WMM Playlist from February 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback, Anna Selle & Bandwaggn

Marion Merritt

Marion Merritt returns as our special “Guest Producer.” For almost 15 years now, Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Bevis Frond – “Lead On
from: We’re Your Friends Man / Fire Records / December 7, 2018
[26th studio album from The Bevis Frond, a British musical group whose range covers hard edge to melancholy vintage indie rock to poetic, “classic-rock” songcraft. Nick Saloman is the band’s frontman and songwriter. They have recorded many singles and albums on various independent labels since 1987. Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12″ single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else. He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they’d been selling the album quite briskly. Saloman’s desire was to “record the kind of music I’d like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.” Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies. In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.]

4. Baxter Dury, Delilah Holliday & Etienne de Crécy – “Walk Away”
from: B.E.D / Pias America / October 26, 2018
[Debut recordings of collaborative trio of French producer Etienne de Crécy on electronic textures, with vocalist Baxter Dury’s and singer Delilah Holliday (of London band Skinny Girl Diet). Baxter Dury told the press, “Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It’s an unlikely mix that works because its short, simple and honest.”]

5. Big Wild – “6’s to 9’s (feat. Rationale)”
from: Superdream / Counter Records / February 1, 2019
[Debut album from Big Wild who is Jackson Stell, an electronic DJ, producer, composer, and engineer. Stell was born in Lancaster, Massachusetts. Stell set out on his own tour in Spring 2017, hitting 27 dates around America. Rational is Matthew Cameron Brotzel, a Canadian hip-hop artist from Saskatoon, Saskatchewan. On March 30, 2010, RationaL released his debut single “Cocaine Cowboy” from his debut album, The BirthWrite LP. The song garnered a 2010 Sphere of Hip-Hop award for “Song of the Year”, co-winning the honor alongside 2011 Juno Award winner and fellow Canadian rapper, Shad (“Rose Garden”). July 17, 2012 the rapper released The BirthWrite LP under his own independent imprint, Ear RationaL Music. The album featured guest appearances from Quannum Projects recording artist Pigeon John, former Rawkus Records artist and member of The Procussions, Mr. J. Medeiros, Relic, Theory Hazit and Ohmega Watts. In the fall of 2007, RationaL began the writing and recording process for his debut album, The BirthWrite LP. The album charted as high as #2 on the !earshot hip-hop charts. Although The BirthWrite LP is officially considered RationaL’s debut album, there was a free promotional album released on July 20, 2010 entitled Hard Labor: The BirthWrite Prequel that circulated locally and was made available online. The BirthWrite LP is most notable for the award-winning lead single “Cocaine Cowboy”. On July 23, 2013, RationaL reached an exclusive agreement with the Toronto Blue Jays and Major League Baseball to release his new single, “A Swing and a Belt”, dedicated to the late Hall of Fame voice of the Blue Jays, Tom Cheek. Cheek called a Major League record 4,306 consecutive games for 28 straight seasons on the Toronto Blue Jays Radio Network from April 7, 1977 to June 2, 2004. Produced by Imperial, “A Swing and a Belt” received high-praise from former World Series hero Joe Carter. Former Jays manager and current Sportsnet play-by-play man Buck Martinez also raved about the song. Martinez stated, “RationaL has captured everything that Tom Cheek was in regards to baseball. He had his passion, he understood his love of the game, he understood all the great moments in Tom Cheek’s broadcasting career. He weaves them into “A Swing and a Belt” in such a way that it brings back so many memories for fans, baseball people and media people that really captures the essence of Tom Cheek’s career with the Blue Jays. I don’t think it could have been done any better.”[citation needed] In addition, Sportsnet aired a clip of the song during the Blue Jays game versus the Houston Astros on July 27, 2013. “A Swing and a Belt” is also the lead single from RationaL’s upcoming album entitled Hell or High Water, scheduled for release soon on Ear RationaL Music. Confirmed collaborators for the record thus far include Mr. J. Medeiros, Factor, Imperial, Josh Palmer and Juno Award-winning producer and emcee, Relic.]

6. Kristen Hersh – “Lax”
from: Possible Dust Clouds / Fire Records / October 5, 2018
[The 11th solo album from Martha Kristin Hersh was born August 7, 1966, in Atlanta, Georgia. She moved to Newport, Rhode Island when she was six years old. Her father was a professor at Salve Regina University in Newport and her mother a special educational needs teacher. She was interested in music at an early age and wanted to learn guitar chords so her father gave her a guitar when she was nine. Her parents separated when Hersh was 11 and her mother married the father of her best friend Tanya Donelly. Hersh talked Donelly into starting a band, then called The Muses when they were 14. Throwing Muses was formed in 1981 when Hersh and Donelly were freshmen in high school. Friends from school, including Elaine Adamedes, Becca Blumen, Leslie Langston and David Narcizo, were part of the group with Narcizo becoming a long-term member. Hersh initially wrote and sang most of Throwing Muses’ songs, often in changing tempos. Donelly also contributed songs and lead vocals. Hersh attended Salve Regina University, majoring in archetypal psychology and philosophy, and the Rhode Island School of Design, but dropped out shortly before graduating to establish the band in Boston, Massachusetts, where they had been playing on weekends. While at Salve, Hersh befriended film actress Betty Hutton, who was attending the school in her 60s; Hutton also attended several early Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on the British label, and released their first EP Chains Changed in 1986. Two releases followed, The Fat Skier and the album House Tornado. The 4AD Throwing Muses biography describes its sound at the time as “… joining the dots between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns.” For the Throwing Muses 1986 UK tour, the Boston-based Pixies, embarking on their first European tour, was the opening band. The band signed a U.S. deal with Sire/Reprise Records in 1987 and began touring the U.S. and Europe while recording albums, with Hersh writing most of the songs. The band became a trio when Donelly left the group after 1991’s The Real Ramona. In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. After receiving some airplay and major media coverage for the Throwing Muses album University in 1995, Hersh moved to Rykodisc for the band’s 1996 album, Limbo, and released her solo album, Strange Angels in 1998. To better control her career and the distribution of her recorded material, she created the ThrowingMusic label with then-husband and manager Billy O’Connell in 1996. This enabled her to co-release some of her projects, including an ongoing download-subscription service called Works in Progress (WIP) for releases available through the label’s website. Hersh continued to offer her solo releases online, releasing “Sky Motel” in 1999. By the mid-90s, David Narcizo became Throwing Muses’ permanent drummer, still playing in the band whenever they tour. Throwing Muses functions as a noncommercial musical enterprise, focusing on touring over record sales and airplay. In a 2014 interview, Hersh stated, “As far as I’m concerned, music is not a commodity. It’s something that people have earned by being human. They have a right to hear it, and a right to share it, as they always have in churches and parties. That’s how music happens. Hersh has said her parents’ album collections, featuring Patti Smith, the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, The Clash, Steve Miller, The Beatles, Philip Glass, and traditional music all influenced her when she was growing up. Among her early contemporary musical influences are The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hüsker Dü, Velvet Underground, R.E.M., and X. Hersh was married to her former manager Billy O’Connell for 25 years until they divorced in 2013. She has four sons. Hersh has talked openly about her bouts with mental illness and its role in her musical process. A car accident at age 16 while she was riding her bicycle gave her a double concussion that affected the way she heard sounds. She described it as hearing ambient sounds continuously and “…the sounds would alter their sonic vocabulary until I was hearing syllables, and drums. And then all these words would come.” She’s stated that hearing “pieces of songs” in her mind compelled her to take the pieces apart and craft songs from them. She also claims that she doesn’t remember writing her early songs—that “they wrote her.” She’s had more than one diagnosis (and misdiagnoses) for her condition, including schizophrenic disorder, bipolar disorder, and most recently post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing (EMDR) therapy.]

7. Kristen Hersh – “No Shade in Shadow”
from: Possible Dust Clouds / Fire Records / October 5, 2018

10:32 – Underwriting

8. Antena – “Camino del So”
from: Antena: Camino del Sol / Numero / 2019
[Originally released in September, 1982] [Antena: Camino Del Sol is the second compilation album by The Numero Group (NUM002), based on a mini-album originally released in September 1982. It features tracks by French-Belgian trio Antena who were then signed to Belgian label Les Disques Du Crepuscule. Antena featured Isabelle Antena, a pseudonym for Isabelle Powaga, who is a cult figure known for her song “Say I Believe In It.” The re-release contains re-mastered tracks, B-sides and two previously unreleased songs.]

9. Boogarins – “Onda Negra”
from: Lá Vem a Morte / OAR / June 9, 2017
[Boogarins are a Brazilian psychedelic rock band formed in 2013 by Dinho Almeida (vocals, rhythm guitar) and Benke Ferraz (solo guitar). Later they were joined by Hans Castro (drums) and Raphael Vaz (bass guitar), forming a four-piece. In 2014, Ynaiã Benthroldo replaced Hans as drummer. Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013. A second album followed in 2015. The band took their name from a jasmine flower in Brazil. On June 7, 2017, the band’s third album Lá Vem a Morte was released on YouTube as a surprise for the fans. It was elected the 9th best Brazilian album of 2017 by the Brazilian edition of Rolling Stone. They have a new album titled Sombrou Dúvida to be released in 2019]

10. Sharon Van Etten – “I Told You Everything (Edited)”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

11. Hand Habits – “placeholder”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

10:59 – Station ID

12. Cass McCombs – “I Followed the River South to What”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

13. M. Ward – “Shark”
from: What a Wonderful Industry / M. Ward Records / June 8, 2018
[Matthew Stephen “M.” Ward was born October 4, 1973 and raised in Ventura County, California. He moved to Portland, Oregon after college. Growing up, Ward taught himself songs by The Beatles on his brother’s guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens. M. ward is a singer-songwriter and guitarist who is known for his folk and blues-inspired Americana analog recordings. He has released nine albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. More info at: http://www.mwardmusic.com]

14. The Glands- “Lovetown”
from: The Glands / Capricorn Records / 2018
[Originally released on August 1, 2000 on New West Records][The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in 2000 on Capricorn Records and reissued on Velocette Records in August 2001. The Glands’ unique sounds recalled a variety of influences, including the Kinks, the Who, and The Rolling Stones. The song “Livin’ Was Easy” was featured in the DVD Let America Laugh by comedian David Cross. The band reunited for a brief east coast tour in late 2011, playing several dates with Yo La Tengo. Ross Shapiro, singer, guitarist, and founding member of The Glands, died in March 2016 following a battle with an illness.]

15. The Glands – “I Can See My House from Here”
from: The Glands / Capricorn Records / 2018 [original – Aug. 1, 2000 on New West Records]

16. Lucy Dacus – “Night Shift”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”]

17. boygenius – “Me & My Dog”
from: bygenius / Matador / October 26, 2018
[indie rock supergroup formed by Julien Baker, Phoebe Bridgers, & Lucy Dacus. Their self-titled debut EP was written and recorded in four days at Sound City Studios in Los Angeles. In November 2018, Baker and Bridgers hit the road in North America for a co-headline tour, with Dacus opening. Each artist played her own individual set of tunes. The tour kicked off at Nashville’s Ryman Auditorium on November 4th, and traveled through the Northeast, Midwest, and West Coast, culminating at The Wiltern in LA on November 30.]

18. Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

11:37 – Underwriting

11:39 – Interview with Ada Brumback & Anna Selle

Ada Brumback & Anna Selle of Bandwaggn Kansas City on the February 13, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar, bass, and some keyboards in the band, Chase The Horseman. Ada Brumback used to play drums in the band Bedroom Wounds. Ada has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson.

Anna Selle is editor and founder of HearQueer, an online and print publication that amplifies queer voices in music. The first issue was launched June 30, 2017, and Anna is getting ready to release issue #4 this spring. Anna also serves s staff photographer for Playlistplay. She studied Art History at Truman State University. Anna is one of the co-founders of Bandwaggn. More info at: http://www.hear-queer.com

Ada Brumback and Anna Selle join us today to talk about Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

Ada Brumback and Anna Selle thank you for being with us on Wednesday MidDay Medley

Their first fundraiser: Valentine’s Day Formal: A Benefit for Bandwaggn, February 15, at Stray Cat Film Center has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

Bandwaggn’s mission “…is to create a youth-centered arts and social justice organization, creating a Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.”

The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Bandwaggn’s goal is to host at least 20 kids at the camp June 2020.

Bandwaggn strives to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes they hope to see include community building and empowerment among our youth participants.

Bandwaggn sees a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.” It’s our goal to become a member of the national Girls Rock Camp Alliance https://www.girlsrockcampalliance.org/

Valentine’s Day Formal: A Benefit for Bandwaggn, originally scheduled for Friday, February 15, at Stray Cat Film Center, has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

11:56

19. Mercury Rev – “Big Boss Man”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 20, Claire Adams joins us to talk about her show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, with string quartet, Rewound, performing Adams’ original songs as arranged by Peter Lawless with special guest Alyssa Murray opening the night. ALSO…Frank Alvarez joins is to talk about the new record store Sister Anne’s – Records and Coffee that he has opened with Jim Oshel at 901 East 31st Street, KCMO named after Anne Winter who owned Recycled Sounds a record store where they both worked. ALSO next week, Wick Thomas joins us to share details about A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #773

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WMM is Spinning Records With Marion Merritt + Ada Brumback & Bandwaggn

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback & Bandwaggn

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: The Bevis Frond, Baxter Dury, Delilah Holliday & Etienne de Crécy, Big Wild, Kristin Hersh, Antena, Boogarins, Sharon Van Etten, Hand Habits, Cass McCombs, M. Ward, The Glands, Lucy Dacus, boygenius, Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers, Throbbing Gristle, The Daktaris, Mulatu Astatke, and more!

At 11:30 Mark and Marion talk with Ada Brumback about Valentine’s Day Formal: A Benefit for Bandwaggn, Friday, February 15, at 7:00 PM, at Stray Cat Film Center, 1662 Broadway Blvd, KCMO. This is the first official fundraiser for Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #773

WMM Playlist from August 15, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 15, 2018

Kristie Stremel & Summer Osborne & Sarah McCracken
+ Chase The Horseman

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Beths – “Future Me Hates Me”
from: Future Me Hates Me / Carpark Records / August 10, 2018
[The Beths are from Auckland, New Zealand. Elizabeth Stokes on lead vocals & guitar, Jonathan Pearce on guitar & vocals, Benjamin Sinclair on bass & vocals, Ivan Luketina-Johnston on drums & vocals. Their debut album on Carpark Records. Elizabeth Stokes previously worked in a folk band. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.” All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.”]

3. Dream Version – “Fight Fair”
from: Fight Fair / Dream Version / July 7, 2017
[Chicago based trio with Eric Brummitt on guitar, keyboards, & vocals; Alec Jensen on lead vocals, bass, guitar, & keyboards; and Michael Kunik -on drums & vocals. All songs written by Alec Jensen. Recorded and mixed by Dorian Gehring at Foxhall. Mastered by Matthew Banhart at Chicago Mastering Service]

[Dream Version play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with The Philistines, and Westerners.]

4. The Lithographers – “Slowing Down”
from: The Lithographers / The Lithographers / July 12, 2017
[Kansas City, Missouri based 4-oiece band made of: Ben McSpadden on vocals & guitar, Chaz Herrera on drums, Nick Miles on bass, and Tom Williams on guitar. Recorded and mixed by Justin Mantooth at Westend Recording Studio, Kansas City, KS. Mastered by Mike Nolte at Eureka Mastering, Portland, OR. Artwork by Kate Fleming, Arlington, VA.]

[The Lithographers play the NeXt2rock Showcase with: Yes You Are, Kid Computer, Maddison Ogden, Famous For A Day, on Friday, August 17, at 6:00 to 9:00 PM, at The 10 Spot, 1000 Broadway Blvd., Suite 300, KCMO, the 3rd floor of The Garment House.]

5. Stacy Busch – “Speak”
from: 3-Song EP / Stacy Busch / July, 2018 (Unreleased)
[Stacy says these songs “were written for the Outskrts LBTQ Festival and performed live with live dancers. They are meant to be anthem-like in their themes of coming together as a community.” 28 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at, the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch will performed an acoustic piece at Open Spaces Festival, October 28, at Swope Park.]

[Stacy Busch performs in No Divide KC Exhibition and Documentary Sept-Dec at the Johnson County Public Library Branches.]

[Stacy Busch presenting a big solo show, January 12, 2019 at Musical Theatre Heritage Stage in Crown Center called, Mass: Multimedia performance and exhibition. Stacy is partnering with an artist from Australia who she spent a month with in Iceland. The concert will involve live music performance, dance and video.]

6. Team Tremolo – “Worship You”
from: Intruders / Team Tremolo / August 29, 2017
[Debut EP from Wichita, Kansas based 5-piece band formed in January 2016 with Jenny Wood on lead vocals, Kristyn Chapman on guitar, Zack Roach on guitar, Caleb Drummond on bass, and William Erickson on guitar & drums. Recorded at Air House Studios in Wichita alongside veteran engineer Micajah Ryan (Bob Dylan, Megadeth, Guns N’ Roses) and Air House founder David Lord in Spring 2017. Mixed by Micajah Ryan. Produced by William Erickson and Micajah Ryan. Mastered by JJ Golden at Golden Mastering. Cover photograph by Sam Salinas. Cover layout and design by Kristyn Chapman. Intruder was released on cassette by on Wichita’s This Ain’t Heaven Recording Concern.]

[Team Tremolo play a Fundraiser For Braxton Matlock, Saturday, Aug 18, at 7:00 PM, at The Rino, 314 Armour Rd, North KC, w/ Mess, and Rachel Mallin & The Wild Type. Braxton Matlock is a husband, father, musician, producer, sound engineer, He’s the sole provider for his family,wife Holly, and young son Levi. Two weeks ago he began suffering what he thought was migraines. After a being rushed to the hospital with possible symptoms of meningitis, the doctors cleared him. A few days later Holly found Braxton unresponsive and called for another ambulance to the hospital. Friends are raising funds to cover his deductible, ambulance rides and to help him cover lost wages while being put out of work. http://www.gofundme.com/braxton039s-emergency-medical-fund%5D

7. Gully Boys – “I Wanna Go Home”
from: Not So Brave / Gully Boys / August 12, 2018
[Minneapolis, Minnesota based three piece all female band, with Kaytee Callahan on vocals & guitar, Natalie Klemond on bass/ & vocals, and Jazmyne McGill ~on drums & vocals. All songs written and performed by Kathy Callahan, Nadirah McGill, and Natalie Klemond. Recorded and mixed by Nick Tveitbakk at Pachyderm Studio. Mastered by Bruce Templeton. More info at http://www..gullyboys.bandcamp.com]

[Gully Boys play miniBar, 3810 Broadway, KCMO, on Thursday, August 16, at 9:00 PM, with Chase The Horseman, Taylor Seaborg, and Robe Rage.]

7. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / October 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays miniBar, 3810 Broadway, KCMO, on Thursday, August 16, at 9:00 PM, with Gully Boys, Taylor Seaborg, and Robe Rage.]

10:30 – Interview with Chase the Horseman

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Chase the Horseman thank you for being with us on WMM.

Chase The Horseman recently played The Rino, August 9, with Kat King, and The Sextet.

Chase The Horseman plays miniBar, 3810 Broadway, KCMO, on Thursday, August 16, at 9:00 PM, with Gully Boys, Taylor Seaborg, and Robe Rage.

Gully Boys, from Minneapolis, are also on the bill.

Chase the Horseman is now a 4-piece band with Chase on lead vocals & keyboards, Ian Dobyns on drums, Skylar Cowdry on bass & synth, Ada Brumbach on guitar, synth, & bass.

Chase is also now playing bass in the band Dreamgirl, where Ian Dobyns is also on drums.

Ian Dobyns was in the band The Author and The Illustrator. He also plays in the bands: Scouts, Bledsoe, and Double Drag.

We just heard Chase the Horseman’s track “RIPchord”

“RIPchord” was recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage from Joel Nanos, with Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, and vocals.

Chase the Horseman lists his influences as: Brian Eno, St. Vincent, A Tribe Called Quest, Grizzly Bear, Feist, James Blake

Last time Chase was on the radio show was on November 15, 2017, after he had just returned from Mexico City, where he was working on the soundtrack for a new television show.

On August 2, 2017, Chase Horseman joined us on Wednesday MidDay Medley with KD Kuro. Chase helped to produce KD’s debut solo album.

On June 7, 2017 Chase Horseman joined us on Wednesday MidDay Medley with Teri Ann Quinn. Chased helped in Teri’s debut EP recording, Moons and Meltdowns, as producer, engineer, and performer.

Chase The Horseman has also performed on stage and in recordings with with Heidi Lynne Gluck. A lot of his work has been in collaboration with other artists.

Chase Horseman also works with Element Recording doing Engineering, Mixing, Mastering under the guidance of Joel Nanos and Lennon Bone.

Chase Horseman has also released a digital album of 16 songs called Covers & Others, as a benefit for the American Civil Liberties Union.

More information at http://www.chasethehorseman.bandcamp.com

Bandography:

The Cherry Tree Parade – writer, performer 2007-2008 – Self Titled E.P. 2009
*The Low End – performer, producer, mixer, engineer 2009-2010 – House Fire E.P. 2009
Lower 48 Single 2010
*The Heat Index – producer, engineer, mixer 2010 – Horsehead E.P. 2010
*The Vowels – mixer/performer 2011 – Alligator Pear L.P. 2011
*Fake Natives – producer, performer, mixer, engineer 2011 – Self Titled L.P. 2011
*Towers – writer, performer, engineer, mixer, producer 2010-Present – For Whatever We Were & What Will Never Be L.P. 2012
*Clairaudients – guitar, keyboards, aux-percussion, vocals, writer 2013-
*Teri Quinn – Producer, engineer, performer – Moons and Meltdowns E.P. 2016
*Narkalark – Producer/Engineer – Narkalark Ep II released November 18, 2016
*Molly McGlaughlin – Producer/Engineer – A Beautiful Dying 2017

Chase the Horseman thank you for being with us on WMM.

Chase The Horseman plays miniBar, 3810 Broadway, KCMO, on Thursday, August 16, at 9:00 PM, with Gully Boys, Taylor Seaborg, and Robe Rage.

10:43 – Underwriting

8. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia called, Cantaloupe, the first release on the new recording label Bullseye Records. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

9. Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10. Megan Slankard– “Loving You Another Day”
from: Loving You Another Day – Single / Megan Slankard / Setember 13, 2016
[San Francisco based indie alt-rock musician Megan Slankard released her 5th album: Running on Machinery on May 19, 2015. This single was track was a, exclusive dmo recorded for Megan’s Patreon subscribers. More info at: http://www.patreon.com/meganslankard or http://www.meganslankard.com]

[Megan Slankard is currently on tour opening for Toad The Wet Sprocket through August 18.]

[Megan Slankard plays the InterUrban ArtHouse, 8001 Newton St, Overland Park, KS., Sunday August 19, at 5:30 pm, with Andy Davis & John Goolsby, Hosted by Createful JOY, LLC. More information at: http://www.interurbanarthouse.org]

Because of time constraints we couldn’t play:
00. Bob & Una Walkenhorst – “Time Goes Walking”
from: For Tomorrow / BAT Records /October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family or Madisen Ward and the Mama Bear. Bob & Una Walkenhorst recently played the Rural Grit Happy Hour at The Brick, Monday, August 13.]

[Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.]

11:00 – Station ID

11:04 – Interview with Kristie Stremel & Summer Osborne & Sarah McCracken

Kristie Stremel, Sarah McCracken, & Summer Osborne on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kristie Stremel, Summer Osborne, and Sarah McCracken are here, to play LIVE in our 90.1 FM Studios. These three singer songwriters are currently on the road for, The Tiny Town Tour 2018, performing shows in Ellsworth, Wichita, Manhattan, Tonganoxie, Des Moines, Lincoln, and Lawrence.

Kristie Stremel

Described as “Joan Jett & Tom Petty’s love child,” and armed with her guitar, fueled by coffee, and over 75 published songs, singer, songwriter, producer, rock & roll mom, Kristie Stremel has 10 full-length releases in her musical career of over 20 years. She has recorded as a solo artists and also on the bands Frogpond, and The 159ers. In 2015 Kristie released, Wildflowers, a children’s book of songs and poems with an accompanying CD recording inspired by her son Charlie. In 2016 Kristie released the single “Orlando (Keep Dancing).” More info at: http://www.kristiestremel.com

Kristie Stremel, thanks for being with us on Wednesday MidDay Medley.

Summer Osborne photo by: Larry Perez

Described as the “love child” of Adele, Carole King, and Joss Stone, Summer Osborne is an award winning singer-songwriter with a charismatic stage presence. Summer’s ninth album, Spiritual Revolution, was released in August of 2015. Summer Osborne first graced the stage at the tender age of four, but has been performing her original tunes for fans since 2005. Summer has played: the National Women’s Music Festival and SXSW, and Pridefests all over North America, and has shared the stage with Holly Near, The Indigo Girls, The Cliks, Crystal Waters, Martha Wash, and Jennifer Holliday. More info at: http://www.summerosborne.com

Summer Osborne, thanks for being with us on Wednesday MidDay Medley.

Sarah McCracken

St. Louis, Missouri based singer songwriter, Sarah McCracken has been on tour with Summer Osborne before. She has toured all over the country. Sarah McCracken graduated from Missouri State University in Springfield with a degree in Psychology. She also studied at Goldfarb School of Nursing at Barnes-Jewish College in St. Louis. Sarah McCracken has worked as a case manager for the Center for Urban Community Service in New York City, and as a program manager for St. Louis Arc.

Sarah McCracken, thanks for being with us on Wednesday MidDay Medley.

11:07

Kristie Stremel and Sarah McCracken, play live on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. Kristie Stremel – “Orlando (Keep Dancing)” (LIVE)
(Summer Osborne on backing vocals)
Orlando (Keep Dancing) was released as a Single on Stremeltone Records on June 16, 2016 The song was written by: Kristie Stremel in response to the Pulse Nightclub masacre on June 12, 2016, when Omar Mateen, a 29-year-old security guard, killed 49 people and wounded 53 others in a hate crime inside Pulse, a gay nightclub in Orlando, Florida. Pulse was hosting Latin Night and most of the victims were Latino. About 320 people were inside the club, which was serving last call drinks at around 2:00 a.m. After arriving at the club by van, Omar Mateen approached the building on foot, armed with a SIG Sauer MCX semi-automatic rifle and a 9mm Glock 17 semi-automatic pistol and bypassed security and began shooting and taking hostages. After a three-hour standoff, he was shot and killed by Orlando Police Department officers. It was both the deadliest mass shooting by a single shooter and the deadliest incident of violence against LGBT people in United States history. It was also the deadliest terrorist attack in the US since the 9 /11 attacks in 2001. Recorded and Mixed by Paul Malinowski at Massive Sound. Mastered by John Hobson. Kristie Stremel on vocals & guitar, Anna Cook on cello & background vocals, Ryan McCall on piano & background vocals. In October, 2013 Kristie and her partner, Lori Isabell, welcomed their adopted baby son, Charlie, into their family. In April 2014 Kristie released her 6th solo record, and the 9th full-length release of her musical career of over 20 years. Released on her own label, Stremeltone, it was Kristie’s first self-produced album. Stremeltone Records, was created in her home in Lawrence. The last track, “It’s Enough” was released early, as a video, featuring photos of couples in partnerships, relationships, marriages, unions, families. The video was Kristie’s response the the KS House of Representatives passing HD 2453 allowing business the right to refuse service to LGBT customers. In 2015 Kristie released, Wildflowers, her children’s book of song and poems with accompanying CD recording with contributions from Victor & Penny, Kelley Hunt, Ron Megee, Kasey Rausch and more.]

Kristie Stremel, Summer Osborne, and Sarah McCracken are on the road for, The Tiny Town Tour 2018, performing shows in Ellsworth, Wichita, Manhattan, Tonganoxie, Des Moines, Lincoln, and Lawrence.

11:14

Sarah McCracken, & Summer Osborne play live on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

12. Sarah McCracken – “Fear is a Liar” (LIVE)
(Summer Osborne on backing vocals)
a new original song from Sarah McCracken that might end up on her next release

11:24

13. Summer Osborne – The River” (LIVE)
a new original song from Summer Osborne that might end up on her next release

11:29 – Underwriting

11:31 – Interview with Kristie Stremel, Summer Osborne, and Sarah McCracken

Kristie Stremel, Sarah McCracken, & Summer Osborne on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We’re talking with Kristie Stremel, Summer Osborne, and Sarah McCracken who are playing LIVE in our 90.1 FM Studios. These three singer songwriters are currently on the road for, The Tiny Town Tour 2018, performing shows in Ellsworth, Wichita, Manhattan, Tonganoxie, Des Moines, Lincoln, and Lawrence.

Kristie Stremel, Summer Osborne, and Sarah McCracken, Thanks for being on WMM

More info at: http://www.kristiestremel.com / http://www.summerosborne.com

11:33

Kristie Stremel, Sarah McCracken, & Summer Osborne play live on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

14. Kristie Stremel – “Miracle” (LIVE) (Summer Osborne on backing vocals)
originally released on All I Really Want, on September 25, 2001, on Slewfoot Records, and then on Stremeltone Records.

11:39

15. Sarah McCracken – “They” (LIVE) (Summer Osborne on backing vocals)
a new original song from Sarah McCracken that might end up on her next release

11:45

16. Summer Osborne – “You Are” (LIVE)
a new original song from Summer Osborne that might end up on her next release

Kristie Stremel, Sarah McCracken, & Summer Osborne on the August 15, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We’re talking with Kristie Stremel, Summer Osborne, and Sarah McCracken who are playing LIVE in our 90.1 FM Studios. These three singer songwriters are currently on the road for, The Tiny Town Tour 2018, performing shows in Ellsworth, Wichita, Manhattan, Tonganoxie, Des Moines, Lincoln, and Lawrence.

Kristie Stremel & Summer Osborne & Sarah McCracken, Thanks for being on WMM

For Wednesday MidDay Medley, I’m Mark Manning, thanks for listening.

11:54:30

17. Summer Osborne – “As I Am”
from: As I Am / Summer Osborne / June 30, 2013
[St. Louis based singer songwriter has been performing on stage since the age of four. She’s been performing her original music since 2005, releasing 8 full-length albums and an EP. Since 2009, Summer has been constantly on tour playing Pridefests in St. Louis, Vancouver, Columbia, Memphis, Springfield, Lexington, Belleville. Summer is a champion of the KC HRC Battle of The Babes – Acoustic Stage. Summer has shared the stage with The Indigo Girls, God-Des and She, Tiffany, Jen Foster, Sugarbeach, The Cliks, Crystal Waters, Betty, Martha Wash, RJ Helton, Jennifer Holliday, Kimberley Locke, Tret Fure, and Shannon Curtis.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 24, as we welcome the bands: Abandoned Bells and Emmaline Twist

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #747

Wednesday MidDay Medley

WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

WMM Playlist from August 30, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt joined us as “Guest Producer.” For more than 13 years Marion Merritt has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

We also talked with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Heliocentrics – “The Sunshine Makers”
from: The Sunshine Makers (Original Motion Picture Soundtrack) / Soundway Records / 2017

4. Mulatu Astatke & The Heliocentrics – “Masenqo”
from: Inspiration Information 3 / Strut!K7 / 2009

5. Mulatu Astatke – “Yègellé Tezeta (My Own Memory)”
from: Éthiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale (1969-1974) / Buda Musique /98

6. Laurel Halo – “Moontalk”
from: Dust / Hyperdub / 2017

7. Laurel Halo – “Jelly”
from: Dust / Hyperdub / 2017

10:32 – Underwriting

8. Clement Djimogne – “Africa”
from: Pop Makossa (The Invasive Dance Beat of Cameroon 1976 – 1984)/2017 Analog Africa

9. Pasteur Lappe – “Na Real Sekele Fo’ Ya”
from: Na Man Pass Man / Africa Seven / 2017

10. Danny Offia & The Friks – “Funk with Me”
from: Doing It in Lagos: Boogie, Pop & Disco in 1980’s Nigeria / PMG / 2017

10:57 – Station ID

11. This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / 2017

12. This Is the Kit – “Bullet Proof”
from: Moonshine Freeze / Rough Trade / 2017

13. Come On – “Housewives Play Tennis”
from: The Come On Story / Manufactured Records / 2017

14. Television Personalities – “Games for Boys”
from: They Could Have Been Bigger Than the Beatles / Fire Records-Velvel Records / 1997 [2017 Fire Records]

15. Lewis Parker – “The Glass Ceiling (Main Theme)” [Instrumental]
from: The Puzzle: Episode 2 – The Glass Ceiling (Instrumentals) / King Underground / October 19, 2014 [Reissued by King Underground 2017]

16. Madlib – “Movie Finale”
from: Beat Konducta, Vol. 3 & 4: In India / Stones Throw / August 21, 2007

17. The Beginner’s Mynd – “Don’t Lose Your Mind”
from: Don’t Lose Your Mind / 13 O’Clock / 2017

18. The Kaisers – “Wishing Street”
from: Wishing Street / No Hit / 1998 [Revolver Music / 2017]

Marion Merritt thanks for being with us on WMM. Coming up we talk w/ Ada Brumback

11:29 – Underwriting

19. BEDROOM WOUNDS – “Exist In The Night”
from: Bedroom Wounds / Error/Records / January 6, 2017

[Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man & the Reactors.

11:35 – Interview with Ada Brumback

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar in the band Bedroom Wounds. Ada Brumback plays drums and has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant.

Ada Brumback thank you for being with us on Wednesday MidDay Medley

Bedroom Wounds started as a solo recording project of Kristian Kyle Ratliff during his time in Springfield, IL. Formerly of the emo-rock band Our Lady 2010 to 2016, (Mayfly Records) With Bedroom Wounds, Kristian Kyle Ratliff, “furthered expressions of inner strife through the darkened tunnel that is loss. From dealing with these feelings personally, to watching loved ones engulfed in pain, Ratliff has formulated a sonic aura of unsettling proportions.” All tracks created by Kristian Kyle Ratliff. Recorded, mixed, and mastered by Brandon Carnes at Southtown Studios in Springfield, IL.

Bedroom Wounds is now a 4-piece band in Kristian Kyle’s new home of KC, MO. Ada Brumback plays guitar in the band.

Ada Brumback has collaborated as videographer for the Springfield, Illinois band, Looming.

11:44

20. Looming – “Down”
from: Seed / No Sleep Records / September 29, 2017
[1st single from the upcoming release of Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to theor debut full-length album, Nailbiter that came out in August 14, 2015.]

[Jessica Knight (of Looming) plays Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Bedroom Wounds, Prince Daddy and the Hyena, and Natural Man & the Reactors.]

11:56

21. Told Slant –”Lack”
from: Still Water / Double Whammy Records / August 5, 2012
[Told Slant is the songwriting project of Felix Walworth (They/Them), Brooklyn based lyricist, producer, and founding member of The Epoch arts collective. Walworth started the project in 2011 as a means of marking a stylistic shift in their songwriting, specifically a shift toward understated, ambling arrangements and simple, illustrative lyrics. Told Slant’s debut LP, Still Water, was self-released in 2012, then re-released and pressed to vinyl by Broken World Media in 2014. The band released their follow full-length record, Going By, with Double Double Whammy in the summer of 2016. Though Told Slant functions more like a “solo project” in its recorded state, its live incarnation is arranged and performed by Walworth and Epoch co- collaborators Emily Sprague of Florist (She/Her, They/Them), Oliver Kalb of Bellows (He/Him), and Gabrielle Smith of Eskimeaux (She/Her). Sprague, Kalb, and Smith bring their particular sets of influences and intuitions to the band’s live sets in a way that draws out more energetic and dynamic arrangements from the songs. Told Slant’s members live in Brooklyn, NY, and tour actively.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on September 6, 90.1 FM Development Director, Bill Sundahl joins us for a 2-hour show spinning music from 18 artists playing the 13th Annual Crossroads Music Fest, Saturday, September 9, featuring over 60 bands & artists, on 9 stages, all in a 3-block area.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #697

WMM is Spinning Records with Marion Merritt + Ada Brumback

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: This Is The Kit, Laurel Halo, Mulatu Astatke & The Heliocentrics, Pastuer Lappe, Kelly Lee Owens, The Kaisers, Madlib, Jane Weaver, Come On, Television Personalities, The Beginner’s Mynd, Lewis Parker, Danny Offia & The Friks, Clement Djimogne, Don Drummond, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Ada Brumback

At 11:30 Mark talks with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds. Ada Brumback also plays drums and she has collaborated with the Springfield, Illinois band, Looming; the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada also works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant. Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man and the Reactors.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #697