WMM Playlist From July 8, 2020

Stephonne Singleton photo by Paul Andrews Photograph. Calvin Arsenia photo by Jenny Wheat Photography. Krystle Warren photo by Manu Noyon. Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 8, 2020

Sam Platt talks about Ondist + Nina Songs
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Calvin Arsenia

2. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released thr EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in Novenber 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre.]

[Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

3. X.WILSON – “Nobody Safe”
from: Troost Story / Intelligent Sound / June 19, 2020
[X.Wilson is a non-binary composer, producer, DJ, and story teller. Troost Story was mastered by JPINO of Intelligent Sound. Troost Story is available at http://www.xwilson.bandcamp.com. 100% of the proceeds from the sales of this recording are being donated to NAACP legal defense fund.]

4. The Black Creatures – “D’umm”
from: “Wild Echoes / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

5. Logan Richardson – “American Mirror (feat. Kadesh Flow)”
from: American Mirror – Single / Logan Richardson/ June 19, 2020
[Lyrics By Kadesh Flow. Music by Logan Richardson. Logan Richardson on alto saxophone, and synth keyboards. Produced by Logan Richardson. Logan Richardson was born in 1980. He is a native son of Kansas City, Missouri born, and raised. Logan Richardson is considered by top critics as a breath of fresh air for the future of music. A young star pushing the boundaries of modern improvised music, carrying the torch of vitality for improvised music as a premier alto saxophonist, composer, producer, and educator. One of several singles being released this year from Logan Richardson who is also releasing a new album, AFROFUTURISM in September, 2020.]

10:21 – Underwriting

10:26 – Nina Songs

6. Bettye LaVette – “I Hold No Grudge”
from: Blackbirds / Verve Records / August 28, 2020
[“I Hold No Grudge” was from Nina Simone’s 1967 album, High Priestess of Soul. The songs are accompanied by a large band directed and arranged by Hal Mooney. The album contains pop songs and African American gospel and folk related songs written by Simone herself. After this album title –an attempt to broaden her appeal by management executivess– Nina Simone was sometimes titled “the high priestess of soul”, although she completely rejected the title herself, because it placed a label on her as an artist. However, according to her daughter, Simone, she never hated that moniker. The song “I Hold No Grudge” was co-written by Andy Badale, the pseudonym of Angelo Badalamenti, who later became known as the composer of the soundtracks for the films of David Lynch.] [For Bettye LaVette’s Blackbirds Steve Jordan served as producer. Blackbirds features songs primarily popularized by peers-other iconic women in music-who she respected and admired. This is the 11th studio album from Bettye LaVette, born Betty Jo Haskins, on January 29, 1946. She is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album I’ve Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music.LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents’ living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, “My Man — He’s a Lovin’ Man”, with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding. She next hit the charts with “Let Me Down Easy” on Calla Records in 1965. This led to a brief stint with The James Brown Revue. After recording several singles for local Detroit labels, LaVette signed to the Silver Fox label in 1969. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers. In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full-length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose not to issue the album. The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records “Doin’ The Best That I Can”. In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40. She briefly gave up recording for a six-year run in the Broadway smash Bubbling Brown Sugar, appearing alongside Honi Coles and Cab Calloway. After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he sought the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label. At the same time, Let Me Down Easy — Live In Concert was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for “Comeback Blues Album of the Year”. In an interview, LaVette identified A Woman Like Me as the first album in the second phase of her career and said her 2012 autobiography was named after the album.]

7. Meshell Ndegeocello – “Please Don’t Let Me Be Misunderstood”
from: Pour une ame sourveraine – A Dedication To Nina Simone / Naive / October 12, 2012
[“Please Don’t Let Me Be Misunderstood. Ndegeocello’s soulful, blues-inflected rendition of the pop standard opens her tribute album to Nina Simone, Pour Une Âme Souveraine. Known for her refusal to adhere to genre conventions, her progressive approach to pop music, and her fierce political activism, Simone is a clear artistic forbearer for Ndegeocello, and Pour Une Âme Souveraine both honors Simone’s legacy while allowing Ndegeocello to build on her own.” – Slant Magazine (Oct. 8, 2012). Michelle Lynn Johnson, better known as Meshell Ndegeocello was born August 29, 1968. She is an American singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and although she has never won a Grammy Award, she has been nominated ten times. She has been credited for helping to have “sparked the neo-soul movement. Pour une Âme Souveraine: A Dedication to Nina Simone is the 10th studio album. “Don’t Let Me Be Misunderstood” is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for the singer and pianist Nina Simone, who first recorded it in 1964 from the album, Broadway, Blues, Ballads. “Don’t Let Me Be Misunderstood” has been covered by many artists, most notably by The Animals, whose blues rock version of the song became a transatlantic hit in 1965. A 1977 four-on-the-floor disco rearrangement by disco group Santa Esmeralda was also a hit, while a 1986 cover by new wave musician Elvis Costello found success in the British Isles]

8. David Bowie – “Wild Is The Wind (2010 Harry Maslin Mix)”
from: Nothing Has Changed / Parlophone Records / November 17, 2014
[“Wild Is the Wind” was written by Dimitri Tiomkin & Ned Washington for the 1957 film Wild Is the Wind. Johnny Mathis recorded the song for the film and released it as a single in November 1957. Mathis’ version reached No. 22 on the Billboard chart. It was nominated for an Academy Award. The song has been recorded many times, by many performers. The best known versions are one by Nina Simone in 1966, and one by David Bowie released in 1976 as a tribute to Simone. Nina Simone first recorded “Wild Is the Wind” live in 1959, this version appearing on the album Nina Simone at Town Hall. Her most famous interpretation of the song was a studio recording released on the compilation album Wild Is the Wind (1966), made of songs recorded for two earlier album projects. Simone reworked the song with slow, sparse instrumentation, stretching the vocal delivery to express soulful, hopeless loss. Simone’s 1966 version appeared on the trailer for the 2008 movie Revolutionary Road. David Bowie recorded”Wild Is the Wind” for his 1976 album Station to Station. Bowie was an admirer of Simone’s style, and after meeting her in Los Angeles in 1975, he was inspired to record the song for his album. Bowie later said that Simone’s version “really affected me… I recorded it as an hommage to Nina.” This was the only cover song released by Bowie during this period of his career; he wrote or co-wrote the other songs on his albums. Bowie took special care with the contemporary rock arrangement and production of “Wild Is the Wind”, committing to an emotional and romantic vocal performance, the words drawn out more slowly and with a greater sense of loss, following the 1966 Simone version rather than the Mathis original Station to Station is the 10th studio album by English musician David Bowie, released by RCA Records in 1976. Commonly regarded as one of his most significant works, Station to Station was the vehicle for his performance persona, the Thin White Duke. The album was recorded after he completed shooting Nicolas Roeg’s The Man Who Fell to Earth, and the cover artwork featured a still from the film. During the sessions, Bowie was heavily dependent on drugs, especially cocaine, and later claimed that he recalled almost nothing of the production. Musically, Station to Station was a transitional album for Bowie, developing the funk and soul music of his previous release, Young Americans, while presenting a new direction influenced by German bands such as Neu! and Kraftwerk. The album’s lyrics reflected his preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion. Drawing on funk and krautrock, romantic balladry and occultism, Station to Station has been described as “simultaneously one of Bowie’s most accessible albums and his most impenetrable”. Bowie himself said that Station to Station was “a plea to come back to Europe for me”.Preceded by the single “Golden Years”, Station to Station made the top five in both the UK and US charts. The musical styles explored on the album would culminate in some of Bowie’s most acclaimed work with the “Berlin Trilogy”, recorded with Brian Eno in 1977–79. In 2012, the album was ranked No. 324 on Rolling Stone magazine’s list of the 500 greatest albums of all time. It has since been reissued multiple times and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.]

9. Nina Simone – “Feeling Good”
from: I Put A Spell On You / Phillips / June, 1965
[Feeling Good” was written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast. Nina Simone recorded “Feeling Good” for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, Black Cat Bones, Sammy Davis Jr., Bassnectar, and Avicii, among others. Nina Simone’s version, arranged and produced by Hal Mooney, was recorded in New York in January 1965 and appeared on her album I Put a Spell on You. It was not released as a single at the time. In 1994, Simone’s recording was used in a British TV commercial for Volkswagen, and became popular. Released as a single, it reached no. 40 on the UK Singles Chart in July 1994. Simone’s recording was used in the film Point of No Return, and it appears on soundtracks for the movies Repo Men (2010), Last Holiday (2006), Professor Marston and the Wonder Women (2017), and the TV soundtrack Six Feet Under, Vol. 2: Everything Ends. The Bassnectar/Simone cover was used in “Chapter 6”, a first-season episode of the television series Legion.] [Born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born the sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old. In the early 1960s, she became involved in the civil rights movement and the direction of her life shifted once again. Simone’s music was highly influential in the fight for equal rights in the United States. In later years, she lived abroad, finally settling in France in 1992. She received a Grammy Hall of Fame Award in 2000 and was a fifteen-time Grammy Award nominee over the course of her career.]

10. Special Interest – “Young, Gifted, Black, In Leather”
from: Spiraling / Records DK / February 28, 2018
[Produced By Quintron. Mastered by Will Killingsworth at Dead Air Studios. Special Interest is a four piece punk band emerging from New Orleans, Louisiana. Combining elements of No-Wave, Glam, and Industrial Special Interest create a frenetic and urgent revisioning of punk and electronic music for a modern world gone mad. Propulsive drum machines, a swirling layer of detuned samples, and a driving bass line create the foundation across which angular guitar work and dissonant synth lines glide. Front and center are Alli Logout’s commanding vocals and razor sharp lyrics moving from high camp satire to insightful political imperatives often within the course of one song. Special Interest initially formed in 2015 to play one show in a basement. Originally a two-piece with Alli Logout and Maria Elena playing guitars and power tools over the beat of a 70’s Univox drum machine. Soon after they ditched the power tools and were joined by Ruth Mascelli on electronics and Nathan Cassiani on bass. Special Interest quickly gained a reputation for their intense and energetic live shows. A dense wall of sound oscillating from aggressive and noisy to joyous and danceable punctuated by the no holds barred on stage persona of their vocalist. Special Interest have embarked on several short tours of the southeast and have traveled to play festivals such as Suoni Per Popolo, Slut Island, and Not Dead Yet. Their debut album Spiraling w as recorded in New Orleans in 2017 by organist, inventor, and fixture of the local underground music scene Quintron. The first new release on Brice Nice’s Raw Sugar label since 2011, Spiraling is perhaps the sum of its members influences. Which is, to say, everything. They are currently working on a follow up LP to be released in the US on Thrilling Living and in the UK/Europe on Night School Records.]

11. Special Interest – “All Tomorrow’s Carry”
from: The Passion Of / Thrilling Living / June 19, 2020
[“But would you bat an eye waiting for war machines to pass you by? But aren’t we going out tonight? Aren’t we going out? “ Special Interest have returned with their sophomore LP. A dual release from Night School (EU) and Thrilling Living (US). The Passion Of… combines elements of glam rock and no wave pushed through a mangled filter of contemporary electronic forms. Special Interest present a precise and deranged vision of punk, an apocalyptic celebration, a step forward into a perverse and uncertain landscape. Recorded & mixed by James Whitten. Mastered by Rashad Becker. Cover painting by Tamara Santibañez. Special Interest is baed in New Orleans and is made up with: Alli Logout on vocals & lyrics, Nathan Cassiani on bass, Maria Elena on guitar, and Ruth Mascelli on electronics

BLACKSTARKIDS

12. BLACKSTARKIDS – “Wigs”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,]

13. Ondist – “Gather Up The World”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

11:00 – Station ID

14. Ondist – “Interstate Love Song”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[“Interstate Love Song” is a song by Stone Temple Pilots, released in 1994, from the band’s second studio album, Purple.Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic. Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recently Corbin with Ondist has been traveling around the country, recording songs. Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Sam Platt on the July 8, 2020 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:04 – Interview with Sam Platt

KC based drummer & producer Sam Platt joins us to talk about the new album No Coincidence, from the L.A. based band Ondist. No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Ondist is Corbin Dooley, Maya Coppola, and Nick Poortman. Corbin Dooley asked Sam to put a band together for KC sessions. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. More info at http://www.ondistmusic.com

Sam Platt, Thank you for being with us on Wednesday MidDay Medley.

Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in L.A.

Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman.

Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recenlty Corbin with Ondist has been traveling around the country, recording songs.

Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing.

From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Sam Platt is from Carthage Missouri School, graduated 1986, and spent that summer playing tympani and throughout Europe with the United States Collegiate Wind Ensemble. After 3 years at the University of Missouri-Kansas City, he moved to Boston to finish his degree at the Berklee School of Music. In 1991 he moved back to Kansas City, and received his Master of Arts in Music at the UMKC and started playing 3 nights a week with Billy Meynier and James Albright at the Majestic Steakhouse. Moves to Laguna Beach in 1995. Recording Internship at Future Post. Taught at Capistrano Valley high school and music stores in Orange County and Burbank. Taught jazz and toured in the summers at the Chopin School of Music in Warsaw Poland. In 1996 bought Redhouse Recording in Lawrence Ks, and began recording music, commercials, and audio for video. Sold studio to Getupkids in 2003.

Platt currently playing with RSS Trio, Jeff Shirley Trio, Ken Lovern’s Organ Jazz Trio, performed with Bob Brookmeyer, Bobby Foster, Gary Foster, Micheal Urbaniak, Matthew Garrison, Chris Cheek, Seamus Blake, Doug Talley, Milt Abel, Nathan Granner, and Gerald Trottman. Rock bands include: Pendergast, Ricky Dean Sinatra, Expassionates, Kristie Stremel, The Naughty Pines, The Sunflower Colonels, Kasey Rausch, Fred Wickham Hadacol Caravan, the Billybats, duo with Jason Vivone went to IBC finals in Memphis. Currently head of audio at the American Jazz Museum, just finished 6 weeks of streaming bands 6 nights a week.

His recording clients include: The Bach Aria Soloists, James Clay, Sequira Costa, Micheal W. Smith, Anhauser Busch, all audio recorded, edited and mastered over 10,000 files for the Liberty Memorial World War I Museum, FedEx, Second Story Productions, the Speed Channel, the History Channel, the Discovery Channel, the Outdoor Channel, Disney, John Deere, Dairy Queen, University of Kansas, Washburn University, Baker University, and Southwest Airlines.

He has composed music for Slim 4 Life, Frontier Broadband, Dish Network, John Deere, Grundfos, Seimans, and Liquid 9 Advertising Agency

Sam Platt, Thank you for being with us on Wednesday MidDay Medley.

The new Ondist album No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Corbin Dooley asked Sam Platt to put a band together for KC sessions. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. More info at http://www.ondistmusic.com

11:19

15. Ondist – “No Rain”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[No Rain” is a song by American rock band Blind Melon. It was released in 1993 as the second single from the band’s debut album Blind Melon. Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Ondist is a recording project created by Corbin Dooley with singer songwriter Maya Coppola (Imani’s sister) and Nick Poortman. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic. Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recenlty Corbin with Ondist has been traveling around the country, recording songs. Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Lava Dreams aka Julia Hamilton

16. Lava Dreams – “Catch A Vibe”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

11:26 – Underwriting

Photo of Krystle Warren by Matthew Placek
http://www.matthewplacek.com/

17. Krystle Warren – “Sunday Comfort”
from: Circles / Because Music / March 13, 2009
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

18. Aretha Franklin – “Don’t Play That Song”
from: 30 Greatest Hits / Atlantic Records / January 1, 1985
[Don’t Play That Song (You Lied)” is a song written by Ahmet Ertegun and the wife of soul singer Ben E. King, Betty Nelson. It was first recorded by King and was the title track on his third album Don’t Play That Song! (1962). The song reached number 2 on the U.S. R&B singles chart and number 11 on the pop chart when released as a single on Atco Records in 1962. // Aretha Franklin covered the song for her nineteenth studio album, Spirit in the Dark, released on Atlantic Records in 1970. Her version, performed with the Dixie Flyers, was released as a single in 1970 and peaked at number 1 for five weeks on the R&B singles chart and number 11 on the pop chart. Franklin’s version was certified gold with sales over a million copies. It reached number 13 on the UK Singles Chart. This was the first of two covers Franklin did of songs made popular by King. The other was her cover of “Spanish Harlem” in 1971. // Aretha Louise Franklin (March 25, 1942 – August 16, 2018) was an American singer, songwriter, actress, pianist, and civil rights activist. Franklin began her career as a child singing gospel at New Bethel Baptist Church in Detroit, Michigan, where her father C. L. Franklin was a minister. At the age of 18, she embarked on a secular-music career as a recording artist for Columbia Records. While Franklin’s career did not immediately flourish, she found acclaim and commercial success after signing with Atlantic Records in 1966. Hit songs such as “I Never Loved a Man (The Way I Love You)”, “Respect”, “(You Make Me Feel Like) A Natural Woman”, “Chain of Fools”, “Think”, and “I Say a Little Prayer” propelled her past her musical peers. By the end of the 1960s, Aretha Franklin had come to be known as the “Queen of Soul”. // Franklin continued to record acclaimed albums such as I Never Loved a Man the Way I Love You (1967), Lady Soul (1968), Spirit in the Dark (1970), Young, Gifted and Black (1972), Amazing Grace (1972), and Sparkle (1976) before experiencing problems with her record company. Franklin left Atlantic in 1979 and signed with Arista Records. She appeared in the 1980 film The Blues Brothers before releasing the successful albums Jump to It (1982), Who’s Zoomin’ Who? (1985), and Aretha (1986) on the Arista label. In 1998, Franklin returned to the Top 40 with the Lauryn Hill-produced song “A Rose Is Still a Rose”; later, she released an album of the same name which was certified gold. That same year, Franklin earned international acclaim for her performance of “Nessun dorma” at the Grammy Awards; she filled in at the last minute for Luciano Pavarotti, who canceled his appearance after the show had already begun. In a widely noted performance, she paid tribute to 2015 honoree Carole King by singing “(You Make Me Feel Like) A Natural Woman” at the Kennedy Center Honors. // Franklin recorded 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top-ten pop singles, 100 R&B entries, and 20 number-one R&B singles. Besides the foregoing, Franklin’s well-known hits also include “Ain’t No Way”, “Call Me”, “Don’t Play That Song (You Lied)”, “Spanish Harlem”, “Rock Steady”, “Day Dreaming”, “Until You Come Back to Me (That’s What I’m Gonna Do)”, “Something He Can Feel”, “Jump to It”, “Freeway of Love”, “Who’s Zoomin’ Who”, and “I Knew You Were Waiting (For Me)” (a duet with George Michael). She won 18 Grammy Awards,[5] including the first eight awards given for Best Female R&B Vocal Performance (1968–1975). Franklin is one of the best-selling music artists of all time, having sold more than 75 million records worldwide. // Franklin received numerous honors throughout her career. She was awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female performer to be inducted into the Rock and Roll Hall of Fame. She also was inducted into the UK Music Hall of Fame in 2005 and into the Gospel Music Hall of Fame in 2012. In 2010, Rolling Stone magazine ranked her number one on its list of the “100 Greatest Singers of All Time” and number nine on its list of “100 Greatest Artists of All Time”. The Pulitzer Prize jury in 2019 awarded Franklin a posthumous special citation “for her indelible contribution to American music and culture for more than five decades.”]

19. George Jackson – “Aretha, Sing One For Me”
from: The Blues Sessions / Hi Records – Fat Possum Records / May 28, 2013
[George Henry Jackson (March 12, 1945 – April 14, 2013) was an American blues, rhythm & blues, rock and soul songwriter and singer. His prominence was as a prolific and skilled songwriter; he wrote or co-wrote many hit songs for other musicians, including “Down Home Blues,” “One Bad Apple”, “Old Time Rock and Roll” and “The Only Way Is Up”. As a southern soul singer he recorded fifteen singles between 1963 and 1985, with some success. // Jackson was born in Indianola, Mississippi, and moved with his family to Greenville at the age of five. He started writing songs while in his teens, and in 1963 introduced himself to Ike Turner. Turner took him to Cosimo Matassa’s studios in New Orleans to record “Nobody Wants to Cha Cha With Me” for his Prann label, but it was not successful. Jackson then traveled to Memphis to promote his songs, but was rejected by Stax before helping to form vocal group The Ovations with Louis Williams at Goldwax Records. Jackson wrote and sang on their 1965 hit “It’s Wonderful To Be in Love”, which reached no.61 on the Billboard Hot 100 and no.22 on the R&B chart. He also wrote for other artists at Goldwax, including Spencer Wiggins and James Carr, and recorded with Dan Greer as the duo George and Greer. After the Ovations split up in 1968, he recorded briefly for Hi Records, and also for Decca using the pseudonym Bart Jackson. As a singer, he had a versatile tenor that was influenced by Sam Cooke, and released many records over the years, for a host of different labels, but his recordings never made him a star. // At the suggestion of record producer Billy Sherrill, Jackson moved to Rick Hall’s FAME Studios at Muscle Shoals in the late 1960s, Alabama, where he wrote for leading singers including Clarence Carter – whose “Too Weak To Fight” reached no.13 on the pop chart and no.3 on the R&B chart in 1968 – Wilson Pickett, and Candi Staton. Some of Jackson’s songs for Staton, including her first hit in 1969, “I’d Rather Be An Old Man’s Sweetheart (Than A Young Man’s Fool)”, are “widely regarded as examples of some of the finest southern soul ever recorded by a female artist, with lyrics that were full of meaning and innuendo, a hallmark of Jackson’s best work.” Jackson also recorded for Fame Records, and had his first chart success as a singer in 1970 with “That’s How Much You Mean To Me”, which reached no. 48 on the R&B chart. The Osmonds visited the FAME studio in 1970, and heard and liked Jackson’s song “One Bad Apple”, which he had originally written with The Jackson 5 in mind. The Osmonds recorded the song, and it became the group’s first hit, rising to the top of the Hot 100 in February 1971; it also reached no.6 on the R&B chart. // In 1972 he briefly rejoined the Hi label, and had his second and last solo recording success with “Aretha, Sing One For Me”, an answer song to Aretha Franklin’s “Don’t Play That Song”; Jackson’s song reached no.38 on the R&B chart. He then released several singles for MGM Records, while continuing to write for other artists. In the early 1970s he began working as a songwriter for the Muscle Shoals Sound Studio and, with Thomas Jones III, wrote “Old Time Rock and Roll” which Bob Seger recorded in 1978; Seger’s version reached no.28 on the pop chart. While with Muscle Shoals Sound, he also wrote “Down Home Blues”, recorded by Z.Z. Hill, which became a theme tune for Malaco Records in the 1980s; “Unlock Your Mind”, recorded by the Staple Singers and a no.16 R&B hit in 1978; and “The Only Way Is Up”, originally recorded by Otis Clay in 1980. A version of “The Only Way Is Up” by Yazz & The Plastic Population reached no.1 on the UK singles chart, and no.2 on the Billboard dance chart, in 1988. // In 1983, Jackson formed his own publishing company, Happy Hooker Music, before joining Malaco Records as a staff songwriter. There he wrote hits for Johnnie Taylor, Bobby Bland, Latimore, Denise LaSalle, and Z.Z. Hill. He recorded an album of his own songs, Heart To Heart Collect, in 1991 for Hep’ Me Records. In 2011, a compilation CD of his FAME recordings, Don’t Count Me Out, was released. // Jackson died on April 14, 2013, at his home in Ridgeland, Mississippi, from cancer at the age of 68. He left a son and two grandchildren.]

Royce “Sauce” Handy

20. They Call Me Sauce – “Be Real Black For Me”
from: Be Real Black For Me – Single / NuBlvckCity / June 23, 2020
[Produced by Mike Dupree. Recorded, mixed and mastered by Royce “Sauce” HandyOne of three new singles released by They Call Me Sauce this year, so far. Sauce writes, “Be Real Black for Me is inspired by Donny Hathaway & Roberta Flack’s 1972 duet of the same name. This is also the song that producer Mike Dupree uses as a sample in the song. Dupree, a multi-platinum music producer and more (Kendrick Lamar, T.I. Trey Songz, and more), released a series of free instrumentals for the fight against racism and directed artists to use them as they please.” Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released Soul Food 4. In 2019 his collective NuBvckCity with Kartez Marcel, Mae C, and VP3 released the single “All Night” / “Alive”.]

Stephonne Singleton Photography by Paul Andrews Photography // Makeup by Janette RiiRii Noriega // Styling by Alex Nivens and Stephonne Singleton.

21. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne Singleton will be our guest nest week on WMM]

22. Aimee Mann – “Wise Up”
from: Magnolia: Music from the Motion Picture / Warner Music / December 7, 1999
[Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.
Paul Thomas Anderson stated that Magnolia was inspired by Mann’s music. Many of the songs feature prominently within the film, with “Wise Up” even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being “You Do” and “Save Me”. “Save Me” would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins’s song “You’ll Be in My Heart” from TarzanAimee Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for ‘Til Tuesday, and wrote their top-ten single “Voices Carry”. She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song “Save Me”. She has won two Grammy Awards and was named one of the world’s ten greatest living songwriters by NPR in 2006. She negotiated a contract release from David Geffen and founded her own label, SuperEgo Records.]

23. Billy Preston – “Blackbird”
from: Ultimate Collection: Billy Preston / Universal Music / January 1 10, 2000
[Often referred to as the fifth Beatle, Prestin covers the song written by Paul McCartney originally for the Beatles White Album. “Blackbird” was recorded by Billy Preston for his 7th studio album Music Is My Life, released October 8, 1972 on A & M Records. // William Everett Preston (September 2, 1946 – June 6, 2006) was an American musician whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Reverend James Cleveland, and the Beatles. He went on to achieve fame as a solo artist with hit singles such as “That’s the Way God Planned It”, the Grammy-winning “Outa-Space”, “Will It Go Round in Circles”, “Space Race”, “Nothing from Nothing”, and “With You I’m Born Again”. Additionally, Preston co-wrote “You Are So Beautiful”, which became a #5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group’s four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles’ breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group’s albums and tours during the 1970s. ” Preston first met the Beatles as a 16-year-old in 1962, while part of Little Richard’s touring band, when their manager Brian Epstein organized a Liverpool show, at which the Beatles opened. The Washington Post explained their subsequent meeting. // They’d hook up again in 1969, when the Beatles were about to break up while recording the last album they released, Let It Be (they would later record Abbey Road, which was released prior to Let It Be). George Harrison, a friend of Preston, had quit, walked out of the studio and gone to a Ray Charles concert in London, where Preston was playing organ. Harrison brought Preston back to the studio, where his keen musicianship and gregarious personality temporarily calmed the tension. // Preston is one of several people referred to as the “Fifth Beatle”. At one point during the Get Back sessions, John Lennon proposed the idea of having him join the band (to which Paul McCartney countered that it was difficult enough reaching agreements with four). Preston played organ and electric piano for the Beatles during several of the Get Back sessions; some of these sessions appeared in the film Let It Be and on its companion album. Preston also accompanied the band on electric piano for its rooftop concert, the group’s final public appearance. In April 1969, their single “Get Back” was credited to “The Beatles with Billy Preston”, the only time such a joint credit had been given on an official Beatles-sanctioned release (as distinct from an unsanctioned reissue of some Hamburg-era recordings on which they were the backing group for Tony Sheridan). The credit was bestowed by the Beatles to reflect the extent of Preston’s presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked, in a more limited role, on the Abbey Road album, contributing organ to the tracks “I Want You (She’s So Heavy)” and “Something”. // In 1978, he appeared as Sgt. Pepper in Robert Stigwood’s film Sgt. Pepper’s Lonely Hearts Club Band, which was based on the Beatles’ album of the same name, and sang and danced to “Get Back” as the penultimate song. // Although the details did not become fully known to the general public until after his death, Preston struggled throughout his life to cope with his homosexuality, and the lasting effects of the traumatic sexual abuse he suffered as a boy. Although his sexual orientation became known to friends and associates in the music world (such as Keith Richards), Preston did not publicly come out as gay until just before he died: partly because he felt that it conflicted with his deeply held religious beliefs and his lifelong association with the church, he was in the closet until shortly before his death. Keith Richards in his autobiography, Life, mentioned Preston’s struggles with his homosexuality. // In an interview for a 2010 BBC Radio 4 documentary on his life and career, Preston’s manager Joyce Moore revealed that after she began handling his affairs, Preston opened up to her about the lifelong trauma he had suffered as the result of being sexually abused as a child. Preston told Moore that at about the age of nine, after he and his mother moved to Los Angeles from Houston to perform in a touring production of Amos ‘n’ Andy, he was repeatedly abused by the touring company’s pianist. When Preston told his mother about the abuse, she did not believe him, and failed to protect him. The abuse went on for the entire summer, and Preston was also later abused by a local pastor. // Another traumatic incident, which reportedly affected Preston deeply, occurred in the early 1970s, while he was engaged to actress/model Kathy Silva. At this time Preston had become close friends with musician Sly Stone, and made many contributions to Stone’s recordings of the period (including the landmark album There’s a Riot Goin’ On). According to Moore, Preston was devastated when he came home one day to find Stone in bed with Silva (who later famously married Stone on stage at Madison Square Garden). According to Moore, Silva’s affair with Stone was the trigger that led Preston to stop having relationships with women. It was after this incident that he began abusing cocaine and having sex with men, and Moore has stated that she saw his drug abuse as his way of coping with the internal conflicts he felt about his sexual urges]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 15Stephonne Singleton joins us to talk about his new EP and the New Video for his song “Want Me.” We will also talk with KC based singer songwriter Heath Church about his new song “The Stranger.” Plus, we will feature music included in a new compilation titled Black Lives Matter, from KC based label French Exit Records with all proceeds from this release being donated to One Struggle KC‘s Liberation Fund. One Struggle KC is a Black-led coalition of Kansas City activists seeking to connect the struggles of oppressed communities, locally and globally. Learn more about the Liberation Fund here: actionnetwork.org/fundraising/it-aint-over-legal-fund

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
Calvin Arsenia photo by Jenny Wheat Photography
Krystle Warren photo by Manu Noyon
Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #845

WMM features Songs of Nina Simone + Sam Platt on Ondist + New & MidCoastal Releases

Stephonne Singleton photo by Paul Andrews Photograph. Calvin Arsenia photo by Jenny Wheat Photography. Krystle Warren photo by Manu Noyon. Nina Simone photo by Jack Robinson – Getty Images

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 8, 2020

Sam Platt talks about Ondist + Nina Songs
+ New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: Blackstarkids, The Black Creatures, Logan Richardson with Kadesh Flow, Lava Dreams, Krystle Warren, Calvin Arsenia, They Call Me Sauce, X.Wilson, Special Interest, Stephonne Singleton, Ondist, Bettye LaVette, Nina Simone, Meshell Ndegeocello, David Bowie, Aretha Franklin, George Jackson, Aimee Mann and Billy Preston.

At 11:00 KC based drummer & producer Sam Platt talks about the new album No Coincidence, from the L.A. band Ondist, with members from Arkansas, New Zealand, and New York. No Coincidence was recorded in Malibu, Dallas, Kansas City, and Las Vegas. Ondist is Corbin Dooley, Maya Coppola, and Nick Poortman. Corbin Dooley asked Sam to put a band together for KC sessions. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights & Measures with Duane Trower. The KC band included: Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, and Claire Adams on vocals. Over 20 songs were recorded, 14 originals, 6 covers. More info at http://www.ondistmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #845

Stephonne Singleton photo by Paul Andrews Photograph
Calvin Arsenia photo by Jenny Wheat Photography
Krystle Warren photo by Manu Noyon
Nina Simone photo by Jack Robinson – Getty Images

WMM Playlist from Feb. 26, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 26, 2019

Nico Gray – Guest Producer
+ Doby Watson

Nico Gray Portrait by: Jan McNiel

Today, we welcome back to the show, Nico Gray, as “Guest Producer.” Nico is a writer, performance artist, and has worked as an actor with KC Rep, Gorilla Theatre, 8th St. Cafe Theatre, Actor’s Craft, and Big Bang Buffet. Nico has worked for Theatre League, The Midland Theatre and is currently a marketing & advertising consultant with Union Station, KC Fringe, and KC Creates. Nico grew up in KC but has lived in Chicago, New York & Marseille. For WMM Nico Gray has co-hosted several of fund drive shows, Glam Rock show, Bowie Tribute Shows, and our 700th show. Today is his 8th appearance as Guest Producer.

Nico Gray, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Reitzell/Beggs — “Intro Versailles”
from: Marie Antoinette (Original Motion Picture Soundtrack) / Verve Forecast / 2006

3. Kyson – “After The Rain”
from: Kyson / B3SCI Records / January 17, 2020
[Jian Kellett Liew, known professionally as Kyson, is an Australian singer, songwriter, and producer. Liew was born in Adelaide, Australia. He later moved to Sydney, Australia where he went on to study a degree in audio engineering. After graduating, he spent the next several years in Berlin working as a musician and sound artist under the name Kyson and various other monikers. In 2012, Kyson gained attention for his remix of Bon Iver’s “Holocene” on 4AD Records. On 29 October 2012 Liew released his “Blackstone EP” on Moodgadget Recordings. He was signed by Friends of Friends Records and released his first studio album The Water’s Way. In 2018 Kyson released a series of AA singles, “Every High / Clear Air” and “Have My Back / Forest Green”, in collaboration with B3SCI Records and Majestic Casual Records. The two releases were also part of a limited edition white vinyl record, with artwork by B.D. Graft. Pitchfork has described Liew’s style as, “combin[ing] soft touches of electronic keys and rickety, pinprick rhythms, with his half-whispered lyrics and drifting melodies wrapped in sheets of textural field recordings.” Liew has also been described as having an, “enigmatic sound, a blend of indie, acoustic and electronic music.”]

10:09 – Yoko Ono B-Day Celebration

4. Yoko Ono —“Imagine”
from: Warzone / Yoko Ono / October 28, 2018
[WARZONE is an album by Yoko Ono released on October 24, 2018, her 50th year anniversary as a musician. It consists of 13 songs she picked up and reconstructed from her past albums released from 1970 to 2009. It also includes the newest version of Imagine by John Lennon. Since Take Me to the Land of Hell in 2013, this is the Ono’s first in 5 years and 20th original album in total (including collaborations with John Lennon). Yoko Ono Lennon was born February 18, 1933. She is a Japanese multimedia artist, singer, songwriter and peace activist. Her work also encompasses performance art, which she performs in both English and Japanese, and filmmaking. She was married to English singer-songwriter John Lennon of the Beatles from 1969 until his murder in 1980. Ono grew up in Tokyo and also spent several years in New York City. She studied at Gakushuin University, but withdrew from her course after two years and moved to New York in 1953 to live with her family. She spent some time at Sarah Lawrence College and then became involved in New York City’s downtown artists scene, which included the Fluxus group. She first met Lennon in 1966 at her own art exhibition in London, and they became a couple in 1968 and wed the following year. With their performance Bed-Ins for Peace in Amsterdam and Montreal in 1969, Ono and Lennon used their honeymoon at the Hilton Amsterdam as a stage for public protests against the Vietnam War. The feminist themes of her music have influenced musicians as diverse as the B-52s and Meredith Monk. She achieved commercial and critical acclaim in 1980 with the chart-topping album Double Fantasy, a collaboration with Lennon that was released three weeks before his murder. Public appreciation of Ono’s work has shifted over time and was helped by a retrospective at a Whitney Museum branch in 1989 and the 1992 release of the six-disc box set Onobox. Retrospectives of her artwork have also been presented at the Japan Society in New York City in 2001, in Bielefeld, Germany, and the UK in 2008, Frankfurt, and Bilbao, Spain, in 2013 and The Museum of Modern Art in New York City in 2015. She has a daughter, Kyoko Chan Cox, from her marriage to Anthony Cox and a son, Sean Taro Ono Lennon, from her marriage to Lennon. She collaborates musically with Sean.]

5. Radio Clips from The Night John Lennon Died

6. Yoko Ono – “What A Bastard The World Is”
from: Approximately Infinite Universe / Secretly Canadian-Chimera / January 8, 1973 [2017]
[Double album by Yoko Ono, originally released on Apple Records. It was a departure from the experimental avant garde rock of her first albums towards a more conventional pop/rock sound, while also dabbling in feminist rock. It peaked at number 193 in the U.S. The 1997 CD reissue on Rykodisc added two acoustic demos of songs from this era, that were later released on 1981’s Season of Glass. It was released again by Rykodisc in 2007. The album was recorded at The Record Plant in NYC, except for the basic tracks for “Catman” and “Winter Song”, which were taped at Butterfly Studios. Ono produced the album with John Lennon, whose participation marked a rare music-related activity for him after the failure of the couple’s politically themed “Some Time in New York City.” Lennon also sang the final verse of the song, “I Want My Love to Rest Tonight.” As on the latter album, Ono used the NYC band Elephant’s Memory as her backing musicians. Mick Jagger dropped in for some of the sessions. He recalled playing guitar very loudly with Lennon. Jagger said Ono “was really trying to sing properly. She’s not screaming, she’s really trying to sing.”]

7. Freddie Mercury & Montserrat Caballe – “Exercises In Free Love (New Orchestrated Version)”
from: Never Boring (Deluxe Editon) / Hollywood Records / October 10, 2019
[Never Boring is a box set compilation of solo work by English musician Freddie Mercury, released on 11 October 2019. The box set contains three CDs and a collection of promotional videos on both Blu-ray and DVD, as well as a 120-page hardbound book. All three discs were also issued individually on CD, vinyl, digital and streaming services.Barcelona” is a single released by Queen vocalist Freddie Mercury and operatic soprano Montserrat Caballé. A part of their collaborative album Barcelona released October 10, 1988, it also appeared on Queen’s Greatest Hits III. The song reflects Mercury’s love of opera with his high notes and Caballé’s operatic vocals, backed by a full orchestra. Originally released in 1987, it was one of the biggest hits of Mercury’s solo career, reaching number eight in the UK Singles Chart. After Mercury’s death in 1991, it was featured at the 1992 Summer Olympics, after which the track climbed even higher, peaking at number two in the UK, the Netherlands and New Zealand. Mercury had been a long-time fan of opera, especially favouring Montserrat Caballé. In 1986, he mentioned on Spanish television that he would be glad to see her in person. They had a friendly initial meeting in Barcelona in February 1987. Later, when the city had been chosen for the 1992 Summer Olympics, Caballé, a native of the city, was asked to help with producing a song for the games. She summoned Mercury for the task. Caballé became enthusiastic about the project and instead of recording a single, she proposed to make an album, on which Mercury agreed. The song “Barcelona” had to be its opening song, to be completed by 1988, and to be submitted as a candidate for the 1992 Olympic theme (the selection was scheduled for 1988, four years before the Games). The recording was complicated by Caballé’s tight schedule. Thus to spare her time, Mercury recorded the song, singing Caballé’s part in falsetto. He would then send a tape to Caballé to prepare her for the joint studio sessions. The song was co-written by Mercury with Mike Moran, who also appeared in its video and played piano and all keyboards for the studio recording. The song starts with an orchestral introduction, which fades and is followed by Mercury and Caballé singing alternately their solo lines, sometimes merging into a duet. When singing the chorus “Barcelona” and a few other parts for the studio version, Mercury dubs over his voice in his usual multi-tracking style. Mercury leads the song whereas Caballé provides a powerful background soprano. Since Caballé covers the soprano part, Mercury sings in his natural baritone voice rather than the forced tenor that was common in his other recordings. The song has been described as a rare textbook example of a combination of pop and opera singing which accentuated their differences. Whereas Mercury articulates his every word, Caballé focuses on the tone; her lines are much harder to comprehend, and further, she uses both English and Spanish languages. Consequently, she keeps her part melodic throughout all the song at the expense of the text, whereas Mercury has to resort from singing to nearly shouting at the crescendo part in order to deliver his words.]

8. Passengers – “Miss Sarajevo”
from: Original Soundtracks 1 / Island Records / November 6, 1995
[Original Soundtracks 1 is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films (the exceptions being songs for Ghost in the Shell, Miss Sarajevo, and Beyond the Clouds). Due to Eno’s involvement as a full songwriting partner and the album’s experimental nature, the moniker “Passengers” was chosen to distinguish it from U2’s conventional albums. It was commercially unnoticed by the band’s standards and received generally mixed reviews. Guest musicians on the record included Italian opera singer Luciano Pavarotti (on “Miss Sarajevo”) and producer Howie B, who would co-produce U2’s following album, Pop (1997).]

9. Aretha Franklin – “Nessun Dorma”
from: Jewels in the Crown: All Star Duets with the Queen / Arista / November 13, 2007
from: Here We Go Again, In The Morning, Nessun Dorma – CD Single / Arista / June 16, 1998
[In 1988 Franklin received global praise after her 1998 Grammy Awards performance. She had initially been asked to come and perform in honor of the 1980 The Blues Brothers film in which she appeared with Dan Aykroyd and John Belushi. That evening after the show had already begun, Luciano Pavarotti himself contacted show producers and said he was too ill to perform the opera aria “Nessun dorma” as planned. The show’s producers were desperate to fill the time slot, and approached Franklin with their dilemma. She was a friend of Pavarotti, and had sung the selection two nights prior at the annual MusiCares event. She asked to hear Pavarotti’s rehearsal recording, and after listening, agreed that she could sing it in the tenor range that the orchestra was prepared to play in. Over one billion people worldwide saw the performance, and she received an immediate standing ovation. She would go on to record the selection, and perform it live several more times in the years to come; the last time being in Philadelphia for Pope Francis at the World Meeting of Families in September 2015. A small boy was so touched by her performance that he came onto the stage and embraced her while Franklin was still singing.])

10:35 – Underwriting

10. Jah Wobble’s Invaders Of The Heart – “I Love Everybody”
from: Take Me To God / Island Records / June 21, 1994
[John Joseph Wardle was born August 11, 1958, and is known by the stage name Jah Wobble. He is an English bass guitarist, singer, poet and composer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s, but left the band after two albums. Following his departure from PiL, he developed a successful solo career, which has continued to the present time. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box In Dub and the album Yin & Yang. Since 2013, he has been one of the featured pundits on Sunday morning’s The Virtual Jukebox segment of BBC Radio 5 Live’s Up All Night with Dotun Adebayo. His autobiography, Memoirs of a Geezer was published in 2009. Wardle was born in Stepney, East London, His father, Harry Eugene Wardle, worked as a postman, while his mother, Kathleen Bridget (née Fitzgibbon), was a school and County Hall secretary. Wobble grew up with his family in Whitechapel’s Clichy Estate in London’s East End. He is a long-time friend of John Lydon (Johnny Rotten) whom he had met in the 1970s at London’s Kingsway College. The two formed half of the group of friends known as “The Four Johns”, along with John Grey and John Simon Ritchie (later known as Sid Vicious). Jah Wobble acquired his stage name through the drunken, mumbled version of Wardle’s name by Sid Vicious, which Wobble kept because “people would never forget it”.]

11. Dimitri From Paris – “Monsier Dimitri Joue Du Stylophone”
from: Sacrebleu / Yellow – Atlantic / June 11, 1998
[Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a Turkish-born French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Turks of Greek origin), Dimitri grew up in France where he discovered DJ-ing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. He started out by DJ-ing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award.2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. 2009 Night Dubbin’, a post-disco R&B comp. remix album was released.]

12. Barry Adamson – “Vibes Ain’t Nothin’ But The Vibes”
from: Oedipus Schmoedipus / Mute / August 6, 1996
[Barry Adamson was born June 11, 1958, is a Mercury-nominated English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, The Birthday Party, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic. In addition to prolific solo work, Adamson has also remixed Grinderman, The Jon Spencer Blues Explosion, Recoil and Depeche Mode. He created the seven-minute opus Useless (Escape From Wherever: Pts. 1 & 2) remix for the latter band in 1997. He also worked on the soundtrack for David Lynch’s surrealistic crime film Lost Highway. Adamson was born at Moss Side, Manchester, England.He read comic books from an early age. At school he immersed himself in art, music and film and produced his first song – “Brain Pain” – at the age of 10. His diverse musical tastes range from Alice Cooper to Motown to David Bowie. After leaving school, Adamson drifted into graphic design whilst attending Stockport Art College but quit shortly after, preferring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto’s band Magazine to play the bass guitar, with whom he scored one chart single, “Shot by Both Sides”; in late 1977, he also joined the Buzzcocks, as a temporary replacement for Garth Smith. He played on all of Magazine’s albums and contributed to Devoto’s solo album and his next band, Luxuria. He also contributed to the studio-based band Visage, playing on the ensemble’s first two albums, Visage and The Anvil. After Magazine broke up, Adamson worked with another ex-Buzzcock, Pete Shelley, before joining Nick Cave and the Bad Seeds, featuring on four of their albums: From Her to Eternity, The Firstborn Is Dead, Kicking Against the Pricks and Your Funeral, My Trial. After his stint with the band and a European tour with Iggy Pop in 1987, he went solo, releasing an EP, The Man with the Golden Arm in 1988, and his first solo album, Moss Side Story, the following year, the “soundtrack” to a non-existent film noir. The album incorporated newscasts and sampled sound effects and featured guest musicians Marcia Schofield (of The Fall), Diamanda Galas, and former colleagues from the Bad Seeds. Adamson’s second solo album was the soundtrack to a real film this time – Carl Colpaert’s Delusion, and he would go on to provide soundtracks for several other films. Adamson’s third album, Soul Murder, was shortlisted for the Mercury Music Prize in 1992. His solo work has mostly been influenced by John Barry, Elmer Bernstein and Ennio Morricone, whilst his later works include jazz, electronica, soul, funk, and dub-styles. In 1996, Adamson contributed to the AIDS-Benefit Album, Offbeat: A Red Hot Soundtrip, produced by the Red Hot Organization. His own album that year, Oedipus Schmoedipus, reached #51 in the UK Albums Chart. It would later be included in the 1001 Albums You Must Hear Before You Die list, along with Moss Side Story. In 2002, Adamson left his long-term label, Mute Records, and started his own production home, Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back To The Cat, his second album for the label, was released in March 2008. In 2007 it was announced that Magazine would re-form for concerts in 2008. Adamson took part in the same band line-up that recorded Secondhand Daylight, with the exception of the late John McGeoch, who was replaced by Apollo 440 member Noko. However, Adamson has since withdrawn from the reunion and new recordings. On 27 August 2010, Adamson released “Rag and Bone”, as a digital download and as a 12-inch vinyl record. He then released a studio album, I Will Set You Free, on 30 January 2012. Adamson rejoined the Bad Seeds for the release of their 2013 album, Push the Sky Away. He played bass on several songs and also toured with the band on drums and keyboards to fill in for an ailing Thomas Wydler. Adamson’s “Refugee Song” was included in Derek Jarman’s The Last of England. Adamson also contributed soundtrack material to Gas Food Lodging, David Lynch’s Lost Highway and Oliver Stone’s Natural Born Killers. Back to the Cat’s opening track, “The Beaten Side of Town”, was featured in the hit video game, Alan Wake. He also contributed substantial material to the Delusion soundtrack, which has also been released.]

13. Air – “Dead Bodies”
from: The Virgin Suicides / Source-Virgin / February 23, 2000
[The Virgin Suicides is a score composed by French electronic music duo Air for the 1999 film of the same name by Sofia Coppola. It was released on 23 February 2000 by Virgin Records. The album was nominated for Best Soundtrack at the 2001 Brit Awards. The French edition of Rolling Stone magazine placed The Virgin Suicides at number 49 on their list of the 100 essential French rock albums. In 2014, NME placed the album at number 11 on their “61 of the Greatest Film Soundtracks Ever” list. In 2019, Pitchfork placed the album at number 4 on their “Top 50 Best Movie Scores of All Time” list. Air are a French music duo from Versailles, consisting of Nicolas Godin and Jean-Benoît Dunckel. Air’s critically acclaimed debut album, Moon Safari, including the track “Sexy Boy,” was an international success in 1998. Its follow-up, The Virgin Suicides, was the score to Sofia Coppola’s first movie of the same name. The band has since released the albums 10 000 Hz Legend, Talkie Walkie, Pocket Symphony, Love 2, Le voyage dans la lune and Music for Museum. Nicolas Godin studied architecture at the École nationale supérieure d’architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995.[2] Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream),[3] Dunckel and Godin played together in the band Orange[1] with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air. Initially, Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, “Modular Mix”, which featured production by Étienne de Crécy.]

14.CHOCOLAT – “Fou Fou Fou Mon Minou”
from: Jazz Engagé / Dare To Care Records / November 1, 2019
[Montreal, Quebec based 5-piece Garage Rock, Psychedelic Rock and Indie Rock band.

10:58 – Station ID

15. Choir / Orchestra / Ricky Edwards -“A Loud Bit Of Ludwig’s 9th”
from: Shine – Original Motion Picture Soundtrack / Phillips- Decca / November 5, 1996
[Richard Edwards is a London-based classical and jazz trombone player as well as composer/arranger. Shine is a 1996 Australian biographical drama film based on the life of pianist David Helfgott, who suffered a mental breakdown and spent years in institutions. It stars Geoffrey Rush, Lynn Redgrave, Armin Mueller-Stahl, Noah Taylor, John Gielgud, Googie Withers, Justin Braine, Sonia Todd, Nicholas Bell, Chris Haywood and Alex Rafalowicz. The screenplay was written by Jan Sardi, and directed by Scott Hicks. The film made its US premiere at the Sundance Film Festival. In 1997, Geoffrey Rush was awarded the Academy Award for Best Actor at the 69th Academy Awards for his performance in the lead role.]

16. Art d’Ecco —”Mary”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

17. Deep —”Moment Of Silence (feat. Elizabeth Fraser)”
from: Moment Of Silence (feat. Elizabeth Fraser) – Single / Deep / July 24, 2015
[DEEP aka Deep Cold, Deep Da 1, was a Punjabi-American Southern rap artist from Houston, Texas. Raised in Houston, Deep Cold attended the same high school as Paul Wall and Chamillionaire. His first interest in music came at a young age when a tight family house hold income made him seek other avenues/interests. After a rough year in 2000, Deep Cold was forced to re-evaluate his position and decided to co-create Da 1 Records with his cousin. Deep Cold released his debut album In Trunks Now in 2005 on his independent label. It featured big Southern Rap names such as Slim Thug, David Banner, Big Moe, Big Pokey as well as Too Short. Since then he has personally signed new artists Lenny Lenn and Kamla Punjabi to the label and has played a major role in the financing of their album. He has said, “I don’t have a specific style of music that can be categorized. I make music that transcends hate, barriers and race. That’s what music is intended to He co-hosted a MTV Desi Show with Kamala Punjabi. In 2009 Deep Cold and Kamla Punjabi released a collaboration album ‘Nach Nach’ which was produced by DJ Sanj/J-Nas. Deep released ‘Dekhlo Punjabi Munde’ in 2007. The song quickly moved up the BBC charts and spread worldwide. In 2010 ‘Dekhlo Punjabi Munde’ was refixed by replacing Deep Cold and Kamla Punjabi’s verses with the vocals of Diljit Dosanjh and featured in the Punjabi movie Mel Karade Rabba. The chorus for the song remained the same. Deep Cold has worked with David Banner, Too Short, Slim Thug, Big Moe, Lil KeKe, Billy Cook, C-Note (Botany Boyz), S.U.C. – Screwed Up Click, Master Saleem, Sonu Niggam, The Teflon Don, Sonny Brown, DJ Sanj/J-Nas, Diljit Singh, Jas Rai, Kamla Punjabi, Haji Springer and more. Deep Cold & Kamla Punjabi released two songs with Universal on their compilation ‘Desi Hustle’ – Siti Maar and Duniya. Deep Cold has also teamed up with Sonny Brown and The Teflon Don to form the group 3 SINGHS. Deep Cold died on March 5, 2014 while visiting India for his upcoming projects with big names in the Punjabi and Bollywood industry.]

18. Rich Aucoin — “The Base”
from: Release / Haven Sounds, Inc. / May 17, 2019
[3rd full length studio album from the Canadian indie rock musician, based in Halifax, Nova Scotia. He is the younger brother of Paul Aucoin of Hylozoists. He performs and records both as a solo artist and as a collaborator and guest musician in Hylozoists.]

19. Linda Ronstadt —”Por Un Amor”
from: Canciones De Mi Padre / Normal Music / November 24, 1987
[Linda Maria Ronstadt (born July 15, 1946) is a retired popular music American singer who performed and recorded in diverse genres including rock, country, light opera, and Latin. She has earned 10 Grammy Awards, three American Music Awards, two Academy of Country Music awards, an Emmy Award, and an ALMA Award, and many of her albums have been certified gold, platinum or multiplatinum in the United States and internationally. She has also earned nominations for a Tony Award and a Golden Globe award. She was awarded the Latin Grammy Lifetime Achievement Award by The Latin Recording Academy in 2011 and also awarded the Grammy Lifetime Achievement Award by The Recording Academy in 2016. She was inducted into the Rock and Roll Hall of Fame in April 2014. On July 28, 2014, she was awarded the National Medal of Arts and Humanities. In 2019, she received a star jointly with Dolly Parton and Emmylou Harris on the Hollywood Walk of Fame for their work as the group Trio. Linda Ronstadt was among the five Honorees who received the 2019 Kennedy Center Honors for lifetime artistic achievements, at the annual event on Dec. 8, 2019, in Washington, D.C., at the John F. Kennedy Center for the Performing Arts. The awards were broadcast Sunday, December 22, 2019, on CBS. Ronstadt has released over 30 studio albums and 15 compilation or greatest hits albums. She charted 38 US Billboard Hot 100 singles. Twenty-one of those singles reached the top 40, ten reached the top 10, and one reached number one, “You’re No Good”. Her success did not translate to the UK, with only the single “Blue Bayou” reaching the UK Top 40. Ronstadt’s duet with Aaron Neville, “Don’t Know Much”, peaked at number 2 in December 1989. She has charted 36 albums, ten top-10 albums, and three number 1 albums on the US Billboard Pop Album Chart.

20. Pretenders — “One More Time”
from: ¡Viva El Amor! / Warner / June 22, 1999
[¡Viva El Amor! (Spanish for Long Live Love) is the 7th studio album by The Pretenders.The band’s lineup is: Chrissie Hynde on vocals & guitar, Martin Chambers on drums, Andy Hobson on bass, and Adam Seymour on guitar. Hobson is replaced on bass by session musicians on a few cuts. The Pretenders are an English-American rock band formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals), and Martin Chambers (drums, backing vocals, percussion). Following the drug-related deaths of Honeyman-Scott and Farndon, the band experienced numerous subsequent personnel changes. Hynde has been the band’s only consistent member. The Pretenders’ hit songs include “Brass in Pocket” (1979), “Talk of the Town” (1980), “Message of Love” (1981), “Back on the Chain Gang” (1982), “Middle of the Road” (1983), “2000 Miles” (1983), “Don’t Get Me Wrong” (1986), “My Baby” (1986), and “I’ll Stand by You” (1994). The band was inducted into the Rock and Roll Hall of Fame in 2005.]

21. Art d’Ecco —“The Hunted”
rom: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

11:29 – Underwriting

22. Doby Watson – “Natural Ice (Early Morning Edition)”
from: Family Mattress Deluxe / Error Records / February 23, 2018
[Written by Doby Watson and co-produced with Zack Hames. Featuring Ada Brumback, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. More info at: http://www.dobywatson.bandcamp.com.]

[Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO.]

Doby Watson

11:34 – Interview with Doby Watson

Midwestern DIY folk veteran, Kansas City based singer-songwriter, Doby Watson joins us LIVE in our 90.1 FM. For nearly 15 years Doby traveled all over the country playing shows. When in KC helped he put together shows for fellow traveling musician friends he met on the road. Since 2009 Doby has released several solo and collaborative albums and EPs. Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, Kansas City, Missouri.

Doby Watson, Thanks for being with us on WMM.

Doby Watson Discography:

In 2009 Doby released “Twenty Two”

In 2013 Doby released “Watson & May” an EP in collaboration with Margo May that was produced & engineered by Lennon Bone.

In 2014 Double Shift Music released Doby’s album “Live-In Son”
[“Live-In Son” was released on Double Shift Music on October 17, 2014. The album features Watson performing the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

In 2016 Double Shift Music released the EP collaborative: “Swearengin, Watson & May”

In 2018 Doby released the EP “Family Mattress Deluxe” Error Records
[Family Matters Side A: Miami Vomit II, Starve, Family Mattress III. Side B (bonus tracks)
Natural Ice (Early Morning version), Family Mattress (AKADUNGEONMASTER remix), Beer For Dinner II (with Austin Swearengin)[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

More info at: http://www.dobywatson.bandcamp.com

Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Cliff Bars, one for breakfast, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.”

Doby is playing electric guitar with a full band; longtime tour-mate Ada Brumback and new drummer Nick Robertson (from the Creepy Jingles).

11:42

23. Doby Watson – “Starve”
from: Family Mattress Deluxe / Error Records / February 23, 2018
[Written by Doby Watson and co-produced with Zack Hames. Featuring Ada Brumback, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. More info at: http://www.dobywatson.bandcamp.com.]

11:46 – More Interview with Doby Watson

We are talking with Singer-Songwriter Doby Watson who will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO.

Doby Watson, Thanks for being with us on WMM.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO. More info at: http://www.dobywatson.bandcamp.com

11:56:27

24. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

[Miss Boating play The Riot Room, 4048 Broadway, KCMO, on Thursday, February 27, at 7:00 PM, for the Support Local Music Showcase with StylesbyStyles, Scotty Wu, Miss Boating, and Tiki Brawlers.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, Wednesday, March 4 we talk with Stephanie Carey, Owner and Publisher of The Pitch Kansas City. We also welcome KC based singer-songwriter, Amy Marcus who is currently releasing new music. AND, musician and radio show producer and host, Jeff Harshbarger joins us to share new music and information about the Purna Loka Ensemble that he plays with, and their new release, “Metaraga” that came out on January 11, 2020.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #826

WMM presents Nico Gray + Doby Watson

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 26, 2019

Nico Gray – Guest Producer
+ Doby Watson

Nico Gray Portrait by: Jan McNiel

Mark welcomes back Nico Gray, for his 8th time as “Guest Producer.” Nico is a writer, performance artist, and actor who has performed with KC Rep, Gorilla Theatre, 8th St. Cafe Theatre, Actor’s Craft, and Big Bang Buffet. Nico has worked for Theatre League, The Midland Theatre, and is currently a marketing & advertising consultant with Union Station, KC Fringe, and KC Creates. Nico grew up in KC but has lived in Chicago, New York, and Marseille.

Nico will feature tracks from: Dyson, Art d’Ecco, Yoko Ono, CHOCOLAT, Deep, Passengers, Linda Ronstadt, Aretha Franklin, Pretenders, Air, Dimitri From Paris, Freddie Mercury and Montserrat Caballé, Barry Adamson, Jah Wobble’s Invaders Of The Heart, and Rich Aucoin.

Doby Watson

At 11:30 Mark talks with KC based singer-songwriter, Doby Watson who joins us LIVE in our 90.1 FM Studios. Doby Watson will be opening for Saintseneca on Sun, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO.

Mark will also play music from Miss Boating, who play The Riot Room, 4048 Broadway, KCMO, on Thursday, February 27, at 7:00 PM, for the Support Local Music Showcase with StylesbyStyle, Scotty Wu, Miss Boating, and Tiki Brawlers.

Nico Gray Portrait by: Jan McNiel

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #826