament and Funkadelic as recording and touring entities. However, many of the musicians in later versions of the two groups remained employed by Clinton. Clinton continued to release new albums regularly, sometimes under his own name and sometimes under the name George Clinton & the P-Funk All-Stars. In the mid-1980s, the last Funkadelic album By Way Of The Drum was recorded by Clinton with P-Funk personnel and many electronic devices. The album was rejected by its record label and did not see official release in America until it appeared as a reissue in 2007. It features a cover of “Sunshine Of Your Love” by Cream. The album did not receive any publicity, but still received favorable reviews. // Clinton continued his P-Funk collective in the 1990s and 2000s, with a revolving stable of musicians, some of whom remain from the classic lineups of Funkadelic and Parliament. The rock-oriented sound of Funkadelic has diminished, as Clinton has moved towards more of an R&B and hip hop sound. In 1997 the group was inducted into the Rock and Roll Hall of Fame.]

7. LyMerrick – “Runaway”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[“Lay Me Down” was released February 8, 2019 and was part of WMM’s 39 Favorite Singles of 2019. In 2019 and 2018 LyMerrick released six singles and was a featured voice on two other single releases. LyMerrick also released a single in 2016. LyMerrick was born in North Carolina but grew up in KCMO since the age of 8. LyMerrick grew up listening to all types of music ranging from gospel, rap, r&b, to classic rock and metal. LyMerrick started singing in the church choir and continued singing in elementary, middle and high school choirs. After high school LyMerrick began to record remixes and eventually began to make originals which led me his collaborations with “nightSHIFT” the label that released his music.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

8. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s A Mountain of Yeses, was originally released May 12, 2009, was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

10:29 – Underwriting

7. Lonnie Holley – “Like Hell Broke Away”
from: National Freedom / Jagjaguar / July 3, 2020
[4th release from Lonnie Bradley Holley, sometimes known as The Sand Man (born February 10, 1950 in Birmingham, Alabama during the Jim Crow era), is an African-American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. He was born the 7th of 27 children during the Jim Crow era and claims to have been traded for a bottle of whiskey when he was four. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Born the 7th of 27 children, Holley claims to have been traded for a bottle of whiskey when he was four. Before beginning his career, he spent time digging graves and picking cotton. He claims to have been pronounced brain-dead after being hit by a car. He became a father at 15 and now has 15 children. Holley also worked as a short-order cook at Disney World. He also did time at a notorious juvenile facility, the Alabama Industrial School for Negro Children in Mount Meigs. // Holley began his artistic life in 1979 by carving tombstones for his sister’s two children, who died in a house fire. He used blocks of a soft sandstone-like byproduct of metal casting which was discarded in piles by a foundry near his sister’s house. He believes that divine intervention led him to the material and inspired his artwork. Inspired to create, Holley made other carvings and assembled them in his yard along with various found objects. In 1981, he brought a few examples of his sandstone carvings to Birmingham Museum of Art director Richard Murray. The BMA displayed some of those pieces immediately and Murray introduced him to the organizers of the 1981 exhibition “More Than Land and Sky: Art from Appalachia” at the Smithsonian American Art Museum. Soon his work was being acquired by other institutions, such as the American Folk Art Museum in New York and the High Museum of Art in Atlanta. His work has also been displayed at the White House. // Holley also became a popular guest at children’s art events, bringing blocks of the foundry stone for children to carve. He gets special pleasure from sharing his experience of learning to love oneself through creative activity. // By the mid-1980s his work had diversified to include paintings and recycled found-object sculptures. His yard and adjacent abandoned lots near his home became an immersive art environment that was celebrated by visitors from the art world, but threatened by scrap-metal scavengers and eventually, by the expansion of the Birmingham International Airport. In late 1996 Holley was notified that his hilltop property near the airport would be condemned.[3] He rejected the airport authority’s offer to buy the property at the market rate of $14,000, knowing that his site-specific installation had personal and artistic value he demanded $250,000. The dispute went to probate court and in 1997 a settlement was reached and the airport authority paid $165,700 to move Holley’s family and work to a larger property in Harpersville, Alabama. // Holley’s first major retrospective, Do We Think Too Much? I Don’t Think We Can Ever Stop: Lonnie Holley, A Twenty-Five Year Survey, was organized by the Birmingham Museum of Art and traveled in 2003 to the Ikon Gallery in Birmingham, England. From May 2003 to May 2004, Holley created a “sprawling, sculptural environment” in the lower sculpture garden at the Birmingham Museum of Art as part of their “Perspectives” series of site-specific installations. The creation of the work was documented in the film “The Sandman’s Garden” by Arthur Crenshaw and in photographs by Alice Faye “Sister” Love. // Holley installed sculptural work for the exhibition Groundstory: Tales from the shade of the South, at Agnes Scott College of Decatur, Georgia, which ran at the Dalton Gallery from September 28 to November 17, 2012. That same year, he released his debut album Just Before Music, followed by Keeping a Record of It the following year. In September 2018, he released his third album MITH on Jagjaguwar.]

10. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New 3-song release from Various Blonde. KC based experimental, rock, pop, & funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, & vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM Doors, w/ YUM and Redder Moon. – Voltaire and recordBar present a Summer Concert Series at the newly created outdoor space, LeMonad(e) Park. Only 100 tickets are available each night. VIP-Tickets allow for up to 6 guests with full table service, no waiting in bar. OPEN SEATING at eight foot tables, 4 person maximum. General Admission is Standing Room Only (you may bring your own chair). Tables & benches are distanced per KCMO Health Department regulations (actually, a little further). Food and beverage will be served by Voltaire utilizing their on-line ordering and packaged to-go by a Voltaire employee practicing Covid-19 safety procedures. If you are not at a VIP table you will pick up your order at the bar. Please distance 6 feet when queuing.]

11. The Jimi Hendrix Experience – “Manic Depression”
from: Are You Experienced? / Reprise / August 23, 1967 U.S. [May 12, 1967 U.K.]
[Are You Experienced is the debut studio album by the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. The album features Jimi Hendrix’s innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. // By mid-1966, Hendrix was struggling to earn a living playing the R&B circuit as a backing guitarist. After being referred to Chas Chandler, who was leaving the Animals and interested in managing and producing artists, Hendrix was signed to a management and production contract with Chandler and ex-Animals manager Michael Jeffery. Chandler brought Hendrix to London and began recruiting members for a band, the Jimi Hendrix Experience, designed to showcase the guitarist’s talents. // In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who’s managers Kit Lambert and Chris Stamp. Are You Experienced and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in 16 recording sessions at three London locations, including De Lane Lea Studios, CBS Studios, and Olympic Studios. // Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. The album was issued in the US on August 23 by Reprise Records, where it reached number five on the US Billboard Top LPs, remaining on the chart for 106 weeks, 27 of those in the Top 40. The album also spent 70 weeks on the US Billboard Hot R&B LPs chart, where it peaked at number 10. The US version contained some of Hendrix’s best known songs, including the Experience’s first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: “Purple Haze”, “Hey Joe”, and “The Wind Cries Mary”.]

12. The Guillotine Choir – “In The Daylight”
from: “In The Daylight” – Single / The Guillotine Choir / July 15, 2020
[Second single this year from The Guillotine Choir who released their debut, “What Tomorrow Brings” on April 29, 2020. We premiered that track on our April 29, 2020 edition of WMM. The Guillotine Choir is an electronic rock band and the musical side project of Kimmie Queen and Cody Wyoming of The Philistines, and Justin Muschinske of The Widows Ride. Invoking the imagery of a late night journey through a cold war Berlin, the synthesizers sizzle and crash and beat against the wall, as the music searches for signs of light and freedom across dark urban landscapes. Cody Wyoming is also a guitarist with The Pedaljets. Cody went to Park Hill High and lives in Kansas City, Missouri with Kimmie Queen who he has been in a relationship with for 15 years. Cody grew up in Enid, Oklahoma.]

13. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

14. Hotel Leo – “Overflow”
from: Matters / ropedog records / May 29, 2020
[Hotel Leo is the musical project of Stephen Roper a Kansas City based engineer and musician. Prior to the release of the Matters album, Hotel Leo released the singles “Our Love” on April 24, 2020, and “Diamond” on April 20, 2020. The band released their debut 4-song self titled EP Hotel Leo on October 14, 2016 with songs written by Stephen Roper. Mastered by Nathan Moody at Obsidian Sound. Album photography by Scott Roper. Album art design by Taylor Dunn.]

15. Ben Gibbard – “Life in Quarantine”
from: Life in Quarantine – Single / Barsuk Records / March 27, 2020
[The Seattle-based Death Cab for Cutie front man unveiled the new song in a video as part of local alt-weekly The Stranger’s A Message to the City series, noting “I know this is a really f—ed up and scary time for everybody, including myself, and I know that we’re all trying to figure out what to do to make it better or alleviate the suffering of someone else.” Net proceeds from the digital release of the new home-studio recording will be donated to Seattle-area relief organizations, including homelessness-support services non-profit Aurora Commons, a welcoming space for unhoused Seattle residents to rest, prepare a meal, connect to resources, and collectively create a healthy and vibrant community. Benjamin Gibbard was born August 11, 1976. He is an American singer, songwriter and guitarist. He is best known as the lead vocalist and guitarist of the indie rock band Death Cab for Cutie, with which he has recorded nine studio albums, and as one half of the electronica act the Postal Service. Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I’m Gone (2009), with Jay Farrar, known for his work with Son Volt and formerly Uncle Tupelo. // Gibbard was born to Allen and Margaret (Flach) Gibbard in Bremerton, Washington. His father was in the Navy and his family moved around the country, including spending time in Northern Virginia before returning back to Washington. Gibbard spent his early life there during the grunge music explosion of the early 1990s. He graduated from Olympic High School in Bremerton in 1994, and studied environmental chemistry at Western Washington University. He was raised Roman Catholic and referred to himself as an “indoctrinated Catholic even though I haven’t been to church of my own volition in 10 or 15 years now.” While performing guitar in the band Pinwheel in 1996, Gibbard recorded a demo cassette under the moniker Death Cab for Cutie, titled You Can Play These Songs with Chords (1997). After receiving a positive response to the material, Gibbard expanded the project into a full band, with the addition of guitarist Chris Walla, bassist Nick Harmer and drummer Nathan Good. The following year, the band released its debut album, Something About Airplanes (1998), on Barsuk Records, and released its follow-up, We Have the Facts and We’re Voting Yes, in 2000.]

11:00 – Station ID

16. Miki P – “Don’t Lose Your Hope”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019 The Swallowtails include: Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. The band’s members having classical music degrees, and jazz degrees. Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

11:03 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share music and details about the KC Syzygy compilation of original tracks from over 25 KC based musicians who came together electronically to contribute musical recordings created during the shutdown of the world in the spring of 2020. The production was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com

The album is available at http://www.kcsyzygy.bandcamp.com

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

“Kansas City Syzygy” a compilation of original tracks with over 25 KC based musicians who came together electronically to contribute. All of this music was created during the shutdown of the world in the Spring of 2020.

“Syzygy” is a term used in astronomy and defined as “connected or corresponding events.” Designer JC Franco states “like planets or stars aligning, so did our lives.”

The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months.

The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.

Musicians Include: Miki P, Kemet Coleman, Trevor Turla, Calvin Arsenia, Johnny Hamil, Jeff Harshbarger, Larkin Sanders, Chris Crabtree, Audrey Chopin, Robert Castillo, J Ashley Miller, John Kizilermut, Nik Douglas, Mikal Shapiro, Kadesh Flow, Tim J Harte, We the People, Chico Sierra, Terri Quinn, Adee Dancy, Seth Andrew
Davis, Chad Brothers, Matt Richey, Rob Rice, and Coleen Dieker.

Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo

11:10

17. Rob Rice & the Devil’s Threesome – “Serial Lover”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Lead singer songwriter Rob Rice told us that “’Serial Lover’ is based on a conversation he had with a dear friend around relationships, specifically monogamous vs. polyamorous, and opening our eyes to learn more about the others experience. This song is one of 6 that Rob is working to finish up this summer and release later this year under the album name ‘And The Devil’s Threesome’. This is a collection of six original songs Rob has composed and recorded that features a female and additional male accompaniment to showcase (hence the Devil’s Threesome…) Here is a sample of the first four tracks and the names of artists/musicians who have collaborated on this project 1. “Tiny Window” with Calvin Arsenia (Harp and Vocals) and Ezgi Karakus (Cello); 2. “There’s A Devil Inside Me” with Landon Hambright (Upright and Vocals) and Rachael Feeley (Vocals); 3. “Thinking of Another” with Teri Quinn (Clarinet and Vocals) and Stephen Roper (Drums, Electronics and Vocals); And 4. “Serial Lover” with Coleen Dieker (Violin and Vocals) and Robert Castillo (Upright Bass and Vocals). Rob Rice is finalizing the last two tracks and we are working to have rob on WMM when he is ready for the release. /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com.]

13. GAV7D (Johnny Hamil & Jeff Harshbarger & Sylvain Rabbath) – “Eastwood Stayed Skinny Travolta Got Fat (Pt. II)”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Johnny Hamil told us that this “was the last track he wrote and recorded while in Paris before the lockdown. Johnny has been going to Paris every year to study and to record. This year he was recording the GAV7D – Video game Solo Bass record with Sylvain Rabbath. This song is Johnny’s love of 1980s metal shred so he broke out some old school chops to compose the song….it is a solo bass record so why not? While recording the song Jeff Harshbarger called Johnny and said he wasn’t going to come to Paris as planned, due to the virus. Johnny told him everything was fine in Paris and he should come… something that Johnny now really regrets saying, however it was fine at the time. Johnny’s trip was wonderful as always and we were making this wonderful song. So Jeff did come and we were finishing the track so Johnny just put Jeff in the vocal booth to make sonic the hedgehog type sounds and sing the ending “Parisian scooter death ride” lyrics. Jeff sang five part harmonies in just a few tales! It was another example how amazing he is. Also the keyboards on this track are amazing as well. Sylvain Rabbath recently acquired a new analog keyboard, to add to his collection of hundreds of keyboards. This keyboard from the 1980s has a lot of a “Miami Vice” sound. In regard to the “Parisian scooter death ride” story, in order to get to and from the studio it is easier to ride on Sylvain’s scooter as taking his car takes too much time in a city like Paris. Since Sylvain was born and raised in Paris, he goes through cars, alleys, gutters, sidewalks, and it’s terrifying! Thus Johnny feels like you will never know the true Paris until you have had that experience. If you listen closely enough at the end fade out you will hear the shrieking vocals. Jeff Harshbarger had to stay with Johnny for a month due to mandatory quarantine for travelers. Johnny and Jeff did a few online shows during that time. They played a duet version of this tune. It was the first time Johnny was able to perform with another musician and it was such a blessing! Johnny felt this heavy weight be lifted off of himself. Both shows are still on Johnny’s Facebook pages and got shared quite a bit. As Johnny is finishing up the entire album this track stands out, so Johnny is glad it is the first song to formally get released. Johnny will be releasing the last two GAV7D albums this year as they are done. They both got delayed from the pandemic. The Exotica Freejazz Record is really just another amazing journey that includes musicians: Mark Southerland, Annie Elliot, Amado Espinoza, Chris Fugitt, Arny Young, Tina Billberry, Clarke Wyatt, Julia Othmer, and so many more. // /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Shay Estes & Trio All – “Under The Milky Way feat. Jeff Harshbarger”
From: Despite Your Destination / Independent / 2009
[Shay Estes and Trio ALL — ALL being an acronym for the last names of players Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on bass. Lowrey told INK that they, “We’re trying to cross over into the realm of modern jazz by writing arrangements of songs that aren’t staples in jazz repertoire.” The album title comes from the lyrics of “Under the Milky Way,” originally by new wave band The Church. That track was the first arrangement Estes and Lowrey worked on together in 2004, and features guest vocals from Jeff Harshbarger.]

11:35 – Underwriting

20. Bijuu – “Body222”
from: WEEP NOT / Bijuu / April 17, 2020
[4-song EP from Kansas City based producer and vocalist who specializes in electronic maximalist pop music. Bijuu released the singles “Wet Blood” May 7, 2018, and “Mushygoo” April 20, 2018. There are a multitude of other tracks at Bijuu’s Soundcloud page.]

21. MARCOTTE – “History”
from: History / MARCOTTE / October 1, 2019
[For singer-songwriter duo Jordan and Sasha, soul is the term that most embodies the emotional transparency they commit to in the music they compose and perform together as MARCOTTE. The duo met in Kansas City, MO in 2013. They quickly discovered that collaboration came naturally and what they could do together surpassed any success they were able to achieve separately. Sasha and Jordan partnered together to create and perform original songs for their friends’ weddings –music that honestly and affectionately communicated the love story of the bride and groom. Soon finding their own love story in the midst, the pair has successfully translated that same honesty and affection to the art they create together. Though the stages and audience have grown in size and number as MARCOTTE continues to experience acclaim, the Pop-R&B duo has been able to keep the intimacy and clarity they’re known for while performing for live audiences.]

[Marcotte play ULAH Live Sessions Hosted by You Found Music on Thursday July 23, 7:00 PM to 9:00 PM at ULAH, 4707 Rainbow Blvd., Westwood, KS. Limited seating for 12. Doors at 7:00, show at 7:30. Social distancing measures will be in place. Masks will be required upon entry, and while moving about the store. Ticket information at http://www.eventbrite.com/e/ulaj-live-sessions-marcotte-tickets%5D

22. D’Angelo & The Vanguard – “1000 Deaths”
from: Black Messiah / RCA – Sony / December 15, 2014
[Black Messiah is the third studio album by American singer, songwriter, and multi-instrumentalist D’Angelo, credited to D’Angelo and the Vanguard. It was released on December 15, 2014, by RCA Records, bringing an end to his 14-year hiatus that followed his 2000 album Voodoo. The album was produced and mostly written by D’Angelo, who collaborated with musicians such as percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove. He pursued a largely analog and murky funk sound for the record, lending it comparisons to the 1971 Sly & the Family Stone album There’s a Riot Goin’ On. Black Messiah was among 2014’s most highly anticipated albums and was released to widespread critical acclaim, later being ranked as one of the year’s best albums. The album debuted at number five on the US Billboard charts and number one on the US Top R&B/Hip-Hop Albums, selling over 117,000 units in its first week. Black Messiah was promoted with the release of the single “Really Love” and a tour called The Second Coming. // D’Angelo’s subsequent solo work was extensively delayed.Production for a full-length follow-up to Voodoo was stagnant, as he was working on and off mostly by himself during 2002. D’Angelo attempted to play every instrument for the project, striving for complete creative control similar to that of Prince. Russell Elevado described the resulting material as “Parliament/Funkadelic meets the Beatles meets Prince, and the whole time there’s this Jimi Hendrix energy”. However, those who previewed its songs found it to be unfinished. In the years that followed, D’Angelo’s personal problems worsened, descending to drug and alcohol addiction. In January 2005 he was arrested and charged with possession of marijuana and cocaine. Various mugshots began circulating around the time, showing the singer looking overweight and unhealthy, in stark contrast to the muscular D’Angelo seen in promotion for Voodoo. In September 2005, a week after being sentenced on the drug charges, he was involved in a car accident, and was rumoured to be critically injured. However, a week after the crash a statement was issued by D’Angelo’s attorney stating that he was fine continuing to say “He is anxious to finish the recording of his soul masterpiece that the world has patiently awaited. // No more was revealed on the new album until 2007, when Questlove, D’Angelo’s drummer and producer, leaked an unfinished track on Triple J Radio in Australia. Entitled “Really Love”, the track was an acoustic flavored jam with a laid back swing feel. The leak apparently soured relations between the two. In 2009, D’Angelo’s then-new manager Lindsay Guion, revealed plans for a new album, including collaborations with artists including Prince, Kanye West, Busta Rhymes, and John Mayer, and a summer tour, saying “He’s able to smile again and he’s ready to connect [with fans], he’s coming back. And he looks great, by the way.” As with the previous year, no tour or album materialized. In early February 2010, a new track called “1000 Deaths” appeared on the Internet, but was swiftly removed due to a copyright claim by Michael Archer, D’Angelo’s legal name. The song seemed unfinished, and it is unclear how recent the material actually is, as the same song was mentioned in the same interview (see above) with Russell Elevado, in 2007. Around the same time, an article began to circulate on the Internet, which seemed to be an apparent review of ‘James River’, with detailed descriptions of individual songs, track listing, and segments of lyrics. This caused much discussion regarding the authenticity of the article, or whether it was an elaborate hoax. // In January 2011, Russell Elevado updated the status of the album development on his website and stated that “Pino Palladino and James Gadson have joined D’Angelo […] in New York City to finish cutting tracks for the upcoming album (yes, “THE” upcoming album!). We are officially making our way to finishing this record! I don’t need to tell everyone that this will be an amazing album. D’Angelo fans will be extremely happy to know, the wait will be over soon and it will surely be a future classic” Russell Elevado updated the status of the album again on his own website. “Since my last post I have continued sessions with D’Angelo. We’ve just finished up 5 months of recording. D has been doing vocals and guitars and we’ve had Pino Palladino back in for some more bass tracks. Also ?uestlove came in to jam with D and Pino. They’ve finally reunited after 7 or 8 years (lost track how long really). We’re taking a few months break while I take care of some other projects that have been on the back burner.” // In December 2011 Questlove said the album was 97% done and that D’Angelo was “finishing his lyrics now.” He went on to compare the album to a “black version of Smile – at best, it will go down in the Smile/There’s a Riot Goin’ On/Miles Davis’ On the Corner category. That’s what I’m hoping for. There’s stuff on there I was amazed at, like new music patches I’ve never heard before. I’d ask him, “What kind of keyboard is that?” I thought it was some old vintage thing. But he builds his own patches. One song we worked on called “Charade” has this trombone patch that he re-EQ’d and then put through an envelope filter and then added a vibraphone noise on top and made a whole new patch out of it. He’s the only person I know that takes a Herbie Hancock approach, or Malcolm Cecil and Robert Margouleff—the two musician/engineers who programmed all of Stevie Wonder’s genius-period stuff—approach. That’s the last time I ever heard of somebody building patches. We’ll see if history is kind to it.” In 2012, D’Angelo returned to performing live with his Occupy Music Tour and prepared his third studio album, whose recording had D’Angelo return to Electric Lady Studios. // Michael Eugene Archer (born February 11, 1974), better known by his stage name D’Angelo (pronounced di-Angelo), is an American singer, songwriter, multi-instrumentalist and record producer. D’Angelo is associated with the neo soul movement, along with artists like Erykah Badu, Lauryn Hill, Maxwell, and collaborator Angie Stone. // Born in Richmond, Virginia, the son of a Pentecostal minister, D’Angelo taught himself piano as a child. At eighteen, he won the amateur talent competition at Harlem’s Apollo Theater three weeks in a row. After a brief affiliation with hip-hop group I.D.U., his first major success came in 1994 as the co-writer and co-producer of the song “U Will Know”. // His debut solo album, Brown Sugar (1995), received positive reviews and sold over two million copies. His next album, Voodoo (2000), debuted at number one on the US Billboard 200. Its lead single “Untitled (How Does It Feel)”, entered the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won Best R&B Album. D’Angelo was hailed as the next Marvin Gaye by GQ in 2014. // Following this period, D’Angelo became more than uncomfortable with his growing status as a sex symbol. This was followed by numerous personal struggles including alcoholism, and a fourteen-year long musical hiatus. D’Angelo released his third studio album, Black Messiah, in December 2014. The album was met with critical acclaim and fared well on music charts, peaking at number five on the US Billboard 200. D’Angelo also contributed to the soundtrack for the 2018 video game Red Dead Redemption 2, performing the song “Unshaken”.]

23. Daniel Gum – “Tired Saint”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 29, singer songwriter activist Una Walkenhorst joins us to talk about her 2020 EP Woman Of The Year. We will also share more tracks from the new Kansas City Syzygy compilations, and even more from the French Exit Records compilation release Black Lives Matter.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #847

WMM Playlist from July 15, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 15, 2020

Stephonne Singleton + Heath Church
+ New & MidCoastal Releases

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. UpKeep – “Burnt Hands”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Electronic dream pop band from Springfield, Missouri formed in January 2017 by Spencer Pearson and Anna Redmond. “Burnt Hands” was mastered by Jordan Bleau. “Burnt Hands” was originally released as a single on March 1, 2019. Spencer Pearson also performs and records ambient music under the name, faulter. (https://faulter.bandcamp.com/album/regain). Anna also releases music as a solo artist and has played keyboards with Buckle Up Baby (https://anna-music.bandcamp.com/track/reason).French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Sam Wells – “Dear Black People” (Radio Edit)
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year on April 21, 2020, Sam Wells released her single “Sugar” produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Crystal Rose – “Not Leaving (Stripped)”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year Crystal Rose released, “Not Leaving (Stripped)” on January 30, 2020. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar, Peter Marten on guitar, and Robert Castillo on bass. Crystal Rose is a singer song-writer based in heart of Kansas City. At a young age she was influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blues and folk centered artist like James Bay, James Vincent McMorrow and Johnny Swim. To listen to more Crystal Rose please visit: http://www.crystalro.se. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

5. The Mammals – “If You Could Hear Me Now”
from: Nonet / Humble Abode Music / May 22, 2020
[Nonet may refer to a composition which requires nine musicians for a performance. The Mammals “Nonet” band is nine musicians: Ruth Ungar on fiddle, guitar, ukulele, vocals; Mike Merenda on guitar, banjo, vocals; Konrad Meissner on drums; Lee Falco on drums; Jacob Silver on upright & electric bass; Brandon Morrison on electric bass, baritone guitar, high-strung guitar, vocals; Ken Maiuri on piano, Wurlitzer, high-strung guitar, vocals; Will Bryant on Hammond organ, clavinet, vocals; and Charlie Rose om pedal steel, banjo, vocals. Special guests included: Lindsay Lou, Kate Pierson, Connor Kennedy, Jayla Kai Smith, Gail Ann Dorsey, Zach Djanikian, Joan Henry, and Will Puck Merenda on handclaps. All songs © 2020 M. Merenda / R. Ungar, Shake Sugaree Music, ASCAP. Recorded by Adam Armstrong at The Clubhouse, Rhinebeck, NY and Humble Abode Music, West Hurley, NY. Mixed by Adam Armstrong except “Coming Down Off Summer,” “Radio Signal,” and “Someone’s Hurtin” mixed by Paul Antonell & Shubham Mondal; “Beyond Civilization” and “You Gotta Believe” mixed by Mike Merenda. Mastered by Greg Calbi at Sterling Sound. Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the The lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”] [The Mammals played Folk Alliance International Conference February 17, 2018 .]

6. Curtis Mayfield – “Superfly”
from: Superfly (Soundtrack from the Motion Picture) / Curtom Records / July 1972
[[We hear in the bridge Curtis singing, “Trying to get over” the theme we hear in so many of Curtis Mayfield’s incredible recordings. Super Fly is the third studio album by American soul musician Curtis Mayfield. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, “Freddie’s Dead” (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied. Super Fly, along with Marvin Gaye’s What’s Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield’s position is far more critical. Like What’s Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade. Curtis Lee Mayfield was born in Chicago on June 3, 1942, He died on December 26, 1999. An American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music, he first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist. Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone’s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998. After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57. In my tween years my mother’s record collection was changing, her second husband Al drove a van, and listened to 8-track tapes. My mom was in the RCA Music Club where they would automatically send you the new release, that’s how she ended up with the soundtrack to the film “Superfly” from Curtis Mayfield. The movie never played our town. But the soundtrack tells the story, of “Trying to get over.”]

10:28 – Underwriting

7. Stephonne Singleton – “Want Me”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonne was born and raised in Wyandotte County, Kansas. He has performed in multiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A video for “Want Me” was just released. “Want Me” is part of a new 4-song EP.]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

Stephonne Singleton on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:33 – Interview with Stephonne Singleton

Singer songwriter, & actor, Stephonne Singleton talks about his new EP, SIS: Side A, to be released August 7, and the single “Deep,” released July 14, 2020. Stephonne co-produced his EP with Justin Mantooth who also engineered & mixed, at Westend Studios. Joining Stephonne was Johnny Hamil on bass, Ben Byard on guitar, & Adam McKee on drums. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018.

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

After 2018’s Caged Bird Sings Songs About Red Beard and the release of two singles, ‘Want Me’ and ‘Dominate’, we finally get our hands on Stephonne’s SIS: Side A EP. “With ‘Want Me’, I finally found a full confidence and strength in myself again. There were a lot of years that passed, where I really felt that I couldn’t do this independently. I stopped listening to the music and instead listened to rejection, doubt and a lot of self-sabotage.” After a 2018 New York showcase, Singleton laid in A friend’s Philadelphia bed and thought about what was next. He had taken a step he hadn’t before and it was that precise step that woke up a sleeping giant. “It all hit me at once! I got so much closer to my dream than ever before and a dream with steps and goals that I’d written down and prayed aloud for since I was 7.” ‘Want Me’ would spawn a very successful Kickstarter for its major music video and an EP that Stephonne had no idea he’d end up writing.

Stephonne Singleton photo by Paul Andrews Photograph

“‘Want Me’ had been written before my debut was released but was just sitting and, honestly, after I decided I needed to go about this alone I remembered that I was broke,” laughs the singer-songwriter. From jobs in corporate America, local theatre and drag Stephonne put his money where his dreams were. After crowdfunding success, the songs just showed up and demanded attention. SIS, in the case of this EP, actually means Summoning Insatiable Spirits.

“That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys.” On Side A and, an upcoming, B we find those spirits. “All of these songs came to me in an instant. They are really from some relationship that I have with the ether that I can’t explain. Whole songs in 10-15 minutes that I hear over and over until I get in with the band (Johnny Hamil, Ben Byard and Adam McKee) finish writing with everyone and then record them. They are literal sprits or ghosts that demand to be heard.”

Stephonne Singleton photo by Paul Andrews Photograph

Side A’s first single, ‘Deep’, came to Stephonne on a return to MCI from SEA. “There I was… crying on the plane like a big ass baby because of some dude I fell in love with and knew it wouldn’t work out with. The melody and lyrics hit me like a brick and after trying to hide my weeping face from the two passengers next to me, I went to that tiny bathroom and got everything on my phone.” Like ‘Want Me’, the pop gem would sit and scream at Stephonne until late 2019. The influence of 90’s and early 00’s radio rock reigns supreme on ‘Deep’ and we find Stephonne in his greatest melodic and lyrical territory yet. “I feel like you are always trying, unsuccessfully, to write a hit and with every single one of these songs there was no trying. I listened to life, wrote it down and got out of my own way.” Each song holds its ground without overproduction and a desperation for chart placement that holds back many industry hopefuls. What is delivered is sincere, raw but refined, pure and honest music that is accessible no matter your love of genre. With that being said, that this is a rock record is undeniable. “The frustrating thing for me about it, is that radio and audiences look at my skin color and automatically label everything as Hip-Hop and R&B. I’d say I did music as a kid and people would ask me if I was a rapper without even a second passing… Music of every genre has BLACK origin and yet where are we on the radio? We continue to carry the industry on our backs and are still having to use the back door!”

The genre jumper doesn’t deny his R&B, Soul and Jazz influences on SIS. It’s quite the opposite. Rock and R&B collide with the sultry, silky and vocal grit of Stephonne. He is an artist who conjures up the spirits of Prince and Billie Holiday (his biggest influences) but that delivers something inimitable, visceral, strange and beautiful. Even on the sugary and hyper sexuality of ‘Sweet Tooth’ and the dark but hopeful beauty of ‘Middle Man’, there is a triumphant transcendence that was a staple of yesteryears Popular music. A time when saturation wasn’t heavy and when artist development was embraced over carbon copying. “I only have interest in being me. Sis, I’m Black, unapologetically Queer, and very sex positive. I’m at a point in my life where I embrace every single part and won’t spend energy on anything but self-love, my music and the things that I can help with to change this world for the better.” SIS: Side A reflects all of the above exclamations of Stephonne but it also puts him in position to step into the world’s radar and officially begins his legacy as one music’s greatest treasures.

Stephonne Singleton photo by Paul Andrews Photograph

SIS: Side A will soon be up for pr-order on all music/streaming platforms, worldwide with ‘Deep’ arriving on July 14th and the full EP on August 7th! SIS: Side B will arrive late this year and SIS, the full album, is slated for Spring 2021! Production comes solely from Stephonne with co-production, engineering and mixing by Westend Studio’s, Justin Mantooth. For more visit www.stephonne.com!

Stephonne Singleton slinks and slides into ears with ‘Want Me’. The dark and slickly polished track oozes of sex, confusion and tension. “Those things describe my coming of age as a black gay man. I’ve put my heart and mental health through a lot, trying to find love.” With Stephonne you find a painfully personal style of writing. Here, he delves into the point of view of an ex-lover. “I kept trying to make it work and the outcome was always the same. It was so confusing, that it haunted me. I was with a person who loved me but that didn’t want anything to do with love. I was just a body for sex and a cheerleader when he decided it was game on.” The song was his final straw and a way to make sense of what he’d been through. It also examines the hookup culture of apps like Grindr and Scruff. “The app culture feels like shopping at a butcher shop for meat. It’s a bunch of ghosts, most of the time, who appear and disappear as soon as they cum. Sex can be utility but I suddenly don’t exist after that?!” Being black, becoming fetishized and turned away from members of queer communities has been an often occurrence for the singer-songwriter.

Stephonne Singleton photo by Paul Andrews Photograph

The writing and production comes solely from the Kansas City native, with a huge helping hand from co-producer, Justin Mantooth. Recorded at Westend Recording Studios the track features Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Singleton continues to defy genre, but instead of dipping his toe into his alternative rock roots he takes a deep dive in. Still marked by breathy vocals, buttery falsetto, gospel rasp and innate jazz sensibilities, the track and brand new music video lift Stephonne to new heights. 

The “Want Me” video transports us into the center of a horror movie. Surrounded by candles and ancient vigil work, Stephonne is painted in a nod to Grace Jones and Kieth Haring. Artist, Ryan Wilks makes Stephonne and the set a canvas, where he resurrects someone he probably shouldn’t. From a mere snap, we travel through a film noire that is equal parts Nosferatu, The Craft and an inescapable heat and sexuality that emit from both the songwriter and featured dancer, Courtney Germany. “I needed black girl magic in this video and what was most important to me was to have someone who could express every bit of agony and yearning in the song with their body.” Courtney is breathtaking. Choreographed by Ashley Personett of Empire Dance Academy and That’s Entertainment KC, Germany turns into a lovelorn golem who will do anything for the attention of its maker. “There is a magic that BIPOC hold within us that comes from a 24/7, 365 day struggle just to survive. On top of that, we also have to live, love and try to find time to heal. We are worthy of so much more than this world gives us.” In this way, Stephonne becomes a symbol for what’s not given and for what doesn’t wish to be given in the video.

The multi-layered and cinematic masterpiece was helmed and directed by Method Media. You may know them from the critically acclaimed and TIME magazine reviewed/featured videos by Kansas City natives, SSION (Inherit, At least The Sky is Blue and Comeback). Every detail is given the utmost attention by director and editor, Jordon Rioux. Every tone, shot and transition contains an edge and sophistication that only heightens this supernatural affair. The video production is an affair of its own. A Kansas City love affair that showcases the talents, locations (filmed at Heidi Van’s Black Box) and savvy of a slept on city that has recently gained new notoriety due to shows like Queer Eye. “We are a city full of so much treasure and promise! Every part of this video was responsible because of Kansas City businesses, costume/jewelry makers, artists and more. I will always rep my city.” Over half of the funding for the musical thriller was given by KC locals through a very successful Kickstarter last year!

Stephonne Singleton photo by Paul Andrews Photograph

‘Want Me’ is currently available on all digital/streaming platforms but will also appear on the upcoming EP, SIS: Side A. SIS means Summoning Insatiable Spirits. “That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys. It is like the ritual in the video but without blood and body paint,” laughs Stephonne. The ‘Want Me’ video ushers us into a slew of Alternative Rock tracks that are witchy, infectious, ready for radio and that bring R&B and Pop in the mix to create something inimitable but richly accessible. “I just want to make my city proud but I’ve got a lot in store for the entire world. It’s time to enter that stage.”

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

10:49

8. Stephone Singleton – “Deep”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

9. Eydie Gorme & Los Panchos -“Piel Canela”
from: Amour / CBS – Columbia / June, 1964
[Recorded In New York February 14, 18 and 19, 1964. Hecho en México ℗1964. Guitar – Alfredo Gil, Chucho Navarro, Johnny Albino The trio became one of the leading exponents of the bolero and the romantic ballad in Latin America. Its current members are Chucho Navarro Jr., Eduardo Beristian and Misael Reyes. A characteristic instrument of Los Panchos and other Mexican tríos románticos since the 1950s is the requinto guitar, which is smaller and tuned higher than a standard guitar and was popularized by Alfredo Gil. Requinto solos found in many bolero recordings by Los Panchos. Los Panchos first met in 1944 in New York City.[1] The three original members were Chucho Navarro, and Alfredo Gil, both from Mexico, and Hernando Avilés from Puerto Rico. All three played guitar and contributed vocally. Los Panchos reached fame with their romantic songs, especially in Latin America where they are still regarded as one of the top trios of all time. They sold millions of records in Latin America and other countries. In the 1940s they collaborated with Alfredo Antonini’s Viva America Orchestra with the orchestral accordionist John Serry Sr. in a recording of “La palma” (a cueca) and “Rosa negra” (a conga) for Pilotone Records (#45 5067, #45 5069). They also appeared in around 50 movies, mostly during the Golden Age of Mexican cinema. Los Panchos began touring internationally in 1946 and would relocate later that same year to Mexico City. They were welcomed with open arms and XEW-AM, the most popular radio station in Mexico City, reserved a time slot for their music. In 1951, Los Panchos launched another international tour across Latin America. Julito Rodríguez joined the group in 1952; he was replaced by Johnny Albino in 1958. Johnny Albino and Chucho Navarro—Miguel Poventud and Yomo Toro were studio musicians for CBS—famously worked with singer Eydie Gorme on a series of bestselling albums in the 1960s. The Albino era was one of the most prosperous ones for Los Panchos whose classic albums are very popular among Los Panchos fans still. His departure in 1968 was a tumultuous one, as he did not leave on good terms with the group’s management. In 1971, Ovidio Hernández joined the band as lead vocalist, a part he would fulfill until his untimely passing of complications of meningitis in 1976. Following him, Rafael Basurto Lara joined as lead singer. A very interesting note, and one that not everyone knows about, is that during the illness of Ovidio Hernández and the integration of Rafael Basurto to the trio, Alfredo Gil (the trio’s director) met the Puerto Rican singer, David Ortiz, in New York City, and amazed by the quality of his voice and style, asked him to come to Mexico and sing with Los Panchos. David Ortiz accepted the invitation and was with the Trio Los Panchos for several months. However, after fulfilling several commitments with the trio, David Ortiz returned to New York. Alfredo Gil played with Los Panchos until his retirement in 1981; he died in 1999. Chucho Navarro played with the group until his death in 1993. Currently the trio using the Los Panchos name is the Trio Los Panchos de Chucho Navarro Fundador (“Trio Los Panchos of Founder Chucho Navarro”) under the direction of Chucho Navarro Jr., the son of original Los Panchos member Chucho Navarro.][Eydie Gormé died in 2013 at age 84. Her groundbreaking career in Latin music, highlighted by the 1964 album “Amor” recorded with Trio Los Panchos. When it comes to Latin-music icons, Las Vegas veteran Eydie Gormé isn’t exactly the first name that leaps to mind. But to generations of Hispanics, Gormé is eternally linked with nostalgic sounds in Spanish. The primary reason is “Amor,” her luminous 1964 collaboration with Mexican vocal group Trio Los Panchos. “Most artists have an album or two that define them,” says Texas journalist Ramiro Burr, author of “The Billboard Guide to Tejano and Regional Mexican Music.” “The Beatles have ‘Sgt. Pepper.’ Nirvana has ‘Nevermind.’ For Eydie Gormé, that timeless album is ‘Amor.'” Since its release more than 40 years ago, the disc has never gone out of print. It’s the biggest-selling album in Gormé’s long career. In the ’90s, Sony repackaged the album along with its 1965 sequel, “More Amor,” and the disc made the Latin charts all over again. Gormé’s career in Spanish may seem surprising until one looks at her background. The New York-born singer is the daughter of Sephardic Jews and grew up speaking mainly Spanish at home. Columbia Records President Goddard Lieberson came up with the concept of recording one of his top female vocalists with Los Panchos, a big-selling trio a few years past their prime.
“He was a really sophisticated, international man,” Lawrence recalls. “He knew of Eydie’s Spanish background. He thought of Los Panchos, and they were aware of Eydie. They all met in the studio, and it was like they were old friends.” Los Panchos chose the songs. Most of them were established tunes, such as “Piel Canela,” “Amor” and “Cuando Vuelva a Tu Lado,” that had been recorded by scores of artists. “They were drinking a lot of wine on those sessions,” she says with a laugh. “They were lovely people. Drunk, but lovely.” Whatever the reason, the artists had a once-in-a-lifetime chemistry.]]

10. Prince – “Gotta Broken Heart Again”
from: Dirty Mind / Warner Bros. / October 8, 1980
[Dirty Mind is the third album by American recording artist Prince. It was released on October 8, 1980, by Warner Bros. Records as the follow-up to his self-titled second album, Prince, (1979). It was produced, arranged, and composed entirely by Prince in his home studio in Minneapolis, Minnesota during May to June of 1980. Dirty Mind has been considered by critics as Prince’s most creative and boldest album, setting the baseline for his artistic direction in the following years. During the spring of 1980, Prince and his backing band members Dez Dickerson, André Cymone, drummer Bobby Z, and keyboardists Doctor Fink and Gayle Chapman spent nine weeks on the road opening for Rick James, a musical rival of Prince. Following the end of James’ tour, Prince returned to Minnesota and rented a house in Wayzata where he set up a 16-track studio. During the recording of the album, Doctor Fink’s jam-out during a rehearsal provided the basis for the album’s title track. A fusion of post-disco, new wave, funk and dance, Dirty Mind is more prevalent in punk sounds than Prince’s previous albums. Prince’s high and feminine vocals, along with his androgynous image during the Dirty Mind era, has been recognized for bringing attention to gaydar. Controversially, the album’s theme is fueled by explicit topics including oral sex, threesome and ejaculation, which has been credited for opening the doors for sexually explicit albums in the coming years. The first single of Dirty Mind, “Uptown” reached number five on both the Billboard Hot Soul Singles and the Billboard National Disco Action Top 30 charts. Though the album only reached number 45 on the Billboard 200, it earned widespread acclaim from music critics and crossover success. Due to its fusion of genres, critics have hailed it for setting the sound for urban black music of the early 1980s. The album has been ranked by several publications as one of the greatest albums of all time. // Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, musician, record producer, dancer, actor, and filmmaker. He is widely regarded as one of the greatest musicians of his generation. A multi-instrumentalist who was considered a guitar virtuoso, he was well known for his eclectic work across multiple genres, flamboyant and androgynous persona, and wide vocal range which included a far-reaching falsetto and high-pitched screams. Prince’s innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, psychedelia, pop, industrial, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday”. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. In 1984, he and his backup band, The Revolution, released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200.[5] The film also won the Academy Award for Best Original Song Score, the final film to receive the award. After disbanding The Revolution, Prince released the critically acclaimed double album Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the “Love Symbol”), and was sometimes referred to as “The Artist Formerly Known as Prince” or simply “The Artist”. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. On April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 130 million records worldwide, ranking him among the best-selling music artists of all time. He was honored with special awards including the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. Rolling Stone placed Prince among its list of both the 100 Greatest Artists of All Time and 100 Greatest Songwriters of All Time. He is also ranked on the Top 100 Artists of All Time list by Billboard.]

11:00 – Station ID

11. Heath Church – “Extra Pain”
from: “Extra Pain” – Single / Heath Church / November 18, 2019
[Heath Church is an American singer-songwriter from KC who primarily plays indie-folk music. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. Featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venues and interacting with his faudiences. Heath released his debut, The Things I’ve Tried on Dec. 23, 2017. More info at: http://www.heathchurchmusic.com]

Heath Church on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Heath Church

Heath Church joins us on the phone to talk about his music and play his new single “The Stranger.” KC based singer-songwriter Heath Church grew up in Blue Springs, Missouri and performs all over the metropolitan area. Heath plays indie-folk music. His lyrics speak poetically about his own life, losses, struggles and intimate moments. His music is full of melancholy, catchy hooks, and sweet vocals. His style is inspired by artists such as Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. In the last two years Heath has released two 5-song EPs and four singles. Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

“Extra Pain” is the first of three new singles you have released in the last 9 months.

Heath has released two 5-song EPs and four singles.

Heath Church photo by Sean Stratton⁣

Heath Church Discography

The Stranger – Single – July 10, 2020
Echoes of You – Single – May 8, 2020
Extra Pain – Single – November 18, 2019
Chemical Optometry – 5-song EP – June 14, 2019
All Messed Up – Single – December 7, 2018
Breaking Even – Single – April 6, 2018
The Things I’ve Tried – 5-song EP – December 23, 2017

Notes from Heath Church’s debut EP The Things I’ve Learned: THEMES & CONCEPTS DISCUSSED Coping with Life in Less Than Ideal Ways And Failing Miserably

The EPs main theme is sort of a tragicomic story of trying to find ways to cope with day to day life struggles but feeling trapped by the resulting disappointment that often comes from temporary solutions such as alcoholism and materialism. Below is part of a verse from the title track “The Things I’ve Tried” that reflects this theme.

“I tried drinkin’ alcohol to forget the things I saw, but every drink just brought back memories”

Running to a Place of Comfort

In “Kansas City Train”, I used my hometown to speak to the desire that most people have to leave their regular life behind for a new and brighter future. This track is more than just the desire to jump on the train out of town – It’s about wanting a new life that is free from the stressors we encounter everyday. I have always loved my hometown of Kansas City, Missouri and remember plenty of times when I was away at college longing to return to it and start a new life. The song isn’t just about Kansas City though. It’s really about the hope of a more promising future full of new friends and people who care about you. Below is a line from “Kansas City Train”.

“If your mind keeps yellin’ and you’re all stressed out -If your eyes keep cryin’ and they won’t slow down. You can pack your bags – you can leave right now. I hope you find yourself in my favorite town”

Heath Church photo by Sean Stratton

Heath Church has upcoming shows:

Jul 16 – Captain’s Sports Lounge – Lees Summit, MO
Jul 18 – The Corner Boutique – Belton, MO
Aug 20 – Captain’s Sports Lounge – Lees Summit, MO
Aug 29 – Tipsy Taco – Lees Summit, MO
Sep 19 – Tipsy Taco – Lees Summit, MO
Oct 08 – Captain’s Sports Lounge – Lees Summit, MO
Oct 16 – Tipsy Taco – Lees Summit, MO

Heath is getting ready to release a new EP Cosmic Love this year.

Heath Church – “The Stranger” Just released July 10

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church photo by Sean Stratton

11:17

12. Heath Church – “The Stranger”
from: “The Stranger” – Single / Heath Church / July 10, 2020
[Heath Church is a singer-songwriter from KC who plays indie-folk. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths, featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venue.. More info at: http://www.heathchurchmusic.com]

13. Brandon Phillips & The Condition – “Sunrise”
from: “Sunrise” – Single / Brandon Phillips & The Condition / July 13, 2020
[Another installment of the band’s Summer Singles 2020 Series. Brandon Phillips, Adam Phillips, Brent Kastler, Mike Alexander, Nathan Showalter, Julie Berndsen, Julia Haile, and featuring Eric Bikales on flute. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Produced and mixed by Brandon Phillips. Artwork by Jud Kite. Follow up to their June 16, 2020 single release “Contrition” and their May 28 double single: ‘C.A.R.D.I.A.C. A.R.R.E.S.T.” and “Whatever.” On April 13, 2019 Brandon Phillips and The Condition with Too Much Rock released the, “Angel Say No” / “People Talk” 7” single release. On November 14, 2017 the group rebased “Heartsick” and “Clean and Sober” as a double A-side single. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast with musicians from other bands.]

14. The Nicole Springer Band – “Birthday”
from: Birthday – Single / Nicole Springer / July 10, 2020
[Recorded, produced, mixed, & mastered by Joel Nanos of Element Recording Studios. The Nicole Springer Band’s follow-up to their debut EP, “Willing.” Nicole Springer on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. Birthday is Nicole’s response to acknowledging the birthday of a family member removed from her life, is a nuanced recognition of both sorrow & joy, grief & peace, and a sincere hope that happiness rests in the heart of a loved one long gone. Last year The Nicole Springer Band released the EP Willing. On the April 10, 2019 WMM Nicole shared the radio debut of her single, “Hell.” Nicole Springer was the founder and songwriter of: The Clementines, The Good Hearts, Heart Machine, Nikki and the Rooftop Punch, and her solo projects. Nicole has performed at numerous festivals . Nicole Springer has a big amazing voice; once you hear it, you cannot ignore this voice. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues. Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins who played LIVE on our April 25, 2012 edition of WMM. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. The band added Stephanie Williams on drums, and Travis Earndshaw on bass. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. Nicole Springer grew up in Oak Grove, MO, and graduated high school in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and Special Education with Music at Metropolitan Community College, in KC. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs. I still love gospel music, though I’m not religious or anything. I did musicals throughout high school.” When she was 19, Nicole was disowned and made homeless by her family because of her sexual orientation. 15 years later she released her music video “Come Clean” dedicated to her wife Bethany Cain and the LGBTQIA Community. Nicole has recently found new confidence in her music and in telling her own story of her life. Last November Nicole was on the cover of Camp Kansas City Magazine in a feature written by John Long, where Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician. More info at http://www.nicolespringersings.com]

11:29 – Underwriting

15. Rufus Wainwright – “Damsel In Distress”
from: Unfollow the Rules / BMG / July 24, 2020
[New York-born, Montreal-raised singer songwriter praised by the New York Times for his “genuine originality.” Unfollow the Rules is Wainwright’s ninth release of original material, his first since Out of the Game (2012), and his first under BMG. The album was produced by Mitchell Froom, and other contributors include Matt Chamberlain, Jim Keltner, and Blake Mills. “Trouble in Paradise”, released in October 2019, served as the album’s lead single. “Damsel in Distress”, “Peaceful Afternoon”, and “Alone Time” were released in February, March, and April 2020, respectively. Originally scheduled to be available on April 24, the album’s release date was pushed back to July 24 because of the ongoing coronavirus pandemic. Rufus McGarrigle Wainwright was born July 22, 1973, He is an American-Canadian singer, songwriter, and composer. He has recorded nine albums of original music and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright’s self-titled debut album was released through DreamWorks Records in May 1998. His second album, Poses, was released in June 2001. Wainwright’s third and fourth studio albums, Want One (2003) and Want Two (2004), were repackaged as the double album Want in 2005. In 2007, Wainwright released his fifth studio album Release the Stars and his first live album Rufus Does Judy at Carnegie Hall. His second live album Milwaukee at Last!!! was released in 2009, followed by the studio albums All Days Are Nights: Songs for Lulu (2010) and Out of the Game (2012). The double album Prima Donna (2015), was a recording of his opera of the same name. His ninth studio album Take All My Loves: 9 Shakespeare Sonnets (2016), featured nine adaptions of Shakespeare’s sonnets. Wainwright is the son of musicians Loudon Wainwright III and Kate McGarrigle, and the older brother of singer Martha Wainwright.]

16. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.] [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

17. Sly & The Family Stone – “Poet”
from: There’s A Riot Goin’ On / Epic / November 20, 1971
[There’s a Riot Goin’ On is the fifth studio album by American funk and psychedelic soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 20 by Epic Records. The album’s recording was dominated by band frontman Sly Stone during a period of drug use and intra-group tension. Its music embraced a darker and more challenging sound than the optimistic style of the band’s previous releases, making use of hard funk rhythms, primitive drum machines, extensive overdubbing, and a dense mix. The album’s planned title was Africa Talks to You, but it was retitled in response to Marvin Gaye’s album What’s Going On, released six months before. There’s a Riot Goin’ On reached the Billboard Pop Album and Soul Album charts at number one upon its release, while its lead single “Family Affair” topped the Pop Singles chart. By 2001, it had sold one million copies and been certified platinum by the Recording Industry Association of America (RIAA).[8] Received with ambivalence upon its release, the album is now praised as one of the greatest and most influential recordings of all time, and ranked at or near the top of many publications’ best album lists. In 2003, it was ranked number 99 on Rolling Stone’s list of 500 Greatest Albums of All Time. // Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone’s brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup. // Formed in 1966, the group’s music synthesized a variety of disparate musical genres to help pioneer the emerging “psychedelic soul” sound. They released a series of Top 10 Billboard Hot 100 hits such as “Dance to the Music” (1968), “Everyday People” (1968), and “Thank You (Falettinme Be Mice Elf Agin)” (1969), as well as critically acclaimed albums such as Stand! (1969), which combined pop sensibility with social commentary. In the 1970s, it transitioned into a darker and less commercial funk sound on releases such as There’s a Riot Goin’ On (1971) and Fresh (1973), proving as influential as their early work. By 1975, drug problems and interpersonal clashes led to dissolution, though Sly continued to record and tour with a new rotating lineup under the name “Sly and the Family Stone” until drug problems forced his effective retirement in 1987. The work of Sly and the Family Stone greatly influenced the sound of subsequent American funk, pop, soul, R&B, and hip hop music. Music critic Joel Selvin wrote, “there are two types of black music: black music before Sly Stone, and black music after Sly Stone”. In 2010, they were ranked 43rd in Rolling Stone’s 100 Greatest Artists of All Time, and three of their albums are included on Rolling Stone’s 500 Greatest Albums of All

11:45 – Kansas City Syzygy

We started the show with three tracks from the new French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

We are ending the show with three tracks from another new compilation called Kansas City Syzygy, 19 musical tracks created during the quarantine in April, 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. Robert Castillo, of The Sextet, who organized this compilation will be with us next week on WMM to share more tracks and information.

18. We The People – “Don’t Get Wrapped Up”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[On June 26, 2020 Eddie Moore’s We The People released “Misunderstood” with a music video. This was the first single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples. /// Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Calvin Arsenia – “Painted Ladies”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released the EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in November 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, KC Fringe, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

[Congratulations go out to: Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. And Center Cut Records with Patrick Sprehe and James Andrews. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

20. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests included: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro and her husband Chad Brothers also record and perform as Shapiro Brothers. Mikal is also part of the band Monta At Odds. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 22, musician and artist and band leader, Robert Castillo, of The Sextet, joins us to share three more tracks from the new compilation called Kansas City Syzygy, 19 songs tracks created in April 22 during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records
Heath Church photo by Sean Stratton

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #846

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far (Part 1) + Oh Dear Oh My

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 17, 2020

WMM’s 50 Favorite MidCoastal Releases of 2020…So Far
+ Oh Dear Oh My

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

Pedaljets

2. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Mike Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Katy Guillen

3. Katy Guillen & The Drive – “No Control”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

Ebony Tusks

4. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / February 7, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Una Walkenhorst

5. Una Walkenhorst – “Pretty Face”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[2nd single. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

Radkey

6. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

Ivory Blue

7. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivøry moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Blackstarkids

8. BLACKSTARKIDS – “Sounds Like Fun”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

10:29 – Underwriting

9. Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

10. Saint Sé – “In/Out (feat. Allison Gliesman)”
from: In/Out (feat. Allison Gliesman) – Single / Benjiman Lucas Music / May 22, 2020
[Debut Single from Saint Sé. Written by: Lucas Carpenter & Allison Gliesman. Vocals by: Allison Gliesman. Music Produced by: Lucas Carpenter. Additional Production by: Zach Thomas. Mixed/Mastered by: Mark Francis Buergler. Visualizer created by Andy Thies.]

Miss Boating

11. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

Quiet Takes

12. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018.. Quiet Takes has new music coming in 2020.] [Sarah Magill was on WMM on May 13.]

Hermon Mehari

13. Hermon Mehari – “A Conversation With My Uncle”
from: A Change For The Dreamlike / Hermon Mehari / June 5, 2020
[Hermon writes: “I spent “le confinement” creating this album in a barn in the French countryside. Like many people during this period, I wasn’t able to think much about the future, only the present and the past. These songs are therefore personal journal entries, versions and visions of my wishes, fantasies and memories. Together they create a kind of modern mixtape of dreams, in every sense of the word, in which my trumpet, all alone in that barn, is a vulnerable presence, virtually and masterly supported by some of my closest musical collaborators around the world.” Follow up to his debut solo release Bleu, from 2017. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He has played with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons, Mikal Shapiro, Krystle Warren. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com ]

14. Miki P and The Swallowtails – “I”
from: I – Single / Miki P / February 13, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Cade Pool on drums, Robert Castillo on bass, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

Fritz Hutchison

15. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

16. Lava Dreams – “Good Energy”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

11:00 – Station ID

17. Oh Dear Oh My – “Marching”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

OH DEAR OH MY

11:03 – Interview with Rani & Curt of Oh Dear Oh My

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020. The Kansas City based dance-rock-duo is made up of Rani and Curt. They’ve been playing locally for over five years. This new release is the follow-up to their 2018 release, ASHDLA’ named for the Navajo word for five. The EP had 5 tracks and band member Curt is himself Navajo. Fueled by anxiety and excess energy, dynamic duo Oh Dear Oh My rocks! Curt pounds spicy, far-out beats on his drums, while Rani keeps pace with sweet 80’s synthesizer sounds. The end result is a little dark, a little dancey, and a little funny.

From Oh Dear Oh My were have Rani, thanks for being with us on WMM.

Curt and Rani met in Lawrence. Both had played on previous bands. A friend thought they had a lot in common, so he invited them to meet up.

The band was originally called Cupcake, but when the duo discovered that a band in St. Joe had this name Curt suggested they become Oh Dear Oh My.

Curt grew up in the Navajo community in Arizona. He came to Lawrence, Kansas originally to go to Haskell University.

Rani works at a hospital in health care and research.

Curt and Rani have been playing in Kansas City for five years,

Oh Dear Oh My released their third EP – ELECTRONERVES on May 6, 2020.

More information at http://www.OhDearOhMy.Bandcamp.com

11:15

18. Oh Dear Oh My – “Soak Your Head”
from: ELECTRONERVES / Oh Dear Oh My / May 6, 2020
[Third release from Kansas City based dance rock duo made up of Rani & Curt. This is their follow up to ASHDLA’ released July 11, 2018. They’ve been playing locally for 5 years. Their album Ashdla’ was named for the Navajo word for Five. The EP had 5 tracks. Curt is himself Navajo. Oh Dear Oh My tend to lean towards the dark & dancy.]

19. Sterling Witt – “Hag-Ridden”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. http://www.SterlingWitt.com ]

Nan Turner on the June 3, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

20. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22, 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat ongGuitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

21. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

22. Brandon Phillips & The Condition – “Contrition”
from: “Contrition” – Single / Brandon Phillips & The Condition / June 16, 2020
[The first release of the band’s Summer Singles 2020 Series. Brandon Phillips , Adam Phillips , Brent Kastler , Mike Alexander , Julie Berndsen , Julia Haile , and Nathan Showalter. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Mixed by Brandon Phillips. Art by Jud Kite. Follow up to their April 13, 2019 Too Much Rock release, “Angel Say No” / “People Talk” 7” single release. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast along with other musicians from other bands.]

11:29 – Underwriting

Betse & Clarke

23. Betse & Clarke – “We Can Get Across”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

24. Howard Iceberg & The Titanics – “Bottle of Rye” [Betse Ellis on lead vocals]
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals. Follow up to Howard’s 2017/2018 release Netherland’s his Jazz infused album recorded with Rich Hill, Bryan Hicks , Doug Auwarter and others. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

25. Howard Iceberg & The Titanics – “A Jukebox in a Bar”
from: Kansas City Songs Vol. 3 / Howard Iceberg & The Titanics / June 10, 2020
[More songs certified to have been written, performed, and recorded in Kansas City.-Howard Iceberg. All words and music by Howard Iceberg. Recorded and mixed by Brendan Moreland at Temple Sounds Studio; except “Natalie,” recorded and mixed by Pat Tomek at Largely Studios. Players: Howard Iceberg on lead vocals (except as noted), guitar; Chad Brothers on lead vocal (By Your Side), harmony vocal, guitar; Betse Ellis on lead vocal (Bottle of Rye), fiddle, harmony vox ; Clarke Wyatt on banjo, guitar, keyboards; Andrew Mojo Morris on lead vocal (Promises To Keep), harmony vocals, guitar, mandolin, banjo; Julie Bates-Motel on fiddle, harmony vocals; Chris DeVictor on bass; Phil Wade on dobro; Brendan Moreland on electric guitar; Brett Hodges on lead vocal and guitar (Natalie); Roger Eilts on guitar and harmony vocal (Natalie); Leo Eilts – bass and harmony vocal (Natalie); Erin Corriveau on harmony vocals.]

Sam Wells

26. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com]

The Republic Tigers

27. The Republic Tigers – “Trust Fall”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

28. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

29. The MGDs – “Tomorrow Comes Soon”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

30. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 24 we present (part two) of WMM’s Favorite MidCoastal Releases of 2020…So Far. We’ll hear from The Sluts, Misha Roberts, City Pets, Ingrid Ingram, Broken Hearts Syndrome, Hi-Lux, Adam Scott York, Ivy Roots, The Roseline, Amy Marcus, Jake Wells, They Call Me Sauce featuring Mae C, Monta At Odds, R.I. Peter, Belle And The Vertigo Waves, Koney, The Guillotine Choir, Jo Mackenzie, Soultru, jordana, DeMaur, Stacy Busch, Nick Siegel, and Kadesh Flow. Plus we will talk with musician, composer, activist Stacy Busch.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #842

WMM Playlist from May 13, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 13, 2020

New & MidCoastal Releases
+ Chris Haghirian + Sarah Magill +
Enrique Chi + Sam Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

3. Kevin Morby – “Gift Horse”
from: Gift Horse / I Was on Time – Single / Dead Oceans / March 3, 2020
[Newest single from Kevin Robert Morby born April 2, 1988. Kevin Morby released his critically acclaimed 5th album, Oh My God on April 29, 2019. This was a follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Oh My God was #5 on WMM 119 Best recording of 2019. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album, City Music was in WMM’s The 118 Best Recordings of 2018.]

[Kevin Morby plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

4. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. His full length album Catastrophe on February 14, 2017, His EP Caviar in Novenber 2017. Calvin’s 2018 national debut, Cantaloupe, was released on September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. ]

[Calvin Arsenia plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

5. The Get Up Kids – “Lou Barlow”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from—it’s definitely a celebration of the fact that we still get to do this.” ]

[The Get Up Kids plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

Chris Haghirian on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:15 – Interview with Chris Haghirian

Chris Haghirian has worked for The KC Star for over 20 years and helped launch INK in April of 2008. Chris puts together music promotions, and organizes music for, Boulevardia, The Plaza Art Fair, and concerts at Kauffman Stadium. With Nathan Reusch of The Record Machine, Chris makes The Middle of The Map Fest happen each year, and Chris gets to share his amazing passion for the KC music community as host of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge, just a few clicks up the dial..

Chris Haghirian joins us to talk about KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM, celebrating KC musicians in the area and around the world! This will benefit Midwest Music Foundation, featuring: Kevin Morby, Katie Crutchfield of Waxahatchee, Matt Pryor of The Get Up Kids, Addie & Brandon of The Greeting Committee, The Elders, Krystle Warren, Bob & Una Walkenhorst, Quixotic, Radkey, Danielle Nicole Band, Hembree, Calvin Arsenia, Yes You Are, Enrique Chi of Making, Movies, Kawehi, Katy Guillen & The Drive, Samantha Fish, Beau Bledsoe & Aidan Bledsoe, Victor & Penny, Hermon Mehari, Fritz Hutchison.

Chris Haghirian thanks for being with us on WMM.

Talk about making the most of your time in Quarantine….

KC Bands Together • A Livestream Concert Event • May 15 & 16 Friday, May 15th; 8:30-11PM and Saturday, May 16th; 8:30-11PM

LIVESTREAM LOCATIONS
• fb.com/MidwestMusicFoundation/live
• fb.com/909thebridge/live
• vb.com/youfoundmusic
• kcbandstogether.com

KC BANDS TOGETHER is a FREE celebration of Kansas City, from Kansas City musicians. Lots of them still live here, some will be joining us from around the world! It’s a celebration of our music and culture! We hope you can tune in and watch.

The event is a fundraiser for Midwest Music Foundation, an organization that’s been dedicated to uniting and empowering the Kansas City area music community for the last 12 years by providing health care assistance, education and other resources to working musicians.

This event is meant to be a spirit-raiser. Tune in and find some relief & joy in the music.

The event will feature music from…

• KEVIN MORBY
• Katie Crutchfield of Waxahatchee
• Addie & Brandon of The Greeting Committee
• The Elders
• Krystle Warren
• Quixotic
• Radkey
• Matt Pryor of The Get Up Kids
• Danielle Nicole Band
• Hembree
• Calvin Arsenia
• Enrique Chi of Making Movies
• Kawehi
• Katy Guillen and The Drive
• Victor & Penny
• Hermon Mehari
• Fritz Hutchison Music Music Music
• Samantha Fish
• Bob & Una Walkenhorst
• Beau & Aiden Bledsoe
• Yes You Are

In Friday, May 22, KCPT – 19 will air a one hour special of this event.

The event wouldn’t be possible without the amazing people at 90.9 The Bridge, KCPT – Kansas City PBS, You Found Music, Propaganda3, Will Gregory Public Relations, Tito’s Handmade Vodka, Boulevard Brewing Company, iWerx, an Enterprise and Entrepreneurial Development Center, Center Cut Records, Price Brothers Management Company, Old Shawnee Pizza-Shawnee, Seen Merch and so many great people too.

Acts and introducers:
Mayor – start of show
Billy Brimblecom of Steps of Faith – Hembree
Jason Sudeikis – Matt Pryor of The Get Up Kids
Mark Manning of 90.1 KKFI – Krystle Warren
Adam Roberts of Screenland – Radkey
Michael and Christina Corvino of Corvino – Hermon Mehari
Katie of The Strawberry Swing – Calvin Arsenia
Aengus Finnan of Folk Alliance – Victor & Penny
Jon Stephens of Friends of the River KC – Shane and Simon with Quixotic
Julián Zugazagoitia of The Nelson – Enrique Chi of Making Movies
Lauren Conaway of InnovateHER – Kawehi
Tori Fugate of KC Pet Project – Katy Guillen and the Drive
Judy Mills of Mills Record Company – Addie and Brandon of The Greeting Committee
Tim Finn of The Bridge and InKC – Samantha Fish (JUST ADDED)
Chuck Haddix – Danielle and Brandon of The Danielle Nicole Band

Chris Haghirian, Thank you fir being with us on WMM.

KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM, celebrating KC musicians in the area and around the world to benefit Midwest Music Foundation, Livestreams: http://www.kcbandstogether.com. fb.com/MidwestMusicFoundation/live and fb.com/909thebridge/live and

10:27

Krystle Warren

6. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

10:30 – Underwriting

Quiet Takes

7. Quiet Takes – “More”
from: More / Quiet Takes / released as Quiet Takes on April 14, 2020
[Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, bass & programming by David Bennett. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s.

Sarah Magill on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:35 – Interview with Sarah Magill

Kansas City based musician Sarah Magill joins us to share information about her new sonic adventure, Quiet Takes, an on-going collaborative project with a rotating cast of friends. Quiet Takes has just released the new single, “Wanted” with vocals & keyboard by Sarah Magill and produced by David Bennett. More info at http://www.quiettakes.com

Sarah Magill Thanks for being with us on Wednesday MidDay Medley

Quiet Takes was most recently called MYRY.

The first EP, MYRY’s “AHEM.” was release in 2018.

During these stay-at-home days of COVID-19 Sarah is creating solo works.

In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective.

Music & Lyrics by Sarah Magill. Produced by David Bennett.

Vocals & keyboards by Sarah Magill, guitars, bass & programming by David Bennett.

Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson

Quiet Takes has just released the new single, “Wanted” with vocals & keyboard by Sarah Magill and produced by David Bennett. More info at http://www.quiettakes.com

Sarah Magill talks about Quiet Takes on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:48

8. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018. Quiet Takes has new music coming in 2020.] [Sarah Magill will be on WMM on May 13.]

9. Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com]

[Hermon Mehari plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

10. Betty Davis – “They Say I’m Different”
from: They Say I’m Different / Just Sunshine / 1974 [2007 re-release Light in The Attic]
[The second studio album by Betty Davis. The Wire (magazine) placed They Say I’m Different in their list of “100 Records That Set the World on Fire (While No One Was Listening).” Betty Davis was born July 26, 1945. She is an American funk and soul singer. She is a performer who was known for her memorable and noteworthy live performances. Born in 1945 according to most sources (though she claims 1944), Betty Mabry grew up in Durham, North Carolina, and just outside Pittsboro. On her grandmother’s farm in Reidsville, North Carolina, she listened to B.B. King, Jimmy Reed, and Elmore James and other blues musicians. One of the first songs she wrote, at the age of 12, was called “I’m Going to Bake That Cake of Love.” Also at that age, her family moved to Pittsburgh. Aged 16, Betty left Pittsburgh for New York City, enrolling at the Fashion Institute of Technology while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour. In her time in New York, she met several musicians including Jimi Hendrix and Sly Stone. The seeds of her musical career were planted through her friendship with soul singer Lou Courtney, who produced her first single, “The Cellar” with simple, catchy lyrics like, “Where you going fellas, so fly? / I’m going to the Cellar, my oh my / What you going to do there / We’re going to boogaloo there.” The single was a local jam for the Cellar. Yet her first professional gig was not until she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Betty Mabry was focusing on her modeling career. She was successful as a model but felt bored by the work. According to Oliver Wang’s They Say I’m Different liner notes, she said, “I didn’t like modeling because you didn’t need brains to do it. It’s only going to last as long as you look good.” In 2017, a documentary was released entitled Betty: They Say I’m Different. As a model in 1966, Betty first met jazz musician Miles Davis who was 19 years her senior at a concert. At the time he was separated from his first wife, dancer Frances Davis, and he was dating actress Cicely Tyson. Betty began dating Miles in early 1968, and they were married in September 1968. In just one year of marriage, she influenced him greatly by introducing him to the fashions and the new popular music trends of the era. In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) includes a song named after her and her photo on the front cover. In his autobiography, Miles said Betty was “too young and wild,” and accused her of having an affair with Jimi Hendrix, which hastened the end of their marriage. Betty denied the affair stating, “I was so angry with Miles when he wrote that. It was disrespectful to Jimi and to me. Miles and I broke up because of his violent temper.” After accusing her of adultery, he filed for divorce in 1969. Miles told Jet magazine at the time that the divorce was obtained on a “temperament” charge. He added, “I’m just not the kind of cat to be married.” Hendrix and Miles remained close, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. The origin of the album’s title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends. In fact, it is said that he originally wanted to call the album Witches Brew—it was Betty who convinced him to change it. Davis briefly dated musician Eric Clapton; she refused to collaborate with him. In 1975, Davis’ lover Robert Palmer helped her facilitate a deal with Island Records. She released her album Nasty Gal shortly after.]

11:00 – Station ID

11. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

Enrique Chi on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:05 – Interview with Enrique Chi

Enrique Chi of Making Movies an international band known for its Latinx activism formed in KC in 2009. Making Movies include elements of rock, cumbia, psychedelia, American roots, son cubano, and spoken word in their sound. The band was nominated for a 2019 Latin Grammy for their collaboration with Ruben Blades on “No Te Calles”, featured on their new album, ameri’kana. We will talk with Enrique about the band’s new single, “Everybody Wants To Rule The World,” and their music education non-profit, Art As Mentorship. Enrique is wrapping up a six-week online songwriting series, The Rebel Song Academy, featuring members of Los Lobos, Chicano Batman and Flor De Toloache. Enrique Chi will be part of KC Bands Together – A Livestream Concert May 15 & 16. More info at: http://www.mkngmvs.com

Enrique Chi, Thanks for being with us on Wednesday MidDay Medley

How are you doing during this COVID-19 pandemic?

The band was nominated for a 2019 Latin Grammy for their collaboration with Ruben Blades on “No Te Calles”, featured on their new album, ameri’kana.

The band’s new single, “Everybody Wants To Rule The World”

The band’s music education non-profit, Art As Mentorship.

Enrique Chi

Enrique is wrapping up a six-week online songwriting series, The Rebel Song Academy, featuring members of Los Lobos, Chicano Batman and Flor De Toloache.

Enrique Chi will be part of KC Bands Together – A Livestream Concert May 15 & 16.

Enrique Chi, Thanks for being with us on Wednesday MidDay Medley

The band’s new single, “Everybody Wants To Rule The World” is out everywhere.

Enrique Chi play KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM

More info at: http://www.mkngmvs.com

11:18

12. Making Movies – “Everybody Wants To Rule The World”
from: “Everybody Wants To Rule The World” – Single / 3/2 Recordings / March 20, 2020
[New Single from KC based 4-piece band and made up of : Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico.

[Enrique Chi plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

13. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

14. Jo MacKenzie – “Lose My Face”
from: “Lose My Face” – Single / Jo Mackenzie / released April 24, 2020
[Newest single from 16 year old, Kansas City based singer songwriter, Jo MacKenzie. Written, Recorded and Produced by Jo MacKenzie. Jo MacKenzie released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019 and the single “Suicide season”February 1, 2020 More info at http://www.jomackenzie.com]

11:30 – Underwriting

15. Sam Wells – “Sugar”
from: “Sugar” – Single / Sam Wells / April 21, 2020
[New single. Produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between.]

Sam Wells on the May 13, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Sam Wells

Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com

Sam Wells thanks for being with us on Wednesday MidDay Medley.

Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.”

These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken”, that is planned be released in August, 2020.

Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is brining her music to the greater KC area, in many venues, and now in live stream shows.

Sam Wells

Sam’s first EP, “Not Too Broken”, that is planned be released in August, 2020. More information at: http://www.whoissamwells.com

11:48

16. Sam Wells – “Lesson Learned”
from: “Lesson Learned” – Single / Sam Wells / June 21, 2019
[Debut single. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between.]

17. Waxahatchee – “Fire”
from: Saint Cloud / Merge Records / March 27, 2020
[All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

[Katie Crutchfield plays KC Bands Together – A Livestream Concert on Friday, May 15, 8:30-11:00 PM, & Saturday, May 16, 8:30-11:00 PM]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 20 we will play more New & MidCoastal Releases. PLUS, Paul Malinowski joins us to talk about the new release from Shiner. AND, we talk with Anson the Ornery about the new “DJ Daniel the Cat” release. In addition: Andrew Morris gives us a call to chat about his new solo release, “One Fine, Sweet & Sunny Day.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #837

WMM Playlist from March 25, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 25, 2020

New & MidCoastal Releases +
Fritz Hutchison + Colin Halliburton
+ Jennifer Owen of Owen/Cox Dance Group

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Labelle – “Sunshine (Woke Me Up This Morning)”
from: Something Silver / Warner Archives / 1997
[orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash. Written and composed by Nona Hendryx. This release was their first and only for RCA Records, and was critically raved due to the songs that songwriter and member Nona Hendryx composed. The album is also notable for being the first album released following lead singer Patti LaBelle giving birth to her only child, son Zuri Edwards (she recorded the album while still pregnant with Zuri). Despite RCA releasing the Stevie Wonder composition, “Open Your Heart”, the album failed to become a success. In spite of its initial failure, the album has gone on to become a cult classic and is considered a revolutionary album because few female groups talked so openly about social issues and other topics. Wonder was uncredited due to contractual reasons – the production credit was listed as “Vicki Wickham and friend”. Musicians on this track included members out of a Philadelphia-based band, Buff, and others from a Latin-black band from Queens called Harlem River Drive. Several of them would morph to become Labelle’s road band, including guitarist, Eddie Martinez.]

3. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full length debut album, from Michael Trotter Jr & Tanya Blount-Trotter from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

4. Bob & Una Walkenhorst – “Any Given Day”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst present a Facebook LIVE Benefit for Mike Kelly’s Westsider Staff on Sun., Mar. 29 at 3:00 PM. You can find the broadcast at the Bob & Una Walkenhorst Facebook Page.]

5. Charlotte Dos Santos – “Josef”
from: Harvest Time – EP / Because Music / March 13, 2020
[Charlotte Hall Dos Santos was born in 1990, in Oslo, Norway. She is a Brazilian-Norwegian jazz singer, composer, and arranger, currently based in Berlin. Dos Santos grew up in Bærum with a Norwegian mother and Brazilian father. She attended jazz studies at the Berklee College of Music in Boston, Massachusetts (2013–16), where she earned a Bachelor of Music in Contemporary Writing and Production, and Vocal Jazz Performance. Her music mixes “South-American traditions, jazz, neo soul, and tasty beats, with music history samples in a colorful way“. Dos Santos released her solo EP Cleo in 2017 on the label Fresh Selects. The EP was received positively in Norwegian media. Whilst Dos Santos spent her life in four different countries over three years, her debut project ‘Cleo’ EP took shape ending up functioning as a diary for the Brazilian-Norwegian composer, producer and vocalist. The metamorphosis of womanhood, falling in and out of love, betrayal, self realization and the passion for uplifting female musicians of color are all ideologies behind the restless musician’s 10 track EP. The character Cleo was created whilst Dos Santos studied Flamenco and Mediterranean music in Valencia, Spain. Cleo is a medieval deity, a moorish goddess that represents all women inspiring from Dos Santos lineage of strong women. She represents courage, independence, femininity, royalty and power only settling for success. She’s received recognition from Outkast’s Big Boi, Gilles Peterson, Pitchfork and Bandcamp. NyMag and The Cut, and was a nominee of the Norwegian Grammy Awards “Spellemannsprisen” in 2018.]

6. Scott Hrabko & The Rabbits – “Dog In The Backyard”
from: Dog In The Backyard – Single / Scott Hrabko / April 3, 2020
[Scott Hrabko’s new single, will be available online April 3, 2020. For this single the Rabbits were Scott Hrabko on vocals & guitar, Jason Beers on bass, and Chris Hudson on lead guitar. This single is a follow-up to Scott Hrabko & The Rabbits single “Pretty Good Day” was released on November 2, 2019. On February 14, 2019 Scott Hrabko released the EP Smash Hits From A Parallel Universe with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrako & The Rabbits released “Summer” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg.]

7. Jo MacKenzie – “Suicide Season”
from: “Suicide Season” – Single / Jo Mackenzie / February 1, 2020
[Newest single from 16 year old, Kansas City based singer songwriter, Jo MacKenzie, who released her Debut EP Proud on November 17, 2018. Along with the release of her EP Proud, Jo Mackenzie released the single “Just Like Rain” on August 18, 2018; “I Should Come with a Warning Sign” on September 28, 2019; and “Alaska” on November 23, 2019. More info at http://www.jomackenzie.com]

10:30 – Underwriting

Jennifer Owen on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

10:32 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group. In accordance with the current COVID-19 local and international protocol, Owen/Cox Dance Group is postponing their upcoming U.S. State Diplomacy Tour in Ukraine. They are organizing to reschedule this tremendous opportunity as soon as possible. At this time, Owen/Cox Dance Group is looking forward with their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. More info at: http://www.owencoxdance.org

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

Jen Owen’s husband and partner is Brad Cox, who is also the founder of The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. AND, Brad Cox Octet–an eight-piece ensemble made up of 2 saxophonists, 2 bass players, 2 drummers, and 2 keyboardists.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

When we scheduled this interview weeks ago Jennifer Owen was going to be sharing the details about Owen/Cox Dance Group’s upcoming U.S. State Diplomacy Tour in Ukraine. In accordance with the current COVID-19 local & international protocol, Owen/Cox Dance Group is postponing this trip until later.

Owen/Cox Dance Group is also having postpone their world premiere performance of aRound & aRound on June 13, 2020 at Spencer Theatre. Info at: http://www.owencoxdance.org

Congratulations again, to the entire company for last Fall’s world premiere dance work by the Owen/Cox Dance Group set to a live performance of singer/songwriter Krystle Warren’s acclaimed double album, “Love Songs” October 19 & 20 at Polsky Theatre at Carlsen Center at Johnson County Community College.

Jennifer Owen of Owen/Cox Dance Group

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Jennifer Owen, Thanks for being with us on Wednesday MidDay Medley

For more information about Owen/Cox Dance Group you can visit: http://www.owencoxdance.org

10:45

8. U.S. Girls – “4 American Dollars”
from: Heavy Light / 4AD / March 6, 2020
[7th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. Heavy Light is a follow up to 2018 “In a Poem Unlimited” and is her third release on 4AD Records.]

9. David Byrne – “I Zimbra”
from: American Utopia on Broadway: Original Cast Recording / Nonesuch / Oct. 18, 2019
[We saw this show from the front row at the Kauffman Center for the Performing Arts on June 7, 2018. Following a sold-out world tour, the acclaimed theatrical concert had a highly successful run at Broadway’s intimate Hudson Theatre for a limited engagement. DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” (Billboard) and marks a major cultural milestone in the worlds of music and theater. Pitchfork reviewed American Utopia on Broadway, writing that Bryne, “… remains an artist to be grateful for—same as he ever was.” Innovative pop/rock icon David Byrne (Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe. Together with production consultant Alex Timbers and choreographer Annie-B Parson (his collaborators on Here Lies Love), Byrne and ensemble deliver “a marvel of staging and motion” (Chicago Tribune) that’s as surprisingly poignant as it is supremely funky. Don’t miss this “thought-provoking example of the power of live music” (Forbes). “The boisterous ensemble surrounding Byrne is able to capture and amplify already-iconic moments in his catalog. Their Afropop drum grooves nod to My Life in the Bush of Ghosts, Byrne’s landmark 1981 collaboration with Brian Eno, while their guileless twitches of choreography and playful melodrama point back, once more, to Stop Making Sense. When they stomp in methodical marching band moves—including that rotating spiral that high school music nerds know all too well—they evoke the live show for Love This Giant, Byrne’s 2012 joint record with St. Vincent, only far more euphoric. Their greatest moment may well be their gauzy inversion of Remain in Light opener “Born Under Punches (The Heat Goes On)”: Nimble in the melodies and forceful in the percussion, their version is even more thrilling than the original.” (Pitchfork).]

10. Kevin Morby – “Gift Horse”
from: Gift Horse / I Was on Time – Single / Dead Oceans / April 29, 2019
[Newest single from Kevin Robert Morby born April 2, 1988. Kevin Morby released his critically acclaimed 5th album, Oh My God on April 29, 2019. This was a follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Oh My God was #5 on WMM 119 Best recording of 2019. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album, City Music was in WMM’s The 118 Best Recordings of 2018.]

11:00 – Station ID

11. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:04 – Interview with Fritz Hutchison

Musician and singer songwriter Fritz Hutchison joins us to talk about his debut solo album “Wide Wild Acres.” Multi-instrumentalist Fritz Hutchison is a life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. On guitar he’s played with: J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia. After more than a decade of lending an ear and a hand to other music makers, Fritz is launching his own solo career as a singer-songwriter. His new album is being released through Center Cut Records.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Congratulations on the new music and the new album!

Mark talked about first meeting Fritz while he was a drummer and member of She’s A Keeper. Fritz was still in high school. Fritz has had such an interesting musical journey playing with Freight Train Rabbit Killer, Grand Marquis, J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia.

It was through his relationship playing with Calvin Arsenia that Frotz met the founders of Center Cut Records who sighed him as their second artist, after Calvin.

“Wide Wild Acres,” was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

We just heard “Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz.

The first single from the new album is “Stationary” with a music video that was directed beautifully by Miki P (Mikala Petillo) whre she shot Fritz playing various instruments from the song and then films the projection of Fritz playing with-in these projections.

“Stationary” also features Ian Teeple on bass, and again Fritz on everything else.

11:11

12. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago.]

Fritz Hutchison

11:13 – More Interview with Fritz Hutchison

We are talking with musician and singer songwriter Fritz Hutchison about his debut solo album, “Wide Wild Acres,” released through Center Cut Records. All songs written, arranged, and performed by Fritz Hutchison.

The lyrics in “Wide Wild Acres” reference Fritz’ dad Pete, and his mom, who had seven children. Fritz has an older sister, and five siblings younger than him.

Multi-instrumentalist Fritz Hutchison was born May 27, 1991. He is 29 years old. Fritz is a life long resident of Kansas City.

Although Fritz plays guitar, piano, and other instruments, he first started o drums.

Wide Wild Acres was produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio.

Mastered by Collin Jordan at The Boiler Room in Chicago.

Fritz Hutchison, thanks or being with us on Wednesday MidDay Medley

Wide Wild Acres is being released on Center Cut Records on March 27, 2020 More info at: http://www.centercutrecords.com

11:20

13. Fritz Hutchison – “Police Dogs” (Radio Edit)
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[From the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. “Currach Mòr” recorded by Ross Brown at Escape Pod Audio. Mastered by Collin Jordan at The Boiler Room in Chicagor.]

14. BLACKSTARKIDS – “Dirty Dancing”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

15. Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

11:29 – Underwriting

16. The Roseline – “Counting Sheep”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.

Colin Haliburton on the March 25, 2020 edition of Wednesday MidDay Medley on KKFI.

11:35 – Interview with Colin Halliburton

Lawrence based musician Colin Halliburton joins us to talk about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005. This is the band’s 6th release and it includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO. More info at: http://www.roselinemusic.com.

Colin Halliburton, thanks for being with us on WMM.

Congratulations on the new album, it is very beautiful, including a very fine vinyl release.

The album cover is a rendering of a sky full of giant clouds, and a tornado reaching down through the sky, with the words GOOD / GRIEF embossed in the upper center of the image. It’s beautiful and troubling at the same time.

The songs on GOOD / GRIEF were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline) Ehren Starks, as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar,

AND, guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

11:42

17. The Roseline – “Better To The Bone”
from: GOOD / GRIEF / Alt Country Club / April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

Colin Halliburton

11:46 – More Interview with Colin Halliburton

We are talking with Lawrence based musician Colin Halliburton about the new album, GOOD / GRIEF from his band The Roseline, formed in 2005.

Colin Halliburton, thanks for being with us on WMM.

The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO.

The Roseline were set to play an Album Release show at Replay Lounge in Lawrence, Friday, April 3 at 9:00 PM. AND, The Roseline were set play a Kansas City Album Release show at Mike Kelly’s Westsider, Saturday, April 4. – But these shows were cancelled.

The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar, with guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals.

The Roseline has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. They have had the good fortune of getting sync placements in hit television shows like ABC’s Nashville and Resurrection as well as USA’s Queen of the South. They have been featured in/on NPR, Pop Matters, No Depression, and The Bluegrass Situation. They have had two records debut in the top five on the Euro Americana Chart. Spring 2020 tour dates as well as all other info can be found at: roselinemusic.com.

The band’s release includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline). Ehren Starks was also a big part of The Roseline and your best friend, can you talk about is friendship and how it inspired the record.

Ehren Starks was also part of the band Other Americans, and when They were on the show last year Brandon Taylor Phillips talked about what a great loss it was after Ehren’s death, that he was such a big part of the creation of their early songs.

Colin Halliburton, thanks for being with us on Wednesday MidDay Medley

The Roseline’s new album is called GOOD / GRIEF. More info at: http://www.roselinemusic.com.

18. The Roseline – “Song For Ehren”
from: GOOD / GRIEF / Alt Country Club / to be released April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 1, we talk with Charlie Colborne about his new band Miss Boating and their new EP “The Vhargon Sidestep.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #830

WMM presents: Jen Owen + Fritz Hutchison + Colin Halliburton

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 25, 2020

New & MidCoastal Releases +
Fritz Hutchison + Colin Halliburton
+ Jennifer Owen of Owen/Cox Dance Group

Mark plays New & MidCostal Releases from: Fritz Hutchison, The Roseline, Jo MacKenzie, Blackstarkids, Kevin Morby, Heidi Phillips & Danny Krause, Scott Hrabko & The Rabbits, Bob & Una Walkenhorst, Charlotte Dos Santos, U.S. Girls, David Byrne, The War and Treaty, and LaBelle.

Jennifer Owen of Owen/Cox Dance Group

At 10:30 we talk with Jennifer Owen, Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group. In accordance with the current COVID-19 local and international protocol, Owen/Cox Dance Group is postponing their upcoming U.S. State Diplomacy Tour in Ukraine. They are organizing to reschedule this tremendous opportunity as soon as possible. At this time, Owen/Cox Dance Group is moving forward with our world premiere performance of aRound & aRound on June 13th, 2020 at Spencer Theatre. More info at: http://www.owencoxdance.org

Fritz Hutchison

At 11:00 Mark talks with musician and singer songwriter Fritz Hutchison about his debut solo album, “Wide Wild Acres,” produced by Fritz Hutchison and Joel Nanos, and recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Multi-instrumentalist Fritz Hutchison is a life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. On guitar he’s played with: J. Ashley Miller, Lauren Krum, Miki P, and Calvin Arsenia. A decade of lending an ear and a hand to other music makers has left Fritz poised to launch his own solo career as a singer-songwriter. His new album is being released through Center Cut Records.

Colin Halliburton

At 11:30 Lawrence based musician Colin Halliburton joins us to talk about the new album, “GOOD / GRIEF” from his band The Roseline, formed in 2005. The band’s 6th release includes songs inspired by the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. The Roseline include: Bradley McKellip on guitar, Colin Jones on bass, Heidi Gluck on keys & vocals, Jim Piller on drums, and Kris Losure on guitar, with guest appearances from: Mike Stover on lap steel, Dan Loftus on piano, and Chase Horseman on vocals. The album was recorded, engineered & produced by Joel Nanos at Element Recording Studios in KCMO. More info at: http://www.roselinemusic.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #830