WMM Playlist from Feb. 19, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 19, 2019

Spinning Records With Marion Merritt
+ EBONY TUSK
S

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For nearly 16 years Marion has been sharing her sonic discoveries and information from her musically encyclopedic brain. With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Antibalas – “Fist of Flowers”
from: Fu Chronicles / Daptone Records / February 7, 2020
[7th album from Brooklyn-based afrobeat band that is modeled after Fela Kuti’s Africa 70 band and Eddie Palmieri’s Harlem River Drive Orchestra. Antibalas is Spanish for “bulletproof”. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa. Members include: Martín Perna, Amayo, Marcos García, Jordan McLean, Marcus Farrar, Reinalde Dejesus, Will Rast, Justin Kimmel, Timothy J Allen, Kevin Raczka, Raymond James Mason, Raja Kassi, Morgan Price, Eric Biondo, Jackie Coleman. More info at http://www.antibalas.com]

4. Sharon Van Etten – “Beaten Down”
from: Beaten Down – Single / Jagjaguwar / February 5, 2020
[New single from Sharon Van Etten who was born February 26, 1981, in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was put out by by Drag City. This is a follow-up to her 5th album “Remind Me Tomorrow.” on Jagjaguar Records.]

5. Isobel Campbell – “Vultures”
from: There is No Other / Cooking Vinyl / February 7, 2020
[Isobel Campbell was born April 27, 1976. She is a Scottish singer-songwriter, cellist and composer. Campbell rose to prominence at age nineteen as a member of the Scottish indie pop band Belle & Sebastian, but left the group to pursue a solo career, first as The Gentle Waves, and later under her own name. She later collaborated with singer Mark Lanegan on three albums. Campbell’s music has been described as either indie pop, chamber pop or singer-songwriter. Regardless of genre, Campbell makes gentle and sombre music, often using classical instruments and her bright, slightly nasal voice with bittersweet and ironic songwriting. This is her 5th solo full-length album.]

6. Holy Fuck – “Deleters (feat. Angus Andrew)”
from: Deleter / Ef Records / January 17, 2020
[Holy Fuck is an electronica band from Toronto. They were a part of Dependent Music, a music label & artist collective that began in Yarmouth, Nova Scotia in 2004 until its closing. They were then a part of the Young Turks label. In 2016 they signed with Innovative Leisure. The band uses live instrumentation & miscellaneous instruments and non-instruments, including a 35 mm film synchronizer, toy keyboards & toy phaser guns, to achieve electronic-sounding effects without the use of laptops or programmed backing tracks. According to Pitchfork Media, “The band formed with the intent of creating the equivalent of modern electronic music without actually using the techniques, looping, splicing, programming and the like, of that music.]

7. Caribou – “Never Come Back”
from: Suddenly / Merge / February 28, 2020
[Daniel Victor Snaith was born in 1978. He is a Canadian composer, musician, and recording artist who has performed under the stage names Caribou, Manitoba and Daphni. Snaith originally recorded under the stage name Manitoba, but after being threatened with a lawsuit by Richard “Handsome Dick” Manitoba (real name Richard Blum), formerly of punk band The Dictators, Snaith changed his performance name to Caribou. Snaith’s previous full-length albums were then re-released under the new moniker, and The Milk of Human Kindness was released in 2005 by Domino. In June that year the album topped the !earshot Campus and Community Radio Top 200 chart. “Suddenly” is his 5th full-length album as Caribou]

10:33 – Underwriting

8. Khruangbin & Leon Bridges – “Texas Sun”
from: Texas Sun EP / Dead Oceans / February 7, 2020
[4th EP and 5th single from Khruangbin a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Todd Michael “Leon” Bridges was born July 13, 1989. He is an American soul singer, songwriter and record producer from Fort Worth, Texas. He is best known for his song “Coming Home”, which received regular airplay and was also a Top 10 Most Viral Track on Spotify. Bridges’ debut album, also titled Coming Home, was released on June 23, 2015, on Columbia Records and subsequently nominated for Best R&B Album at the 58th Annual Grammy Awards. Texas Sun is her 2nd EP. He has also released 2 full length records.]

9. Monophonics – “It’s Only Us”
from: It’s Only Us / Colemine Records / March 13, 2020
[Psychedelic Soul from San Francisco, CA from; Austin Bohlman on drums, Kelly Finnigan on vocals & keyboards, Ian McDonald on electric guitar & electric sitar & backing vocals, Myles O’Mahony on electric bass & backing vocals, Ryan Scott on trumpet and backing vocals. “One of the best live soul bands I have ever seen!” – Al Bell (Record producer, songwriter, executive, and co-owner of legendary Stax Records)]

10. Brazzos & O.K. Jazz – “Cha Cha Cha Del Zombo”
from: Soul Jazz Records Presents Congo Revolution: Revolutionary and Evolutionary Sounds From the Two Congos 1955-62 / Soul Jazz Records / October 25, 2019
[This new release looks at the explosion of music that came out of the Congo in the years leading up to independence in 1960. Congolese rumba, a wild combination of African, Jazz and Latin influences, created future stars of its now legendary creators – Franco, Grand Kalle, Tabu Ley, Dr. Nico, Papa Wemba – and all feature here in their ground-breaking early groups such as O.K.Jazz, Brazzos, Rock-A-Mambo, African Jazz and The Beguen Band. The Congo is in fact two countries – The Democratic Republic of the Congo (DRC, formerly Zaire) and the Republic of the Congo. Soul Jazz Records is a London based label run by Stuart Baker, which specialises in re-releasing music from around the world on compilations with high quality remastered sound. They also release a large amount of material on vinyl, including new recordings, oftentimes as 12″ singles. The printed record label name on these vinyl releases often varies greatly. For example Soul And Jazz Musical Industries, ENT., Soul Jazz Records Co., Soul Jazz Record Corp., or sometimes the record label which originally released the recording is displayed.]

11. Mukhtar Ramadan Idii – “Check Up Your Head”
from: Mogadisco: Dancing Mogadishu (Somalia 1972 – 1991) / Analog Africa / Dec. 13, 2019
[Analog Africa is a label based in Frankfurt, Germany, owned by Samy Ben Redjeb, releasing compilations with African and South American music mainly of the 70s and 80s. After being blown away by a few tunes, Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet. CD, comes with a full color 36-pages booklet containing 50 pictures & full digital album as a high-quality download in MP3, FLAC and more.]

11:00 – Station ID

12. of Montreal & Locate S,1 – “Gypsy That Remains”
from: UR FUN / Polyvinyl / January 17, 2020
[16th studio album from of Montreal is an American indie pop band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance between Barnes and a woman “of Montreal.” The band is identified as part of the Elephant 6 collective. Throughout its existence, of Montreal’s musical style has evolved considerably and drawn inspiration from 1960s psychedelic pop acts.]

13. Field Music – “Money Is a Memory”
from: Making a New World / Memphis Industries / January 10, 2020
[Field Music are an English rock band from Sunderland, Tyne and Wear, England, that formed in 2004, particularly active in the Wearside region. The band’s core consists of brothers David Brewis & Peter Brewis, with Andrew Moore occasionally featured as keyboardist. Their line-up has at times featured members of both Maxïmo Park and The Futureheads. Field Music have been called one of the few bands to outlast the indie guitar band explosion of the mid-2000s. Describing the band as “a truly artful proposition in the pseudo-filled landscape of contemporary Brit art-rock,” music blog The Fantastic Hope puts this down in part to their “un-self-conscious anti-fashion stance,” arguing that Field Music’s “wayward pop from the fringes of academia is one of the most worthwhile ways in which rock//indie/guitar music/white pop/whatever might evolve”. Critics have compared their music to acts as diverse as Steely Dan, XTC, Prefab Sprout, Peter Gabriel, Scritti Politti, Talking Heads and Todd Rundgren. They have also been nominated for the Mercury Prize. The songs on Making a New World were inspired by research David and Peter Brewis conducted about stories, events, and technological advances that occurred during and after World War I as part their project for the Imperial War Museum. The songs from Making a New World will cover a wide variety of topics, including gender reassignment and air traffic control. One of the songs was inspired by Harold Gillies, a New Zealand-born surgeon who pioneered facial cosmetic surgery and skin grafts for injured servicemen and who later conducted one of the first gender realignment operations. The song “Only in a Man’s World” is about the development of sanitary napkins and the fact that advertising for the products, created by men, often treat the concept of menstruation like something shameful that should be kept secret. The song was inspired by a Wisconsin-based company called Kimberly-Clark that developed a material for dressing war wounds and was later adapted for the first modern sanitary product, which was called Kotex. David Brewis said he felt some embarrassment writing a song about the topic, particularly when he first shared it with his wife, but he believed “confronting my own embarrassment is a pretty fundamental part of what the song is about”. He further said of the song: “I found myself researching the development of sanitary pads – not a statement I’ve ever imagined myself making – and was surprised at how little the advertising material has changed in a hundred years. It’s still, Hey Ladies! Let’s not mention it too loudly but here is the perfect product to keep you feeling normal WHILE THE DISGUSTING, DIRTY THING HAPPENS. And you realise that it’s a kind of madness that a monthly occurrence for billions of women – something absolutely necessary for the survival of humanity – is seen as shameful or dirty – and is taxed MORE than razor blades?! ”The song “Money Is a Memory” concerns the final payment by Germany in 2010 of the economically ruinous reparations it owed under the Treaty of Versailles, and is written from the perspective of a functionary in the Treasury. In social media postings leading up to the release, David Brewis mentioned the famous image of a man carrying a wheelbarrow full of marks made worthless by the hyper-inflationary policies of the Weimar Republic as an inspiration for the track. Brewis: “The whole album is really about consequences, and how the consequences of that war are still with us. “Money Is A Memory” is probably the most explicit example of that — decisions that were made a hundred years ago still casting a shadow. The initial premise is a bit comical — the admin assistant going through their bureaucratic duties — but buried away inside those papers you can imagine the echoes of millions of lives being turned upside down.]

14. Les Amazones d’Afrique – “Love (feat. Mamani Keita)”
from: Amazones Power / Real World Records / January 24, 2020
[2nd album from Les Amazones d’Afrique, a contemporary world music supergroup formed in Mali in 2015 featuring Kandia Kouyaté, Angélique Kidjo, Mamani Keita, Rokia Koné, Mariam Doumbia (of Amadou & Mariam), Nneka, Mariam Koné, Massan Coulibaly, Madina N’Diaye, Madiaré Dramé, Mouneissa Tandina and Pamela Badjogo. The name of the refers to the Dahomey Amazons, which was a female elephant hunting group and a military regiment from the 17th century thru 19th century in what is now Benin. Les Amazones d’Afrique performed their first concert at Fiesta des Suds in Marseilles in October 2015. The 1st track they released was “I Play The Kora,” a track that goes well beyond the often-reductive term of “world music”. Its message is to encourage women coming together to sing about why they should “rise up and fight injustice because we’re all equal,” and profits from the sale of the track are be donated to The Panzi Foundation, led by Doctor Mukwege in Bukavu (DRC), which has provided healing support to more than 80,000 women, nearly 50,000 of whom are victims of sexualized violence and female genital mutilation. The kora, a harp-like instrument native to West Africa, works as a metaphor: playing the kora was denied to women for years; only men were allowed the prestige. Following their first UK performance at WOMAD Charlton Park in July 2016, Les Amazones d’Afrique were signed to Real World Records for the release of their 1st album, Republique Amazone (2017). Real World Records is a British record label specializing in world music. It was founded in 1989 by English musician Peter Gabriel and original members of WOMAD. In 1999, the label had sold over 3 million records worldwide & released 90 albums. In 2015, it had reached the mark of over 200 albums.]

15. Hailu Mergia & The Walias – “Tche Belew”
from: Tche Belew / Awesome Tapes From Africa / October 10, 2014
[Awesome Tapes From Africa is a record label & web site operated by Brian Shimkovitz based in Los Angeles, CA. Founded in 2006 in Brooklyn, New York, the site was created as a way for Shimkovitz to share music he had come across while on a Fulbright scholarship in Ghana. He was interested in the variety of genres and artists he found, distributed largely on cassette tapes at markets, but that he had not come across outside West Africa. In 2011, Shimkovitz transitioned the site from just a blog with posted recordings of collected tapes posted without the artists’ permission to a commercial record label. The goal of the company is to seed and expand an audience for the artists presented as well as provide opportunities to sell albums and tour. Artists are paid every six months and receive 50% of the profits from an album. Tapes presented on Awesome Tapes come from a variety of sources: gathered in Ghanaian street markets, purchased in stores in the US, or sent by others over the internet.[5] In addition to the website, Shimkovitz DJ’s concerts, clubs and at festivals as Awesome Tapes From Africa, as well as hosts a show on Dublab.Most Awesome Tapes From Africa releases are official rereleases of out-of-print cassettes from African musicians and bands. SK Kakraba’s Songs of Paapieye is the first album to consist of a new release. Although music is distributed in Africa via MP3 on mobile phones, Shimkovitz says the widest variety of music in West Africa is still available on cassette tape. In the journal Public Culture, Awesome Tapes From Africa, along with record labels Sublime Frequencies and Parallel World, is discussed as being emblematic of “World Music 2.0” for combining the “open source ethics of online networks with long-standing countercultural networks of circulation” within cassette culture and music distribution in developing nations. Walias Band were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In 1977 they recorded one of the few albums of Ethiopian instrumental music in collaboration with vibraphonist Mulatu Astatke, whose role as a bandleader and composer was also a major influence on Ethiopian popular music. Walias formed in the early 1970s in Addis Ababa where they were the house band for the upscale Hilton Hotel. A civilian curfew made it dangerous for clientele visiting the hotel lounge to leave after 11:00 PM, and Walias would end up playing two or three sets until 6:00 AM the next day. In 1981 Walias became the first modern Ethiopian band to travel to the United States, playing on a tour with singer Mahmoud Ahmed primarily to audiences of Ethiopian refugees. Rather than returning to Ethiopia under its dictatorship, four members of Walias—Girma Bèyènè, Mogès Habté, Mèlakè Gèbrè and Hailu Mergia—stayed in the U.S. and formed a new group called Zula Band. Mergia took work in Washington DC driving a taxi cab, often practicing in his cab while waiting for fares at the airport, and released solo cassette tapes of traditional Ethiopian music played on analog synthesizer, electric piano and accordion. Meanwhile the members of Walias who returned to Ethiopia—Yohannes Tèkola and Tèmarè Harègou—continued to play together under the Derg dictatorship for another decade. In the late 1990s Walias Band found a wider audience in the West when the French label Buda Records reissued much of the group’s music on the Ethiopiques series of compact discs. Their instrumental track, “Musicawi Silt,” became a popular dance number and has been covered by a number of artists. Not much else of Walias’ music was known until African music cassette collector Brian Shimkovitz found a Walias Band tape while traveling in Ethiopia. After hearing it, Shimkovitz found keyboardist Hailu Mergia’s phone number on the Internet, called him up, and arranged an official re-release of Walias Band’s music.]

16. The Heliocentrics – “Burning Wooden Ship”
from: Infinity of Now / Madlib Medicine Show / February 14, 2020
[The Heliocentrics are a London-based musical collective, combining funk, jazz, psych and library influences based around drummer and producer Malcolm Catto, Bassist Jake Ferguson, Guitarist Adrian Owusu and multi-instrumentalist Jack Yglesias. They released their debut album, Out There in 2007 on Now-Again Records, followed by collaborations with Ethiopian musician Mulatu Astatke on the album Inspiration Information (2009) which was awarded that years Gilles Peterson Worldwide Winner Album of the Year award, Lloyd Miller & The Heliocentrics (OST)(2010), and Orlando Julius. The Heliocentrics appeared on the track “Skullfuckery” on the UK release of the DJ Shadow album The Outsider, which was released in 2006. In 2013, they released their second full album, 13 Degrees of Reality also on Stones Throw. The album with Astatke was included in a list of ‘Five Essential Jazz Albums’ chosen by pianist Jamie Cullum in 2013. In 2017, they released A World of Masks with vocals by Barbora Patkova, as well as The Sunshine Makers OST, the score they wrote for the 2015 British documentary The Sunshine Makers, directed by Cosmo Feilding-Mellen. Both records were released on Soundway Records.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in KCMO. More info at: http://www.recordswithmerritt.com

The Talking Trees with special guest Tyler Gosnell play Records with Merritt, 1614 Westport Rd, KCMO, Friday, February 21, at 8:00 PM

11:30 – Underwriting

17. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / January 17, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

EBONY TUSKS

11:35 – Interview with EBONY TUSKS

EBONY TUSKS are Daniel Smith – DJ & production, Nathan “Geese” Giesecke – vocals & production, and Martinez Hillard – vocals & production. EBONY TUSKS join us live in our 90.1 FM studios to share details about their new single HDF which we just heard, and news about their upcoming album, Heal Thyself, to be released on High Dive Records and Intelligent Sound. EBONY TUSKS are playing in series of “All Ages” shows to celebrate the release of “HDF.”

EBONY TUSKS’s play ArtsConnect Topeka, 909 N. Kansas Ave, Topeka, KS., Thursday, March 5, at 7:00 PM with special guests VOLSTICE and Tione Jackson.

Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Fri, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE.

Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko.

Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sun, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye. All Proceeds go to Eschleman Family.

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step.”

Martinez Hillard told Vivid Seats: “I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel is a DJ and producer. He makes beats. Daniel works for the United Way of Douglass County. Daniel helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2016: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an intensity that we didn’t have prior.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

EBONY TUSKS Shows:

EBONY TUSKS play ArtsConnect Topeka, 909 N Kansas Avenue, Topeka, KS., Thursday, March 5, 2020 at 7:00 PM with special guests VOLSTICE and Tione Jackson

The latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp, free entry.

Live art will be provided by Beth King and Robert Tapley Bustamante. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to Beacon Youth Group. Beacon is a welcoming environment for queer youth ages 12-20 to engage in socialization, education, exploration, and activism.
______________________________________________________________________

Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Friday, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp. There is a suggested $10 donation. It supports White Schoolhouse, its wonderful volunteers, and their ability to continue hosting safe, accessible, and amazing shows. If you are unable to, please come anyway. We want you in attendance.

Live art will be provided by Matthew Asbury. We are accepting donations and there will be a raffle drawing for Matt’s work at the conclusion of the event. 100% of live art proceeds will go to Girls Rock Lawrence. Girls Rock is an intersectional feminist movement associated with the international Girls Rock Camp Alliance. They create a safe space for adolescent girls and trans youth to participate in music education and mutual empowerment through music. SMASH THE PATRIARCHY!
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Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

Live art will be provided by Nick Lewis. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to BANDWAGGN KC. BANDWAGGN’s mission is to empower girls and trans youth to build community thru authentic relationships and lead a movement toward collective liberation. Music is their chosen tool for teaching, learning & building into our future.
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Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sunday, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye (Marty from Ebony Tusks) All Proceeds go to Eschleman Family.

11:56:33

18. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / to be released later this Spring
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

EBONY TUSKS photo by Ailecia Ruscin of OH! Snap! Photography

Next week, February 26 – Nico Gray joins us as Guest Producer. Plus, Doby Watson joins us to play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #825

WMM Playlist from October 4, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 4, 2017

New & MidCoastal Releases + Betse & Clarke
+ Wick & the Tricks + Kemet The Phantom

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays recordBar, 1520 Grand, Saturday, October 7, at 8:00 pm, opening for JR JR.]

3. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play a Blood Album Release Show, Thursday, October 5, at 9:00 pm at The Brick, 1727 McGee Street, KCMO, with Chase the Horseman, and Justin Klaas.]

[The Roseline play an Album Release Show, Friday, October 6 at 10:00 PM , at Replay Lounge, 946 Massachusetts, Lawrence, Kansas, with Toughies, and Jasper.]

4. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 23, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala. The Jorge Arana Trio joined us live on WMM on August 31.]

[Jorge Arana Trio play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Saturday, October 7, at 8:00 pm, with War Brides, Twelves (Wisconsin) and Dicta.]

10:15 – Underwriting

5. HighWesthus – “The Original”
from: Part III. The ILLU / Independent / October 25, 2016
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born in Chicago and is based in Kansas City. The last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays the Wrally for Wretch, TONIGHT, Wednesday, Oct 4, at 8:00 pm, at The Rino, 314 Armour Rd, North Kansas City, Missouri, with Shapiro Brothers, Pageant Boys, Drew Black. Wrally for Wretch is in support of a feature film titled “Wretch” from filmmaker Matthew Dunehoo. Wretch is scheduled to begin shooting in Kansas City in the Spring.]

6. Lincoln Marshall – “Mo Spins feat. Dominique Sanders”
from: Water / Datura Records / June 3, 2016
[Written By: Approach & MilkDrop Produced, Recorded, Mixed & Mastered By: Aikido Bray. Additional Keys & Scoring By: Etan T’loh. Bass By: Dominique Sanders. Photos By: Fally Afani fallyafaniphotography.com. Layout & Design By: MilkDrop. Lincoln Marshall played The Datura Records Showcase for Lawrence Field Day Fest, at Replay Lounge. July 16, with Kwame, Sheven, MetaWatt & TRS-One, High Westhus, Left E. Grove, Louiz Rip & Deuce, Royce Diamond, and Midnight Marauders.]

[Lincoln Marshall play The Riot Room, Saturday, October 7, for the “We Are Art Showcase” presented by IndyGroove and Intelligent Sound.]

7. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: If You’re Taught You Learn to Be Mean – Single / Sky Smeed / September 20, 2017
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Brick 1727 McGee Street, KCMO, Sat, Oct 7, at 7:00 pm with Shapiro Brothers.]

8. Fathers – “Take Care”
from: “Take Care” – Single / Fathers / 2017
[One of three songs recorded from Fathers is a new 8-piece band, formed this year, with Kenneth Storz on lead vocals, guitar, and keyboards; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, and percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, and percussion.

10:30

9. Betse & Clarke – “January Waltz”
from: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

10:34 – Interview with Betse Ellis and Clark

Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” a collection of originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. Betse & Clarke join us to play live in 90.1 FM Studios to share a few songs live from their new release.

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

We just heard “January Waltz”, (Smiling Violet Music, BMI) written by Betse Ellis around 2004. Originally recorded with her former band The Wilders, this was the first fiddle tune written by Ellis. Betse: standard fiddle / Clarke: standard banjo (aDAC#E) / Brett Hodges: guitar / Alex Mallett: bass. This tune has been performed and recorded by a number of modern old time bands, including Foghorn Stringband. This latest version brings listeners a fresh perspective on a favorite Ellis composition.

“Tunes We Like” was produced to be the first in an ongoing series of instrumental recordings. This cassette, released at the Walnut Valley Music Festival in Winfield, Kansas, September 2017, represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format.

Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.

Last year, Betse & Clarke released their full-length debut album, River Still Rise on July 1, 2017. Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision.

“River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”

Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”

10:41

Betse & Clarke play live on the October 4, 2017 edition of Wednesday MidDay Medley.

10. Betse & Clarke – “White Creek” (Live)
also available on: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

From http://www.BetseandClarke.com liner notes for Tunes We Like: WHITE CREEK is a wonderful hidden gem, from Red McLaren, who was an Oklahoma fiddler visited by Marion Thede, the great fiddle scholar. Thede’s “The Fiddle Book” is an outstanding body of work with beautiful attention to detail, especially regarding bowings. (Betse: AEAE / Clarke: standard banjo (capo 2)

Clarke Wyatt is a multi-instrumentalist and a former member of some of Kansas City’s most dynamic bands, including Hairy Apes BMX and Mr. Marco’s V7s.

We’ve had Johnny Hamil on the show a few times this year talking about various Mr. Marco’s V7 shows including a recent reunion of the 4 original members.

Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass.

On Tunes We Love, Betse and Clarke perform a track titled: UNCLE HENRY… GOODBYE. In their liner notes they write UNCLE HENRY… GOODBYE comes from Violet Hensley, “The Whittling Fiddler of Arkansas”. The story of the name has to do with Violet’s original source for the tune, and then a later discovery that the tune was known as “Goodbye My Lover Goodbye”. Violet has shared the story several times with Betse, who keeps getting confused and forgets the details. Stay tuned here for updates! (Also, we took a lot of liberties with the melody, allowing ourselves to go to our exploratory side with this meditative melody.) Betse: DDAD / Clarke: low banjo

10:51

11. Betse & Clarke – “I Chased Old Satan Through The Door” (Live)
[The Woodie Brothers, Ephraim, Dale, and Lawton Woodie recorded “Chased Old Satan” in 1931. Ephraim was born in 1906, achieved the rank of colonel, overcoming nearly-blinding cataracts as a child, and died in 1978. He is credited as Chased Old Satan’s author, although other performers have made this claim in order to own the song’s copyright. The song is said to have borrowed lyrics from other songs. Lawton played harmonica and Ephraim played a Gibson L-4 guitar – a present from his brother for his high school graduation the year before. They recorded for Ralph Peer, the clever, ambitious A&R (artist and repertoire) man from Okeh records, on May 29th, 1931, but only sold less than 900 records. The Woodie Brothers were from one of the “lost provinces” of North Carolina – Ashe, Alleghany, and Watauga counties – a reference to this region’s historic isolation from the rest of North Carolina caused by the steep slopes of the Blue Ridge Mountains. There’s a CD with some tracks by Ephraim Woodie and the Henpecked Husbands, as well as other groups who recorded between 1927 and 1931: Music from the Lost Provinces. Their musical heritage was rich, including the likes of G.B. Grayson, Al Hopkins, Frank Blevins, and Albert Hash. Ash cakes are made around the world, and include “foods such as potatoes, corn, onions, and nuts which can be roasted by burying them in hot ashes for insulation and placing live coals on top of the ashes. Ash cakes were also baked by wrapping dough in cloth, placing them in a cleaned out corner of the fireplace, and covering them with ashes and coals. They were supposed to have a delicious flavor when baked that way, but it was difficult to control the heat, or keep the bread clean. (From ‘Don’s Spicy Kitchen’).”]

Lyrics: ”I Chased Old Satan Through The Door”

Well, I got no skillet and I got no lid
But the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Chorus:
Over there, over there
I’m gonna wear that starry crown over there
For I got no skillet and I got no lid
And the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Now I met old Satan down the lane
And I hit him in the head with a walking cane
And I’m gonna wear that starry crown over there

Chorus

Now I chased old Satan around the stump
And I gave him a kick with every jump
And I’m gonna wear that starry crown over there

Chorus

Now I run old Satan through the door
And I hit him in the head with a two-by-four
And I’m gonna wear that starry crown over there

Chorus

Betse and Clarke Upcoming Shows:

Friday, October 6 – Great Lakes Music Camp, West Olive, MI

Saturday, October 14 – Shawnee Indian Mission Fall Festival, Fairway, KS

Saturday, October 14 – The Library Lets Loose, Overland Park, KS

Sunday, October 15 – Bluegrass Brunch at Julep, Kansas City, MO

Thursday, October 26 – watch this space! – Springfield, MO

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. More info at: http://www.betseandclarke.com.

11:00 – Station ID

Betse Ellis, Wick Thomas, and Clarke Wyatt on the October 4, 2017 edition of Wednesday MidDay Medley.

12. Wick & The Tricks – “Yr So Rad”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & the Tricks play a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

11:02 – Interview with Wick Thomas

Wick Thomas, was voted Best Activist by The Pitch Magazine Wick has help organize LGBTQIA youth group on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works fpr the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” from Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

The following is from their press information: The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, release their debut 7” EP, Not Enough, on Black Site Saturday, October 14, and they’re throwing a party at Davey’s Uptown to celebrate, with Red Kate, The Midnight Devils and The Quivers.

As if that weren’t enough, this glittering juggernaut of rock and roll will also premiere the video for “Tough as Nails”, the closing track on the new record. Written and directed by KC’s most-discriminating connoisseurs of cinematic eccentricity, The Cannonball Roarers, it features the inimitable Annie Thrax as a modern day Dr. Frankenstein (or would that be Herbert West?) and her re-animated monster…well, you’ll have to wait and see. It’s sure to be the weirdest, creepiest thing you’ve seen since Inauguration Day.

Recorded at Westend Studios by Justin Mantooth and mastered by Chris Muth at Taloowa Corp., Not Enough contains four tracks of deliciously salacious rock and roll that will make you hop, skip, and jump into bed with the whole band.
As with all releases from the Black Site cooperative, this record not only sounds great, it looks even better. With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS, you’re going to want to hang this record on the wall…if you can get it off your turntable.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation. Ever since they crawled out of the trash soaked shores of the Missouri River and slipped into the streets of Kansas City, Middle America hasn’t been the same. Nationally infamous for their lasciviously energetic performances full of political undertones, it’s likely that by the end of the show you’ll either be making out, or in a fist fight, with one of them.

Not Enough will be available October 14 at area record stores and can be ordered now at: wickandthetricks.bandcamp.com/album/not-enough

Wick & The Tricks were formed on Halloween night at a drunken basement punk show in KC.

Last year Wick & The Tricks released their EP, TRIGGER WARNING on July 27, 2016, it was their 3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their Facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”

11:13

13. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

We talked with Wick about Activism and The Rocky Horror Picture Show

This has been a big year for Wick who became a Homowner, is back in school working on his Masters Degree, and he has a new job working at The Nelson Atkins Museum of Art.

We are talking to Wick Thomas, lead singer of Wick & The Tricks, who joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

11:21 – Underwriting

14. Sinple – “JX7 (Digital Dream)”
from: Music For Machines / Independent / May 1, 2017
[Sinple is the electronic music project of Jesse Bartmess who plays synths, drum machine, and vocals. Jesse describes this new recording as an Ambient Album Inspired by Brian Eno’s “Music for Airports” Music for Machines was written and recorded by Sinple @ Moldy Basement. Full Length Release: TBA More info at http://sinple.bandcamp.com/ ]

[Sinple plays Riot Room, Sun. Oct 8, at 7:00 pm, opening for Zealyn along with Lovergurl, and Valise.]

15. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

16. Marcus Lewis – “Approaching Gangsterdom”
from: Facing East / Marcus Lewisl / April 7, 2012
[Marcus Lewis on Trombone, Logan Richardson, on Alto Sax, Adam Larson on Tenor Sax, Sam Harris on Piano, Aidan Carroll on Bass, Tommy Crane on Drums, Pablo Masis, on Trumpet, Andrea Lewis, on Vocals]

11:32 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

The debut recording of Marcus Lewis Facing East was featured in Vogue Magazine as being one the top albums on Janelle Monae’s 2012 Summer Playlist. Marcus Lewis is currently working on music for a new recording and is the Artistic Director of Future Jazz, a nonprofit dedicated to Jazz Education. Marcus has performed at the Kennedy Center for Performing Arts, the Jimmy Carter Summer Concert Series. As a sideman, he has also performed at the 53rd Annual Grammy Awards, the 2010 New Orleans Jazz Fest, the 2011 Glastonbury Festival, the 2011 Nobel Peace Prize Concert and the 2012 North Sea Jazz Festival, the Sydney Opera House, and for President Barack Obama at the White House in 2011 and 2012. Television shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus was awarded the 2008 Betty Carter Jazz Residency and the 2003 Outstanding Soloist award at the Wichita Jazz Fest.

Kemet Coleman aka Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be “Dapper Rap”. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as University of Missouri-Kansas City, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song.

Emcee and trombonist Ryan Davis aka “Kadesh Flow” is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city.

KC emcees: Kemet The Phantom, and band mate Kadesh Flow, are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

Some notable artists that Marcus has performed and/or recorded with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, Jidenna, Musiqsoulchild, Avery Sunshine, The Barkays, Confunkshun, and Sugarfoot’s Ohio Players. In addition to an active touring and recording schedule, Marcus stays busy writing, arranging, teaching and leading clinics and master-classes worldwide.

Marcus Lewis has played all over the world, including The Late Show with David Letterman, Saturday Night Live, Later with Jools Holland, and currently lives in KC where he leads his own quintet, and an 18-piece Big Band, and he continues to tour with Grammy Nominated vocalist, and KCK native, Janelle Monáe.

Creating almost a formless persona as a rapper and public figure, Kemet the Phantom has graced the cover of multiple newspapers and magazine covers and won numerous awards: 2009, INK Magazine, 2011 KC Magazine, 2012 Pitch Weekly. He is a two time Pitch Music Award nominee for “Best Hip-Hop Act” in Kansas City and was the 2011 Big Brothers Big Sisters “Sexiest Single” in Kansas City.

11:41

15. Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[Kemet The Phantom plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble]

11:45 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

We are talking with Kemet The Phantom, and band mate Kadesh Flow, who are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

The Kansas City based band, The Phantastics are an 9 member group formed in 2010, that specialize genre-blending hip-hop, mixed with rock, rap, dance, funk, jazz and soul. Members include: Kemet “the Phantom” Coleman on lead vocals, Kim Newsome on vocals, JJ Cantrell on lead guitar & vocals, Danny Florez on electric bass & vocals, Ashley Thompson on drums, Ernest Melton on Saxophone, Ryan Davis aka Kadesh Flow on trombone and sick raps, and Austin Quick on keyboards.

Emcee and trombonist Ryan Davis aka Kadesh Flow brings realism, consciousness, and nerd life together in riveting flow format. He has composed and produced original music for Toonami Asia and shared the stage with the likes of artists like Tech N9ne, Phora, I Fight Dragons, The Revivalists, B.o.B., mc chris, and others. He has been publicly lauded by outlets such as IGN and Kotaku. More informati0n at: http://www.kadeshflow.com

The Kadesh Flow Headbuster – Single was Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.

Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

11:56

18. Kadesh Flow – “Headbuster”
from: Headbuster – Single / Ryan Davis / December 9, 2016
[Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.]

[Kadesh Flow plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 11, Kathryn Golden returns to share details about PorchFest 2017 on Saturday, October 14 from Noon until 6:00 PM in the Valentine and Roanoke neighborhoods of Kansas City, we’ll also talk with Kent Shelton, General Manager of the Arvest Bank Theatre at The Midland in Kansas City Missouri. Plus Marion Merritt and Betse Ellis join Mark as Guest Co-Hosts for our Fall Fund Drive to encourage our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #702