WMM Playlist from February 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback, Anna Selle & Bandwaggn

Marion Merritt

Marion Merritt returns as our special “Guest Producer.” For almost 15 years now, Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Bevis Frond – “Lead On
from: We’re Your Friends Man / Fire Records / December 7, 2018
[26th studio album from The Bevis Frond, a British musical group whose range covers hard edge to melancholy vintage indie rock to poetic, “classic-rock” songcraft. Nick Saloman is the band’s frontman and songwriter. They have recorded many singles and albums on various independent labels since 1987. Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12″ single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else. He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they’d been selling the album quite briskly. Saloman’s desire was to “record the kind of music I’d like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.” Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies. In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.]

4. Baxter Dury, Delilah Holliday & Etienne de Crécy – “Walk Away”
from: B.E.D / Pias America / October 26, 2018
[Debut recordings of collaborative trio of French producer Etienne de Crécy on electronic textures, with vocalist Baxter Dury’s and singer Delilah Holliday (of London band Skinny Girl Diet). Baxter Dury told the press, “Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It’s an unlikely mix that works because its short, simple and honest.”]

5. Big Wild – “6’s to 9’s (feat. Rationale)”
from: Superdream / Counter Records / February 1, 2019
[Debut album from Big Wild who is Jackson Stell, an electronic DJ, producer, composer, and engineer. Stell was born in Lancaster, Massachusetts. Stell set out on his own tour in Spring 2017, hitting 27 dates around America. Rational is Matthew Cameron Brotzel, a Canadian hip-hop artist from Saskatoon, Saskatchewan. On March 30, 2010, RationaL released his debut single “Cocaine Cowboy” from his debut album, The BirthWrite LP. The song garnered a 2010 Sphere of Hip-Hop award for “Song of the Year”, co-winning the honor alongside 2011 Juno Award winner and fellow Canadian rapper, Shad (“Rose Garden”). July 17, 2012 the rapper released The BirthWrite LP under his own independent imprint, Ear RationaL Music. The album featured guest appearances from Quannum Projects recording artist Pigeon John, former Rawkus Records artist and member of The Procussions, Mr. J. Medeiros, Relic, Theory Hazit and Ohmega Watts. In the fall of 2007, RationaL began the writing and recording process for his debut album, The BirthWrite LP. The album charted as high as #2 on the !earshot hip-hop charts. Although The BirthWrite LP is officially considered RationaL’s debut album, there was a free promotional album released on July 20, 2010 entitled Hard Labor: The BirthWrite Prequel that circulated locally and was made available online. The BirthWrite LP is most notable for the award-winning lead single “Cocaine Cowboy”. On July 23, 2013, RationaL reached an exclusive agreement with the Toronto Blue Jays and Major League Baseball to release his new single, “A Swing and a Belt”, dedicated to the late Hall of Fame voice of the Blue Jays, Tom Cheek. Cheek called a Major League record 4,306 consecutive games for 28 straight seasons on the Toronto Blue Jays Radio Network from April 7, 1977 to June 2, 2004. Produced by Imperial, “A Swing and a Belt” received high-praise from former World Series hero Joe Carter. Former Jays manager and current Sportsnet play-by-play man Buck Martinez also raved about the song. Martinez stated, “RationaL has captured everything that Tom Cheek was in regards to baseball. He had his passion, he understood his love of the game, he understood all the great moments in Tom Cheek’s broadcasting career. He weaves them into “A Swing and a Belt” in such a way that it brings back so many memories for fans, baseball people and media people that really captures the essence of Tom Cheek’s career with the Blue Jays. I don’t think it could have been done any better.”[citation needed] In addition, Sportsnet aired a clip of the song during the Blue Jays game versus the Houston Astros on July 27, 2013. “A Swing and a Belt” is also the lead single from RationaL’s upcoming album entitled Hell or High Water, scheduled for release soon on Ear RationaL Music. Confirmed collaborators for the record thus far include Mr. J. Medeiros, Factor, Imperial, Josh Palmer and Juno Award-winning producer and emcee, Relic.]

6. Kristen Hersh – “Lax”
from: Possible Dust Clouds / Fire Records / October 5, 2018
[The 11th solo album from Martha Kristin Hersh was born August 7, 1966, in Atlanta, Georgia. She moved to Newport, Rhode Island when she was six years old. Her father was a professor at Salve Regina University in Newport and her mother a special educational needs teacher. She was interested in music at an early age and wanted to learn guitar chords so her father gave her a guitar when she was nine. Her parents separated when Hersh was 11 and her mother married the father of her best friend Tanya Donelly. Hersh talked Donelly into starting a band, then called The Muses when they were 14. Throwing Muses was formed in 1981 when Hersh and Donelly were freshmen in high school. Friends from school, including Elaine Adamedes, Becca Blumen, Leslie Langston and David Narcizo, were part of the group with Narcizo becoming a long-term member. Hersh initially wrote and sang most of Throwing Muses’ songs, often in changing tempos. Donelly also contributed songs and lead vocals. Hersh attended Salve Regina University, majoring in archetypal psychology and philosophy, and the Rhode Island School of Design, but dropped out shortly before graduating to establish the band in Boston, Massachusetts, where they had been playing on weekends. While at Salve, Hersh befriended film actress Betty Hutton, who was attending the school in her 60s; Hutton also attended several early Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on the British label, and released their first EP Chains Changed in 1986. Two releases followed, The Fat Skier and the album House Tornado. The 4AD Throwing Muses biography describes its sound at the time as “… joining the dots between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns.” For the Throwing Muses 1986 UK tour, the Boston-based Pixies, embarking on their first European tour, was the opening band. The band signed a U.S. deal with Sire/Reprise Records in 1987 and began touring the U.S. and Europe while recording albums, with Hersh writing most of the songs. The band became a trio when Donelly left the group after 1991’s The Real Ramona. In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. After receiving some airplay and major media coverage for the Throwing Muses album University in 1995, Hersh moved to Rykodisc for the band’s 1996 album, Limbo, and released her solo album, Strange Angels in 1998. To better control her career and the distribution of her recorded material, she created the ThrowingMusic label with then-husband and manager Billy O’Connell in 1996. This enabled her to co-release some of her projects, including an ongoing download-subscription service called Works in Progress (WIP) for releases available through the label’s website. Hersh continued to offer her solo releases online, releasing “Sky Motel” in 1999. By the mid-90s, David Narcizo became Throwing Muses’ permanent drummer, still playing in the band whenever they tour. Throwing Muses functions as a noncommercial musical enterprise, focusing on touring over record sales and airplay. In a 2014 interview, Hersh stated, “As far as I’m concerned, music is not a commodity. It’s something that people have earned by being human. They have a right to hear it, and a right to share it, as they always have in churches and parties. That’s how music happens. Hersh has said her parents’ album collections, featuring Patti Smith, the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, The Clash, Steve Miller, The Beatles, Philip Glass, and traditional music all influenced her when she was growing up. Among her early contemporary musical influences are The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hüsker Dü, Velvet Underground, R.E.M., and X. Hersh was married to her former manager Billy O’Connell for 25 years until they divorced in 2013. She has four sons. Hersh has talked openly about her bouts with mental illness and its role in her musical process. A car accident at age 16 while she was riding her bicycle gave her a double concussion that affected the way she heard sounds. She described it as hearing ambient sounds continuously and “…the sounds would alter their sonic vocabulary until I was hearing syllables, and drums. And then all these words would come.” She’s stated that hearing “pieces of songs” in her mind compelled her to take the pieces apart and craft songs from them. She also claims that she doesn’t remember writing her early songs—that “they wrote her.” She’s had more than one diagnosis (and misdiagnoses) for her condition, including schizophrenic disorder, bipolar disorder, and most recently post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing (EMDR) therapy.]

7. Kristen Hersh – “No Shade in Shadow”
from: Possible Dust Clouds / Fire Records / October 5, 2018

10:32 – Underwriting

8. Antena – “Camino del So”
from: Antena: Camino del Sol / Numero / 2019
[Originally released in September, 1982] [Antena: Camino Del Sol is the second compilation album by The Numero Group (NUM002), based on a mini-album originally released in September 1982. It features tracks by French-Belgian trio Antena who were then signed to Belgian label Les Disques Du Crepuscule. Antena featured Isabelle Antena, a pseudonym for Isabelle Powaga, who is a cult figure known for her song “Say I Believe In It.” The re-release contains re-mastered tracks, B-sides and two previously unreleased songs.]

9. Boogarins – “Onda Negra”
from: Lá Vem a Morte / OAR / June 9, 2017
[Boogarins are a Brazilian psychedelic rock band formed in 2013 by Dinho Almeida (vocals, rhythm guitar) and Benke Ferraz (solo guitar). Later they were joined by Hans Castro (drums) and Raphael Vaz (bass guitar), forming a four-piece. In 2014, Ynaiã Benthroldo replaced Hans as drummer. Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013. A second album followed in 2015. The band took their name from a jasmine flower in Brazil. On June 7, 2017, the band’s third album Lá Vem a Morte was released on YouTube as a surprise for the fans. It was elected the 9th best Brazilian album of 2017 by the Brazilian edition of Rolling Stone. They have a new album titled Sombrou Dúvida to be released in 2019]

10. Sharon Van Etten – “I Told You Everything (Edited)”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

11. Hand Habits – “placeholder”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

10:59 – Station ID

12. Cass McCombs – “I Followed the River South to What”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

13. M. Ward – “Shark”
from: What a Wonderful Industry / M. Ward Records / June 8, 2018
[Matthew Stephen “M.” Ward was born October 4, 1973 and raised in Ventura County, California. He moved to Portland, Oregon after college. Growing up, Ward taught himself songs by The Beatles on his brother’s guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens. M. ward is a singer-songwriter and guitarist who is known for his folk and blues-inspired Americana analog recordings. He has released nine albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. More info at: http://www.mwardmusic.com]

14. The Glands- “Lovetown”
from: The Glands / Capricorn Records / 2018
[Originally released on August 1, 2000 on New West Records][The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in 2000 on Capricorn Records and reissued on Velocette Records in August 2001. The Glands’ unique sounds recalled a variety of influences, including the Kinks, the Who, and The Rolling Stones. The song “Livin’ Was Easy” was featured in the DVD Let America Laugh by comedian David Cross. The band reunited for a brief east coast tour in late 2011, playing several dates with Yo La Tengo. Ross Shapiro, singer, guitarist, and founding member of The Glands, died in March 2016 following a battle with an illness.]

15. The Glands – “I Can See My House from Here”
from: The Glands / Capricorn Records / 2018 [original – Aug. 1, 2000 on New West Records]

16. Lucy Dacus – “Night Shift”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”]

17. boygenius – “Me & My Dog”
from: bygenius / Matador / October 26, 2018
[indie rock supergroup formed by Julien Baker, Phoebe Bridgers, & Lucy Dacus. Their self-titled debut EP was written and recorded in four days at Sound City Studios in Los Angeles. In November 2018, Baker and Bridgers hit the road in North America for a co-headline tour, with Dacus opening. Each artist played her own individual set of tunes. The tour kicked off at Nashville’s Ryman Auditorium on November 4th, and traveled through the Northeast, Midwest, and West Coast, culminating at The Wiltern in LA on November 30.]

18. Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

11:37 – Underwriting

11:39 – Interview with Ada Brumback & Anna Selle

Ada Brumback & Anna Selle of Bandwaggn Kansas City on the February 13, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar, bass, and some keyboards in the band, Chase The Horseman. Ada Brumback used to play drums in the band Bedroom Wounds. Ada has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson.

Anna Selle is editor and founder of HearQueer, an online and print publication that amplifies queer voices in music. The first issue was launched June 30, 2017, and Anna is getting ready to release issue #4 this spring. Anna also serves s staff photographer for Playlistplay. She studied Art History at Truman State University. Anna is one of the co-founders of Bandwaggn. More info at: http://www.hear-queer.com

Ada Brumback and Anna Selle join us today to talk about Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

Ada Brumback and Anna Selle thank you for being with us on Wednesday MidDay Medley

Their first fundraiser: Valentine’s Day Formal: A Benefit for Bandwaggn, February 15, at Stray Cat Film Center has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

Bandwaggn’s mission “…is to create a youth-centered arts and social justice organization, creating a Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.”

The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Bandwaggn’s goal is to host at least 20 kids at the camp June 2020.

Bandwaggn strives to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes they hope to see include community building and empowerment among our youth participants.

Bandwaggn sees a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.” It’s our goal to become a member of the national Girls Rock Camp Alliance https://www.girlsrockcampalliance.org/

Valentine’s Day Formal: A Benefit for Bandwaggn, originally scheduled for Friday, February 15, at Stray Cat Film Center, has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

11:56

19. Mercury Rev – “Big Boss Man”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 20, Claire Adams joins us to talk about her show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, with string quartet, Rewound, performing Adams’ original songs as arranged by Peter Lawless with special guest Alyssa Murray opening the night. ALSO…Frank Alvarez joins is to talk about the new record store Sister Anne’s – Records and Coffee that he has opened with Jim Oshel at 901 East 31st Street, KCMO named after Anne Winter who owned Recycled Sounds a record store where they both worked. ALSO next week, Wick Thomas joins us to share details about A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #773

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WMM Playlist from February 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 28, 2018

More New & MidCoastal Releases + The Matchsellers
+ Jen Harris & Siobhan McLaughlin Lesley of “Collective: Our Stories of Cancer”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 1979
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.]

3. Sunny War – “If It Wasn’t Broken”
from: With the Sun / Org Music – Hen House Studios / Feb. 2, 2018
[“Los Angeles-based singer, songwriter and guitarist Sunny War (née Sydney Lyndella Ward) was born to a single mom in Nashville. She had what’s she’s described as a nomadic childhood, moving around from Michigan, Colorado, and living on the streets of San Francisco. Now in her mid-20s, War settled down in Los Angeles as a teenager, and became known for her street playing in Venice Beach. War is a fantastic guitar player. She learned her plucking style by playing “Blackbird” by The Beatles, and by falling in love with the blues. “I feel like I am a blues guitarist, but I don’t think I’m a blues artist,” she says. “I only use the scales and techniques that I know, and the only time I was trained in music was on blues guitar. I really love Elizabeth Cotten and Mississippi John Hurt,” says War.” – from NPR Music]

4. Hembree – “Continents”
from: Kitsuné America 5, the NBA Edition / Kitsuné Musique / February 15. 2018
[Kitsuné is a French record label and clothing designer. Hembree formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. Their single “Had It All” was released July 26, 2017. Hembree released their debut EP, Had It All on Ribbon Music on November 3. 2017, engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hembree played several North American cities opening for JR JR.]

[Hembree plays The Granada Theatre in Lawrence on Sat, April 28, with Dream Girl, and Y God Y]

5. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes. Car Seat Headrest is currently on tour in the Northwest, and after a May 8 show in Brooklyn, the band travels to Europe for dates in May and then will be back touring the state through June and July.]

6. Joy Zimmerman – “Say My Name (For Camille Claudel)”
from: Say My Name / Joy Zimmerman / April 23, 2016
[KC based Joy Zimmerman is singer – songwriter who performs solo, and as a duo with Jimmy Dykes, and also with a full band. Joy began playing violin before walking to kindergarten. She played classical music and sang in choirs her whole life until deciding to try her hand at guitar. Playing a chordal instrument led to the thrill of songwriting and the discovery of her solo voice. Joy has five albums of original music–two recorded and co-produced with Jimmy Dykes in Kansas City at Weights and Measures Soundlab and three recorded and produced by Fett in Nashville at Azalea Studios. Her songwriting awards include American Songwriter Lyric Contest Honorable Mention and five Walnut Valley Festival New Song Showcase wins. ]

[Joy Zimmerman plays Saturday Storytellers at Ollies Local, 3044 Gillham Rd, March 3, at 5:00 PM with Erin Eades.]

7. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play Replay Lounge in Lawrence, Sat, March 3, at 10:00 PM w/ The Grisly Hand and Rachel Mallin & The Wild Type.]

8. Tom Petty – “Yer So Bad”
from: Full Moon Fever / MCA / April 24, 1989
[“Yer So Bad” is a song co-written and recorded by Tom Petty. It was released in 1990 as the fifth single from his first solo album Full Moon Fever, It features contributions from members of his band the Heartbreakers, notably Mike Campbell, as well as Jeff Lynne, Roy Orbison (who died prior to its release), and George Harrison, Petty’s bandmates in the Traveling Wilburys.The record shows Petty exploring his musical roots with nods to his influences. The songwriting is mainly collaborations between Petty and Lynne, who was also a producer on the album. The album became a commercial and critical success peaking at No. 3 on the U.S. Billboard 200 and being certified 5× platinum in the United States and 6× platinum in Canada. Thomas Earl Petty was born Oct 20, 1950 and tragically died on Oct 2, 2017. Tom Petty was a singer-songwriter, multi-instrumentalist, record producer, and actor. He was the lead singer of Tom Petty and the Heartbreakers, formed in 1976. He previously led the band Mudcrutch. He was also a co-founder of the late 1980s supergroup the Traveling Wilburys. In his career, he sold more than 80 million records worldwide, making him one of the best-selling music artists of all time. He was inducted into the Rock and Roll Hall of Fame in 2001. Tom Petty release 3 solo records, 13 albums with The Heartbreakers, and two albums with The Traveling Wilburys.]

[Friday March 2, at 9:00 at recordBar, 1520 Grand Ave The Cody Wyoming Deal present Heartbroken: A Tribute to Tom Petty & The Heartbreakers. The Deal is a semi revolving lineup of some of the best KC musicians Kansas City who has served as a backing band for Alejandro Escovedo, and thrown an all star tribute to The Rolling Stones “Exile on Main Street.” This time out, The Deal consists of: Cody Wyoming on guitar & vocals, JB Moreland on guitar & Vocals, Erik Voeks on Bass & vocals, Matt Richey on drums, Lin Buck on keyboards, and Katie Gilchrist on percussion & vocals.]

10:30 – Underwriting

9. The Matchsellers – “BLUEGRASTRONAUTS”
from: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018
[3rd full length release from classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS.]

[The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.]

10:36 – Interview with The Matchsellers

The Matchsellers

Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. In late 2014 they released their debut full length recording, and followed that up with their second release, “Songs We Made Up” in 2016. Tha Matchsellers are back in our 90.1 FM Studios to share music and information from their newest album, BLUEGRASTRONAUTS. The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.

Julie Bates and Andrew Morris thanks for being with us on Wednesday MidDay Medley.

The Matchsellers & The Breakfast Sides present a new CD of Interstellar Old-time music entitled “Bluegrastronauts” Bluegrastronauts is old-time in outer space. It’s a far away galaxy as close as your first cousin. It’s a 100,000 mile an hour horse-and-buggy.

Since 2013 Andrew Morris and Julie Bates, better known as the Matchsellers, have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves and Betsey Beymer. Graves is one of the country’s finest dobro players and has been featured in high-profile publications such as Rolling Stone, The Bluegrass Situation and many others. Beymer is a sought after bassist from Lakin, KS.

Together the 4-piece combines absurdity, authenticity and excellent musicianship to create a performance that is representative of the present age. They are pleasantly stuck between the best aspects of bygone years and the best of the future.

10:48

Julie Bates and Andrew Morris of The Matchsellers on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10. The Matchsellers – “Until You Came To Mind” (Live)
Also available on: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018

The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.

10:57

Julie Bates and Andrew Morris of The Matchsellers on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. The Matchsellers – “Stars in Your Eyes” (Live)
Also available on: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018

11:00 – Station ID

12. Vigil and Thieves – “heroin & automobiles”
from: heroin & automobiles – Single / Independent / July 25, 2017
[Vigil and Thieves is a Kansas City indie alternative quartet formed in early 2014. Sarah Storm on vocals & guitar & keys, Steph Castor on guitar, Matthew Muckenthaler on bass , Andrew Flaherty on drums. Recorded at Vibe Studios in Bedford Heights, Ohio, engineered by John Burke. Lyrics by Sarah Storm and Music by Vigil and Thieves. Previously described as “grandiose” with a “heartbreaking heaviness,” the band has honed in on dynamic and lyrically-driven song structures that have been compared to live poetry. Neverland embodies every adventure the band has collectively taken part in.]

[Vigil and Thieves play The MidCoast Takeover Fundraiser #3, Saturday, March 3, at The Brick, with The Travel Guide, and The Almighty Trouble Brothers.]

13. Screaming Females – “I’ll Make You Sorry”
from: All At Once / Don Giovanni Records / February 23, 2018
[Screaming Females is an American indie rock band, from New Brunswick, New Jersey. They have released seven full-length albums. The band comprises Marissa Paternoster on guitar and vocals, Jarrett Dougherty on drums, and King Mike on bass. Mike and Marissa formed a band in high school under the name Surgery On TV. After several lineup changes they finally decided on the trio and a name change to Screaming Females. The Screaming Females got their start in the basement show scene of New Brunswick, NJ.[citation needed] Shows are held in the houses of various bands, students, and residents, so people under 21 can attend. The band has gone on to achieve success with a wider exposure, having been featured on NPR, Last Call with Carson Daly, and MTV. Screaming Females have played with bands such as Garbage, Throwing Muses, Dinosaur Jr., The Dead Weather, Arctic Monkeys, Ted Leo & The Pharmacists, JEFF the Brotherhood, Little Lungs, Cheeky, The Ergs, Shellshag, The Measure.In 2012 Marissa Paternoster was named the 77th greatest guitarist of all time by Spin magazine.]

11:10 – Underwriting

14. The People’s Liberation Big Band – “The Council of Mice”
from: The People’s Liberation Big Band / Tzigane / November 7, 2010 (play :45 of song)
[Recipient of the 2010 Charlotte Street Generative Performing Award, Brad Cox is founder of The People’s Liberation Big Band of Greater Kansas City.]

[The Brad Cox Octet plays The Ship, Thursday, March 1, at 9:30 PM]

[The People’s Liberation Big Band of Greater Kansas City play recordBar, 1520 Grand Ave. on Sunday, March 4, at 7:00 PM as part of Jeff Harshbarger’s Alternative Jazz Series.]

Julie Bates, Andrew Morris, Jen Harris, Siobhan McLaughlin Lesley, and Rachel Hills, on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:15 – Interview with Jen Harris and Siobhan McLaughlin Lesley

Our next guests include: Poet Jen Harris a professional public speaker, spoken word poet, activist, published author, founder and former host of Kansas City Poetry Slam. Nationally recognized Jen Harris works as an advocate to incorporate spoken word poetry as a form of peer-based mental health therapy.

Siobhan McLaughlin Lesley is the Executive Director for Gilda’s Club Kansas City, an organization providing education and support to anyone with a cancer impact. Siobhan has over two decades of experience in providing marketing communications and development leadership to some of Kansas City’s most successful and visible marketing communications companies, as well as civic and arts organizations. Prior to joining Gilda’s Club Kansas City, Siobhan served as vice president and director of client services at Walz Tetrick Advertising and as president and COO at Valentine Radford.

Jen Harris and Siobhan McLaughlin Lesley join us to share information about, Collective: Our Stories of Cancer, a multi-disciplinary production that provides an insightful experience into life with cancer. The performance features original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer. Performances are Friday, and Saturday, March 2 and 3 at 7:30 PM, and Sunday, March 4 at 2:00 PM, at La Esquina Gallery, 1000 W. 25th St in KC’s historic Westside. For more info you can visit: http://www.owencoxdance.org.

Jen Harris and Siobhan McLaughlin Lesley thanks for being with us on Wednesday MidDay Medley

Owen Cox Dance Group, Charlotte Street Foundation, and Gilda’s Club Kansas City present Collective: Our Stories of Cancer.

In 2018, Gilda’s Club Kansas City is hoping to raise awareness of the incidence of cancer in the local community and the positive benefits of education, support and self-advocacy. A new way of raising awareness has been brought to the fold through the multi-disciplinary production Collective: Our Stories of Cancer. Art connects people in a special and intimate way. Collective is a production that seeks to capitalize on that, celebrating those impacted by cancer, serving to unite those who have or are currently experiencing cancer, while embracing diversity and instilling hope.

The overview of Gilda’s Club… created in honor of Gilda Radner

Gilda’s Club is a community organization for people living with cancer, their families and friends. Local chapters provide meeting places where those living with cancer, their families, and friends can join with others to build emotional and social support as a supplement to medical care. Free of charge and nonprofit, Gilda’s Club chapters offer support and networking groups, lectures, workshops and social events in a nonresidential, homelike setting. The club was named in tribute to an original Saturday Night Live cast member Gilda Radner, who died of ovarian cancer in 1989. In 2009, Gilda’s Club merged with The Wellness Community to form the Cancer Support Community, although local branches generally opted to retain the name Gilda’s Club.

Gilda’s Club was founded by Joanna Bull, Radner’s cancer psychotherapist along with Radner’s widower, Gene Wilder (himself a cancer survivor) and broadcaster Joel Siegel (who died after a long battle with the disease). The first club opened in New York City in 1995, after a long fundraising campaign that included movie trailers featuring Wilder in theaters around the country. The organization took its former name from Radner’s comment that cancer gave her “membership to an elite club I’d rather not belong to.” Radner’s story can be read in her book, It’s Always Something.

In July 2009, Gilda’s Club Worldwide merged with The Wellness Community, another established cancer support organization to create the Cancer Support Community (CSC). As of 2012, there were over 20 active local affiliates of Gilda’s Club. Although some local affiliates of Gilda’s Club and The Wellness Community have retained their names, many affiliates have adopted the name Cancer Support Community following the merger. The proposed name change caused controversy in some communities. The national organization introduced a web-based diagnostic “distress screening” tool which led the Pittsburgh Gilda’s Club to change its name and sever its ties with the national organization because of a disagreement over requirements to offer the screening tool to all patients.

The performance will feature original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer.

“The Intro/The Tale of Captain Bill Brockway”

Musical composer – Stacy Busch is a multimedia artist and performer. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed throughout the country as well as in France and Iceland.

11:29

15. Jen Harris (Live) w/ Stacy Busch – “Intro/The Tale of Captain Bill Brockway”
from: Collaborations: Our Stories of Cancer / Charlotte Street – Owen Cox Dance / 2018

Jen Harris and Siobhan McLaughlin Lesley have joined us to share information about, Collective: Our Stories of Cancer, a multi-disciplinary production that provides an insightful experience into life with cancer.

The performance will feature original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer.

The work will be performed by Jen Harris, Stacy Busch, soprano Liz Pearse, and five dancers of Owen/Cox Dance Group. Dancers include Megan Buckley, Felicia McBride, Emily Mushinski, Logan Pachciarz, and Christopher Page-Sanders.

Siobhan has served on a variety of non-profit boards in the arts and social services sectors. Currently, she serves on the Board of Directors of The Kansas City Ballet, Goodwill Industries of Western Missouri and Eastern Kansas, The Health Care Foundation’s Community Advisory Committee, the Mayor’s Task Force on Progress and Kansas City Friends of Alvin Ailey. She is also a trustee of Pembroke Hill School.
Siobhan has her master’s degree from the University of Kansas and a bachelor’s degree from Vanderbilt University in Nashville, Tennessee.

Jen Harris and Siobhan McLaughlin Lesley Thank you for being with us on WMM

Collective: Our Stories of Cancer, a multi-disciplinary production featuring original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club is being publicly presented this Friday, and Saturday, March 2 and 3 at 7:30 PM, and Sunday, March 4 at 2:00 PM, at La Esquina Gallery, 1000 W. 25th St in Kansas City’s historic Westside. For info you can visit: http://www.owencoxdance.org.

11:40 – Best Original Song Nominations of the 90th Annual Oscar Awards

Next up we feature songs nominated for Best Original Song at the 90th Annual Oscar Awards, airing this Sunday Night, March 4. All five of this year’s nominees for Best Original Song will be performed on the Oscars. We’ll play 4 of the 5 nominated songs.

First up we’ll hear from Common, who duets with Andra Day on “Stand Up For Something” from the film “Marshall.” The three-time Grammy champ won an Oscar in 2014 for “Glory” from the film “Selma.” Common co-wrote this new song with nine-time Oscar nominee Diane Warren.

Second we’ll play Sufjan Stevens and his song “Mystery of Love” that he composed for “Call Me by Your Name.”

Third, we’ll hear from, Mary J. Blige, who made Oscar history as the first person to be nominated for both acting and composing in the same year. The nine-time Grammy winner will perform “Mighty River,” which she co-wrote with Raphael Saadiq and Taura Stinson for the film “Mudbound, for which she is nominated for Best Supporting Actress.

Our final Best Original Song nomination is “Remember Me” from the animated film “Coco.” sung by Grammy nominee Natalia LaFourcade and Grammy winner Miguel.

16. Andra Day – “Stand Up for Something (feat. Common)”
from: Marshall (Original Motion Picture Soundtrack) / Marshal Films LLC / Sept 29, 2017
[Marshall is a 2017 American biographical legal drama film directed by Reginald Hudlin and written by Michael and Jacob Koskoff. It stars Chadwick Boseman as Thurgood Marshall, the first African-American Supreme Court Justice, and focuses on one of the first cases of his career. It also stars Josh Gad, Kate Hudson, Dan Stevens, Sterling K. Brown, and James Cromwell. Cassandra Monique “Andra” Batie known professionally as Andra Day, is an American singer and songwriter from San Diego, California. Her debut album, Cheers to the Fall, was released in 2015 and peaked at number 48 on the US Billboard 200 chart. The album was nominated for Best R&B Album and the album’s main single, “Rise Up”, was nominated for Best R&B Performance at the 2016 Grammy Awards. Lonnie Rashid Lynn, Jr. (born March 13, 1972), better known as Common, is an American hip hop recording artist, actor, poet, and film producer. Common debuted in 1992 with the album Can I Borrow a Dollar? and maintained a significant underground following into the late 1990s, after which he gained notable mainstream success through his work with the Soulquarians. In 2011, Common launched Think Common Entertainment, his own record label imprint, and, in the past, has released music under various other labels such as Relativity, Geffen and GOOD Music, among others. Common’s first major-label album, Like Water for Chocolate, received widespread critical acclaim and tremendous commercial success. His first Grammy Award was in 2003, winning Best R&B Song for “Love of My Life”, with Erykah Badu. Its popularity was matched by May 2005’s Be, which was nominated for Best Rap Album, at the 2006 Grammy Awards. Common was awarded his second Grammy for Best Rap Performance by a Duo or Group, for “Southside” (featuring Kanye West), from his July 2007 album Finding Forever. His best-of album, Thisisme Then: The Best of Common, was released on November 27, 2007. Common won the 2015 Golden Globe Award for Best Original Song and the 2015 Academy Award for Best Original Song, for his song “Glory” from the 2014 film Selma, in which he co-starred as Civil Rights Movement leader James Bevel. Common’s acting career also includes starring significant roles in the films Smokin’ Aces, Street Kings, American Gangster, Wanted, Terminator Salvation, Date Night, Just Wright, Happy Feet Two, New Year’s Eve, Run All Night, Being Charlie, and John Wick: Chapter 2.]

17. Sufjan Stevens – “Mystery of Love”
from: Call Me By Your Name (Orig. Motion Picture Soundtrack) / Madison Gate / Nov 3, ’17
[Call Me by Your Name is a 2017 coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the final installment in Guadagnino’s thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father’s American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois. Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

18. Mary J. Blige – “Mighty River”
from: Mudbound (Original Motion Picture Soundtrack) / Netflix Studios / Nov 17, 2017
[Mudbound is a 2017 American period drama film directed by Dee Rees and written by Rees and Virgil Williams, based on the novel of the same name by Hillary Jordan. It stars Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, and Mary J. Blige. The film depicts two World War II veterans – one white, one black – who return to rural Mississippi each to address racism and PTSD in his own way. Mary Jane Blige was born January 11, 1971. She is an American singer, songwriter, rapper, record producer, and actress. She has been honored with numerous accolades and nominations, including winning nine Grammy Awards, and being the recipient of three Golden Globe nominations including one for Best Supporting Actress for her role as Florence Jackson in Mudbound (2017), for which she also became the first woman to receive multiple Academy Award nominations in the same year including for Best Supporting Actress and Best Original Song. She started her career as a backing singer on Uptown Records in 1989. In 1992, Blige released her first album, What’s the 411?. She has released 13 studio albums, eight of which have achieved multi-platinum worldwide sales. Her album My Life is among Rolling Stone’s 500 Greatest Albums of All Time, and Times All-Time 100 Albums. She received a Legends Award at the World Music Awards in 2006, and the Voice of Music Award from performance rights organization ASCAP in 2007. As of 2013, Blige has sold 75 million records worldwide. Billboard ranked Blige as the most successful female R&B/Hip-Hop artist of the past 25 years. In 2017, Billboard magazine also lists her 2006 song “Be Without You” as the most successful R&B/Hip-Hop song of all time, as it spent an unparalleled 15 weeks atop the Hot R&B/Hip-Hop Songs chart and over 75 weeks on the chart. In 2011, VH1 ranked Blige as the 80th greatest artist of all time. Moreover, she is ranked number 100 on the list of “100 greatest singers of all time” by Rolling Stone magazine. In 2012, VH1 ranked Blige at number 9 in “The 100 Greatest Women in Music” list. Blige starred in the 2009 Tyler Perry box-office hit I Can Do Bad All By Myself and appeared in the film Rock of Ages (2012). She received a Golden Globe Award nomination for her musical contribution to the film The Help. In 2017, she appeared in the period-drama film Mudbound, directed by Dee Rees, for which she received nominations for the Academy Award and Golden Globe Award for Best Supporting Actress, as well as Best Original Song nods in both award contests for the film’s song “Mighty River”.]

19. Miguel – “Remember Me (Dúo) [feat. Natalia Lafourcade]”
from: Coco (Original Motion Picture Soundtrack) / Walt Disney Records / November 10, 2017
[Coco is a 2017 American 3D computer-animated musical fantasy adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by Unkrich and co-directed by Adrian Molina. The story follows a 12-year-old boy named Miguel Rivera who is accidentally transported to the land of the dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family among the living. The concept of the film is based on the Mexican holiday of the Day of the Dead. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film’s crew visited Mexico for inspiration. Composer Michael Giacchino, who had worked on prior Pixar animated features, composed the score. The film’s voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía, and Edward James Olmos. It is the first-ever film with a nine-figure budget to feature an all-Latino cast, with a cost of $175–200 million. Miguel Jontel Pimentel (born October 23, 1985) is an American singer, songwriter, actor and record producer. Raised in Los Angeles, he began creating music at age thirteen. After signing to Jive Records in 2007, Miguel released his debut studio album, All I Want Is You, in November 2010. Although it was underpromoted upon its release, the album became a sleeper hit and helped Miguel garner commercial standing. After Jive’s dissolution in 2011, he moved to RCA Records and released his second studio album, Kaleidoscope Dream in 2012 to critical acclaim. On June 29, 2015, Miguel released his third studio album, Wildheart, which also received universal critical acclaim. Miguel incorporates R&B, funk, hip hop, rock and electronic styles into his music, and has been compared to vocalists Babyface and Prince. Miguel was born and raised in San Pedro, Los Angeles, California. He is one of two sons of a Mexican American father and an African American mother. María Natalia Lafourcade Silva was born February 26, 1984. She is a Mexican pop-rock singer and songwriter who since her debut in 2003 has been one of the most successful singers in the pop rock scene in Latin America. Her band’s name is Natalia y La Forquetina. Lafourcade’s voice has been categorized as a lyric soprano.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 7, Timmy Tilton joins us as Guest Producer for our second hour.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #723

WMM Playlist from May 22, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 22, 2013

+ The Blackbird Revue
+ Patrick Sumner & Chris Snipes & “Civil War on Wheels”
+ Guest DJ Simone Briand

1. Yo La Tengo – “Well You Better”
from: Fade / Matador Records / January 15, 2013
[Indie rock band formed in Hoboken, New Jersey in 1984 by husband and wife: Ira Kaplan (guitars, piano, vocals), and Georgia Hubley (drums, piano, vocals). Since 1992, the lineup has included James McNew (bass, vocals). This is their 13th full-length album. It was produced by John McEntire, instead of Roger Moutenot, who had produced all their albums since 1993’s “Painful.” Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. The band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.]

[Yo La Tengo plays Kansas City, TONIGHT at 8 p.m. at Crossroads KC, 417 E. 18th St. There is no opener. Yo La Tengo will perform two sets.]

2. The ACB’s – “Surface”
from: Little Leaves / High Dive Records / March 5, 2013
[Konnor Ervin on lead vocals, Andrew Connor on Guitar & Vocals, Bryan McGuire on Bass & Vocals, Kyle Rausch on Drums & Vocals.]

[The ACBs play Golden Sound Records “On The House”show 9:00 pm at the Riot Room, Saturday, May 25 with The Empty Spaces and Rev Gusto.]

3. David George & A Crooked Mile – “Withering”
from: Single Release / Independent / May 2013
[David George – Vocal, Acoustic & Electric guitars, Percussion, Eason Pritchard – Bass , John Johnson – Lead Guitar , Cody Wyoming- Lap Steel, Vocals , Chris Meck – Lap Steel , Matt Davis – Drums , Melissa Bollman – Vocals]

[David George played on The Late Show with David Letterman last night on CBS Television when he performed as part of John Fogerty’s band who David has been touring and playing with, when he is not doing his own music.]

4. Vehicle – “Virgil’s Ploy”
from: The Reluctant Cog / Recorded at Deerwolfanimalbear studios / May 25, 2013

[After 12 Years, Vehicle will release their new CD “The Reluctant Cog” as their farewell show, at Coda, Saturday, May 25, with The King Devilles, Terrence Moore, Chris Tady.]

10:15– Interview with Patrick Sumner & Chris Snipes

Patrick Sumner is the writer and Director and with Chris Snipes is the producer of “Civil War on Wheels” a new documentary film that follows Greg Clemon’s Civil War on Wheels demolition derby promotions, and Mac McClanahan’s derby team, We Ain’t Stupid, that was partly made up of “big city artists” and eccentrics. The film outlines the intersection of Kansas versus Missouri drivers in such County Fairs as Platte, Cass, and Wyandotte in the Greater Kansas City Metro region. The film is full of car crashes, and bluegrass music. “Civil War on Wheels” premieres tomorrow night, Thursday, May 23 at 7:00 pm, at the Tivoli Theatre in Kansas City.

Civil War On Wheels Premier ~ A documentary about rivalry between Kansas and Missouri demolition derby drivers produced by Patrick Sumnerand Chris Snipes starring derby promoter Greg Clemons and driver/team leader Mac McClanahan. The movie premiered April 28 at the Lawrence Arts Center, Lawrence, KS.

Originated by the Sumnerve Brothers, in 2004, and concluded by Patrick Sumner & Chris Snipes

Music in this documentary includes tracks from: Rural Grit Records (thanks Kim and Mark), Split Lip Rayfield (thanks Eric Mardis), Molly Gene the One Whoaman Band, The Sybil (thanks Kevin Young), Snuff Jazz (thanks Mark Southerland) Jamey Logan the E string fiddler and Sin City Disciples (thanks Ernie Locke) plus Dain Peterson with an original for the film about Demolition Derby by the same title.

“Civil War on Wheels” premieres tomorrow night, Thursday, May 23 at 7:00 pm, at the Tivoli Theatre in Kansas City.

10:27

5. Dale Frazier – “June Apple”
from: / Rural Gri tRecords /

10:29 – Underwriting

10:30 – Interview with Jacob & Danielle Prestidge of The Blackbird Revue

6. The Blackbird Revue – “RPM” (LIVE)

Jacob Prestidge and Danielle Prestidge, new EP Glow was recorded at The Conductor Studio, Nashville, TN. and produced with Don Chaffer who has made amazing recordings with Sara Swenson and The Barclay Martin Ensemble.

All songs written by Jacob Prestige.

Joesph Peaks joined the band 6 months ago, and he played guitar live, during the radio performances.

The Blackbird Revue have recently shared the stage with such luminaries as Edward Sharpe and the Magnetic Zeros, Over the Rhine, and Gregory Alan Isakov, while playing at numerous venues across the midwest, including the SXSW Festival in Austin, TX, and Kansas City’s Middle of the Map Fest. The band recently opened for: Pegi Young & The Survivors.

10:45

7. The Blackbird Revue – “The Devil’s Hand” (LIVE)

The Blackbird Revue are playing a the recordBar, at 1020Westport Road, this Saturday night, May 25, with She’s A Keeper.

10:51

8. The Beatles – “And Your Bird Can Sing”
from: Revolver / Capitol / August 5, 1966

10:53 – Interview with Barry Lee

Barry Lee hosts Signal To Noise every Sunday night at 8:00pm on 90.1 FM KKFI and for the third year in a row he has organized an amazing Beatles Tribute Benefit Concert of 90.1 FM – Beatles Tribute III: Being for the Benefit of KKFI, June 1, 8:00 pm, at Knuckleheads Saloon, 2715 Rochester Street, KCMO.

The show has moved to Knuckleheads Saloon, (2715 Rochester Street, KCMO.) this year!

$18 Advance; $20 Day of Show. More info at:knuckleheadskc.com or kkfi.org

Featuring The Heebie Jeebies

The Dead Girls will be performing “Revolver” in it’s entirety.

Also featuring the band assembled for this special evening: Darrell Lea, Alan Wellman, Pat Tomek, Dan Mesh, Nate Holt, & Paul Lemon.

with guest vocalists: Elaine McMillan, Joey Skidmore, Steve Wilson, Dave Tanner, and Fast Johnny Ricker.

Beatles Tribute III: Being for the Benefit of KKFI, June 1, 8:00 pm, at Knuckleheads Saloon, 2715 Rochester Street, KCMO. $18 Advance; $20 Day of Show. More info at: kkfi.org

11:00 – Guest DJ Simone Briand

9. The Clash – “Lose this skin”
from: Sandinista / CBS – Epic / Dec. 12, 1980

Simone Briand has lived in New York and Miami, but grew upon the high plains of western Kansas, where she learned to love the sky, sonic booms, and Engelbert Humperdink. Her older siblings’ hippie albums set her onthe path to loving music of all types. A self-described zen-hobo, she currently resides in Overland Park and works as a librarian.

10. Kristin Hersh – “Ruby”
from: Sunny Border Blue / 4AD / March 12, 2001

11. Mike Andrews – “Hello Lemon”
from: Hand on String / Elgin Park Recordings / Feb. 14, 2006

11:15

12. Paul Kantner and Grace Slick – “Silver Spoon”
from: Sunfighter / Grunt, RCA / Nov. 1971

13. Paul Kantner and Grace Slick – “China”
from: Sunfighter / Grunt, RCA / Nov. 1971

14. Victoria Williams – “Love”
from: Loose / Atlantic / Oct. 18, 1994

11:30 – Underwriting

11:31

15. The Specials – “I Can’t Stand It”
from: More Specials / 2 Tone / Oct, 1980

16. The Clash – “Call Up”
from: Sandinista / CBS, Epic / Dec. 12 1980

17. Modest Mouse – “Perpetual Motion Machine”
from: No one’s first and you’re next / Epic / August 4, 2009

11:30

18. Bjork – “Dark Matter”
from: Biophilia / One little Indian – Polydor / Oct. 10,2011

19. Inara George – “A Day”
from: All Rise / Everloving / Jan. 25 2005

20. They Might Be Giants – “I can hear you”
from: Factory Showroom / Elektra / Oct. 8 1996

11:59:30

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #474