WMM Playlist from June 10, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Witt

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” WMM features music of and inspired by The Civil Rights and Black Lives Matter Movement.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s Adopted Theme Song]

2. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / February 13, 2001
[Song written by Bernice Johnson Reagon, one of the founders of Sweet Honey in The Rock. Boycott is a critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:06 – 2020 Spring Fund Drive Edition Pledge Break #1

Guest Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also part of the Short Round Stringband, the 5-piece band that last year released a 14-track album called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West in 1978. For 16 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding, and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique mission an, 24-7 programming. 90.1 FM KKFI is celebrating our 32nd year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. It only takes a few minutes. Call 888-931-0901. You can also visit us at http://www.kkfi.org, or call 888-931-0901 to support Kansas City Community Radio 90.1 FM.

Last year on WMM conducted 127 interviews, with 209 special guests.

10:14 – Music Of The Movement

3. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

4. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005 [written by Woody Guthrie.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

10:24 – Pledge Break #2

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

10:32 – Underwriting

10:34 – Music Of The Movement

5. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Aug. 28, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

6. Krystle Warren – “Move!”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:44 – Pledge Break #3

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

Thank you to: Elizabeth Mayer, K.C. Compton, John Long, Garth Matthes, Matt Kesler, Kathi Callahan Welch, Jack Phillips, Joel Nanos

10:52 – Music Of The Movement

7. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays RADKEY LIVE AND LOUD – LIVE STREAMING FROM RECORDBAR’S STAGE, Friday, June 12, 2020 at 8 PM – 10 PM, recordBar, 1520 Grand Boulevard, KCMO. The stream will be free on Facebook Live, IG Live and youtube. We are requesting donations through this page. We’ll be back open in late July. Stay safe, stay healthy.]

8. Hi-Lux – “Revolution”
from: Revolution / Get What You Give – Single / The Record Machine / March 6, 2020
[This KC based band is lead by singer Julia Haile, with Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings) but also claims a spotlight of its own in the musical world. After a string os single releases, including one on 7” vinyl through Sunflower Soul Records, followed by the release of their self-titled EP, Hi-Lux has introduced an eclectic and impressive collection of songs to give the world a small taste of what’s to come. Hi-Lux is on a journey of musical discovery, mixing old and new to create something unique.]

9. Sterling Witt – “Werewolf”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:00 – Station ID

11:00 – Interview with Sterling Witt

KC based artist & musician Sterling Witt who joins us to share music and information about his new recording, “Something’s Awry” – twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing and editing into a new book that relates to the album. ”Something’s Awry: Ting Tong and Other Terrifying Tales,” features art work by Witt. More info at: http://www.sterlingwitt.com

Sterling Witt Thank you for being with us on Wednesday MidDay Medley

Sterling Witt is an artist and musician. He lives in Missouri at the Art Farm near Freeman, MO (about 45 min south of KC).

Something’s Awry – Produced by Sterling Witt – Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri.

Sterling Witt – vocals, guitar, Kitten A. Boggs – bass, vocals , Evan Verploegh – drums

Grand River Records, PO BOX 193, Freeman MO 64746

http://www.SterlingWitt.com http://www.GrandRiverRecords.com

“Originality is a hard thing to come by these days; and not a word we use lightly, but it has to be said – Sterling Witt is IT.” -Indie Music Magazine

Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri.

Sterling Witt Discography

April 2020 – Something’s Awry
Oct 2015 – Satyagraha
Oct 2012 – Sterling Loves U
Aug 2009 – Shadows & Secrets
Aug 2006 – Sea Things
Oct 2004 – Self Portrait
Jan 2009 – Skeleton

Sterling told Nick Spack of The Pitch KC, “I’m in the final stages of writing and editing a book right now that relates to my album,” Witt says. “The album has 12 songs and the book has 24 stories and poems. Half of those stories I turned into songs to make the album Something’s Awry. – I was still writing the stories—half of which turned out to be poems that rhyme,” Witt continues. “All those poems sounded like they could be songs to me and my first thought was to keep the words to the songs in the same order as the poems, so that the story could be understood from listening to the song.”

Witt says that Something’s Awry, the album, can be thought of as being like an amped up audio book, with all the musical arrangements dictated by the words: “There are many oddities in the music and vocal melodies that happen just once. Maintaining the stories was the only rule I gave myself while turning them into songs: The words made me do it.”

The Art Farm is an isolated oasis in the country designed for making art and music. Sterling does not have Internet or TV.

Since 2004 Sterling Witt has released six full-length albums and one 8-song EP, along with several singles. Witt’s last album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois

Sterling Witt Thanks for being with us on WMM

Sterling Witt’s Something’s Awry is available now at sterlingwitt.bandcamp.com, with vinyl and compact disc versions coming later this year.

11:12

10. Sterling Witt – “Kelpie”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:15 – Pledge Break #4

This is WMM’s Spring Fund Drive Show with Marion Merritt & Betse Ellis.

Thank you to: Jennifer C. Owen, Joyce Downing, Bob Walkenhorst, Katherine Torbett, Matt Richey, Jon Cupit, Joelle St. Pierre, Kieth Clark, Jan Kohl

Earlier in the show we heard Krystle Warren. We were the first to play her music on the radio. Mark interviewed Krystle on KKFI in early 2002. During a winter snow storm, at a huge party where Krystle played with longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment, near Community Christian Church, Mark waited hours for a 2 song demo, that contained a song called “Chanel #5.” Krystle has since gone on to tour all over the world, but maintains contact with her hometown of KC. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. WMM was the first to play tracks from Krystle’s album.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:23 – Music Of The Movement

11. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967
[The Staple Singers were an American gospel, soul and R&B singing group. Roebuck “Pops” Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the group with his children Cleotha (April 11, 1934 – February 21, 2013),[Pervis (b. 1935), and Mavis (b. 1939). Yvonne (October 23, 1937 – April 10, 2018) replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”. While the family name is Staples, the group used “Staple” commercially. // First child to Roebuck “Pops” Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi in 1934. Two years later, Roebuck moved his family from Mississippi to Chicago. Roebuck and Oceola’s children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago. Roebuck worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck’s brother, the Rev. Chester Staples, was pastor.[6] They signed their first professional contract in 1952. During their early career, they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their “Uncloudy Day” and “Will the Circle Be Unbroken?” were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. “Uncloudy Day” was an early influence on Bob Dylan, who said of it in 2015, “It was the most mysterious thing I’d ever heard… I’d think about them even at my school desk…Mavis looked to be about the same age as me in her picture (on the cover of “Uncloudy Day”)…Her singing just knocked me out…And Mavis was a great singer—deep and mysterious. And even at the young age, I felt that life itself was a mystery.” // The Staples move to Epic saw a run of albums, including the live in-church Freedom Highway album produced by Billy Sherrill; the title track of which was a civil rights movement protest song penned by Pops Staples. It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with “Why (Am I Treated So Bad)” and “For What It’s Worth” (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper—Soul Folk in Action and We’ll Get Over, Pervis returning for them. After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself with engineer/musician Terry Manning at Memphis’s Ardent Studios, moving in a more funk and soul direction. // “For most of this decade, Roebuck Staples—born December 12, 1915, about two weeks after Frank Sinatra—has been the oldest performer with direct access to the hit parade by some twenty-five years, so here’s your chance to mind your elders. It’s Mavis’s lowdown, occasionally undefined growl that dominates, of course; you should hear how secular she gets with an O.V. Wright blues that got buried on The Staple Swingers. But Pops’s unassuming moralism sets the tone and his guitar assures the flow.” —The Best of the Staples Singers review in Christgau’s Record Guide: Rock Albums of the Seventies (1981) // The Staple Singers’ first Stax hit was “Heavy Makes You Happy (Sha-Na-Boom-Boom)” in early 1971. Their late 1971 recording of “Respect Yourself”, written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B chart and No. 12 on the Billboard Hot 100. Both hits sold over one million copies and were each awarded a gold disc by the RIAA. The song’s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972, “I’ll Take You There” topped both Billboard charts. In 1973, “If You’re Ready (Come Go With Me)” reached No. 9 on the Hot 100 and No. 1 on the R&B chart. // After Stax’s 1975 bankruptcy, The Staple Singers signed to Curtis Mayfield’s label, Curtom Records, and released “Let’s Do It Again”, produced by Mayfield; the song became their second No. 1 pop hit in the U.S., and the album was also successful. In 1976, they collaborated with The Band for their film The Last Waltz, performing on the song “The Weight” (which The Staple Singers had previously covered on their first Stax album). However, they were not able to regain their momentum, releasing only occasional minor hits. The 1984 album Turning Point featured a cover of the Talking Heads’ “Slippery People” (it reached the Top 5 on the Dance chart). In 1994, they again performed the song “The Weight” with country music artist Marty Stuart for MCA Nashville’s Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song “Respect Yourself” was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994. // In 1999, The Staple Singers were inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award. Cleotha Staples died in Chicago on February 21, 2013, at the age of 78, after suffering from Alzheimer’s disease for over a decade. Mavis Staples has continued to carry on the family tradition and continues to add her vocal talents to both the projects of other artists and her own solo ventures. She appeared at Glastonbury in 2015, and her 2016 album Livin’ on a High Note includes a simple acoustic version of a Martin Luther King sermon in the track “MLK Song”. Yvonne Staples died on April 10, 2018 at the age of 80.]

12. Mavis Staples – “Eyes On The Prize”
from: We’ll Never Turn Back / Anti / April 24, 2007
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recordedin the run up to the Presidential election of Barrack Obama. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s. We’ll Never Turn Back is the seventh studio album by American gospel and soul singer Mavis Staples. Recorded in 2007 and produced by roots rock and blues musician Ry Cooder, it is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s. Upon its release, We’ll Never Turn Back received positive reviews from most music critics. It was also named one of the best albums of 2007 by several music writers and publications. “Keep Your Eyes on the Prize” is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, “Gospel Plow,” also known as “Hold On,” “Keep Your Hand on the Plow,” and various permutations thereof. An early reference to the older song, “Gospel Plow,” is in Alan Lomax’s 1949 book “Our Singing Country.” The book references a 1937 recording by Elihu Trusty of Paintsville, Kentucky, which is in the Library of Congress (Ref No .1397 A1). Lomax’s references for Gospel Plow cite two earlier works. The first is from English Folk Songs from the Southern Appalachians published in 1917, indicating that Gospel Plow dates from at least the early twentieth century. The second reference is to a 1928 book, American Negro Folk-Songs, which shows an African-American heritage for the original song. The lyrics to the modern Civil Rights version of the song, “Keep Your Eyes on the Prize” are often attributed to Alice Wine from Johns Island, South Carolina. Mrs. Wine was a member of the Moving Star Hall and The Progressive Club on Johns Island. The book Ain’t You Got the Right to the Tree of Life by Guy and Candie Carawan. documents songs of the Moving Star Hall and the lives of African Americans on Johns Island in the early sixties. It is doubtful that Mrs. Wine actually composed the lyrics herself. More likely she had heard the revised refrain and variations on the verses of the older song from the congregation at the praise hall. The leading “Paul and Silas” stanzas in the modern “Keep Your Eyes on the Prize” lyrics were already present in some versions of the older “Keep Your Hand on the Plow.” Our Singing Country[1] shows these lyrics were already in use in 1949 and before. Odetta used them in her 1960 Carnegie Hall appearance and recording. Mrs Wine is credited by Candie Carawan only with having passed onto Guy Carawan the revision of the title from “Keep Your Hand on the Plow” to “Keep Your Eyes on the Prize.” Lyrics for traditional American folk songs and African-American spirituals are often changed, improvised and traded between songs by different artists and at different performances. This was and is especially true in the call and response of African American religious music. For example, Mahalia Jackson, in her 1958 performance of “Keep Your Hand on the Plow”, begins with the couplet “Mary had three links of chain, Every link bearin’ Jesus name.” Bob Dylan also sings these lyrics in his upbeat version of “Gospel Plow.” Carl Sandburg, in his 1927 book The American Songbag,[7] attributes these lyrics to yet another song entirely, “Mary Wore Three Links of Chain.” Modern choral arrangements of this song sound entirely different from either the Eyes-Prize or Hand-Plow songs.[8] Both Sandberg in the preface to his book and folk singer Pete Seeger in the opening remarks to his Carnegie Hall performance of “Keep Your Eyes on the Prize” note the malleability of American and African-American folk music. No one artist can be historically credited with “Keep Your Eyes on the Prize.]

11:30 – Underwriting

11:32 – Pledge Break #5

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to: Joy Baker, Marcia Pomeroy, Pat Abts, Charlie Colborne, Rhonda Lyne, Deloris Jankovich, Nancy Nicolay, Natasha Derakhshanian, Elaine Meizlich, Necia Gamby, Kimberly DeVries, Leo Wetherill, Mike McCoy, Jon D. Barnhart, Claire McDaniels, William Smith, Mike Walker, Fran Stanton

WMM offers loads and loads of information about what is going on in the community. Not only do we interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Recoprds With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music.

11:39 – Music Of The Movement

13. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

14. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

11:46 – Pledge Break #6

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to all who donated. Over 63 people donated and we raised, $3723.00.

11:53 – Music Of The Movement

15. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 17 we’ll play from 25 area bands & artists as we feature: Our Favorite MidCoastal Releases of 2020 …So far! We’ll hear from Una Walkenhorst, Blackstarkids, The Republic Tigers, Ivory Blue, Ebony Tusks, Fritz Hutchison, Katy Guillen & The Drive, Hermon Mehari, Betse & Clarke, Fullbloods, Sam Wells, Pedaljets, Miki P & The Swallowtails, Radkey, Saint Sé, David Burchfield, The Freedom Affair, Sterling Witt, Quiet Takes, Miss Boating, Hi-Lux, Brandon Phillips & The Condition, MGDs, Nan + The One Nite Stands, Plus, we’ll talk with members of the band Oh Dear Oh My.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #841

WMM presents: Music Of The Movement

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Wit
t

Mark features “Music Of The Movement.” We’ll spin tracks of and inspired by The Civil Rights & Black Lives Matter Movement. Mark plays songs from: Krystle Warren, Hi-Lux, The Freedom Affair, Radkey, Bobby Watson & The I Have A Dream Project featuring Glenn North, Mavis Staples, The Staple Singers, Sharon Jones & The Dap-Kings, Sweet Honey In The Rock, Aaron Neville, Lamar Campbell And Spirit Of Praise, Billy Porter, Tramine Hawkins, Ella Mitchell, Pete Seeger, and Solomon Burke.

One of WMM’s longtime (14-years) contributors, Marion Merritt of Records With Merritt, a minority owned business in KCMO, joins us as our special guest co-host. We also welcome Betse Ellis, critically acclaimed fiddler, singer, songwriter, and one half of Betse & Clarke who joins us as special guest co-host. Betse & Marion will encourage our listeners to call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Spring Fund Drive Show.

At 11:00 AM, KC based artist & musician Sterling Witt joins us to share music and information about his new recording, “Something’s Awry” twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing in a new book called, ”Something’s Awry: Ting Tong and Other Terrifying Tales,” featuring art work by Witt. More info at: http://www.sterlingwitt.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #841

WMM Playlist from Feb. 19, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 19, 2019

Spinning Records With Marion Merritt
+ EBONY TUSK
S

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For nearly 16 years Marion has been sharing her sonic discoveries and information from her musically encyclopedic brain. With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Antibalas – “Fist of Flowers”
from: Fu Chronicles / Daptone Records / February 7, 2020
[7th album from Brooklyn-based afrobeat band that is modeled after Fela Kuti’s Africa 70 band and Eddie Palmieri’s Harlem River Drive Orchestra. Antibalas is Spanish for “bulletproof”. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa. Members include: Martín Perna, Amayo, Marcos García, Jordan McLean, Marcus Farrar, Reinalde Dejesus, Will Rast, Justin Kimmel, Timothy J Allen, Kevin Raczka, Raymond James Mason, Raja Kassi, Morgan Price, Eric Biondo, Jackie Coleman. More info at http://www.antibalas.com]

4. Sharon Van Etten – “Beaten Down”
from: Beaten Down – Single / Jagjaguwar / February 5, 2020
[New single from Sharon Van Etten who was born February 26, 1981, in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was put out by by Drag City. This is a follow-up to her 5th album “Remind Me Tomorrow.” on Jagjaguar Records.]

5. Isobel Campbell – “Vultures”
from: There is No Other / Cooking Vinyl / February 7, 2020
[Isobel Campbell was born April 27, 1976. She is a Scottish singer-songwriter, cellist and composer. Campbell rose to prominence at age nineteen as a member of the Scottish indie pop band Belle & Sebastian, but left the group to pursue a solo career, first as The Gentle Waves, and later under her own name. She later collaborated with singer Mark Lanegan on three albums. Campbell’s music has been described as either indie pop, chamber pop or singer-songwriter. Regardless of genre, Campbell makes gentle and sombre music, often using classical instruments and her bright, slightly nasal voice with bittersweet and ironic songwriting. This is her 5th solo full-length album.]

6. Holy Fuck – “Deleters (feat. Angus Andrew)”
from: Deleter / Ef Records / January 17, 2020
[Holy Fuck is an electronica band from Toronto. They were a part of Dependent Music, a music label & artist collective that began in Yarmouth, Nova Scotia in 2004 until its closing. They were then a part of the Young Turks label. In 2016 they signed with Innovative Leisure. The band uses live instrumentation & miscellaneous instruments and non-instruments, including a 35 mm film synchronizer, toy keyboards & toy phaser guns, to achieve electronic-sounding effects without the use of laptops or programmed backing tracks. According to Pitchfork Media, “The band formed with the intent of creating the equivalent of modern electronic music without actually using the techniques, looping, splicing, programming and the like, of that music.]

7. Caribou – “Never Come Back”
from: Suddenly / Merge / February 28, 2020
[Daniel Victor Snaith was born in 1978. He is a Canadian composer, musician, and recording artist who has performed under the stage names Caribou, Manitoba and Daphni. Snaith originally recorded under the stage name Manitoba, but after being threatened with a lawsuit by Richard “Handsome Dick” Manitoba (real name Richard Blum), formerly of punk band The Dictators, Snaith changed his performance name to Caribou. Snaith’s previous full-length albums were then re-released under the new moniker, and The Milk of Human Kindness was released in 2005 by Domino. In June that year the album topped the !earshot Campus and Community Radio Top 200 chart. “Suddenly” is his 5th full-length album as Caribou]

10:33 – Underwriting

8. Khruangbin & Leon Bridges – “Texas Sun”
from: Texas Sun EP / Dead Oceans / February 7, 2020
[4th EP and 5th single from Khruangbin a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Todd Michael “Leon” Bridges was born July 13, 1989. He is an American soul singer, songwriter and record producer from Fort Worth, Texas. He is best known for his song “Coming Home”, which received regular airplay and was also a Top 10 Most Viral Track on Spotify. Bridges’ debut album, also titled Coming Home, was released on June 23, 2015, on Columbia Records and subsequently nominated for Best R&B Album at the 58th Annual Grammy Awards. Texas Sun is her 2nd EP. He has also released 2 full length records.]

9. Monophonics – “It’s Only Us”
from: It’s Only Us / Colemine Records / March 13, 2020
[Psychedelic Soul from San Francisco, CA from; Austin Bohlman on drums, Kelly Finnigan on vocals & keyboards, Ian McDonald on electric guitar & electric sitar & backing vocals, Myles O’Mahony on electric bass & backing vocals, Ryan Scott on trumpet and backing vocals. “One of the best live soul bands I have ever seen!” – Al Bell (Record producer, songwriter, executive, and co-owner of legendary Stax Records)]

10. Brazzos & O.K. Jazz – “Cha Cha Cha Del Zombo”
from: Soul Jazz Records Presents Congo Revolution: Revolutionary and Evolutionary Sounds From the Two Congos 1955-62 / Soul Jazz Records / October 25, 2019
[This new release looks at the explosion of music that came out of the Congo in the years leading up to independence in 1960. Congolese rumba, a wild combination of African, Jazz and Latin influences, created future stars of its now legendary creators – Franco, Grand Kalle, Tabu Ley, Dr. Nico, Papa Wemba – and all feature here in their ground-breaking early groups such as O.K.Jazz, Brazzos, Rock-A-Mambo, African Jazz and The Beguen Band. The Congo is in fact two countries – The Democratic Republic of the Congo (DRC, formerly Zaire) and the Republic of the Congo. Soul Jazz Records is a London based label run by Stuart Baker, which specialises in re-releasing music from around the world on compilations with high quality remastered sound. They also release a large amount of material on vinyl, including new recordings, oftentimes as 12″ singles. The printed record label name on these vinyl releases often varies greatly. For example Soul And Jazz Musical Industries, ENT., Soul Jazz Records Co., Soul Jazz Record Corp., or sometimes the record label which originally released the recording is displayed.]

11. Mukhtar Ramadan Idii – “Check Up Your Head”
from: Mogadisco: Dancing Mogadishu (Somalia 1972 – 1991) / Analog Africa / Dec. 13, 2019
[Analog Africa is a label based in Frankfurt, Germany, owned by Samy Ben Redjeb, releasing compilations with African and South American music mainly of the 70s and 80s. After being blown away by a few tunes, Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet. CD, comes with a full color 36-pages booklet containing 50 pictures & full digital album as a high-quality download in MP3, FLAC and more.]

11:00 – Station ID

12. of Montreal & Locate S,1 – “Gypsy That Remains”
from: UR FUN / Polyvinyl / January 17, 2020
[16th studio album from of Montreal is an American indie pop band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance between Barnes and a woman “of Montreal.” The band is identified as part of the Elephant 6 collective. Throughout its existence, of Montreal’s musical style has evolved considerably and drawn inspiration from 1960s psychedelic pop acts.]

13. Field Music – “Money Is a Memory”
from: Making a New World / Memphis Industries / January 10, 2020
[Field Music are an English rock band from Sunderland, Tyne and Wear, England, that formed in 2004, particularly active in the Wearside region. The band’s core consists of brothers David Brewis & Peter Brewis, with Andrew Moore occasionally featured as keyboardist. Their line-up has at times featured members of both Maxïmo Park and The Futureheads. Field Music have been called one of the few bands to outlast the indie guitar band explosion of the mid-2000s. Describing the band as “a truly artful proposition in the pseudo-filled landscape of contemporary Brit art-rock,” music blog The Fantastic Hope puts this down in part to their “un-self-conscious anti-fashion stance,” arguing that Field Music’s “wayward pop from the fringes of academia is one of the most worthwhile ways in which rock//indie/guitar music/white pop/whatever might evolve”. Critics have compared their music to acts as diverse as Steely Dan, XTC, Prefab Sprout, Peter Gabriel, Scritti Politti, Talking Heads and Todd Rundgren. They have also been nominated for the Mercury Prize. The songs on Making a New World were inspired by research David and Peter Brewis conducted about stories, events, and technological advances that occurred during and after World War I as part their project for the Imperial War Museum. The songs from Making a New World will cover a wide variety of topics, including gender reassignment and air traffic control. One of the songs was inspired by Harold Gillies, a New Zealand-born surgeon who pioneered facial cosmetic surgery and skin grafts for injured servicemen and who later conducted one of the first gender realignment operations. The song “Only in a Man’s World” is about the development of sanitary napkins and the fact that advertising for the products, created by men, often treat the concept of menstruation like something shameful that should be kept secret. The song was inspired by a Wisconsin-based company called Kimberly-Clark that developed a material for dressing war wounds and was later adapted for the first modern sanitary product, which was called Kotex. David Brewis said he felt some embarrassment writing a song about the topic, particularly when he first shared it with his wife, but he believed “confronting my own embarrassment is a pretty fundamental part of what the song is about”. He further said of the song: “I found myself researching the development of sanitary pads – not a statement I’ve ever imagined myself making – and was surprised at how little the advertising material has changed in a hundred years. It’s still, Hey Ladies! Let’s not mention it too loudly but here is the perfect product to keep you feeling normal WHILE THE DISGUSTING, DIRTY THING HAPPENS. And you realise that it’s a kind of madness that a monthly occurrence for billions of women – something absolutely necessary for the survival of humanity – is seen as shameful or dirty – and is taxed MORE than razor blades?! ”The song “Money Is a Memory” concerns the final payment by Germany in 2010 of the economically ruinous reparations it owed under the Treaty of Versailles, and is written from the perspective of a functionary in the Treasury. In social media postings leading up to the release, David Brewis mentioned the famous image of a man carrying a wheelbarrow full of marks made worthless by the hyper-inflationary policies of the Weimar Republic as an inspiration for the track. Brewis: “The whole album is really about consequences, and how the consequences of that war are still with us. “Money Is A Memory” is probably the most explicit example of that — decisions that were made a hundred years ago still casting a shadow. The initial premise is a bit comical — the admin assistant going through their bureaucratic duties — but buried away inside those papers you can imagine the echoes of millions of lives being turned upside down.]

14. Les Amazones d’Afrique – “Love (feat. Mamani Keita)”
from: Amazones Power / Real World Records / January 24, 2020
[2nd album from Les Amazones d’Afrique, a contemporary world music supergroup formed in Mali in 2015 featuring Kandia Kouyaté, Angélique Kidjo, Mamani Keita, Rokia Koné, Mariam Doumbia (of Amadou & Mariam), Nneka, Mariam Koné, Massan Coulibaly, Madina N’Diaye, Madiaré Dramé, Mouneissa Tandina and Pamela Badjogo. The name of the refers to the Dahomey Amazons, which was a female elephant hunting group and a military regiment from the 17th century thru 19th century in what is now Benin. Les Amazones d’Afrique performed their first concert at Fiesta des Suds in Marseilles in October 2015. The 1st track they released was “I Play The Kora,” a track that goes well beyond the often-reductive term of “world music”. Its message is to encourage women coming together to sing about why they should “rise up and fight injustice because we’re all equal,” and profits from the sale of the track are be donated to The Panzi Foundation, led by Doctor Mukwege in Bukavu (DRC), which has provided healing support to more than 80,000 women, nearly 50,000 of whom are victims of sexualized violence and female genital mutilation. The kora, a harp-like instrument native to West Africa, works as a metaphor: playing the kora was denied to women for years; only men were allowed the prestige. Following their first UK performance at WOMAD Charlton Park in July 2016, Les Amazones d’Afrique were signed to Real World Records for the release of their 1st album, Republique Amazone (2017). Real World Records is a British record label specializing in world music. It was founded in 1989 by English musician Peter Gabriel and original members of WOMAD. In 1999, the label had sold over 3 million records worldwide & released 90 albums. In 2015, it had reached the mark of over 200 albums.]

15. Hailu Mergia & The Walias – “Tche Belew”
from: Tche Belew / Awesome Tapes From Africa / October 10, 2014
[Awesome Tapes From Africa is a record label & web site operated by Brian Shimkovitz based in Los Angeles, CA. Founded in 2006 in Brooklyn, New York, the site was created as a way for Shimkovitz to share music he had come across while on a Fulbright scholarship in Ghana. He was interested in the variety of genres and artists he found, distributed largely on cassette tapes at markets, but that he had not come across outside West Africa. In 2011, Shimkovitz transitioned the site from just a blog with posted recordings of collected tapes posted without the artists’ permission to a commercial record label. The goal of the company is to seed and expand an audience for the artists presented as well as provide opportunities to sell albums and tour. Artists are paid every six months and receive 50% of the profits from an album. Tapes presented on Awesome Tapes come from a variety of sources: gathered in Ghanaian street markets, purchased in stores in the US, or sent by others over the internet.[5] In addition to the website, Shimkovitz DJ’s concerts, clubs and at festivals as Awesome Tapes From Africa, as well as hosts a show on Dublab.Most Awesome Tapes From Africa releases are official rereleases of out-of-print cassettes from African musicians and bands. SK Kakraba’s Songs of Paapieye is the first album to consist of a new release. Although music is distributed in Africa via MP3 on mobile phones, Shimkovitz says the widest variety of music in West Africa is still available on cassette tape. In the journal Public Culture, Awesome Tapes From Africa, along with record labels Sublime Frequencies and Parallel World, is discussed as being emblematic of “World Music 2.0” for combining the “open source ethics of online networks with long-standing countercultural networks of circulation” within cassette culture and music distribution in developing nations. Walias Band were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In 1977 they recorded one of the few albums of Ethiopian instrumental music in collaboration with vibraphonist Mulatu Astatke, whose role as a bandleader and composer was also a major influence on Ethiopian popular music. Walias formed in the early 1970s in Addis Ababa where they were the house band for the upscale Hilton Hotel. A civilian curfew made it dangerous for clientele visiting the hotel lounge to leave after 11:00 PM, and Walias would end up playing two or three sets until 6:00 AM the next day. In 1981 Walias became the first modern Ethiopian band to travel to the United States, playing on a tour with singer Mahmoud Ahmed primarily to audiences of Ethiopian refugees. Rather than returning to Ethiopia under its dictatorship, four members of Walias—Girma Bèyènè, Mogès Habté, Mèlakè Gèbrè and Hailu Mergia—stayed in the U.S. and formed a new group called Zula Band. Mergia took work in Washington DC driving a taxi cab, often practicing in his cab while waiting for fares at the airport, and released solo cassette tapes of traditional Ethiopian music played on analog synthesizer, electric piano and accordion. Meanwhile the members of Walias who returned to Ethiopia—Yohannes Tèkola and Tèmarè Harègou—continued to play together under the Derg dictatorship for another decade. In the late 1990s Walias Band found a wider audience in the West when the French label Buda Records reissued much of the group’s music on the Ethiopiques series of compact discs. Their instrumental track, “Musicawi Silt,” became a popular dance number and has been covered by a number of artists. Not much else of Walias’ music was known until African music cassette collector Brian Shimkovitz found a Walias Band tape while traveling in Ethiopia. After hearing it, Shimkovitz found keyboardist Hailu Mergia’s phone number on the Internet, called him up, and arranged an official re-release of Walias Band’s music.]

16. The Heliocentrics – “Burning Wooden Ship”
from: Infinity of Now / Madlib Medicine Show / February 14, 2020
[The Heliocentrics are a London-based musical collective, combining funk, jazz, psych and library influences based around drummer and producer Malcolm Catto, Bassist Jake Ferguson, Guitarist Adrian Owusu and multi-instrumentalist Jack Yglesias. They released their debut album, Out There in 2007 on Now-Again Records, followed by collaborations with Ethiopian musician Mulatu Astatke on the album Inspiration Information (2009) which was awarded that years Gilles Peterson Worldwide Winner Album of the Year award, Lloyd Miller & The Heliocentrics (OST)(2010), and Orlando Julius. The Heliocentrics appeared on the track “Skullfuckery” on the UK release of the DJ Shadow album The Outsider, which was released in 2006. In 2013, they released their second full album, 13 Degrees of Reality also on Stones Throw. The album with Astatke was included in a list of ‘Five Essential Jazz Albums’ chosen by pianist Jamie Cullum in 2013. In 2017, they released A World of Masks with vocals by Barbora Patkova, as well as The Sunshine Makers OST, the score they wrote for the 2015 British documentary The Sunshine Makers, directed by Cosmo Feilding-Mellen. Both records were released on Soundway Records.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in KCMO. More info at: http://www.recordswithmerritt.com

The Talking Trees with special guest Tyler Gosnell play Records with Merritt, 1614 Westport Rd, KCMO, Friday, February 21, at 8:00 PM

11:30 – Underwriting

17. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / January 17, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

EBONY TUSKS

11:35 – Interview with EBONY TUSKS

EBONY TUSKS are Daniel Smith – DJ & production, Nathan “Geese” Giesecke – vocals & production, and Martinez Hillard – vocals & production. EBONY TUSKS join us live in our 90.1 FM studios to share details about their new single HDF which we just heard, and news about their upcoming album, Heal Thyself, to be released on High Dive Records and Intelligent Sound. EBONY TUSKS are playing in series of “All Ages” shows to celebrate the release of “HDF.”

EBONY TUSKS’s play ArtsConnect Topeka, 909 N. Kansas Ave, Topeka, KS., Thursday, March 5, at 7:00 PM with special guests VOLSTICE and Tione Jackson.

Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Fri, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE.

Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko.

Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sun, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye. All Proceeds go to Eschleman Family.

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step.”

Martinez Hillard told Vivid Seats: “I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel is a DJ and producer. He makes beats. Daniel works for the United Way of Douglass County. Daniel helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2016: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an intensity that we didn’t have prior.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

EBONY TUSKS Shows:

EBONY TUSKS play ArtsConnect Topeka, 909 N Kansas Avenue, Topeka, KS., Thursday, March 5, 2020 at 7:00 PM with special guests VOLSTICE and Tione Jackson

The latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp, free entry.

Live art will be provided by Beth King and Robert Tapley Bustamante. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to Beacon Youth Group. Beacon is a welcoming environment for queer youth ages 12-20 to engage in socialization, education, exploration, and activism.
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Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Friday, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp. There is a suggested $10 donation. It supports White Schoolhouse, its wonderful volunteers, and their ability to continue hosting safe, accessible, and amazing shows. If you are unable to, please come anyway. We want you in attendance.

Live art will be provided by Matthew Asbury. We are accepting donations and there will be a raffle drawing for Matt’s work at the conclusion of the event. 100% of live art proceeds will go to Girls Rock Lawrence. Girls Rock is an intersectional feminist movement associated with the international Girls Rock Camp Alliance. They create a safe space for adolescent girls and trans youth to participate in music education and mutual empowerment through music. SMASH THE PATRIARCHY!
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Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

Live art will be provided by Nick Lewis. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to BANDWAGGN KC. BANDWAGGN’s mission is to empower girls and trans youth to build community thru authentic relationships and lead a movement toward collective liberation. Music is their chosen tool for teaching, learning & building into our future.
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Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sunday, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye (Marty from Ebony Tusks) All Proceeds go to Eschleman Family.

11:56:33

18. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / to be released later this Spring
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

EBONY TUSKS photo by Ailecia Ruscin of OH! Snap! Photography

Next week, February 26 – Nico Gray joins us as Guest Producer. Plus, Doby Watson joins us to play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #825

WMM presents Marion Merritt + EBONY TUSKS

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 19, 2019

Spinning Records With Marion Merritt
+ EBONY TUSKS

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: Antibalas, Sharon Van Etten, Isobel Campbell, Holy Fuck, Caribou, Khruangbin & Leon Bridges, Monophonics, Brazzos & O.K., Mukhtar Ramadan Idii, of Montreal, Field Music, Les Amazones d’Afrique, Hailu Mergia & The Walias, Sestetto Basso-Valdambrini, and The Heliocentrics.

EBONY TUSKS

At 11:30 Mark talks with members of the Lawrence, KS. based hip hop trio, EBONY TUSKS who join us live in our 90.1 FM studios to share details about their new single HDF and their upcoming album, Heal Thyself on High Dive Records. Ebony Tusks are playing a series of “All Ages” shows to celebrate the release of their new single “HDF.” EBONY TUSKS’s play ArtsConnect Topeka, 909 N Kansas Ave, Topeka, KS., Thursday, March 5, at 7:00 PM with special guests VOLSTICE and Tione Jackson. EBONY TUSKS play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Friday, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE. EBONY TUSKS play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko. And EBONY TUSKS play recordBar 1520 Grand Blvd., KCMO, on Sun, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye. All Proceeds go to Eschleman Family.

EBONY TUSKS photo by OH! Snap! Photography

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #825

WMM Playlist from Feb. 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 12, 2020

The Pedaljets!!!
+ New & MidCoastal Releases
+ Betse Ellis & Marion Merritt

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Katy Guillen & The Drive – “Willingly”
from: Dream Girl [EP] / Katy Guillen / to be released on: March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen & The Drive play Feb 14 in St Petersburg, FL; Feb 15 in Tampa, FL; Feb 16 in Goodland, FL; Feb 18 – 22 for Keeping the Blues Alive at Sea VI. Katy Guillen will be on WMM on March 18.]

10:05 – WMM Winter Fund with co-hosts: Marion Merritt & Betse Ellis.

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also part of the Short Round Stringband, the 5-piece band that last year released a 14-track album called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West in 1978. For 16 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding, and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

10:12

3. Kian Byrne – “All The Love”
from: All The Love – Single / Kian Bryne / February 7, 2020
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. This single will be part of a full length album Kian is releasing in March. This is a follow-up to Kian Byrne’s solo EP “Up & Down” (released July 11, 2018) that was #55 on WMM’ 118 Best recordings of 2018. You can learn more at: kianbyrnemusic.com]

4. The Black Creatures – “the fall & winter (radio edit)”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

[Black Creatures play miniBar, 3810 Broadway Rd, KCMO, Monday, February 24, 2020 at 9:00 PM with King Ropes, and True Lions]

[Black Creatures play a “Leap Year Party with The Black Creatures, in The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, Saturday, February 29, at 9:00 PM with DJ Scotty Wu & special guests.]

[Black Creatures play miniBar, 3810 Broadway BLVD, KCMO, on Monday, March 16, at 9:00 PM opening for Wyatt Waddell with Eddie Moore.]

[Black Creatures play MidCoast Takeover at The Shangri La in Austin Texas, on Wednesday, March 18 at 12:00 PM. Hosted by Midwest Music Foundation.]

10:20 – Pledge Break #2

We just heard The Black Creatures. Xavier Martin and Jade Green are The Black Creatures. Their album “Wild Echoes” was #2 on WMM’s 119 Best Recordings of 2019. Wednesday MidDay Medley was one of the first radio shows to play their music on the air. The Black Creatures appeared on our show on September 25, 2019. We not only play the music but we let you know where to see these artists perform live in KC and around the country. We offer information about when the music was released, who contributed to the recordings and information about these artists. Our playlists are posted on our Wednesday MidDay Medley Facebook page, our Twitter page, and playlists dating back for the last 9 years are available at http://www.wednesdaymiddaymedley.org. WMM was the very first to play Madisen Ward and the Mama Bear, Calvin Arsenia, Shy Boys and Ivory Blue.

10:27 – Underwriting

5. Broken Heart Syndrome – “Hard To Be Boring”
from: Hard To Be Boring – Single / Olive Juice Music / February 14, 2020
[Kansas City based supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. This is the thrid single release from th band and ia follow up to their Setember 13, 2019 release of Dolly (and other unfinished business) is the second official Broken Heart Syndrome. ]

[Broken Heart Syndrome play the Broken Hearts Ball at The Rino, 314 Armour Rd, North Kansas City, on Friday, February 14, at 7:00 PM with The UK’s, and Mene Mene.]

6. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in KC, by Chase Horseman. Mastered by Alan Douches at West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. My guitar and I got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before, but also I didn’t know I was going to record this EP, so you know. I had the luxury of working with Chase Horseman every week or two, giving myself time to add and rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is ubertalented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More info at: http://www.nanturner.bandcamp.com]

[Nan Turner’s band: Nan & the One Nite Stands play Records with Merritt, 1614 Westport Rd, KCMO, Saturday, February 15, at 8:00 PM with Charlie Upchurch (comedy), Causing FX (Daniel Robinson, formerly Los Cauz), and Breaka Dawn (of The Bad Ideas).]

10:36 – Pledge Break #3

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! No commercials, no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. KKFI is the opposite of a robot. There is always a human being on the other end of the phone line anytime you call. We are “The Voice of The Community” – 90.1 offers 102 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 147 hours each week of locally produced handcrafted programs. You will not find this kind of representative diversity anywhere else on your radio dial, or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

10:43

7. The Roseline – “Better to the Bone”
from: GOOD / GRIEF / King Forward Records / to be released April 3, 2020
[From the 6th album of the Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The songs were born, largely, in response to the death of Halliburton’s best friend (and keyboardist in The Roseline), as well as the loss of his mother-in-law to suicide. Additionally, the album explores themes of love & marriage, the grieving process, elder millennial existential dread, politicized rage, drugs, and mortality. Beyond simply the lyrics, they have added sonic textures that have not previously been explored, thanks to the addition of guitarist Bradley McKellip, bassist Colin Jones, and keyboardist and vocalist Heidi Gluck. Drummer Jim Piller and guitarist Kris Losure have returned as solid mainstays of the band. Guest appearances from lap steel player Mike Stover, pianist Dan Loftus, and vocalist Chase Horseman widen the sonic spectrum even further. The album was recorded, engineered and produced by Joel Nanos at Element Recording Studios in KCMO. The new album follows the September 29, 2017 release “Blood,” and the June 19, 2015 album, “Townie.” The band has toured the US and Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. More info at; http://www.roselinemusic.com.]

[The Roseline play an Album Release show at Replay Lounge in Lawrence, Friday, April 3 at 9:00 PM]

[The Roseline play a Kansas City Album Release show at Mike Kelly’s Westsider, Saturday, April 4.]

Krystle Warren

8. Krystle Warren & The Faculty – “Tuesday Mornings”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

9. Thighmaster – “Dick Simmons”
from: Between The Knees And Squeeze / High Dive Records / January 10, 2020
[Thighmaster is a Lawrence, Kansas based band formed by Maxfield Yoder (formerly of the bands: Dean Monkey & the Dropouts, Plains) on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Thighmaster recently signed with KC based label High Dive Records. The band is resurrecting the song-writing demons that have long haunted Mayfield Yoder. Thighmaster truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster.]

[Thighmaster plays Replay Lounge, 946 Massachusetts, Lawrence, KS, on Fri., Feb. 14, at 10:00 PM, w/ Greg Wheeler & the Polygamist Mall Cops (from Des Moines), Y Pony (members of The Ovaries-eez).]

10:53 – Pledge Break #5

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:00 – Station ID

10. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

Cody Wyoming, Mike Allmayer, and Matt Kesler of Pedaljets on the February 12, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:04 – Interview with Mike Allmayer, Matt Kesler, & Cody Wyoming

The Pedaljets join us live in our 90.1 FM Studios to talk with us about their new album, “Twist The Lens,” be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Pedaljets, play an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids. More info at: http://www.thepedaljets.com

Mike Allmayer, Matt Kesler, & Cody Wyoming thanks for being with us on Wednesday MidDay Medley

Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

Once hailed as “Kansas City’s answer to The Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own.

After releasing two LPs, 1988’s “Today Today” and 1989’s “Pedaljets,” the band split up.

After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland.

Kesler owned and operated the KC vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more.

The Pedaljets couldn’t stay apart forever though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform..

20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years.

6 years later, “Twist The Lens” their 4th full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

11:13

11. Pedaljets – “Twist The Lens”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

The Pedaljets
Photo by Paul Andrews

11:17 – Interview with Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming

The Pedaljets join us live in our 90.1 FM Studios to talk with us about their new album, “Twist The Lens,” be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Mike Allmayer, Matt Kesler, & Cody Wyoming thanks for being with us on Wednesday MidDay Medley

11:26

12. Pedaljets – “The Fader”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

[The Pedaljets play an Album Release show at miniBar, 3810 Broadway Rd, KCMO, on Saturday, February 15, 2020 at 8:00 PM with Dan Jones & the Squids.]

11:29 – Underwriting

11:31 – Pledge Break #5

In just this past year on WMM we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Records With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more.

11:38

13. The Black Mariah Theater – “Patron Saint”
from: Patron Saint – Single / The Black Mariah Theater / December 6, 2019
[Follow up to their November 2019 single “Got No Luck.” The Black Mariah Theatre released their debut EP “Black Hearts” On July 22, 2017. The Black Mariah Theater is made up of twin sisters Sophia Motta on vocals and guitar, and Analiese Motta on drums. Their genre-bending funky drum beats, jazzy guitar tones, and tell-it-like-it-is lyrics create a rock n roll show perfect for anyone who’s had a bad day, a lonely night or a broken heart. A Kansas City-based duo, The Black Mariah Theater’s sound has been described as “eclectic.” Mixing jazzy guitar tones with funky drum beats and angsty lyrics, old jazz comes into the modern world. Influenced by the likes of Billie Holiday, The Black Keys, The Cold War Kids, The Kills, and Chet Baker. More information at: http://www.theblackmariahtheater.bandcamp.com]

[The Black Mariah Theater play a Record Release, at Knuckleheads Saloon, 2715 Rochester St, KCMO on Friday, February 14, at 8:00 PM with Chase The Horseman, And Nathan Corsi Band.]

14. Millage Gilbert w/ The Creighton Organization – “Nothin’ I Can Do” (CD #14) (5:02)
from: I Heard It On 18th Street II / Independent / 2009
[Living legend, Millage Gilbert in 77 years old and has deep roots in Kansas City and Mississippi. Born in Jackson, MS, he grew up watching such legends as John Lee Hooker, Little Milton, and Howlin Wolf. At 17, he joined Elmore James’ band. A KC resident since 1962, Gilbert has performed with Little Hatch and Sonny Kenner, and has performed in Europe. He told an interviewer: “I was born in Madison County, Mississippi, near Tougaloo, south of Ridgeland, north of the city of Jackson, Mississippi, May 24, 1938 [Ed. Note – His birth certificate states May 25, 1938, but Gilbert insists he was born on May 24, 1938.] My mother was born Dora Scott in Clarksdale, Mississippi. I was grown up from a family of 14. I’m the 12th child, the baby son. Now I’m the only boy left living. My father was the seventh son in his family and I’m his seventh son. The Gilberts were always known for playing guitar. Hopefully my boys will take it a little further.”]

[Millage Gilbert Knuckleheads 2715 Rochester St, KCMO, Thursday, February 13, at 7:00 PM, with Stormcellar: Millage Gilbert, Danny Cox, and others! (Free Show)]

11:47 – Pledge Break #6

I love that I can tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without commercials. It is radio brought to YOU by people who create radio shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. http://www.kkfi.org – Become a sustaining member!

Marion Merritt, Betse Ellis, Thank You!

Thank you to everyone who called in!

11:56

15. Gang of Four – “Natural’s Not In It”
from: Entertainment / EMI – Warner Brothers / September 25, 1979
[Debut album from Gang of Four, an English post-punk band, formed in 1976 in Leeds. The original members were singer Jon King, guitarist Andy Gill, bass guitarist Dave Allen and drummer Hugo Burnham. There have been many different line-ups including, among other notable musicians, Sara Lee, Mark Heaney and Gail Ann Dorsey. After a brief lull in the 1980s, different constellations of the band recorded two studio albums in the 1990s. Between 2004 and 2006 the original line-up was reunited; Gill was the only remaining original member prior to his death on 1 February 2020. The band plays a stripped-down mix of punk rock, funk and dub, with a lyrical emphasis on the social and political ills of society. Gang of Four are widely considered one of the leading bands of the late 1970s/early 1980s post-punk movement. Their debut album, Entertainment!, was ranked as fifth greatest punk album of all time and at Number 483 in Rolling Stone’s 500 Greatest Albums of All Time. The album was listed by Pitchfork Media as the 8th best album of the 1970s. Their early 80s albums (Songs of the Free and Hard) found them softening some of their more jarring qualities, and drifting towards dance-punk and disco. David Fricke of Rolling Stone described Gang of Four as “probably the best politically motivated band in rock & roll.” In 2011 we played from “Content” Gang Of Four’s 7th full-length album released January 25, 2011 on Yep Roc and their first studio record in 16 years from the punk-funk, post-punk agitators, formed in 1977. They went on to release more: What Happens Next (Metropolis/Membran, 2015) and Happy Now (Gill Music Ltd, 2019).] [Andrew James Dalrymple Gill was born January 1, 1956 and died February 1, 2020. He was a British musician and record producer. He was the lead guitarist for the British rock band Gang of Four, which he co-founded in 1976. Gill was known for his jagged style of guitar on albums such as Entertainment! (1979) and Solid Gold (1981) and hit singles such as “At Home He’s a Tourist,” “Damaged Goods,” “Anthrax,” “What We All Want” and “I Love a Man in a Uniform”. In addition to his work with Gang of Four, Gill was also a record producer, and produced or co-produced all of the band’s albums. He also produced albums for artists such as the Red Hot Chili Peppers, the Jesus Lizard, the Stranglers, the Futureheads, Michael Hutchence, Killing Joke, Polysics, Fight Like Apes, Therapy? and the Young Knives. Gill was born in Manchester, England, UK, on 1 January 1956. Gill was married to Catherine Mayer, a journalist and the co-founder of the Women’s Equality Party. Gill was often confused with The Independent’s music critic, also named Andy Gill. Gill’s death was announced by Gang of Four on February 1, 2020. He was 64. A band’s spokesperson told the New York Times the cause of death was pneumonia.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 19 – Marion Merritt returns as Guest Producer with more sonic discoveries and information from her musically encyclopedic brain. Also joining us is the Lawrence based band: Ebony Tusks with new music on High Dive Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #824

Wednesday MidDay Medley presents The Pedaljets + Betse Ellis + Marion Merritt

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 12, 2020

The Pedaljets!!!
+ New & MidCoastal Releases
+ Betse Ellis & Marion Merrit
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Mark plays more New & MidCoastal Releases from: Katy Guillen & The Drive, The Pedaljets, The Roseline, The Black Creatures, Thighmaster, Broken Heart Syndrome, The Black Mariah Theatre, Kian Byrne, Krystle Warren, Millage Gilbert, and Nan Turner. We’ll also play Gang of Four.

The Pedaljets
Photo by Paul Andrews

At 11:00 Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming of The Pedaljets share their new album, “Twist The Lens,” to be released Feb. 14, on Electric Moth Records. Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer. Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

The Pedaljets, play an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids. More info at wwwthepedaljets.com.

Marion Merritt
Betse Ellis

Mark also welcomes Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke who joins us for the entire show as our special guest co-host. We also welcome Marion Merritt, longtime contributor to Wednesday MidDay Medley, and proprietor of Records With Merritt, who also joins us as co-host. Betse & Marion will help to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

The Pedaljets photo by Paul Andrews

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #824

WMM Playlist from: Feb. 5, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Jametatone – “Is That What You Like? (feat. Calvin Arsenia)”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays recordBar, 1520 Grand, KCMO, Wednesday, Feb. 12, at 7:00 PM w/ ARQuesta Del SolSoul and Collidescope.]

3. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Wise Blood KC, at 300 Westport Rd, KCMO, on Friday, February 7 at 6:00 PM, with Charlotte B, and Ramona & The Phantoms.]

[True Lions play Stockyard Sounds with SoulTru, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

[True Lions play The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, on Tuesday, February 11, at 9:00 PM with Frankie Valet (STL), Chloe Jacobson, and Tellum.]

4. Vincent Herring, Bobby Watson & Gary Bartz – “These Foolish Things”
from: Bird at 100 / Smoke Session Records / November 29, 2019
[August 29, 2020 will mark the 100th anniversary of the birth of Charlie Parker. Alto saxophonists and three of modern jazz’s most acclaimed voices: Vincent Herring, Bobby Watson, and Gary Bartz backed by a rhythm section that includes: pianist David Kikoski, bassist Yasushi Nakamura, and drummer Carl Allen shared the stage at Smoke Jazz Club in New York in August 2019, for shows celebrating what would have been the honoree’s 99th birthday. On Bird at 100, Herring, Watson, and Bartz revisit standards Bird transformed to blazing bebop numbers and also sharing new compositions written with Charlie Parker’s legacy in mind. Watson’s ballad-turn on “These Foolish Things” offers a master class in phrasing and articulation, and Kikoski is given plenty of room to stretch out a big, warm blanket of a solo. Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas]

[Bobby Watson plays Searching for Charlie Parker w/ Logan Richardson & Bobby Watson on Thursday, February 6, at 9:00 PM, at The Ship, 1217 Union Avenue during Black History Month, At 9:00 PM: Music is Your Own Experience – Featuring Polish Jazz Artists., At 10:00 PM: Sanctified Rhythm – Featuring Bobby Watson. At 11:00 PM: No Boundaries to Art – Featuring Logan Richardson’s blues PEOPLE. At 12:00 AM: Just Play the Music – Featuring Five Saxophonists.]

10:20 – Underwriting

5. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM with Momma’s Boy, Stary, and Shady Bug.]

[The Creepy Jingles play Replay Lounge, 946 Massachusetts, Lawrence, KS. on Saturday, Feb. 8, at 10:00 PM with Serene Fiend, and JC & The Nuns.]

6. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

Belle Loux and John Loux on the February 5, 2020, edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves joined us last summer to share their single “Fear Or Faith.” Belle & The Vertigo Waves are back on the show to share details about their show “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata. More information at: http://www.thevertigowaves.com

Belle Loux and John Loux, thanks for being on WMM.

Belle Loux is lead singer for Belle & The Vertigo Waves. John Loux is lead guitarist

Belle Loux is 22 years old. She has been writing music and fronting this band since she was 18 years old.

Early influences were: The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves have played Middle of The Map Fest, Plaza Art Fair, Boulevardia and most venues across the KC metro.

The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.”

The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. After “Aligned” that band has gone through an evolution of sound and players. Belle Loux and John Loux have continued as founding members.

At various times, the group has included two of the “Aligned” musicians, including bassist Jeremiah Scott, plus the more recent additions of Elliott Holt on drums and Zach Nielsen on guitar.

Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves hope to release a new EP, and a new video later this year.

Belle Loux, & John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

More information at: http://www.thevertigowaves.com

10:46

7. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in KCMO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

8. Misha Roberts – “Exposed”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

[The Freedom Affair play The Ship, 1217 Union Avenue, KCMO (West Bottoms) TONIGHT Wednesday, February 5, at 9:00 PM]

9. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full-length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on their final album, “Nobody’s Happy” from 2004, with Tom on vocals, Ike Sheldon on piano, Phil Wade on guitar. The track was recorded as a surprise for Betse.]

[Betse Ellis plays Sunday Service at Stockyards Brewing Co. on Sunday, February 9, at 2:00 PM at Stockyards Brewing Co. 1600 Gennessee St. KCMO with 3 Trails West and Bill Dye.]

11:00 – Station ID

Marty Thomas

10. Marty Thomas – “We Belong”
from: Slow Dancing With A Boy / Broadway Records / December 6, 2019
[Originally from Trenton, Missouri where he graduted from Trenton High School in 1997.As a child he famously won Ed McMahon’s Junior Star Search over then-unknown Britney Spears. As an adult, Marty Thomas created a name for himself on Broadway in Xanadu, Wicked and The Secret Garden, on television’s Grace & Frankie, and has been a staple of the New York City nightlife for well over a decade. With his sophomore album “Slow Dancing With a Boy”, Marty takes his rightful place among the vocal icons that have long inspired him. Produced by Jamey Ray, this album explores the music of a young closeted mans coming of age memories, and dares to question the possibility of having lived those memories honestly and openly. Fusing pop and musical theatre music with a song stack that runs the gamut of Vanessa Williams to Les Miserables, this album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore. “We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.]

[Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com]

Marty Thomas

11:05 – Interview with Marty Thomas

Originally from Trenton, Missouri, where he graduated from Trenton High School in 1997. While in middle school, in 1992, Marty Thomas beat out a then-unknown Britney Spears to win Ed McMahon’s “Junior Star Search” competition. At that time Marty Thomas was already a veteran of Broadway, as a cast member of “The Secret Garden” in 1991. As an adult, Marty Thomas created a name for himself on Broadway in the musicals “Xanadu,” and “Wicked,” and Off Broadway in “Pageant – The Musical.” He has appeared on television’s Grace & Frankie, and in several films. Marty Thomas has been nominated for a Grammy Award, and has appeared on MTV, VH1, 20/20. and The Tony Awards. Marty Thomas released his second solo album, “Slow Dancing With A Boy,” on Broadway Records, on December 6, 2019. The new album “explores the music of a young closeted man’s coming-of-age memories, and dares to question the possibility of having lived those memories honestly and openly.”

Marty Thomas will bring his “Slow Dancing with a Boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Trenton, Missouri is a town of about 6,000 people about an hour and a half north of Kansas City. It is near the halfway point between Kansas City and Des Moines, Iowa in Interstate 35 North.

Slow Dancing With A Boy explores the music of a young closeted man’s coming of age memories. What was your “Coming Out” process like? And how did your childhood experiences of being on Broadway and on television affect your ‘coming out”?

Of the 12 album tracks on the new album, you recommended that we play “We Belong.”

Album Tracks:

1. Slow Dance
2. As (written by Stevie Wonder)
3. Dancing On My Own All By Myself
4. Dreamlover (featuring Jamey Ray and Rachel Potter)
5. Crazy For You (written by John Bettis and Jon Lind for Madonna)
6. Remember Me This Way
7. Show Me Heaven (written by Maria McKee, Eric Rackin, Jay Rifkin)
8. Seventh Grade [Save the Best For Last / Everything I Do] (featuring Mykal Kilgore)
9. I Want You to Need Me (written by Diane Warren for Celine Dion)
10. Someone to Fall Back On
11. We Belong (written by Eric Lowen and Dan Navarro for Pat Benatar)
12. Somewhere (composed by Leonard Bernstein / lyrics by Stephen Sondheim)

“We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.

This album was born of the epiphany that the artists coming of age years were not his own. He traded them to his church, his family and the deeply troubling belief that he wasn’t worthy of honest love. Convinced if he told enough lies and believed them that he could fit in and have a happy life by pleasing everyone around him but himself. Obviously, the truth is always king and will always find the light eventually.

‘Slow Dancing With A Boy’, is a collection of music from Thomas’ middle school, high school and college years rearranged, reclaimed and placed firmly in the light. It’s a second chance to live truthfully and make music honestly.

Slow Dancing With A Boy was officially released on Broadway Records on December 6, 2019 and is available on all digital and streaming platforms.

Marty takes his rightful place among the vocal icons that have long inspired him.
Produced by Jamey Ray.

This album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore.

The album reached #19 on the iTunes pop charts and has received rave critical reviews. Physical copies will be available for sale the night of the concert.

Xanadu – for this musical your work as a skater was put to great use. Can you talk about this musical? Ventriloquism and 30 minute lips in 18 minutes

11:19

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Marty Thomas brings his “Slow Dancing with a Boy” tour, to Kansas City, this Friday, February 7, at 8:00 PM at Music Theatre Kansas City, 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

11:19- Underwriting

11. Suzannah Johannes – “Hanging On”
from: Suzannah Johannes EP / Range Life Records / September 2, 2008
[Recorded by Steve Squire, with additional recording by Mike Nolte. Mixed by Mike Nolte at More Famouser. Mastered by Roger Seibel at SAE. Artwork by Pre Sense Form. Released by Range Life Records. For this track: Josh Adams on drums & percussion , Dave Wetzel on guitar, Steve Swyers on guitar, Mike Nolte on bass, and Suzannah Johannes on vocals. Suzannah Johannes is a singer and songwriter living in Lawrence, KS. She has performed with David Wetzel (Ghosty), Steve Swyers (Say My Name), Jeff Stoltz (Drakkar Sauna), and Dustin Kinsey (New Amsterdams).]

[Suzannah Johannes plays the Myers Hotel Bar, 220 South Main, Tonganoxie, KS. on Friday, February 7, at 8:00 PM with the band Sidehug.]

12. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

[Kadesh Flow plays Kansas Cith Bier Company, 310 West 79th St., KCMO, on Fri., Feb. 7, at 7:00 PM]

13. The MGDs – “Let Me In”
from: Let Me In – Single / The MGDs / Feb. 5, 2020 (Unreleased)
[Damon Parker sent me this new song from the MGDs which will be on their upcoming album “Midtown” to be released later this spring. Midtown will be the follow-up to the band’s 3rd studio release, their November 4, 2017 release, Somos Como Somos. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand Blvd., KCMO with Verbose, and Jesus Loves The Atom Bomb.]

11:30 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us to share details about Midwest Music Foundation’s Annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. Midwest Music Foundation presents the 11th annual MidCoast Takeover, a 4-day, 2-stage KC-focused showcase, March 18 through 21, at Shangri La, hosting over 40 bands at the nation’s largest music festival in Austin, Texas.

Sondra Freeman joins us to share info about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at recordBar, 1

7:00 pm – Doors open
8:00 pm – Verbose
9:00 pm – Jesus Loves the Atom Bomb
10:00 pm – The MGDs

The Midwest Music Foundation is proud to present the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in KC and throughout the Midwest.

These fundraiser shows help us raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

Huge thanks to our sponsors: Boulevard Brewing Company, Seen Merch, Nebraska Exposed, Eastern Afternoon, recordBar, The Brick, Shangri La, City Rent A Truck,
XO Blackwater, Rad’s FX LLC, and CM2 Audio.

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singler of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and her husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pau health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opeing a j]hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Midwest Music Foundation – http://www.midwestmusicfoundation.org

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director rhonda@midwestmusicfound.org
Sondra Freeman, Director of Promotions and Artist Relations
Michelle Bacon, Editor
Canyon McClung, Production Specialist
Brenton Cook, Promotions Specialist
Christopher Tate, Technical Officer, Website Specialist

Midwest Music Foundation Board

Scott Easterday, President, Website, Musician
Chris Meck, Vice President, Musician and CM2 Audio
Garrett Nordstrom, Treasurer, Musician and Birdsway Productions
Ellen Sherman, Secretary, Chair of Marketing
Eric Barton, General Counsel
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Medical Center
Bryant Miller, JD, Chair of Development
Vi Tran, Musician and The Buffalo Room
Camry Ivory, Musician
Amber Hulet, Volunteer Coordinator, Social Media

Other Midwest Music Foundation Events:

MidCoast Takeover #2 is March 7

JayRock 15, on Friday, February 28, at 6:00 PM at Uptown Theater, 3700 Broadway Rd, KCMO. Hosted by JayDoc Free Clinic, featuring Yes You Are, Third Degree of Kansas City, and Everett the Grey!

The headliner of JayRock 15 is Yes You Are. They are a local pop band whose first single debuted on Pepsi’s Superbowl 51 commercial as well as being featured in Bad Moms amongst other FX and MTV shows. Vocalist Kiarra Alarid has been a guest at Coachella amongst other musical festivals and have appeared on Sesame Street and Sesame Street.

JayRock 15 will be opened by Everett the Grey, a band including a fellow second year medical student Alex Hill. The second opener of the night will be Third Degree of Kansas City, a group who describes their sound as classic and eclectic rock ‘n’ roll. Third Degree is made up of some of KUMC’s finest faculty members: Pete DiPasco, Dianne Durham, Beth Levant, Ken McCarson, and Peter Smith.

10:44

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

More info at: http://www.midwestmusicfoundation.org

11:45

14. Verbose – “The Victim”
from: Idle Hour at Barto’s / Verbose / November 8, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Jesus Loves The Atom Bomb, and The MGDs. ]

15. Trixie Mattel – “Malibu”
from: Barbara / PEG Records / February 7, 2020
[Trixie Mattel is the stage name of Brian Michael Firkus, an American singer, actor, drag queen and recognized “Skinny Legend.” Trixie is the winner of “RuPaul’s Drag Race All Stars” season 3 (originally competing on season 7). He is also a Billboard Heatseekers #1 charting recording artist (One Stone, 2018), a wildly successful theater touring act, and one half of a comic duo on Viceland (“The Trixie and Katya Show”) and on YouTube (“UNHhhh”). In 2019, Trixie worked the festival circuit as the subject of a bio documentary, “Trixie Mattel: Moving Parts.” Trixie Mattel is managed by Producer Entertainment Group and online at twww.rixiemattel.com or @trixiemattel.]

[Trixie Mattel plays The Truman, 601 East Truman Rd, KCMO, Tuesday, Feb. 11, At 8:00 PM.]

16. Soultru – “Must Be”
from: “Must Be” – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays play Stockyard Sounds with True Lions, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 12The Pedaljets join us live in our 90.1 FM Studios to share music from their new album, “Twist The Lens.”

Also next week, special co-hosts Betse Ellis and Marion Merritt join us for our Winter Fund Drive Show encouraging YOU, our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #823

WMM Playlist from Dec. 4, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 4, 2019

The 119 Best Recordings of 2019
(Part 1 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We’ll be packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #119 through #91 of our list, with representative tracks of albums or EPs released by: Vedettes, Ivy Roots, Dan Jones and The Squids, Lincoln Marshall, Giants Chair, Jo MacKenzie, Kadesh Flow, Chloe Jacobson, Drugs and Attics, anothermaxwell, VidCo Kult, HelKat, HMPH!, Keaton Conrad, The Bad Ideas, Quixotic, Shawn Stewart, Dylan Pyles, Weyes Blood, Moon Duo, Sharon Van Etten, Lionel Limiñana & The Limiñanas, Purple Mountains, Bedouine, Angel Olsen, Sinkane, Nilüfer Yanya, and Y La Bamba.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (119.) Tituss Burgess – “45 (feat. Daniel J. Watts)”
from: Saint Tituss – EP / Tituss Ink / July 26, 2019
[Tituss Burgess was born February 21, 1979. He is an American actor and singer. He has appeared in numerous Broadway musicals. He is best known for starring as Titus Andromedon on the Netflix comedy series Unbreakable Kimmy Schmidt (2015–2019), for which he has received four consecutive Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series nominations. Born and raised in Athens, Georgia, he attended Cedar Shoals High School where he was active in the theatre program. He graduated from the University of Georgia with a BA in music. He is openly gay. Burgess made his Broadway debut in the musical Good Vibrations as Eddie in 2005, and then appeared in Jersey Boys in 2005 as Hal Miller. He originated the role of “Sebastian the Crab” in the musical The Little Mermaid in 2007 and went on to the role of Nicely-Nicely Johnson, traditionally played by a white actor, in the revival of Guys and Dolls in 2009. He has also performed in several regional theater productions, including The Wiz and Jesus Christ Superstar. Burgess performed at the “Broadway for Obama” benefit concert held at the State Theatre Center for the Arts in Easton, Pennsylvania on October 20, 2008. He appeared in Season 5 of 30 Rock as D’Fwan, a member of Tracy Jordan’s wife’s entourage. He reprised the role in Season 6. “45” is the first track off Burgess’ first album in seven years, Saint Tituss. Described by the artist as his “deepest and most soul-searching” work to date. He told them.us “… given the political climate, I think it’s time to speak out. I fear for our country. I fear for how our country treats its citizens and I fear for how our citizens treat each other. It’s a larger problem than just legislation. I didn’t know how to respond, so I just started with art.”]

3. (118.) Y La Bamba – “Mujeres (Album Version)”
from: Mujeres / Tender Loving Empire / February 8, 2019
[Mujeres is “Woman Island” in the Gulf of Mexico. Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.]

4. (117.) Sinkane – “Ya Sudan”
from: Dépaysé / City Slang / May 31, 2019
[7th Album from Sinkane (born Ahmed Abdullahi Gallab in London, England in 1983. He is a Sudanese-American musician who blends krautrock, prog rock, electronica, free jazz and funk rock with Sudanese pop. Born to college professors in London, he lived in Sudan, then moved to the US when he was five, and lived for some time in Ohio. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician. Ahmed Gallab is the vocalist and music director of the Atomic Bomb! Band which plays the music of Nigerian funk musician William Onyeabor. The group includes David Byrne (of Talking Heads), Money Mark (of the Beastie Boys), Damon Albarn (of Blur and Gorillaz), Dev Hynes (aka Blood Orange and Lightspeed Champion), Alexis Taylor (of Hot Chip), Charles Lloyd, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among many many others.]

5. (116.) The Bad Ideas – “Nightmare”
from: Happiness / The Bad Ideas / March 30, 2019
[The Bad Ideas are: Britt Adair on guitar, Breaka Dawn on vocals, Matt Roberts on bass, and Way Jillis on drums. The Bad Ideas is an American punk band from Kansas City, Missouri formed in August 2011. They’ve written all original songs and are influenced by post-hardcore, punk, and early 80’s punk. Their EP, Worse Thoughts, was recorded on January 22, 2012 and released March, 2012. Their first self-produced full length, Lesson #1 was released March 8, 2013. The Bad Ideas also released a 7″ split with Red Kate on March 31, 2014. Their most recent release is a full length cassette, “Leave Me Alone.” Released in June 6, 2015.]

6. (115.) Sharon Van Etten – “Seventeen”
from: Remind Me Tomorrow / Jagjaguar / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar.]

7. (114.) Shawn Stewart – “Better Than Me (feat. Ro Myra)”
from: Radio / Shawn Stewart / October 23, 2019
[Radio was recorded by Pat Tomek, Mike Moreland, and Rob Nold, with mixing, mastering, and engineering performed by Pat Tomek. Drums and most percussion- was by Pat Tomek. All songs, 2019, “Hear You” Music. Shawn Stewart started playing music in Kansas City after he moved here from Chicago in 1991. His band, “Tin Roof Echo” played venues around town through 1993 when he retired to the suburbs to raise a family as a “stay at home dad.” In 2014, after his kids were grown, he moved midtown to pick up where he left off. He released four albums under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then to Los Angeles for three months to pursue music publishers and radio.]

8. (113.) Nilüfer Yanya – “In Your Head”
from: Miss Universe / ATO Records / March 22, 2019
[Debut album from British musical artist, Nilüfer Yanya who was born in 1996, the daughter of two visual artists. Yanya grew up in Chelsea, London. Growing up with her father’s Turkish music and her mother’s classical music playing at home, she soon gravitated to guitar rock and learned how to play the instrument at age 12. Informally starting her musical career with demos uploaded to SoundCloud in 2014, she turned down an offer to join a girl group produced by Louis Tomlinson of One Direction and focused on developing her own music instead. Her first EP, “Small Crimes/Keep on Calling”, was released in 2016. Her second EP, “Plant Feed”, was released in 2017, followed by “Do You Like Pain?” in 2018. Miss Universe has received wide critical acclaim, with critics noting her ability to bounce back and forth between musical and lyrical styles, shifting between “gimlet-eyed composure and cataclysmic panic”. Yanya’s music has been described as nervous and restless, combining influences from indie rock to soul, jazz, and trip hop. A Stereogum review called her voice “malleable and endlessly expressive.]

10:29 – Underwriting

9. (112.) anothermaxwell – “Where I Stand”
from: Being – EP / anothermaxwell / June 30, 2019
[Written & Performed, Produced, Engineered, Mixed, and Cover art created by by anothermaxwell. anothermaxwell, is Shenita Hughley who studied music at Avila Collegei and graduated from Raytown South High School in 2012. anothermaxwell is a versatile singer-songwriter & producer, who reinvents new sounds by bending R&B, Pop, Funk and Electronica, genres to form a unique sound not easily categorized.]

10. (111.) Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joined us on September 25, 2019, to share music and details on his new 20 track album, Popular Songs for the Heart, released September 20, 2019 digitally and on cassette through Manor Records. Dylan also released the 6 song EP, Solo Acoustic Guitar Vol. 1, on September 20, 2019. In December 2018 Dylan Pyles released the 19 track, experimental release, You Have a Problem but You Are Not a Problem. More info at: http://www.dylanpyles.bandcamp.com.]

[Dylan Pyles plays Replay Lounge in Lawrence, KS, Sat., Dec. 7, with The Cavves, and Vanity Plates.]

11.(110.) Weyes Blood – “Something To Believe”
from: Titanic Rising / Sub Pop Records / April 5, 2019
[Weyes Blood is Natalie Mering, born June 11, 1988, in Santa Monica, CA and grew up in Doylestown, Pennsylvania. She has released 4 albums and an EP. Both her siblings and parents are musicians and music played an important part in her upbringing. Her older brother, Zak Mering, is also a noteworthy recording artist, producer and songwriter under the “Raw Thrills” alias. At the age of 15 Mering began using the moniker Wise Blood to write songs. She changed to Weyes Bluhd on several self released records before changing the spelling to Weyes Blood. She took the name from the Flannery O’Connor novel Wise Blood. At the same time, while working on her own material, she toured the underground music scene with bands Jackie-O Motherfucker and Nautical Almanac. In 2011 she released the album The Outside Room as Weyes Blood And The Dark Juices on Not Not Fun Records. Uncut magazine described the album as “the vibe is devotional and ethereal, but with an edge”, while Beatbots found it “an impressive and ambitious album”. Natalie released her second record in October 2014 called The Innocents, which was released through Mexican Summer. In 2016 she released the album Front Row Seat to Earth on Mexican Summer to great acclaim throughout the music industry, and has spent the past few years touring throughout Europe and the states.]

12. (109.) Quixotic & Calvin Arsenia – “Experience”
from: Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping and live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, The Black Creatures and Calvin Arsenia.]

13. (108.) Lionel Limiñana & The Limiñanas – “Ocean Kids”
from: Le Bel Été / Because Music / Nov. 15, 2019
[The Limiñanas are Lionel & Marie Limiñana . They are based in Cabestany, deep south of France. They record garage, psych and pop music. Getting their start in October of 2009, The Limiñanas are the brainchild of Lio and Marie Limiñana.]

14. (107.) Moon Duo – “Stars Are The Light”
from: Stars Are the Light / Sacred Bones / September 27, 2019
[Moon Duo is a psychedelic rock band from San Francisco, California formed in 2009 by Wooden Shjips guitarist Ripley Johnson and Sanae Yamada. Their debut album Mazes was released on Sacred Bones Records in 2011. The band’s style is inspired by psychedelic rock, combining repetitive rhythms and saturated guitars. Their influences include Alan Vega of Suicide, Spacemen 3 and Silver Apples. The band’s seventh full-length album, Stars Are the Light, was released on September 27, 2019.]

15. (106.) HMPH! – “The Upside”
from: HMPH! / Haymaker Records / November 15, 2019
[Ryan Lee Toms on guitar, Jonathan Thatch on drums, Kitten Adventure Boggs on bass. HMPH!’s second album, the self-titled “HMPH!” features their signature math-rock sound with a progressive rock and avant-jazz twist. The songs on HMPH! are more sprawling than on 2015’s Headrush, with lots of detours and left turns along the way. Recorded by the band in their home recording studio, the album had time to evolve, and the complicated arrangements materialized through this process. This album also features heavy basslines provided by Kitten Boggs, a significant addition since their first record. This album is a choose your own adventure of abrupt rhythm changes, dissident chords, or even about-face genre-hops into funk, punk, or samba. “HMPH!” is a different kind of album from a different kind of band.]

16. (105.) VidCo Kult – “Tim Allen’s Demolition Kitchen”
from:Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in KCMO. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

17. (104.) Drugs & Attics – “So Tuff”
from: Clean Their Room / High Dive Records / April 19, 2019
[High Dive Records debut from Kansas City based 3-piece premiere party drug rock band.]

[Drugs & Attics play Revolution Records, Fri., Dec. 6 with JC & The Nuns, and Mild Cats.]

11:01 – Station ID

18. (103.) Purple Mountains – “My Happiness is Gone”
from: Purple Mountains / Drag City Records / July 12, 2019
[Purple Mountains was an American indie rock project formed by musician and poet David Berman. The project debuted in May 2019, over a decade after the dissolution of Berman’s previous group Silver Jews. An eponymous album was released in July 2019. The album was recorded primarily in Chicago and produced by Jarvis Taveniere and Jeremy Earl of the band Woods. The project’s name is a mondegreen of the lyric “Purple mountain majesties” from “America the Beautiful”. The project was presumably dissolved upon Berman’s death on August 7, 2019. Berman returned to music in 2018, co-producing Yonatan Gat’s critically acclaimed album Universalists. On December 12, 2018, former Pavement and Silver Jews member Bob Nastanovich revealed on his podcast Three Songs that David Berman would release new music in 2019 under the name Purple Mountains, which was also the name of Berman’s blog. Although, his blog was also titled Menthol Mountains at times. On May 10, 2019, Berman released his first music in over a decade, a single entitled “All My Happiness Is Gone” on vinyl by Drag City, using the moniker Purple Mountains. The single included two remixes of the song, “All My Happiness Is Wrong” by Noah Count and “All My Happiness Is Long” by Mark Nevers featuring clipped recordings of Dave Cloud, and also indicated that a full-length album was a “couple months away.” It also credited Berman, Jeremy Earl and Jarvis Taveniere of Woods, Aaron Neveu and songwriter Anna St. Louis. The single was released digitally on May 17, 2019 with the announcement of a full-length album. The eponymous debut album, accompanied by a US tour, was released on July 12, 2019. “Darkness and Cold” was released as the album’s second single on June 11, 2019. “Margaritas at the Mall” was released as the album’s third and final single on June 28, 2019. A remix of “All My Happiness Is Gone” by Australian electronic music group The Avalanches, who Berman has collaborated with in the past, was commissioned by him, but a licensing issue prevented their version from being released. A few reviews: David Berman is back from his post-Silver Jews void and moving Purple Mountains onto our fruited cultural plain. His iconic literary lyrics sit astride immaculate country-rock tunes, evoking jukebox-ready disaffection with twists of pathos, comedy and tragedy – an indie poet laureate at false dusk! Stop the world! Purple Mountains’ inaugural voyage launches with a five-alarm weep-rocker – and total self-destruction never sounded so good. Amid sumptuous mellotron strings n’ galloping tom-toms, David Berman’s stone-cold account of middle age’s wild unkindnesses takes on a positively heroic glow.]

19. (102.) Kadesh Flow – “Party Thoughts (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

20. (101.) Chloe Jacobson – “Midas”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018
[It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.”]

21. (100.) Jo MacKenzie – “Coming back to you”
from: Proud – EP / Jo Mackenzie / November 17, 2018
[Debut EP from Kansas City based 16 year old singer songwriter Jo MacKenzie.]

22. (99.) Helkat – “I Want You”
from: HelKat / Helkat / December 8, 2019
[1st single form debut 5-song EP from Kansas City based Post apocalyptic lounge punk who play “twangy queer cuddly rock,” with Helen Proctor on lead vocals & guitar, Rozz Petrozz on drums, Olive Cook on guitar and Dylan C.H. on bass. Recording engieered nd matred by Pat Tomek.]

[Helkat play an EP Release Show, Sunday, December 8, at 8:00 PM at The Ship, 1217 Union Ave, KCMO with HANNAH (releasing double album) , and Jametatone+Blastocyst (releasing a new album called “Bird in the Hand”).]

23. (98.) Bedouine – “Echo Park”
from: Bird Songs of a Killjoy / Spacebomb / June 21, 2019
[2nd full-length album from Bedouine, aka Azniv Korkejian, a Syrian-American musician. She has lived in a number of cities and countries, including Saudi Arabia, Houston, Syria, and Boston. Bedouine released her first self-titled full-length album in 2017. The record includes sounds from her memories of her grandmother’s home in Syria, specifically on “Summer Cold” and a song written in Armenian “Louise” (which translates to “light and is written as Լոյս in Armenian). In an interview with Sound of Boston, Korkejian discussed writing the song in Western Armenian, the dialect her family speaks: “I was pretty shy about it because, like I said, my Armenian is kind of broken. But, I ran it by my cousin and kind of had his green light, and I got to a point where I just thought, even if it’s not perfect it’s okay because it’s still my experience.”]

24. (97.) Giants Chair – “Kids Running”
from: Prefabylon / Spartan Records / December 6, 2019
[Third album from Giants Chair who are: Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon”.]

11:30 – Underwriting

25. (96.) Lincoln Marshall – “Falling Up”
from: Wisdom / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray. Additional keyboards & atmosphere by Asterales, guitar by Ross Williams, horns by Miles Bonny, live drums & percussion by Aikido Bray. Artwork, Photography & Layout Design By: The Art My Life Imitates

26. (95.) Dan Jones and The Squids – “I’ve Got Time For You”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Dan Jones and The Squids play an album release show Sat, Dec. 7, at The Brick with Men of Men]

27. (94.) Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

28. (93.) Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

29. (92.) Ivy Roots – “Appreciate (feat. Eddie Moore)”
from: Love Art Growth – EP / Ivy Roots Music / June 5, 2019
[New EP release from natie KC singer songwriter, who plays piano & guitar, and produces beats. This is a follow up to her 2016 full-length debut “Bad Intuition” released April 14, 2016. Ivy Roots has a style that ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. She has performed at Lincoln Center in NYC, Crossroads Music Fest, and with film & performance. Written & produced by Ivy. Info: http://www.itsjustivy.com]

30. (91.) Vedettes – “Sick Of”
from: EPHEMERAL / Vedettes / March 1, 2019
[Five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas.This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More informatin at: http://www.vedettes.com]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 11, we bring you part 2 of our 4-week special, the 119 Best Recordings of 2019. We will count down #90 to #61 with representative tracks from: Kemet The Phantom, Calvin Arsenia, The Nicole Springer Band, The Depth and The Whisper, The Wires, Approach, True Lions, The Butter Band, Sky Smeed, Miki P, Y god Y, Cuee, Chase The Horseman, Deco Auto, Lovergurl, Digital Leather, Blue False Indigo, Wonderfuzz, Billie Eilish, Rina Mushonga, Bill Callahan, LSD (Sia, Diplo & Labrinth), Better Living Community Center, Ibibio Sound Machine, The National, Lambchop, Lee Fields and The Expressions, Amyl and The Sniffers, Lana Del Rey, amd Jamila Woods.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #814

Wednesday MidDay Medley presents 119 Best Recordings of 2019 (Part 1 of 4)

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 4, 2019

The 119 Best Recordings of 2019
(Part 1 of 4)

Wednesday MidDay Medley presents part-one, of our four-week special: The 119 Best Recordings of 2019. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of 2019. We realize these “Best of” lists can seem subjective, please accept our list as a celebration of the year in music.

In 2019 we’ve broadcast over 800 tracks over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We’ll be packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

This Wednesday, we’ll count down #119 through #91 of our list, with music from: Vedettes, Ivy Roots, Dan Jones and The Squids, Lincoln Marshall, Giants Chair, Jo MacKenzie, Kadesh Flow, Chloe Jacobson, Drugs and Attics, anothermaxwell, VidCo Kult, HelKat, HMPH!, Keaton Conrad, The Bad Ideas, Quixotic, Shawn Stewart, Dylan Pyles, Weyes Blood, Moon Duo, Sharon Van Etten, Lionel Limiñana & The Limiñanas, Purple Mountains, Bedouine, Angel Olsen, Sinkane, Nilüfer Yanya, Tituss Burgess, and Y La Bamba.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #814

WMM Playlist from Nov. 20, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 20, 2019

2019 – The Year in Music
with: Tim Finn, Marion Merritt, Chris Haghirian, and Fally Afani

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

10:00 – Interview with Tim Finn

Tim Finn is Music Writer for In Kansas City Magazine. Tim is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim Finn’s Favorite Musical Releases of 2018

#5. Samantha Fish – Kill or Be Kind / Rounder – Concord / September 20, 2019

2. Samantha Fish – “Bulletproof (Romesh Remix)”
from: Kill of Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays Knuckleheads Saloon, Sat., Dec. 28, at 8:30 with Jonathon Boogie Long]

#4 Making Movies – ameri’kana / 3/2 Recordings / May 24, 2019

4. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies are currently on an extensive US Tour with shows all through October and November bringing the band back home to KC for another special New Year’s Eve show at The Truman 601 E. Truman Road, KCMO, Tuesday, December 31, 2019 at 9:00 PM. More info at: http://www.mkngmvs.com]

#3. Billie Eilish – For Tomorrow / Bat Records / October 12, 2018

5. Billie Eilish – “all the good girls go to hell”
from: When We All Fall Asleep, Where Do We Go? / Darkroom Interscope / March 29, 2019
[17 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

#2. Lana Del Ray – Norman Fucking Rockwell! / Polydor – Interscope / August 30, 2019

6. Lana Del Ray – “Happiness is a butterfly”
from: Norman Fucking Rockwell! / Polydor Records – Interscope Records / August 30, 2019
[Elizabeth Woolridge Grant was born June 21, 1985, and she is known professionally as Lana Del Rey, an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality; its themes of tragic romance, glamour, and melancholia; and its references to pop culture, particularly 1950s and 1960s Americana. Born in New York City and raised in Upstate New York, Del Rey returned to New York City in 2005 to begin her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey’s breakthrough came after the viral success of her debut single “Video Games” in 2011. She signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her only top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of “Summertime Sadness”, as well as the internationally successful singles “Blue Jeans”, “Born to Die”, and “National Anthem”. Del Rey released the Grammy-nominated EP, Paradise in 2012. The next year, Del Rey ventured into film as she wrote, directed and starred in the short music film, Tropico, and released “Young and Beautiful” for the film The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultraviolence (2014), to critical success, topping the charts and spawning the single, “West Coast”. That same year, Del Rey recorded the eponymous theme for Big Eyes, which garnered her both Grammy and Golden Globe nominations. Shortly afterwards, Del Rey released the critically acclaimed Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album. Del Rey’s sixth studio album, Norman Fucking Rockwell, was released on August 30, 2019, to widespread acclaim. In 2019, Del Rey also released the commercially successful singles “Doin’ Time” and “Don’t Call Me Angel”, the latter being a trio with Ariana Grande and Miley Cyrus. As of 2019, Del Rey has sold over 5 million singles in the UK and has sold 5.5 million units in the US. Her YouTube and Vevo pages have combined lifetime views of 3.5 billion.]

#1. The Highwomen – The Highwomen / Elektra / September 6, 2019

7. The Highwomen – “Crowded Table”
from: The Highwomen / Elektra / September 6, 2019
[The Highwomen is a country music group composed of Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires, formed in 2019. The group’s self-titled debut album was released on September 6, 2019, by Elektra Records and was produced by Dave Cobb. In 2016, when Shires was finishing her record, My Piece of Land, in music producer Dave Cobb’s studio, Shires had an idea to create a girl country supergroup in homage to the legendary Highwaymen country supergroup (consisting of Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson). At the same time, the lack of representation of women artists on country music radio and at country music festivals had been publicly discussed by many, influenced by the Me Too movement and journalists like Marissa Moss. While on tour in her van, while listening to country radio, Shires kept a running list of artists and noticed that there were few women. When she called to request they play more women artists, she was directed to a Facebook page lottery system. Cobb recommended Shires call Carlile, whom she didn’t know. Carlile thought it would be fun, and would be an interesting creative project. The Highwomen project was widely hinted at by Carlile, Morris and Shires before it was officially announced on April 6, 2019. With the name paying homage to the legendary Highwaymen country supergroup, the Highwomen were originally intended to leave the fourth spot in their line-up vacant to allow other female collaborators to join them, with Chely Wright, Courtney Marie Andrews, Margo Price, Janelle Monae and Sheryl Crow mentioned as potential guests. The band, who jokingly refer to the collaboration as a pirate ship experience, said that they see the project as an incubator project that highlights mentorship and support of fellow women artists. Maren hadn’t worked with Cobb before, and remarked on how much she liked tracking live. The band recorded live vocals, live band, harmonies in unison, where the musicians were recording together live in an organic environment at historic RCA Studio A, which Cobb now owns. As part of the experience, some of the members got matching Highwomen tattoos. The group made their live debut on April 1, 2019 at Loretta Lynn’s 87th birthday concert held at the Bridgestone Arena in Nashville. There, Natalie Hemby was officially revealed as the final member and the quartet performed “It Wasn’t God Who Made Honky Tonk Angels”. Their debut single, “Redesigning Women”, and its associated music video featuring female artists including Tanya Tucker, Cam, Lauren Alaina, Cassadee Pope and Wynonna Judd was released on 19 July 2019, with their self-titled debut album (set for release on September 6) becoming available for pre-order on the same day. The song was promoted by country singer Dierks Bentley who released a comedic reading of the lyrics to his YouTube Channel which received praise from Carlile and Morris. Their second single, “Crowded Table”, written by band member Hemby and Lori McKenna, was released on July 26, 2019. In July 2019, the Highwomen performed their first ever full live set at the 60th annual Newport Folk Festival, previewing songs from their upcoming album including “If She Ever Leaves Me”, written by Shires, her husband Jason Isbell and Chris Thompkins. With Carlile on lead vocals, Isbell described it as “the first gay country song” which elicited applause from the audience. Other songs performed included “My Only Child”, an ode to “suburban moms” performed by Hemby who wrote the track with Shires and Miranda Lambert, “Loose Change”, a nod to 70s country written by Morris, Daniel Layus of Augustana, and Maggie Chapman, featuring Morris on lead vocals and “Cocktail and a Song” which was written solely by Shires in honor of her father. Carlile later invited the rest of the Highwomen to join her during her headlining set where, as they originally intended, the group performed alongside other female artists including Amy Ray, Courtney Marie Andrews, Dolly Parton, Jade Bird, Judy Collins, Linda Perry, Lucy Dacus, Our Native Daughters, Sheryl Crow, The First Ladies of Bluegrass, and Yola Carter. Shires said the plan was always to debut their music at Newport with Dolly Parton. The band wore custom suits by Manuel. Their cover of “The Chain” by Fleetwood Mac from the soundtrack of the movie The Kitchen debuted during the film’s first trailer and was officially released on August 2, 2019. The title track of their self-titled debut album was released on August 13, 2019. Written by Carlile and Shires with Jimmy Webb, the original writer of “Highwayman”, the track that originally inspired the Highwomen’s formation, it tells the story of various women throughout history and features guest vocals from British country soul singer Yola Carter and backing vocals from Sheryl Crow. The song is a classic answer song. The band recorded 15 songs, but only 12 tracks made it on the album. Songwriters included the aforementioned Jimmy Webb, Rodney Clawson, Maggie Chapman, Lori McKenna, Jason Isbell, Peter Levin, Miranda Lambert, Ray LaMontagne, among many others. Many of the songs flip gender roles, with additions of characters like refugee, preacher, Freedom Rider, and a healer, compared to the characters drawn by the Highwaymen songs.]

Tim Finn, Thanks for being with us on Wednesday MidDay Medley.

10:29 – Underwriting

Tim Finn, Marion Merritt, and Chris Haghirian on the November 20, 2019 edition Wednesday MidDay Medley on 90.1 FM KKFI.

10:32 – Interview with Marion Merritt

For more than 15 years Marion Merritt has been sharing her musical discoveries and information from her musically encyclopedic brain with the listeners of Wednesday MidDay Medley. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt’s Favorite Musical Releases of 2019

#5 – Moon Duo – Stars Are the Light / Sacred Bones / September 27, 2019

8. Moon Duo – “Fever Night”
from: Stars Are the Light / Sacred Bones / September 27, 2019
[Moon Duo is a psychedelic rock band from San Francisco, California formed in 2009 by Wooden Shjips guitarist Ripley Johnson and Sanae Yamada. Their debut album Mazes was released on Sacred Bones Records in 2011. The band’s style is inspired by psychedelic rock, combining repetitive rhythms and saturated guitars. Their influences include Alan Vega of Suicide, Spacemen 3 and Silver Apples. The band’s seventh full-length album, Stars Are the Light, was released on September 27, 2019.]

#4. Lucy Rose – No Words Left / Arts & Crafts / March 22, 2019

9. Lucy Rose – “The Confines of This World”
from: No Words Left / Arts & Crafts / March 22, 2019
[Lucy Rose was born June 20, 1989, She is an English singer-songwriter and musician. Her debut album, Like I Used To was released in 2012. Rose released her second album, Work It Out, in 2015 on Columbia Records. Her third album, Something’s Changing, was released in 2017 on Communion Records. Born in Camberley, Surrey, England. Rose’s musical origins began with her playing drums in her school orchestra; her songwriting started with her writing tunes on her family home’s piano. She is the youngest of three sisters. She later bought a guitar from a shop she passed on the way to school, taught herself and began writing material at around the age of sixteen. Rose never played her material for anyone until she left home after completing her A-levels. At eighteen, she moved to London; instead of taking her place at University College London to study geography, she began experimenting and performing with other musicians. It was at this time when she met Jack Steadman, the frontman of Bombay Bicycle Club. After becoming friends, Steadman asked if she would like to perform vocals on a song he had written and was recording. The acoustic album Flaws came out with Steadman on lead vocals, and Rose performing backing vocals, most notably on the title track “Flaws”, as well as others on the album. She also performs some backing vocal duties on Bombay Bicycle Club’s third album, A Different Kind of Fix, and features in their fourth, So Long, See You Tomorrow. Rose also performs some backing vocal duties on the track This Sullen Welsh Heart by the Manic Street Preachers on their album Rewind the Film. A fan of tea, Rose began selling her own blend named ‘Builder Grey’ (two part English Breakfast and one part Earl Grey) at her shows as a substitute for merchandise or CDs.]

#3. J.S. Ondara – Tales of America / Verve / February 1, 2019

10. J.S. Ondara – “Saying Goodbye”
from: Tales of America / Verve / February 1, 2019
[27 year old J.S. Ondara is a Kenyan singer-songwriter whose debut album, Tales of America, was released on February 15, 2019 via Verve Label Group. J.S. Ondara was born in August 1992 in Nairobi, Kenya. As a child, he wrote poems and stories as well as songs despite not having an instrument to play them on because his family couldn’t afford one. He was inspired by Radiohead, Nirvana, Death Cab For Cutie, Jeff Buckley, Pearl Jam, Guns N’ Roses, and Bob Dylan. He grew up listening to rock songs on his older sisters’ battery-powered radio. Having discovered The Freewheelin’ Bob Dylan following a dispute with a friend over whether Knockin’ on Heaven’s Door was a Guns N’ Roses song, Ondara resolved to travel to the United States to pursue a career in music. In February 2013, after winning in the green card lottery, he moved to Minneapolis, Minnesota at the age of 20. He taught himself to play guitar and perform during open mic nights. Eventually, he decided to study music therapy in college, but dropped out of school to return to playing small shows at coffee houses after attending a concert. After moving to Minnesota, Ondara tried his hand at making music and performing in small venues. His big break came when Minneapolis radio station KCMP 89.3 The Current played one of his songs on air by pulling audio from his YouTube channel, where he had been uploading covers of his favorite songs. At the time, he was going by the name Jay Smart. Ondara’s debut album, Tales of America, was released in February 2019 by Verve Label Group. Despite only 11 tracks making the final tracklist, Ondara wrote more than 100 songs for the album, all based on an immigrant’s life in America. The album was produced by Mike Viola of the Candy Butchers. In support of the album, Ondara embarked on his first headlining tour in March 2019. After the release of the album, Ondara debuted on Billboard’s Emerging Artist chart at No. 37 in March 2019. The album also landed on the Billboard Heatseekers Album, Americana/Folk Album Sales, and Rock Album Sales charts. He was nominated for Best Emerging Act at the 2019 Americana Music Honors & Awards. Ondara cites Bob Dylan as his musical hero, which is why he chose to live in Minnesota and why he wears his signature fedora. He has toured with the Milk Carton Kids, Lindsey Buckingham and in 2019, he opened for select dates on tour with Neil Young.]

#2. Ibibio Sound Machine – Doko Mien / Merge Records / March 22, 2019

11. Ibibio Sound Machine – “Wanna Come Down”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

#1. Black Belt Eagle Scout – At the Party With My Brown Friends / Saddle Creek / 8/23/19

12. Black Belt Eagle Scout – “At The Party”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout played White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. on November 7 with Hikes, and Bad Alaskan.]

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

11:00 – Station ID

Marion Merritt, Fally Afani. and Chris Haghirian on the November 20, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Interview with Chris Haghirian

Chris Haghirian has worked for The KC Star for 20 years and helped launch INK in April of 2008 where he puts together music promotions, and organizes music for Boulevardia, The Plaza Art Fair, and concerts at Kauffman Stadium. Chris hosts Kansas City Star Sessions Live every Monday at Noon on the Kansas City Star Facebook Live. With Nathan Reusch of The Record Machine, Chris makes The Middle of The Map Fest happen each year, and Chris gets to share his amazing passion for the Kansas City music scene as host, with Sarah Bradshaw, of Eight One Sixty, heard Tuesday nights at 6:00 pm, on 90.9 The Bridge.

Chris Haghirian’s Favorite Musical Releases of 2019

#5. Stary /- Stary EP / Stary / June 5, 2019

13. Stary – “Rainy”
from: Stary / Stary / June 5, 2019
[Debut EP from alternative, lo-fi, indie rock band formed in Kansas City with Adam Stary on guitar & vocals; Marisa Bee on bass & vocals, and Seth Props on drums. Production by Sean Obrecht and Wallace McCanless.]

[Stary played Middle of The Map, October 5, at The Brick, with Heartfelt Anarchy, NublvckCity, Heartfelt Anarchy, The Fey, and Second Hand King.]

#4. Yes You Are – Here’s To The Great Unknowns / Yes You Are / November 15, 2019

14. Yes You Are – “Ur The 1”
from: Here’s To The Great Unknowns / Yes You Are / November 15, 2019
[Kianna Alarid on vocals, Jared White on rhythm guitar, Jacob Temeyer on guitars & keyboards, and Willie Jordan on bass. “We play black pop.” says Kianna Alarid, Yes You Are’s intense front woman, “It implies that there might be shadows lurking, even in the shiny places.” Listening to their upcoming album, it IS essentially pop, but they redefine the genre with each and every song. From gospel choirs to guitar-heavy rock to synth-covered dance rhythms, the mainstay (and mainstream friendly) sing-along hooks are what binds all of their work together. Alarid cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley, Of Montreal and CSS, playing venues around the world and hitting major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading, Leeds, Scotland’s T In The Park and Australia’s Splendor In The Grass as well as performing on Late Night with David Letterman and Sesame Street. You’ve probably already heard Yes You Are, as their first single debuted on Pepsi’s Superbowl 51 commercial, as has played over 15,000 times since, all over the world. The song was also featured in the hit movie Bad Moms, as well as FX’s Tyrant and MTV’s Scream. Yes You Are has shared the stage with the likes of K. Flay, Moon Taxi, Marion Hill, Lucius and Neon Trees.]

[Yes You Are play Kauffman Center for the Performing Arts on Monday, 1601 Broadway Blvd, Nov 25, with OLIVIA FOX, in a concert for members of the Kauffman Center. ]

#3. Hembree – House on Fire / OREAD Records / April 26, 2019

15. Hembree – “Continents”
from: House on Fire / OREAD Records / April 26, 2019
[This Kansas City based band was formed in November of 2015. Hembree is an indie rock band from Kansas City, Missouri. Hembree consists of Isaac Flynn on guitar, & lead vocals, Garrett Childers on bass & vocals, Eric Davis on keys & synth, Alex Ward on guitar, and Austin Ward on drums. Hembree is signed to Thirty Tigers of Nashville, TN. The band was founded by original members Isaac Flynn, Garrett Childers, and Eric Davis. Brothers Alex and Austin Ward later joined in 2018. Hembree quickly garnered national attention after their single “Holy Water” was placed in an Apple commercial that aired during Super Bowl LII. The band’s music has been featured in a variety of other national placements, including Monday Night Football (NFL) and Bose. Hembree has notably supported Elvis Costello, Phoenix, Cold War Kids, Vance Joy, JR JR, and Joywave, among others. The band first toured Europe in Fall 2018. In 2018, Hembree signed with Thirty Tigers (The Avett Brothers, Lupe Fiasco) to release their first full-length album House on Fire, released 4/26/2019. In 2019, Hembree performed at Hangout Music Festival. They will also appear on the soundtrack of 13 Reasons Why: Season 3 with the song “Culture”. Hembree was named one of NPR’s Slingshot 2018 Artists to Watch. Rolling Stone named Hembree as one of the thirty best artists at SXSW 2018. “Had It All” debuted on Zane Lowe’s Beats 1 on January 19, 2017. Lowe described the song as “absolutely fantastic.” “Holy Water” was featured in Apple’s HomePod “Distortion” TV spot, which ran during Super Bowl LII, the 60th Annual Grammy Awards, and the 2018 Winter Olympics.]

[Hembree play Midland Theatre December 1.]

[Hembree play The Bottleneck, 737 New Hampshire, Lawrence, December 31, with Mess.]

#2. Quixotic – Goddess – EP / Quixotic / May 17, 2019

16. Quixotic – “Goddess [feat. Calvin Arsenia]”
from: Goddess – EP / Quixotic / May 17, 2019
[Quixotic is an innovative performance art collective that fuses imagination with technology, dance, projection #mapping and live music to create fully-immersive, #multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.]

[Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, The Black Creatures and Calvin Arsenia.]

#1. The Freedom Affair – “Rise Up” – Single / Colemine Records / 06/21/19 [7″ Vinyl]

17. The Freedom Affair – “Rise Up”
from: “Rise Up” – Single / Colemine Records / June 21, 2019 [7″ Vinyl Release]
[The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The band includes members of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

[The Freedom Affair + The Grisly Hand play recordBar, 1520 Grand Blvd, KCMO, on Saturday, December 28, at 8:00 PM.]

Chris Haghirian thanks for being with us on WMM.

11:29 – Underwriting

10:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene. And has grown to produce a quarterly printed magazine. In 2019, Fally Afani also coordinated and produced Lawrence Field Day Fest, July 18 thru July 20, with “all ages” shows for the entire festival. More information at: http://www.iheartlocalmusic.com

11:33 – Fally Afani’s Favorite Musical Releases of 2019

#5. Approach – Merely Minutes, In A Day / Datura Records / February 4, 2019

18. Approach / “Rapper’s Delight”
from: Merely Minutes, In A Day / Datura Records / February 4, 2019
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray
Artwork & Design By: The Art My Life Imitates. Sean Hunt aka Approach is a Kansas emcee/producer who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000 that he helps curate the roster for. ]

[Approach with They Call Me Sauce & VP3 (of Nublvckcity!), and The Black Creatures! play Black Friday!-Friday, November 29, at 10:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

[Lincoln Marshall play The Riot Room, 4048 Broadway, KCMO, Thursday, January 2, at 10:00 PM with Domineko, NuBlvckCity, and Black Radio.]

#4. Bad Alaskan – “Strange Fruit” – Single / Bad Alaskan / August 17, 2019

19. Bad Alaskan – “Strange Fruit”
from: “Strange Fruit” – Single / Bad Alaskan / August 17, 2019
[Bad Alaskan in Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who also plays in the band UltraVivid. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

#3. The Creepy Jingles – The Creepy Jingles EP / High Dive Records / May 3, 2019

20. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

#4. Serene Fiend – “Unto Myself” – Single / Vitality Records / July 10, 2019

21. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel Bonner.]

[Serene Fiend plays Fiendstivus, Friday, December 20, at 7:00 PM at Cider Gallery Fine Art, 810 Pennsylvania St, Lawrence, KS]

#1. Vedettes – EPHEMERAL / Vedettes / March 1, 2019

22. Vedettes – “Sick Of”
from: EPHEMERAL / Vedettes / March 1, 2019
[Five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas.This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More informatin at: http://www.vedettes.com]

[Vedettes play plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Saturday, July 20, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Fally Afani’s Honorable Mentions:

The Sluts
Spencer Raymond
JC and the Nuns
Elliot Fox
Shah
Pala Zolo
Drugs & Attics

Fally Afani, thanks for being with us on Wednesday MidDay Medley

23. Drugs & Attics – “Drug Party”
from: Clean Their Room / High Dive Records / April 19, 2019
[High Dive Records debut from Kansas City based 3-piece premiere party drug rock band.]

[Drugs & Attics play The Whiffs Tour Kickoff December 1, at 9:00 PM, at Minibar, 3810 Broadway Blvd, KCMO, with The Whiffs and Platinum Boys.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, November 27, Michelle Bacon joins us to share her Favorite Releases of 2019. Also next week in the first hour, Wednesday MidDay Medley spins our Top Singles of 2019! (These are stand alone single releases of 2019 that are not included on any EPs or full length album releases.)

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. This is our celebration of the year in music based on the playlists of this little ole radio show.

In 2019 we’ve played from nearly 400 New & MidCoastal Releases. 134 were National Releases. 252 were MidCoastal Releases. 181 were from MidCoastal Full-length or EP Releases. 69 were MidCoastal Single Releases. We also conducted over 127 interviews with 209 special guests.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

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STREAMING LIVE at: kkfi.org

Show #812