WMM Playlist from July 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 22, 2020

Kansas City Syzygy + New & MidCoastal Releases

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s theme]

2. Palace Intrigue – “Recurring feat. Wennely Q”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[3-piece Kansas City based band, who write: “we believe in love, no race, no religion, no color, no hate…no genre. We make music for everyone.” Over the past two years the band has created and recorded 40 songs that are all posted on their SoundCloud page: https://soundcloud.com/user-870661143 . . French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Comp is 22 acts from the area, with proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Julianna Barwick – “Healing Is A Miracle”
from: Healing Is A Miracle / Ninja Tune / July 10, 2020
[From her BandCamp page: “Healing Is A Miracle” is a record built on improvisation and a close affinity to a couple of trusted items of gear, from which she spins engrossing, expansive universes. Additionally, Barwick draws on the input of three collaborators with whom she has nurtured deep friendships with over the years: Jónsi (Sigur Rós), Nosaj Thing and Mary Lattimore; who each gently nudge out at the edges of her organically-evolved sound. // Recorded in the wake of a seismic shift in her life following a move from New York—where she had lived for 16 years—to L.A. where she is now based, the title of the record came to her after thinking about how the human body heals itself, of the miraculous processes we pay little attention to: “You cut your hand, it looks pretty bad, and two weeks later it looks like it never happened… That’s kind of amazing, you know?” It’s a sentiment that feels particularly apt for the moment. From there, she conceived of the record’s simple statement title, ran it past a couple of friends, and it was settled. Like with the record itself, and all of her work, it’s about following her gut, and seeing where it takes her. // “Healing Is A Miracle” began life in spring of last year, when Barwick sat down with her vocal looping set-up and began sketching out some ideas for new solo material. “It had been so long since I had done that,” she recalls, “making something for myself, just for the love of it… it was emotional, because I was recording music that was just from the heart, that wasn’t for an ‘assignment’ or project… it brought me to tears a little”. // Part of the joy also came from a small but significant switch up to her recording process: the addition of some studio monitors—a birthday gift from Jónsi and Alex (Somers)—having previously recorded all of her music on headphones. “The first song I remember making with those was the first song on the album, Inspirit.” she explains, “When I added the bass I really felt it in my body, you know, in a way you just wouldn’t with headphones… it was kind of euphoric and fun. I got really excited about making the record in that moment, and I think that really had an impact on the sounds I ended up making.” // Excitement too came from the chance to work with three dream collaborators. Her connection to Jónsi began via producer Alex Somers, when Barwick flew to Reykjavík to record some sessions with him for her 2013 record “Nepenthe”, a trip which would begin a long-standing affinity with Iceland and the people she connected with there. “I think he has the best voice in the world,” she says, “and hearing my voice with Jonsi’s is one of the joys of my life.” Nosaj Thing—the highly respected electronic producer and stalwart of the LA scene who has worked with the likes of Kendric Lamar—had gotten in touch to express his affection for her 2011 album “The Magic Place”, and they’d since been trying to find a way to work together. Barwick and Lattimore had struck up a friendship over many years performing live together, and had moved to LA around the same time. Finding herself in the same city as all three for the first time, it felt natural to include them in her process, and added to the feeling of newness, support and friendship she had while producing the record. // Beyond her records, Barwick’s impressive live shows have gained incredible praise over the years from the likes of The Guardian—who described her performance as “exquisite in its eloquence, reflection and compassion” —The New York Times, NPR, and more. She has also supported and performed with Bon Iver, Grouper, Explosions in the Sky, Sigur Rós, Sharon Van Etten, Angel Olsen, Perfume Genius, Mas Ysa, and Nat Baldwin. // Barwick has additionally been involved in some head-turning collaborations over the years. In 2015 she took part in The Flaming Lips’s Carnegie Hall show, performing music from their reimagining of “Sergeant Pepper’s Lonely Hearts Club Band”, alongside Phillip Glass, Debbie Harry, Laurie Anderson and Patti Smith. That same year she was invited to play two shows with Yoko Ono, one at MoMA (“my favorite thing ever”) and one in Central Park. In 2012 she released a collaborative album with Helado Negro as OMBRE, and has also released a collaborative single with Rafael Anton Isarri, on the super-limited Thesis label, and most recently, the “Command Synthesis” EP, on RVNG Intl. sub-label Commend There, which employed AI to build five tracks that responded to the airborne environment outside a hotel room. In 2019 she teamed up with Doug Aitken on his nomadic art project, and created stunning performances in the Massachusett wilderness. // The album’s artwork was shot in Iceland by Joel Kazuo Knoernschild and is taken from a series of aerial films shot by drone above the country’s breathtaking coastline, which also make up the video for ‘Inspirit’.]

4. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28. The Black Creatures are Jade Green & Xavier Martin who will be our guests on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

5. Betse & Clarke – “Farewell Trion”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

6. Funkadelic – “Can You Get To That”
from: Maggot Brain / Westbound Records / July 12, 1972
[Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross, Billy Nelson, and Tiki Fulwood left the band for various reasons. The album charted in the R&B Top 20. Today, it is perhaps best known for its 10-minute title track, performed by guitarist Eddie Hazel. In 2003, Rolling Stone included Maggot Brain on its list of the 500 Greatest Albums of All Time. Pitchfork named it the 17th best album of the 1970s.Funkadelic was an American band formed in Detroit in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Relative to its sister act, Funkadelic pursued a heavier, psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978). The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments[7] while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in 1967, then added guitarist Tawl Ross and drummer Tiki Fulwood. The name “Funkadelic” was coined by Nelson after the band relocated to Detroit. By 1968, because of a dispute with Revilot, the record company that owned “The Parliaments” name, the ensemble began playing under the name Funkadelic. // As Funkadelic, the group signed to Westbound in 1968. Around this time, the group’s music evolved from soul and doo wop into a harder guitar-driven mix of psychedelic rock, soul and funk, much influenced by the popular musical (and political) movements of the time. Jimi Hendrix and Sly Stone were major inspirations.[9] This style later evolved into a tighter guitar and horns-based funk (circa 1971-75), which subsequently, during the height of Parliament-Funkadelic success (circa 1976-81), added elements of R&B and electronic music, with fewer psychedelic rock elements. The band made their first live television performance on Say Brother in October 7, 1969. They played a jam with songs “Into My Own Thing”, “What Is Soul?”, “(I Wanna) Testify”, “I Was Made to Love Her” (Stevie Wonder cover), “Friday Night, August 14th” and “Music for My Mother”. // The group’s self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson, and Ross. The recording also included the rest of the Parliaments singers (still uncredited due to contractual concerns), several uncredited session musicians then employed by Motown, as well as Ray Monette (of Rare Earth) and future P-Funk mainstay Bernie Worrell. // Bernie Worrell was officially credited starting with Funkadelic’s second album, 1970’s Free Your Mind… and Your Ass Will Follow, thus beginning a long working relationship between Worrell and Clinton. The album Maggot Brain followed in 1971. The first three Funkadelic albums displayed strong psychedelic influences (not least in terms of production) and limited commercial potential, despite containing many songs that stayed in the band’s set list for several years and would influence many future funk, rock, and hip hop artists. // After the release of Maggot Brain, the Funkadelic lineup was expanded greatly. Tawl Ross was unavailable after experiencing either a bad LSD trip or a speed overdose, while Billy Bass Nelson and Eddie Hazel quit due to financial concerns. From this point, many more musicians and singers would be added during Funkadelic’s (and Parliament’s) history, including the recruitment of several members of James Brown’s backing band, The JB’s in 1972 – most notably Bootsy Collins and the Horny Horns. Bootsy and his brother Catfish Collins were recruited by Clinton to replace the departed Nelson and Hazel. Bootsy in particular became a major contributor to the P-Funk sound. In 1972, this new line-up released the politically charged double album America Eats Its Young. The lineup stabilized a bit with the album Cosmic Slop in 1973, featuring major contributions from recently added singer-guitarist Garry Shider. After first leaving the band, Eddie Hazel spent a year in jail after assaulting an airline stewardess and air marshal while under the influence of PCP, then he returned to make major contributions to the 1974 album Standing on the Verge of Getting It On. Hazel only contributed to P-Funk sporadically thereafter. // George Clinton revived Parliament in 1974 and signed that act to Casablanca Records. Parliament and Funkadelic featured mostly the same stable of personnel but operated concurrently under two names. At first, Parliament was designated as a more mainstream funk ensemble dominated by soulful vocals and horn arrangements, while Funkadelic was designated as a more experimental and freestyle guitar-based funk band. The ensemble usually toured under the combined name Parliament-Funkadelic or simply P-Funk (which also became the catch-all term for George Clinton’s rapidly growing stable of funk artists). // in 1975 Michael Hampton, a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums. Funkadelic left Westbound in 1976 and moved to Warner Brothers. Their first album for Warner was Hardcore Jollies in 1976. Just before leaving Westbound, Clinton provided that label with a collection of recently recorded outtakes, which Westbound released as the album Tales of Kidd Funkadelic. That album did significantly better commercially than Hardcore Jollies and included “Undisco Kidd”, an R&B Top 30 single. In 1977, Westbound capitalized further by releasing the anthology The Best of the Early Years.// As Parliament began achieving significant mainstream success in the 1975-1978 period, Funkadelic recorded and released its most successful and influential album, One Nation Under a Groove in 1978, adding former Ohio Players keyboardist Walter “Junie” Morrison and reflecting a more melodic dance-based sound. The title track spent six weeks at #1 on the R&B charts, around the time that Parliament was enjoying the #1 R&B singles “Flash Light” and “Aqua Boogie”. Uncle Jam Wants You in 1979 continued Funkadelic’s new more electronic sound production. The album contains the fifteen-minute “(Not Just) Knee Deep” featuring former Spinners lead singer Philippé Wynne, an edited version of which topped the R&B charts. The final official Funkadelic album, The Electric Spanking of War Babies, was released in 1981. The release was originally a double-album project, but it was reduced to a single disc under pressure from Warner Brothers. Some of the deleted tracks would appear on future P-Funk releases, most notably the 1982 hit single “Atomic Dog” which appeared on the first George Clinton solo album. // Meanwhile, the album Connections & Disconnections (re-issued on CD as Who’s a Funkadelic) was released under the name Funkadelic in 1981. The album was recorded by former Funkadelic members and original Parliaments Fuzzy Haskins, Calvin Simon, and Grady Thomas, who had left P-Funk in 1977 after disagreements with George Clinton’s management practices. This LP, notable for its heavy use of Thomas “Pae-dog” McEvoy’s jazz horn, contains the track called “You’ll Like It Too”, which came a very popular breakbeat source for the Hip hop community in the 80s. Former band member, drummer Jerome Brailey, released the album Mutiny on the Mamaship, by his new band Mutiny. // In the early 1980s, with legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup at Parliament’s record label, George Clinton dissolved Parliament and Funkadelic as recording and touring entities. However, many of the musicians in later versions of the two groups remained employed by Clinton. Clinton continued to release new albums regularly, sometimes under his own name and sometimes under the name George Clinton & the P-Funk All-Stars. In the mid-1980s, the last Funkadelic album By Way Of The Drum was recorded by Clinton with P-Funk personnel and many electronic devices. The album was rejected by its record label and did not see official release in America until it appeared as a reissue in 2007. It features a cover of “Sunshine Of Your Love” by Cream. The album did not receive any publicity, but still received favorable reviews. // Clinton continued his P-Funk collective in the 1990s and 2000s, with a revolving stable of musicians, some of whom remain from the classic lineups of Funkadelic and Parliament. The rock-oriented sound of Funkadelic has diminished, as Clinton has moved towards more of an R&B and hip hop sound. In 1997 the group was inducted into the Rock and Roll Hall of Fame.]

7. LyMerrick – “Runaway”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[“Lay Me Down” was released February 8, 2019 and was part of WMM’s 39 Favorite Singles of 2019. In 2019 and 2018 LyMerrick released six singles and was a featured voice on two other single releases. LyMerrick also released a single in 2016. LyMerrick was born in North Carolina but grew up in KCMO since the age of 8. LyMerrick grew up listening to all types of music ranging from gospel, rap, r&b, to classic rock and metal. LyMerrick started singing in the church choir and continued singing in elementary, middle and high school choirs. After high school LyMerrick began to record remixes and eventually began to make originals which led me his collaborations with “nightSHIFT” the label that released his music.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

8. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s A Mountain of Yeses, was originally released May 12, 2009, was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

10:29 – Underwriting

7. Lonnie Holley – “Like Hell Broke Away”
from: National Freedom / Jagjaguar / July 3, 2020
[4th release from Lonnie Bradley Holley, sometimes known as The Sand Man (born February 10, 1950 in Birmingham, Alabama during the Jim Crow era), is an African-American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. He was born the 7th of 27 children during the Jim Crow era and claims to have been traded for a bottle of whiskey when he was four. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood. Born the 7th of 27 children, Holley claims to have been traded for a bottle of whiskey when he was four. Before beginning his career, he spent time digging graves and picking cotton. He claims to have been pronounced brain-dead after being hit by a car. He became a father at 15 and now has 15 children. Holley also worked as a short-order cook at Disney World. He also did time at a notorious juvenile facility, the Alabama Industrial School for Negro Children in Mount Meigs. // Holley began his artistic life in 1979 by carving tombstones for his sister’s two children, who died in a house fire. He used blocks of a soft sandstone-like byproduct of metal casting which was discarded in piles by a foundry near his sister’s house. He believes that divine intervention led him to the material and inspired his artwork. Inspired to create, Holley made other carvings and assembled them in his yard along with various found objects. In 1981, he brought a few examples of his sandstone carvings to Birmingham Museum of Art director Richard Murray. The BMA displayed some of those pieces immediately and Murray introduced him to the organizers of the 1981 exhibition “More Than Land and Sky: Art from Appalachia” at the Smithsonian American Art Museum. Soon his work was being acquired by other institutions, such as the American Folk Art Museum in New York and the High Museum of Art in Atlanta. His work has also been displayed at the White House. // Holley also became a popular guest at children’s art events, bringing blocks of the foundry stone for children to carve. He gets special pleasure from sharing his experience of learning to love oneself through creative activity. // By the mid-1980s his work had diversified to include paintings and recycled found-object sculptures. His yard and adjacent abandoned lots near his home became an immersive art environment that was celebrated by visitors from the art world, but threatened by scrap-metal scavengers and eventually, by the expansion of the Birmingham International Airport. In late 1996 Holley was notified that his hilltop property near the airport would be condemned.[3] He rejected the airport authority’s offer to buy the property at the market rate of $14,000, knowing that his site-specific installation had personal and artistic value he demanded $250,000. The dispute went to probate court and in 1997 a settlement was reached and the airport authority paid $165,700 to move Holley’s family and work to a larger property in Harpersville, Alabama. // Holley’s first major retrospective, Do We Think Too Much? I Don’t Think We Can Ever Stop: Lonnie Holley, A Twenty-Five Year Survey, was organized by the Birmingham Museum of Art and traveled in 2003 to the Ikon Gallery in Birmingham, England. From May 2003 to May 2004, Holley created a “sprawling, sculptural environment” in the lower sculpture garden at the Birmingham Museum of Art as part of their “Perspectives” series of site-specific installations. The creation of the work was documented in the film “The Sandman’s Garden” by Arthur Crenshaw and in photographs by Alice Faye “Sister” Love. // Holley installed sculptural work for the exhibition Groundstory: Tales from the shade of the South, at Agnes Scott College of Decatur, Georgia, which ran at the Dalton Gallery from September 28 to November 17, 2012. That same year, he released his debut album Just Before Music, followed by Keeping a Record of It the following year. In September 2018, he released his third album MITH on Jagjaguwar.]

10. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New 3-song release from Various Blonde. KC based experimental, rock, pop, & funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, & vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM Doors, w/ YUM and Redder Moon. – Voltaire and recordBar present a Summer Concert Series at the newly created outdoor space, LeMonad(e) Park. Only 100 tickets are available each night. VIP-Tickets allow for up to 6 guests with full table service, no waiting in bar. OPEN SEATING at eight foot tables, 4 person maximum. General Admission is Standing Room Only (you may bring your own chair). Tables & benches are distanced per KCMO Health Department regulations (actually, a little further). Food and beverage will be served by Voltaire utilizing their on-line ordering and packaged to-go by a Voltaire employee practicing Covid-19 safety procedures. If you are not at a VIP table you will pick up your order at the bar. Please distance 6 feet when queuing.]

11. The Jimi Hendrix Experience – “Manic Depression”
from: Are You Experienced? / Reprise / August 23, 1967 U.S. [May 12, 1967 U.K.]
[Are You Experienced is the debut studio album by the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. The album features Jimi Hendrix’s innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. // By mid-1966, Hendrix was struggling to earn a living playing the R&B circuit as a backing guitarist. After being referred to Chas Chandler, who was leaving the Animals and interested in managing and producing artists, Hendrix was signed to a management and production contract with Chandler and ex-Animals manager Michael Jeffery. Chandler brought Hendrix to London and began recruiting members for a band, the Jimi Hendrix Experience, designed to showcase the guitarist’s talents. // In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who’s managers Kit Lambert and Chris Stamp. Are You Experienced and its preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in 16 recording sessions at three London locations, including De Lane Lea Studios, CBS Studios, and Olympic Studios. // Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. The album was issued in the US on August 23 by Reprise Records, where it reached number five on the US Billboard Top LPs, remaining on the chart for 106 weeks, 27 of those in the Top 40. The album also spent 70 weeks on the US Billboard Hot R&B LPs chart, where it peaked at number 10. The US version contained some of Hendrix’s best known songs, including the Experience’s first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: “Purple Haze”, “Hey Joe”, and “The Wind Cries Mary”.]

12. The Guillotine Choir – “In The Daylight”
from: “In The Daylight” – Single / The Guillotine Choir / July 15, 2020
[Second single this year from The Guillotine Choir who released their debut, “What Tomorrow Brings” on April 29, 2020. We premiered that track on our April 29, 2020 edition of WMM. The Guillotine Choir is an electronic rock band and the musical side project of Kimmie Queen and Cody Wyoming of The Philistines, and Justin Muschinske of The Widows Ride. Invoking the imagery of a late night journey through a cold war Berlin, the synthesizers sizzle and crash and beat against the wall, as the music searches for signs of light and freedom across dark urban landscapes. Cody Wyoming is also a guitarist with The Pedaljets. Cody went to Park Hill High and lives in Kansas City, Missouri with Kimmie Queen who he has been in a relationship with for 15 years. Cody grew up in Enid, Oklahoma.]

13. Fritz Hutchison – “Stationary”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[Debut album of Fritz Hutchison. Wild Wild Acres was written & performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.]

14. Hotel Leo – “Overflow”
from: Matters / ropedog records / May 29, 2020
[Hotel Leo is the musical project of Stephen Roper a Kansas City based engineer and musician. Prior to the release of the Matters album, Hotel Leo released the singles “Our Love” on April 24, 2020, and “Diamond” on April 20, 2020. The band released their debut 4-song self titled EP Hotel Leo on October 14, 2016 with songs written by Stephen Roper. Mastered by Nathan Moody at Obsidian Sound. Album photography by Scott Roper. Album art design by Taylor Dunn.]

15. Ben Gibbard – “Life in Quarantine”
from: Life in Quarantine – Single / Barsuk Records / March 27, 2020
[The Seattle-based Death Cab for Cutie front man unveiled the new song in a video as part of local alt-weekly The Stranger’s A Message to the City series, noting “I know this is a really f—ed up and scary time for everybody, including myself, and I know that we’re all trying to figure out what to do to make it better or alleviate the suffering of someone else.” Net proceeds from the digital release of the new home-studio recording will be donated to Seattle-area relief organizations, including homelessness-support services non-profit Aurora Commons, a welcoming space for unhoused Seattle residents to rest, prepare a meal, connect to resources, and collectively create a healthy and vibrant community. Benjamin Gibbard was born August 11, 1976. He is an American singer, songwriter and guitarist. He is best known as the lead vocalist and guitarist of the indie rock band Death Cab for Cutie, with which he has recorded nine studio albums, and as one half of the electronica act the Postal Service. Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I’m Gone (2009), with Jay Farrar, known for his work with Son Volt and formerly Uncle Tupelo. // Gibbard was born to Allen and Margaret (Flach) Gibbard in Bremerton, Washington. His father was in the Navy and his family moved around the country, including spending time in Northern Virginia before returning back to Washington. Gibbard spent his early life there during the grunge music explosion of the early 1990s. He graduated from Olympic High School in Bremerton in 1994, and studied environmental chemistry at Western Washington University. He was raised Roman Catholic and referred to himself as an “indoctrinated Catholic even though I haven’t been to church of my own volition in 10 or 15 years now.” While performing guitar in the band Pinwheel in 1996, Gibbard recorded a demo cassette under the moniker Death Cab for Cutie, titled You Can Play These Songs with Chords (1997). After receiving a positive response to the material, Gibbard expanded the project into a full band, with the addition of guitarist Chris Walla, bassist Nick Harmer and drummer Nathan Good. The following year, the band released its debut album, Something About Airplanes (1998), on Barsuk Records, and released its follow-up, We Have the Facts and We’re Voting Yes, in 2000.]

11:00 – Station ID

16. Miki P – “Don’t Lose Your Hope”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Mikala Petillo, who was born in Kansas City, KS, and performed ‘She Loves You’ at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and released a full-length album, Irreplaceable, in 2017, played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. That year, at 21, Miki P began work on her debut solo-record, Dome of Swallows, released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019 The Swallowtails include: Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. In June they’ll release a follow up. The band’s members having classical music degrees, and jazz degrees. Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

11:03 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share music and details about the KC Syzygy compilation of original tracks from over 25 KC based musicians who came together electronically to contribute musical recordings created during the shutdown of the world in the spring of 2020. The production was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com

The album is available at http://www.kcsyzygy.bandcamp.com

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

“Kansas City Syzygy” a compilation of original tracks with over 25 KC based musicians who came together electronically to contribute. All of this music was created during the shutdown of the world in the Spring of 2020.

“Syzygy” is a term used in astronomy and defined as “connected or corresponding events.” Designer JC Franco states “like planets or stars aligning, so did our lives.”

The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months.

The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.

Musicians Include: Miki P, Kemet Coleman, Trevor Turla, Calvin Arsenia, Johnny Hamil, Jeff Harshbarger, Larkin Sanders, Chris Crabtree, Audrey Chopin, Robert Castillo, J Ashley Miller, John Kizilermut, Nik Douglas, Mikal Shapiro, Kadesh Flow, Tim J Harte, We the People, Chico Sierra, Terri Quinn, Adee Dancy, Seth Andrew
Davis, Chad Brothers, Matt Richey, Rob Rice, and Coleen Dieker.

Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo

11:10

17. Rob Rice & the Devil’s Threesome – “Serial Lover”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Lead singer songwriter Rob Rice told us that “’Serial Lover’ is based on a conversation he had with a dear friend around relationships, specifically monogamous vs. polyamorous, and opening our eyes to learn more about the others experience. This song is one of 6 that Rob is working to finish up this summer and release later this year under the album name ‘And The Devil’s Threesome’. This is a collection of six original songs Rob has composed and recorded that features a female and additional male accompaniment to showcase (hence the Devil’s Threesome…) Here is a sample of the first four tracks and the names of artists/musicians who have collaborated on this project 1. “Tiny Window” with Calvin Arsenia (Harp and Vocals) and Ezgi Karakus (Cello); 2. “There’s A Devil Inside Me” with Landon Hambright (Upright and Vocals) and Rachael Feeley (Vocals); 3. “Thinking of Another” with Teri Quinn (Clarinet and Vocals) and Stephen Roper (Drums, Electronics and Vocals); And 4. “Serial Lover” with Coleen Dieker (Violin and Vocals) and Robert Castillo (Upright Bass and Vocals). Rob Rice is finalizing the last two tracks and we are working to have rob on WMM when he is ready for the release. /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. All proceeds will be donated to KC Tenants, a local nonprofit. The album is available at http://www.kcsyzygy.bandcamp.com.]

13. GAV7D (Johnny Hamil & Jeff Harshbarger & Sylvain Rabbath) – “Eastwood Stayed Skinny Travolta Got Fat (Pt. II)”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Johnny Hamil told us that this “was the last track he wrote and recorded while in Paris before the lockdown. Johnny has been going to Paris every year to study and to record. This year he was recording the GAV7D – Video game Solo Bass record with Sylvain Rabbath. This song is Johnny’s love of 1980s metal shred so he broke out some old school chops to compose the song….it is a solo bass record so why not? While recording the song Jeff Harshbarger called Johnny and said he wasn’t going to come to Paris as planned, due to the virus. Johnny told him everything was fine in Paris and he should come… something that Johnny now really regrets saying, however it was fine at the time. Johnny’s trip was wonderful as always and we were making this wonderful song. So Jeff did come and we were finishing the track so Johnny just put Jeff in the vocal booth to make sonic the hedgehog type sounds and sing the ending “Parisian scooter death ride” lyrics. Jeff sang five part harmonies in just a few tales! It was another example how amazing he is. Also the keyboards on this track are amazing as well. Sylvain Rabbath recently acquired a new analog keyboard, to add to his collection of hundreds of keyboards. This keyboard from the 1980s has a lot of a “Miami Vice” sound. In regard to the “Parisian scooter death ride” story, in order to get to and from the studio it is easier to ride on Sylvain’s scooter as taking his car takes too much time in a city like Paris. Since Sylvain was born and raised in Paris, he goes through cars, alleys, gutters, sidewalks, and it’s terrifying! Thus Johnny feels like you will never know the true Paris until you have had that experience. If you listen closely enough at the end fade out you will hear the shrieking vocals. Jeff Harshbarger had to stay with Johnny for a month due to mandatory quarantine for travelers. Johnny and Jeff did a few online shows during that time. They played a duet version of this tune. It was the first time Johnny was able to perform with another musician and it was such a blessing! Johnny felt this heavy weight be lifted off of himself. Both shows are still on Johnny’s Facebook pages and got shared quite a bit. As Johnny is finishing up the entire album this track stands out, so Johnny is glad it is the first song to formally get released. Johnny will be releasing the last two GAV7D albums this year as they are done. They both got delayed from the pandemic. The Exotica Freejazz Record is really just another amazing journey that includes musicians: Mark Southerland, Annie Elliot, Amado Espinoza, Chris Fugitt, Arny Young, Tina Billberry, Clarke Wyatt, Julia Othmer, and so many more. // /// Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Shay Estes & Trio All – “Under The Milky Way feat. Jeff Harshbarger”
From: Despite Your Destination / Independent / 2009
[Shay Estes and Trio ALL — ALL being an acronym for the last names of players Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on bass. Lowrey told INK that they, “We’re trying to cross over into the realm of modern jazz by writing arrangements of songs that aren’t staples in jazz repertoire.” The album title comes from the lyrics of “Under the Milky Way,” originally by new wave band The Church. That track was the first arrangement Estes and Lowrey worked on together in 2004, and features guest vocals from Jeff Harshbarger.]

11:35 – Underwriting

20. Bijuu – “Body222”
from: WEEP NOT / Bijuu / April 17, 2020
[4-song EP from Kansas City based producer and vocalist who specializes in electronic maximalist pop music. Bijuu released the singles “Wet Blood” May 7, 2018, and “Mushygoo” April 20, 2018. There are a multitude of other tracks at Bijuu’s Soundcloud page.]

21. MARCOTTE – “History”
from: History / MARCOTTE / October 1, 2019
[For singer-songwriter duo Jordan and Sasha, soul is the term that most embodies the emotional transparency they commit to in the music they compose and perform together as MARCOTTE. The duo met in Kansas City, MO in 2013. They quickly discovered that collaboration came naturally and what they could do together surpassed any success they were able to achieve separately. Sasha and Jordan partnered together to create and perform original songs for their friends’ weddings –music that honestly and affectionately communicated the love story of the bride and groom. Soon finding their own love story in the midst, the pair has successfully translated that same honesty and affection to the art they create together. Though the stages and audience have grown in size and number as MARCOTTE continues to experience acclaim, the Pop-R&B duo has been able to keep the intimacy and clarity they’re known for while performing for live audiences.]

[Marcotte play ULAH Live Sessions Hosted by You Found Music on Thursday July 23, 7:00 PM to 9:00 PM at ULAH, 4707 Rainbow Blvd., Westwood, KS. Limited seating for 12. Doors at 7:00, show at 7:30. Social distancing measures will be in place. Masks will be required upon entry, and while moving about the store. Ticket information at http://www.eventbrite.com/e/ulaj-live-sessions-marcotte-tickets%5D

22. D’Angelo & The Vanguard – “1000 Deaths”
from: Black Messiah / RCA – Sony / December 15, 2014
[Black Messiah is the third studio album by American singer, songwriter, and multi-instrumentalist D’Angelo, credited to D’Angelo and the Vanguard. It was released on December 15, 2014, by RCA Records, bringing an end to his 14-year hiatus that followed his 2000 album Voodoo. The album was produced and mostly written by D’Angelo, who collaborated with musicians such as percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove. He pursued a largely analog and murky funk sound for the record, lending it comparisons to the 1971 Sly & the Family Stone album There’s a Riot Goin’ On. Black Messiah was among 2014’s most highly anticipated albums and was released to widespread critical acclaim, later being ranked as one of the year’s best albums. The album debuted at number five on the US Billboard charts and number one on the US Top R&B/Hip-Hop Albums, selling over 117,000 units in its first week. Black Messiah was promoted with the release of the single “Really Love” and a tour called The Second Coming. // D’Angelo’s subsequent solo work was extensively delayed.Production for a full-length follow-up to Voodoo was stagnant, as he was working on and off mostly by himself during 2002. D’Angelo attempted to play every instrument for the project, striving for complete creative control similar to that of Prince. Russell Elevado described the resulting material as “Parliament/Funkadelic meets the Beatles meets Prince, and the whole time there’s this Jimi Hendrix energy”. However, those who previewed its songs found it to be unfinished. In the years that followed, D’Angelo’s personal problems worsened, descending to drug and alcohol addiction. In January 2005 he was arrested and charged with possession of marijuana and cocaine. Various mugshots began circulating around the time, showing the singer looking overweight and unhealthy, in stark contrast to the muscular D’Angelo seen in promotion for Voodoo. In September 2005, a week after being sentenced on the drug charges, he was involved in a car accident, and was rumoured to be critically injured. However, a week after the crash a statement was issued by D’Angelo’s attorney stating that he was fine continuing to say “He is anxious to finish the recording of his soul masterpiece that the world has patiently awaited. // No more was revealed on the new album until 2007, when Questlove, D’Angelo’s drummer and producer, leaked an unfinished track on Triple J Radio in Australia. Entitled “Really Love”, the track was an acoustic flavored jam with a laid back swing feel. The leak apparently soured relations between the two. In 2009, D’Angelo’s then-new manager Lindsay Guion, revealed plans for a new album, including collaborations with artists including Prince, Kanye West, Busta Rhymes, and John Mayer, and a summer tour, saying “He’s able to smile again and he’s ready to connect [with fans], he’s coming back. And he looks great, by the way.” As with the previous year, no tour or album materialized. In early February 2010, a new track called “1000 Deaths” appeared on the Internet, but was swiftly removed due to a copyright claim by Michael Archer, D’Angelo’s legal name. The song seemed unfinished, and it is unclear how recent the material actually is, as the same song was mentioned in the same interview (see above) with Russell Elevado, in 2007. Around the same time, an article began to circulate on the Internet, which seemed to be an apparent review of ‘James River’, with detailed descriptions of individual songs, track listing, and segments of lyrics. This caused much discussion regarding the authenticity of the article, or whether it was an elaborate hoax. // In January 2011, Russell Elevado updated the status of the album development on his website and stated that “Pino Palladino and James Gadson have joined D’Angelo […] in New York City to finish cutting tracks for the upcoming album (yes, “THE” upcoming album!). We are officially making our way to finishing this record! I don’t need to tell everyone that this will be an amazing album. D’Angelo fans will be extremely happy to know, the wait will be over soon and it will surely be a future classic” Russell Elevado updated the status of the album again on his own website. “Since my last post I have continued sessions with D’Angelo. We’ve just finished up 5 months of recording. D has been doing vocals and guitars and we’ve had Pino Palladino back in for some more bass tracks. Also ?uestlove came in to jam with D and Pino. They’ve finally reunited after 7 or 8 years (lost track how long really). We’re taking a few months break while I take care of some other projects that have been on the back burner.” // In December 2011 Questlove said the album was 97% done and that D’Angelo was “finishing his lyrics now.” He went on to compare the album to a “black version of Smile – at best, it will go down in the Smile/There’s a Riot Goin’ On/Miles Davis’ On the Corner category. That’s what I’m hoping for. There’s stuff on there I was amazed at, like new music patches I’ve never heard before. I’d ask him, “What kind of keyboard is that?” I thought it was some old vintage thing. But he builds his own patches. One song we worked on called “Charade” has this trombone patch that he re-EQ’d and then put through an envelope filter and then added a vibraphone noise on top and made a whole new patch out of it. He’s the only person I know that takes a Herbie Hancock approach, or Malcolm Cecil and Robert Margouleff—the two musician/engineers who programmed all of Stevie Wonder’s genius-period stuff—approach. That’s the last time I ever heard of somebody building patches. We’ll see if history is kind to it.” In 2012, D’Angelo returned to performing live with his Occupy Music Tour and prepared his third studio album, whose recording had D’Angelo return to Electric Lady Studios. // Michael Eugene Archer (born February 11, 1974), better known by his stage name D’Angelo (pronounced di-Angelo), is an American singer, songwriter, multi-instrumentalist and record producer. D’Angelo is associated with the neo soul movement, along with artists like Erykah Badu, Lauryn Hill, Maxwell, and collaborator Angie Stone. // Born in Richmond, Virginia, the son of a Pentecostal minister, D’Angelo taught himself piano as a child. At eighteen, he won the amateur talent competition at Harlem’s Apollo Theater three weeks in a row. After a brief affiliation with hip-hop group I.D.U., his first major success came in 1994 as the co-writer and co-producer of the song “U Will Know”. // His debut solo album, Brown Sugar (1995), received positive reviews and sold over two million copies. His next album, Voodoo (2000), debuted at number one on the US Billboard 200. Its lead single “Untitled (How Does It Feel)”, entered the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won Best R&B Album. D’Angelo was hailed as the next Marvin Gaye by GQ in 2014. // Following this period, D’Angelo became more than uncomfortable with his growing status as a sex symbol. This was followed by numerous personal struggles including alcoholism, and a fourteen-year long musical hiatus. D’Angelo released his third studio album, Black Messiah, in December 2014. The album was met with critical acclaim and fared well on music charts, peaking at number five on the US Billboard 200. D’Angelo also contributed to the soundtrack for the 2018 video game Red Dead Redemption 2, performing the song “Unshaken”.]

23. Daniel Gum – “Tired Saint”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 29, singer songwriter activist Una Walkenhorst joins us to talk about her 2020 EP Woman Of The Year. We will also share more tracks from the new Kansas City Syzygy compilations, and even more from the French Exit Records compilation release Black Lives Matter.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #847

WMM presents Robert Castillo & Kansas City Syzygy + Black Lives Matter Compilation

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 22, 2020

Robert Castillo & Kansas City Syzygy
+ New & MidCoastal Releases

We play New & MidCoastal Releases from: The Black Creatures, Rob Rice & The Devil’s Threesome, Miki P, Marcotte, Betse & Clarke, LyMerrick, The Guillotine Choir, Fritz Hutchison, Daniel Gum, Various Blonde, Johnny Hamil & Jeff Harshbarger, Palace Intrigue, Hotel Leo, Be/Non, Shay Estes, Julianna Barwick, Bijuu, Lonnie Holley, D’Angelo & The Vangaurd, The Jimi Hendrix Experience, and Funkadelic.

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

We will feature tracks from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

We also continue featuring tracks from French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. http://www.frenchexitrecords.bandcamp.com

Robert Castillo

At 11:00 Mark welcomes musician & band leader Robert Castillo, who shares music and information about Kansas City Syzygy a compilation of original tracks with over 25 KC based musicians who came together electronically to contribute. All of this music was created during the shutdown of the world in the Spring of 2020. The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci. All proceeds will be donated to KC Tenants, a local nonprofit. The album was released on July 17, 2020 and is available at http://www.kcsyzygy.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #847

WMM Playlist from May 6, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 6, 2020

New & MidCoastal Releases +
Chase The Horseman + Mike McCoy & Howie Beno
+ David Burchfield

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. Billy Porter – “For What It’s Worth”
from: “For What It’s Worth” – Single / Billy Porter / April 24, 2020
[Billy Porter was born September 21, 1969 in Pittsburgh, Pennsylvania. He is an American Broadway theater performer, singer, & actor. He attended the Musical Theater program at Pittsburgh Creative & Performing Arts School’s School of Drama, graduated from Carnegie Mellon University School of Drama, and achieved fame performing on Broadway before starting a solo career as a singer and actor. Porter won the 2013 Best Actor in a Musical for his role as Lola in Kinky Boots at the 67th Tony Awards. He credits the part for “cracking open” his feminine side to confront toxic masculinity. For the role, Porter also won the Drama Desk Award for Outstanding Actor in a Musical and Outer Critics Circle Award for Outstanding Actor in a Musical. In 2014 Porter won the Grammy Award for Best Musical Theater Album for Kinky Boots. He currently stars in the television series Pose for which he was nominated for a Golden Globe Award and won the 2019 Primetime Emmy Award for Outstanding Lead Actor in a Drama Series, becoming the first openly gay black man to be nominated and win in any lead acting category at the Primetime Emmys.] [For What It’s Worth was written by Stephen Stills. Performed by Buffalo Springfield, recorded on December 5, 1966, and released as a single on ATCO Records on December 23, 1966; and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967. It was later added to the March 1967 second pressing of their first album, Buffalo Springfield. The title was added after the song was written, and does not appear in the lyrics. Although “For What It’s Worth” is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in November 1966—a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, beginning in mid-1966, the same year Buffalo Springfield had become the house band at the Whisky a Go Go on the Sunset Strip. Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied the city to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights. On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to join demonstrations later that day. Several of LA’s rock radio stations also announced a rally outside the Pandora’s Box club on the corner of Sunset Boulevard and Crescent Heights. That evening, as many as 1,000 young demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by police) gathered to protest against the curfew’s enforcement. Although the rallies began peacefully, trouble eventually broke out. The unrest continued the next night, and periodically throughout the rest of November and December, forcing some clubs to shut down It was against the background of these civil disturbances that Stills recorded “For What It’s Worth”]

3. Chuck Prophet – “Get Off the Stage”
from: The Land That Time Forgot / Yep Roc / August 21, 2020
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 15 solo albums.]

4. Diet Cig – “Night Terrors”
from: Do You Wonder About Me? / French Kiss Records / May 1, 2020
[Pop-punk duo Alex Luciano on vocals & guitar, Noah Bowman on drums met at a house show in New Paltz, New York, in the summer of 2014. Bowman’s old band, Earl Boykins, was playing at the house show, where Luciano needed a cigarette lighter. She interrupted the band’s set to ask Bowman for one, but he gave her a bottle of wine instead. Afterwards, Luciano got his number and told him she’d make a music video for him. The next day, Bowman tattooed a daisy on Luciano’s foot and by August 2014, the pair were making music together. They officially named their act Diet Cig in September 2014. Luciano and Bowman creleased the first studio album, Swear I’m Good At This on April 1, 2017. All songs written by Alex Luciano and Noah Bowman. Jamal Ruhe played all the bass, Karli Ashlyn Helm sang harmonies and additional vocals and played additional keys, Christopher Daly shredded the arpeggiator more than once, and Travis de Jong played saxophone. Recorded at Salvation Recording Co. in New Paltz, NY, Drums and most guitars recorded at Headroom Studios in Philadelphia, PA, Produced and engineered by Christopher Daly. Engineered by Kyle Pulley and Joe Reinhart. Additional engineering by Grace Coleman. Assisted by Danny Murillo, Johanna Baumann, Alex Melendez, Jake Miller, David Juro. Mixed by Mike Butler. Mastered by Jamal Ruhe.]

5. Nick Siegel – “Surely [Radio Edit]”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel Performs Covers, Originals and Improv Mischief, Friday, May 8, 2020, at 8:00 PM to 9:00 PM on Facebook Live.]

6. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018. Quiet Takes has new music coming in 2020.]

[Sarah Magill will be on WMM on May 13.]

7. Lido Pimienta – “Te Quería”
from: Miss Colombia / Anti / April 17, 2020
[Lido Pimienta was born in 1986. Originally from Barranquilla, Colombia, she later immigrated to Canada, settling in London, Ontario, before moving to Toronto, where she is currently based. Her father died when she was six years old. She rose to prominence after her 2016 album, La Papessa, won the $50,000 2017 Polaris Music Prize. Her music incorporates a variety of styles and influences, including traditional indigenous and Afro-Colombian musical styles, as well as contemporary synth pop and electronic music. Pimienta released her debut album, Color, in 2010. The album was produced by Michael Ramey, Pimienta’s husband at the time, and was released by Los Angeles based music label KUDETA. After Pimienta and Ramey separated, Pimienta took time to pursue a degree in art criticism, in addition to learning more about music production, before releasing her second album, La Papessa, in 2016. That year, she also collaborated with A Tribe Called Red on several tracks for their 2016 album We Are the Halluci Nation. Following the release of her experimental album La Papessa, which was self-produced by Pimienta, she was awarded the $50,000 2017 Polaris Music Prize, which is considered Canada’s top juried music award. The Globe and Mail called her “the future of Canadian rock and roll”, and dubbed her the “artist of the year”. During her performance at the Halifax Pop Explosion music festival on October 19, 2017, Pimienta, as she often does during her concerts, invited the “brown girls [in the audience] to [come] the front”. According to a statement that was subsequently released by the festival, “the incident involved a white volunteer photographer and several white audience members who reacted negatively” to Pimienta’s request. When the photographer refused to move after ten separate requests, Pimienta said, “you’re cutting into my set time and you’re disrespecting these women, and I don’t have time for this”. The volunteer was removed from the show and the festival organizers later apologized to Pimienta, and said they would increase “anti-oppression and anti-racism training”. In addition to working as a musician, Pimienta is also a visual artist & curator, and her work has been described as exploring “the politics of gender, race, motherhood, identity and the construct of the Canadian landscape in the Latin American”; her work was exhibited in the group exhibition FEMINISTRY IS HERE at Mercer Union gallery in Toronto. Pimienta identifies as queer. She is of mixed Afro-Colombian & Wayuu descent. She is a single mother.]

8. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / February 7, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

10:28 – Underwriting

9. Chase The Horseman – “Poor Song”
from: “Poor Song” – Single / Chase The Horseman / February 14, 2020
[Originally recorded by Yeah, Yeah Yeahs and written by Karen O. Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals pall erformed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman released the EP Disinformation Blues on July 12, 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

Chase Horseman on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:33 – Interview with Chase The Horseman

Chase Horseman is a film composer, band leader, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as producer collaborated with Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. Recently Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” In February Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. On May 1 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of this single will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com

Chase Horseman Thanks for being with us on Wednesday MidDay Medley

They have composed music for over 40 films and as musician has collaborated Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner.

Chase The Horseman

Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019.

Chase released the single “U Martyr U” on June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.

Chase The Horseman – the band includes: Ian Dobyns on drums, Ada Brumback – on guitar and keyboards, Skylar Cowdry on bass

Chase Horseman spends half of his time creating soundtracks for feature films, documentaries, and television dramas. When he is not composing films he works as a singer-songwriter, band leader, musical collaborator and producer.

Recently Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.”

Chase The Horseman

Horseman’s latest release is inspired by film and is a quarantine cover of “Midnight, The Stars and You” a song written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King.

Horseman keeps the ‘30s-style foxtrot, adding his own layers of synthesizer sounds.

Chase told Michelle Bacon for 909 The Bridge.org: “I’ve been obsessed with ‘The Shining’ since I saw it in high school — the cinematography, the art design, the score — all of it just stuck in my head, but no piece more than that haunting tune.”

Horseman said. “Being stuck in isolation and losing your mind is extremely relatable right now, so I figured, why not cover this amazing song from arguably one of the best isolation films ever made? With no shows to play or nightlife to live, I lovingly put together this tribute to a favorite film of mine in its 40th anniversary year.”

With the release of this track, Horseman is benefiting two of KC’s working communities. All the profits will be evenly split between Midwest Music Foundation — a nonprofit organization that gives emergency grants to KC music professionals — and the city’s service industry workers.

Chase The Horseman

Chase The Horseman, Thanks for being with us on Wednesday MidDay Medley

On May 1, Chase released a quarantine cover of “Midnight, The Stars and You” a song used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining. All of the profits of this single will be donated directly to service industry workers in KC and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com

10:51

10. Chase The Horseman – “Midnight, The Stars And You”
from: “Midnight, The Stars and You” – Single / Chase The Horseman / May 1, 2020
[A loving quarantine cover of “Midnight, The Stars And You” a song written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. Donate by purchasing and 100% of the profits will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis.Performed, Recorded. Produced by Chase Horseman. Seüf Guitar, Amp Gemini II, Moog Grandmother, Sequential Circuits Prophet 600, Sequential Circuits Max, Roland Alpha Juno 2, Korg Minilogue, Wurlitzer 206, Arturia Mellotron, Dave Smith Mini Mopho, Chamberlin Drum Loops, Acetone Rhythm Loops. Mastered by Joel Nanos at Element Recording Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman released the EP Disinformation Blues on July 12, 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

11. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

11:00 – Station ID

12. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Austin, Texas based band formed in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Produced by Howie Beno. Kansas native and Austin resident Mike McCoy is a singer, composer, songwriter, social commentator and conceptual artist who has been making music for more than 30 years. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist . A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC.]

11:04 – Interview with Mike McCoy & Howie Beno

Mike McCoy on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Mike McCoy is on the phone, from Austin, Texas. Mike McCoy was born in Kansas and is a singer, songwriter, band leader, and social commentator. Mike McCoy has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK & (Red Decibel/Columbia Records) in the mid 1990s and Matt fronted the Black Rabbits of Lawrence, Kansas, and two Austin, bands: American People and the Service Industry. Mike is a religion studies and art-history graduate of TCU. He has worked as a fund-raising researcher at Yale, and a carpenter and designer in Austin. Last year Mike’s newest band: Mike McCoy’s Trompe-l’œil released “Eyein’ Lies” on July 19, 2019, one of WMM’s 119 Best Recordings of 2019.

Mike McCoy, Thanks for being with us on Wednesday MidDay Medley

Howie Beno on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Also with us is Howie Beno producer of the Mike McCoy & The Trompe-l’oeil album, Beno is a producer, mixing engineer, audio engineer & composer born in Bridgeport, CT and currently based in NYC. He has worked with a wide range of artists such as Tom Jones, Dionne Warwick, Depeche Mode, Blondie and rock & industrial bands, including Ministry.

Howie Beno, Thanks for being with us on Wednesday MidDay Medley

Mike McCoy’s Trompe-l’œil was formed in Austin, Texas in 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy.

Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland,

McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike is also a prolific solo artist.

Mike McCay

Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel / Columbia Records) in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry.

A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs.

Howie Beno – After graduating from Fairfield College Preparatory School and the Wheaton College Conservatory of Music. Beno began his career as a programmer at Chicago Trax Studios working with the band Ministry, on the album Psalm 69, and helped program and edit a remix for the multi-platinum Red Hot Chili Peppers single, Give It Away. Alongside contributing to a number of various Wax Trax! releases, he was the original producer and co-writer for Stella Soleil on the independent Chicago release Drown Me In You. As half of the Grace Productions team with Jeff “Critter” Newell, among the numerous records and remixes they collaborated on were Grace Jones, Sheep on Drugs, Monster Voodoo Machine and Skrew. He also appeared as a musician on various albums,. and is founder and vocalist/ multi-instrumentalist for the industrial rock band 13 mg.

In 1998, after signing a publishing contract with Windswept Pacific, Beno moved to NYC, opened a studio and set up as a producer, engineer & remixer. In addition, with guitarist producer John McCurry, began work in the advertising world on the music production & mixing of TV commercials and their side project Kill Lizzie. A close working relationship with Loud Records provided a foothold into a number of experimental rock remixes for hiphop artists Xzibit, Three Six Mafia, M.O.P. and the Xecutioners and he coproduced the first Stereomud record Perfect Self. He also continued producing, mixing and engineering for bands and solo artists. This includes engineering and mixing stints with both producers Michael Mangini and Sam Hollander which led to working with Katy Perry, the Jonas Brothers, Mika, We The Kings and Big Time Rush among many others.

Howie Beno co-produced several tracks on the Stella Soleil Soularium album, recorded for Universal Records in 1997- 1998 at Peter Gabriel’s Real World Studios in England.[6] He also worked at Ashtowngate Studios in Ireland with the band Blink, whose album “Deep Inside the Sound of Sadness” became Billboard Magazine’s Album of the Month upon its release. When it was time to complete MOTOR’s “Man Made Machine” (CLR), they asked Howie Beno to handle the mixing duties. This record produced a number of singles featuring guest appearances by Martin L Gore, Gary Numan and Douglas McCarthy. His adjunct partnership with Bryan Black in Black Asteroid saw the release of 3 EP’s (CLR and ELDX records)- “Engine” (2011), “Black Acid” (2012) and “Metal” (2013) as well as Black Asteroid remixes for Depeche Mode, Bloody Beetroots and Graham Coxon.

Howie Beno Selected Discography
Blondie – Good Boys Single – (Programmer)
Depeche Mode – Soothe My Soul Black Asteroid Remix – (Addnl Prod., Mixer)
Dionne Warwick-“Only Trust Your Heart” Album – (Engineer, Mixer)
Ministry – Psalm 69 – (Programmer, CoWriter)
13 mg – “Trust and Obey” Album – (Producer, Performer, Writer, Mixer)
Three Six Mafia – “Tongue Ring” Remix – (Remixer)
Tom Jones – “24 Hours” Album – (Engineer, Mixer)
Xzibit – “X” remixes – (Remixer)
Black Asteroid – “Engine” and “Black Acid” EPs – (Addnl Production, Mixer)
Big Time Rush – BTR album – (Vocal Engineer)
Jonas Brothers – “Time for me to fly” single – (Engineer)
Stereomud – Perfect Self – (Producer, String Arranger, Engineer)
Grace Jones – Sex Drive (Grace Jones song) Remix – (Remixer)
We the Kings – Smile Kid – (Engineer)
MOTOR – “Man Made Machine” – (Addnl Production, Mixer)
Material Issue – “Freak City Soundtrack” – (Digital Editor)

Mike McCoy

It has been written that about Mike McCoy that. “He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). “

In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay.

He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good.

It’s been said that Mike McCoy is equal parts punk-rock-Americana, a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones & Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas & ideals of humanity, principles & hopes, outrage & indignation, absurdism & dadaism, puns & poetry & parody, with a large dose of red-white-&-blue wishful thinking.

Mike McCoy and Howie Beno, Thanks for being with us on Wednesday MidDay Medley

11:18

13. Mike McCoy’s Trompe-l’œil – “Mission Creep”
from: Ogallala Pression EP / Mike McCoy’s Trompe-l’œil / unreleased
[Formed in Austin, Texas in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Produced by Howie Beno. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years.]

14. X – “Water & Wine”
from: ALPHABETLAND / Fat Possum Records / April 22, 2020
[Billy Zoom on guitar, saxophone & piano; DJ Bonebrake on drums & percussion; Exene Cervenka on vocals; John Doe on bass & vocals. Produced by Rob Schnapf and engineered by Rob Schnapf & Matt Schuessler. Mastered by Mark Chalecki @ Little Red Book Mastering. Additional guitar on All The Time In The World: Robby Krieger, Rob Schnapf, additional guitar. Recorded at Sunset Sound, in Hollywood, CA & Mant Sound in Glassel Park, CA in 2019 & 2020. While everyone is social distancing, closing ranks and donning masks while they shop, life can seem somewhat surreal to the senses. Yet, through all of the chaos, one thing is constant, music brings us together. Now, on the 40th Anniversary of the landmark, Los Angeles, and 35 years since the original band have released an album – X, one of the greatest Punk Rock bands in music history, releases ALPHABETLAND today via Bandcamp. The original foursome – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake have now made the album available for fans to purchase and by adapting to this moment, X continues to embody the same spirit they did when they began in 1977. “When your heart is broken you think every song is about that. These songs were written in the last 18 months & it blows my mind how timely they are,” explained John Doe. “We all want our family, friends & fans to hear our records as soon as it’s finished. This time we could do that. Thanks to Fat Possum & our audience.” The bands record label, Fat Possum, listened and agreed. Plans were quickly set in motion to release the new music via Bandcamp and have said they’re working to get the record available elsewhere as quickly as possible.]

15. Soultru – “Come & Gone”
from: “Come & Gone” – Single / The Record Machine / April 10, 2020
[Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.]

11:30 – Underwriting

16. David Burchfield – “You’re OK, It’s Alright”
from: State To State / David Burchfield / June 5, 2020
[“You’re OK, It’s Alright” was released April 21, 2020. It s one of 5 singles being released from, State To State. David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel. Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA.]

[David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house. Drop a request and we’ll try our darndest to get to it that week, or if not, the next. Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com]

David Burchfield on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:05 – Interview with David Burchfield

David Burchfield joins us from Salt Lake City to share music and details about his new album, “State To State” to be released June 5, 2020. State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house in Denver.

David Burchfield thanks for being with us on Wednesday MidDay Medley.

“I’d made two previous albums right out of college, and then more or less quit to move to Colorado and become an elementary-school teacher,” David says. “I was in my second year of teaching when a truck hit me while driving my scooter home one night.” Rushed to the hospital, Burchfield awoke to find he’d escaped with only a broken nose and a concussion. Above all, he was left with a potent reminder of life’s brevity and a fresh sense of urgency. Once again, he picked up the guitar, and out poured “You’re OK, It’s Alright,” the first of the songs that now comprise State to State. http://www.davidburchfield.bandcamp.com

“You’re OK, It’s Alright” was released April 21, 2020. It s one of 5 singles being released from, State To State.

David Burchfield

David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel.

Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA

David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house in Denver. Drop a request and we’ll try our darndest to get to it that week, or if not, the next.

Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com

David Burchfield

“I learned a lot from that time,” Burchfield says of his unplugged nights in the Rocky Mountain backcountry. “I developed a deep love of traditional country and folk music, and it also taught me about connecting with an audience in the simplest, most direct way—no lights, no PA, and with just a few feet between us. That’s still my favorite way to perform. It’s all about connection.” State to State, his newest release, finds Burchfield traveling across the American heartland in search of stability and inspiration. Brimming with coastlines, highways, rolling plains, old hometowns and new destinations, the record evokes a vivid picture of a songwriter’s wandering. Along the way, State to State also shines a light on the people, places and near-death experiences that have shaped Burchfield’s music and outlook on life.

Recorded in American Fork, Utah, with Burchfield’s road band and producer Joshua James, State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. On the softly spun “Dishes in the Sink,” Burchfield struggles to settle into an unfamiliar home, pedal steel swooning in the background, while the slow-motion swagger of “Ain’t Gonna Be Easy” finds him reflecting on relationships with his hometown friends over some understated brass and the steady chug of an electric guitar. As this 11-track journey plays out, Burchfield meanders from tender acoustic moments to lushly amplified highlights like the soulful stomp of “Feelin’ Pretty Alright,” a track that would be right at home on The Band’s proto-Americana gem Music From Big Pink. State to State reads like an Americana travelogue stocked with songs borne of a restless spirit and adventurous heart. David Burchfield has never sounded more at home.

David Burchfield thanks for being with us on Wednesday MidDay Medley.

11:48

17. David Burchfield – “State To State”
from: State To State / David Burchfield / June 5, 2020
[“State To State” was released April 30, 2020. It s one of 5 singles being released from, State To State. David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel. Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA]

[David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house. Drop a request and we’ll try our darndest to get to it that week, or if not, the next. Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com]

18. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New three song release from Various Blonde. Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play Livestream from the Quarantine presented by The Truman Wed, May 6, at 8PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 13 we’ll be playing more New & MidCoastal Releases. We welcome special guest Chris Haghirian, Sarah Magill, Enrique Chi, and Sam Wells.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #836

WMM Playlist from Jan. 29, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 29, 2020

Jairy + New & MidCoastal Releases
+ Spinning Tree Theatre’s “Girlfriend”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
WMM’s theme song]

2. Yes You Are – “Comet Bicycle”
from: Here’s To The Great Unknowns / Yes You Are / November 15, 2019
[Kianna Alarid on vocals, Jared White on rhythm guitar, Jacob Temeyer on guitars & keyboards, and Willie Jordan on bass. “We play black pop.” says Kianna Alarid, Yes You Are’s intense front woman, “It implies that there might be shadows lurking, even in the shiny places.” Listening to their upcoming album, it IS essentially pop, but they redefine the genre with each and every song. From gospel choirs to guitar-heavy rock to synth-covered dance rhythms, the mainstay (and mainstream friendly) sing-along hooks are what binds all of their work together. Alarid cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley, Of Montreal and CSS, playing venues around the world and hitting major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading, Leeds, Scotland’s T In The Park and Australia’s Splendor In The Grass as well as performing on Late Night with David Letterman and Sesame Street. You’ve probably already heard Yes You Are, as their first single debuted on Pepsi’s Superbowl 51 commercial, as has played over 15,000 times since, all over the world. The song was also featured in the hit movie Bad Moms, as well as FX’s Tyrant and MTV’s Scream. Yes You Are has shared the stage with the likes of K. Flay, Moon Taxi, Marion Hill, Lucius and Neon Trees.]

3. Art d’Ecco – “This Flight Tonight”
from: This Flight Tonight – Single / Paper Bag / July 23, 2019
[Written by Joni Mitchell and originally recorded for her 1971 album “Blue.” Special thanks to our friend Nico Gray for turning us onto Art D’Ecco. Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music Art d’Ecco released the album Trespasser on Paper Bag Records on October 12, 2018. When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

4. M. Ward – “Unreal City”
from: Migration Stories / Anti / April 3, 2020
[Matthew Stephen Ward was born October 4, 1973) is an American singer-songwriter and guitarist from Portland, Oregon. Ward’s solo work is a mixture of folk and blues-inspired Americana analog recordings; he has released eleven albums since 1999, his first nine through independent label Merge Records, and his last two on Anti Records. In addition to his solo work, he is a member of indie pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. Ward recorded Migration Stories with Arcade Fire’s Tim Kingsbury, Richard Reed Parry, producer/mixer Craig Silvey (Arcade Fire, Arctic Monkeys etc.), and Teddy Impakt. Of the new album, Ward said in a press release: “Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously—whether writing or listening—is a filter for me. Helping to process all the bad news into something new to build from. Some records to me are like self-fulfilling prophecies—visualizing change to wish something into being. Those records inspired this one.”]

5. Mackenzie Nicole – “Heart of Darkness”
from: Mystic / Strange Music / February 14, 2020
[A rafter-reaching voice, classically trained chops, literate lyricism, and a sassy spark enable Mackenzie Nicole to quietly rewrite the rulebook for pop. Equally inspired by Rihanna, Halsey, Johnny Cash, and The Doors, the 18-year-old impresario who can readily quote The Shining or Wuthering Heights honed her immense vocal talents via singing operas in several different languages since the age of six. Now, she embarks on a mission with focused, albeit far-reaching intentions… “I want to trojan horse some substance and variety into pop,” she exclaims. “I’d like to join a tide of valuable artists changing what happens in mainstream culture, art, and writing. That’s really important to me.” If anybody can do it, it’s Mackenzie. She spent her formative years studying piano and voice under the rigorous instruction of a strict and seasoned professional teacher. Between sharpening those abilities, she devoured art of all forms—from reading Heart of Darkness as a high school sophomore to obsessing over the Insidious film series as a teen (and to this day!) “I was formally trained on how to do everything ‘right’,” she admits. “From a very young age, I knew what was technically correct given theory and according to these rules that I’d learned over and over again. However, I had this realization where I thought, ‘Music doesn’t have to be proper.’ It doesn’t need to pass the litmus test of being technically accurate in order to be good or enjoyable. So, I started experimenting at that point.” That experimentation led to her debut single “Actin Like You Know.” Co-written by the budding artist, she caught the attention of her father Travis O’Guin cofounder and C.E.O. of independent juggernaut Strange Music Inc., proving herself by obsessively nailing the vocal take. Her recording history predates the single as she made her debut on platinum-certified rap icon Tech N9ne’s 2009 K.O.D. before lending her voice to tracks on All 6’s and 7’s [2011] and Something Else [2013]—which both bowed at #4 on the Billboard Top 200. Signing to Strange Music in 2015, she formally unveiled “Actin Like You Know” boasting a cameo from Tech. Early acclaim came as the track racked up over 3.9 million YouTube views and 1.9 million Spotify streams, while the song served as a centerpiece on the Tech N9ne Collabos album Strangeulation Vol. II. 2017 saw her feature on two songs from Strange Reign in addition to guesting at various tour stops. “Deleted” turned up as her next solo hit with over 978K Spotify streams and 599K YouTube views to date. Simultaneously, the songstress assembled what would become her full-length debut and the first release for the Strange Main imprint, The Edge, co-written with and produced by Los Angeles duo The Jam (Lady Gaga, Santana, Jojo). In many ways, that title sums up the expanse of her nuanced and intricate personality. “Personally, and professionally, I’m a very intense and extreme person,” she admits. “I take everything as far as possible before breaking. Sometimes, I take things a little too far to the edge and almost fall off. This is an introduction to me and who I am. It talks about a lot of different subjects that are relevant to me. I can be very serious. I tend to gravitate towards the darker and grimier side of things. The Edge is a glimpse into that. This is me in every way on the record.” She paved the way for the album with the single “Preview,” which begins with orchestral flourishes before building towards a climactic and catchy chorus. “For two years, I was off and on with this guy,” she sighs. “‘Preview’ takes place when we were on again. Even when things are terrible and going horribly, we still end up back with each other. We had to cut things off, dive in, and finally see it through though. ‘Preview’ was the choice to dive in. This relationship was good for the art, but bad for my mental health,” she adds with a laugh. The follow-up “Back to You” illuminates her staggering range over a cinematic musical backdrop. Elsewhere, “Anxious” touts an infectious refrain. “Fix Me” unearths raw emotion in each verse and she admits, “That one is the most authentic to me.” Everything culminates on the expansive and entrancing title track. Over a shimmer of piano keys, she delivers the admission, “Sometimes you need to walk to the edge and just let it take over…” In the end, this trojan horse unlocks a big surprise for pop by channeling a timeless sentiment like only Mackenzie can. “I love it when I listen to a track and completely get chills, because the artist said something that speaks directly to me,” she leaves off. “In this moment, you now have an anthem for your thought or emotion. It’s very individual and intimate. We all go through happiness, love, and anger. I hope listeners can connect on a deeper level. We’re experiencing this art together. I’m sharing it; you’re hopefully feeling it.”]

6. The Anniversary – “The Heart Is a Lonely Hunter”
from: Designing a Nervous Breakdown / Vagrant Records – BMG / January 25, 2000
[The Anniversary were formed in Lawrence, Kansas in 1997 by Josh Berwanger, James David, Christian Jankowski, Adrianne Verhoeven and Justin Roelofs. The Anniversary was the solidification of a line-up that had been in flux for a year. After two years of playing shows across with the Midwest with bands that included The Get Up Kids, Braid and Superchunk, The Anniversary signed to Vagrant Records. Originally perceived as a poppy, keyboard-driven emo band with the release of their debut album Designing a Nervous Breakdown in 2000, they developed a stronger, classic rock-influenced sound with the release of a split CD with Superdrag in 2001 and their second full length, 2002’s Your Majesty. After touring heavily throughout 2002 and 2003, The Anniversary began demoing tracks for what would be their third full length. But four years of constant touring and personal strains within the group led to the band’s demise in early 2004. Four and a half years after their breakup, Devil on Our Side, a compilation of b-sides and unreleased tracks, was released by Vagrant Records. On March 28, 2016, it was announced that The Anniversary would join headliners Dashboard Confessional and Taking Back Sunday at the Taste of Chaos Festival on July 16, 2016, in San Bernardino, CA. On September 8, 2016, the band kicked off its reunion tour in Boston, at The Brighton Music Hall.]

[The Anniversary celebrate the 20th Anniversary of their debut album playing The Bottleneck, 737 New Hampshire, Lawrence, KS, Saturday, February 1, with Matt Pryor (acoustic) and other Americans.]

10:23 – Underwriting

7. Free Nationals – “Shibuya (feat. Syd)”
from: Free Nationals / OBE, LLC – Empire / December 13, 2019
[Free Nationals are best known as Anderson . Paak’s live band, until now. Band members include: Kelsey Gonzalez on bass, Ron “Tnava” Avant on keyboards & vocoder, Callum Connor on drums, and José Rios on guitar. Free Nationals have graced the stage at Coachella, opened for Beyoncé and completed World Tours alongside J. For this track Free Nationals ecorded with Sydney Loren Bennett was born April 23, 1992. Known professionally as Syd (formerly Syd tha Kyd), Syd is an American singer and songwriter from Los Angeles, California. She is a founding member of the band The Internet, and was a member of the alternative hip hop collective Odd Future.]

Jairy photo by Coal Simmons ⁠

8. Jairy – “Into The Morning”
from: Into The Morning / Manor Records / January 27, 2020
[Jairy is the pop-focused solo project of Jared Bajkowski, bass player of KC indie outfit Momma’s Boy. The music of Jairy explores dissociation, romance, hallucinations, sexuality and the despair of living in a capital-driven world via smooth, sassy and theatrical 70s- and 80s-inspired pop sounds.]

Jared Bajkowski on the January 29, 2020 edition of Wednesday MidDay Medley on KKFI.

10:32 – Interview with Jared Bajkowski

KC based musician & singer songwriter, Jared Bajkowski joins us live in our 90.1 FM Studios to share details about his new project Jairy, and his new single “Into The Morning” released through Manor Records. Jared is a Manor Records team member and also plays bass and sings in the KC based band, Momma’s Boy. More info at http://www.manorrecords.com

Jared Bajkowski thanks for being with us on WMM.

Jared Bajkowski’s new project Jairy, and his new single “Into The Morning” that is being released through Manor Records.

“Into The Morning” was produced by Ross Brown.

Jairy is a nickname. Jared’s mom doesn’t like it, she says that she “named him Jared, his name is Jared.”

The music of Jairy explores dissociation, romance, hallucinations, sexuality and the despair of living in a capital-driven world via smooth, sassy and theatrical 70s- and 80s-inspired pop sounds.

For the past 4 years Jared has played bass and sand lead on a few songs in the Kansas City based band, Momma’s Boy.

Manor Records and Jairy presented an “Into The Morning” Listening Party at Thou Mayest Coffee Roasters, 519 E 18th Street, KCMO on Sunday, January 26, 2020 at 7:00 PM.

More information at http://www.manorrecords.com

Jared Bajkowski is Senior UX Designer at H&R Block

Jared Bajkowski Studied Entrepreneurship at Missouri State University

Jared Bajkowski lives in Kansas City, Missouri

Jared Bajkowski is from Lee’s Summit, Missouri

Jared Bajkowski thanks for being with us on WMM.

Momma’s Boy plays recordBar, 1520 Grand Blvd, KCMO, Thurs, Jan 30, at 8:00 PM w/ Surf Curse.

Momma’s Boy plays miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Stary, The Creepy Jingles, and Shady Bug.

10:47

9. Momma’s Boy – “Want Me Back”
from: Want Me Back – Single / Dead Summer Single Series / January 19, 2018
[3rd release of Momma’s Boys’ Dead Summer Single Series. Written by Jared bajkowski. Lead vocals by Jared Bajkowski. Momma’s Boy is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Mixed, mastered and recorded by Joel Nanos at Element Recording Studios.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy plays recordBar, 1520 Grand Blvd, KCMO, Thurs, Jan 30, at 8:00 PM w/ Surf Curse.]

[Momma’s Boy plays miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Stary, The Creepy Jingles, and Shady Bug.]

10. The War and Treaty – “Hustlin'”
from: Jealousy / Hustlin’ – Single / Rounder Records / January 24, 2020
[New music on a new label from The War and Treaty who released their full length debut album, “Healing Tide” on August 10, 2018. Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

11. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New three song release from Various Blonde. Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play The Brick 1727 Mcgee Street, KCMO on Friday, January 31, at 10:00 PM with Knife Crime, and The Beholders.]

[Various Blonde play Replay Lounge 946 Massachusetts, Lawrence, KS, on Saturday, February 1, at 10:00 PM with Not A Planet, and The Black Mariah Theatre.]

11:00 – Station ID

12. Matthew Sweet – “Girlfriend”
from: Girlfriend / Volcano Entertainment / October 22, 1991
[Sidney Matthew Sweet was born October 6, 1964 in Lincoln, Nebraska. He graduated from Southeast High School in Lincoln, in 1983. Upon graduation he moved to Athens, Georgia to attend college and join the burgeoning music scene in Athens, Georgia, during the 1980s before gaining commercial success in the 1990s. His latest albums, Tomorrow Forever and Tomorrow’s Daughter, were followed by 2018’s Wicked System of Things. As a high school student in 1980, Sweet wrote songs and recorded them on four-track cassettes. He joined the band The Specs and released his first recording on a battle of bands LP produced by a local radio station, and fronted his own local band called The Dialtones. After graduating, Sweet traveled to Athens, Georgia, to attend college during the vibrant Athens music scene. That same year, Sweet, who had met the band R.E.M. when they played a show in his hometown the previous year, collaborated with frontman Michael Stipe in a duo group under the name Community Trolls, as well as played guitar in Stipe’s sister Lynda Stipe’s band, Oh-OK. In addition, he formed another duo, The Buzz of Delight, with Oh-OK drummer David Pierce, releasing an EP, Sound Castles, in 1984 on DB Records. On the strength of this 12″ vinyl, Sweet was signed to a solo recording contract with Columbia Records. In 1986, he released Inside, his debut album, to good reviews but little commercial success. In 1989, he released Earth after signing with A&M Records; likewise, it was well-received critically, yet not commercially. This marked a personal and professional low period as his record company lost interest and his marriage failed. In 1990, A&M released Sweet from his contract, and he signed with rival Zoo Entertainment, which evolved into Volcano Entertainment. Sweet formed a new band (which included Richard Lloyd, Robert Quine, Greg Leisz, Lloyd Cole, and Fred Maher), and together they spent that year assembling his next work, originally titled Nothing Lasts. In 1991, Sweet released Girlfriend, the re-titled pop-rock album which was widely considered an artistic breakthrough. It quickly garnered impressive U.S. sales, spawning a Top 10 single with the title track. The music video for “Girlfriend” (heavily aired on MTV, MuchMusic and Night Tracks) featured clips from the anime film, Space Adventure Cobra, while the video for “I’ve Been Waiting” used clips of the Urusei Yatsura character, Lum Invader.]

Michael Grayman Parkhurst, Dakotta Hagar, and Jeremy Ragland on the January 29, 2020 edition of Wednesday MidDay Medley on KKFI

11:04 – Interview with Michael Grayman-Parkhurst, Jeremy Ragland, and Dakotta Hagar

Spinning Tree Artistic Director Michael Grayman-Parkhurst and actors: Jeremy Ragland and Dakotta Hagar join us to share details about Spinning Tree Theatre’s KC premiere of “Girlfriend” based on Matthew Sweet’s 1991 album “Girlfriend. Set in 1993 small-town Nebraska during the summer between high school and whatever comes next, college-bound jock Mike and self-assured but aimless Will are romantically brought together. Their rush of first-time love, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album performed with an all femme band backing up actors: Jeremy Ragland and Dakotta Hagar, who sing the songs and are both making company debuts.

“Girlfriend” runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

Michael Grayman Parkhurst, Jeremy Ragland, and Dakotta Hagar thanks for being with us on Wednesday MidDay Medley

Jeremy Ragland plays college-bound jock Mike
Dakotta Hagar plays self-assured but aimless Will

This musical is similar instill to “Jagged Little Pill” the Alanis Morissette Musical on Broadway where a creative writer takes a preexisiting music album and puts the songs into characters and story lines invented around the music. Not an easy task.

Casting, making the a love story between two young men, have an all femme band.

“Girlfriend,” is based on Matthew Sweet’s 1991 rock album of the same name, is set in 1993 small-town Nebraska during the summer between high school and whatever comes next. College-bound jock Mike and self-assured but aimless Will find themselves drawn to each other. Their rush of first-time love, full of excitement, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album.

Spinning Tree Theatre photo by Richard Fabac

Jeremy Ragland plays Mike and Dakotta Hagar plays Will, both making company debuts. Spinning Tree Artistic Director Michael Grayman-Parkhurst directs, with music direction by Pamela Baskin-Watson (Billy Elliot, Once on this Island). The Girlfriend band is Baskin-Watson (keyboard), Kelly Crane (bass), Caitlyn Henson (drums) and Darcie Hingula (guitar).

The creative and design team also includes Conor Tierney (projections), Eric Palmquist (props), Jeff Eubank (sound), Rachael Carney (lights) and Lydia Krause (stage management).

ASL Shadow Interpreted performances of Girlfriend will be offered January 29 – February 2. Certified interpreters Lisa Lehnen and Juliana Ladd will perform all five performances that week. Shadow interpreting, in which interpreters “shadow” the actors, allows D/deaf and hard-of-hearing patrons the ability to take in both the sign language and the action simultaneously and offers a more seamless experience for the entire audience.

Managing Director Andrew Grayman-Parkhurst: “We’re honored to produce the area premiere of Matthew Sweet and Todd Almond’s Girlfriend, which offers a relatable love story that happens to be between two young men. Hopefully our production will not only rock the house, but also allow our city’s LGBTQ-identifying youth the opportunity to see themselves reflected onstage honestly and tenderly.”

Michael Grayman Parkhurst, Jeremy Ragland, and Dakotta Hagar thanks for being with us on Wednesday MidDay Medley

Dakotta Hagar and Jeremy Ragland of Spinning Tree Theatre’s “Girlfriend.” Photo by Richard Fabac

“Girlfriend” runs through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

11:20

13. Matthew Sweet – “I’ve Been Waiting”
from: Girlfriend / Volcano Entertaiment / October 22, 1991

14. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays The Ship, Friday, January 31, at 10:00 PM.]

11:28 – Underwriting

15. Sudan Archives – “Glorious”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

16. The Phantastics – “Heartbreaker”
from: Life of the Party – EP / Kemet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantistics play the HEMP HOP: The Future of Missouri Hemp and Hip-Hop, Saturday, February 1, at 7:00 PM at The Riot Room, 4048 Broadway, KCMO with NuBlvckCity.]

[The Phantastics play the I Heart Local Music Presents: Black Prom with The Phantastics! Saturday, February 8, at 7:00 PM at The Granada Theater, 1020 Massachusetts St, Lawrence, KS]

17. Misha Roberts – “Glass”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a You Tube video. Misha plays with the band The Freedom Affair.]

18. True Lions – “No Thanks”
from: Cute At Best / True Lions / February 5, 2019
[This is the band’s EP debut. It features an early configuration of the band with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it. The band released a second EP titled “You’re Not Invited” on November 9, 2019 with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison .]

[True Lions play a Birthday House Show with Oh Nelly, Saturday, February 1 at 8:00 PM at 1020 W 24th St, KCMO]

19. U.S. Girls – “Overtime”
from: Heavy Light / 4AD / March 6, 2020
[7th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. Heavy Light is a follow up to 2018 “In a Poem Unlimited” and is her third release on 4AD.] [First played on February 28, 2018]

20. Stary – “Rainy”
from: Stary / Stary / June 5, 2019
[Debut EP from alternative, lo-fi, indie rock band formed in Kansas City with Adam Stary on guitar & vocals; Marisa Bee on bass & vocals, and Seth Props on drums. Production by Sean Obrecht and Wallace McCanless.]

[Stary play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Momma’s Boys, The Creepy Jingles, and Shady Bug.]

21. Amy Marcus – “Sweater”
from: Sweater – Single / Independent / January 28, 2019
[Singer songwriter Amy Marcus was born and raised in Kansas City. She has been writing song since she was a child and in May 2016 she released her debut 5-song EP Brave with Kansas City based Serve Productions. In January 2017 she released ” I Want More For My Daughters” that was produced by musician Zach Balch at his studios in Dallas. Amy writes music to bring her honest lyrics to life. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and personal chef. Amy is currently working on a new EP and will be our guest on WMM on March 4.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 5, Belle & The Vertigo Waves share their new single with us. We talk with broadway actor Marty Thomas, and Sondra Freeman of Midwest Music Foundation joins us to shre details about MidCoast Takeover.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Spinning Tree Theatre photo by Richard Fabac
Jairy photo by Coal Simmons

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #822

⁠WMM presents Jairy + Spinning Tree Theatre’s “Girlfriend”

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 29, 2020

Jairy + New & MidCoastal Releases
+ Spinning Tree Theatre’s “Girlfriend”

Mark plays more New & MidCoastal Releases from: Jairy, Misha Roberts, Various Blonde, Yes You Are, True Lions, Mackenzie Nicole, The Phantastics, Stary, Amy Marcus, SUNU, Momma’s Boy, The Anniversary, The War and Treaty, Sudan Archives, Free Nationals, U.S. Girls, Art d’Ecco, M. Ward and Matthew Sweet.

Jairy photo by Coal Simmons ⁠

At 10:30 we’ll talk with Jared Bajkowski about his new project Jairy, and his new single “Into The Morning” that is being released through Manor Records on January 27. Jared Bajkowski also plays bass and sings in the Kansas City based band, Momma’s Boy. Jared is a Manor Records team member. Manor Records and Jairy present an “Into The Morning” Listening Party at Thou Mayest Coffee Roasters, 519 E 18th Street, KCMO on Sunday, January 26, 2020 at 7:00 PM. More information at http://www.manorrecords.com

Spinning Tree Theatre photo by Richard Fabac

At 11:00 Mark welcomes company members of Spinning Tree Theatre‘s KC premiere of “Girlfriend,” based on Matthew Sweet‘s 1991 album “Girlfriend. Set in 1993 small-town Nebraska during the summer between high school and whatever comes next, college-bound jock Mike and self-assured but aimless Will are romantically brought together. Their rush of first-time love, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album performed with an all femme band backing up actors: Jeremy Ragland and Dakotta Hagar, both making company debuts. “Girlfriend” runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #822

WMM Playlist from Oct. 2, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 2, 2019

Music from the 9th Annual Middle of The Map Fest
with Chris Haghirian & Nathan Reusch
+ Ordinary Elephan
t

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Ordinary Elephant – “Harriet”
from: Honest / Berkalin Records / May 3, 2019
[Ordinary Elephant is: Crystal Hariu-Damore -on vocals & guitar; Pete Damore on vocals, banjo, & octave mandolin. For this recording Ordinary Elephant was joined in the studio by: Will Kimbrough on electric guitar, acoustic guitar, mandola, & organ; Michael Rinne on bass; Neilson Hubbard on piano & percussion. Produced by Neilson Hubbard. Engineered & Mixed by Dylan Alldredge at Skinny Elephant Recording.
Mastered by Jim DeMain at Yes Master Studios. Keep kind all that rises from your chest to your tongue. Don’t ever let your words undo the work you’ve done,” sings Crystal Damore on “Worth the Weight,” a song that beats at the heart of Ordinary Elephant’s potent new album, Honest. In the song, it’s a two-line enjoinder from an adult to a kid. In life, though, it’s a mission statement for ourselves as much as for others. And the work that Crystal, along with her husband Pete, has done on Honest is both filled with kindness and worthy of praise. With her on acoustic guitar/lead vocals and him on clawhammer banjo/harmony vocals, Honest is worth so much more than its weight, and Ordinary Elephant makes every kind word count as it rises from their chests to their tongues. ©2019 Ordinary Elephant. All rights reserved. All songs written by Ordinary Elephant (©2019 Bean Sown Music/ASCAP) except Jenny & James Written by Ordinary Elephant (©2019 Bean Sown Music/ASCAP) and Wes Collins (©2019 Whoompleytunes/ASCAP).]

[Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.]

Ordinary Elephant

10:05 – Interview with Pete & Crystal Damore of Ordinary Elephant

But first we welcome to our 90.1 FM Studios Pete & Crystal Damore, who are Ordinary Elephant. Ordinary Elephant were named “Artist of The Year” at the 2017 International Folk Music Awards. This duo lives on the road full-time, and are in Kansas City for a few shows. Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley.

Welcome back to Kansas City.

Ordinary Elephant won the 2017 International Folk Music Awards – Artist of the Year – right here in Kansas City at The Folly Theatre, (February 14, 2018).

Folk Alliance International held the their annual conference in Kansas City that year.

Pete & Crystal Damore quit their jobs to go full time on their music. Crystal and Pete had to set aside the work they’d done previously, as a veterinary cardiologist and a computer programmer, respectively. The two met at an open mic in College Station, Texas, in 2009 and soon moved to Houston together. With her on acoustic guitar/lead vocals and him on clawhammer banjo/harmony vocals, the work of music continued on the side as both had full-time jobs, until they threw all caution to the wind and hit the road in an RV.

The choices we make are not always easy or safe, but they are important. The songs on Honest speak, again and again, to being our truest, best selves, no matter who we are or where we come from. Indeed, every of us has a heritage, a legacy, a story, of which we are a part, for better and for worse. Each moment and memory a lesson leading us to who we will be.

“Honest” was funded with a Kickstarter campaign.

“Honest” is being called ” one of the best Americana albums of the year.”

One review said that their name Ordinary Elephant “sounds like a ’90s jangle-pop band that never broke through. If that’s your expectation, prepare to be surprised.”

Ordinary Elephant play a “House Concert” in Kansas City tonight.

http://www.ordinaryelephant.net

Pete Damore and Crystal Damore of Ordinary Elephant play live on the October 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:14

3. Ordinary Elephant – “I Come From” (LIVE)
also available on: Honest / Berkalin Records / May 3, 2019

10:16 – Interview with Pete & Crystal Damore of Ordinary Elephant

We are talking with Pete & Crystal Damore, of Ordinary Elephant Ordinary. Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley

Pete grew up in Austin, Texas, in a big Italian family who gathered for big Italian meals, and he’s quick to admit that we all live in bubbles of our own making or choosing. “I can only imagine growing up in a toxic environment,” he offers. “Without the perspective gained from travel and experiencing other cultures, it’s nearly impossible to realize how toxic your world actually is. I can’t fault anybody not overcoming. I’m not in their shoes. I know I can’t change them by telling them they’re wrong, but I do know that people can change when they see new things.”

Ordinary Elephant Discography:

Before I Go / Released on Berkalin Records / 2017
Produced by Jono Manson / Featuring Sharon Gilchrist (Peter Rowan & Tony Rice Quartet, Darol Anger) and Jason Crosby (Bob Weir, Phil Lesh)

Honest / Released on Berkalin Records / 2019
Produced by Neilson Hubbard / Featuring Will Kimbrough and Michael Rinne

Upcoming Shows:

Wednesday, October 2, Kansas City, MO – Private House Concert, 6:00 PM

Thursday, October 3, Olathe Public Library, 7:00 PM

Friday, October 4, Oklahoma City, OK – The Blue Door w/ K.C. Clifford 7:30 PM PM

Saturday, October 5, 2019 Tulsa, OK – Woody Guthrie Center w/ K.C. Clifford, 7:00 PM
102 East Mathew Brady Street Tulsa, OK, 74103

Sunday, October 6, 2019 Lawrence, KS – Studio 901 House Concert 4:00 PM

Wednesday, Oct. 9, 2 Minneapolis, MN – The Warming House w/ Sarah Morris. 8:00 PM

Pete Damore and Crystal Damore of Ordinary Elephant on the October 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:25

4. Ordinary Elephant – “Hope To Be That Happy” (LIVE)
also available on: Honest / Berkalin Records / May 3, 2019

Pete & Crystal Damore, thank you for being with us on Wednesday MidDay Medley

Ordinary Elephant play Extraordinary Songs from Ordinary Elephant on Thursday, October 3, at 7:00 PM, at Olathe Public Library, 201 E Park St, Olathe, KS.
More info at: http://www.ordinaryelephant.net

10:29 – Underwriting

10:33 – Bands playing Middle of The Map Fest 2019

5. Clairo – “Bags”
from: Immunity / Fader / August 2, 2019
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts. Her fame escalated after releasing “Pretty Girl” in 2017, a lo-fi-produced song that attracted over 35 million views on YouTube. She credited her sudden popularity to the website’s algorithm system. Claire was born in Atlanta, Georgia, the daughter of marketing executive Geoff Cottrill. According to her, “Pretty Girl” was inspired by 1980s pop music, and that although she was tagged with the “bedroom pop” label, it was not her intention to make that style of music. After the popularity of “Pretty Girl”, Clairo signed a record contract with Fader. Clairo’s father, Geoff Cottrill, formerly held top positions at Procter & Gamble, Coca-Cola, Starbucks, Converse, and MusiCares a philanthropic organization associated with the Grammy Awards. Between 2015 and 2017, he was president of American operations at MullenLowe Lintas Group. Claire began recording covers at the age of 13 and taught herself guitar from Internet tutorials. During this time, MTV contacted her to record a song to be used as background music for one of their shows, but the song was never used. Under the names Clairo and DJ Baby Benz, she began posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on SoundCloud. She also maintained a YouTube channel where she would post covers and short films. In 2017, she began attending Syracuse University. Clairo’s “Pretty Girl” was recorded for an indie rock compilation benefiting the Transgender Law Center. According to her, she recorded the track “using the resources around me which were pretty shitty. I used like a little keyboard that I had and I was really into ’80s pop music — my mom is obsessed with it — so it kind of inspired me to do something like that.” The video also became popular on vaporwave-centric Facebook groups. Another video that was uploaded to YouTube a month earlier, “Flamin Hot Cheetos”, garnered 3 million views by July 2018. The success of “Pretty Girl” led to interest from major labels such as Capitol, RCA, and Columbia. Clairo signed a 12-song record contract with Fader Label. According to The New York Times, this was made possible by her father’s connection to Jon Cohen, co-founder of The Fader and an executive at the publication’s marketing agency, Cornerstone. He signed Clairo to the magazine’s associated record label. Clairo is managed by Mike Ahern and Jimmy Bui. “The whole ‘do-it-yourself’ attitude is everything that I’m about. […] I think it’s really important to be genuine and authentic with everything you do.” —Claire Cottrill, 2017 interview with Fader. In October 2017, an article about Clairo was published by Fader, in which she stated that she was most inspired by Brockhampton, and cited their “do-it-yourself ‘attitude'” as her ethos. Some online communities criticized her comments as disingenuous, arguing that her professional career was borne from nepotism, and thus she should not be considered a true DIY musician. They accused her of being an “industry plant”, in other words, an artist who has backing from the music industry to advance or kick-start their careers, but are deceptively presented as an independent start-up. Such discussion appeared mostly on Reddit. One of the widely shared posts lamented that, although the user enjoyed her music and thought she was an “inspiring” songwriter, they could not fathom why none of her articles and interviews acknowledged her father’s significant industry connections. Clairo described the “industry plant” accusation as sexist and denied that there was “a man behind my success”. The Ringer contributor Lindsay Zoladz commented that it would have likely been more difficult for Clairo to get a record contract without her father’s connections, and that “it is impossible to imagine Clairo’s success in a Gen X world, so vital is the internet to her appeal.” On May 25, 2018, Fader Label released Clairo’s debut record, titled Diary 001. In her review for Pitchfork, Fader contributor Sasha Geffen wrote that the EP ought to subside the “legions of naysayers who dismissed her as a one-hit fluke or an industry plant.” By then, “Pretty Girl” had amassed more than 15 million views on YouTube. A piece written by Joe Coscarelli of The New York Times said that the work: “bridges both worlds, building on the coy, understated bedroom pop of ‘Pretty Girl’ and ‘Flamin Hot Cheetos’ toward sturdier numbers like ‘4EVER’ and ‘B.O.M.D.'”. That same month, she announced a headlining tour throughout North America, opening for Dua Lipa on multiple dates. Her July performance at the Bowery Ballroom in New York was a sold-out show. In October 2018, she performed at Lollapalooza. She is scheduled to perform at Coachella 2019.]

[Clairo plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Snail Mail, Beabadoobee, and Hello Yellow.]

10:37 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. The next 90 minutes of our show is dedicated to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

Joining us for the entire show are the founders and organizers of Middle of The Map Fest:

Chris Haghirian has worked for The KC Star for 20 years and helped launch INK in April of 2008 where he puts together music promotions, and organizes music for Boulevardia, The Plaza Art Fair, and KC Star Sessions Live on Mondays at Noon on The Star’s Facebook Page Live. Chris is the host, with Sarah Bradshaw, of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge.

Chris Haghirian thanks for being with us on WMM.

Also with us is our friend, Nathan Reusch is co-founder of The Record Machine, and independent area music label he started with friends and has fostered for over 16 years. Nathan is also the co-founder and curator of the Middle of The Map Fest.

Nathan Reusch thanks for being with us on WMM.

Congratulations on 9 years of The Middle of The Map Fest!

We just played Clairo – Middle of The Map’s Friday October 4 Headliner – and late breaking changes have moved Clairo, Snail Mail, Beabadoobee, Hello Hello, from the Crossroads KC to The Uptown Theatre,

Bands include: Clairo, Snail Mail, Beabadoobee, Hello Hello, Michigander, Me Like Bees, Brother Moses, Berwanger, The Sluts, Second Hand King, Drop A Grand, The Creepy Jingles, Mild Cats, Golden Groves, Hannah Norris and The Band, Hot Suede, The Moose, Quite frankly, Oxford Remedy, BigFatCat, Miki P, Stary, Blue False Indigo, Heartfelt Anarchy, Claire Adams, Modern Day Fitzgerald, Violent Bear, Fathers, Womanish Girl, Pala Zolo, Lazy Projector, Use Your Atlas, Leah Watts, The Bad ideas, Good Saint Nathaneal, JC and The Nuns, Una Walkenhorst, Courtney Ann Hall, Jo MacKenzie, The Arsonists, and Caroline Blubaugh.

We’re playing tracks from 15 of over 45 bands participating in Middle of The Map Fest.

MUSIC SCHEDULE

Friday, October 4 – Uptown Theatre, 3700 Broadway, KCMO

7:00 PM HELLO YELLO
7:45 PM BEABADOOBEE
8:45 PM SNAIL MAIL
10:00 PM CLAIRO

10:46

6. Snail Mail – “Pristine”
from: Lush / Matador / June 8, 2018
[Baltimore based solo project of Lindsey Jordan]

[Snail Mail plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Clairo, Beabadoobee, and Hello Yellow.]

7. Beabadoobee – “She Plays Bass (Radio Edit)”
from: She Plays Bass – Single / Dirty Hit / August 21, 2019
[Bea Kristi, known by her stage name Beabadoobee, is a Filipino-British indie artist, who was born in Iloilo City, Philippines, on June 3, 2000. Beabadoobee released her first song ‘Coffee’ and a cover of Karen O’s ‘The Moon Song’ on September 17, 2017. This was followed by the release of her debut EP Lice on March 1, 2018. Her second EP, titled Patched up was released on December 7, 2018. In early 2019, Beabadoobee released an EP titled Loveworm. In July 2019, Beabadoobee released an acoustic version of her Loveworm EP titled Loveworm (Bedroom Sessions). Beabadoobee is signed to the record label, Dirty Hit, who released her singles “She Plays Bass” in August 2019 and “I Wish I Was Stephen Malkmus” in September 2019.]

[Beabadoobee plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Clairo, Snail Mail, and Hello Yellow.]

10:51 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. We are dedicating our show to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

MUSIC SCHEDULE – Friday, October 4

recordBar, 1520 Grand Blvd, KCMO

TITO’S HANDMADE VODKA & SOUNDMACHINEKC PRESENTS

8:00 PM DROP A GRAND
9:00 PM VARIOUS BLONDE
10:00 PM THE SLUTS
11:00 PM ME LIKE BEES

Josey Records, 1814 Oak St, KCMO.

6:00 PM BERWANGER
7:00 PM JC & THE NUNS
8:00 PM BAD IDEAS
9:00 PM MILD CATS

Songbird Cafe, 1529 Grand Blvd, KCMO.

89.3 KCUR GENERATION LISTEN PRESENTS

6:00 PM KAT KING
7:00 PM MIGUEL ANTONIO
8:00 PM NICOLE SPRINGER
9:00 PM GOOD SAINT NATHANAEL

10:56 – recordBar – Friday, October 4

8. Various Blond – “All Bases Covered”
from: All Bases Covered / The Record Machine / September 16, 2016
[Alternative experimental progressive rock funk pop progressive psychedelic from KC based band. Produced by Adam Mcgill, written by Joshua Allen. Various Blonde was conceived by Joshua Allen in 2008 and has opened for numerous national acts, Russian Circles, Free Moral Agents, Zechs Marquise, Dead Meadow, Imaad Wasif, Jucifer,The Memorials, Thursday, Fang Island, Murder By Death, Matt Pryor, Wannabe Jalva, and Electric Sixx. Current members Include: Joshua Allen on guitar & vocals, Adam Mcgill on guitar, Evanjohn Mcintosh on bass, Mark Lomas on drums. Various Blonde played the Crossroads Music Fest, September 10. Joshua Allen joined us live oj WMM on August 3, and September 14.]

[Various Blonde plays Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, The Sluts and Me Like Bees ]

9. Me Like Bees – “Heartbeats”
from: Heartbeats – Single / Me Like Bees / August 2, 2019
[Formed in Joplin in 2009 by Luke Sheafer, Nick Bynum, Pete Burton, Tim Cote. In 2015 after completing a leg in Van’s Warped Tour, Me Like Bees finished their new EP with award-winning producer, John Feldmann (Five Seconds of Summer, The Used, Panic! at the Disco, Goldfinger, Good Charlotte, Plain White T’s)]

[Me Like Bees play Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, The Sluts and VArious Blonde.]

11:03 – Station Identification

10. The Sluts – “Wonderful”
from: Only One / The Sluts / May 25, 2017
[Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play play Middle of The Map Fest, Friday, October, 4 at 9:00 PM at recordBar, 1520 Grand, with Drop A Grand, Me Like Bees, The Sluts and Various Blonde.]

11:05 – Interview with Chris Haghirian & Nathan Reusch

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. 
I’m Mark Manning. We are dedicating our show to music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

Middle of the Map Fest started Started April 8, 2011

Middle of the Map Fest moved from Spring to Summer last year, and now to Fall this year: Friday, October 4, and Saturday, October 5 http://www.middleofthemapfest.com

Saturday, October 5 – Day Parties:

Messenger Cafe, 1624 Grand, Blvd

2:00 PM CLAIRE ADAMS
3:00 PM MODERN DAY FITZGERALD
4:00 PM LAZY PROJECTOR
5:00 PM VIOLENT BEAR

Songbird Cafe, 1529 Grand Blvd, KCMO.

89.3 KCUR GENERATION LISTEN DAY PARTY
2:00 PM JO MACKENZIE
2:50 PM UNA WALKENHORST
3:40 PM LEAH WATTS
4:30 PM COURTNEY ANN HALL
5:20 PM MIKI P

The Brick, 1727 Megee St,. KCMO

90.1 KKFI DAY PARTY
2:00 PM BLUE FALSE INDIGO
3:00 PM CAROLINE BLUBAUGH
4:00 PM PALA ZOLO
5:00 PM WOMANISH GIRL

11:12 – Saturday Day Parties, October 5

11. Claire Adams – “Better Luck”
from: Better Luck – Single / Republic Recordings / September 20, 2017
[Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. 2019 finds Adams collaborating with the KC based string quartet Rewound, jazz pianist Alyssa Murray & drummer Fritz Hutchinson. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals.]

[Claire Adams plays Middle of The Map Fest, Saturday, October 5, at 2:00 at Messenger Coffee, 1624 Grand Blvd, with Modern day Fitzgerald, Lazy Projector, and Violent Bear.]

12. Jo MacKenzie – “Lights Down Low”
from: Proud – EP / Jo Mackenzie / November 17, 2018
[Debut EP from Kansas City based 16 year old singer songwriter Jo MacKenzie.]

[Jo Mackenzie plays Middle of The Map Fest on Saturday, October 5, at 2:00 at Songbird Cafe 1529 Grand Blvd, KCMO. with Una Walkenhorst, Leah Watts, Courtney Ann Hall, and Miki P.]

13. Pala Zolo– “Up Northern”
from Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

[Pala Zolo plays Middle of The Map Fest on Saturday, October 5, at 4:00 at 90.1 KKFI DAY PARTY at The Brick, 1727 Megee St,. KCMO with Blue False Indigo, Caroline Blubaugh, and Womanish Girl.]

11:23 – More Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

The Brick, 1727 Megee St,. KCMO – Saturday, October 5

THE RECORD MACHINE PRESENTS
8:30 PM NUBLVCKCITY
9:30 PM HEARTFELT ANARCHY
10:30 PM STARY
11:30 PM THE FEY
12:30 PM SECOND HAND KING

11:26 – The Brick Saturday Night, October 5

14. Stary – “Rainy”
from: Stary / Stary / June 5, 2019
[Debut EP from alternative, lo-fi, indie rock band formed in Kansas City with Adam Stary on guitar & vocals; Marisa Bee on bass & vocals, and Seth Props on drums. Production by Sean Obrecht and Wallace McCanless.]

[Stary play Middle of The Map, Saturday, October 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Heartfelt Anarchy, NublvckCity, Heartfelt Anarchy, The Fey, and Second Hand King.]

15. The Fey – “Lost in My Head (Radio Edit)”
from: Lost in My Head – Single / The Record Machine / August 2, 2019
[New single and follow to the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Middle of The Map, Saturday, October 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Heartfelt Anarchy, NublvckCity, Heartfelt Anarchy, Stary, and Second Hand King.]

16. NuBlvckCity – “All Night”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[NuBlvckCity play Middle of The Map, Sat, Oct. 5, at 8:30 PM, at The Brick, 1727 Megee St,. KCMO at The Brick, 1727 Megee St,. KCMO with Stary,, Heartfelt Anarchy, The Fey, and Second Hand King.]

11:36 – Underwriting

11:38 – More of our Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

recordBar, 1520 Grand, Blvd, KCMO – Saturday, October 5

90.9 THE BRIDGE DAY PARTY
2:00 PM THE MOOSE
2:50 PM THE ARSONISTS
3:40 PM OXFORD REMEDY
4:30 PM QUITE FRANKLY
5:20 PM BIGFATCAT

TITO’S HANDMADE VODKA & SOUNDMACHINEKC PRESENTS
8:00 PM HANNAH NORRIS AND THE BAND
9:00 PM USE YOUR ATLAS
10:00 PM BROTHER MOSES
11:00 PM MICHIGANDER

11:43 – recordBar – Saturday, October 5

17. The Arsonists – “Alex (Radio Edit)”
from: Cold – Single / The Arsonists / September 17, 2017
[Notes excerted from The Unversity Daily Kansan: The Arsonists sparked a fire with their new music video featuring commentary on school shootings. Hailing from Lawrence High School, The Arsonists is a band composed of a group of sophomores. The current band is Aden Smith on the drums, Jaxon Ray on the keys and accordion, Giovanni Ventello on guitar and vocals, and Giovanni Lule-Paredes on bass. For the band’s most recent song, “Alex,” which also features fellow student Sadie Capps, the music video is filmed in black-and-white and features a school undergoing a lockdown situation during a lyrically implied school shooting. While the band plays in the gym, students hide under desks in classrooms and bathroom stalls, following procedure. Lyrically, “Alex” is a politically-charged song, commenting on politicians and older generations attacking students when they speak out about gun violence. The story behind the title of the song has a message hidden behind it. Alex Schachter was a victim in the Parkland school shooting. The fourteen-year-old played baritone in the school marching band and trombone in the orchestra. The Arsonists said they named the song after the late student musician to remember him and other victims of gun violence.]

[The Arsonists play Middle of The Map, Sat, Oct. 5, at 2:50 PM for The Bridge 90.9 Day Party at recordBar, 1520 Grand, Blvd. with The Moose, Oxford Remedy, Quite Frankly and BigFatCat.]

18. Michigander – “Nineties”
from: Nineties – Single / Michigander / April 29, 2016
[Michigander is Jason Singer, a Midland, Michigan based musician. Adopted at three-weeks-old, Jason gravitated towards music at a young age. He found an old classical guitar in the closet and taught himself how to play with a chord chart “from a guy at church.” In between piano lessons, he listened to everyone from James Taylor, The White Stripes, and Rush to Britpop a la Oasis, Coldplay, and Arctic Monkeys. Opting to forego college, he snuck off to play cover sets for 400 bucks a pop at night in bars and coffee shops alone. Relocating to Kalamazoo, he brought Michigander to life during 2014. The independent single “Nineties” took off, claiming real estate on Spotify playlists such as Indie All Stars, Viral Hits, and Indie 2017 and cracking 1 million streams on the platform. Between releasing the 2018 Midland EP, the group shared the stage with the likes of Ra Ra Ra Riot, Tokyo Police Club, Twin Peaks, and JR JR in addition to gracing the stages of festivals with alt-j, Solange, Foster The People, and Run The Jewels, to name a few. Signed to C3 Records, he recorded Where Do We Go From Here and expanded the sound in 2019. Jason wrote everything in his bedroom over the course of six months and followed a thematic thread inspired by his recent move back to Kalamazoo from Midland. Co-producing alongside Jake Rye, he emphasized the prominence of solos—in every song—making what he aptly describes as, “big pop songs disguised with guitars.]

[Michigander plays Middle of The Map, Sat, Oct. 5, at 11:00 PM, at recordBar, 1520 Grand, Blvd. with Hannah Norris and the Band, Use Your Atlas, and Brother Moses.]

11:50 – More of our Interview with Chris Haghirian & Nathan Reusch

On this week’s edition of WMM we are featuring music and information about the 9th annual Middle of the Map Fest, Friday, October 4, and Saturday, October 5, featuring over 40 bands, in six venues, at The Uptown Theatre, recordBar, The Brick, Josey Records, Messenger Coffee and Songbird Cafe. http://www.middleofthemapfest.com

We are here with MOTM founders, Chris Haghirian & Nathan Reusch

Chris Haghirian & Nathan Reusch thanks for being with us on WMM.

Middle of the Map sponsors: Ink, The Kansas City Star, Kansas City Maker City, The Record Machine, Mammoth, Screenland Theatres, KC Royals, Tito’s Handmade Vodka, Boulevard Brewing Co., Seen Merch, 90.9 The Bridge, 90.1 FM KKFI, 89.1 KCUR, VMLY&R, Nashville Music City, iWerx, Mid-Continent Public Library, KC Film, Torn Label Brewong, Fine Dining Productions, The Rino, Restless Spirits, Boto Box, Red Bull

Chris Haghirian & Nathan Reusch thanks for being with us on WMM. More info at http://www.middleofthemapfest.com

11:56

19. Clairo – “B.O.M.D.” (feat: Danny L Harle)
from: diary 001 – EP / Fader / May 25, 2018
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts.]

[Clairo plays Middle of The Map Fest, Friday, October, 4 at 10:00 PM at The Uptown Theatre, 3700 Broadway, KCMO with Snail Mail, Beabadoobee, and Hello Yellow.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 9 – Jocelyn Olivia Nixin, lead singer and songwriter for The Creepy Jingles joins us for our first hour. In our second hour we feature music from The Outer Reaches Festival, October 12 at recordBar, and welcome special guests Brenton Cook and Steve Tulipana.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #805

Wednesday MidDay Medley Spins Music from Outer Reaches 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 27, 2017

Music From 2017 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana

Mark plays more New & MidCoastal Releases from: The Hearers, Mene Mene, Pink Royal, Hi-Lux, Mysterious Clouds, Pageant Boys, Various Blonde, Morrissey, Diet Cig, Jay Som, Deerhoof, El Ten Eleven, Sego, Dead Rider, Matchess, and Lily and Horn Horse.

At 10:30 Brenton Cook, Dedric Moore, and Steve Tulipana join us for 90 minutes, to share information and music from the 2017 Outer Reaches Fest, Friday, Sept. 29 and Saturday, Sept 30, at recordBar, 1520 Grand Ave, KCMO. Friday, September 29, features: Deerhoof (San Francisco, CA), Lily and Horn Horse (New York City, NY), Matchess (Chicago, IL), Various Blonde (Kansas City, MO), Mysterious Clouds (Kansas City, KS). Saturday, September 30, features: El Ten Eleven (Los Angeles, CA), Dead Rider (Chicago, IL), The Hearers (Kansas City, MO), Sego (Los Angeles, CA), Pageant Boys (Kansas City, KS). Tickets are $20 each day of show. $15 advanced single-day tickets are available from recordBar and http://www.therecordbar.com.

Outer Reaches (formerly KC Psych Fest) started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City, particularly genres that ventured into the psychedelic realm. The goal of Outer Reaches is to promote music that is adventurous and mind expanding. The festival aims to be genre-spanning and showcase young and established local, national, and international acts. This marks the sixth anniversary of the festival. More info at: http://www.outerreachesfest.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #701

Under The Radar Playlist from Jan. 31, 2013

Under The Radar
TEN to Midnight Thursdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Substitute host: Mark Manning
(Filling in for: John Todd)

Thursday, January 31, 2013

Local & New Releases +
Sondra Freeman of Midwest Music Foundation +
Gavin Mac & Nick Combs of The Latenight Callers +
Joel Friday & Jeremy Angotti of Six Percent +
Josh Enyart & Jason Nash of Jorge Arana Trio

1. The Latenight Callers – “Wrecking Ball”
from: Easy Virtues [EP] / TLNC / February 25, 2012
[Formed in Lawrence by baritone guitarist, Krysztof Nemeth, and vocalist Julie Berndsen, With the addition of Guitarist Ellen O’Hayer, Bassist Gavin Mac, and Nick Combs on keyboards. This band is constantly perfoming live in the KC area, and their new recording continues their reputation as being “the perfect band for a David Lynch pool party.”]

[The Latenight Callers play Czar, Friday, Feb. 1, with Jorge Arana Trio, David George & A Crooked Mile, & Eyelit.]

The MidCoast Takeover fundraiser shows benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, this year featuring 46 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

The fundraisers continue…

Friday, February 1 – Czar
Jorge Arana Trio – 9:45 / Eyelit – 10:30 / David George & A Crooked Mile – 11:15 / The Latenight Callers – 12:00

Saturday, February 2 – Riot Room
Various Blonde – 9:45 / Drop A Grand – 10:30 / Maps for Travelers – 11:15 / Six Percent – 12:15

2. Tiny Horse – “Ride”
from: Single Track Release / Independent / August 2012 [Chris Meck & Abigail Henderson are the founders of Tiny Horse, w/ Matt Richey on Drums, & Cody Wyoming on guitar. ]

10:12

3. Eyelit – “I Wish You The Best”
from: The Woe Dies / Independent / June 22, 2012
[Their song “Motionless” is on Midwestern Audio Vol. 1. Formed in Saint Joseph, MO, in 2008 by Austin (songwriter) and Dansare (voice). They released their first EP “Elephant” in early 2010. “The Woe Dies” was inspired by Bob Dylan, Iron & Wine, and Bright Eyes.]

[Eyelit play Czar, Friday, Feb. 1, with Jorge Arana Trio, David George & A Crooked Mile, & The Latenight Callers.]

4. Six Percent – “Not Today”
from: The Years [EP] / Independent / October 26, 2012
[KC based punk rock band re-forming in 2010. Six Percent has shared the stage with Smashing Pumpkins, 311, The Mighty Mighty Bosstones, Slipknot and Norma Jean. Thae band features: Joel Friday on vocals, Jason Matthews on guitar & vocal, Jeremy Angotti on drums, Mike Mudry on guitar, Dustin Clements on trombone & vox, and Kenny Saunders on bass. The band is currently working on a new recording.]

[Six Percent play Riot Room, Sat, Feb. 2, with Drop a Grand, Maps for Travelers, and Various Blonde.]

5. Various Blonde – “The Dirty News”
from: The Dirty News / Independent / December 11, 2012
[Conceived in 2008 by mutual friends, and now the brainchild of KC native Joshua Allen. The band includes Joshua Allen on Guitar & Vocals, Luis Arana on Bass, and Nick Organ on Drums. Various Blonde’s music has been described as “sonic devastation,” their sound includes a mix of: pop, rock, metal, soul, punk and jazz.]

[Various Blonde play Riot Room, Sat, Feb. 2, w/ Drop a Grand, Maps for Travelers, and Six Percent.]

6. Maps For Travelers – “Not Far Enough”
from: Single Track Release / Independent / February 27, 2011
[Formed in the Spring of 2010 by 4 musicians who have played and toured nationally in various bands in and around the local KC area. RL Brooks on Vocals, Guitar, Trumpet; Zach Brotherton on Vocals, Guitar; Derek White on Bass, Kevin Medina on Drums. Maps For Travelers are currently putting the finishing touches on their new recording “Broken Antlers.” Their video for “Static” has been featured on FUSE TV – In Demand.]

[Maps for Travelers play Riot Room, Sat, Feb. 2, w/ Drop a Grand, Six Percent, and Various Blonde.]

10:30 – Interview with Sondra Freeman, Gavin Mac, Nick Combs, Joel Friday, Jeremy Angotti, Josh Enyart & Jason Nash.

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring Over 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas.

Midwest Music Foundation’s SXSW MidCoast Takeover Fundraisers

Friday, February 1 – Czar
9:45 Jorge Arana Trio
10:30 Eyelit
11:15 David George & A Crooked Mile
12:00 The Latenight Callers

Saturday, February 2 – Riot Room
9:45 Various Blonde
10:30 Drop A Grand
11:15 Maps for Travelers
12:15 Six Percent

Saturday, February 16 – The Brick
10:00 Rev Gusto
10:45 Cherokee Rock Rifle
11:30 David Hasselhoff on Acid
12:30 Not A Planet

Friday, March 8 – Uptown Arts Bar (acoustic show)
8:00 Cadillac Flambe
9:00 Sons of Great Dane
10:00 Clairaudients
11:00 Heroes & Villains

Gavin Mac is the bassist and Nick Combs is the keyboardist for The Latenight Callers. The band is currently featured with a handsome photo in the latest INK magazine.

The band is recording at Weights and Measures Soundlab, with Producer and Engineer Duane Trower.

Michelle Bacon reported in The Deli KC that this was a very collaborative process for the band.

The Latenight Callers are also playing The Second Chance Dance with Grand Marquis Friday, February 15, 98 – 11, at Californos, 4124 Pennsylvania Ave, KCMO.

Josh Enyart, is the drummer, and Jason Nash is the bassist, for the Jorge Arana Trio. Josh has been a part of the bands: Maps For Travelers, Capture The Flags, and the wild and energetic, Pixel Panda.

Jorge Arana Trio is a fusion group from Kansas City, MO. Formed early 2011, featuring members of numerous groups, including noise rock band Pixel Panda. The band incorporates elements of jazz, punk, noise, math rock, and a harmonic language reminiscent to contemporary classical.

Mapache = Racoon (in Spanish)

10:45

7. Jorge Arana Trio – “Peanut Butter”
from: Mapache / Independent / October 26, 2012
[Also included on the MidCoast Takeover 2013 download at Midwest Music Foundation.org. Debut album by the Jorge Arana Trio. Recorded at Soundtrek Studios with Justin Wilson, May 7th, 2012. Jorge Arana – Guitar / Keys, Josh Enyart – Drums, Jason Nash – Bass]

[Jorge Arana Trio play Czar, Fri. Feb. 1 with Eyelit, David George & The Crooked Mile, & The Latenight Callers.]

10:48

Mark talked with Joel Friday the lead singer, and Jeremy Angotti the drummer of Six Percent.

Six Percent is a KC based punk rock band that was re-formed in 2010.

Six Percent has shared the stage with Smashing Pumpkins, 311, The Mighty Mighty Bosstones, Slipknot and Norma Jean.

The band features: Joel Friday on vocals, Jason Matthews on guitar & vocal, Jeremy Angotti on drums, Mike Mudry on guitar, Dustin Clements on trombone & vox, and Kenny Saunders on bass.

The band is currently working on a new recording.

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

11:13

The MidCoast Takeover fundraisers continue…

Saturday, February 16 – The Brick with Rev Gusto – 10:00, Cherokee Rock Rifle – 10:45, David Hasselhoff on Acid – 11:30, Not A Planet – 12:30

8. Not A Planet – “Black Dress”
from: Single Track Release / Independent / December 7, 2012
[Kansas City based Rock and Roll trio formed in 2010. Nathan Corsi, Liam Sumnicht, Bill Sturges.]

[Not A Planet plays The Brick, Saturday, Feb. 16, with Rev Gusto, Cherokee Rock Rifle, & David Hasselhoff on Acid.]

9. Rev Gusto – “Click Click”
from: Rev Gusto [EP] / Catapult / November 10, 2012
[Jerry Frederick on Vocals & Guitar, Sam Frederick on Bass, Shaun Crowley on Guitar, Peter Beatty on guitar Quinn Hernandez on Drums, Rev Gusto just released their first self-titled EP recorded at Element Recording.]

[Rev Gusto play The Brick, Feb. 16, w/Not A Planet, Cherokee Rock Rifle, & David Hasselhoff on Acid.]

10. The Conquerors – “Ode To The Conquerors”
from: Single Track Release / Independent / 2012 [Kansas City based Psychedelic – Psychotropic Rock and Roll from: Rory Cameron on Guitar/Vocals, Christian O’Reilly on Bass/Vocals, Jim Button on Drums, Vince Lawhon on Guitar/Vocals, Mikee Pruitt on Drums/Banjo/Vocals.]

[The Caves & The Conquerors – First Friday at The Midwestern Musical Co! Fri. 8:00pm]

11:30

10. The Depth and The Whisper – “Highway”
from: Single Track Release / Independent / December, 2012
[Produced and recorded by John Velghe at Guttersnipe recording. This song features Albert Bickley and Dave Tanner, the principle musicians and songwriters, with Troy Van Horn on lead guitar, Go Go Ray on Drums, John Velghe on keyboards.]

[The Depth & The Whisper play Replay Lounge, Lawrence, Fri. Feb. 1, opening for The Dead Girls]

[The Depth & The Whisper play Uptown Arts Bar, KC, for the MBird Artist Showcase, Feb. 21.]

11. The Dead Girls – “Under Siege”
from: Fade In/Fade Out / Independent / 2013
[The Dead Girls (formerly Dead Girls Ruin Everything) was formed in 2004 from the ashes of Ultimate Fakebook and Podstar, two bands that were staples of the Lawrence and KC power-pop sound. Guitarists / singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar attack and vocal harmonies with the rhythmic assault of drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook. The band’s new record was Produced by Chris Cosgrove who produced their 2010 album “Out Of Earshot.”]

[The Dead Girls play 2 Release Shows: Friday, Feb. 1 at the Replay Lounge in Lawrence, w/ The Depth and The Whisper, and Saturday, Feb 2, at the recordBar, with Casket Lottery and Gentleman Savage. ]

Vive the Rock is a special Fundraiser for Académie Lafayette, Friday, February 8, at 9:00 PM at the recordBar, 1020 Westport Rd, KCMO, featuring: Federation of Horsepower, The Hillary Watts Riot, The Sexy Accident, The Quivers, and special Emcee: Cody Wyoming. More info at: vivetherock.brownpapertickets.com

12. The Hillary Watts Riot – “Black Boots, White Lies”
from: A/S/L / Money Wolf Music / April 20, 2012
[First single from their debut album, THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play the recordBar on Fri. Feb. 8, w/ Federation of Horsepower, The Quivers, and The Sexy Accident]

11:45

13. The Wires – “Native”
from: The Wires – Alternative Strings / Independent / November, 2012
[The Wires are an alternative exploration in string sound. Hailing from Kansas City, Missouri, The Wires compose and perform original music for violin and cello. Created, composed and performed by Laurel Morgan on violin (formerly of the band In The Pines) and Sascha Groschang on cello).]

[The Wires play a CD Release at the recordBar, Saturday, March 9, 2013, at 7:00 PM, accompanied by a video-installation by multi-media artist Ben Parks.]

14. The ACB’s – “Ocean”
from: single release from upcoming album / Independent / 2012
[Konnor Ervin on lead vocals, Andrew Connor on Guitar, Bryan McGuire on Bass, Kyle Rausch on Drums. David Hudnall of The Pitch wrote, “Nobody in the city is writing sharper or more inventive melodies than Ervin, who has honed his craft the old-fashioned way: working a part-time job, living in a (crappy) apartment and practicing music all the time.”]

15. Shy Boys – “Postcardd”
from: single demo from upcoming album / Independent / 2012
[Collin & Kyle Rausch, Konnor Ervin]

11:55:30

16. Heartfelt Anarchy – “Swagger Killer (Radio Edit)”
from: Heartfelt Anarchy / Independent / Feb. 1, 2013
[KC based hip hop duo of Producer D/Will and Emcee Les Izmore.

[Heartfelt Anarchy play the recordBar, Fri, Feb. 1, with two shows: Diverse at 10:30 PM and Heartfelt Anarchy at 11:00. 11:30pm Intermission. Diverse at 11:35 and Heartfelt Anarchy at 12:05.]

sources for notes: artists websites and Wikipedia.org

http://www.kkfi.org

WMM Playlist from Jan. 30, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2013

Local & New Releases +
Jennie Greenberry & Bob Linebarger of Spinning Tree Theatre +
Deanna Hurst & Wildwood Highway

1. Foxygen – “No Destruction”
from: We Are the 21st Century Ambassadors of Peace & Magic / Jagjaguar / January 18, 2013
[Second full-length album by Californian experimental rock duo of Sam France, 22 year old vocalist and songwriter, originally from Olympia, Washington, and Jonathan Rado, also 22, who is a songwriter, guitarist, and keyboard player, originally form NYC. Formed in 2005, the band self-released several EPs between 2007 and 2011. In 2012 the group was signed to Jagjaguwar Records. This album was produced by Richard Swift and recorded at his National Freedom studio.]

2. My Brothers & Sisters – “Fall Winter Spring Summer”
from: Single Track Release / Independent / 2013
[Jamie Searle won critical acclaim as lead vocalist and songwriter for the band It’s Over who won a Pitch Music Award for Best Live Act. He left It’s Over to concentrate on his music education as a student of UMKC’s Conservatory of Music where he immersed himself in mucical theory, compostion, harmonic structure, melody. Now out of school, Jamie is in the process of recording a full length release of material he has composed for a large ensemble of musicians. The result is: My Brothers and Sisters, a collective of at times up to 18 musicians, including a strings, horns, percussionists, bass, keyboards, vocalists, and back-up vocalists, and Jamie on vocals and guitar and conducting.]

10:15

3. Sweet Honey In The Rock – “Confrontation”
from: Go In Grace / She Rocks 5 / Sept. 21, 2010

[Sweet Honey In The Rock play the Muriel Kauffman Theatre at Kauffman Center For the Performing Arts, TONIGHT, Jan. 30, at 7:30 PM!!!]

[All-woman, African-American a cappella ensemble. A Grammy Award-winning (and many times nominated) troupe who express their history as women of color. They have together worked from four women, to the difficult five-part harmony, with a sixth member translating with sign language. Founded in 1973 by Bernice Johnson Reagon, who was teaching a vocal workshop with the Washington, D.C. Black Repertory Company. Dr. Reagon retired from the group in 2004. Their name was derived from a song, based on Psalm 81:16, which tells of a land so rich that when rocks were cracked open, honey flowed from them. Sweet Honey in the Rock has been producing music for more than 30 years. Although the members of the group have changed over 3 decades, their music has consistently combined contemporary rhythms and narratives with a musical style rooted in the Gospel music, spirituals and hymns of the African-American Church. They’ve addressed topics including motherhood, spirituality, freedom, civil rights, domestic violence, immigration issues, and racism.]

[In 2008 Sweet Honey In The Rock joined forces with the Alvin Ailey American Dance Theater for an historic collaboration, “Go In Grace.” Choreographed by Ailey dancer Hope Boykin, the work featured new music by Sweet Honey, who performed on stage with members of the Ailey troupe. Through song and dance he audience was taken on a journey into the challenges and joys of one special family. “Go with Grace” was part of the 35th anniversary celebration for Sweet Honey In The Rock, and the 50th anniversary celebration for the Alvin Ailey American Dance Theater. Sweet Honey In The Rock performed with Alvin Ailey Dance Theatre at The Midland Theatre in Kansas City.]

4. Sweet Honey In The Rock – “Give Love”
from: Go In Grace / She Rocks 5 / Sept. 21, 2010

Two bands who will be part of Midwest Music Foundation’s MidCoast Takeover at the 2013 SXSW Music Festival in March.

5. Olassa – “Where Will I Live”
from: I Love You Come Back To Me / Independent / Jan. 26, 2013
[Indie Folk from Lawrence, Kansas. Allison Olassa Guitar, Accordion, Organ and Vocals; Cain Robberson on guitar and vocals; and Tyler Bachert on drums.]

6. The Empty Spaces – “Party Line”
from: Party Line / Golden Sound Records / July 24, 2012
[KC based band formed as studio band for Mat Shoare’s 2010 solo release The Empty Spaces. Mat Shoare is a founding partner in Golden Sound Records along w/ Jerad Tomasina, and Ross Brown. On Dec 11, Mat released his solo recording: “Domestic Partnership.” Mat played LIVE on WMM last week on Jan. 23, 2013.]

[The Empty Spaces play the recordBar, tomorrow night, January 31, with La Guerre]

[The Empty Spaces play the Riot Room February 10, with Broncho]

7. Shay Estes & Trio All – “God Only Knows”
from: Despite Your Destination / Independent / 2009
[Shay Estes and Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on Bass. Lowrey told INK that they, “We’re trying to cross over into the realm of modern jazz by writing arrangements of songs that aren’t staples in jazz repertoire.” The album title comes from the lyrics of “Under the Milky Way,” originally by new wave band The Church. That track was the first arrangement Estes and Lowrey worked on together five years ago, and features guest vocals from Jeff Harshbarger.]

10:29 – Underwriting

10:30 – Interview with Jennie Greenberry and Bob Linebarger of Spinning Tree Theatre

Spinning Tree Theatre is presenting the Kansas City Premiere of “Shipwrecked! An Entertainment – The Amazing Adventures of Louis de Rougemont (As told by Himself)” by Donald Margulies, starring: Charles Fugate, Jennie Greenberry and Bob Linebarger. The show runs, this Friday, February 1st, through Sunday, February 17th, at Paul Mesner Puppet Studio, 1006 E. Linwood Blvd., Kansas City, MO. Jennie Greenberry and Bob Linebarger join us in our 90.1 FM Studios to share more information about the show.

Jennie Greenberry received her Bachelors of Fine Arts degree from Stephens College in 2008, she is a member of Actors Equity Association, the union of professional actors and stage managers. Jennie has appeared on stage at the Kansas City Rep, The Coterie, New Theatre Restaurant, American Heartland Theatre, and in New York City at the New Victory Theatre, playing roles in Hairspray, Pippin, The Wiz, Little Shop of Horrors, Lucky Duck, A Christmas Carol, A Chorus Line and many others.

Bob Linebarger graduated from Baker University May 2010. He has worked at Theater for Young America, The Metropolitan Ensemble Theatre, Chatterbox Audio Theatre and The Living Room Theatre, playing roles in Carousel, At The End of Apathy, and Tommy. You can also see him in a web series that he and his friend Matt McAndrews put together called “Between Bob and Matt.” Inspired by their deep love of comedian Zach Galifinakis and his “Between Two Ferns” web series, they interview actors and review shows from the Kansas City area in the worst way.

Jennie Greenberry and Bob Linebarger talked about the strong theatre community in KC.

Bob talked about “Between Bob and Matt” where he and Matt McAndrews interview actors and review shows from the Kansas City. You’ve garnered quite a following.

Both Jennie and Bob have strong musical theatre abilities. Mark talked with them about how it seems that Kansas City’s professional theatres are producing more musicals these days.

Jennie and Bob explained: “Shipwrecked! An Entertainment – The Amazing Adventures of Louis de Rougemont (As told by Himself)” by Donald Margulies.

Spinning Tree Theatre presents the KC Premiere of “Shipwrecked! An Entertainment – The Amazing Adventures of Louis de Rougemont (As told by Himself)” by Donald Margulies, starring: Charles Fugate, Jennie Greenberry and Bob Linebarger. The show runs, Friday, February 1st, through Sunday, February 17th, at Paul Mesner Puppet Studio, 1006 E. Linwood Blvd., Kansas City, MO. For more information you can visit: spinningtreetheatre.com or call Spinning Tree Theatre at 816-569-5277.

10:45

The MidCoast Takeover Fundraiser shows benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, this year featuring 46 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

The fundraisers continue…

This Friday, February 1 at Czar with: Jorge Arana Trio – 9:45 / Eyelit – 10:30 / Tiny Horse – 11:15 / The Latenight Callers – 12:00

This Saturday, February 2 at The Riot Room with: Various Blonde – 9:45 / Drop A Grand – 10:30 / Maps for Travelers – 11:15 / Six Percent – 12:15

8. Eyelit – “High”
from: The Woe Dies / Independent / June 22, 2012
[Their song “Motionless” is on Midwestern Audio Vol. 1. Formed in Saint Joseph, MO, in 2008 by Austin (songwriter) and Dansare (voice). They released their first EP “Elephant” in early 2010. “The Woe Dies” was inspired by Bob Dylan, Iron & Wine, and Bright Eyes.]

[Eyelit play Czar, Friday, Feb. 1, with Jorge Arana Trio, Tiny Horse, & The Latenight Callers.]

9. Jorge Arana Trio – “Nightly Stroll”
from: Mapache / Independent / October 26, 2012
[Debut album by the Jorge Arana Trio. Recorded at Soundtrek Studios with Justin Wilson, May 7th, 2012.
Jorge Arana – Guitar / Keys , Josh Enyart – Drums , Jason Nash – Bass]

[Jorge Arana Trio play Czar, Fri. Feb. 1 with Eyelit, Tiny Horse, & The Latenight Callers.]
10:52

10. Six Percent – “Dying World”
from: The Years [EP] / Independent / October 26, 2012
[KC based punk rock band re-forming in 2010. Six Percent has shared the stage with Smashing Pumpkins, 311, The Mighty Mighty Bosstones, Slipknot and Norma Jean. The band features: Joel Friday on vocals, Jason Matthews on guitar & vocal, Jeremy Angotti on drums, Mike Mudry on guitar, Dustin Clements on trombone & vox, and Kenny Saunders on bass. The band is currently working on a new recording.]

[Six Percent play Riot Room, Sat, Feb. 2, with Drop a Grand, Maps for Travelers, and Various Blonde.]

10. Maps For Travelers – “Static”
from: Single Track Release / Independent / February 27, 2011
[Formed in the Spring of 2010 by 4 musicians who have played and toured nationally in various bands in and around the local KC area. RL Brooks on Vocals, Guitar, Trumpet; Zach Brotherton on Vocals, Guitar; Derek White on Bass, Kevin Medina on Drums. Maps For Travelers are currently putting the finishing touches on their new recording “Broken Antlers.” Their video for “Static” has been featured on FUSE TV – In Demand.]

[Maps for Travelers play Riot Room, Sat, Feb. 2, w/ Drop a Grand, Six Percent, and Various Blonde.]

11:00 – Station ID

12. Various Blonde – “Giant Steps”
from: The Dirty News / Independent / Decvember 11, 2012
[Conceived in 2008 by mutual friends, and now the brainchild of KC native Joshua Allen. The band includes Joshua Allen on Guitar & Vocals, Luis Arana on Bass, and Nick Organ on Drums. Various Blonde’s music has been described as “sonic devastation,” their sound includes a mix of: pop, rock, metal, soul, punk and jazz.]

[Various Blonde play Riot Room, Sat, Feb. 2, w/ Drop a Grand, Maps for Travelers, and Six Percent.]

13. Dollar Fox – “No Accord”
from: Little Mother’s Things I Am Keeping / Money Wolf Music / Oct. 27, 2012
[Recorded by Patrick Meager at Fuzz Bomb. Produced by Meger and Dollar Fox. Mastered by Duane Trower at Weights & Measures Soundlab. 7th release from Money Wolf Music. Dollar Fox: Tommy Donoho, Justin Penney, Nick Dothage, Ethan Taylor, Ryan Watkins. Members of Dollar Fox joined us LIVE on WMM April 18 for our Band Auction, and Oct. 24 before the release of their new recording.]

[Dollar Fox were named the winners The Deli KC Readers’ Best Kansas City Artist of 2012! ]

11:10 – Underwriting

14. Wildwood Highway – “Leap Of Faith”
from: Wildwood Highway / Independent / 2012 [Friends Periel, Deanna Hurst, Bradford Lee Stanfield formed Wildwood Highway in 2011 after years of backing each other on solo projects. They combined their individual styles, alternating between lead vocals & harmonies. They recorded in Nashville, and in LA where they mixed the recordings, legendary Bill Payne of Little Feat graced their album with his B3 and piano work.]

11:15 – Interview with Deanna Hurst

Kansas City native Deanna Hurst, performed in The Rocky Horrow Show at The Unicorn and Forbidden Broadway for Theatre League before moving to Los Angeles in 1990 where she who has worked as a professional actor, singer, and voice over artist. In 2011 Deanna formed the band Wildwood Highway with her friends Periel, and Bradford Lee Stanfield. In 2012 they recorded their self titled debut EP in Nashville.

Deanna Hurst co-wrote the song “Leap of Faith” with Roz Esposito, Deanna talked about the inspiration for the song.

Even though Kansas City is Deanna’s hometown, she worked professionally in Los Angeles and Dallas in the 1980s, and after returning to Kansas City to be on stage in productions at the American Heartland Theatre, The Unicorn, and Theatre League she traveled with the Forbidden Broadway show to Arizona and then permanently moved to LA in the 1990.

Deanna described Her early years in LA working at Aspen Optical, as “living a Bohemian lifestyle.” She worked for several years with The Circle X Theatre Company, (the LA home of our playwriting friend Jeff Goode.)

Deanna worked at the San Diego Repertory Theatre and the Northcoast Repertory Theatre.

Along with theatre Deanna has worked as a vocalist, singer, and voice-over artist, for commercials on radio and television. Deanna has also done several books on tape, including books by Ann Coulter, Teri Hatcher.

Deanna talked about how she ended up getting the same voice over agent as that of the late great “Voice of God” – Don LaFontaine who passed away in 2008, and was an American voice actor famous for recording more than 5,000 film trailers and hundreds of thousands of television advertisements, network promotions, and video game trailers.

Deanna talked about her work in a car commercial that will be air during this weekend’s big Super Bowl broadcast on CBS Television.

Throughout all of this Deanna also got married and became a step-mom.

Deanna met her good friend Periel in the early 1990s at Genghis Cohen, an asian restaurant and bar and one of LA’s hip musical venues.

Deanna met Bradford Lee Stanfield at The Alley several years later.

The three singers helped each other out as solo artists, and in 2011 they decided to form a band.

The band is unique because there are three lead singers, three separate, songwriters, who take turns singing lead vocals.

Bradford Lee Stanfield produced the new recordings for Wildwood Highway. The songs were recorded in Nashville.

The songs were mixed back in LA, it was there that Bill Payne of the famous band, Little Feat, brought his hammond B3 and Piano skills to your songs.

The band is working on releasing a full length recording this year.

Deanna Hurst formed the band Wildwood Highway with her friends Periel, and Bradford Lee Stanfield. Wildwood Highway released their self titled debut EP, with Bill Payne of Little Feat in 2012. More information about wildwoodhighway.us

11:41

15. Wildwood Highway – “I Don’t Need A Man”
from: Wildwood Highway / Independent / 2012
[Longtime close friends Periel, Deanna Hurst and Bradford Lee Stanfield formed Wildwood Highway in 2011 after many years of backing each other up on solo projects. The band combines their individual songs and styles, alternating between lead vocals and tight harmonies. The band recorded songs in Nashville, and in Los Angeles where they mixed the recordings, they had the great fortune of having the legendary Bill Payne of Little Feat grace their album with his B3 and piano work.]

11:45

Vive the Rock is a special Fundraiser for Académie Lafayette, Friday, February 8, at 9:00 PM at the recordBar, 1020 Westport Rd, KCMO, featuring: Federation of Horsepower, The Hillary Watts Riot, The Sexy Accident, The Quivers, and special Emcee: Cody Wyoming. More info at: vivetherock.brownpapertickets.com

16. The Quivers – “I Gots To Have It!”
from: I Gots To Have It! / Independent / August 1, 2012
[Terra Peal- Vocals & Bass, Todd Grantham- Keys & Vocals, Abe Haddad- Guitar & Vocals, Bernie Dugan- Drums. Terra Peal and Bernie Dugan joined us LIVE on Wednesday MidDay Medley on August 15]

[The Quivers play the recordBar on Fri. Feb. 8, w/ Federation of Horsepower, The Hillary Watts Riot, and The Sexy Accident]

17. The Hillary Watts Riot – “Killer Kind”
from: A/S/L / Money Wolf Music / April 20, 2012
[Debut album. THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play the recordBar on Fri. Feb. 8, w/ Federation of Horsepower, The Quivers, and The Sexy Accident]

18. The Smiths – “Still Ill”
From: The Smiths / Sire Records / 1984

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #458

WMM Playlist from: Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2013

Mat Shoare + Spencer Ward
+ Michelle Bacon & Terra Peal & SXSW MidCoast Takeover
+ Local & New Releases

1. Yo La Tengo – “Well You Better”
from: Fade / Matador Records / January 15, 2013
[Indie rock band formed in Hoboken, New Jersey in 1984 by husband and wife: Ira Kaplan (guitars, piano, vocals), and Georgia Hubley (drums, piano, vocals). Since 1992, the lineup has included James McNew (bass, vocals). This is their 13th full-length album. It was produced by John McEntire, instead of Roger Moutenot, who had produced all their albums since 1993’s “Painful.” Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. The band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.]

2. David Bowie – “Where Are We Now?”
from: The Next Day / ISO – Columbia / Expected March 12, 2013
[We were all surprised to hear the single Bowie released on his birthday, Jan. 8. His 1st new music in 10 years. In the works for over 2 years, Bowie is collaborating w/ longtime producer Tony Visconti who told the BBC that they worked on the new album at a very slow pace. “We never spent more than two to three weeks at a time recording,” Visconti said. “And then we’d take off as much as two months. We’d usually work on one or two songs in an afternoon and we’d whip them up to shape where they’d sound like great rock tracks. At that point there wouldn’t be any final vocals or lyrics. This is the same way I’d been working with him since The Man Who Sold the World. He hasn’t really changed in his approach.” Toward the end of Bowie’s 2004 tour in Europe the singer underwent emergency heart surgery for a blocked artery. There were rumors about Bowie’s health. Visconti told the BBC “He’s a very healthy man… I couldn’t explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio.”]

3. Drew Black and Dirty Electric – “Curio Doll”
from: Single Track from upcoming release / Independent / , 2013
[Joining Drew Black on Guitar & Vocals are members of bands: The Quivers, Deco Auto, & Dolls On Fire, w/ Terra Peal on Bass & Vocals, Michelle Bacon on Drums, Zach Hodson on Guitar & Percussion & Vocals.]

[Drew Black and Dirty Electric play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up.]

10:15 – Interview with Michelle Bacon & Terra Peal

Drew Black and Dirty Electric is a four-piece group that is the brainchild of Drew Black (formerly of The Belated), who wrote and released his solo album “Wanderlust” in early 2012. Soon after, Black enlisted bassist Terra Peal (of The Quivers), drummer Michelle Bacon (of Deco Auto, and Dolls on Fire) and multi-instrumentalist Zach Hodson (of Dolls on Fire) to bring Drew’s recorded songs to life on stage, as a full throttle rock and roll machine. The band will play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up for the first of 5 MidCoast Takeover Fundraisers.

In the coming weeks Wednesday MidDay Medley will feature the music from KC area bands participating in The MidCoast Takeover fundraiser shows. Proceeds from these shows benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, that this year will showcase over 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas.

The Deli KC Editor, Michelle Bacon, who is also a dedicated Midwest Music Foundation volunteer, and member of the bands: Deco Auto, Dolls on Fire, along with Terra Peal who is part of the band The Quivers joined us to give us the details on this year’s MidCoast Takeover.

Drew Black and Dirty Electric will be playing the MidCoast Takeover Fundraiser on Saturday night at the recordBar with: She’s A Keeper, Molly Picture Club, and Antennas Up.

Drew Black and Dirty Electric also in concert: Saturday, Feb. 9, at the recordBar, and Saturday, March 9, at The Brick.

MidCoast Takeover Fundraisers

Saturday, January 26 – recordBar
9:45 She’s A Keeper
10:30 Drew Black and Dirty Electric
11:15 Molly Picture Club
12:15 Antennas Up

Friday, February 1 – Czar
9:45 Jorge Arana Trio
10:30 Eyelit
11:15 Tiny Horse
12:00 The Latenight Callers

Saturday, February 2 – Riot Room
9:45 Various Blonde
10:30 Drop A Grand
11:15 Maps for Travelers
12:15 Six Percent

Saturday, February 16 – The Brick
10:00 Rev Gusto
10:45 Cherokee Rock Rifle
11:30 David Hasselhoff on Acid
12:30 Not A Planet

Friday, March 8 – Uptown Arts Bar (acoustic show)
8:00 Cadillac Flambe
9:00 Sons of Great Dane
10:00 Clairaudients
11:00 Heroes & Villains

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

10:30 – Underwriting

10:31 – Interview with Mat Shoare

4. Mat Shoare – “Evolution”
from: Domestic Partnership / Golden Sound Records / December 11, 2013
[All songs by Mat Shoare. Made by Mat Shoare and Ross Brown. Most parts of this album were recorded by Mat Shoare in multiple bedrooms, basements, and offices from winter 2011 till fall 2012. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.]

Mat Shoare is a Kansas City based singer, guitarist, songwriter, record label founder. His brand new solo record,”Domestic Partnership” was officially released December 11, 2012, on Golden Sound Records. This is Mat’s second full length solo release. He also released a solo EP. Mat has released two EPs with his band The Empty Spaces, and was a member of the band Everyday/Everynight. All of the music is available at Golden Sound Records, and independent, Kansas City based record label Mat founded with his friends Jerad Tomasino and Ross Brown.

Mat prefers the homemade sound and feel in his recordings. The Golden Sound Records website reports that most parts of his album were recorded in multiple bedrooms, basements, and offices from winter 2011 through the fall of 2012.

The Golden Sound Records website describes “Domestic Partnership” as a recollection of love, loss, and love again. Then loss…and so forth.”

10:39

5. Mat Shoare – “Keeping Everyone Happy”
from: Domestic Partnership / Golden Sound Records / December 11, 2013

10:42

On Domestic Partnership, all of the songs were written and performed by Mat Shoare. Made by Mat Shoare and Ross Brown. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.

Ross plays drums on Domestic Partnership and also with Mat’s band The Empty Spaces. The band has released two EPs including 2012’s “Party Line” which was part of Wednesday MidDay Medley’s 112 Best Recordings of 2012. Mat’s solo work is very different for his work with the band, even though his band evolved out of the recording of your first full length solo recording.

10:46

6. Mat Shoare – “Boots of Spanish Leather” (LIVE)
Written & Recorded by Bob Dylan for his 3rd album “These Times They Are a-Changin’ “/ 1964

10:50

The Empty Spaces will participate with Midwest Music Foundation’s MidCoast Takeover for the SXSW Music Festival in Austin, Texas in March.

10:54

7. Mat Shoare – “Put That in Your Pipe and Smoke It” (LIVE)
also available on: Domestic Partnership / Golden Sound Records / December 11, 2013

More information at GoldenSoundRecords.com

11:00

8. David Seume– “All I Have To Give”
from: Single Track Release / Independent / January 5, 2013
[Last month, Arthur Jack Seume, the son of local singer-songwriter David Seume and his wife, Kelly, died, just five weeks shy of his due date. An unknown knot in the umbilical cord had tightened its grip. David Seume wrote about this tragic loss on his blog davidsueme.com where he very eloquently expressed his despair, and his questions, and his attempt, through ART, to “making sense of the senseless.” With his wife Kelly they are starting a memorial fund in Arthur’s name. David has recorded a new song, “All I Have to Give,” which can be downloaded, in support of Arthur. All proceeds go to the Arthur Jack Seume Memorial Fund. David’s friends Konnor Ervin and Kyle Rausch of The ACB’s sang backing vocals, and Mike Nolte of Ghosty, mixed and mastered the track. The link is: davidseume.com.]

9. Claire and the Crowded Stage – “Tower of Babel”
from: Technicolor / Golden Sound Records / January 5, 2013
[All songs by Claire Adams. All arrangements by The Crowded Stage: Katy Guillen, Katelyn Boone,, Brent Jamison, Peter Lawless, Stephanie Williams, Jerod Rivers and Teri Quinn. Recorded in Kansas City by Jerod Rivers, Peter Lawless, Claire Adams and Brent Jamison, mixed by Claire Adams
mastered by Duane Trower at Weights+Measures soundlab.]

10. The Dead Girls – “Never Erased”
from: Fade In/Fade Out / Independent / 2013
[The Dead Girls (formerly Dead Girls Ruin Everything) was formed in 2004 from the ashes of Ultimate Fakebook and Podstar, two bands that were staples of the Lawrence and KC power-pop sound. Guitarists / singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar attack and vocal harmonies with the rhythmic assault of drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook. The band’s new record was Produced by Chris Cosgrove who produced their 2010 album “Out Of Earshot.”]

[The Dead Girls play 2 Release Shows: Friday, Feb. 1 at the Replay Lounge in Lawrence, w/ The Depth and The Whisper, and Saturday, Feb 2, at the recordBar, with Casket Lottery and Gentleman Savage. ]

11:14 – Underwriting

11:15 – Interview with Spencer Ward

11. Spencer Ward – “One Life”
from: Single Track Release / Independent / 013

11:19

The Broadcast premiere of Spencer Ward’s new song “One Life.” Spencer Ward grew up in the KC Area. He graduated from Shawnee Mission South High School, and received his Bachelor’s of Arts degree in Science and Holistic Health. In 2011 he released 4 song EP and is currently working on a new recording. Spencer is also an actor, and he recently worked in two new local films the will be making their premieres this year. Spencer also spent 13 years as an amatuer and professional boxer, where he had over 30 fights. We talked with Spencer about performing in Nashville, and his life growing up in a boxing and theatre family, and his new music.

“One Life” is one Spencer’s new songs that was just recently recorded and produced by David Lichtenauer.

Spencer grew up taking piano lessons, but didn’t really find his passion for music until he was taking audio and engineering and recording classes at Johnson County Community College.

One of his teachers, Mike Moreland, helped to encourage him to record and create new songs.

Spencer grew up in and musical family. His parents met while studying Theatre at Tarkio and performed in Plays and Musical and worked as commercial actors in print and television. Spencer’s sister is a performer too.

Spencer also grew up in the world of boxing. His father was an undefeated boxer, who and is now a trainer, and manager of The Underground Boxing Company in Overland Park, Kansas. Spencer’s brother Keaton is also a boxer.

11:27

12. Spencer Ward – “The Bridge” (LIVE)

11:31

Spencer has recently worked as an actor in two new short films produced here in the KC area.

A short student film called “Infected,” written and directed by Taylre Jones.

Spencer also appears in and the new short film “Martini Lunch,” written and directed by Nathan Kincaid, a Kansas City native who studied film in San Francisco and England. Nathan was recently selected as a Robert Altman Emerging Filmmaker in KC. This film will be shown in film festivals in Kansas City and all around the world. Spencer plays the main character of Charlie, a young busboy working in one of Kansas City’s most upscale restaurants in the 1950’s. Charlie serves the many wealthy and influential patrons, and overhears brief snippets of their conversations. Much of the film was shot in Kansas City’d Savoy Restaurant and also features former Mayor of Kansas City, and State Senator, Dr. Charles B. Wheeler, in a key role.

Spencer also works in the world of healthy food and healthy living. Spencer works at Whole Foods and talked about how Whole foods has opened the doors for him to do shows in Las Vegas, and Nashville.

Spencer also has performed Gavin DeGraw’s club in Nashville and at famous Bluebird Cafe.

Spencer considers Brett Dennen to be one of his biggest inspirations.

More information at spencerward.com.

13. Spencer Ward – “Tell Me”
from: Spencer Ward / Independent / 2011

11:42

14. Mark Lowrey – “Que Nada Sapa Mi Suftir”
from: Tangos For 18th Street / Independent / December, 2012
[Mark Lowrey is one of KC’s most versatile performers, playing solo, in a Jazz Trio, with The Barclay Martin Ensemble. Mark credits the local KC Band Tango Lorca for bringing the Argentine Tango to his ears.]

[Mark Lowrey & friends play The Majestic, January 20 and 21.]

15. Making Movies – “Ego Trip”
from: A La Deriva / Independent / KC Pre-release: December 21, 2012
[Enrique Chi (guitar/lead vox), Brendan Culp (drums), Diego Chi (bass), Juan-Carlos Chaurand (percussion /keyboard). Their new full length was produced with Steve Berlin of Los Lobos.]

16. The PedalJets – “Riverview”
from: 7″ Single b/w “Terra Nova” / Independent / December 15, 2012
[The Pedaljets first new material in 23 years. The sound of “Riverview,” has been described as “possible love child of Iggy Pop & Bob Dylan.” A full length to be released Feb. 13. More info: thepedaljets.com]

17. Fleetwood Mac – “That’s Enough For Me”
From: Tusk / Warner Bros. / 1979

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #457