WMM Playlist from May 22, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 22, 2019

Jason Buice & David George
+ Helen Proctor & Shawn Stewart +
Cris Williamson, Teresa Trull & Barbara Higbie

Jason Buice, David George, Shawn Stewart, and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

3. Big Thief – “UFOF”
from: U.F.O.F. / 4AD / May 3, 2019
[Third album from Brooklyn, NYC, based Big Thief iwith Adrianne Lenker on vocals & guitar, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums. The “F” stands for Friend. The band’s forst two albums were releasd on Sadle Creek. This is their first on 4AD Redords.]

4. Sinkane – “Ya Sudan”
from: Dépaysé / City Slang / Expected May 31, 2019
[7th Album from Sinkane (born Ahmed Abdullahi Gallab in London, England in 1983. He is a Sudanese-American musician who blends krautrock, prog rock, electronica, free jazz and funk rock with Sudanese pop. Born to college professors in London, he lived in Sudan, then moved to the US when he was five, and lived for some time in Ohio. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician. Ahmed Gallab is the vocalist and music director of the Atomic Bomb! Band which plays the music of Nigerian funk musician William Onyeabor. The group includes David Byrne (of Talking Heads), Money Mark (of the Beastie Boys), Damon Albarn (of Blur and Gorillaz), Dev Hynes (aka Blood Orange and Lightspeed Champion), Alexis Taylor (of Hot Chip), Charles Lloyd, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among many many others.]

5. Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

6. The Creepy Jingles – “Microchip On Your Shoulder”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From His Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with HelKat and Scammers.]

7. Momma’s Boy – “Sugar”
from: Sugar – Single / Manor Records / May 3, 2019
[Recorded and mixed by Ross Brown of Shy Boys/Fullbloods and mastered by Mike Nolte at Eureka Mastering. The song features Peter Beatty on lead vocals and lyric writing. Momma’s Boy hails from Kansas City, based band with Quinn Hernandez on the drums, Jared Bajkowski on bass, Peter Beatty’ on guitar, Shaun Crowley on guitar. The band also features three singers, as Peter, Shaun and Jared rotate on lead vocals.]

8. Kid Computer – “You”
from: The Darnedest Things – EP / Kid Computer / April 26, 2019
[Kansas City based 4-piece band with Matt Gore, Christian Sanchez, Dalton Grenier, and George McMillian.]

[Kid Computer play an EP Release Show, Saturday, May 25, at 10:00 PM at Replay Lounge, 946 Massachusetts Street, Lawrence KS., with The Sluts and Vehicles.]

9. Tiki Brawlers – “Worth The Wait”
from: All Night Riot / Tiki Brawlers / April 29, 2019
[Debut album from Kansas City based, Tiki Brawlers who formed in 2018. The music is a blend of ska, reggae, punk, pop, and rock. Tiki Brawlers are: Ian Griggs on vocals, Brad Buckner on drums, Galen Gould on bass, Mike Burton on guitar & vocals, with Kadesh Flow on trombone, and Ernest Melton on saxophone. Recorded at Markosa Studios, Roeland Park, KS. Engineered and Mastered by Mark Thies. Original Artwork by Anthony and Jessica Olvera.]

[Tiki Brawlers play Davey’s Uptown Rambler’s Club, on Friday May 24, with New Common Ground & Grapple The Sun.]

[Tiki Brawlers play miniBar, 3810 Broadway Rd, KCMO, Saturday, June 15, at 9:00 PM with The Mad Kings, and The Low Down Dirty Dirt Band.]

10:30 – Underwriting

Jason Buice

10. Jason Buice – “Both Sides”
from: Both Sides EP / Jason Buice / June 7, 2019
[Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music. Produced by David George. Recorded and Mixed at Largely Studios (KCMO) by Pat Tomek. Mastered by Duane Trower at Weights and Measures Studio (KCMO)]

[Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.]

10:32 – Interview with Jason Buice & David George

Jason Buice and David George on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Lawrence based singer songwriter, Jason Buice joins us to talk about his new 5 song EP Both Sides to be released on June 7. Both Sides was produced by David George and recorded and mixed by Pat Tomek (of The Rainmakers and Howard Iceberg & The Titanics). Both Sides contains five original songs written by Jason Buice and arranged by David George.

Also joining us is singer, songwriter, producer, rock and roller, musical theatre creator, David George who will share a new track from the Volker Brothers new EP Wrecking Ball, to be released on June 28. Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Jason Buice and David George thanks for being with us again on WMM.

Congratulations on all of the new music.

Jason Buice (pronounced “Bice”) will release his 5 song EP Both Sides on June 7.

Both Sides was Produced by David George and recorded and mixed by Pat Tomek (The Rainmakers) at Largely Studios (KCMO).

David George

Jason approached the multi-talented David George and asked him to produce. David agreed and helped Jason develop the songs to a new height he wouldn’t have discovered on his own.

David has treated each song as his own and helped Jason grow in his expression of songs.

Jason and David were also fortunate enough to record with Pat Tomek (The Rainmakers) at his home studio. Pat is an excellent drummer and did incredible work engineering and mixing each song in addition to lending his powerful drums to the mix.

The cherry on top was having Duane Trower master the album at Weights & Measures.

Jason loved collaborating with other musicians he admires: Caleb Ryan Martin, Kristin Hamilton, Michael Turnbo, Mark Verbeck, Marco Pascolini and Nathan Reeves Nall contribute their talents to the ep.

Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music.

JASON BUICE / BOTH SIDES
1. Wait it Out 3:17
2. Cuts Deep 3:12
3. Light On 3:33
4. Omar, He Knows 2:50
5. Both Sides 3:02

http://JasonBuiceMusic.Bandcamp.com
http://www.facebook.com/JasonBuiceMusic
Instagram: @brother_jb
Twitter: Buice_Tweets

10:42

11. Jason Buice – “Omar, He Knows”
from: Both Sides EP / Jason Buice / June 7, 2019
[Both Sides contains five original songs written by Jason Buice and arranged by David George. Many local artists appear throughout the album including Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow) and touring bluegrass artist Caleb Ryan Martin. The album is best described as Indie Folk/Americana music. Produced by David George. Recorded and Mixed at Largely Studios (KCMO) by Pat Tomek. Mastered by Duane Trower at Weights and Measures Studio (KCMO)]

[Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.]

10:45

Jason Buice and David George on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

We are talking with Lawrence based singer songwriter, Jason Buice about his new 5 song EP Both Sides to be released on June 7. Both Sides was produced by David George and contains five original songs written by Jason Buice and arranged by David George.

Also joining us is singer, songwriter, producer, rock and roller, musical theatre creator, David George who will share a new track from The Volker Brothers new EP Wrecking Ball, to be released on June 27 with a show in The Gospel Lounge at Knuckleheads.

Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Jason Buice and David George thanks for being with us again on WMM.

David George has toured all over the place with John Fogerty, played on national television, had his music played when the Chiefs score a touch down, has written a Christmas Musical about a Drag Queen, has performed at The Missouri Repertory Theatre, and once invited me to sing in the chorus to a single and video he created, you have certainly produced many of your own records what was it like producing for Jason?

Jason has done so many jobs, working in theatre, in the offices of law firms, religious organizations, working as an exterminator, a delivery driver, a photographer, a record label associate, I’ve watched you navigate the Kansas City music landscape and it’s great to see that you’ve found safe harbor and are able to create this new recording.

David, what is the biggest advice you would want to give to musicians and singer songwriters venturing into the music business?

Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

Volker Brothers Play a Wrecking Ball EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Knuckleheads.

The new Volker Brothers was recorded at Weights and Measures Sound Lab with engineer Duane Trower, Matt Richey on drums, Lin Buck on keys, and Rick Willoughby on bass!

Jason Buice and David George thanks for being with us again on WMM.

10:56

12. Volker Brothers – “Wrecking Ball”
from: Wrecking Ball / Jason Buice / June 28, 2019
[2nd EP from Erik Voeks and David George, two rock and roll brothers who play guitar and harmonized on their own pop-folk-rock songs influenced by The Everly Brothers to Elvis Costello from XTC to the Finn Brothers.]

[Volker Brothers Play an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Kunckleheads.]

11:00 – Station ID
11:00 – Interview with Helen Proctor and Shawn Stewart

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

On June 5th, Helen Proctor will celebrate her birthday. Why do I mention this, because even though I’m several decades older, I too will celebrate my birthday on June 5. I honestly relate to, and appreciate, the mercurial nature of Helen Proctor, who is many things: a musician, an artist, a model, a community organizer, a college graduate, an activist, a teacher, a ‘zine publisher, a performer, a comedian, a worker, and advocate working to end domestic violence and gender based sexual violence. Her band Helkat is getting set to release their debut single “I Want You.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wed, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Helen Proctor thanks for being with us again on WMM.

Shawn Stewart

Shawn Stewart started playing music in Kansas City after he moved here from Chicago in 1991. His band, “Tin Roof Echo” played venues around town through 1993 when he retired to the suburbs to raise a family as a “stay at home dad.” In 2014, after his kids were grown, he moved midtown to pick up where he left off. He released four albums under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then on to Los Angeles for three months to pursue music publishers and radio.

Shawn Stewart thanks for being with us again on WMM.

Shawn and Helen were introduced by Poet Jen Harris

Shawn Stewart writes: “In December, I had this crazy idea to form a band that was equal parts WWF and punk pop. It didn’t matter if the band could play, I just wanted flash and image and hopefully a lead singer with a massive personality who wasn’t too flat. The reception to my idea was lukewarm from most people. I decided to run the idea by Jen Harris though before giving up. She loved it and impressed upon me the importance of having each character develop a unique persona. She also told me Helen Proctor was the lead singer I needed.

Helen and I met. I told her we would record Spotify singles and schedule a series of faux shows which would consist of her kicking the crap out of a strategically placed actor each time: unruly sound tech, loud cell-phone talker and sometimes even physical altercations with me, the manager. As Jen had predicted, she loved the idea! She was quite enthusiastic and crafted the role of “hot lesbian lead singer who seduces the crowd and occasionally assaults men.”

We added Laura Fred (the perpetually intoxicated one) on drums and Phia (the broody quiet one) on bass. I gave Helen the song with which I wanted to lead- “I Want You”. We took black and whites of our first “show” a NYE house party at which Helen had beat some guy up for taking unauthorized pics. I received a series of Instant Messages from people disappointed they had not been invited to the house show and imploring me to invite them to see this spectacle of a band’s future outings.

As things progressed, it became clear that there was a lot of actual talent and musical compatibility within the fake band. The meetings organically turned into practices and we were jamming. We were writing new songs, bringing old songs to practice and reworking them together. Helen showed us an acoustic breakup song she’d written a few years back and now it’s a groovy reggae-punk tune. We added Rozz Petrozz on drums, Dylan McGonigle on guitar and with great reluctance, and mostly because Phia was leaving the country, me on bass.

Helkat is releasing the Spotify single of “I Want You” on May 31, and playing shows through August only before we lose Dylan to The Iowa Writers Workshop and Shawn to Nashville. Helkat is a meteor, not a planet.

11:09

HelKat

13. Helkat – “I Want You”
from: I Want You – Single / Helkat / To Be Released: May 31, 2019
[Post apocalyptic lounge punk from Kansas City based Helen Proctor on lead vocals & guitar, Laura Fred on drums, Rozz Petrozz on drums, Dylan McGonigle on guitar and Shawn Stewart on bass.]

[Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.]

11:12 – More Interview with Helen Proctor & Shawn Stewart

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

We are talking with Helen Proctor. Her band Helkat has just released their single “I Want You.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Helen Proctor thanks for being with us again on WMM.

Also with us us Shawn Stewart who releases music under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then on to Los Angeles for three months to pursue music publishers and radio.

Shawn Stewart thanks for being with us again on WMM.

Helen Proctor is the founder of Flaccid Femmes

Helen Proctor works for Manifesto and Rose Brooks

Shawn Stewart and Helen Proctor on the May 22, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Poppies and Puppies will be part of Shawn’s new album “Pop.”

Shawn Stewart started playing the Kansas City clubs after he moved here from Chicago in 1991. His band, “Tin Roof Echo” was booked at the clubs around town through 1993 when he retired to the suburbs to raise a family as a stay at home dad.

In 2014, kids are grown, he moved midtown to pick up where he left off. He released four albums under the “JohnnySuperColossal” moniker through 2018. In 2019, in collaboration with “Helkat”, he is trying to get his songs on the radio with a vengeance and toNashville and Los Angeles publishers. In September he’s taking his trailer for three months to Nashville then three months to Los Angeles for that purpose.

Helen Proctor & Shawn Stewart thanks for being with us on Wednesday MidDay Medley

Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

11:21

14. JohnnySuperColossals – “Poppies and Puppies”
from: Poppies and Puppies – Single / Shawn Stewart / May 17, 2019
[Shawn Stewart started playing music in Kansas City after he moved here from Chicago in 1991. His band, “Tin Roof Echo” played venues around town through 1993 when he retired to the suburbs to raise a family as a “stay at home dad.” In 2014, after his kids were grown, he moved midtown to pick up where he left off. He released four albums under the moniker, “JohnnySuperColossal”. In September he’s taking his trailer to Nashville for three months then to Los Angeles for three months to pursue music publishers and radio..]

15. Bob Mould – “Camp Sunshine”
from: Sunshine Rock / Merge Records / February 8, 2019
[Sunshine Rock is the 13th solo album from American rock musician Bob Mould born Robert Arthur Mould on October 16, 1960. He is principally known for his work as guitarist, vocalist, and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s. Born in Malone, New York Mould lived in several places, including the Minneapolis-St. Paul, Minnesota area where he attended Macalester College. There, he formed Hüsker Dü in the late 1970s with drummer/singer Grant Hart and bass guitarist Greg Norton. Mould and Hart were the principal songwriters for Hüsker Dü, with Hart’s higher-pitched vocals and Mould’s baritone taking the lead in alternate songs. Though Mould’s sexual orientation had previously been something of an open secret, he was outed in the early 1990s in an interview in the music magazine Spin; he came to terms with being openly gay, even appearing in the movie Bear Nation, self-identifying as a bear. In April 2004, Mould was a co-organizer of the WEDRock benefit concert for Freedom to Marry. “WedRock” was a play on the word “wedlock”. The event raised an estimated US$30,000. Mould also contributed the song “See a Little Light” to the 2006 album Wed-Rock: A Benefit for Freedom to Marry, an album to support in the legalization of same-sex marriage. In interviews to promote his 2019 album Sunshine Rock, Mould revealed that he had been residing in Berlin, Germany since 2015.

11:28 – Underwriting

16. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 3 ]

11:34 – Interview with Cris Williamson, Teresa Trull, and Barbara Higbie

Teresa Trull, Cris Williamson, & Barbara Higbie

The legendary Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, from 1975, became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales allowed the independent label Olivia Records the ability to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement for women in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. Cris Williamson recently was the recipient of the Lifetime Achievement Award from The Americana Music Association. One of Cris Williamson’s best friends and longtime collaborator – Grammy Nominated singer songwriter producer Teresa Trull is back in the States momentarily from New Zealand where she now makes her home, Teresa Trull joins forces with Barbara Higbie and Cris Williamson who last played together in Kansas City over 10 years ago are back together for a string of shows in Portland, Berkeley, Seattle and Boulder. The trio play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

Congratulations on the the Lifetime Achievement Award from The Americana Music Association.

We loved seeing Cris Williamson in the American Masters PBS film Singing For Our Lives the story of Holly Near.

Cris is currently in rehearsal with friends Barbara Higbie and Teresa Trull.

The first show of their tour is this Friday in Portland.

Teresa Trull was brought up in Durham, North Carolina, where she was steeped at an early age in blues, gospel, and rhythm & blues, Teresa Trull began her musical career singing gospel in churches, then served as the lead singer in a rock & roll band for several years before joining the East Coast nightclub circuit. Since the release of her first album, The Ways a Woman Can Be, in 1977, Trull’s gutsy rock & roll vocal style and her songwriting and record production talents have won the fiery-haired singer an ever-widening recognition. In particular, Teresa’s collaboration with Barbara Higbie on their CD’s Unexpected and Playtime as well as her partnership with Cris Williamson on the CD Country Blessed have received wide critical acclaim. Other musicians with whom Trull has performed and recorded include Huey Lewis, Bonnie Hayes, David Sanborn, Andy Narell, Darol Anger, Mike Marshall, Alex DeGrassi, Joan Baez, Linda Tillery, Holly Near, the Topp Twins, Tami Neilson and Tracy Nelson. A songwriter of considerable note, Trull co-wrote two songs on the Whispers’ gold album Love for Love, including the title track, with Ray Obiedo, and her production talents were recognized by the New York Music Awards and featured in the industry standard Mix Magazine.

In 2011 Teresa moved to New Zealand to pursue her passion for horses and founded New Zealand Horse Help to help horses with their people problems. She has sung on stage at the Rugby World Cup and sung NZ’s national anthem in Maori and English for the World Cup Show Jumping Event.

Blessed with an endless supply of energy, Trull’s live performances have been said to combine the high power of Nona Hendryx with the irreverent wit of Bette Midler.

Barbara Higbie has been a professional musician since age 17, Barbara has played everything from Traditional Jazz, Bluegrass and Irish to New Classical Music, Blues, and African Pop. She is known for her ability to compose in a style that is both genre-bending and accessible. A Grammy-nominated, Grammy award-winning composer, pianist, fiddler, singer-songwriter and multi-instrumentalist, Barbara Higbie has performed on more than 100 albums, including Carlos Santana’s 2007 release. Her latest solo release, 2014’s Scenes from Life was recorded at Lucas Films Skywalker Sound.

As a solo artist, Barbara’s first solo CD Signs of Life was named a Washington Post Top Ten of the Year. Four other solo releases, I Surrender, Variations on a Happy Ending and Alive in Berkeley and last years Scenes from Life followed to much critical acclaim. In 2011, Higbie was the first ever Artist in Residence at the prestigious west coast Jazz Club, Yoshi’s, where she created two new bands. Roots music, Hills to Hollers with icons Linda Tillery and Laurie Lewis, and the exotic Cello Heaven with cellists Joan Jeanreneau of Kronos Quartet fame and new age star, Jami Sieber.

Higbie has 13 solo and group recordings to her name, as well as contributions to 10 compilations that have sold in the millions. She was the first female instrumentalist to compose and record for Windham Hill Records, 1982’s Tideline, a duet project with violinist, Darol Anger. Tideline’s unique sound became an instant classic, thanks in part to Higbie’s innovative and moving compositions. One of her pieces from Tideline, True Story, was downloaded on Pandora in 2014 more than 850,000 times. In June of 2015, Tideline was re-issued on Adventure Records. 1984 was an important year when Higbie recorded with Anger, Mike Marshall and Andy Narrell, Live at the Montreux Jazz Festival for Windham Hill Records, a landmark genre-defining album. Her composition To Be became Montreux’s radio/VH-1 hit. She toured worldwide with Montreux until 1990.

In addition to her instrumental music, Higbie’s singer-songwriter work, 2 CDs with vocal dynamo, Teresa Trull, on Olivia Records and 2 solo CDs on Slowbaby Records have won her critical acclaim and a large, devoted nationwide following. http://www.barbarahigbie.com

The Changer and the Changed – Changed The Music Business for Women

Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance!

Cris Williamson, Teresa Trull & Barbara Higbie play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM.

Congratulations to Cris for being part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with The Changer and the Changed: A Record of the Times (Olivia Records, 1975) Ann Powers of NPR Music writes: “Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. ”

The Cris piece from NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

From http://www.smithsonianmag.com – Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

Cris Williamson recorded her first record in 1964 at the age of 16. She has been releasing music for over 50 years.

In the last 17 years Cris has released 11 full length albums ( a few of those were double albums). That works out to being a new album every year and half.

More info at: http://www.criswilliamson.com

Cris Williamson, Teresa Trull & Barbara Higbie thanks for being with us again on WMM

Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM. More information at https://https://www.brownpapertickets.com/event/4219504

11:56

17. Barbara Higbie – “Water Lilies”
from: Resonance / Barbara Higbie / April 13, 2019
[Barbara Higbie (born 1958) is a Grammy nominated, Bammy award winning pianist, composer, violinist, singer-songwriter and multi-instrumentalist. She has played on over 65 CDs including 3 tunes on the recent Carlos Santana CD. A longtime Windham Hill recording artist, she has also recorded for Olivia/Second Wave records and Slowbaby Records. She resides in the San Francisco Bay Area with her family. She is a folk, jazz, pop, and fusion singer-songwriter, noted for her highly melodic, jazz/folk piano performances. She has toured nationally and internationally since the early 1980s. An early recording artist on the Windham Hill record label, she formed and played with the group Montreux along with Darol Anger, Mike Marshall, Todd Phillips, and Michael Manring. She recorded a critically acclaimed album titled Unexpected with singer Teresa Trull in 1983, which was included in The Boston Globe’s Guide to Best Albums of 1983. Higbie and Trull teamed up again in 1997 to record an album titled Playtime. Since 1990, Barbara Higbie has released a number of solo albums on the Windham Hill and Slowbaby labels. She is known as a versatile and soulful musician. Born in Michigan and raised in Indiana, she spent several years as a teenager in Ghana with her family. She went to Mills College, attended the Sorbonne in Paris, and collected traditional music in West Africa on a Thomas J. Watson Fellowship. It was in Paris that she met Darol Anger and began a fruitful musical collaboration. Together they recorded the record Tideline (1982), one of the early successful records of Windham Hill. Two years later they led a group with three other musicians (Mike Marshall, Todd Phillips, and Andy Narrel) for the Montreux Jazz Festival. The concert was considered so successful that a recording made at the concert was released as a Windham Hill record (Live at Montreux–Darol Anger/Barbara Higbie Quintet) and a new group was formed. However, after two studio releases, Sign Language and Let Them Say, the group disbanded. Barbara occasionally collaborates with her Montreux colleagues. She has performed with Bonnie Raitt, Terry Riley, The Kronos Quartet, Jaron Lanier, Cris Williamson, Holly Near, Teresa Trull and Ferron. Barbara Higbie has an active performing schedule. In August 2006, she participated in the Windham Hill 30th Anniversary Concert. She spent 18 months living in Hawaii with her family and moved back to the San Francisco Bay Area in June 2009.]

[Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM ]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 29 we present our annual LGBTQIA Pride Show, That’s So Fabulous with Bill Svoboda from KC Pride Fest, May 31, June 1, and June 2 at Berkley Riverfront Park. We’ll also talk with Stewart Hinds and Austin Williams about the 10th Anniversary of GLAMA. And Cuee and SHAH join us to share new music and talk about their shows for Pride For The Masses at the Granada Theatre in Lawrence, Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #787

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Wednesday MidDay Medley presents Jason Buice & David George + Helen Protor & Shawn Stewart + Cris Williamson

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 22, 2019

Jason Buice & David George
+ Helen Proctor & Shawn Stewart +
Cris Williamson, Teresa Trull & Barbara Higbie

Mark spins New & MidCoastal Releases from: Momma’s Boy, HelKat, Volker Brothers, The Creepy Jingles, Kid Computer, Jason Buice, JohnnySupercolossal, Tiki Brawlers, Cris Williamson, Barbara Higbie, The National with Gail Ann Dorsey, Big Thief, Jamila Woods, Sinkane and Bob Mould.

Jason Buice

At 10:30 Lawrence based singer songwriter, Jason Buice joins us to talk about his new 5 song EP Both Sides to be released on June 7, 2019. Both Sides contains five original songs written by Jason Buice and arranged by David George, with guest artists: Kristin Hamilton (Under the Big Oak Tree), Mark Verbeck (Scotch Hollow), and Caleb Ryan Martin. Jason Buice hosts a Both Sides Release Party at Records with Merritt, 1614 Westport Rd, KCMO, on Saturday, June 8, at 1:00 PM to 3:00 PM.

David George

Also joining us is David George who will share a new track from Volker Bothers new EP Wrecking Ball, to be released on June 28. Both Sides was produced by David George and recorded and mixed by Pat Tomek (of The Rainmakers).

HelKat

At 11:00 Mark talks with Helen Proctor lead vocalist of the band HelKat who will release their new single “I Want You” on May 21. Helkat is Helen Proctor, Shawn Stewart, Laura Fred Smith, Rozz Petrozz and Dylan Mcgongigle.

Shawn Stewart

Helkat collaborator and bassist Shawn Stewart also joins us to share music from his new JohnnySuperColossal album “Poppies and Puppies.” Helkat plays Harrison Street DIY 401 Harrison St, KCMO Wednesday, May 22, at 8:00 PM with Creepy Jingles and Scammers.

Teresa Trull, Cris Williamson, & Barbara Higbie

At 11:30 The legendary Cris Williamson who recently released her 32nd album, Motherland, talks with Mark. A brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, from 1975, became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales allowed the independent label Olivia Records the ability to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement for women in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. Cris Williamson recently was the recipient of the Lifetime Achievement Award from The Americana Music Association. Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM. More information at https://https://www.brownpapertickets.com/event/4219504

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #787

WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

WMM Playlist from August 22, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 22, 2018

Emmaline Twist & Abandoned Bells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Bob & Una Walkenhorst – “Time Goes Walking”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releaseing debut albums. Spcial guest Storm Circus will open the evening.]

3. Mary Gauthier – “Got Your Six”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays Knuckleheads, 2715 Rochester St., KCMO, Thursday, August 23, at 8:00 PM.]

4. Krystle Warren & The Faculty – “Every Morning”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

5. Calvin Arsenia – “Cantaloupe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia called, Cantaloupe, the first release on the new recording label Bullseye Records. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:21 – Underwriting

6. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

Emmaline Twist

7. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

10:30 – Interview with Krysztof Nemeth and Kristin Conkright

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the KC based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Kristin Conkright and Krysztof Nemeth of Emmaline Twist on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

Emmaline Twist got started in early 2016 when Krysztof Nemeth, former baritone guitarist in The Latenight Callers, started collaborating with Meredith McGrade, a veteran of several Kansas City bands, including Admiral Red, Wick and The Tricks, and The B’Dinas. Krysztof told Timothy Finn of The Kansas City Star, “Meredith and I got started in trying to capture the sound and feel of the music we mutually loved: post-punk and shoegaze,” Nemeth said. “Meredith initially played bass and sang, while I employed the baritone guitar as the lead instrument.”

Jonathan Knecht, formerly of the Silver Maggies, came along as drummer.

Kristin Conkright, formerly of Knife Crime and Onward Crispin Glover, was looking for a project. During the very first The Band That Fell to Earth – Bowie Tribute Show, at The Uptown Theatre, in January 2016, Kristin approached Krysztof asking what he was working on and asked if he needed a bassist. Krzysztof liked her sound and thought it would fit the Emmaline Twist vision. McGrade moved to guitar and Conkright came aboard as bassist.

Alex Alexander & The Band That Fell To Earth

Recently, Alex Alexander, of The Band That Fell to Earth, has joined the band on synthesizers, becoming the 5th member.

In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.”

The band’s new 12″ LP is being released by Black Site Records, a label started by members of the band Red Kate, who have had a busy couple of years releasing music from Red Kate, Chess Club, Truckstop Love, Wick and The Tricks, and others.

Earlier this season, Emmaline Twist became the second official release of the eat.hear.records, limited edition 7″ vinyl single series, with the tracks: “Vega” and “Moon Eyes.” These were the band’s original first two digital releases.

More information at http://www.emmalinetwist.com

8. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the Kansas City based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona. Emmaline Twist will be playing with their newest addition of Alex Alexander to the band on synthesizers & guitar.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

DISSIMULATION was Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.

Nominated for Pitch Music Awards

Emmaline Twist has been on a media blitz and was recently on 38th The Spot, Eight One Sixty with Chris Haghirian, Retro Redeye Express with my Gemini Sister Sunshine and Too Much Rock, Under The Radar with John Todd.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

More information at http://www.emmalinetwist.com

10:56

9. Emmaline Twist – “Desparate Measures”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

11:02 – Station ID

Abandoned Bells

10. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Krysztof Nemeth, Teri Ann Quinn and Tyson Schroeder of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:06 – Interview with Teri Ann Quinn, Tyson Schroeder, and Krysztof Nemeth

The Kansas City three piece band, Abandoned Bells, join us to share details about their up coming live performance opening for Woovenhand, on August 29. Abandoned Bells are Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar.

Teri Ann Quinn of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Teri Quinn is a Kansas City based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, andin 2016 released her debut EP, Moons and Meltdowns.

Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illustrations and covers, periodicals, and Zim’s Sauces. Tyson has had works included in group and solo shows in KC, Boston, Salem, Portland, Houston and Nashville, and in museum shows about band posters, as he has created posters for, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson is also a musician, who plays in the band Medicine Theory.

Teri Ann Quinn Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth moved back to the Kansas City area from Seattle, Washington, 10 years ago. He is a published artist who has work specializing in fetish, gothic, retro, and low-brow kulture pin-up illustration. Krysztof has created saucy pin-up girls for everything from bands to burlesque troupes, gallery shows to rock shows, and clothing stores to private commissions. He work is in shows all over the country. Krysztof is also a father. He was one of the founders and lead guitarist for the band The Latenight Callers who released their critically acclaimed EP Easy Virtues in 2012 and the full length album, Songs for Stolen Moments in 2013. Krysztof os also the founder and baritone guitarist for Emmaline Twist, who are releasing their full length debut album, Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar together are Abandoned Bells

We just heard “Lost Children” the single the band released last year.

“Lost Children” was recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.

Today’s Wednesday MidDay Medley demonstrates to paradox of Krysztof’s musical life with bands that represent two very different sides to your own artistic expression: Emmaline Twist + Abandoned Bells

But it’s not just Krysztof, in the last year, Teri has been on the show discussing her solo work and musical tour. Tyson was on the show talking about his play “Bastard” that premiered at The Living Room Theatre, this band is full of incredibly creative and independent artists.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth all have backgrounds in creating visual art pieces, and all have their own distinct visions as artists, their own distinct passions that influence their art.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth, thanks for being with us on WMM.

11:19

11. Abandoned Bells – “Bob’s Bizzare Bizzarre”
from: “Bob’s Bizzare Bizzarre” – Single / Independent / February 5, 2017
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Teri Ann Quinn, Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:26 – Underwriting

11:28 – Manor Records Summer Showcase #2

Californos 4124 Pennsylvania Ave, KCMO, on Saturday, August 25, 8:00 PM – Doors

Manor Records proudly announces the second offering in their ongoing showcase series. This time the party happens at Californos, under the stars on the deck, Saturday August 25, doors open at 8:00 PM. Six of the area’s best bands play.

8:00 – Doors
8:30 to 9:00 – Those Far Out Arrows (Omaha)
9:15 to 9:45 – Toughies (LFK)
10:00 to 10:30 – Planet What (Tulsa)
10:45 to 11:15 – Dreamgirl (KC)
11:30 to 12:00 – Paddlefish (Springfield)
12:15 to 12:45 – Scruffy & The Janitors (St. Joe)

12. Those Far Out Arrows – “Living Today”
from: Where Are You? / Those Far Out Arrows / December 17, 2016
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White and Evan Keelan-White wbo now perform with Derek Levasseur, and Tanner Rogerson. Recorded and mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska. Music writer Tim McMahan wrote, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

[Those Far Out Arrows play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 7:00 PM]

13. Toughies – “Real Love”
from: ain’t that something [EP] / Independent / November 24, 2017
[Recorded & Mixed by Steve Squire in the scenic Vinland Valley. All songs written & performed by Toughies. 5-piece band from Lawrence formed by Joe Gronniger on bass & vocals, Caroline Lohrenz on drums, Carl Smith on guitar & lead vocals, Sam Ramer on guitar & vocals, and Ben Sauder http://www.toughies.bandcamp.com]

[Toughies play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 9:15 PM]

14. Dreamgirl – “American Blonde”
from: American Blonde – Single / Independent / February 14, 2015
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

[Dreamgirl play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 10:45 PM]

15. Paddlefish – “Got No Clue”
from: Spill Me! / Independent / August 17, 2018
[Paddlefish is a four-piece band from Springfield, Missouri with: Owen Misterovich on lead vocals, guitar, drums & keyboards; Joe Misterovich on backing vocals, guitar, bass & keyboards; Blake Nieman on bass, and Anthony Clark on drums. All songs written by Owen Misterovich. Engineered by Joe Misterovich. Mastered by Carl Saff. Album Art by Tanner Spreer..]

[Paddlefish play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 11:30 PM]

16. Wade D. Brown – “Home Country Pie”
from: From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

[Wade D. Brown plays The Brick, Saturday, August 25, at 7:00 PM]

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

17. Marcus Lewis Big Band – “All Day (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Big Band with Kadesh Flow and
kemet The Phantom play the Brass & Boujee + The Phantastics Joint Album Release Show!, Saturday August 25, at 9:00 PM, at The 10 Spot, 1000 BROADWAY BLVD Suite 300, KCMO on the 3rd floor of The Garment House.]

18. Eems – “Moment”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays The Mark Music Show 2.5, Friday, August 24, at 7:30 PM, at St. Mark Hope and Peace Lutheran at 3800 Troost Ave, KCMO]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 29, as we welcome: Amy Farrand, Lisa McKenzie, Ivory Blue, and Barry Lee joins us to share details about Concert for Carolyn

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #748

WMM Playlist from April 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Hi-Lux – “Dance With My Baby”
from: Hi-Lux – EP / Hi-Lux / Februay 1, 2018
[Originally released as a digital single on June 16, 2017. Then released as a 7 inch Vinyl 45 rpm single with b/w “Don’t Blame Me” on Sunflower Soul Records on January 5, 2018. Now included in this 6 song EP released February 1, 2018. This was part of a series of Single releases from the band. Julia Haile told us that each single demonstrates the different influences of individual members of the band, showing their range from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Third Thursday at The Nelson Atkins Musieum of Art, 4525 Oak, KCMO, Thursday, April 19, 6:00 to 9:00 PM.]

[Hi-Lux plays Day-2 of Mills Record Company’s Record Store Day Celebration, on Sunday, April 22, w/ Instant Karma, & Bad Dreamer, 4:30-6:00 PM. Mills Record Company is at 4045 Broadway.]

[Record Store Day is Saturday, April 21, starting in most stores at 7:00 AM – Mills Record Company, Records With Merritt, Josey Records, and Revolution Records in the East Crossroads, Brothers Music in Mission Kansas, Vinyl Renaissance in Overland Park Kansas, Love Records in Lawrence]

3. Yo La Tengo – “Esportes Casual”
from: There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

[On April 28 the band embarks on month-long European Tour, followed by dates in the states, then back to Europe.]

4. Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Thursday, April 19, at 7:00 PM, with Thames and Luther Vincent Orchestra on April 19th.]

10:11 – Bach Aria Soloists

Bach Aria Soloists – Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger playing the Tango music of Astor Piazolla on the April 18, 2018 editon of Wednesday MidDay Medley on KKFI 90.1 FM.

Live in our 90.1 FM Studios – performing Astor Piazzolla’s “Bordel from Histoire du Tango” it is the Bach Aria Soloists

5. Bach Aria Soloists – “Bordel from Histoire du Tango” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, written by Astor Piazzolla

10:17 – Interview with Bach Aria Soloists

Elizabeth Suh Lane on violin, is Artistic Director of Bach Aria Soloists, Beau Bledsoe on guitar, and Jeff Harshbarger on bass. These three amazing musicians will be joined by Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; when Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist (ban-doe-neo-nist).

It has been five years since Bach Aria Soloists last performed their celebrated Night of Tango, named “Best concert of 2013” and “A concert for the ages” by KCMetropolis. Night of Tango will feature the beloved quintet classics by Astor Piazzolla, Argentina’s most famous composer and virtuoso bandoneónist who revolutionized Tango and remains a towering figure more than 25 years after his death.

The evening’s ensemble will consist of:
Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists
Beau Bledsoe, guitar Bach Aria Soloists
Kansas City bassist Jeff Harshbarger
Héctor Del Curto, bandoneón
Gustavo Casenave, piano

Bach Aria Soloists on stage at The Folly Theater for a Night of Tango with Gustavo Casenave on piano, Jeff Harshbarger on bass, Elizabeth S Lane on violin, Hector Del Curto on bandoneón, and Beau Bledsoe on guitar, Saturday, April 21, 2018.

Bach Aria Soloists will return to one of its most critically acclaimed programs when it presents – Night of Tango with two world-class masters of the genre, bandoneónist Héctor Del Curto — 2018 Grammy winner for Best Latin Jazz Album — and Latin Grammy-nominated pianist Gustavo Casenave.

7:30 p.m., Saturday, April 21, at The Folly Theater, 300 W. 12th St., KCMO 64105
Ticket and information available at: http://www.follytheater.org

About Bach Aria Soloists – Midway through its 18th season, the critically acclaimed Bach Aria Soloists has already launched four sold-out, artistically vital concerts. Dedicated to presenting the genius and relevance of Johann Sebastian Bach, his contemporaries and those he inspired, the adventurous ensemble explores chamber music repertoire from Baroque to Contemporary in new ways through innovative, multi-genre collaborations, introducing new audiences to their scintillating vocal and instrumental artistry.

10:23 – Bach Aria Soloists

6. Bach Aria Soloists – “Piazzolla’s Oblivion” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:27 – Interview with Bach Aria Soloists

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

Bach Aria Soloists brings Piazzolla back to KC with Two World-Class Tango Masters

Héctor Del Curto – hectordelcurto.com
Praised by the New York Times as a “splendid player,” Argentinean bandoneónist Héctor Del Curto’s career has spanned more than 25 years and has encompassed traditional Tango, New Tango, Jazz, Classical and World music.

On Jan. 28, Del Curto just won the Grammy for Best Latin Jazz Album as a member of the Pablo Ziegler Trio, for the album Jazz Tango.

As one of the world’s most sought-after bandoneónists, he has performed with luminaries across many musical genres, including the Tango legends Astor Piazzolla and Osvaldo Pugliese; Latin jazz giant Paquito D’Rivera; jazz violinist Regina Carter; saxophonist Joe Lovano; and violinist Cho-Liang Lin. He has appeared with such prestigious orchestras as the Metropolitan Opera Orchestra, St. Louis Symphony Orchestra, National Symphony Orchestra, Orpheus Chamber Orchestra, Rochester Philharmonic Orchestra, Mobile Symphony and Buenos Aires Symphony Orchestra.

Gustavo Casenave – gustavocasenave.com
Originally from Montevideo, Uruguay, Gustavo Casenave is a pianist, composer, producer & educator. He has been called “one of the best pianists our country has” by Uruguayan newspaper Diario El Pais. He was a Latin Grammy nominee in 2012 and 2014.

He has toured throughout Europe, Asia, South America, Central America and United States, performing in the prestigious festivals and concert halls throughout the world. As a composer, Casenave has composed and arranged more than 200 works, including original music for movies. He received the prestigious Organization of American States scholarship to study at the Berklee College of Music in Boston, where he received the Professional Music Achievement award. His composition Fragiltimer for the Past Future was named one of 10 best original compositions from Berklee in the last 30 years.

“KC has proven that they love Jazz and Tango. We believe our community will relish in this concert of Piazzolla’s passionate music expertly combining his singular language of Tango with jazz and classical influences,” says Elizabeth Suh Lane, Artistic Director-Founder-violinist. “We are extremely fortunate to be sharing the stage with Hector and Gustavo. The virtuosity of our musicians and the searing music will sweep our listeners away to Buenos Aires for an experience that will last for much longer than one night!”

BAS is led by Artistic Director-Founder-violinist Elizabeth Suh Lane. The ensemble also includes Sarah Tannehill Anderson, soprano; Elisa Williams Bickers, harpsichord, organ and piano; and Beau Bledsoe, guitar.

2018 Concert Calendar
Feb. 10: Opus 22 the Organ and BAS
April 21: Night of Tango
June 16: Bach Aria Soloists and the Kansas City Chorale, St. Paul’s Episcopal Church

Funded in part by a donation from the Estelle S and Robert A Long Ellis Foundation.

Financial assistance provided by the Missouri Arts Council, a state agency.

Jeff Harshbarger has a show Thursday night, April 19, with his Trio, at American Jazz Museum.

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

http://www.follytheatre.org / http://www.bachariasoloists.com

10:32 – Bach Aria Soloists

7. Bach Aria Soloists – “Libertango (Brief version)” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:35 – Underwriting

8. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018

10:41 – Interview with Amy Farrand

Amy Farrand sharing new music from her band Amy Farrand and The Like, on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”

Amy Farrand joins us to share music from One, the new 11-song debut full length album from her new band, Amy Farrand & The Like.

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations on the new record.

The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

10:48

9. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

10:58

10. Amy Farrand & The Like – “Dragon Woman”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

11:01 – Station ID

11. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays Outer Reaches Explores The World, at recordBar, 4/20]

11:04 – Interview with Brenton Cook & Dedric Moore

Dedric Moore and Brenton Cook share information about Outer Reaches Explores the World on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, from Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others. For the last 5 years, Brenton & Haymaker Records has co-sponsored & co-curated of the Outer Reaches Music Fest with Dedric Moore.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook and Dedric Moore join us to share information about, Outer Reaches Explores the World, this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches showcases the left-of-center, under-the-radar artists experimenting and pushing boundaries within their respective genres. Regional, national, and international touring acts comprise the annual fest, with previous appearances from Deerhoof, El Ten Eleven, and Magic Castles.

The show celebrates boundary-pushing music while emphasizing a broader geographic appeal, giving prominence to artists inspired by rhythms & traditional world instruments.

The show begins with a lecture and workshop on world percussion from Brandon Draper’s Drum Safari.

Other performers include Smoky Mountain banjo folk artist Teri Quinn;

Harptasia, a multi-harp project featuring Calvin Arsenia;

a solo set from Making Movies’ frontman Enrique Javier Chi;

and Afrobeat, funk, jazz, and soul group SUNU.

Live video projection will be provided by XO Blackwater;

DJ Memo will be play dance-friendly vinyl from around the globe between sets.

Outer Reaches Explores the World is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund.

Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales for the April 20 event.

The event is 18 and older, or all ages when accompanied by a parent.

11:11

8. Making Movies – “Brave Enough (feat. Hurray for the Riff Raff & Alaina Moore)”
from: I Am Another You / Making Movies / May 26, 2017
[Enrique Chi on lead vocals, electric guitar, el piano; Alynda Segarra on lead vocal, Alaina Moore on background vocals, Steve Berlin of Los Lobos synth organ; Juan-Carlos Chaurand on congas, timbales, percussion, Diego Chi on bass, d-synth, b3 organ; and Brendan Culp on drums. 3rd full length release: from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Upon their release of this album Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays Outer Reaches Explores The World, at recordBar, 4/20]

11:15 – More Interview with Brenton Cook & Dedric Moore

Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information and Music about the night.

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM.

Outer Reaches Festival was held during the last weekend of September in 2017. Have you set dates for this year’s fest? Will it be at recordBar again?

Dedric Moore, tell us about the upcoming Mysterious Clouds EP My Head is Going Round. You sent us the EP prior to it’s release and we’ve been playing tracks from it, in fact the two we’ve played have featured the band collaborating with Your Friend. Lawrence musician,Taryn Blake Miller.

Brenton, Haymaker just recently release a new full length from Be/Non and two 7′ singles for Frieght Train Rabbit Killer, what else is happening at Haymaker?

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches Explores the World, is this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

10. Teri Quinn – “Moons and Meltdowns”
from: Moons and Meltdowns / Teri Quinn / April 17, 2016
[KC based singer/songwriter and multi-instrumentalist Teri Quinn. Originally from Grand Rapids, Michigan, Teri Quinn moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where Teri graduated in 2013. Teri Ann Quinn plays banjo & sings with Abandoned Bells with Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar. Teri plays clarinet and guitar for Claire and the Crowded Stage and has also contributed experimental compositions for The Black House Collective.]

[Teri Quinn plays Outer Reaches Explores The World, at recordBar, 4/20]

11:28 – Underwriting

11. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:34 – Interview with Davin Watne & Chris Teasley


Wednesday MidDay Medley
Page Liked · August 13, 2011 · ·
Chris Teasley and Davin Watne share new music from their band Thee Devotion on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Teasley is an artist and musician. Chris is currently in several bands: The New Lost Souls, Heavy Figgs, Dynamite Defense and Thee Devotion and lends his musical skills to several other bands as well. He is also a painter. He studied at School of the Museum of Fine Arts in Boston

Davin Watne is also an artist and musician as well as an educator. He is a professor at UMKC where I teaches Painting and Drawing. He is a practicing artist that exhibits nationally, internationally and locally. He studied The Kansas City Art Institute.

Davin Watne plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions with Chris Teasely who plays keyboards, organ, harmonica, flute, trumpet, and sings. Thee Devotion’s released their new album Chapel on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley.

The two other members of Thee Devotion, Bruce Eddy who plays bass and sings; and Keith Patterson who plays drums and sings.

Davin told us the band first started in January 1, 2008, with Davin ad our drummer Keith Patterson. They formed Thee Devotion out of the ashes of our first band together called Emma Feel.

We both love Funk and Soul music and wanted to explore it more. So we brought on some other musicians to help fill out the sound and expand our vision.

The Devotion call their music: “chickenshack” & “garage soul”

Chapel is the band’s second record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. We have two records out on vinyl and on many digital platforms like Spotify, iTunes, Pandora and YouTube.

11:41

12. Thee Devotion – “Ooooo Weeeee”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:46 – More Interview with Davin Watne & Chris Teasley

We are talking with Davin Watne & Chris Teasley of the band Thee Devotion their new album Chapel was released on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley

Chris’s wife Sara Teasley plays with him in The Heavy Figs, and The New Lost Souls, and also plays in The Cave Girls.

Chapel is the band’s 2nd record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. Thee Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

11:55

13. Thee Devotion – “Slinky Tight”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 25, John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles, and his show with John Statz Friday, April 27 at Replay Lounge in Lawrence. Also next week, Patrick Alonzo Conway joins us to share music and information about Kansas City’s Gamelan Genta Kasturi and their 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. Also next week, Joe Athon and friends, drop in to share stories about their 1990’s group, the Purple Skunk Funk Band, and their special reunion show Saturday, April 28, at Knuckleheads. Also next week, members of Grand Marquis join us to share music from their new album, Brighter Days, and share info about their Brighter Days CD Release Party at Knuckleheads, Saturday, April 28, at 8:30 with Victor & Penny, and Brandon Phillips & The Condition. And if that isn’t enough, we will talk with legendary singer-songwriter, Cris Williamson who has just released her 29th album, Motherland, and will be in Kansas City, in concert, for the first time in over 10 years, at All Souls Unitarian Universalist Church, Saturday, April 27, at 7:00 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

Wednesday MidDay Medley presents: Bach Aria Soloists + Amy Farrand + Outer Reaches + Thee Devotion

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

Mark plays more New & MidCoastal Releases from: Making Movies, Thee Devotion, Amy Farrand & The Like, SUNU, Hi-Lux, Teri Quinn, Keaton Conrad and Yo La Tengo.

Bach Aria Soloists

At 10:10 violinist Elizabeth Suh Lane, guitarist Beau Bledsoe, & bassist Jeff Harshbarger of Bach Aria Soloists play live Tango music in our 90.1 FM Studios. Bach Aria Soloists are presenting their critically acclaimed, Night of Tango, Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist. The evening’s ensemble includes: Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; with Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists; Beau Bledsoe, guitar, Bach Aria Soloists, and Kansas City bassist Jeff Harshbarger. More info at: http://www.bachariasoloists.com / http://www.follytheater.org

Amy Farrand

At 10:35 Amy Farrand joins us to share music from One, the new 11-song debut full length album from her band, Amy Farrand & The Like. The band includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. One was recorded with Duane Trower at Weights and Measures Soundlab. Amy Farrand and The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

At 11:00 Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information about, Outer Reaches Explores the World, on Friday, April 20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation and funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. This event is $10 with Advance Tickets available at recordBar or $15 Day of Show. More info at: http://www.outerreachesfest.com/

At 11:30 members of the Kansas City band Thee Devotion join us to share music from their new release Chapel. Formed on January 1, 2008, Thee Devotion call their music “chickenshack” and “garage soul.” The band includes: Davin Watne on guitar, keyboards, harmonica and vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, and vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

WMM Playlist from February 21, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 21, 2018

Spinning Records With Marion Merritt
+ Red Kate & Too Much Rock

Marion Merritt of Records With Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The O’Jays – “For the Love of Money”
from: The Ultimate O’Jays / Sony Music / April 10, 2001
[A soul/funk song written and composed by Kenneth Gamble, Leon Huff, & Anthony Jackson; recorded by Philadelphia soul group The O’Jays for the album Ship Ahoy. Produced by Gamble & Huff for Philadelphia International Records, “For the Love of Money” was issued as a single in late 1973 (see 1973 in music), with “People Keep Tellin’ Me” as its b-side. The single peaked at number three on the U.S. Billboard R&B chart, and at No. 9 on Billboard’s Pop Singles chart in spring 1974. Though the album version of the song was over seven minutes long, it received substantial radio airplay. The song’s title comes from a well-known Bible verse, 1 Timothy 6:10: “For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.” (This translation is from the King James Version of the Bible.) The O’Jays are an American R&B group from Canton, Ohio, formed in 1958 and originally consisting of Eddie Levert (born June 16, 1942), Walter Williams (born August 25, 1943), William Powell (Jan. 20, 1942 – May 26, 1977), Bobby Massey and Bill Isles. The O’Jays made their first chart appearance with “Lonely Drifter” in 1963, but reached their greatest level of success once Gamble & Huff, a team of producers and songwriters, signed them to their Philadelphia International label in 1972. With Gamble & Huff, the O’Jays (now a trio after the departure of Isles and Massey) emerged at the forefront of Philadelphia soul with “Back Stabbers” (1972), and topped the Billboard Hot 100 the following year with “Love Train”. Numerous other hits followed through the 1970s and into the 1980s and 1990s, and The O’Jays were inducted into the Vocal Group Hall of Fame in 2004, and The Rock and Roll Hall of Fame in 2005.]

4. The Chocolate Watchband – “Voyage of the Trieste”
from: Inner Mystique / Tower / 1968
[Reissued by Sundaze / 2018]

5. Wooden Shjips – “Staring At the Sun”
from: V. / Thrill Jockey / May 25, 2018

10:26 – Underwriting

6. LaVice & Company – “Thoughs Were the Days”
from: LaVice And Company’s Two Sisters From Bagdad / Jazzman / 2018
[Released as a single from Numero Group April 14, 2017]

7. THE DESCENDANTS OF MIKE AND PHOEBE – “Coltrane” (CD #7) (5:01)
from: A Spirit Speaks / Strata-East Records / 1974 [Reissued by Everland Music Group 2017]

8. Death & Vanilla – “Dioz Delirium”
from: The Tenant / Fire America / March 9, 2018

9. The Brian Jonestown Massacre & Asia Argento – “Le sacre du printemps”
from: Musique de film imaginé / ‘A’ Records / April 27, 2015

10. CSC Funk Band – “Above the Starrs”
from: Above the Starrs / Electric Cowbell – Newtown Creek Jamz / March 24, 2017

11:00 – Station ID

11. Orgone – “The Black Five”
from: Undercover Mixtape / Colemine Records / February 2, 2018

12. Funkadelic – “Undisco Kidd (Gay Marvine Edit)”
from: Reworked By Detroiters / Westbound – Ace Records / October 27, 2017

13. Bardo Pond – “Cud”
from: Volume 8 / Fire Records / Februry 2, 2018
[Brand new album from Philadelphia’s much loved neo-space rock stoner drone outfit. A euphoric transcendental journey to a mountain top nirvana, a psychedelic tapestry that slowly unwinds as they travel onwards into the inner mind. A 40-minute opus delivered from a hail of reverb soulfully caressed by a ceremonial flute, that makes way for a shroud of ‘Weld’—era Neil Young fog. Bardo Pond is your rather ruffled tour guide to this far off place, this distant sense of wonderment at the crossroads with bewilderment. Loved and lauded by the late Lou Reed and his wife Laurie Anderson, Jesus & Mary Chain, Mogwai and many more and acclaimed in the music press as such: “Dinosaur Jr guitar power with the glacial grandiosity of Black Mountain, as if Isobel Sollenberger is conjuring a thunderstorm with the sound of her voice and riding it across the heavens.” Stereogum “One of underground rock’s most extraordinary enigmas” The Quietus. “They alter brain chemistry by the alchemical effect of distressed sound alone, aspiring to become engineers of the soul’s passage to alternate states of consciousness.” Tony Dale (RIP), Ptolemaic Terrascope, 2001. “Playing fuzzed out stuff of stoner dreams since the mid ‘90s.” Pitchfork. “Fugazi on acid.” Noisey]

14. The Sufis – “Sri Sai Flora”
from: The Sufis / Ample Play Records / July 2, 2012

15. Tess Parks – “Gates of Broadway”
from: Blood Hot / 359 Music / 2013 [Reissued by Optic Nerve / 2018]

16. Jóhann Jóhannsson – “Part 5/ The Sun’s Gone Dim and the Sky’s Turned Black”
from: IBM 1401 a User’s Manual / 4AD / 2006 [Reissued by 4AD 2017]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Coming up we talk with members of Red Kate and Sid Sowder of Too Much Rock

11:31 – Underwriting

11:33 – Interview with L. Ron Drunkard, Shaun Hamontree, and Sid Sowder

The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.”The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The n]band has also release two 7″ split sinle releases with The Bad ideas, and Stiff Middle Fingers. Members of Red Kate join us today to share their newest release, “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree who joins bassist and lead vocalist L. Ron Drunkard Shawn Saving), Andrew Whelan on drums & vocals, and Desmond Poirier on guitar & vocals. Red Kate celebrates the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, Arson Class and Vidco Kult. The band also plays an all ages show Saturday, March 3 at Mills Record Company with Martian Martian Martian. The single is out February 24.

Also with us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band.

L. Ron Drunkard (Shawn Saving), Shaun Hamontree and Sid Sowder Thanks for being with us on WMM

Tracks were recorded at Weights and Measures Soundlab with engineer Duane Trower and producer L. Ron Drunkard.

10:45

18. Red Kate – “Iraqi Girl” (Vinyl)
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals]

[Red Kate plays release show Friday, Feb 23 at Davey’s with Reacharounds, Arson Class, Vidco Kult.]

[Red Kate plays All Ages show Saturday, March 3 at Mills Record Company w/ Martian Martian Martian.]

Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book.

Both tracks were recorded at Weights and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callender Printing in Kansas City, KS.

Red Kate will celebrate the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, and up and comers, Arson Class and Vidco Kult. An all ages show is scheduled for Saturday, March 3 at Mills Record Company with the brand new Martian Martian Martian.

This limited edition release of 500 records includes 100 copies on clear vinyl with an alternate cover (collect away, nerds!). Distributed by Black Site, they will be available February 24 at record stores throughout the region and online at black-site.org/red-kate and redkate.bandcamp.com.

RED KATE released its first LP, When the Troubles Come, on Replay Records in 2013 and a 7″ split on Mills Record Company with fellow KC punks, The Bad Ideas, in 2014.

BLACK SITE is a record label cooperative created by Kansas City musicians interested in supporting regional punk and rock bands release their recordings on a physical medium. With the world around us becoming a deluge of digital 1’s and 0’s, transient as a trust fund crust punk on a cross country excursion, tangible art is critical to maintaining connections to our past, our sense of place, and who we are as a people. Only WE can create the world we want to live in. Reciprocity and solidarity are the cornerstones of building long lasting, self-sustaining community power that pushes back against the commodification of culture. Music is not a business; Punk is not a brand, and DIY is not a lifestyle to be consumed. This is a way of life, and if we don’t hang together, we’ll surely hang alone.

L. Ron Drunkard, Shaun Hamontree, and Sid Sowder thank you for being with us on WMM.

Red Kate plays release show Fri, Feb 23 at Davey’s w/ Reacharounds, Arson Class, Vidco Kult. Red Kate plays All Ages show Sat, March 3 at Mills Record Company w/ Martian Martian Martian.

11:56

19. Red Kate – “American Zone” (Vinyl)
from: American Zone – B-side Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 28 The Matchsellers join us live in our 90.1 FM Studios. Also, Poet Jen Harris joins us to discuss a performance show is working on with Gilda’s Club and the Owen Cox Dance Ensemble

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #722

Wednesday MidDay Medley presents Marion Merritt + Red Kate & Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 21, 2018

Spinning Records With Marion Merritt
+ Red Kate & Too Much Rock

Marion Merritt of Records With Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: The O’Jays, The Chocolate Watchband, Wooden Shjips, LaVice & Company, THE DESCENDANTS OF MIKE AND PHOEBE, Death & Vanilla, The Brian Jonestown Massacre & Asia Argento, CSC Funk Band, Orgone, Funkadelic, Bardo Pond, The Sufis, Tess Parks, Sunny War, Joan Armatrading, Jóhann Jóhannsson, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

At 11:30 members of Red Kate share their new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Their original song, “Iraqi Girl,” is on side A, with a side B cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Both tracks were recorded at Weight and Measures Soundlab with engineer Duane Trower and producer L. Ron Drunkard. Red Kate celebrates the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, Arson Class and Vidco Kult. The band also plays an all ages show Saturday, March 3 at Mills Record Company with Martian Martian Martian. The single is out February 24 at record stores throughout the region and online at black-site.org/red-kate and redkate.bandcamp.com.

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #722

WMM Playlist from December 20, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 20, 2017

The 117 Best Recordings of 2017
(Part 3 of 4)

Wednesday MidDay Medley presents part-three, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune in next Wednesday, December 27 for our finale to The 117 of Best Recordings of 2017.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (58.) Sheer Mag – “Just Can’t Get Enough”
from: Need To Feel Your Love / WILSUN RC / July 14, 2017
[Sheer Mag is an American rock band from Philadelphia, Pennsylvania, formed in 2014. Members include: Tina Halladay, Kyle Seely, Hart Seely, Matt Palmer, Ian Dykstra With a combination of 1970s rock and punk ethos, the band has continued to gather attention and has released three 7-inch EPs as of March 2016. In January 2015, Rolling Stone featured the band as one of “10 New Artists You Need To Know”, describing them as “a gang of punks with a not-so-secret love of Seventies classic rock.”Four of five band members attended the State University of New York at Purchase. In 2016, the band was part of the Coachella 2016 line-up and performed on Late Night with Seth Myers. On May 10, 2017, Sheer Mag released “Need To Feel Your Love,” the first track off their first full-length record, Need To Feel Your Love.] [Sheer Mag played The Bottleneck, in Lawrence, KS, with Laffing Gas, The Whiffs, and Nancy Boys]

3. (57.) The National – “The System Only Dreams in Total Darkness”
from: Sleep Well Beast / 4AD / September 8, 2017
[Sleep Well Beast is the 7th studio album by The National, an American indie rock band from Cincinnati, Ohio, formed in 1999. Currently based in Brooklyn, the band consists of Matt Berninger (vocals), Aaron Dessner (guitar, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards.]

4. (56.) Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Late this year, Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017. [Khrystal. played Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Sauce, Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

5. (55.) Diet Cig – “Leo”
from: Swear I’m Good At This / Father Daughter Records / April 7, 2017
[Pop-punk duo Alex Luciano on vocals & guitar, Noah Bowman on drums met at a house show in New Paltz, New York, in the summer of 2014. Bowman’s old band, Earl Boykins, was playing at the house show, where Luciano needed a cigarette lighter. She interrupted the band’s set to ask Bowman for one, but he gave her a bottle of wine instead. Afterwards, Luciano got his number and told him she’d make a music video for him. The next day, Bowman tattooed a daisy on Luciano’s foot and by August 2014, the pair were making music together. They officially named their act Diet Cig in September 2014. Luciano and Bowman confirmed. Swear I’m Good At This was produced, engineered and mixed by Christopher Daly at Salvation Recording Co. in New Paltz, NY with additional recording at Atomic Sound in New York City, and additional engineering by Travis DeJong and Dakota Bowman. It was mastered by Jamal Ruhe at West West Side.]

6. (54.) Eems – “Stumble”
from: Rocket Ship / Independent / August 11, 2017
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.] [EEMS plays the Crossroads Music Fest, Saturday, Sept 9, at MOD Gallery, 1809 McGee.]

7. (53.) Erin Keller – “Distracted”
from: Distracted / Erin Keller / May 9, 2016
[KC based vocalist Erin Keller is originally from Waukee, Iowa. She was born in August, in 1980. Erin has been singing on a professional level for 25 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. In April Erin released her new album, “Distracted,” and has been playing live shows while also being upfront and honest about her recent cancer diagnosis where she has received multiple rounds of chemo treatments. Erin Keller wrote the song “Distracted” and recorded her songs with Chad Meise. Immediately after the album was released Erin diagnosed with liver cancer and began treatments, while also going through a divorce, and moving to a new home. Throughout her chemo treatments Erin continued performing and producing shows, keeping an incredible sense of humor and strength through such a difficult period. She has successfully completed multiple round of chemo and the cancer is gone form her body, although she is currently recovering in the hospital from compilcations for surgery. We wish her well and send her all our love.] [Erin joined us live on the show on August 16.]

8. (52.) Nature Boys – “Grave”
from: 3LP / Mandible Records / April 28, 2017
[Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals, Evan Malone on drums. Nature Boys started playing together in Kansas City, MO in September of 2009. They had their first show at Dave’s Stagecoach Inn and then left for their first tour in January of 2010. They’ve released all three of their abums and one single on vinyl. Nature Boys spend most of their time on the road,. The band played 31 shows throughout Europe in June and July of 2017.]

10:30 – Underwriting

9. (51.) Japanese Breakfast – “Road Head”
from: Soft Sounds from Another Planet / Dead Oceans Records / July 14, 2017
[Japanese Breakfast is the solo musical project of Michelle Zauner of Little Big League. Under the alias, Zauner has released two studio albums: Psychopomp (2016) and Soft Sounds from Another Planet (2017). Prior to her solo project, Michelle Zauner fronted Post Post, an indie pop band with students from Bryn Mawr and Haverford Colleges, then started the Philadelphian emo band Little Big League. Zauner fronted the band between 2011 and 2014, before returning to her hometown of Eugene, Oregon in 2013. Zauner made the trek back home in the wake of her mother being diagnosed with cancer.While at home, tending her family in Oregon, Zauner began recording solo music. Zauner described the project as having much more to say following Tropical Jinx, the 2014 studio album by Little Big League. Originally, Zauner had begun to record early samples of music as a self-meditative and “instant-gratification” feeling.[3] Two years later, the solo project itself eventually became the work of Psychopomp the debut album by Japanese Breakfast. The name of the band, according to Zauner is a juxtaposition of Asian exoticism and American culture. Despite the name, Zauner is not of Japanese descent, but Korean descent.Zauner described the debut album as quite “dark and heavy-handed”, although she had a desire to make the music, urgent and “sonically upbeat.” On June 23, 2016, the Japanese Breakfast project was signed to the Dead Oceans label.]

10. (50.) Hurray For The Riff Raff – “Living In The City”
from: The Navigator / ATO Records / March 10, 2017
[Hurray for the Riff Raff is an American folk-blues and Americana band from New Orleans, Louisiana formed by lead singer and songwriter Alynda Segarra. Segarra was raised by her aunt Nereida in the Bronx where she developed an early appreciation for doo-wop and Motown. She is of Puerto Rican descent. Her mother was former New York City Deputy Mayor Ninfa Segarra. Segarra became a regular attendee of hardcore punk shows at ABC No Rio when she was young. She left her home in the Bronx at age 17, spending time crossing North America, hopping freight trains. During this time, around 2007, Segarra became a part of the Dead Man Street Orchestra, a band that was documented in a photo essay by Time Magazine in 2007. After two self-released albums, 2008’s It Don’t Mean I Don’t Love You and 2010’s Young Blood Blues, Hurray for the Riff Raff released a self-titled CD composed of Segarra’s favorite songs from those records on Loose Music in Europe on March 21, 2011. Tracks from the band’s debut release received airplay on BBC Radio 2 and BBC 6 Music. In February 2011, the band were featured in an article in The Times, based around the HBO TV series, Treme, with their track “Daniella” being listed in their selection of New Orleans’ essential songs. In May 2012, Hurray for the Riff Raff released Look Out Mama on their own label, Born to Win Records. Loose Music released Look Out Mama in Europe on August 20, 2012. The album was recorded in Nashville, Tennessee at The Bomb Shelter Studios and produced by Andrija Tokic (Alabama Shakes).In February 2014, Hurray for the Riff Raff had their ATO Records debut, Small Town Heroes. The record features original songs written or co-written by Segarra, and features fiddler Yosi Perlstein, keyboard player Casey McAllister, and two members of The Deslondes: Sam Doores on guitar and Dan Cutler on bass.]

11. (49.) Jackie Shane – “Any Other Way”
from: Jackie Shane: Any Other Way / Numero Group / October 20, 2017
[Jackie Shane was born May 15, 1940. She is an American former soul and rhythm and blues singer, who was most prominent in the local music scene of Toronto, Ontario, Canada in the 1960s. She is originally from Nashville, Tennessee. In 1960, Shane moved to Montreal, Quebec, where saxophonist King Herbert Whitaker invited a young Shane along to watch the popular band Frank Motley and his Motley Crew at the Esquire Show Bar. Shane, who showed up in a bright red dress and her hair done up, sat down near the front. When Motley said, “Get that kid up here and let’s see what they can do,” pianist Curley Bridges invited her up onstage for the next set, where she performed songs by Ray Charles and Bobby “Blue” Bland. She was soon the band’s lead vocalist, and relocated to Toronto with them in late 1961. She sometimes returned to the United States to perform shows in Nashville, Boston, and Los Angeles. A fan mythology linked her to Little Richard, including claims that she had been Richard’s backing vocalist before moving to Canada or even that she was Richard’s cousin, although no verification of either claim has ever been found and no evidence exists that Shane ever made either claim herself. Music critic Carl Wilson has concluded that, while in reality Shane had deep and identifiable roots in the traditions of the Southern US Chitlin’ Circuit, the mythology emerged because that scene’s traditions were not known to Torontonians in the 1960s, and thus Little Richard was the only antecedent for Shane’s style that most of her local fan base could identify. Throughout her active musical career and for many years thereafter, Shane was written about by nearly all sources as a man who performed in drag. The few sources that actually sought out her own words on the matter of her own gender identification were more ambiguous, however; she identified herself as male in two early quotes to the Toronto Star, but more often appeared to simply dodge questions about her gender altogether. Her identity as a trans woman was not confirmed on the record by a media outlet until 2017. CBC Radio’s Inside the Music aired a documentary feature, “I Got Mine: The Story of Jackie Shane”, in 2010. At the time, nobody involved in the documentary had been able to determine whether Shane was still living; she was subsequently found still alive in Nashville.Footage of Shane in performance also appeared in Bruce McDonald’s 2011 documentary television series Yonge Street: Toronto Rock & Roll Stories. Jackie Shane Live was reissued in 2011 on Vintage Music as Live at the Sapphire Tavern, although the reissue was labelled as being from 1963 (the date of the original live performance) instead of 1967 (the release date of the album). The reissue also included Shane’s performances from Honkin’ at Midnight as bonus tracks. A compilation album of the studio singles and rarities, Soul Singles Classics, was released the same year. In 2015, the Polaris Music Prize committee shortlisted Jackie Shane Live as one of the nominees for the 1960s-1970s component of its inaugural Heritage Award to honor classic Canadian albums. It was shortlisted for the prize again in 2016 and 2017. In 2017, a group of Toronto writers published the essay anthology Any Other Way: How Toronto Got Queer, a history of LGBT culture in Toronto; in addition to taking its title from Shane’s 1962 single, the book includes an essay devoted specifically to Shane. In the summer of 2017, the reissue label Numero Group announced that they would be releasing a double-LP/CD compilation of Shane’s music, Any Other Way, on October 20, 2017. The album marks the first time since her final single in 1969 that Shane has been directly involved in the production and release of a reissue of her music.]

12. (48.) Mad Libby – “Powder Blue”
from: Locks Unlocked / Mad Libby / March 4, 2017
[Kansas City based Power Punk 4-piece band formed by: Jennifer Roswold on lead vocals & guitar, Rob Adams on lead guitar, Dana E Scott on drums & backup vocals, and Jessica White on bass & backup vocals.][Mad Libby played 90.1 FM’s Crossroads Music Festival, Sept 9, ay 7:15 at The Brick, 1727 McGee.]

13. (47.) Curtis Harding – “Wednesday Morning Atonement”
from: Face Your Fear / Anti / October 27, 2017
[Curtis Harding is an American soul singer, born in Saginaw, Michigan. Raised as a Mennonite, Harding’s family had no home until they settled in Atlanta, Georgia, when he was 14. Harding’s father, a mechanic, and his mother Dorothy, a gospel singer, took Harding and his five siblings around the United States in a van, stopping at churches. While his mother performed, Harding grew up playing music, though he originally wanted to play professional sports. In the early 2000s, Harding was part of the hip-hop group Proseed. He rapped on and co-wrote CeeLo Green’s 2002 album Cee-Lo Green and His Perfect Imperfections along with several Proseed members. He toured with Green as a backing singer on the Smokin’ Grooves Tour in 2002 alongside Outkast, Cypress Hill, Lauryn Hill, and The Roots. Harding spent time working with groups in Atlanta before moving to Toronto for a year. A year later, he “came back to record with some friends in my living room.” From these sessions came his debut album, Soul Power, on the indie label Burger Records, released May 6, 2014. He spent two weeks recording the album. Randy Michael composed the music on the single “Keep on Shining”, and Jason Reynolds co-wrote “Heaven’s on the Other Side” with Harding.He formed the band Night Sun with two Black Lips members, guitarist Cole Alexander and drummer Joe Bradley. His second album, Face Your Fear, was recorded at Danger Mouse’s 30th Century Studio in New York City. “Wednesday Morning Atonement” is the opening single. Harding will appear in Sundance TV’s period drama series Hap and Leonard. He will portray two characters: L.C. Soothe and his grandson, Bobby Joe. Harding describes his genre as “slop ‘n’ soul”, a combination of gospel, punk, psych rock, and blues. He has said that his influences include Albert King, the Everly Brothers, and Ronnie Dyson.]

14. (46.) The New Pornographers – “High Ticket Attractions”
from: Whiteout Conditions / New P’s LLC – Concord Music / January 27, 2017
[Seventh album from Canadian indie rock band formed in 1997 in Vancouver, British Columbia. Presented as a musical collective of singer-songwriters and musicians from multiple projects, the band’s seven studio albums have all received critical acclaim for their use of multiple vocalists and elements of power pop incorporated into their music. The album features: Carl Newman on vocals & guitar, Neko Case on vocals, John Collins –on bass, Blaine Thurier on keyboards & synthesizer, Todd Fancey on lead guitar, Kathryn Calder on vocals, keyboards & guitar, and Joe Seiders on drums & vocals. This is the first album not to feature either longtime drummer Kurt Dahle or singer-songwriter Dan Bejar.]

15. (45.) Beck – “Dear Life”
from: Colors / Fonograf – Capitol / October 13, 2017
[13th studio album from Beck Hansen, born July 8, 1970. Colors was recorded at co-executive producer Greg Kurstin’s LA studio, with Beck & Kurstin playing nearly every instrument themselves. Beck rose to fame in the early 1990s with his sonically experimental and lo-fi style, and became known for creating musical collages of wide genre styles. Today, he musically encompasses folk, funk, soul, hip hop, electronic, alt rock, country, and psychedelia. He has released 13 studio albums (3 of which were independently released), as well as several non-album singles and a book of sheet music.] [At the height of his first hit single “Loser” fame, on April 13, 1994, Beck played Kansas City’s Rhumba Box 1012 McGee. The Rhumba Box lasted from the summer of 1993 to the spring of 1994. Prior to The Rhumba Box, 1012 Megee was home to Human Observation Lab. In 1987 a group of UMKC students called Stimulus and Response took over the defunct gay bath house, Club Bath, at 1012 McGee and opened The Human Observation Lab. At night, this downtown neighborhood was basically deserted except for the old bus station, a few dive bars, and street prostitution. The Lab’s proprietors rehabbed the building into a two story live/work space that evolved into a legendary live performance venue. Gorilla Theatre, Eyes Wide Open, Mongol Beach Party, The Cocktails, and DJ Ray Velasquez are just a few of the off-the-wall performers that evolved out of this underground venue.]

11:00 – Station ID

16. (44.) The Sluts – “Wonderful”
from: Only One / The Sluts / May 25, 2017
[New 5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

17. (43.) Erica Joy – “All In My Head”
from: Erica Joy, Introduction / Independent / February 3, 2017
[26 year old Kansas City based singer songwriter was Born April 8, 1991, and grew up in Springfield Missouri and went to Kickapoo High, graduating in 2009. Erica Joy graduated from UMKC in 2013. In 2015 her first single “Fun to Hold You” was released and remained in Homegrown Buzz’s rotation for over a year. EJ then released a full EP titled “Introduction” on February 3rd 2017 at Record Bar. For this recording Erica Joy on vocals, Britt Wild on lead guitar, Khitam Jabr on acoustic guitar,. Recorded and produced by Kyle Ward at Counterpoint Studio. This year Erica Joy also played Middle of The Map Fest, she was part of the HearQueer Issuue 001 launch, she has a new band, and is writing and recording new music with Colby Bales (lead guitarist of Instant Karma) Zach Harris (drummer of Instant Karma) and Branden Moser (bassist with Instant Karma) More information at: http://www.ericajoymusic.com,] [Erica Joy played an intimate theatre show, October 1st, at 7:00 PM, at Westport Coffeehouse Theatre debuting new songs, and playing new backing band – Colby Bales, Zach Harris, and Branden Moser. More at: http://www.ericajoymusic.com] [Erica Joy joined us live on WMM on September 13.]

18. (42.) Run With It – “Don’t Waste My Time”
from: How To Start A Fire / Run With It / March 24, 2016
[The Kansas City based band Run With it includes Miguel Caraballo on lead vocals & guitar, Ben Byard on bass & vocals, and Daniel Cole on drums, The power trio are known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band stays very busy touring, and recording. How To Start A Fire, recorded with producer Josh Gleave. Miguel Caraballo was born June 11, 1980 and is originally from Junction City, Kansas. Ben Byard grew up in El Dorado Kansas, and plays in David George and A Crooked Mile. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Run With It have played all over the world including western Ukraine in Khitar. More information at: http://www.runwithitband.com][Run With It joined us live on WMM on March 22.]

19. (41.) David George – “Here I Go Again”
from: Here I Go Again – EP / David George / April 14, 2017
[One of 3 separate releases from David George in 2017. Produced by David George. Engineered & Mixed by Pat Tomek. Mastered by Duane Trower at Weights & Measures Soundlabs. Photography & cover designed by Paul Andrews. David George on vocals, acoustic guitars; Erik Voeks on acoustic guitar, bass, vocals; Ben Byard on bass, mandolin, vocals; Mike Stover on pedal steel. Strings on “Live Love Lost” arranged by CJ Vanston & Adam Liebreich-Johnsen. Christine Broxterman on cello, violin. Ben Byard on violin; Joe Donley on upright bass. All songs written by David George. David released his 2nd EP, Won’t Let Go, on October 13. Recorded at Weights & Measures. Recorded, Mixed, & Mastered by Duane Trower. David George on vocals & guitar, Mike Stover on pedal steel, David Luther, Erik Voeks, Ben Byard & Camry Ivory on harmony vocals. David George also released the single “Can’t Fight Love” on April 7, 2017 benefiting the ACLU. Recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi, with David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4), Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals, Gordon Gilges on dulcimer & vocals, Kristina Ning on upright bass & vocals, Matt Cathlina on upright bass & vocals, Nathan Showalter on piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals, Dave Tanner on vocals. Also this year David George and Erik Voeks performed together for multiple shows as The Volker Brothers. More info: http://www.davidgeorgeband.com]

20. (40.) Phoebe Bridgers – “Motion Sickness”
from: Stranger in the Alps / Dead Oceans / 2017
[Phoebe Bridgers was born August 17, 1994, and is from Los Angeles, California. Bridgers released her major label debut 7″ on Ryan Adams record label, PAX AM. In early 2016, Bridgers supported Julien Baker on her 2016 East Coast tour. Bridgers is a graduate of Los Angeles County High School for the Arts. In 2014 she was featured in a commercial for the Apple iPhone singing a cover of “Gigantic” by the Pixies. In June 2017, Phoebe Bridgers signed to Dead Oceans. The Alps was produced by Tony Berg and Ethan Gruska.]

21. (39.) Broken Arrows – “All I Got”
from: Extended Play EP / Broken Arrows / March 18, 2017
[KC/Lawrence based 5-piece band, formed by Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar, keyboards & vocals; John Chevalier on bass guitar & vocals; Barry Lee on guitar & vocals; and Dave Storms on drums. Broken Arrows got together to play a Neil Young Tribute at Davey’s Uptown in 2015. They received such a positive reaction and enjoyed playing together so they decided to continue as a band. This song was written by Mike Penner who also sings lead vocals. Both John Chevalier and Dave Storms were previously in The Waspmen. Both have played extensively with many different bands in the Kansas City area. Mike Penner and Bill Ryan were previously in the KC power pop band, Honeywagen. Barry Lee had only played music very few times in public prior to the formation of this band. This is his first band. Mike Penner, Bill Ryan and John Chevalier are the principle songwriters for the band. They play mostly original material and some obscure covers.] [Broken Arrows premiered their debut EP, “Extended Play” with a Special Release show, March 18, at Records With Merritt.] [Broken Arrows joined us live on the WMM on March 15]

22. (38.) Instant Karma – “Make Me A Man”
from: Trying To Find My Mind / Independent / July 22, 2017
[Instant Karma! is a 4 piece psych/soul rock band from Kansas City, MO. Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering. Colby Bales and Cody Calhoun met in High School. They have been playing music together for 5 years. Thet became friends after forming the band. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.” Instant Karma’s influences range from The Black Keys to Syl Johnson to the Wu Tang Clan. Instant Karma played an EP Release Show, Saturday, July 22, at Revolution Records. Instant Karma played Lawrence Field Day Fest, Thursday, July 13.] [Members of the band joined us live on WMM on July 12.]

23. (37.) Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.][Jametatone played The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

11:30 – Underwriting

24. (36.) Kevin Morby – “Aboard My Train”
from: City Music / Dead Oceans / June 16, 2017
[4th release from Kevin Robert Morby born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His last album Singing Saw was one of our 116 Best Recordings of 2016] [Kevin Morby played The Madrid, September 14, opening for The Mountain Goats.]

25. (35.) St. Vincent – “Masseduction”
from: MASSEDUCTION / Loma Vista Recordings – Concord Music Group / October 13. 2017
[5th studio album from St. Vincent who is also known as Anne Erin “Annie” Clark who was born September 28, 1982. Masseduction has been described as the “culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe.” Clark has stated that the album focuses on themes of power, sex, drugs, sadness, imperiled relationships and death. In a press release, she stated: “every record I make has an archetype. Strange Mercy was Housewives on Pills. St. Vincent was Near-Future Cult Leader. Masseduction is different, it’s pretty first person. You can’t fact-check it, but if you want to know about my life, listen to this record.” Annie Clark was born in Tulsa, Oklahoma. Her mother is a social worker turned administrator for a non-profit organization and her stepfather works in the tax business. Clark’s parents divorced when she was three years old, and she moved to Dallas, Texas when she was seven years old with her mother and two older sisters. Her father lives in Tulsa. Clark was raised Roman Catholic and Unitarian Universalist. From her parents’ blended families, Clark has eight siblings: four brothers and four sisters. She began playing the guitar at the age of 12 and, as a teenager, worked as a roadie for her uncle and aunt, Tuck Andress and Patti Cathcart, of the guitar-vocal jazz duo Tuck & Patti. After studying at Berklee College of Music for three years, she began her music career as a member of the Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009) and Strange Mercy (2011). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, self-titled St. Vincent, was released on February 25, 2014 and was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.][St. Vincent played The Uptown Theatre, Nov 19.]

26. (34.) The Whiffs – “Never Be Free”
from: Take A Whiff / High Dive Records / March 1, 2017
[Kansas City based power pop 4-piece band featuring members of Conquerors, Wet Ones, and Nubiles. Zach Campbell on bass & vocals, Rory Cameron on guitar & vocals, Nic Allred on guitar & vocals, Jake Cardwell on drums. Recorded and mixed by Vincent Lawhon at Element Studios, Kansas City, MO] [The Whiffs played The Riot Room, Thursday, July 21, with The Coathangers, and Residuals.]

27. (33.) Lovergurl – “My Body”
from: The President is a Sex Offender / Lovergurl / May 19, 2017
[The Kansas City based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 25 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 25. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.][Lovergurl joined us live on WMM on May 17.]

28. (32.) KD Kuro –”JULES (feat. Domineko & Chase the Horseman (radio edit)”
from: Good-Luck / Kwame Boateng / August 1, 2017
[This track was produced by Chase the Horseman. KD Kuro is the musical project of Kwame Boateng, a Kansas City based rapper. He was born in Arlington, Virginia, and graduated from Olathe South High School in 2008. After attending Coffeyville Community College Kwame as KD Kuro started his rap career in 2012 and has been cultivating and refining his sound over the course of the last 5 years. Kwame grew up with musical influences like N.E.R.D and Missy Elliot that helped to mold the music he creates. His debut album was co-produced by Chase the Horseman and Nathan “Geesace” Gisecke. KD Kuro’s debut album is available at: http://www.kwamekuro.bandcamp.com] [KD Kuro Kwame Boateng & Chase The Horseman joined us live on WMM on Aug 2.]

29. (31.) Of Tree – “Feel It”
from: Sorry We’re Chosen [EP] / Of Tree / June 1, 2017
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.][Of Tree joined us on WMM on May 24]

30. (30.) Sampha – “(No One Knows Me) Like the Piano”
from: Process / Young Turks Recordings / February 3, 2017
[Sampha Sisay was born November 16, 1988. He performs under the mononym Sampha. He is a British singer, songwriter and record producer from Morden, South London, United Kingdom. Sampha is known widely for his collaborative work with SBTRKT, Jessie Ware, Drake, Kanye West, Solange and others. Sampha has released two solo EPs: Sundanza (2010) and Dual (2013). Sampha’s debut album, Process, won the 2017 Mercury Prize.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Tune in next Wednesday, December 27 for our finale to The 117 of Best Recordings of 2017.

Next week, December 27, 10-Noon, Wednesday MidDay Medley continues with part 4 of our 4 week series, the grand finale of, “The 117 Best Recordings of 2017″ on December 27th, we’ll countdown #29 through #1 with representative tracks from: Krystle Warren, Making Movies, Calvin Arsenia, Katy Guillen & The Girls, Mysterious Clouds, Kemet the Phantom, Andrew Foshee, Berwanger, Samantha Fish, Scott Hrabko & The Rabbits, The Roseline, Hermon Mehari, Emmaline Twist, Truckstop Honeymoon, Mess, Momma’s Boy, Betse & Clarke, The Country Duo, Sharon Jones & The Dap-Kings, LCD Soundsystem, Moses Sumney, The XX, Jay Som, Perfume Genius, Valerie June, Julien Baker, Broken Social Scene, The Magnetic Fields, and Jason Isbell and the 400 Unit.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #713

WMM Playlist from December 13, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 13, 2017

The 117 Best Recordings of 2017
(Part 2 of 4)

Wednesday MidDay Medley presents part-two, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (87.) The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[8th album from Canadian six member band based in Ottawa. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. Members include: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor.”]

3. (86.) This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / July 7, 2017
[4th album from This Is the Kit, the alias of British musician Kate Stables, who is based in Bristol and Paris. This is The Kit formed in 2003. This Is the Kit perform regularly in various configurations from duo to quintet. The core members are Stables on vocals, guitar and banjo, and Jesse D Vernon on violin, guitar, bass and percussion. However, Stables is the only constant, and they are often joined onstage by The Liftmen, Rozi Plain, and other musicians of their acquaintance throughout the UK and Europe.]

4. (85.) Salar Rajabnik – “A to Z”
from: Black & White World / Salar Rajabnik / June 9, 2017
[Produced By: Salar Rajabnik. Engineered By: David Wright at Cherrybox Studios & RCA Studio B in Nashville, Tennessee. Mixed By: David Wright. Mastered By: Joshua Stuebe . Art Direction & Design: Kristøpher Martin of Arcane Path. Photography: Samon Rajabnik. Vocals, Electric, Acoustic, Baritone & 12 String Guitars, Piano, Drums & Percussion: Salar Rajabnik. Bass Guitar: Ben Garner. Keyboards, Organ, Piano & Percussion: Johnny Gentile. Fender Rhodes on “I Don’t Want To Wake Up”: Warren Pash. Additional Background Vocals: Leah Korbin. Special thanks to Noam Chomsky for graciously allowing use of his words in “Black & White World.” Black & White World is dedicated to those with the courage to speak truth to power. All Songs Written & Arranged By: Salar Rajabnik / BMI / 2017. Salar Rajabnik is a product of time spent in lots of seemingly contrasting places. Born in the Atlanta area, he was immersed in the world of southern American roots music. The strong Persian cultural influence of his father, an Iranian immigrant, was just as evident at a young age. This was strengthened by time ispent living in Iran. From the beginning this unexpected amalgamation of cultures began to create the foundation that would define him as a musician and person. A move to Kansas City at the age of 12 prompted Salar to pick up his first instrument, the bass guitar. Between the clubs, streets, festivals, churches, basements, bars, arenas, schools, & studios, playing bass, drums, or guitar, he took every opportunity to play that he could. While his influences seem conflicting on the surface level the underlying and unifying principles and themes are strong. Whether he was dancing to Persian music with his family in Iran, learning Motown basslines in his room while his friends listened to boy bands, or jamming in the historic 18th & Vine district with jazz veterans till sunrise, for Salar it’s always been about playing with heart, soul, and honesty. Salar has set out to venerate those who have and continue to respect the gift of music and it’s important role in life, regardless of any classification or style. After years of playing in bands and as a live & studio musician Salar relocated to Nashville, Tennessee & formed a backing band in 2014 & released a debut EP, both dubbed “Moon Age”. Leaving Nashville as a homebase & the Moon Age moniker behind, Salar recently relocated back to Kansas City to release his full length album.]

5. (84.) Truck Stop Love – “Tommy”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, Jim Crego on vocals & guitar. 25 years ago Truck Stop Love made their first recordings. These are previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist & sound engineer Kliph Scurlock remastered the songs from the original analog & digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers.] [Truck Stop Love played an Album Release & Reunion, (their first in 13 years), Nov. 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

6. (83.) Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play Prohibition Hall, Sat, Dec 30, w/Alice Sweet Alice, Heart of Flesh, & Oh Dear Oh My.]

7. (82.) The Weather Station – “Thirty (Edited)”
from: The Weather Station / Paradise of Bachelors / October 6, 2017
[4th full length release from The Weather Station, a Canadian band, based in Toronto, fronted by Tamara Lindeman, formed in 2006. Band members have changed over the years, but now includes Lindeman, with Ben Whiteley on bass, Adrian Cook on pedal steel, and Ian Kehoe on drums.]

8. (81.) Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ] [Keaton Conrad played the 4th annual PorchFest KC.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Fri, Dec. 22, at 7:00 PM with Late Nite Cavalry, and MikiP.]

10:29 – Underwriting

9. (80.) Mount Eerie– “Real Death”
from: A Crow Looked At Me / P.W. Elverum & Sun / March 24, 2017
[8th studio album from Mount Eerie, the musical project of Anacortes, Washington-based songwriter and producer Phil Elverum. Elverum (formerly of The Microphones) is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie’s releases have been issued on Elverum’s label P.W. Elverum & Sun, Ltd., and feature inventive and highly detailed packaging with his own artwork. Elverum married Canadian artist and musician Geneviève Gosselin in 2003 shortly after meeting her. The two dated long-distance briefly before Geneviève moved to Washington to live with Phil. She recorded under the names Woelv and Ô Paon. Besides occasionally singing on each other’s records and playing in one another’s backing bands live, the couple did not collaborate artistically. The two did not want either of their artistic outputs to interfere with the other’s so they kept relatively quiet about their marriage. Occasionally one would mention that he or she was married, but not say who they were married to. In 2015, Geneviève was diagnosed with inoperable pancreatic cancer following the birth of the couple’s first child. After running out of funds to pay for Geneviève’s cancer treatments the two turned to the world and asked for their support through way of a GoFundMe page; an unexpected decision from the usually reclusive couple. On July 10, 2016, Geneviève died in the company of her husband and parents. The album’s release comes in wake of the passing of Elverum’s wife, Geneviève Castrée. On January 5, 2017, Elverum announced that he will “re-enter the world,” go on tour, and release a new album. The first single from A Crow Looked at Me, “Real Death”, was released on P.W. Elverum & Sun, Ltd.’s SoundCloud page on January 18, 2017, to widespread acclaim, netting the “Best New Track” distinction from Pitchfork. Paste wrote that in “Real Death”, “[t]he music gives Elverum all the room he needs to not so much sing, but document.”]

10. (79.) Dirty Projectors – “Little Bubble (Edit)”
from: Dirty Projectors / Domino Recording Co. / February 21, 2017
[2nd single from the 8th album, of the band and the follow up to Swing Lo Magellan, from 2012. Dirty Projectors are an American musical group, consisting of David Longstreth on vocals & guitar, Amber Coffman on vocals & guitar, Haley Dekle on vocals, Nat Baldwin on bass, Olga Bell on vocals & keyboards, and Michael Johnson on drums.]

11. (78.) The Como Mamas – “Move Upstairs”
from: Move Upstairs / Daptone Records / May 19, 2017
[2nd full length album from one of the The newer addition to the Daptone Family. tThe Como Mamas are three lifelong Gospel singers from the small town of Como Mississippi. On their debut album, the critically acclaimed album ‘Get an Understanding’ from 2013, there are only three instruments – The powerful, raspy voice of Ester Mae Smith, the deep soothing voice of Angela Taylor, and the energetic, spirited vocals of Della Daniels. The harmonies they create are so powerful, musical accompaniment is not missed. In December of 2015, The Como Mamas took their first trip from their home in Como, Mississippi up to Harlem, New York to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date.]

12. (77.) Nick Siegel – “Slum By The Sea”
from: Awake from The Golden State / Nick Siegel / August 25, 2017
[2nd single from the debut EP from Nick Siegel who writes: “I write aggressive piano rock music. I strike the 88 keys because one of them must be the key to your heart (oh the charm!). I grew up playing music in Chicago and moved to Kansas City in 2010 when I joined The Casket Lottery. Now venturing on my own, I’m excited to release a new record that will knock your clothes off. Book me, like me, come out and see me and I’ll introduce you to a fine mix of fast fingers, great hair and awkward banter. I’m Nick Siegel. I’m the piano rock you need in your life.”]

[Nick Siegel plays The Riot Room, Fri, Dec. 22, at 8:00, with Search and Seizure, Y U M, The Hillary Watts Riot, Brave the Spirit.]

13. (76.) Adult Mom – “Tenderness”
from: Soft Spots / Tiny Engines / May 19, 2017
[Adult Mom began as the solo project of Stephanie Knipe in a Purchase College dorm room in 2012. Honesty and intimacy form as Knipe writes clever pop songs that offer a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth. Soft Spots, the project’s sophomore LP, is an exploration into the physical and emotional acts of opening up, the vulnerability that produces love, and then ache. Knipe shares with us their process of learning how to cradle and understand their own softness without finality, a story without an end.]

14. (75.) Sky Smeed – “Lunker Bass”
from: Lunker Bass / Sky Smeed / February 1, 2017
[Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Gospel Lounge at Knuckleheads, 2715 Rochester St. Saturday, Dec. 23]

15. (74.) Mavis Staples – “If All I Was Was Black”
from: If All I Was Was Black / Anti / November 17, 2017
[16th studio solo album from gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Livin’ on a High Note was produced by M. Ward the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. The album was written and produced by Jeff Tweedy. Staples said the album “brings us all together as a people. That’s what I hope to do. You can’t stop me. You can’t break me. I’m too loving. These songs are going to change the world.” Tweedy described the message of the album: “I’ve always thought of art as a political statement in and of itself-that it was enough to be on the side of creation and not destruction. But there is something that feels complicit at this moment in time about not facing what is happening in this country head on.]

16. (73.) Joon Moon – “Tiger (Radio Edit)”
from: Moonshine Corner / Kwaiden Records / September 29, 2017
[First full length album from band formed in 2014 in Montmartre area of Paris. This follows the June 2017 release of their EP Tiger, their April 2016 EP, Call Me, and their October 2015 EP Chess. Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retromodern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipation.]

11:00 – Station ID

17. (72.) The Safes – “Hometown”
from: Tasty Waves / Hidden Volume Records / September 8, 2017
[The Safes are Frankie O’Malley on vocals, guitars, drums, piano, Wurlitzer, vibes, bells; Patrick O’Malley on vocals, guitars; Dex Fontaine on drums; Curt Schmelz on bass. The record includes special guest musicians:
Siobhan Hunter on violins, Dominique DiValerio on french horn, and Ben Levin-O’Leary on trumpet. Produced, Recorded, Mixed by Patrick O’Malley. Recorded, Mixed by Brian Deck. Mixed by Frankie O’Malley. Recorded at IV Lab and StudiO’Malley. Mixed at StudiO’Malley and at Brian Deck’s home studio. Mastered by Josh Bonati at Bonati Mastering. Assistant Engineer at IV Lab – Shane Hendrickson. Photograph: Andrew Ballantyne. All songs written by Frankie O’Malley, except “Streets and Sanitation”: lyrics written by Frankie and music written by Patrick & Frankie. http://www.thesafes.com.] [The Safes play Crossroads Music Festival, September 9 at 10:00 at The Brick on the Do816 Stage.]

18. (71.) The Good Hearts – “Sinking Boat”
from: A Beginner’s Guide to The Good Hearts / The Good Hearts / May 21, 2017
[The Good Hearts are a 4-piece soulful folk-pop group with an emphasis on strings and warming hearts. Their unique brand of folk music is led by singer songwriter, Nicole Cain with powerful vocals & acoustic guitar, Shannon O’Shea on violin & background vocals, Anna Cook on cello & background vocals, and Aaron Derington on percussion. This Kansas City based group are described as “folk pop with touches of old country and soul thrown in.” The Good Hearts have played the Plaza Art Fair, The Folk Music Festival, and Boulevardia. More info at: http://www.thegoodheartsmusic.bandcamp.com] [The Good Hearts played the Wednesday MidDay Medley 90.1 KKFI Day Party at Middle of The Map Fest, Saturday, May 6, ]

[The Good Hearts are currently working on their new debut album full length with Kristie Stremel serving as producer.]

19. (70.) Pieta Brown – “Street Tracker”
from: Postcards / Lustre Records / March 10, 2017
[Postcards features a number of Brown’s musical friends, including Calexico, Bon Iver, Mark Knopfler and the Pines. She compiled the album by writing simple acoustic demos of what would become the album’s songs, sending them to the musicians that make up Postcards‘ roster of guests, and having those artists finish the tracks. Brown and her collaborators never worked in the same room, which lent the album its distance-implying title. Released on Brown’s new, in her words, “underground label” Lustre Records. Pieta Brown was born in 1973 in Iowa City, Iowa. Her early upbringing was in Iowa. There, Brown was exposed to traditional and rural folk music through her father, singer songwriter Greg Brown. Brown spent her childhood living in 17 different residences between Iowa and Alabama. While living with her mother in Alabama, Brown began writing poetry and composing instrumental songs on piano. As a musician and singer-songwriter she has released five albums and four EPs. Collaborator Bo Ramsey produced her 2002 debut record, Pieta Brown and co-produced her 2005 album In the Cool, which was named one of the year’s best by Amazon. Her next album Remember The Sun was released in 2007 and was cited as one of the year’s best in a The Wall Street Journal article. After the release of her next album, One and All, Brown joined Mark Knopfler’s North American tour, had a string of performance dates with John Prine, participated in a full orchestral show with Brandi Carlile, and embarked on her own performance tour in Australia. Brown’s 2009 EP, Shimmer was produced by Don Was after hearing her on his car radio in a live solo performance. In addition to Mark Knopfler, John Prine and Brandi Carlile, Brown has shared stages with JJ Cale, Emmylou Harris, Richard Thompson, Ani DiFranco, Calexico, Neko Case, Mason Jennings, Shawn Mullins, Carrie Rodriguez and Jim Lauderdale. She has performed at festivals throughout North America including Bonnaroo, Mountain Jam, Edmonton Folk Music Festival and more. Her national radio credits include performances on eTown and Mountain Stage. Brown is married to guitarist and producer, Bo Ramsey.]

20. (69.) Big Thief – “Black Diamonds”
from: Capacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.] [Big Thief played The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

21. (68.) Las Cafeteras – “If I Was President”
from: Tastes Like L.A. / Las Cafeteas / April 14, 2017
[Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

22. (67.) Pageant Boys – “Last Rites”
from: Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.] [Pageant Boys played Crossroads Music Fest, Sat, Sept. 9 .]

[Pageant Boys play the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordbar 1520 Grand, with Calvin Arsenia, Mysterious Clouds, Sinple, Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

23. (66.) Laura Marling – “Next Time”
from: Semper Femina / More Alarming Records / March 10, 2017
[6th studio album from Laura Beatrice Marling was born February 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her second album I Speak Because I Can, and her fourth album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, and 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in Los Angeles, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]

11:29 – Underwriting

24. (65.) Via Luna – “Upstairs Neighbor”
from: Wilt / Via Luna / April 28, 2017
[3rd EP release in 3 years form the KC based Instrumental Post Rock / Math Rock band, with Gregory Baker on guitar, Christopher Gordon on guitar, Mike McDonough on drums, and Blain Bridges on bass.] [Via Luna played an EP Release Show for Wilt, April 28, at Californos, with Le Grand, Riala, and Parents.]

25. (64.) The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play The Riot Room, Sat, Dec. 30, at 8:00 PM with Pink Royal, Dylan James Guthrie, and Sara Nicole Glass.]

26. (63.) Claire Adams – “Boom”
from: Waiting for The Winds to Change / KG&G Records / October 22, 2017
[1st single from 5-song EP, featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Katy Guillen & The Girls play B.B.’s Lawnside BarB-Q, 1205 E. 85th Street, on Friday, Dec. 15]

27. (62.) Black Stacey – “Electric Woman”
from: Electric Chariot / Sharaden Staten / June 2 2017
[Black Stacey is Sharaden Staten, a Missouri native, whose music brings the spirit of “Electric Church” to the Midwest. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

[Black Stacey plays Davey’s Uptown Friday, January 12, with Gypsy Rose Frequency, and Oxykitten.]

28. (61.) Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

29. (60.) Soul Revival – “Comeback”
from: Back to Love – EP / Soul Revival / June 2, 2017 [Debut EP from R & B – Soul duo, Soul Revival, KCK based producer, and musician and keyboard player, Desmond Mason is originally from Los Angeles. He went to Southeast High school and studied History and Higher Education at UMKC. Desmond has worked at Park University, and the American Jazz Museum. Desmond is a versatile performer and composer, who desribes his music as “firmly rooted in KC Kazz, R & B, gospel, and hip-hop music and strives to be something that the audience can feel in their spirit.” Derick Cunigan is a singer, songwriter who is originally from St. Louis, Missouri. He studied broadcasting at Northwest Missouri State University. He has worked for KMBC, Steel City Media and KBEQ, KFKF, KCTV5. More info at http://www.soulrevivalmusic.com]

30. (59.) Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal play The Riot Room, Sat, Dec. 30, at 8:00 PM with The MGDs, Dylan James Guthrie, and Sara Nicole Glass.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Please tune into Wednesday MidDay Medley throughout December as we present our 4-week special: The 117 Best Recordings of 2017 on December 20th, and 27th.

Next week, December 20, 10-Noon, we continue with part 3 of our 4 week series, The 117 Best Recordings of 2017, we’ll count down #58 through #30, and we’ll hear representative tracks from: The Whiffs, Instant Karma!, Eems, Jametatone, Lovergurl, Run With It, Mad Libby, The Sluts, KD Kuro, Erica Joy, Of Tree, Khrystal, Erin Keller, Nature Boys, David George, Broken Arrows, Kevin Morby, Sheer Mag, Curtis Harding, Japanese Breakfast, Sampha, Beck, Diet Cig, Jackie Shane, Phoebe Bridgers, The New Pornographers, Hurray For The Riff Raff, The National, and St. Vincent

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #712