About Mark Manning

For 12 years Mark Manning has served as Coordinator of the KCK Organic Teaching Gardens, an Initiative of The University of Kansas School of Medicine, Office of Cultural Enhancement and Diversity, Health Careers Pathways Program, K-12. Each year Mark works with 1000 to 2000 students, between K through 8th grades, with organic, "raised bed" gardens built directly on the school grounds of three Middle Schools and four Elementary Schools in the inner city of the Kansas City, Kansas school district. Mark conducts over 300 workshops annually in classrooms at these schools. He started the project under the guidance of Marcia Pomeroy, in 1999, after working in a literacy program. The KCK Organic Teaching Gardens has been financially supported through grants from The Kauffman Foundation, and The University of Kansas Medical Center. The project has been recognized locally and nationally by The National Gardening Association, The Kansas City Star, The Kansas City Community Gardens, The Green Bliss Festival, The Urban Farm & Garden Tour, and on the PBS television program America's Harvest. Mark learned about gardening from his grandmother Edna Jacobsen on the family's McCool Junction, Nebraska farm. His grandmother raised a huge garden, chickens, sheep and cattle. She preserved apples, wild berry jams, and beets and virtually everything she grew was canned for consumption in winter months. Edna raised seven children with no running water and as a child lived in a sod house. His passion for the school gardening program has been fueled by the fact that he doesn't see the lessons he learned from his grandmother passed down to kids today. Kids need to know where their food comes from, especially with the rise of diabetes, and over weight Americans. We can all learn from our gardens how to treat ourselves and the world better.

WMM presents Claire Adams + Frank Alvarez + Wick Thomas

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

Mark plays more New & MidCoastal Releases from: Shy Boys, Vedettes, Mess, Calvin Arsenia, Mae C, Kasey Rausch, Claire Adams & The Classical Revolution, Wick & The Tricks, The Uncouth, Red Kate, Lenny Lashley’s Gang Of One, Mavis Staples, Laurie Spiegel, Mercury Rev featuring Rachell Goswell, and Queen.

At 10:30 Claire Adams joins us to talk about her new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she will perform with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Rewound is Carmen Dieker violin, Alyssa Bell viola, and Ezgi Karakus cello. Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. Special guest Alyssa Murray opens the show. More information at: http://www.claireadamsmusic.com

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

At 11:00 Frank Alvarez joins us to talk about Sister Anne’s – Records and Coffee, the new record store Frank opened with business partner and friend James Oshel at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. More information at: http://www.sisterannes.com

At 11:30 Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #774

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WMM Playlist from February 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback, Anna Selle & Bandwaggn

Marion Merritt

Marion Merritt returns as our special “Guest Producer.” For almost 15 years now, Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Bevis Frond – “Lead On
from: We’re Your Friends Man / Fire Records / December 7, 2018
[26th studio album from The Bevis Frond, a British musical group whose range covers hard edge to melancholy vintage indie rock to poetic, “classic-rock” songcraft. Nick Saloman is the band’s frontman and songwriter. They have recorded many singles and albums on various independent labels since 1987. Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12″ single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else. He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they’d been selling the album quite briskly. Saloman’s desire was to “record the kind of music I’d like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.” Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies. In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.]

4. Baxter Dury, Delilah Holliday & Etienne de Crécy – “Walk Away”
from: B.E.D / Pias America / October 26, 2018
[Debut recordings of collaborative trio of French producer Etienne de Crécy on electronic textures, with vocalist Baxter Dury’s and singer Delilah Holliday (of London band Skinny Girl Diet). Baxter Dury told the press, “Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It’s an unlikely mix that works because its short, simple and honest.”]

5. Big Wild – “6’s to 9’s (feat. Rationale)”
from: Superdream / Counter Records / February 1, 2019
[Debut album from Big Wild who is Jackson Stell, an electronic DJ, producer, composer, and engineer. Stell was born in Lancaster, Massachusetts. Stell set out on his own tour in Spring 2017, hitting 27 dates around America. Rational is Matthew Cameron Brotzel, a Canadian hip-hop artist from Saskatoon, Saskatchewan. On March 30, 2010, RationaL released his debut single “Cocaine Cowboy” from his debut album, The BirthWrite LP. The song garnered a 2010 Sphere of Hip-Hop award for “Song of the Year”, co-winning the honor alongside 2011 Juno Award winner and fellow Canadian rapper, Shad (“Rose Garden”). July 17, 2012 the rapper released The BirthWrite LP under his own independent imprint, Ear RationaL Music. The album featured guest appearances from Quannum Projects recording artist Pigeon John, former Rawkus Records artist and member of The Procussions, Mr. J. Medeiros, Relic, Theory Hazit and Ohmega Watts. In the fall of 2007, RationaL began the writing and recording process for his debut album, The BirthWrite LP. The album charted as high as #2 on the !earshot hip-hop charts. Although The BirthWrite LP is officially considered RationaL’s debut album, there was a free promotional album released on July 20, 2010 entitled Hard Labor: The BirthWrite Prequel that circulated locally and was made available online. The BirthWrite LP is most notable for the award-winning lead single “Cocaine Cowboy”. On July 23, 2013, RationaL reached an exclusive agreement with the Toronto Blue Jays and Major League Baseball to release his new single, “A Swing and a Belt”, dedicated to the late Hall of Fame voice of the Blue Jays, Tom Cheek. Cheek called a Major League record 4,306 consecutive games for 28 straight seasons on the Toronto Blue Jays Radio Network from April 7, 1977 to June 2, 2004. Produced by Imperial, “A Swing and a Belt” received high-praise from former World Series hero Joe Carter. Former Jays manager and current Sportsnet play-by-play man Buck Martinez also raved about the song. Martinez stated, “RationaL has captured everything that Tom Cheek was in regards to baseball. He had his passion, he understood his love of the game, he understood all the great moments in Tom Cheek’s broadcasting career. He weaves them into “A Swing and a Belt” in such a way that it brings back so many memories for fans, baseball people and media people that really captures the essence of Tom Cheek’s career with the Blue Jays. I don’t think it could have been done any better.”[citation needed] In addition, Sportsnet aired a clip of the song during the Blue Jays game versus the Houston Astros on July 27, 2013. “A Swing and a Belt” is also the lead single from RationaL’s upcoming album entitled Hell or High Water, scheduled for release soon on Ear RationaL Music. Confirmed collaborators for the record thus far include Mr. J. Medeiros, Factor, Imperial, Josh Palmer and Juno Award-winning producer and emcee, Relic.]

6. Kristen Hersh – “Lax”
from: Possible Dust Clouds / Fire Records / October 5, 2018
[The 11th solo album from Martha Kristin Hersh was born August 7, 1966, in Atlanta, Georgia. She moved to Newport, Rhode Island when she was six years old. Her father was a professor at Salve Regina University in Newport and her mother a special educational needs teacher. She was interested in music at an early age and wanted to learn guitar chords so her father gave her a guitar when she was nine. Her parents separated when Hersh was 11 and her mother married the father of her best friend Tanya Donelly. Hersh talked Donelly into starting a band, then called The Muses when they were 14. Throwing Muses was formed in 1981 when Hersh and Donelly were freshmen in high school. Friends from school, including Elaine Adamedes, Becca Blumen, Leslie Langston and David Narcizo, were part of the group with Narcizo becoming a long-term member. Hersh initially wrote and sang most of Throwing Muses’ songs, often in changing tempos. Donelly also contributed songs and lead vocals. Hersh attended Salve Regina University, majoring in archetypal psychology and philosophy, and the Rhode Island School of Design, but dropped out shortly before graduating to establish the band in Boston, Massachusetts, where they had been playing on weekends. While at Salve, Hersh befriended film actress Betty Hutton, who was attending the school in her 60s; Hutton also attended several early Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on the British label, and released their first EP Chains Changed in 1986. Two releases followed, The Fat Skier and the album House Tornado. The 4AD Throwing Muses biography describes its sound at the time as “… joining the dots between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns.” For the Throwing Muses 1986 UK tour, the Boston-based Pixies, embarking on their first European tour, was the opening band. The band signed a U.S. deal with Sire/Reprise Records in 1987 and began touring the U.S. and Europe while recording albums, with Hersh writing most of the songs. The band became a trio when Donelly left the group after 1991’s The Real Ramona. In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. After receiving some airplay and major media coverage for the Throwing Muses album University in 1995, Hersh moved to Rykodisc for the band’s 1996 album, Limbo, and released her solo album, Strange Angels in 1998. To better control her career and the distribution of her recorded material, she created the ThrowingMusic label with then-husband and manager Billy O’Connell in 1996. This enabled her to co-release some of her projects, including an ongoing download-subscription service called Works in Progress (WIP) for releases available through the label’s website. Hersh continued to offer her solo releases online, releasing “Sky Motel” in 1999. By the mid-90s, David Narcizo became Throwing Muses’ permanent drummer, still playing in the band whenever they tour. Throwing Muses functions as a noncommercial musical enterprise, focusing on touring over record sales and airplay. In a 2014 interview, Hersh stated, “As far as I’m concerned, music is not a commodity. It’s something that people have earned by being human. They have a right to hear it, and a right to share it, as they always have in churches and parties. That’s how music happens. Hersh has said her parents’ album collections, featuring Patti Smith, the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, The Clash, Steve Miller, The Beatles, Philip Glass, and traditional music all influenced her when she was growing up. Among her early contemporary musical influences are The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hüsker Dü, Velvet Underground, R.E.M., and X. Hersh was married to her former manager Billy O’Connell for 25 years until they divorced in 2013. She has four sons. Hersh has talked openly about her bouts with mental illness and its role in her musical process. A car accident at age 16 while she was riding her bicycle gave her a double concussion that affected the way she heard sounds. She described it as hearing ambient sounds continuously and “…the sounds would alter their sonic vocabulary until I was hearing syllables, and drums. And then all these words would come.” She’s stated that hearing “pieces of songs” in her mind compelled her to take the pieces apart and craft songs from them. She also claims that she doesn’t remember writing her early songs—that “they wrote her.” She’s had more than one diagnosis (and misdiagnoses) for her condition, including schizophrenic disorder, bipolar disorder, and most recently post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing (EMDR) therapy.]

7. Kristen Hersh – “No Shade in Shadow”
from: Possible Dust Clouds / Fire Records / October 5, 2018

10:32 – Underwriting

8. Antena – “Camino del So”
from: Antena: Camino del Sol / Numero / 2019
[Originally released in September, 1982] [Antena: Camino Del Sol is the second compilation album by The Numero Group (NUM002), based on a mini-album originally released in September 1982. It features tracks by French-Belgian trio Antena who were then signed to Belgian label Les Disques Du Crepuscule. Antena featured Isabelle Antena, a pseudonym for Isabelle Powaga, who is a cult figure known for her song “Say I Believe In It.” The re-release contains re-mastered tracks, B-sides and two previously unreleased songs.]

9. Boogarins – “Onda Negra”
from: Lá Vem a Morte / OAR / June 9, 2017
[Boogarins are a Brazilian psychedelic rock band formed in 2013 by Dinho Almeida (vocals, rhythm guitar) and Benke Ferraz (solo guitar). Later they were joined by Hans Castro (drums) and Raphael Vaz (bass guitar), forming a four-piece. In 2014, Ynaiã Benthroldo replaced Hans as drummer. Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013. A second album followed in 2015. The band took their name from a jasmine flower in Brazil. On June 7, 2017, the band’s third album Lá Vem a Morte was released on YouTube as a surprise for the fans. It was elected the 9th best Brazilian album of 2017 by the Brazilian edition of Rolling Stone. They have a new album titled Sombrou Dúvida to be released in 2019]

10. Sharon Van Etten – “I Told You Everything (Edited)”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

11. Hand Habits – “placeholder”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

10:59 – Station ID

12. Cass McCombs – “I Followed the River South to What”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

13. M. Ward – “Shark”
from: What a Wonderful Industry / M. Ward Records / June 8, 2018
[Matthew Stephen “M.” Ward was born October 4, 1973 and raised in Ventura County, California. He moved to Portland, Oregon after college. Growing up, Ward taught himself songs by The Beatles on his brother’s guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens. M. ward is a singer-songwriter and guitarist who is known for his folk and blues-inspired Americana analog recordings. He has released nine albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. More info at: http://www.mwardmusic.com]

14. The Glands- “Lovetown”
from: The Glands / Capricorn Records / 2018
[Originally released on August 1, 2000 on New West Records][The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in 2000 on Capricorn Records and reissued on Velocette Records in August 2001. The Glands’ unique sounds recalled a variety of influences, including the Kinks, the Who, and The Rolling Stones. The song “Livin’ Was Easy” was featured in the DVD Let America Laugh by comedian David Cross. The band reunited for a brief east coast tour in late 2011, playing several dates with Yo La Tengo. Ross Shapiro, singer, guitarist, and founding member of The Glands, died in March 2016 following a battle with an illness.]

15. The Glands – “I Can See My House from Here”
from: The Glands / Capricorn Records / 2018 [original – Aug. 1, 2000 on New West Records]

16. Lucy Dacus – “Night Shift”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”]

17. boygenius – “Me & My Dog”
from: bygenius / Matador / October 26, 2018
[indie rock supergroup formed by Julien Baker, Phoebe Bridgers, & Lucy Dacus. Their self-titled debut EP was written and recorded in four days at Sound City Studios in Los Angeles. In November 2018, Baker and Bridgers hit the road in North America for a co-headline tour, with Dacus opening. Each artist played her own individual set of tunes. The tour kicked off at Nashville’s Ryman Auditorium on November 4th, and traveled through the Northeast, Midwest, and West Coast, culminating at The Wiltern in LA on November 30.]

18. Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

11:37 – Underwriting

11:39 – Interview with Ada Brumback & Anna Selle

Ada Brumback & Anna Selle of Bandwaggn Kansas City on the February 13, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar, bass, and some keyboards in the band, Chase The Horseman. Ada Brumback used to play drums in the band Bedroom Wounds. Ada has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson.

Anna Selle is editor and founder of HearQueer, an online and print publication that amplifies queer voices in music. The first issue was launched June 30, 2017, and Anna is getting ready to release issue #4 this spring. Anna also serves s staff photographer for Playlistplay. She studied Art History at Truman State University. Anna is one of the co-founders of Bandwaggn. More info at: http://www.hear-queer.com

Ada Brumback and Anna Selle join us today to talk about Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

Ada Brumback and Anna Selle thank you for being with us on Wednesday MidDay Medley

Their first fundraiser: Valentine’s Day Formal: A Benefit for Bandwaggn, February 15, at Stray Cat Film Center has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

Bandwaggn’s mission “…is to create a youth-centered arts and social justice organization, creating a Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.”

The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Bandwaggn’s goal is to host at least 20 kids at the camp June 2020.

Bandwaggn strives to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes they hope to see include community building and empowerment among our youth participants.

Bandwaggn sees a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.” It’s our goal to become a member of the national Girls Rock Camp Alliance https://www.girlsrockcampalliance.org/

Valentine’s Day Formal: A Benefit for Bandwaggn, originally scheduled for Friday, February 15, at Stray Cat Film Center, has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

11:56

19. Mercury Rev – “Big Boss Man”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 20, Claire Adams joins us to talk about her show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, with string quartet, Rewound, performing Adams’ original songs as arranged by Peter Lawless with special guest Alyssa Murray opening the night. ALSO…Frank Alvarez joins is to talk about the new record store Sister Anne’s – Records and Coffee that he has opened with Jim Oshel at 901 East 31st Street, KCMO named after Anne Winter who owned Recycled Sounds a record store where they both worked. ALSO next week, Wick Thomas joins us to share details about A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #773

WMM is Spinning Records With Marion Merritt + Ada Brumback & Bandwaggn

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback & Bandwaggn

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: The Bevis Frond, Baxter Dury, Delilah Holliday & Etienne de Crécy, Big Wild, Kristin Hersh, Antena, Boogarins, Sharon Van Etten, Hand Habits, Cass McCombs, M. Ward, The Glands, Lucy Dacus, boygenius, Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers, Throbbing Gristle, The Daktaris, Mulatu Astatke, and more!

At 11:30 Mark and Marion talk with Ada Brumback about Valentine’s Day Formal: A Benefit for Bandwaggn, Friday, February 15, at 7:00 PM, at Stray Cat Film Center, 1662 Broadway Blvd, KCMO. This is the first official fundraiser for Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #773

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM presents Betse Ellis, Marion Merritt, Keaton Conrad & Todd Albright

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

Mark plays The MidCoast Sound from: The Philistines, Calvin Arsenia, Bob & Una Walkenhorst, The Buhs, Akkilles, Kat King, Hembree, Stacy Busch, Betse Ellis, Keaton Conrad, Digital Leather, Todd Albright, and Motherfolk.

Betse Ellis

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke returns to Wednesday MidDay Medley for the entire show as our special guest co-host.

Marion Merritt

Marion Merritt, longtime contributor to Wednesday MidDay Medley, and founder of Records With Merritt, also joins us as special co-host with Betse to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio during our Winter Fund Drive Show.

Keaton Conrad

At 10:35, Mark talks with Kansas City recording artist, Keaton Conrad who has been regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Friday, February 1.

Todd Albright

At 11:15 we talk with Third Man Records recording artist, Todd Albright a Detroit, Michigan based, twelve-string finger-style guitarist who specializes in country blues. Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly. Todd’s history playing the blues reaches over 25 years. Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. Todd Albright plays Records with Merritt, 1614 Westport Rd, KCMO, on Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #772

WMM Playlist from Jan. 30, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit
+ Drew Black & Killer City

Kim Stanton, Betse Ellis, Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Ex Hex – “Cosmic Cave”
from: It’s Real / Merge Records / Expected March 22, 2019
[Second album from three piece band formed in Washington DC in 2013. The band consists of Mary Timony lead vocals & guitar & songwriting, Betsy Wright on bass & songwriting, and Laura Harris on drums. Ex Hex released its first album, Rips, on October 7, 2014 on Merge Records. The band opened for Speedy Ortiz in Montreal in 2014. Ex Hex performed at Coachella 2016. The band takes its name from one of Timony’s solo albums. Mary Timony has been an important member of the bands: Helium, Wild Flag, Autoclave, and Mary Timony Band. She writes most of Ex Hex’s songs.]

3. Radar State – “Strays”
from: Strays / Wiretap Records / January 11, 2019
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals.]

[Radar State play a Record Release Show at recordBar, 1520 Grand, KCMO, Friday, February 1, doors at 7:30 with The Whiffs, and Hip Shot Killer.]

4. Jeff Tweedy – “I Know What It’s Like”
from: WARM / dBpm Records / November 30, 2018
[Solo debut of Wilco frontman and producer of recent Mavis Staples albums. This new record was released just weeks after Jeff Tweedy’s memoir, “Let’s Go (So We Can Get Back)” was released.]

5. Sharon Van Etten – “Seventeen”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

6. Keaton Conrad – “I Think I Fell in Love with You”
from: I Think I Fell in Love with You – Single / Keaton Conrad / Jan. 11, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[Keaton Conrad plays an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.]

7. Miki P – “Home”
from: Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P plays Voltaire, 1617 Genessee, Tonight, Wed, Jan 30, at 10 w/ Jackson Grimm, & Dylan Moses]

10:29 – Underwriting

8. Killer City – “Summer Drug”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

9. Killer City – “Invisible Ship”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

10. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

[Mikal Shapiro & Musical Band play Californos, Sat, Feb 2, 9PM w/ Under The Big Oak Tree, Gullywasher.]

11:42 – Interview with Drew Black

Drew Black

We just heard new music from Kansas City based musician Drew Black who joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Drew Black, thanks for being with us on Wednesday MidDay Medley

Killer City formed in late 2017 as Drew Black and Dirty Electric dissolved.

Drew just felt it was time to move on from that band and force himself to write new songs. It was either going to be artistic suicide or a rebirth. Luckily, it was a rebirth.

Band members include:

Zach Hodson who played guitar in Drew Black and Dirty Electric now plays drums in Killer City.

Byron Humann, who also plays in Knife Crime and the Cure tribute band Magnificent, plays bass.

Alex Yoffie from Martian Martian Martian and Appropriate Grammar plays lead guitar.

Drew Black describes Killer City as goth stoner rock with a dance beat. He says “We sound rootsy and furious… and we’re loud.”

Drew Black, thanks for being with us on WMM.

Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

10:55

11. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson (Leonard Cohen: I’m Your Man) and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.]

11:00 – Station ID

12. Krystle Warren – “Station ID”

11:00 – Interview with Krystle Warren, Brad Cox and Jennifer Owen

Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being with us on WMM

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Krystle released, Three The Hard Way last year, co-producing by Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

11:14

13. Barclay Martin, Krystle Warren, Lauren Krum – “An Old Letter”
from: unreleased recordings of songs from the show / written by Brad Cox

We are talking with Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” at the MTH Theater at Crown Center, Feb 1-3.

“What Keeps Mankind Alive?” is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama The Threepenny Opera (Die Dreigroschenoper) which premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The title refers to the central line from the finale of act 2, “Denn wovon lebt der Mensch?”. In the opera, the two stanzas of the strophic piece are sung by Macheath and Mrs Peachum and the final line is sung in fortissimo by the chorus. It is an agitprop socialist anthem expressing that the comfortable lifestyle enjoyed by the rich is paid for by the suffering of the masses. The lyrics begin: “You gentlemen who think you have a mission / To purge us from the seven deadly sins / Should first sort out the basic food position / Then start your preaching, that’s where it begins.” The song ends with the conclusion, “For once you must not try to shirk the facts / Mankind is kept alive by bestial acts.”

The song has been covered by Tom Waits (on the 1985 album Lost in the Stars: The Music of Kurt Weill, and again on the 2006 album Orphans: Brawlers, Bawlers & Bastards), the Pet Shop Boys (as a B-side on the single “Can You Forgive Her?” and on the 1995 compilation album Alternative), William S. Burroughs (in the 1994 documentary September Songs – The Music of Kurt Weill), and others. The opening chapter in The League of Extraordinary Gentlemen, Volume III: Century is named “What Keeps Mankind Alive?”.

Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from Kurt Weill and Bertolt Brecht is brought to life with dance, music and vocalists: Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances at the MTH Theater at Crown Center, 2450 Grand Blvd., KCMO. Friday, Feb 1 and Saturday, Feb 2 at 8:00pm, and Sunday, Feb 3 at 2:00pm. For info: http://www.owencoxdance.org

11:29 – Underwriting

11:31 – Interview with Betse Ellis and Kim Stanton

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 they released a special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

KIm Stanton

Kim Stanton is Executive Director of Rural Grit who with Mark Smeltzer, Principle Musician of Rural Grit is the mom of Noah. Kim is also a teacher in Kansas City with over 25 years of experience in classrooms. Kim received her Bachelor in Science from Northwest Missouri State University in 1987. Kim is also an angel, who volunteers herself for many non-profit community organizations, and who helps so many of her friends, is a huge supporter of the area music community.

Kim Stanton, thanks for being with us on Wednesday MidDay Medley

Kim Stanton & Betse Ellis are with us to share details on The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Trouble in Mind, formed in Maryville, MO in 1990 created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting Feb 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since.

Rural Grit is dedicated to the promotion, performance, and preservation of roots music.

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:39

16. Betse Ellis – “Question to Lay Your Burden Down”
from: High Moon Order / Free Dirt Records / June 14, 2013
[2nd solo release from renowned fiddler, Betse Ellis, known by many as a founding member of The Wilders. This recording was number 3 on WMM’s list of The 113 Best Recordings of 2013.]

[Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

11:42 – More Interview with Betse Ellis and Kim Stanton

Betse Ellis and Kim Stanton have a busy week

The Bridge 90.9 Tim Finn Thursdays – Thursday, January 31 from 4-5pm

Winter Potluck Gathering – Saturday, February 2 from 6-9pm @ First Lutheran Church (basement) 6400 Stateline Road, Mission, Kansas – Potluck. BYOB. Space for instruments. Stage for inpromptu performances. It’s a lowkey, winter Tick Fest.

Westport Saloon- Saturday, February 2 from 12-2am – Rural Grit All-Stars

Rural Grit Happy Hour 20th Anniversary Opry Show – Monday, February 4 from 6-9:30pm @ the Brick – Leo & Roger Eilts will host this Opry style evening. Wear your fancy duds, finery or superduper stage clothes. 20 slots available if you’d like to participate. Kim will finalize the playlist on Sunday, February 3. No guarantees for drop-ins. If you want to participate, let me know via email: kimruralgrit@gmail.com.

List of interested participants

Jason Beers // Betse & Clarke // Brett & Susan // David Regnier // Dually Jukes // Paul & Nancy // Val & Tim // Kasey Rausch // Mikal Shapiro // Sean Ewbank // Kelly Hunt // Howard Iceberg // John Greiner // Barry Lee // Scott Stanton // Bob & Diana // High & Dry // Grassfed

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:50

14. Howard Iceberg & The Titanics – “Flowers in May”
from: Kansas City Songs / Independent / September 25, 2016
[26 new songs written by Howard Iceberg and Recorded by Phil Wade at Alluvial Fan Studio; and Pat Tomek at Largely Studios. Mixed by Pat Tomek at Largely Studios. Howard Iceberg on vocals, harmony vocals, guitar & harmonica; Chad Rex on guitar & vocals; Betse Ellis on violin, viola, cello, vocal, mandolin & tenor guitar; Clarke Wyatt on banjo, piano & organ; Chad Brothers on guitar & vocals; Brett Hodges on bass, vocals & mandolin; Phil Wade on dobro, guitar, mandolin, & lap steel, Johnny Hamil on bass; Mike Ireland on vocal & bass, Dan Mesh on guitar; Kasey Rausch on guitar & vocal; Mikal Shapiro on guitar & vocal; Josh Mobley on keyboards; Grisha Sandomirsky on violin; Erin Corriveau on vocals; Mary Pickert on vocals; Brendon Moreland on keyboards. Howard Iceberg writes in the liner notes to this collection: “You can hear a lot of these cats play most Monday nights at The Brick.”All songs written, performed, and recorded in Kansas City.]

We are talking with Betse Ellis and Kim Stanton about The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Betse Ellis and Kim Stanton thanks for being with us again on WMM

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:55

15. Freight Train Rabbit Killer -“The Tree of the Knowledge of Good + Evil”
from: Old Man of the Mountain – 7″ Single / Haymaker Records / 2018
[Side A of Volume 2 of a 4-part 7″ vinyl release called, Wake Snake Death Dance. Written by Eve Sheldon. Arranged by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Feb 6 Betse Ellis will be back with us for the entire show with our other special co-host Marion Merritt of our Winter Fund Drive Show with guests Keaton Conrad, and Todd Albright.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #771

History of Rural Grit Happy Hour

Rural Grit Happy Hour History- Rural Grit Happy Hour–What it started as…what it is today. – On August 23, 1998, the band Trouble In Mind was scheduled to play a Sunday night gig at the Grand Emporium. Three weeks before the gig, the other two scheduled bands cancelled and we were asked if we wanted to try and fill the night. What an exciting prospect…one whole night, designed by us, we couldn’t resist the lure. For a number of years, we had been putting on the legendary 15 hour Tick Festival out in the middle of nowhere, so we knew we could round up musicians and put on a show. In addition, we had also recorded the Tick Fest that summer and wanted to release the music. So, we moved into high gear, rounding up the musicians who had played at the Tick Fest, mastered a 90 minute cassette for release and advertised.

R.G. Records presented the 49th Annual Santa Rosa Tick Fest Tape Release Party, with Trouble In Mind, The Wilders, The Kemps, Sandoval, Rex Hobart & the Misery Boys, The Santa Rosa Stringband. It turned into a 5 1/2 hour show with main acts- acoustic & electric, in-between acts, to acts standing on chairs in the audience to battery powered amp wielding musicians mingling with the crowd.

Roger Naber, owner of the GE, asked us for a monthly show. After discussion, we decided that we could do it every 4 months. The next show was scheduled for Sunday, January 1, 1999. It was crazy to take on the odds of having a successful show on the day after New Year’s Eve but we decided to try. We even ended up competing with a snowstorm, but the musicians and audience still showed up to participate.

Not long after the success of the January 1st show, Roger, who had just returned from Austin where he had attended a variety of Happy Hour shows at clubs, like the Continental Club, contacted Kc, who had lived in Austin and was familiar with how the Happy Hour shows ran. They discussed Rural Grit putting on a weekly Happy Hour Show. We decided to do it—we’d have a weekly event at the GE, a reputable club; we would have a regular venue for our artists to perform; we could meet more musicians. After some discussion and sweet persuasion, Ike Sheldon (The Wilders and Trouble In Mind) agreed to host the weekly Happy Hour. ..Brother Ike’s Rural Grit Happy Hour at the Grand Emporium.. began on the first Monday of February in 1999.

..Brother Ike’s Rural Grit Happy Hour (RGHH) every Monday 6:00-8:00.. –In the beginning, we featured local bands–artists that were part of Rural Grit or networked with Rural Grit artists. Attendance was sparse during the first several months–what in the hell did we think we’re doing? We realized that what we were offering was too much like every other show offered in Kansas City. We decided to make the Happy Hour more like our big shows–constant music of a wide variety with some element of the unorthodox each night. We wanted to create a situation where musicians and music lovers were the regulars.

Our mission statement (Rural Grit is dedicated to the promotion, performance, and preservation of roots music and strives to provide opportunities for like-minded individuals to further their artistic causes.) provided the road map for the RGHH. We decided to keep the RGHH acoustic in nature and the focus on what we called Roots Music. The stage plot designed was a single mic set up, a large single diaphragm microphone. This eliminated the need for the full-time sound engineer (Randy, Little John, Jenna, Conrad, Mark) to take music time away using multiple mic set ups. We noticed that with the single mic, artists were placed in a situation where they had to listen to each other with out monitors and they were able to quickly get on and off the stage. There was usually a bass mic and an extra 57 as a spot for quiet instruments, however, these were seldom used.

To create a music, party-like atmosphere and check out booking prospects, the “Inbetweens” were created to allow artists who were not featured that evening to participate. “Duets & Trios” night (every 3rd Monday) was an opportunity for beginners to interface with skilled amateurs to professional road-dogs and for all artists to test new material/instruments. “Theme Nights” (to name a few popular ones were: Murder Ballads; Singer/Songwriter, Food; Death, Disaster and Destruction; Trainwrecks and Catastrophes; Outlaws and the Women Who Loved Them, Guilty Pleasures) and “VS” nights (as in Hank Williams Sr. VS Robert Johnson or Johnny Cash VS Muddy Waters) were created to add variety and encourage learning new material. “Electric Freakout” (every 5th Monday) was a night for our musicians who also played electrically to rock out. Occasionally we had touring bands featured, which opened the need for opening acts, in response the “Rural Grit All-Stars” were created. This is a changing group of artists who frequent the RGHH and can be tailored to compliment the touring band. We also put on two 6 hour shows a year–The Winter Tick Fest and The Anniversary Show.

By the end of 2002, the consistent touring of The Wilders kept Ike and company at the Happy Hour less, but by that time, we had met another wave of crazy, musician types who sure did like getting together and exploring musical roots firsthand. All the time The Wilders were beginning to trek across the country, spreading Rural Grit recordings far and wide. At this time we changed the name officially to the Rural Grit Happy Hour.

At the beginning of 2003, the Rural Grit Happy Hour was still in full swing, providing musicians with a unique networking opportunity and the audience with variety each week. Roger extended our hours and the RGHH was the only gig of our format offered on Monday nights. The RGHH had become a place where musicians connected and created new bands, where young bands came to spread their wings, and old timers came back to reconnect with the young. In addition, there was a core loyal following among musicians, patrons and staff. Amazing Grace was there each Mondays feedin’ us soul food; it went well with the soul of the music. It was real, honest, it was music from the heart for the heart. We felt like we had actually done something good, something to be proud of and something that was continuing to grow.

In May of 2004 a series of unforeseen events took place: Roger had cut a deal to sell the Grand Emporium. The new owners planned to rip out everything, down to the studs–nothing would remain the same except the stage. We did not want the RGHH to end but where to go after 5 years and 3 months. Memorial Day- a day we usually take off-would be the last day the GE’s doors would open and the RGHH would be the final event at the GE. We decided to put on a Big Show–Memoriam at The Grand Emporium–everyone was coming together for the last show, flyers were posted, radio and print interviews. Everything was high energy, people were exited. Musicians and fans alike had begged, pleaded, demanded that the RGHH go on somewhere else. We thought , “o.k. but where?” Where indeed. Venues from across the city were courting us. We didn’t want to make a decision in such a short period of time, so it was decided that we would “take a summer vacation” at Mike’s Tavern playing theme shows and scout out a permanent venue.

The Saturday night before the last show at the GE was when the second of a series of unforeseen events took place. A F4 tornado cut a deadly path through Daviess County MO, home of the Santa Rosa Tick Festival and the magical Tick Ranch studio. Dale, Mary and cousin Jeff made it out alive, but some folks just down the road did not. As for the studio, (really an old farm house) the main record room was amazingly just fine but the roof above the engineer’s room was ripped off and 7 inches of rain was dumped inside. It would rain 5 more inches that week and another funnel cloud would threaten two weeks later. However, 40 yards away an earth contact home was destroyed. Now not only were we looking for a new venue, but we had less than 2 months to repair the studio and clean up the debris to get ready for Tick Fest. Ever cleaned up after a F4 tornado–it’s one hell of a job! The final RGHH at the GE was a huge success–over 150 patrons and 50 musicians closed the GE in Rural Grit style.

At the end of our summer vacation at Mike’s Tavern, we decided to move to The Brick. So the RGHH continues on Monday nights from 6-9 p.m. at The Brick. We keep to the same format that we used in the past. There are featured bands/artists with “Inbetweens”. Every third Monday of the month is Duets & Trios night. Every fifth Monday is the Electric Freakout. We still have theme nights or vs nights. We still use a single mic. We still encourage the networking between musicians.

The Rural Grit All-Stars are regular participants of the Rural Grit Happy Hour. Their consistent attendance and participation at the Rural Grit Happy Hour has honed their ability to easily connect musically with each other. At the RGHH we use a single mic and no monitors—artists need to listen to each other to connect. Quite often I witness a combination of artists that hit a musical “zone”. Magical-beautiful-inspiring. These moments create a bond that musicians crave to create again and again. It draws them together. It draws their music together. It strengthens their sense of a musical community, parlaying into an extended family that provides support in a multitude of ways for each artist’s existence.

As time has gone on our core group of participants has decreased then altered due to touring, raising families, moving and various other life crop ups. However, we still have a small group of folks that show up every week to create a bit of magic. Old-timers drop in occasionally and newbies give it a whirl. Over the last few years there have been numerous happy hour shows started throughout the city. It’s quite a different story now then when we began this adventure. It has been exciting to see artists who started at the RGHH, networked with the musicians there and went on to create their own band/scene. Most of them are still playing out today. The goal of the RGHH is to continue to network like-minded musicians together and provide opportunities for a little musical magic to occur.

WMM presents: Krystle Warren & Owen/Cox Dance Group + 20 Years of Rural Grit + Killer City

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Drew Black & Killer City
+ Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit

Mark plays New & MidCoastal Releases from: Radar State, Killer City, Krystle Warren, Mikal Shapiro, Freight Train Rabbit Killer, Miki P, Keaton Conrad, Ex Hex, Sharon Van Etten, Jeff Tweedy, and more.

Drew Black

At 10:30 Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Krystle Warren

At 11:00 Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group‘s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

KIm Stanton

Betse Ellis

At 11:30 Kim Stanton & Betse Ellis share details on Rural Grit’s 20th Anniversary. We’ll play music from Freight Train Rabbit Killer, and Trouble in Mind, formed in Maryville, MO in 1990 the band that created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting February 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since. Rural Grit is dedicated to the promotion, performance, and preservation of roots music. The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #771

WMM Playlist from Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Thin Lips – “Gaslight Anthem (The Song Not The Band)”
from: Chosen Family / Lame-O Records / July 27, 2018
[Philadelphia, Pennsylvania based indie rock and roll band who place a whole lot of value on humility, kindness, and erudite riffage. Their EP, Divorce Year, from 2015, was followed by the release of their first full-length record, Riff Hard on May 2016. In early 2017 they released a split single with Modern Baseball and The Superweaks. In early 2018 they released the single “So Stoned” from their second full length album Chosen Family. Chrissy Tashjian steers Thin Lips down the middle lane of pop sensibility, while simultaneously testing the boundaries of some pretty wild licks, backed by Chrissy’s younger brother Michael Tashjian on drums and Kyle Pulley on bass, and the band’s audio engineer, along with auxiliary guitar player, Christopher M. Diehm rounding out the band for live shows.]

3. Madisen Ward and the Mama Bear – “Family Treason”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover reinterpreted in their own unique style with two voices and two guitars in harmony. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

4. Appropriate Grammar – “King Of Silent Sounds”
from: King Of Silent Sounds – Single / Never Records / January 7, 2019
[Music and lyrics by Nick McKenna. Arranged by Appropriate Grammar. Engineered, mixed and mastered by Ted Riederer of Never Records – Kansas City, MO. Photo by Anna Selle. Cover design by Claire Adams and Steve Gardels. Appropriate Grammar is a Kansas City based band formed in July 2010 with Nick McKenna on guitar & vocals, Alex Dunsford on lead guitar, Claire Adams on bass & vocals, and Steve Gardels on drums. This recording was a collaboration between Appropriate Grammar, Never Records and Open Spaces KC. Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot. New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. http://www.neverrecords.net Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. Find out more about Never Records: neverrecords.samexhibit.com/pages/about ]

[Appropriate Grammar play the 2019 Winter Classic w/ Emmaline Twist and special guests Tim Braun and Julia Haile, on Sat. Jan. 26, 9:00 PM, at Union Library, 1317 Union Ave, 2nd Floor, West Bottoms]

5. Katy Guillen and The Girls – “Back To Normal”
from: Four Walls / KG & The Girls / December 23, 2018
[This new EP is a collection of 4 tracks from the band and serves as their final release. Katy Guillen on guitar, & vocals, Claire Adams on bass & vocals, and Stephanie Williams on drums. Produced by Katy Guillen & The Girls. Recording Engineer: Claire Adams, Mixing & Mastering Engineer: Duane Trower. Album Artwork: Mary Pat Losey. This new EP follows the critically acclaimed 2017-2018 album, Remember What You Knew Before, where the band collaborated with producer Lennon Bone to rework songs from their 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City..]

6. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.]

7. Bauhaus – “Stigmata Martyr”
from: Bauhaus (1979 -1983), Vol. 1 / Beggars Banquet / November 1, 1985
[Originally released on In the Flat Field, the debut studio album by English post-punk band Bauhaus. It was recorded between December 1979 and July 1980, and was released on 3 November 3, 1980 by 4AD, the first full-length release on that label. The album is considered one of the first gothic rock records. Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy on vocals, occasional instruments, Daniel Ash on guitar & saxophone, Kevin Haskins on drums, and David J on bass. The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk. Bauhaus broke up in 1983. Peter Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus eventually reunited for a 1998 tour and again from 2005 to 2008.]

[Peter Murphy performs 40 Years of Bauhaus – a Ruby Celebration featuring David J performing “In the Flat Field” in its entirety plus an extended encore of Bauhaus classics Monday, January 28, Doors at 7:00 PM at The Truman, 601 E. Truman Road, KCMO.]

10:29 – Underwriting

8. Verbose – “Irony”
from: Irony – Single / Verbose / January 25, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

9. Headlight Rivals – “Comeback”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11:38 – Interview with Eric Kleiner, and Logan Glasgow

We just heard new music from Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

The MidCoast Takeover is an annual event produced by Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities.

Headlight Rivals

With us on the phone is Eric Kleiner guitarist & lead singer for the Manhattan based three piece band Headlight Rivals who are getting ready to release their new EP Rickshaw.

Eric Kleiner, thanks for being with us on Wednesday MidDay Medley

Verbose

And on the other line, we have Logan Glasgow lead vocalist & drummer for the Joplin, Missouri / Pittsburg, Kansas based band Verbose who are getting ready to release their new single “Irony”.

Logan Glasgow thanks for being with us on Wednesday MidDay Medley

MidCoast Takeover Fundraiser #1 – January 25, recordBar

8:00 Doors / 9:00 Verbose / 10:00 The UK’s / 11:00 Headlight Rivals

The Midwest Music Foundation is proud to present the 10th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a KC – focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in Kansas City and throughout the Midwest.

These fundraiser shows help Midwest Music Foundation raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

MidCoast Takeover sponsors! include: Boulevard Brewing Company, 90.9 The Bridge, Seen Merch , Tito’s Handmade Vodka, Sound Machine KC, KZUM, EasternAfternoon, recordBar, The Brick, Shangri La, City Rent A Truck, XO Blackwater, Rad’s FX LLC,CM2 Audio, and Do816

MIdCoast Takeover is March 15, 16, 17, Austin Texas at Shangri La

Headlight Rivals are a Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.

Verbose is a four piece alternative blues rock band from Joplin, Missouri and Pittsburg, Kansas. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar

Headlight Rivals have a new EP called Rickshaw to be released, January 24, 2019

Headlight Rivals Recorded and mastered their last EP Juliette at Element Recording Studios by Joel Nanos in Kansas City, MO. Produced by Joel Nanos and Headlight Rivals. All songs written and performed by Eric Kleiner, Seven Arizona Black, and Kris Kleiner. Additional piano by Joel Nanos. Artwork by Carlos Salazar. Where did you record Rickshaw?

Verbose has the new single “Irony” to be released January 25. Their new album will be out this year.

Tim Cote who plays bass & sings in Verbose was a member of the band Me Like Bees.

Both bands will be playing Austin during SXSW, for the MidCoast Takeover.

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Logan Glasgow, and Eric Kleiner, thanks for being with us on WMM.

Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

For more info: http://midwestmusicfoundation.org/midcoasttakeover/

10:54

10. Headlight Rivals – “Bloodshot”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017. ]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11. Verbose – “Underwater”
from: Underwater – Single / Verbose / May 9, 2016
[Verbose is a four piece alternative blues rock band from joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

11:00 – Station ID

12. Chloe Jacobson – “National News”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018
[It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.” Chloe’s debut album, “Frozen Fruit” was just released in a show at Mills Record Company.]

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

Shaun Crowley and Chloe Jacobson on the Jan. 23, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:05 – Interview with Chloe Jacobson & Shaun Crowley

Chloe Jacobson is a Kansas City based singer songwriter. Chloe Jacobson’s voice has been described as “soulful, bluesy and colored with the pop cadence of aughts-era emo.” Her debut album, “Frozen Fruit” was just released. Chloe played a January 19 release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. Chloe joins us to play live in our 90.1 FM Studios.

Chloe Jacobson thanks for being with us on WMM.

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. Shaun is also organizing the live music at Voltaire, 1617 Genessee, in the West Bottoms.

Shaun Crowley thanks for being with us on WMM.

“National News” Chloe’s first single released in January of 2017.

Manor Records is helping to present Chloe’s new album.

More info at: http://www.chloejacobson.online

11:13

Chloe Jacobson playing live on Wednesday MidDay Medley on KKFI 90.1 FM.

13. Chloe Jacobson – “Spain” (LIVE) also available on: Frozen Fruit / Chloe Jacobson / November 14, 2018

Chloe Jacobson is playing a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.

Chloe Jacobson moved to Kansas City with her family from San Jose, California 10 years ago. She started playing guitar in Middle School. She began writing poetry first and then transitioned into using some of those poems to become songs.

Chloe Jacobson

Chloe started off playing in open mic nights, and eventually met Steven Ervay who introduced her to Do816, PlaylistPlay, SoFar Sounds, and The Rino

Shaun Crowley of Manor Records met Chloe through Steven Ervay.

Chloe Jacobson Frozen Fruit

The Frozen Fruit cover art work was created by Chloe’s friend Natalie Clinton who also created the mural that is outside of Oddly Correct.

Shaun is currently organizing several events including: Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.

11:25

14. Chloe Jacobson – “Midas”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

11:28 – Underwriting

16. Kadesh Flow – “Picking Up (Radio Edit) (feat. Atlas)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

11:34 – Interview with Kadesh Flow

Kadesh Flow on the January 23, 2019 edition of Wednesday MidDay Medley

Kadesh Flow joins us to share music from his new EP, Otaku Moods to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO, with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is 29 year old Ryan Jamaal Davis. He is a rapper, trombonist, and producer. At age 11 he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found playing solo hip hop sets, playing trombone with The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee”.

Kadesh Flow thanks for being with us again on WMM

2018 Was a big year for Kadesh Flow. He was part of three separate albums that were in the top 50 of Wednesday MidDay Medley’s 118 Best Recordings of 2018 with his work with Marcus Lewis Big Band “Brass and Boujee,” The Phantastics “Life of the Party” EP, and his solo EP release “Room Service.”

16. Kadesh Flow – “Pavement (Radio Edit) (feat. Anna Challacombe)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

11:45 – More Interview with Kadesh Flow

Kadesh Flow

His music has been featured on network television in multiple countries and territories across Southeast Asia.

Kadesh Flow is originally from Alabama. He moved to Kansas City to work with Cerner

17. Kadesh Flow – “Party Thoughts (Radio Edit) (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on January 30, Drew Black joins us to share new music from his band Killer City. Brad Cox and Jennifer Owen along with Krystle Warren join us to talk about the new production from Owen Cox Dance Group, “What Keeps Mankind Alive,” with music by Kurt Weill and Bertold Brecht, February 1-3 at MTH Theatre in Crown Center. Also next week Kim Stanton and Betse Ellis join us to share music and details about The Rural Grit Happy Hour’s 20th Anniversary Celebrations February 4 at The Brick.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #770

WMM presents: Chloe Jacobson + Kadesh Flow + Headlight Rivals + Verbose

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

Wednesday MidDay Medley plays New & MdCoastal Releases from: Katy Guillen & The Girls, Appropriate Grammar, Madisen Ward and the Mama Bear, Chloe Jacobson, Jessica Paige, Headlight Rivals, Kadesh Flow, Verbose, and Thin Lips. We will also play a classic from Bauhaus.

Headlight Rivals

Verbose

At 10:30 Logan Glasgow of the Joplin, Missouri based band – Verbose, and Eric Kleiner of the Manhattan, Kansas based band – Headlight Rivals join us to talk about their new musical releases, playing Austin during SXSW, and their involvement playing in The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar,1520 Grand Avenue, KCMO. More information at http://www.weareverbose.com http://www.headlightrivals.com http://www.midwestmusicfoundation.org

Chloe Jacobson

At 11:00 Kansas City based singer songwriter Chloe Jacobson joins us to play live in our 90.1 FM Studios. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her debut album, “Frozen Fruit” was just released on Manor Records, January 19 in a release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. More info at: http://www.chloejacobson.online

Kadesh Flow

At 11:30 Kadesh Flow joins us to share music from his new EP Otaku Moods, to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is Ryan Jamaal Davis, a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee. Kadesh Flow released his last EP The Room Service on March 30, 2018.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #770

WMM Playlist from Jan. 16, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 16, 2019

“Remembering MLK”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:10

Thanks for tuning into Wednesday MidDay Medley, today we celebrate the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. [B-day – Mon 15] [MLK Day – Mon. Jan. 15.]

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of and inspired by the civil rights movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, Pops Staples, Mavis Staples, The Staple Singers, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion. We started w/: Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

And at 11:15, Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm – 9:00 pm at recordBar 1520 Grand.

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and chees at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001 [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit…

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011 [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

10:41

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

10:48 – Freedom…

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002 \[Recorded Sept. 16, 1994, Live in Boulder][Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

21. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Kelly Hunt / 2019

11:23 – Interview with Kelly Hunt & Una Walkenhorst

Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

The series continues with Scott Hrabko on March 6, Mikal Shapiro on April 11, and Sara Morgan on May 22.

The performances will also feature Kelly’s longtime co-conspirator multi-instrumentalist Stas’ Heaney and an occasional rotating band of local musicians.

The format may vary some but will include an opening set by each evening’s guest artist songwriter ending with a multi-song collaboration with Kelly followed by a long set of Hunt’s own music freely explored and configured as she sees fit. The residency is intended as an exercise in principles Hunt says guide her creative approach.

“When the opportunity for a residency at The recordBar came up, I knew I wanted to do something different with it. Lately, I’ve been gravitating towards new instruments, new styles of writing, arranging and performing. I’ve been craving a public stage that facilitates experimentation, collaboration and community. A place to air out brand new—even unfinished—songs within the context of live performance: a laboratory of sorts. This series is designed to encourage that kind of creative space for both performer and listener—to give the songwriter a unique sounding board for new ideas, and to invite the listener to participate in that creative process. Every show in this series will be unique. I’m excited to be joined by some of my favorite local songwriters and musicians onstage, and to finally give voice to songs and ideas that have been waiting in the wings for a long time,” said Hunt.

Information at: http://www.therecordbar.com.

Hunt’s stellar debut album, “Even The Sparrow,” is already getting rave advance reaction prior to it’s international release projected for the end of Q1 2019.

“Hunt applies her haunting voice and evocative banjo playing to songs that build on the work of contemporary masters like Gillian Welch.”
– THE KANSAS CITY STAR.

“…the combination of Hunt’s exceptional voice and exquisitely spare instrumentation is stunning.”
– Bill Brownlee THERE STANDS THE GLASS.

Una Walkenhorst shows:

Songwriters Showcase at Records with Merritt
Friday, January 25, at 7:00 PM – Records with Merritt, 1614 Westport Rd, KCMO
Una Walkenhorst, Teri Quinn, Joel Stratton, Nina Lee Cherry

Survivors Stories (A MOCSA Benefit)
FEBRUARY 28, 2019, with support from Fine Dining Productions and the Johnson County Mental Health Center, The Rino will be hosting a very special event benefiting MOCSA. the Metropolitan Organization to Counteract Sexual Assualt. The evening will consist of a curated lineup of performers offering songs, poetry, and other performance art pieces that touch on their experience with sexual assault. The goals for this event are to provide a safe space where survivors can heal, connect, and be given access to the services they may need, and to raise funds and awareness for the important work MOCSA is doing in our community. The event will also provide a chance for those who have not dealt with sexual assault, violence, or harassment to further understand what it means to be a survivor. SEEKING SUBMISSIONS – DEADLINE JANUARY 31, 2019

Bob & Una Walkenhorst Live At The Westsider
Friday, February 1, at 7:00 PM – Mike Kelly’s Westsider. KCMO

Bob & Una Walkenhorst with Brewer & Shipley
Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Kelly Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand. More infomation at: http://www.therecordbar.com.

11:39

22. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from KC. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:40 – Underwriting

11:45 – Gospel & Folk Music Carried the Message…

23. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

24. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

25. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.] [In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, January 23 we talk with Logan Glasgow of the band Verbose and Eric Kleiner of the band Headlight Rivals who both play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, ALSO Chloe Jacobson joins us live in our 90.1 FM Studios, PLUS, Ryan Jamaal Davis AKA Kadesh Flow joins us to share new music.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #769