WMM Playlist from December 6, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 6, 2017

The 117 Best Recordings of 2017
(Part 1 of 4)

Wednesday MidDay Medley presents part-one, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from over 360 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 6th, 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (117.) The Coathangers – “Wipe Out”
from: Parasite – EP / Suicide Squeeze Records / May 5, 20172011
[All female punk quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco. The band formed in 2006 as a joke. After playing a house show, they were asked to open for The Hiss on the strength of their performance. The name “Coathangers” refers to a method of self-induced abortion and was chosen for its irreverent vulgarity; all of the band’s members are pro-choice]

3. (116.) Ani DiFranco – “Deferred Gratification”
from: Binary / Righteous Babe / June 9, 2017
[20th studio album from Ani DiFranco, who was born Angela Maria DiFranco on September 23, 1970. She is a singer, multi-instrumentalist, poet, songwriter and businesswoman. She is a feminist icon. Although DiFranco’s music has been classified as folk rock and alternative rock she has added punk, funk, hip hop and jazz influences. DiFranco created her own record label, Righteous Babe, giving her significant creative freedom. DiFranco supports many social and political movements by performing benefit concerts, appearing on benefit albums and speaking at rallies. Through the Righteous Babe Foundation DiFranco has backed grassroots cultural and political organizations supporting causes including abortion rights to gay visibility. She counts famed American folk singer and songwriter Pete Seeger among her mentors.] [Ani DiFranco attended Folk Alliance International’s 2017 conference to deliver a special presentation on Friday, February 17.]

[Ani DiFranco plays The Madrid Theatre, Tues, Feb 20, 2018 at 8:00 PM, at The Madrid Theatre, 3810 Main St, Kansas City, Missouri 64111]

4. (115.) Ramy Essam – “El Gahsh Wel Homar (The Donkey Song)”
from: Letter to the Unsecurity Council / Ramy Essam / 2016
[Ramy Essam was born in 1987, in Mansoura, Egypt. He is an Egyptian musician, best known for his appearances in Tahrir Square in Cairo during the Egyptian Revolution of 2011. His song Irhal, in which then Egyptian president Hosni Mubarak was urged to resign, gained great popularity among the demonstrators. It became internationally known through YouTube, and is referred to as the anthem of the revolution. In 2011, it was selected by Time Out as the third-most world-changing song of all time. He currently sings hard rock songs, one of the few singers in Egypt to sing rock. Ramy also expressed his mourning of the revolution’s martyrs on Facebook. On 9 March 2011, when the Egyptian Army forcibly cleared the square, he was arrested and tortured. In October 2014, Essam was offered safe city residence for two years by the Malmö Municipality of Sweden. He is the first musician who has been offered this by Malmö but two writers have been offered it before. In addition to the residence permit, he also gets accommodation. He describes his situation as an artist in Egypt as “terrible” and is happy he can come to Sweden to study. Essam says it will be the first time he has the chance to study music, that he will keep make music and be an ambassador of the Egyptian revolution. Essam was featured on the 2014 compilation Songs from a Stolen Spring that paired Western musicians with artists from the Arab Spring, Essam’s “Bread, Freedom” was meshed with Mighty Sam McClain’s performance of “If I Can Dream”. This year Ramy Essam released the single “The Camp” with PJ Harvey.][Ramy Essam played Folk Alliance International conference where he received the 2017 Spirt of Folk Award.]

5. (114.) The Ovaries-eez – “Sand”
from: Moon Birth / Whatever Forever / January 6, 2017
[Lawrence band’s 2nd full length. Recorded, mixed, & mastered by Dual Diamonds on Whatever Forever. Guitar & vocals by Monica George & Johni Lacore & Amber Hansen on vocals, Jim Martin on Instrumentation, Brett Grady on viola. Songs by The Ovaries-eez: Johni Lacore, Amber Hansen, Monica George.]

[The Ovaries-eez play Forever Fest! with CS Luxem, HighWesthus, Wendy Moira, Mazfield, and Invisible Public Library, Sat, Dec 9 at 10 PM at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

6. (113.) Combo Los Yogas – “Que No Muera el Son”
from: Cañabrava Música / Vampisoul – Discos Fuentes / February 10, 2017 Reissue
[Vampi Soul re-issue of an obscure 1968 Discos Fuentes gem Cañabrava by Combo Los Yogas, a short-lived early Colombian salsa band from Medellín directed and arranged by Aníbal José Ángel Echeverri, the famous antioqueño keyboardist known as Aníbal Ángel or simply Anán. Employing Barranquilla native Johnny Moré as his lead vocalist and a full combo with trumpet, trombone, congas and timbales, Los Yogas recorded a fantastic collection of cover tunes in the guaguancó, son, guajira, descarga, and cha-cha-chá rhythms. The sound is very raw and hard, something that makes this obscure 1968 Discos Fuentes record a sought-after collector’s item. Thanks to the inherent quality and execution of its repertoire, “Cañabrava” provides a wonderful snapshot of the influences and early development of the genre of salsa in 1960s Colombia.]

7. (112.) JohnnySuperColossal – “She Culture”
from: Doors in the Wall / HearYou Music / October 27, 2017
[JohnnySuperColossal is the musical project of KC based Shawn Stewart who is originally from Chicago.]

8. (111.) Golden Groves – “Dinosaurs”
from: Recess [EP] / Golden Groves / July 7, 2017
[Second EP from KC based 4-piece band: Isaac Hodges on vocals & guitar, Dylan Nelson on lead guitar, Max Kmeck on bass, Andrew Lewis on drums. All songs written & recorded by Golden Groves, Produced & mixed by Jim Barnes. Mastering by PNW Mastering. More info at: http://www.goldengrovesmusic.com][Golden Groves played an EP Release show on Friday, July 7, at 8:00 PM, at The Riot Room, 4048 Broadway St, KCMO, with Westside Royal, Shadow Rabbits, and Sleeptalk from L.A.]

9. (110.) Bobby Sauder – “If Only In My Dreams”
from: Dark Empire Fairgrounds / Whatever Forever / February 24, 2017
[Debut solo release from Bobby Sauder of the Lawrence Kansas based band Karma Vision and cofounder of Whatever Forever Records. After the birth of his first child, Sauder found himself putting on a lot of folk and country records to help keep the volume down around the house. The influence of musicians like Townes Van Zant, Emmylou Harris, and The Band influenced his songwriting. All the songs were written on a guitar that only had 5 strings. Music and lyrics by Bobby Sauder (except “Josie Darner” written by Carey Scott and “Will You Bury Me?” written by Jamie Lacore). Produced by Bobby Sauder and Ross Williams. Engineered by Ross Williams. Mixed by Ross Williams and Bobby Sauder. Mastered by Brian Miller. Drums on tracks 1,3,5,6 played by Mark Osman Organ on track 7 played by Ben Sauder. Lyrics Collaborator on tracks 3 and 4 is Carey Scott. Track 2 co-engineered by Brad Girard. Recorded in Lawrence, Kansas.]

10:29 – Underwriting

10. (109.) Westerners – “Wasn’t In My Right Mind”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

11. (108.) Violent Bear – “Bayou Love”
from: Post Everything / Violent Bear / March 24, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesizers. Violent Bear also released multiple single tracks this year.] [Violent Bear played PorchFest KC on Saturday, October 14.]

12. (107.) The Dear Misses – “Let Go”
from: Just Let Go / The Dear Misses / February 28, 2017
[This is The Dear Misses first full length album. “Just Let Go” was written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More info at: http://www.reverbnation.com/thedearmisses%5D

13. (106.) Ivy – “All The Above”
from: Bad Intuition / Ivy / April 14, 2016
[Debut recording from Kansas City native singer songwriter, who plays piano and guitar, and produces beats. Her style ranges from R & B, Neo Soul, Hip Hop, Acoustic, and Pop. She has performed on stage at Lincoln Center in NYC, regional Festivals, Los Angeles, and collaborates with film and performance. Written and produced by Ivy. More info at http://www.itsjustivy.com] [Ivy played Crossroads Music Fest, Sat, Sept 9.]

14. (105.) Looming – “Leaves (Radio Edit)“
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

15. (104.) Mene Mene – “Stone Steel, and Spark”
from: Stone, Steel, and Spark – EP / Mene Mene / September 9, 2017
[Their Bandcamp page described the band as: “Kansas City based Indie Alt Rock with some piano, some drums, and a whole lot of repressed feelings.” Written & performed by Brad Feagen & Alec Stockman.]

[Mene Mene plays The Rino, Sat, Dec 9, at 7:00 PM with Nick Siegel and Instant Karma.]

16. (103.) Cindy Wilson – “Brother”
from: Change / Kill Rock Stars / December 1, 2017
[Cindy Wilson’s solo debut arrives in time to celebrate the singer’s 40th anniversary in the musical spotlight. CHANGE began for Wilson nearly a decade ago upon her part-time return to her hometown of Athens, GA. She first encountered local musician Ryan Monahan when his Beatles tribute band was hired to play her son’s birthday party – “One of the best parties ever,” says Wilson. The veteran vocalist and talented young musician began teaming up for gigs, beginning with R.E.M.’s star-studded 30th anniversary event. “Ryan and drummer Lemuel Hayes and I put together a few songs and it was fantastic,” Wilson says. “That started our own musical relationship.” Wilson and her new bandmates continued performing together, first playing classic garage and psychedelic covers but ultimately deciding to create new music all their own. They hit the studio in 2014, with local producer-musician Suny Lyons manning the board. The songs and sonic concepts flowed like the Broad River, leading Wilson to invite Lyons to join her fast developing combo. “We went to Suny’s studio to kick around ideas and see if we can do anything interesting,” Wilson says. “We wanted to see how our styles would blend. He comes from a totally different place than I do but I was great. It also became immediately clear we had to bring Suny in to be part of the band, he also had wonderful ideas. I had a really great team.” Backed by her gifted collaborators, Wilson developed a distinctive sound rooted in her long history of kaleidoscopic pop reinvention. Earlier this year Cindy released a pair of EPs, SUNRISE and SUPERNATURAL with both acclaimed by PopMatters for possessing “an undeniable sense of adventure.” Produced by Lyons at The Space Station in Athens, melding future pop, disco drama, American standards, electronica, and more into her own distinctive creative vision. “Our sound is both consistent and still evolving,” Wilson says. “These ingredients come together from left field to create something really interesting.” Further album highlights include a pair of unexpected covers: a widescreen orchestral rendition of New Colony Six’s soft rock classic, “Things I’d Like to Say,” and “Brother,” written and originally performed by Athens’ own beloved Oh-OK. “We played a show, Athens musicians playing songs by other Athens bands,” Wilson says. “We did an R.E.M. song, a Pylon song, and ‘Brother’ by Oh-OK, which turned out so great we decided it had to be on record. It hits you over the head; it’s an interesting texture. It brings the album home I think.A veteran of one of pop’s most consistently entertaining live acts, Wilson is heralding CHANGE with an unprecedented multimedia concert tour. Merging conceptual structure, unique visuals, and kicked off in March with SXSW, Wilson and her bandmates are touring the US (in a van, it should be mentioned). “The show is totally different from anything I’ve done before,” Wilson says. “It has an incredible flow, from beginning to end. The great thing about touring a show like this is you can solve problems and tweak things as you go along.” “Everyone has other bands, other jobs,” Wilson says. “I’ve got the B-52s’ fortieth anniversary, there’s a lot going on with that. At the same time, I’m very committed to this record and continuing to perform with these guys. We’re trying to go into the studio at least once a month, to continue working creatively and keep the songs coming. We’re still experimenting, still growing, but it retains a certain sound. I feel very comfortable in this band. I’m loving it.” Cynthia “Cindy” Leigh Wilson was born February 28, 1957. She is a singer, and is one of the lead vocalists, songwriter and a founding member of new wave rock band The B-52s. The B-52’s were formed when Wilson (who was born in Athens, Georgia), alongside her older brother and guitarist Ricky, organist and vocalist Kate Pierson, drummer and percussionist Keith Strickland, and vocalist Fred Schneider played an impromptu musical jam session after sharing a tropical Flaming Volcano drink at a local Chinese restaurant. They later played their first concert in 1977 at a Valentine’s Day party for their friends. Wilson and the others broke into the music world with their campy, ’60s retro band. Their 1979 debut album The B-52’s, yielded the hit singles “Rock Lobster” and “Planet Claire” and launched the band into stardom. On April 21, 1985, Wilson married Keith Bennett, a successful advertiser who was a longtime friend of the band and Ricky’s guitar tech on tour. Ricky died later that year, leaving her devastated. Wilson took a sabbatical from the band in 1990 to concentrate on raising a family, during which time The B-52’s recorded and released the album Good Stuff as a trio of Pierson, Schneider and Strickland. During the live tour to promote the Good Stuff album in 1992 and 1993, Julee Cruise sang as a replacement for Wilson. Wilson rejoined The B-52’s in 1994. In 1998 she took part in recordings from which two new songs were selected to be included along with the band’s hit singles on the album Time Capsule: Songs for a Future Generation. Wilson then took maternity leave in 1999 (being replaced on tour by Gail Ann Dorsey), later rejoining the band in 2001 for regular touring of their greatest hits. The B-52’s completed the album Funplex in 2007 and it was released in March 2008. Wilson co-wrote every song on the album with the three other band members. In all, she has co-written much of the band’s back catalogue, including “Dance This Mess Around”, “Private Idaho” and all of the Cosmic Thing album including hit singles “Love Shack” and “Roam”. Wilson’s vocal efforts include the typical B-52’s “call-and-response” vocals with Schneider and/or Pierson, as well as her harmonies with Pierson on the band’s all-female songs such as “Roam”, “52 Girls”, “Cake”, “Legal Tender”, “Summer of Love” and “Juliet of the Spirits”. One of the band’s signature elements is the setup between the three vocalists. However, Wilson sings the greatest number of solo performances in the band, especially on their earlier albums. Examples of Cindy’s solo vocal performances in The B-52’s include “Hero Worship”, “Loveland”, “Nip It in the Bud”, “Girl from Ipanema Goes to Greenland”, “Ain’t It a Shame”, “She Brakes for Rainbows” and the live favorite “Give Me Back My Man”. Wilson is the band’s bongosero, playing the bongos in regular live favorites “Planet Claire”, “Mesopotamia”, “Pump” and “Party Out of Bounds” as well as other songs such as “6060-842” and “Big Bird”.] [The B-52s played The Uptown, Oct 22. Cindy Wilson played Riot Room, Nov. 17.]

17. (102.) Nancy and Beth – “Please Mr Jailer”
from: Nancy and Beth / Herpursef / April 7, 2017
[“Please Mr, Jailer’ was written by Wynona Carr (August 23, 1923 – May 11, 1976) an African-American gospel, R&B and rock and roll singer-songwriter, who recorded as Sister Wynona Carr when performing gospel material. Carr’s contralto vocals have a sensual, husky quality which made her eventual switch to R&B and rock & roll seem a logical choice in retrospect. Carr’s gospel recordings are very much influenced by Sister Rosetta Tharpe, incorporating blues and jazz stylings and R&.B. Her early R&B material (for which she is probably best remembered now) was often uptempo, rock & roll-styled and similar in sound to fellow R&B/rock & roll artists on the Specialty roster like Little Richard, Lloyd Price and Larry Williams, with a strong New Orleans-style backbeat and a rich, warm production. Her final Specialty sessions, conducted by Sonny Bono in 1959, cut down on the rock & roll influences. Both Carr’s gospel and R&B recordings went largely unappreciated during the time they were released, but found a new audience when Specialty Records released two CDs, covering Carr’s entire output on the label.Megan Mullally and Stephanie Hunt met in Austin Texas while filming the independent movie Somebody Up There Likes Me. The minute the two started singing together they realized they had something special. They formed the band Nancy and Beth in 2012. formed the band Nancy and Beth in 2012. They went on tour in March 2013. They are set to release their debut album just before a North American tour. Actress, singer, Emmy and Golden Globe Awards winner, MEGAN MULLALLY (Karen on NBC’s Will & Grace, Children’s Hospital, Party Down) . STEPHANIE HUNT (Friday Night Lights, Californication and How To Live With Your Parents For the Rest of Your Life). [Nancy and Beth played an Official Showcase at tFolk Alliance International Conference, February 15.] [Megan Mullally presented awards for the Best of 2016 Album, Song, and Artist of the Year, at the International Folk Music Awards, February 15, 2017 at the Westin Hotel in KC.]

11:00 – Station ID

18. (101.) Sudan Archives – “Oatmeal”
from: Sudan Archives / Stones Throw Records / July 14, 2017
[Self titled debut EP from LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

19. (100.) HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written, produced, performed by HighWesthus, and mixed & mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. Now based in Kansas City, in October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all 3 parts as one 29 song collection. HighWesthus is a freelance multimedia artist. He graduated from the KC Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays Forever Fest! with CS Luxem, Wendy Moira, Mazfield, Ovaries-eez, and Invisible Public Library, Saturday, Dec 9 at 10:00 PM at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

20. (99.) Judith Owen – “Somebody’s Child”
from: Somebody’s Child / Twanky Records / March 3, 2017
[11th studio album from Welsh born singer songwriter and co-founder of Twanky Records with her husband, Harry Shearer. This albums follows her 10th release “Ebb & Flow.” It features three of the four members of “The Section”: Leland Sklar on bass, Russell Kunkel on drums and Waddy Wachtel on guitar.] [Judith Owen played The Uptown Theatre, Friday, March 24, at 8:00 PM with legendary bassist Leland Sklar, in her band, opening for Bryan Ferry.]

21. (98.) Ariel Pink – “Feels Like Heaven”
from: Dedicated To Bobby Jameson / Kemado Records / September 15, 2017
[11th studio album LA’s prodigal songwriting son Ariel Pink. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.” Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.” Ariel Pink started as a visual artist before becoming a recording artist in the late ‘90s while attending Cal Arts. Drawing on iconoclasts and trailblazers like the Shaggs, the Cure, the Velvet Underground, Destroy All Monsters, Cabaret Voltaire, and R. Stevie Moore, Pink set himself to redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.” More info at: http://www.ariel-pink.com.]

22. (97.) Aimee Mann – “Patient Zero”
from: Mental Illness / Aimee Mann – SuperEgo Records / March 31, 2017
[9th solo studio release from Aimee Mann who was born September 8, 1960 and is a rock singer, singer-songwriter, bassist & guitarist. She was the bassist and a vocalist for the band ‘Til Tuesday during the 1980s and since then has primarily performed as a solo musician. She is married to Michael Penn. In 1999, Mann recorded original material for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned both Academy Award and Grammy Award nominations for the song “Save Me”. She negotiated a contract release from David Geffen and founded her own label, SuperEgo Records.]

23. (96.) The Life and Times – “dark mavis”
from: The Life and Times / Slimstyle Records / April 28, 2017
[5th full length studio album, and 10th release from Chicago based indie band formed in 2002. Current members include: Allen Epley, Eric Abert, and Chris Metcalf. Past members include: Rob Smith, John Meredith, and Mike Meyers. Band has toured with: The Appleseed Cast, Murder by Death, Pelican, Mono, Sparta, Pinback, Engine Down, and William Elliott Whitmore.]

24. (95.) The Hearers – “Five Seasons”
from: Five Seasons / The Hearers / September 6, 2017
[Third full length release from KC/Seattle/San Diego/Lawrence based band, made up of Darren Welch on bass, vocals, 12-string, keys; Marc Tweed on guitar, vocals, synth; David Moore on guitar, vocals, Hammond; Chris Braun on piano, cello, Hammond, ukulele, flute, vocals; Jay Kakert on harmonica, glockenspiel; Jeff Doom on electric guitar; Eric Mardis on pedal steel, banjo; Rob Veitch on drums, percussion, concert bass drum; Michael Walker on trombone, monotron, horn arrangements. With Additional horns from: Rich Wheeler on tenor sax, C melody sax; Brett Jackson on baritone sax; Nick Howell on trumpet. Recorded, mixed and mastered by David Moore at Merriam Shoals. Additional recording by Marc Tweed at SexDungeon Studio.][The Hearers played Outer Reaches Fest, at recordBar, Sat, September 30]

25. (94.) The Ants – “Calling In”
from: Golden Submarine / Beyond Records / October 13, 2017
[The Ants 10th release and their 8th full length album. Band member Chad Bryan says that “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. http://www.killtheants.com] [The Ants played a KC Release show at Holy Cow, Nov 12.]

26. (93.) Approach – “The Luv (Radio Edit)”
from: Elegant Knock / Datura Records / January 20, 2017
[Lawrence based Sean Hunt is Approach. Sequenced, Produced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lawrence. Sean Hunt writes: “Elegant Knock” started out as a beat album named after a production night I throw in Lawrence. It turned into a 10 track album that pays respect to a sound and vibe that I loved in High School. It isn’t a throwback project on some I wish it was 96′ ish, it’s a “why aren’t we still freaking these sounds now” thang. My original concept was flipped when I dug out my old Ensoniq EPS 16+ and started funking around. The next thing I knew I was making an album I wanted to rap on. I did all of the production on the EPS (everything and it’s was headache) and made a few mixing edits on the Ensoniq ASR-10 (mainly stereo pans). I pushed myself to use the tools of yesteryear to capture the feeling I was seeking out (it was a pain in the ass and I lost a ton of beats in the process). I loved every second of it though. I feel like it’s the perfect bridge between my Lincoln Marshall project with Milkdrop and my album “Antique Mall” (coming out soon).]

[Approach plays The Night Punk Stole Xmas the 3rd annual Hope House Toy Drive, Saturday December 9, at 7:00 PM at Revolution Records Kansas City 1830 Locust St, KCMO, with Hipshot Killer, Red Kate, Black Market Translation (Denver), Warm Bodies, and Nature Boys.]

27. (92.) Arc Flash – “Divination”
from: Carbon Copy/ High Dive Records / March 31, 2017
[Debut full length from Arc Flash. James Thomblison on lead vocals & guitar, and Mark Osman on drums & percussion. Music by Arc Flash. Mixed by Joel Martin & Arc Flash. Mastered by Mike Nolte. Album art by Tanner Spreer. Carbon Copy on CD & vinyl on High Dive Records and cassette on Whatever Forever. http://www.highdiverecords.com]

[Arc Flash play Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 15, at 10:00 PM]

28. (91.) Sauce – “Venus & Serena feat. Gee Watts”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City native Hip-Hop artist Sauce is also known as Royce Handy. “Summer Sauce” is his 3rd original release, it features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. He has released over 9 professional projects including a collaboration EP. He sold out his 2013 release party at 7th Heaven, landed on a billboard chart, has featured on various hip-hop blogs, and his anti- violence hit “Gunshots” has been featured on Hot 103 Jamz, 95.3 FM, 90.1 FM. Recently, he organized his first regional tour that included St. Louis, Tulsa, Oklahoma, Salina, Kansas and many other Kansas City metro venues.]

[Sauce plays live at the KC Streetcar Holiday Jam w/Sauce, Friday December 8, at 6:00 PM to 8:00 PM, at KC Power & Light District KC Streetcar Stop (14th & Main). It’s Downtown Dazzle time and the KC Streetcar is a great way to enjoy all things festive in downtown Kansas City.]

[Sauce and Gee Watts play THE GIVE BACK: A Harvesters FOOD drive at miniBar Saturday, December 9, at 8 PM, at miniBar, 3810 Broadway Rd, Free Entry with Three Non Perishible Food Items, Hosted by Reach, with LIVE performances by: Heartfelt Anarchy, Terence Tyrone, Shawn Majors, and Clark Roosevellte.]

29. (90.) Deerhoof – “I Will Spite Survive (ft. Jenn Wasner)”
from: Mountain Moves / Joyful Noise / September 8, 2017
[itchfork went so far as to label Deerhoof as “the best band in the world.” From their humble beginnings as an obscure San Francisco noise act, they’ve become one of indie music’s most influential bands with their ecstatic and unruly take on pop. Formed in San Francisco in 1994. Deerhoof currently consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Initially performing improvised noise punk, Deerhoof became widely renowned and influential in the 2000s through prodigious and self-produced creative output combining “noise, sugary [pop] melodies, and an experimental spirit into utterly distinctive music”. They have released 14 studio albums since 1997. Their live shows are characterized by minimal gear, maximal volume, and surrealist banter.][Deerhoof played Outer Reaches Fest, at recordBar, Friday, September 29.]

30. (89.) The War On Drugs – “Knocked Down”
from: A Deeper Understanding / Atlantic Recording / August 25, 2017
[The 4th studio album from Philadelphia, Pennsylvania, band formed in 2005. The band consists of Adam Granduciel (vocals, guitar), David Hartley (bass), Robbie Bennett (keyboards), Charlie Hall (drums), Jon Natchez (saxophone, keyboards) and Anthony LaMarca (guitar). Founded by close collaborators Granduciel and Kurt Vile, The War on Drugs released their debut studio album, Wagonwheel Blues, in 2008. Vile departed shortly after its release to focus on his solo career. The band’s second studio album Slave Ambient was released in 2011 to favorable reviews and extensive touring. Written and recorded following extensive touring and a period of loneliness and depression for primary songwriter Granduciel, the band’s third album, Lost in the Dream, was released in 2014 to widespread critical acclaim and increased exposure. Previous collaborator Charlie Hall joined the band as its full-time drummer during the recording process, with saxophonist Jon Natchez and additional guitarist Anthony LaMarca accompanying the band for its world tour.]

31. (88.) Salty – “Hello Paradise”
from: Preservation Blues / Independent / February 8, 2017
[Salty is formerly know as Lil Toughies. Formed in early 2016 with Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synthesizers & sound terror, Andy Erdrich on bass, Ethan “macho man” Savage on drums. Recorded by Jonathan Brokaw. Mixed by Tim Harte and Jonathan Brokaw. Mastered by Tim Harte. all lyrics by Jonathan Brokaw. The current line up includes: Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synth & sound terror, Ethan “macho man” Savage on drums, Jesslay Huh on bass & texture. More info at http://www.saltykcmo.bandcamp.com ] [Salty played two Preservation Blues, Album Release Shows: Friday, April 28, at Mills Record Company, and Saturday, April 29, at Blind Tiger]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Please tune into Wednesday MidDay Medley throughout December as we present our 4-week special: The 117 Best Recordings of 2017 on December 6th, 13th, 20th, and 27th. Next week, we continue with part 2 of our 4 week series, we’ll hear representative tracks from: Hembree, Black Stacey, Claire Adams, Via Luna, Salar Rajabnik, Sky Smeed, The MGDs, Pink Royal, Soul Revival, Nick Siegel, Wick & The Tricks, Pageant Boys, Keaton Conrad, Truck Stop Love, The Good Hearts, Pieta Brown, Joon Moon, Mount Eerie, The Souljazz Orchestra, This Is the Kit, Mavis Staples, The Safes, The Weather Station, Dirty Projectors, The Como Mamas, Las Cafeteras, Laura Marling, Big Thief, and Adult Mom.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #711

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Wednesday MidDay Medley presents: The 117 Best Recordings of 2017 (Part 1 of 4)

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 6, 2017

The 117 Best Recordings of 2017
(Part 1 of 4)

Wednesday MidDay Medley presents part-one, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from over 360 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 6th, 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

This Wednesday, we’ll count down #117 through #88 of our list, with music from: HighWesthus, The Hearers, Arc Flash, The Life and Times, Approach, Sauce, Salty, Westerners, Golden Groves, The Ovaries-eez, The Dear Misses, Violent Bear, The Ants, Mene Mene, Bobby Sauder, Ivy, JohnnySuperColossal, The War on Drugs, Aimee Mann, Ariel Pink, Judith Owen, Nancy and Beth, Combo Los Yogas, The Coathangers, Sudan Archives, Looming, Deerhoof, Cindy Wilson, Ramy Essam, and Ani DiFranco.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #711

WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705

WMM Playlist from August 30, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt joined us as “Guest Producer.” For more than 13 years Marion Merritt has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

We also talked with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Heliocentrics – “The Sunshine Makers”
from: The Sunshine Makers (Original Motion Picture Soundtrack) / Soundway Records / 2017

4. Mulatu Astatke & The Heliocentrics – “Masenqo”
from: Inspiration Information 3 / Strut!K7 / 2009

5. Mulatu Astatke – “Yègellé Tezeta (My Own Memory)”
from: Éthiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale (1969-1974) / Buda Musique /98

6. Laurel Halo – “Moontalk”
from: Dust / Hyperdub / 2017

7. Laurel Halo – “Jelly”
from: Dust / Hyperdub / 2017

10:32 – Underwriting

8. Clement Djimogne – “Africa”
from: Pop Makossa (The Invasive Dance Beat of Cameroon 1976 – 1984)/2017 Analog Africa

9. Pasteur Lappe – “Na Real Sekele Fo’ Ya”
from: Na Man Pass Man / Africa Seven / 2017

10. Danny Offia & The Friks – “Funk with Me”
from: Doing It in Lagos: Boogie, Pop & Disco in 1980’s Nigeria / PMG / 2017

10:57 – Station ID

11. This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / 2017

12. This Is the Kit – “Bullet Proof”
from: Moonshine Freeze / Rough Trade / 2017

13. Come On – “Housewives Play Tennis”
from: The Come On Story / Manufactured Records / 2017

14. Television Personalities – “Games for Boys”
from: They Could Have Been Bigger Than the Beatles / Fire Records-Velvel Records / 1997 [2017 Fire Records]

15. Lewis Parker – “The Glass Ceiling (Main Theme)” [Instrumental]
from: The Puzzle: Episode 2 – The Glass Ceiling (Instrumentals) / King Underground / October 19, 2014 [Reissued by King Underground 2017]

16. Madlib – “Movie Finale”
from: Beat Konducta, Vol. 3 & 4: In India / Stones Throw / August 21, 2007

17. The Beginner’s Mynd – “Don’t Lose Your Mind”
from: Don’t Lose Your Mind / 13 O’Clock / 2017

18. The Kaisers – “Wishing Street”
from: Wishing Street / No Hit / 1998 [Revolver Music / 2017]

Marion Merritt thanks for being with us on WMM. Coming up we talk w/ Ada Brumback

11:29 – Underwriting

19. BEDROOM WOUNDS – “Exist In The Night”
from: Bedroom Wounds / Error/Records / January 6, 2017

[Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man & the Reactors.

11:35 – Interview with Ada Brumback

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar in the band Bedroom Wounds. Ada Brumback plays drums and has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant.

Ada Brumback thank you for being with us on Wednesday MidDay Medley

Bedroom Wounds started as a solo recording project of Kristian Kyle Ratliff during his time in Springfield, IL. Formerly of the emo-rock band Our Lady 2010 to 2016, (Mayfly Records) With Bedroom Wounds, Kristian Kyle Ratliff, “furthered expressions of inner strife through the darkened tunnel that is loss. From dealing with these feelings personally, to watching loved ones engulfed in pain, Ratliff has formulated a sonic aura of unsettling proportions.” All tracks created by Kristian Kyle Ratliff. Recorded, mixed, and mastered by Brandon Carnes at Southtown Studios in Springfield, IL.

Bedroom Wounds is now a 4-piece band in Kristian Kyle’s new home of KC, MO. Ada Brumback plays guitar in the band.

Ada Brumback has collaborated as videographer for the Springfield, Illinois band, Looming.

11:44

20. Looming – “Down”
from: Seed / No Sleep Records / September 29, 2017
[1st single from the upcoming release of Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to theor debut full-length album, Nailbiter that came out in August 14, 2015.]

[Jessica Knight (of Looming) plays Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Bedroom Wounds, Prince Daddy and the Hyena, and Natural Man & the Reactors.]

11:56

21. Told Slant –”Lack”
from: Still Water / Double Whammy Records / August 5, 2012
[Told Slant is the songwriting project of Felix Walworth (They/Them), Brooklyn based lyricist, producer, and founding member of The Epoch arts collective. Walworth started the project in 2011 as a means of marking a stylistic shift in their songwriting, specifically a shift toward understated, ambling arrangements and simple, illustrative lyrics. Told Slant’s debut LP, Still Water, was self-released in 2012, then re-released and pressed to vinyl by Broken World Media in 2014. The band released their follow full-length record, Going By, with Double Double Whammy in the summer of 2016. Though Told Slant functions more like a “solo project” in its recorded state, its live incarnation is arranged and performed by Walworth and Epoch co- collaborators Emily Sprague of Florist (She/Her, They/Them), Oliver Kalb of Bellows (He/Him), and Gabrielle Smith of Eskimeaux (She/Her). Sprague, Kalb, and Smith bring their particular sets of influences and intuitions to the band’s live sets in a way that draws out more energetic and dynamic arrangements from the songs. Told Slant’s members live in Brooklyn, NY, and tour actively.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on September 6, 90.1 FM Development Director, Bill Sundahl joins us for a 2-hour show spinning music from 18 artists playing the 13th Annual Crossroads Music Fest, Saturday, September 9, featuring over 60 bands & artists, on 9 stages, all in a 3-block area.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #697

WMM is Spinning Records with Marion Merritt + Ada Brumback

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 30, 2017

Spinning Records With Marion Merritt
+ Ada Brumback

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: This Is The Kit, Laurel Halo, Mulatu Astatke & The Heliocentrics, Pastuer Lappe, Kelly Lee Owens, The Kaisers, Madlib, Jane Weaver, Come On, Television Personalities, The Beginner’s Mynd, Lewis Parker, Danny Offia & The Friks, Clement Djimogne, Don Drummond, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Ada Brumback

At 11:30 Mark talks with Kansas City based musician, freelance videographer and editor, Ada Brumback, who plays guitar in the band Bedroom Wounds. Ada Brumback also plays drums and she has collaborated with the Springfield, Illinois band, Looming; the Chicago band, Cold Country; and area singer songwriter Doby Watson. Ada also works at Black Lodge Recording studios in Eudora, Kansas, owned by Lawrence based, international recording artist Kawehi. Ada Brumback joins us to share tracks from Bedroom Wounds, Looming, and Told Slant. Bedroom Wounds play Records With Merritt, on Wednesday, August 30, at 7:00 PM, with Runaway Brother, Jessica Knight (of Looming), Prince Daddy and the Hyena, and Natural Man and the Reactors.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #697