WMM Playlist from October 11, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midlan
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1. “Main Title Instrumental
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Momma’s Boy – “Don’t Talk About It”
from: Don’t Talk About It – Single / Dead Summer Single Series / Sept. 1, 2017
[1st release of Momma’s Boys’ Dead Summer Single Series. Lyrics written by Shaun Crowley & Quinn Hernandez. Produced, mixed, & mastered at Element Recording by Joel Nanos. KC Indie Surf Pop band, formed Dec 2015, by Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Anthony Hernandez on bass. Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Californos in Westport, Friday, Oct 13 at 9:00 PM with Toughies and Hurt Russell]

3. Calvin Arsenia – “Can’t Help Lovin That Man”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:08 – Pledge Break #1

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also worked as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and now is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016, and they have just released a new full length recording on cassette called Tunes We Like. Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon. Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM. And Betse & Clarke play the Bluegrass Brunch at Julep, 4141 Pennsylvania, Suite 104 , KCMO, on Sunday, Oct. 15, at 11:00 AM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. That features new vinyl releases, weekly in-store performances from young and upcoming bands, and most recenty was the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU, our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project.

Case #1 – 90.1 FM KKFI is “The Voice of the Community”

Along with all of the music, in the last 12 months, WMM has interviewed 200 guests: Kemet The Phantom, D Rashawn Gilmore, Steve Tullipana, Madisen Ward and the Mama Bear, Krystle Warren, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Calvin Arsenia, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Shortsweather, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Savage, Jesslay Huh, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Johnny Hamil, Chad Meise, Marco Pascolini, Mikal Shapiro, Chris Haghirian, Nathan Reusch, Ivory Black, Spencer Brown, Aaron Rhodes, The Sleazebeats (Charlie Colbourne, Bill Belzer), Jen Harris, Ryan Wilks, Jennifer Appell, Beth Marshall, Jon “Piggy” Cupit, Ron Megee, Calvin Arsenia, Janet Henry, Michael McQuary, Nico Gray, Red Kate (Shawn Saving, Shaun Hamontree), Raves Arey, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Brenton Cook, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, Shaun Crowly, Marion Merritt, John Craige, Megan Slankard, The Jellyman’s Daughter (Graham Coe, Emily Kelly, and Paul Gilbody), Jennifer McCartney, Autumn McCartney, Amy Marcus, Susanna Lee, Michelle Bacon, Kyle Dahlquist, Vanessa Severo, Amy Farrand, Tim Finn, Fally Afani, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Philip blue owl Hooser, Barry Lee, & Whitney Boyd, Simone Briand, Emma Carter, Mackenzie Goodwin, Vigthor Zophoniasson & Lauren Braton, Salar Rajabnick, Barbara Eubank, Samn Wright, Caitlin Jemma & Bart Budwig, Michael McQuary, David Wayne Reed, Barclay Martin, Rabbi Moti Rieber, Crystal Clayton, Howard Iceberg, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Promise Clutter, Chris Meck, Teri Quinn, Mirina Landry, Victor & Penny (Erin McGrane & Jeff Freling), Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:15

4. Big Thief – “Black Diamonds”
from: Vapacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.]

[Big Thief play The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

5. David George – “Won’t Let Go”
from: Won’t Let Go – EP / David George / October 13, 2017
[Written by David George. Recorded live at Weights & Measures Recorded, Mixed, and Mastered by Duane Trower. David George on vocals & guitar, Mike Stover on pedal steel, David Luther, Erik Voeks, Ben Byard & Camry Ivory on harmony vocals. Won’t Let Go” is the the 2nd EP David George has released this year, following Here I Go Again EP, released April 14, 2017. David George also released the single “Can’t Fight Love” on April 7, 2017 benefiting the ACLU. Recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, Thurs, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi, w/ David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4) , Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals , Gordon gilges on dulcimer & vocals , Kristina Ning on upright bass & vocals , Matt Cathlina on upright bass & vocals, Nathan Showalter n piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals, Dave Tanner on vocals.]

[David George plays EP Release, Sat, Oct. 14, 1:00 PM, at Vinyl Renaissance, 7932 Santa Fe Dr, OPKS.]

[David George plays an EP Release, Sat, Oct. 14, at 9:00 PM, at The Brick w/ Major Matt Mason USA.]

6. Betse & Clarke – “Seneca Square Dance”
from: Tunes We Like / Independent / September , 2017
[Released as a cassette of fiddle tunes featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections with the Brushy Creek String Band. Recorded by Wyatt live with no overdubs at home in KCMO. The instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass.]

[Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon.]

[Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM.]

[Betse & Clarke play Bluegrass Brunch at Julep, 4141 Pennsylvania, KCMO, Sun, Oct. 15, 11:00 AM.]

10:25 – Pledge Break #2

We heard from Betse & Clarke in that last segment. Betse has been part of the KC Music Community for nearly 25 years now, and through most of those years she has made appearances on 90.1 FM as a musician. She has been frequent guest on Wednesday Midday Medley, River Trade Radio, and Signal to Noise with Barry Lee. She has emceed special KKFI, fundraisers, and was the music director of Wednesday MidDay Medley’s LIVE stage version of A Story In A Song at the recordBar, and for the last 6 years she has been joining us during our on-air fund-drive shows to encourage our listeners to donate.

Case #2. Wednesday MidDay Medley Plays New & MidCoastal Releases.

Timothy Finn of Kansas City Star and INK named Wednesday MidDay Medley “The Best Place to Hear Local Music on the Radio.”

If you are are listening right now that means you know the benefits from the entertainment and information offered each week. Help keep this radio show alive. In the last year we played nearly 1000 songs on the show. Over half of these songs are from MidCoastal artists. We spin new vinyl and releases from hundreds of independently produced, artist released recordings.

Today’s show is our 703rd consecutive weekly show. Three weeks ago we celebrated our 700 show, representing 1406 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists.

We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

We’ve happily presented new formats in radio, with our popular, “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, Visual Art, The Spoken Word, Gay Pride, Civil Rights, and our inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: the 100+ Best Recordings of the Year.

To say we’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 100 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 703 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves.

We take great care, each week, to create an original, multicultural, multigenerational, medley of new musical releases, and timely special guests, in a two hour sound-collage of lyrics and vibrations and informational interviews and live performances. We are more than just a radio show, we are part of the area music community. For four years we have hosted the Wednesday MidDay Medley’s – 90.1 FM Showcase at Middle of The Map Fest, we have co-emceed Apocalypse Meow, and for thee years the main stage at Crossroads Music Fest. We have documented the MidCoast Music Scene through our radio show, our extensive playlists, our event coverage, our social media sharing on Facebook, SoundCloud, Twitter, You Tube, and WordPress sites.

Where can you can find our playlists:
http://www.kkfi.org
http://www.spinitron.com
http://www.Facebook.com/wednesdaymiddaymedleyon90.1fm
http://www.Twitter.com/MarkTManning
http://www.wednesdaymiddaymedley.org with playlists from the last 9 years.

10:35 – Interview with Kathryn Golden of Porchfest KC

PorchFest KC

The 4th Annual PorchFest KC, will be happening this Saturday, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

Joining us to share details of Porchfest KC is Kathryn Golden who grew up in rural north-central Missouri. After college, she worked in New York City, then moved to Kansas City, and then, St Louis, and San Francisco, where in 14 years, she worked for a number of tech startups in project management, and co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts. She also owned a neighborhood grocery market. Since returning to Kansas City, Kathryn has launched a wintertime storytelling series at the Pilgrim Chapel, and she is the founder of PorchFestKC, a community music festival that takes place on front porches, in midtown neighborhoods.

Kathryn Golden, thanks for being with us on Wednesday MidDay Medley

Kathryn Golden says, “My deal is this…. I love to CREATE things. I love community building. I love seeing people have a great time around something new. I love creating opportunities for great stuff to potentially happen, and being as creative and non-conventional as possible in doing so. I love music. So I put those together for PorchFestKC.”

After a business trip to San Francisco, she decided she needed to live there, and on her 32nd birthday she woke and drafted her resignation notice, spent two weeks selling most of what she owned, and moved — not having a job to go to was just an inconvenience. Over the next 14 years, she worked for a number of tech startups in project management and/or customer-facing roles, as well as a venture capital firm in Silicon Valley.

In addition, she co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts — mostly around “out” or avant garde jazz. She also owned a neighborhood grocery market, which seemed very logical having never even worked in retail.

Her final role before returning to Kansas City was in helping develop demonstratives (graphics) for large white-collar crime trials — many of them boring tech-related trials. However there were a few really awesome exceptions: The Deep Water Horizon oil spill in the Gulf, the overturn of California’s Prop 8 same-sex marriage case, and a trial against Tyson Foods for unfair treatment of an immigrant worker. While there, she also partnered with Oakland School District to create a dozen libraries in Oakland’s elementary schools.

This year’s PorchFest KC features 150 bands, on 47 porches, in the Valentine, Roanoke, and Volker Neighborhoods

All performances are 60 minute sets. Performances are acoustic or near-acoustic. The goal is to be heard to the sidewalk, not down the street.

This year’s PorchFest KC also features for the first time: Blues Bands, Reggae Bands, and a 14 piece Classical Ensemble

The 4th Annual PorchFest KC, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com

10:45

7. Violent Bear – “I Will Wait For You”
from: I Will Wait For You – Single / Violent Bear / August 18, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesizers. Violent Bear also released their full length record, Post Everything, on March 24, 2017.]

[Violent Bear play PorchFest KC on Porch 13, at 3564 Pennsylvania, at 12:00, Saturday, October 14.]

8. The Country Duo – “The Wrecking Crew”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

[The Country Duo play every 1st and 3rd Tuesday at 7:00 to 9:00 Pm at Waldo Bar.]

[The Country Duo TRIO play every third Thursday at Jazz: A Louisiana Kitchen]

[The Country Duo play Apocalypse Meow 10, Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow is a three-day-event and continues Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:52 – Pledge Break #3

We just heard The Country Duo which is guitar master Marco Pascolini, longtime friend of the show, and Kasey Rausch, who was one of the first musicians to play live on WMM almost 13 years ago. Kasey also co-hosts River Trade Radio with Mikal Shapiro, on Sunday Mornings at 9:00 Am on 90.1 FM KKFI. Kasey is one of many KC Professional Musicians, who take time away from their work and art to donate time to community radio as they host and produce some of KKFI’s finest radio programs, including: Jeff Hashbarger, Jason Vivone, Sam Wisman, Roger Wilder, Gerald Dunn, Ernest James, Bob & Diana Suckiel, Dwight Frizzell and Mikal Shapiro.

Case #3. KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and commuity activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! No Commercials. No automated robot playing the same 40 to 100 songs in a “rotation” based on a formula of one person, who programs the robot. Instead you hear music programmed by over 100 people. We are The Voice of The Community

90.1 offers 98 different radio programs. 76 of those programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americanna, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

10:59 – Station ID

9. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g%5D

[Khrystal. plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Sauce, Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

10. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City based Hip-Hop artist Sauce is back with his 3rd original release, “Summer Sauce.” It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts.]

[Sauce plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Khrystal., Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

11:05 – Pledge Break #4

Case #4. Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

11. Pixies – “Monkey Gone to Heaven”
from: Doolittle / 4AD – Elektra / April 17, 1989
[1st single from the band’s 2nd studio album. Formed in 1986 in Boston, Massachusetts. Until 2013, the band comprised Black Francis (lead vocals, rhythm guitar), Joey Santiago (lead guitar), Kim Deal (bass, backing vocals) and David Lovering (drums). The band disbanded acrimoniously in 1993, but reunited in 2004. After Deal left in 2013, the Pixies hired Kim Shattuck as a touring bassist; she was replaced the same year by Paz Lenchantin, who became a permanent member in 2016. Doolittle was the Pixies’ 1st international release,. Doolittle has continued to sell well in the years since its release, in 1995 it was certified gold by the Recording Industry Association of America. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. A 2003 poll of NME writers ranked Doolittle as the second-greatest album of all time, Rolling Stone placed the album at 226 on its list of “The 500 Greatest Albums of All Time” Pitchfork ranked it as the fourth best album of the 80s.]

[Pixies play Arvest Bank Theatre at The Midland, Sunday, October 15, at 7:00 PM w/ Mitski.]

11:15 – Interview with Kent Shelton

The Midland

The Midland Theatre at 1220 Main Street, in downtown Kansas City originally opened a a giant grand cinema, in 1927, named Loew’s Midland Theatre an opeated until 1961. Over the years, the theatre has been known by various names including: Saxon Theatre, Midland Stadium where boxing matches were held, Midland 1-2-3 Theatre, and Midland Theatre. In 2007, AMC and the Cordish Company formed a partnership to undertake a multimillion-dollar renovation of the historic venue. Since reopening in 2008 the venue was called The Midland by AMC. In 2013, AEG Live, the Cordish Company and Arvest Bank announced a multi-year naming rights partnership to the Midland Theatre. The venue’s name officially became the Arvest Bank Theatre at The Midland in September, 2013.

In March of this year Kent Shelton moved his family from the Rocky Mountains of Denver Colorado to the Missouri River Valley of Kansas City, where Kent assumed his position as General Manager of the Arvest Bank Theatre at the Midland Theatre. Before moving to Kansas City Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. Kent joins us to share information about upcoming shows and events at the Midland as well as The Truman, KC’s newest venue.

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

This year The Midland is celebrating 90 years as a working venue.

Among the major changes made in the redevelopment, the main-level seating rows were removed and replaced with a tiered open floor plan that allows for cabaret-style tables and chairs, or standing room for general admission events. The Midland’s exterior marquee was restored to its original 1927 appearance.

The five level office portion of the theatre that faces Main Street was converted into a mix of bars, lounges, and administrative space. According to the Cordish Company of Baltimore, the developer of the project, all changes meet historic preservation guidelines as required by state and federal governments.

Denver to Kansas City

Ogden Theatre is where I first saw Jonathan Demme’s film Stop Making Sense a critically acclaimed 1984 concert film, documenting the Speaking in Tounges tour of Talking Heads shot over the course of three nights at Hollywood’s Pantages Theater in December 1983, as the group was touring to promote their new album Speaking in Tongues. The movie is notable for being the first made entirely using digital audio techniques. The band raised the budget of $1.2 million themselves.

Originally from Louisville, Kentucky, Kent grew up in the suburbs of Denver and studied Performing Arts at University of Northern Colorado.

Upcoming Shows at The Midland

Tonight, October 11 – Jon Bellion plays The Arvest Bank Theatre at The Midland

Thursday, October 12 – Marilyn Manson show has been postponed

Sunday, October 15 – Pixies

Friday, October 20 – Play For Peace Benefit with Little River band

Sunday, October 22 – The Beach Boys

Thursday, October 26 – Maren Morris

Upcoming Shows at The Truman

The Truman, 601 East Truman Road, Kansas City, MO. http://www.thetrumankc.com

Friday, October 13 – Krewella

Thursday, October 19 – Hoodie Allen

Sunday, October 29 – Trombone Shorty & Orleans Avenue

Friday, November 3 – Slowdive

Thursday, November 16 – Flying Lotus in 3D

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

For events and information you can visit: http://www.midlandkc.com Or by calling 888-929-7849 Or at The Midland Box Office 10AM-5PM Monday-Friday

11:33

12. Radar State – “Double Speak”
from: “Double Speak” – 7″ Vinyl Single / Radar State / September, 2017
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals, and that’s an integral part of the band’s direction, say the members.]

[Radar State Celebrate the release of their new 7″ release and member Jim Suptic’s 40th B-day at miniBar, 3810 Broadway, Saturday, October 14, at 9:00 PM, with Hipshot Killer.]

11:38 – Pledge Break #5

Case #5 We offer loads and loads of information about what is going on in the community.

Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of thos being locally produced, but we also shone a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featuresd segments shining a light on: Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, Crossroads Music Fest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Lawrence Field Day Fest, 31st & Brklyn, Kansas City Pride Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Crossroads Summer Block Party, Shelf Life, Kansans Against Campus Carry, Kansas Interfaith Action, Like Me Lighthouse, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:45

13. The Philistines – “A Twitch of the Death Nerve”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; (Michelle Bacon on bass & vocals for this recording), Josh Mobley on keyboard, Steve Gardels on drums. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play recordBar, Fri, Oct. 13, at 10:00 PM with Universe Contest, and Brannock Device]

[The Philistines play CrossroadsKC at Grinder’s for the Fed Up Fest, October 14, with The Phantastics, Old Salt Union, Me Like Bees, Cowboy Mouth, and The Strumbellas, all to benefit Harvesters – The Community Food Network.]

11:49 – Pledge Break #6

Case #6. KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.”

I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 10 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You!

Thank you to everyone who called in!

11:56

14. Sampha – “(No One Knows Me) Like the Piano”
from: Process / Young Turks Recordings / February 3, 2017
[Sampha Sisay was born November 16, 1988. He performs under the mononym Sampha. He is a British singer, songwriter and record producer from Morden, South London, United Kingdom. Sampha is known widely for his collaborative work with SBTRKT, Jessie Ware, Drake, Kanye West, Solange and others. Sampha has released two solo EPs: Sundanza (2010) and Dual (2013). Sampha’s debut album, Process, won the 2017 Mercury Prize.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 18, artist and playwright Tyson Schroeder joins us to talk about his new play, “Bastard” with previews starting tonight at the Living Room Theatre, and running through October 29. Also joining us nest week is musician, Teri Ann Quinn who will play live in our 90.1 FM Studios. Plus, Artist Peregrine Honig, and artist Ross Redmon, along with vocalist and musician Julia Haile join us to talk about Julia Haile’s Live Solo Show, at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, and Ross Redmon’s art exhibition, Passenger Migration, opening Thursday, October 19 and running through November 30.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #703

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Wednesday MidDay Medley with Betse Ellis, Marion Merritt, Kathryn Golden, and Kent Shelton

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midland

Mark plays more New & MidCoastal from: Radar State, Momma’s Boy, Calvin Arsenia, Violent Bear, Sauce, Khrystal., The Philistines, David George, The Country Duo, Betse & Clarke, Benjamin Booker, Big Thief, Sampha, Tash Sultana, and Pixies.

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke joins us for the entire show as our special guest co-host! Marion Merritt, longtime contributor to Wednesday MidDay Medley, and owner of Records With Merritt, also joins us as co-host to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio.

PorchFest KC

At 10:30, Kathryn Golden joins us to talk about the 4th Annual PorchFest KC, October 14, 2017, from Noon to 6:00 PM, featuring 160 bands performing on front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

The Midland

At 11:15, Mark talks with Kent Shelton, General Manager of the Arvest Bank Theatre at the Midland in Kansas City. Before moving to KC Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. The Midland, 1220 Main Street, is located in downtown Kansas City and originally opened in 1927 and has hosted well-known artists throughout its history. For events and information you can visit: http://www.midlandkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #703

WMM Playlist from October 4, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 4, 2017

New & MidCoastal Releases + Betse & Clarke
+ Wick & the Tricks + Kemet The Phantom

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays recordBar, 1520 Grand, Saturday, October 7, at 8:00 pm, opening for JR JR.]

3. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play a Blood Album Release Show, Thursday, October 5, at 9:00 pm at The Brick, 1727 McGee Street, KCMO, with Chase the Horseman, and Justin Klaas.]

[The Roseline play an Album Release Show, Friday, October 6 at 10:00 PM , at Replay Lounge, 946 Massachusetts, Lawrence, Kansas, with Toughies, and Jasper.]

4. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 23, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala. The Jorge Arana Trio joined us live on WMM on August 31.]

[Jorge Arana Trio play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Saturday, October 7, at 8:00 pm, with War Brides, Twelves (Wisconsin) and Dicta.]

10:15 – Underwriting

5. HighWesthus – “The Original”
from: Part III. The ILLU / Independent / October 25, 2016
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born in Chicago and is based in Kansas City. The last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays the Wrally for Wretch, TONIGHT, Wednesday, Oct 4, at 8:00 pm, at The Rino, 314 Armour Rd, North Kansas City, Missouri, with Shapiro Brothers, Pageant Boys, Drew Black. Wrally for Wretch is in support of a feature film titled “Wretch” from filmmaker Matthew Dunehoo. Wretch is scheduled to begin shooting in Kansas City in the Spring.]

6. Lincoln Marshall – “Mo Spins feat. Dominique Sanders”
from: Water / Datura Records / June 3, 2016
[Written By: Approach & MilkDrop Produced, Recorded, Mixed & Mastered By: Aikido Bray. Additional Keys & Scoring By: Etan T’loh. Bass By: Dominique Sanders. Photos By: Fally Afani fallyafaniphotography.com. Layout & Design By: MilkDrop. Lincoln Marshall played The Datura Records Showcase for Lawrence Field Day Fest, at Replay Lounge. July 16, with Kwame, Sheven, MetaWatt & TRS-One, High Westhus, Left E. Grove, Louiz Rip & Deuce, Royce Diamond, and Midnight Marauders.]

[Lincoln Marshall play The Riot Room, Saturday, October 7, for the “We Are Art Showcase” presented by IndyGroove and Intelligent Sound.]

7. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: If You’re Taught You Learn to Be Mean – Single / Sky Smeed / September 20, 2017
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Brick 1727 McGee Street, KCMO, Sat, Oct 7, at 7:00 pm with Shapiro Brothers.]

8. Fathers – “Take Care”
from: “Take Care” – Single / Fathers / 2017
[One of three songs recorded from Fathers is a new 8-piece band, formed this year, with Kenneth Storz on lead vocals, guitar, and keyboards; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, and percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, and percussion.

10:30

9. Betse & Clarke – “January Waltz”
from: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

10:34 – Interview with Betse Ellis and Clark

Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” a collection of originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. Betse & Clarke join us to play live in 90.1 FM Studios to share a few songs live from their new release.

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

We just heard “January Waltz”, (Smiling Violet Music, BMI) written by Betse Ellis around 2004. Originally recorded with her former band The Wilders, this was the first fiddle tune written by Ellis. Betse: standard fiddle / Clarke: standard banjo (aDAC#E) / Brett Hodges: guitar / Alex Mallett: bass. This tune has been performed and recorded by a number of modern old time bands, including Foghorn Stringband. This latest version brings listeners a fresh perspective on a favorite Ellis composition.

“Tunes We Like” was produced to be the first in an ongoing series of instrumental recordings. This cassette, released at the Walnut Valley Music Festival in Winfield, Kansas, September 2017, represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format.

Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.

Last year, Betse & Clarke released their full-length debut album, River Still Rise on July 1, 2017. Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision.

“River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”

Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”

10:41

Betse & Clarke play live on the October 4, 2017 edition of Wednesday MidDay Medley.

10. Betse & Clarke – “White Creek” (Live)
also available on: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

From http://www.BetseandClarke.com liner notes for Tunes We Like: WHITE CREEK is a wonderful hidden gem, from Red McLaren, who was an Oklahoma fiddler visited by Marion Thede, the great fiddle scholar. Thede’s “The Fiddle Book” is an outstanding body of work with beautiful attention to detail, especially regarding bowings. (Betse: AEAE / Clarke: standard banjo (capo 2)

Clarke Wyatt is a multi-instrumentalist and a former member of some of Kansas City’s most dynamic bands, including Hairy Apes BMX and Mr. Marco’s V7s.

We’ve had Johnny Hamil on the show a few times this year talking about various Mr. Marco’s V7 shows including a recent reunion of the 4 original members.

Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass.

On Tunes We Love, Betse and Clarke perform a track titled: UNCLE HENRY… GOODBYE. In their liner notes they write UNCLE HENRY… GOODBYE comes from Violet Hensley, “The Whittling Fiddler of Arkansas”. The story of the name has to do with Violet’s original source for the tune, and then a later discovery that the tune was known as “Goodbye My Lover Goodbye”. Violet has shared the story several times with Betse, who keeps getting confused and forgets the details. Stay tuned here for updates! (Also, we took a lot of liberties with the melody, allowing ourselves to go to our exploratory side with this meditative melody.) Betse: DDAD / Clarke: low banjo

10:51

11. Betse & Clarke – “I Chased Old Satan Through The Door” (Live)
[The Woodie Brothers, Ephraim, Dale, and Lawton Woodie recorded “Chased Old Satan” in 1931. Ephraim was born in 1906, achieved the rank of colonel, overcoming nearly-blinding cataracts as a child, and died in 1978. He is credited as Chased Old Satan’s author, although other performers have made this claim in order to own the song’s copyright. The song is said to have borrowed lyrics from other songs. Lawton played harmonica and Ephraim played a Gibson L-4 guitar – a present from his brother for his high school graduation the year before. They recorded for Ralph Peer, the clever, ambitious A&R (artist and repertoire) man from Okeh records, on May 29th, 1931, but only sold less than 900 records. The Woodie Brothers were from one of the “lost provinces” of North Carolina – Ashe, Alleghany, and Watauga counties – a reference to this region’s historic isolation from the rest of North Carolina caused by the steep slopes of the Blue Ridge Mountains. There’s a CD with some tracks by Ephraim Woodie and the Henpecked Husbands, as well as other groups who recorded between 1927 and 1931: Music from the Lost Provinces. Their musical heritage was rich, including the likes of G.B. Grayson, Al Hopkins, Frank Blevins, and Albert Hash. Ash cakes are made around the world, and include “foods such as potatoes, corn, onions, and nuts which can be roasted by burying them in hot ashes for insulation and placing live coals on top of the ashes. Ash cakes were also baked by wrapping dough in cloth, placing them in a cleaned out corner of the fireplace, and covering them with ashes and coals. They were supposed to have a delicious flavor when baked that way, but it was difficult to control the heat, or keep the bread clean. (From ‘Don’s Spicy Kitchen’).”]

Lyrics: ”I Chased Old Satan Through The Door”

Well, I got no skillet and I got no lid
But the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Chorus:
Over there, over there
I’m gonna wear that starry crown over there
For I got no skillet and I got no lid
And the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Now I met old Satan down the lane
And I hit him in the head with a walking cane
And I’m gonna wear that starry crown over there

Chorus

Now I chased old Satan around the stump
And I gave him a kick with every jump
And I’m gonna wear that starry crown over there

Chorus

Now I run old Satan through the door
And I hit him in the head with a two-by-four
And I’m gonna wear that starry crown over there

Chorus

Betse and Clarke Upcoming Shows:

Friday, October 6 – Great Lakes Music Camp, West Olive, MI

Saturday, October 14 – Shawnee Indian Mission Fall Festival, Fairway, KS

Saturday, October 14 – The Library Lets Loose, Overland Park, KS

Sunday, October 15 – Bluegrass Brunch at Julep, Kansas City, MO

Thursday, October 26 – watch this space! – Springfield, MO

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. More info at: http://www.betseandclarke.com.

11:00 – Station ID

Betse Ellis, Wick Thomas, and Clarke Wyatt on the October 4, 2017 edition of Wednesday MidDay Medley.

12. Wick & The Tricks – “Yr So Rad”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & the Tricks play a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

11:02 – Interview with Wick Thomas

Wick Thomas, was voted Best Activist by The Pitch Magazine Wick has help organize LGBTQIA youth group on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works fpr the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” from Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

The following is from their press information: The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, release their debut 7” EP, Not Enough, on Black Site Saturday, October 14, and they’re throwing a party at Davey’s Uptown to celebrate, with Red Kate, The Midnight Devils and The Quivers.

As if that weren’t enough, this glittering juggernaut of rock and roll will also premiere the video for “Tough as Nails”, the closing track on the new record. Written and directed by KC’s most-discriminating connoisseurs of cinematic eccentricity, The Cannonball Roarers, it features the inimitable Annie Thrax as a modern day Dr. Frankenstein (or would that be Herbert West?) and her re-animated monster…well, you’ll have to wait and see. It’s sure to be the weirdest, creepiest thing you’ve seen since Inauguration Day.

Recorded at Westend Studios by Justin Mantooth and mastered by Chris Muth at Taloowa Corp., Not Enough contains four tracks of deliciously salacious rock and roll that will make you hop, skip, and jump into bed with the whole band.
As with all releases from the Black Site cooperative, this record not only sounds great, it looks even better. With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS, you’re going to want to hang this record on the wall…if you can get it off your turntable.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation. Ever since they crawled out of the trash soaked shores of the Missouri River and slipped into the streets of Kansas City, Middle America hasn’t been the same. Nationally infamous for their lasciviously energetic performances full of political undertones, it’s likely that by the end of the show you’ll either be making out, or in a fist fight, with one of them.

Not Enough will be available October 14 at area record stores and can be ordered now at: wickandthetricks.bandcamp.com/album/not-enough

Wick & The Tricks were formed on Halloween night at a drunken basement punk show in KC.

Last year Wick & The Tricks released their EP, TRIGGER WARNING on July 27, 2016, it was their 3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their Facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”

11:13

13. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

We talked with Wick about Activism and The Rocky Horror Picture Show

This has been a big year for Wick who became a Homowner, is back in school working on his Masters Degree, and he has a new job working at The Nelson Atkins Museum of Art.

We are talking to Wick Thomas, lead singer of Wick & The Tricks, who joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

11:21 – Underwriting

14. Sinple – “JX7 (Digital Dream)”
from: Music For Machines / Independent / May 1, 2017
[Sinple is the electronic music project of Jesse Bartmess who plays synths, drum machine, and vocals. Jesse describes this new recording as an Ambient Album Inspired by Brian Eno’s “Music for Airports” Music for Machines was written and recorded by Sinple @ Moldy Basement. Full Length Release: TBA More info at http://sinple.bandcamp.com/ ]

[Sinple plays Riot Room, Sun. Oct 8, at 7:00 pm, opening for Zealyn along with Lovergurl, and Valise.]

15. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

16. Marcus Lewis – “Approaching Gangsterdom”
from: Facing East / Marcus Lewisl / April 7, 2012
[Marcus Lewis on Trombone, Logan Richardson, on Alto Sax, Adam Larson on Tenor Sax, Sam Harris on Piano, Aidan Carroll on Bass, Tommy Crane on Drums, Pablo Masis, on Trumpet, Andrea Lewis, on Vocals]

11:32 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

The debut recording of Marcus Lewis Facing East was featured in Vogue Magazine as being one the top albums on Janelle Monae’s 2012 Summer Playlist. Marcus Lewis is currently working on music for a new recording and is the Artistic Director of Future Jazz, a nonprofit dedicated to Jazz Education. Marcus has performed at the Kennedy Center for Performing Arts, the Jimmy Carter Summer Concert Series. As a sideman, he has also performed at the 53rd Annual Grammy Awards, the 2010 New Orleans Jazz Fest, the 2011 Glastonbury Festival, the 2011 Nobel Peace Prize Concert and the 2012 North Sea Jazz Festival, the Sydney Opera House, and for President Barack Obama at the White House in 2011 and 2012. Television shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus was awarded the 2008 Betty Carter Jazz Residency and the 2003 Outstanding Soloist award at the Wichita Jazz Fest.

Kemet Coleman aka Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be “Dapper Rap”. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as University of Missouri-Kansas City, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song.

Emcee and trombonist Ryan Davis aka “Kadesh Flow” is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city.

KC emcees: Kemet The Phantom, and band mate Kadesh Flow, are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

Some notable artists that Marcus has performed and/or recorded with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, Jidenna, Musiqsoulchild, Avery Sunshine, The Barkays, Confunkshun, and Sugarfoot’s Ohio Players. In addition to an active touring and recording schedule, Marcus stays busy writing, arranging, teaching and leading clinics and master-classes worldwide.

Marcus Lewis has played all over the world, including The Late Show with David Letterman, Saturday Night Live, Later with Jools Holland, and currently lives in KC where he leads his own quintet, and an 18-piece Big Band, and he continues to tour with Grammy Nominated vocalist, and KCK native, Janelle Monáe.

Creating almost a formless persona as a rapper and public figure, Kemet the Phantom has graced the cover of multiple newspapers and magazine covers and won numerous awards: 2009, INK Magazine, 2011 KC Magazine, 2012 Pitch Weekly. He is a two time Pitch Music Award nominee for “Best Hip-Hop Act” in Kansas City and was the 2011 Big Brothers Big Sisters “Sexiest Single” in Kansas City.

11:41

15. Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[Kemet The Phantom plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble]

11:45 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

We are talking with Kemet The Phantom, and band mate Kadesh Flow, who are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

The Kansas City based band, The Phantastics are an 9 member group formed in 2010, that specialize genre-blending hip-hop, mixed with rock, rap, dance, funk, jazz and soul. Members include: Kemet “the Phantom” Coleman on lead vocals, Kim Newsome on vocals, JJ Cantrell on lead guitar & vocals, Danny Florez on electric bass & vocals, Ashley Thompson on drums, Ernest Melton on Saxophone, Ryan Davis aka Kadesh Flow on trombone and sick raps, and Austin Quick on keyboards.

Emcee and trombonist Ryan Davis aka Kadesh Flow brings realism, consciousness, and nerd life together in riveting flow format. He has composed and produced original music for Toonami Asia and shared the stage with the likes of artists like Tech N9ne, Phora, I Fight Dragons, The Revivalists, B.o.B., mc chris, and others. He has been publicly lauded by outlets such as IGN and Kotaku. More informati0n at: http://www.kadeshflow.com

The Kadesh Flow Headbuster – Single was Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.

Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

11:56

18. Kadesh Flow – “Headbuster”
from: Headbuster – Single / Ryan Davis / December 9, 2016
[Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.]

[Kadesh Flow plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 11, Kathryn Golden returns to share details about PorchFest 2017 on Saturday, October 14 from Noon until 6:00 PM in the Valentine and Roanoke neighborhoods of Kansas City, we’ll also talk with Kent Shelton, General Manager of the Arvest Bank Theatre at The Midland in Kansas City Missouri. Plus Marion Merritt and Betse Ellis join Mark as Guest Co-Hosts for our Fall Fund Drive to encourage our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #702

WMM Playlist from September 20, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 20, 2017

Our 700th Show! with Madisen Ward and the Mama Bear, Krystle Warren, Calvin Arsenia, Ron Megee, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Scott Hobart, and Nico Gray.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Dimitri From Paris – “Prologue”
from: Sacreblu / Atlantic Records / June 11, 1996

3. Sufjan Stevens – “Inaugural Pop Music For Jane Margaret Byrne”
from: The Avalanche: Outtakes And Extras From The Illinois Album / Asthmatic Kitty / July 11, 2006
[A press release on the Asthmatic Kitty website reported that the Illinois album was supposed to be a double record (with somewhere near 50 songs), but the idea was eventually scrapped. After the success of the album, Stevens returned to his analog 8-track recorder in late 2005 and began the process of finishing 21 of the previously abandoned songs, which would eventually become The Avalanche. Stevens has stated during interviews that although he doesn’t like The Avalanche as much as Illinois, he felt it was important to release the songs in light of the success of his most recent album. He has also said that he decided to release the album in order to buy time until his next “The 50 States” project,” release.]

Thanks for tuning into Wednesday MidDay Medley. I’m Mark Manning. Today’s show is a celebration of 700 weeks, 1400 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

We’ve happily presented new formats in radio, with our popular, “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, Visual Art, The Spoken Word, Gay Pride, Civil Rights, and our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: the 100+ Best Recordings of the Year.

To say I’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 100 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Ruth Ward, Maria Vasquez Boyd, Marion Merritt, Ron Megee, Necia Gamby, Krystle Warren, and Madisen Ward

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 700 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

10:05 – Marion Merritt Interview/Story

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. That features new vinyl releases, weekly in-store performances from young and upcoming bands, and most recenty was the location for a wedding.

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

We always wanted someone from a record store to have a regular presence on WMM.

When I first met Marion, she walked up to me with a recording in hand and suggested I might like the Philip Glass recordings of the Low Symphony with David Bowie and Brian Eno.

Marion and I really didn’t know each other in the beginning, but throughout these 700 shows we’ve become very close friends, I’ve watched her life transition from corporate retail to owning her own record store in the neighborhood where I live.

For 13 years Marion Merritt haa had a huge influence on our playlists. It was during our first year that she interviewed Regina Spektor.

10:10

4. Regina Spektor – “Braile”
from: 11:11 / Regina Spektor / July 9, 2001
[Debut album by singer-songwriter Regina Spektor. It was self-released on CD and sold at Spektor’s early shows. The album is now out of print on CD and much sought-after by collectors, it is available as a download from online music outlets. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

10:15 – Interview with Calvin Arsenia live from Paris!

Calvin Arsenia (Photo by Jenny Wheat)

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin is currently in the third month of his Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and is currently in Paris where he joins us on the phone.

Calvin Arsenia thanks for being with us on Wednesday MidDay Medley

Krystle Warren joined us in our brief phone conversation with Calvin in Paris.

Calvin has already played over 30 shows so far on this tour.

Calvin is on tour with musician and friend Simon Huntley who plays with Quixotic

Calvin wrote on Facebook:
“If you’ve been touring over a month you’ll probably want…
1) fingernail clippers
2) extra airplane sized toothpastes
3) back up phone case
4) hair brush (for I rarely brush this mop but when I do I use)
5) single use deep conditioner packets
6) black skinny jeans
7) better shoes
8) ear plugs (I’m sorry for snoring so much, Simon)
9) (to be continued….)”

Calvin is coming homing home to Kansas City on October 18.

Calvin is working to release new music from his June 11th, live recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in Kansas City.

He shared with us one of the tracks to play as a radio premiere.

11:20

5. Calvin Arsenia – “Nature Boy”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[from Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Written by Eden Ahbez, first recorded by Nat King Cole in 1948, and 2001 by David Bowie for Moulin Rouge Soundtrack]

11:24 – Interview/Story with Maria Vasquez Boyd

Maria Vasquez Boyd

Maria Vasquez Boyd is an artist, poet, educator, and radio show host & producer. She has been a regular contributor to Wednesday MidDay Medley where she has produced shows about Ukuleles, Teachers, The Day of The Dead, and The Artist’s Studio. She has been a regular cast member in our “He Touched Me Gospel Hour” programs, and has contributed original material for almost all of our “A Story In A Song” shows, including our live show at recordBar, and this past Spring, for Big Bang Buffet Black Sheep Rising at The Buffalo Room. Maria is graduate of the Kansas City Art Institute, where she has taught in the Design/Illustration Department, as well as, the Nelson Atkins Museum. Maria is also a founding member of the Latino Writers Collective. Maria is also the host and producer of 90.1 FM’s ARTSPEAK Radio which airs Wednesdays at Noon, following Wednesday Midday Medley. ARTSPEAK Radio will be celebrating 5 years on the air!

Maria Vasquez Boyd, thanks for being with us on Wednesday MidDay Medley

Congratulations on ARTSPEAK Radio!

When did Maria start calling Mark her “Radio Husband”?

We met at The Writer’s Place. I was serving on the Board of KKFI’s MidCoast Radio Project, you were serving on the board of the Latino Writer’s Collective. We would both go in early to set up for our meetings. You were a guest on the show and we welcomed you back to produce and host the show and eventually it became clear that you should host you own show. Through radio we became friends.

11:27 – Maria’s Story 10:32

6. Les Petits Minous – “À la claire fontaine”
from: À la claire fontaine – Single / Musicreche / September 25, 2008

10:34 – Underwriting

11:36 – Interview/Story Ron Megee

Ron Megee

Originally from Anaheim, California, Ron Megee has worked at every theater in Kansas City including The Kansas City Rep, The Coterie Theatre, New Theatre, The Unicorn Theatre, The Folly Theatre. I first met Ron Megee through The Unicorn Theatre. He was running the spotlight for The Rocky Horror Show. We became friends while working together with Lou Jane Temple at Cafe Lulu. This summer Ron starred in the Unicorn Theatre’s production of Priscilla Queen of the Dessert The Musical. Laughter is healing and Ron Megee is a comic genius. He has created one of Kansas City’s most enduring and successful theatre companies, Late Night Theatre that began in 1997, and after a hiatus, was reborn several years ago at Missie B’s, on West 39th Street. In the last 20 years Late Night Theatre has produced over 100 shows, including their most recent one-night-only performance of Valley of The Dolls at the Folly Theatre.

Ron Megee, Thanks for being with us on Wednesday MidDay Medley.

Will & Grace Watch Party Benefit for AIDS Walk Memorial Team, Thursday, September 28 at 6 PM at Missie B’s, 805 W 39th St, Kansas City. All money raised stays right here in Kansas City to help those living with HIV/AIDS.

Missie B’s presents “Hocus! Poke Us!: The Staged Reading” October 5 – October 19, Missie B’s, 805 W 39th St, Kansas City, ONLY 6 SHOWS! Featuring Daisy Buckët, Genewa Stanwyck, Chadwick Brooks, Matt Anderson, Brian Cross, Dirty Dorothy, & Ron Megee, Written & adapted for the stage by Daisy Buckët

11:39 – Ron Megee’s story

11:44

7. Portugal.The Man – “Feel It Still”
from: Woodstock / Atlantic Recording / June 16, 2017
[8th studio album release from the Portland Oregon based band that was originally formed in Wasilla, Alaska in 2004. The new album was produced by Mike D of The Beasty Boys. The group consists of John Gourley, Zach Carothers, Kyle O’Quin, Jason Sechrist and Eric Howk. Gourley and Carothers met and began playing music together at Wasilla High School.]

10:47 – Interview with Krystle Warren

Krystle Warren

Krystle Warren is originally from Kansas City, Missouri, although she now lives outside of Paris. She learned to play the guitar by listening to The Beatles albums: Rubber Soul and Revolver. Krystle Warren graduated from Paseo Arts Academy in 2001 and began her musical career performing to Kansas City audiences and collaborating with local jazz and pop musicians. After living in San Francisco and New York City, Krystle was signed to a French recording label, Because Music, and moved to Paris and released her album “Circles” in 2009. Krystle played numerous French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world, touring with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created her own record label, Parlour Door Music, to release her, 2012 record: “Love Songs: A Time you May Embrace” a recording from a 13 day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. For her most recent release, Krystle decided to go in a new direction, playing every instrument and singing all vocals & back up vocals herself, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. Three the Hard Way was Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton).

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

We’ve been playing various tracks from the album on the radio show, and Krystle shared music from the album last year on the show.

Some of the reviews:

OKAY Player wrote:
It was only a few months back that Krystle Warren, a midwestern musician with a taste for brawny, soul-rattling blues and gospel, graced us with gratitude on the singer’s first single off today’s offering, Three The Hard Way.

On “Thanks and Praise,” Warren’s sound is indebted to (and a lush extension of) spirited, slow-churn church grooves that have spent the last century empowering and emboldening protest and activism. Her new album, out today with production and engineering from Ben Kane (D’Angelo’s Black Messiah, Emily King’s The Switch) and Warren herself, cuts with encouraging wit against a sparse backdrop of country twang and handclap punctuation, a big, boisterous voice doing the heavy-lifting and heart-swelling.”

Impose Magazine wrote:
The devastating & mournful “Red Clay” recalls the horrific 1921 massacre of African Americans in Tulsa by the hands of the KKK that is painful reminder of an evil that persists in America, as evident by the last week’s tragic events at a neo-Nazi/KKK rally in Charlottesville, VA. Warren’s reiterations of “in the wet red clay” & pondering how evil can kill innocence are underlined with rhythm strums of sorrow that reiterates the concept that there is no place for hate in the world.

And through the entire album cycle, Krystle’s harmonies are a constant that keeps everything fluttering between the lessons of earth’s humble ground & inspirations & mythologies brought about by skies’ heavens. The art & act of waking up to the world & beyond is heard in the steps that follow “Get a Load”, to the psych-swimming “Learn to Bend”, right before you are taken to the tambourine shaking chapel of “Move” that closes out Three the Hard Way with something to wake up anyone may have fallen asleep in the back pews. Krystle leaves the audience with a message to get pro-active in your communities, to take a stand socially, politically, in any way you can make a difference to make our world a more loving place.

Krystle’s own notes on Three the Hard Way:

Three the Hard Way wasn’t supposed to be a political album. It was never my intention to delve into religion, socio-economics, depression…In fact, when Kane first suggested we work together, after I answered defensively that, yes, I had been writing new stuff, long story, and that the songs were all in my head, I said, Let’s make a happy record. And yet, and yet. Heading into the studio a year and a half ago, driving over an hour from my home in Yvelines to Villetaneuse in the early thaw of winter, our recording began as the world’s papers with any common sense at all published a steady stream of, What the FUCK Has The U.S. Done NOW! We couldn’t help but be affected by the uncertainty. It was all around us—still is.

I believe the first session started with “Get a Load”, or at least, attempted to. I had just completed “So We Say” the night before/that very morning, and was eager to lay it. “So We Say” took shape after everyone else went to bed, and I sat alone in the kitchen, plucking away at my guitar, swigging off a bottle of red, thinking about the The Challenger explosion. It was all over the news that day. I was a youngster when it happened, but I remember the image well. The thirtieth anniversary’s coverage provided deeper insight into the whys and hows. I felt disgusted by it all. People rise and fall in pieces, but that’s the price for being free… So began the first tune of the album.

It’s an odd feeling being of the time, artistically—that is to say, one who is reflecting the world around them, by accident, with purpose. Countless quotes exist attributed to various famous folk saying things to the effect of, If you’re not doing this, then you’re doing that, and that’s shitty. I don’t agree with that sentiment as it pertains to artistic expression. Not everyone should hold a megaphone. Pete Seeger, early Dylan, Woody Guthrie, Neil Young—hey, that’s all well and good. The general message is also extremely self-righteous. I don’t like being told what to do, do you?

Likewise, I feel that it’s best to be informed before throwing in your two cents, otherwise, you’re just feeding into the cacophony of yells and screams that currently passes for debate. The world has always been an awful place. Some of us are waking up to that reality now. I couldn’t have written Three the Hard Way five years ago, because I wouldn’t have known what to say, let alone how to say it. I’m here now, taking it all in, and weeping, and writing, and singing, listening, learning, getting through.

10:57

8. Krystle Warren – “Learn To Bend”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnson County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

11:00 – Krystle Warren – “Station I.D.”

11:00 – Interview with Madisen Ward and the Mama Bear

Madisen Ward and the Mama Bear

We’re thrilled to welcome back to the show, for their 6th appearance on Wednesday MidDay Medley, Madisen Ward and the Mama Bear. Madisen Ward and Ruth Ward were with us for our 500th show, so we feel incredibly blessed to have them back for our 700th show. Between these two shows, they have skyrocketed out of Kansas City, garnering international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing shows together, playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released by Glassnote Records, May 9, 2015 and was our most played record that year and was #1 on our 115 Best Recordings of 2015. Madisen Ward and the Mama Bear are currently working on their 2nd album.

Madisen Ward and the Mama Bear, will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM.

Madisen Ward and the Mama Bear thanks for being with us on WMM.

We first played music from Madisen Ward and the Mama Bear on this radio show in early May of 2013 after our mutual friend Joel Nanos of Element Recording sent us a copy of their independent EP, “We Burned The Cane Field” where they first recorded Madisen’s original songs.

When Madisen Ward and the Mama Bear opened for BB King at The Midland, 96.5’s The Buzz’s Lazlo Geiger saw them and he was blown away. He contacted his friend, Daniel Glass, founder of Glassnote Records who traveled to Kansas City to meet the band.

11:08

9. Madisen Ward and the Mama Bear – “Cannibal” (Live)

11:20

10. Madisen Ward and the Mama Bear – “How It Goes” (Live)

Madisen Ward and the Mama Bear, will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM.

11:25

11. Be / Non – “Journey”
from: A Mountain of Yeses / Unipegadong / 2009

12. The Magnetic Fields – BBC Radiophonic Workshop
from: Holiday / Merge / 1994

11:26 – Interview/Story – Scott Hobart

Scott Hobart

Singer-songwriter and guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there.

Recently the band released two new songs and are working on material for their 3rd studio album. Giants Chair play miniBar, Thursday, Sept. 21,at 8:00 PM with ExAcrobat and SWEATS from Lincoln.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

13. Giants Chair – “Featureless Horizon”
from: The Streets – Single / Giants Chair / June 15, 2017
[Recorded May 2017 at Weights & Measures Soundlab, Kansas City, Missouri. Engineered and produced by Duane Trower. Kansas City based. Giant’s Chair was a band from fall of 1993 to the summer of 1997.]

[Giants Chair play miniBar, Thursday, Sept. 21, at 8:00 PM with ExAcrobat and SWEATS from Lincoln.]

11:36 – Underwriting

11:38 – Interview/Story – Necia Gamby

Necia Gamby

Necia Gamby is Licensed Massage Practitioner at own practice, NRGinMOTION. Shoe also serves as a licensed Massage Therapist at Alpha Chiropractic Center Inc. and at at Spa On Penn. She has been in practice 36 years. She uses Swedish (classical) massage technique. Over the years she has studied and practiced Hatha Yoga and is currently studying TaiChi. She founded and directed the Heartland School of Massage from 1988-1996. She has studied and incorporated Shiatsu, trigger point technique, lomi-lomi and a host of other philosophies and techniques into her massage style. She was an instructor for Johnson County Community College’s Certified Massage Program for 6 years. She taught Basic Swedish technique and Business Practices. She is an avid reader and especially loves science fiction and Korean dramas. Necia is the daughter of a KC Jazz pianist, and the mother of a graphic artist and MC for the acclaimed KC based hiphop duo SoundsGood and engineer with the 64111 Clinic.

Necia Gamby, thanks for being us on Wednesday MidDay Medley

11:39 – Necia’s Story

11:44

14. SoundsGood – “Best Song Ever (featuring iD)”
from: Goodbye / Innate Sounds / March 1, 2012
[The 3rd SoundsGood and final album. A collection of tracks that finalize the SoundsGood sound. Vocals – Joe Good, Beats – Miles Bonny.]

11:49 – Interview/story – Nico Gray

Nico Gray (Photo by Mark Manning)

We welcome back to the show, our friend Nico Gray, who joins us as “Guest Producer” for our second hour. Nico has worked as a writer, performance artistm and as an actor with The Kansas City Rep, Gorilla Theatre, the 8th Street Cafe Thetre, Actor’s Craft, and was recently a featured performer in Big Bang Buffet’s Black Sheep Rising. Nico has also worked for Theatre League, The Midland Theatre and is currently a marketing and advertising consultant who does work with Union Station. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC. ”

Nico Gray welcome back to Wednesday MidDay Medley.

11:50 – Nico’s Story

11:52

15. The Velvet Underground – “Heroin”
from: The Velvet Underground & Nico / Verve / March 12, 1967
[The Velvet Underground & Nico is the debut album by The Velvet Underground, with the first professional line-up of the Velvet Underground: Lou Reed, John Cale, Sterling Morrison and Maureen Tucker. German singer Nico was also featured, having occasionally performed lead vocals for the band. This resulted of the instigation of their mentor and manager, Andy Warhol, and his collaborator, Paul Morrissey. Nico sang lead on three of the album’s tracks—”Femme Fatale”, “All Tomorrow’s Parties” and “I’ll Be Your Mirror”—and back-up on “Sunday Morning”. In 1966, as the album was being recorded, this was also the line-up for their live performances as a part of Warhol’s Exploding Plastic Inevitable. Though the record was a commercial failure upon release and was almost entirely ignored by contemporary critics, The Velvet Underground & Nico is now widely recognized as one of the greatest and most influential albums in the history of popular music. In 1982, musician Brian Eno famously stated that while the album initially only sold approximately 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” In 2003, it ranked 13th on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time. It was added to the 2006 National Recording Registry by the Library of Congress. Many sub-genres of rock music and forms of alternative music were significantly informed by the album.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, September 27, Brenton Cook, Dedric Moore and Steve Tulipana join us to share music and information about the Outer Reaches Festival, Friday and Saturday, September 29th and 30th, at recordBar, 1520 Grand Blvd.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #700

Wednesday MidDay Medley Celebrates our 700th Show!

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 20, 2017

Our 700th Show! with Madisen Ward and the Mama Bear, Krystle Warren, Calvin Arsenia, Ron Megee, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Scott Hobart, and Nico Gray.

On September 20, 2017, Wednesday MidDay Medley celebrates our 700th Show! with LIVE performances in our 90.1 FM Studios from: Madisen Ward and the Mama Bear, who will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM. Krystle Warren also joins us live to chat about her new album, Three the Hard Way. Calvin Arsenia will call in from “the road” in Paris France, from his “Out Lyre” European tour. Also joining us to share original stories and a favorite song will be: Maria Vasquez Boyd, Nico Gray, Ron Megee, Necia Gamby and Scott Hobart. In addition, Marion Merritt who for the last 13 years, has been joining Mark on a quarterly basis as Guest Producer, will play one of her favorite tracks of the past 700 weeks.

During the past 700 weeks, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases. We have happily presented new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin and our annual 4-week special: the 100+ Best Recordings of the Year.

Join us in our radio celebration!
Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #700

WMM Playlist from September 13, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 13, 2017

MidCoastal & New Releases
+ D. Rashaan Gilmore + Erica Joy

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. LCD Soundsystem – “change yr mind”
from: american dream / DFA – Columbia / September 1, 2017
[4th studio album by American rock band LCD Soundsystem, released on September 1, 2017 through DFA and Columbia. It was first announced on January 5, 2016, the day after it was revealed that the band was reuniting after a disbandment lasting nearly five years. It is the band’s first album in seven years, following This Is Happening (2010). Prior to release, LCD Soundsystem performed at large music festivals as well as smaller shows to promote their reunion. “Call the Police” and “American Dream” were released together as the album’s lead single on May 5, 2017, and “Tonite” was released as the second single on August 16, 2017. The album received widespread acclaim from music critics. The album performed well commercially and became the band’s first number-one album in the United States.]

3. The Mynabirds – “Shouting at the Dark”
from: BE HERE NOW / Saddle Creek Records / August 25, 2017
[4th release from The Mynabirds, indie pop band founded by singer-songwriter and pianist Laura Burhenn, who was previously one half of the Washington, D.C. indie duo Georgie James. Burhenn formed The Mynabirds in 2009, and shortly after signed to Saddle Creek Records and relocated to Omaha, Nebraska. The sound has been described by Pitchfork as “…openhearted, politically engaged, feminist pop that, miraculously, never veers into schmaltz.” After years of classical piano and stints singing and playing keyboards in rock bands and electronica projects in Washington, D.C., Burhenn founded her own record label, Laboratory Records, and began releasing solo work. Burhenn’s first solo record “Not Ashamed to Say” was released in 1999 and is a collection of thirteen songs written from 1994 to 1998. After releasing a split 7″ in 2003, Burhenn released the full length “Wanderlust” in 2004. In 2005, Burhenn teamed up with John Davis, drummer of defunct DC trio Q and Not U, to form Georgie James. Laura first worked with Saddle Creek in 2007 on Georgie James’ debut LP “Places.” The duo parted ways in late 2008.]

10:13 – Underwriting

4. Kevin Morby – “Aboard My Train”
from: City Music / Dead Oceans / June 16, 2017
[4th release from Kevin Robert Morby born April 2, 1988, and learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His last album Singing Saw was ione of our 116 Best Recordings of 2016]

[Kevin Morby plays The Madrid, tomorrow night, September 14, opening for The Mountain Goats]

5. Sheer Mag – “Just Can’t Get Enough”
from: Need To Feel Your Love / WILSUN RC / July 14, 2017
[Sheer Mag is an American rock band from Philadelphia, Pennsylvania, formed in 2014. Members include:Tina Halladay, Kyle Seely, Hart Seely, Matt Palmer, Ian Dykstra A combination of 1970s rock and punk ethos, the band continued to gather attention and has released three 7-inch EPs as of March 2016. In January 2015, Rolling Stone featured the band as one of “10 New Artists You Need To Know”, describing them as “a gang of punks with a not-so-secret love of Seventies classic rock.”Four of five band members attended the State University of New York at Purchase. In 2016, the band was part of the Coachella 2016 line-up and performed on Late Night with Seth Myers. On May 10, 2017, Sheer Mag released “Need To Feel Your Love,” the first track off their first full-length record, Need To Feel Your Love.]

[Sheer Mag play The Bottleneck, in Lawrence, KS, on September 18, with Laffing Gas, The Whiffs, and Nancy Boys]

6. Krystle Warren – “Nae-Nae and Ruthie”
from: Three The Hardway / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

7. Ben Harper & The Innocent Criminals – “Shine”
from: Call It What It Is / Ben Harper – Concord Music Group / January 22, 2016
[Benjamin Chase Harper (born October 28, 1969) is an American singer-songwriter and multi-instrumentalist. Harper plays an eclectic mix of blues, folk, soul, reggae and rock music and is known for his guitar-playing skills, vocals, live performances, and activism. He has released twelve regular studio albums, mostly through Virgin Records and has toured internationally. Harper is a three-time Grammy Award winner, with awards for Best Pop Instrumental Performance and Best Traditional Soul Gospel Album in 2005 and Best Blues Album in 2014. Harper was born in Pomona, California. His late father, Leonard, was of African-American and Cherokee ancestry, and his mother, Ellen Chase-Verdries, is Jewish. His maternal great-grandmother was a Russian-Lithuanian Jew. His parents divorced when he was five years old, and he grew up with his mother’s family. Harper has two brothers, Joel and Peter. Harper began playing guitar as a child. His maternal grandparents’ music store The Folk Music Center and Museum laid a foundation of folk and blues for the artist, complemented by regular patrons Leonard Cohen, Taj Mahal, John Darnielle, and David Lindley and quotes of William Shakespeare and Robert Frost made often by his grandfather. In 1978, at the age of 9, Harper attended Bob Marley’s performance in Burbank, California where Marley was joined by former bandmate Peter Tosh for the encore. It was, according to Harper, an important influence..]

[Ben Harper & The Innocent Criminals play The Uptown Theatre, tonight, September 13, Doors at 7:00 PM, show at 8:00 PM with special guest, Hey, King]

D. Rashaan Gilmore with Maria Vasquez Boyd on the September 13, 2017 edition of Wednesday MidDay Medley


10:31 – Interview with D. Rashaan Gilmore

D. Rashaan Gilmore is a life-long resident of Kansas City. He is community connector, organizer and collaborator. He joins us to share information about his new radio show, ‘Unbossed and Unbothered w/ D. Rashaan’ that can be heard right here on 90.1 FM KKFI, on the 3rd Saturday of each month, at 1:00 pm, during The Tenth Voice. D. Rashaan Gilmore is passionate about making a difference in the LGBTQ community of color. His current project is BlaqOut, a newly formed organization which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core. Gilmore has previously managed multiple significant HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic. And also served as the Senior Field Organizer for PROMO, Missouri’s statewide LGBT equality and advocacy organization.

D. Rashaan Gilmore thanks for being with us on Wednesday MidDay Medley

Last month D. Rashaan premiered his new radio program: ‘Unbossed and Unbothered w/ D. Rashaan’, on The Tenth Voice. During his first show he interviewed John Eligon, reporter for the New York Times AND featured a live musical performance from the St. Louis-based artist, MAVEN LEE aka Trent Omar Ramsey.

D. Rashaan Gilmore said in an interview (The Phoenix Newsletter / May 31, 2017 written by Joel Barrett) “I believe in living out loud.”

He also said, “I feel like I’m in a position to help others and I take that responsibility seriously, however, I can’t talk about what impact I have had in Kansas City without talking about the impact Kansas City has had on me.”

In the Phoenix Newsletter piece he said, “I don’t believe in practice what you preach. To me, that is too high a standard. I believe in preaching what you practice. I can tell you and show you what has worked for me and that alone. Everything else I’m aspiring to and we can work on that together.”

D, Rashaan Gilmore is particularly passionate about making a difference in the LGBTQ community of color. Recently, he’s found a home for his voice in service of marginalized and stigmatized communities where he brings his candor, intelligence and wit to empower individuals to assert their right to be visible and thrive.

His current project is BlaqOut, a newly formed organization which seeks to organize and mobilize the black, gay community in Kansas City and develop a leadership core.

BlaqOut has received funding for a major community needs assessment of Kansas City’s black, 18- to 34-year-old MSM community. MSM is a term used by the Centers for Disease Control and Prevention that means men who have sex with men.

Gilmore has previously managed multiple significantly-sized SAMHSA and CDC-funded HIV/ AIDS awareness and prevention grants for the Kansas City CARE Clinic.

D. Rashaan Gilmore calls himself a “serial entrepreneur.” His first business was a bakery, that he started as a 14 year old teenager.

His newest company is ‘Nuts & Bolts’, a premier lifestyle brand for men, that will launch its debut collection of sustainably produced garments and accessories in 2018.

As an outspoken social justice advocate and passionate serial entrepreneur with deep roots in the business, civic and non-profit communities in Kansas City and beyond.

Gilmore’s keen insight and vast professional experience establish him as a sought after cultural and political analyst and commentator on radio, television and online.

D. Rashaan Gilmore thanks for being with us on Wednesday MidDay Medley

D. Rashaan Gilmore is the host and producer of a new radio show, ‘Unbossed and Unbothered w/ D. Rashaan’, on the 3rd Saturday of each month, at 1:00 PM, during The Tenth Voice on 90.1 FM KKFI Kansas City Community Radio.

10:50

8. The War On Drugs – “Holding On”
from: A Deeper Understanding / Atlantic Recording / August 25, 2017
[The 4th studio album from Philadelphia, Pennsylvania, band formed in 2005. The band consists of Adam Granduciel (vocals, guitar), David Hartley (bass), Robbie Bennett (keyboards), Charlie Hall (drums), Jon Natchez (saxophone, keyboards) and Anthony LaMarca (guitar). Founded by close collaborators Granduciel and Kurt Vile, The War on Drugs released their debut studio album, Wagonwheel Blues, in 2008. Vile departed shortly after its release to focus on his solo career. The band’s second studio album Slave Ambient was released in 2011 to favorable reviews and extensive touring. Written and recorded following extensive touring and a period of loneliness and depression for primary songwriter Granduciel, the band’s third album, Lost in the Dream, was released in 2014 to widespread critical acclaim and increased exposure. Previous collaborator Charlie Hall joined the band as its full-time drummer during the recording process, with saxophonist Jon Natchez and additional guitarist Anthony LaMarca accompanying the band for its world tour.]

9. Hurray For The Riff Raff – “Living In The City”
from: The Navigator / ATO Records / March 10, 2017
[Hurray for the Riff Raff is an American folk-blues and Americana band from New Orleans, Louisiana formed by lead singer and songwriter Alynda Segarra. Segarra was raised by her aunt Nereida in the Bronx where she developed an early appreciation for doo-wop and Motown. She is of Puerto Rican descent. Her mother was former New York City Deputy Mayor Ninfa Segarra. Segarra became a regular attendee of hardcore punk shows at ABC No Rio when she was young. She left her home in the Bronx at age 17, spending time crossing North America, hopping freight trains. During this time, around 2007, Segarra became a part of the Dead Man Street Orchestra, a band that was documented in a photo essay by Time Magazine in 2007. After two self-released albums, 2008’s It Don’t Mean I Don’t Love You and 2010’s Young Blood Blues, Hurray for the Riff Raff released a self-titled CD composed of Segarra’s favorite songs from those records on Loose Music in Europe on March 21, 2011. Tracks from the band’s debut release received airplay on BBC Radio 2 and BBC 6 Music. In February 2011, the band were featured in an article in The Times, based around the HBO TV series, Treme, with their track “Daniella” being listed in their selection of New Orleans’ essential songs. In May 2012, Hurray for the Riff Raff released Look Out Mama on their own label, Born to Win Records. Loose Music released Look Out Mama in Europe on August 20, 2012. The album was recorded in Nashville, Tennessee at The Bomb Shelter Studios and produced by Andrija Tokic (Alabama Shakes).In February 2014, Hurray for the Riff Raff had their ATO Records debut, Small Town Heroes. The record features original songs written or co-written by Segarra, and features fiddler Yosi Perlstein, keyboard player Casey McAllister, and two members of The Deslondes: Sam Doores on guitar and Dan Cutler on bass.]

11:00 – Station ID

10. Giants Chair – “The Streets”
from: The Streets – Single / Giants Chair / June 15, 2017
[Recorded May 2017 at Weights & Measures Soundlab, Kansas City, Missouri. Engineered and produced by Duane Trower. Kansas City based. Giant’s Chair was a band from fall of 1993 to the summer of 1997. Singer-songwriter / guitarist Scott Hobart and bassist Byron Collum met at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI to play with drummer, Paul Ackerman and form the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City soon thereafter to be a part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. Though Hobart would shift styles to front the honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records) while Collum and Ackerman continued with other rock projects, GIANTS CHAIR has continued to play the occasional show in Kansas City over the years and has recently released two new songs and a video – as well as letting it be known that they are working on material for their 3rd studio album. Hobart says GIANTS CHAIR’s best-known earliest influences would probably be bands like Fugazi, Swervedriver, Drive Like Jehu and Jawbox.]

[Giants Chair play miniBar, Thursday, Sept. 21,at 8:00 PM with ExAcrobat and SWEATS from Lincoln.]

[Scott Hobart will be with us live in the studio next week for our very special 700th show with guests: Nico Gray, Necia Gamby, Marion Merritt, Ron Megee, Maria Vasquez Boyd, Lesley Poiries, and more.]

11. La Guerre – “sweetness is objective”
from: B Side Your Heart / The Record Machine / January 20, 2015
[La Guerre is the French for “war.” B Side Your Heart is a gathering of love themed b sides from over the last few years. All proceeds will be donated to the ACLU. All songs written by Katlyn Conroy. Katlyn Conroy, is a female singer and songwriter from Lawrence, Kansas. She was part of the critically acclaimed band, Cowboy Indian Bear. She was the recipient of the 2013 Pitch Music Award for Best Singer-Songwriter. You can a listen to her music at http://www.katlynconroy.bandcamp.com.]

[La Guerre plays The Riot Room, 4048 Broadway, Monday, September 18, at 8:00 PM with local band Mess, opening from Athens, Georgia band Mothers.]

12. Ariel Pink – “Feels Like Heaven”
from: Dedicated To Bobby Jameson / Kemado Records / September 15, 2017
[11th studio album Los Angeles’s prodigal songwriting son Ariel Pin. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.” Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.” Ariel Pink started as a visual artist before becoming a recording artist in the late ‘90s while attending Cal Arts. Drawing on iconoclasts and trailblazers like the Shaggs, the Cure, the Velvet Underground, Destroy All Monsters, Cabaret Voltaire, and R. Stevie Moore, Pink set himself to redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.” less. More info at: http://www.ariel-pink.com.]

13. Foxygen – “Follow The Leader”
from: Hang / Jagjaguwar / January 20, 2017
[Foxygen is an American indie rock duo from Westlake Village, California, formed in 2005. The band consists of Jonathan Rado and Sam France. They have released four albums and a number of self-released EPs. Rado and France started their band in high school when both were fifteen. After their formation in 2005, the band played experimental music; influenced by psychedelia and avant-garde. They self-released four EPs between 2007 and 2011. In early 2011, they were ‘discovered’ by producer Richard Swift after handing him one of their EPs at a Mynabird’s show in New York. The group were later signed on to Jagjaguwar Records and their first studio album, Take the Kids Off Broadway, was released by Jagjaguwar on July 24, 2012. On January 22, 2013, Jagjaguwar released Foxygen’s second album, We Are the 21st Century Ambassadors of Peace & Magic. This album was produced by Richard Swift and recorded at his National Freedom studio. The record was preceded by the single “Shuggie,” released on October 4, 2012. In March 2013, Foxygen was named one of Fuse TV’s 30 must-see artists at SXSW. The band has gained a reputation for its unhinged live shows and maniacal behavior of lead singer France. In 2014, for their tours promoting the sprawling double album …And Star Power, the group expanded to a nine-piece including three back-up singer/dancers. The band released their fourth LP, the theatrical Hang, on January 20, 2017, via Jagjaguwar. The album features collaborations with The Lemon Twigs, the Flaming Lips’ Steven Drozd and a 40+ piece orchestra arranged by Trey Pollard and Matthew E White. The Irish Times described the album as “Theatrical is an apt description of this collection as a whole,” while noting that the album “edges perilously close to pastiche”.]

14. Erica Joy – “Happy Villain”
from: Introduction / Independent / February 3, 2017
[Erica Joy on vocals, Britt Wild on lead guitar, Khitam Jabr on acoustic guitar,. Recording and produced by Kyle Ward at Counterpoint Studio.]

[Erica Joy plays an intimate theatre show, Sunday, October 1st, at 7:00 PM, at Westport Coffeehouse Theatre where she will be debuting new songs, and playing with her new backing band – Colby Bales, Zach Harris, and Branden Moser.]

11:19 – Interview with Erica Joy

Erica Joy in the September 13, 2017 edition of Wednesday MidDay Medley.

KC based singer and songwriter, Erica Joy who joins us to share information about her new band, and her upcoming intimate theatre show, Sunday, October 1st, at 7:00 PM, at Westport Coffeehouse Theatre where she will be debuting new songs, and playing with her new backing band – Colby Bales, Zach Harris, and Branden Moser. In 2015 Erica Joy released her first single “Fun to Hold You” and it remained in Homegrown Buzz’s rotation for over a year. She followed the single by releasing her debut EP, “Introduction” on February 3, 2017, in a special show at recordBar.

Erica Joy, thanks for being with us on Wednesday MidDay Medley

Band Members:
Vox: Erica Joy
Lead Guitar: Colby Bales (of Instant Karma)
Rhythm Guitar: Erica Joy
Drums: Zach Harris (drummer of Instant Karma)
Bass: Branden Moser (bassist with Instant Karma)

There are only 100 seats available. More information at: http://www.ericajoymusic.com

Erica Joy was Born April 8, 1991. She is 26 years old. She grew up in Springfield Missouri went to Kickapoo High, class of 2009. She came to nKansas City on a cross-country / track scholarship. She spent a few years running in Kansas City before discovering the music community. Erica Joy graduated from UMKC in 2013.

Short bio: In 2015 her first single “Fun to Hold You” was released and remained in Homegrown Buzz’s rotation for over a year. EJ then released a full EP titled “Introduction” on February 3rd 2017 at Record Bar in Kansas City. After the release of the EP, Joy gained much love from critics and fans wanting to see what she will do next and also “leaving the tracks on repeat in the car.”

There has never been a time where Erica has started singing and the room didn’t stop, even if for a few seconds to admire her voice. It doesn’t matter what genre or style she sings in, she’s going to tell you a story and she’s going to make you feel things. It has perhaps never been described better than “she’ll turn you into a puddle of melted butter” reviewed by “I Heart Local Music’s” take of Ej’s performance at Middle of the Map. Her voice is dreamy and haunting. It’s a calling, it’s Erica Joy.

11:26

15. Erica Joy – “Carol” (Live) 
(a new song not yet recorded)

This year Erica Joy released her debut EP, she played a big EP Release show at recordBar. She played Middle of The Map Fest, she was part of the HearQueer Issue 001 launch, she has a new band, and is writing and recording new music,

Erica Joy, thanks for being with us on Wednesday MidDay Medley.

Erica Joy plays an intimate theatre show, Sunday, October 1st, at 7:00 PM, at Westport Coffeehouse Theatre where she will be debuting new songs, and playing with her new backing band – Colby Bales, Zach Harris, and Branden Moser.

More information at: http://www.ericajoymusic.com

10:36 – Underwriting

16. The Dear Misses – “Stage Fright“
from: Just Let Go / Independent / February 28, 2017
[This is The Dear Misses first full length album. “Just Let Go” was written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band is made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. More information at: http://www.reverbnation.com/thedearmisses%5D

[The Dear Misses play The Rino, 34 Armour Rd, North Kansas City, Saturday, September 16, at 8:00 PM, with CUDO and Faintheart.]

17. Jack Johnson – “My Mind Is For Sale”
from: All the Light Above it Too / Jack Johnson / September 8, 2017
[7th studio album by musician Jack Johnson (born May 18, 1975) singer-songwriter, musician, actor, record producer, documentary filmmaker and a former professional surfer. The album’s lead single, titled “My Mind Is for Sale”, was released on July 14, 2017. It is the first of Jack’s releases since his 2013 album From Here to Now to You. The album was produced by a friend of Jack Johnson, Robbie Lackritz, and recorded at Mango Tree Studio, just as many of his others were. The album was mostly inspired by the sayings of Donald Trump, surfing, and camping. Also, Johnson had just recently worked on the short documentary, “Smog of the Sea”, and released his song “Fragments”. The documentary took a one-week journey through the sea to study animals, and sea creatures. This got Johnson thinking about what Trump has said about pollution and global warming, and has also included this in his album. Johnson’s songs were mostly written while he was camping in the wilderness, or on boats. This was because his home studio is too quiet and you can hear your thoughts when you are trying to write, which makes it not such a productive writing place. “I wrote these songs when I was out of [cellular] reception and phones can’t ring, there’s not a lot else to do, so we play a lot of guitar,” Johnson says. On these trips, Johnson brought his backpack with a ukulele in it and with an acoustic guitar.]

18. Iron & Wine – “Call It Dreaming”
from: Beast Epic / Sub Pop / August 25, 2017
[6th full-length studio album by Iron & Wine which is the musical project of Samuel “Sam” Ervin Beam (born July 26, 1974). He has released five studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Durham, North Carolina. The name Iron & Wine is taken from a dietary supplement named “Beef, Iron & Wine” that he found in a general store while shooting a film. Beam was raised in Chapin, South Carolina, where his father worked in land management and his mother was a schoolteacher. When he was a child, his family took regular trips to the country, where his grandfather ran a farm. He attended Seven Oaks Elementary School, Chapin Middle School, and Chapin High School. While home from college, he was a waiter at California Dreaming restaurant in Columbia. Beam earned a bachelor’s degree in art from Virginia Commonwealth University in Richmond, Virginia. He specialized in painting before graduating from the Florida State University Film School with an MFA degree. Before the release of the first Iron & Wine album, Beam’s main source of income was as a professor of film and cinematography at the University of Miami and Miami International University of Art & Design. He had been writing songs for over seven years before a friend lent him a four-track recorder. He began making demos and gave one to his friend Michael Bridwell, brother of Band of Horses lead singer, Ben Bridwell. Michael handed it to Mike McGonigal, editor of Yeti magazine, who chose “Dead Man’s Will”, later released on In the Reins, for inclusion on one of his magazine’s compilation CDs. Beam later came to the attention of Sub Pop Records co-owner, Jonathan Poneman, who contacted Beam to propose a deal.Beam released his first Iron & Wine album, The Creek Drank the Cradle, on the Sub Pop label in 2002. Beam wrote, performed, recorded and produced the album in his home studio. Featuring acoustic guitars, banjo, and slide guitar, the album’s music has been compared to that of Nick Drake, Simon and Garfunkel, Elliott Smith, Neil Young and John Fahey. Also in 2002, Beam recorded a cover of The Postal Service’s then-unreleased song “Such Great Heights”. Rather than being included on an Iron & Wine release, the track was initially included as a b-side of the original version by The Postal Service. It was later included on the B-sides and rarities album, Around the Well. He followed up his debut album in 2003 with The Sea & The Rhythm, an EP containing other home-recorded tracks with a similar style to this debut.]

19. EMA – “Down and Out”
from: Exile In the Outer Ring / City Slangl / August 25, 2017
[5th studio album from Erika Michelle Anderson, (born April 2, 1982) better known by her stage name EMA, is an American singer and songwriter from South Dakota. Originally the lead singer of drone-folk band Gowns, she released her debut album Little Sketches on Tape in 2010 on Night People, an independent music label founded by former Raccoo-oo-oon member Shawn Reed. In 2011 EMA released her second album Past Life Martyred Saints, which received positive reviews from Pitchfork Media, Drowned in Sound, and the NME. After releasing her debut album, EMA was named “New Band of the Day” by The Guardian and “Artist to Watch” by Rolling Stone. In 2011 she performed “Endless, Nameless” for Spin’s twentieth anniversary tribute to Nirvana’s album Nevermind. Her song “The Grey Ship” was used on an episode of Adult Swim’s Off the Air, and in the 2014 Carter Smith film Jamie Marks Is Dead. She made her network television debut performing on Late Show with David Letterman on August 26, 2014.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on Wednesday September 20 we present our 700th show with special guests: Madisen Ward and the Mama Bear, Krystle Warren, Calvin Arsenia, Marion Merritt, Maria Vasquez Boyd, Nico Gray, Necia Gamby, Ron Megee, and Scott Hobart.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #699

WMM Playlist from August 30, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt joined us as “Guest Producer.” For more than 13 years Marion Merritt has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

We also talked with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Heliocentrics – “The Sunshine Makers”
from: The Sunshine Makers (Original Motion Picture Soundtrack) / Soundway Records / 2017

4. Mulatu Astatke & The Heliocentrics – “Masenqo”
from: Inspiration Information 3 / Strut!K7 / 2009

5. Mulatu Astatke – “Yègellé Tezeta (My Own Memory)”
from: Éthiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale (1969-1974) / Buda Musique /98

6. Laurel Halo – “Moontalk”
from: Dust / Hyperdub / 2017

7. Laurel Halo – “Jelly”
from: Dust / Hyperdub / 2017

10:32 – Underwriting

8. Clement Djimogne – “Africa”
from: Pop Makossa (The Invasive Dance Beat of Cameroon 1976 – 1984)/2017 Analog Africa

9. Pasteur Lappe – “Na Real Sekele Fo’ Ya”
from: Na Man Pass Man / Africa Seven / 2017

10. Danny Offia & The Friks – “Funk with Me”
from: Doing It in Lagos: Boogie, Pop & Disco in 1980’s Nigeria / PMG / 2017

10:57 – Station ID

11. This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / 2017

12. This Is the Kit – “Bullet Proof”
from: Moonshine Freeze / Rough Trade / 2017

13. Come On – “Housewives Play Tennis”
from: The Come On Story / Manufactured Records / 2017

14. Television Personalities – “Games for Boys”
from: They Could Have Been Bigger Than the Beatles / Fire Records-Velvel Records / 1997 [2017 Fire Records]

15. Lewis Parker – “The Glass Ceiling (Main Theme)” [Instrumental]
from: The Puzzle: Episode 2 – The Glass Ceiling (Instrumentals) / King Underground / October 19, 2014 [Reissued by King Underground 2017]

16. Madlib – “Movie Finale”
from: Beat Konducta, Vol. 3 & 4: In India / Stones Throw / August 21, 2007

17. The Beginner’s Mynd – “Don’t Lose Your Mind”
from: Don’t Lose Your Mind / 13 O’Clock / 2017

18. The Kaisers – “Wishing Street”
from: Wishing Street / No Hit / 1998 [Revolver Music / 2017]

Marion Merritt thanks for being with us on WMM. Coming up we talk w/ Ada Brumback

11:29 – Underwriting

19. BEDROOM WOUNDS – “Exist In The Night”
from: Bedroom Wounds / Error/Records / January 6, 2017

[Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man & the Reactors.

11:35 – Interview with Ada Brumback

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar in the band Bedroom Wounds. Ada Brumback plays drums and has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant.

Ada Brumback thank you for being with us on Wednesday MidDay Medley

Bedroom Wounds started as a solo recording project of Kristian Kyle Ratliff during his time in Springfield, IL. Formerly of the emo-rock band Our Lady 2010 to 2016, (Mayfly Records) With Bedroom Wounds, Kristian Kyle Ratliff, “furthered expressions of inner strife through the darkened tunnel that is loss. From dealing with these feelings personally, to watching loved ones engulfed in pain, Ratliff has formulated a sonic aura of unsettling proportions.” All tracks created by Kristian Kyle Ratliff. Recorded, mixed, and mastered by Brandon Carnes at Southtown Studios in Springfield, IL.

Bedroom Wounds is now a 4-piece band in Kristian Kyle’s new home of KC, MO. Ada Brumback plays guitar in the band.

Ada Brumback has collaborated as videographer for the Springfield, Illinois band, Looming.

11:44

20. Looming – “Down”
from: Seed / No Sleep Records / September 29, 2017
[1st single from the upcoming release of Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to theor debut full-length album, Nailbiter that came out in August 14, 2015.]

[Jessica Knight (of Looming) plays Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Bedroom Wounds, Prince Daddy and the Hyena, and Natural Man & the Reactors.]

11:56

21. Told Slant –”Lack”
from: Still Water / Double Whammy Records / August 5, 2012
[Told Slant is the songwriting project of Felix Walworth (They/Them), Brooklyn based lyricist, producer, and founding member of The Epoch arts collective. Walworth started the project in 2011 as a means of marking a stylistic shift in their songwriting, specifically a shift toward understated, ambling arrangements and simple, illustrative lyrics. Told Slant’s debut LP, Still Water, was self-released in 2012, then re-released and pressed to vinyl by Broken World Media in 2014. The band released their follow full-length record, Going By, with Double Double Whammy in the summer of 2016. Though Told Slant functions more like a “solo project” in its recorded state, its live incarnation is arranged and performed by Walworth and Epoch co- collaborators Emily Sprague of Florist (She/Her, They/Them), Oliver Kalb of Bellows (He/Him), and Gabrielle Smith of Eskimeaux (She/Her). Sprague, Kalb, and Smith bring their particular sets of influences and intuitions to the band’s live sets in a way that draws out more energetic and dynamic arrangements from the songs. Told Slant’s members live in Brooklyn, NY, and tour actively.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on September 6, 90.1 FM Development Director, Bill Sundahl joins us for a 2-hour show spinning music from 18 artists playing the 13th Annual Crossroads Music Fest, Saturday, September 9, featuring over 60 bands & artists, on 9 stages, all in a 3-block area.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #697

WMM is Spinning Records with Marion Merritt + Ada Brumback

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: This Is The Kit, Laurel Halo, Mulatu Astatke & The Heliocentrics, Pastuer Lappe, Kelly Lee Owens, The Kaisers, Madlib, Jane Weaver, Come On, Television Personalities, The Beginner’s Mynd, Lewis Parker, Danny Offia & The Friks, Clement Djimogne, Don Drummond, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Ada Brumback

At 11:30 Mark talks with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds. Ada Brumback also plays drums and she has collaborated with the Springfield, Illinois band, Looming; the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada also works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant. Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man and the Reactors.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #697

WMM Playlist from June 14, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 14, 2017

Spinning Records With Marion Merritt
+ Scott Hrabko and Summer

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For more than 13 years she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. Keeping alive the tradition of female-owned, independent record stores on Westport Road. Our area independent record stores make available MidCoastal releases from independent KC music artists and labels, while also hosting multiple weekly in-store shows featuring young area and touring bands.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Pond – “30000 Megatons”
from: The Weather / Marathon Artists / May 5, 2017

4. Pond – “Sweep Me Off My Feet”
from: The Weather / Marathon Artists / May 5, 2017

5. Robert Wyatt – “At Last I Am Free”
from: Nothing Can Stop Us / Thirsty Ear / 1998 [Reissued on Domino 2010]

6. The Como Mamas – “Move Upstairs”
from: Move Upstairs / Daptone Records / May 19, 2017

7. Benjamin Booker Ft. Mavis Staples – “Witness (Edited)”
from: Witness / ATO Records / June 2, 2017

10:25 – Underwriting

8. Nhú De Ped´Bia – “Nós Criola”
from: Synthesize the Soul: Astro-Atlantic Hypnotica from the Cape Verde Islands 1973-1988 / Ostinato Records / February 24, 2017

9. Banteay Ampil Band – “Please Take Care of My Mother”
from: Cambodian Liberation Songs / Banteay Ampil Band / Jan 1, 1983
[Reissued by Akuphone / 2017]

10. Julien Baker – “Blacktop”
from: Sprained Ankle / 6131 Records / October 23, 2015

11. London Grammar – “Truth Is a Beautiful Thing”
from: Truth Is a Beautiful Thing / Sony / June 9, 2017

12. Feist – “Pleasure”
from: Pleasure / Interscope Records / April 28, 2017

10:59 – Station ID

13. Jackie Mittoo – “Get Up and Get It”
from: The Keyboard King at Studio One / Univeral / June 5, 2000 [Reissued 2013]

14. Combo Los Yogas – “Que No Muera el Son”
from: Cañabrava Música / Vampisoul – Discos Fuentes / February 10, 2017

15. The Raincoats – “Lola”
from: The Raincoats / Rough Trade Records / November 3, 1979
[Re-released November 9, 2009 on vinyl on We ThRee (the band’s own label in the UK and Kill Rock Stars in the US.] [Reissued by Second WindRecords- 2017]

16. The Flying Lizards – “Money (Edit)”
from: Money – EP / Virgin / April 14, 2008 [originally released as a single July 13, 1979][Written by Barrett Strong originally released in Aug. 1959, then by The Beatles, Nov. 22, 1963]

17. Gene Faith – “Love of a Woman Soul of a Man”
from : Virtue Recording Studios / Tramp Records / May 5, 2017

18. Bob Marshall & The A/Cs – “Big Ladies Man”
from : Virtue Recording Studios / Tramp Records / May 5, 2017

19. Beach Fossils – “Sugar”
from: Somersault / Bayonet Records / June 2, 2017

20. Lewis Parker – “The Glass Ceiling (Main Theme)” [Instrumental]
from: The Puzzle: Episode 2 – The Glass Ceiling (Instrumentals) / King Underground / October 19, 2014 [Reissued by King Underground 2017]

21. Madlib – “Movie Finale”
from: Beat Konducta, Vol. 3 & 4: In India / Stones Throw / August 21, 2007

Marion Merritt, Thank you so much for being with us on Wednesday MidDay Medley

11:29 – Underwriting

22. Scott Hrabko & The Rabbits – “A Thrill of My Own”
from: Summer / Scott Hrabko / June 23, 2017
[3rd full length album release and follow up to his 2015 release Biscuits and Gravity. Scott Hrabko on vocals & guitar; Marco Pascolini on pedal steel, lap steel, and baritone guitar; Fred Wickham on lead guitar; Josh Arnold on bass & vocals; and Tim Higgins on drums, with guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and accordian, and Kevin Dolan on mandolin. Recorded in part and mixed in full by Paul Malinowski at Massive Sound.]

[Scott Hrabko with Jason Beers and Marco Pascolini play Westport Saloon, Sat, June 17]

[Scott Hrabko & The Rabbits play a CD Release Show, Fri, June 23 at 7:00 PM at The Brick.]

11:35 – Interview with Scott Hrabko

Scott Hrabko has played with Kansas City’s oldest garage band, The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the 1990s he performed as a solo artist in coffee houses rubbibg shoulders with Iris Dement and Howard Eisberg. Scott Hrabko’s 2014 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Now Scott Hrabko is getting set to release his 3rd full length album called Summer, recorded with his band Scott Hrabko and the Rabbitts. Summer is the follow up to his 2015 release Biscuits and Gravity. Scott Hrabko & The Rabbits play a CD Release Show, Friday, June 23 at 7:00 PM at The Brick.

Scott Hrabko thank you for being with us on Wednesday MidDay Medley

Scott Hrabko’s new album, Summer includes:

Scott Hrabko on vocals & guitar;
Marco Pascolini on pedal steel, lap steel, and baritone guitar;
Fred Wickham on lead guitar;
Josh Arnold on bass & vocals;
and Tim Higgins on drums,

Summer also includes special guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and acordian, and Kevin Dolan on mandolin.

Recorded in part and mixed in full by Paul Malinowski at Massive Sound.

11:42

23. Scott Hrabko & The Rabbits – “Eyes of Bonnie Blue”
from: Summer / Scott Hrabko / June 23, 2017]

Scott Hrabko performed in coffee houses in the lat 1980s with Iris Dement and Howard Eisberg.

Scott Hrabko’s CD Release Show at the Brick on June 23 will include the full band along with special guests: Havilah Bruders and Lauren Krum on background vocals, Mikal Shapiro and Chad Brothers, Brett Hodges, and Cowboy Bart Colliver on piano and accordian.

Upcoming Shows:

Scott Hrabko with Jason Beers and Marco Pascolini play Westport Saloon, Sat, June 17.

Scott Hrabko & The Rabbits play a CD Release Show, Fri, June 23 at 7:00 PM at The Brick.

Scott Hrabko and Fred Wickham play Ollies Local, July 1 for Saturday Storytellers.

11:55

24. Scott Hrabko & The Rabbits –”Corrina (Don’t Take The Long Way Home)”
from: Summer / Scott Hrabko / June 23, 2017

[Scott Hrabko with Jason Beers and Marco Pascolini play Westport Saloon, Sat, June 17]

[Scott Hrabko & The Rabbits play a CD Release Show, Fri, June 23 at 7:00 PM at The Brick.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on June 21 we play more New and MidCoastal Releases, Jamie Rich, Austin Williams, and David Weeda join us to discuss the up coming Out Her Now LGBT Film Festival at The Tivoli and the Ordinance Project. Plus members of the band Salty join us LIVE in our 90.1 FM Studios

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #686

WMM Playlist from June 7, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 7, 2017

Favorite MidCoastal Releases of 2017, So Far
+ Marion Merritt + Nico Gray +
Chase the Horseman + Dwight Frizzell

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Mysterious Clouds – “Visions of 10”
from: Panic on the Non Meridian / Haymaker Records / May 26, 2017
[For this release the band writes: “Crazy times call for crazy music. Panic is a reflection of the turmoil in our hearts, minds, and country. Sometimes you have to embrace the wild times to get a clear mental picture of how to make thing better.” Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. The brothers are also founders of the critically acclaimed band Monta At Odds. Mysterious Clouds also releaxed the EP, Clear Reflection, February 3, 2017. Their song “Clear Reflection” was also include ion the Haymakers records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play Replay Lounge, in Lawrence KS, Friday, June 9, w/ Karma Vision, and Wild Eye.]

3. dead dads club – “5cheeselasagna”
from: Cupid Talez / dead dads club / May 20, 2017
[On January 27 dead dads club released, the 11-song, “Dead Dad Money,” and since the release of the 8 song “Cupid Talez,” on May 20, dead dad’d club released the 8-song “:0,” yesterday, June 6. Dead Dads Club is 17 year old KC based songwriter Alice who self produces her acoustic pop music in her bedroom.]

4. Lovergurl – “My Body”
from: The President is a Sex Offender / Lovergurl / May 9, 2016
[The Kansas City based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 25 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from the B52s, The Velvet Underground, The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 25. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

10:06 – Pledge Break #1

5. Making Movies -“Brave Enough (feat. Hurray for the Riff Raff & Alaina Moore)”
from: I Am Another You / Making Movies / Expected May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico.]

[Enrique Chi of Making Movies is performing at KKFI Collaborations June 30, The Folly Theatre.]

[Making Movies will be performing with Ensemble Iberica, Thursday, July 27, at recordbar.]

6. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / Expected: February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordbar last November. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts. Standing at 6 foot 5 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, bango, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC.]

[Calvin Arsenia plays Greenwood Social Hall 1750 Belleview, Sun June 11, at 7:00 PM in a Solo Concert Show that will be Recorded for a later release]

[Calvin Arsenia plays Boulevardia, Saturday, June 17, on the Greenville Acoustic Stage at 3:00 pm.]

[Calvin Arsenia plays KKFI Collaborations with Quixotic on June 30, The Folly Theatre.]

7. Pageant Boys – “Ease Me”
from: Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.]

10:25 – Pledge Break #2

10:32 – Underwriting

7. Chase the Horseman – “Modern Ruins”
from: from new recordings / Chase the Horseman / May/June 2017
[Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase the Horseman plays recordBar, 1520 Grand Blvd, KCMO, on Saturday, June 10, with Nation of Language, Bedroom Wounds, Y The Ghost, and The Black Creatures.]

10:39 – Interview with Chase the Horseman

Chase the Horseman thank you for being with us on WMM.

The song “Modern Ruins” is from a new recording project you are working on for release later this year?

In February you released a digital album of 16 songs called Covers & Others, with all proceeds going to the ACLU.

“Modern Ruins” is also the name of a short film you composed the music for. You’ve composed music for over 36 films (short films and full length films.) How did you get started working in film?

Last time Chase the Horseman was on the radio show, was with Teri Ann Quinn who he helped on her debut EP recording, Moons and Meltdowns, as producer, engineer, performer.

chasethehorseman.bandcamp.com

Bandography

The Cherry Tree Parade – writer, performer 2007-2008 – Self Titled E.P. 2009
*The Low End – performer, producer, mixer, engineer 2009-2010 – House Fire E.P. 2009
Lower 48 Single 2010
*The Heat Index – producer, engineer, mixer 2010 – Horsehead E.P. 2010
*The Vowels – mixer/performer 2011 – Alligator Pear L.P. 2011
*Fake Natives – producer, performer, mixer, engineer 2011 – Self Titled L.P. 2011
*Towers – writer, performer, engineer, mixer, producer 2010-Present – For Whatever We Were & What Will Never Be L.P. 2012
*Clairaudients – guitar, keyboards, aux-percussion, vocals, writer 2013-

*Teri Quinn – Producer, engineer, performer – Moons and Meltdowns E.P. 2016
*Narkalark – Producer/Engineer – Narkalark Ep II released November 18, 2016
*Molly McGlaughlin – Producer/Engineer – A Beautiful Dying 2017

Chase the Hoarseman plays Bottleneck in Lawrence on Friday, August 18, at 8:00 pm.

Chase the Horseman plays recordBar, 1520 Grand Blvd, KCMO, on Saturday, June 10, with Nation of Languge, Bedroom Wounds, Y The Ghost, and The Black Creatures.

10:49

9. The Whiffs – “Never Be Free”
from: Take A Whiff / High Dive Records / March 1, 2017
[Kansas City based power pop 4-piece band featuring members of Conquerors, Wet Ones, and Nubiles. Zach Campbell on bass & vocals, Rory Cameron on gutar & vocals, Nic Allred on guitar & vocals, Jake Cardwell on drums. Recorded and mixed by Vincent Lawhon at Element Studios, Kansas City, MO]

[The Conquerors play Boulevardia, Saturday, June 17, on the Chipoltle Homegrown Stage at 3:40 pm.]

[The Whiffs play Tito’s Sound Machine, Sun, June 18, at recordBar, 1520 Grand w/ St/ Pé, Count Tutu]

10. Red Kate – “Urban Church” (Vinyl)
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[Bassist and lead vocalist L. Ron Drunkard, Andrew Whelan – Drums/Vocals, Brad Huhmann – Guitar, Desmond Poirier – guitar/vocals. The band writes, “With the election of an authoritarian narcissist to the White House and white supremacy again on the rise, this hard, fast and angry polemic on the current state of affairs has turned out to be unfortunately prescient.” The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.”The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. Last year the band released their follow up full – length record, “unamerican activities,” on Kansas City’s coop record label, Black Site. Both releases were recorded and engineered by Duane Trower at Weights and Measures Soundlab. Red Kate includes bassist and lead vocalist L. Ron Drunkard, Andrew Whelan on drums, & vocals, Desmond Poirier on guitar & vocals, and most recently Brad Huhmann left the band, and Shaun Hamontree joined the band on rhythm guitar.]

10:53 – Pledge Break #3

11:00 – Station ID

11. Krystle Warren – “Get A Load”
from: Three The Hardway / Parlour Door Music / expected Spring, 2017
[Krystle Warren was born June 13, 1981 in Kansas City, Missouri. She now lives in Paris. Krystle released the first single “Thanks and Praise” from her new album on May 22. She shared with us a few other tracks we could play. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and do all of the vocals and back up vocals. Krystle was on the show several times last year where she shared the inspirations for this record, early gospel recordings, that crossed over into Jazz fro Pharoah Sanders, Edwin Hawkins, The Swan Silvertones and more. Krystle Warren is originally from Kansas City. Krystle learned to play the guitar by listening to The Beatles albums Rubber Soul and Revolver. Krystle Warren graduated from Paseo Arts Academy in 2001 and began her musical career in Kansas City and collaborating with local jazz and pop musicians. After living in San Francisco and New York City, Krystle was signed to a French recording label, Because Music, and moved to Paris and released her album “Circles” in 2009. Krystle played numerous French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world, touring with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time you May Embrace” a recording from a 13 day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Mark fisrt interviewed Krystle Warren on The Tenth Voice in 2002.]

12. Kemet the Phantom – “After My Money”
from: Lexus Nexus / Center of Attention / April 12, 2017
[Produced, mixed and mastered by Kemet the Phantom who wrote about this recording, “Two years ago my uncle was turned up missing from his home in Chicago. My family would have never believed the news we received on April 11, 2017, the day before his birthday. We were informed that his DNA matched that of a body that was found shortly after he was reported missing. This is my attempt to grapple with the reality that I will never see my beloved and genius uncle again. Released just a month after the release of, The Invisible Man. Kemet The Phantom’s other full length release on Center of Attention Records. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[The Phantastics play Boulevardia, Friday, June 16, on the Chipolte Homegrown Stage at 3:00 pm.]

6. Broken Arrows – “To Try To Touch The Earth Again”
from: Extended Play EP / Broken Arrows / March 18, 2017
[KC/Lawrence based 5-piece band, formed by Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar, keyboards & vocals; John Chevalier on bass guitar & vocals; Barry Lee on guitar & vocals; and Dave Storms on drums. Broken Arrows got together to play a Neil Young Tribute at Davey’s Uptown in 2015. They received such a positive reaction and enjoyed playing together so they decided to continue as a band. This song was written by Calvin Russell, Barry Lee sings lead vocals.This song was written and sung by John Chevalier, with backing vocals by Mike Penner and Bill Ryan.]

11:05 – Pledge Break #4

14. Of Tree – “Feel It”
from: Sorry We’re Chosen [EP] / Of Tree / June 1, 2017
[Of Tree is vocalist/guitarist Benjamin Parks and violinist Laurel Morgan who write folk music with a pop edge provided by the technology of looping and sampling. Parks’ deep vocals coupled with Morgan’s sensitive vocals, fiddle playing and dynamic layered strings take the listener deep into themselves and to, perhaps, places once forgotten. Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar.]

[Of Tree play The Brick, 1727 McGee, Fri, June 9 w/Abandoned Bells, Andrew Ashby & John Bersuch.]

15. Momma’s Boy – “Sleepin”
from: Liquid Courage / Independent / February 17, 2017
[Momma’s Boy is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Anthony Hernandez on bass. This song is also included in a new cpompilation by Justin mantooth and Westend Recording Studios called Amplify KC that also has songs from The Conquerors, Toughies, The Whiffs, The Cave Girls, Rev Gusto, and Katy Guillen & The Girls.]

11:19 – Interview with Dwight Frizzell

Dwight Frizzell, of the KC based “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 35th year, joins us to talk about The National Audio Theatre Festivals, 5th Annual, HEAR Now: The Audio Fiction & Arts Festival, June 8 – June 11, in Kansas City. Frizzell works as an assistant professor at The KC Art Institute, is a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” Wednesdays at 11:30 PM on 90.1 FM. BCR play The Brick, 1727 McGee Street, KCMO, on June 8, at 9:00 PM. More info at: http://www.hearnowfestival.org

Dwight Frizzell, Thanks for being with us on Wednesday MidDay Medley.

Dwight Frizzell, of the KC based “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 35th year, BCR play The Brick, 1727 McGee Street, KCMO, on June 8, at 9:00 PM.

11:25

16. BCR – “Thunder Perfect Mind”
from: Unreleased track from current BCR recording sessions / BCR / June, 2017
[BCR is Black Crack Revue, formed 35 years ago in Kansas City]

[BCR play The Brick, 1727 McGee Street, KCMO, on June 8, at 9:00 PM.]

11:30 – Underwriting

11:31 – Pledge Break #5

17. Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com]

[The Hermon Mehari Trio plays La Fontaine de Belleville in Paris on Sat, June 10 at 4:30 to 8:00 PM]

18. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. J. Ashley Miller is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows last Friday and Saturday night at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

19. Erica Joy – “All In My Head”
from: Erica Joy, Introduction / Independent / February 3, 2017
[Erica Joy on vocals, Britt Wild on lead guitar, Khitam Jabr on acoustic guitar. Recording and produced by Kyle Ward at Counterpoint Studio.]

11:48 – Pledge Break #6

20. Scott Hrabko & The Rabbits – “Sunshine Girl”
from: Summer / Scott Hrabko / June 23, 2017
[3rd full length album release and follow up to his 2015 release Biscuits and Gravity. Scott Hrabko on vocals & guitar; Marco Pascolini on pedal steel, lap steel, and baritone guitar; Fred Wickham on lead guitar; Josh Arnold on bass & vocals; and Tim Higgins on drums, with guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and accordian, and Kevin Dolan on mandolin. Recorded in part and mixed in full by Paul Malinowski at Massive Sound.]

[Scott Hrabko & The Rabbits play a CD Release Show, Friday, June 23 at 7:00 PM at The Brick]

21. The Ovaries-eez – “Sand”
from: Moon Birth / Whatever Forever / January 6, 2017
[Lawrence Kansas, based vocal trio. The Ovaries-eez second full length was recorded, mixed, & mastered by Dual Diamonds on Whatever Forever. Guitar and vocals by Monica George and Johni Lacore and Amber Hansen on vocals, with Jim Martin on Instrumentation, Brett Grady on viola. Songs written by The Ovaries-eez: Johni Lacore, Amber Hansen, Monica George.]

[The Ovaries-eez play Replay Lounge o the Patiom in Lawrence, KS, Sat, July 11, at 6:00 pm]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. More at: recordswithmerritt.com

Nico Gray has been placing the needle on the record before he was able to read and turn pages of a book. Rooted in Kansas City, and growing up in front of a radio, he is a former theatre actor, performance artist, writer, and is currently a marketing and advertising consultant, where he serve Union Station. Nico is an avid concert goer, his search for his own “Original Music Soundtrack” to his life has transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC.

Marion Merritt, and Nico Gray, joined us for our Spring Fund Drive Show, to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio, “The Voice of The Community.” http://www.kkfi.org/donate

Next week on June 14 Marion Merritt returns as Guest Producer to share new musical discoveries, and information from her musically encyclopedic brain. Also next week Scott Hrabko joins us to share music from his new full length release Summer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #685