WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

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WMM Playlist from March 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 13, 2019

WMM’s 777th Show!
New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Emily King – “Remind Me”
from: Scenery / ATO Records / February 1, 2019
[We fIrst played Emily King on June 29, 2016 when our friend Krystle Warren was Guest Producer and played the song “Georgia” from King’s 2011 EP Seven. She is an American singer and songwriter. She started her career in 2004 and her debut album East Side Story was released three years later in August 2007. In December 2007, King was listed as a Grammy nominee for Best Contemporary R&B Album. Born July 10, 1985, in NYC in 1985, King grew up in a small apartment on the Lower East Side. Her parents, Marion Cowings and Kim Kalesti, were a singing duo who performed and traveled regularly bringing her and her older brother along with them. At age 16, King left high school after earning her GED to pursue her music career. She began playing shows in restaurants and venues around New York City including CBGB and The Bitter End. King signed her first record deal with J Records in 2004 and was featured on Nas’ 2004 album Street’s Disciple credited as simply “Emily”. Her debut album East Side Story was released 3 years later in August 2007. It went on to earn a Grammy nomination for “Best Contemporary R&B Album of the Year.” During that time King toured with John Legend & Floetry. She opened for various artists such as Nas, Alicia Keys, Chaka Khan & Erykah Badu. After parting ways with her label in 2008, King continued independently. She self-recorded her follow-up EP Seven in her home, released July 2011. In October 2011, she accepted an invite from Maroon 5 to open on their European/Scandinavian tour. In 2012, King was awarded the Holly Prize (a tribute to the legacy of Buddy Holly) from The Songwriters Hall of Fame for recognition of the “all-in songwriter” whose work exhibits the qualities of Holly’s music: true, great and original. King was invited by Emeli Sande to open for her UK tour playing sold out shows in 5 cities including The Royal Albert Hall in London. King collaborated with José James on his album No Beginning No End in 2013 and can be heard on tracks Heaven on the Ground and the acoustic version of Come to My Door. In 2014, King was performing as an opening act for Sara Bareilles’ Little Black Dress tour. The year 2015 marked the release of King’s 2nd studio album, The Switch, Emily self-released on her label Making Music Records on June 26. The Wall Street Journal remarked that the album is “a tasteful collection of 11 songs that showcase King’s distinctive voice.” After signing with the ATO Records in 2017, King became label mates with Brittany Howard, Benjamin Booker & Brandi Carlile. More info at: http://www.emilykingmusic.com]

3. Kevin Morby – “No Halo”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

4. Ebony Tusks – “Everybody Run feat. Jamaal Rashad, Morri$)”
from: Midas – EP / Team Bear Club / June 2011
[Debut 3-track EP released by the band. Ebony Tusks is a hip hop project from Lawrence KS, formed in 2010 by Nathan Giesecke, Martinez Hillard (of Cowboy Indian Bear), and Daniel B. Smith. Inspired by series of nightmares after a string of real-life armed robberies in which he was the victim, Martinez Hillard (EBONY TUSKS) began writing and composing material alongside MORRI$ & TOM RICHMAN, both members of BEAR CLUB’s rapidly ascending group of producers, to create what would become the music for MIDAS. Narrative-driven, rhythmically diverse and over all too soon.]

[Ebony Tusks play The Bottleneck, 737 New Hampshire St, Lawrence, KS Saturday March 16, at 7:00 PM with special guests: V.I.S.I.T.O.R., Flock of Pigs, and Drifter.]

5. Helado Negro – “Running”
from: This Is How You Smile / RVNG Intl./ March 8, 2019
[6th album from Roberto Carlos Lange, better known by his stage name Helado Negro, is an American musician. He was formerly signed to Asthmatic Kitty Records from 2009 to 2016. Helado is now currently signed to and released his latest album through RVNG Intl., a Brooklyn-based music institution. Helado grew up in Miami, Florida where he spent his teenage years searching for his identity in the cultural melting pot of south Florida. He immersed himself in the hip-hop and electronic music scenes, where he learned to be an artist by playing out shows to small audiences. Helado released his first full-length album in 2009 titled Awe Owe. In 2010, Helado released an EP titled Pasajero. Helado released his second full-length album in 2011 titled Canta Lechuza. In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today.” In 2016, Helado released his fifth full-length album titled Private Energy.]

6. Our Native Daughters – “Black Myself”
from: Songs of Our Native Daughters / Smithsonian Folkways Recordings / February 22, 2019
[Our native Daughters is: Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell (of Birds of Chicago). This song features all of their voices. Songs of Our Native Daughters’ gathers together kindred musicians in song and sisterhood to communicate with their forebears. Drawing on and reclaiming early minstrelsy and banjo music, these musicians reclaim, recast, and spotlight the often unheard and untold history of their ancestors, whose stories remain vital and alive today. The material on ‘Songs of Our Native Daughters’ — written and sung in various combinations — is inspired by New World slave narratives, discrimination and how it has shaped our American experience, as well as musicians such as Haitian troubadour Althiery Dorval and Mississippi Hill Country string player Sid Hemphill, and more. Rhiannon Giddens is the co-founder of the Grammy Award-winning string band Carolina Chocolate Drops, was awarded a 2017 MacArthur “Genius” Fellowship and won the 2016 Steve Martin Prize for Excellence in Bluegrass and Banjo. She has performed for President Barack Obama, appeared on The Late Show, Austin City Limits, CBS Sunday Morning, and has played a recurring role on the television drama Nashville in the role of Hallie Jordan, a young social worker with “the voice of an angel.” For her project with Our Native Daughters, Giddens brought together three other black female roots artists. “Gathering a group of fellow black female artists who had and have a lot to say, made it both highly collaborative and deeply personal to me,” she explains. “It felt like there were things we had been waiting to say our whole lives in our art; and to be able to say them in the presence of our sisters-in-song was sweet, indeed.” Their debut recording, Songs of Our Native Daughters, is a stunning thirteen-track album. Produced by Rhiannon Giddens and Dirk Powell. Engineered and mixed by Dirk Powell. Recorded at Cypress House Studio, Breaux Bridge, LA. Mastered by Emily Lazar at The Lodge NY. Assisted by Chris Allgood. Annotated by Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, Allison Russell, and Dirk Powell.]

7. Deerhunter – “Death in Midsummer”
from: Why Hasn’t Everything Already Disappeared? / 4AD / January 18, 2019
[8th studio album by the American indie rock band Deerhunter. The album was co-produced by singer-songwriter Cate Le Bon, Ben H. Allen (who had previously worked with the band on Halcyon Digest and Fading Frontier), Ben Etter (who worked as a studio assistant on Fading Frontier) and the band itself. The first single, “Death in Midsummer”, was released on October 30, 2018. The same day, a world tour in support of the album was announced, starting in November 4, 2018. The second single from the album, “Element”, was released on December 6, 2018. The album leaked on December 12, 2018. Deerhunter is an American rock band from Atlanta, Georgia, formed in 2001. The band consists of Bradford Cox (vocals, guitar, keyboards), Moses Archuleta (drums, electronics, sound treatments), Lockett Pundt (guitar, vocals, keyboards), Josh McKay (bass) and Javier Morales (keyboards, synthesizers, alto saxophone). Founded by Cox and Archuleta, Deerhunter’s first stable line-up included guitarist Colin Mee and bass guitarist Justin Bosworth. After recording a split EP with Alphabets, Bosworth died of head injuries, suffered during a skateboarding accident. The band recorded their first studio album, Turn It Up Faggot (2005), with Josh Fauver occupying the vacant role of bass guitarist. Following the album’s release, Cox asked childhood friend, Lockett Pundt, to join.

10:29 – Underwriting

8. FEELS – “Awful Need”
from Post Earth / Wichita Recordings / February 22, 2019
[East Los Angeles and made up of: Laena Geronimo on vocals & guitar, Shannon Lay on vocals & guitar, Amy Allen on vocals & bass, and Michael Perry Rudes on drums. Recorded and Mixed by Tim Green at Louder Studios in Grass Valley, CA except for; lead vocals on “Find A Way” and “Last Chance” recorded by Dante White Aliano at The Cone, “Sour” lead vocals and crowd noise recorded, effected and arranged by Laena Geronimo with additional vocal effects by Dante White-Aliano. Mastered by Howie Weinberg.]

9. Citizen Cope – “Justice”
from Heroin and Helicopters / RainWater Recordings / March 1, 2019
[7th album from Clarence Greenwood (born May 20, 1968), also known by his stage name, Citizen Cope. He, is an American songwriter, producer and performer. His music is commonly described as a mix of blues, soul, folk, and rock. Citizen Cope’s compositions have been recorded by artists as varied as Carlos Santana, Dido, Pharoahe Monch and Richie Havens. He currently records and produces for his own record label, Rainwater Recordings, which he founded in 2010 after deciding not to work with major labels any longer. He had previously been signed to Capitol, Arista, DreamWorks and RCA. On March 1, 2019, he released his first album in six years, Heroin and Helicopters, on his own label, RainWater Recordings. Billboard magazine called Heroin and Helicopters “Personal and poignant.”]

[Citizen Cope plays The Truman, 601 East Truman Road, KCMO, Tonight, March 13, at 8:00 PM.]

10. The Dear Misses – “Kansas City”
from: Kansas City – Single / The Dear Misses / February 25, 2019
[Kansas City based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More information at: http://www.reverbnation.com/thedearmisses%5D%5B

11. Kris Kristofferson & Brandi Carlile – “A Case of You (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: 1. “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 2. “Help Me” – Chaka Khan / 3. “Amelia” – Diana Krall / 4. “All I Want” – Rufus Wainwright / 5. “Coyote” – Glen Hansard / 6. “River” – James Taylor / 7. “Both Sides Now” – Seal / 8. “Our House” – Graham Nash / 9. “A Case of You” – Kris Kristofferson and Brandi Carlile / 10. “Down to You” – Brandi Carlile / 11. “Blue” – Rufus Wainwright / 12. “Court And Spark” – Norah Jones / 13. “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 14. “The Magdalene Laundries” – Emmylou Harris / 15. “Woodstock” – James Taylor / 16. “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

12. Violet and The Undercurrents – “Inconvenient Friend”
from: The Captain / Violet Vonder Haar Music / March 1, 2019
[The band’s new 10-song album called The Captain, was inspired by lead singer and songwriter Violet Vonder Haar’s father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. This Columbia, Missouri based 4-piece band is made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents are playing an album release at Midcoast Takeover Thursday, March 14 at 4:30 PM at the Shangri La, 016 E 6th St, Austin, Texas.]

13. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play Replay Lounge, 946 Massachusetts Street, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 3:40 PM in a day long line up that include Nicolas St. James, The Brody Buster Band, Whiskey For The Lady, Signal Ridge, Midnight Kick, Rolling Foliage and Tyler Gregory.]

[Carswell & Hope play Frank’s North Star Tavern, 508 Locust St, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 7:00 to 10:00 PM]

11:00 – Station ID

14. Radkey – “P.A.W.”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the band released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

15. The Sluts – “It’s Ok to Fake It”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play recordBar, 1520 Grand Boulevard, KCMO, on Friday, April 5, 2019 at 9:30 PM with Brandon Phillips and The Condition and Dead Voices.]

16. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[Most recent new music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums . Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. The band is currently working on a new album to be released this year.]

[Deco Auto plays St. Patrick’s Eve, Saturday, March 16, at 10:00 PM at The Brick, 1727 McGee St, KCMO with Scruffy and the Janitors.]

17. Y La Bamba – “Mujeres (Album Version)”
from: Mujeres / Tender Loving Empire / February 8, 2019
[Mujeres is “Woman Island” in the Gulf of Mexico. Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.]

18. Pedro The Lion – “Circle K”
from: Phoenix / Polyvinyl Recording Company / January 18, 2019
[Pedro the Lion is an indie rock band from Seattle, Washington. David Bazan formed the band in 1995 and represented its main creative force, backed by a varying rotation of collaborating musicians. In 2006 Pedro the Lion was dissolved as Bazan went solo; Bazan reformed the band and resumed performing under the Pedro the Lion moniker in late 2017. Releasing five full-length albums and five EPs over 11 years, the band is known for its first person narrative lyrics with political and religious themes. Pedro the Lion was formed by David Bazan in 1995. In 1997 they released their debut EP Whole with Bazan playing nearly every instrument, a format he continued on the band’s first two full-length albums, It’s Hard to Find a Friend (1998), and Winners Never Quit (2000).]

[Pedro The Lion plays recordBar, 1520 Grand, KCMO, on Wednesday, May 1, at 9:00 PM with John Vanderslice.]

19. Sugo Day – “Charm (radio edit)”
from: Charm – Single / Sugo Day / February 14, 2019
[Sugo Day is the solo side project of Nicholas Turner who we first met when he played in the Kansas City band Riala. Nicholas moved away from his hometown and is now based in Minneapolis and has released several singles. On March 6, 2018 Sugo released a 7-song EP called “Lush.” Nicholas told us that “Charm” is “a celebration of self in a sense—I find there is a lot of self defeating music that is really popular right now so i wanted to captured me playing shows on the west coast as a solo artist which is what the chorus is about a motivational tune with a subversive sense of vulnerability in the middle verse.”]

20. Lomelda – “M for Mush”
from: M for Empathy / Double Double Whammy / March 1, 2019
[Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars”. Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

21. Solange – “Dreams”
from: When I Get Home / Columbia Records / March 1, 2019
[4th studio album from singer and songwriter Solange, and follow up to her breakthrough record, A Seat at the Table released on September 30, 2016,. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a “breakdown” due to the amount of time and emotion she was putting into the recording process. While recording the album Knowles released an EP entitled True (2012) and launched her own record label named Saint Records. A Seat at the Table became Solange’s first number-one album on the Billboard 200 in the United States.]

11:31 – Underwriting

13. Shay Estes & Trio All – “Little Drop Of Poison”
from: Despite Your Destination / Independent / December 3, 2009
[Shay Estes with Trio All an acronym for: Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on Bass. The debut album–a collection of songs drawn from a wide range of eras and composers, all given fresh, unique arrangements. Before turning to jazz, vocalist Shay Estes performed with a rock band, a Western-surf band, and a burlesque troupe. In recent years, Estes has collaborated with Brad Cox’s People’s Liberation Big Band and Mark Southerland’s “Urban Noise Camp.” “Despite Your Destination” includes standards by Irving Berlin, and George and Ira Gershwin, as well as reworked versions of contemporary songs, like Tom Waits’ “Little Drop of Poison.”]

14. Hot Club of Cowtown – “This Wheel’s on Fire”
from: Crossing the Great Divide / Hot Club Productions / January 11, 2019
[16th release from The Hot Club of Cowtown, an American hot jazz and Western swing trio that formed in 1997. The band’s name comes from two sources: “Hot Club” from the hot jazz guitarist Django Reinhardt and violinist Stephane Grappelli’s Quintette du Hot Club de France, and “Cowtown” from the western influence of Bob Wills and His Texas Playboys and the band’s love of fiddle tunes, hoedowns, and songs of the American west. The band was formed Whit Smith from Cape Cod, Massachusetts and Elana James from Prairie Village, Kansas. The two met through an ad in the classified music section of The Village Voice in 1994. They played together in New York City before moving to San Diego in 1997, where they spent a year playing for tips and building up their repertoire. In 1998 they moved to Austin, Texas and two years later added Jake Erwin from Tulsa, Oklahoma on bass. The band split briefly in 2005, though they reunited for occasional shows in 2005–07, including the Fuji Rock Festival and a tour of Australia as Elana James & The Hot Club of Cowtown, in 2007. Whit Smith performed as Whit Smith’s Hot Jazz Caravan, based in Austin, Texas. Elana toured with Bob Dylan in 2005. Changing her last name to James, Elana began performing with her own trio in late 2005. Smith and James resumed playing together full-time in 2006. By early 2008 the Hot Club of Cowtown had officially re-formed. “Crossing The Great Divide” is a tribute to The Band. “This Wheel’s on Fire” is a song written by Bob Dylan and Rick Danko. It was originally recorded by Dylan and the Band during their 1967 sessions, portions of which (including this song) comprised the 1975 album, The Basement Tapes. The Band’s own version appeared on their 1968 album, Music from Big Pink. Live versions by the Band appear on their 1972 live double album Rock of Ages, as well as the more complete four-CD-DVD version of that concert, Live at the Academy of Music 1971, and the 2002 Box Set of The Last Waltz (the song did not make it into the movie or the original soundtrack album). In 1968, a version by Julie Driscoll with Brian Auger and the Trinity became a hit in the United Kingdom, peaking at number 5 on the UK Singles Chart (see 1968 in music) and also reaching number 106 on the U.S. Bubbling Under Hot 100 Singles chart. With its use of distortion, phasing, the evocative imagery of the song’s title and the group’s flamboyant dress, this version is closely associated with the psychedelic era in British music. The arrangement featured prominent use of both Hammond organ and mellotron. Driscoll recorded the song again in the early 1990s with Adrian Edmondson as the theme to the BBC comedy series Absolutely Fabulous, whose main characters are throwbacks to that era. Australian singer Kylie Minogue released a cover of the track as the official theme song for 2016’s Absolutely Fabulous: The Movie. The Byrds released a recording of “This Wheel’s on Fire” on their 1969 album, Dr. Byrds & Mr. Hyde, and live versions of the song are also included on the Byrds’ Live at the Fillmore – February 1969 album and the expanded CD reissue of their (Untitled) album. In 1987, the song was covered by the British rock band Siouxsie and the Banshees for their all-covers album, Through the Looking Glass. Released as the first single from that album, Siouxsie and the Banshees’ version climbed to number 14 on the UK singles chart. The band did not know the song had been composed by Dylan before recording it: they covered it because they liked Driscoll’s version. Australian pop, rock group, Flake, had a top 20 hit on the Go-Set National Top 60 with their rendition in July 1970, which remained in the charts for 22 weeks. Other artists who have released their own versions of the song include: Hamilton Camp, Phil Lesh, Golden Earring, Elvis Costello, the Hollies, Ian and Sylvia, Les Fradkin, Leslie West, Serena Ryder, Charlie Winston, June Tabor, Guster and Rat Scabies.]

Black Stacey

24. Black Stacey – “Lose The Peace”
from: Lose The Peace – Single (unmastered) / Sharaden Staten / To Be Released This Spring
[Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 27-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More info at http://www.blackstacey.com.]

[Black Stacey plays SoundMachine KC, on Tuesday, March 19, at 9:00 PM at miniBar, 810 Broadway Rd, KCMO, with Stuyedeyed, and Stone Grower.]

25. Rachel Mallin – “Noise of The Night”
from: The Persistence of Vision EP / Independence / September 12, 2014
[Rachel Mallin is from Kansas City, MO. At the age of 19 she released her self produced 4-song, EP The Persistence of Vision. The songs were written and created by Rachel in her mother’s basement during the summer of 2014, and recorded, mixed, and produced by Rachel Mallin in September. “Listener’s are immersed into Rachel’s writing and production as each song musically transcends the discord of human emotion into a harmonious wave of expression.” Co-mixed by Michael Kessler. Mastered by William Reeves at Centro Cellar Studio. In less than a year following her four-track EP’s release, her songs “Razorback” and “Noise of the Night” were broadcast on radio stations in Kansas City and nationally. In 2015 Rachel formed a band called The Wild Type. Rachel Mallin & The Wild Type also revealed a new song: “Something Wicked” on the on the new compilation series How To Keep Dreaming from The Record Machine released September 10, 2015. http://www.HowToKeepDreaming.com. On July 30, 2016 Rachel Mallin & The Wild Type – released their debut EP as a band, Degenerate Matters with: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards, Matt Kosinski on lead guitar. Degenerate Matters was recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, & Matt Kosinski. Lyrics by Rachel Mallin.]

[Rachel Mallin and the Wild Type play 100 Days A Tribute to the life of Mills Record Company and Judy Mills beloved shop dog Loretta Lynn, on the 100th day after her passing, Tonight, Wednesday, March 13 at 6:00 PM at Mills Record Company, 4045 Broadway Blvd KCMO with Dylan Pyles, and Westside Royal. This will also be a fundraiser for the shelter where Loretta was rescued (SEK Humane Society). More info at http://www.millsrecordcompany.com ]

26. Varma Cross – “Stairjumper”
from: Varma Cross / Varma Cross / February 18, 2019
[Debut album from Varma Cross with: Sam Boatright, Bryce Boley, Bradley McKellip , and Kelsey Richardson. Recorded and mixed by Duane Trower at Weights and Measures. Mastered by Carl Saff.]

[Varma Cross play Replay Lounge 946 Massachusetts St, Lawrence, KS, Saturday, March 16, i a Matinee from 6:00 to 9:00 PM with F I N K E L [LA], and Wonderfuzz.]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 20 Patrick Alonzo Conway joins us to share details about the upcoming Kansas City Gamelan Genta Gasturi concert. Plus, musician Mike Alexander joins us to share new music from Hip Shot Killer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #777

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM Playlist from Jan. 30, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit
+ Drew Black & Killer City

Kim Stanton, Betse Ellis, Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Ex Hex – “Cosmic Cave”
from: It’s Real / Merge Records / Expected March 22, 2019
[Second album from three piece band formed in Washington DC in 2013. The band consists of Mary Timony lead vocals & guitar & songwriting, Betsy Wright on bass & songwriting, and Laura Harris on drums. Ex Hex released its first album, Rips, on October 7, 2014 on Merge Records. The band opened for Speedy Ortiz in Montreal in 2014. Ex Hex performed at Coachella 2016. The band takes its name from one of Timony’s solo albums. Mary Timony has been an important member of the bands: Helium, Wild Flag, Autoclave, and Mary Timony Band. She writes most of Ex Hex’s songs.]

3. Radar State – “Strays”
from: Strays / Wiretap Records / January 11, 2019
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals.]

[Radar State play a Record Release Show at recordBar, 1520 Grand, KCMO, Friday, February 1, doors at 7:30 with The Whiffs, and Hip Shot Killer.]

4. Jeff Tweedy – “I Know What It’s Like”
from: WARM / dBpm Records / November 30, 2018
[Solo debut of Wilco frontman and producer of recent Mavis Staples albums. This new record was released just weeks after Jeff Tweedy’s memoir, “Let’s Go (So We Can Get Back)” was released.]

5. Sharon Van Etten – “Seventeen”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

6. Keaton Conrad – “I Think I Fell in Love with You”
from: I Think I Fell in Love with You – Single / Keaton Conrad / Jan. 11, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[Keaton Conrad plays an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.]

7. Miki P – “Home”
from: Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P plays Voltaire, 1617 Genessee, Tonight, Wed, Jan 30, at 10 w/ Jackson Grimm, & Dylan Moses]

10:29 – Underwriting

8. Killer City – “Summer Drug”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

9. Killer City – “Invisible Ship”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

10. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

[Mikal Shapiro & Musical Band play Californos, Sat, Feb 2, 9PM w/ Under The Big Oak Tree, Gullywasher.]

11:42 – Interview with Drew Black

Drew Black

We just heard new music from Kansas City based musician Drew Black who joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Drew Black, thanks for being with us on Wednesday MidDay Medley

Killer City formed in late 2017 as Drew Black and Dirty Electric dissolved.

Drew just felt it was time to move on from that band and force himself to write new songs. It was either going to be artistic suicide or a rebirth. Luckily, it was a rebirth.

Band members include:

Zach Hodson who played guitar in Drew Black and Dirty Electric now plays drums in Killer City.

Byron Humann, who also plays in Knife Crime and the Cure tribute band Magnificent, plays bass.

Alex Yoffie from Martian Martian Martian and Appropriate Grammar plays lead guitar.

Drew Black describes Killer City as goth stoner rock with a dance beat. He says “We sound rootsy and furious… and we’re loud.”

Drew Black, thanks for being with us on WMM.

Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

10:55

11. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson (Leonard Cohen: I’m Your Man) and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.]

11:00 – Station ID

12. Krystle Warren – “Station ID”

11:00 – Interview with Krystle Warren, Brad Cox and Jennifer Owen

Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being with us on WMM

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Krystle released, Three The Hard Way last year, co-producing by Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

11:14

13. Barclay Martin, Krystle Warren, Lauren Krum – “An Old Letter”
from: unreleased recordings of songs from the show / written by Brad Cox

We are talking with Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” at the MTH Theater at Crown Center, Feb 1-3.

“What Keeps Mankind Alive?” is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama The Threepenny Opera (Die Dreigroschenoper) which premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The title refers to the central line from the finale of act 2, “Denn wovon lebt der Mensch?”. In the opera, the two stanzas of the strophic piece are sung by Macheath and Mrs Peachum and the final line is sung in fortissimo by the chorus. It is an agitprop socialist anthem expressing that the comfortable lifestyle enjoyed by the rich is paid for by the suffering of the masses. The lyrics begin: “You gentlemen who think you have a mission / To purge us from the seven deadly sins / Should first sort out the basic food position / Then start your preaching, that’s where it begins.” The song ends with the conclusion, “For once you must not try to shirk the facts / Mankind is kept alive by bestial acts.”

The song has been covered by Tom Waits (on the 1985 album Lost in the Stars: The Music of Kurt Weill, and again on the 2006 album Orphans: Brawlers, Bawlers & Bastards), the Pet Shop Boys (as a B-side on the single “Can You Forgive Her?” and on the 1995 compilation album Alternative), William S. Burroughs (in the 1994 documentary September Songs – The Music of Kurt Weill), and others. The opening chapter in The League of Extraordinary Gentlemen, Volume III: Century is named “What Keeps Mankind Alive?”.

Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from Kurt Weill and Bertolt Brecht is brought to life with dance, music and vocalists: Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances at the MTH Theater at Crown Center, 2450 Grand Blvd., KCMO. Friday, Feb 1 and Saturday, Feb 2 at 8:00pm, and Sunday, Feb 3 at 2:00pm. For info: http://www.owencoxdance.org

11:29 – Underwriting

11:31 – Interview with Betse Ellis and Kim Stanton

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 they released a special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

KIm Stanton

Kim Stanton is Executive Director of Rural Grit who with Mark Smeltzer, Principle Musician of Rural Grit is the mom of Noah. Kim is also a teacher in Kansas City with over 25 years of experience in classrooms. Kim received her Bachelor in Science from Northwest Missouri State University in 1987. Kim is also an angel, who volunteers herself for many non-profit community organizations, and who helps so many of her friends, is a huge supporter of the area music community.

Kim Stanton, thanks for being with us on Wednesday MidDay Medley

Kim Stanton & Betse Ellis are with us to share details on The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Trouble in Mind, formed in Maryville, MO in 1990 created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting Feb 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since.

Rural Grit is dedicated to the promotion, performance, and preservation of roots music.

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:39

16. Betse Ellis – “Question to Lay Your Burden Down”
from: High Moon Order / Free Dirt Records / June 14, 2013
[2nd solo release from renowned fiddler, Betse Ellis, known by many as a founding member of The Wilders. This recording was number 3 on WMM’s list of The 113 Best Recordings of 2013.]

[Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

11:42 – More Interview with Betse Ellis and Kim Stanton

Betse Ellis and Kim Stanton have a busy week

The Bridge 90.9 Tim Finn Thursdays – Thursday, January 31 from 4-5pm

Winter Potluck Gathering – Saturday, February 2 from 6-9pm @ First Lutheran Church (basement) 6400 Stateline Road, Mission, Kansas – Potluck. BYOB. Space for instruments. Stage for inpromptu performances. It’s a lowkey, winter Tick Fest.

Westport Saloon- Saturday, February 2 from 12-2am – Rural Grit All-Stars

Rural Grit Happy Hour 20th Anniversary Opry Show – Monday, February 4 from 6-9:30pm @ the Brick – Leo & Roger Eilts will host this Opry style evening. Wear your fancy duds, finery or superduper stage clothes. 20 slots available if you’d like to participate. Kim will finalize the playlist on Sunday, February 3. No guarantees for drop-ins. If you want to participate, let me know via email: kimruralgrit@gmail.com.

List of interested participants

Jason Beers // Betse & Clarke // Brett & Susan // David Regnier // Dually Jukes // Paul & Nancy // Val & Tim // Kasey Rausch // Mikal Shapiro // Sean Ewbank // Kelly Hunt // Howard Iceberg // John Greiner // Barry Lee // Scott Stanton // Bob & Diana // High & Dry // Grassfed

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:50

14. Howard Iceberg & The Titanics – “Flowers in May”
from: Kansas City Songs / Independent / September 25, 2016
[26 new songs written by Howard Iceberg and Recorded by Phil Wade at Alluvial Fan Studio; and Pat Tomek at Largely Studios. Mixed by Pat Tomek at Largely Studios. Howard Iceberg on vocals, harmony vocals, guitar & harmonica; Chad Rex on guitar & vocals; Betse Ellis on violin, viola, cello, vocal, mandolin & tenor guitar; Clarke Wyatt on banjo, piano & organ; Chad Brothers on guitar & vocals; Brett Hodges on bass, vocals & mandolin; Phil Wade on dobro, guitar, mandolin, & lap steel, Johnny Hamil on bass; Mike Ireland on vocal & bass, Dan Mesh on guitar; Kasey Rausch on guitar & vocal; Mikal Shapiro on guitar & vocal; Josh Mobley on keyboards; Grisha Sandomirsky on violin; Erin Corriveau on vocals; Mary Pickert on vocals; Brendon Moreland on keyboards. Howard Iceberg writes in the liner notes to this collection: “You can hear a lot of these cats play most Monday nights at The Brick.”All songs written, performed, and recorded in Kansas City.]

We are talking with Betse Ellis and Kim Stanton about The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Betse Ellis and Kim Stanton thanks for being with us again on WMM

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:55

15. Freight Train Rabbit Killer -“The Tree of the Knowledge of Good + Evil”
from: Old Man of the Mountain – 7″ Single / Haymaker Records / 2018
[Side A of Volume 2 of a 4-part 7″ vinyl release called, Wake Snake Death Dance. Written by Eve Sheldon. Arranged by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Feb 6 Betse Ellis will be back with us for the entire show with our other special co-host Marion Merritt of our Winter Fund Drive Show with guests Keaton Conrad, and Todd Albright.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #771

History of Rural Grit Happy Hour

Rural Grit Happy Hour History- Rural Grit Happy Hour–What it started as…what it is today. – On August 23, 1998, the band Trouble In Mind was scheduled to play a Sunday night gig at the Grand Emporium. Three weeks before the gig, the other two scheduled bands cancelled and we were asked if we wanted to try and fill the night. What an exciting prospect…one whole night, designed by us, we couldn’t resist the lure. For a number of years, we had been putting on the legendary 15 hour Tick Festival out in the middle of nowhere, so we knew we could round up musicians and put on a show. In addition, we had also recorded the Tick Fest that summer and wanted to release the music. So, we moved into high gear, rounding up the musicians who had played at the Tick Fest, mastered a 90 minute cassette for release and advertised.

R.G. Records presented the 49th Annual Santa Rosa Tick Fest Tape Release Party, with Trouble In Mind, The Wilders, The Kemps, Sandoval, Rex Hobart & the Misery Boys, The Santa Rosa Stringband. It turned into a 5 1/2 hour show with main acts- acoustic & electric, in-between acts, to acts standing on chairs in the audience to battery powered amp wielding musicians mingling with the crowd.

Roger Naber, owner of the GE, asked us for a monthly show. After discussion, we decided that we could do it every 4 months. The next show was scheduled for Sunday, January 1, 1999. It was crazy to take on the odds of having a successful show on the day after New Year’s Eve but we decided to try. We even ended up competing with a snowstorm, but the musicians and audience still showed up to participate.

Not long after the success of the January 1st show, Roger, who had just returned from Austin where he had attended a variety of Happy Hour shows at clubs, like the Continental Club, contacted Kc, who had lived in Austin and was familiar with how the Happy Hour shows ran. They discussed Rural Grit putting on a weekly Happy Hour Show. We decided to do it—we’d have a weekly event at the GE, a reputable club; we would have a regular venue for our artists to perform; we could meet more musicians. After some discussion and sweet persuasion, Ike Sheldon (The Wilders and Trouble In Mind) agreed to host the weekly Happy Hour. ..Brother Ike’s Rural Grit Happy Hour at the Grand Emporium.. began on the first Monday of February in 1999.

..Brother Ike’s Rural Grit Happy Hour (RGHH) every Monday 6:00-8:00.. –In the beginning, we featured local bands–artists that were part of Rural Grit or networked with Rural Grit artists. Attendance was sparse during the first several months–what in the hell did we think we’re doing? We realized that what we were offering was too much like every other show offered in Kansas City. We decided to make the Happy Hour more like our big shows–constant music of a wide variety with some element of the unorthodox each night. We wanted to create a situation where musicians and music lovers were the regulars.

Our mission statement (Rural Grit is dedicated to the promotion, performance, and preservation of roots music and strives to provide opportunities for like-minded individuals to further their artistic causes.) provided the road map for the RGHH. We decided to keep the RGHH acoustic in nature and the focus on what we called Roots Music. The stage plot designed was a single mic set up, a large single diaphragm microphone. This eliminated the need for the full-time sound engineer (Randy, Little John, Jenna, Conrad, Mark) to take music time away using multiple mic set ups. We noticed that with the single mic, artists were placed in a situation where they had to listen to each other with out monitors and they were able to quickly get on and off the stage. There was usually a bass mic and an extra 57 as a spot for quiet instruments, however, these were seldom used.

To create a music, party-like atmosphere and check out booking prospects, the “Inbetweens” were created to allow artists who were not featured that evening to participate. “Duets & Trios” night (every 3rd Monday) was an opportunity for beginners to interface with skilled amateurs to professional road-dogs and for all artists to test new material/instruments. “Theme Nights” (to name a few popular ones were: Murder Ballads; Singer/Songwriter, Food; Death, Disaster and Destruction; Trainwrecks and Catastrophes; Outlaws and the Women Who Loved Them, Guilty Pleasures) and “VS” nights (as in Hank Williams Sr. VS Robert Johnson or Johnny Cash VS Muddy Waters) were created to add variety and encourage learning new material. “Electric Freakout” (every 5th Monday) was a night for our musicians who also played electrically to rock out. Occasionally we had touring bands featured, which opened the need for opening acts, in response the “Rural Grit All-Stars” were created. This is a changing group of artists who frequent the RGHH and can be tailored to compliment the touring band. We also put on two 6 hour shows a year–The Winter Tick Fest and The Anniversary Show.

By the end of 2002, the consistent touring of The Wilders kept Ike and company at the Happy Hour less, but by that time, we had met another wave of crazy, musician types who sure did like getting together and exploring musical roots firsthand. All the time The Wilders were beginning to trek across the country, spreading Rural Grit recordings far and wide. At this time we changed the name officially to the Rural Grit Happy Hour.

At the beginning of 2003, the Rural Grit Happy Hour was still in full swing, providing musicians with a unique networking opportunity and the audience with variety each week. Roger extended our hours and the RGHH was the only gig of our format offered on Monday nights. The RGHH had become a place where musicians connected and created new bands, where young bands came to spread their wings, and old timers came back to reconnect with the young. In addition, there was a core loyal following among musicians, patrons and staff. Amazing Grace was there each Mondays feedin’ us soul food; it went well with the soul of the music. It was real, honest, it was music from the heart for the heart. We felt like we had actually done something good, something to be proud of and something that was continuing to grow.

In May of 2004 a series of unforeseen events took place: Roger had cut a deal to sell the Grand Emporium. The new owners planned to rip out everything, down to the studs–nothing would remain the same except the stage. We did not want the RGHH to end but where to go after 5 years and 3 months. Memorial Day- a day we usually take off-would be the last day the GE’s doors would open and the RGHH would be the final event at the GE. We decided to put on a Big Show–Memoriam at The Grand Emporium–everyone was coming together for the last show, flyers were posted, radio and print interviews. Everything was high energy, people were exited. Musicians and fans alike had begged, pleaded, demanded that the RGHH go on somewhere else. We thought , “o.k. but where?” Where indeed. Venues from across the city were courting us. We didn’t want to make a decision in such a short period of time, so it was decided that we would “take a summer vacation” at Mike’s Tavern playing theme shows and scout out a permanent venue.

The Saturday night before the last show at the GE was when the second of a series of unforeseen events took place. A F4 tornado cut a deadly path through Daviess County MO, home of the Santa Rosa Tick Festival and the magical Tick Ranch studio. Dale, Mary and cousin Jeff made it out alive, but some folks just down the road did not. As for the studio, (really an old farm house) the main record room was amazingly just fine but the roof above the engineer’s room was ripped off and 7 inches of rain was dumped inside. It would rain 5 more inches that week and another funnel cloud would threaten two weeks later. However, 40 yards away an earth contact home was destroyed. Now not only were we looking for a new venue, but we had less than 2 months to repair the studio and clean up the debris to get ready for Tick Fest. Ever cleaned up after a F4 tornado–it’s one hell of a job! The final RGHH at the GE was a huge success–over 150 patrons and 50 musicians closed the GE in Rural Grit style.

At the end of our summer vacation at Mike’s Tavern, we decided to move to The Brick. So the RGHH continues on Monday nights from 6-9 p.m. at The Brick. We keep to the same format that we used in the past. There are featured bands/artists with “Inbetweens”. Every third Monday of the month is Duets & Trios night. Every fifth Monday is the Electric Freakout. We still have theme nights or vs nights. We still use a single mic. We still encourage the networking between musicians.

The Rural Grit All-Stars are regular participants of the Rural Grit Happy Hour. Their consistent attendance and participation at the Rural Grit Happy Hour has honed their ability to easily connect musically with each other. At the RGHH we use a single mic and no monitors—artists need to listen to each other to connect. Quite often I witness a combination of artists that hit a musical “zone”. Magical-beautiful-inspiring. These moments create a bond that musicians crave to create again and again. It draws them together. It draws their music together. It strengthens their sense of a musical community, parlaying into an extended family that provides support in a multitude of ways for each artist’s existence.

As time has gone on our core group of participants has decreased then altered due to touring, raising families, moving and various other life crop ups. However, we still have a small group of folks that show up every week to create a bit of magic. Old-timers drop in occasionally and newbies give it a whirl. Over the last few years there have been numerous happy hour shows started throughout the city. It’s quite a different story now then when we began this adventure. It has been exciting to see artists who started at the RGHH, networked with the musicians there and went on to create their own band/scene. Most of them are still playing out today. The goal of the RGHH is to continue to network like-minded musicians together and provide opportunities for a little musical magic to occur.

WMM Playlist from November 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 7, 2018

New & MidCoastal Releases +
SLIGHTS + Spinning Tree Theatre’s “The Nance”

10:00

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Violet and The Undercurrents – “Still Here”
from: Still Here – Single / Violet Vonder Haar Music / November 1, 2018
[Columbia Missouri based band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The Columbia, Missouri-based quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

3. Amen Dunes – “Blue Rose”
from: Freedom / Sacred Bones Records / March 30, 2018
[The fifth studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in New York City and Sunset Sound in Los Angeles.]

4. Blue False Indigo – “Rainbow”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play The Myers Hotel Bar, 220 South Main Street, Tonganoxie, KS with Kara Myree, and Teri Quinn, on Saturday, November 10, at 7:00 PM.]

5. Those Far Out Arrows – “Be Alright”
from: Part Time Lizards / High Dive Records / November 2, 2018
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White & Evan Keelan-White wbo perform with Derek Levasseur & Tanner Rogerson. Recorded & mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska music writer Tim McMahan said, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

[Those Far Out Arrows, play an Album Release Show at The Brick, 1727 McGee St, KCMO, with Drug & Attics, and Faceface, at The Brick, on Friday, November 9, at 9:00 PM]

[Those Far Out Arrows, play an Album Release Show at Mills Record Company, 4045 Broadway, Blvd, KCMO, Saturday, November 9, 6:00 PM, with Arc Flash.]

6. Ken Nordine – “Blue”
from: Colors / Ken Nordine / 1966
[Colors is a “word jazz” album by voice-over and recording artist Ken Nordine. It was commissioned by the Fuller Paint Company to write radio advertisement spots, but after a few commercials became popular, it evolved to become an album of 34 songs. Each track personifies a different color or hue. Ken Nordine (born April 13, 1920) is an American voice-over and recording artist, best known for his series of Word Jazz albums. His deep, resonant voice has also been featured in many commercial advertisements and movie trailers. One critic wrote that “you may not know Ken Nordine by name or face, but you’ll almost certainly recognize his voice.” The son of Theresia and Nore S. Nordine, a contractor, Ken Nordine was born in Cherokee, Iowa. The family later moved to Chicago, where he attended Lane Technical College Prep High School and the University of Chicago. He has three sons with his wife Beryl, whom he married in 1945. During the 1940s, he was heard on The World’s Great Novels and other radio programs broadcast from Chicago. One of which, Honore de Balzac’s short story “Une passion dans le désert”, was recorded for the 1955 album Passion in the Desert. In 1955 he provided the voiceover on Billy Vaughn’s version of Shifting Whispering Sands, which peaked at #5 on the Billboard Hot 100. He subsequently attracted wider attention when he recorded the aural vignettes on Word Jazz (Dot, 1957). Love Words, Son of Word Jazz (Dot, 1958) and his other albums in this vein feature Nordine’s narration over cool jazz by the Fred Katz Group featuring Chico Hamilton recording under an alias. Nordine began performing and recording such albums at the peak of the beat era and was associated with the poetry-and-jazz movement. However, it has been observed that some of Nordine’s writings “are more akin to Franz Kafka or Edgar Allan Poe” than to the beats. Many of his word jazz tracks feature critiques of societal norms. Some are lightweight and humorous, while others reveal dark, paranoid undercurrents and bizarre, dream-like scenarios. Nordine’s DVD, The Eye Is Never Filled, (2005) provides a flow of abstract visuals to accompany the audio tracks. In 1990 Nordine was approached by Jerry Garcia of The Grateful Dead to be the anchor for their New Year’s Eve radio broadcast from Oakland, California.[6] For the broadcast he recorded some improvisations with Garcia, drummer Mickey Hart and Egyptian musician Hamza El-Din. This subsequently lead to an album Devout Jazz, released on the Grateful Dead’s own label in 1991 and Upper Limbo in 1993[7] and appearances with the band such as their show at Rosemont, Illinois in March 1993.]

7. Tunde Olaniran – “Symbol”
from: Stranger / Magic Wheel / October 5, 2018
[Second full length album from Flint Michigan based Tunde Olaniran. In 2014, Olaniran released his first EP titled Yung Archetype (see: Jungian archetypes). Olaniran released his first full-length album in 2015 titled Transgressor. NPR’s Stephen Thompson notes, Olaniran, “presides over a bighearted sound and style that revolve around spirited statements of affirmation, a sprawling artistic palette and the pursuit of boldness in every sense of the word… It all adds up to a finely calibrated mix of purpose and playfulness, executed to stylish perfection.”]

10:30 – Underwriting

Spinning Tree Theatre presents the Kansas City premiere of Douglas Carter Beane’s “The Nance,” running through November 18, at Just Off Broadway Theatre, 3051 Central in Kansas City, Missouri.

10:32 – Interview with Michael Grayman-Parkhurst

Michael Grayman-Parkhurst of Spinning Tree Theatre joins us in our 90.1 FM Studios to share details about the Kansas City premiere of Douglas Carter Beane’s “The Nance,” running through November 18, at Just Off Broadway Theatre, 3051 Central in Kansas City, Missouri. The cast includes: Andy Perkins, Katie Gilchrist, Timothy Michael Houston, Ashley Personett, R.H. Wilhoit and Sarah Montoya. Tickets information is available at Central Ticket Office at (816) 235-6222. More information at: http://www.spinningtreetheatre.com.

Michael Grayman-Parkhurst thanks for being with us today on WMM.

Spinning Tree Theatre introduces Kansas City to The Nance

Spinning Tree Theatre proudly continues Season 8 November 2-18 with the Kansas City premiere of Douglas Carter Beane’s The Nance, the 2013 Lincoln Center-produced Broadway play featuring music by Glen Kelly.

Beane is also the writer of “To Wong Foo, Thanks for Everything! Julie Newmar,” As Bees in Honey Drown and The Little Dog Laughed.

The Nance tells the story of burlesque’s stereotypically camp character and master of comic double entendre, almost always played by a straight man (so to speak). Mayor LaGuardia wants to clean up the city before the 1937 World’s Fair, and one of his targets is burlesque. What happens when our nance is gay…and has fallen in love? The Nance – equal parts drama and comedy – includes generous splashes of outrageous song-and-dance burlesque sketches.

Spinning Tree Managing Director Andrew Grayman-Parkhurst: “The Nance suits our aesthetic beautifully: wildly entertaining while meaningful. We believe this will be an introduction to most of our patrons about the comic representation of gay men in burlesque. It’s a unique opportunity to step back in time with a highly theatrical cast of characters.”

Artistic Director Michael Grayman-Parkhurst and Nicole Marie Green co-direct, continuing their collaboration from 2017’s Casa Valentina.

Andy Perkins in Spinning Tree Theatre’s “The Nance”

Their assembled cast: Andy Perkins (Chauncey Miles), Katie Gilchrist (Sylvie), Timothy Michael Houston (Ned), Ashley Personett (Joan), R.H. Wilhoit (Efram) and Sarah Montoya (Carmen).

Perkins was featured in 2017’s Casa Valentina; Personett in 2016’s Nine. The rest of the cast are making their Spinning Tree debuts.

The Nance team includes stage manager T.J. Burton, lighting designer Nicole Jaja, costume designer Shannon Smith-Regnier, sound designer Jeff Eubank, properties designer Eric Palmquist, choreographer Andrew Grayman-Parkhurst and music consultant Gary Green.

The Nance (November 2-18)

and the remainder of Spinning Tree Theatre’s 8th season

(the KC premiere of Eve Ensler’s Emotional Creature: The Secret Life of Girls Around the World and an intimate telling of 10-time Tony Award winning musical Billy Elliot)

Just Off Broadway Theatre
3051 Central in Kansas City, Missouri

Tickets available by calling Central Ticket Office at (816) 235-6222.
More information including performance dates and times at http://www.spinningtreetheatre.com.

10:45

8. The Get Up Kids – “Better This Way”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.”[8] The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[The Get Up Kids play recordBar, Thursday, November 8, at 9:00 PM with Remember Sports]

9. Amanda Fish – “Free”
from: Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

[Amanda Fish plays The Brick, Saturday, November 10, at 9:00 PM with Broken Arrows.]

10. Julia Holter – “I Shall Love 2”
from: Aviary / Domino Recording Co Ltd / October 26, 2018
[Julia Shammas Holter was born December 18, 1984, in Holter was born in Milwaukee, Wisconsin. At age six her family moved to Los Angeles, where she later attended the Alexander Hamilton High School. She studied music at The University of Michigan for four years, graduating with a degree in composition. After seeing Michael Pisaro perform an avant-garde composition in Michigan, she was inspired to study with him at CalArts, where she graduated from another composition program. Holter contributed songs to multiple compilation albums in 2008. In 2010, she began playing with Linda Perhacs’ band and released a CD-R titled Celebration and a collection of live recordings. Her debut studio album, Tragedy, was released in August 2011 on Leaving Records. Inspired by Euripides’ Greek play Hippolytus, the album received generally favorable reviews and was named one of NPR’s “Best Outer Sound Albums of 2011”. Holter released a second album, Ekstasis, in March 2012 on the RVNG Intl. label. The album drew comparisons to works by such artists as Laurie Anderson, Julianna Barwick, Kate Bush, Joanna Newsom, Grouper, and Stereolab, and received many positive reviews. Holter spent three years making the album, whose title comes from the Greek word meaning “outside of oneself.” The music video for album track “Moni Mon Amie”, directed by Yelena Zhelezov, was also released in March. In addition to collaborating with other California-based musicians like Nite Jewel (Ramona Gonzalez), Holter released her third album, Loud City Song, in August 2013 on Domino Records.[4] Unlike her first two albums, which were recorded mostly alone in her bedroom, Holter recorded Loud City Song with an ensemble of musicians. In 2015, Holter released her fourth album Have You in My Wilderness, which became her most successful charting release to date. She also contributed to Ducktails’ fifth studio album, St. Catherine, with her bandmates Chris Votek and Andrew Tholl. Holter collaborated with Jean-Michel Jarre on a song for the second part of the Electronica double album, released on July 18, 2016. In November 2016, she curated her own program during the tenth anniversary edition of Le Guess Who? Festival in Utrecht. This program included performances by Laurel Halo, Josephine Foster, Maya Dunietz, Jessica Moss and other artists. In September 2017, she performed a world premier of her scoring of the 1928 silent French film The Passion of Joan of Arc on September 29 at the FIGat7th in downtown Los Angeles. In September 2018, Holter announced her sixth commercially released album, Aviary, and released the lead single “I Shall Love 2”. She followed it with another single, “Words I Hear”, before the album’s release on October 26.]

11:00 – Station ID

11. Slights – “Why Cats Purr”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks and Matthew Dunehoo. In late January, 2017 the band recorded an album at Ghost Cat Studios in San Francisco with Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist and painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker and actor, and has been a member of the influential bands: Loose Park, Baby Teardrops, Doris Henson, and The String and Return. More information at http://www.slightsband.com]

[Slights play an album release show with The Philistines and Emmaline Twist on Friday, November 30 at 8:30 PM, at recordBar, 1520 Grand Boulevard, KCMO]

Ben Parks and Matthew Dunehoo on the November 7, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Ben Parks and Matthew Dunehoo

Matthew Dunehoo and Ben Parks join us to talk about the debut release of their new band Slights play an album release show at recordBar, Friday, November 30, at 8:30 PM, with The Philistines, and Emmaline Twist. More information at http://www.slightsband.com

Ben Parks and Matthew Dunehoo, Thanks for being with us on WMM.

Ben Parks is also visual artist and painter as well as part of the band, Of Tree.

Matthew Dunehoo is also a filmmaker and actor, and has been a member of the bands: Tidy Hippy, Loose Park, Baby Teardrops, Doris Henson, and Proud n Tall.

Matt is the founder of Elk’s Pride Pictures, a film production company based in Kansas City, Missouri.

11:12

12. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks and Matthew Dunehoo. In late January, 2017 the band recorded an album at Ghost Cat Studios in San Francisco with Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist and painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker and actor, and has been a member of the influential bands: Loose Park, Baby Teardrops, Doris Henson, and The String and Return. More information at http://www.slightsband.com]

[Slights play an album release show with The Philistines and Emmaline Twist on Friday, November 30 at 8:30 PM, at recordBar, 1520 Grand Boulevard, KCMO]

11:14 – Interview with Ben Parks and Matthew Dunehoo

Slights

Matthew Dunehoo and Ben Parks are with us us to share music from their band Slights and their debut release titled: Flow State. Their new 11-song album was created over the past year and recorded an album at Ghost Cat Studios in San Francisco.

Ben Parks and Matthew Dunehoo, Thanks for being with us on Wednesday MidDay Medley

Ben Parks is also visual artist and painter who created the album cover for Flow State. Ben Parks is also part of the band, Of Tree with wife Laurel Parks

Matthew Dunehoo created: Elks Pride Pictures, LLC – Founded February 1, 2015

More information at http://www.slightsband.com

11:23

13. Slights – “The Witch and Robert Palmer”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks and Matthew Dunehoo. In late January, 2017 the band recorded an album at Ghost Cat Studios in San Francisco with Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist and painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker and actor, and has been a member of the influential bands: Loose Park, Baby Teardrops, Doris Henson, and The String and Return. More information at http://www.slightsband.com]

[Slights play an album release show with The Philistines and Emmaline Twist on Friday, November 30 at 8:30 PM, at recordBar, 1520 Grand Boulevard, KCMO]

11:26 – Underwriting

14. No Magic – “Backspin”
from: In Cocoon / French Exit Records / November 9, 2018
[All songs written by Ben Sauder. Produced by Joel Martin. Mixed by Joel Martin and Ben Sauder. Mastered by Steve Squire. No Magic is Ben Sauder on guitars, keys, stairs, vocals, & auxiliary; Joel Martin on guitars, basses, keys, drums, vocals, patience; Heidi Gluck on bass, acoustic guitars, piano, slide guitar, vocals; and Jeff Stolz on drums and modelos. With: Leslie Butsch – Saxophone on “Backspin” and “San Francisco”. Kyle “Strings” Stringer – Bass on “While I Got You” and “Apart”. Brother Bobby Sauder – Bass on “Firefly”. Nicholas Stahl – Drums on “While I Got You”. Chris Luxem – Chorus Chant Vocals on “Smoke”. Garrett Marsh – Acoustic riff on “San Francisco”. Design and layout – Carl Smith. Cover photo – Ga Ji Ashlin Wang. Inside photo – Austin Pulliam .]

[No Magic plays an Album Release Show at Voltaire on Saturday, November 10, at 11;00 PM, with Chase the Horseman, and Vanity Plates.]

15. Broken Arrows – “Behind The Eightball”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Barry Lee on rhythm Guitar, lead & backing vocals; Mike Penner on lead & rhythm guitars, lead & backing vocals; Bill Ryan on lead & rhythm guitars, lead & backing vocals; John Chevalier on bass, keyboards, lead & backing vocals; Dave Storms on drums, percussion, lead & backing vocals. Special Guest Howard Iceberg on lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. All other tracks recorded at Cricket Palace Studio. Mixed & Mastered by Mike Penner]

[Broken Arrows play The Brick, Saturday, November 10, at 9:00 PM with Amanda Fish.]

16. Rachel Mallin and The Wild Type – “It Isn’t Love”
from: It isn’t Love – Single / Rachel Mallin / November 9, 2018
[Indie synthpop from Kansas City based, 4-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals. “It Isn’t Love” the latest single from Rachel Mallin & the Wild Type. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play The Truman, Saturday, November 10, at 7:00 opening for The Greeting Committee with Brother Moses.]

17. HighWesthus – “BLVCK”
from: TAKOTSUBO: a love story / Datura Records / October 24, 2018
[Written and produced and performed by HighWesthuss. HighWesthus was born in Chicago and is based in Kansas City. Last year Datura Records released The Trilogy. A set pf three releases that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illustration, animation, graphic design, video editing, sound editing, music producing, writing and storytelling.]

18. Erin Eades – “Free From Prison”
from: Diary / Erin Eades / October 19, 2018
[Debut EP from Erin Eades on acoustic guitar, cigar box guitar, vocals; Lucas Parker on electric guitar, bass (tracks 1, 2, 4, 5); Kenny Carter on bass (track 3); Colby Earlywine on drums; Jamie Malone on background vocals; Jay Vern on piano, B3 organ. Erin Eades is a singer-songwriter in Kansas City, MO. Originally from the mountain state of West Virginia, Eades began making music at the age of 12, when out of boredom her father handed her a 1950’s Gibson that had been stored away, waiting for someone to play. It wasn’t long before she began writing songs, recording her first album at age 17 as part of the duo Special Guest. After a more than decade-long hiatus from music, Eades began playing music again after moving to Kansas City and began her solo career in 2015. She has since played dozens of venues in the Kansas City area, won the 2016 HRC Kansas City Battle of the Bands Acoustic Stage, and has started to play more regionally, sharing her heartfelt lyrics, classic melodies, and percussive guitar style with audiences in the Midwest. Her music is genuine, and shares bits of her story, drawing from experiences that many find relatable. Influenced by the strong female singer-songwriters she listened to growing up, including Joni Mitchell, Carole King, and Jewel, she followed their lead and added her own tinges of twang, angst, and blues. Eades released her debut single, “Looking From the Bottom” in 2017, ]

11:54

20. DeVotchKa – “Straight Shot”
from: This Night Falls Forever / Concord Records / August 24, 2018
[DeVotchKa is a four-piece multi-instrumental and vocal ensemble. They take their name from the Russian word devochka (девочка), meaning “girl”. Based in Denver, Colorado, the quartet is made up of Nick Urata, who sings and plays theremin, guitar, bouzouki, piano, and trumpet; Tom Hagerman, who plays violin, accordion, and piano; Jeanie Schroder, who sings and plays sousaphone, double bass, and flute; and Shawn King, who plays percussion and trumpet.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday November 14, Royce Sauce Handy shares details about SoulFood4 Release Show, Wednesday, November 21, 2018 at 6 PM at Ruby Jean’s Juicery (Ruby Jean’s Kitchen & Juicery), 3000 Troost Ave., KCMO. Also next week, Shaun Crowley and Rachel Mallin join us to share details about Manor Records for MOCSA, (Metropolitan Organization for Counter Sexual Assault.) Friday, November 16, at 5 PM at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms. And also next week, constitutional historian, Michael J C Taylor joins us to talk about his new book.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #759

WMM Playlist from October 24, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 24, 2017

Music From 2018 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana
+ Davin Watne and Funk The Vote

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The Record Machine release a single of this song on May 18, 2018 as part of their What’s Next: KC Sessions, but we prefer this recorded version.]

[Belle & The Vertigo Waves play a Very Vertigo Waves Halloween Show, Fri, Oct 26, at 8:00 PM at The Brick, 1727 McGee St, w/ Mene Mene, Rachel Mallin & The Wild Type and Vik G Trio at The Brick.]

3. The Phantastics – “Heartbreaker”
from: Like of the Party – EP / Kenet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantastics play the I Heart Local Music Presents: The Black & White Ball! Saturday, October 27, at 9:00 PM, at The Bottleneck, 7732 New Hampshire St., Lawrence, KS with HighWesthus]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

[Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip. ]

10:15 – Interview with Davin Watne

Artist, musician and educator – Davin Watne is a professor at UMKC where he teaches painting and drawing. He is a practicing artist that exhibits nationally, internationally and locally. Davin also plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions who released their latest album Chapel on vinyl, on April 7, 2018

Davin Watne joins us to share information about Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms). Thee Devotion will perform live along with DJ Lady J, and DJ Felt Tip.

Davin Watne thanks for being with us on Wednesday MidDay Medley.

Funk The Vote, Sat, Nov 3, 10:PM at The Ship, 1217 Union Ave. KCMO (West Bottoms).

DJ Lady J, and DJ Felt Tip will be spinning from their collection of rare and special soul 7″ singles.

Area political action organizations including: WOLF-PAC Missouri, New Approach Missouri, 350 KC, and the ACLU.

Thee Devotion started in January 1, 2008, with our drummer Keith Patterson and You. You formed Thee Devotion out of the ashes of our first band together called Emma Feel.

“Shake it Up” was written about Ferguson, Missouri.

Chapel is the band’s 2nd record produced by Bill Honan who played piano & moog.

All songs written by Thee Devotion.

The Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

10:27

Davin Watne thanks for being with us again on Wednesday MidDay Medley.

Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip.

10:28 – Underwriting

10:30 – Music from Outer Reaches Fest at recordBar – Fri & Sat, Oct. 26 & 27

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:33 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

Steve Tulipana, Brenton Cook, and Dedric Moore

Outer Reaches was originally called KC Psych Fest and started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City. While still very much in the psychedelic realm, the Outer Reaches Fest has grown to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music, that is adventurous and mind expanding. The Fest endeavors to emphasize musical acts experimenting and pushing boundaries.

2018 Outer Reaches Fest, is happening this weekend, Friday, October 26, and Saturday, October 27, at recordBar, 1520 Grand Ave, KCMO featuring 16 bands, including six bands from Kansas City, two bands from Lawrence, Kansas, a band from KCK, and bands from Brooklyn New York, and Fort Wayne Indiana, two bands from Chicago Illinois, two bands from Montreal Quebec, and a band from Sydney Australia.

Joining us to share music and information about Outer Reaches 2018 are three guys who together make Outer Reaches happen each year: Brenton Cook, Dedric Moore, and Steve Tulipana.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve helped launch recordBar’s 7″ Single Series, releasing limited edition singles from Victor and Penny and Emmaline Twist on recordBar’s own label: Eat.Hear. Records. Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

We just heard Mysterious Clouds who are part of the big Friday night line up:

Friday, October 26,
features:
Freight Train Rabbit Killer (KCMO),
Heaven’s Gateway Drugs (Fort Wayne, IN),
Mysterious Clouds (KCK),
Abandoned Bells (KCMO),
The Guillotine Choir (KCMO),
JC & the Nuns (Lawrence, KS),
Lesser Pleasures (Lawrence, KS),
New Obsessions (KCMO), and
Lava Dreams (KCMO).

10:40

6. Freight Train Rabbit Killer – “Shake Em” (7″ Vinyl)
from: Shake Em – 7″ Single / Haymaker Records / October 27, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:46 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

We hear talk that there will be an interactive Giant Rabbit on stage with Freight Train Rabbit Killer.

This year Outer Reaches is part of Open Spaces KC – Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

More info: http://www.outerreachesfest.com/

Friday night, October 26, features three area bands: The Guillotine Choir (KCMO), Lesser Pleasures (Lawrence, KS), and New Obsessions (KCMO), that are so new they are currently in the studios with their music, and have plans to release their debut recordings in the next few months.

10:51

8. Heaven’s Gateway Drugs – “Copper Hill”
from: Rubber Nun / dizzybird Records LLC / September 9, 2016
[Heaven’s Gateway Drugs is a counterculture cult rock band hailing from Fort Wayne, Indiana, a rust belt city best known for its abundance of churches and strip clubs. Despite being born in a location that couldn’t be farther from a psychedelic epicenter, Heaven’s Gateway Drugs creates a unique combination of freakbeat, west coast psych, mod, and eastern drone to create a sound that is just at home today as it was in 1968. This description only addresses part of the total experience that is Heaven’s Gateway Drugs. The group is led by Ben Carr, an enigmatic, psychedelic Pied Piper of sorts who entrances audiences with his movements and urges those in attendance to become one with the band. Remember always, “you are Heaven’s Gateway Drugs.”.]

[Heaven’s Gateway Drugs play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. JC & The Nuns – “Psych Burns”
from: Jeez – EP / Independent / September 28, 2017
[Lawrence badsed 4-piece band with JC onlead vocals, Sister Spirit on bass, Sister Hazel on guitar, Sister Sister on percussion. Recorded and mixed at Lawrence Public Library August 2017]

[JC & the Nuns play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:59 – Station ID

8. Lava Dreams – “SWEET SWEET”
from: SWEET SWEET – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams play Outer Reaches Fest, Friday, October 26 at recordbar.]

Dedric Moore, Mark Manning, Steve Tulipana, and Brenton Cook talk about Outer Reaches Fest.

11:03 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

Outer Reaches 2018 is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales from the event. Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

Sponsors for this year’s fest include KKFI 90.1 FM, Records with Merritt, 7th Heaven, KTBG 90.9FM The Bridge, Bullseye Records, Boulevard Brewing Company, Lagunitas Brewing Company, XO Blackwater, Josey Records, It’s a Beautiful Day, Seen Merch, Haymaker Records, Kosmic City, and Print Time.

Saturday, October 27
features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

Friday Tickets are $15 (Day of Show), $12 (Advance). Saturday Tickets are $20 (Day of Show), $15 (Advance). Two-Day Ticket available at: $25 (Advance).

For ticket information visit: http://www.therecordbar.com.

The Fest has grown organically, growing too big for FOKL, the arts/performance space in Kansas City, Kan., that hosted the first two KC Psych Fests.

In 2014 the fest moved to recordBar. Outer Reaches feels like a really great fit at recordbar. Steve’s experience booking bands adds to his collaboration with Dedric and Brenton in organizing the line up. recordBar, 1520 Grand, in the Crossroads

11:08

11. CAVE – “San’ Yago”
from: Allways / Drag City / October 29, 2015
[Chicago based 5-piece band made up of: Jeremy Freeze, Rob Frye, Rex McMurry, Cooper Crain, Dan Browning “]

[CAVE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 27]

12. J Fernandez – “Unwind”
from: Occasional Din / Joyful Noise Recordings / November 9, 2018
[First single from Chicago Illinois based musician J Fernandez started as the eponymous home recording project of Arkansas born Justin Fernandez, who came to Chicago in 2008 to work for map company Rand McNally. After three EPs, his 2015 debut LP ‘Many Levels of Laughter’ attracted high praise from the music press – including 8/10s from UNCUT and NME, plus end of year nods from Under The Radar and Brooklyn Vegan (who called it “one of 2015’s most underrated albums”). That year also saw him share the stage with the likes of Unknown Mortal Orchestra, Alvvays, Mitski, and Ezra Furman.s,

[J Fernandez plays Outer Reaches Fest, at recordBar, Sat, October 27]

11:17 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Festival this Friday and Saturday night at recordBar, 1520 Grand Avenue, in the Crossroads. More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

Saturday, October 27 features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

11:22

13. Sound of Ceres –”Humoria”
from: The Twin / Joyful Noise Recordings / October 6, 2017
[.Karen and Ryan Hover, having completed a Perfect Triumvirate of Candy Claws albums, formed Sound of Ceres in 2014 as a duo in collaboration with members of the Apples in Stereo and the Drums. While Candy Claws explored terrestrial realms such as the ocean, the forest, and the Mesozoic, Sound of Ceres expands to contemplate all of space and time, and the human place within it.]

[Sound of Ceres play Outer Reaches Fest, at recordBar, Sat, October 27.]

14. Death Bells – “Only You”
from: Standing at the Edge of the World / Burning House-Funeral Party / Sept 29, 2017
[Sydney Australia based band, with Maurice Santiago, Rimas Veselis, David Gauci, Aron Postolovic, Sam Shepherd ant William Canning]

[Death Bells play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:29 – Underwriting

11:31 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

Second Stage Sponsor:
KKFI 90.1 FM

Video / VJ Sponsors:
Records with Merritt
7th Heaven
KKFI 90.1 FM
KKFI Crossroads Music Fest 2018

Additional Sponsors:

KC Neighborhood Tourist Development Fund
Midwest Music Foundation
90.9 The Bridge
Open Spaces KC
Boulevard Brewing Company
Lagunitas Brewing Co
XO Blackwater
Josey Records Kansas City
recordBar
It’s a Beautiful Day
Sound 81 Productions
Seen Merch
Haymaker Records
Bullseye Records
Kosmic City
Print Time

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:36 – Montreal Solo Projects

15. Kee Avil – “Sponge”
from: Kee Avil – EP / Black Bough Records / March 15, 2018
[Kee Avil is a solo song project based in Montreal, QC. It combines guitar, voice and electronics into song forms that stagger between structure and improvisation. Kee Avil evolved from playing the guitar with broken cymbals and drumsticks into creating strange beats glued together by samples of screws dropped into crystal bowls. All music by Kee Avil. Mixing by Zach Scholes. Mastering: Sponge and by Harris Newman, and Zach Schole.]

[Kee Avil plays Outer Reaches Fest, at recordBar, Sat, October 27.]

16. Black Givre – “Collusion I”
from: Errance et mépris / Burning House – Funeral party / October 16, 2018
[Montreal, Québec based Black Givre is Samuel Bobony (drum & electronic). Recorded live in front of small audience at Studio Concrete by Zach Scholes. Mixed & Produced by Samuel Bobony & Olivier Fairfield. Mastering by Philippe. Black Givre is Samuel Bobony solo project. A sound artist who creates explosive pieces which combines drum, sampling, field recording and synthesizer. Also member of Avec le Soleil Sortant de Sa Bouche (Constellation Records) & Héliodrome (Endemik Music).]

[Black Givre play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:43 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:48

17. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 22, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala.]

[Jorge Arana Trio play Outer Reaches Fest, at recordBar, Sat, Oct. 27.]

11:51 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Outer Reaches FEST at recordBar on Friday & Saturday, October 26 & 27.

Friday, October 26
Freight Train Rabbit Killer
Heaven’s Gateway Drugs (Fort Wayne, IN)
Mysterious Clouds
Abandoned Bells
The Guillotine Choir
JC & the Nuns (Lawrence, KS)
Lesser Pleasures (Lawrence, KS)
New Obsessions
Lava Dreams

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More info: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:56

18. Monta At Odds – “Argentum Dreams (feat. Your Friend)”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from KCK based band formed by brothers Dedric and Delaney Moore.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on October 31, we brig you a special Halloween Show with Bela Lugosi, Boris Karloff and Bette Davis — plus an interview with Michael McQuary Man of 1001 Faces.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #757

WMM Playlist from September 5, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2018

Radkey + Music from the 14th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

10:00

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Katy Guillen and The Girls – “The Load”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8.]

[Katy Guillen plays Crossroads Music Fest, Saturday, Sept 8, at 4:00 PM, at Brewery Emperial Day Party, 1829 Grand Ave. (All Ages)]

Bill Sundahl

10:04 – Interview with Bill Sundahl

Bill Sundahl is the founder of Crossroads Music Festival. He has been coming on this radio program for 14 years now sharing information about the music and venues and collaborations associated with CMF. Bill is 90.1 FM KKFI’s Development Director, where he is constantly in motion working to keep Community Radio alive! Bill joins us to share details about participating artists, and venues and special features of this year’s festival.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

Lead Bank Presents the 14th Annual – KKFI Crossroads Music Fest
Saturday, September 8, 11:00am to 2:00am
Diverse Music on 8 Stages, Including 37 Bands, 15 hours of music, All in 3 Blocks
(6 All Ages Stages)

________________________________________________________________________________

11:00 to 5:00pm – Midwest Music Foundation Free Musicians’ Health Care Clinic,
at The Exchange at Lead Bank, 1801 Main
[Check ups, Referrals, Hearing, Mammograms, and More]- (Free Event)

Midwest Music Foundation along with The RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow-up opportunities.
More info at http://www.cmfkc.com.
________________________________________________________________________________

11:00 to 5:00pm – The 5th Annual MixMaster Music Conference at CMF /
Musicians Professional Development Seminar ($15.00 admission)
at The Exchange at Lead Bank, 1801 Main, 4th floor – Silly Goose Records (All Ages)

Industry Panels | Radio & Media Networking | Demo Dip | Speed Dating & more

MixMaster Music Conference is a music community event that brings local artists and music industry professionals together to share information, connect, collaborate, and showcase some of the best talent that the Kansas City region has to offer. Now entering its fifth year, MXM2018 is an established and valuable event for the local music industry with the goal or reaching more audiences and industry across the Kansas City region.

Tickets $15 includes lunch for first 50 participants. Free to CMF performers!
_____________________________________________________________________________________

11:00 to 5:00pm – Day Parties at Brewery Emperial & Josey Records – (Free Event)

Brewery Emperial Day Party, 1829 Grand Ave. (All Ages)
Noon to 12:45 – Gullywasher
1:00 to 2:00 – Turlach & Eddie
2:20 to 3:30 – Scotch Hollow
4:00 to 5:00 – Katy Guillen

Josey Records Day Party, 1814 Oak (All Ages)
12:30 to 1:15 – Minor Rewind
1:45 to 2:30 – Noah Davis & Co.
3:00 to 3:45 – Jo
4:14 to 5:00 – Turkey Bone & Full Count
______________________________________________________________________________

6:00 to 7:00pm – City of Drums – CMF Kick Off Party,
Lead Bank Parking Lot, 1801 Main – (Free Event)

6:00 to 6:15 – Broadway Drill Team
6:15 to 6:30 – Marching Falcons
6:30 to 6:45 – Willie Arthur Smith’s Marching Cobras
6:45 to 7:00 – All 3 Drum lines performing together!
7:00pm to 2:00am — 14th Annual Crossroads Music Fest
_______________________________________________________________________________

recordBar, 1520 Grand – Lead Bank Stage (18+)
7:00 to 8:00 – Gamelan Genta Kasturi
8:30 to 9:30 – Cubanisms
10:00 to 11:15 – Hembree
11:45 to 1:00 – Radkey with Quixotic Performers

10:11

3. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh..]

[Hembree plays Crossroads Music Fest, Saturday, Sept 8, at 10:00 PM, at recordBar]

14th annual Crossroads Music Fest, Saturday, Sept. 8. Get advance tickets: http://www.cmfkc.com.

Collection, 1532 Grand – Boveri Reality Stage (All Ages)
7:00 to 7:45 – Four Score
8:15 to 9:00 – EEMS
9:30 to 10:30 – My Oh My!
11:00 to 12:00 – Sauce

The Brick, 1727 McGee – Community Lending of America Stage (21+)
7:15 to 8:00 – Cowtown Country Club
8:30 to 9:30 – Vi Tran Band
10:00 to 11:00 – Grand Marquis
11:30 to 12:30 – Cadillac Flambe
1:00 to 2:00 – Supermassive Black Holes

10:20

4. Eems – “Make Up On Your Scars”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays Crossroads Music Fest, Sat, Sept 8, at 8:15 PM, at Collection 1532 Grand]

5. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City based Hip-Hop artist Sauce is back with his 3rd original release, “Summer Sauce.” It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. Royce Sauce Handy]

[Sauce plays Crossroads Music Fest, Sat, Sept 8, at 11:00 PM, at Collection 1532 Grand]

6. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018
[KC based American Roots, Blues, & Prohibition Jazz band, formed in 1998 have released 7 albums, including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. The band is: Ben Ruth on upright bass, sousaphone, backing vocals; Chad Boydston on trumpet, backing vocals; Ryan Wurtz on electric and acoustic guitars; Trevor Turla on trombone, backing vocals; Fritz Hutchison on drums, backing vocals; Bryan Redmond on lead vocals, soprano, alto, tenor & baritone saxophones.]

[Grand Marquis play Crossroads Music Fest, Saturday, Sept 8, at 10:00 PM, at The Brick, 1727 McGee]

10:30 – Underwriting

Today we’re featuring music from bands participating in the 14th annual Crossroads Music Fest, on Saturday, September 8, featuring nearly 38 bands, 15 hours of music programming, on 8 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com.

Bill Sundahl, founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director was our guest for the entire show.

Mod Gallery, 1809 McGee – Kissick Construction Stage (All Ages)
7:00 to 7:45 – Summer Osborne
8:15 to 9:00 – Taylor Smith Band
9:30 to 10:15 – BCR
10:45 to 11:30 – Brandon Phillips & The Condition
12”00 to 1:00 – Ayllu

10:37

7. Summer Osborne – “Grace”
from: As I Am / Summer Osborne / June 30, 2013
[St. Louis based singer songwriter has been performing on stage since the age of four. She has been performing her original music since 2005, releasing 8 full-length albums and an EP. Since 2009, Summer has been constantly on tour playing Pridefests in St. Louis, Vancouver, Columbia, Memphis, Springfield, Lexington, Belleville. Summer is a champion of the KC HRC Battle of The Babes – Acoustic Stage. Summer has shared the stage with The Indigo Girls, God-Des and She, Tiffany, Jen Foster, Sugarbeach, The Cliks, Crystal Waters, Betty, Martha Wash, RJ Helton, Jennifer Holliday, Kimberley Locke, Tret Fure, and Shannon Curtis.]

[Summer Osborne plays Crossroads Music Fest, Sat, Sept 8, at 7:00 PM, at Mod Gallery, 1809 McGee]

8. Brandon Phillips and The Condition – “Whatever”
from: Whatever – Single / Gran Calavera / May 16, 2018
[Brandon Phillips on vocals, Adam Phillips on drums, Zach Phillips on bass,and Julie Berndsen (formerly of the Latenight Callers) on backup vocals.]

[Brandon Phillips and The Condition plays Crossroads Music Fest, Sat, Sept 8, at 10:45 PM, at Mod Gallery, 1809 McGee]

Normal Human, 1815 McGee – KCPT Stage Hosted by Tasty Brew (All Ages)
7:00 to 8:00 – Vogts Sisters
8:15 to 9:15 – Volker Brothers
9:30 to 10:30 – Chad Elliott
10:45 to 12:00 – Rural Grit

Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)
7:00 to 8:00 – Sunu
8:20 to 9:20 – Hi-Lux
9:40 to 10:40 – Freedom Affair
11:00 to 12;00 – Instant Karma

Hilliard Gallery, 1820 McGee – Lead Band VIP Venue (All Ages)
8:00 to 8:20 – Krystle Warren
10:00 to 10:20 – Surprise Collaborations

10:53

9. Hi-Lux – “Dance With My Baby”
from: Dance With My Baby – Single b/w Don’t Blame Me / Sunflower Soul / January 5, 2018
[7″ Vinyl 45 rpm single released by Sunflower Soul. In February the band released a 6 song EP contains several new songs with some previously released singles. Julia Haile told us the songs demonstrate the different influences of each member, from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Crossroads Music Fest, Sat, Sept 8, at 8:20 PM, at Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)]

10. Instant Karma – “Give Me Freedom”
from: Give Me Freedom – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals. Info at: http://www.instantkarmakc.com]

[Instant Karma plays Crossroads Music Fest, Sat, Sept 8, at 11:00 PM, at Josey Records Stage, 1814 Oak – Sunflower Soul Records Showcase (All Ages)]

11:00 – Station ID

11. Radkey – “Basement”
from: Basement – Single / the Century Family / July 31, 2018

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM with Quixotic performers, at recordBar]

Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey

11:03 – Interview with Isaiah Radke, Dee Radke and Solomon Radke

Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm.

Isaiah Radke, Dee Radke and Solomon Radke thanks for being with us on WMM.

We just heard “Basement” one of several singles that band is releasing this year. The band has said that with these new songs the band is trying to be more personal to let the audience know more about who you are. You’ve said the band has gained more life experiences.

It has been fascinating watching Radkey grow up before our very eyes and continue to grow as musicians and as a band.

Based on our MidDay Medley playlists, we first played Radkey on: August 1, 2012
Radkey – “Little Man” from: Irrationally Yours – EP / Radkey/ March 29, 2011
__________________________________________________________________________________

2012 was a big year for the band

Radkey was nominated for a Pitch Music Award for Best Emerging Act and played at The Pitch Music Showcase, at The Riot Room.

Radkey’s first chance to play Afropunk Fest in 2011 was cancelled due to Hurricane Irene. The band would then return to Brooklyn to play Afropunk Festival in Brooklyn, New York on August 25-26, with Erykah Badu, Janelle Monae, Spank Rock, Das Racist, Toshi Reagon

On Sept 25, 2012 the trio tracked the single and video, “Cat & Mouse,” for Wreckroom Records.

Radkey’s shows at SXSW 2012 attracted the attention of New York Times reporter Jim McKinley.
___________________________________________________________________________________

2013 was an even bigger year for the band

In 2013 Radkey was in our Top Ten of our 113 Best Recordings of 2013 with two EP releases: Devil Fruit – EP and Cat & Mouse – EP

(7.) Radkey – Devil Fruit – EP / Little Man Records / October 14, 2013
Radkey – Cat & Mouse – EP / Wreckroom / June 4, 2013

The band had their first Daytrotter session January 30, 2013.

April 18, 2013, Radkey released “Spirals” & “N.I.G.G.A. (Not Okay)” on Replay Records single 7″

Following SXSW 2013, radio producer for Zane Lowe introduces the music to Zane’s program; Zane Lowe debuts 2 tracks – “Spirals” and “Cat & Mouse” on his show May 2, 2013.

On June 4, 2013 Radkey released their Cat & Mouse EP on Wreckroom Records.

Radkey was invited to play at Download Festival in the UK – Summer 2013.
While in Europe the band attracted critical press with NME, both in print and online.

Radkey recorded their second EP, Devil Fruit, with Joel Nanos at Element Recording Studios in Kansas City, Missouri. The EP was mixed by Rory Attwell (Palma Violets, The Vaccines).

The band hit the road for their United States tour in support of NAAM.

Radkey’s Single “Romance Dawn” was released September 16, 2013 on Little Man Records

On September 24, 2013 Radkey’s video, Romance Dawn, made it’s debut on NME. The video was directed by Shaun Hamontree (MK12 design crew, video for Common ‘Go’, Jack White & Alicia Keys ‘Another Way to Die’, Title design for Quantum of Solace, The Kite Runner and Stranger than Fiction)

On October 1, 2013 Radkey played Later with Jools Holland performing “Out Here in My Head.”

The trio continued touring in late 2013 in support of Drenge, Black Joe Lewis, and Red Fang.

Following the tour, the band recorded their single, “Feed My Brain,” and the track, “Digging the Grave,” with Justin Mantooth at Westend Studio, KC, MO – mixed by Ross Orton.

In 2013 we played these songs from the band:

Cat & Mouse – Cat & Mouse – EP Rock
Out Here in My Head – Cat & Mouse – EP
Pretty Things – Cat & Mouse – EP
Little Man – Devil Fruit – EP
Overwhelmed – Devil Fruit – EP
We’re Going Down – Irrationally Yours – EP
______________________________________________________________________

2014

On February 11, 2014 Radkey released their single “Feed My Brain”

In early 2014 Radkey was featured in a print edition of NME.

On July 23 Radkey played The Pitch Music Showcase

In fall of 2014 Radkey went on tour with Rise Against and Touché Amoré
____________________________________________________________________

2015

In 2015 Radkey was in our Top Ten of the 115 Best Recordings of 2015

(6.) Radkey – “Love Spills”
from: Dark Black Makeup / Strange Loop Records / August 21, 2015

The band toured in Europe and North America through 2015

We played:
Dark Black Makeup – Dark Black Makeup
Love Spills – Dark Black Makeup
Glore – Dark Black Makeup

“Dark Black Makeup” Reached no. 23 on Billboard Mainstream Rock Chart.
_______________________________________________________________________

2016

On Sept. 16, 2016 Radkey played Crossroads Music Fest for the first time (at recordBar).

Radkey signed with a new record label to release, Delicious Rock Noise on November 11, 2016 on Another Century Records

The band predominantly toured North America through 2016

We were playing:
Radkey – “Dark Black Makeup” and “Teen Titans Theme” from Delicious Rock Noise
__________________________________________________________________________

2017

The band played at Rock on the Range Festival in Columbus, Ohio in May 2017
__________________________________________________________________________

2018

Radkey released 4 Singles

“Not Smart” / January 19, 2018 / Red Music (Sony)
“You Can’t Judge a Book By the Cover” / January 22, 2018 / Red Music (Sony)
“Basement” / July 13, 2018 / The Century Family
“St. Elwood / August 24, 2018 / The Century Family

Radkey were part of a National MasterCard advertising campaign on digital billboards in NYC with headlines: “Thrashers Misfits Dreamers” and “Start Something Priceless.” They were featured in a national television commercial aired during the Grammy Awards, that brought them to the attention of Jack White who asked the band to tour with him.

After CMF the band goes back on the road throughout the United States.

In December the band goes back into the studio with “Bill” Stevenson record producer and the drummer, main songwriter, of the California punk rock group Descendents
_______________________________________________________________________

Radkey

Radkey on Wikipedia:

Radkey consists of three home-schooled brothers from St. Joseph, Missouri. Isaiah Radke (bass), Solomon Radke (drums), and Dee Radke (lead vocals and guitar) who formed their family-titled band in 2010, and played their first show in 2011 when they opened for Fishbone. With their dad, Matt Radke, as their manager, they have since played with the likes of Jack White, The Offspring, Descendents, Local H, Black Joe Lewis, Titus Andronicus and performed at festivals like SXSW, Riot Fest, Afropunk, Japan’s Punkspring the U.K.’s Download Festival, and Coachella Valley Music and Arts Festival. They have released two EPs since their inception: 2012’s Cat & Mouse with Adrian Grenier’s Wreckroom Records and 2013’s Devil Fruit on Little Man Records. The band worked with Ross Orton (Arctic Monkeys, Drenge) to release their latest single, “Feed My Brain” and the team released their debut LP Dark Black Makeup in August 2015. The music video for their song “Glore” was featured near the ending of the episode “Shapes” of Off the Air on Adult Swim. Their debut album was re-released in 2016 under a new name, ‘Delicious Rock Noise’ and featuring two bonus tracks.
________________________________________________________________________________________

Radkey’s new single “St. Elwood” is inspired by dad & manager Matt Radke, and is about St. Joe.

11:13

12. Radkey – “St. Elwood”
from: “St. Elwood” – Single / the Century Family / August 24, 2018.]

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM w/ Quixotic performers, at recordBar ]

Isaiah Radke, Dee Radke and Solomon Radke of the internationally acclaimed band Radkey join us live in our 90.1 FM studios to talk about their set Saturday night at recordBar with Quixotic Performers, as part of the 14th Annual Crossroads Music Fest.

Radkey grew up in a little pink house in St. Joseph, MO. Homeschooled. Bored with nothing to do but listen to their Father’s records. Radkey was formed in 2010. The family moved to KC several years ago. Steve Tulipana was a big help to the band.

After CMF the band goes back on the road throughout the United States.

Radkey Tour:

Sat, SEP 08 – The Record Bar – Kansas City, MO
Wed, OCT 17 – Paradise Rock Club – Boston, MA
Thu, OCT 18 – Irving Plaza – New York, NY
Fri, OCT 19 – Stone Pony – Asbury Park, NJ
Sat, OCT 20 – Black Cat – Washington, DC
Sun, OCT 21- Theatre of Living Arts – Philadelphia, PA
Thu, OCT 25 – Gothic Theatre – Englewood, CO
Sat, OCT 27 – House of Blues Las Vegas – Las Vegas, NV
Sun, OCT 28 – Marquee Theatre – Tempe, AZ
Wed, OCT 31 – The Regency Ballroom – San Francisco, CA
Thu, NOV 01 – Catalyst – Santa Cruz, CA
Fri, NOV 02 – Fonda Theatre – Los Angeles, CA
Thu, NOV 15 – Rialto Theatre – Tucson, AZ
Fri, NOV 16 – Sunshine Theater – Albuquerque, NM
Sat, NOV 17 – Cain’s Ballroom – Tulsa, OK

In 2019

Jan 21, 2019 – Paradiso Kleine Zaal – Amsterdam, Netherlands
Feb 04, 2019 – VEGA – Musikkens Hus, Lille VEGA – København V, Denmark
Feb 06, 2019 – Nalen – Klubb – Stockholm, Sweden

Isaiah Radke (bass & vocals), Solomon Radke (drums), and Dee Radke (lead vocals and guitar)

Isaiah Radke, Dee Radke and Solomon Radke thanks for being with us on WMM.

Radkey plays Crossroads Music Fest, September 8, at 11:45 PM, at recordBar, 1520 Grand, with Quixotic performers. http://www.cmfkc.com / http://www.radkey.net

Radkey

11:26

13. Radkey – “Love Spills”
from: Delicious Rock Noise / Another Century – The Century Family / November 11, 2016
[Second full length album from Radkey, originally from St. Joesph, Missouri, now based in Kansas City.]

[Radkey plays Crossroads Music Fest, Sept 8 at 11:45 PM w/ Quixotic performers, at recordBar ]

11:30 – Underwriting

Today we’re featuring music from bands participating in the 14th annual Crossroads Music Fest, on Saturday, September 8, featuring nearly 38 bands, 15 hours of music programming, on 8 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com.

Bill Sundahl, 90.1 FM KKFI’s Development Director is with us.

Lead Bank Presents the 14th Annual – KKFI Crossroads Music Fest
Saturday, September 8, 11:00am to 2:00am
Diverse Music on 8 Stages, Including 37 Bands, 15 hours of music, All in 3 Blocks

11:00 to 5:00pm – MixMaster Music Conference at CMF /
Musicians Professional Development Seminar ($15.00 admission)
at The Exchange at Lead Bank, 1801 Main, 4th floor – Silly Goose Records (All Ages)

11:00 to 5:00pm – Midwest Music Foundation Free Musicians’ Health Care Clinic,
at The Exchange at Lead Bank, 1801 Main
[Check ups, Referrals, Hearing, Mammograms, and More]- (Free Event)

7:00pm to 2:00am — 14th Annual Crossroads Music Fest

recordBar, 1520 Grand – Lead Bank Stage (18+)
7:00 to 8:00 – Gamelan Genta Kasturi
8:30 to 9:30 – Cubanisms
10:00 to 11:15 – Hembree
11:45 to 1:00 – Radkey with Quixotic Performers

Normal Human, 1815 McGee – KCPT Stage Hosted by Tasty Brew (All Ages)
DJ Diana Linn hosts this stage.
7:00 to 8:00 – Vogts Sisters
8:15 to 9:15 – Volker Brothers
9:30 to 10:30 – Chad Elliott
10:45 to 12:00 – Rural Grit

11:39

14. Cubanisms – “Inolvidable”
from: Acento Cubano / Michael Patrick McClintock / October 3, 2017
[Formed in July 2016 with Michael McClintock as Musical Director and on Cuban tres, Fedra Cooper Barrera on vocals, Bruno Bessa on vocals, John Currey on percussion, Robert Beasley on percussion, Forest Stewart on bass, Miko Spears on percussion, and James Issac on woodwind instruments.]

[Cubanisms plays Crossroads Music Fest, Sept 8 at 8:30PM at recordBar, 1520 Grand ]

15. The Vogts Sisters – “Prove Me Wrong”
from: Broken Ties / The Vogts Sisters / May 1, 2018 [Maggie Vogts on acoustic guitar, fiddle, main & harmony vocals; Abigail Vogts on acoustic guitar, mandolin, main & harmony vocals. Kansas duo singing Sweet Sister Harmony ~ Americana, Folk, Singer-songwriting. We’ve been performing since May 2012 when we entered a singing contest at Katy Days, a local festival in Parsons, KS. Since then we’ve performed on stages at festivals, in auditoriums and theatres, and in more than a few coffee houses. “Broken Ties” is their 4th album following “Homeward’ in 2016, “My Own Dixie’ in 2015, and Old Time Voise in 2014.]

[The Vogts Sisters plays Crossroads Music Fest, Sept 8 at 7:00PM at Normal Human, 1815 McGee ]

The 14th annual Crossroads Music Fest, on Saturday, September 8, featuring 37 bands, on 8 stages, all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

11:51

16. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia. The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays an Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 w/ special guest Krystle Warren & others, presented by Bullseye Records.]

Krystle Warren

17. Krystle Warren & The Faculty – “Forever Is a Long Time”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays the 14th Annual Crossroads Music Fest at Hilliard Gallery, 1820 McGee – Lead Band VIP Venue]

[Krystle Warren plays Calvin Arsenia’s Album Release Show for Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, Sat., Sept. 15 with special guests, presented by Bullseye Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 12, Krystle Warren returns!!! Also, Jesse Kates of The Sexy Accident joins us to share details about the band’s Champagne Babycakes Remix release. Also next week James Andrews and Patrick Sprehe, co-founders of a brand new Kansas City based record label called Bullseye Records join us live in our 90.1 FM Studios to talk about the Calvin Arsenia Album Release Show for his new record, Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #750

Wednesday MidDay Medley presents Radkey + Music from the 14th Annual Crossroads Music Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 5, 2018

Radkey + Music from the 14th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

Wednesday MidDay Medley features music from bands participating in the KKFI’s 14th annual Crossroads Music Fest, presented Lead Bank, on Saturday, September 8, featuring 37 bands, on 8 stages, 15 hours of music programming, all within 3 blocks in Kansas City’s Crossroads Arts & Music District. Mark spins tracks from: Katy Guillen and The Girls, Hembree, Radkey, Sauce, Eems, Grand Marquis, Summer Osborne, Brandon Phillips and The Condition, Hi-Lux, Instant Karma, Cubanisms, and The Vogts Sisters. We’ll also play music from Calvin Arsenia and Krystle Warren.

Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey

At 11:00 Isaiah, Dee, & Solomon Radke of the critical acclaimed band Radkey join us live in our 90.1 FM studios. Radkey plays Crossroads Music Fest, September 8 at 11:45 PM, at recordBar, with Quixotic Performers. Radkey was formed in 2010 in St. Joseph, Missouri where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings, “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016, plus two EPs and several new singles, and were recently part of a MasterCard advertising campaign on digital billboards in New York City that brought them to the attention of Jack White who asked the band to toured with him. After CMF Radkey goes on the road throughout the United States and will play shows in Amsterdam and Stockholm in early 2019.

Bill Sundahl

Bill Sundahl, 90.1 FM KKFI’s Development Director joins Mark as co-host for the entire show to share details about participating artists, venues, and special features of the 14th Annual Crossroads Music Fest including the Midwest Music Foundation Free Musicians’ Health Care Clinic, at Lead Bank, 1801 Main with Check ups, Referrals, Hearing, and Mammograms. CMF also presents MixMaster Music Conference – Musicians Professional Development Seminar at The Exchange at Lead Bank, 1801 Main, 4th floor. Both events happen from 11:00 PM to 5:00 PM. For more information, or to get advance tickets you can visit: http://www.cmfkc.com.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #750

WMM Playlist from August 22, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 22, 2018

Emmaline Twist & Abandoned Bells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Bob & Una Walkenhorst – “Time Goes Walking”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releaseing debut albums. Spcial guest Storm Circus will open the evening.]

3. Mary Gauthier – “Got Your Six”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays Knuckleheads, 2715 Rochester St., KCMO, Thursday, August 23, at 8:00 PM.]

4. Krystle Warren & The Faculty – “Every Morning”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

5. Calvin Arsenia – “Cantaloupe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia called, Cantaloupe, the first release on the new recording label Bullseye Records. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:21 – Underwriting

6. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

Emmaline Twist

7. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

10:30 – Interview with Krysztof Nemeth and Kristin Conkright

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the KC based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Kristin Conkright and Krysztof Nemeth of Emmaline Twist on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

Emmaline Twist got started in early 2016 when Krysztof Nemeth, former baritone guitarist in The Latenight Callers, started collaborating with Meredith McGrade, a veteran of several Kansas City bands, including Admiral Red, Wick and The Tricks, and The B’Dinas. Krysztof told Timothy Finn of The Kansas City Star, “Meredith and I got started in trying to capture the sound and feel of the music we mutually loved: post-punk and shoegaze,” Nemeth said. “Meredith initially played bass and sang, while I employed the baritone guitar as the lead instrument.”

Jonathan Knecht, formerly of the Silver Maggies, came along as drummer.

Kristin Conkright, formerly of Knife Crime and Onward Crispin Glover, was looking for a project. During the very first The Band That Fell to Earth – Bowie Tribute Show, at The Uptown Theatre, in January 2016, Kristin approached Krysztof asking what he was working on and asked if he needed a bassist. Krzysztof liked her sound and thought it would fit the Emmaline Twist vision. McGrade moved to guitar and Conkright came aboard as bassist.

Alex Alexander & The Band That Fell To Earth

Recently, Alex Alexander, of The Band That Fell to Earth, has joined the band on synthesizers, becoming the 5th member.

In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.”

The band’s new 12″ LP is being released by Black Site Records, a label started by members of the band Red Kate, who have had a busy couple of years releasing music from Red Kate, Chess Club, Truckstop Love, Wick and The Tricks, and others.

Earlier this season, Emmaline Twist became the second official release of the eat.hear.records, limited edition 7″ vinyl single series, with the tracks: “Vega” and “Moon Eyes.” These were the band’s original first two digital releases.

More information at http://www.emmalinetwist.com

8. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the Kansas City based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona. Emmaline Twist will be playing with their newest addition of Alex Alexander to the band on synthesizers & guitar.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

DISSIMULATION was Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.

Nominated for Pitch Music Awards

Emmaline Twist has been on a media blitz and was recently on 38th The Spot, Eight One Sixty with Chris Haghirian, Retro Redeye Express with my Gemini Sister Sunshine and Too Much Rock, Under The Radar with John Todd.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

More information at http://www.emmalinetwist.com

10:56

9. Emmaline Twist – “Desparate Measures”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

11:02 – Station ID

Abandoned Bells

10. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Krysztof Nemeth, Teri Ann Quinn and Tyson Schroeder of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:06 – Interview with Teri Ann Quinn, Tyson Schroeder, and Krysztof Nemeth

The Kansas City three piece band, Abandoned Bells, join us to share details about their up coming live performance opening for Woovenhand, on August 29. Abandoned Bells are Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar.

Teri Ann Quinn of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Teri Quinn is a Kansas City based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, andin 2016 released her debut EP, Moons and Meltdowns.

Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illustrations and covers, periodicals, and Zim’s Sauces. Tyson has had works included in group and solo shows in KC, Boston, Salem, Portland, Houston and Nashville, and in museum shows about band posters, as he has created posters for, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson is also a musician, who plays in the band Medicine Theory.

Teri Ann Quinn Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth moved back to the Kansas City area from Seattle, Washington, 10 years ago. He is a published artist who has work specializing in fetish, gothic, retro, and low-brow kulture pin-up illustration. Krysztof has created saucy pin-up girls for everything from bands to burlesque troupes, gallery shows to rock shows, and clothing stores to private commissions. He work is in shows all over the country. Krysztof is also a father. He was one of the founders and lead guitarist for the band The Latenight Callers who released their critically acclaimed EP Easy Virtues in 2012 and the full length album, Songs for Stolen Moments in 2013. Krysztof os also the founder and baritone guitarist for Emmaline Twist, who are releasing their full length debut album, Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar together are Abandoned Bells

We just heard “Lost Children” the single the band released last year.

“Lost Children” was recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.

Today’s Wednesday MidDay Medley demonstrates to paradox of Krysztof’s musical life with bands that represent two very different sides to your own artistic expression: Emmaline Twist + Abandoned Bells

But it’s not just Krysztof, in the last year, Teri has been on the show discussing her solo work and musical tour. Tyson was on the show talking about his play “Bastard” that premiered at The Living Room Theatre, this band is full of incredibly creative and independent artists.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth all have backgrounds in creating visual art pieces, and all have their own distinct visions as artists, their own distinct passions that influence their art.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth, thanks for being with us on WMM.

11:19

11. Abandoned Bells – “Bob’s Bizzare Bizzarre”
from: “Bob’s Bizzare Bizzarre” – Single / Independent / February 5, 2017
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Teri Ann Quinn, Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:26 – Underwriting

11:28 – Manor Records Summer Showcase #2

Californos 4124 Pennsylvania Ave, KCMO, on Saturday, August 25, 8:00 PM – Doors

Manor Records proudly announces the second offering in their ongoing showcase series. This time the party happens at Californos, under the stars on the deck, Saturday August 25, doors open at 8:00 PM. Six of the area’s best bands play.

8:00 – Doors
8:30 to 9:00 – Those Far Out Arrows (Omaha)
9:15 to 9:45 – Toughies (LFK)
10:00 to 10:30 – Planet What (Tulsa)
10:45 to 11:15 – Dreamgirl (KC)
11:30 to 12:00 – Paddlefish (Springfield)
12:15 to 12:45 – Scruffy & The Janitors (St. Joe)

12. Those Far Out Arrows – “Living Today”
from: Where Are You? / Those Far Out Arrows / December 17, 2016
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White and Evan Keelan-White wbo now perform with Derek Levasseur, and Tanner Rogerson. Recorded and mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska. Music writer Tim McMahan wrote, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

[Those Far Out Arrows play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 7:00 PM]

13. Toughies – “Real Love”
from: ain’t that something [EP] / Independent / November 24, 2017
[Recorded & Mixed by Steve Squire in the scenic Vinland Valley. All songs written & performed by Toughies. 5-piece band from Lawrence formed by Joe Gronniger on bass & vocals, Caroline Lohrenz on drums, Carl Smith on guitar & lead vocals, Sam Ramer on guitar & vocals, and Ben Sauder http://www.toughies.bandcamp.com]

[Toughies play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 9:15 PM]

14. Dreamgirl – “American Blonde”
from: American Blonde – Single / Independent / February 14, 2015
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

[Dreamgirl play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 10:45 PM]

15. Paddlefish – “Got No Clue”
from: Spill Me! / Independent / August 17, 2018
[Paddlefish is a four-piece band from Springfield, Missouri with: Owen Misterovich on lead vocals, guitar, drums & keyboards; Joe Misterovich on backing vocals, guitar, bass & keyboards; Blake Nieman on bass, and Anthony Clark on drums. All songs written by Owen Misterovich. Engineered by Joe Misterovich. Mastered by Carl Saff. Album Art by Tanner Spreer..]

[Paddlefish play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 11:30 PM]

16. Wade D. Brown – “Home Country Pie”
from: From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

[Wade D. Brown plays The Brick, Saturday, August 25, at 7:00 PM]

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

17. Marcus Lewis Big Band – “All Day (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Big Band with Kadesh Flow and
kemet The Phantom play the Brass & Boujee + The Phantastics Joint Album Release Show!, Saturday August 25, at 9:00 PM, at The 10 Spot, 1000 BROADWAY BLVD Suite 300, KCMO on the 3rd floor of The Garment House.]

18. Eems – “Moment”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays The Mark Music Show 2.5, Friday, August 24, at 7:30 PM, at St. Mark Hope and Peace Lutheran at 3800 Troost Ave, KCMO]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 29, as we welcome: Amy Farrand, Lisa McKenzie, Ivory Blue, and Barry Lee joins us to share details about Concert for Carolyn

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #748

WMM Playlist from August 8, 2018

Una Walkenhorst photo by Mike Schwabauer

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 8, 2018

Spinning Records With Marion Merritt
+ Una Walkenhorst

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. R+R=NOW – “The Night In Question (feat. Terry Crews)”
from: Collagically Speaking (feat. Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah, Derrick Hodge, Taylor McFerrin & Justin Tyson) Blue Note / June 15, 2018
[Reflect+Respond=Now, a supergroup featuring Robert Glasper on keybords, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synthesizer, Justin Tyson on drums, and Terrace Martin on synth and vocoder. Motivated by their ethos to “reflect and respond,” forward-thinking jazz supergroup R+R=Now makes an ambitious, socially conscious blend of post-bop jazz, electronic-tinged fusion, avant-garde improvisational music, and hip-hop-influenced funk. Led by acclaimed pianist Robert Glasper, the group came together while he was working on Nina Revisited, a companion album released in conjunction with the 2015 Nina Simone documentary What Happened, Miss Simone?]

4. Kamasi Washington – “Street Fighter Mas”
from: Heaven and Earth / Young Turks / June 22, 2018
[Kamasi Washington was born in Los Angeles, California, on February 2, 1981 to musical parents and educators, and was raised in Inglewood, California. He is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA’s Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People’s Orchestra and Raphael Saadiq. Washington ventured into big band music when he joined the Gerald Wilson Orchestra for their 2006 album In My Time. Washington played saxophone on Kendrick Lamar’s To Pimp a Butterfly. His debut solo recording, The Epic, was released in May 2015 to critical acclaim. His second studio album, Heaven and Earth, was released in June 2018, with a companion EP titled The Choice released a week later.]

5. Bernice – “Glue”
from: Puff: In the Air Without a Shape / Arts & Crafts / May 25, 2018
[Toronto-based experimental soul-pop group includes; robin dann, thom gill, dan fortin, felicity williams, and phil melanson. “Puff: In the air without a shape,” is that band’s airy, minimalist follow up to their 2017 kaleidoscopic maximalist EP. Puff was produced by Grammy Award-winner Shawn Everett). Reminiscent of recent records by Feist and Frank Ocean where soulful vocal melodies take the lead over sparse, airy arrangements, Bernice’s new album attempts to reproduce the playful intimacy of the band’s live show.]

6. Belle and Sebastian – “Fickle Season”
from: How To Solve Our Human Problems (Parts 1-3) / Merge / February 16, 2018
[A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president’s ambassador, not the current one’s). Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious ‘The Same Star’, which marries Belle and Sebastian’s melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). “We’d met Leo in February of 2016, and I’d say that meeting and the recording of ‘I’ll Be Your Pilot’ were the first tangible steps of this EP project,” Martin says. “We didn’t have a stack of songs to play him, but we liked him and he became a part of the plan from that point – and when I’d got to a point with ‘The Same Star’ where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked ‘Leo’ coming up. It’s not a song we’d labored over playing for months – it fell together quite quickly thanks in large part to Bob’s [Bobby Kildea, guitarist] enthusiasm and Stuart’s willingness to dismember an old song and repurpose the break, so that it wasn’t just the same three chords over and over and over.” There’s one big reason why 15 songs are coming out on three EPs, rather than one album. “We’d made a couple of LPs, Tigermilk and If You’re Feeling Sinister, within the space of six months,” Murdoch says, remembering the early days of the band’s career, and how that fed into their decision-making this time.- from amazon.com]

10:28 – Underwriting

7. The Internet – “Roll (Burbank Funk)”
from: Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

8. Fantastic Negrito – “A Letter To Fear”
from: Please Don’t Be Dead / Blackball Universe – Cooking Vinyl / June 15, 2018
[Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

9. Black Rebel Motorcycle Club – “Haunt”
from: Wrong Creatures / Abstrat Dragon – Cobraside – BMG – Vagrant / January 12, 2018
[Rock band from San Francisco, California with: Peter Hayes (on vocals, guitar, harmonica; Robert Levon Been on vocals, bass, guitar; and Leah Shapiro on drums. Former drummer Nick Jago left the band in 2008 to focus on his solo project. They have released eight studio albums: B.R.M.C. (2001), Take Them On, On Your Own (2003), Howl (2005), Baby 81 (2007), The Effects of 333 (2008), Beat the Devil’s Tattoo (2010), Specter at the Feast (2013) and Wrong Creatures (2018), as well as several EPs, and live albums. The band was formed in 1998, originally called The Elements. After discovering that another band had the same name, the members changed the name to Black Rebel Motorcycle Club, after Marlon Brando’s motorcycle gang in the 1953 film The Wild One.]

10. Emily Otis – “drunk and anxious”
from: Poor Traits / Self Released / February 12, 2017
[Singer songriter Emily Otis is originally from Cedar Falls, Iowa who is now based in Kansas City. She calls herself. “mildly abrasive, musically eclectic and wistfully sarcastic.” “Poor Traits” is a audio-biographical work about my loveless experiences. The album is a collection of actual songs and found recordings. “Poor Traits” features the talents of Amy Wonderlin, Graham Howland, Michael Bowman, and George Patti. Recorded at Rama Studios Waterloo IA & “The White House” Cedar Falls IA. Mixed by Emily Otis. All songs written by Emily Otis except “Bad Romance”]

11. Super Elcados – “Tambourine Party”
from: Togetherness Is Always a Good Venture (Tambourine Party, Vol. 2) / EMI / July 6, 1976 Reissued on Mr. Bongo / 2018
[Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.]

12. The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[The Souljazz Orchestra is a Canadian musical group based in Ottawa that has toured Canada, the United States and Europe. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. The band has six members: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor, to name a few.” According to AllMusic, the band’s “overtly political 2006 single “Mista President,” off second album Freedom No Go Die (Do Right!), really increased their audience, [as it was] voted to the number nine spot in the 2006 Top 30 of BBC DJ Gilles Peterson’s Worldwide programme. In 2012, the band completed two US tours that included stops in cities such as Boston, New York City, Philadelphia, Washington DC, and Chicago. Their Resistance album release tour of Europe, all October/November 2015, sees them among others in London, Liverpool, Zurich, Paris, Lyon, Milan, Barcelona, Madrid, Berlin, Cologne, Vienna, Prague, Athens, Marseille.]

11:00 – Station I.D.

13. Hand Habits – “Actress”
from: Wildly Idle (Humble Before the Void) / Woodsist / February 10, 2017
[“Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles – it is appropriate that this album was recorded by Meg herself – for Meg, who has an acute ear for detail, has touched every corner, has seen every vision ’til its end. Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you – a bath, and Meg’s whisper has made its way inside you. Like many bedroom-debuts before it (Microphones, Jessica Pratt, Little Wings, Grouper) let this be the first of many to come, for Meg has music in her touch – and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; ‘hold you like a flower, hold you like an hour glass’.”- Kevin Morby”]

14. Vive la Void – “Red Rider”
from: Vive la Void / Sacred Bones / May 4, 2018
[Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo’s substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics. “The lyrics were a way of reckoning with my own memories and also of trying to process my reactions to the human situation,” Yamada explains. “I wanted the voice to have a kind of ghostly quality, to emerge from and recede back into the song, or to pass over it like weather. It’s one of many layers of sound, which are meant to blend together in such a way that on one listen you might hear one thing, and on another listen you might hear something else, so the music seems to change even as it stays the same.” Yamada has spent the last decade as a working musician, moving between semi-permanent home bases whenever she isn’t living in a tour van. In some ways, then, it feels inevitable that Vive la Void became a meditation on the strange rhythms of long-term touring, constant relocation, and the accompanying stream of brief but compelling encounters. It’s a testament to her empathy and creativity that these songs feel both specific and universal, familiar yet tantalizingly unknowable. “I feel like the movement of life in the sphere of consciousness is this process of trace-leaving,” Yamada reflects. “Wherever we go, whomever we interact with, whatever we touch, we leave and absorb these invisible traces, this residue of memory that lingers. I wanted the sonic textures of this record to explore that state of being there and not there, of something being with you but not tangible.”]

15. Ty Segall & White Fence – “Room Connector”
from: Joy / Drag City / July 20, 2018
[From Paste Magazine (July 18, 2018): Another month, another Ty Segall album. As noted in Paste earlier this year, the king of California psych/garage/punk-rock is arguably THEE most prolific major musician working right now, and the level of quality he achieves across his releases is incredibly high. The guy is quickly putting together an all-timer of a catalog. The newest entry in said catalog is Segall’s second collaborative album with veteran Los Angeles psych-pop experimenter White Fence, aka Tim Presley, formerly of The Nerve Agents and Darker My Love, and more recently Cate Le Bon’s partner in DRINKS. The two men joined forces in 2012 to produce a fun and fuzzed-out collection of songs called Hair, a “glorious mess of an album” we said way back when. Joy is a little more messy but almost as glorious. With track times mostly clocking in under 120 seconds, it’s a series of quick hits that are warped but relentlessly tuneful, like a Beatles LP that’s spent a blazing hot afternoon lying on a busy freeway. As songwriters, Segall and Presley complement each other nicely: Segall certainly knows his way around a catchy tune, but Presley’s a more natural melodicist, and while Presley definitely has his own rough edge, Segall’s a prodigious shredder. Wonder Twin Powers, activate! Form of…a fucked-up pop song! Highlights on Joy include “Body Behavior,” a pulsing acoustic rocker that snakes in the verses and sparkles in the chorus; “Other Way,” a dead-eyed noise excavation that feels like it fell off the Incesticide tree of influence; and “A Nod,” another rhythmic strummer that may just boast the prettiest melody on the album. There are other great songs here: the occasionally jazzy “Good Boy,” the beautiful and Neil Young-ish “My Friend,” and the propulsive “Do Your Hair,” which is powered by a bouncy bass line and uses its 95 seconds with impressive efficiency. The opposite is true for a couple of tracks that show up near the end of the album, “She Is Gold” and “Tommy’s Place,” two silly and/or stoney studio experiments that go nowhere, really. Joy would’ve been a tighter overall package if they’d been cut. With Segall, though, it’s worth hearing a couple of clunkers if it means he’ll keep making music at his preferred dizzying pace, because his hit-to-miss ratio is so high. And collaborating with Presley doesn’t dent that ratio. In fact, it brings out good things in both men. Here’s hoping their next album isn’t another six years away.

16. Ty Segall & White Fence – “Body Behavior”
from: Joy / Drag City / July 20, 2018

17. J.M. Black – “Lipstick (Shout)”
from: France chébran: French Boogie (1982 – 1989), Vol. 2 / Serendip Lab / May 25, 2018
[For fans of boogie in its Stateside form—think Kashif, Mtume, and the sprawling SOLAR Records oeuvre of producer Leon Sylvers III–Chébran Volume 2 offers both the comfort of the familiar and the thrill of the exotic. The brassy synthesizer tone on songs like “Heidi Bled Noum,” originally released by Shams Dinn in 1987, could just as easily have come out of Minneapolis circa 1983; and the Francophone flows on rap tracks like Phil Barney’s “Funk Rap,” JM Black’s “Lipstick,” and Alfio Scandurra’s “Qu’est Ce Qui Ne Va Pas?” demonstrate that even if the South Bronx was far away, the fruits of its culture had reached as far as Paris and Marseilles. But the songs collected here are more than just novel variations on American sounds; at their most intriguing, they reflect the unique cultural makeup of post-colonial France. Boogie, of course, grew out of the cross-pollinations between African American funk and European synthpop; the Gallic variety, with its roots in French immigrant communities, incorporated even further-flung influences from Africa and the Middle East. The aforementioned Dinn, born Mohammed Ben Bouchta, performs in Arabic, as do many of the other artists on the compilation; “Propriété Privée” singer Sammy Massamba hails from the Congo; the proto-electro “Ettika” was recorded by a group of Franco-Arab women of the same name. Chébran is rife with such intercontinental couplings and fascinating stylistic mutations, and the later chronological focus of this second volume opens up even more possibilities, with frequent forays into hip-hop and pure electronic music. It’s easy to picture Afro-French B-boys popping and locking to “Porquoi Tant de Haine,” the 1988 closing track by MC Joel Ferrati; or to Ethnie’s 1986 “De Chagrin en Chagrin,” which pairs a funky live hip-hop arrangement with an Arabic call-and-response chorus. Like most compilations of its ilk, Chébran’s sampling of international dance obscurities holds immediate appeal for DJs and other crate-digging connoisseurs of rare grooves. But there’s also an intrinsic value to hearing post-disco sounds defamiliarized and recontextualized in this way. A nebulous, short-lived genre even in its American form, boogie is often overlooked as a stopgap between disco proper and its sleeker, more mechanized offshoots, such as electro, house and techno. The hybrid formulations on Chébran Volume 2 offer a glimpse of the style’s unexploited possibilities, its adaptability into alternative cultures and contexts. More prosaically, but just as importantly, they also offer 17 monster grooves for lovers of synth-driven funk. – Zachary Hoskins Spectrum Culture, (June 20, 2018)]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

Marion and Una

11:30 – Underwriting

11:32 – Interview with Una Walkenhorst

Una Walkenhorst photo by Mike Schwabauer

Following the release of her debut album “Scars” in 2014, Una Walkenhorst immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Gilded Palace Radio wrote that Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)”. Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

25 year old, Kansas City based singer/songwriter Una Walkenhorst joins us on Wednesday MidDay Medley to play a few songs live in our 90.1 FM Studios and talk with us about Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una Walkenhorst Thanks for being with us on WMM

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York

After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half.

Una wanted to make it as a musician, on her own terms without help from her father.

Una Walkenhorst is the youngest daughter to dad Bob Walkenhorst, a founding member of The Rainmakers, which had a string of national and international hits in the 1980s and 90s.

Una told KCUR FM that her father was one of the people who made her love music. But having a famous father was sometimes challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says.

Una has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12.

Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

More information at: https://unawalkenhorst.bandcamp.com

10:39

18. Una Walkenhorst – “Pretty Face” (LIVE) 

Una says that this is a love song to Eugene Oregon. This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar.

The Midwest Innocence Project (MIP) is a not-for-profit corporation dedicated to the investigation, litigation, and exoneration of wrongfully convicted men and women in our five-state region. Recent studies conservatively estimate that between 2% and 5% of all inmates in America are innocent of the crimes for which they were convicted, with some estimates reaching up to 7%. This means that somewhere between 2,000 and 7,000 moms, dads, sons, and daughters in Missouri, Kansas, Iowa, Nebraska, and Arkansas are locked behind bars this very moment for crimes they did not commit.

After a conviction, it takes roughly seven to ten years for an innocent person to be exonerated, and the process is very expensive. As of May 2017, the 349 men and women across the country who have been exonerated through DNA served an average of 14 years in prison. The MIP staff, along with our Board of Directors, Advisory Board, Next Gen Board, and volunteers, works diligently to give freedom back to those whom the legal system has failed. Thanks to our partnerships with law schools at the University of Missouri in Kansas City and Columbia and the University of Kansas, our presence in the classroom gives us the opportunity to teach the next generation of lawyers and investigators how to identify and prevent these injustices.

The Midwest Innocence Project was founded in 2001 through the UMKC School of Law and is part of the national Innocence Network. In addition to our university partnerships, we also work in conjunction with the Nebraska Innocence Project, and Iowa Public Defender’s Wrongful Conviction Division. Read more about our partners here. We are based in Kansas City, Missouri.

More information at: http://www.mip.org

Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una tells us the Blue False Indigo will have their own Album Release Show on September 8.

Una Walkenhorst is working on her second solo album to follow up on Scars (released in 2014). She says that her previous album was lighter, but for her second album she is older, and in a different place, and plans to focus on heavier topics including mental illness and depression.

Una told KCUR FM, “It can be very stigmatizing and people don’t want to talk about it a lot, but I feel that it’s very important thing to talk about. So quite few songs in my next album will touch upon mental illness, and what it’s like to live with anxiety and depression.”

10:49

19. Una Walkenhorst – “Middle Man” (LIVE) 

This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

11:57

20. Una Walkenhorst – “What You Left Behind”
from: SCARS / Una Walkenhorst / July 1, 2014
[Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)” (Gilded Palace Radio) as she weaves stories of genuine human experience. More information at: https://unawalkenhorst.bandcamp.com/%5D

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 15, Chase The Horseman joins us in our first hour and in our second hour Kristie Stremel & Summer Osborne will play live in our 90.1 FM Studios

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #746

Una Walkenhorst photo by Mike Schwabauer